Maria Becerra has officially announced QUIMERA, her new album dropping November 20, 2026. It’s her first full-length project in almost three years.
The Argentine pop and urban artist shared the news on her Instagram, pairing the album title and release date with a message to fans that was personal from the first line. “After almost three years, you’ll finally be able to listen to this project that we’ve been working on so hard,” she wrote, in Spanish.
QUIMERA is built around four characters. Becerra called them Shanina, Jojo, Maite, and Gladys. She described each one as a figure who helped carry her through a meaningful personal chapter. “These characters helped me heal so much along the way,” she wrote. She described the record as “a personal, emotional and deep journey, with its lights and shadows, with all the versions of my heart.”
The title carries a double meaning worth sitting with. In Spanish, “quimera” references the mythological chimera – a creature built from mismatched, unlikely parts. It also describes an impossible dream or illusion. Becerra is building this album around four separate characters, four different sides of herself. That layered meaning fits the concept almost too cleanly.
Almost three years is a long gap between albums. In Latin pop especially, competition is fierce and streaming cycles move fast. Becerra has stayed visible with singles and collaborations throughout that stretch, but a full album is a different kind of commitment. It’s a chance to say something complete.
Becerra first broke through as one of Argentina’s biggest exports in the urban and pop scene. She’s racked up hundreds of millions of streams and built a devoted fan base across Latin America, Spain, and beyond. She’s collaborated with some of the biggest names in reggaeton and Latin trap, but she’s always maintained her own distinct voice. QUIMERA sounds like she’s leaning into that voice more fully than ever.
The announcement landed with real force on social media. The Instagram post drew more than 561,000 likes, confirming that fans have been waiting for this.
Pre-saves for QUIMERA are already live on all major streaming platforms.
The framework Becerra chose is what sets this reveal apart. She’s not just rolling out a tracklist. She’s introducing a world of characters she built during a difficult stretch. These are figures shaped by real emotion. None of them are features or guest artists. They’re versions of her.
That kind of conceptual setup takes time to get right. It may explain why this album took as long as it did.
It also leaves fans with questions before November. Who is Shanina? How does Gladys differ from Jojo? Becerra hasn’t spelled any of that out yet, and the mystery feels deliberate.
For longtime listeners, this announcement lands as both a return and a step forward. Becerra built her reputation on infectious energy and real emotional depth. QUIMERA sounds like she’s ready to push that further.
November 20 is still months away. With a concept this layered, the anticipation might be part of the experience.
Let’s explore how the Reality Check features integrated into the Penalty Shoot Out game are making a beneficial impact for participants in Canada https://penaltyshootoutcasino.ca. This extends beyond just enjoyable gameplay. These tools are assisting build a responsible gaming environment that honors a player’s time and well-being. They provide Canadian players tangible information and full control, assisting keep the gaming experience satisfying and measured, a ideal fit for a wholesome lifestyle.
What Are Reality Check Features and Why They Matter
Reality Check functions are simple, proactive measures intended to keep you aware on your gaming session. They function as a impartial reminder, briefly stopping the game to show you clearly how long you’ve been playing. This idea is a cornerstone of modern responsible game design. The aim is to hand you the capacity to make a conscious choice, putting you back in charge of your entertainment without any force.
Within Penalty Shoot Out, these functions are embedded into the soccer-themed action. They preserve the excitement but show a strong commitment to player care. This harmony matters, especially in Canada where security and making educated choices are essential. It converts a simple casino game into a more considerate and enduring kind of fun.
User Accounts: How Reality Checks Create an Impact
We’ve received feedback from Canadian players about the constructive influence of these simple reminders. One player in Ontario said the Reality Check helped him see his “quick few games” after work often lasted over an hour. He utilized the tool to set a 45-minute limit. Now he has additional time for his evening run. The tool provided him the awareness he needed to adjust his habits.
A university student in British Columbia highlighted how the pop-up aids her manage study breaks. She configures a 20-minute Reality Check for her Penalty Shoot Out sessions. This assures her gaming doesn’t encroach on study time. These actual accounts show the feature isn’t about denying. It’s about helping players align their gaming with their personal goals and lifestyle, promoting a healthy relationship with play.
Feedback from the Front Lines
The feedback often points out how the feature creates a feeling of personal control. A retiree in Alberta shared with us he appreciates the non-judgmental nudge. It helps him keep a disciplined routine. A busy parent in Quebec observed that the audible alert from the reminder is a perfect cue to switch tasks and attend to family. These accounts reveal that a well-designed tool can fit into many different Canadian lives, enhancing the enjoyment rather than taking away from it.
Helpful Suggestions for Utilizing Reality Check Features Efficiently
To get the most from these tools, be proactive. Don’t just settle for the default settings. Adjust them to fit you. Here is a simple plan to improve your experience with Penalty Shoot Out.
Define Your Check-In Time: As soon as you begin a session, visit your account or game settings. Choose a Reality Check interval that matches how you usually play. Consider every 30 minutes for shorter sessions, or 60 minutes for longer weekend play.
Use the Pause, Don’t Dismiss: When the reminder shows, reflect on it. Use the option to log out and review your transaction history. A fast 30-second review helps you stay conscious of your activity.
Pair with Additional Features: Match Reality Checks with deposit limits and session time limits. Using these features together builds a strong personal safety net for your entertainment.
Pay Attention to the Notification: If you find yourself constantly ignoring the alerts or becoming frustrated by them, see it as a signal. It may be a good time to step away for a while and engage in another activity.
The way Reality Check Operates in Penalty Shoot Out Game
So what exactly actually occurs when a Reality Check shows up during your game? After a set period of continuous play, which you can usually set yourself, a clear and simple message is displayed on your screen. This is not an advertisement or a glitch. It’s your personal session timer. The message will tell you directly how many minutes or hours you’ve been playing.
The system works because it’s simple and puts you in charge. The pop-up offers you clear options. You can acknowledge the reminder and go straight into taking penalty kicks. Or, you can view it as a natural stopping point. You can log out, review your account history, or just pause. The game holds for your decision, so you never skip the notification.
The User Interface and Experience
The notification is crafted to be clear and calm. It uses subdued colors and legible text, steering clear of flashy or alarming graphics. The idea is to create it feel like a helpful dashboard alert, not a scolding. It keeps to the facts: your session duration. This enables you make a quick, informed choice without getting frustrated, keeping the overall experience smooth.
Customization and Player Control
A major aspect is that many platforms offering Penalty Shoot Out let you adjust these reminders. You can often set the frequency yourself through your account settings. Maybe you want a check-in every 30 minutes, or every hour. The choice is yours. This tailoring means the tool conforms to your personal playstyle, functioning as a helpful aid rather than a rigid rule.
Making Penalty Shoot Out Distinct from Other Casino Games
Many online casino games today offer some type of responsible gaming tool. But the integration in Penalty Shoot Out appears particularly well-considered. The game’s round-based structure, built around taking penalty kicks, generates natural short pauses. This renders the Reality Check feel like a logical part of the experience, not an annoying interruption. It suits the sporty, strategic theme.
Also, the feature’s emphasis and user-friendly design cause it distinguish itself. It’s not hidden in a menu. It’s a core part of the gameplay interface. This dedication to transparency builds significant trust with players. In a crowded market, this focus on player well-being isn’t just about compliance. It’s a powerful brand difference that demonstrates Canadian players they are valued.
Aligning with Canada’s Responsible Gambling Standards
Canada has a strong framework for responsible gambling, backed by provincial regulators and groups like the Responsible Gambling Council (RGC). The Reality Check features in Penalty Shoot Out are a direct and proactive fit with these national standards. They go further than the basics, displaying a real commitment to player welfare that reflects Canadian values of safety and community.
By using these tools, the game adheres to key pillars of responsible play. It encourages informed choice, provides players control, and aids prevent problems before they start. This is an cutting-edge approach. It indicates that the creators of Penalty Shoot Out aren’t just ticking a box. They are actively investing in the health of Canada’s gaming scene and setting a good example for others.
The Direct Benefits for Players from Canada
For gamers in Canada, from Vancouver to Halifax, these features offer tangible advantages. The most apparent is time awareness. It’s easy to lose track of time when you’re focused on beating the goalie. The Reality Check serves as an neutral anchor, aiding you regulate your entertainment time alongside other aspects of life like family, work, or other hobbies.
They also encourage natural breaks. Stepping away for a moment is good for your eyes, your posture, and your mental focus. A short pause can truly make your gaming session more rewarding when you come back feeling refreshed. Finally, these features encourage a budget-conscious mindset. By triggering a moment of consideration on how long you’ve been playing, they organically lead you to reflect about your spending in real time. This fits well with sensible financial habits.
Essential Canadian Values Reinforced by Safe Play
The widespread use of features like Reality Check in Canada isn’t random. It reflects core national values. The emphasis on personal autonomy and informed consent matches a society that prizes individual freedom alongside social responsibility. These tools give you power without being controlling.
They also encourage balance and moderation, concepts that are part of the Canadian way of life. Whether it’s appreciating nature or a local hockey game, Canadians understand the value of a well-rounded life. Penalty Shoot Out’s features gently underscore that gaming is one part of a full life, not the whole thing. This respectful method builds a stronger, more trusting connection between players and the platform.
Informed Choice: Providing you with clear data so you can determine how to use your time and money.
Individual Accountability: Providing tools to manage your own entertainment boundaries.
Community Well-being: Aiding create a safer gaming environment for everyone in the country.
Transparency: Operating in an open and honest way, which builds essential trust online.
The Broader Perspective: Fostering a Responsible Gaming Culture
Integrating Reality Check features is a component of a larger, essential shift in the iGaming industry. The focus transitions from pure engagement to responsible fun. This represents the future of gaming in Canada. An environment where entertainment and accountability exist together. By rendering these tools standard in a well-known game like Penalty Shoot Out, we assist eliminate any stigma from responsible gaming practices.
It conveys a message to the full community that staying in charge is both smart and standard. This encourages a more responsible culture where players can talk openly about establishing boundaries and choosing informed choices. This proactive, feature-led approach will likely inspire more developers to pioneer in player protection. That could lift the bar for safety and enjoyment across the whole Canadian market.
Looking Ahead of Player Protection Features
The evolution of player protection tools appears bright. Reality Checks are just the start. We anticipate more sophisticated and personalized features added to games like Penalty Shoot Out soon. Consider AI-driven insights that analyze your play patterns and suggest custom suggestions. Or more detailed time and budget tracking shown in an easy-to-read dashboard.
The opportunities for new ideas here is big. Future integrations might include:
Well-being Metrics: Simple prompts proposing physical stretches or eye exercises after a certain amount of screen time.
Personalized Limit Suggestions: Based on your play history, the game could propose personalized time or deposit limits for you to confirm or change.
Session Recaps: A friendly summary after you log out, recapping your session time, highlights, and spending. This turns data into useful knowledge.
These steps forward will keep Canadian players at the forefront. They guarantee the thrill of the game always comes with the peace of mind that you are in full control. Penalty Shoot Out could lead this charge, showing that the most engaging games are also the most considerate.
Your Blueprint for Smarter Play Today
You do not require to wait for the future to start playing more attentively. We advise every Canadian player to take three concrete steps right now to use responsible gaming features effectively. This simple plan will right away boost your control and enjoyment of Penalty Shoot Out and other games.
Review Your Settings: Sign into your gaming account today. Look for the responsible gaming or limits section. See what tools are available. Enable the Reality Check feature and set your first custom interval.
Define an Additional Limit: While you’re there, establish a daily or weekly deposit limit that feels comfortable for your entertainment budget. Merging time awareness with spending awareness is a powerful strategy.
Schedule Gaming Sessions: Consider your playtime like any other leisure activity. Actually put it in your calendar. When your Reality Check alert lines up with the end of a scheduled block, it reinforces positive habits without effort.
Implementing these proactive steps moves you from being a passive player to an active manager of your entertainment. You’re not just playing a game. You’re developing a sustainable hobby that respects your time, your budget, and your way of life. That’s a win more valuable than any single penalty kick, and it’s a victory that lasts. Let’s promote this smart, balanced approach to play together.
Last year, the titans of China’s technology industry received a rare invitation to meet with Xi Jinping, the country’s leader, in the ceremonial Great Hall of the People.
But when the entrepreneurs — including the heads of national stars like the telecommunications giant Huawei and rising companies like the robotics start-up Unitree — assembled in neat rows before Mr. Xi, an unexpected figure was among them: Jack Ma.
Mr. Ma, who founded the Alibaba e-commerce empire in a cramped Hangzhou apartment and became a rock star of China’s internet era, had all but vanished from public view since Beijing torpedoed the planned $34 billion public offering of one of his companies after he criticized regulators in 2020.
Now, however, Alibaba has re-emerged as an A.I. powerhouse, creating one of the world’s most widely used A.I. systems.
Alibaba made its most popular A.I. models open source, allowing others to use and modify them freely. That made its technology much cheaper to use than proprietary systems from U.S. competitors like Anthropic and OpenAI, helping the company attract users around the world.
But it also raised a difficult question — how to turn that global popularity into a profitable business. It’s a challenge that many companies with open-source technologies face and one that is dividing Alibaba’s A.I. team.
Alibaba became one of China’s most valuable companies on the strength of its globe-spanning e-commerce business. But in recent years, it has been outmaneuvered by lower-cost rivals at home and has struggled to expand overseas. After Mr. Ma faded from public view, a new generation of executives took over, adopting a lower profile while emphasizing Alibaba’s role within Beijing’s broader technology policies.
“Alibaba is quite aware of its position as part of this team of national champions that are leading China’s charge in A.I.,” said Kyle Chan, a fellow at the Brookings Institution. “But also they have this huge responsibility to not repeat what they did before.”
In hindsight, Alibaba had gradually laid the groundwork to become an A.I. heavyweight. As its online shopping and logistics businesses expanded, the company built data centers capable of processing vast volumes of customer data worldwide.
It also borrowed a page from Amazon, parlaying its e-commerce success and technological infrastructure into a major cloud computing business, giving Alibaba two essential ingredients for building artificial intelligence systems: data and computing power.
“Alibaba in many ways has been ahead of its time,” Mr. Chan said. “It made early bets in a lot of these areas that are now the hot topics.”
Alibaba introduced its family of A.I. models, Qwen, in 2023 and quickly made them open source. When DeepSeek, an A.I. start-up, burst into the spotlight with claims that it had built a powerful model for a small fraction of the cost of Western competitors, global investors rushed to capitalize on the excitement around China’s open-source A.I.
China has made open-source technology a pillar of its drive to become an A.I. superpower. Nearly all of its leading A.I. systems are open source.
By January, Qwen had become the world’s most downloaded open-source A.I. system. Its models were being downloaded about one million times a day, according to data from Hugging Face, which hosts many open-source A.I. projects.
But that reach has not translated into big money. In the first three months of this year, Alibaba reported $1.3 billion in revenue from A.I.-related products — less than 4 percent of its total revenue. That pales in comparison with the company’s plan to spend more than $55 billion by the end of next year to build out its A.I. infrastructure.
The push to turn its open-source success into a profitable business has quietly fractured the team behind Qwen.
In March, Lin Junyang, Qwen’s lead engineer, announced that he was leaving Alibaba. Several other key engineers left around the same time. Two people familiar with the team said it had become divided by disagreements over how best to commercialize Qwen.
Alibaba had long kept its largest, most advanced models proprietary, while releasing leading open-source models alongside them. Now, the company is signaling a broader shift away from widely used open-source models and toward closed ones that customers must pay to use. In April alone, Alibaba released three proprietary models within days of one another.
The Qwen team remains focused on keeping pace with the leading models coming out of Silicon Valley, but there is a growing recognition that technological leadership will not be enough if the company doesn’t make money, said a member of Alibaba’s A.I. research lab, which includes the Qwen team and others, who spoke on the condition of anonymity because the person was not authorized to discuss internal matters.
The challenge for Alibaba is apparent in its stock price. While A.I.-related stocks have surged in markets worldwide, Alibaba’s stock has fallen 37 percent this year in Hong Kong, where the broader market has declined 12 percent.
Building a top-performing A.I. model is expensive, requiring enormous investments in hangar-size data centers filled with computer chips that consume copious amounts of electricity.
Chinese A.I. companies face an additional hurdle: U.S. export controls limit their access to the most advanced chips. China’s leading A.I. start-ups and researchers routinely say shortages of computing power are the biggest thing holding them back, and they are spending heavily to secure it.
Those exorbitant costs are heaping financial pressure on Chinese A.I. companies. Start-ups like MiniMax and Z.ai have gone public to raise money from investors, and Alibaba is increasingly steering customers toward proprietary models even if that strategy upsets some of its top talent.
“It is a tough choice to make, and one that every open-model lab has to make at some point,” said Kevin Xu, the founder of Interconnected Capital, a hedge fund that invests in A.I. technologies.
Alibaba’s A.I. business faces mounting external challenges. The Pentagon recently placed the company on a blacklist of firms that it says support the Chinese military, a designation that Alibaba argues has already harmed its business. In a statement, Alibaba said it was not affiliated with the Chinese military.
Anthropic and OpenAI have also accused Chinese companies, including Alibaba, of improperly harvesting data from their A.I. systems to accelerate the development of their models.
Last month, Anthropic sent a letter to Senators Tim Scott, Republican of South Carolina, and Elizabeth Warren, Democrat of Massachusetts, accusing Alibaba of “brazenly” and “illicitly” trying to copy its technology using 24,000 fraudulent accounts. Alibaba declined to comment on the allegations.
Many in the technology industry compare today’s A.I. boom to the early days of the dot-com era, when internet companies were flourishing but no one had yet figured out how to build durable businesses around the technology.
Richard Lin, a vice president at the Silicon Valley company Datastrato who has long been involved in China’s open-source community, said China’s leading A.I. companies were all fighting for survival.
“There isn’t an A.I. company with a sustainable business model right now,” he said. “It’s not a healthy industry.”
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The latest in this “Despicable Me” spinoff franchise follows the yellow troublemakers as they accidentally summon a legion of monsters.
From our review:
This third installment, directed by Pierre Coffin (who also voices the Minions), is far and away the best of the bunch. But it also breaks away from comparison altogether, ushering the franchise, for better or worse, into a new era of ubiquity.
Millie Bobby Brown returns as Sherlock Holmes’s little sister, this time solving a kidnapping in Malta.
From our review:
The plot mechanics are even more convoluted, involving cryptograms, hired spies and sunken treasure. Despite the muddle in this film directed by Philip Barantini, Brown shines, bringing a buoyancy and bite that makes the movie immensely more watchable than comparable entries into the young-adult action-adventure genre.
This documentary directed by Jyllian Gunther and Stephanie Schwam chronicles the life of it’s title subject, a pioneering, sex-positive voice of New York City public access television.
From our review:
Assembled with love (Sarah Jessica Parker is among its producers) and an admirable economy, “Bang My Box” is sprinkled with snappy, candid commentary from the likes of Sandra Bernhard and the journalist Michael Musto. The result is a frisky callback to a time when shows like Byrd’s were not really about fornication. What they were broadcasting was freedom.
William Franklyn-Miller plays George Washington in his early years, when he was a land surveyor and aide-de-camp in this biopic directed by Jon Erwin.
From our review:
The most bracing thing about “Young Washington” is its commitment to old-fashioned stodginess. Declamatory acting, cleanly stated motivations and a few solidly staged battle sequences are the order of the day. (Personality, humor, a sense of 18th-century texture — less so.)
A former fashion designer moves to a small town and discovers a shape-shifting ghoul is after her cousin’s soul in this horror movie based on a podcast and directed by Daniel Stamm.
From our review:
The film zigs and zags, with incomprehensible turns. … What’s left is a movie with few discernible stakes and little sense. It should have stayed a podcast.
For “Minions and Monsters,” the good news is that the film is already performing well in several overseas territories. Domestically, however, it registered the lowest opening weekend of the “Despicable Me” franchise to date with $36 million.
“It might be a little bit of a case of franchise fatigue,” Rubin says. “This is a franchise that tends to be pretty popular overseas. It opened last weekend in a few territories, and so the movie has made around $160 million globally so far. And so it’s hard to knock that kind of business, because [‘Minions’] doesn’t have the biggest production budget compared to some other animated properties like the ‘Toy Story’ movies are much more expensive. This one cost $85 million. So it’s definitely a disappointing start, especially at the domestic box office. But it’s not necessarily a big financial wipeout.”
