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Variety Awards Circuit section is the home for all awards news and related content throughout the year, featuring the following: the official awards predictions for the upcoming Oscars and Emmys ceremonies, curated by Variety senior awards editor Clayton Davis; Awards Circuit Column, a weekly analysis dissecting the trends and contenders by television editor Michael Schneider (for Emmys) and Davis (for Oscars); Awards Circuit Podcast, a weekly interview series with talent and an expert roundtable discussion; and Awards Circuit Video analyzes various categories and contenders by Variety's leading awards pundits. Variety's unmatched coverage gives its readership unbeatable exposure in print and online, as well as provide inside reports on all the contenders in this year's awards season races.

To see all the latest predictions, of all the categories, in one place, visit THE EMMYS COLLECTIVE
Visit each category, per the individual awards show from THE EMMYS HUB
To see old predictions and commentary, click the EMMY PREDICTIONS ARCHIVES
For film awards predictions go toTHE OSCARS HUB

UPDATED: April 21, 2022

2022 EMMYS PREDICTIONS:
OUTSTANDING LEAD ACTRESS IN A DRAMA SERIES

AWARDS PREDICTION COMMENTARY: 

Zendaya, already the youngest actress to win lead actress drama in Emmy history, looks to extend her record with a possible second win for “Euphoria.” She’s also the second Black woman to win the category following Viola Davis for “How to Get Away with Murder,” so she would also be the first Black woman to win multiple leading trophies.

She’ll face stiff competition from Melanie Lynskey (“Yellowjackets”), and any number of her co-stars that are vying for a spot including Juliette Lewis and Tawny Cypress.

Jodie Comer and Sandra Oh, the co-leading duo from “Killing Eve” have a decent shot for their farewell season of the BBC series. Other dark horses for recognition include Jennifer Aniston and Reese Witherspoon (“The Morning Show”), Carrie Coon (“The Gilded Age”), Mandy Moore (“This Is Us”), and perhaps even Caitriona Balfe (“Outlander”).

Read more: Variety’s Awards Circuit Emmys Predictions Hub

The Emmy eligibility period runs from June 1, 2021, to May 31, 2022. The deadline for entering programs for Primetime programming and uploading all entry materials is on May 12, 2022, at 6:00 PM PT.

The nomination round of voting runs from June 16 to June 27. The official nominations for the 74th Emmy Awards will be announced Tuesday, July 12.

The list of programs and potential nominees listed below is incomplete and is subject to change. The full television awards season calendar is linked here.

2021 category winner: Olivia Colman, “The Crown” (Netflix)


ALL AWARDS CONTENDERS AND RANKINGS:

