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Lauren Spencer Smith‘s debut album, Mirror, has finally arrived. The singer released the project on Friday (July 14), and leading up to its release spoke with Billboard News about the meaning behind the project’s interesting title, as well as the lessons she took away from writing the LP.

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“Initially when I first wanted to title the album, I wanted it to be something about reflecting because everything that’s on the album is a personal experience to me,” she explained to Billboard staff writer Rania Aniftos. “Then throughout realizing no one had been by my side other than the mirror seeing every cry sesh, happy sesh, came back from the first date with my boyfriend and feeling excited, it was the only thing that was a constant throughout the rollercoaster of emotions that I had to go through to write the album, but it felt so fitting calling it Mirror.”

Smith continued, “When I first started writing the album, I would never have imagined that I was going to end the album with that title. I definitely think it was something that I randomly started thinking of one day, like ‘Wow, I literally would not where I am today if everything didn’t happen to me.’ And as much as sometimes I still look back being very annoyed and sad that things like that happened to me, it just has made me who I am. It’s the reason I written all the songs. I remember thinking one day to myself, ‘I think I should thank the person that hurt me,’ because they kind gave me this trajectory of a career at this point.”

Mirror features breakthrough singles “Fingers Crossed” and “Flowers,” “Fantasy” with GAYLE and Em Beihold, “That Part” and more. The 20-year-old will embark on a tour in North America, U.K. and Europe starting on July 14 to support the album.

Reflecting on Mirror, Smith also shared that writing the LP has allowed her to feel more comfortable within her craft: “Throughout songwriting I just realized to say whatever I want, it doesn’t have to have a bad intention to it, it’s just something that I want to say in the song and allowing myself to be honest in all of my songs and really be true to myself.”

Watch Smith’s full interview with Billboard News in the video above.

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Lauren Spencer Smith‘s debut album, Mirror, has

I have often pondered what it would take to unify our planet. Growing up on films and television series like the antiquated V and the fairly-dated Independence Day, I really think a malevolent extraterrestrial beast is what we need for us all to get along. That beast is exactly what writer-director Bruce Wemple’s First Contact provides. Ambitious in its scope, the narrative discusses the origins of our world and the end of civilization as we know it. This is pretty heady stuff for a low-budget indie film. Can the filmmaker pull it off?

The film starts with a series of viral videos and media coverage of UFOs. Immediately, the audience is immersed in a crisis that appears to be frightening the entire planet. The immediacy of news and social media chatter is vital to adding to the chaos and one of the most recognizable forms of modern hysteria to appear in film. After the opening credits, siblings Dan (James Liddell) and Casey (Anna Shields) try to retrace the steps of their father, scientist Dr. Ian Braddach (Paul Kandarian), who viewers met in the prologue. The man strangely and abruptly went missing in upstate New York.

“…siblings Dan and Casey try to retrace the steps of their father…”

Before long, a dark force appears, though the alien is only ever seen in quick flashes. I commend First Contact for this bit of ingenuity. Not making the creature visible creates atmosphere and inspires dread within the confines of the budget. However, we do get to see one transformation: a character turns into an evil entity, somewhat similar to a werewolf, and the effects work fairly well.

While not great, the acting is serviceable enough to carry the action. The writing is also a little unbalanced. The familial issues subplot is somewhat lethargically paced, and dramatic irony impedes Dan and Casey’s arc. However, the film provides several thrilling moments once first contact is made. The director’s larger-than-life ambitions prove great at disorientating the viewer with visceral visions of the havoc that the unnamed creature is wreaking on the world.

I like sci-fi and what Wemple is doing by revisiting old tropes and carrying on a tradition while treading his own path. First Contact is a great foray into the genre and often resonates as a form of nostalgia stemming from the fun B-movies of the 1950s. No James Camerons or Roland Roland Emmerichs needed here. The director does just fine with the tools that he has to work with. It is not exactly a classic, but it is pretty damned entertaining. Overall, this is a step above many other efforts in the genre.

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I have often pondered what it would

A Vancouver Island woman says she was forced out of her home and left with no recourse, but now she is questioning what happened.

Chelsea Langlois told Global News she had to move her family of four out of their rental home in Langford, B.C., when she was notified it would be torn down for development.

“While we were struggling, looking for a place to live, we thought we would reach out to the developer and just ask them since the rezoning hasn’t (yet) gone through, could we stay just until those permits go through?” she said

“At that time he said, ‘No, we have a permit to demolish. That’s all we need to evict you. And our plan is to demolish and start prepping the land in preparation for the rezoning permit’.”

Langlois said it got to the point where they thought they would have to leave the area, live in a van or even separate the family.

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She eventually managed to find another place to live, albeit at more than $1,000 more per month. And that wasn’t easy.

“My experience with that is that there are hundreds if not thousands of applicants per rental,” Langlois said.

“It really is about presenting yourself in a way that the landlord would see you as a benefit to tenant their place. So very much an interview-type process. I’m very lucky that I’m a registered nurse and a college instructor, so that bodes well when I interview to rent a place. However, not everybody has that kind of criteria to back them up, which is frustrating.

“But we went to the lengths of having the prospective landlords come to our current rental to see how we take care of our home in order to demonstrate that we would.”


Click to play video: 'Vancouver housing advocates urge permanent solutions to modular units'


Vancouver housing advocates urge permanent solutions to modular units


Then, in another blow, about six months later, their former neighbours told them there was someone else living in their former rental home.

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“So we went up and had a look for ourselves and it did appear to be occupied,” Langlois said. “So not only had it not been demolished, but it’s still standing and it has new tenants living in it.”

She said the whole experience has been extremely frustrating.

“The stress we went through trying to find a new place, the increased expenses of having to move, and knowing that that home is still standing and we could still be living there could have saved us not only money but a lot of stress and angst as well,” she added.

In a statement, the developer blames the City of Langford, saying it was given a demolition permit but the city then changed it to require that the house be moved instead.

The developer said it had to re-rent the house while dealing with the new requirements because it was losing money with the house empty.

The City of Langford told Global News it cannot comment on the file.


Click to play video: 'Rethinking how to deal with the housing crisis'


Rethinking how to deal with the housing crisis


“I did initially believe it was on the developer, but through arbitration found out that the permit was solely issued to evict us,” Langlois said.

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“And I was just shocked by that, that the city would issue a permit for the sole purpose of evicting tenants in a global pandemic during a housing crisis.”

She added she would like to see the City of Langford take accountability for its actions in issuing permits to demolish with no intent to demolish the property for the sole purpose of evicting tenants.

“I would like to see the city really look at how they’re going to promote housing for individuals and how they’re going to tackle our housing crisis rather than contributing to it,” she said.

&copy 2023 Global News, a division of Corus Entertainment Inc.

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A Vancouver Island woman says she was


Kevin Costner.
Stephen Lovekin/Shutterstock for SAG Awards

Kevin Costner claims estranged wife Christine Baumgartner charged various expensive personal items – including legal fees, cash advances and a car — onto his employees’ credit cards without his knowledge. 

In documents obtained by Us Weekly on Friday, July 14, Costner, 68, alleges that Baumgartner, 49, “charged additional attorney’s fees to the office of Susan Wiesner on the credit card of an employee which is traditionally used for Costner family house charges and paid by Respondent” after she “filed her RFO for attorneys’ fees and costs.” The documents also state that Baumgartner has been “taking cash advances” on multiple credit cards “issued not to her but to staff members” without his “knowledge or consent.” 

In addition, Costner claims that while he and his ex “had always leased their automobiles,” Baumgartner recently “bought an expensive vehicle of personal use.” The Yellowstone actor points to the purchase, which happened before their April separation, as proof that Baumgartner “had been planning her exit long before” she told Costner about her plans to end their marriage. (The pair’s premarital agreement states that Baumgartner is entitled to keep her personal vehicle in the event of a divorce, per Costner’s attorneys.

Us confirmed in May that Baumgartner had filed for divorce from Costner, citing irreconcilable differences and listing their date of separation as April 11. The pair share children Cayden, 16, Hayes, 14, and Grace, 13.

Following their breakup, Costner and Baumgartner got caught up in a messy legal battle regarding the former model’s attempts to remain in their home with their kids. Baumgartner argued in her filing that she did not have the funds to move out of their residence. However, a judge ruled that she has to leave the shared home by the end of July.

While Baumgartner initially asked for $248,000 per month in child support to continue raising the kids in the lifestyle they’re accustomed to, Costner alleged in court documents obtained by Us last month that he couldn’t afford the specified amount because he “will earn substantially less in 2023” once Yellowstone comes to an end.

A judge later ruled on Tuesday, July 11, that Costner will pay Baumgartner $129,755 per month in child support. He also owes $200,000 in attorneys’ fees and $100,000 in forensic costs. While Costner was not in court for the ruling due to a preplanned trip to British Columbia with the former couple’s kids, Costner’s attorney addressed the shared custody agreement between the twosome, saying, “The children are teenagers and may come and go between his home and Christine’s home once she finds a new residence.

Despite the matter of child support being settled, a source recently told Us that things could continue to get increasingly more contentious for the duo. “For Kevin, it’s pretty cut-and-dried,” the insider shared at the time, adding, “Christine wanted this split, so she should abide by the terms of their prenup [stating that she] had 30 days to move out after filing for divorce. This could be a bitter court battle. Kevin’s a man of strong conviction and stubborn to the bone.”

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Kevin Costner. Stephen Lovekin/Shutterstock for SAG

A federal appeals court on Friday paused a judge’s order that had blocked much of the Biden administration from talking to social media sites about content.

The case could have significant First Amendment implications and affect the conduct of social media companies and their cooperation with government agencies.

In its three-sentence order, a three-judge panel of the U.S. Court of Appeals for the Fifth Circuit said the preliminary injunction issued this month by a federal judge in Louisiana would be put aside “until further orders of the court.” The appeals court also called for expedited oral arguments in the case.

In the lawsuit, Missouri, Louisiana and five individuals said that President Biden’s campaign, his administration and outside groups pressured social media platforms like Facebook and YouTube to take down content that it objected to. That content included conservative claims about the coronavirus pandemic and the 2020 presidential election, and a story about Hunter Biden, the president’s son.

The plaintiffs secured a victory on July 4 when Judge Terry A. Doughty of U.S. District Court for the Western District of Louisiana found that they were likely to be able to prove that the Biden administration engaged in an illegal effort to silence speech on the social media platforms.

“If the allegations made by the plaintiffs are true,” Judge Doughty wrote, “the present case arguably involves the most massive attack against free speech in United States history.”

Judge Doughty, who was appointed by President Donald J. Trump in 2017, said White House and administration officials had used private communications and public pronouncements to pressure the tech giants to remove content related to the pandemic and the Covid vaccines.

The judge’s preliminary injunction blocked several agencies — including the Department of Health and Human Services and the Department of Homeland Security — from urging the platforms to take down “protected free speech.” The order said the government agencies could still discuss content related to categories including criminal activity, threats to national security and foreign election interference.

Legal scholars have said the broad nature of the injunction may make it difficult for the government to follow it. The Department of Justice appealed the order the day after it was issued.

The case proceeds amid a pitched partisan battle over online speech. Republicans have for years accused Silicon Valley companies of disproportionately removing posts from the accounts of conservative publishers and personalities. Democrats have said the tech platforms are not taking enough content down, allowing false, hateful and violent messages to spread widely.

Republican lawmakers in Texas and Florida passed laws in 2021 barring social media sites from taking down certain political content.

The tech industry has challenged those laws on First Amendment grounds, saying companies have a right to moderate their platforms as they see fit. Many experts believe those legal challenges will ultimately reach the Supreme Court.

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A federal appeals court on Friday paused

Sometimes sports fans want to bet — other times, they just want to sit back and enjoy the game.

At Variety and Sportico’s Sports and Entertainment Summit, Deloitte’s Shawn Bryant and Kat Harwood sat down with Linda Ong, CEO and founder of Cultique, to discuss Deloitte’s first-ever Sport Fan Insight Study. The study, which ran through March 2023 and surveyed the attitudes and behaviors of over 3,000 sports fans aged 14 to 77, found that a new era of watching sports has created a demand for more viewership options, but also a way to work out the kinks that come with new tech.

Harwood, principal of sports industry practice at Deloitte Consulting, explained that the industry is entering what the company calls the “era of immersive sports,” which revolves around the desire for optionality in viewing.

“Shawn and I could be watching the same game, but maybe Shawn wants to be placing bets, he has live stats streaming on the side, he might have a parlay going and is watching another game on his laptop while betting on his phone,” Harwood explained. “I instead love to look up where different athletes went to school or where their hometown is, so those little bubbles are popping up while I’m watching.”

At Deloitte, they believe the future of watching sports is highly personalized, from targeted ads to unique streaming methods.

In particular, the study highlighted the younger generations, Gen Z and millennials, who are more interested in this optionality and are consuming media in a more social and interactive way. “You can see in the data that sitting down and watching a live event from beginning to end is a more solid pie chart for the older generations,” said Harwood.

When it comes to betting, the study showed that about a fifth of fans participate in some kind of online parlaying.

“Now we have the data to back it up, and now it becomes a much bigger part of the story. We know that if you’re sports betting, you’re more likely to go to an event live, you’re more likely to buy merchandise or memorabilia,” said Bryant, managing director and sports practice leadership at Deloitte Consulting.

The legality of sports betting has created a more immersive fan experience, especially for younger audiences. In addition, streaming has created another layer of immersive sports engagement, allowing fans to view content where they want, when they want.

Harwood also pointed out an interesting downside illuminated by the study: Lots of streamers cause higher levels of frustration when it comes to watching sports due to fragmentation of channels and inaccessibility. Sometimes, it’s harder to find where the Olympics are streaming as opposed to just pressing a channel button on cable.

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Sometimes sports fans want to bet —

Gigi Hadid is in her Girl with the Dragon Tattoo era. But if Taylor Swift has taught us anything, it’s that eras are inherently temporary. 

On July 14, the 28-year-old supermodel debuted a giant hip tattoo on Instagram in the most casual way possible. In fact, the large piece isn’t even visible in the first photo, which features Hadid at her beachiest in a brown and pink patterned bikini, layered necklaces, and with her hair set free in salt-textured waves. But(t) when you swipe to slide two, Hadid reveals a large black dragon on the side of her derrièr that almost perfectly matches the dragon emoji in her caption. 

Instagram content

This content can also be viewed on the site it originates from.

“Am I in my girl w a dragon tattoo era?!” Hadid also wrote on her Instagram Story alongside another photo of the ink, which she received on a current “girls trip” with friends Alana O’Herlihy and Leah McCarthy. Though based on the shine of the tattoo in the Insta Story pic—which features Hadid in a yellow string bikini—the piece is most likely a cheeky piece of temporary art. 

Instagram/@gigihadid

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Gigi Hadid is in her Girl with

Actors Who Played Multiple Characters In Sex And The City And And Just Like That

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Actors Who Played Multiple Characters In Sex

Variety’s Awards Circuit Podcast hosts Michael Schneider, Clayton Davis, Emily Longeretta and Jazz Tangcay gathered on Wednesday, just hours after the Television Academy announced this year’s Emmy nominations, to dissect the news — from the big winners like “Succession,” to the shocking omissions (no Harrison Ford or Elizabeth Olsen), and then the nice surprises (wow, “Jury Duty”!). The nominations were telling on a number of fronts — including the current assessment that we may very well see a beat “Succession”/”Ted Lasso” dominance.

Did the voting procedural changes help bring in a wider group of nominees? No. And will voters pick straight tickets of “Succession” and “Ted Lasso” nominees? Quite possible. Who will win the “SNL”/”Last Week Tonight with John Oliver” smackdown? What are our favorite faceoffs this year? (How can one pick between birthday celebrations for Norman Lear and Carol Burnett, for example?)

From snubs and surprises to big wins and the usual befuddlement, the Roundtable tackles it all in this week’s episode. Listen below!