“Young Washington” is an independently produced biopic of George Washington that was a hit with the heartland and values-driven audiences that Angel Studios courts with its movie and TV productions. The modestly budgeted film grabbed $20 million in its opening salvo.
Angel Studios “have a niche that they have found with this demographic. They definitely know their core audience,” Rubin says. “And the moviegoers who tend to see these films often give them very good audience scores. This one had an A grade, and that usually bodes well for how it’s going to do over its run. It’s another win for Angel Studios.”
Yossman, a London-based reporter for Variety, breaks down the $2.1 billion transaction unveiled today between Comcast’s Sky and ITV. Comcast will acquire the linear broadcast network and the ITVX streaming platform while the ITV Studios arm will remain a standalone publicly traded company owned by ITV shareholders. It’s a huge shakeup and a sign of the times for the U.K. TV sector, where local players are finding it increasingly difficult to go it alone without broader media partnerships.
“What I’m hearing from everybody is the landscape has completely changed. The threat now is from these American giants, the social media giants whether it’s or Meta or Google, YouTube, Netflix, and that it is a completely different landscape,” Yossman says. “The signs are that the government, in its current form, will be quite supportive of these kinds of mergers and acquisitions, because the main goal is obviously to keep at least the [public service broadcasters] as a going concern. And if it has to be sold to an American studio to do that, it’s still better than the alternative, which is for it to go bust.”
Comcast last week unveiled a plan to separate the core Comcast cable and technology assets from NBCUniversal and Sky. The ITV acquisition feels like the second half of that deal, as Yossman notes.
“Our sense is that is really where the value for them is for the streaming platform, ITVX,” she says.
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FAQ
Hier erhalten Sie Antworten auf die gängigsten Fragen zum Boomzino App Download in Österreich. Diese Informationen sollen letzte Unklarheiten beseitigen. Für alles Weitere hilft Ihnen der Boomzino Support rund um die Uhr zur Seite.
Ist denn die Boomzino App kostenlos?
Ja, der Download und die Nutzung der Boomzino Casino App kosten nichts. Es entstehen keine Gebühren für die App. Sie müssen lediglich ein bestehendes Spielerkonto. Natürlich ist es möglich in der App dann Einzahlungen zu machen, um um Echtgeld zu spielen. Die App selbst bleibt ein gratis Tool, um auf das Casino zuzugreifen.
Darf ich mit meinem bestehenden Konto in der App spielen?
Ja, das geht problemlos. Ihre Anmeldedaten gelten auf allen Geräten. Loggen Sie sich einfach mit Ihrem aktuellen Boomzino Benutzernamen und Passwort in der App an. Ihr Kontostand, Bonusstatus, Transaktionsverlauf und alle Einstellungen sind zwischen der Webseite und der App synchronisiert. Sie können also zuhause am PC beginnen und unterwegs auf dem Smartphone genau dort weitermachen.
Was tun wenn der Download oder die Installation scheitert?
Bei Android: Prüfen Sie, ob genügend Speicherplatz vorhanden ist und ob Sie “Installation aus unbekannten Quellen” für Ihren Browser effektiv aktiviert haben. Holen Sie sich die APK-Datei ausschließlich von der offiziellen Boomzino-Website ein weiteres Mal herunter. Bei iOS: Stellen Sie eine stabile Internetverbindung sicher den freien Speicher. Versuchen Sie, den App Store neu zu starten oder sich bei Ihrer Apple ID aus- und einzuloggen. Im Zweifel wenden Sie sich bitte an den Boomzino Support. Das Team unterstützt bei geräteabhängigen Problemen.
Verfügt die App über alle Spiele der Webseite?
Die App bietet fast das volle Spielportfolio der Desktop-Version zur Verfügung. In seltenen Ausnahmefällen, wie aus technischen oder lizenzrechtlichen Gründen, könnte ein Spiel kurzzeitig in der App nicht verfügbar sein. Das Boomzino-Team bemüht sich aber ununterbrochen daran, das mobile Angebot mit der Webversion anzugleichen. Die überwiegenden Spiele, vor allem die populärsten Slots und das volle Live Casino, sind in der App jederzeit verfügbar.
Boomzino App laden für Apple-Geräte – detaillierte Anleitung
Für iPhone- & iPad-User ist der Vorgang einfacher. Dort holen Sie sich die App gleich aus dem offiziellen Apple App Store. Das ist sicher und komfortabel, denn Apple jede App vor der Bereitstellung prüft. Stellen Sie sicher, dass Sie mit Ihrer Apple ID im App Store registriert sind. Download und Installation erfolgen dann in einem gewohnten Schritt ab. Nach der Installation können Sie gleich, sofort loszulegen. Software-Updates werden Ihnen automatisch über den App Store.
Die Suche und Installation im App Store
Öffnen Sie den App Store auf Ihrem Gerät. Tippen Sie auf das Suchfeld und schreiben Sie “Boomzino Casino” ein. Wählen Sie aus den Treffern die originale Boomzino App aus. Ein Check auf den Namen des Entwicklers zeigt, dass es die richtige App ist. Tippen Sie auf “Herunterladen” oder, sofern Sie die App bereits installiert hatten, auf das Cloud-Symbol. Die Installation läuft von selbst. Möglicherweise müssen Sie noch Ihr Apple ID-Passwort bestätigen oder Face-ID bzw. Touch-ID freigeben.
Glaubwürdigkeit des Entwicklers bei iOS
Sobald Sie eine neue App von einem Firmenentwickler zum ersten Mal starten, kann es sein, dass iOS eine Sicherheitsmeldung einblenden. Das System prüft, ob Sie diesem Entwickler zustimmen. Diese Zustimmung ist erforderlich aussprechen, andernfalls öffnet sich die App nicht. Diese Hinweis ist bei Boomzino standard. Um sie zu zu bestätigen, navigieren Sie in die Systemeinstellungen unter “Allgemein” > “VPN & Geräteverwaltung”. Drücken Sie dort auf den Punkt des Entwicklers und erlauben Sie Ihr Ihre Erlaubnis.
Tipps zur optimalen Nutzung der App
So holen Sie das Maximum aus der Boomzino App heraus: Gaming Sie möglichst über WLAN oder ein sicheres Mobilfunknetz, speziell im Live Casino. So umgehen Sie Verbindungsabbrüche. Anschalten Sie Push-Benachrichtigungen, um keine neuen Bonusaktionen zu versäumen. Einsetzen Sie die Such- und Favoritenfunktion, um Ihre bevorzugten Spiele schnell zu starten. Schauen Sie ab und zu im App Store oder auf der Boomzino-Website nach Updates. So nutzen von Performance-Verbesserungen und neuen Funktionen.
Datenverbrauch und Akkulaufzeit
Der Datenverbrauch variiert stark vom Spiel ab. Klassische Slots brauchen wenig Daten. Das Live Casino mit seinen Video-Streams benötigt deutlich mehr. Für größere Sessions unterwegs ist WLAN die beste Wahl. Um den Akku zu sparen, können Sie die Bildschirmhelligkeit etwas verringern oder den Energiesparmodus aktivieren. Die App selbst ist aber gut angepasst und belastet den Akku nicht intensiver als andere Multimedia-Apps.
Geschütztes Spielen unterwegs
Spielen Sie nie über riskante, öffentliche WLAN-Netze ohne Passwort. Verwenden Sie zur Anmeldung in der App, wenn möglich, die biometrischen Features Ihres Geräts wie Fingerabdruck oder Gesichtserkennung. Einloggen Sie sich nach dem Spielen immer aus der App ab, besonders wenn Sie das Gerät mit anderen verwenden. Sie können sich direkt in der App Einzahlungslimits oder Spielzeitlimits festlegen. Die Einstellungen dafür finden Sie im Kontobereich unter “Verantwortungsvolles Spielen”.
Hardware-Anforderungen für den Dateidownload
Bevor Sie loslegen, ist ein kurzer Check: Genügt Ihr Gerät den Mindestanforderungen? Für ein flüssiges Spiel benötigen Sie ein aktuelles Smartphone oder Tablet mit genug freiem Speicher. Die Details unterscheiden sich bei Android und iOS. Am besten einrichten Sie jeweils die neueste Version Ihres Betriebssystems. Das sorgt für Verträglichkeit und maximale Sicherheit. Beim Download und Einrichten selbst ist logischerweise eine zuverlässige Internetverbindung notwendig.
Anforderungen für Android-Geräte
Bei Android-Geräten muss wenigstens Version 7.0 (Nougat) laufen. Für die neusten Spiele mag eine aktuellere Version nötig sein. Planen Sie circa 100 MB internen Speicher für die App selbst ein. Zusätzlich fällt an Platz für die Zwischenspeicherdaten der verschiedenen Casino-Spiele. Sodass auch aufwändige 3D-Slots ohne Ruckeln funktionieren, sind mindestens 2 GB Arbeitsspeicher (RAM) zu empfehlen.
Systemanforderungen für iOS-Geräte
Bei iPhone und iPad ist iOS 12.0 oder aktueller vorausgesetzt. Aktuellere Versionen sind für die beste Performance ratsam. Die App funktioniert mit sämtlichen gängigen iPhones seit dem 6s und iPad-Modellen. Der Speicherbedarf liegt vergleichbar mit bei Android, auch hier benötigen die Spiele extra Cache. Die App läuft stabil auf Geräten mit Intel- und Apple Silicon Chips (M-Serie) und schöpft die Hardware optimal aus.
Abschließende Einschätzung und Resümee
Die Boomzino Casino App ist eine gelungene mobile Erweiterung der Plattform. Sie überzeugt mit dem gesamten Spielangebot, solider Performance auf Android und iOS und einer klaren Bedienung. Der Download ist für iPhone-Nutzer besonders simpel. Android-Nutzer müssen einen kurzen Extra-Schritt gehen, der aber zuverlässig ist. Mit der App können Spieler in Österreich ihr Casino-Erlebnis bequem mitnehmen, ohne auf etwas verzichten zu müssen. Die mobile App ist für Boomzino keine Zugabe, sondern ein zentraler Teil des Angebots, der seine Sache wirklich gut macht.
Warum die Boomzino Casino App verwenden?
Die exklusiv entwickelte Boomzino App ist mehr als eine mobil optimierte Webseite. Sie ist flotter, läuft flüssiger und bietet eine stabilere Verbindung, weil sie ideal auf Ihr Betriebssystem zugeschnitten ist. Die Oberfläche skaliert Ihrem Display und lässt sich mit den Fingern einfach bedienen. Sie können Push-Nachrichten für neue Boni oder Turniere aktivieren, damit Sie kein Angebot verpassen. Alles, was Sie vom Desktop wissen, ist auch in der App da: Ein- und Auszahlungen, der Kundenservice und die gesamte Spielesammlung.
Stärken gegenüber der Handy- Webseite
Die mobile Webseite funktioniert, aber die App geht deutlich weiter. Sie hinterlegt wesentliche Daten direkt auf Ihrem Gerät. Das schont mobiles Datenvolumen und macht die Reaktion bei Spielen zügiger, vor allem bei aufwändigen Slots. Die App kann sich optimaler mit Ihrem Gerät koppeln. Das ermöglicht sichere Logins per Fingerabdruck oder Gesichtserkennung. Und weil das App-Symbol dauerhaft auf Ihrem Homescreen liegt, starten Sie mit einem Fingertipp. So können Sie auch zwischendurch eine Runde spielen.
Verbessertes Spielerlebnis auf Reisen
Der wichtigste Pluspunkt ist das Spielgefühl. Die Entwickler haben jedes Spiel extra für die mobile Nutzung angepasst. Die Buttons sind breiter und einfacher zu treffen, die Menüs sind übersichtlicher, und die Grafik arbeitet auch auf älteren Handys stabil. Vorteilhaft: Viele Spiele lassen sich vorladen. So können Sie sie danach auch ohne verlässliches Internet spielen. Diese Anpassungen stellen sicher, dass Sie sich auf die Unterhaltung konzentrieren können, ohne mit der Technik zu kämpfen.
Features und Spielangebote in der Boomzino App
Die Boomzino App ist keine abgespeckte Version. Sie überträgt das vollständige Casino auf Ihr Handy. Die Spielbibliothek bietet unzählige Titel: aktuelle Spielautomaten, klassische Tischspiele wie Blackjack und Roulette in zahlreichen Varianten und ein Live-Casino mit echten Dealern. Alle Spiele kommen von renommierten Anbietern wie NetEnt, Pragmatic Play oder Evolution Gaming und sind für mobile Geräte angepasst. Mit Such- und Filterfunktionen finden Sie zügig, was Sie suchen. Auch auf dem mobilen Bildschirm wirken Grafik und Sound ansprechend.
Live Casino und Bonusaktionen mobil
Besonders gut realisiert ist der Zugang zum Live Casino. Sie übertragen Roulette-, Blackjack- oder Baccarat-Tische in Echtzeit auf Ihr Gerät und haben die Möglichkeit mit den Dealern kommunizieren. Die mobile Optimierung garantiert für einen unterbrechungsfreien Videostream ohne Ruckler. Auch alle Bonusaktionen, Freispiele und Turniere steuern Sie bequem in der App. Die Bonusbedingungen und Umsatzanforderungen sind dieselben wie am Desktop. Ihr Kontostand, Bonusguthaben und der Transaktionsverlauf sind immer auf dem gegenwärtigen Stand, unabhängig auf welchem Gerät Sie zocken.
Sicherheit und Zahlungsmethoden
Die App schützt Ihre Daten mit derselben Ende-zu-Ende-Verschlüsselung (SSL) wie die Webseite. Sämtliche üblichen Zahlungsmethoden stehen zur Verfügung: Kreditkarten, E-Wallets und Optionen wie Paysafecard. Ein- und Auszahlungen sind genauso simpel und geschützt wie am Computer. Der Kundenservice ist ebenfalls in der App über Live-Chat, E-Mail oder Rückrufservice erreichbar, falls Sie Hilfe bei einer Transaktion oder einem Spiel brauchen.
Die Boomzino Casino App ist eventuell nicht im Google Play Store verfügbar. Daher erfolgt der Download für Android über eine APK-Datei von der offiziellen Boomzino-Website. Dazu müssen Sie kurz eine Sicherheitseinstellung ändern. Wir erläutern Ihnen, wie das sicher gelingt. Wichtig: Holen Sie die APK-Datei ausschließlich von der offiziellen Boomzino-Webseite. So gehen Sie sicher, dass keine manipulierte Software auf Ihr Gerät gelangt. Nach der Installation können Sie die Sicherheitseinstellung wieder auf die Werkseinstellung zurücksetzen.
APK-Datei laden und installieren
Öffnen Sie zuerst die offizielle Boomzino-Website auf Ihrem Android-Gerät im Browser. Gehen Sie zum Bereich “Mobile App” oder “App Download”. Dort entdecken Sie den Link zum Download der Android-APK-Datei. Bevor Sie darauf tippen, müssen Sie eine Einstellung ändern. Öffnen Sie in den Geräteeinstellungen “Sicherheit” oder “Apps & Benachrichtigungen”. Aktivieren Sie dort die Einstellung “Installation aus unbekannten Quellen” für Ihren Browser. Akzeptieren Sie die Warnmeldung. Nun können Sie die APK-Datei downloaden und öffnen. Folgen Sie einfach den Installationshinweisen auf dem Bildschirm.
Erstkonfiguration und Berechtigungen
Nach der Installation erscheint das Boomzino-Icon auf Ihrem Homescreen oder im App-Menü. Beim ersten Start kann die App nach bestimmten Berechtigungen fragen. Das sind beispielsweise Zugriff auf den Speicher, um Spieldaten zu speichern, oder auf Netzwerkverbindungen. Diese Berechtigungen sind für den normalen Betrieb notwendig. Jetzt können Sie sich mit Ihrem bestehenden Konto einloggen oder direkt in der App ein neues Konto registrieren. Ein guter Tipp: Deaktivieren Sie nach der Installation in den Android-Einstellungen die “Installation aus unbekannten Quellen” für Ihren Browser wieder.
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Inde Navarrette has met with a prominent Marvel Studios director, which could hint at a future role for her in the MCU. Navarrette made a splash in 2026’s breakout horror hit Obsession, a film that is even breaking some of Avengers: Endgame’s records at the box office. Obsession’s success has quickly put Hollywood’s eyes on Navarrette, and now a role in the MCU seems possible.
In the months since Obsession released in theaters, everyone’s been waiting to see what Navarrette might do next following her standout performance as Nikki. In a new interview with Nylon, Navarrette outlined some of her dream projects and the directors she’d love to work with. Among the list, which included Ryan Coogler and Greta Gerwig, was Marvel’s Thunderbolts* director Jake Schreier. Navarrette confirmed to Nylon that she’d recently met with Schreier, adding explicitly that she “would” be interested in doing a Marvel film.
The timing could be right for Navarrette, as Schreier is currently hard at work on another Marvel Studios film, this time focusing on its highly anticipated X-Men reboot. Following his success with the complicated team dynamics of the anti-hero Thunderbolts group, Schreier seemed a perfect choice to tackle Marvel’s mutant finest.
Focus Features
After the original Fox X-Men stars return in Avengers: Doomsday later this year, Marvel Studios is expected to put its own stamp on the legendary comic book team in its X-Men reboot, casting a fresh team of heroes. Marvel Studios President Kevin Feige confirmed as much in 2025, saying Schreier’s X-Men film would “be a very youth-oriented, focused and cast movie.”
Schreier’s only confirmed directorial project right now is Marvel’s X-Men movie, so a meeting between Navarrette and him could only have been linked to one thing, and her involvement in the movie is only made more likely now that she’s expressed interest in joining the MCU.
Could Inde Navarrette Join Marvel’s X-Men?
Marvel Comics
Marvel Studios has yet to officially confirm any of the cast for its X-Men reboot, though casting meetings certainly seem to be happening across town. The timing of the meeting between Navarrette and Schreier certainly seems right for her to be considered for the MCU movie, and her standout performance in Obsession, plus the heat she’s gained in Hollywood over the past months, make her a top choice for a major blockbuster to snap up.
Navarrette’s age, looks, and past acting experience make her an ideal candidate to portray one of the X-Men’s heroes, and there are several mutants she could easily play on the team.
Jean Grey is seemingly out of the question if rumors about Sadie Sink’s Spider-Man: Brand New Day role prove to be true, but there are still plenty of other prominent mutants up for grabs. A popular choice would be Kitty Pryde, the young “kid sister” of the X-Men team with phasing abilities, who was portrayed by Elliot Page in the live-action Fox films.
Rogue is another X-Men expected to be in the initial lineup for Marvel Studios’ reboot, and the sassy, life-force absorbing mutant could be a perfect fit for Navarrette’s skills. Alternatively, the Obsession star could easily play an enigmatic shapeshifter like Mystique, a role previously played by Jennifer Lawrence in the X-Men prequel movies.
Marvel Studios is focused on closing out the Multiverse Saga right now with Avengers: Doomsday and Avengers: Secret Wars, but its X-Men reboot is expected to be a major focus heading into the next saga, which means news about its cast and production should arrive soon.
Although no studio closures or game cancellations were announced as part of the initial plans, Sharma confirmed that Xbox will let go of five of its development studios, either via sales or divestment.
Psychonauts studio Double Fine and South of Midnight creators Compulsion are the two studios being allowed to return to independence. As part of the agreement, both companies will retain their IPs and game catalogs and receive investment.
Sharma said that Xbox had made the decision after determining that it was “not the best home for every type of studio” after its business did not grow at the pace it expected following years of high-profile studio acquisitions.
Compulsion Games was acquired by Xbox in 2018, followed by Double Fine the following year.
Double Fine ‘thankful to everyone at Xbox’
Commenting on the news, Double Fine said it was “thankful to everyone at Xbox for seven great years together, and for working with us to reach an outcome which preserves our history and culture, and returns ownership of our games to us.”
It added: “To everyone who has reached out to us these past few weeks: Thank you so much for all your kind words, we’ve been deeply touched by all your messages. We will share more news soon on what comes next.”
Compulsion said it was “excited to continue building the distinctive games that define Compulsion while taking the next steps in our journey”.
It said: “We care about the craft of making games, the stories we tell, the players who experience them, and the assembled creators who put their heart and soul into doing something different.
“Today, we’re sharing that Compulsion Games will return to independent management following our time as part of Xbox. As part of this transition, we will retain the rights to Contrast, We Happy Few, and our award-winning South of Midnight.
“We’re grateful for the years we spent with Xbox, for the support they provided our team, and for the opportunity to bring these games to players around the world. As an independent studio, we’re excited to continue building the distinctive games that define Compulsion while taking the next steps in our journey.”
