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Unless the Rock & Roll Hall of Fame can find a way to be more inclusive, it can “go to hell in a handbag,” according to rocker Courtney Love.

While there’s an annual debate over nominees and inductions, who is nominated and inducted is far from a silly matter. The Hall has a real economic impact on its chosen artists, Love claimed in a blistering op-ed in The Guardian.

Love said the Hall’s voting process hasn’t done enough to honor some important figures in music. “So few women are being inducted into the Rock Hall, then the nominating committee is broken. If so few Black artists, so few women of colour, are being inducted, then the voting process needs to be overhauled.”

She added, “Shame on HBO for propping up this farce.”

While Love acknowledged that this year included more women nominees than ever before, the Hall still made such icons as Kate Bush cool their heels, waiting for a chance. Artists can be nominated 25 years after their first record release. Bush was eligible as of 2004, but didn’t make the ballot until 2018, and is still not inducted.

In fact, just 8% of Rock & Roll Hall of Famers are women. There’s a reason, Love pointed out.

“Of the 31 people on the nominating board, just nine are women. According to the music historian Evelyn McDonnell, the Rock Hall voters, among them musicians and industry elites, are 90% male.”

Black artists fared no better. Chaka Khan’s talent was hailed by Love, but even that dynamic force has yet to be recognized. “The Beastie Boys were inducted in 2012 ahead of most of the Black hip-hop artists they learned to rhyme from,” Love noted. 

The reason why induction matters is that the Hall certifies greatness, thereby increasing revenue opportunities. Performance guarantees, the quality of reissue campaigns, and other benefits accrue.

“These opportunities are life-changing – the difference between touring secondary-market casinos opening for a second-rate comedian, or headlining respected festivals,” Love wrote. A Rock Hall induction “directly affects the living they are able to make. It is one of the only ways, and certainly the most visible, for these women to have their legacy and impact honoured with immediate material effect.”

She concluded, “If the Rock Hall is not willing to look at the ways it is replicating the violence of structural racism and sexism that artists face in the music industry, if it cannot properly honour what visionary women artists have created, innovated, revolutionised and contributed to popular music – well, then let it go to hell in a handbag.”

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Unless the Rock & Roll Hall of


Shadow and Bone upped the ante for all characters and made for a brilliant episode halfway through the season.


Shadow and Bone Season 2 Episode 4 saw Kirigan directly attack Alina and the Lantsovs while Kaz took his shot against Pekka.


The question is, who succeeded?


David managed to escape Kirigan’s grasp and turn himself over to the Crown and Alina, with important information on Kirigan’s army and state of being.


Genya and Bahgra also moved to escape from Kirigan’s shackles, literally.


Kaz and the Crows took on Kaz’s number-one rival for the first half of the season, Pekka Rollins.


Kaz hit the man where he knew it would hurt. Kaz threatened the safety of Pekka’s son to gain leverage over the man.


He convinced Pekka to sign confessions to the murders that lost Kaz’s rights to the Crow club and to sign the freedom papers for Inej, but Inej wasn’t near the scene.


Inej found some women (and a baby) being trafficked and saved them instead of being nearby, which was Kaz’s plan.


Inej, thankfully, wasn’t needed, but the fact that she wasn’t there may have cost her her spot in the Crow club.


Kaz rattled on about how he needed to trust everyone in his crew and that they needed to stick to the plan no matter what, and Inej broke that trust.


Inej was baffled, and Kaz took it a step further. He handed over the papers he got signed for her freedom and all but kicked her out of the group.


We don’t know how Jesper, or the two newest members, Nina and Wylan, will feel about this, but we quickly became PISSED at Kaz. How could he do that to Inej?


If the confrontation with Pekka went awry, he would have needed Inej there to help bail Kaz and Nina out. But losing all trust in her over one mission?


We hope the two can make up quickly, as things are most likely starting to get back to normal for the Crows, and a new romance has even blossomed.


Jesper and Wylan, after constantly alluding to their past hookup, finally shared a kiss and opted to try out dating.


Fans of the book rejoice! Wesper, the couple teased at from the start of the series, is finally coming to fruition. We are excited to see their relationship grow on screen.


Something that doesn’t count as a romance also occurred on screen: Alina agreed to become engaged to Nikolai.


Much to the surprise and dismay of his family, Nikolai announced their engagement and rejoiced in the work that he and Alina would complete.


His older brother proved the most vindictive about it and took Mal to face a court-martial.


Alina continued to hone in on her heightened powers while getting visits from Kirigan due to the bond she refused to believe existed.


She was unaware of Mal’s disappearance, and as she started to get curious about his whereabouts, Visily, Nikolai’s brother, started a toast to his brother he never finished.


He never finished the toast because the shadow monsters, controlled by General Kirigan himself, attacked the party and killed Visily (which, we aren’t too mad about, he was an asshole).


Kirigan’s monsters attacked the whole party, and Alina, Nadia, and Tamar tried to escape, but Kirigan got inside the Sun Summoner’s head again, leading her astray.


