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A popular MCU movie featuring Robert Downey Jr. will arrive on Peacock soon. This addition comes just two months before the film franchise’s fourth installment hits theaters in July.

Spider-Man: Homecoming to stream on Peacock next month

Spider-Man: Homecoming will be available to stream on Peacock starting Monday, June 1, 2026, per the streamer’s schedule.

Jon Watts helmed the film with a story from Jonathan Goldstein and John Francis Daley. He also co-wrote the screenplay alongside the two writers and Christopher Ford, Chris McKenna, and Erik Sommers.

The story centers on Peter Parker/Spider-Man as he balances high school life after his role in Captain America: Civil War. Eager to become an Avenger and impress Tony Stark, Peter takes on a dangerous group led by Adrian Toomes, also known as the Vulture, that is using alien technology to make illegal weapons. However, things don’t pan out the way he had hoped. This results in Peter losing Tony’s trust and the Spider-Man suit.

Spider-Man: Homecoming’s cast features Robert Downey Jr. as Tony Stark, Tom Holland as Peter Parker, Zendaya as MJ, Michael Keaton as Adrian, Jon Favreau as Happy, Gwyneth Paltrow as Pepper, and Jacob Batalon as Ned, among others.

Sony Pictures Releasing distributed the film and released it on July 7, 2017. Upon release, it quickly became a success, receiving highly positive reviews for its fun tone, humor, and a fresh take on the web-swinger. Many people praised Holland’s performance for his believable portrayal of Peter’s awkward yet lovable personality.

On Rotten Tomatoes, it has maintained a critics’ approval rating of 92% and a user rating of 87%. Meanwhile, IMDb reports an average score of 7.4 from nearly 800K user votes. Furthermore, the film performed incredibly well at the box office. Made on a reported $175 million budget, it went on to make $880.9 million from global markets.

Naturally, sequels followed quickly. The second installment, Spider-Man: Far From Home, arrived in 2019, and the third one, Spider-Man: No Way Home, in 2021. Currently, a fourth film, Spider-Man: Brand New Day, is scheduled to premiere worldwide on July 31, 2026.

Originally reported by Harsha Panduranga on SuperHeroHype.

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A popular MCU movie featuring Robert Downey

Dan Levy is talented in many ways, but passing a driver’s test on the first go is not one of them. So, on Thursday night, Jimmy Kimmel promptly roasted him for how long it did take.

Levy stopped by “Jimmy Kimmel Live!” in support of his Netflix series “Big Mistakes,” and noted during the conversation that he does not drive in London, because “I don’t want to die.” According to the actor and writer, he doesn’t have a great track record when it comes to driving, so trying to do so on the opposite side of the street would be even more scary.

“The problem with me and driving: when I first took my driver’s license in Canada, I failed 12 times,” Levy admitted.

Kimmel immediately questioned if that was true, before quipping that it would be “the most times anyone’s ever failed.” Levy pushed back on that idea, arguing that he’s certain at least one person has failed more times.

“I don’t think so!” Kimmel retorted. “I think Stevie Wonder got it on his seventh try!”

Levy cracked up at that, before defending himself further by explaining exactly how the Canadian driver’s test actually works.

“First of all, if anyone out there is scared of test taking like I was, you panic, you freeze,” he said. “And driving tests are not the place you want to be when you’re anxious and panicked. In Canada, we have a graduated licensing system. You have to take three different tests.”

You can watch Dan Levy’s full appearance on “Jimmy Kimmel Live!” in the video above.

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Dan Levy is talented in many ways,

Freedom 250’s Great American State Fair lineup is shrinking faster than a campaign promise after Election Day. Two days after SPIN highlighted the deeply bewildering artist roster attached to the National Mall celebration — a lineup that somehow managed to unite Vanilla Ice, C+C Music Factory, Flo Rida, Martina McBride and Milli Vanilli under one aggressively Stars and Stripes banner — the event is now facing a growing wave of artist withdrawals.

Poison frontman Bret Michaels has officially exited the concert series, joining several other acts distancing themselves from the event amid mounting scrutiny over its political associations. Michaels said in a statement that he originally believed the event would be “a celebration of all Americans regardless of political affiliation, bringing people together,” but ultimately concluded that “the event has become divisive and dangerous.” He also cited threats directed toward him, his band and crew following the announcement.

“This isn’t about politics,” Michaels wrote. “It’s about staying true to what I’ve always believed in. Everyone is entitled to their own opinions. That’s one of the freedoms our veterans fought for and something I’ve always respected. But as a father, friend and bandmate, I have to take threats and safety concerns seriously.”

McBride, the Commodores, Morris Day & the Time and Young MC have all either withdrawn or publicly denied participation after the lineup reveal touched off immediate backlash. The unraveling comes after Freedom 250, the organization partnering with the Donald Trump-led White House Task Force 250 on America’s upcoming 250th birthday celebration, unveiled plans for its Great American State Fair concert series on the National Mall running June 25 through July 10.

“I’ve spent my entire career singing songs about real people with real issues,” McBride said yesterday. “It greatly upsets me that any fan who has been moved by my music may now feel like I’m abandoning the meaning behind those songs. I assure you, that is not the case.”

Despite the increasingly chaotic rollout, the event itself remains scheduled to proceed, with organizers continuing to describe Freedom 250 as a nonpartisan initiative celebrating America’s semiquincentennial. Still standing, at least for now: Vanilla Ice, Milli Vanilli, Flo Rida and C+C Music Factory — which might now qualify as the most ideologically confusing concert package in modern American history.

“I am here to entertain and unite people, not divide them,” lone original Milli Vanillli member Rob Morvan said in a statement. “Let’s celebrate life and music and take a trip down memory lane. I feel honored to be a part of as it will celebrate the 250 year anniversary of America with so many other accomplished artists.”

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Στο Casino Sankra, έχουμε τη δυνατότητα να εκμεταλλευτούμε από μια σειρά μπόνους ειδικά σχεδιασμένων για Έλληνες χρήστες. Η αντίληψη των όρων και προϋποθέσεων που αφορούν αυτές τις προσφορές είναι κρίσιμη για να αξιοποιήσουμε στο έπακρο την εμπειρία gaming μας. Από τα μπόνους υποδοχής έως τις διαρκείς προσφορές, υπάρχουν επιλογές. Αλλά είναι σημαντικό να κατανοήσουμε τις λεπτομέρειες, ειδικά τις απαιτήσεις στοιχηματισμού και τα κριτήρια επιλεξιμότητας. Τι πρέπει λοιπόν να ξέρουμε για να μεγιστοποιήσουμε αυτές τις δελεαστικές ευκαιρίες;

Επισκόπηση των μπόνους του καζίνο Sankra

Όσον αφορά τα online παιχνίδια τύχης, τα μπόνους μπορούν να κάνουν μεγάλη αλλαγή στη συνολική μας εμπειρία και το Sankra Casino προσφέρει μια γκάμα δελεαστικών επιλογών για τους παίκτες στην Ελλάδα. Η αντίληψη της επισκόπησης των μπόνους είναι ζωτικής σημασίας, καθώς δημιουργεί τη βάση για τη αύξηση των δυνατοτήτων μας στα gaming. Το Sankra Casino παρέχει ποικίλα μπόνους, όπως προσφορές υποδοχής, μπόνους επαναφόρτωσης και επιβραβεύσεις, όλα σχεδιασμένα για να ενισχύσουν το ταξίδι μας στα παιχνίδια.

Αυτά τα μπόνους όχι μόνο ενισχύουν το ισοζύγιο μας, αλλά παρέχουν και ευκαιρίες για παρατεταμένο χρόνο gaming. Είναι σημαντικό να μελετήσουμε τους συγκεκριμένους όρους που σχετίζονται με κάθε μπόνους, καθώς αναλύουν τις προϋποθέσεις στοιχηματισμού, τα κατάλληλα παιχνίδια και τις ημερομηνίες λήξης. Με την καλή ενημέρωση, μπορούμε να εφαρμόσουμε τακτικές για να αξιοποιήσουμε αποτελεσματικά αυτά τα μπόνους, διασφαλίζοντας ότι αξιοποιούμε στο έπακρο τον χρόνο μας στο Sankra Casino. Ας εξερευνήσουμε, λοιπόν, πιο αναλυτικά τους τύπους μπόνους που διατίθενται και πώς μπορούμε να επωφεληθούμε από αυτά για να βελτιώσουμε την εμπειρία παιχνιδιού μας.

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Στο Sankra Casino, οι Έλληνες παίκτες μπορούν να επωφεληθούν από μια σειρά από δελεαστικά μπόνους. Προσφέρουμε τα πάντα, από πλούσιες προσφορές καλωσορίσματος έως συνεχείς προσφορές που έχουν σχεδιαστεί για να διατηρούν ζωντανό τον ενθουσιασμό. Ας διερευνήσουμε τι μπορούν να κάνουν αυτά τα μπόνους για εμάς!

Προσφορές μπόνους καλωσορίσματος

Ενώ ανακαλύπτουμε τον συναρπαστικό κόσμο των online παιχνιδιών στο Sankra Casino, είμαστε στην ευχάριστη θέση να δηλώσουμε ότι οι Έλληνες παίκτες μπορούν να αξιοποιήσουν από μια σειρά προσφορών μπόνους καλωσορίσματος που έχουν σχεδιαστεί για να ενισχύσουν την εμπειρία τους. Το Πακέτο Καλωσορίσματος συνήθως περιλαμβάνει γενναιόδωρα μπόνους κατάθεσης και δωρεάν περιστροφές, διασφαλίζοντας ότι θα έχουμε ένα φανταστικό ξεκίνημα. Για να εξαργυρώσουμε αυτά τα μπόνους, πολλές φορές χρειαζόμαστε ειδικούς Κωδικούς Μπόνους, οι οποίοι αποκαλύπτουν επιπλέον ανταμοιβές όταν δημιουργούμε τους λογαριασμούς μας ή κάνουμε τις πρώτες μας καταθέσεις. Είναι ουσιώδες να μελετήσετε τους όρους που σχετίζονται με κάθε προσφορά, καθώς μπορούν να ενσωματώνουν προϋποθέσεις στοιχηματισμού και περιορισμούς παιχνιδιού. Αντιλαμβανόμενοι αυτές τις πληροφορίες, μπορούμε να αυξήσουμε τα μπόνους μας και να χαρούμε μια γεμάτη εμπειρία παιχνιδιού ειδικά σχεδιασμένη στους Έλληνες παίκτες. Ας εμβαθύνουμε και ας εκμεταλλευτούμε πλήρως αυτές τις ενδιαφέρουσες ευκαιρίες!

Διαθέσιμες συνεχείς προσφορές

Καθώς εξετάζουμε τις ζωντανές προσφορές στο Sankra Casino, θα ανακαλύψουμε ότι οι Έλληνες παίκτες μπορούν να χαρούν μια ευρεία γκάμα από διαρκείς προσφορές που βελτιώνουν την εμπειρία παιχνιδιού τους. Μεταξύ αυτών, τα συνεχόμενα τουρνουά ξεχωρίζουν ως συναρπαστικές ευκαιρίες για να δείξουμε τις ικανότητές μας και να διεκδικήσουμε μεγάλα έπαθλα. Αυτά τα τουρνουά πολλές φορές περιλαμβάνουν διάφορα παιχνίδια, εξασφαλίζοντας ότι υπάρχει κάτι για κάθε προτίμηση.

Επιπλέον, οι εποχιακές προσφορές φέρνουν ενθουσιασμό, προσφέροντας ξεχωριστά μπόνους που συνδέονται με γιορτές ή συγκεκριμένες εκδηλώσεις, δίνοντάς μας να ενισχύσουμε το κεφάλαιό μας κατά τη διάρκεια των γιορτινών περιόδων. Κερδίζοντας από αυτές τις συνεχείς προσφορές, μπορούμε να μεγιστοποιήσουμε την εμπειρία gaming μας και πιθανώς να αυξήσουμε τα κέρδη μας. Είναι σημαντικό να παρακολουθείτε συχνά τη σελίδα προσφορών, καθώς αυτές οι προσφορές μπορούν να μεταβάλλονται συχνά, προσφέροντάς μας καινούριες ευκαιρίες για μεγάλα κέρδη.

Επεξήγηση των Απαιτήσεων Στοιχηματισμού

Όταν μιλάμε για απαιτήσεις στοιχηματισμού, είναι ζωτικής σημασίας να αντιληφθούμε πώς αυτοί οι όροι επιδρούν τα μπόνους μας στο Sankra Casino. Αυτοί οι όροι επηρεάζουν το πόσο πρέπει να παίξουμε πριν είμαστε σε θέση να εξαργυρώσουμε τα κέρδη μας. Ας αναλύσουμε τι υποδηλώνει αυτό για εμάς και πώς επιδρά τη συνολική εμπειρία gaming μας.