In addition to the two studios, Ninja Theory (Senua) and Undead Labs (State of Decay) have been sold, Xbox confirmed on Monday, but details on their buyers have not been disclosed because the deals have not yet been completed. Arkane is also in negotiations to leave Microsoft.
The Hollywood Bowl was by no means a lonely bowl Sunday night, as Herb Alpert & the Tijuana Brass returned to pack the storied venue for the first time in 59 years. The Brass’s Cahuenga Pass comeback came not a moment too soon, with the band leader proudly bragging about his age… as one does, and should, when one is this undiminished by the years. “This is a dream come true for me,” Alpert crowed. “I never thought I’d be doing this at 91.”
Some of the rest of us might have imagined it, if only because Alpert clearly has the best shot of any of us of living forever. But the odds were longer that he’d be doing an official Tijuana Brass show at this age, or any age, because he previously hadn’t shown much interest in reviving his 1960s band brand as a concept for an entire tour. Family members and business partners convinced him that if he built this more purposefully nostalgic a show, they would come, in bigger numbers and with more of a heightened sense of celebration. The prophecy came true last fall, when Alpert and the Brass sold out all shows on a theater tour that climaxed in November in a buzzy pair of appearances down the street at the Dolby Theatre. Clearly it was time to move the party uphill this summer, to a venue where the sense of time travel could be all-encompassing. Alpert at the Bowl, doing a nearly all-’60s set, feels like a case of game recognizing game.
It’s tough to imagine how this show would strike someone who had not grown up with a copy of “Whipped Cream and Other Delights” in the family living-room cabinet. Would it have the same impact for someone who had no idea what “Laugh-In,” “The Dating Game,” “What’s My Line” and the other television shows seen in clips on the overhead screen were? We could have run a survey and actually asked some of the younger folks at the Bowl whether the music registered as strongly to them as it does to those of us who get most of the nostalgic associations. But we were too caught up in the communal bliss to take a poll of random kids. Our best guess is that there might be a little bit of recognition for the youngest generations, too, watching all those clips — as in, Holy cow, Austin Powers was real! And the music itself? Nothing could be more tied to a specific time period than the Tijuana Brass’ short catalog. But surely anyone hearing these tunes and these arrangements for the first time would recognize the spark of joy. No one since the end of the T.B. era appears to have thought to use the sound of three trumpets playing in unison (or, alternately, two trumpets and a trombone), unaccompanied by vocals, as the basis of smash-hit pop music. But, hearing that sprightly style revived now, it sure sounds like it could heal the world.
Herb Alpert & the Tijuana Brass & Other Delights – Hollywood Bowl – July 5, 2026
Timothy Norris/Los Angeles Philharmonic
Sunday night’s show began with a surprise introduction, a crowd-pleasing appearance that went on long enough, it pretty much counted as an opening act: a laudatory speech by fellow pop legend and one-time Alpert protege Paul Williams. “There’s nothing to worry about,” Williams told the audience, “but Herb left his horn at home.” (That wasn’t true, but it’s possible there was some stalling involved; a few folks in the audience couldn’t help but notice that when Alpert and his musicians did make their way to the stage a bit later, it was literally just moments after the Mexico-England World Cup game ended. Coincidence? We’d waited 59 years for this, we could wait an extra five minutes.)
“Now, how many of you knew that A&M Records started out in a garage?” Williams asked. “Herb Alpert and Jerry Moss in a garage on a handshake. And you can hear all the attorneys in the audience … the clenching of teeth at the thought of that, but, but don’t be like that, because look at all the contracts you worked on through the years because A&M Records attracted everybody.” Williams recounted the familiar story of how Alpert vowed to start his own indie label after having his hand slapped by an engineer when he touched the board at a mixing session. “I wonder how many nights that engineer couldn’t get to sleep, remembering that he had slapped Herb’s hand… Herb thought, basically, shouldn’t the artist always have a voice in what happens with his music? And,” added the songwriter-turned-ASCAP chief, “I would take that into 2026 and say, ‘Shouldn’t he always be paid for it?’ Shouldn’t he have a right to say no if you try to train your computers with it? But so Herb’s whole thing was artists first.”
Thankfully, Williams’ jovial remarks marked the last time anyone mentioned or even thought about 2026.
Alpert and company took the stage, inevitably, with “The Lonely Bull,” the top 10 hit that started everything for the artist and the newly minted A&M label in 1962, followed by hits and deeper cuts whose titles were meant to reinforce the Latin flavor he was bringing to the charts: “Memories of Madrid,” “Spanish Flea,” “Bittersweet Samba,” “Mexican Shuffle,” “Tijuana Taxi”… Those horn-driven songs made 1960s Americans imagine friendly mariachis, but what is striking any time the band takes the stage on this tour is how minimal an ensemble it is, with just two horn players besides the star, although it was easy to imagine many more when those needles were first settling down in dusty grooves. With Alpert being 91, he could easily have gotten away with handing more of the solos over to his brassy compadres — Kris Bergh on trumpet and Ryan Dragon on trombone — but the frontman was steady in still pulling his full weight, to the delight of a crowd that quickly realized Alpert is in no danger of raising the same concerns that have come up with so many pop vocalists losing steam in their 80s.
Alpert, who mostly performed seated along with the other two horn players, turned his swivel chair around on a couple of occasions to indulge in his favorite pastime on this tour: pointing to the different players in the band to indicate their turn at soloing. “Every night it’s different, because they don’t know when I’m gonna call on ’em,” he told the audience, and besides the brass, that resulted in effective turns in the spotlight for Bill Cantos on piano and marimba, drummer Ray Brinker, bassist Hussain Jiffry and guitarist Kerry Marx. (None of these were part of the Tijuana Brass in the ’60s, but for a group that hadn’t performed under that name for 40 years when this tour began in 2025, Alpert being the only point of continuity was to be expected.)
When it came to marrying song to image, possibly the most delightful example came in hearing “The Mexican Shuffle” accompanied by vintage footage of the Teaberry chewing gum commercials that used the song as an instrumental jingle in the mid-’60s, with people in everyday situations suddenly breaking into fancy dance steps — something it’s enduringly easy to imagine happening when Tijuana Brass music comes on, if not as a reaction to gum.
Alpert went post-’60s and post-TB for only two selections: “Route 101,” from 1982, and most notably “Rise,” signaled as a late ’70s hit for Alpert with the appearance on the Bowl’s screen of a giant mirror ball, even if the Billboard No. 1 from 1979 wasn’t really all that disco-y. It was a chance to get expansive in every way, dropping the signature sound of the rest of the set for stretches that had more of a pure jazz flavor, including an epic piano solo from Cantos that took up a good and deserving portion of the number’s nine-minute length.
Having “Rise” go on so delectably long helped compensate for the extreme brevity of some of the ’60s singles, like the two-and-a-half-minute “Casino Royale” theme, which seemed over nearly as soon as it’d begun. Short or not, Alpert fans were pleased it was included at all, since it wasn’t part of the show when he was last seen in these parts at the Dolby. “Up Cherry Street” was another pleasant surprise in the setlist, having been introduced only this year in the important spot of encore-closer.
What the Bowl audience didn’t get that the L.A. audience did last fall was any multi-song appearance by Alpert’s wife, Lani Hall, although she literally loomed over the proceedings in frequent lovebird two-shots projected on the big screen. Alpert also did a little less talking than he did at the Dolby; it could have used more of his storytelling, but there was just enough in this less-talk-more-rock show. Alpert talked about “Ladyfingers” becoming an unlikely contemporary hit with hundreds of millions of streams (not actually mentioning the Notorious B.I.G. recording that sampled and re-popularized his hit, “Hypnotize”); he spoke about how Al Hirt passing on the chance to record the instrumental “Whipped Cream” led to his biggest album (and, needless to say, one of history’s great album covers). He introduced charming vintage clips that excerpted conversations with Louis Armstrong and Sérgio Mendes. And he reminisced about the last time the Tijuana Brass played the Bowl (as opposed to his solo appearances), in 1968, when Marlon Brando asked him and his group to open a fundraiser for the Martin Luther King Christian Leadership Conference that had Barbra Streisand and Harry Belafonte sharing the bill.
“Performing with those two great artists,” Alpert said, “I had to do something that would get us noticed somehow. So against my manager’s advice, I did something that nobody wanted me to do. I was right there in the top where the sound equipment is, and I walked down the stairs singing ‘This Guy’s In Love With You’ in a white suit…. Would you guys sing that song with me? If you don’t think you can sing, just sing it out and have fun with it” — which might have been the advice he’d given himself, recording that as his only vocal hit, as a self-confessed non-singer. “Are you game? I guarantee you, if you do it and don’t care about how you sound, you’ll be in the exact moment of your life, OK? We’re gonna do it, right? Wait a minute. What key do you guys do it in?” he joked.
After a plug for the “stuff back there you don’t need,” meaning the merch whose sales go entirely toward funding his Herb Alpert Foundation, the star mused about the setting, and how far he’d come, which didn’t escape him now any more than it did in ’67. “I can’t believe I’m doing this because, what the heck, you know? Some of you know my history. I was born in Boyle Heights. I made my way. I went to Melrose Grammar School and Fairfax High School and USC, UCLA, and Alcatraz. You applauded on that. I tricked you.”
The lighter-than-air feel took on some humidity just once, when he and the band performed Charlie Chaplin’s “Smile” as a built-in In Memoriam segment, with a photo montage of four key departed figures in his life, Mendes, Karen Carpenter, Burt Bacharach and A&M partner Jerry Moss. Ironically or otherwise, these might have been the only three minutes in the evening when most of the audience didn’t have ear-to-ear grins, smiling like we’d never known such a thing as heartbreak in their lives.
Alpert has lived a charmed, and charming, life, hardly having lost a step since the days of sideburns and turtlenecks, literally, in a gig that found him literally dancing off the stage rather than taking multiple bows. Whatever magic elixir he’s been drinking from might rub off by osmosis: This is the kind of show you walk out of feeling like it’s just added 10 years onto your life.
Herb Alpert and the Tijuana Brass at the Hollywood Bowl
Courtesy Herb Alpert
Setlist for Herb Alpert & the Tijuana Brass at the Hollywood Bowl, July 5, 2026:
The Lonely Bull The Work Song Memories of Madrid Whipped Cream Spanish Flea Ladyfingers Lollipops and Roses Bittersweet Samba Mexican Shuffle Tangerine (I’m Getting) Sentimental Over You Love Potion No. 9 This Guy’s in Love With You Route 101 Rise A Taste of Honey Zorba the Greek Smile Casino Royale Theme What Now My Love A banda Tijuana Taxi Up Cherry Street
Herb Alpert and the Tijuana Brass perform at the Hollywood Bowl, July 5, 2026
Chris Willman/Variety
Remaining 2026 tour dates:
Jul 28 Dominion Energy Center – Richmond, VA Jul 29 Grand Opera House – Wilmington, DE Jul 30 State Theatre – New Brunswick, NJ Aug 01 Appell Center for the Performing Arts – York, PA Aug 02 Hanover Theater – Worcester, MA Sep 14 Tennessee Theatre – Knoxville, TN Sep 15 Brown Theatre – Louisville, KY Sep 16 Clowes Memorial Hall – Indianapolis, IN Sep 18 Michigan Theater – Ann Arbor, MI Sep 19 Orpheum Theatre – Madison, WI Sep 20 Orchestra Hall – Minneapolis, MN Oct 17 Alberta Bair Theater – Billings, MT Oct 18 Dennison Theatre – Missoula, MT Oct 19 Wacholz College Center – Kalispell MT Oct 21 Fox Theatre – Spokane, WA Oct 22 Bellingham WA Oct 23 Chan Centre – Vancouver, BC
The victorious Belgium team mainly let their skills do the talking at the World Cup after a day of red card suspension controversy, a failed appeal, and the unsurprising intervention of Donald Trump. For some, the 4-1 win Monday over Christian Pulisic and Team USA in Seattle, WA would have said it all.
Not for the Belgians. Not after today.
Even with FIFA tournament co-host America’s elimination from competition, once the much-hyped match was over, the Red Devils dropped the stoic mask. In a short but pointed social media post, Belgium let their real feelings be known about the Gianni Infantino-led organization’s last minute and much condemned decision to suspend Team USA star player’s Folarin Balogun’s red card ban.
“Overturn this”
That’s basically all the tweet said, and said it all.
The return of Balogun came in part thanks to a call last week from Trump to his pal Infantino (who is facing growing calls to resign). FIFA’s disciplinary panel then “independently and autonomously” (according to Infantino) allowed the USMNT striker to compete in Monday’s match. After a his foul on defender Tarik Muharemovic during the July 1 match against Bosnia-Herzegovina, Balogun was sent off the pitch with a red card.
Standard FIFA procedure is that a red card also leaves the player unable to participate in the next scheduled game. For decades that’s been standard FIFA procedure — unless the President of the United States decides he thinks its unfair. Then, regardless of FIFA Peace Prize winner Trump’s call says Infantino, the little known 18-member FIFA disciplinary committee suddenly said Balogun’s red card game ban would be suspended for a year.
Admitting he asked Infantino for a review of the red card in their call, Trump called the decision “brilliant.”
As UEFA and nations and leagues around the world slagged FIFA’s move, the Royal Belgian Football Association filed an appeal. That appeal was rejected within hours.
The whole situation put a stink on today’s match and revived old calls of corruption and favoritism against FIFA. “This is our sport, not theirs,” ex-Liverpool manager and likely next Germany coach Juergen Klopp said on Monday as it was all going down. “If Donald Trump and Gianni Infantino really sorted this out between themselves, it is madness; it calls everything into question. These two people, who know nothing about football, should have absolutely nothing to do with this.”
Earlier in the day, Trump’s White House went full LEGO to claim their master’s own role in an American World Cup win.
As the likes of CNN host Abby Philip mocks the “Trump curse” on-air, there has been radio silence now from the former Apprentice host. Usually very chatty online, Trump is on his newly refurbished donated Air Force One heading to a NATO summit in Ankara, Turkey — where POTUS will have to sit with fellow attendee Belgium PM Bart De Wever.
Now, with Balogun almost a non-entity in today’s match and America having nothing more to do with the World Cup on the pitch, Belgium goes on to play Spain in a quarterfinals match on July 10 at L.A.’s Sofi Stadium. Whether or not the USA-Canada-Mexico hosted 2026 World Cup keeps pulling in the mega-ratings for Fox and Telemundo now that all the host countries have been eliminated remains to be seen.
Looking back at my high school photos is a borderline jump scare. This was before I figured out how to style knee-high boots for my personal style, so I simply mimicked whatever was in at the time. I looked like a hipster Caitlin Covington cosplaying Christian-girl autumn in leggings with a boatneck sweater, an infinity scarf, and—you guessed it—a pair of knee-high riding boots. I’d argue that it’s still a tried-and-true look (skinny jeansare back), but I’ve also since learned there are so many more styling possibilities than whatever I was regurgitating from Tumblr.
The biggest myth about wearing knee-high boots that I’ve since unlearned, for example, is the idea that they can only be worn in the fall or winter. In fact, this summer in particular has seen countless celebrities and street style stars proving that wearing tall boots in hot weather is absolutely a thing. Take Anne Hathaway and Suki Waterhouse: Both recently stepped out in suede footwear that somehow felt light and airy, while Chloe Bailey and Madonna showed us how to make black leather boots and punk styling work year-round.
These celeb looks also shut down another false idea: that knee-high boots don’t work with very many bottoms. If anything, they actually go with everything, from miniskirts to capri pants and beyond. Whether your personal style leans more preppy, sporty, classic, or anything in between, there are endless iterations of tall boot styles that fit the latest fashion trends and match with your wardrobe.
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Mein Werdegang ist von Anfang an mit Österreich assoziiert. Mein Bestreben war es immer, die speziellen Wünsche und Erwartungen der Spieler in Österreich zu erfüllen. Das reicht weit über eine deutsche Übersetzung der Website hinaus. Es umfasst, lokale Zahlungsweisen zu kennen, zu erkennen, welche Spielautomaten populär sind, und die strikten rechtlichen Vorgaben zu befolgen. Diese Einstellung hat mir das Vertrauen einer zunehmenden Community eingebracht. Ich analysiere den Markt genau und stimme mein Angebot kontinuierlich an. Das spiegelt sich in der Integration österreichischer Bankmethoden oder in Promotionen, die hier gut gefallen. Dass ich mich in Österreich nachhaltig etabliert habe, ist für mich der größte Beweis. Ich behandle meine Spieler als geachtete Gemeinschaft, nicht nur als Kunden.
Großartige Begrüßung und kontinuierliche Wertschätzung
Neue Spieler heiße ich willkommen mit einem attraktiven Willkommenspaket für einen erfolgreichen Start. Mein Bemühen hört danach aber nicht auf. Beständiges Spielen vergüte ich mit einem abgestuften Treueprogramm, das tatsächliche Vorteile bringt. Punkte, die du bei jedem Einsatz sammelst, wandelst du in Bonusguthaben um. Dazu kommen wöchentliche Reload-Boni, Freispiele-Aktionen zu frischen Spielen und exklusive Turniere mit attraktiven Preisgeldern. Sämtliche meine Bonusangebote haben eindeutige und gerechte Umsatzbedingungen, die ich transparent kommuniziere.
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Unterwegs spielen: Die Smartphone-Erfahrung
Da heute viel mobil gespielt wird, habe ich großen Wert auf eine optimierte Erfahrung für Smartphones und Tablets ausgerichtet. Eine separate App ist nicht nötig. Besuche mich direkt über den Browser deines Geräts. Meine Seite passt sich jedem Bildschirm an und bietet den vollen Funktionsumfang der Desktop-Version. Dir stehen alle Spiele zur Verfügung, die sichere Zahlungsabwicklung, deine Bonusangebote und den Kundendienst. Die Ladezeiten sind kurz, die Bedienung intuitiv und die Grafik bleibt gut. So genießt du deine Lieblingsspiele auch von unterwegs, sei es in der U-Bahn in Wien oder auf der Terrasse eines Cafés in Salzburg.
Die mobile Oberfläche wurde für Touchscreens gemacht. Die Buttons sind leicht zu bedienen, und die Spiele funktionieren reibungslos auf modernen iOS- und Android-Geräten. Viele der neuen Spielautomaten und sämtliche Live-Casino-Tische sind von Haus aus für mobiles Spielen optimiert. Diese Integration gibt dir maximale Flexibilität, ohne Einbußen bei Funktionen oder Sicherheit. Mein Ziel ist, dass der Wechsel zwischen den Geräten mühelos klappt. Du kannst stets genau dort weitermachen, wo du aufgehört hast.
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Le abitudini di svago domestico, in Italia, si sono modificate parecchio. Sempre più persone scelgono sessioni di gioco rapide e leggere, con slot online che mescolano soggetti conosciuti e dinamiche semplici. Penalty Nations Cup Slot rappresenta questa tendenza: coglie la febbre nazionale per il calcio e la trasforma in un divertimento accessibile, utilizzabile da qualsiasi strumento online in casa. Avviare un tiro mentre si beve a piccoli sorsi un caffè o durante una serata tranquilla ha rinominato la pausa divertimento, portandola nella sfera intima dell’abitazione. I icone del calcio e la dinamica dei rigori creano un partecipazione affettiva istantaneo, congiungendo linearità e teatralità. Qui analizziamo come questa slot si sta affermando un impegno regolare nelle partite domestiche italiane, studiando i aspetti di costume, tecnologici e di stile che ne sostengono la diffusione.
Il Ritorno del Gioco da Casa nel Panorama Italiano
Da quando stare a casa è diventato comune, molti italiani hanno riscoperto i divertimenti digitali da divano. Le slot online hanno guadagnato spazio come alternativa ai videogiochi impegnativi o alla TV passiva. In un Paese dove la socialità e il calcio sono centrali, Penalty Nations Cup Slot è diventata un punto d’riferimento tra divertimento personale e passione collettiva. La facilità di accesso su piattaforme regolamentate ha reso normale pensare a una breve sessione di gioco come a un momento di relax, come sfogliare una rivista sportiva. Connessioni veloci e dispositivi più reattivi hanno eliminato le barriere tecniche, permettendo anche a chi non è esperto di provare questo passatempo senza intoppi. La classica routine del dopocena, fatta di piccoli riti, si è allargata a tablet e smartphone: il salotto è diventato uno spazio dove ogni familiare si ritaglia un suo angolo di gioco, senza rinunciare alla comodità della routine.