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Showtime/Everett Collection

AND THE PREDICTED NOMINEES ARE:
RANK CONTENDER SERIES NETWORK
1 Zendaya “Euphoria” HBO/HBO Max
2 Melanie Lynskey “Yellowjackets” Showtime
3 Laura Linney “Ozark” Netflix
4 Sandra Oh “Killing Eve” BBC America
5 Jodie Comer “Killing Eve” BBC America
6 Jennifer Aniston “The Morning Show” Apple TV+
NEXT IN LINE
7 Juliette Lewis “Yellowjackets” Showtime
8 Mandy Moore “This Is Us” NBC
9 Reese Witherspoon “The Morning Show” Apple TV+
10 Elisabeth Moss “Shining Girls” Apple TV+
11 Sissy Spacek “Night Sky” Amazon Prime Video
12 Caitríona Balfe “Outlander” Starz
13 Aunjanue Ellis “61st Street” AMC
14 Yuh-jung Youn “Pachinko” Apple TV+
15 Tawny Cypress “Yellowjackets” Showtime
16 Annie Murphy “Kevin Can F**k Himself” AMC
17 Simone Ashley “Bridgerton” Netflix
18 Carrie Coon “The Gilded Age” HBO/HBO Max
19 Christine Baranski “The Good Fight” Paramount+
20 Octavia Spencer “Truth Be Told” Apple TV+
ALSO IN CONTENTION
21 Angela Bassett “9-1-1” Fox
22 Anna Paquin “Flack” Amazon Prime Video
23 Kristin Scott Thomas “Slow Horses” Apple TV+
24 Katja Herbers “Evil” Paramount+
25 Sonequa Martin-Green “Star Trek: Discovery” Paramount+
26 Queen Latifah “The Equalizer” CBS
27 Naomie Harris “The Man Who Fell to Earth” Showtime
28 Sue Ann Pien “As We See It” Amazon Prime Video
29 Uma Thurman “Suspicion” Apple TV+
30 Catalina Sandino Moreno “From” Epix
UNRANKED CONTENDERS
— Amanda Collin “Raised by Wolves” HBO/HBO Max
— Daniella Pineda “Cowboy Bebop” Netflix
— Emily Hampshire “Chapelwaite” Epix
— Golshifteh Farahani “Invasion” Apple TV+
— Imogen Poots “Outer Range” Amazon Prime Video
— Jennifer Connelly “Snowpiercer” TNT
— Julianne Moore “Lisey’s Story” Apple TV+
— Lauren Ambrose “Servant” Apple TV+
— Maura Tierney “American Rust” Showtime
— Molly Parker “Lost in Space” Netflix
— Neve Campbell “The Lincoln Lawyer” Netflix
— Niv Sultan “Tehran” Apple TV+
— Rosamund Pike “The Wheel of Time” Amazon Prime Video
— Rutina Wesley “Queen Sugar” OWN
— Winona Ryder “Stranger Things” Netflix

AWARDS CATEGORY HISTORY (Lead Actress Drama)

The Primetime Emmy Awards, better known simply as the Emmys, is television’s most prestigious artistic award. There are many records held for both wins and nominations in the near eight decades.

For wins: Tyne Daly and Michael Learned have the most awards in this category with four, while Barbara Bain, Kathy Baker, Edie Falco and Loretta Young all have three each. “Cagney & Lacey” is the series with the most awards in this category, with six.

For nominations: Angela Lansbury has the most nominations in this category with 12, which were all consecutive, failing to win. The next most nominated actors are Sharon Gless, Mariska Hargitay, Michael Learned and Julianna Margulies, with eight apiece.

“Cagney & Lacey” and “Murder, She Wrote” are the series with the most nominations in this category, with 12 each.


2022 Primetime Emmy Awards Predictions

2022 Creative Arts Emmys Predictions

  • Outstanding Television Movie
  • Outstanding Guest Actor in a Drama Series
  • Outstanding Guest Actress in a Drama Series
  • Outstanding Guest Actor in a Comedy Series
  • Outstanding Guest Actress in a Comedy Series
  • Outstanding Reality Host
  • Outstanding Directing for a Variety Series
  • Outstanding Writing for a Variety Series
  • Outstanding Directing for a Variety Special
  • Outstanding Writing for a Variety Special
  • Outstanding Animated Program
  • Outstanding Short Form Animated Program
  • Outstanding Voice-Over Performance
  • Outstanding Narrator
  • Outstanding Structured Program
  • Outstanding Unstructured Program
  • Outstanding Documentary or Nonfiction Series
  • Outstanding Documentary Special
  • Outstanding Documentary Filmmaking
  • Outstanding Hosted Nonfiction Series or Special
  • Outstanding Main Title Design
  • Outstanding Main Title Theme Music
  • Outstanding Music for Series
  • Outstanding Music for Limited Series
  • Outstanding Music and Lyrics
  • Outstanding Music Supervision

About the Primetime Emmy Awards (Emmys)

The Primetime Emmy Awards, better known as the Emmys, are given out by the Academy of Television Arts & Sciences (ATAS). Since 1949, the awards have recognized excellence in American primetime television programming. They are divided into three classes – Primetime Emmy Awards, the Primetime Creative Arts Emmy Awards (honors artisan achievements), and the Primetime Engineering Emmy Awards (recognizes significant engineering and technological contributions). The typical eligibility period is between June 1 and May 31 of any given year. The Television Academy comprises over 25,000 members, representing 30 professional peer groups, including performers, directors, producers, art directors and various artisans and executives.