Κατανόηση των Όρων Στοιχηματισμού

Οι κανόνες στοιχηματισμού μπορεί να φαίνονται περίπλοκοι στην αρχή, αλλά είναι κρίσιμοι για την αντίληψη του τρόπου λειτουργίας των μπόνους στο Sankra Casino. Πολλές φορές αντιμετωπίζουμε παρεξηγήσεις σχετικά με τα μπόνους που μπορούν να προκαλέσουν σε μπέρδεμα σχετικά με το πώς να αξιοποιήσουμε αποτελεσματικά αυτές τις προσφορές. Βασικά, οι όροι στοιχηματισμού υποδεικνύουν το ποσότητα που πρέπει να παίξουμε πριν είμαστε σε θέση να εξαργυρώσουμε το μπόνους μας και οποιαδήποτε κέρδη. Έχουν σχεδιαστεί για να προστατεύουν το καζίνο, προσφέροντάς μας παράλληλα την ευκαιρία να μεγιστοποιήσουμε το gaming μας. Υιοθετώντας έξυπνες στρατηγικές στοιχηματισμού, μπορούμε να ελιχθούμε μέσα από αυτούς τους όρους, εξασφαλίζοντας ότι οι προσπάθειές μας καταλήγουν σε ουσιαστικές ανταμοιβές. Μην ξεχνάτε, το σημείο είναι να διαβάσετε τα λεπτομέρειες και να σχεδιάσετε τα στοιχήματά σας με σύνεση. Με σαφήνεια στους κανόνες στοιχηματισμού, μπορούμε να χαρούμε με ασφάλεια τα μπόνους που μας είναι διαθέσιμα!

Επίδραση στη Χρησιμότητα του Μπόνους

Ενώ διασχίζουμε τον κόσμο των online καζίνο, η αντίληψη του τρόπου με τον οποίο οι όροι στοιχηματισμού επηρεάζουν τη αξιοποίηση του μπόνους είναι ζωτικής σημασίας για εμάς ως παίκτες. Οι όροι στοιχηματισμού συχνά συνοδεύονται με περιορισμούς μπόνους που μπορούν να περιπλέξουν την εμπειρία παιχνιδιού μας. Για παράδειγμα, ένα μπόνους μπορεί να απαιτεί να στοιχηματίσουμε ένα συγκεκριμένο ποσό πριν μπορέσουμε να λάβουμε τυχόν κέρδη, κάτι που επηρεάζει άμεσα το πόσο ωφέλιμο είναι στην πραγματικότητα αυτό το μπόνους. Πρέπει να αναλύσουμε με προσοχή αυτούς τους παράγοντες χρηστικότητας. Οι υψηλές όροι στοιχηματισμού μπορούν να περιορίσουν την δυνατότητά μας να αξιοποιήσουμε αποδοτικά το μπόνους. Αξιολογώντας τους κανόνες μπόνους και κατανοώντας τις επιπτώσεις τους, μπορούμε να πάρουμε τεκμηριωμένες αποφάσεις. Ας εξασφαλίσουμε ότι δεν μας προσελκύουν μόνο τα μπόνους, αλλά είμαστε και προετοιμασμένοι για να βελτιστοποιήσουμε την εμπειρία παιχνιδιού μας στο Sankra Casino.

Κριτήρια καταλληλότητας για μπόνους

Για να ικανοποιούν τις προϋποθέσεις για μπόνους στο Sankra Casino, οι παίκτες πρέπει να πληρούν ορισμένα κριτήρια επιλεξιμότητας. Πρέπει να είμαστε ενήμεροι ότι η καταλληλότητα για μπόνους μπορεί να ποικίλλει σημαντικά ανάλογα με τον τύπο της προσφοράς. Γενικά, οι παίκτες πρέπει να είναι τουλάχιστον 18 ετών και να είναι κάτοικοι Ελλάδας για να λάβουν μέρος σε αυτές τις προσφορές. Πέραν αυτού, μπορεί να ισχύουν κάποιοι όροι για τους παίκτες, όπως η απαίτηση κατοχής επαληθευμένου λογαριασμού ή η τήρηση συγκεκριμένων ποσών κατάθεσης.

Μπορούμε επίσης να προσδοκούμε ότι ορισμένα μπόνους μπορεί να είναι αποκλειστικά για νέους παίκτες ή ορισμένα παιχνίδια, επομένως είναι ουσιώδες να διαβάσετε προσεκτικά τις λεπτομέρειες. Η συμμόρφωση με αυτούς τους όρους διασφαλίζει ότι αυξάνουμε τις ευκαιρίες μας και προλαμβάνουμε τυχόν απογοήτευση αργότερα. Να θυμάστε πάντα ότι η κατανόηση αυτών των κριτηρίων μας βοηθά να διαχειριζόμαστε την εμπειρία παιχνιδιού μας πιο αποδοτικά. Παραμένοντας ενήμεροι, μπορούμε να χαράξουμε στρατηγική για το παιχνίδι μας και να απολαύσουμε πλήρως ό,τι έχει να προσφέρει το Sankra Casino!

Βασικοί όροι που πρέπει να γνωρίζετε πριν διεκδικήσετε ένα μπόνους

Όταν εισχωρούμε στον συναρπαστικό κόσμο των μπόνους στο Sankra Casino, είναι ουσιώδες να εξοικειωθούμε με ορισμένους κύριους όρους. Η κατανόηση αυτών των όρων θα μας βοηθήσει να κατευθύνουμε αποτελεσματικά τα ερεθίσματα μπόνους και να αναβαθμίσουμε την εμπειρία παιχνιδιού μας.

Πρώτα, ας συζητήσουμε για τις απαιτήσεις στοιχηματισμού

Στη συνέχεια, πρέπει να ξέρουμε τη λήξη του μπόνους

Τέλος, ας μην παραβλέπουμε τα παιχνίδια που ικανοποιούν τις προϋποθέσεις. Ποικίλα μπόνους μπορεί να σχετίζονται με ορισμένα παιχνίδια, επομένως η αντίληψη αυτών των ορίων θα μας διασφαλίσει ότι μπορούμε να αυξήσουμε τα πλεονεκτήματά μας.

Οδηγίες για τη Αύξηση της Εμπειρίας Μπόνους σας

Η βελτιστοποίηση της εμπειρίας μας με τα μπόνους στο Sankra Casino ξεκινά με μια στρατηγική προσέγγιση. Εφαρμόζοντας αποδοτικές συμβουλές στρατηγικής μπόνους, μπορούμε να υπερβούμε τις πολυπλοκότητες των συνθηκών μπόνους και να βελτιώσουμε σημαντικά το gameplay μας.

Ακολουθούν μερικές κύριες τακτικές για αξιολόγηση:

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NOW IN THEATERS! The Breadwinner is yet another example of a veteran stand-up comic making it big on streaming platforms and now being given a movie to draw in fans. Not a bad thing to strike while the iron’s hot. Loosely based on some of Bargatze’s stand-up routine, it invites comparisons to Michael Keaton’s Mr. Mom.

Nate Wilcox (Nate Bargatze) is his region’s top-selling Toyota salesman and the family breadwinner. His wife, Katie (Mandy Moore), handles everything else — the kids, the house, the schedule — without even breaking a sweat. To their three daughters, Gracie, Hadley, and Sam, Mom is the one who makes the whole operation run. Dad is just… around.

Katie has been quietly developing a household invention she calls the Star Minder, a cute way to get kids to complete tasks throughout the day. The other mothers love the idea so much that Katie decides to start her own business. Word spreads fast, and before long, she lands an audition on Shark Tank and takes her shot. Lori Greiner wants in — but there’s a catch. The deal only closes if Nate can hold down the fort alone for two weeks while Katie goes to Korea to get the product built to spec for a national launch. Nate agrees without fully thinking through what two weeks alone with three kids actually looks like.

Nate Wilcox (Nate Bargatze) reacts with wide-eyed surprise at a grocery store in The Breadwinner (2026).

“Every scheduled task from Katie — including a sleepover in a few days — goes in one ear and out the other.”

Day one is a reality check. As Katie is preparing for the ride to the airport, Nate can barely get breakfast pulled together. Every scheduled task from Katie — including a sleepover in a few days — goes in one ear and out the other. Here, Nate must put out one fire after another, including Sam invading the space of her classmate, Hadley’s freakout over the upcoming spelling bee, and Gracie’s eye on a new boy. Bargatze is the father with a heart of gold who doesn’t know the first thing about raising daughters. Like a good salesman, he refuses to let anyone know he is severely over his head. Bargatze pulls from every SNL contact on his rolodex: Will Forte as an inept roofer, Colin Jost as a fellow stay-at-home dad that nobody likes, Martin Herlihy as a clingy food delivery guy, and Kumail Nanjiani as Nate’s salesman-of-the-year competitor at the office.

The Breadwinner is a faith-based comedy without the faith. The comedy is safe and slapsticky, which means it’s pretty dull. It’s a family comedy for all ages, but for me, I wish this film would punch down once in a while. The biggest laughs came during the Shark Tank segment. As a fan of the show, the jokes were spot on.

As a film, it’s all fine. I hate that I have to recommend it, but here we are — good performances all around, great production values, particularly in how the home is designed and dressed. I smiled a lot, but I barely laughed out loud. It’s hard to say The Breadwinner is bad, but damn, you can still make a family comedy funny.

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NOW IN THEATERS! The Breadwinner is yet

Pilates body! The Pilates Class founder Jacqui Kingswell has taught her signature method to A-listers including Nina Dobrev, Sydney Sweeney, Emma Roberts, Miranda Kerr, Kaia Gerber, and Olivia Culpo, but she’s telling ET there’s a lot more to the workout than toned abs and matching sets.

“People think that Pilates is easy, or that it’s just stretching, but when you’re doing it properly, it’s incredibly challenging. It requires strength, control, and a lot of focus,” she spills, ahead of returning to Los Angeles, California for her second TPC world tour in June.

Jacqui Kingswell/Instagram

Unlike fitness regimens that rely on pushing yourself to the limit, Kingswell’s technique is centered around slowing down and becoming more in tune with your body.

“There’s a real emphasis on form and connection,” she explains. “We concentrate on how something feels, not just how it looks.”

While Pilates may appear graceful from the outside, Kingswell says the burn, and the results, come from precision and control.

Jacqui Kingswell/Instagram

“Movement can and should be enjoyable. It isn’t just physical, it’s emotional and mindful as well,” the former professional dancer shares.

“It’s not about rushing through movements. It’s about understanding your body on a deeper level and really experiencing it.”

That same philosophy also influences the way the trainer structures her head-to-toe routines.

“We create balance throughout the entire body rather than isolating one area. … We always come back to the core because it holds deep, stabilizing muscles that support everything else. … From there, we layer in glutes, inner thighs, posture, and back body strength,” she notes.

Jacqui Kingswell/Instagram

And for anyone who feels intimidated stepping onto a mat or machine for the first time, Kingswell wants to make one thing clear.

“Pilates is for everyone. … It’s one of the most adaptable and empowering ways to move.”

Beyond stronger muscles and better posture, Kingswell believes the practice can transform your mindset, too.

Jacqui Kingswell/Instagram

“It’s a holistic approach focused on consistency, feeling good in your body, and seeing incredible results without exhausting yourself,” she notes.

“Your body feels strong, supported, and aligned, and mentally, you feel more connected to yourself and more present.”

Outside of the studio, Kingswell brings that same energy into her daily life. 

Jacqui Kingswell/Instagram

“Find that rhythm where you feel good, not restricted, and give yourself the grace you deserve,” she suggests.

“I try to have one day a week where I digitally detox, and I’m really intentional about putting my phone down during mealtimes with my family throughout the week. … I also try not to take life too seriously and if I’m craving something, I’ll eat it. If I don’t feel like working out, I won’t force it. You’re not truly living a healthy life if you’re not enjoying it.”

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Pilates body! The Pilates Class founder Jacqui

Trinity CineAsia has acquired U.K. distribution rights to “Being Towards Death,” the latest feature from “Detective Chinatown” franchise director Chen Sicheng and one of mainland China’s first palliative comedies, with the film set to open at selected Odeon venues on June 5.

Rights were obtained from Blossoms Entertainment. The film screened in main competition at the Beijing International Film Festival before opening in mainland China on May 1.

A marked shift for Chen – known primarily for commercial suspense-thriller work across the “Detective Chinatown” series and titles including “Lost in the Stars” and “Sheep Without a Shepherd” – the Mandarin-language feature is also his first foray into comedy-drama. The film follows Xiaobing, a debt-ridden man who, after losing his family and surviving a suicide attempt, takes a job providing mental support to patients in Cancer Ward No. 10. His transactional arrangement gradually shifts as he is pulled into his patients’ final wishes and impulsive adventures, culminating in a road trip aboard a repurposed ambulance.

The ensemble cast is led by Jiang Long, Qi Xi and Yang Chaoyue – a veteran of the Rocket Girls 101 talent competition – alongside Wang Zichuan, Zhang Chi, Cao Bingkun, Huang Yi and Ye Quanxi. Veteran actor Ni Dahong and comedy performer Cai Ming appear in special roles, and Sixth Generation directors Jia Zhangke and Guan Hu make cameo appearances.

“Having worked multiple times with Chen Sicheng, we followed his evolution from tentpole comedy franchise to more intimate dramas, damn clever remakes to outright thrillers verging on horror. Chen is widely seen as one of the most versatile writer-directors working in China today, and of course one of its most successful producers. It is both an honour and an absolute pleasure to work with him and we couldn’t be happier to release his new, highly original, wacky comedy ‘Being Towards Death’ in the U.K.,” said Cedric Behrel, managing director of Trinity CineAsia.

Producers are Beijing As One Pictures, Maoyan Pictures and Kunshan Zhouzhuang Shuangqiao Film Co.

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Trinity CineAsia has acquired U.K. distribution rights

Jimmy Kimmel laid into Freedom 250’s Great American State Fair after multiple headliners backed out, suggesting Donald Trump and his associates couldn’t “do anything” right.

During Thursday’s monologue for “Jimmy Kimmel Live!,” the comedian weighed in on the controversy surrounding the event, a 16-day patriotic celebration on the National Mall in Washington, D.C. that is being organized by the president’s nonprofit. It is slated to kick off on June 25.

The problem? Well, as Kimmel pointed out, the announced headliners are dropping one by one.