They played a game of cat and mouse, which led to Kirigan showing himself to her and the Grisha she tried escaping with.


Kirigan tried to convince Alina to return to his side (because what else was new), but she held firm against his coercion.


Kirigan launched an attack against Alina and her accompanying Grisha, and she fought him off for as long as she could, letting the other escape.


Luckily, she managed to use her boosted powers to send a shot of magic through the shadow creatures (that are relatively unaffected anyway) and hit Kirigan.


Alina managed to get away relatively unscathed, but she’s now on the run again, but without Mal.


Whatever happens next for Alina, the power of the sea whip, plus Tamar and Nadia’s Heartrending ability, may help her survive.


Speaking of people escaping Kirigan’s grasp, Baghra finally saw an opportunity to make her move to escape. She broke her wrists to get out of the shackles.


Thankfully, she broke Genya out of her shackles, and Genya took the time to destroy all the medicinal products in the room before leaving to hinder Kirigan’s healing process.


We are delighted Genya got released from her chains, and hopefully, she can reunite with the already-escaped David.


David made his way to Alina, but Alina did not trust him entirely and sent him to a holding cell.


Hopefully, Genya can also reach Alina and prove David’s innocence.


Matthias is the final person who needs to escape their change, and Nina is still trying to help him.


KAz agreed to continuously pay off the guards to keep him from the fights in Hellgate, but he’s still stuck in Hellgate.


While we aren’t entirely sure what Nina will do, we hope she, and potentially the Crows, can save Matthias from Hellgate. Maybe that’s their next mission!


This episode brought out the best in all the performers and the plot. The story was gripping, tense, and yet still personal when relating to the leads.


We hope the season continues with this quality and this top-notch storytelling.


So Fanatics, what do you think is next for Alina, the Crows, and Kirigan?


Do you think Kaz and Inej will make up? How exciting is it finally see Wesper (Wylan + Jesper) on screen?


Let us know in the comments below! Shadow and Bone’s second season is now streaming on Netflix.

Michael Stack is a staff writer for TV Fanatic. Follow him on Twitter.

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Shadow and Bone upped the ante for

What better way to officially close the door on an exhausting awards season than to look ahead –blindly — to what studios and production companies could bring to the screen in 2023.

As Variety‘s awards coverage transitions into the Emmy season, this annual tradition (albeit highly inaccurate due to release shifts and other varying factors) creates some fun and wonder as Cannes looms two months away.

One first impression is that the streamers are back with a vengeance with an arsenal of big names and titles aiming to take the trophy from reigning best-picture champ A24 with “Everything Everywhere All at Once.”

Apple Original Films has a duo of master auteurs on deck. First up is Martin Scorsese, whose “Killers of the Flower Moon” be revealed at the Cannes Film Festival with Leonardo DiCaprio, Jesse Plemons and Lily Gladstone in tow. In addition, the still Oscar-less Ridley Scott will helm “Napoleon” (formerly called “Kitbag”), which stars Joaquin Phoenix and Vanessa Kirby.

Netflix, as expected, is brimming with awards-bait projects. Many cinephiles and music lovers are excited about Bradley Cooper’s sophomore directorial effort “Maestro,” about Leonard Bernstein, in which Cooper stars with Carey Mulligan. Excitement is also mounting for David Fincher’s thriller “The Killer” with Michael Fassbender and George C. Wolfe’s biopic “Rustin” with Colman Domingo. Still undated, tentative titles could include the next adaptation of an August Wilson play, “The Piano Lesson,” with Samuel L. Jackson and John David Washington rumored to be starring.

Between Amazon Studios and the acquisition of MGM, the streaming giant will steer “Promising Young Woman” Oscar-winning writer Emerald Fennell’s next project “Saltburn” and the directorial debut of Rachel Morrison, the first woman to be nominated for best cinematography, with her drama “Flint Strong,” which stars Brian Tyree Henry, and is written by “Moonlight” helmer Barry Jenkins.

Courtesy Warner Bros.

Warner Bros, celebrating its 100th year, has undergone multiple changes over the past few years. Still, the studio could have tentpole moneymakers on their hands with Greta Gerwig’s “Barbie,” Denis Villeneuve’s sci-fi sequel “Dune: Part Two” and Blitz Bazawule’s musical adaptation of “The Color Purple.”

Also hitting 100 this year, Walt Disney Pictures and its subsidiaries (20th Century Studios, Marvel Studios, Pixar, Searchlight Pictures) have some promising titles on. tap

Continuing the messaging of animation deserving more respect, it’s been over a decade since Pixar’s “Toy Story 3” (2011) made the best picture lineup. Enter “Elemental,” which will likely tug at the heartstrings. The animation studio will also drop “Wish,” its 62nd feature, from “Frozen” director Chris Buck around the Thanksgiving holiday.

On the Searchlight front, the long-awaited “Next Goal Wins” from Taika Waititi will finally release featuring Fassbender in the lead role. At the same time, Yorgos Lanthimos’ “Poor Things” sounds like another mouthwatering period piece/sci-fi hybrid with Emma Stone (who also produces), Willem Dafoe and Mark Ruffalo. Searchlight already seems to have a potential best actor contender with Jonathan Majors in “Magazine Dreams” after picking it up at Sundance.