Just this year alone, Variety’s Awards Circuit Podcast was a must for Emmy contenders looking to campaign and get the word out. See below for some of this year’s episodes featuring Emmy nominees (and click to listen!):

Michael Shannon on ‘George & Tammy,’ Meeting Jessica Chastain and Being Ready for ‘Saturday Night Live’

‘Abbott Elementary’ Star Tyler James Williams on Growing Up (Mostly) Unscathed and His Show’s Supportive Teacher Fanbase

‘Shrinking’ Stars Jessica Williams and Christa Miller Discuss Developing Their On-Screen Friendship as a Nod to ‘The Real Housewives’ Franchise

Elizabeth Debicki on the ‘Heaviness’ of Playing Princess Diana in ‘The Crown’: ‘It’s a Strange Place to Exist In’

Paul Walter Hauser Gets Frank About the Challenges of ‘Black Bird,’ Getting Sober and Why He Thought He Peaked with ‘Richard Jewell’

Riley Keough Knows You Don’t Believe Her, But She Really Didn’t Sing Before ‘Daisy Jones & the Six’

‘Weird Al’ Yankovic on Outlasting the Stars He Parodies, Why He’s Not Making New Music and the Truth About His Torrid Affair With Madonna

Alex Borstein on the Legacy of ‘The Marvelous Mrs. Maisel’ as It Ends: ‘We Launched in Such a Perfect Moment’

Melanie Lynskey on the Personal, Heartbreaking Loss Behind Her ‘Yellowjackets’ Character

Kieran Culkin on Why Roman’s Wife and Kid Disappeared From ‘Succession’: ‘They Were Toying With Roman’s Sexuality’

Variety’s “Awards Circuit” podcast, produced by Michael Schneider, is your one-stop listen for lively conversations about the best in film and television. Each week “Awards Circuit” features interviews with top film and TV talent and creatives; discussions and debates about awards races and industry headlines; and much more. Subscribe via Apple Podcasts, Spotify or anywhere you download podcasts. New episodes post weekly.

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Variety’s Awards Circuit Podcast hosts Michael Schneider,

Adam Warlock’s appearance in Guardians of the Galaxy Vol. 3 could’ve included a fairly NSFW scene with Will Poulter’s eventual hero, but it got removed by the final cut.

Warlock is a character fans consistently voiced their desire to see arrive in the MCU. While James Gunn almost included him in Vol. 2, he instead simply got relegated to a tease in the film’s post-credits tag.

His proper arrival didn’t happen for another six years, but it did happen in the end. But some fans that even Guardians 3 didn’t include enough for Warlock to do—which has led to an even stronger desire to see more of the character sooner rather than later.

While his next project isn’t announced yet, there are still some scrapped goodies to acquire from his debut film.

Adam Warlock’s Removed NSFW Scene

A new deleted NSFW scene from Guardians of the Galaxy Vol. 3 shows Will Poulter’s Adam Warlock spewing some vile words towards the film’s key antagonists.

In the removed sequence, Adam and his mother, Ayesha, played by Elizabeth Debicki, are just arriving on their ship.

Marvel

After Ayesha complains about the Guardians of the Galaxy, Adam quickly declares that he’s going “to piss on their bodies and make love to their carcasses:”

“Do not fret mother, I will kill all your enemies for you… I will. I will stomp on their skulls. I’m goin to mush their brains between my fingers. I’m going to piss on their bodies and make love to their carcasses.”

Adam Warlock, Will Poulter
Marvel

Even Warlock’s mother thinks her son is being a little harsh.

Ayesha, Elizabeth Debicki
Marvel

It’s unclear when exactly this scene might occur, but odds are it proceeds Warlock’s attack on Knowhere at the beginning of the movie.

Alternatively, it could also be right after their first scene with The High Evolutionary following Adam’s unsuccessful attempt at grabbing Rocket.

The entire scene can be seen below.

Why Was This NSFW Cut From Guardians 3?

When it comes to why this scene was cut in the first place, it likely has nothing to do with the actual NSFW moments in the clip. After all, Chris Pratt’s Star-Lord does utter the MCU’s first “fuck”.

Gunn was probably looking to not overdo it with Adam Warlock, especially regarding his antagonistic role towards the Guardians. With that mindset, nixing this scene was a solid choice—even if it meant less of Will Poulter.

For those looking for more cut Adam Warlock moments, there’s another fun bit waiting in the deleted scenes.

The sequence in question shows the High Evolutionary being imprisoned after the final battle. In the aftermath of the film on Knowhere, Kraglin comes up to Adam to criticize him on his name choice, advising how he might want to add a little flair to his name.

Guardians of the Galaxy Vol. 3 is now available to buy on digital platforms.

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The latest trailer for the DC outing Blue Beetle reveals a further glimpse at the exciting origin story of the superhero. Released courtesy of Warner Bros. Pictures, Blue Beetle finds Cobra Kai star Xolo Maridueña taking the lead as Blue Beetle makes his debut on the big screen next month. Check out the newly released trailer for Blue Beetle below, via Entertainment Tonight.


Blue Beetle will introduce audiences to college grad Jaime Reyes, who returns home full of aspirations for his future, only to find that home is not quite as he left it. As he searches to find his purpose in the world, fate intervenes when Jaime unexpectedly finds himself in possession of an ancient relic of alien biotechnology: the Scarab. When the Scarab suddenly chooses Jaime to be its symbiotic host, he is bestowed with an incredible suit of armor capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the superhero known as Blue Beetle.

Led by Xolo Maridueña as Jamie Reyes aka Blue Beetle, Blue Beetle also stars Adriana Barraza (Rambo: Last Blood, Thor), Damían Alcázar (Narcos, Narcos: Mexico), Elpidia Carrillo (Mayans M.C., the Predator series), Bruna Marquezine (Maldivas, God Save the King), Raoul Max Trujillo (the Sicario movies, Mayans M.C.), and stand-up comedian George Lopez (the Rio franchise), Belissa Escobedo (American Horror Stories, Hocus Pocus 2), singer Becky G, and Harvey Guillén (What We Do in the Shadows), with Oscar winner Susan Sarandon (Monarch, Dead Man Walking) starring as the villain of the piece, Victoria Kord, a ruthless billionaire and business owner who is hellbent on acquiring the Scarab.

RELATED: You Should Watch These 10 DC Movies to Prepare for the DCU’s Blue Beetle


Blue Beetle Is Part of the New DCU

Warner Bros.

Following the appointment of Guardians of the Galaxy Vol. 3 director James Gunn and producer Peter Safran as the co-chiefs of the rebooted DCU, Blue Beetle’s place in the DC universe was at first a confusing one. It has since been revealed, however, that Blue Beetle will be the first outing in the recalibrated DCU, with director Angel Manuel Soto stating that he envisions a Blue Beetle trilogy.

“We are part of the universe, we are part of the world, we are part of the plans that they have been creating for the future instalments of the DCU, but we are not tied to all the films from the past,” the filmmaker explained. “Yes, our movie lives in the world where superheroes exist. But that doesn’t mean that a certain event, or certain alliance, or certain things from the past dictate where our film is going. Our first movie, the way we wanted to do it, was always with the mentality that we wanted to do two more, at least, and taking the traditional three-act structure of a story, we wanted our first movie to practically be the first act of a saga.”

Thus, Blue Beetle will be part of the same world as the Superman reboot, Superman: Legacy and the Batman project The Brave and the Bold, as well as Swamp Thing, Supergirl: Woman of Tomorrow, and The Authority.

Blue Beetle is scheduled to be released in the United States on August 18, 2023, by Warner Bros. Pictures.

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The latest trailer for the DC outing

Sports, media and entertainment are thoroughly intertwined in a marketplace defined by stars, brands and consumers who customize their content diet, from social media channels, to streamers to linear cable and regional sports networks.

Those were among the themes of panels and conversations held July 13 at Variety + Sportico’s Sports and Entertainment Summit in Los Angeles, presented by City National Bank. Leaders, athletes and executives came together at the 1 Hotel West Hollywood to discuss the varying challenges, techniques and strategies that have served them well. Here are 10 key takeaways from a day of lively discourse.

Streaming Has Shifted The Industry 

In the summit’s opening session, moderated by Variety co-editor-in chief Cynthia Littleton, panelists discussed how live games and other sports content perform on streaming platforms versus traditional TV. “We do have to acknowledge that sports are unique,” said Rosalyn Durant, executive VP and head of programming and acquisitions at ESPN. “If you look across the media industry, sports have to be live.” Jon Cruz, YouTube’s global head of sports partnerships, noted that “the intent is to provide flexibility for our users and our partners” with the use of lucrative streaming value bundles. 

“We want to make sure viewers have access to the content they want,” said Cruz. “We want to make sure whether you’re the NFL, FOX, or ESPN, you have multiple ways to monetize your content on our platform.”

Mike Mulvihill, president of insights and analytics for Fox Sports, pointed to the struggles of the regional sports network business as an example of how the economics of pay TV have shifted. In the past, the more successful a show was, the more money it generated. “Now we’re at a moment where the relationship between popularity and revenue is breaking down. And it makes are business a lot more complicated, and I think it’s a major reason why we have writers and actors on strike.” So while the content being broadcast on regional sports networks is still as popular as ever, cord-cutting and streaming is still effecting on viewership.

“I think the reason RSNs have a hard time building a direct-to-consumer offering is because they become unbundled,” said Mulvihill. “If they can find a way to bundle themselves with something else, it’s gonna put them in a much better position, but that’s obviously a lot easier said than done.”

Fans Want Immersive Content

With so many demographics of fans tuning into sporting content comes the need for varying flows of entertainment. Deloitte’s Sports Fan Insight survey compiled information from over 3,000 participants, giving a clearer view of what fans are truly looking for. “We are now about to enter the era of immersive sports,” said Kat Harwood, principal of sports industry practices at Deloitte. “The optionality is absolutely what younger fans want.”

Deloitte’s study found that as opposed to older generations, Gen Z is welcoming to streaming video-on-demand (SVOD) features that enhance viewing experiences. Adhering to the finding that 80% of Gen Z fans follow a professional athlete online, Deloitte found that this leads consumers to become more engaged in sporting content. “They’re watching clips and interviews, and this is just showing that there truly are generational differences,” said Harwood. 

Merging Sports And Entertainment Is Indispensable 

The influence of entertainment in the sporting industry is paramount, evidently shown through the likes of athletes including the likes of Michael Jordan and LeBron James. For athletes and brands alike, crossing the bridge between the two industries can open limitless opportunities. Gerry Cardinale, founder, managing partner and CIO of RedBird Capital Partners, explained that blending elements of fiction and nonfiction, too, provide great results.

“If you look at what we did with ‘Air,’ it was a classic example where that’s a hybrid,” said Cardinale. “There’s definitely that crossover – it’s just not going to be as easy as just saying you’re going to go right into scripted content.” Utilizing the popularity of sports figures with the profitability of entertainment is one way in which executives can maximize efforts.

Branding Is Key

Brand awareness is a critical element. The Los Angeles Rams know this all too well. The team was long associated with Los Angeles, but decamped for St. Louis in 1995, returning in 2016. Rams head coach Sean McVay, who took the team to a Super Bowl win for the 2021 season, explained that the core of the team’s mission, “it always has been, and always will be, about the people.” 

“It comes down to this notion of commitment and investment,” added Kathryn Kai-ling Frederick, CMO of the Rams. “A lot of what we do is marry the opportunity of great entertainment with the core values of our team.” Frederick points to the popularity of Inglewood’s So-Fi Stadium as an example of how the venue has emerged as a “centerpiece” for the NFL team “that allows us to get that convergence point between sport and entertainment” for fans. Noting that the stadium was created as a hub for Rams fans, Frederick said that the “platform” has allowed the business to expand offering a “unique perspective [for] creative, rich, unique experiences in L.A.”

Personal Brand Growth Is Flexible

Whether on or off the field, athletes have been deemed incredibly profitable. For the marketing teams behind them, it’s about steering their athletes in the directions they’re looking to head, while giving them enough space to be authentic online. “There’s so much opportunity, we just need to make the tools and environments available,” said Karin Timpone, CMO of Major League Baseball.

With the prevalence of social media, all panelists at the Sports Leaders Keynote Roundtable acknowledged that social media holds great power to alter the lives of athletes, a force that walks a fine line. 

“If they’re comfortable posting, their fans want to hear about how they’re training, what they’re eating, where they’re traveling to,” said Timpone. “But that means less downtime for them when they’re not competing. I think from our perspective, you hope that they can disconnect a little bit for the heat of their performance and their competition schedule.”

“So many of our athletes don’t want to share everything online, and that’s ok,” said Fara Leff, COO of Clutch Sports Group. She discussed how agents can fill the gaps between what the athletes do want to post and what’s left out that fans still want to see. “So then it’s our job as the agency to say, ‘How else are we getting your story out? Is there a moment after a game that we’re taking a reporter to talk to a family member to share something special?’” She added, “It’s our job as representation to reinvent the wheel and find other ways to share their stories.”

For companies like Meta, they don’t mind having to bridge this gap, but they do encourage athletes to have some sort of personal presence online while they’re still in the spotlight. “It just depends on the athlete. “They are not creators, they are not influencers,” said Isaura Morales Ruiz, head of U.S. sports partnerships at Meta. “You want them to have social media at some point, because [as an athlete] you don’t want to say ‘Hello’ when you’re ready for retirement,” she added. “Then the fans are gone, they’re already watching up-and-coming athletes.” Ruiz explains that if an athlete wants to move on to starting a business or a brand post-career, they have to build their platform while the fans are still watching.

A Balance Between Personal and Professional Life Is Vital 

Jaylen Brown, Patrick Patterson, Katelyn Ohashi, Jordan Chiles and Scotty James sat down with moderator Todd Burach, SVP at City National Bank, to discuss how they manage their personal and professional lives. “The ball does stop dribbling at some point,” said Patrick Patterson, former NBA star and co-founder Undisputed Productions. “Maybe before you’re even prepared, maybe before you’re even ready. But you need to have something that you’re equally passionate about to fall back on.” 

Boston Celtics’ Jaylen Brown, too, highlighted the fact that athletes often have “most of your influence” while at the peak of their career. “When you’re done, you’re done. Then, most people tend to not care and be less interested in you.” Olympic gymnast Jordan Chiles revealed that she’s been able to utilize the lessons she’s learned throughout her career as an athlete in her own personal life. 

“I recently just bought my first house in Texas, and as a 22-year-old that’s the biggest thing you can do in your life,” said Chiles. “I can say competing on the biggest stage is stressful, but no, buying a house was more stressful. Realizing that everything I’ve learned in my sport can be applied to my daily life has helped tremendously.” 

Sports Content ‘Is Just Getting Started,’ Says Ross Raphael 

Superstar athletes including LeBron James, Steph Curry and Kevin Durant are among a number of athletes diving into the media industry with their own companies. “A production company is a storytelling brand,” said WME partner Ross Raphael. “Launching a new [production company] is easier to do with an athlete because they have such defined brands.” 

Joel Embiid, 2023 NBA MVP, is diving into the world of media alongside James with the development of Miniature Géant, a new production studio in partnership with The SpringHill Company. As to why? Embiid attributes “storytelling,” a niche content form that Raphael said “is just getting started.” 

“I have a great story,” said Embiid. “I also want to tell other people’s stories.” Raphael highlighted that athletes hopping onto studio projects “brings a certain level of built-in marketing, it elevates the project.” Because many athletes have pre-developed “standalone brands,” it allows for access to create high-quality content backed by “the best in the class networks and distributors.” 

Russell Westbrook Joins Leeds United As A Stakeholder

NBA all-star Russell Westbrook is the latest star to invest in soccer, exclusively announcing at the summit that he’s becoming a minority stakeholder in Leeds United football club. Westbrook’s big announcement comes after Ryan Reynolds and Rob McElhenney successfully bought into Wrexham FC and a majority-female group of Hollywood heavyweights, led by actress Natalie Portman, venture capitalist Kara Nortman, entrepreneur Julie Uhrman, and venture capitalist Alexis Ohanian founded Angel City FC. 

“I’m grateful and thankful,” said Westbrook. “I’m excited to keep uplifting what they already have going on.” As to why Westbrook decided to invest in soccer, instead of basketball, he revealed that it was a “process.”

“I have a good team, we bounce ideas off of each other,” said Westbrook. “I make sure that they’re aligned with our message, with our vision, and for us that is making sure anything we do that there’s a community component and finding ways to be the voice in the face of underserved communities.”

Damar Hamlin Is Using His Platform to Evoke Change

Buffalo Bills player Damar Hamlin was catapulted into the spotlight after going into mid-cardiac arrest during a Jan. 2023 game. Hamlin, having now made a full recovery, shared that he was “still processing a lot” per the shift in his life. “I always had a goal [to] be a face, a figure, to stand for something positive,” said Hamlin. “I’m rolling with the punches.”

Presented with the Variety Social Impact Award, Hamlin has aspirations to grow his charity, Chasing M’s. “I started my foundation directly out of college” by starting a toy drive for children in his community, Hamlin revealed. “The mission, before the incident, was the same. [I have] the platform to help more people across the world. The purpose of Chasing M’s is all about me being a kid and searching for that figure, searching for that answer of what to do.” 