Penalty Nations Cup Slot rientra perfettamente in questo quadro: il calcio non ha bisogno di spiegazioni, e l’emozione del rigore arriva in pochi secondi. La casualità, senza obblighi di progressione o classifiche, la rende perfetta per chi cerca uno svago leggero. Abbiamo notato che l’abitudine si è radicata soprattutto tra i tifosi: dopo una partita in TV, estendono l’atmosfera con qualche giro di slot, tenendo viva l’adrenalina in un contesto tranquillo e privato. In più, giocare da casa dà una sensazione di controllo: dal divano gestisci i tempi e le modalità, senza pressioni esterne, alternando il gioco a musica o chiacchiere in famiglia. L’interfaccia semplice e la compatibilità mobile aboliscono ogni ostacolo iniziale, sposando lo stile di vita multitasking sempre più diffuso nelle case italiane.
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Penalty Nations Cup Slot punta tutto sull’emozione del rigore, il attimo più teso del calcio. I rulli, impreziositi da parti interattivi, permettono di scegliere la direzione di tiro o parata, accrescendo la sensazione di essere realmente in partita. I simboli – palloni, guanti da portiere, divise delle nazionali, trofei – presentano una grafica vivace che ricorda competizioni internazionali. L’audio riproduce il rumore del pubblico, il fischio dell’arbitro, il suono della rete che si gonfia, e l’atmosfera diventa subito coinvolgente. Sotto il profilo tecnico, la volatilità media bilancia vincite piccole e frequenti con premi più grossi nei round bonus, mantenendo alta l’attenzione senza frustrare. Il round bonus dei rigori parte con gli scatter e il giocatore sceglie l’angolo: l’esito decide il moltiplicatore del premio. Questa scelta, anche se casuale, dà una sensazione di controllo che in altre slot non c’è, e rafforza il legame con il calcio.
Le meccaniche sono facili anche per chi non ha mai visto una slot, ma offrono spunti pure ai giocatori più navigati penalty-nations-cup.it. Il pannello di controllo regola la puntata con semplicità, partendo da soglie minime adatte a ogni tasca, e la funzione autoplay fa girare i rulli da sola per chi vuole rilassarsi. La compatibilità multipiattaforma assicura un gioco fluido sia su computer che su smartphone: l’interfaccia si adatta allo schermo, i pulsanti restano a portata di pollice. Il software è stabile, evita blocchi nei momenti chiave come l’attivazione dei bonus, e la grafica leggera non rallenta il caricamento nemmeno sui telefoni meno recenti. Questa miscela di tema profondo e semplicità tecnica spiega perché Penalty Nations Cup Slot si è ritagliata un posto fisso nelle abitudini di gioco italiane.
Il Ruolo del Calcio nella Società Italiana e il Suo Contributo sul Gioco
In Italia il calcio è molto più di uno sport: è un evento culturale che attraversa generazioni e classi sociali, definendo linguaggio, riti e relazioni. Penalty Nations Cup Slot pesca a piene mani da questo immaginario condiviso, e ogni sessione diventa un prolungamento della passione di tutti i giorni. I colori delle maglie, gli inni nazionali che esplodono nei round bonus, le animazioni del gol riportano a un universo che chiunque riconosce subito. Questa affinità annulla la distanza tra giocatore e prodotto, creando un senso di appartenenza che le slot generiche a fatica riescono a dare. Abbiamo visto che tanti italiani selezionano questo titolo proprio perché si sentono ritrovati, in un mercato dove emergere spesso segue da quanto il contenuto è culturalmente rilevante.
Il rigore ricopre un posto speciale nell’epica calcistica italiana, composta di trionfi e delusioni che hanno lasciato la memoria di tutti. Penalty Nations Cup Slot utilizza questa forza emotiva: il giocatore si inserisce attivamente alla simulazione del tiro, determina dove indirizzare la palla e auspica di battere il portiere virtuale. Il insieme di caso e decisione rispecchia l’imprevedibilità del calcio vero, e ogni volta si rinnova la promessa di un’esperienza piena di pathos sportivo. Anche a casa, il tema calcistico aggrega: abbiamo osservato persone alternarsi al dispositivo, commentare le scelte di tiro, festeggiare insieme una vincita, come quando si guarda una partita in compagnia. E anche quando si gioca da soli, descrivere un round bonus a un familiare crea un ponte. Penalty Nations Cup Slot diventa così un piccolo catalizzatore di chiacchiere, che si inserisce nelle conversazioni di tutti i giorni con la stessa semplicità del commento sull’ultima giornata di campionato.
Momenti di Giocata Consapevole: Durata, Fondi e Comportamenti Corrette
Portare le slot online nel quotidiano di casa necessita un giusto mezzo che mantenga il gioco un puro passatempo, senza cadere in abitudini problematiche. Penalty Nations Cup Slot dà il meglio quando si gioca nei limiti chiari, scelti da sé, sia di tempo che di budget. Il consiglio è fissare prima di ogni sessione una spesa limite, da trattare come il costo di un cinema o di una pizza, e rispettarla a dispetto da come vanno le vincite. Posizionare un timer serve a non perdere il conto il senso del tempo, prevenendo che una pausa piccola si estenda oltre. Le piattaforme regolamentate italiane forniscono strumenti di auto-restrizione – limiti di deposito, promemoria di sessione – che sono un ausilio concreto per chi intende tenere il controllo senza compromettere il divertimento.
La bontà del gioco viene influenzata anche https://www.theguardian.com/commentisfree/2014/oct/12/poker-casino-phil-ivey-gambling dall’umore con cui ci si avvicina. Penalty Nations Cup Slot, col suo tema giocoso e le meccaniche coinvolgenti, dà le sessioni ottime quando la si gestisce con tranquillità, senza aspettative di ricavo. Provare per compensare di una perdita o sotto stress influenza la percezione del rischio e può portare di mutare uno svago in tensione. Le piattaforme offrono anche funzioni di gioco responsabile, come lo archivio delle sessioni e i totali caricati: darci un’occhiata veloce contribuisce a osservare in modo oggettivo le proprie abitudini e a rettificare eventuali scivoloni prima che si trasformino in un problema. La natura episodica e indipendente di questa slot porta naturalmente a posare il dispositivo dopo ogni sessione, incoraggiando quel distacco che è la base di un intrattenimento corretto, lontano da dinamiche ossessive.
Domande frequenti
In cosa consiste il round bonus dei rigori in Penalty Nations Cup Slot?
Il bonus si attiva quando sui rulli sono presenti almeno tre simboli scatter. Appare una schermata che rappresenta il dischetto: il giocatore seleziona dove tirare tra diverse opzioni. Il portiere virtuale si butta casualmente; se hai selezionato l’angolo opposto, fai gol e il premio viene incrementato. Se respinge, hai un secondo tentativo o un premio di consolazione più piccolo.
È possibile accedere a Penalty Nations Cup Slot da dispositivi mobili?
Senza dubbio, il gioco è realizzato in HTML5 ed è interamente compatibile con smartphone e tablet Android e iOS. L’interfaccia si adegua alle dimensioni dello schermo, ridisponendo i pulsanti per un uso agevole con il pollice. Non è necessario scaricare applicazioni aggiuntive: il gioco opera direttamente dal browser del dispositivo, preservando la stessa qualità grafica e sonora della versione desktop, con un consumo di dati ridotto anche in mobilità.
Quali rappresentano i simboli più redditizi nella slot Penalty Nations Cup?
I simboli più vantaggiosi sono il trofeo della coppa e il pallone d’oro, che simbolizzano i premi massimi della competizione. Anche le maglie delle nazionali più rinomate, come Italia, Brasile e Germania, garantiscono combinazioni redditizie quando compaiono in sequenze di tre o più simboli. Il simbolo wild, raffigurato dal calciatore in azione, sostituisce tutti i simboli regolari per formare le linee vincenti e in alcune configurazioni applica un moltiplicatore aggiuntivo.
È disponibile una versione demo gratuita di Penalty Nations Cup Slot?
La maggior parte dei casinò online regolamentati in Italia mette a disposizione una modalità demo senza deposito né registrazione. Questa versione usa crediti virtuali e riproduce fedelmente tutte le meccaniche, inclusi anche i round bonus e le funzioni speciali. La demo è uno mezzo utile per prendere confidenza con le regole, provare strategie di puntata e analizzare la frequenza di attivazione dei bonus prima di decidere se passare alla versione con denaro reale.
Qual è il livello di volatilità di Penalty Nations Cup Slot?
Penalty Nations Cup Slot presenta una volatilità moderata, che ripartisce le vincite in modo armonico tra ricompense piccole e frequenti e vincite più sostanziose ma meno regolari. Questa configurazione la la rende adatta sia a partite brevi veloci, dove si valuta la regolarità delle piccole vincite, sia a giocate più lunghe, durante le quali si può sperare nell’attivazione del round bonus con moltiplicatori elevati, accontentando così la gran parte dei giocatori occasionali.
Penalty Nations Cup Slot è disponibile in lingua italiana?
Sì, l’interfaccia di gioco è totalmente tradotta in italiano. Tutti quanti i menu, i pulsanti di comando, le tabelle dei pagamenti e le istruzioni per i round bonus sono nella nostra lingua. Inoltre i commenti sonori durante le fasi di gioco, come l’annuncio del gol o la notifica di una vincita di una vincita, sono localizzati per il pubblico italiano. Questa attenzione alla localizzazione rende l’esperienza più immersiva, rimuovendo qualsiasi ostacolo linguistico per i giocatori meno esperti.
Come si attivano i giri gratuiti in Penalty Nations Cup Slot?
Le free spin si ottengono quando compaiono tre o più simboli scatter, solitamente raffigurati dal fischietto dell’arbitro o dal cartellino rosso, in qualsiasi posizione sui rulli. Il numero di giri attribuiti cresce all’aumentare degli scatter ottenuti: tre simboli assicurano un numero base, mentre quattro o cinque lo incrementano. Durante i giri gratuiti possono essere attivi moltiplicatori fissi o crescenti e, in alcune varianti, è possibile rigenerare la funzione totalizzando ulteriori scatter.
Penalty Nations Cup Slot è un esempio riuscito di come un gioco leggero possa inserirsi nelle abitudini di casa degli italiani, mettendo insieme passione per il calcio e meccaniche semplici ma coinvolgenti. La sua popolarità mostra un cambiamento più ampio nel modo di vivere il tempo libero tra le mura domestiche: tecnologia e interessi personali si mescolano in esperienze personalizzate. Che sia una pausa di dieci minuti o una sessione più lunga, questa slot offre uno passatempo che rispetta i ritmi di ciascuno e si inserisce senza scossoni nella routine, a patto di affrontarla con consapevolezza. Ogni giro può diventare un momento di puro divertimento, lontano da stress e da aspettative irreali.
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What separates the Emmys from the other letters of the EGOT, the Mt. Rushmore of prestigious awards, is that the Television Academy allows for ongoing programs to remain in contention, often leading to much of the same folks winning year after year. Look at shows like “Last Week Tonight with John Oliver” or “RuPaul’s Drag Race” or “Veep” for some recent examples.
Despite being considered TV’s biggest night, the winners being so predictive has contributed to the live awards ceremony often having low viewership. How does any network get the audience excited to watch the same faces accept their third, fourth, or fifth award for the same show and same category?
Well, to remedy this situation, in anticipation of the 2026 Primetime Emmy Awards nominations being announced on Wednesday, July 8, we’ve decided to highlight a few categories to keep an eye on. Some tell a story of the TV season we just had, some represent possible Emmy records being broken, but all are relatively unpredictable in a way that draws one closer to the edge of their seat.
If the Limited or Anthology Series categories see new nominees come in every year by design, and the Comedy Series categories see much of the same nominees every year because they tend to be cheaper to produce and air in time for Emmys eligibility, the Drama Series categories fall somewhere in between. Yes, there are shows like “Paradise,” “The Pitt,” “Slow Horses,” and “The Diplomat” that have made it their mission to come back right on schedule, on an annual basis, but overall, half of last year’s Drama Series nominees are out of contention, with only one being fully over. It costs a lot to create a series like any of the “Game of Thrones” shows, for example, and get them all out within a year.
All this to say, there is a lot of room for new shows to break into the Outstanding Drama Series category, but not many certified hits both on a commercial and critical level to be a shoo-in. Let’s say those four aforementioned series that were nominated last year come back, what else makes it in? Apple TV’s “Pluribus” is the only new series that checks all the boxes. Has it been too long a hiatus for “Euphoria” or “Stranger Things” to break back into the category with their farewell seasons? Even diving into the range of contenders HBO alone has, which would nearly fill up all the nomination slots, are we sure voters prefer the more commercial new series “A Knight of the Seven Kingdoms” or the more prestigious new drama “Task”?
We are leaning toward the idea that HBO will get in five nominees, breaking the record for network/streaming service with the most programs nominated in one category in a single year, but another long shot bet people are making is that voters will finally acknowledge one of the massively popular Taylor Sheridan shows, which would be a first for Paramount+ as a whole. “Landman” is the more likely choice, but “The Madison” is the other possibility.
Outstanding Supporting Actress in a Drama Series
‘The Pitt’Warrick Page/HBO Max
Further past the complaint that the Emmys nominate the same people over and over again, there have more frequently been complaints in recent years about one or two shows taking up all the slots in the Supporting performance races. Voters are watching enough comedies to spread the wealth, and dodge those allegations for the most part, though “The White Lotus” alone serves as an example for how true that has been of both the Limited or Anthology Series categories and the Drama Series categories.
In the case of “The Pitt,” there just aren’t enough supporting actors on the show to really complain about a monopoly in the Supporting Actor in a Drama Series category. It’s just Emmy winner Shawn Hatosy and breakouts Patrick Ball and Gerran Howell, whose chances of being nominated are in the order. The Emmys race is much tighter for the women of the HBO Max series.
In addition to last year’s winner Katherine LaNasa being the most likely nominee, and overall favorite to win again, there are as many as six more viable contenders from the series that are in contention for the category this year. Were they to all be nominated, it would take up all seven Supporting Actress in a Drama Series nomination slots that are available this year.
And what makes it viable for any more of them to be nominated is how there are really only two safe bets from other shows, “Pluribus” breakout Karolina Wydra and two-time Emmy-winning “Paradise” star Julianne Nicholson, who was nominated last year, breaking into the race. Many predict perennial Emmy winner Allison Janney will make it in as well for “The Diplomat,” but she was one of the most egregious snubs last year for the same role.
If “The Pitt” manages to dominate the Supporting Actress category come nominations day, another Outstanding Drama Series is all but expected for the medical drama. But if it underperforms, with only newcomer Sepideh Moafi joining LaNasa among the ranks of Emmy nominees, there is a clearer pathway for another series like “Pluribus” to overtake “The Pitt” in some Emmy categories.
Outstanding Guest Actor in a Comedy Series
Lisa Kudrow and James Burrows in ‘The Comeback’Courtesy of Erin Simkin / HBO
Unfortunately, this is a big year for posthumous Emmy contenders. Eric Dane is a major one on the Drama side for his appearance in the final season of “Euphoria,” but the Comedy Series categories notably have both Rob Reiner in contention for “The Bear,” a show that has won plenty of guest performance Emmys, and the late prolific TV director James Burrows for “The Comeback,” a show he’s spent the last two decades making memorable cameo appearances on.
For several reasons, including the one noted above, as well as more upsetting reasons, Reiner is by and large the favorite in a category predicted to include several big Emmy-winning names like Jeff Daniels and Michael J. Fox as well (both for “Shrinking”). But “Saturday Night Live” almost always has a presence in this category, and many believe voters will find it too irresistible to not nominate Connor Storrie for his turn as host of the variety series staple, as a way to highlight his meteoric rise from “Heated Rivalry” (which is ineligible at the Primetime Emmys as a Canadian production).
The Outstanding Reality Competition Program is often cited as one of the most rigid categories. After all, it was established in 2003, and yet there have only been six shows that have won the category so far. But there are some very intriguing narratives in play after the genre of TV went through a renaissance this year. Basically, though “The Traitors” has had a chokehold on the category the past two seasons, the biggest question is whether or not the landmark 50th season of OG reality competition “Survivor” has become popular enough to earn its first ever Emmy win in the category.
There is also the matter of if there is room for only one food show. Host Padma Lakshmi departed “Top Chef” after Season 20 to pursue her own TV projects. While the Bravo series did not miss a beat, with her replacement Kristen Kish even earning an Outstanding Host Emmy nomination for her first season on the job, Lakshmi is now back in the fray with the freshman series “America’s Culinary Cup.” CBS, the network it airs on, has the most wins in this category, for its series “The Amazing Race,” the most perennial of nominees, so the network knows how to campaign the show. But what it lacks in comparison to “Top Chef,” which also happens to be the most key component to “The Amazing Race” is the travelogue aspect. So the incumbent “Top Chef” likely has the advantage.
But speaking more toward the reality competition renaissance, both “Dancing With the Stars” and “Love Island USA” saw a record amount of viewers this season, deep into the runs of their shows, so there really are some dark horses in this race that could make the cut against the predictions of many.
Outstanding Variety Special (Pre-Recorded)
‘The Muppet Show’Courtesy of Disney
Many people look at the Outstanding Variety Special (Pre-Recorded) as just the category for comedy specials, but if anyone were to actually take a look at the ballot, the breadth of candidates for a nomination is a lot more expansive. For example, amid specials from marquee standups like Dave Chappelle, Wanda Sykes, and Nikki Glaser are “The Muppet Show,” “Taylor Swift | The Eras Tour | The Final Show,” “Wicked: One Wonderful Night,” and even the “Las Culturistas Culture Awards.”
So while traditional comedy specials appear on the ballot with much more frequency, there is a good chance the ratio of nominees that are comedy specials versus a different type of variety special could be more equitable. Which comedians are nominated could be very telling as well. For example, though they are not seen as major contenders in the Comedy Series performance categories, this could be a space for “Saturday Night Live” stars Sara Sherman and Marcello Hernández to shine.
The 2026 Primetime Emmy Awards nominations will be announced on Wednesday, July 8 at 11:30 a.m. ET/8:30 a.m. PT.
Eurovision tends to play pretty fast and loose with what they’re willing to call “Euro.” The most recent edition of the festival included Australia and, controversially, Israel; the latter’s inclusion, despite the genocide in Gaza, prompted Iceland, Ireland, the Netherlands, Slovenia, and Spain to boycott the ceremony, while Russia hasn’t participated since 2021 over its military campaign in Ukraine. In short, the song contest is kind of a geopolitical mess, and at this point, it might as well let Canada join, too.
And that’s exactly what’s just happened, according to Variety. Last week, the European Broadcasting Union voted to allow Canada to join the contest, and the nation announced today that it intends to participate in the 2026 edition of the contest.
The move is not as random as it may sound to those who don’t keep up with the song contest. Eurovision is pretty massively popular in Canada, with residents and citizens both voting in and buying tickets to the contest in fairly high numbers. Like Australia, Canada is part of the British Commonwealth, and the country has seen several of its singers participate in the contest already representing European (and often French-speaking) countries. The most famous example of this is Céline Dion, who represented Switzerland in 1988 and won the contest. Fellow Québec native La Zarra represented France in 2023; she came in 16th.
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The U.S. Men’s National Soccer Team has been eliminated from World Cup competition in a hard 4-1 loss Monday evening to Belgium in the Round of 16 of the global soccer tournament.
Belgium defeated the U.S. in a match held before a capacity crowd at Seattle Stadium. The game is expected to deliver NFL-level ratings as viewership in the U.S. of the World Cup tournament has steadily increased for Fox Sports and Telemundo/Peacock. The 39-day competition began June 11 and is set to conclude on July 19.
The U.S. Men’s team had been hoping to advance into the World Cup quarterfinals for the first time since 2002. The team’s July 1 victory against Bosnia-Herzegovina helped generate buzz for the tournament and drive interest among U.S. viewers as the tournament unfolds across 11 U.S. cities plus venues in Canada and Mexico.
More to come
(Pictured: Youri Tielemans of Belgium and U.S. player Malik Tillman, who scored the game’s only goal for Team USA)
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What responsible-gaming tools does UnionBet have for jackpot play?
I make full use of the deposit, loss, and session-time limits that are integrated directly into the account settings. UnionBet also supplies a adjustable reality-check timer that appears at intervals you pick, which I have discovered extremely useful for stopping mindless extended sessions when a progressive is increasing. The site contains self-exclusion options and links to UK-facing support organisations, and I checked that all controls work identically on mobile. Having these tools prominently accessible helps me keep my jackpot chasing strictly within entertainment boundaries.