Angela Bassett made history for the MCU with “Black Panther: Wakanda Forever” nabbing an acting nom. Marvel will forge forward with the (final?) installment of “Guardians of the Galaxy Vol. 3” and the hotly anticipated “The Marvels” with Brie Larson and Teyonah Parris.

Speaking of superhero movies, Sony’s animated sequel “Spider-Man: Across the Spider-Verse” is on the agenda under the guidance of genius writers and producers Phil Lord and Chris Miller. To say “I can’t wait” would be a gross understatement.

Universal Pictures will steer “The Super Mario Bros. Movie” to what we can expect will be an obscene amount of box office receipts. Under the DreamWorks banner, another “Troll” movie is also on the horizon, which could be a revitalization like the Oscar-nominated “Puss in Boots: The Last Wish” this season.

In addition to animation, Universal will juggle Christopher Nolan’s star-studded period piece “Oppenheimer,” which could finally bring some overdue recognition to the talented Cillian Murphy, plus the final installment of “Fast X.”

Paramount Pictures will maneuver through another Tom Cruise vehicle, “Mission: Impossible – Dead Reckoning Part One” and the still-untitled Bob Marley biopic from “King Richard” helmer Reinaldo Marcus Green. The latter is dated for early January 2024, but a qualifying run could be in order if it has the goods.

Independent studios will surely be in the mix.

Coming off “Triangle of Sadness” nabbing three Oscar noms, including best picture, we’ll surely hear of some acquisitions from distributor Neon. I’ll be keeping a close eye on Duke Johnson’s “The Actor,” an adaptation of the Donald E. Westlake novel that follows a New York actor who loses his memory after an attack in 1950s Ohio. The under-appreciated André Holland will play the pivotal role. Among Neon’s other potential entries are the thriller “Mothers’ Instinct” with Jessica Chastain and “Longlegs” with Nicolas Cage.

Focus Features came up short with Cate Blanchett for “Tár,” but has some interesting features on the horizon, notably Wes Anderson’s new joint “Asteroid City” and a mini “Sideways” (2004) reunion with director Alexander Payne and actor Paul Giamatti in “The Holdovers.”

Courtesy of Sundance Institute

Sony Pictures Classics could have any number of movies that could hit such as “A Little Prayer” with David Strathairn, which could go the way of “Living” star Bill Nighy after debuting at Sundance. In addition, the indie division picked up the Cate Blanchett-produced “Shadya” with Zar Amir Ebrahimi and will hopefully release “Freud’s Last Session” with Anthony Hopkins playing Sigmund Freud.

Fresh off the sweep of all major Oscar categories, A24 has conceivable entrants such as Celine Song’s “Past Lives,” which received raves at Sundance. The studio will also bring another Elvis Presley story to the forefront, this time through his wife’s eyes, with “Priscilla” starring Cailee Spaeny.

Bleecker Street may have something with “Golda” with Helen Mirren, but I’m most interested in seeing the still-untitled new movie from Mike Leigh.

IFC Films is fielding the critical hits “R.M.N.” from Cristian Mungiu and “Monica” from Andrea Pallaoro, which both played the fall festival circuit but are releasing this year.

Then there are the movies still seeking distribution, such as Ava DuVernay’s “Caste,” an adaptation of the book “Caste: The Origins of Our Discontents” by Isabel Wilkerson that stars “King Richard” nominated actress Aunjanue Ellis.

Know this when looking at the predictions below: Nobody knows anything. We haven’t seen any of these movies and won’t return to this page until well into the summer.

So for now, watch movies and look forward to another great year of cinema.

** Release dates, studios and credits are not final and are subject to change.

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What better way to officially close the

Saturday Night Live
Image: NBCUniversal

The editorial team that keeps Saturday Night Live running on pre-taped material will not be going on strike next month, it appears, as THR reports that the team has reached a tentative deal with management. This comes courtesy of a statement from the Motion Picture Editors Guild, which represents the editors for the live sketch series, most of whom work on the postproduction side of the series’ production. The deal still needs to be ratified by members of the bargaining unit, who were threatening to go on strike on April 1 as they negotiated their first union contract with the series.

Saturday Night Live has always had a reliance on pre-taped material, dating back to early days of commercial parodies and short films by Albert Brooks. But they’ve become an increasingly vital part of the show’s identity, and its profits, over the years, with videos from The Lonely Island and Please Don’t Destroy often garnering massive views for the series in the internet era. And all of those videos require editors, making them an increasingly prominent part of the show’s production staff.

Per THR, the new contract is apparently set for three years, and will see the editors getting pay bumps of up to 60 percent over the period. It’ll also offer paid meals, housing, and transportation to employees working long hours with very short breaks between the end of one shift and the beginning of the next. The bargaining unit is apparently made up of “12-20 postproduction workers” who focus their efforts on pre-taped material, and was initially recognized by management back in October of 2022.