Hamlin has plans to “set up rec centers across the country” in addition to launching “different types of programs to keep kids in place, to save generations to come” through the charity. “Where I’m at right now is directly on the mission of who I wanted to be as a kid,” said Hamlin. 

Angel Reese Hopes To Give Young Women Confidence

Angel Reese always knew she was going to be successful, but after she broke her foot during her freshman year of college, she had no idea what her future in basketball would hold. “I didn’t think I was going to be able to do anything,” said Reese, NCAA Champion and Most Oustanding Player of the 2023 NCAA Champion. “I just lost confidence in basketball.” Making her full recovery came with “trusting God, praying a lot and having a lot of great people in my circle.”

A key component of Reese’s mission is to be a “voice to help other people that don’t have a voice,” particularly young women. “My biggest impact is the young girls,” said Reese. “I grew up playing against boys so I had to stand my ground,” she explained. At the young age of 21 years old, Reese attributes her confidence to being sure of herself. “People are going to love you or people are going to hate you,” she said. “I’m unapologetically Angel. You don’t have to like me, but you’re going to respect me.”  

Why Storytellers Love Sports

The day ended with a look at trends in sports-themed storytelling and commentary. A group of industry creatives noted that the emotional connection viewers have with many sports and personalities is key to the success of scripted and nonfiction projects. “Even if you’re not a sports person, the pursuit of a dream, especially at an elite level: it’s relatable,” said Nkechi Okoro Carroll, executive producer and showrunner of CW’s “All American.” 

“We’re telling a bigger story about sacrifice, trust, teamwork and the human spirit,” said Katie Bender Wynn of her “Matildas: The World at Our Feet” that followed the Australian women’s soccer team on their journey to the World Cup. “Sports is compelling to people because you have not only what happens on the field but also the stories that fans [know] go into it,” explained Max Borenstein, creator and showrunner of HBO’s “Winning Time: The Rise of the Lakers Dynasty.”

“You have to find the heart of the narrative and then use the sport just to really enhance the story,” added Paul Martin, executive producer on projects including “Break Point,” “Full Swing” and “Formula 1: Drive to Survive.”

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Sports, media and entertainment are thoroughly intertwined

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Jason Sudeikis
Photo: Alexi Rosenfeld (Getty Images)

Today is the first day of the SAG-AFTRA strike, sending Hollywood’s ongoing labor crisis—what with all the writers having already been on strike for months and all at this point—into full-blown emergency mode. And while actors have already been out on the picket lines in force in recent weeks, showing their support for the WGA, they’re now showing up in even more abundance now that their own union is also out on the lines.

Holding signs and shouting slogans, SAG-AFTRA members are making themselves heard on both coasts, pushing back on the Alliance of Motion Picture and Television Producers, which represents the studios in the ongoing negotiations with the union. (Which broke down on Wednesday night, leaving the union’s contract with the AMPTP to expire at midnight.) With SAG-AFTRA president Fran Drescher leading the troops out in force—after delivering a firebrand speech condemning the studios yesterday—protestors have swarmed the hubs of the entertainment industry to let their displeasure with the mega-corps be known.

And, since we likely won’t be seeing any of these performers in TV shows or movies for a minute—at least, once the current glut of already developed material runs out, sending the studios into “reality TV and foreign imports and desperation” mode—we’re just going to have to turn to the picket line itself to get our famous folk fix. So, here you go: A look at some of the biggest names out on the lines so far, in both Los Angeles and New York.

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Jason SudeikisPhoto: Alexi Rosenfeld (Getty Images)Today is

 

Great news! “The Beauty Queen of Jerusalem” is available to watch on Netflix UK!

 

Date Added: 20th May 2022

Known expiry dates are shown above as well as on the Last Chance page.

Want to keep forever? Try looking for ‘The Beauty Queen of Jerusalem’ on Amazon (paid link)

History:

   20/05/2022: 1 Season (2021)

   29/07/2022: 2 Parts (2021)

   14/01/2023: 20 Episodes (2021)

   14/07/2023: 2 Seasons (2023)

 

Watch Season 2 now

 

Description:

In 1919 Jerusalem, housecleaner Rosa weds a shopkeeper who loves another woman, a choice that impacts her dynamic with eldest daughter Luna for decades.

 

Certificate: Suitable for ages 15 and up

Year: 2023

Duration: 2 Seasons

Available Seasons: Season 1 (20 Ep)

Audio: English, European Spanish, French, Hebrew – Audio Description, Hebrew [Original], Polish

Subtitles: English, European Spanish, French, Hebrew, Polish, Portuguese

Episode Length: 49min

 

Cast and Crew

Cast: Michael Aloni, Hila Saada, Swell Ariel Or, Irit Kaplan, Mali Levi, Israel Ogalbo, Eli Steen, Tom Hagi, Yuval Scharf, Itzik Cohen, Shely Ben Joseph, Dov Navon, Miki Kam, Roy Miller

 

Production & Season Details:

Status: Returning Series”The Beauty Queen of Jerusalem” is a TV show produced by yes and Artza Productions. The show was originally broadcast on yes (Israel) and premiered on June 6th 2021. So far there have been 2 seasons (comprising of 70 episodes) of “The Beauty Queen of Jerusalem”. The most recent episode aired on January 20th 2023 and more seasons are expected in the future.

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If she could do “Project Greenlight” again, executive producer Issa Rae told IndieWire, she wouldn’t do a genre film.

On the same day that Max dropped the 10-episode reality series about a first-time filmmaker’s journey to the screen, the streamer also dropped “Gray Matter,” the sci-fi thriller that director Meko Winbush shot in 18 days while “Greenlight” documented the process. At a tight 86 minutes, the film is visually compelling and makes sound use of its lead actors — a solid debut for Winbush and ultimate victory for “Greenlight.”

“Gray Matter” is primarily the story of mother Ayla (Jessica Frances Dukes) and daughter Aurora (Mia Isaac), two superpowered beings living in isolation while Ayla hounds her daughter to control and conceal what she can do. Her fears are substantiated but concealed from Aurora, prompting the lonely teen to sneak out of the house to disastrous effect. Aurora wakes up in the custody of Derek (Garret Dillahunt) and desperate to reconnect with her mother.

Perhaps the most recurrent concern on “Greenlight” is Phil Gelatt’s script, which has a welcome simple structure but dialogue that could, for the most part, be plucked from assorted films in the same category. Another source of unease is the modest budget, which limits the scale and scope of a film that requires multiple sets, practical effects, and a surprising amount of blood spatter. Winbush and editor Byron Wong execute on both fronts, making the contained world of “Gray Matter” work for most of the film. Between Ayla, Aurora, and Derek, viewers can piece together some mechanics of psychic ability in this world, as well as fascinating visualization of thought and memory (Aurora trying to repress what her mother looks like is a particularly striking moment).

With the most to do and the least experience, Isaac carries the film like a pro. She brings Aurora’s roiling psychic struggles to the surface, skillfully takes on action, and brings welcome realism to the scenes where she’s just a confused adolescent. She and Andrew Liner sell a sweet love story in just a couple of scenes, and pairs perfectly with Dillahunt’s measured, sinister energy. The film hinges upon its mother-daughter relationship (also frequently cited in “Greenlight”), and the combination of Isaac and Dukes makes for some of the most crackling scenes throughout — it’s just a shame they don’t share more time together in the middle.

“Gray Matter” feels thinnest in its final act, when that budget does visibly tighten before your very eyes. A sustained sequence in Aurora’s mind goes on for too long, leading up to a muted climax and intriguing (if somewhat unearned) final shot. Andrew Jeric’s cinematography and Masha Smolianinova’s art direction take over the spotlight during those lulls, after providing a sturdy canvas for the rest of the film as well. The end feels somehow both slow and rushed, but “Gray Matter” showcases its strengths earlier on.

Rae (and fellow executive producers Gina Prince-Blythewood and Kumail Nanjiani) also expressed that audiences should watch “Project Greenlight” before diving into “Gray Matter,” in order to understand the immense effort that went into this or any movie (including the bad ones). “Gray Matter” may not be remarkable in and of itself, but “Greenlight” underscores what an achievement it is simply to make a film.

The real success story is Winbush — a female director of color now firmly embedded in the industry, who has worked with the likes of Max, HOORAE, CatchLight Studios, and 3 Arts Entertainment — who made a movie while simultaneously starring in a reality show. If that’s not a superpower, what is?

Grade: B-

“Gray Matter” and “Project Greenlight” are now streaming on Max.

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If she could do “Project Greenlight” again,

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JUN 25, 2023

Coco Jones Shares Emotional Reaction After Winning Best New Artist at BET Awards (Exclusive)

Coco Jones Shares Emotional Reaction After Winning Best New Artist at BET Awards (Exclusive)

JUN 25, 2023

BET Awards: How GloRilla Feels After Being Honored With Six Nominations (Exclusive)

BET Awards: How GloRilla Feels After Being Honored With Six Nominations (Exclusive)

JUN 25, 2023

Jamie Foxx's Co-Star Porscha Coleman Gives Update on His Recovery After Medical Emergency

Jamie Foxx’s Co-Star Porscha Coleman Gives Update on His Recovery After Medical Emergency

JUN 25, 2023

Diddy’s Son King Combs Dishes on Family’s Upcoming Reality Show (Exclusive)

Diddy’s Son King Combs Dishes on Family’s Upcoming Reality Show (Exclusive)

JUN 25, 2023

How Abbott Elementary’s Janelle James Is ‘Standing in Solidarity’ With Writers Amid Strike

How Abbott Elementary’s Janelle James Is ‘Standing in Solidarity’ With Writers Amid Strike

JUN 25, 2023

Royals

Prince George Eats Pizza and Smiles With Dad Prince William During Cricket Match

Prince George Eats Pizza and Smiles With Dad Prince William During Cricket Match

JUL 2, 2023

Meghan Markle Accused of Faking Spotify Interviews After $20M Deal Abruptly Ends

Meghan Markle Accused of Faking Spotify Interviews After $20M Deal Abruptly Ends

JUN 20, 2023

Prince William Responds After Troops Faint During Outdoor Rehearsal Ceremony

Prince William Responds After Troops Faint During Outdoor Rehearsal Ceremony

JUN 12, 2023

Watch Prince William's Reaction to a Man's Cheeky Comments About Kate Middleton

Watch Prince William’s Reaction to a Man’s Cheeky Comments About Kate Middleton

JUN 9, 2023

Prince Harry Gets Visibly Choked Up After Second Day of Testifying in Court

Prince Harry Gets Visibly Choked Up After Second Day of Testifying in Court

JUN 7, 2023

Prince Harry and Meghan's Daughter Lilibet's Birthday Was Not Publicly Acknowledged by Royal Family

Prince Harry and Meghan’s Daughter Lilibet’s Birthday Was Not Publicly Acknowledged by Royal Family

JUN 5, 2023

Prince Harry Loses Legal Challenge to Pay for Police Protection When He Visits the U.K.

Prince Harry Loses Legal Challenge to Pay for Police Protection When He Visits the U.K.

MAY 23, 2023

How Lionel Richie Pulled Off King Charles and Camilla's 'American Idol' Cameo (Exclusive)

How Lionel Richie Pulled Off King Charles and Camilla’s ‘American Idol’ Cameo (Exclusive)

MAY 15, 2023

Sir Karl Jenkins Speaks Out After Internet Thought He Was Meghan Markle in Disguise at Coronation

Sir Karl Jenkins Speaks Out After Internet Thought He Was Meghan Markle in Disguise at Coronation

MAY 10, 2023

Ryan Seacrest and Luke Bryan React to Katy Perry's Viral Moment at King's Coronation (Exclusive)

Ryan Seacrest and Luke Bryan React to Katy Perry’s Viral Moment at King’s Coronation (Exclusive)

MAY 8, 2023

Prince Harry's Facial Expressions Steal the Spotlight During King Charles' Coronation

Prince Harry’s Facial Expressions Steal the Spotlight During King Charles’ Coronation

MAY 8, 2023

Pretty Yende Reflects on ‘Wonderful’ Experience at King Charles’ Coronation (Exclusive)

Pretty Yende Reflects on ‘Wonderful’ Experience at King Charles’ Coronation (Exclusive)

MAY 6, 2023

King Charles' Coronation Composer 'Pinching' Himself Over 'Incredible Occasion' (Exclusive)

King Charles’ Coronation Composer ‘Pinching’ Himself Over ‘Incredible Occasion’ (Exclusive)

MAY 6, 2023

Prince Harry Leaves Coronation Alone, Skips Royal Family Procession

Prince Harry Leaves Coronation Alone, Skips Royal Family Procession

MAY 6, 2023

Watch King Charles and Queen Camilla Greet the Crowd After Coronation Ceremony

Watch King Charles and Queen Camilla Greet the Crowd After Coronation Ceremony

MAY 6, 2023

Watch Queen Camilla Get Crowned at Coronation

Watch Queen Camilla Get Crowned at Coronation

MAY 6, 2023

Princess Charlotte and Kate Middleton Share Sweet Moment While Singing at King Charles’ Coronation

Princess Charlotte and Kate Middleton Share Sweet Moment While Singing at King Charles’ Coronation

MAY 6, 2023

Watch Prince William, Kate and Kids Proclaim 'God Save the King' at King Charles' Coronation

Watch Prince William, Kate and Kids Proclaim ‘God Save the King’ at King Charles’ Coronation

MAY 6, 2023

King Charles Ascends the Throne at Coronation

King Charles Ascends the Throne at Coronation

MAY 6, 2023

King's Coronation: Charles Is Crowned

King’s Coronation: Charles Is Crowned

MAY 6, 2023

Movies

Tom Cruise Surprises 'Mission: Impossible' Audience -- Watch!

Tom Cruise Surprises ‘Mission: Impossible’ Audience — Watch!

JUL 12, 2023

Why Pom Klementieff's 'Misson Impossible' Character is the Complete Opposite of MCU’s 'Mantis'

Why Pom Klementieff’s ‘Misson Impossible’ Character is the Complete Opposite of MCU’s ‘Mantis’

JUL 11, 2023

'Mission: Impossible 7': Tom Cruise Shares What Ethan Hunt Taught Him (Exclusive)

‘Mission: Impossible 7’: Tom Cruise Shares What Ethan Hunt Taught Him (Exclusive)

JUL 11, 2023

How Hayley Atwell and Vanessa Kirby Kept Up With Tom Cruise for Mission Impossible Stunts (Exclusive)

How Hayley Atwell and Vanessa Kirby Kept Up With Tom Cruise for Mission Impossible Stunts (Exclusive)

JUL 11, 2023

Margot Robbie's 'Barbie' Fashions: All the Real Dolls She Channeled

Margot Robbie’s ‘Barbie’ Fashions: All the Real Dolls She Channeled

JUL 11, 2023

'Wonka' Official Trailer

‘Wonka’ Official Trailer

JUL 11, 2023

Hayley Atwell Reveals Tom Cruise's Surprising Secret Weapon for 'Mission: Impossible' Stunts!

Hayley Atwell Reveals Tom Cruise’s Surprising Secret Weapon for ‘Mission: Impossible’ Stunts!

JUL 10, 2023

'Mission: Impossible': How Tom Cruise Feels About Those Ethan Hunt Run Comments (Exclusive)

‘Mission: Impossible’: How Tom Cruise Feels About Those Ethan Hunt Run Comments (Exclusive)

JUL 10, 2023

'Deadpool 3': Hugh Jackman and Ryan Reynolds Suit Up as Wolverine and Deadpool

‘Deadpool 3’: Hugh Jackman and Ryan Reynolds Suit Up as Wolverine and Deadpool

JUL 10, 2023

‘Barbie’ Cast Gets Quizzed on Their Knowledge of Doll’s Trivia (Exclusive)

‘Barbie’ Cast Gets Quizzed on Their Knowledge of Doll’s Trivia (Exclusive)

JUL 10, 2023

Christina Hall Celebrates 40th Birthday at 'Barbie' Premiere Following Champagne Party (Exclusive)

Christina Hall Celebrates 40th Birthday at ‘Barbie’ Premiere Following Champagne Party (Exclusive)

JUL 10, 2023

Xolo Maridueña Wants His 'Blue Beetle' to Team Up With Batman and Peacemaker (Exclusive)

Xolo Maridueña Wants His ‘Blue Beetle’ to Team Up With Batman and Peacemaker (Exclusive)

JUL 10, 2023

Simu Liu Admits ‘Barbie’ Choreography Is Tougher Than ‘Shang-Chi’ Fight Scenes! (Exclusive)

Simu Liu Admits ‘Barbie’ Choreography Is Tougher Than ‘Shang-Chi’ Fight Scenes! (Exclusive)

JUL 10, 2023

‘Oppenheimer’: Go Behind the Scenes With the Cast!

