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DC Studios has taken down a behind-the-scenes featurette for Supergirl following backlash over a highly debated topic. The rise of artificial intelligence (AI)-generated content in creative work has sparked debate online, and it’s clear that DC Studios is not on board with incorporating it into their films. In May 2023, DC Studios co-CEO James Gunn firmly rejected the idea of using AI in films after confirming he didn’t use any in Guardians of the Galaxy Vol. 3 and admitting he doesn’t know much about the technology. In September 2025, Gunn even mocked AI-generated images on Threads, including fake Batman designs with obvious errors. As Gunn leans more on human creativity and authenticity, a major DCU movie is now under scrutiny for its use of AI. 

DC Studios and Warner Bros. officially took down a recent behind-the-scenes featurette for Supergirl from YouTube after it received widespread backlash over footage showing director Craig Gillespie’s team using AI-generated concept art of Jason Momoa as Lobo. 

DC Studios

Reactions on X, Threads, and Reddit were largely negative toward the Supergirl featurette titled “Lobo – DC Dream Behind The Scenes,” with many pointing out that using AI for a popular character like Lobo is considered lazy or unnecessary when human concept artists could have handled it better. 

Using AI-generated concept art for Supergirl directly clashed with public anti-AI stances of DC Studios co-CEO James Gunn and DC Comics head Jim Lee (who declared at New York Comic-Con 2025 last October that “DC Comics will not support AI-generated storytelling or artwork. Not now. Not ever.”)

While the takedown may be temporary or a potential glitch, it’s worth noting that the Lobo featurette is still available to watch in the Extras section of the digital release of Supergirl. It is uncertain if DC Studios will remove that same featurette in the extras list. 

No official statement from DC Studios, Warner Bros., or director Craig Gillespie has surfaced to clarify the use of AI in Supergirl and the removal of the featurette. 

This Latest Supergirl AI Mishap Is a Bad Sign for DC Studios 

DC Studios has been running on thin ice recently after Supergirl’s flop at the worldwide box office, and this latest issue surrounding AI-generated content is a bad move that could further derail the DCU’s momentum. 

James Gunn’s strong stance against AI and his repeated rejections of generative AI for core work delivered a strong message that DC Studios has cultivated a public image of valuing human creativity above all else. Seeing AI concept art appear in an official promotional piece for a major DCU film like Supergirl creates a concerning contradiction, and the optics are not great. 

The film already faced creative friction in the lead-up to its release, which translated to weak audience turnout that may have sealed the fate of future solo movies involving Milly Alcock’s Supergirl (she will still return in Man of Tomorrow, so that’s a slight win on her end). 

This latest AI incident on Supergirl (whether intentional or not) could fuel speculation that it might recur in upcoming DCU projects, while also risking the alienation of artists and concept designers who may work with them in the future. 

The DCU is still trying to recover momentum after Supergirl‘s failure, and this latest mishap delivers a major setback to its credibility at a time when the franchise can least afford it.

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After acquiring some exciting films that premiered at film festivals throughout the year, Neon has begun promoting some of its upcoming movies slated for release in the coming months. The distributor is known for releasing plenty of exciting movies from a wide range of genres. Interestingly, the company has also consistently put out South Korean cinema in North American markets. One of Neon’s most popular releases is Bong Joon Ho’s film Parasite, which went on to win the Academy Awards for both Best Picture and Best International Feature. Now, the next South Korean film it is bringing to cinemas is an ambitious sci-fi blocksbuter titled Hope.

Neon has released a new behind-the-scenes featurette of Hope, directed by Na Hong-jin, who previously directed The Wailing in 2016. It’s been a decade since the filmmaker released a feature, and looking at this new video from Neon, it’s completely understandable why. Hope is an incredibly ambitious production, and the reviews from its world premiere at the Cannes Film Festival consistently emphasized its epic scope. The creature feature relies heavily on its creative chase scenes, with every member of the production playing a crucial role in bringing the sci-fi movie to life.

An interesting aspect of Hope is the casting of the actors who will play the film’s aliens. Michael Fassbender, Alicia Vikander, Taylor Russell, and Cameron Britton all provide the voices of the creatures featured in the movie. They join the likes of Hwan Jung-miin, Zo In-sung, Hoyeon, and Eum Moon-suk. The new video showcasing the production team using wire work and practical stunts for the movie’s action demonstrates that Hope will also try not to over-rely on CGI to tell its story. Na Hong-jin clearly put as much as he could into the movie, as is evident from its runtime.