Saturday Night Live’s next new episode airs on April 1, which would have coincided with the strike deadline. Abbott Elementary’s Quinta Brunson is set to host.

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Saturday Night LiveImage: NBCUniversalThe editorial team that

It’s not hard to step outside and see how we as a society are becoming more and more attached to our devices. Xingyu “Harry” Chen and John Thompson delve into this phenomenon in their horror short Attached.

Theo is a college student struggling to attend his classes because he’s consumed with his cell phone. He’s either chatting with friends or playing online games. Then one day, he notices his finger becomes stuck to the screen to the point that he has to rip it off, taking the tip of his finger with it. Not even the excruciating of a missing fingertip will stop Theo from being on this phone, and that’s when his “attachment” to his phone takes on a whole new meaning.

“…he notices his finger becomes stuck to the screen to the point that he has to rip it off…”

First, let’s address that Attached is a low-budget indie film made by emerging filmmakers Xingyu “Harry” Chen and John Thompson. The quality of the film and acting is good but a bit rough around the edges, as indicative of most new filmmakers. The film’s inherent weaknesses come in its lack of resources in high-quality cameras and professional lighting, sound gear, and really expensive make-up effects. Yes, more money would have helped, but Chen makes the most of what’s available.

Where Attached shines is its simple story. In their brief ten-minute short, Chen and Thompson takes the inarguable fact that we spend too much time on our phone and slowly morphs it into a body horror short. This short film is all about this progression showing how we are becoming one with our devices while bringing body horror into the mix.

For screening information, visit the Attached official webpage.

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It’s not hard to step outside and

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Saying goodbye to a bright star. Lance

“Shazam! Fury of the Gods,” the sequel to the better-than-it-had-any-right-to-be “Shazam!” (from 2019) is here. It once again stars Zachary Levi as the adult superhero version of pint-sized Billy Batson (Asher Angel), whose powers were bestowed upon him by a dying wizard. (That wizard, played by Djimon Hounsou, returns for some reason). This time around, Shazam and his super-powered family (including Adam Brody, Meagan Good, D. J. Cotrona and Grace Fulton) are going up against villainous gods played by Helen Mirren, Lucy Lui and Rachel Zegler, in her first big movie role since “West Side Story.”

But Shazam is also facing something far more challenging than wooden dragons and wrathful gods – he’s staring down the barrel of an uncertain future for DC-related properties. Amidst a failed spinoff, a highly publicized regime change at Warner Bros. Discovery and a nearly complete reset of everything that has come before it in the DC Universe, “Shazam! Fury of the Gods” sits precipitously on the edge of a very deep ravine.

We’re going to go deep on “Shazam! Fury of the Gods,” including diving into the legacy cameos, what direction the post-credits scenes point for the future of the series and more.

That said, this will be very spoiler-heavy. Fair warning!

 Is “Shazam! Fury of the Gods” Part of the Old or New DC Universe?

Considering how publicized the installation of James Gunn and Peter Safran as the heads of the newly formed DC Films has been, it’s fair to wonder what DC Universe “Shazam! Fury of the Gods” exists in. Is it this new DC Universe, as outlined by Gunn and Safran? Or this still a part of the so-called DC Extended Universe (regularly referred to as the Snyderverse, thanks to the foundational films by director Zack Snyder that formed the bedrock of the universe).

“Shazam! Fury of the Gods” very much exists in the older timeline; the one where Henry Cavill was still employed as Superman, Ben Affleck is Batman and Gal Gadot is Wonder Woman (more on that in a minute). Just like in the first “Shazam,” the character is awed by the characters from the original DCEU, even talking about how the original line-up of heroes are so much more impressive than he is – Flash, Aquaman and Batman.

While Shazam didn’t appear in either version of DC’s splashy team-up movie “Justice League,” the coda of “Shazam!” featured Superman joining his friend Freddy Freeman (Jack Dylan Grazer) in the school cafeteria. Tellingly, you don’t see Henry Cavill’s face, but it’s the same suit that was seen in “Man of Steel,” “Batman v. Superman” and “Justice League” (you know, when he comes back from the dead).

Is Black Adam in “Shazam 2?”

Perhaps the most glaring omission from “Shazam! Fury of the Gods” is Black Adam, the Shazam villain who got his own spin-off movie last year starring Dwayne Johnson. A Johnson passion project, development on the “Black Adam” movie actually predates “Shazam!,” to the point that, on the first movie, Johnson and his producing partner have an executive producer credit.

Clearly it was assumed that there would be a crossover of some kind, given how linked the characters are in comic book lore, but when “Black Adam” underperformed at the box office, plans for Johnson’s character were discarded, including potential team-up (or face-off) movies with Shazam or Cavill’s Superman, who makes an appearance in the closing moments of “Black Adam.” Gunn and Safran also didn’t mention him in their big press conference for the first phase of the new DC Universe.