‘Oppenheimer’: Go Behind the Scenes With the Cast!

JUL 10, 2023

How Ariana Greenblatt Feels About ‘Telling Off’ Margot Robbie’s ‘Barbie’ (Exclusive)

How Ariana Greenblatt Feels About ‘Telling Off’ Margot Robbie’s ‘Barbie’ (Exclusive)

JUL 10, 2023

America Ferrera Reacts to ‘Barbie’ Fans Catching Onto Her Not Wearing Pink for Promo Tour (Exclusive)

America Ferrera Reacts to ‘Barbie’ Fans Catching Onto Her Not Wearing Pink for Promo Tour (Exclusive)

JUL 10, 2023

‘President Barbie’ Issa Rae Thinks She ‘Would Make a Terrible President in Real Life’ (Exclusive)

‘President Barbie’ Issa Rae Thinks She ‘Would Make a Terrible President in Real Life’ (Exclusive)

JUL 10, 2023

'Barbie': Watch Ryan Gosling BELT Emotional Ken Ballad!

‘Barbie’: Watch Ryan Gosling BELT Emotional Ken Ballad!

JUL 10, 2023

Ryan Gosling and Margot Robbie on Going All In For 'Barbie' (Exclusive)

Ryan Gosling and Margot Robbie on Going All In For ‘Barbie’ (Exclusive)

JUL 10, 2023

America Ferrera on What Went Down During ‘Barbie’ Sleepovers With the Cast

America Ferrera on What Went Down During ‘Barbie’ Sleepovers With the Cast

JUL 10, 2023

Inside Black Hollywood

Watch Tia Mowry's Brother React to Surprise Visit With Their Father

Watch Tia Mowry’s Brother React to Surprise Visit With Their Father

JUN 28, 2023

Kevin Hart's Daughter Heaven Cries After He Gifts Her a Car for Graduation

Kevin Hart’s Daughter Heaven Cries After He Gifts Her a Car for Graduation

MAY 26, 2023

Pretty Yende Reflects on ‘Wonderful’ Experience at King Charles’ Coronation (Exclusive)

Pretty Yende Reflects on ‘Wonderful’ Experience at King Charles’ Coronation (Exclusive)

MAY 6, 2023

'College Hill' Trailer: Ray J, Amber Rose and More Get Schooled in Season 2 of Celebrity Edition (Exclusive)

‘College Hill’ Trailer: Ray J, Amber Rose and More Get Schooled in Season 2 of Celebrity Edition (Exclusive)

APR 25, 2023

Tupac Shakur Talks Music, Acting and Public Image in Rare Interviews (Flashback)

Tupac Shakur Talks Music, Acting and Public Image in Rare Interviews (Flashback)

APR 21, 2023

Sonequa Martin-Green on Michael's Future After 'Star Trek: Discovery’s Final Season (Exclusive)

Sonequa Martin-Green on Michael’s Future After ‘Star Trek: Discovery’s Final Season (Exclusive)

MAR 10, 2023

'Abbott Elementary's Sheryl Lee Ralph and Tyler James Williams React to SAG Awards Win (Exclusive)

‘Abbott Elementary’s Sheryl Lee Ralph and Tyler James Williams React to SAG Awards Win (Exclusive)

FEB 26, 2023

Sheryl Lee Ralph on Twinning With Rihanna During Super Bowl Performance (Exclusive)

Sheryl Lee Ralph on Twinning With Rihanna During Super Bowl Performance (Exclusive)

FEB 13, 2023

Super Bowl LVII: Babyface Reflects on 'America the Beautiful' Performance (Exclusive)

Super Bowl LVII: Babyface Reflects on ‘America the Beautiful’ Performance (Exclusive)

FEB 12, 2023

Babyface on Taking Super Bowl and 'America the Beautiful' Performance 'Very Seriously' (Exclusive)

Babyface on Taking Super Bowl and ‘America the Beautiful’ Performance ‘Very Seriously’ (Exclusive)

FEB 8, 2023

GRAMMYs: Questlove Says Will Smith Dropped Out of Hip Hop 50 Tribute Last Minute (Exclusive)

GRAMMYs: Questlove Says Will Smith Dropped Out of Hip Hop 50 Tribute Last Minute (Exclusive)

FEB 5, 2023

'Golden Globes': Janelle James on Sitting Near Brad Pitt and 'Abbott Elementary's Win (Exclusive)

‘Golden Globes’: Janelle James on Sitting Near Brad Pitt and ‘Abbott Elementary’s Win (Exclusive)

JAN 10, 2023

Angela Bassett Used to Send Handwritten Cards to Promote Early Acting Gigs (Exclusive)

Angela Bassett Used to Send Handwritten Cards to Promote Early Acting Gigs (Exclusive)

JAN 6, 2023

Remembering Whitney Houston: Inside Her Rise to Fame

Remembering Whitney Houston: Inside Her Rise to Fame

DEC 16, 2022

Angela Bassett on Michael B. Jordan’s ‘Black Panther’ Cameo and Her Possible Oscar Nom (Exclusive)

Angela Bassett on Michael B. Jordan’s ‘Black Panther’ Cameo and Her Possible Oscar Nom (Exclusive)

NOV 21, 2022

'Black Panther': Danai Gurira on Okoye's MCU Future With Midnight Angels (Exclusive)

‘Black Panther’: Danai Gurira on Okoye’s MCU Future With Midnight Angels (Exclusive)

NOV 21, 2022

'Black Panther’s Winston Duke Shares Message About Grief Following His Mother's Death (Exclusive)

‘Black Panther’s Winston Duke Shares Message About Grief Following His Mother’s Death (Exclusive)

NOV 1, 2022

'Black Panther': Mabel Cadena and Alex Livinalli on 'Wakanda Forever's Latinx Influence (Exclusive)

‘Black Panther’: Mabel Cadena and Alex Livinalli on ‘Wakanda Forever’s Latinx Influence (Exclusive)

OCT 31, 2022

Michaela Coel on How 'Black Panther 2' Explores Grief Following Chadwick Boseman's Death (Exclusive)

Michaela Coel on How ‘Black Panther 2’ Explores Grief Following Chadwick Boseman’s Death (Exclusive)

OCT 27, 2022

Ryan Coogler on Honoring Chadwick Boseman in 'Wakanda Forever' and Rihanna's New Single (Exclusive)

Ryan Coogler on Honoring Chadwick Boseman in ‘Wakanda Forever’ and Rihanna’s New Single (Exclusive)

OCT 26, 2022

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Selena Gomez's Dating Red Flags Make Her

Since “Mission: Impossible — Ghost Protocol” in 2011, Simon Pegg has been part of the core ensemble of the “Mission: Impossible” franchise, playing hacker and sometime field agent Benji Dunn opposite its stalwart star Tom Cruise as Ethan Hunt. Pegg was never going to be the actor risking life and limb on screen — “it’s Benji’s job to be the one that actually says, ‘what the fuck are we doing here?’,” he observes. But over four installments of the indefatigable series, his character has shifted from questioning what Ethan is doing in the moment to believing absolutely in why he’s doing it, thanks in no small part to the writing and directing of Christopher McQuarrie.

McQuarrie came onto “Ghost Protocol” as “a sort of master plumber to re-wriggle the pipes,” as Pegg characterizes it, and since became the series’ ongoing co-architect with Cruise. Their partnership reaches its peak, even if by all indications it’s far from over, with “Mission: Impossible — Dead Reckoning Part One,” half of an operatic culmination of narrative seeds planted since Cruise first played Hunt back in 1996. In a conversation with Variety, Pegg discusses what makes McQuarrie’s creativity so special, and his collaboration with Cruise et al so unique; he also talks about new details he discovered about Benji, explored the challenges of being self-referential in a franchise like this without undermining emotional stakes, and hinted at what is yet to come as he and the rest of the filmmaking team move on to “Dead Reckoning — Part Two.”

You said that you have shot at least some of these films without a script. What’s actually there for you to work from, and what’s the minimum you need to play a scene without knowing what it might connect to?

We never don’t have a script on the day of the shoot. The scene will have been written and we would’ve had time to learn it. It’s more that McQ allows the locations we go to, the characters, the actors he’s working with to help him tell the story. He’ll let the story be revealed to him by, say, looking at the streets of Rome or the canals of Venice. It’s a fly by the seat of your pants way of working because you’ve got a rough idea of what you’re doing, but the minutia doesn’t come sometimes until the last minute. But that’s part of being an actor, and I enjoy that — we have a mission impossible going alongside our “Mission: Impossible.” But it’s never not in McQ’s head. He’s not making it up as he goes along, by any means. It’s all in there, you just have to tease it out gradually.

Thinking about the screenwriting that you’ve done, Chris’ shares in common this very Swiss-watch precision to it.

When Edgar Wright and I write together, we have the Swiss watch laid out on a table and we do it like that. McQ throws it in the air and assembles it as it falls, and it’s extremely educating for me as a filmmaker because it’s the antithesis of what Edgar and I do. That’s partly because a lot of Edgar’s transitions are very precise so we need to know how each scene starts and finishes so that it can dovetail into the next one. But it certainly made me aware that sometimes you can allow the situation to help inform the narrative or the dialogue. That’s because McQ is a master problem solver. If you give him a broken script, he just rubs his hands with glee. If you give him a blank page, he’ll scratch his head. It’s just how he is — he’s an absolute master.

It seems like it shouldn’t be quite so unique for Christopher to be able to deliver these smart, muscular, inventive action movies, but it is. What is it that makes McQ’s creativity so singular?

I think in Tom, he’s just found such a perfect creative partner, someone who can facilitate that way of working, can allow him to practice this extreme method of filmmaking. I remember when we were making “Ghost Protocol” and the script on that just wasn’t very focused, and Tom brought in McQ, a sort of master plumber to re-wriggle the pipes. And it was on that that their creative romance really took off. They’re both eternal students of film and just methods of filmmaking, methods of storytelling, certain camera rigs. I remember when we shot “Rogue Nation,” we were still using film. The cameras were quite cumbersome. Now, you can put a camera on a motorbike and just send it off a cliff and go down and pick it out of the undergrowth. And they’re forever absorbing these new methods of telling the story. So I just think they found each other — in a way that Lennon and McCartney found each other, if I could really hyperbolize.

“Dead Reckoning” feels like it’s ramping up to bring full circle these ideas and themes that the series has been exploring since the very first film. Have there been callbacks or references that you particularly enjoyed being a part of?

The interesting thing about the initial phase of this story was that it was an eclectic showcase of separate directors, and then it morphed into something with greater continuity in terms of Chris and Tom’s collaboration. But Chris has always had a great understanding of the importance of the legacy, and so we have Henry Czerny back for this one, which is so cool to see Kittridge back, and Henry’s such a brilliant actor. And also, the acknowledgement of where Ethan came from, this idea that the IMF agents are kind of offered a choice, which is usually prison, death or joining the IMF. And we came up with Benji’s whole backstory, that he was a hacker in the UK who broke into a sensitive database in the US and got extradited to be tried criminally and then was offered the choice. And so they’re striving to move forward, but also the embracing of the history of it, I think really kind of singles this story out, I think, in franchise cinema.

Does Chris give you a sense of the road he’s mapping, or do you even need that at this point when you learn the details of, say, Benji’s origin story with the IMF?

McQ’s method of filmmaking is like in Wallace and Gromit’s “The Wrong Trousers” when Gromit is on the top of the train and he’s laying the track in front of the train as it’s moving. I think McQ loves to have the story reveal itself to him, and those beautiful little parallels and callbacks aren’t necessarily preordained — they just kind of present themselves. McQ’s really keen to evolve the story in a very organic way and never to cram anything in. If it feels right, we’ll do it. If it feels like it’s just fan service or it’s just some kind of tenuous link, which doesn’t quite ring true, then it won’t find its way in.

On the other hand, the movie pokes very gentle fun at the idea that the IMF team has gone rogue more than it simply just followed a mission. Have there been other tropes you felt it probably was time to actually admit to as opposed to just sweeping past that choice?

I’m so glad they made the IMF joke in this because the International Monetary Fund has become more of a presence in the news, and it felt like it had to be addressed. But something like the mask gag, which is probably the most absurd thing in all “Mission: Impossible,” the idea that you could literally just immediately look like someone else, I love the fact that we utterly commit to that device in such a way that it rings true. I think if we ever went, wait a minute, how could you look so much like [that person]? It would spoil it. We are not a self-reflexive series. There’s a little bit of that occasionally when it’s required, but I think sometimes being arch reflects a lack of confidence in your own story. If you don’t have the confidence in the absurdity of your story, no one else is going to. And certainly with the mask gag, you’ve just got to commit.

One of the things that you do in this film is ride in a self-driving car. Why would Benji do that if it could be manipulated by The Entity?

That’s why he puts his seatbelt on. We had that thought, and we even spoke about the idea of The Entity hacking the car whilst Benji was in it. But I think he has to just do a Hail Mary and hope The Entity isn’t listening. I mean, fortunately, they’re using kind of analog comms, so with a bit of luck The Entity won’t be able to infiltrate the car. But I think it’s that moment of Benji thinking, you know what? I’m just going to pop on my belt, and that was our a way of saying, yes, we know.

How important are those plot redundancies? Is there a certain threshold where telling a story that’s exciting is more important than every single screw fitting into every little round hole?

Tom and McQ are incredibly meticulous with that kind of stuff. Obviously at times, just the sheer size of the story, the amount of characters, there are probably little holes that people can find, but we’ve always got a reason like that to explain stuff. But it is important to not just rely on people’s goodwill. I think you do have to try and cover every base as best you can, otherwise it’s just lazy. I get annoyed when I watch movies and things happen that just wouldn’t happen for whatever reason. And not necessarily great big fantasy films where you’re dealing with fantastic ideas, I don’t like it when characters do things they wouldn’t do just to facilitate a certain plot point. And I think McQ is really good at making sure that doesn’t happen with this.

After returning to Benji so many times, what are you still learning about the character?

What I love about McQ’s writing is that he’s always very true to the characters. Some people often say, “don’t you want to go and do that crazy stunt?” And it’s like, well, maybe, but would Benji do that kind of thing? He’s not Ethan. It’s Benji’s job to be the one that actually says, “What the fuck are we doing here?” Whereas Ethan’s got to be so focused, he can’t afford to take that pause. But I love the scene in this movie when Benji’s defusing the bomb and it’s starting to kind of grill him about his personal life. It’s both a heartwarming and sinister moment because it’s The Entity kind of drilling into Benji, but at the same time, you understand just how much Benji cares about who’s around him. That character stuff is the secret weapon, I think, of these films. People often make a lot of the stunts, obviously, because Tom’s doing incredibly daring stuff, but what Tom and McQ talk about the most is character, and that’s what they obsess about the most, that’s what they spend the most time working on, is making sure that the people involved in these moments of daring are people that you give a shit about. Because if you don’t, then those stunts will just be hollow.

Part One feels very complete even though obviously Part Two is coming. How much have you filmed of Part Two and what has the flow been from one film to the next?

We’re not shooting in a pandemic, which means it’s not going to take quite as long as the last one did, which is a relief. I can tell you that we’ve already shot stuff which makes part one seem tame. To sit with an audience and watch Part One and know what’s coming, I feel this supreme sense of dramatic irony. It’s going to be extraordinary and surprising and also have the same degree of heart and character and attention to detail that Tom and McQ always bring.

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Since “Mission: Impossible — Ghost Protocol” in

President Vladimir V. Putin of Russia is pushing ahead with plans to attend a summit in South Africa next month, even as the host nation grapples with diplomatic and legal fallout of his expected presence, South Africa’s deputy president said on Friday.

South Africa is scheduled to hold a meeting of BRICS nations — Brazil, Russia, India, China and South Africa — in Johannesburg in August. The heads of state from the other four nations are expected to attend, but an international arrest warrant for Mr. Putin has placed South Africa in a quandary.

“It’s a big dilemma for us,” the deputy president, Paul Mashatile, told the South African news website News24. “Of course, we cannot arrest him. It’s almost like you invite your friend to your house, and then arrest them. That’s why for us, his not coming is the best solution.”