Must I bet the maximum amount to win a progressive jackpot at UnionBet?
It depends entirely on the exact game’s rules. On Mega Moolah and Atlantean Treasures, the mega jackpot demands a maximum stake spin, and the paytable keeps that condition unambiguous. NetEnt’s Hall of Gods similarly limits the top prize behind a max-bet requirement during the bonus round. With many local progressives like Red Tiger’s daily drops, any stake can set off the jackpot, though I always check the info panel. At UnionBet, I consistently open the game rules before committing my balance, because assuming eligibility can lead to a truly disappointing bonus trigger.
After spending lengthy sessions examining every progressive layer at UnionBet Casino, I walk away convinced that the operator has built a jackpot offering that rewards both casual hope and meticulous tracking. The combination of world-famous network titles, snappy local progressives, and thoughtful interface details means I can tailor each visit to my current appetite for risk. The live data feeds, mobile polish, and robust responsible-gaming tools finish a package I find surprisingly honest. If you approach the reels with a clear plan and realistic expectations, this is a jackpot lobby that genuinely supports the way I like to play.
Safe Gaming and Setting Achievable Jackpot Expectations
I uphold a strict rule that progressive chasing should never become a economic stressor, and I implement that rule by regarding the jackpot as a supplemental possibility rather than an expected return. The mathematical reality is that your odds of securing the top prize on a wide-area network progressive are infinitesimal, often in the ballpark of one in tens of millions, and those odds do not increase because the jackpot has swelled large or because you have bet more. At UnionBet, the responsible-gaming toolkit is readily accessible, and I employ the loss-limit feature to restrict any single session’s downside before I even open a game. I also keep a dedicated notebook where I track my progressive-specific net result each month, which compels me to address the numbers honestly and adjust my expectations. When I sense the urge to override my own limits because a jackpot has crossed the £10 million mark, I tell myself that the person who eventually hits it will have done so on a entirely random spin that attributes nothing to the duration of my play. The best jackpot stories I have heard from fellow analysts include players who were controlled, who never wagered more than their entertainment budget, and who found themselves to be in the right seat at the right microsecond. That attitude turns the chase into a manageable hobby rather than a urgent pursuit, and UnionBet’s well-implemented controls enable exactly that kind of positive engagement.
Comprehending Progressive Jackpots: The Core Mechanics
I discover that many players still mix up fixed-amount jackpots with true network progressives, so a quick breakdown is vital before we explore the titles. Every real-money spin on a progressive slot directs a tiny percentage into a communal pot that climbs until one lucky punter activates the grand prize. Unlike static top awards that return to the same number, a progressive can commence at a seed value – say £1 million on a Microgaming WOWPot! title – and then expand far beyond that figure based on player activity across every casino linked to the network. The technical part I always look for is the contribution rate, because it directly governs how quickly a jackpot moves upward. In my testing at UnionBet, the meter refresh was snappy, which indicates the operator doesn’t limit live data feeds. Another detail worth highlighting is the difference between standalone, local, and wide-area progressives. The standalone ones grow from bets placed only on that single machine in a single casino, so they increase slower but strike with a slightly higher statistical frequency because the player pool is tiny. Network progressives like Mega Moolah pool cash from thousands of players globally, creating eight-figure sums but also implying you are competing against a vast field. UnionBet provides both styles, and I value that the lobby divides them clearly, letting me choose whether I am in the mood for a modest but more frequent local pot or a genuine headline-making prize.
How I Assess Payout Potential and Jackpot Frequency
Whenever I evaluate a progressive suite, I employ a three-part framework that I have developed over years of studying jackpot hit data on public forums and payout logs. The first filter is the mean interval between wins, which I reverse-engineer by reviewing the dates on a title’s recent payouts. If I see that Mega Moolah has typically paid out roughly every 8 to 12 weeks and the present dry period is pushing toward week 14, I will assign a larger share of my session budget to that game. The second filter is the jackpot size relative to its seed value; a pot that has grown to twice its reset point suggests the contribution cycle is developed, though it does not guarantee an imminent hit. The third and most overlooked filter is a slot’s base-game volatility profile, because a high-volatility slot can deplete a bankroll long before the bonus wheel even appears. At UnionBet, I discovered that combining these filters was straightforward because the lobby clearly groups jackpot slots and keeps the original game RTP in the info panel, which allows me to quickly determine whether I am working with a 92% or a 96% base return while the progressive component ticker runs above it. I also compare community jackpot trackers with the live numbers shown on the site, and in my tests those numbers were identical, which confirms the operator is fetching feeds directly from the provider rather than caching outdated values.
Mobile Experience: Playing for Transformative Prizes on the Move
Since I do most of my evening jackpot checking from a phone, I put UnionBet’s progressive range through a rigorous mobile evaluation on a iPhone and a budget Android phone. The interface adjusted smoothly without hiding the live jackpot ticker, and I could navigate through to Hall of Gods or Mega Moolah in within a second from the home screen. More importantly, the spin speed was responsive even when I was toggling between a regular slot like Starburst and a big progressive, which suggests the site is not overloading the interface with needless scripts. I tried the fast-deposit option using a saved card, and the transfer finished without interrupting my current game session, a design detail that counts enormously when you are deep into a bonus feature and see your balance is getting low. The vertical layout stacks the slots, prize table, and jackpot meter in a logical flow, and I didn’t have to have to zoom to read the secondary symbols. I also confirmed that the reality-check alert, deposit cap controls, and play history tools all rendered flawlessly on the mobile screen, so I was just as in charge on mobile as I did on desktop. For UK gamblers who enjoy playing while on the move or lounging on the couch, the progressive experience at UnionBet is genuinely smooth, and that mobile quality has turned into one of the criteria I use when choosing whether to come back to an operator.
Penélope Cruz revealed that she suffered from several brain aneurysm “scares” in recent years.
“I have had many scares like that,” The Invite actress, 52, said in an interview Net-a-Porter published on Monday, July 6. “Fortunately, I’m fine, it was a false alarm.”
Cruz, who shares son Leo, 15, and daughter, Luna, 12, with husband Javier Bardem, explained that the health issues inspired her to make sure she was on the right path for her well-being.
“I worry about staying healthy, taking care of myself,” she explained. “I don’t drink, I don’t smoke, I really don’t party. Without health, we have nothing. You talk about real equality? Why don’t we start with health?”
Penélope Cruz and Javier Bardem knew each other for more than a decade before falling in love, they have managed to keep their personal lives relatively private ever since. The couple met while filming the 1992 film Jamón, Jamón. They reunited for 2008’s Vicky Cristina Barcelona and sparks flew. Cruz and Bardem began dating in […]
Cruz added that women’s health issues don’t get as much research compared to men’s ailments.
“It’s shocking that over decades, we’ve stuck to the same information about how women’s bodies work,” she told the outlet. “Look at funding for investigation into any illness that affects only women — we don’t get even half the investment. It is a level of control or suppression.”
Earlier this year, Cruz publicly spoke about experiencing brain aneurysm symptoms while filming The Black Ball. During the film’s premiere at Cannes in May, the actress, who plays a cabaret performer in the Spanish film, revealed that a doctor told her about the health issue before one of her night shoot sequences.
“We’re about to go out, I was putting on my wig, and they said, ‘Oh, apparently you have some brain aneurysm,’” she recalled of the instance at the film’s festival screening, per Variety. “I thought I was about to die. This is something that was totally surreal in my life.”
Cruz explained she took the rest of the evening off and was medically cleared by a doctor to continue the production.
“I thought, ‘It’s a total miracle,’” she reflected. “I have to, I must have this in me.”
The actress added that the health scare also made her performance and connection to the film’s crew stronger.
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“You experience these things together, yet despite all this, despite the hardship, you can move forward in life,” she said.
The Black Ball is a queer drama that spans nearly a decade of Spanish history. It is based on the unfinished work of the same name by Federico García Lorca. In addition to Cruz, the film adaptation stars Guitarricadelafuente, Miguel Bernardeau, Carlos González, Milo Quifes, Lola Dueñas and Glenn Close.
Following its premiere at Cannes, The Black Ball earned a 16-minute standing ovation.
In Tower Rush vervult privéberichten een belangrijke rol, vooral voor gebruikers in Nederland. Deze functie maakt het mogelijk om rechtstreeks met je teamgenoten te communiceren, wat tactische discussies en strategische planning vereenvoudigt. Door de ruis van openbare chats te verminderen, kun je je focussen op wat er echt toe doet: zegevieren. Maar hoe gebruik je optimaal deze tool? Het juiste gebruik ervan kan je spelervaring aanzienlijk verbeteren. Laten we de details van privéberichten eens nader bekijken.
Het nut van privéberichten in Tower Rush
Privéberichten vervullen een essentiële rol in het verhogen van de spelervaring in Tower Rush, vooral wanneer teamwork essentieel is voor winst.
Door effectieve communicatie binnen het spel kun je in echte tijd plannen ontwikkelen en je pogingen coördineren met je medespelers.
De pluspunten van privéberichten zijn onder andere de mogelijkheid om essentiële informatie ongestoord te uitwisselen, waardoor je efficiënter kunt gamen. In plaats van te rekenen op de openbare chat, die vaak tot misverstanden kan leiden, maken privéberichten helderdere en meer specifieke gesprekken mogelijk.
Je zult merken dat het zenden van rechtstreekse berichten niet alleen de groepsdynamiek versterkt, maar ook leidt tot hechtere relaties binnen je gamingcommunity.
Ten slotte verbetert het gebruik van privéberichten je prestaties, omdat je vlug plannen kunt wijzigen en op uitdagingen kunt inspelen, waardoor je een betere kans hebt om te zegevieren in Tower Rush.
Hoe krijg ik toegang tot de functies voor privéberichten?
Om gebruik te maken van de privéberichtenfunctie in Tower Rush, moet je naar de message-instellingen in je account gaan.
Zodra je je voorkeuren hebt aangepast, is het versturen van privéberichten eenvoudig en gebruiksvriendelijk. Interactie met je vrienden en teamgenoten kan je game-ervaring verhogen, dus laten we eens kijken hoe je daarmee aan de slag kunt.
Toegang tot de berichteninstellingen
Heb je je ooit afgevraagd hoe je gemakkelijk toegang krijgt tot de privéberichtenfunctie in Tower Rush Game Free Spins?
Inzicht en.wikipedia.org in de berichtinstellingen is cruciaal voor een uitstekende game-ervaring. Zo ga je aan de slag:
Open het spelmenu
Selecteer Berichtvoorkeuren
Meldingsinstellingen aanpassen
Privéberichten versturen
Nu je je berichtvoorkeuren hebt ingesteld, is het versturen van privéberichten in Tower Rush een fluitje van een cent. Klik om te beginnen op de avatar van de speler die je een bericht wilt sturen en selecteer de optie voor privéberichten.
Houd rekening met het gewicht van etiquette in privéberichten; wees beleefd en beknopt om positieve interacties te bevorderen. Denk bij het opstellen van je bericht na over je reactiestrategieën – timing en relevantie kunnen de betrokkenheid vergroten.
Mocht je niet direct een reactie ontvangen, aarzel dan niet om er nog eens hoffelijk naar te informeren, aangezien spelers het wellicht bezig hebben. Houd altijd een vriendelijke toon aan om het gesprek plezierig te laten verlopen.
Privéberichten versturen: een stapsgewijze handleiding
Privéberichten in Tower Rush kunnen je game-ervaring verbeteren door tactische communicatie met vrienden en bondgenoten te faciliteren.
Volg deze stappen om optimaal gebruik te maken van je privéberichten:
Ga naar de berichteninterface
Formuleer je boodschap zorgvuldig
Verzend en monitor reacties
Tips voor effectieve communicatie met bondgenoten
Effectieve communicatie met teamgenoten kan je prestaties in Tower Rush aanzienlijk verbeteren. Om je teamstrategieën te optimaliseren, moet je je ideeën delen en actief luisteren.
Begin met het vaststellen van heldere rollen binnen je team; dit zorgt ervoor dat iedereen zijn of haar sterke punten en verantwoordelijkheden kent. Gebruik beknopte communicatie om essentiële informatie over te brengen, en houd je berichten kort en krachtig.
Goede communicatie-etiquette, zoals beleefd zijn en negativiteit vermijden, bevordert een constructieve sfeer. Vergeet niet om tijdens het spel feedback te vragen over verschillende tactieken, want dit kan leiden tot betere beslissingen.
Ten slotte is het belangrijk om een open communicatie met je bondgenoten te onderhouden en regelmatig contact te houden. Goede communicatie gaat niet alleen over praten; het gaat erom een samenwerkingsgerichte sfeer te creëren waarin iedereen zich gewaardeerd voelt.
Privacyinstellingen en veiligheidsmaatregelen
Tijdens het spelen van Tower Rush is het essentieel om je privacy-instellingen en veiligheidsmaatregelen te kennen om je game-ervaring te beschermen.
Door privacykwesties aan te pakken en de correcte berichtetiquette te volgen, kunt u profiteren van een meer veilige omgeving.
Hier volgen drie essentiële strategieën om uw veiligheid te verbeteren:
Privacyinstellingen aanpassen
Gebruik de blokkeer- en rapporteerfunctie
Wees voorzichtig met het delen van informatie
Door deze maatregelen te uitvoeren, kan er een prettigere en veiligere game-omgeving in Tower Rush worden gemaakt.
Algemene issues met privéberichten
Hoewel veel spelers de optie om via privé-berichten te communiceren in Tower Rush waarderen, kunnen er talloze issues voorkomen die effectieve communicatie belemmeren. Een veelvoorkomend probleem is de vertraging van messages, waardoor gesprekken onsamenhangend en vervelend kunnen aanvoelen. Stel je voor dat je op een cruciaal moment een strategie probeert te bedenken, maar je berichten achterlopen.
Bovendien kunnen sommige spelers issues ondervinden met het ontvangen van messages, bijvoorbeeld door een slechte internetverbinding of systeemfouten. Dit kan leiden tot miscommunicatie of gemiste kansen tijdens het gamen. Het is ook denkbaar dat spelers per ongeluk berichten blokkeren, waardoor communicaties nog ingewikkelder worden.
Het doorgronden van deze obstakels is essentieel om het privéberichtensysteem effectief te gebruiken, zodat je in contact blijft met je medespelers en ergernis en miscommunicatie minimaliseert. Door deze hindernissen te herkennen, verbeter je je game-ervaring.
Een gemeenschap opbouwen via privéberichten
Het te boven komen van uitdagingen zoals vertragingen in berichten en belemmeringen kan de weg effenen voor een levendigere community binnen het Tower Rush-spel.
Effectieve privéberichten kunnen de engagement binnen een community vergroten door banden en samenwerking te stimuleren. Hier zijn drie methoden om die community op te bouwen:
Stel communicatie-etiquette vast
Evenementen organiseren
Tips en hulpmiddelen delen
Veelgestelde vragen
Kan ik berichten verzenden naar spelers buiten Nederland?
Je kunt vanwege lokale beperkingen geen berichten verzenden naar spelers buiten Nederland. Grensoverschrijdende berichtenuitwisseling wordt niet ondersteund, waardoor je communicatie strikt gelimiteerd blijven tot je eigen regio. Dit kan je spelervaring en strategie aantasten.
Zijn er karakterlimieten voor privéberichten?
Ja, er zijn tekenlimieten voor privéberichten. De lengte van een bericht is meestal beperkt om de helderheid en efficiëntie te waarborgen. Het is aanbevolen om de spelinstellingen te bekijken voor gedetailleerde informatie, aangezien deze limieten per platform kunnen verschillen.
Is privéberichten beschikbaar op alle apparaten?
Ja, privéberichten zijn toegankelijk op de meeste apparaten, waardoor compatibiliteit tussen platformen verzekerd is. Het is echter verstandig om de specifieke vereisten van uw apparaat te controleren om de berichtenfuncties in het spel optimaal te kunnen gebruiken.
Kan ik voorkomen dat spelers me berichten sturen?
Ja, je kunt voorkomen dat spelers je berichten sturen. Pas hiervoor je berichtvoorkeuren aan in de spelinstellingen. Daar vind je mogelijkheden om te bepalen wie communicatie met je kan opnemen, zodat je een prettigere game-ervaring hebt zonder storende onderbrekingen.
Ontvang ik meldingen voor nieuwe berichten?
Ja, je ontvangt notificaties voor nieuwe berichten, zodat je altijd op de hoogte blijft. Door je inbox te ordenen, verbeter je je spelervaring. Het maakt het makkelijker om gesprekken te beheren en snel te reageren op essentiële berichten van andere spelers.
Between streaming and cable, viewers have a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that are airing or streaming this week, July 6-12. Details and times are subject to change.
Luxurious gatherings and frontier survival.
Elin Hilderbrand has written over 30 novels since 2000, cementing herself as an ultimate beach-read provider and a local Nantucket celebrity — and now, her book “The Five-Star Weekend” is getting a TV adaptation. Jennifer Garner stars as Hollis Shaw, a cookbook author and food influencer, who finds herself in a public breakdown after the unexpected death of her husband. To cope with her grief, she decides to host a weekend with a friend from different stages of her life. Regina Hall, Chloë Sevigny, D’Arcy Carden, Gemma Chan and Timothy Olyphant round out the cast. All eight episodes will be released together, alongside a companion podcast with Hilderbrand as the host. Begins streaming Thursday on Peacock.
“Little House on the Prairie” has been a staple of American culture for nearly 100 years. The first book of the semi-autobiographical series (there were nine) by Laura Ingalls Wilder was published in 1932; then in 1974, the first TV iteration began, and it had nine seasons. The books and series tell the story of the Ingalls family who, in the late 1800s, move across the American Midwest. The parents and children navigate sickness, food shortage and adapt to a new and changing lifestyle. The story is being told again in the new adaptation, starring Luke Bracey, Crosby Fitzgerald, Alice Halsey and Skywalker Hughes, and promises to show the more gritty and harsh realities of this time in history, including the perspective of the Osage tribe who are native to the land where the Ingalls move. The series has already been renewed for a second season. Begins streaming Thursday on Netflix.
In 2006, Twitter became available to the public, Pluto was a demotion to dwarf planet and Italy defeated France during the FIFA World Cup finals. For some Bravo fans, the most significant event of 2006 was the premiere of the “The Real Housewives of Orange County,” which was also the first in the “Housewives” franchise. This week, the show is back for its 20th season with an O.G. member of the cast, Vicki Gunvalson, returning to the show alongside a mix of other veterans, including Tamra Judge, Heather Dubrow and Shannon Storms Beador. Thursday at 8 p.m. on Bravo.
Documentaries to catch up on.
Take a journey with me here. Imagine you are a police officer, and you pull over a woman for speeding. She claims that she just gave birth in her car and is holding a baby in her arms, but when doctors assess her at the hospital, they determine that she has not recently given birth. That is what happens in the first five minutes of “Maternal Instinct,” a recently released true-crime documentary. The story follows Taylor Parker and the series of events and lies that led to the initial scene. Now available to stream on Netflix.
In 1986, Larry Harvey and Jerry James built an eight-foot-tall wooden effigy on Baker Beach in San Francisco — and the Burning Man festival was born. It moved to the Black Rock Desert in Nevada in 1991 and has been a cultural tradition and mainstay ever since. The festival made headlines in 2023 when the desert flooded, and 70,000 attendees, including Diplo and Chris Rock, were stuck, and then again in 2025 when whiteout dust storms hit during the festival. The four-episode documentary series “The Man Will Burn” tells the story of the festival’s anarchic and rebellious roots through archrival footage and interviews. Thursday at 9 p.m. on HBO and streaming HBO Max.
On Jan. 13, 2012, the Costa Concordia, an Italian cruise ship carrying over 4,000 passengers and crew members, struck submerged reef off the coast of the Italian island Giglio. The emergency caused flooding and power blackouts, with ultimately 32 people dying. The ship’s captain, Francesco Schettino, left the ship before passengers were off, which is considered a breach of duty, and didn’t return, even after the Italian coast guard instructed him to. He was eventually charged and found guilty of manslaughter, causing a maritime disaster, abandoning his ship and sentenced to 16 years in prison. The documentary “Shipwrecked: Nightmare at Sea” uses footage and passenger testimony to tell the story. Begins streaming Friday on Netflix.