While there is no indication that Johnson shot anything for “Shazam! Fury of the Gods,” director David Sandberg has stated that one of the post-credits scenes was altered to be more in line with the current direction of the DC Universe. And while he didn’t confirm that Black Adam was involved, it would be fitting to show off that character … even if they do the thing from the first movie and don’t show his face.

That Wonder Woman Cameo

One secret appearance from a former DCEU character is the worst kept secret imaginable, as Warner Bros. has started airing TV spots that include the character but, in case you missed all of this, Wonder Woman (Gal Gadot) is very much in “Shazam! Fury of the Gods.”

At first, her appearance seems to be an elaborate joke, continuing the “you don’t see his face” gag from the end of the first movie, with young Billy having a dream about Wonder Woman where they’re on a romantic date in Paris but when she turns around, it’s the Wizard instead. It’s a funny-enough moment in a funny-enough movie, but at the end of “Shazam! Fury of the Gods” (and here’s where we should remind you of that spoiler warning up top) Shazam/Billy is killed and buried in the land of the Gods.

The surviving heroes bemoan the fact that only a god could bring him back, but there are no gods left. “There is one,” an off-screen voice says. Cue Hans Zimmer’s absolutely iconic, shredding “Wonder Woman” theme music from “Batman v. Superman: Dawn of Justice” (you know the one). Diana is, of course, a god, and uses her powers to revive Shazam/Billy. He crawls out of the crave and is returned. And of course the first thing he does is try to flirt with Wonder Woman (hey, he is a teenage boy in real life). “Stick to saving the world, kid,” Wonder Woman says as she walks off, past camera, and potentially out of the DC Universe forever?

A third Patty Jenkins-directed “Wonder Woman” movie with Gal Gadot back as the character was planned but Jenkins’ version was scuttled. And while she could come back for a cameo in “The Flash,” which opens up unlimited possibilities due to the movie’s plot relying on a multiverse mechanic (hence Michael Keaton’s Batman returning to the fold alongside Ben Affleck’s version of the character), there won’t be a standalone, Gadot-led “Wonder Woman” movie in the foreseeable future. This is a shame, as her two movies were bright spots in the otherwise very dour first round of DC movies (yes, we will go to bat for “Wonder Woman 1984” – it’s clever and charming and fun).

Post-Credits Pandemonium

Alright, we’ve talked around them enough. Let’s talk about the post-credits scenes. The first post-credits scene is relatively Shazam-light and the second one doesn’t feature him at all.

The first sequence actually stars two characters that you are probably familiar with if you saw Gunn’s “The Suicide Squad” and his follow-up, the HBO Max series “Peacemaker” – Emilia Harcourt (Jennifer Holland) and John Economos (Steve Agee).

They are tromping through the backwoods of wherever, Economos is complaining about his feet hurting, Harcourt is clapping back (but still PG-13). And they finally come upon Shazam, who is shooting bottles using his lightning powers. Harcourt asks him if he wants to join the Justice – but before she can finish he says “Yes!” She then says something about the Justice Society, which is as close as you’ll get to a reference to “Black Adam.”

Shazam says that he thought she meant the Justice League (he wants to be on the one with Wonder Woman). He asks why there would be two groups with the word Justice in the title and she says “Because that’s the way words work.” Shazam starts googling synonyms and comes up with different names. At the end he says “The Avengers Society – why do I like that one so much?” And looks into the camera. End scene!

This sequence seems to be the one that was changed to avoid Black Adam (and “Black Adam”). It’s a charming enough scene and, crucially, allows for the possibility that Shazam could continue in the new DC Universe, since Economos and Harcourt are confirmed to remain (there will be more episodes of “Peacemaker” as well as a spin-off featuring Viola Davis’ character Amanda Waller). Given the way the movie is tracking, we’re pretty sure this is the end of the “Shazam!” series too. But you never know …

The second scene involves Mark Strong’s villainous character Dr. Thaddeus Sivana, who is locked away in some otherworldly jail, just like he was at the end of the last movie (now he has a bushy beard and is looking even more deranged). And just like at the end of the last movie, he is visited by a tiny worm with a robotic voice (provided by director Sandberg) named Mister Mind, who promises big things for him. Sivana says that he’s been waiting for the worm to return for two years (meaning he’s literally been waiting since the last movie’s post-credits scene). The worm says that it takes him a long time to move around because he’s just crawling all over the place. (This is pretty funny.) “Just one more thing,” the worm says, and then slithers out of Strong’s cell, leaving him utterly frustrated.

Obviously nothing will come from the second post-credits scene but it’s maybe the smartest, funniest moment in the entire movie and a lovely bit of commentary on the post-credits scene crazy. If they are meant to promise something to come, then this sequence reminds us that they’re really just for LOLs and shouldn’t be taken seriously at all. And that is sort of beautiful.

“Shazam! Fury of the Gods” is in theaters now.

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“Shazam! Fury of the Gods,” the sequel

Michelle Yeoh and Ke Huy Quan also got a big bump from the Academy Awards, but they weren’t alone

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Brendan Fraser, the winner of Oscars’ Best Actor award for “The Whale,” had almost off-the-charts buzz after his win with nearly 150 times more demand than the average talent after winning the award, according to Parrot Analytics data, which takes into account consumer research, streaming, downloads and social media, among other engagement.