“They’re also lining up entertainment for what they’re calling the Great American State Fair,” he said. “This is a big concert in Washington on July 4th to celebrate our 250 years. And what a lineup they have. This is like Coachella for bands that hired their cousin as their tour manager.”

He continued: “The listed performers include pop duo Milli Vanilli, one of whom is dead. Pop duo C+C Music Factory, another of whom is dead. Morris Day and The Time, minus lead singer Morris Day and minus The Time, they refused to be part of the event. Young MC, minus Young MC, who also refused to be part of the event. And The Commodores, minus the original singers from The Commodores and minus the new singers from The Commodores who backed out today, too.”

As Kimmel went on, he joked that those who hoped to attend shouldn’t be worried, as Bret Michaels, Flo Rida, Vanilla Ice and “the guy from the Cracker Barrel logo tooting on the jug are in so far.”

“We’ll check back on that tomorrow to see if they’re still in. What a mess,” Kimmel added.

The comedian was particularly tickled by Milli Vanilli’s response to being booked for the festival, in which the group said, “Others using the name Milli Vanilli that appear on the advertisement should be considered a tribute band with no association vocally, musically to our sounds and songs.”

Given Milli Vanilli infamously did not provide the vocals for their chart-topping music, Kimmel cracked: “How can someone pretend to be Milli Vanilli when Milli Vanilli was pretending to be Milli Vanilli?”

After summarizing the drama so far, Kimmel made one last dig about the festival, stating, “What a concert this is going to be. Everything they do, they screw up. They cannot do anything.”

Watch Kimmel’s full monologue above.

“Jimmy Kimmel Live!” airs weeknights at 11:35 p.m. ET on ABC.

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Jimmy Kimmel laid into Freedom 250’s Great

After a 13-year radio silence, of course, the first question on many minds will be, What’s changed? The answer remains, as usual: not much. The duo has not significantly altered its formula since Music Has the Right to Children, though that’s not to say its discography has delivered diminishing returns; one of Boards of Canada’s talents has always been the ability to eke out subtle variations from a relatively fixed pool of sounds and moods. Geogaddi doubled down on Music Has the Right to Children’s mix of lacerating hip-hop beats and woozy psychedelia; flush with acoustic guitars, 2005’s The Campfire Headphase carved out space for pastoral contemplation; things turned darker and muggier with 2013’s drone-heavy Tomorrow’s Harvest, their last album until now. Darkness once again shades Inferno, but the shift this time has more to do with heft and texture: The album’s palette is distinguished by its sharp lines, ultra-vivid detailing, generous dynamic range, and crisply tactile feel, especially in the rhythm tracks. If Tomorrow’s Harvest was influenced by soundtrack composers like Wendy Carlos and Mark Isham, Inferno suggests a 3D projection on the biggest screen in town, with richer colors and more dizzying spatialization than anything they’ve done before.

Inferno opens as Boards of Canada albums so often do, with a cluster of brassy, vaguely optimistic synths, a dead ringer for the sorts of abstract jingles once encountered alongside the introductory credits on VHS tapes; barely a minute later, things leap into action with “Prophecy at 1420 MHz,” whose chiseled rock beat, evolving synthscapes, and plangent guitar lead feel like the platonic ideal of a Boards of Canada song, blown up to gargantuan proportions. The title is a reference to the frequency at which hydrogen resonates, believed to be a likely signal path for interstellar communication; as the track gathers steam, a robotic voice delivers a gravelly treatise on consciousness and being: “Nothingness comes to a greater awareness of itself/The divine intellect/I am the truth, extinction… I am God, the ultimate resonance.” It’s a high-stakes bid to claim ownership of the oldest story in the book: the meaning of life.

That story appears in fragments across the album; sleuths will have a field day scouring the record for its copious Easter eggs. Over pistoning Steve Reich pianos, “Age of Capricorn” begins with a computerized voice spelling out coded references to the Antichrist (and Osama bin Laden) before a Christian prayer is intoned against a swelling choral backdrop. In “Father and Son,” the dialogue from what sounds like Ned Flanders’ favorite evangelical radio broadcast is cut up and rhythmically synced to an almost deliriously funky, quintessentially Boards-in-B-boy-mode groove. Another choppy voiceover is the centerpiece of the Geogaddi-esque crunch of “The Word Becomes Flesh,” this time a chipper educational spiel about human embryos, the kind of thing you might encounter in a middle-school sex ed class. At first, these highly specific voiceovers, with their Books-like rhythmic tics, feel jarring, but after enough repetitions, it would be hard to imagine the music without them; they function as portals you can’t quite unlock, or puzzle pieces you keep spinning in your mind.

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After a 13-year radio silence, of course,

Paul Rudd and Nick Jonas star as a washed-up wedding singer and a former boy band member who fight over a song.

From our review:

There are some promising themes in “Power Ballad” — the soulful joys of collaboration, the precarity of celebrity, the evils of the music industry — but the movie never develops them. Instead, the director John Carney, who wrote the script with Peter McDonald, keeps everything nice and insistently light, gesturing at complexities rather than delving into them.

In theaters. Read the full review.

This horror film directed by Kane Parsons sees a furniture salesman (Chiwetel Ejiofor) and his therapist (Renate Reinsve) fall into an endless maze of sinister rooms.

From our review:

Ambiguity is key to this style of horror, where space and atmosphere do most of the heavy lifting, and though the story isn’t over-explained, mind you, it’s filled out enough to break its own uncanny spell.

In theaters. Read the full review.

Meteorologists (Andrew Scott and Irving Krick) give Gen. Dwight Eisenhower (Brendan Fraser) dueling forecasts for D-Day in this atypical World War II movie directed by Anthony Maras.

From our review:

As the general and the meteorologists go around in circles about data and dates, it all amounts to an empty idea masquerading as a prestige war film that a sturdy cast can’t save. Fraser, though, is a glaring miscast.

In theaters. Read the full review.

Directed by John Travolta, this coming-of-age story follows an airplane-obsessed boy on a cross-country flight with his mother during the golden age of aviation.

From our review:

Some viewers may find “Propeller” a tad affected. But the wistfulness of this memory film is precisely what charms, because it’s steeped in a fondness for a bygone moment that’s so palpably personal to Travolta.

Watch on Apple TV. Read the full review.

Lina (Isabel Aimé Gonzalez Sola), a fashion stylist, struggles to recover after a traumatic incident leaves her terrified of water in this drama directed by Milagros Mumenthaler.

From our review:

While alluding to Alfred Hitchcock’s “Vertigo,” the movie remains faithful to Lina’s embodied experience, closer to Virginia Woolf and Lucrecia Martel. Its bravura filmmaking is all in the service of letting us travel alongside Lina as she feels her way to self-understanding.

In theaters. Read the full review.

Set on the island of Mallorca, this drama directed by Lucía Aleñar Iglesias centers on a teenager who begins adopting aspects of her late grandmother.

From our review:

Iglesias’s use of feminine doubling naturally calls to mind “Persona,” but the film also evokes another artful puzzler: Lucrecia Martel’s “The Headless Woman.” Like that antecedent, “Forastera” is an exquisitely deconstructed ghost story, a muted mystery that beguiles while remaining deeply grounded in its evocative setting.

In theaters. Read the full review.

Starring Nate Bargatze (who is also one of the screenwriters), this comedy follows an inept stay-at-home dad.

From our review:

Bargatze proves himself a savvy writer and performer here; he doesn’t hog all the laugh lines for himself, but instead often plays straight man to his three daughters … Colin Jost and Will Forte provide absurdist neighborly “support,” but it’s the girls who ultimately make this comedy sing.

In theaters. Read the full review.

An ex-convict (Nikolaj Lie Kaas) hunts for treasure alongside his brother (Mads Mikkelsen), who has dissociative identity disorder and believes he is John Lennon in this oddball film directed by Anders Thomas Jensen.

From our review:

It combines scenes of torture and the trauma of child abuse with gags about Abba and IKEA. Do we laugh? Wince? Both at the same time? There’s no uncertainty about Mikkelsen, however: He gives a career-best performance here.

In theaters. Read the full review.

After her husband dies, Diane (Allison Janney) gets another shock when her son sends his assistant (Andrew Rannells) to help with the arrangements in this dramedy from Jim Rash.

From our review:

In the strained dramedy “Miss You, Love You,” Allison Janney goes to some intensely emotional places for an obvious reason: Her character, Diane, is newly widowed. But Janney veers from fury to reflection to tearfulness so vigorously it’s as if she knows that heavy lifting is required to take this story off the page.

Watch on HBO Max. Read the full review.

Compiled by Kellina Moore.

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A musical comedy that’s a little pitchy.‘Power

When Craig Ferguson left CBS’ “The Late Late Show” in December 2014, fulfilling a pledge made public the previous April, it was assumed by some that it had something to do with not being offered the chair being vacated by his illustrious lead-in, David Letterman. (Stephen Colbert, you may be aware, was named the new “Late Show” host.) Others simply couldn’t believe anyone would just walk away from such a job, which Ferguson had held for two weeks shy of 10 years, because, even in the less prestigious 12:30 time slot it seemed like a prize — but mostly because he was so good at it.

“That’s one of the odd things about that particular genre of television,” he told me in 2016. “The minute I started at 12:30, the question became when and do you want and how are you going to get 11:30? But I never wanted 12:30, never mind 11:30. Why is that a thing?”

Ferguson went on to other things. He’s hosted game shows (currently the CW’s “Scrabble,” with puckish energy); toured as a stand-up (he’s on the road into June); hosted a history-themed panel show, “Craig Ferguson: Join or Die”; launched “Joy, a Podcast,” which is as close as he’s come to the confessional freestyling of “The Late Late Show”; and published “Riding the Elephant: A Memoir of Altercations, Humiliations, Hallucinations & Observations.”

His latest show, premiering Saturday on CNN, is “American on Purpose,” which shares a title with his first memoir, a reference to the Scottish-born Ferguson becoming an American citizen. Timed generally to the 250th anniversary of the United States, it finds Ferguson in a five-episode crazy quilt of observations, interviews, inquiries, stunts, games and documentary vignettes forming a comical, but not unserious, somewhat wayward look at American ideas and ideals — freedom of speech, capitalism, patriotism, individualism and immigration. It’s a vision wide enough to include monster trucks, lowriders, underground comedy, Miami street art, Texas barbecue and haggis tacos, dreamed up by Ferguson and executed by celebrity chef Marcus Samuelsson.

Ferguson, a Scotsman, having haggis tacos on “American on Purpose.”

(CNN)

“You know me,” Ferguson said when we spoke over video call recently. “Less format is better for me always.”

His caveat to the producers was that he wouldn’t “make an anti-American show. I wouldn’t make a show pointing out everything that’s wrong. I feel that’s a market that’s heavily catered to. I’m not a f—ing idiot, I’m not making propaganda, I won’t make a jingoistic show. But I want to make a show which is celebratory,” Ferguson says. “And I want to be clear that the show I make for CNN will be the same as if I was making it for Fox News. It has to be my point of view, which is upbeat without being dumb — I hope. I feel like we got pretty close.” This conversation has been condensed and edited for clarity.

A good friend of mine, an Englishman, recently became an American citizen and had only wonderful things to say about the naturalization ceremony, the diversity of his fellow new Americans, and the graciousness of the people conducting it. What was your experience?

My ceremony was in Pomona fairgrounds in 2008. And I think it was 2,000 of us; I think it was 1,999 new Mexican Americans and one new Scottish American. And it was f—ing wonderful. And it is moving. I kind of wish it for my friends who are born here, American citizens, because you have to remove your everyday, “Oh my God, did you see the news today” cynicism, and remember what this place is about — freedom, second chances, third chances, escape, representation, individualism, different ideas coexisting in one country, wildly different points of view somehow managing to get along. That is f—ing beautiful. What I still feel as an immigrant American is a certain gratitude that doesn’t leave you. I’m not blind to the faults of the United States. Show me a country that doesn’t have faults. We talk about the bloody past. Show me a country that doesn’t have a bloody past. Humans have a bloody past. I’m not saying there’s nothing wrong, but I’m not looking at that in this show. I’m looking at what makes me feel great about this place, and it is a great place, an aspirational place. To my mind, we are still the big foam finger number one. I don’t think there’s anyone can touch us for … unusualness. We’re really unusual.

It’s a very optimistic show. Is that how you feel personally about the future of the country, and humanity?

Like most people, I have my moods. I got a real boost of optimism [hanging out] with very clever academics who kind of guard the Declaration of Independence in Philadelphia. And you say to them, “People say the country’s never been this divided.” They always laugh. They laugh at the idea it’s never been as bad as this, the rhetoric has never been this hateful. They’re like, “It’s always been like this. It’s always been an argument. The whole point of this place is that it is an argument.” The guys who started this country, some of them hated each other with just as much venom and outrage and indignance as political players hate each other today. I find that quite encouraging. Like I said, I’m not blind to the fact that there are issues and faults and deep things to worry about. But that’s not what this show’s about. It’s as if I was a musician, and I decided to write a happy song. People say, “Why aren’t you sad?” I’m like, “Well, I get that sometimes, but this song is a happy song, this is a rock song. I’ll do a power ballad later on.” It’s not terrible to to do something upbeat every now and again.

What did you discover in the course of making the show?

There were many things, actually. In L.A., I did a kind of run around with the guys who make the lowrider cars, and the community and the story of how that came about are really fascinating, a kind of parallel run of the rise of the automobile in America, but how it was taken on by the Mexican culture. Another that really stuck with me was in the Everglades, when I was with the Gladesman there, finding out that a large percentage of them [were descended from] displaced Scottish peasants, cleared out of the Highlands to make room for sheep for the landowners; they went to Canada, and they drifted all the way down to the southern tip of the United States. These guys there could trace their ancestry back to 100 miles from where I grew up. Americans would be kicked out of most of the countries of the world. So it makes us awesome. I mean, 40% of this country can trace themselves through Ellis Island, through that administration building in New York. That’s insane.