In 2018, a former Russian military intelligence Sergei Skripal and his daughter Yulia Skripal were found unconscious on a public bench in Salisbury, England — and what followed was a yearslong investigation that involved counterterrorism units, the Defense Science and Technology Laboratory and the police. The documentary “The Salisbury Poisonings: A Spy Next Door” features interviews with the former Prime Minister Theresa May, as well as the former home secretary, former MI6 chiefs and the former head of Counter Terrorism Policing. Sunday at 8 p.m. on CNN.
Casino poker style games occupy a unique space between conventional table games and player-versus-player poker. These variants set the player right against the dealer rather than other opponents. The objective changes from outsmarting peers to forming the best possible hand according to a fixed paytable. Understanding this basic difference spares newcomers from strategic confusion when they sit down at a virtual felt table for the first time.
What Determines a Casino Poker Variant
Casino poker games eliminate bluffing, tells, and multi-street betting. In their place, they introduce an ante-based structure where decisions are reduced into a single raise or fold moment. The dealer’s hand commonly needs to qualify for action to proceed. This mechanical shift converts poker from a social mind game into a rapid-fire mathematical exercise that offers precise decision-making based on visible information.
Most variants have a common backbone. A player posts an ante, receives cards, and then chooses whether to raise by doubling the bet or to fold and forfeit. If the player raises, the dealer reveals their hand. A qualifying rule often applies, meaning the dealer must hold a minimum strength hand to play. Without that qualifier, the raise simply pushes back as a win.
Video poker machines as a Individual Choice
Video poker removes the dealer fully from the equation. A machine gives five cards, the player holds or throws away any number, and the draw replaces discards. The final hand pays according to a posted table. Variants https://www.goal.com/en-us/news/english-premier-league-betting-predictions-and-epl-top-10-betting-tips/blt1a3347b83593c2f0 like Jacks or Better and Deuces Wild alter strategy dramatically based on paytable adjustments. A full-pay Jacks or Better machine yields over 99.5 percent with perfect play, rendering it a standout option.
The solitary nature of video poker appeals to players who want full control over pacing. No dealer qualification rules interfere, and no other participants impact outcomes. Learning the strategy chart for a specific variant takes time, but the transparency of the paytable enables a player to know exactly what return percentage they face before putting in a single credit into the machine.
Caribbean Stud game Mechanics
Caribbean Stud introduced the progressive jackpot side bet that many players now connect with casino poker. Five cards are given to both the player and the dealer, with one dealer card revealed. The player assesses their holding against the visible card and chooses to fold or raise. The dealer must hold an Ace and a King or better to be eligible for the showdown.
Strategy here centers on a simple threshold. The mathematically correct approach prescribes raising with any pair or better, and folding anything below Ace-King-Jack-8-4. Going after weak draws against a strong dealer upcard eats away at a bankroll quickly. The progressive side bet provides lottery-tier payouts for premium hands like a flush or better, but comes with a significant house edge that analytical players usually skip.
Casino Hold’em Poker
Casino Hold’em replicates the community card structure but simplifies the betting sequence. An ante initiates the deal of two hole cards and three community cards. The player then decides to fold or call with exactly double the ante. Two more community cards finish the board. The dealer must hold a pair of fours or better to qualify, otherwise the call bet is returned and the ante pays even money.
Calling with any pair or a strong draw like an open-ended straight or flush draw keeps the player in profitable territory. Folding Ace-high hands without a draw avoids slow bankroll erosion. The AA side bet, which pays based on the combined strength of player cards and the flop, tempts with large multipliers but needs caution due to its elevated house edge relative to the main game.
Ultimate Texas Hold’em Strategy
Ultimate Texas Hold’em brings community cards to the casino poker format. Players put up an ante and blind bet, then get two hole cards. The decision points increase here. A player can bet four times the ante pre-flop, two times after the flop, or one time after the river. Delaying until the river to raise lowers potential winnings because the earlier the raise, the larger the allowed multiplier.
The blind bet rewards according to a paytable when the player wins with a straight or better. Playing strong hands to protect the blind payout sometimes conflicts with the instinct to raise early. A solid pre-flop raising range contains pairs of threes or better, Ace-King, Ace-Queen, and suited connectors like King-Queen. Control on the flop and turn prevents costly overcommitment to marginal draws.
Frequent Blunders That Erode Returns
Chasing the progressive jackpot without understanding the qualifying threshold siphons funds faster than almost any other action. Many casino poker games demand a maximum side bet to activate the jackpot, and the base probability of hitting the top prize often sits in the millions-to-one range. Considering the side bet as a small entertainment expense rather than a core strategy maintains expectations grounded in reality.
Participating below the qualifying threshold in Ante-Play games out of fascination or optimism.
Disregarding the dealer’s upcard in Caribbean Stud when deciding whether to raise.
Folding too many playable hands in Three Card Poker due to risk aversion.
Aggressively raising weak draws in Ultimate Texas Hold’em before seeing community cards.
Omitting to learn the correct strategy chart for a specific video poker paytable.
Three Card Poker Dynamics
Three Card Poker divides into two separate bets: Pair Plus and Ante-Play. Pair Plus rewards solely on the strength of the player’s three-card hand, irrespective of what the dealer possesses. A pair or better activates a payout structured according to a fixed table. The Ante-Play portion necessitates the player to equal the ante with a play bet after viewing their cards, but only if the hand warrants continuation.
The dealer meets the threshold with a Queen-high or better. Best strategy for the Ante-Play segment is straightforward: play Queen-6-4 or higher, fold everything else. Departing from this precise cutoff raises the house advantage noticeably. The Pair Plus bet carries a higher volatility but streamlines the experience for those who prefer not to worry about dealer qualification rules during a session.
Bankroll Control for Table Poker Games
Live poker games exhibit higher variance than traditional blackjack due to the pay structures for strong hands. Premium holdings might hit infrequently, but those wins often cover many lost antes. Organizing a bankroll for a session to handle twenty to thirty losses in a row without forcing a emotional decision creates a buffer against typical downswings that occur even with perfect strategy execution.
Bet sizing consistency counts more than progressive wagering systems. Raising the stake after a loss does not alter the core odds and can hasten a bust during a losing streak. Flat betting paired with a loss limit maintains the capacity to return for another session. The objective is playing enough hands to let the statistical edge on right decisions appear over time.
Picking the Correct Variant for Your Own Style
Players who prefer minimal decision points lean toward Three Card Poker or Caribbean Stud. The fold-or-raise choice takes place once per hand, and the strategy can be learned in minutes. Those who appreciate multi-street complexity find Ultimate Texas Hold’em or Casino Hold’em more engaging. The additional decision nodes create a deeper tactical layer that rewards study and disciplined execution over hundreds of hands.
Video poker suits the analytical mind that seeks to grind a low house edge with zero social pressure https://dudespinsbelgium.com/fr-be/. Table variants draw those who relish the ritual of the deal and the visible community cards. Sampling each format in a low-stakes environment uncovers personal preference faster than any guide. The best casino poker game is the one where the player fully understands the optimal strategy and executes it without hesitation.
South African singer Makhadzi has appealed for African unity after reports emerged that some Zimbabwean activists and political figures are calling for South African artists to be boycotted in Zimbabwe.
The backlash comes amid heightened tensions following anti-illegal immigration protests in South Africa and the repatriation of foreign nationals from countries including Ghana, Malawi, Zimbabwe and Nigeria.
Makhadzi, who is scheduled to co-headline the Cheso Power Festival in Zimbabwe on July 31 alongside Alick Macheso in Harare, took to Facebook to share a message promoting unity across the continent.
In a poster shared with her followers, the award-winning performer described herself as “Proudly African” and the “Queen of African Music”, while encouraging solidarity beyond national borders.
Among the key messages featured on the poster were:
“Ubuntu knows no borders.”
“Respect knows every law.”
“Africa is our home, music is our voice.”
The post quickly sparked debate online, with supporters and critics sharing differing views.
One Facebook user, Maenje Ngwembe, defended the singer, writing: “Leave Makhadzi alone. She has always been an advocate of African unity, collaborating with different African artists, performing there, and even making songs in their language. If you judge her because of a certain group from her country, then you are not different from them. I am a Malawian, and I love her music.”
Others believed that the timing of her message was less appropriate.
Thulisile Nkosi commented jokingly: “Khadzi Khadzi, not now baby girl. Bookings in other African countries are cancelled. Dance here at home.”
Zimbabwean supporter Irene Shaba struck a more conciliatory tone, saying: “I personally don’t have a problem with you coming to perform in Zimbabwe, but my fellow friends don’t think the same. It will blow over soon and you will come and bless us with your music.”
Meanwhile, Rudzani Maila suggested that remaining silent may have been a better approach.
“Makhadzi, this is not the right time. Sometimes keep quiet, remain neutral and win big in both worlds. Sometimes silence is power,” the user wrote.
Despite the criticism surrounding her planned Zimbabwe performance, Makhadzi has continued to enjoy strong support elsewhere on the continent.
A video shared on social media showed supporters surrounding the e-hailing vehicle she was travelling in. In the excitement, the vehicle’s bumper and side mirror were accidentally torn off.
The singer later assured fans that she was unharmed, describing the incident as an overwhelming display of love from her Congolese supporters.
The latest controversy comes just days after Makhadzi celebrated her 30th birthday on June 30.
As part of the celebrations, she released a song, “Tsotsi” and gifted herself a mansion, marking another major personal milestone in her flourishing career.
Nightcrawler has had a rough time so far in Disney+’s X-Men ’97. While the character was introduced in the original animated series, he didn’t arrive in Marvel Animation’s revival until Season 1, Episode 5. By the end of the episode, there was a mass genocide event in Genosha, where he resided. Since then, he’s been going through one tragedy after another, though, still managing to stay sane and give sound advice to his X-Men teammates.
Going into X-Men Season 2, Nightcrawler is one of the team members who was sent into the far past, running into En Sabah Nur, aka Apocalypse, before he becomes the world-ending threat he becomes. Obviously, that reunion isn’t a smooth one, and it eventually ends with En Sabah Nur turning against the X-Men—and Rama-Tut (yes, Kang the Conqueror) bombing them all.
The Direct sat down with X-Men ’97 star Adrian Hough, who voices Nightcrawler and the newly introduced Strong Guy in the Disney+ series, where the actor revealed that Kurt Wagner is going to have an incredible character journey by the time Season 2 comes to a close.
The first three episodes of X-Men ’97 Season 2 are streaming on Disney+, and new episodes drop Wednesdays at 3 a.m. ET.
Nightcrawler Will Have a Top-Tier Character Journey in X-Men ’97 Season 2
Marvel Animation
It’s Going to Be an Important Story for Everyone’s Favorite Teleporting Mutant.
The Direct: “Let’s jump into Nightcrawler himself on a character level. In your own words, can you just kind of sum up his mentality going into Season 2? Where is he in this first half of the season?”
Adrian Hough: Well, he’s way off in the past. I mean, he’s one of the group that ended up in the past, and you know, they had to go through quite a lot to get there. He’s one who’s always been very soulful, very caring, and he’s approached being part of the X-Men—He’s embraced it wholly… I think he’s very adaptable. He does teleport, he’s got his skills, he’s got his sword fighting. He’s super passionate about protecting the X-Men and his friends and his half-sister Rogue, and ready to fight the bad guys.
The Direct: “Can you tease his overall journey this season, and how he might be different by the end?”
Hough: I think by the end [he has]… Incredible [character growth]. In the old series, we only ever see him sort of morose and sad, but like hopeful, and you know, proselytizing to Wolverine in the chapel, and then finding out that Mystique is his mother, and [he starts to bond] with Rogue, but I think it comes to fruition in this season. That’s all I’ll say.
The Direct: “We know a Season 3 and Season 4 are happening. How is Nightcrawler going to continue evolving?”
Hough: Well, I have to say, every time I get a new script, I have this moment of, oh, wow, that’s where we’re going, you know. ‘Oh, oh my god, okay,’ but I’m just gonna say it again, just hold on to your hats, because every time I come in, there’s like a new version of his journey, let’s say, and you know, it’s fantastic. As an actor and a voice actor, it’s just super fun to play, because there’s always something which is going to surprise me.
The Direct: “Well, I’m curious, you’ve been with Nightcrawler for so long now, with Season 2, and even further, just with your general work with the character, what are you still learning about him after all this time?”
Hough: I’ve been thinking a lot more about how he deals with his personal trauma and sadness, for, you know, lack of a better way of expressing it, and you know how he almost, he bounces away, like he pushes away from the suffering that he’s had. And then there’s the part where I’m learning that when he teleports, he actually goes to the underworld, which is like the darkest place imaginable, and then comes back like in a flash. So, he’s having to contend with all these forces and energies and thought forms, and so I think that informs me a little bit. When I saw the teleportation animation, though, I squealed… And I think it subconsciously affected the way I thought about him, for sure.
Stay tuned for The Direct’s entire interview with X-Men ’97 star Adrian Hough, which will drop alongside Episode 4 of the series on Wednesday, July 8.
Robert Pattinson is showing off his Bruce Wayne look while he takes a break from filming The Batman: Part 2. Pattinson’s Bruce Wayne is deliberately designed to look like a haunted young man who has been living as Batman for about two years. Unlike other portrayals, The Batman‘s version of Bruce is not the polished, charming billionaire playboy who fans know on-screen. Instead, he appears as a traumatized figure who barely maintains the ideal Bruce Wayne facade.
Filming for The Batman: Part 2 is currently underway, and it’s apparent from Robert Pattinson’s most recent public appearance, as he sports his new and improved Bruce Wayne look at The Odyssey World premiere in London.
This comes after Pattinson confirmed that he missed Taylor Swift and Travis Kelce’s wedding in NYC on June 3rd because he was filming for The Batman Part 2 that day.
Pattinson sports a sharp grey suit, white shirt, and black tie on the red carpet, looking confident as he channels his inner Bruce Wayne.
Bruce Wayne’s more polished, camera-ready appearance in The Batman: Part 2 fits perfectly in his new journey in the post-Riddler world. After the chaos of the first film, which ended with a massive flooding incident in Gotham, Bruce is literally forced to the forefront, meaning that he can no longer fully hide in the shadows.
Bruce can no longer fully hide in the shadows, prompting him to navigate Gotham’s elite circles and grapple with the fallout from Wayne Enterprises’ complicity with the city’s decay. This explains why Pattinson’s sharp, sophisticated look feels like such a telling preview of what to expect from Bruce Wayne’s look in the sequel.
What’s also interesting is that Pattinson confirmed to Entertainment Tonight during the red-carpet interview that he was filming The Batman: Part 2 that same morning, adding more evidence that his polished look will carry over into the sequel.
Based on his new look, Pattinson still channels his usual brooding bravado, but with a more balanced portrayal of a man who has to embrace his role as a flashy billionaire while maintaining a certain public image.
The Batman: Part 2 is set to release in theaters on October 1, 2027.
Bruce Wayne’s New ‘Clean’ Look in The Batman: Part 2 Is More Important Than Fans Think
DC
2022’s The Batman reinforced the idea that Pattinson’s Bruce is not willing to play the billionaire playboy part. While he did show up in a suit during the funeral for the late mayor, Bruce still looked like he was one bad day away from putting on the suit and becoming Batman at any chance he got.
Bruce Wayne’s more refined appearance in The Batman: Part 2 visually represents his growth as he slowly accepts the responsibility of becoming the man Gotham needs, even as he struggles with the cost of becoming the Dark Knight, which is getting harder to bear. If anything, this carries real weight for the story director Matt Reeves is telling in the sequel.
With the first film having exposed his family’s dark and troubled legacy, Bruce’s attempt to project a more polished image risks backfiring. The public has already glimpsed the cracks beneath the surface, and no amount of refinement may be enough to hide them.
Still, this clean look from Bruce doesn’t just elevate The Batman: Part 2; it signals that the sequel has the potential to become the most psychologically rich Batman story on-screen yet.
Diablo 4 Season 14 dramatically reworked Mythic items in Blizzard’s ARPG going forward, and judging from early feedback, it’s a change that isn’t going over well.
Season of Death Awakening launched on June 30 and introduced what Blizzard coined Mythic Uniques 3.0, a new system where any of the game’s hundreds of Unique items could be found (or turned into) even stronger Mythic versions. In theory, it would open up the game’s endgame build options and give players more choices when it comes to outfitting their characters. Far from just a temporary seasonal change, Blizzard stated it intended for Mythic Uniques 3.0 to be a permanent part of the game going forward.
The downside of the new system is that it also added more randomness to Mythics, making it so even formerly best-in-slot Mythic Uniques (now called Iconic Mythics) like The Grandfather or Heir of Perdition are now, more often than not, significantly worse than before and usually not worth using. Equally annoying, crafting a Unique into a Mythic Unique using the Horadric Cube is largely random, rewarding a different item than the one originally put in the cube.
Mythics additionally seem to be more rare than before, with lower drop rates and the removal of the ability to craft specific Mythics. Taken all together, acquiring usable Mythics now feels almost entirely out of players’ control.
Blizzard knew the Mythic item changes would be controversial. In an interview with GameSpot ahead of Season 14’s launch, Blizzard said it was trying to “split the difference” between its goals for the game’s “long-term health” and feedback from the community it received on the Season 14 public-test-realm. It seems that approach isn’t going particularly well, because one look at places like the Diablo 4 Reddit or at videos from various Diablo content creators paints a picture of a largely unhappy playerbase frustrated by the season’s unpopular Mythic changes.
In a widely upvoted post, Reddit user Oct_ showed a screenshot of having achieved rank 1 on the Hardcore, Solo-Self Found Diablo 4 leaderboard. However, they lamented the fact that they’d played for nearly 50 hours and had not found or been able to craft a single usable Mythic yet.
“The mechanic makes it impossible for normal people to get that chase item,” Oct_ wrote.
Another Reddit user, Thirteenera, provided some data on Mythic Unique drop rates and revealed that after “days” of farming 1,400 lair boss runs, they received a total of 50 Mythic items. Of those 50 drops, none were useful for their build. While many Iconic Mythics were once universally useful across most builds, most Mythic Uniques are now niche in their purpose, meaning finding one that is useful for a given build is now far less likely.
Others have called out how bad and misleading it feels to put a Unique item into the cube, use the “upgrade” feature (which implies the item is being improved), and then receive a completely different, and likely useless item in exchange. Many players state the phrasing needs to be rewritten to let players know they aren’t really crafting an upgrade but gambling.
It’s not just on places like Reddit that players are complaining. Diablo content creators like Rhykker also don’t seem happy with the changes. Rhykker said they are having fun with the new seasonal events, but that “everything I loved about Mythics is gone.”
“Mythics are harder to get and weaker than they were,” Rhykker said in a recent video. “I’m okay with harder to get, but it doesn’t feel exciting to work harder to get something crappier than we used to have.”
Another content creator, Rob2628, stated in their most recent video that Season 14 is a “big step backwards,” lamenting the fact players can only wear one crafted Mythic item, how difficult it is to find Iconic Mythics, and the sheer amount of RNG involved along the way.
“I think the general consensus is that the new changes to the Mythics, especially with the crafted tag, have been very negatively received in the community, and I agree, rightfully so,” Rob2628 said. “It is very, very hard to get Mythics, even for players that play a ton.”
That’s not to say everyone dislikes Mythics 3.0. Another popular Diablo content creator, Raxxanterax, said in their recent “The State of Diablo 4 Season 14” video that they are a fan of Uniques being able to drop as Mythic quality, even if he is largely unimpressed with the season overall and thinks Blizzard needs to change its approach to seasons.
“I think it adds dopamine,” Raxxanterax said.
Season 14 is still in its early stages, so it’s possible Blizzard could adjust drop rates or make changes to Mythic crafting to elminate some of the pain points players have complained about before the end of the season. Even if the new season isn’t being received well overall, there have been some universally good changes, like fixes to make Diablo 4’s worst grind a lot easier.
The summer is heating up, and this month’s invitation to cool off at the movie theater comes with a complete menu of indie films – truly something for anyone (though maybe not for everyone). Dance with the hobbyhorses, match wits with 16-century samurai, or have your world rocked by a sexually adventurous boss lady, but don’t stay home and complain there’s nothing to watch.