  • The 74th Emmy Awards will take place on Monday, Sept. 12, and air on NBC.





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Fresh off of an Oscar nomination for Tick, Tick…Boom!, Andrew Garfield is turning his sights to the small screen, starring in FX true crime limited series Under the Banner of Heaven.

Admitting that after an extremely busy awards season, “I’ve been laying the hell down and contemplating existence,” Garfield was back on the carpet on Wednesday night for the premiere of the show. The series is based on Jon Krakauer’s novel about a detective (played by Garfield) investigating the Salt Lake City murder of a young woman (Daisy Edgar-Jones) and her baby who uncovers buried truths about the origins of the LDS religion and the violent consequences of unyielding faith.

“I loved the book when it first came out 10 years ago, I was obsessed with the book actually,” he told The Hollywood Reporter at the event, held at the Hollywood Athletic Club. “I found it to be so illuminating about a subject that I’m so fascinated in, about how do men get to the place of doing terrible, evil things and justify it using God as a shield.”

“It’s the type of character I’ve never played before, very internal,” Garfield added, noting, “A Mormon police officer is very far away from [Tick,Tick…Boom!‘s] Jonathan Larson. There’s a lack of expression there I was interested in playing with and making everything as internal as possible — seeing if I could communicate clearly just having it going on inside without having it being revealed on the outside. I liked the challenge and I loved the material.”

Early on in the production process — aside from consulting with creator Dustin Lance Black, who grew up Mormon — the star went to Utah to meet with both current and former members of the church, as well as consult with Mormon police officers.

“It puts flesh on the bone and fills me with the responsibility of making sure that I’m going as deep as I possibly can; to know that there’s somebody out there maybe watching this at home going, ‘That was my experience and I feel seen,’” Garfield said. “That feels important.”

The project also continues a recent Garfield trend exploring religion-based projects, following his portrayal of televangelist Jim Bakker in The Eyes of Tammy Faye, though he calls the convicted fraudster “the least religious, least spiritual person I think I’ve ever played, interestingly.”

“He worshipped at the altar of greed and money and status and power, the very narrow-minded view of what it is to be alive and be a person,” he said, but in diving into this series found “Mormonism has some real beauty in it I discovered and I found a lot to love in it: A community, a gentleness, a softness, and family values. But obviously there are terrible problems with it from my point of view, which I don’t feel the need to really get into.”

“I love exploring how people live, how people organize themselves around living, how we make meaning. And for me it’s storytelling and art and nature with the occasional little spiritual text in there if I feel inclined,” Garfield added. “I’m just fascinated with how we make meaning.”

Under the Banner of Heaven, which also stars Edgar-Jone, Sam Worthington, Wyatt Russell and Gil Birmingham, premieres on FX April 28 and next day on Hulu.





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TV Talk is back – and in a big way. Our seasonal podcast with Deadline’s TV Critic Dominic Patten and Awards Columnist and Chief Film Critic Pete Hammond debuts a new weekly group of podcasts devoted to all things TV, Emmys and a whole lot more.

As usual we will be taking a deep dive into all aspects of what we are consuming on the tube these days, and it is a very big and inclusive list of topics. We try to explain it all and begin today with an overview of the 2021-2022 TV season, what it means for Emmys, the hot categories and trends, and much more. With so many new outlets and so much new content for voters to go through we also ask the question: Is it all too much? Plus you will hear some of Pete’s conversation with Josh Brolin and the cast of Outer Range as that series begins its run on Amazon.