Become a member to read more.

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It’s important for Hollywood to get accounting right not only for the sake of the profession, but also for the audience. Movies have a significant influence on popular culture, and inaccurate depictions can lead to a lack of understanding and misinformation about accounting. By accurately portraying the profession, movies can help to educate the public about the role that accountants play in businesses and society.

Inaccurate depictions of accounting can also have a negative impact on the financial industry as a whole. Movies that depict accountants as untrustworthy or manipulative can lead to a lack of trust in the financial industry, which can have far-reaching consequences. For example, it can lead to a decrease in investment and lending, which can hurt businesses and the economy as a whole.

The Importance of Diversity in Accounting

Another area where Hollywood could do better when it comes to accounting is in the representation of diversity in the profession. Movies often depict accountants as white men in suits, which does not accurately reflect the diversity of the profession. In reality, the accounting profession is made up of individuals from a wide range of backgrounds and identities.

By accurately depicting the diversity of the accounting profession, Hollywood can help to attract more diverse talent to the field. This is important because diversity in accounting can lead to better decision-making and more innovation in the profession.

Why Does It Matters?

The accounting mistakes that Hollywood makes may seem harmless, but they can have real-world consequences. For example, inaccurate financial information can lead to poor decision-making and lost opportunities, while misrepresentations of the profession can deter talented individuals from pursuing careers in accounting. Additionally, perpetuating negative stereotypes about accountants can have a damaging impact on the profession’s reputation.

Conclusion

In conclusion, Hollywood’s accounting mistakes may seem trivial, but they have real-world implications. By perpetuating negative stereotypes and misrepresenting the profession, movies can do a disservice to the hardworking men and women who make up the accounting profession. It’s time for Hollywood to start getting it right and portraying accounting for what it really is: a complex, challenging, and rewarding profession.

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It's important for Hollywood to get accounting

The 2023 Academy Awards has come to an end — and without a ton of drama unlike last year.

But there were still a few iconic moments at the Oscars, including the “Everything Everywhere All At Once” awards sweep, Lady Gaga’s heroic deed, and special guest Jenny the Donkey’s surprise appearance.

The Star has compiled the top Oscars moments according to Twitter:

Ke Huy Quan’s speech

Ke Huy Quan delivered an emotional speech after he snatched a golden statue for best supporting actor. Quan was a popular child actor in the ’80s, known for his roles in “Indiana Jones and the Temple of Doom” and “Goonies.” His involvement in “Everything Everywhere All At Once” was his first time acting in almost 20 years.

“Mom, I just won an Oscar!” said Quan, “This is the American dream.”

“Everything Everywhere All At Once” won seven of its 11 nominations.

Lady Gaga rescues photographer

A photographer at the red carpet had an awkward encounter with Lady Gaga as she stopped to help him after he fell.

The whole ordeal happened in a matter of seconds. In the video, Gaga is seen rushing to help him get back on his feet. She extends her arms and props him up, checking if he is OK. The photographer proceeds to tap her twice on the waist, still looking disoriented, and Gaga looks down confused and wanders away.

Gaga later ditched the glamorous red carpet dress and performed “Hold My Hand” at the ceremony in sneakers, jeans and a T-shirt.

Pedro Pascal being Pedro Pascal

The star of “The Last of Us” and “The Mandalorian,” also known as the internet’s “Daddy,” stole the internet’s heart once again with his charm at the Oscars.

Pascal presented the award for best documentary short alongside Elizabeth Olsen.

The “Last of Us” season one finale was streamed on Sunday.

Jenny the Donkey

Jimmy Kimmel brought Jenny the Donkey, sidekick of Colin Farrell’s character in best picture nominee “The Banshees of Inisherin,” to the stage and Farrell’s reaction was priceless:

“Find yourself a man who looks at you like Colin Farrell looks at his donkey,” a fan said in a tweet.

Ana Pereira is a breaking news reporter, working out of the Star’s radio room in Toronto. Follow her on Twitter: @anabpereiraa

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The 2023 Academy Awards has come to

Colleagues in the “John Wick” universe remembered Lance Reddick, who died Friday at age 60, as an actor with “unparalleled depth” in his role of concierge Charon.

“We are deeply saddened and heartbroken at the loss of our beloved friend and colleague Lance Reddick. He was the consummate professional and a joy to work with. Our love and prayers are with his wife Stephanie, his children, family and friends. We dedicate the film to his loving memory. We will miss him dearly,” co-star Keanu Reeves and director Chad Stahelski said in a statement to The Times.

“The world of Wick would not be what it is without Lance Reddick and the unparalleled depth he brought to Charon’s humanity and unflappable charisma,” Lionsgate said in a separate statement.

“Lance leaves behind an indelible legacy and hugely impressive body of work, but we will remember him as our lovely, joyful friend and Concierge,” the statement continued. “We’re stunned and heartbroken, and our deepest condolences go to his beloved family and his fans all around the world.”