A high-speed chase in Hope
A high-speed chase in Hope
Plus M Entertainment

When Hope first premiered at the Cannes Film Festival, it had a runtime of 160 minutes. The nearly three-hour movie was slightly trimmed down after Neon’s acquisition, with a final cut runtime of 156 minutes. The movie has already received a theatrical release in South Korea in July and is set to release in theaters in the U.S. starting September 9. While critical reception of the movie has praised Na Hon-jin’s eye for action and chase sequences, there has been plenty of criticism of its runtime and visual effects, with the latter only being teased briefly in the first trailer.

At the time of this writing, Hope has a 77% “fresh” rating on the review aggregate website Rotten Tomatoes, based on 44 reviews. The reception isn’t overwhelmingly positive, but the reviews do seem to indicate that Neon has another solid film on their hands. The last prolific South Korean film that Neon acquired was Park Chan-wook’s No Other Choice. It will be interesting to see what the general audience consensus is for the movie, especially since the special effects might be somewhat different from what North American audiences usually expect from sci-fi spectacle films with a similar genre and plot, which are instead produced by larger and more prominent film studios.


hope_136_digi_1-sheet_27x40_fin03.jpg


Release Date

September 9, 2026

Runtime

160 minutes

Director

Na Hong-jin


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After acquiring some exciting films that premiered

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Wielu graczy w Polsce przemieszcza rozrywkę na smartfony i tablety, dlatego dopasowanie metod płatności z urządzeniami mobilnymi jest dziś niezbędnością. Duelz Casino nie wymaga instalacji dedykowanej aplikacji – cała platforma pracuje płynnie w przeglądarce mobilnej, niezależnie czy korzystamy z Androida, czy iOS. To oznacza, że również wszystkie opcje natychmiastowych płatności są osiągalne bezpośrednio z poziomu telefonu, a interfejs kasjera dostosowuje się do mniejszego ekranu, zachowując przy tym pełną funkcjonalność. Dla użytkowników Blika to wyjątkowo wygodne, bo kod potrafimy wygenerować w aplikacji bankowej na tym samym urządzeniu, a następnie umieścić go w formularzu płatności – całość trwa dosłownie kilka dotknięć.

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Dodatkowo, mobilne płatności natychmiastowe otwierają drogę do nowych scenariuszy rozrywki – na przykład szybkiego obstawienia gola w meczu na żywo, który właśnie oglądamy na drugim ekranie, lub wzięcia udziału do turnieju slotowego, gdy tylko otrzymamy powiadomienie o jego rozpoczęciu. Duelz Casino stosuje tę elastyczność, udostępniając pełen przekrój gier i zakładów w wersji mobilnej, a szybkie depozyty sprawiają, że granica między światem stacjonarnym a mobilnym w pełni się zaciera. W praktyce oznacza to, że nigdy nie jesteśmy odcięci od akcji – pod warunkiem, że posiadamy przy sobie telefon i dostęp do internetu.

Progi, opłaty i czas realizacji wypłat – co wynika z rzeczywistości?

Przy selekcji metody natychmiastowej kluczowe znaczenie mają limity transakcji oraz ewentualne opłaty, które mogą zmniejszyć nasz budżet. W Duelz Casino większość metod depozytowych nie łączy się z dodatkowymi prowizjami po stronie kasyna, ale warto zweryfikować, czy nasz bank lub dostawca e-portfela nie pobiera własnych opłat. Na przykład, Blik i Przelewy24 zazwyczaj są darmowe dla użytkownika, podczas gdy niektóre e-portfele mogą naliczać niewielką prowizję za zasilenie konta lub przewalutowanie. Minimalna kwota depozytu oscyluje zwykle w granicach 20-40 złotych, co czyni grę dostępną nawet przy skromniejszym budżecie, natomiast górne limity są na tyle wysokie, że usatysfakcjonują również bardziej wymagających graczy.

Zupełnie inną sprawą są wypłaty – tu natychmiastowość nie zawsze jest regułą, ale odpowiedni wybór metody jest w stanie znacząco skrócić czas oczekiwania na wygrane. E-portfele takie jak Skrill czy Neteller często pozwalają otrzymać środki w ciągu kilku godzin od zatwierdzenia wypłaty przez kasyno, podczas gdy standardowy przelew bankowy może potrwać od jednego do trzech dni roboczych. Duelz Casino obsługuje zlecenia wypłat sprawnie, ale wewnętrzna weryfikacja i procedury bezpieczeństwa mogą wydłużyć kilka godzin do całego procesu. Dlatego jeśli chcemy na szybkim dostępie do wygranych, warto rozważyć użyciem e-portfela również do wypłat – nawet jeśli depozyt dokonaliśmy Blikiem, często możemy wypłacić środki na konto Skrill, o ile wcześniej je potwierdzimy.