Join us each Thursday for TV Talk. We are not short on opinions.

Listen here:

 





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Ellen Pompeo said on a new episode of her “Tell Me” podcast that former co-star Katherine Heigl was “absolutely correct” when she called out “Grey’s Anatomy” in 2009 for unjust working hours (via People). Pompeo said Heigl was deemed “ungrateful” for her comments at the time, but if had she spoken out today “she’d be a complete hero.” Heigl was often vocal about her criticisms with “Grey’s Anatomy,” infamously pulling out of the Emmys race in 2008 because she felt the show didn’t give her strong enough material.

“I remember Heigl said something on a talk show about the insane hours we were working and she was 100 percent right,” Pompeo said on the podcast. “And had she said that today, she’d be a complete hero. But she’s ahead of her time, made a statement about our crazy hours and of course, [it was like] ‘Let’s slam a woman and call her ungrateful.’”

Pompeo added, “The truth is, she’s 100 percent honest and it’s absolutely correct what she said. She was fucking ballsy for saying it — she was telling the truth. She wasn’t lying!”

Heigl called out the long working hours on “Grey’s Anatomy” during a 2009 visit to “The Late Show With David Letterman.” The ABC medical drama was in its sixth season at the time. Heigl said the show had a typical 17-hour work day, which she described as “cruel and  mean,” and added, “I’m gonna keep saying this ’cause I hope it embarrasses them.”

Pompeo was joined on her “Tell Me” podcast by “Grey’s Anatomy” star Kate Walsh, who added, “There’s nothing natural about [the filming process]. There’s nothing human about it. It’s made for a machine; it’s as if we’re a camera or a mic that just goes and goes and goes. And it’s not conducive to any kind of healthy habits.”

“Grey’s Anatomy” is currently airing its 18th season on ABC.





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Reflecting on the idea behind Pixar’s wildly-anticipated Lightyear — which follows the studio’s iconic Toy Story character Buzz Lightyear, a Space Ranger — writer/director Angus MacLane remembers how Star Wars affected him as a kid. This led to the idea to make the movie on which the Buzz Lightyear toy was based, “Andy’s Star Wars … the movie that Andy saw that changed his life.”

In Lightyear, Buzz, voiced by Chris Evans (Tim Allen voiced the character in the original films) is not a toy, but the human character on which Andy’s toy is based. MacLane relates that in the story, Buzz is traveling through time: “Lightyear is a fish out of water story. It‘s like a Rip Van Winkle trapped in a future he doesn’t recognize, desperately trying to get back to the past to correct the mistake of his youth. A hero out of his own time.”

Disney plans to open the movie on June 17, making it the first Pixar title to get a theatrical release since the start of the pandemic. (Soul, Luca and Turning Red debuted on Disney+.)

Pixar is well known for its research and attention to detail and work on Lightyear was no different. With the help of a pair of astronauts —Thomas Marshburn and Kjell Lindren — a  team from the studio were given a unique tour of NASA’s Johnson Space Center in Houston.

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LIGHTYEAR concept Art by Grant Alexander.
Courtesy of Disney/Pixar

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LIGHTYEAR concept Art by Dean Heezen.
Courtesy of Disney/Pixar

Producer Gayln Susman relates that during that NASA visit, they “tried on hundreds of pounds of spacesuits and gear.” Tailoring and simulation supervisor Fran Kalal adds that they also met with a spacesuit design consultant. (Additional research for the suits included exhibits at the Smithsonian and images from cinema.

The purpose of a launch and entry spacesuit, Kalal explains, is “to keep a human alive in space or water long enough for a rescue operation. They’re structured with layers upon layers of cooling wires, heavy metal rings, an impermeable outer shell, utility gauges and instruments. And all those layers add structure and change the way a wearer can move.”