Reddick spoke with The Times in 2019 about the first three “John Wick” movies.

“I had never seen a hit-man revenge script done like this before. We’ve seen that idea so many times, but the way Derek Kolstad wrote that script was incredibly creative, incredibly tight and such a character piece. Because it was under the radar for the studio at the time, they kind of left us alone,” the actor said.

“I just wanted to do it because it was a cool world and I feel like I got in at the right moment. I didn’t know it was going to turn into such a phenomenon.”

The film will be released in theaters March 24. Reddick reportedly skipped the New York premiere of “John Wick: Chapter 4” this week.

Times staff writers Josh Rottenberg and Christie D’Zurilla contributed to this post.

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Colleagues in the “John Wick” universe remembered




Marvel is cracking down on a growing problem in the industry. The company knows that somebody has leaked several recent MCU scripts.

Now, Disney has released the lawyers and sent them on a search-and-destroy mission.

Yes, after years of complaining about piracy, Marvel faces a new foe, one more dangerous.

Batroc v Gwenpool

Batroc teaches Gwenpool to fight. Photo: Marvel Comics

Let’s talk about Marvel’s decision to fight back against online leaks.

Disney Goes to War on Spoilers

Stan Lee Breaks Up A Fight

Photo: Reddit

Marvel has a mole, and Kevin Feige has decided to treat the matter just like an Agent of S.H.I.E.L.D. He’s gonna find the Hydra member and bring them to justice.

I’ve been covering the entertainment industry for a quarter-century now. It’s been a running joke this entire time that you never mess with Disney lawyers.

Sure, Mickey Mouse may look cute and seem friendly, but his lawyers will rip your face off and staple it to the wall.

Source: Marvel Studios

I’m not saying this randomly, either.

Marvel just declared war on an entire subsection of the internet, and we’re only now witnessing the ramifications.

What’s the problem here? Marvel spoilers have evolved into bloodsport on the internet. It’s like the movie, The Departed, but it’s Marvel and would-be insiders rather than cops and robbers.

Justin Hammer in Iron Man 2

Photo: SyFy Wire

Some people have bragged that they took jobs with Marvel specifically to learn upcoming spoilers about MCU movies and television series.

For more than a decade now, people who know where to look have had access to a wealth of knowledge regarding upcoming Marvel storylines.

Some of the most shadowy places on the internet embrace some of the worst behaviors in society…and they also post Marvel spoilers.

Marvel 2023 tentative release schedule

Speculative 2023 MCU Phase 4 Release Schedule. Photo: Murphy’s Multiverse

Everyone loves Marvel, even unethical criminals. So, we’ve witnessed a cottage industry rise wherein people scoop Marvel on its own titles.

The most infamous example occurred during the pandemic, when the script for Eternals leaked more than a year before the movie’s debut.

This leak transpired due to the film’s extra year of delays. Somebody got tired of waiting and posted giant segments of the shooting script.

NDA Stands for NON-Disclosure Agreement

Source: Marvel Studios

While that leak wasn’t the first time a giant Marvel scoop occurred without Disney’s knowledge, insiders felt it hurt the bottom line.

Disney executives felt that too many people knew the plot. Since Eternals employed a divisive plot twist anyway, the lack of surprise could have impacted the box office.

Personally, I doubt that. Fans go watch a better movie anyway. Even if Disney felt the theatrical release suffered from the spoiler, the argument falls apart in a different way.

Image: Marvel

When Eternals debuted on Disney+, it did…okay. However, the film quickly dropped in terms of viewer minutes, a sign that audiences held little love for the title.

That fact isn’t on the script any more than Ant-Man and the Wasp: Quantumania has suffered due to its leaks. But that brings us to sunny point number two.

Some of the same Disney executives feel Quantumania’s struggles stem from plot leaks and other irritations.

Source: Marvel Studios

These folks perceive the title’s box office struggles to originate from numerous stories about the troubled production, especially the virtual effects.

In other words, Marvel and Disney don’t like the stories that people like me have written to keep you informed about all the latest ongoings behind the scenes.

Now, Marvel is cracking down in two ways. First, you’ll read stories like this one from The Hollywood Reporter. It details Marvel’s attempts to uncover leakers.

Image: Marvel

In Marvel’s defense, it employs Non-Disclosure Agreements to protect its secrets. So, some spoilers you read come from people who have violated NDAs.

Marvel can take and IS taking legal action against these violators. A serious industry crackdown is underway. And that brings us to sunny point number three…

Shooting the Messengers

Source: Marvel Studios

Disney and Marvel are scorching the earth and salting the land in their search for the leakers. That’s not accidental, either.

The companies want the message out there that if you spoil upcoming Marvel stories, you face potentially serious ramifications.

Disney has promised legal action against whomever they discover is the source.

Karl Mordo Multiverse of Madness

Source: Marvel Studios

This person will probably owe tens of thousands of dollars and possibly even face jail time. However, that’s merely the tip of the iceberg for Marvel.