A man in a suit behind a desk next to two yellow chairs on a boardwalk.

Ferguson at Venice Beach in a segment on the show.

(CNN)

When did you get interested in history?

In Scotland, we’re surrounded by it all the time. There’s a lot of stuff still lying around from a long time ago. American history became interesting to me because it was so attached to Scotland. The Scottish Enlightenment is really kind of the origin story of the Declaration of Independence. Knowing that the philosophy that was coming out of Edinburgh in the 1700s was directly feeding into what these guys were doing, it felt like the continuation of a certain strain of Scottish history. It didn’t end with “Highlander” or “Shrek.”

There’s a road movie element to the series. Do you take trips around the country on your own time?

All the time. I don’t think you can know the United States unless you’ve driven across it at least a couple of times. If you can take a car from New Orleans to Northeastern Maine, Florida to Washington state, it’s worth doing. One of the things that was in the engine for me when I started this [series] was, I’ve seen over the years a lot of — probably more in Britain than in America — lazy kind of pseudo-intellectual documentaries where somebody will say, “Well, you know, the thing about America is…” Well, which America are you talking about? And they will go and get some guy that lives on his boat in Fort Lauderdale with a hat that’s got “Who Farted?” written on it and tell you that’s America. That guy’s there and he’s awesome, but it’s not the whole story. You know what I mean? It’s like saying “Well, you know, Hitler was a vegetarian.” That’s true, he was. But it’s not really the whole f—ing story, is it?

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When Craig Ferguson left CBS’ “The

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VisionQuest is bringing back a familiar Iron Man villain to undo a major injustice. The MCU’s WandaVision trilogy will conclude this year with Disney+’s VisionQuest, and it is littered with Iron Man connections. Not only does the series star Paul Bettany’s Vision, whose origins lie in Tony Stark’s first AI helper, JARVIS, but the WandaVision threequel has also piled some of the OG Avenger’s other techy creations on its cast, such as FRIDAY, EDITH, and even Ultron. 

Disney+’s VisionQuest is linking itself closely to 2008’s Iron Man by bringing back the MCU’s first-ever villain: Faran Tahir’s Raza Hamidmi al-Wazar. The studio has yet to confirm how Raza fits into VisionQuest‘s bigger picture, but his long-awaited return gives Marvel Studios the chance to right an 18-year-old wrong.

Marvel Studios

Most will simply remember Raza as the Ten Rings terror cell leader who took Robert Downey Jr.’s Tony Stark hostage in Afghanistan and forced him to build powerful weapons, specifically his Jericho missile. Instead, Stark developed his first Iron Man suit and used it to escape, kickstarting his superhero career.

Despite an early focus on the Ten Rings, it was later revealed that Jeff Bridges’ Obadiah Stane was the true antagonist and had hired the terrorists to kill Stark. Promptly after, Stane temporarily paralyzed Raza before his men opened fire on the Ten Rings encampment, leaving his fate seeming murky, but still uncertain.

Raza and Obadiah Stane in Iron Man 2008.
Marvel Studios

In many ways, the mystery surrounding Raza’s fate is one of the biggest injustices in Iron Man. Despite entering the fray as a frightening adversary for the Armored Avenger, he was simply tossed aside for the third act in favor of a big twist villain, with his true fate never being revealed (although most assumed he was killed).

18 years after Raza appeared for the first and last time, Marvel Studios has the chance to reverse Iron Man‘s injustice to the Ten Rings villain by giving him a true ending and perhaps the chance to be an even more significant villain.

Wait, Why Is Raza Returning in Disney+’s VisionQuest?

Mere moments before he was betrayed by Obadiah Stane, aka Iron Monger, Raza shared his hope of being “[repaid] with a gift of iron soldiers.” Almost two decades later, there is a very real chance that Raza’s goal is unchanged in VisionQuest, still looking to kit out his Ten Rings faction with the latest tech.

Fans already know that Vision will be pursued by the gun-for-hire Paladin in his Disney+ series, seeking to steal his advanced technology. One has to wonder whether it was Raza who hired Paladin, still seeing Stark technology as the solution to his problems even after the superhero genius’ death.

It took 13 years after Iron Man‘s release for the Ten Rings’ true nature to unravel in Shang-Chi and the Legend of the Ten Rings. That movie made it clear that Raza was merely leading one terror cell of Wenwu’s ancient global organization, although the Ten Rings officially has a new top dog in the MCU after Shang-Chi.

James Spader’s Ultron is believed to be VisionQuest‘s main villain, but there is one major obstacle. Unless something changes in the show, Ultron has no physical body and is merely a remnant of programming inside Vision, which may open the doors for Raza and Paladin to be the real-world foes of the WandaVision sequel.

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While there had been some before him, it was Liam Neeson who truly redefined the aged action hero trend with his 2008 oft-quoted thriller, Taken. Now, it’s time for another Hollywood icon to join the fray, as 62-year-old Academy Award winner Russell Crowe unleashes his particular set of skills in the first trailer for the upcoming action thriller, The Get Out.

Aged 62, Crowe is a mite older than Neeson was the first time he had to save a family member from nefarious forces (for context, he was 55 when Taken was released), but, as expected, the Gladiator star is no less captivating as he dons an Albanian accent to play Marco Kapak, a surprisingly friendly, somewhat goofy club runner who, after a brush with death, decides to leave everything behind. Of course, things don’t go as planned, with Crowe forced to shoot his way out of trouble.


As the footage shows, after being robbed by a pair of masked thieves (played by Breaking Bad’s Aaron Paul and The Vampire Diaries’ Nina Dobrev), Marco is forced into a violent game of cat and mouse while cartel threats and a mysterious buyer (Beauty and the Beast’s Luke Evans) turn his escape plan into a deadly trap. The Get Out (also known as Bear Country) gives Russell Crowe the chance to both chew some scenery and deliver the kind of intensity that he’s now well-known for. In both real-life and on screen.

The A Beautiful Mind star gets the chance to go full Liam Neeson in The Get Out, though, unlike the Taken star, his tongue is wedged firmly in his cheek, with the line “I’m not the kind of man you rob” telling us everything we need to know about this latest addition to the aged action hero genre.

Russell Crowe in The Exorcism Vertical

The Get Out reunites Crowe with director Derrick Borte, with the pair having delivered the twisted psychological action thriller Unhinged back in 2020. Despite some mixed reviews, Crowe certainly lived up to that title, and The Get Out looks to be another magnetic turn from the popular actor. And it’s a performance we’ll get to bask in when The Get Out hits theaters on June 26, 2026.

The Get Out is far from the only action-packed adventure in the pipeline for Russell Crowe. The Oscar winner recently entered the MMA fray in the well-received Beast, and he will resurrect the skills of Maximus and do battle with the Roman Empire all over again in the upcoming historical epic The Last Druid before embarking in espionage in the spy thriller Billion Dollar Spy. Finally, Crowe is due to reunite with his Man of Steel co-star Henry Cavill in John Wick director Chad Stahelski’s long-awaited Highlander reboot.

instar52077453.jpg

Birthdate

April 7, 1964

Birthplace

Wellington, North Island, New Zealand

Birthname

Russell Ira Crowe


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While there had been some before him,

Grand Theft Auto 6 is still on-track to release in just under six months. And while it’s too soon to claim the title will receive the same critical acclaim that Grand Theft Auto 5 received in 2013, Strauss Zelnick–the CEO of Rockstar Games’ parent company, Take-Two Interactive–is confident the sequel will receive high reviews. He also believes the glowing response to Rockstar’s previous games reflects well on the company itself. 

“Rockstar’s scores are typically in the mid-90s, sometimes high 90s,” Zelnick said during an interview with The Game Business. “Not many games can say that. And that’s a reflection on Rockstar’s commitment to quality.”

Zelnick also acknowledged that great reviews still matter for games like GTA 6, but his fellow guest, Future content director Dan Dawkins, suggested that the gaming media landscape has greatly changed in the 13 years since GTA 5 was released. 

“The media and cultural environment has completely transformed,” Dawkins said. “At that point in time … it was easier–not easy, but easier–to handpick the journalists you wanted to review that game ahead of time. I was one of those journalists. Social media is so noisy. And someone has to be first to say the thing you like is rubbish. Someone will do that. All narratives are available at once now, about everything. Rockstar are going to get, from the gates, some dissenting voices.”

Regardless, Zelnick remains bullish about GTA 6’s prospects, even in the face of rising costs for everyday needs. 

“If you give people what they want in the entertainment business, they will come out for it,” Zelnick told IGN earlier this week. He also hinted that GTA 6 will have a “reasonable price,” but has yet to specify what it will be.

If GTA 6 hadn’t been delayed, it would have released earlier this week. Instead, it will launch on Xbox Series X|S and PlayStation 5 on November 19. Rockstar recently reaffirmed that release date in the face of another rumored delay.

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Grand Theft Auto 6 is still on-track

The Media Access Awards, originally established by legendary television producer Norman Lear and others, has been the preeminent disability impact and advocacy awards ceremony for over 40 years. Produced in partnership with Easterseals Southern California (ESSC) since 2018, today, ESSC  announced the  awards have been rebranded as the Easterseals Disability Arts & Culture Awards (The DARCYS), with Film Independent as a co-producer.

The re-imagined show takes the legacy of the Media Access Awards, which recognized artists and industry leaders who have advanced authentic portrayals of disability and expanded opportunities for disabled talent across entertainment, and expands it to reflect the growing momentum around inclusion, accessibility, and representation across all forms of media, while calling attention to the work yet to be done.

Marissa Bode & Cesily Collette Taylor at the 2025 Media Access Awards. Photo Courtesy of Easterseals

Under its new structure, the DARCY’S will be introducing a competitive nominations process, where nominees will be announced prior to the ceremony, and winners will be revealed at the awards show event. Categories will include Best Feature, Best Documentary, Best Performance in a Feature, Best Scripted Series, Best Unscripted Series, Best Performer in a Series, and Best Social Creator. The awards will also include Achievement in Casting Ensemble, the Legacy Award, and the Christopher Reeve Emerging Talent Award.

Easterseals, the largest nonprofit provider of disability services as well the leading disability advocacy organization,created a Disability Advisory Committee, a talented group of disabled individuals who work in the industry to guide the evolution of the Awards. The committee is led by co-chairs Emily Ladau and Nicole Lynn Evans, and includes members Jamie Brewer, Christine Bruno, Lawrence Carter-Long, Ashley Eakin, Danny J. Gomez, CJ Jones, Danny Kurtzman, Lachi, Jim LeBrecht, Sue Ann Pien, and Lolo Spencer.

Nic Novicki Photo Courtesy of Easterseals.
Nic Novicki at the 2025 Media Access Awards. Photo Courtesy of Easterseals.

The rebrand is a significant shift in scale, visibility and integration. The ceremony will take place Saturday, October 10 at The Historic Barker Hangar in Santa Monica and will air live around the world on YouTube and in Los Angeles on PBS SoCal with rebroadcast on PBS stations nationwide. The DARCY’S visual identity was created by Pentagram, and submissions and digital screening services will be provided by Vision Media. The show will be Executive Produced by Shawn Davis, Executive Producer of the Film Independent Spirit Awards.

“For over four decades, Film Independent has championed a culture of inclusion in storytelling. Partnering with Easterseals Disability Services on the Easterseals Disability Arts & Culture Awards is a natural reflection of this mission,” said Davis. “Together, we’re not just celebrating great storytelling; we’re redefining who gets to tell those stories and how they are told.”

Nominees will be determined by industry committees composed of filmmakers, critics, past Media Access Awards honorees, and industry guild and nonprofit organization representatives. Nomination eligibility includes specific requirements ensuring that the disability inclusion is substantive, sustained, and integral to the work being recognized. Accessibility, including captioning and audio description, will be a key component of the submission and review process.

Submissions will open on Tuesday, June 16 and close on Tuesday, July 14.

For more information, visit socal.easterseals.com/darcyawards. Follow @DARCYAwards on Facebook, Instagram, TikTok, and X.

Film Independent promotes unique independent voices by helping filmmakers create and advance new work. To support our work with a donation, please click here. Become a Member of Film Independent here.

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Paramount is closing in on acquiring hot Cannes film market titles The Midnight Sun, to be directed by Garth Davis and to star Florence Pugh, sources tell The Hollywood Reporter.

Paramount is paying more than $30 million for the rights to the film. StudioCanal, which is backing the feature project, will distribute the film in the U.K., France, Germany, Italy, Poland, Benelux, Australia, New Zealand and South Africa, with Paramount distributing in the rest of the world.

The adaptation of the book by Matt Haig is likely the biggest deal out of the Cannes film market. The story centers on Nora Seed, who finds herself in a magical library between life and death, filled with books that offer her to see the many outcomes of lives not lived. Pugh is slated to play Seed.

The Midnight Sun won’t be Davis and Pugh’s first collaboration, as the two worked together on the upcoming limited Netflix series East of Eden. Davis has also helmed the Oscar-nominated Lion, the Elizabeth Moss-starring Top of the Lake and Foe (2023).

Pugh led Marvel’s Thunderbolts* last summer, and will also appear in Avengers: Doomsday later this year for the franchise. She’s also starred in the second Dune film, Christopher Nolan’s Oppenheimer and received her sole Academy Award nomination for her turn in Greta Gerwig’s Little Women.

Graham Broadbent and Pete Czernin of Blueprint will produce alongside Pugh and Anita Overland.