These were considerations throughout, including when the team designed Buzz’s first launch and entry suit, the XL 01, which “takes us back to the early days of human space exploration, with function over form. The chest box is bulky and secured with a webbed harness. The oxygen hose is loose and unwieldy. The wrist communicator is strapped right onto the suit.”

A more familiar look is a later Space Ranger suit — an EVA, or extravehicular activity suit. “Buzz can perform demanding physical tasks outside his spaceship and this suit. Most of the fabric is replaced by well-articulated hard surface pieces that afford both mobility and maximum protection,” Kalal said.

Lightyear also features Buzz’s antagonist, Zurg (pictured below), who is voiced by James Brolin. “Adapting Zurg for our movie was a tall order,” says sets art director Greg Peltz. “The original design from Toy Story 2 is iconic, and we wanted to draw from that source material as much as possible. But at the same time, our movie has a look that is more mature and detailed than the original toy version of the character. We needed our Zurg to fit within the hard-boiled sci-fi world that we had created.”

 He adds that, importantly, Zurg also had to be threatening. “His design has to be intimidating so he could carry the menace and the presence our story demanded,” Peltz says. “Taking all of those goals together, reimagining the character as a giant robot was a natural fit … In addition to our other sci-fi inspirations, Zurg also takes cues from super robots and mecha in Japanese anime.”

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LIGHTYEAR concept Art by Greg Peltz.
Courtesy of Disney/Pixar

There are plenty of new characters in Lightyear, including Alicia Hawthorne, voiced by Uzo Aduba, who MacLane describes as an “emotional anchor for act one, Buzz’s best friend and the commander of the mission”. But MacLane relates that Buzz will lose his “commanding and compassionate” best friend by the end of act one. Taking command will be General Cal Burnside, voiced by Isaiah Whitlock, Jr.

Susman notes that Buzz is then joined by a trio of characters that will go on the journey with him: Izzy Hawthorne, Alicia’s granddaughter, voiced by Keke Palmer; as well as Mo, voiced by Taika Waititi, and Darby, voiced by Dale Soules,” who bring “a bit of comic relief, as well as being uniquely able to challenge Buzz where he most needs to grow.”

Susman adds that Waititi’s “improvisational skills really brought a depth and warmth to Mo” while Soules brought life to Darby’s “classic tough curmudgeon with a record.”

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LIGHTYEAR concept Art by Grant Alexander, Matt Nolte and Dean Heezen.
Courtesy of Disney/Pixar

The research trip to NASA figured heavily in the production design. In Houston, the team visited the original control center for the Apollo missions and the one currently used to track the International Space Station. They examined training aircraft, capsules, and other designs.

In the movie’s designs (additional concept art pictured below), MacLane says the team focused on creating a “1970s and 1980s vision of the future” with a “rugged military aerospace design, combined with the 1980s consumer electronics aesthetic.”

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LIGHTYEAR concept Art by Nelson Bohol.
Courtesy of Disney/Pixar

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LIGHTYEAR concept Art by Garrett Taylor.
Courtesy of Disney/Pixar

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LIGHTYEAR concept Art by Greg Peltz and Ben Beech.
Courtesy of Disney/Pixar

Lightyear is the first theatrical feature spin-off of the Toy Story films, the first of which debuted in 1995. The most recent, Toy Story 4, won the Oscar for best animated feature in 2020.





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Johnny Depp’s own threatening words about Amber Heard and his substance-abuse issues came back to haunt the actor today in the $50 million defamation trial.

As the one-time couple and Rum Diary co-stars battle over domestic-abuse claims by Heard against Depp, the defense team put the spotlight on a series of incendiary, profanity-filled texts from the former Pirates of the Caribbean star to fellow thespian and late-night pal Paul Bettany.

How To Watch The Johnny Depp-Amber Heard Trial: Depp Cross-Examined By Heard’s Lawyer Thursday

Public for years and brought up in various legal actions, the damning 2013 and 2014 exchanges between Depp and WandaVision star Bettany detail the former’s desire to “burning,” “drowning” and having sex with the “burnt corpse” of Heard.