The idea here involves sending a threatening message to other would-be leakers. Many alleged “insiders” are friends of people working at Marvel.

Others live in the same areas where Marvel projects perform much of their principal photography.

Source: Marvel Studios

Some enterprising folks will find out where the production crew hangs out, buy them a beer, and listen as they recount stories about their projects.

Sharing represents part of human nature, but it comes in direct conflict with Marvel’s goal here.

Celebrity cast members joke about the hoops they must jump through to read a script. And Marvel’s security system has reached mythical proportions.

Source: Marvel Studios

The season finale of She-Hulk even joked about the herculean steps required to speak with an insider.

That someone may reveal those same secrets for a beer and pretzel is simultaneously hysterical and alarming.

Marvel wants these headlines that show it’s serious about finding and prosecuting anyone who violates their NDA.

The Fallout Has Already Begun

Source: Marvel Studios

The steps the company has taken are worrisome, too. Are you familiar with the MarvelStudioSpoilers subreddit? Here’s what it looks like right now:

Former moderators from that forum have indicated elsewhere that they’re facing legal threats from Disney.

Reddit could feasibly close the subreddit to protect its own legal interests. As things stand, a mod reportedly posted this:

Source: Marvel Studios

“If someone wants to step up and takeover the subreddit…including all the legal ramifications (potentially), message this account.”

That sounds like someone very much frightened that they cannot defend themselves in court.

In fact, a federal judge in California has directed Reddit and Google to name the users who provided the leaks.

Source: Marvel Studios

Ms. Marvel, Iman Vellani, has stated her enthusiastic support and usage of this subreddit, which means Marvel should have been aware of it long ago.

Similarly, the social media mavens who claim to be Marvel insiders claim tens, if not hundreds, of thousands of followers. They should be easy to find, too.

Marvel has only targeted this subreddit thus far, which leads to my speculation that Disney doesn’t mind the buzz, just the NDA violations.

Source: Marvel Studios

I suspect that’ll be the fallout here. But Marvel wants would-be scoopers to sweat more, which will cause some (but not all) to reconsider certain stories.

Now, we live in a society where some relish doing the illicit. Those are the ones Marvel really needs to crack down on, which means this story is far from over.

Michael Keaton as Vulture

Michael Keaton as Vulture in Spider-Man: Homecoming. Photo: Marvel Studios

We’ll likely witness an evolution in Marvel scoops, though. Few of the people put under pressure here can afford a legal defense, much less against Disney’s legal team.

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Lance Reddick, best known for his roles on HBO’s Oz and The Wire, as well as the Continental Hotel’s concierge Charon in the John Wick franchise, has died unexpectedly at the age of 60. He is survived by his wife, Stephanie Reddick, and his children, Yvonne Nicole and Christopher.

Lionsgate

TMZ first reported Reddick passed away at his Studio City home in Los Angeles. A representative for the actor from Portrait PR confirmed Reddick’s passing and said it was due to natural causes. The sad news comes one week before the theatrical release of John Wick: Chapter 4. The movie will mark Reddick’s fourth turn as the loyal, steely-eyed Continental employee who often took care of John Wick’s dogs.

Born on June 7, 1962 in Baltimore, Charon was just one of the many memorable roles Reddick played during his long career on screen, which began in 1996. Most notably he also starred as the undercover cop-turned-killer John Basil on Oz. His most famous role also took place on HBO which brought him back to his hometown. Reddick excelled as the wise, incorruptible police officer Cedric Daniels on The Wire.

Reddick also played Irvin Irving for 68 episodes on Bosch. His guest starring cameos are too many to list. But it includes hits such as Lost, Fringe, The Blacklist, Rick and Morty, and Castlevania. In addition to his well-known dramatic acting chops, Reddick also got to show just how talented he was as Christian DeVille on the sitcom Corporate.

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Reddick’s place in both television and movie history are secure. And not just because fans will always remember and celebrate him for his most famous roles. He could express more meaning with just a stoic look than many performers can with entire monologues. It’s why he made every film and television show he ever appeared on better.

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Lance Reddick, best known for

Lance Reddick, the actor known in the gaming world for his roles in Destiny 2, Horizon Forbidden West, and Quantum Break, has died aged 60.

According to TMZ, the actor, who shot to fame in roles on HBO’s The Wire and the John Wick franchise, was found dead at his Studio City home Friday morning around 9:30 AM local time.

“His cause of death is currently unclear, but our law enforcement sources say it appears to be natural,” according to TMZ.

Reddick had been due to appear on The Kelly Clarkson show to promote his role in John Wick 4.

Reddick was best known in the gaming world for his role as Commander Zavala in the Destiny franchise. The actor played a central role in Destiny 2 since its release and featured heavily in several of its expansions, including most recently, Lightfall.

Reddick is also known for his role as Sylens in the Horizon series of games, where he provided both the voice and facial capture for the character.

Aside from John Wick 4, Reddick was due to play Zeus in the upcoming Disney + series Percy Jackson and the Olympians.