Ben Knight and Diarmuid McKeown of Blueprint will executive produce, alongside Anna Marsh, Ron Halpern and Dan MacRae for StudioCanal.

Puck was first to report on Paramount’s deal.

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Paramount is closing in on acquiring hot

Project Hail Mary snatched the best of show prize at the 2026 Golden Trailer Awards for its trailer entitled “Chance” from Amazon MGM Studios and Wild Card Creative.

The Golden Trailer Awards celebrate the best in motion picture and digital marketing previews, which includes trailers, commercials and posters. The 2026 awards ceremony was held Thursday night at the Saban Theatre in Beverly, where Morgan Jay served as the night’s host.

“Project Hail Mary’s “Chance” is a master class in everything that can make a trailer effective, from spectacular visuals to arresting sound design to emotional music choices to disarming humor,” said Evelyn Brady, Golden Trailer Awards executive director. “This trailer and the others for Project Hail Mary clearly connected with audiences, helping to make the film a global box office hit. We congratulate the teams from Amazon MGM Studios and Wild Card Creative, as well as all of tonight’s winners and honorees for another fun and very competitive year.”

The agency of the year award went to AV Squad; the agency has won the award three years straight. Between AV Squad and their print arm, AV Print, the agency took home the most wins, with 14.

“Congratulations to AV Squad, who have dominated this top honor and once again showed why with depth, breadth, and the diverse quality of their work this year,” said Monica Brady, the show’s executive producer. “They bring every project a unique and bespoke touch and approach that serves the film and audiences so well.”

Other top winning titles of the night included One Battle After Another, Weapons and Sinners; each film won three awards. In the studio sector, Disney led with 29 wins, and Warner Bros. Discovery followed with 22.

Awards were dished out across 119 categories, though the top 19 categories were presented live during the staged event at the Saban.

A complete list of the 2026 Golden Trailer Awards winners follows.

GTA26 Show Categories

Best of Show
Project Hail Mary “Chance,” Amazon MGM Studios, Wild Card Creative Group

Agency of the Year
AV Squad

Best Action
The Running Man, “What It Takes,” Paramount, BOND

Best Animation/Family
Sketch “Creative,” Angel Studios, Wild Card Creative Group

Best Comedy
Anaconda, “O.M.G.,” Sony Pictures, Requiem

Best Documentary Bio Pic of an Individual
Pee Wee As Himself – Trailer, HBO, Mark Woollen & Associates

Best Documentary Subject
The Tale of Silyan, National Geographic, Requiem

Best Drama
Project Hail Mary “Chance,” Amazon MGM Studios, Wild Card Creative Group

Best Fantasy/Adventure
Project Hail Mary, “Message,” Amazon MGM Studios, Buddha Jones

Best Horror
Lee Cronin’s The Mummy, “Katie,” Warner Bros., Requiem

Best Independent Trailer
Good Luck, Have Fun, Don’t Die “Revolution,” Briarcliff Entertainment, AV Squad

Best Music
Project Hail Mary “Chance,” Amazon MGM Studios, Wild Card Creative Group

Best Summer 2026 Blockbuster Trailer
Disclosure Day, “Know,” Universal Pictures, Buddha Jones

Best Teaser
The Devil Wears Prada 2, “Catwalk,” 20th Century Studios, Buddha Jones

Best Thriller
Weapons – “Beware,” Warner Bros., Mark Woollen & Associates

Best Video Game Trailer
Silent Hill f, Live Action Trailer, Konami Digital America, Create Advertising Group

Most Original Trailer
Wuthering Heights “Everything,” Warner Bros. Pictures, Wild Card Creative Group

Best Comedy Trailer for a TV/Streaming Series
Nobody Wants This: Season 2, “Lucky,” Netflix, Requiem

Best Drama Trailer for a TV/Streaming Series
The Pitt Season 2, Return Trailer, HBO Max, Aspect

NONSHOW CATEGORIES

Best Faith Based Trailer
Midwinter Break “Secret,” Focus Features, ZEALOT

Best Independent Trailer Ultra Low (for film budget shot under $3.2million)
If I Go Will They Miss Me, Salaud Morisset, Good Hands

Best Motion/Title Graphics
Tron: Ares, “Flynn Lives,” Walt Disney Studios, Create Advertising Group

Best Original Score
Dune: Part 3, Warner Bros., Jax

Best Romance
Wuthering Heights “Everything,” Warner Bros. Pictures, Wild Card Creative Group

Best Sound Editing
undertone, “Silence,” A24, Major Major

Best Voice Over (The Don LaFontaine Award)
Mortal Kombat 2, “Uncaged” teaser, Warner Bros., Aspect

Golden Fleece
Waltzing With Brando, “Offer,” Iconic Releasing, Remote Control Video Creative

Trashiest Trailer
Faces of Death “Attention,” IFC, AV Squad

FOREIGN TRAILERS

Best Foreign Action
The Furious “Brawler,” Lionsgate, AV Squad

Best Foreign Animation/Family
ALICE IN WONDERLAND, TNT4 CHANNEL

Best Foreign Comedy
Fackham Hall, “Filthy,” Entertainment, Silk Factory

Best Foreign Documentary
Mr. Nobody Against Putin, Made in Copenhagen, Intermission Film

Best Foreign Drama
Sentimental Value “Family,” NEON, ZEALOT

Best Foreign Horror
Exit 8, Neon, Intermission Film

Best Foreign Independent Trailer
Sound of Falling, MUBI, MUBI LAB

Best Foreign Music
Ambleside, AMG Intl Film, Good Hands

Best Foreign Teaser
No Other Choice, The Axe Teaser, NEON, Aspect

Best Foreign Thriller
SHARP CORNER, Elevation Pictures & Vertical, Champ and Pepper

Most Original Foreign Trailer
Resurrection – Trailer, Janus Films, Mark Woollen & Associates

TV SPOTS FOR FEATURE FILMS

Best Action TV Spot
One Battle After Another – “Pursuit,” Warner Bros., MOCEAN

Best Animation/Family TV Spot
Hoppers, TV “Crazy (Super Bowl)”, Walt Disney Studios, X/AV

Best Comedy TV Spot
One Battle After Another “Offense,” Warner Bros., MOCEAN

Best Documentary TV spot
Jaws @ 50: The Definitive Inside Story, National Geographic, Mark Woollen & Associates

Best Drama TV Spot
Sinners “Forever,” Warner Bros. Pictures, Wild Card Creative Group

Best Fantasy Adventure TV Spot
Wicked: For Good, “Legacy,” Universal Pictures, Requiem

Best Foreign TV Spot
Sentimental Value “Daughters,” NEON, ZEALOT

Best Graphics in a  TV Spot
Tron: Ares, “Time Is Up,” The Walt Disney Company, Tiny Hero

Best Horror TV Spot
Weapons “See Archer,” Warner Bros. Pictures, AV Squad

Best Independent TV Spot
Together, “Gift,” NEON, Requiem

Best Music TV Spot
Avatar: Fire and Ash “Greatest,” Walt Disney Studios, Rogue Creative Agency

Best Sound Editing in a TV spot
Michael “Snap,” Lionsgate, AV Squad

Best Thriller TV Spot
Sinners, “Sermon,” Warner Bros, Create Advertising Group

Most Original TV Spot
The Fantastic Four: First Steps – “Future Proof,” Walt Disney Studios, MOCEAN

TRAILERS FOR TV/STREAMING SERIES

Best Action for a TV/Streaming Series
The Terminal List: Dark Wolf “Pawn,” Amazon MGM Studios & Prime Video, AV Squad

Best Animation/Family (Trailer/Teaser) – TV/Streaming Series
Stranger Things: Tales from ’85, “Run,” Netflix, Requiem

Best Documentary/Reality (Trailer/Teaser) – TV/Streaming Series
Tsunami: Race Against Time, “Survive” trailer, National Geographic, Aspect

Best Fantasy Adventure (Trailer/Teaser) – TV/Streaming Series
Wednesday: Season 2, “Savior,” Netflix, Requiem

Best Foreign (Trailer/Teaser) – TV/Streaming Series
Unfamiliar, “Trust” trailer, Netflix, Silk Factory

Best Graphics in a (Trailer/Teaser) – TV/Streaming Series
The Beauty – :60 “Star Sell,” FX, FX Design

Best Horror/Thriller (Trailer/Teaser) – TV/Streaming Series
IT: Welcome to Derry, “Clown,” HBO Max, Buddha Jones

Best Music (Trailer/Teaser) – TV/Streaming Series
Monster: The Ed Gein Story, “Sin,” Netflix, Requiem

Best Original Score (Trailer/Teaser) – TV/Streaming Series
Chief of War, “Gods & Men,” Apple TV, GrandSon

Best Sound Editing in a (Trailer/Teaser) – TV/Streaming Series
Agatha Christie’s Seven Dials, Netflix UK, ZEALOT

Best Voice Over in a (Trailer/Teaser) – TV/Streaming Series
HBO Max, Brand Promo “Hits Different,” HBO Max, BOND

Most Original (Trailer/Teaser) – TV/Streaming Series
Pluribus “Message,” Apple TV, ZEALOT

Best OTO (One Time Only) Special
Presenting the 2026 Best Picture Nominees, The Academy of Motion Pictures and Science, REBEL

Best Promo for a TV Network
Earth Month, “Senses,” National Geographic, Requiem

TV SPOTS FOR TV/STREAMING SERIES

Best Action TV Spot – TV/Streaming Series
Daredevil: Born Again Season 2, “Flatline 30,” Marvel Television, Aspect

Best Animation/Family TV Spot – TV/Streaming Series

Maul: Shadow Lord TV30 “Get Mauled,” Lucasfilm, Aspect

Best Comedy TV Spot – TV/Streaming Series
It’s Always Sunny in Philadelphia, “Golden Bachelor,” FX, FX In House

Best Documentary/Reality TV Spot – TV/Streaming Series
Hurricane Katrina: Race Against Time :60, National Geographic, Buddha Jones

Best Drama TV Spot – TV/Streaming Series
Landman “Hunter”, Paramount+, ZEALOT

Best Horror/Thriller TV Spot – TV/Streaming Series
Alien: Earth – “3:06 Gestation,” FX, FX Design / Tendril

Best Music TV Spot – TV/Streaming Series
Fallout, “Slide Review,” Amazon MGM Studios, Tiny Hero

Most Original TV Spot – TV/Streaming Series
The Beauty, “Big Pharma,” FX, FX In House

HOME ENT | DIGITAL

Home Ent | Best Digital – Action
Sisu: Road to Revenge “Sisu Comes Home,” Sony Pictures Home Entertainment, Jump! Creative

Home Ent | Best Digital – Animation/Family
How To Train Your Dragon – “Epic Friendship,” Universal, REBEL

Home Ent | Best Digital – Comedy
Gilmore Girls 25th Anniversary, “25 Coffees for 25 Years,” Warner Bros. Discovery, Warner Bros. Worldwide Television Marketing

Home Ent | Best Digital – Drama
NUREMBERG, “STRAP YOURSELF IN,” Sony Pictures Classics, LIVEBAD Creative

Home Ent | Best Digital –  Fantasy Adventure
Andor S2, “Heavy Heart,” Disney+, GrandSon

Home Ent |Best Digital – Horror/Thriller
Sinners – Trailer “Iconic Bonus,” Warner Bros, REBEL

INNOVATIVE ADVERTISING FOR FEATURE FILM

Most Innovative Advertising for a Feature Film
The Naked Gun, Save PSA, Paramount Pictures, Aspect

Best Action TrailerByte for a Feature Film
Project Hail Mary, Digital Campaign, Amazon MGM Studios, Tiny Hero

Best Animation TrailerByte for a Feature Film

Hoppers, Digital Spots, The Walt Disney Company, Tiny Hero

Best Comedy TrailerByte for a Feature Film
Good Fortune, Digital Campaign, Lionsgate, GrandSon

Best Drama TrailerByte for a Feature Film
The Testament of Ann Lee | Social Spots, Searchlight Pictures, AV Squad

Best Horror TrailerByte for a Feature Film
Weapons | Social Spots, Warner Bros. Pictures, AV Squad

Best Thriller TrailerByte for a Feature Film
Bugonia, “Good Luck” Social, Universal Pictures, Make it Social

Best Viral Campaign for a Feature Film
One Battle After Another, Digital Campaign, Warner Bros., X/AV

INNOVATIVE ADVERTISING FOR TV STREAMING SERIES

Most Innovative Advertising for a TV/Streaming  SERIES
Bridgerton S4, “You Shall Go To The Ball,” Netflix, MAKE IT SOCIAL

Best Action TrailerByte for a TV/Streaming SERIES
The Terminal List: Dark Wolf, Digital Campaign, Amazon MGM Studios, Tiny Hero

Best Comedy TrailerByte for a TV/Streaming SERIES
Lego Star Wars: Rebuild the Galaxy, “Pieces of the Past,” Disney, Intermission Film

Best Drama TrailerByte for a TV/Streaming SERIES
Devil In Disguise: John Wayne Gacy, “ASMR,” Peacock, Trailer Park Group

Best Thriller TrailerByte for a TV/Streaming SERIES
Alien: Earth “Blood,” FX, ZEALOT

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Black Mirror S7, TCKR Systems Social Campaign, Netflix, Make it Social

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Springsteen: Deliver Me from Nowhere, “Becoming Bruce,” The Walt Disney Studios, Tiny Hero

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Agony & Ecstasy: The Music and Movement of Ann Lee, Searchlight Pictures, The Hive

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Wonder Man, “The Slattery Method,” The Walt Disney Studios, Tiny Hero