Much more subdued than in the highly charged closing minutes of Wednesday’s testimony, a black-suited Depp was asked at length about his abusive childhood and his aspirations to meet the standards of a “Southern gentleman,” as defense attorney Ben Rottenborn termed it. Still, Depp’s frustration with the lawyer’s probing was evident. “I don’t feel like I am wasting anyone’s time, sir,” the actor piped up on one occasion as Rottenborn tried to cut short a long-winded reply.

Evoking the name of the Avengers alum, Rottenborn listed off the substances that Depp and Bettany were said to have ingested in their times together, including cocaine, Xanax and Adderall, as well as booze. The defense lawyer also used the line of questioning as a way to slip in a reference to Depp’s unsuccessful 2020 UK libel trial against The Sun tabloid for calling the actor a “wife-beater” in print. That British matter is only allowed to be introduced to the jury in very specific context.

Laying a very obvious foundation to counter Depp and his team’s assertion of the actor’s behavior during the relationship with Heard, Rottenborn also read out a May 30, 2014 text to Bettany that seemed to give credence to Heard’s accusations of abuse and her ex-husband’s consumption levels. “Drank all night before I picked Amber up to fly to LA this past Sunday. Ugly mate. No food for days. Powders. Half a bottle of whisky,” Depp wrote. “An angry aggro injun in a fucking blackout, screaming obscenities and insulting any f*ck who got near,” the actor continued.

“She didn’t like it when it was her perception that I was high on drugs and alcohol,” a contrite and sometimes sunglasses wearing Depp said when asked of Heard’s feelings about his intake and the effect it had on him.

Over two years after the couple divorced amidst restraining orders and a $7 million settlement from the actor, Depp sued Heard in March 2019 in Virginia over a late 2018 Washington Post op-ed she penned on domestic abuse. While the op-ed never mentioned Depp by name, as Rottenborn made a repeated point of in his initial cross examination on Wednesday, the actor proclaimed that the article cost the one-time blockbuster cost actor big bucks roles, a return to the Pirates franchise and “devastated” his career. “Ms. Heard is not a victim of domestic abuse, she is a perpetrator,” Depp’s spring 2019 suit also stated.

After failing to both get the matter moved to California and dismissed, the Aquaman star countersued her litigious ex-husband for $100 million in September 2020.

Which, after a series of postponements, brought all to the Fairfax County Courthouse and seven-person jury – where Bettany is set to be called as a witness at some point.

In another set of texts read out in court to Patti Smith during the making of 2015’s Black Mass, Depp spoke of “getting shitty” to Heard. A 2014 text to Heard herself saw Depp apologizing for a clearly bad encounter between the couple: “I’m a fucking savage, gotta to lose that …the Devil is all around.”

A 2015 text to a staffer who had complimented Depp on how good he thought the actor and Heard could be together saw the Edward Scissorhands stars respond with “all I had to do was send the monster away and lock him up.” In another 2015 correspondence to Dr. David Kipper, who testified via pre-recorded video earlier in the much delayed trial, Depp bragged about what a great “three months” he and Heard had after he “locked my monster child away.”

But clearly the self-described “monster,” who was mentioned in other texts to other acquaintances, was never that far away for Depp and Heard.

“I’ll smack the ugly c*nt around before I let her in,” another 2014 text from Depp to a friend read. In a further 2015 text to his older sister, Depp referred to his then wife as “that filthy whore” Having warned the packed courtroom that there would be some very strong language used, Rottenborn’s cross examination continued as Heard herself sat mere feet away from Depp and the various lawyers.

Bristling under the glare of the questioning and exhibits, many of which his own attorneys sought redactions on, Depp’s best counter was to exclaim “I have a particular way of using words, vocabulary in my vernacular.”