The International Criminal Court has accused Mr. Putin of war crimes over his role in the abduction and deportation of Ukrainian children. South Africa, a member of the court, is obligated to arrest Mr. Putin if he arrives in the country. Mindful of their warm relations with Russia, South African officials have said they are seeking legal advice in assessing their obligations to the international court.

“The Russians are not happy, though,” Mr. Mashatile said. “They want him to come.”

Mr. Mashatile leads a committee tasked with figuring out how to handle the diplomatic headache. South African officials have pitched several possible solutions, all of which have failed to convince their counterparts in the BRICS nations, Vukani Mde, Mr. Mashatile’s spokesman, said.

A virtual summit was rejected, and so was the possibility of Russia’s foreign minister, Sergey V. Lavrov, standing in for Mr. Putin. There was also no “unanimous support” for the proposal to move the summit to China, which is not a member of the international court, Mr. Mde said.

Russian officials have pushed back, and are unhappy with the possibility of Mr. Putin being excluded from attending a meeting of heads of state. South Africa, however, is still trying to find a workaround, with its president, Cyril Ramaphosa, continuing to speak with Mr. Putin on the matter, the spokesman said.

“The South African government is very wary of an unprecedented situation of arresting a sitting head of state,” Mr. Mde said.

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President Vladimir V. Putin of Russia is

Meta has officially confirmed it is blocking European Union citizens from using a VPN in order to join Threads.

Recently, EU users began to notice they were suddenly unable to post on the new social media platform. Industry analyst Matt Navarra reached out to Meta to figure out what’s going on. In a statement given to Navarra, the tech giant admitted to taking extended “measures to prevent people [in EU] countries [from] accessing Threads,” which apparently includes blocking the use of VPNs that people often use to bypass online access restrictions.

Currently, the platform remains unavailable to most European nations. There are, of course, exceptions for non-members like the United Kingdom. Meta concludes its statement by saying it hopes to one day “bring Threads to more countries in the future” as Europe is an important market for the company. 

Security issue

As frustrating as this may be for people looking to try out the platform, it’s really not that surprising. 

The European Union and Meta have been at odds with each other for years now over security concerns. Back in late May, privacy regulators smacked the company with a record-breaking €1.2 billion fine (about $1.3 billion) “over the transfer of EU user data to the US.” There’s even a chance it might get hit with another fine “over breaches of the General Data Regulation (GDPR) [law] in WhatsApp.” Add on top of new regulation from last year attempting to rein in tech corporations and you can see why Meta may not want to play ball with the EU.

Despite the pushback, it doesn’t appear Meta plans on changing its data-collecting ways anytime soon. Threads can, if you opt in, collect a ton of user information to the point where it’s almost comical. If you look at the official product listing on either the Google Play Store or App Store, you’ll see that the app is ready to collect data on your health, your search history, browsing history, financial information, purchases, location, and so on. 

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Even if Meta wanted to release Threads in Europe at the same time as it did everywhere else, we highly doubt the Union would’ve allowed the launch because of how much info the app potentially collects. 

Pending launch

It’s hard to say what Meta’s plan is moving forward. Threads has taken off like a rocket since its launch. Head of Instagram Adam Mosseri announced “100 million people [have] signed up for” the service in less than a week. Momentum is strong right now, however, it’s important to mention Threads has fallen off a little. Market research firm Sensor Firm told CNBC daily active users have dropped 20 percent on the platform since it came out. Time spent on the website also fell by 50 percent.

So, the question is will Meta continue playing hardball with EU users or will it walk back this decision? We asked the company if it would like to make a statement about the situation. This story will be updated at a later time.

Hopefully, Meta does come to an agreement with European regulators. We need more Twitter alternatives and it would be a shame to see the company kneecap Threads’ momentum because of this situation. 

In the meantime, check out TechRadar’s list of the best three Twitter alternatives if you’re looking for a new place to roost.

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Meta has officially confirmed it is blocking

For last few weeks, as the possibility of a SAG-AFTRA strike became more likely on top of the current WGA strike, there has been speculation about the scale of disruption it would cause. Now we’ll all find out. On Thursday, the actors union voted to strike for the first time in nearly 40 years (a 14-hour strike took place in 1986, and followed a three-month strike in 1980). 

At a press conference, SAG president Fran Drescher issued a blistering critique of studios and the AMPTP. “You cannot change the business model as much as it has changed and not expect the contract to change, too,” she said. Among the biggest issues that SAG and the AMPTP couldn’t reach consensus on: Viewership transparency around streaming figures and residuals as well as new standards for AI implementation. Drescher and chief SAG negotiator Duncan Crabtree-Ireland initially messaged optimism about the negotiation process in an upbeat video last month, but this week said they were appalled by lack of progress since then. “We didn’t realize that was where it ended,” Drescher said. “We were really so marginalized, so dishonored and so disrespected that it was really egregious and disgusting.”

As actors join writers on the picket lines, the whole industry is left wondering: What happens now? 

The strike happens to coincide with this week’s Emmy nominations, but none of this year’s acting or writing nominees will be able to campaign so long as the strike continues. Meanwhile, the fall festivals are around the corner, and actors won’t be able to do their usual red carpet routines, which throws Oscar season into disarray. Upcoming releases that haven’t already squeezed in their press days will have to consider their commercial prospects without actors doing their promotional duties, while some movies may move up their release dates in the hopes that the strike is resolved in the coming months. 

In this week’s episode of Screen Talk, Eric Kohn and Anne Thompson take full stock of the strike implications for the rest of the year in film and TV. They also evaluate the disconnect between studio heads and the unions as they explore some of the key issues that point to a very long road ahead before any of this gets resolved.

Watch the full episode above or listen to it below. 

Screen Talk is produced by Azwan Badruzaman and available on Apple Podcasts, Stitcher, and Spotify, and hosted by Megaphone. Browse previous episodes here, subscribe here, and be sure to let us know if you’d like to hear the hosts address specific issues in upcoming editions of Screen Talk. 

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For last few weeks, as the possibility

Jelly Road is populated with Hammond C3s, a Roland Juno-106, and a celeste, which Mills and Weisman alternate between an assortment of acoustic, fretless, and electric guitars and basses. Sam Gendel steers the Electronic Wind Controller on “Unsingable,” later picking up the more familiar saxophone for “Without an Ending.” On “Wendy Melvoin” and “There Is No Now,” he plays a massive contrabass recorder, adding a woody texture that feels both earthy and extraterrestrial. In “Highway Bright,” Weisman and Mills offer independent bass parts on each side of the mix, a detail that leaps out in close listens.

The bewitching air of the instrumental “Wendy Melvoin”—named after the guitarist and vocalist from Prince’s band the Revolution and Wendy & Lisa—makes it one of the album’s strongest moments, and the woman herself joins Weisman and Mills on multiple tracks. Accompanying Prince, Melvoin was indispensable to the Revolution’s high-power sound; here, she expands the duo’s adventures with more subdued flourishes. In “Press My Luck,” her off-kilter wah-wah guitar additions sketch a loose figure, and the electronic interference that crackles through creates a picture that echoes the jumpy, colorful abstraction of scrambled cable.

Though Jelly Road is an invigorating listen, at times, it feels like a case study in hauntology: its squishy production and armory of vintage gear evoke a warmth toward the past, while its lyrics and gently off-kilter melodies hint at wariness toward some vague future. Time is short and littered with empty material rewards in “The Light Is Long,” but it fully dissolves in “There Is No Now,” where Mills croons, “Time unfolding is a trick.” The soft piano and resonant percussion of “Unsingable” pads the reflexive approach, with Mills wondering aloud about the existential qualities of making music: “What can make a song unsingable? What can make a song feel lost?”

In Jelly Road’s title track, Mills’ layered vocals breeze around percussive cloudbursts, its lyrics populated by once-happy dinosaurs and the cozy storybook kings Frog and Toad. It feels like spiritual kin to the kooky Jerry Garcia–David Grisman take on “Teddy Bears’ Picnic,” with a more wistful undercurrent that speaks to lost pleasures. “And though we’ve had some good times/This is what we chose/Tell me it again/About the Jelly Road,” Mills sings, with an air of melancholy that such a place exists only in fantasia. Though clouds of doubt hang in the eaves of Jelly Road, Mills presents a straightforward perspective in “Press My Luck,” where he offers, “Things start getting clearer when they’re fucked.” The path forward may be paved with crumbling bricks, but, as Jelly Road suggests, there might be unknown delights left to discover along the way.

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Jelly Road is populated with Hammond C3s,

Rohit Shetty shares that he wants to collaborate with Shah Rukh Khan again. Alia Bhatt to lead a female centric film in Yash Raj Spy Universe.

After Chennai Express, Rohit Shetty expressed his desire to work with Shah Rukh Khan again. Alia Bhatt to headline a female-centric film in the YRF spy universe.

Rohit Shetty is arguably one of the biggest and the most successful action directors that we have today in Hindi cinema. Rohit has delivered several back-to-back blockbusters in Golmaal, Singham, Simmba and Sooryavanshi, but not many would know that the Bollywood director is a huge fan of Tamil action filmmaker Atlee, who is currently gearing up for the release of Shah Rukh Khan starrer Jawan. Rohit, who previously collaborated with SRK in Chennai Xpress and Dilwale, is all praise for Atlee’s cinematic world and the prevue of Jawaan. He also expressed his desire to reunite with SRK if a good script comes his way.

For More: Rohit Shetty WANTS to Reunite With SRK After Dilwale, Says ‘Jawan Will Be Blockbuster’ | Exclusive

Alia Bhatt, who is all set to make her Hollywood debut with Heart Of Stone, has reportedly joined YRF’s spy universe. The Bollywood actress will be headlining the first female-led spy film in the spy universe created by Aditya Chopra. Alia Bhatt has beaten OGs Katrina Kaif and Deepika Padukone to become the first actress who will have her own standalone movie in YRF spy universe. While Katrina plays an ISI agent Zoya in the popular Tiger franchise, Deepika essays the role of an ISI spy Rubina in Pathaan.

For More: Alia Bhatt BEATS OGs Katrina Kaif, Deepika Padukone To Headline Female-Led Film In YRF Spy Universe

Samantha Ruth Prabhu has come under fire for a “deeply regressive” scene with Vijay Deverakonda in Kushi. The alleged controversial scene in question is from the lyrical video of song Aradhya from Kushi. In the scene, Samantha’s co-star Vijay Deverakonda is seen touching her hand with his leg in what appears to be an intimate gesture. This particular moment from the video hasn’t gone down well with a section of netizens, who have been trolling the actress.

For More: Samantha Gets Brutally Trolled for ‘Regressive’ Scene With Vijay Deverakonda: ‘Karma Hits Back’

Sumona Chakravarti has been a part of The Kapil Sharma Show ever since the beginning. She plays the role of the comedian’s wife in the show. However, we have often seen Kapil joking about Sumona’s mouth and lips. In a recent interview, the actress admitted feeling bad about it and revealed how people would ask her, “How are you a part of this misogynist show?”

For More: Sumona Chakravarti Admits Feeling Bad Over Kapil Sharma’s Lips Jokes, Says ‘Not One Soul Laughed’

Christopher Nolan is gearing up for the release of his much-awaited movie, Oppenheimer. While fans are eagerly waiting for the movie, Christopher Nolan has now explained why it is necessary to release films on the big screen. In an exclusive conversation, the Oscar-winning filmmaker clearly stated that no other medium can provide an experience like theatres do.

For More: Oppenheimer: Christopher Nolan Says ‘No Medium’ Can Provide Experience That Big Screen Does | Exclusive

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Rohit Shetty shares that he wants to

Hollywood is at a standstill after SAG-AFTRA voted yesterday to officially go on strike. With the actor’s guild now joining the WGA on the picket line, production of movies and films has ceased.

One of the first major productions to be impacted by the SAG-AFTRA strike is Deadpool 3, which has now been shut down.

Deadpool 3

Photo: Marvel

News of the production suspension comes days after audiences got a first look at Ryan Reynolds and Hugh Jackman suited up as Deadpool and Wolverine respectively.

A Highly Anticipated Return

Deadpool 3 will see Reynolds reunited with his Free Guy director Shawn Levy. The film will also be the first entry in the franchise to be released by The Walt Disney Company.

Deadpool 3 Wolverine Yellow suit Hugh Jackman

Photo: Hugh Jackman on Instagram

While a third entry in the Deadpool franchise was enough to get fans excited, anticipation has been building. The film will not only see Reynolds reprise his role as Deadpool, but also Hugh Jackman make his entry into the franchise, reprising his role as Wolverine.

While Jackman’s Wolverine met his end in 2019’s Logan, Deadpool 3 will be set at an earlier point in the timeline.

Deadpool Wolverine

Photo: Marvel

In addition to Jackman, Disney has also announced that Jennifer Garner will reprise her role as Elektra. Garner originated the role in 2003’s Daredevil before getting her own spinoff film.

When Will ‘Deadpool 3’ Be Released

While Deadpool 3 was originally slated for a May 3, 2024 release, that date may now be in jeopardy.

Deadpool 3

As always, be sure to check back in with MickeyBlog. We will continue to bring you all the news surrounding the SAG-AFTRA strike.

Thanks for visiting MickeyBlog.com! Want to go to Disney? For a FREE quote on your next Disney vacation, please fill out the form below and one of the agents from MickeyTravels, a Diamond level Authorized Disney Vacation Planner, will be in touch soon! Also, thanks for reading!

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Hollywood is at

Superman: Legacy writer/director James Gunn revealed if his wife’s DC character, Emilia Harcourt will have a role in the upcoming DCU film. 

Since marrying Gunn in September 2022, The Suicide Squad actress Jennifer Holland has continued to pop up in a number of the filmmaker’s projects and other DC films (a franchise Gunn is set to take over), including Peacemaker and Guardians of the Galaxy Vol. 3. 

The actress’ recent appearances in a number of DC movies (namely Black Adam and Shazam 2) – and his propensity to work with his brother Sean – have caused some fans to accuse Gunn of nepotism. 

However, the director has remained adamant, saying he has “nothing to do with the casting of any other movie” besides his own.

One blockbuster the Guardians director will have his fingers all over the casting of is Superman: Legacy, in which some have wondered if Holland will appear.

Emilia Harcourt’s Potential Superman Role

Warner Bros.

Replying to fans wondering if his wife Jennifer Holland will appear as Emilia Harcourt in Superman: Legacy, director James Gunn revealed that she is not. 

Posting on his personal Threads account, when prodded on the subject, Gunn noted, “No she [would not appear]:”

Q: “Will Harcourt appear in Superman Legacy?

Gunn: “No she won’t.”

This confirms that her character in The Suicide Squad and Peacemaker Emilia Harcourt won’t appear, but doesn’t rule out Holland making an appearance.

There is always the chance of Holland appearing/cameoing as another character in the DCU kick-off film.

Jennifer Holland’s DC Future

Jennifer Holland now has four DC appearances under her belt, but it will be interesting to see just how big a part of the franchise she will be going forward. 

Holland’s character, Emilia Harcourt, and the government agency she worked for (known as the NSA) have become increasingly important in the story the DCEU is telling. 

Of course, all that could change as the franchise heads toward its incoming reboot from James Gunn and Peter Safran. But it feels like – despite her seemingly not appearing in Superman: Legacy – Harcourt is going to continue to play into the super-powered franchise. 

In 2022, Holland starred as a part of Peacemaker on HBO Max. It has been revealed that a second season of the R-rated comedy is on the way from DC, and surely, Holland’s DC hero will play a part in that series when it finally hits the streamer.

More imminently, Harcourt could also be a part of the upcoming Waller series. The DC show is set to be the first live-action project of the new DC Universe and will focus on Viola Davis’ Amanda Waller, the in-universe boss of Holland’s Harcourt.  

So, even if Jennifer Holland does not show up in Superman: Legacy, it seems as though she will have her fingerprints all over the DC story going forward both on the big and small screen. 

Superman: Legacy is set to release on July 11, 2025. 

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Let’s end the week with a bit of good news for our future as a species on this floating ball of dirt. Brimstone, a major player in the industrial decarbonization field, has passed a crucial third-party strength test, bringing the dream of net-zero construction one step closer to reality.

The company’s proprietary portland cement met the American Society for Testing and Materials’ (ASTM) indicating that it can do everything traditionally-made portland cement can do with regard to construction projects. This is a big deal, as portland cement is not some niche product, as it comprises 95 percent of all cement produced in the United States. Chances are, if you are in a building made from cement, you’re surrounded by ordinary portland cement (OPC).