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The Last of Us: Inside the Episode 202, HBO Max, HBO Marketing AV

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The Fantastic Four: First Steps “Payoff,” Walt Disney Studios, ZEALOT

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KPop Demon Hunters – Payoff Poster, Netflix, AV Print

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Percy Jackson and the Olympians S2 – Experiential Water Billboard, Disney Branded Television

Best Comedy Poster
Good Luck, Have Fun, Don’t Die – Payoff Poster, Briarcliff Entertainment, AV Print

Best Documentary Poster
Wick is Pain – Filmstrip, Lionsgate, AV Print

Best Drama Poster
Train Dreams, “Illustrated Payoff,” Netflix, GrandSon

Best Foreign Poster
Sound of Falling, mk2 Films, Intermission Film

Best Horror Poster
The Conjuring: Last Rites, Teaser, Warner Bros., WORKS ADV

Best Independent Poster
Dracula, SND, Leroy & Rose

Best International Poster
Orwell 2 + 2 = 5, Le Pacte, Leroy & Rose

Best Motion Poster
Kill Bill: The Whole Bloody Affair – Motion Poster, Lionsgate, AV Print

Best Teaser Poster
Ballerina – Smoking Gun Poster, Lionsgate, AV Print

Best Thriller Poster
The End of Oak Street, Warner Bros., WORKS ADV

Best Wildposts (Teaser Campaign)/
Downton Abbey: The Grand Finale – “Bus Shelter Domination,” Focus Features, AV Print

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Rental Family, Alternate Artwork, Searchlight, Intermission Film

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Best Comedy Poster (for a TV/streaming series)
The Muppet Show – “Theater,” Disney, Leroy & Rose

Best Documentary/Reality Poster (for a TV/streaming series)
Fear Factor, Key Art, Fox, Trailer Park Group

Best Drama/Action Poster (for a TV/streaming series)
Memory Of A Killer, FOX, Leroy & Rose

Best Horror/Thriller Poster (for a TV/streaming series)
Squid Game S3, “Coffin” teaser, Netflix, The Refinery

Best Wildposts (for a TV/streaming series)
Monster: The Ed Gein Story, “Wildposts,” Netflix, GrandSon

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Project Hail Mary snatched the best of

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Whether you are a fan of the R&B sounds of Tiwa Savage, can’t wait to see such South Korean rising performers as Kimmy gone, EK and rom&BAAWLA, love DJs Pete Tong and Gilles Peterson, like to get wild with goth-grunge sonority Venus Grrrls, groove to dance superproducer Jax Jones, check out the latest in contemporary classical from the likes of afromerm and Carolina Cury & Kostako, listen to rapper Earl Sweatshirt, appreciate British songwriter Rachel Chinouriri, enjoy pianist and Shazam developer Charlie Hooper-Williams or go wild for Nigerian star ODUMODUBLVCK, you can see all of them, and many more, during the Music Festival of the second annual SXSW London, which runs June 1-6.

And if you don’t recognize most of these names, now is your chance to do so in and around East London’s Shoreditch!

“At the core, what we are is a showcase festival,” SXSW London head of Music Adem Holness tells THR. “It’s about providing a platform for music artists to realize their ambitions, whatever they might be getting into the industry or getting further into the industry or into new markets.”

And that is in line with the ethos of the British capital and its nature. “I’m a Londoner. I was born and raised in London,” he explains. “And the thing that I really love about London is that you can step out of any tube and find yourself in a really distinct community. It’s one of the most international cities in the world, and that’s what lends itself so well to being a European home for SXSW.”

His team is programming a multitude of venues over the six days of the event. “We take over about 20 different venues across East London, and my ambition is that each of those venues becomes a gateway into a different musical scene in the exact same way that London is to different communities. You are going to one venue and see underground music from Seoul, Korea, and then in another one from the Caribbean community here in London, and on and on and on.”

Discovery is a key focus. “It’s all about what’s new and what’s next in the future of music,” Holness tells THR. “Even the artists who are more established, they are all still coming to share something new. You’ve got artists like Sega Bodega. People are familiar with his music know him for quite hard electronic music, but he recently released an ambient album, so he’s playing that in full for the first time ever in a church. So that is going to be really special. Or you’ve got bands like [New York soft rock band] Infinity Song, who’ve got a new record coming out, and they’ll be sharing some of that.”

And alongside such artists are new voices “who are new and emerging and just at the beginning of making their way into the industry,” he emphasizes.

Left to right: Tiwa Savage, Earl Sweatshirt, Rachel Chinouriri, courtesy of Getty.

Courtesy of Getty

A lot of music artists playing SXSW London are playing in smaller venues than they would do otherwise, “so you do get a really unique experience by seeing them at the festival,” Holness highlights. “I also really love these unexpected moments, such as Classical Unlocked, our showcase of new and contemporary classical music, which happens in The Ditch at Shoreditch Town Hall, which is their basement. It’s the opposite of what people would assume as a classical music performance venue. When you go down there, it’s a bit like going to a Punchdrunk [immersive] theater show. It’s a really interesting space. I really like the idea of putting artists and music scenes in unconventional spaces.”

All in all, SXSW London 2026 will feature just over 200 performances, while “thousands” of artists applied to play the festival, shares Holness. “We have to make some really difficult decisions.” He is helped by 100-plus music industry professionals who help assess and shortlist submissions and help decide if SXSW London is the right platform for them.

SXSW London is owned and produced by Panarise, which operates under license from SXSW LLC, which is owned by Penske Media Corporation, the parent company of The Hollywood Reporter.

SXSW London’s music program attracts industry and fans alike. “There are delegate passes, which are primarily for industry, but we also do wristbands for regular music fans that are 25 pounds ($33.60) for a day pass,” Holness notes. “So you get your wristband, and then you can go into all of the stages that day on a first-come, first-serve basis.”

Of course, people can stick to their favorite genres or mix it up. “You might want to pop in to start your night off with a bit of contemporary classical, then end up with some drum and bass Hospital Records showcase, and maybe see some reggae music in between.”

Seeing music live in the digital age makes a difference, Holness argues. “We are living in a world where algorithms are flattening the way that people experience all culture, and in spite of that, culture is still being driven by people on their own terms, in their own communities, in their own context,” he tells THR. “And we are somewhere that you can get away from those screens and experience real music cultures, distinct diasporic cultures alongside each other.”

Concludes Holness: “Like every millennial, I absolutely love nostalgia and re-watching content, and social media is a way that I could see content and culture, but it’s not the only way. Getting into real life and experiencing real music scenes, especially being able to do it by wandering around Shoreditch, I think is something really special. I’m really excited!”

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Whether you are a fan of the

Barry Can’t Swim has shared his first song of 2026, “Return to Bhibo,” alongside news of a new record deal.

The Scottish DJ and producer has joined Atlantic Records for his forthcoming releases, having previously partnered with Ninja Tune on his first two studio albums, When Will We Land? (2023) and Loser (2025). The former was nominated for the U.K.’s Mercury Prize, which recognizes an outstanding album by a British or Irish artist.

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Barry Can’t Swim is the latest U.K. artist to sign with the iconic label following rising pop act Erin LeCount. He now joins Fred again.. as one of the label’s premier dance acts.

The news comes hot on the heels of Barry Can’t Swim’s two recent U.S. festival performances at Lightning in a Bottle and Movement, as well as the release of his compilation for legendary mix series Late Night Tales in March as part of its 25th anniversary celebrations. He has been teasing the release of “Return to Bhibo” in a number of live sets and DJ mixes.

The Edinburgh, Scotland-born musician, real name Joshua Spence Mainnie, drew critical acclaim for his 2023 debut album When Will We Land?, which peaked at No. 12 on the U.K.’s Official Albums Chart. The following summer, he drew one of the largest-ever crowds at Glastonbury’s Park Stage.

The following summer, Barry Can’t Swim headlined London’s All Points East festival and curated the line-up, which included Shygirl, Avalon Emerson and Confidence Man. Loner, his sophomore LP, included “Still Riding,” a remix of Kali Uchis’ breakout 2015 song “Riding Round”.

Speaking to Billboard in 2025, Barry Can’t Swim discussed the pressure of generating new material to satiate his growing crowds. “If you’re doing these kinds of shows, you need bigger tunes,” he said at the time. “I’ve only just gotten to that point — it’s only now that I’m starting to think like that a little bit.”


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Barry Can’t Swim has shared his first

The Los Angeles suburb of Calabasas — tucked into the foothills of the Santa Monica Mountains on the San Fernando Valley’s far western edge — is, in many ways, ground zero for reality TV as we know it. This is the home of the Kardashians, the genre’s first family, whose rise to fame familiarized the world with the small city’s cavernous McMansions and upscale strip malls. The producers of the new Netflix series “Calabasas Confidential” are betting there’s still some ore left in this gold mine, and have assembled a small army of 20somethings in the hopes at least one of them will turn out to be the next Kylie or Kim. Based on the first season’s eight episodes, such a vertiginous ascent seems unlikely. Then again, so did that of the stars’ obvious role models.

The ostensible premise of “Calabasas Confidential” is that a group of young adults have returned to their hometown after dispersing for college, reigniting old flames and resentments. But the fatal flaw of this setup is its plausibility: unlike a nuclear family or a workplace, the stars in the constellation of “Calabasas Confidential” don’t feel organically bound together. Perhaps the cast will, given enough time to bond on and off camera, start feeling like people who voluntarily interact and form genuine relationships. Until then, there’s a forced atmosphere to every group hang and date, with an ensemble so large that famous relatives and sprawling floor plans have to substitute for a center of gravity.

The most compelling storyline in “Calabasas Confidential” is therefore the one that feels most rooted in authentic emotion. Jemma may not be an already-successful influencer, nor the child of a famous musician or NBA player, like some of her castmates — but her hurt and anger toward her high school ex Dylan, an unrepentant fuckboy nicknamed “Douchebag Dylan” who’s taken to cowboy cosplay like Stetson hats and toothpicks in sobriety, comes off as very real. When Dylan starts casually dating one of Jemma’s close friends around the season’s halfway point, her betrayal is apparent (or at least well-performed) enough to provide some of the momentum that was previously missing.

But Dylan and Jemma are just two of a whopping 14 cast members on “Calabasas Confidential,” and the rest fail to stand out against a sunny backdrop of coffee shops (the local chain La La Land gets a conspicuous bit of product placement) and photo shoots. Preston, the son of ‘90s basketball legend Scottie Pippen, likes to bake and drives a Cybertruck; Hercy, the son of one rapper (Master P) and the half brother of another (Romeo), wants to play NCAA-level ball. At the ripe old age of 25 and a rumored association with Drake in her dating history, YouTube star Suede is the designated elder stateswoman, although her insulting someone for living in the Valley on a show called “Calabasas Confidential” sort of gives the game away. Would Suede even bother driving over the hill, let alone spending time with her supposed friends, if there weren’t a television crew waiting to greet her?

These supporting players were some of the few I remembered after binging the full season. Others feel interchangeable, like two petite, athleisure-clad women named Emma and Emilie, or abruptly introduced, like two chain-sporting guys we’ve never seen before who make a dramatic entrance to a midseason party. (One of them immediately starts making out with Emilie, seemingly for the sole purpose of giving her something to argue about with a friend.) Characters constantly complain about petty fights and immature behavior being “so high school,” which is rich — reassembling a high-school peer group is what this whole enterprise is supposedly about! 

“Calabasas Confidential” is attempting to enter a rich lineage of L.A.-based reality shows. There’s the Kardashian shows, of course, but also “Selling Sunset” (a house tour scene suggests an intra-Netflix crossover could be in the offing) and “The Hills.” Uncomfortable as it can be to contemplate the latter show as its primary villain wages a terrifyingly plausible campaign for L.A. mayor, it’s a useful point of comparison for portraying the cusp of adulthood in the city of angels. In following Lauren Conrad from “Laguna Beach” to the next county north, “The Hills” had a familiarity on its side that “Calabasas Confidential” lacks. 

When this cast talks about their old grudges and loyalties, it’s hard to care, because we weren’t there to witness them. “Calabasas Confidential” is like watching someone else’s high-school reunion — the same awkward hellos exchanged among now-strangers, just with more lip filler and TikTok memes than average. (The frequent discussion of social media posts is not exactly the most engaging plot from a visual point of view.) As someone who didn’t attend their own milestone gathering due to the pandemic, this show didn’t make me feel like I missed much.

All eight episodes of “Calabasas Confidential” are now available to stream on Netflix.

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The Los Angeles suburb of Calabasas —

Saskatoon’s landmark riverboat is being left high and dry again this year – and its new owner isn’t happy with the province.

“We were under the impression that everything was good to go,” Stephanie Simonot of the Prairie Lily said Thursday.

“We would have waited if we would’ve known that (the Water Security Agency) had any intention of turning (the water) back down.”

Simonot said she was not notified when the Water Security Agency reduced flows over the weekend from Lake Diefenbaker into the South Saskatchewan River, which runs through the province’s largest city.

The reduction has prevented the boat from going out on cruises, forcing the company to cancel excursions into next week. Ticket sales have also been suspended until June 18, or to when there’s enough water.


Click to play video: 'Saskatchewan riverboat docked indefinitely due to low water levels, sand buildup'


Saskatchewan riverboat docked indefinitely due to low water levels, sand buildup


Ownership of the 119-passenger vessel changed hands this year after its former owners, Mike and Joan Steckhan, decided to sell.

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The attraction, popular among locals and visitors, is going into its 14th year. Dockside services will continue should the boat be forced to stay put, Simonot said.

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The Water Security Agency didn’t immediately respond to a request for comment.