NIGHT NURSE
When You Can Watch: June 30
Where You Can Watch: Film Independent Presents
Writer/Director: Georgia Bernstein
Cast: Cemre Paksoy, Bruce McKenzie, Eleonore Hendricks
Why We’re Excited: A dark psychological thriller set in a luxury retirement community, where a young nurse named Eleni (Cemre Paksoy, The Affair) is hired for in-home care. Her enigmatic patient, Douglas (Bruce McKenzie, House) is a life-long con artist, running a racket on his elderly neighbors. Eleni is drawn into the scheme, taken with Douglas and his magnetic confidence. As another nurse (Eleonore Hendricks, Uncut Gems) joins the game of deluding senior citizens into believing she’s their granddaughter in distress, they form a cultish throuple around Douglas’s mysteriously failing health and suburban crime spree. “I wanted the film to explore that emotional space where being needed can feel like purpose,” filmmaker Georgia Bernstein told The Film Stage, “and how that devotion can gradually become destructive.”
YOUNG WASHINGTON
When You Can Watch: July 3
Where You Can Watch: Theaters
Director: Jon Erwin
Stars: Mary-Louise Parker, William Franklyn-Miller, Ben Kingsley
Why We’re Excited: The latest blockbuster biopic takes on an intimidating figure in world history: George Washington, but not as the future president of the as-yet-unformed United States. Starring British actor William Franklyn-Miller (Dongji Rescue), we meet George as a preteen mourning the death of his father, then follow his coming of age as a wannabe Brit. Shunned by the society to which he aspires, the ambitious young colonist resolutely seeks out opportunities to distinguish himself, courting the hand of a lady (hint: not Martha) and volunteering for a dodgy mission with the Virginia militia led by Robert Dinwiddie (Spirit Award nominee Ben Kingsley, House of Sand and Fog). In contrast to the laudatory writings of Washington in his time, filmmaker Jon Erwin (I Can Only Imagine) attempts to showcase the making of a resilient leader by depicting a Washington who wavers, who lies, and who even fails – but tries again.
THEY FIGHT
When You Can Watch: July 7
Where You Can Watch: Film Independent Presents
Director: Sheldon Candis
Stars: Wendell Pierce, André Holland, Samira Wiley
Why We’re Excited: The setting for this boxing drama is Southeast Washington, DC, where Slim (Spirit Award nominee Wendell Pierce, Burning Cane) runs a youth recreation center. Fresh out of prison and eager to prove himself to the mother of his child, Walt (André Holland, Moonlight) returns to his old mentor and is given a chance to coach boxing, a sport he used to love. There he encounters neighborhood teens fighting their own trials in life: one parent’s terminal illness and another’s absenteeism. Through the medium of boxing, the underdog bunch rises to their collective challenges while Walt seeks a job and a place to live, struggling to maintain his 3-year sobriety when back pain tests his resolve. Based on a true story and a 2018 documentary with the same name.
READING LOLITA IN TEHRAN
When You Can Watch: July 10
Where You Can Watch:
Director: Eran Riklis
Stars: Golshifteh Farahani, Zar Amir Ebrahimi, Mina Kavani
Why We’re Excited: Israeli filmmaker Eran Riklis (Lemon Tree) brings to the screen 24 years of work, academic debate and resistance from Azar Nafisi’s 2003 memoir. The Iranian-American began teaching in Tehran after the 1979 revolution promised a whole new world for Iranians in the diaspora who came back home. Azar (played by Golshifteh Farahani, Paterson) teaches literature in a prestigious university, encouraging spirited discussion among her students. As strong religious views begin to take effect, the class is first segregated to women-only, then mandated to embrace conservative clothing, until Azar’s curriculum itself is protested in the street. Navigating these changes in her private life as well as her classroom, Azar fights for the freedom to embrace the uncomfortable conversations that come after reading books like Lolita.
FORBIDDEN FRUITS
When You Can Watch: July 15
Where You Can Watch: Film Independent Presents
Director: Meredith Alloway
Stars: Lili Reinhart, Jordan Duarte, Victoria Pedretti
Why We’re Excited: The girls working at this mall fashion store are more than just a clique – they’re a coven. Of witches? Perhaps. This witty dark comedy pairs a unique twist on feminist ideals with frolicsome mall set pieces: inducting a new member from the pretzel stand, sleeping with guys from the food court, and using the dressing room as a confessional (unburdening themselves to the spirit of Marilyn Monroe, of course). But more than a pop teenage girl world, this cult of femininity meets its match when they put a hex on someone – and it works. Shaken by the potential of what they’ve done, the group turns a questioning eye on its leader, Apple (Lili Reinhart, Riverdale). Is she the real toxic influence, or are they all under a spell? Executive produced by Film Independent member Randy Manis.
Why We’re Excited: Maybe some of us just learned today that hobbyhorsing is a gymnastic sport. Like, the toy horse on a stick. For Margarita (Lillian Carrier, Everything’s Gonna Be Okay) it’s the thing she loves to do, showcasing traditional equestrian moves without the benefit of a live horse. Margarita is 22 and autistic, pushed into an escalated path to self-sufficiency in the wake of a cancer diagnosis for her mom, Sandy (Gretchen Mol, Boardwalk Empire). Margarita lands a job at the Halloween store, but would rather break into her neighbor’s house to get her hands on the coveted hobbyhorse. That’s how she meets her coach (Jerod Haynes, The Greatest) and joins his competitive hobbyhorse dance team. Film Independent member Alix Madigan is a Producer.
HADESTOWN: THE MUSICAL
When You Can Watch: July 24
Where You Can Watch: Theaters
Director: Brett Sullivan
Stars: Reeve Carney, Eva Noblezada, Patrick Page
Why We’re Excited: Anaïs Mitchell’s concept album turned Grammy- and Tony-winning stage production is captured on screen and showing in theaters, exploring the Greek myths of Orpheus and Eurydice in a New Orleans jazz club. Under the direction of veteran Brett Sullivan, who has notably captured prominent musicals like Newsies and Billy Elliot for the screen, audiences get a front row seat to the doomed love stories that intertwine through music, schemes and smoke. Orpheus (Reeve Carney, House of Gucci) is young and poor, writing songs to incite the return of spring. When he falls hard for Eurydice (Eva Noblezada, Yellow Rose), she seems to return his affection. But the world is cold, and when the offer of protection and warmth comes from Hades (Patrick Page, In the Heights), Eurydice follows him underground – prompting Orpheus to go after her. Executive Produced by Film Independent member Tyler DiNapoli.
I WANT YOUR SEX
When You Can Watch: July 31
Where You Can Watch: Theaters
Director: Gregg Araki
Stars: Olivia Wilde, Cooper Hoffman, Daveed Diggs
Why We’re Excited: Spirit Award winner Gregg Araki (Mysterious Skin) offers a love letter to Gen Z in the form of this dark comedy sexploration of power on multiple levels. “Gen Z doesn’t have sex anymore,” Araki reflected in an i-D interview. “In the times we live in, people are kind of afraid to make mistakes.” The adventures commence when Elliot (Cooper Hoffman from the Spirit Award-winning The Long Walk) lands a coveted job working for Erika Tracy (Spirit Award winner Olivia Wilde, Don’t Worry Darling). Working for the provocative, demanding artist and iconic cultural figure is less than thrilling, but when she singles him out for a wild physical experience without strings, it seems like a dream come true – at first. But the consequences of Elliot’s youthful fantasy rapidly kick him into a grownup nightmare that forces him to make some decisions.
Why We’re Excited: We love a good murder mystery, and this looks like a great one – set in a Japanese castle 500 years ago (the Warring States period). It’s a game of cat and mouse with the titular samurai – Lord Murashige Araki (Masahiro Motoki, Departures) – keeping his prisoner alive for consultations about a series of unexplained deaths in the castle while under siege by a warlord named Oda. As a war strategist, Kanbei Kuroda (Masaki Suda, Cloud) offers insight while he is kept chained in the castle dungeon. Based on Honobu Yonezawa’s 2021 novel, the two match wits to uncover the truth while attempting to pursue their own distinct ambitions, and Lord Araki’s departure from samurai culture (keeping Kuroda alive rather than immediately beheading him) sets the stage for an unpredictable relationship.
PROGRAMMER’S PICK: SELEGNA SOL
When You Can Watch: July 1
Where You Can Watch: Film Independent Presents
Director: Anouk Moyaux
Why We’re Excited: From Film Independent Lead Programmer Jenn Wilson–
Selegna Sol is the debut feature of French director, Anouk Moyaux. It premiered at Cinéma du Réel in 2025 and had its US Premiere in the 2026 Los Angeles Festival of Movies. The film centers on a Mexican immigrant named Gibran who has lived and worked in the US long enough to finally be invited to become a US citizen. Even though he loves hanging out with his friends, he hates that he has to spend most of his life working to cover just basic living expenses in the US. Ultimately, he feels like returning to Tecate, Mexico, where he was born, might be a better lifestyle for him. The contemplation of work/life balance and how, for the most part, no one really has an appropriate amount of time for themselves is a concern that’s felt heavily here, but the film also does spend a lot of time with Gibran and his friends and emphasizes that it’s still possible to find joy in the shared moments we have with others and the small things in life. The film is beautifully shot in 16mm and has a terrific observational style, a loving ode to locales in Boyle Heights and Los Angeles’ East side.
KEY
Film Independent Fellow or Member
Film Independent Presents Screening, Q&A
Microbudget
Filmmaker or Lead Characters of Color
Film Independent Spirit Award Winner or Nominee
Female Filmmaker
LGBT Filmmaker or Lead LGBT Characters
First-time Filmmaker
LA Film Festival Winner or Nominee
For over 40 years, Film Independent has helped filmmakers get their projects made and seen. The nonprofit organization’s core mission is to champion creative independence in visual storytelling in all its forms, and to foster a culture of inclusion. We support a global community of artists and audiences who embody diversity, innovation, curiosity and uniqueness of vision. To support our mission with a donation, click here.
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The Muhammad Ali series “The Greatest” will premiere Wednesday, November 4 on Prime Video, with widow Lonnie Ali executive producing the first authorized scripted series about Ali’s life.
Helming from showrunner Ben Watkins (“Cross”) and Michael B. Jordan’s banner Outlier Society, the new series follows Cassius Clay/Ali’s (Jaalen Best) journey from boxing champion to humanitarian. Alongside the release date announcement, a new teaser shows intense footage of Ali training with the goal of becoming the youngest heavyweight champion in boxing.
Best, who previously appeared in “All American: Homecoming” and “Magnum P.I.,” is joined in the cast by Michael Ealy (“Barbershop”), Dana Gourrier (“Kidnap”), Amin Joseph (“Snowfall”) and Kai Parham (“Colin in Black & White”). In addition to Watkins’ Blue Monday Productions banner and Jordan’s Outlier Society banner, “The Greatest” is produced by Authentic Studios, Roc Nation, Polygram Entertainment and Grace: A Storytelling Company.
Watkins executive produces. For Outlier Society, Elizabeth Raposo and Stefano Agosto executive produce; for Authentic, Corey Salter, Marc Rosen and Matthew Gross executive produce; for Roc Nation, Aiyana White, Jeff Augustin and Owen Shiflett executive produce; for Polygram Entertainment, Michele Anthony, Boyd Muir and David Blackman executive produce; and for Grace: A Storytelling Company, Josh Wakely executive produces.
Check out the first look teaser below.
SPECIALS
Jerry O’Connell is joining “Big Brother: Unlocked” as a celebrity panelist alongside Season 16 winner Derrick Levasseur and Season 24 winner Taylor Hale.
The news comes as “Big Brother” gears up for its 28th season, which will premiere Thursday, July 9. “Unlocked” returns for its second season with bonus episodes that break down gameplay throughout the season. “The premiere episode launches a new interactive fan vote that will have a major impact on the game and kicks off the season’s live studio audience experience, a new addition that will continue throughout the summer,” an official statement teases.
“‘Big Brother’ is my summer and rolls into my fall too. I’m already watching on Wednesdays, Thursdays and Sundays, so the fact that CBS is now payingme to do it is kind of amazing,” O’Connell said in a statement. “This is what we call in showbiz a dream gig. I’ll do my best to be the voice of the fans, but as Julie says, expect the unexpected.”
O’Connell is known for his roles in “Stand by Me,” “Sliders,” “Scream 2” and “Kangaroo Jack.” “Big Brother: Unlocked” premieres Friday, July 10 on CBS and Paramount+.
EXECUTIVES
Comic Relief has appointed three new members to its Board of Directors, as well as a new vice chairman.
Versant president of entertainment Val Boreland, Google managing director of global apps partnerships Tom Gorke and Bain Capital partner David Spiller will join the public charity, which aims to fight childhood poverty with comedy.
International at A+E Global Media group managing director Patrick Vien has also been appointed to the vice chairman of the Board of Directors, which he has served on since late 2025. The Comic Relief board is also led by Randy Newcomb, the senior advisor at The Omidyar Group.
The board is responsible for overseeing Comic Relief’s strategic and financial health while also approving the distribution of grants.
PROGRAMMING
Paramount+ has officially greenlit a docuseries on the Texas Tech University Red Raiders football team.
The logline states, “Set in the intense world of college football, the docuseries follows the Texas Tech Red Raiders as Head Coach Joey McGuire builds a new team identity during a demanding offseason.”
The four-episode series, which is currently untitled, has been in production since January 2026 and is expected to release before this year’s college football season.
“This has proven to be a landscape-altering offseason and we’ve been lucky to have a front row seat,” said Greg Groggel, SVP Unscripted, Skydance Sports, in a statement. “This series will present fans and viewers with an unprecedented window into everything that is defining college football today.”
Micah Brown is director and showrunner, and the docuseries is produced by Skydance Sports and Second Wind Creative.
“This documentary will give the Red Raider Nation an inside look at everything that makes Texas Tech Athletics special, the people, the passion and the relentless pursuit of excellence that defines this program every day,” said Kirby Horcutt, Director of Athletics at Texas Tech University. “We are incredibly proud that Paramount+ selected Texas Tech for a groundbreaking documentary with rare access.”
“This Is UFC: McGregor vs. Holloway” will air on CBS on Friday, July 10 at 6 p.m. PT, setting the stage for the main fight on Saturday.
The one-hour special, which will be available to stream on Paramount+ the following day, will feature a live weigh-in with both Conor McGregor and Max Holloway, as well as co-main event competitors Paddy Pimblett and Benoit Saint-Denis. McGregor and Holloway will also be giving interviews, and Dana White will make an appearance.
“UFC 329: McGregor vs. Holloway 2” streams exclusively on Paramount+ on Saturday, July 11, with the main card starting at 6 p.m. PT. Preliminary matches start at 4 p.m. PT, and early prelims begin at 2 p.m. PT.
Former two-division UFC champion McGregor and former featherweight titleholder Holloway will face each other again for the first time in 13 years, where McGregor won the match.
LiveRamp, which has for years helped brands, publishers, and platforms connect and activate customer data, is launching its first brand campaign on connected TV. The message, one of trust and flexibility, arrives amid a pending Publicis takeover that has the ad industry questioning whether the platform can remain neutral.
The adtech company will air 15- and 30-second ads for its services on Netflix for the next five months, targeting executives with a promise to help marketers connect data sources seamlessly and “deliver experiences customers want, maximize marketing returns, and drive more revenue.”
The core message: Marketers can rely on LiveRamp in the era of AI. “AI is only as valuable as the data that it sits upon, and only LiveRamp has the foundation in data ethics, identity, cleanroom technologies, along with our broad network, which together enable marketers to scale AI-powered workflows and business performance in a way that’s durable and defensible and secure,” the company’s chief marketer Jessica Shapiro said.
Trust is likely to be a valuable differentiator in light of increasing automation in the industry. When marketers start handing the keys over to autonomous systems to handle campaign planning, audience creation, measurement, and optimization, quality and governance of the underlying datasets will only become more important.
The promise, right now, is also an opportunistic one for LiveRamp. The company’s claims of neutrality are under heightened scrutiny after French advertising giant Publicis in May announced plans to acquire the platform for $2.2 billion. Since then, some ad industry leaders have not just expressed concern about giving a competitor access to their identity and data infrastructure, but have said outright that they will drop the platform. Among them are Omnicom CEO John Wren. Meanwhile, former Dentsu exec Doug Ray told ADWEEK recently that, as with IPG’s 2018 takeover of Acxiom, there will be a “slow erosion” of clients off LiveRamp.
The new campaign could help do damage control on the perception of LiveRamp’s neutrality and trustworthiness in the market. But the campaign is not a direct answer to concerns about Publicis’ takeover of the platform; it was in the works before news of the acquisition broke and is designed first and foremost, Shapiro said, as a “response to the acceleration of AI.” She added: “It’s, in general, the message people need to hear, and it reinforces what we stand for in terms of neutrality,” Shapiro said. “Being trustworthy and making sure that the data is secure is something that is in the roots of our company.”
Asked whether LiveRamp expects to see Publicis competitors like WPP, Omnicom, and Dentsu using its platform in a few years’ time, Shapiro said: “We maintain that we will be neutral, and we have always been neutral and worked with companies and agencies across the board. And we’re not expecting a change on that front.”
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Uudet nettikasinot tuovat mukanaan innovatiivisia pelejä ja houkuttelevia kampanjoita. Pelaajat voivat hyötyä uusista bonuksista, jotka tekevät pelaamisesta entistä houkuttelevampaa. Erityisesti ilmaiskierrokset ovat loistava tapa kokeilla uusia pelejä ilman taloudellista riskiä. Muista tarkistaa uusimmat tarjoukset ja hyödynnä ne ajoissa.
Uuset nettikasinot suunnittelevat usein ainutlaatuisia kampanjoita ja tapahtumia pelaajille. Näiden lisäksi ne tarjoavat raikasta sisältöä ja uusia pelejä, mikä tekee pelaamisesta entistä mielenkiintoisempaa. Aina kannattaa pitää silmällä uusia kasinoita ja niiden tarjontaa.
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Yhteisöllisyys on keskeinen osa Dreamz Casinon tarjontaa. Pelaajat voivat liittyä turnauksiin ja kilpailuihin, joissa he voivat voittaa hienoja palkintoja. Tämä tekee pelaamisesta entistä jännittävämpää ja tarjoaa mahdollisuuden tavata muita pelaajia. Dreamz Casino on paikka, jossa yhteisö kukoistaa.
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Nettikasinoilla on usein erilaisia asiantuntevia arvioita ja arvosteluja, jotka auttavat pelaajia tekemään oikean valinnan. Nämä arvostelut tarjoavat tietoa kasinoiden luotettavuudesta, pelivalikoimasta ja asiakaspalvelusta, mikä on tärkeää pelaajille.
Suomalaiset nettikasinot ovat tunnettuja luotettavuudestaan ja turvallisuudestaan. Kun pelaat lisensoidulla ja säännellyllä kasinolla, voit olla varma, että pelit ovat reiluja ja voitot maksetaan ajallaan. Luotettavuus on erityisen tärkeää, kun kyse on omasta rahasta ja henkilökohtaisista tiedoista.
Kuinka nettikasinoiden käyttäjäarvostelut vaikuttavat luottamukseen?
Vertailtaessa eri kasinoita, kannattaa kiinnittää huomiota myös asiakaspalvelun saatavuuteen. Hyvä asiakaspalvelu voi ratkaista ongelmat nopeasti ja tehokkaasti. Suomalaiset nettikasinot, jotka tarjoavat asiakaspalvelua suomeksi, ovat erityisen houkuttelevia pelaajille.
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Big Brother Season 28 is keeping the surprises coming ahead of its arrival on the 2026 TV schedule. We have new news that the cast reveal is imminent, and what’s more, the CBS reality series is offering another way to watch live feeds without the use of a Paramount+ subscription. So what’s going on, and how is YouTube involved?
A new release from Big Brother has confirmed the cast reveal will be coming on Tuesday, July 7th at 5 p.m. ET. In an unprecedented Big Brother: Broveal, however, the new cast will be revealed via a video hosted by Julie Chen Moonves, as she also gives a tour of the Season 28 house. Additionally, the live feeds will be available on YouTube, though it’ll be a bit different for those used to using Paramount+ or the ad-supported option on Pluto TV.
YouTube Will Feature Big Brother’s Live Feeds (But There’s A Catch)
For the first time, YouTube will be a new home for Big Brother Season 28’s live feeds. There is a catch, however, in that these feeds will only be available for a limited time. Users will be able to immediately access them after episodes of the show as well as the new and improved Big Brother: Unlocked. They’ll only be available for a limited time, however, so anyone who gets hooked will eventually need to get Paramount+ or Pluto TV.
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The interesting part of this is that it says the feeds will go live after every episode of Big Brother. As someone who lives in the Eastern Time Zone, I’m used to the live feeds being down on Thursdays until the live-eviction episode airs on the West Coast. Could this mean YouTube will have immediate access to the feeds on Thursdays? If so, I would love that, but we’ll have to see if that’s the case.