Brimstone says the carbon-negative cement is identical in “all respects” to OPC, including performance, safety, and overall chemical composition. The only difference is that it wasn’t manufactured using the conventional, carbon-intensive methods. The company also notes that its “strength, workability, durability, and compatibility with steel and other materials” make it an ideal choice to “build structures safely and efficiently.”

There are plenty of other alternative building materials out there, but this is actual portland cement, so adopting Brimstone’s product won’t force “millions of construction workers to get retrained to use a new material,” according to CEO Cody Finke. He also touts that the product will be “equal or lower cost to other options” and will “slash carbon emissions.”

Being as this is the same industry-standard portland cement used for over 150 years, the company won’t have to jump the usual regulatory hurdles when developing a new building material, with the company boasting “the same buildings, bridges and roads being built today can be built tomorrow without carbon.”

How did it manage such a feat? Conventional cement production involves heating limestone to ultra-high temperatures, which releases large quantities of CO2 embedded in the rock. Brimstone went with carbon-free calcium silicate rock, so there’s no CO2 to release. As a matter of fact, the process generates trace magnesium compounds that absorb pre-existing CO2 from the air, making this concrete carbon-negative.

It’s no secret that traditional cement is a major contributor to the world’s climate problem, as cement production accounts for 7.5 percent of global CO2 emissions and 5.5 percent of total greenhouse gas emissions. All told, the construction and real estate industries account for 40 percent of global carbon emissions, so this step toward net-zero construction could drastically reduce that number.

Of course, this is a brand-new manufacturing process and Brimstone’s cement has yet to be widely adopted by the industry. The company hopes to scale up production so they can sell its portland cement for the same price as conventionally-made materials. Brimstone’s constructing a manufacturing plant in Reno, Nevada and has already started negotiating with construction companies, real estate companies and various corporate partners. 

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Let’s end the week with a bit

The entertainment industry is at a standstill as actors join writers on the picket lines. 

At noon today, SAG-AFTRA announces that the actors’ union is on strike. After the union’s Television/Theatrical/Streaming contracts expired without a successor agreement last night at 11:59 p.m. P.T., more than 160,000 actors will step off set and join the writers on the picket lines in a fight against the Alliance of Motion Picture and Television Producers.

This is the first time in 63 years that actors are joining an ongoing walkout by Hollywood writers.

You can watch the announcement at of the strike at the conference below:

Earlier this week, SAG-AFTRA set strike rules that require union actors to step away from all film and television productions worldwide, not take part in any promotional work (this includes press junkets, film premieres, and fan events like San Diego Comic-Con as a part of panels that promote a specific film, television show, or current or future work), cancel any press or acting work after a strike is ordered, and request that no work is promoted on social media.

However, indie productions that have no studios and streamers attached as producers or distributors quality to continue working with actors during this time.

While fans of the Barbie promotion are feeling a wave of sadness, this strike is absolutely necessary.

We laid out why the actors’ are striking this morning, but many of the issues mirror the similar topics that writers are fighting against. From the potential dangers of artificial intelligence to streaming residuals, the labor force in the entertainment industry is fighting to get properly paid. Listen below to hear one of the AMPTP’s proposal for AI usage in the industry and its effects on background actors:

While executives ratted themselves out yesterday by saying that they will holdout on returning to the negotiation table with writers and actors until late fall, we can still do our part by canceling the streaming service, renting physical media, donating and promoting strike funds, and joining our fellow creatives at the picket lines to demand that our labor be properly compensated.

We are not free. We are not indispensable. We are necessary for cinema’s and TV’s survival. We are necessary for those executives who want us to starve and become unhoused to get paid their billion-dollar paychecks.

Never forget how powerful filmmakers, writers, actors, and other creatives are when we stand together.

No Film School stands in solidarity with both SAG-AFTRA and the WGA during these trying times and will continue to cover any updates that will determine the evolving world of entertainment.

What are some strike funds that you are donating to? Let us know in the comments below!      

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The entertainment industry is at a

As president of Duplass Brothers Productions, Mel Eslyn has her finger in a number of creative pies. (She’s an executive producer of the underappreciated HBO series Somebody, Somewhere). The new theatrical release Biosphere bears her stamp as co-writer and director; she even got to direct her “boss,” Mark Duplass, who costars in this provocative comedy with Sterling K. Brown. Leonard and Jessie admire the way Mel and her colleagues work: offering opportunities and a helping hand to deserving beginners.

 

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As president of Duplass Brothers Productions, Mel

After Everything – Picture: Voltage Pictures

All three After movies are now streaming on Netflix in select regions, including the United States, and a fourth and final entry is coming. Here’s a look at everything we know about After Everything and when we can expect it to land on Netflix.

The After movie franchise is a series of romantic drama films produced by Wattpad and Voltage Pictures, with the first released in April 2019 and came to Netflix in October 2019. That first film departed Netflix in the United States three years after its Netflix debut in October 2022.

Based on the 2014 novel of the same name by Anna Todd. The premise of the movie franchise is that it follows a young woman named Tessa who begins a relationship with a mysterious and troubled man named Hardin.

Article Continues Below…

The second film, After We Collided, was released in October 2020; the third film After We Fell, in 2021 and the most recent, After Ever Happy, in 2022.

All four have come to Netflix in eight select regions worldwide, including Canada, the United States, India, Japan, Hong Kong, Thailand, Malaysia, and the Philippines.

The first movie did arrive on Netflix in more regions, including the United Kingdom, but subsequent sequels have all been sold to Prime Video instead.

The existence of a fifth film was confirmed in mid-2022, with filming having already concluded on an additional entry as of August 2022.

Castille Landon returns to direct and write with Jessica Webber, and Paul S. Tracey is confirmed to be in the cast alongside Hero Fiennes Tiffin and Cora Kirk.


When will After Everything be on Netflix?

A theatrical release date has been set yet for After Everything with it scheduled to hit limited theaters on September 13th, 2023 and then arrive on Netflix in all eight regions outlined above in quick succession in later months.

The Asian regions tend to get the movies fastest, around a month or two after theatrical releases, while the US and Canada usually have to wait a month or two longer.

We estimate that Netflix will receive After Everything in Q4 2023 or Q1 2024.

after ever happy netflix

Picture: Voltage Pictures


There will also be ANOTHER sequel and prequel to the After franchise

Yes, the well isn’t dry yet, a prequel and another sequel are currently planned for the movie franchise.

A prequel of sorts is in development next and based on the novella of the same name. It’ll focus on Hardin Scott’s life before he met Tessa Young and be set years before the events of After.

Although nothing is set in stone for a sequel, it will reportedly be an MMA love story and have a new original script.


Are you looking forward to watching After Everything on Netflix if and when it eventually arrives? Let us know in the comments down below.

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After Everything – Picture: Voltage Pictures All three

“The Summer I Turned Pretty” Season 2 delves into some summertime sadness, and the actors found it tough to stay in the season’s dramatic headspace for too long.

“Whatever acting method people choose to use —replacement or method — it’s tough because it’s like I’m surrounded by funny people in a loving environment, and all I want to do — especially in moments of like extreme vulnerability like that — is to crack a joke to ease the tension or not let myself go there because it’s too painful,” Sean Kaufman, who plays Steven on the show, told TheWrap in an interview conducted before the SAG-AFTRA strike. “To actually allow yourself to go there, especially day after day after day, like a lot of Season 2, it’s tough.”

In the second season of the Prime Video series adaptation of Jenny Han’s book series, Belly (Lola Tung) finds herself in a very different place as she mourns the loss of Susannah Fisher (Rachel Blanchard) and retraces what went wrong in the beginnings of a relationship with her longtime crush Conrad Fisher (Christopher Briney). The consequences of both these events have isolated Belly and her brother Steven (Sean Kaufman) to the point that they don’t plan to return to Cousins Beach this summer.

At the end of Season 1, Susannah told her sons that she would undertake a trial treatment for her cancer, which ended that part of the plot on a hopeful note. One of the first signs that she has died is a gift she sends Steven for his graduation from high school.

“Season 2 tonally felt crazy different. A huge shift while still being in the same show, obviously, but tonally I remember how many days for Season 1 my prep would be like nothing,” Kaufman said. “I would just be chatting backstage and just chillin’ and joking and relaxing and then boom, they call action and we’re in it. Season 2 was a lot of taking moments to figure out what’s going on and how do I approach this material now.”

Jenny Han’s trilogy introduced Susannah’s death in the second book, “It’s Not Summer Without You.”

“As far as I knew they were always going to stick to the books,” Blanchard told TheWrap.

Though the first three episodes take a somber approach to the second season, Blanchard, Jackie Chung and Kyra Sedgwick still see joy and levity in the show.

“I think there’s lots of moments of joy,” Chung said. “Kids are always..”

“…still finding a way to have a good time,” Blanchard finished her sentence. Which is life.”

The first three episodes of “The Summer I Turned Pretty” debut on Prime Video July 14. The rest of the episodes will release weekly on Fridays.

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“The Summer I Turned Pretty” Season 2

A poster-wrapped window for Taylor Swift’s Eras Tour, which kicks off at State Farm Stadium on March 17 and 18, is shown next to one of the entrances to the stadium in Glendale, Ariz., on March 13, 2023.
Entertainment Glendale Name Change

After months of preparing and re-listening to Taylor Swift, we’re finally at Lover. This is officially the first album owned by Taylor Swift.

Thank goodness because I feel like these are some of her best music videos. I don’t know if I’ve shared before but I really do have a soft spot for Lover. It was an album I wrote off at first but over the years, I’ve come to really love and appreciate it.

There is something so sparkly and fun about this album. Plus Lover being the title of the album is just everything. Even though we know how things worked out for Taylor Swift and Joe Alwyn now, this album is full of so many amazing songs and I’m happy to revisit it again and again because I just love this album with my whole heart.

Lover is Taylor Swift’s 7th album and it was released on August 23rd, 2019. Of course, that would result in so much more than any of us realized at the time. Due to that, I waited a bit before including Lover as it ended up getting another single which is what we’re talking about next.

The album spawned 5 singles with the latest being named in June 2023 so there’s a reason why I waited until July to feature Lover. Either way, this album holds such a special place in Taylor’s catalog and a lot of fans’ hearts as it was the first album Taylor Swift owned after the mess at Big Machine so let’s get into my rankings for the 5 singles from Lover.

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A poster-wrapped window for Taylor Swift’s Eras

After a breakdown in negotiations with The Alliance of Motion Picture and Television Producers (the group representing Hollywood studios) the three month Writers Guild of America strike took a turn on Thursday when SAG-AFTRA (The Hollywood Screen Actors guild) joined them in taking industrial action. In a rather tangible, visual indication of the start of the strike and the months to come, stars including Matt Damon, Emily Blunt and Florence Pugh left the premiere of Oppenheimer in Leicester Square early with the announcement of the strike impending. So why is this happening, what does it impact and what can we expect to happen?

How did we get here?

The grievances of the WGA and SAG overlap significantly, with the two biggest issues seeming to be residuals from streaming and concerns over the use of Artificial Intelligence (AI) in the industry going forward. Both of these issues are indicative of great changes in the dynamics of Hollywood in recent years. Classically the bulk of one’s residuals would come from television reruns. With the decline of traditional television, and many more eyes going to streaming services such Netflix, Disney+, Amazon Prime etc., the rates for residuals for writers and actors are lower for streaming platforms than TV. The unions, however, are arguing that the change in viewing habits away from traditional television to streaming services requires a change in the current policies, as workers are getting a larger rate for streaming.  

AI is also another big point of contention. Hollywood studios have expressed a strong interest in utilising artificial intelligence to write scripts, with human writers being used to simply touch up or expand upon the AI scripts. How this would affect credits and pay offs is unclear. The WGA have demanded an outright ban on the use of AI for writing purposes, with the AMPTP instead saying they will agree to ‘annual meetings to discuss advancements in technology.’ With regard to actors, SAG have alleged that studios are planning on having it so that actors are only brought in for a day’s work and then after capturing their likeness will use AI to complete filming with their characters without even having the actors on set. This would significantly cut their salaries as they essentially would just be getting a day’s pay.

The Impact so far

In the months since the WGA started their strike many projects have been interrupted due to the lack of writers. Marvel Studios have had three movies halted: Spiderman 4, The Thunderbolts and Blade. The long-awaited Community movie has also had filming push back. Similarly, many TV shows such as season 3 of Euphoria, Family Guy season 22, Cobra Kai season 6, The Boys season 4 and The Last of Us season 2 have been put in limbo. The strike’s impact doesn’t just affect fiction TV shows, as several late night talk shows such as The Daily Show, Jimmy Kimmel Live, The Late Show with Stephen Colbert and The Tonight Show starring Jimmy Fallon have also had their weekly broadcasts suspended. One would have to expect further movies and shows to be cancelled or delayed going forward. It should also be noted that the strike is not limited to just acting duties, with union actors not permitted to do press or appear at public events such as premieres. 

What does this mean going forward?

Currently all parties (at least when communicating to the public) show no signs of budging and are seemingly prepared for a long standoff. Currently, this is the WGA’s fifth strike, the longest being in 1988 which lasted 153 days. This is SAG’s eighth strike, the longest being in 2000 and lasting 182 days. With regard to SAG joining the WGA, the AMPTP issued a statement saying they were “deeply disappointed that SAG-AFTRA has decided to walk away from negotiations and that contrary to the unions claims the studios had put forward ‘a groundbreaking AI proposal that protects actors’ digital likenesses.”. Disney CEO Bob Iger similarly expressed discontent with the decision to strike saying he found it ‘disturbing’ and not ‘realistic.’ 

However, as screenwriter Amy Berg says, “It’s so much more than them financially undervaluing us. It’s the slow, brutally intentional devaluation of our creative contributions and labor in general.”

Despite how long it has gone on,the WGA picket lines are still going strong and one can only expect more members of SAG and the public to join them. 

Regardless of which side might come out at the end with more claim to victory than the other, one can expect the strike to go on for a while as the industry is further shaken to its core.

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After a breakdown in negotiations with The

An 84-year-old bicyclist was rushed to hospital after suffering “life-threatening injuries” in a Niagara-on-the-Lake hit and run, say police.

The rider is believed to have been hit by a truck or utility vehicle Thursday night while traveling on East-West Line at Concession 2.

A Niagara police spokesperson said the man was discovered by officers lying in a drainage ditch around 8:30 p.m.

That cyclist ended up being airlifted to an out-of-town hospital due to the severity of his injuries.

Investigators say the suspect vehicle could be missing a passenger side view mirror and potentially has damage to a front corner.

A collision reconstruction team is seeking witnesses or surveillance video.

Anyone with information can reach out to Niagara police or Crime Stoppers.

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An 84-year-old bicyclist was rushed to hospital

Few movies this year will be as quietly sizzling as German filmmaker Christian Petzold’s “Afire,” a novelistic and sophisticated character study that kindles inside a chamber piece, as languid as a relaxed summer day and as heartbreaking as the end of a short-lived summer love.

The unhurried, romantic undertones of “Afire” are elements we came to expect from Petzold’s recent cinema, through the likes of “Barbara,” “Phoenix,” “Transit,” and “Undine” where affecting melancholy runs freely and cinematically alongside a dose of tragedy. This vibe is more or less the atmosphere of “Afire,” which follows two friends—Thomas Schubert’s grumpily petty novelist Leon and Langston Uibel’s chipper photographer/artist Felix—as they head to Felix’s family summer home by the Baltic coast for a seaside break, and maybe for some inspiration and light work on the side.

You could be forgiven to think you’re perhaps settling in for a Michael Haneke-esque thriller or an ‘80s American slasher flick when the duo’s car breaks down by the woods on their way to the cabin, requiring the pair to drag themselves and their luggage through the wilderness to reach the modest and secluded home. One of the most inventive filmmakers working today, Petzold doesn’t quite go there, but that doesn’t mean a supposedly unpleasant surprise (in addition to fast-approaching wildfires) isn’t waiting for the unsuspecting friends.

That surprise element is Nadja (terrific Petzold regular Paula Beer, returning for her third movie with the auteur), a friend of Felix’s mother spending the summer in the same house, whose presence she had conveniently forgotten to tell Felix about. An ice-cream seller by day and a passionate moaner between the bedsheets by night—Nadja dates the local lifeguard who joins her in the evenings—she gets on Leon’s nerves fast despite being a friendly roommate, a good cook and generally pleasant company. But when it comes to Leon, as unpleasant, self-absorbed and pretentious as tortured artists come, those qualities prove to be easy to overlook.
 