Mike Steckhan, who continues to work as the boat’s senior captain, said the reduction in flows came at a particularly bad time.

He said customers were aboard when he noticed water levels drop. Had they sunk further, they would have been stuck in the middle of the river. Silt could also have entered the engines, he said.

“I think the (Water Security Agency) simply dropped the ball about sending out forecasts,” he said. “Even if they tell us bad news, just tell us.”

Last year, hot and dry conditions caused water levels to fall, keeping the riverboat ashore.

Steckhan had argued the Water Security Agency should have released more water from Lake Diefenbaker to flush out the river to keep the ecosystem healthy.


The agency had declined to do so, saying a flush wasn’t the best use of the resource.

Steckhan said Thursday a flush is still needed – and he’s optimistic the water will return to high levels in the coming weeks.

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The agency’s website says inflows into Lake Diefenbaker are expected to increase next week due to more mountain snowmelt entering the lake.

It says outflows will be re-evaluated next week.


Click to play video: 'The Prairie Lily riverboat is set to reopen for business on Canada Day in Saskatoon'


The Prairie Lily riverboat is set to reopen for business on Canada Day in Saskatoon


“Water flows are recovering after the last five years,” Steckhan said. “If we get a good flush now, they could leave it at minimal flows for the next three or four years.”

Kim Breckner, an Opposition NDP member in Saskatoon, said the province should have properly communicated with the Prairie Lily.

“When water levels are changed without proper notice, it impacts workers, tourism operators, local businesses and families who rely on Saskatchewan’s river economy,” Breckner said in a statement.

“Leadership is not about reacting after the damage is done.”

&copy 2026 The Canadian Press

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Saskatoon’s landmark riverboat is being left high

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Bien que de nombreuses plateformes de casino en ligne proposent divers instruments de suivi, la caractéristique Balance Tracker Live de Bizzo Casino se distingue véritablement en proposant aux utilisateurs une manière simple et efficace de contrôler et de gérer leurs crédits en temps réel. En privilégiant la précision du solde, cet instrument garantit une connaissance permanente de sa position financière en jeu. Il change l’expérience utilisateur, encourageant une participation plus active avec l’environnement de jeu. Cette caractéristique permet de se focaliser sur la tactique plutôt que de se inquiéter d’fautes de comptabilité. Son présentation conviviale s’adresse aux joueurs cherchant exactitude et maîtrise dans la gestion de leurs ressources. Ainsi, Bizzo Casino optimise non seulement l’expérience de jeu, mais permet également de prendre des décisions financières éclairées, en accord avec la recherche d’excellence.

De quelle manière fonctionne Balance Tracker Live

Découvrons comment le suivi de solde en direct du casino Bizzo facilite et clarifie notre expérience de jeu. Grâce aux mises à jour en temps réel du solde et au suivi des bonus, nous savons toujours exactement où nous en sommes. De plus, l’interface intuitive autorise de consulter ses fonds en quelques clics seulement.

Mises à jour du solde en temps réel

Comprendre le fonctionnement des mises à jour en temps réel de Balance Tracker Live aide d’apprécier l’intégration harmonieuse de la technologie et du jeu. On observe comment les notifications en temps réel optimisent l’expérience en garantissant l’exactitude des fonds jusqu’au dernier pari. Ce système performant surveille en permanence nos activités financières sur Bizzo Casino et reflète immédiatement toute modification.

Une telle précision exige une combinaison sophistiquée d’algorithmes et de puissantes capacités de traitement des données. En tant que joueurs, nous bénéficions de mises à jour instantanées qui facilitent la prise de décision, renforcent la planification stratégique et renforcent la confiance dans nos transactions. Cette clarté encourage une expérience de jeu fluide, nous permettant de nous concentrer sur notre prochain coup plutôt que de vérifier notre solde. Ainsi, nous pouvons nous immerger pleinement dans le jeu, assurés que nos finances sont suivies avec une précision exceptionnelle.

Suivi des fonds de bonus

En explorant les subtilités du suivi des bonus, il apparaît évidemment que Balance Tracker Live intègre des approches sophistiquées pour gérer efficacement nos crédits promotionnels. En distinguant clairement les divers types de bonus, nous comprenons mieux leur influence sur notre jeu. Le suivi de ces catégories de bonus nous aide à améliorer nos stratégies et à garantir le respect des conditions du casino sans effort. Ce système contrôle activement les dates d’expiration des bonus et nous envoie des rappels opportuns pour les utiliser avant qu’ils ne soient expirés.

Cette technologie révolutionnaire nous permet d’être toujours au fait, optimisant ainsi l’utilisation des chances promotionnelles. La exactitude est le point fort de Balance Tracker Live : tous les fonds crédités sont comptabilisés, évitant toute surprise désagréable. Grâce à un suivi rigoureux, nous pouvons optimiser notre potentiel tout en garantissant une session de jeu sans accroc.

Interface intuitive

Parmi les diverses fonctionnalités de Balance Tracker Live, son interface conviviale est sans conteste la pierre angulaire de son fonctionnement. Nous sommes persuadés qu’une interaction utilisateur sans heurt est essentielle. La création de l’interface a été réalisée avec le plus grand soin, offrant aux utilisateurs d’accéder facilement aux détails de leur compte. Une disposition cohérente, une exploration conviviale et des éléments adaptatifs s’allient pour permettre même aux utilisateurs les moins technophiles de suivre leurs bonus en toute confiance.

En approfondissant la conception de l’interface, on constate que chaque élément a une fonction précise, privilégiant l’ clarté et l’ simplicité. L’encombrement est proscrit. L’équilibre entre esthétique et fonctionnalité crée un environnement chaleureux, incitant les utilisateurs à explorer ses fonctionnalités. Garantir un accès efficace aux mises à jour en temps réel enrichit l’expérience utilisateur, témoignant de notre engagement envers une approche centrée sur l’utilisateur.

Avantages pour les joueurs canadiens

Pour les joueurs canadiens, l’un des principaux avantages de l’outil Balance Tracker Live du casino Bizzo réside dans l’ facilité avec laquelle ils peuvent administrer et suivre leurs fonds. Cet outil offre des avantages importants, adaptés à nos besoins particuliers, nous permettant ainsi de profiter pleinement des nombreuses possibilités qui s’offrent à nous. Grâce à une vue d’ensemble complète, nous pouvons suivre de près nos transactions, identifier les tendances et optimiser nos stratégies avec précision. Les avantages pour les joueurs canadiens vont bien au-delà de la simple commodité : ils garantissent une expérience de jeu enrichie et informée. L’utilisation de données en temps réel nous offre un meilleur contrôle et une plus grande clarté, nous permettant de prendre des décisions conformes à nos objectifs de jeu. Tirons le meilleur parti de cet outil pour exploiter pleinement le potentiel de notre aventure au casino Bizzo.

Optimiser vos primes

Bien que naviguer dans les méandres des bonus en ligne puisse être intimidant, optimiser ses gains bonus au casino Bizzo relève à la fois de l’art et de la stratégie. Il est essentiel d’adapter ses stratégies de bonus aux offres uniques de Bizzo. Tout d’abord, il est crucial de bien comprendre les conditions générales des bonus. Favoriser les conditions de mise faibles garantit l’efficacité de notre stratégie pour maximiser les gains. Lors du choix des jeux, sélectionner ceux avec des taux de retour au joueur (RTP) élevés peut s’avérer essentiel. N’oublions pas d’utiliser le Suivi de solde en direct pour suivre nos progrès et ajuster nos stratégies en conséquence. Exactitude et réactivité sont nos meilleurs atouts. En perfectionnant nos compétences analytiques, nous sommes parfaitement équipés pour exploiter tout le potentiel des offres du casino Bizzo.

Compatibilité avec divers appareils

Offrir une expérience de jeu fluide sur tous vos appareils est primordial pour Bizzo Casino, où l’adaptabilité rencontre l’innovation. Notre engagement en matière de compatibilité vous garantit que votre expérience de jeu ne sera jamais limitée par votre matériel. Que vous utilisiez un smartphone, une tablette ou un ordinateur, notre compatibilité multiplateforme vous permet de profiter pleinement de vos jeux. Nous savons que chaque appareil possède des caractéristiques uniques, et nous avons conçu notre plateforme pour les exploiter au mieux et vous offrir une expérience optimale.

Intégrer Balance Tracker Live à votre routine de jeu

En intégrant Balance Tracker Live à nos routines de jeu, nous n’adoptons pas seulement un instrument ; nous perfectionnons la gestion de nos ressources financières. Cette association améliore notre efficacité de jeu en nous fournissant des données en temps réel sur notre situation financière, nous autorisant ainsi de prendre des décisions plus éclairées. Voyons comment cette synergie peut élever notre parcours de jeu.

Rationalisation de la gestion des fonds

Pour gérer nos ressources de jeu, Balance Tracker Live s’avère un instrument indispensable qui s’intègre idéalement à notre routine, garantissant une gestion financière optimale. Il nous facilite de contrôler simplement la allocation de nos finances et la gestion de notre budget. Il offre une perspective claire, nous autorisant d’perfectionner nos investissements et nos sorties avec une précision accrue. Cette transparence nous aide de adopter des choix stratégiques naturellement.

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Chaque caractéristique s’intègre parfaitement, optimisant la contrôle de notre budget de jeu et améliorant ainsi notre maîtrise et notre contrôle.

Optimiser l’performance de jeu

Pour optimiser notre efficacité au jeu, intégrer Balance Tracker Live à notre routine peut changer notre façon de jouer. Cet instrument innovant est essentiel pour optimiser nos performances. En fournissant des informations en temps réel sur nos bonus et nos pratiques de mise, il nous permet de prendre des décisions plus informées. C’est comme avoir un aide personnel pour peaufiner nos stratégies.

Avec Balance Tracker Live, nous pouvons mettre en œuvre des stratégies efficaces qui réduisent le gaspillage et optimisent nos performances. Le suivi de notre solde nous aide à éviter les pertes superflues et à saisir les opportunités au moment précis où elles se présentent. Ce niveau de contrôle est stimulant pour ceux d’entre nous qui aspirent à une maîtrise complète de leur expérience de jeu. Adoptons cet instrument efficace et transformons notre façon d’interagir avec l’écosystème du jeu canadien.

Développements futurs pour Balance Tracker Live

Dans l’univers en perpétuelle évolution des jeux en ligne, les progrès futurs de Balance Tracker Live au casino Bizzo promettent de transformer notre façon de gérer nos comptes et d’interagir avec eux. À mesure que les courants nouvelles se profilent, nous sommes sur le point d’assister à des améliorations potentielles qui changeront notre expérience de jeu. Notre exploration de ces mises à jour nous montrera de nouveaux niveaux de exactitude et de praticité.

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    Dans quelle mesure la fonctionnalité Balance Tracker Live est-elle sécurisée pour les usagers ?

    Quand nous pensons à la protection d’une caractéristique de monitoring de solde en temps réel, la confidentialité des utilisateurs et le cryptage des données sont nos principales préoccupations. Nous comprenons votre besoin de sérénité, notamment lorsqu’il s’agit d’données sensibles. Il est crucial que ces caractéristiques utilisent un chiffrement solide des données pour protéger vos données crunchbase.com privées. En privilégiant ces actions de sécurité, nous progressons collectivement vers un environnement aussi sûr que efficace. Demandons l’perfection.

    Les joueurs non résidents du Canada peuvent-ils avoir accès à Balance Tracker Live ?

    Concernant l’disponibilité internationale, voyons si les utilisateurs non canadiens font face à des restrictions concernant l’emploi de la caractéristique Balance Tracker Live. Généralement, ces outils mettent en place des restrictions régionales en raison d’accords de permis ou de règles. Il est important de vérifier les termes d’utilisation applicables aux joueurs internationaux. Cependant, si l’accès est permis, il s’agit d’une excellente opportunité pour les joueurs du monde entier de gérer leurs fonds de jeux avec une précision et une sécurité améliorées. Nous vous recommandons de consulter fréquemment les directives d’entrée particulières.

    Y a-t-il un support clientèle disponible pour les problèmes éprouvés avec Balance Tracker Live ?

    On s’intéresse souvent au service client lorsqu’il s’agit de difficultés techniques, n’est-ce pas ? Avec Balance Tracker Live, soyez tranquille : un système de support efficace est à votre disposition. Notre chat en direct vous offre une aide en temps réel pour résoudre tout problème éventuel. Grâce à ce service, vous pouvez résoudre rapidement tout souci et profiter d’une expérience optimale. C’est un élément essentiel pour une utilisation productive de notre plateforme.

    Des frais sont-ils associés à l’utilisation de Balance Tracker Live ?

    Lorsque nous utilisons Balance Tracker Live, il est essentiel de comprendre les frais de transaction potentiels. Bien que la plateforme vise à garantir une gestion fluide de vos fonds, des frais peuvent parfois s’appliquer, souvent en fonction des limites de votre compte et du type de transaction. Examinons cela de plus près : vérifier si certaines activités entraînent des frais met en lumière comment une gestion financière avisée permet d’éviter les dépenses superflues. Maîtriser ces éléments optimise non seulement notre expérience, mais nous permet également d’affiner notre stratégie financière de manière productive et efficace.

    À quelle fréquence les mises à jour en direct du Suivi du solde sont-elles publiées ?

    Nous comprenons votre intérêt pour les mises à jour en temps réel fournies par Balance Tracker Live. Notre fréquence de suivi est conçue pour vous offrir des mises à jour dès qu’elles surviennent, vous garantissant ainsi des données toujours à jour. Généralement, les mises à jour sont publiées à chaque modification repérée, mais la fréquence exacte peut changer en fonction de votre activité. Imaginez garder le contrôle, maîtriser vos informations et y avoir accès instantanément !