I’m Hype For A Cast Reveal Video, And Hope It Continues In Future Seasons
I do have to say that while I’m used to the usual method of the cast list being released in a post, I’m totally on board with the idea of seeing it in a more produced fashion. It helps build hype before the premiere, which will just be a little over forty-eight hours later on CBS.
Right now, my only disappointment is that we didn’t get to see a live move-in, and that we’ll see an edited rundown of the opening hours of Houseguests joining Big Brother Season 28. The good news is we already have confirmation we’ll be seeing the live feeds after the first episode of BB: Unlocked on Friday, which is better than waiting all the way until Sunday when the veto competition is finished. I know many fans don’t care, but as someone who loves the live feeds, this is important!
Almost all surprises for this season are revealed, but I hope the final video will give us what remains. In addition to the cast, we still have yet to see the Have-Not room, as well as the HOH bedroom. I always love to see how the Have-Not room stacks up against the past bad ones, and given we’ve waited so long, I have to think this one could be a doozy.
Your Daily Blend of Entertainment News
As mentioned, tune in for the Big Brother Season 28 cast on Tuesday, July 7th at 5:00 p.m. ET. Then we have the 90-minute premiere on CBS on July 9th, and the game will be officially underway!
“Big Brother” is embracing YouTube in a big way this season. For the first time, the “Big Brother” houseguests for Season 28 will be revealed via a YouTube livestream tomorrow starting at noon ET / 9 a.m. PT. Previously, houseguests have been announced via social media or through press releases.
The longstanding CBS franchise will continue to use YouTube throughout the season. Friday marks the launch of this season’s 24/7 “Big Brother” live feeds, which will be available to watch on Paramount+ and Pluto starting at 9 p.m. ET / 6 p.m. PT. For the first time ever, the feeds will also be available to watch live on YouTube for limited periods of time following each episode throughout the summer. Moments from “Big Brother” and “Big Brother: Unlocked” will also be available to YouTube viewers for a limited time.
Subscribers to Paramount+ and Pluto will continue to have exclusive 24/7 access to the episodes as well as the “Big Brother” live feeds.
The YouTube waiting room for Season 28’s casting announcement is already open. Tomorrow, host Julie Chen Moonves will give viewers an inside look into this season’s “Time Trip”-themed house. This season as well as the house will be playing with various decades as it challenges contestants with throwback competitions and a newly redesigned house inspired by various decades.
“Big Brother” Season 28 will officially debut with a 90-minute premiere on Thursday, July 9 at 8 p.m. ET/PT. That will be followed by the premiere of “Big Brother: Unlocked” on Friday at 8 p.m. ET/PT. Finally, a 90-minute episode on Sunday at 8 p.m. ET/PT will conclude the show’s opening weekend.
Later this summer, “Big Brother” is expected to make TV history as the first primetime series to hit 1,000 original episodes. It’s a feat that’s fitting for the CBS juggernaut. Not only does “Big Brother” have a consistent fan following, but since its debut in 2000, the series has helped challenge and define the reality TV genre as a whole. More aggressively embracing YouTube falls in line with the franchise’s innovative history.
Hey there, you look a little lost. Do you need a map? Welcome to the official guide for Phoebe Bridgers’ Lost Weekend, her first solo album in six years. The singer-songwriter announced her long-awaited follow-up to 2020’s Punisher last month, shortly after a series of intimate pop-up shows across the country. She kicked the trek off in a Roswell, New Mexico club on May 8, and concluded with a massive sold-out show at New York’s Madison Square Garden on June 4. And like her upcoming fall tour, every show was phone-free, making her return all the more magical — much like her medieval-coded video for the fantastic new single “Lost Boys.“
Lost Weekend arrives on Aug. 14, three days before the singer-songwriter’s 32nd birthday. But we’re celebrating early: Here’s everything we know about the upcoming album.
It’s Her Longest Album Yet
According to the album pre-save link on Bridgers’ website, Lost Weekend boasts 16 tracks, making it her most expansive album yet — longer than her previous two solo albums, or her records with boygenius and Better Oblivion Community Center. And in the same way Olivia Rodrigo broke her four-letter album title streak with the recent You Seem Pretty Sad For a Girl So in Love, Bridgers is changing it up, too: Stranger in the Alps and Punisher both featured exactly 11 songs, making this her first album to deviate.
She Has New Collaborators, Including Jack Antonoff
“Lost Boys” was co-produced by Bridgers and her longtime collaborators Tony Berg and Ethan Gruska, and her usual crew — Christian Lee Hutson, Harrison Whitford, Marshall Vore, and others — play a variety of instruments. Bright Eyes members Mike Mogis and Nate Walcott also appear, with Mogis mixing and Walcott contributing trumpet.
But the single features plenty of new faces, too: Jack Antonoff assisted in production, and is credited on drums and drum programming, electric guitar, synthesizers, and the vocoder that opens the track. Comedian Bo Burnham is listed as a co-writer, alongside Alex G, the Philadelphia singer-songwriter who also contributed “drums and voice memo.” Hopefully, these new collaborators appear on other Lost Weekend tracks as well.
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The Boys Are Back in Town
Bridgers’ boygenius bandmates Julien Baker and Lucy Dacus contributed vocals on “Lost Boys,” which continues the supergroup’s tradition of appearing on each other’s solo albums. “We’re obsessed with each other,” Bridgers said in boygenius’ Rolling Stone cover story. “I like myself better around them.”
The Tour Flyer Was Shot by Gregory Crewdson
Fine-art photographer Gregory Crewdson — known for his spooky suburban shots that involve roughly the same amount of personnel as a film set — doesn’t do a lot of editorial or commercial work, but he made an exception and shot Bridgers’ tour flyer, for her first official solo run since 2023. In an exclusive interview with Rolling Stone, Crewdson told us why he took the gig, explaining he saw a kinship between his aesthetic and Bridgers’. “There was an alliance there, with a sense of mystery and loneliness, and wanting to make connections about landscape and all that,” he said. “It’s a coming together between Phoebe’s world and my world.”
What About Those Puzzle Pieces?
At Bridgers’ pop-up shows earlier this summer, fans kept finding puzzle pieces in Yondr patches that held their devices, and began assembling them online. They were initially rumored to make up the album cover, but that proved untrue when Bridgers formally announced Lost Weekend and posted the official glitchy cover art (that was shot by Olof Grind, who also captured Punisher). However, pre-order links for the vinyl editions list that each copy of the two-LP set will come with a “20-page full color lyric booklet,” similar to the one from Punisher, which contained illustrations by Chris Riddell. If we’re lucky, the artwork featured on the puzzle pieces will land on the Lost Weekend lyric booklet.
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She’s Continuing Her Space Theme
Bridgers has a lifelong love of aliens and outer space. Just listen to the Punisher tracks “Moon Song” or “Chinese Satellite,” or recall her signature rocket-ship bedsheets, which she eventually sewed together to fit her king-size bed. Her locations for the pop-up shows seemed random at first, until internet sleuths detected that she chose to play in towns with extraterrestrial history. Plus, space posters were featured onstage at each concert.
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The space theme is also all over the Lost Weekend merch, from a new t-shirt featuring possible lyrics (“Now I can’t see any stars in the sky/When a dream comes true, a fantasy dies”) to the many vinyl variants of the record, all astronomy-coded (“Enceladus Geysers,” “Neptune Winds,” and so on). While mercury is in retrograde, Bridgers has got you covered.
Wait, Is That a John Lennon Reference?
It’s anybody’s guess what Lost Weekend might be named after, but the title could refer to John Lennon’s infamous “Lost Weekend” period, a.k.a. the former Beatle’s debauched 18-month separation from his wife, Yoko Ono, that began in 1973. Bridgers sang about Lennon on “Moon Song,” and spoke to Rolling Stone about him at the time. “Easily best Beatle,” she said. “He’s been such an icon for so many people who are my heroes, like Elliott Smith and Daniel Johnston.”
“It wasn’t the diagnosis or the condition itself that was the worst part, but how society treated them afterwards.”
This harsh yet hopeful realisation is the driving force behind Human Forever, a cinematic event that has transformed from a groundbreaking documentary into a global movement. Spanning screenings for world leaders and adoption by over 43 universities worldwide, the film challenges us to shift our mindset from managing an illness to preserving human connection.
In this exclusive Q&A, the filmmaker pulls back the curtain on the creative choices that turned this documentary into a box office sensation, what real-world “impact” actually looks like on the ground, and what we can expect from the highly anticipated sequel, There Is No Society.
How do you strike the delicate balance between showing the raw, challenging reality of dementia and maintaining enough “accessibility” so that the audience remains engaged rather than overwhelmed?
The main aim of Human Forever was to put a more nuanced story on this theme to the world stage, because that was precisely what I felt was missing. During years of research, I saw nothing but stories that focused on loss and what people could no longer do. Conversely, the people I spoke to told me that it wasn’t the diagnosis or the condition itself that was the worst part, but how society treated them afterwards.
I found that to be a harsh yet hopeful conclusion, because it meant that the onus is on us as a society, to change. The only way to get people thinking about this was through a very human and personal approach to the subject, where we don’t focus on the illness or the patient, but on seeing the person behind it. That is what moves people, gives them hope, and keeps audiences engaged.
What specific creative choices did you make to ensure Human Forever transitioned from a standard documentary into a record-breaking “human interest” cinematic event?
Right from the very start, I told Teun (the film’s protagonist) that we had to make dementia ‘sexy’ – by which I don’t mean the condition itself, but rather how we approach the subject. That was the biggest challenge, in fact; everyone told me, to not even go near dementia as a subject because ‘nobody wants to see it’ and that everyone’s so afraid of it.
That’s precisely why I decided to tell the story through the eyes of a young boy who’s worried about the future and sets out in search of hopeful answers. I made the documentary cinematic, paying a great deal of attention to the composition of the score. The film almost feels like a Hollywood-style fiction film. I don’t like being pigeonholed myself, and I certainly don’t believe in doing the same to films.
To build this feeling of an ‘event’, we needed to build a broad audience base at an earlier stage, allowing us to garner interest and engagement before the film was even released. At the time of the films original theatrical release in the Netherlands, we were slotted in between Barbie and Oppenheimer – not exactly minor films – but thanks to the way the documentary grew organically and generated strong word of mouth, Human Forever remained at the top of box office for weeks on end.
The film has been screened for governments and at the G20 summit. When you are in a room with policymakers like Mark Rutte, what is the primary “call to action” you hope they take away from the film that they wouldn’t get from a standard policy briefing?
We need to have a more honest conversation about what a good quality of life means and looks like for those living with dementia, and we need to start encouraging a greater sense of responsibility and duty of care within society. This means that the government, the sector and residents/families all have a responsibility in achieving this quality of life.
Nobody wants their life to be taken over and organised on the basis of a label; everyone wants to lead a ‘normal’ life for as long as possible, whilst continuing to be part of a community. That is the mindset shift we have shared with world leaders and which we hope they embrace.
Insights from the film are now being used at institutions like Yale and Oxford. How are these universities utilising the film, is it being used to teach medical ethics, sociology, or perhaps the power of visual communication itself?
At its core, Human Forever is not just about dementia, but much more about how we view one another in society; that is why the film has already been adopted by more than 43 leading universities worldwide, with its use and the training programmes varying considerably.
Many universities have incorporated the film into their curriculum for courses such as Public Health, Sociology and Anthropology. Others have added it to their libraries for use across all disciplines. The film is widely used as a catalyst for lectures, dialogues and discussions about how we view one another in society and what we should change.
I’m so proud of this, and we’ve worked very hard over the past few years to make it happen. Making an impact is great but ensuring that this impact is sustainable for future generations is, to me, the greatest reward of all.
Teun Toebes’ approach of living in a care home is incredibly immersive. How did his “first-hand insight” as a resident-nurse fundamentally change the way you chose to frame the shots and the pacing of the film?
I worked part-time in a care home for just over five years whilst I was at university, which led me, as a filmmaker, to make my first documentary in 2018 about this parallel universe that you step into as an outsider. At the time, I was so shocked by what I saw and, above all, by the fact that we didn’t talk about it.
It was – and still is – often seen as only a problem for elderly people, which is a complete misconception. Old age will hopefully come for us all, so if we want to change anything, we need to start now. With that in mind, I set to work using my ‘young’ perspective to change the narrative surrounding dementia.
When I met Teun, I immediately realised he was the brilliant anchor through which I could tell this story. He already knew the world so well as a nurse, and in fully immersing himself and being exceptionally observant of his surroundings he was able to act as a mirror for the viewer. I deliberately emphasised this disarming aspect very strongly in the framing, so that you really get the feeling of discovering ‘his’ world in an authentic and vulnerable way.
Beyond the box office numbers and the 80,000 cinemagoers, what does “measurable real-world impact” look like to you on a day-to-day basis in the care industry?
‘Impact’ is such a buzzword at the moment, but the bigger question here is: what constitutes ‘success’? And shouldn’t we be challenging this concept all over again? Is it about golden statuettes, visitor numbers or changes in real-world practice? I think the vast majority are currently focusing mainly on the first two, because they catch the eye and sell the dream of ‘making it’. Personally, I see them more as tools that help us achieve the latter.
Human Forever has now been showing in more than 33 countries around the world, reaching millions of people and is being used by governments to shape policy changes. This has sparked discussions about opening up closed wards and reorganising care pathways, along with how we can promote inclusivity towards individuals and family members affected by these issues.
So yes, as a storyteller, this is what success means to me; that is why I get up every day with such joy – to help foster these types of connections within society.
Human II Forever shifts focus toward loneliness and isolation. What did you learn during the filming of the first documentary that convinced you these were the specific “care demands” that needed to be addressed next?
We have a new title for the sequel: There Is No Society, after Margaret Thatcher’s famous remark, in which she questions whether society actually exists or whether we are merely the sum of individuals, each bearing their own responsibility. The paradox of her statement forms the starting point, yet signals that everyone bears a responsibility for guaranteeing a better quality of life and that we should not look solely to governments for this.
The film thus becomes an in-depth exploration of the importance of communities. We ask how good communities are structured, and what can we learn from them to tackle major challenges such as loneliness, the growing demand for care, and how to improve our quality of life.
This sequel felt like such a natural step because people living with dementia had taught me that a good quality of life means having a sense of connection – something they so often lacked. This sense of belonging is rooted in communities, not in institutions, which we now often see as the solution; the film will therefore provide many new insights and food for thought.
You view documentary film as a form of modern advocacy. In an era of short-form content and “outrage culture,” why do you believe the long-form feature film remains the most effective tool for driving systemic, lasting change?
I see documentary films as an antidote to fragmentation and social scarcity. I sometimes joke with friends and colleagues that human stories are becoming the Premium brand in a digital world, and I truly believe that.
I also love shorter forms of storytelling, and that’s set to become an even bigger industry in the future. However, the sheer speed and abundance of content often leaves you emotionally numb, which is why the longer documentary format can feel like a breath of fresh air in a digital jungle.
Film isn’t dead, and documentaries certainly aren’t. We just need to start speaking the language of today again, because our film (like many others) shows that young people also crave substance and depth alongside everything else they’re being served. Is this the only way? No. But I do see a bright future ahead for more ‘premium’ human-centred documentaries.
Jonathan de Jong is a multi-award-winning documentary filmmaker and bestselling author from the Netherlands.
He is the founder of SUPER7EVEN Productions, an Amsterdam-based independent production company specialising in human interest documentaries with international reach.
SUPER7EVEN’s latest film is Human Forever, an impact-driven feature following a three-year journey across four continents and 11 countries, exploring the quality of life for people living with dementia. The film became the most-watched human interest documentary in Dutch cinema history, drawing nearly 80,000 cinemagoers in the Netherlands.
Penny Boudreau, the Nova Scotia woman convicted of second-degree murder in the death of her 12-year-old daughter, Karissa, has had her day parole extended.
For John Elliott, a retired Southwest Nova RCMP Major Crimes sergeant who worked on the original case, it’s a disappointing outcome.
“(Karissa’s) not a statistic. She was a person. She was a little girl,” Elliott said.
In January 2008, Boudreau reported her daughter missing and told police the two had an argument.
Boudreau would later appeal for information from the public in a news conference alongside police.
“Not knowing where your kids are is horrible. Karissa, we love you,” an emotional Boudreau told the reporters and cameras.
Karissa’s body was discovered along an embankment in Bridgewater, N.S., on Feb. 9, 2008, and was positioned in such a way to suggest she had been sexually assaulted.
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Elliott, alongside his team, secured a confession from Boudreau about how she strangled her daughter and disposed of her body on the banks of the LaHave River.
Boudreau would later be charged with first-degree murder in her death, but pleaded guilty to the lesser charge of second-degree murder.
Court heard that Boudreau’s former boyfriend had given her an “ultimatum” that either he or her daughter would have to go. There was a strained relationship between Karissa and her stepfather.
“Had I known this was going to happen, I would never, ever let her go back, but what parent’s going to say no you can’t go and see your mother?” Karissa’s father, Paul Boudreau, told Global News in 2009.
Mommy Don’t book author talks Penny Boudreau
Penny Boudreau was sentenced to life in prison in January 2009.
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“Penny should have spent — should be spending — more time in jail for taking that life. It was second-degree murder, but it was, it was in my mind, first-degree murder,” said Elliott.
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“There was plans to that and it was horrendous.”
Beginning in 2018, Boudreau has received escorted passes to attend church. In June 2025, she received an unescorted pass from prison for 60 days.
She was granted day parole in December 2025, which has now been extended six more months.
Elliott has been to several parole hearings, saying he “made a point of definitely being there.”
“I didn’t hear a whole lot of remorse, to be quite honest with you,” Elliott recalled.
“There was very little emphasis on the victim or the victim’s family, Karissa’s family, Karissa herself. There was very little emphasis on that. It was all about Penny and the steps she has made towards her application to get that day parole.”
In its decision, the Parole Board of Canada noted Boudreau’s crimes were violent and caused irreversible harm, not only to Karissa and her family but to the broader community.
The parole board said the crime demonstrated a significant lack of control, empathy, and consideration of the consequences of her actions.
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Despite this, the board wrote, “At the same time, Penny does not have a prior criminal history and has successfully completed correctional programming. Her ability and commitment to applying the skills needed to manage her risk factors have improved and are now assessed as good. Furthermore, actuarial data suggests she is at low risk to reoffend.”
Nova Scotia woman who killed daughter given 60-day leave from prison, but not parole
Elliott says he’s now further “disappointed for sure” to hear the parole has been extended for six months.
The decision has sparked outrage online, with the public and especially the Bridgewater community shocked.
But with this new development, Elliott hopes the public refocuses their attention on Karissa.
“There is a ripple effect. And it did affect the community in in a big way,” he said, adding Karissa’s life was cut short and her potential was taken away.
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“There was so much more, so much more she could have offered.”
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There were plenty of events to choose from to celebrate America’s 250th anniversary this 4th of July weekend, but it would appear that the Great American State Fair was not among the more popular ones. Looking at footage of the event on Monday morning, “The View” host Joy Behar joked that “Melania” saw a higher turnout.
The Great American State Fair was a Freedom250 event, billed as “modern-day World’s Fair celebrating the people, traditions, innovations, and spirit that make America the greatest nation on Earth.” But it saw struggles throughout its run, with video of the event showing an almost empty lawn in front of the main stage.
“Aw, I feel so bad. What a sad-looking turnout,” Behar joked on Monday. “More people went to see the Melania movie!”
Guest host Michelle Buteau — a last-minute fill-in on Monday after Whoopi Goldberg, Sara Haines and Ana Navarro all couldn’t make it in to host the show — joked that the State Fair’s crowd was only about 250 people — one person for each year of America’s existence.
Meanwhile, host Sunny Hostin took issue with Fox News’ coverage of the event. While broadcasting during the event, the hosts insisted that, even though the video playing behind them showed a sparse crowd, there were actually thousands of people there that viewers just apparently couldn’t see from the camera angle.
“They’re telling us not to believe our own eyes, you know? They’re still telling us not to believe our own eyes,” Hostin mourned.
For her part, host Alyssa Farah Griffin had an idea as to why exactly the turnout was so low. Part of it was the Trump administration’s involvement, making it a more partisan event, but much of it came down to having better options.
“I mean, think about it. You’re in DC — tons of people go for the Fourth of July,” she explained. “They want to see the monuments, there’s a lot to see in DC. But just being on a lawn, when it’s sweltering, an actual swamp…”