In fact, Leon is incapable of seeing anything around him, as we swiftly learn. Gently and lovingly, Petzold has the trio settle into a tranquil routine, something that splits the difference between a lush Éric Rohmer movie and a sensual Luca Guadagnino picture. Amid that luxurious rhythm he peels back the layers of Leon, revealing underneath his hardened exterior an insecure writer who’s been so busy pretending and scolding others (including Felix) that he had forgotten to actually look, feel and observe like writers are supposed to do proficiently.
 
It’s a delightful surprise that Petzold does this examination of masculinity with a generous helping of humor, perhaps delivering his funniest movie yet, elevated by Schubert’s exacting performance as someone you both want to smack and lend a shoulder to cry on. In that regard, it’s not that “Afire,” a film that eventually culminates into a soul-crushing tragedy, is full of laugh-out-loud jokes. But Petzold recognizes something relatable, even sympathetic in Leon through the eyes of Nadja, a literary scholar to Leon’s (and our) shock, one who notices something in him that’s waiting to be rescued but detests Leon’s working manuscript regardless. (To be fair, the hilarious title “Club Sandwich” doesn’t exactly inspire much confidence.)
 
But the happy-go-lucky young woman (that Beer brings to life with disarming and effortless charm) decides to lend Leon her healing touch all the same, especially when Leon’s editor (a wonderful Matthias Brandt) turns up for a work session and joins them over an eventful dinner. The film slowly starts to shift gears on the heels of this excellent scene filled with intellectualism, sensuality and silent grudges. The impending approach of devastating wildfires draw nearer with distant echoes of roaring flames and in one deeply sad incidence, the sight of a burning baby boar. (The scene is even more disturbing than it sounds and is certainly not for the squeamish.)

You might feel a hint of discomfort once you realize the fate and growth that Petzold has in store for his misanthropic author character, who in the end lives by an age-old (and sometimes, ill-advised) wisdom that goes, “write what you know.” But on the other hand, isn’t surviving various shades of traumas and catastrophes how humans mature and deepen? Something tells this critic that Petzold knows this on a deep, personal level, pouring that experience into a complex film as intense and haunting as a summer rainstorm.

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Few movies this year will be as

Jenny Han’s “The Summer I Turned Pretty” television adaptation made a splash last summer with all kinds of young adult romance and drama. Lola Tung brought main character Isabel “Belly” Conklin to life as she returned to Cousins Beach, where she has spent every summer of her childhood with her mother’s best friend Susannah Fisher (Rachel Blanchard) and her sons Conrad (Christopher Briney) and Jeremiah (Gavin Casalegno). Belly’s glow-up did not go unnoticed by both Fisher brothers, but she opted to strike up a romance with Cam Cameron (David Iacono) instead before things got a bit messy. A volleyball tournament and debutante ball drove last season’s plot, as did certain relationships.

Season 2 launched July 14 with new episodes rolling out weekly, expanding upon the events that drove the end of Season 1 home — Susannah’s cancer diagnosis, Belly and Conrad’s kiss and more. Kyra Sedgwick and Elsie Fisher joined Season 2 in new roles that weren’t in Han’s books (or the first season). Before diving into the first three episodes that drop with the show’s premiere, TheWrap has revisited the main events of Season 1 to refresh memories.

Here’s a complete “The Summer I Turned Pretty” Season 1 recap.

Belly Hopes This Summer Will Be Different

Ahead of leaving for her annual summer trip to Cousins Beach, Belly expressed her hopes that this summer will be different than all the others, meaning she’ll experience some romance and be more included with the boys. Her best friend Taylor Jewel (Rain Spencer) told her it was time to either make a move or move on from her longtime crush on Conrad Fisher, the oldest of her mother Laurel’s best friend Susannah’s sons.

When Belly got to Cousins, both boys noticed her glow up right away, which set the tone for the difference that Belly wants.

Belly Meets Cam Cameron at a Beach Bonfire

Belly’s brother Steven (Sean Kaufman) and the Fisher boys didn’t include Belly in the first party invite of their summer, but she decided to go anyway. In past summers, she stayed in for movie nights with the moms. When she turned up at the bonfire, only Jeremiah was excited to see Belly. Steven was walking around with Shayla (Minnie Mills) and Conrad was getting cozy with Nicole (Summer Madison). Belly sat off by herself, but Cam Cameron approached her because he remembered her from a Latin event they attended when they were younger. Belly got to know Cam, who gave her his sweatshirt, but she got distracted when Conrad got in a fight, and she got a black eye from trying to break up the fight.

Cam offered to take her home after cops broke up the bonfire, but Jeremiah wouldn’t let her go home with someone she just met, so Belly and Cam kissed in front of both brothers before saying goodbye. The two struck up a romance (mainly because Belly was tired of waiting around for Conrad to get his act together), but she realized those feelings won’t completely go away, so she ended things with Cam just short of asking him to be her date to the Deb Ball.

Belly and Jeremiah Kiss 

Midway through Season 1, Jeremiah expressed his more-than-friendly feelings for Belly, and she responded by kissing him. They kindled a romance from that moment on, but they never labeled it. Belly didn’t act on Jeremiah’s feelings in Han’s first book. 

The Volleyball Tournament

Susannah organized a volleyball tournament to raise money for charity, and Belly recruited Taylor to play on her team in the sand arena. Steven and his deb date and girlfriend Shayla also played on a team, and the bracket narrowed down so the siblings faced each other in the finals. Taylor “hurt her ankle” and told Jeremiah to sub in for her (to try and get him to win Belly over romantically). Jer and Belly played really well for starters, but then he started getting distracted, and he didn’t dive for the ball.

Amazon Prime Video

Belly, who got really competitive on the court, asked Conrad to sub in for Jeremiah, and they ended up winning the whole tournament, defeating Steven and Shayla. The mood got slightly ruined when Belly realized that Conrad didn’t just offer to go to the deb ball with her of his own will, because Susannah came up to them to check if Conrad had asked Belly yet.

Skinny Dipping Gone Wrong

Belly started on rocky territory with Nicole, but since Nicole was her “big sister” for the ball, they became friends — until Nicole realized Conrad had feelings for Belly. The fateful text came when the girls decided to go skinny dipping one night, and Gigi (Lilah Pate) thought Conrad had texted Nicole, but once they realized he had texted Belly’s phone, Gigi and Nicole left Belly and Taylor in the water without their clothes. The brothers had to come pick them up after they tried to walk home sharing a towel for cover. 

At that point, Belly was pissed at Conrad, so she wanted to go home with Jeremiah. When she did, she asked him to be her date to the Deb Ball, and then he got to second base with her! 

The Deb Ball

The whole season built up to what became a devastating debutante ball for many involved, though there were moments of levity and love as well. Jeremiah escorted Belly as her date, but he had been getting inklings all summer that something wasn’t right with his mom. She tripped at the entrance to the ball, and he overheard Belly’s parents discussing the cancer diagnosis. Conrad had previously revealed he knew about his mom’s cancer to Cleveland Castillo (Alfredo Narciso) when Cleveland helped him recover from a panic attack. Jeremiah took Susannah’s phone and snuck out to look through her emails, but of course, this happened right as the debs were supposed to dance with their dates. In a well-engineered moment set to “The Way I Loved You (Taylor’s Version),” Conrad stepped up to dance with Belly when his brother was nowhere to be found. Afterward, he said he was glad it was him, plus he remembered all the steps.

In the wake of a dramatic deb ball where Jeremiah closed out the night by starting a fight with Conrad, Belly, Steven and the boys learned of Susannah’s cancer diagnosis. The emotional scenes that followed between the mothers and their children wrenched hearts. Susannah caved to her sons when they asked her to do a trial for treatment, so the show ended on a hopeful note there. Belly went out to the beach where she found Conrad, and they talked everything through. Then they FINALLY kissed, set to “This Love (Taylor’s Version).”

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Jenny Han’s “The Summer I Turned Pretty”

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There’s no Sex and the City with steamy onscreen romances

Molly Gordon and Ben Platt met as children at the Adderley School, a theater studio in Los Angeles that runs after-school programs and summer day camps. There are photos and home videos of them starring opposite each other in some very grown-up shows like “Chicago” and “Damn Yankees.” Two decades later — with the help of the actor-writer Noah Galvin, Platt’s fiancé, and the writer-director Nick Lieberman — they have spun those memories of wonky vibrato, stumbling choreography and an ardent sense of belonging into the feature comedy “Theater Camp,” opening Friday.

Set at the financially rickety establishment of the title, the film bounces among campers and counselors in upstate New York as they work on an ambitious slate of productions: “Cats,” “Damn Yankees,” “The Crucible Jr.” and “Joan Still,” an original musical inspired by the camp’s comatose founder (Amy Sedaris). The movie began as a 2017 short, and after a yearslong struggle for financing (“We wanted to make a mostly improvised movie with children; a lot of people were not down for that,” Gordon said), it was shot last summer in 19 frantic days at an abandoned Jewish camp in Warwick, N.Y.

Full of in-jokes (campers barter for bags of Throat Coat tea like they are Schedule I drugs), the movie is also a hymn to all of the outcasts and square pegs who finally find acceptance in a kick line. Theater camp is, as a closing ballad explains, “where every kid picked last in gym finally makes the team.”

Over the years, theater camps around the country have yielded a rich crop of Broadway stars, composers and directors. The movie’s creators and a handful of Broadway veterans who credit camp with shaping their careers spoke with me about community, stage kisses and the transformative effects of “Free to Be You and Me.” These are edited excerpts from the conversations.

Actress (“Booksmart,” “The Bear”)

Camps: The Adderley School, French Woods, Stagedoor Manor

Memories: At sleepaway camp, I was never a lead. I was always in the chorus — “Zombie Prom,” “West Side Story,” “Chicago.” But I absolutely adored it. I had the classic experience. I could eat all the sugar I wanted. I got to be in completely age-inappropriate shows. I kissed two guys who told me that they were gay the next day. I was just a crazy wild child and so excited to be in that environment.

Actor (“Parade,” “Dear Evan Hansen”)

Camp: The Adderley School

Memories: There’s an independence. You’re forced away from your parents, and you are having to risk embarrassing yourself; you throw yourself into things and fall on your face. It’s healthy failure. For queer kids, like me, it was where I was the most completely embraced, not having to fit a box or semi-pretend to be enjoying certain things. At day camp at Adderley, Molly and I were Adelaide and Sky in “Guys and Dolls.” We were Lola and Joe in “Damn Yankees.” We were Roxie and Billy Flynn in “Chicago.” We were Tracy and Link in “Hairspray.” I was pretty much the queerest Link Larkin. Molly, one of her first kisses was our kiss in that.

Actor (“The Good Doctor,” “Dear Evan Hansen”)

Camps: Northern Westchester Center for the Arts

Memories: My first play was “Charlotte’s Web.” My mom tells this really disturbing story of me coming onstage as the gander with my script in my hand, because I was so nervous about forgetting my lines. My mom was like, “I’m not certain that he’s cut out for this.” But it teaches you agency as a young person; it gives you real independence, emotionally and physically. There were kids of all shapes and sizes and gender expressions. I walked into a space and there were 120 like-minded individuals who all want to do “Anything Goes.”

Composer (“Parade,” “13”)

Camp: French Woods

Memories: I went in thinking I was an actor, but I was also in the rock bands and jazz bands. Fortunately for everyone, actor guy has gone away. I was Pirelli in “Sweeney Todd” and Charley in “Merrily We Roll Along.” In a role I truly should never have been doing, I sang “Tomorrow Belongs to Me” in “Cabaret.” I was able to see this whole world of work. I’m not a happy-ending guy. And if all you see are the most popular shows, you might feel like that’s all there is. Because I got to do all this material that was darker than that, that was stranger than that, I got to say, “Oh, there is a place for the thing I want to do.”

Actress (“In the Heights”)

Camp: French Woods

Memories: It was a miracle. In my own school, I was the only person who really liked theater. Going to this wonderland, where I met other kids who loved this as much as I did gave me a true sense of belonging. I played Sally Bowles in “Cabaret” and Aldonza in “Don Quixote” the same summer. I was 14, singing “Aldonza the Whore” and talking about sleeping around. The way we would root for one another, it was such a joyful experience. Being inspired by the gifts of my peers drove me to work harder. I discovered true happiness in that atmosphere of collaboration and growth. Quite honestly, I’ve been chasing that feeling my entire professional life.

Actress (“To Kill a Mockingbird”)

Camp: Interlochen Arts Camp

Memories: I felt like I had landed in some sort of magical world. We were all talking about what our favorite Sondheim musical was instead of what was playing on the radio. The thing that has kept me in the theater for so long is that sense of belonging. I felt the most like myself when I was at camp. This feeling of wanting to do musicals was something that always felt singular and a little bit lonely, growing up, and then to be with all of these people who were so talented and loved it as much as I did, something clicked into place. Camp made me feel like, “Oh, this could be my profession.”

Director (“The Thanksgiving Play,” “Hadestown”)

Camp: Stagedoor Manor

Memories: I did “The Cell,” where I played a nun who murders a bird or a child or both. I did Arthur Miller’s “Playing for Time.” I played the lead in “Ruthless!” and the evil mother in “Blood Brothers.” We did “Our Town,” and I played the stage manager. A huge profound thing about Stagedoor was it was filled with people who were alienated in their home schools. For queerness of all kinds, it was a haven. And as ambivalent as I am about the strange status games at Stagedoor, I don’t think I would be in theater without it. It nurtured my curiosity. And it began to teach me about taste. I showed up to college a year after leaving Stagedoor and saw my first Wooster Group show, and I was like, “I never want to see another musical again.”

Composer (“Kimberly Akimbo,” “Fun Home”)

Camp: Stagedoor Manor

Memories: I didn’t even know what theater was until I was 18. But it all started at Stagedoor for me. I was a music director and a counselor. I music-directed “Free to Be You and Me.” My friend was directing it, and she wanted new material and that was the first song I ever wrote. I immediately thought, “Oh, this is the missing piece for me.” At that point, I was still a pre-med major at Barnard. After that summer, I did the music major at Columbia. I did that because of Stagedoor. It was just a ticket to a whole different world.

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Molly Gordon and Ben Platt met as

Christian Cooper, the Central Park Birder, never intended for any of this to happen. When his video went viral after a racially charged encounter with a dog walker in the park’s Ramble, Cooper’s first instinct was to “crawl under a rock,” he says.

But by the end of that tumultuous week in May 2020, Cooper made the decision to embrace his unexpected fame. “I realized there was an opportunity here to keep doing the things I’d always been doing, but doing them on a bigger stage, a bigger platform, and reach more people,” he says in an interview.

Three years later, he has arrived on that stage, with a buzzy new memoir and a National Geographic TV show he hopes will attract more people of color and diverse backgrounds to the world of bird-watching.

Cooper joins the L.A. Times Book Club on Aug. 16 for a conversation about “Better Living Through Birding: Notes From a Black Man in the Natural World,” which tells the story of his life up to and since that fateful Central Park meeting, interspersed with practical birding tips and mini-essays on the pleasures of birding.

The show, “Extraordinary Birder With Christian Cooper,” debuted in June after a year of production in locations including Southern California, Hawaii, Puerto Rico and Alabama. The six-episode season is available for streaming on Disney+ and Hulu.

Cooper, a self-described “gay black nerd with binoculars,” grew up on Long Island, the son of two public school teachers, and discovered birding at an early age when he thrilled to the brilliant patch of color on a red-winged blackbird. His father, a science teacher, encouraged Cooper to attend bird walks organized by the local Audubon Society chapter, and a lifelong love affair with feathered friends was hatched.

While Cooper writes that his parents could be difficult, they instilled in him and his sister a love of nature on summer camping trips, when they piled into a Volkswagen Westfalia camper van with the family’s English cocker spaniel, Spanky, bound for far-flung destinations like Maine and Canada’s Banff National Park.

Cooper’s parents, veterans of the civil rights movement, also passed down a reverence for the sanctity of human rights. Two decades before the Central Park incident, father and son were arrested together at a protest over the death of Amadou Diallo, an unarmed African immigrant shot to death by plainclothes police officers outside his apartment building. As the protesters awaited processing in a police holding cell, Cooper was amazed to hear his father leading the detainees in a series of spiritual songs.

“It was programmed from birth,” Cooper says. “It’s just the way me and my sister were raised. You don’t let other people trample all over your rights.”