    L'arrivée de Balance Tracker Live au

    Hong Kong drama Afterpiece, produced by industry veteran Derek Yee and helmed by first-time feature filmmaker Keane T.K. Wong, will world-premiere as the opening film of the 28th Shanghai International Film Festival, the festival announced this week. The event’s full lineup will be unveiled on June 3, and the festival runs June 12-21 this year.

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    Hong Kong drama Afterpiece, produced by industry

    After a BAFTA Best Actress win for her breakthrough role in 2009’s An Education, plus subsequent awards recognition including three Best Actress Oscar nominations, four Golden Globe nominations, a Tony nom and more, Carey Mulligan now surprisingly turns up in a Netflix TV series. Well, at least for one season, the second for the Emmy-winning anthology series Beef from creator Lee Sung Jin. And like all of her work on the big screen and on stage, she knocks it out of the park.

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    Mulligan joins me for this edition of my Deadline video series The Actor’s Side to talk about why she wanted to join the Beef universe and how it fits in with her impressive filmography.

    To watch our conversation and get the “actor’s side” of things from her, watch the video above.

    Join me this season every Tuesday and Thursday for a new episode of The Actor’s Side and every Monday and Friday for a new Behind the Lens.

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    After a BAFTA Best Actress win for

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    Mandy Moore got into a little mischief with Macaulay Culkin while they shot 2004 film, Saved!, together.

    The actress, 42, revealed in the Wednesday, May 27 episode of Evan Ross Katz’ Netflix show, Shut Up, Evan, that she drank alcohol with Culkin, 45, despite being underage at the time.

    “I do remember a little bit of underage drinking,” she said. “As it happened, I was like, ‘Look, I didn’t go to high school.’ I was 18.”

    The teen comedy was filmed in Canada’s British Columbia, where the legal drinking age is 19.


    Related: Mandy Moore Remembers ‘Fight Over a Boy’ at Iconic 2003 ‘VF’ Cover Shoot

    One of the most defining magazine covers of the early aughts was rife with plenty of behind-the-scenes turmoil, according to cover girl Mandy Moore. Moore, 40, appeared on the cover of Vanity Fair’s July 2003 issue alongside actresses including Amanda Bynes, Alexis Bledel, Lindsay Lohan and Evan Rachel Wood with the headline, “It’s Totally Raining […]

    Culkin was older than many of the teen actors in the Saved! cast, which also included Jena Malone and Eva Amurri, and was legally able to drink.

    “I think it was Mac, Macaulay, that introduced me and all of us to a White Russian,” Moore recalled. “I was like, ‘Milk and alcohol? This is made for me, I love this! This is like ice cream, this is fantastic!’”

    During the chat, Moore noted that although a lot of the cast members were young, they didn’t cause too much trouble together.

    “I distinctly remember the sweet, innocent — like, we would take giant marshmallows and throw them at people off the balcony,” she said. “We were kids! We weren’t really getting up to no good.”

    Reflecting on the memories forged on-set with her costars, Moore praised the filming experience and the movie’s storyline.

    “It was a crazy, crazy life-changing experience,” she said.

    GettyImages-112008702Mandy-Moore-Recalls-Underage-Drinking-With-Macaulay-Culkin.jpg

    Mandy Moore and Macaulay Culkin.
    (Photo by L. Cohen/WireImage)

    In Saved!, Moore played Hilary Faye, the best friend of the film’s main character, Mary (portrayed by Malone). Mary tries to “save” her boyfriend from being gay, only to become pregnant along the way.

    “I just loved the script and the character, and I thought it was really irreverent and funny, and also like gonna move the needle. But it also felt so wholly different than who I am that I was like, ‘Oh this is a stretch, and this is unlike anything I’ve done before. So hopefully, very intentionally, this’ll open up a door to other projects,’ like people regarding me in a different light,” Moore added.

    Milo Ventimiglia Mandy Moore


    Related: Milo Ventimiglia Says He Was the 1st Person to Ever Swear at Mandy Moore

    Milo Ventimiglia and Mandy Moore may have played one of TV’s most loved-up couples, Jack and Rebecca Pearson, in This Is Us — but that didn’t stop the actors having a “heated” moment. Ventimiglia, 47, recalled the actors were once so in character while filming a fight scene that he swore at Moore, 40. “So […]

    In June 2024, the This Is Us alum shared similar sentiments about what it was like working on the movie during an interview with People.

    “I’m bombarded with memories of set. We all were staying at the same hotel together while we were shooting, and I just remember all the time we would spend with each other in one another’s rooms. Like, ‘Okay, we’re all going to Jena’s room today.’ Or, ‘Oh, we’re all going to Eva’s room today, or Mac’s room,’ and we made dinners or we ordered food and we just hung out,” she told the outlet.

    The actress added, “It was like we were all 17, 18 years old, maybe some of us were a little bit older, but it was such a fun summer camp experience. And we knew that it was a really weird, special, little tiny thing. It wasn’t lost on us what we were doing.”

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    Mandy Moore got into a little mischief

    Ariana Grande has officially kicked off her “Petal” era with the release of the project’s first single “Hate That I Made You Love Me.”

    The mid-tempo song is certainly in a breakup mold, with Grande singing in a subdued tone over a sauntering instrumental. “Hate that I made you love me / Sorry if I made me your type / I hate that I made you love me / ‘Cause I barely tried,” she sings. “I felt your projections when you felt so insecure / Tell me why is it this way, why you so hate to see women endure / Is it really my fault you all gave me your hearts on your own accord / I don’t really think so.”

    Grande is currently gearing up for her eighth studio album “Petal,” releasing on July 31 via Republic Records. The project was executive produced and co-written by Grande and Ilya, who had previously worked with the singer as far back as her “Dangerous Woman” album in 2016 and has crafted songs with Taylor Swift, Sam Smith and Beyoncé. She announced “Petal” in late April, describing the album as “something that is full of life and growing through the cracks of something cold and hard and challenging.”

    Earlier this month, she announced “Hate That I Made You Love Me,” describing it as “one of my favorite songs that I’ll ever write.” She produced the track with Ilya and Max Martin, with whom she made her 2024 album Eternal Sunshine.” Its music video, co-starring Justin Long, is scheduled for release on Monday at 8 a.m. PT, and is directed by Christian Breslauer with Janusz Kaminski as director of photography.

    Grande will release “Petal” amid her upcoming “Eternal Sunshine” tour that kicks off on June 6 at Oakland’s Oakland Arena. Though it was initially pegged to her seventh album and its deluxe edition “Brighter Days Ahead,” it’s likely that Grande will incorporate new music at some point during the trek, which wraps in September at London’s O2 Arena.

    She also noted that the tour could be her last “for a long time.” “The last 10 or 15 years will look very different to the ones that are coming up,” she said in an interview last year on Amy Poehler’s “Good Hang” podcast. “I don’t want to say anything definitive. I do know that I’m very excited to do this small tour, but I think it might not happen again for a long, long, long, long, long time. I’m going to give it my all and it’s going to be beautiful. I think that’s why I’m doing it because I’m like, ‘One last hurrah!’”

    Source link

    Ariana Grande has officially kicked off her

    Spider-Noir is finally streaming, but unlike other Marvel TV shows, it’s streaming on Amazon Prime Video, not Disney+. After over two decades of producing Spider-Man blockbusters, Sony Pictures is taking its Marvel license to the world of live-action TV. That is starting with Spider-Noir, in which Oscar-winner Nicolas Cage reprises his 1930s noir detective web-slinger from the Spider-Verse franchise.

    Over the years, since Marvel Studios’ first TV show, WandaVision, launched on Disney+ in 2021, fans have gotten used to finding the newest episodes from live-action adaptations from the red brand on the House of Mouse’s own service.

    Spider-Noir breaks that trend; as Marvel Studios and Disney have nothing to do with the production or its distribution, it is not streaming on Disney+. Sony Pictures holds the rights to live-action web-slinger content in movies and TV, and, unlike what was done for the MCU’s Spider-Man franchise, no deal was made for Marvel Studios and its president, Kevin Feige, to collaborate on Spider-Noir.

    Amazon Prime Video

    Almost six years ago, in September 2020, Variety reported that Sony Pictures Television was in talks with Amazon Prime Video to distribute a “suite” of TV shows based on its Marvel characters. The news broke one year after Spider-Verse figureheads Phil Lord and Chris Miller signed on to oversee the slate.

    At that time, Sony was eyeing Silk: Spider Society as its first TV adaptation and chose The Walking Dead showrunner Angela Kang to lead the show. Sony opted not to move forward with the series (which would have starred Korean-American hero Cindy Moon) in May 2024, prioritizing Nicolas Cage’s Spider-Noir instead.

    Two years later, Spider-Noir is finally streaming on Amazon Prime Video, with all eight episodes released as a binge on May 27, finally bearing the fruit of a deal that began six years ago. Presumably due to Amazon MGM Studios’ involvement as a co-producer on Spider-Noir, the series is also available on MGM+, where the live-action Marvel epic premiered its first episode two days early on May 25.

    What’s Next For Spider-Man on Disney+, Amazon, And Other Streamers

    Spider-Man, Disney Plus logo, show posters.
    Disney+

    Currently, Sony Pictures has two deals in place for its Spider-Man movies and other Marvel adaptations to stream after their theatrical runs. First up, they stream on Netflix for 18 months following their home release before later arriving on Disney+. That arrangement began with Sony’s 2022 slate but has expanded over the years to bring previous Spider-Man movies to Disney+.

    In many ways, it’s rather surprising that neither Netflix nor Disney+ became the streaming home for Spider-Noir and Sony’s other future Marvel TV shows. However, Sony Pictures Television has a history of taking superhero projects to Amazon Prime Video, as it did with The Boys and its spin-offs.

    For now, the only Spider-Man content coming to Disney+ will be the future movies (albeit roughly two years after hitting theaters) and animated appearances like Your Friendly Neighborhood Spider-Man (for which Disney still holds the rights).

    Marvel Studios and Sony are reportedly “still at a standstill” over Spider-Man appearing on Disney+, causing frustration for many fans who were hoping to see Peter Parker join the fight against Kingpin in Daredevil: Born Again Season 2.

    While fans won’t see Tom Holland’s Spider-Man on Disney+ anytime soon, the original promise of a “suite” of Marvel-based projects coming to Amazon Prime Video from Sony indicates that Spider-Noir is just the beginning. That could include further seasons of the 1930s Nicolas Cage mystery, reviving the Silk: Spider Society concept, or shows featuring other wall-crawler variants.

    Source link

    When Star Trek: The Next Generation premiered in 1987, it was a huge tonal shift from the original Trek 20 years earlier. In the show’s chronology, 78 years passed between Kirk’s era and Picard’s. But within the show itself, there was next to no explanation as to why the more militarized Starfleet of Kirk’s Enterprise gave way to the “hotel in space with nice carpeting” of the Enterprise-D. In 2007, a novel was written by author Christopher L. Bennett called The Buried Age, explaining the origin story of the TNG era. Now, YouTubers Spacedock and Rowan J. Coleman have collaborated on a video that details how this obscure novel explained the genesis of an iconic Star Trek era. You can watch the video in full below:

    Not only does the video explain the in-universe tonal shift, but it also explains many unexplained mysteries about the Enterprise-D crew the show never answered. Why did Jean-Luc Picard go nine years without a command after the loss of his previous ship, the Stargazer? How did he first meet future crew members like Data and Deanna Troi? And what was Picard’s relationship with future Voyager Captain, Kathryn Janeway? We know the two knew each other, but how? The Buried Age explains a lot of this. Yes, it’s all from a non-canonical novel, technically. But the video explains exactly why it should absolutely be canon to Star Trek lore.

    (Left) Patrick Stewart as younger Captain Picard (Right) The USS Stargazer, Picard's first command.
    Paramount

    Right now, Star Trek as a franchise is in limbo. Strange New Worlds and Starfleet Academy are all ending, burning off the finale episodes next year. No new series is in production. But when it eventually returns (and it always does), it wouldn’t hurt Paramount to look at some of these novels as a source for inspiration. Even if it’s all produced in animated form, fans will eat it up. And with Star Trek: The Next Generation turning forty next year, now is the perfect time.

    Source link

    Television When Star Trek: The Next Generation premiered

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    Call of Duty Warzone is shutting down on PlayStation 4 and Xbox One consoles later this year and will soon be removed from digital stores.

    The shutdown will coincide with the launch of Modern Warfare 4’s first season of content later this year, Activision announced on Thursday.

    Modern Warfare 4 is set to be the first modern Call of Duty game released only for current-gen consoles (PS5 and Xbox Series X|S), and thus support is being removed from older platforms.

    From June 4, Call of Duty Warzone will be removed from PS4 and Xbox One storefronts, Activision said, and in-game purchases will stop.

    However, the game will remain playable until the release of Modern Warfare 4’s first season, with battle pass content able to be unlocked. After the release of Season 1, Warzone will no longer be playable on PS4 and Xbox One.

    According to Activision, Season 1 will begin “shortly” after Modern Warfare 4’s release on October 23, kicking off “a major year of content and seasonal experiences”. As is traditional, Warzone will integrate progression and content from the premium game.

    Announced today via an Activision livestream, developer Infinity Ward confirmed that its new “gritty” and “authentic” Call of Duty will be set in Korea – and will also release on Nintendo Switch 2 for the first time.

    Modern Warfare 4’s three main modes, as ever, are campaign, multiplayer, and DMZ. The game is described as “a new technical benchmark” for the franchise, built “exclusively” for the latest generation consoles and PC.