That remark didn’t seem to impress the jury and other onlookers, many of whom are self-declared Depp fans. However, Depp did get a laugh out of some in the courtroom at a later point when he responded “Isn’t Happy Hour anytime?” to a query about his drinking habits.

A 2012 text to Depp’s buddy Marilyn Manson on the “plants and the pills” made for more fodder of the actor’s issues with drugs. “They have always been a medicine for me, a numbing agent,” Depp reiterated on Thursday of his use of various substances. While the Hollywood Vampire guitarist has insisted that he never used drugs to “party,” the depiction in court today, along with s series of photographs of Depp with drugs in his vicinity offered a very different POV.

The trial will go dark tomorrow, as Judge Penny Azcarate has scheduled the five-week long proceedings to run Monday to Thursday. The whole shebang will pause from May 9-12 as the judge has a previously scheduled conference engagement.





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Aaron Stanford, Scotty Tovar, Tim Daly, Lolita Davidovich and Clayne Crawford have joined the cast of “Finestkind.”

As previously announced, the crime thriller also stars Oscar-winner Tommy Lee Jones, Ben Foster, Toby Wallace and Jenna Ortega. It is written and directed by Brian Helgeland, the Academy Award-winning screenwriter of “L.A. Confidential” and “Mystic River,” as well as the director of “A Knight’s Tale.” “Finestkind” is set to debut exclusively on Paramount+ in late 2022.

The film unfolds in New Bedford, Mass., America’s biggest commercial fishing port, and tells the story of two brothers (Foster and Wallace) from opposite sides of the tracks, who are reunited as adults over one fateful summer. When desperate circumstances force them to strike a deal with a dangerous Boston crime syndicate, a young woman (Ortega) finds herself caught in the middle. This tests the bonds between brothers, friends, and a father (Jones) and his son.

Stanford will play Skeemo, a fisherman and longtime member of Foster’s character’s crew who holds a devastating secret. Tovar will play Nunes, a fisherman and ship engineer, Daly will portray Dennis Sykes, Wallace’s character’s father and a very successful lawyer married to Donna (Davidovich), who also happens to be the ex-wife of Ray Eldridge (Jones). Crawford will portray Pete Weeks, an intense Boston Irish Gangster.

The film is produced by Gary Foster and Russ Krasnoff of Krasnoff/Foster Entertainment, Academy Award nominee Taylor Sheridan of Bosque Ranch, David C. Glasser of 101 Studios, and is being made in association with MTV Entertainment Studios.

Stanford recently recurred on “Perry Mason.” Stanford has been a series regular on “12 Monkeys,” “Nikita,” and “Traveler.” He may be best known from his role as mutant Pyro in the “X-Men” franchise, and for his work in the acclaimed indie “Tadpole.” He is represented by Luber Roklin Entertainment and Gersh

Tovar has appeared in “The Mosquito Coast,” “Empire” and “After The Reign.” He is represented by Momentum Talent and Literary Agency and 831 Entertainment

Daly is best known for his work on “Wings” and “Madam Secretary,” as well as his performance on “The Sopranos,” for which he received an Emmy Award nomination. He is represented by Verve.

Davidovich previously recurred on “How To Get Away With Murder” and “Law & Order True Crime: The Menendez Murders.” She starred opposite Paul Newman in “Blaze” and had a leading role in Brian DePalma’s “Raising Cain.” She is represented by Zero Gravity Management and A3.

Crawford recently starred in and produced “The Integrity Of Joseph Chambers” and “The Killing Of Two Lovers,” which premiered at the Sundance Film Festival. He also last starred in “Lethal Weapon” and was a regular on “Rectify.” Crawford is represented by Principal Entertainment LA / The Gersh Agency / Morris Yorn Barnes Levine Krintzman Rubenstein Kohner Endlich & Gellman.





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[ad_1] Aaron Stanford, Scotty Tovar, Tim Daly,