In a 69-second video that has been burned into the national consciousness, Cooper recorded his encounter with a white woman named Amy Cooper (no relation), as she refused to put her dog on a leash and then called 911 to report “an African American man threatening my life.” Initially, Cooper posted the video on his Facebook page as a way to bear witness to close friends, including a tight-knit circle of Central Park birders. It was his sister, Melody Cooper, who posted the video to Twitter, where it quickly racked up tens of millions of views.

“I wanted my brother’s calm bravery, in the face of a threatening and cowardly act, to be seen,” she wrote in a New York Times op-ed piece. “I wanted to shine a light not just on one person, but on the systemic problem of deep racism in this country that encourages her kind of behavior.”

The video took on added significance as another recording surfaced, made that same day in Minneapolis. This one was nine minutes long, showing a police officer using his knee to crush the life out of a Black man named George Floyd. As that incident triggered a long summer of protest, Cooper’s video continued to have its own impact, sparking discussion about racial bias, white privilege and the power of social media to expose stories of injustice.

Cooper tells the story of his encounter toward the end of the memoir and explains his decision, controversial in some quarters, not to cooperate with the prosecution of Amy Cooper for filing a false police report. His reasoning? Her life “had already imploded,” and criminal charges “seemed like piling on.” Charges ultimately were dropped after Amy Cooper completed an educational program on racial bias.

Meanwhile, Chris Cooper was eager to get back to what he was doing that morning in the Ramble: birding. His instant status as perhaps the most famous birder in America launched him on a new trajectory, and soon National Geographic was calling with an offer to host a series of shows with an emphasis on diversity of birders, as well as birds. Cooper agreed, on the condition that he would not miss the crucial East Coast spring migration season that brought him to Central Park in the first place.

Cooper said the opportunity to work on the show has been “a blast.” For most of his career, Cooper worked at a desk, including a stint as an editor and then writer at Marvel Comics, where he was part of a team in the early 1990s that introduced the franchise’s first gay superhero. Cooper recalls the furor that ensued, as some marketers pulled their ads and Marvel executives shut down any further plot development beyond the character’s uttering of the words “I am gay!”

Production shoots for the “Extraordinary Birder” TV series offer plenty of downtime on the road, an added bonus for Cooper, always looking to grow his list of life birds — species he has never seen before. “I am the stereotypical New Yorker who does not drive,” Cooper says. “They were taking me to a lot of places where you would pretty much need a car to get there, that I’d never been to before. So that was awesome for me.”

Among the Southern California hot spots he explores on-screen is the Sonny Bono Salton Sea National Wildlife Refuge, where more than 400 different species have been recorded, including tens of thousands of snow geese and sandhill cranes in the winter. Cooper, who spends winters in the California desert, area, also enjoys spending time in the new Prescott Preserve in Palm Springs, a former golf course being restored as a haven for bluebirds, flycatchers, egrets, and other species, including a resident bobcat.

Cooper is pleased with the diverse cast of people brought into the series. “We’ve got Black and brown people in addition to white people, and we’ve got differently abled people in the show. We’ve got queer people,” he says. “That’s really what birding should be and can be and is becoming — a little bit of everybody doing it.”

While Cooper and his sister were exposed to nature from childhood, many people of color lack that opportunity, in part due to systemic racism, Cooper says. He ticks off the factors: People of color tend to have less access to public parklands, are less likely to go to summer camp, and with economic struggles they “may not have the leisure time to go out and spend time birding.”

But COVID tipped the scale, as people looked for new forms of entertainment that worked within the restrictions of the pandemic. Many spent more time taking long walks outside, or even just looking out the window, and bird activity became more noticeable as cities grew devoid of human activity.

“Birding is absolutely growing—there’s no question about that,” Cooper says. The pandemic “created a whole new generation of birders, and they’re coming in all shapes and sizes and colors, which is fabulous.”

Wolk is a Seattle writer who previously worked for Reuters and MSNBC.com.

Book Club: Christian Cooper

What: Christian Cooper joins the L.A. Times Book Club to discuss “Better Living Through Birding” with Times writer Carla Hall.

When: Aug. 16 at 6 p.m. Pacific.

Where: Livestreaming. Sign up on Eventbrite for watch links.

Join us: Sign up for the Book Club newsletter for the latest books, news and live events.

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Christian Cooper, the Central Park Birder,

With a vast multitude (and ever-growing) number of action figures in Hasbro’s popular Marvel Legends line, here are our picks for the top fifteen ranked.

Marvel Legends began plastic life in the year 2002, under the now-defunct manufacturer Toy Biz. In 2007, though, Hasbro acquired the Marvel toy license.

Those early Legends made under Hasbro’s supervision were… well, they weren’t great, and they even stepped back from the six-inch scale in favor of smaller figures for a time.

Today, the Legends team seems to fire on all cylinders, continuously adding new innovations to the figures (such as PhotoReal face printing and pinless joints) and the line’s output of product feels higher than ever.

The 15 Best Marvel Legends: Ranked

As with any ranking, the entries chosen and the order they are put in are highly subjective. Sometimes, one’s favorite person, place, or thing might be placed in an unsatisfactory spot, or could even be absent entirely. 

That having been said, here are The Direct’s Top 15 Marvel Legends figures from the modern era of Hasbro’s line ranked.

15.) Retro Beast

Hasbro

Good ol’ Dr. McCoy (Not the one from Star Trek) is well-represented here with a nicely articulated and well-sculpted body. Retro Beast comes with a really solid amount of accessories, including some scientific-looking bottles, and an alternate angry head sculpt. The X-Men character also features a rare foray into soft goods on Marvel Legends’ part, coming with a fabric lab coat.

14.) Doctor Strange (Walmart Exclusive)

Marvel Legends Doctor Strange action figure
Hasbro

Not only does Doctor Strange come packed with two alternate head sculpts and the Wand of Watoomb, but he also arrives decked out in a billowing Cloak of Levitation. There’s just something so darn comic-booky about this figure. It seems to relish in that classic 60s and 70s Marvel Comics goodness.

13.) MCU Ant-Man (Ant-Man and the Wasp)

Ant-Man and the Wasp Hasbo Legend
Hasbro

A fine offering on its own, this Ant-Man figure punches far above its weight with that fantastic alternate head featuring a Paul Rudd likeness that perfectly captures the actor’s quirky, goofy personality. He looks about ready to show a Mac & Me clip on Conan for the 20th time.

12.) MODOK (Deluxe)

Marvel Legends MODOK action figure
Hasbro

Strongly divisive movie portrayals aside, this Mechanical Organism Designed Only for Killing (MODOK) is pure comics. His little baby legs and arms are fully articulated and he even includes a swappable faceplate with a different expression.

11.) Retro Storm

The Direct Image

This Storm figure takes a lot of cues from Jim Lee’s X-Men run from the early 90s as well as X-Men: The Animated Series. The cape arm flap things are fabric, so as to not hinder articulation. And while most remember Ororo wearing white in that era, many will agree that the black just looks cooler.

10.) Spider-Man (Renew Your Vows 2-pack)

Marvel Legends Spider-Man action figure
Hasbro

The crème de la crème Marvel Legends Spider-Man is packed with all the articulation a collector would need (toe joints!) to do whatever a spider can. The three sets of hand and unmasked Peter Parker head sculpt are just the icing on the cake. Pete was offered in a two-pack with Mary Jane Watson’s Spinneret from the Renew Your Vows comic arc.

9.) Silver Surfer

Marvel Legends Silver Surfer action figure
Hasbro

This Walgreens exclusive Herald of Galactus and ally to the Fantastic Four has a sleek finish intended to represent the Silver Surfer’s all-chrome body. He also comes with an effect piece standing in for the Power Cosmic and his signature surfboard so he can ride the interstellar waves. Gnarly!

8.) Nightcrawler

Marvel Legends Nightcrawler action figure
Hasbro

Hailing from 2019’s Wendigo Build-a-Figure wave, Nightcrawler looks ready to BAMF onto collectors’ display shelves. This popular action figure includes not two, but three head sculpts, plus Kurt’s cutlass sword for a wide variety of posing options.

7.) MCU Captain America (Avengers: Endgame)

Marvel Legends Captain America action figure
Hasbro

While arguably upstaged by the recent repaint of this Captain America figure offered in a two-pack with Sam Wilson, the original release shines very nearly as bright, buoyed by the inclusion of Thor’s hammer Mjölnir to recreate the memorable, nay, iconic scene from Avengers: Endgame in which Steve picks up the weapon to clobber Thanos.

6.) Stilt-Man

Marvel Legends Stilt-Man action figure
Hasbro

Stilt-Man serves as the lone Build-a-Figure on this list and boy, is it a doozy. The Daredevil villain is smaller than the line’s average BAF, but what Hasbro did that was so clever was include segments of his extendible stilt-legs as a separate set of pieces. This meant that collectors can make Stilt-Man as absurdly tall as they wish.

5.) Daredevil

Marvel Legends Daredevil action figure
Hasbro

This figure of Matt Murdock was built on the same base body as the Renew Your Vows Spider-Man, which means that it’s very well articulated to replicate all of the Man Without Fear’s incredible acrobatics. He also includes his billy club, but some crafty fans have opted to cut off the plastic cable and replace it with flexible wiring for added enjoyment.

4.) Spiral

Marvel Legends Spiral action figure
Hasbro

The Legends Spiral is a marvel (get it?) of action figure engineering. All six of her arms are indeed fully articulated whilst also maintaining torso poseability, something that the earlier six-armed Spider-Man couldn’t boast.

3.) Hulk (80th Anniversary of Marvel)

Marvel Legends Hulk action figure
Hasbro

The gamma-irradiated Jade Giant was packed in a set that also included a Wolverine figure in the costume from his first comic book appearance. This Hulk figure stands at a very appropriate larger height to tower over the rest of one’s display and even includes a tattered shirt to drape over his shoulders for that Lou Ferrigno flair.

2.) Dr. Doom

Marvel Legends Dr. Doom action figure
Hasbro

Kneel before Doom! He has no time to be reduced to a simple plaything! But if he did, he’d probably be impressed by this figure’s sharp detailing that recreates his iconic, classic look which no movie has managed to capture yet for whatever reason…

1.) War Machine

Marvel Legends War Machine action figure
Hasbro

And finally, the 2020 Deluxe War Machine takes home the top prize. Rhodes includes more weaponry than one can shake a stick at, plus an alternate, un-helmeted head and two blast effects to simulate the armor in flight.

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Since its launch in the Fall of 2019, Apple TV+ has gone on to produce some of the best television series of the past decade. Spreading its success among several different genres, the streaming service has proved to be one of the most successful at creating a pool of quality content as opposed to one of quantity. One standout series comes in the form of 2022’s The Afterparty from the hilariously brilliant minds of Phil Lord and Christopher Miller.

This who-done-it comedy brings together some of the funniest names working in Hollywood to weave a murderously hilarious narrative about a group of friends who find themselves as murder suspects at the after-party following their high school reunion. The colorful cast of characters each brings a different element of funny to the series, but which one stands out as the best? These are the ten funniest characters from season 1 of The Afterparty.

10 Detective Culp – John Early

Sony Pictures Television Studios 

Known for his small roles on 30 Rock, Broad City, and Bobs Burgers. John Early plays Detective Culp in The Afterparty, second in command to Tiffany Haddish’s Detective Danner, Culp isn’t quite the full-blown stereotypical bumbling police sidekick, but he comes as close as you can get. Uncovering some vital clues along the way, this reoccurring character is good for a laugh or two throughout the series.

9 The Jennifers – Tiya Sircar and Ayden Mayeri

The Jennifers
Sony Pictures Television Studios 

Tiya Sircar and Ayden Mayeri, together they make up the hilariously stuck up and pregnant duo of “The Jennifers”. Both in modern day and in flashbacks, The Jennifers are portrayed as your classic high school mean girls to hilarious effect. What would a high school reunion be without the popular girls, right?

Related: Why Shrinking Is the Best Apple TV+ Show of 2023

8 Zoë – Zoë Chao

Zoe - The Afterparty
Sony Pictures Television Studios 

Relatively unknown actor Zoë Chao shines as her namesake in season one of the series. Playing the love interest of our main character Aniq and ex-wife to another named Brett, her role in the show is to not provide gut-busting laughs, and she is one of the straighter played throughout season one. However, Zoë provides her fair share of comedic moments throughout.

7 Detective Danner – Tiffany Haddish

Detective Danner - The Afterparty
Sony Pictures Television Studios 

Primarily known for her resume of comedic films and over-the-top performances, Tiffany Haddish is somewhat subdued in comparison as Detective Danner in The Afterparty. Determined to solve the murder at all cost and prove herself as a top-notch detective, Danner digs deep into the psyche of the ensemble cast of characters with hilarious intent. Fans of the series and Haddish in general will get another dose of Detective Danner in season two of The Afterparty.

6 Chelsea – Ilana Glazer

Chelsea - The Afterparty
Sony Pictures Television Studios 

Bursting onto the scene in the hit comedy series Broad City, Ilana Glazer plays the troubled character of Chelsea throughout season one. Her past transgressions with both Brett and the deceased Xavier come to light throughout the season, and Glazer delivers the comedic moments despite some of these heavier realizations.

Related: 10 TV Shows That Defined Millennials Living in Their 20s

5 Aniq – Sam Richardson

Aniq - The Afterparty
Sony Pictures Television Studios 

After starring in a reoccurring role on the hit HBO series Veep, it certainly feels like the world is finally getting to see the comedic talents of Sam Richardson on full display. With hilarious cameos on Ted Lasso, his part in the cancelled-too-early comedy Detroiters, and his main role as main suspect Aniq on The Afterparty. Richardson is here to stay as a comedic force in movies and on television.

4 Walt – Jamie Demetriou

Walt - The Afterparty
Sony Pictures Television Studios 

The running joke revolving around Jamie Demetriou‘s Walt throughout season one of The Afterparty is that no one can seem to remember him from high school or any of the proposed antics he claimed to commit. This hilariously played sadness helps to make Walt one of the prime suspects in the murder of Xavier.

3 Yasper – Ben Schwartz

Yasper - The Afterparty
Sony Pictures Television Studios 

Put the improv loving Ben Schwartz into anything and he is sure to deliver the comedy. Whether he is playing Jean-Ralphio Saperstein on the television series Parks and Recreation, or popping up in bit roles on the hit comedy web series Jake and Amir. As the aspiring musician Yasper in The Afterparty, he spends most of the series helping his best friend Aniq prove his innocence. An all too ironic goal when it is discovered that Yasper is the killer.

2 Brett – Ike Barinholtz

Brett - The Afterparty
Sony Pictures Television Studios 

An alumni of the sketch comedy series MADtv, Ike Barinholtz plays the ultra masculine Brett in this Apple TV+ comedy series. Whether Brett is involved in a high speed chase to retrieve his daughter’s toy, or showing off the PSI of his urination. Barinholtz as Brett delivers some of the funniest moments of the series.

1 Xavier – Dave Franco

Xavier - The Afterparty
Sony Pictures Television Studios 

Features exclusively in flashbacks, as he is the murder victim, Dave Franco‘s comedic talents are on full-display as the megastar Xavier, formerly known as Eugene Xavier Duckworth, Jr. Franco plays the hilariously cocky Xavier to perfection all the way to his unfortunate end. R.I.P. Xavier.

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Since its launch in the Fall

The Last of Us Part 2 composer Gustavo Santaolalla has seemingly let slip that an “enhanced version” of the game is in development at Naughty Dog.

Santaolalla, who also composed the original game and the franchise’s TV adaptation for HBO, mentioned that a new version of Part 2 is in the works during an interview with Blender.

During the conversation, one of the interviewers expressed his delight at playing the game and finding out that Santaolalla has a cameo in it. In the section in question, which can be seen in the video below, the Argentinian musician can be found playing a song with a ronroco.

According to Spanish language website Vandal, Santaolalla then revealed that a “new version” of the game is in the works in which players will be able to “make [him] play certain tracks”, before adding that he wasn’t allowed to reveal any more information.

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The Last of Us Part 2, which was released for PS4 in June 2020, received a PS5 performance patch a year later.

It was claimed last year that Naughty Dog was working on a director’s cut of The Last of Us Part 2.

A remake of the original The Last of Us was released last September, a few months before the release of the first season of HBO’s adaptation, which covers the events of that game.

On Wednesday, The Last of Us received 24 nominations for the 75th Emmy Awards, which was just three short of the frontrunner for this year’s ceremony, fellow HBO show Succession.

An updated version of The Last of Us Part 2 could conceivably be released to coincide with the arrival of the second season of the TV series, although that might not air for a couple of years, one of the show’s stars recently suggested.