W praktyce najlepiej przed pierwszą wypłatą zajrzeć do sekcji „Płatności” lub „Kasjer” w Duelz Casino, gdzie są aktualne czasy realizacji dla każdej metody. Znajdziemy tam również informacje o limitach dziennych i miesięcznych, które mogą się odmieniać w zależności od statusu konta i poziomu weryfikacji. Świadomość tych parametrów daje szansę uniknąć rozczarowań i zaplanować sesję tak, aby zarówno depozyty, jak i wypłaty przechodziły bez zakłóceń. Pamiętajmy, że nawet najszybsza metoda nie uwalnia nas z obowiązku dopełnienia wymogów KYC – bez zatwierdzonej tożsamości wypłata po prostu nie zostanie zrealizowana.

Jak ominąć pułapek i wybrać optymalną opcję dla swoich potrzeb?

Selekcja idealnej metody natychmiastowej to nie tylko kwestia prędkości, ale też dopasowania do własnych nawyków bankowych i charakteru gry. Wstępnym krokiem powinno być skontrolowanie, które z dostępnych w Duelz Casino opcji są już połączone z naszym codziennym codziennym bankowaniem – jeśli stosujemy z aplikacji mobilnej banku i mamy włączony Blik, to właśnie on będzie najszybszym i najwygodniejszym wyborem. Jeśli natomiast wolimy przechowywać środki na gry w osobnym e-portfelu, warto rozważyć Skrill lub Neteller, które dodatkowo przyspieszą przyszłe wypłaty. Zasadnicze jest, aby nie kierować się wyłącznie marketingowymi hasłami, lecz samodzielnie przetestować dwie lub trzy metody przy niewielkich kwotach i porównać rzeczywisty czas ksiegowania oraz potencjalne ukryte koszty.

Kolejnym aspektem jest świadome regulowanie limitami i weryfikacją tożsamości. Zanim zdecydujemy się na poważniejszy depozyt, upewnijmy się, że nasze konto w Duelz Casino jest w pełni zweryfikowane – nawet jeśli wpłaty są akceptowane od ręki, brak potwierdzonego dokumentu może zablokować wypłatę wygranych na długie dni. Warto też z góry określić sobie dzienny lub tygodniowy budżet i wybrać metodę, która pozwala ustawić własne limity transakcji – niektóre banki proponują taką funkcję w aplikacji, co stanowi dodatkowe zabezpieczenie przed impulsywnymi decyzjami. Pamiętajmy, że natychmiastowość depozytu to miecz obosieczny: daje wolność, ale wymaga od nas odpowiedzialności.

Na koniec nie bójmy się skorzystać po wsparcie. Duelz Casino udostępnia obsługę klienta, która może rozwiać wątpliwości dotyczące konkretnych metod płatności, czasów realizacji czy wymogów dokumentacyjnych. Zamiast opierać się na nieaktualnych poradach z forów, lepiej zadać pytanie bezpośrednio przez czat na żywo – odpowiedź otrzymamy w kilka minut i będziemy mieć pewność, że informacje są zgodne z aktualnym stanem platformy. Takie proaktywne podejście sprawia, że zamiast wpadać w pułapki, budujemy własny, sprawny system wpłat i wypłat, który pracuje na naszą korzyść przy każdej sesji.

Ostatecznie sposoby błyskawicznych płatności w kasynie online kończą być niewiadomą, gdy popatrzymy na nie przez pryzmat określonych potrzeb i prawdziwych mechanizmów, a nie mglistych obietnic. Duelz Casino oferuje nam do ręki zestaw narzędzi – od Blika i Przelewy24 po e-portfele – które w powiązaniu z czytelnym regulaminem, mocnym licencjonowaniem i obfitą biblioteką gier kształtują środowisko, w którym szybkość naprawdę czyni różnicę. Zamiast tracić czas na przeglądanie niejasnych tabel, prosto wybierzmy metodę, którą wiemy z codziennych płatności, wykonajmy pierwszy depozyt i przekonajmy się, jak płynna potrafi być rozrywka, gdy technologia znika w tle. W świecie, gdzie każda sekunda emocji się ma znaczenie, natychmiastowe płatności to nie dopełnienie – to wzorzec, który warto świadomie poznać i wykorzystać na swoją korzyść.

Gdy emocje sięgają szczytu, a idealny moment

James Gunn and Peter Safran’s DCU is officially off and running. And next up is Lanterns, a Green Lanterns series that follows “new recruit John Stewart and Lantern legend Hal Jordan, two intergalactic cops drawn into a dark, earth-based mystery as they investigate a murder in the American heartland.”

With the release of Lanterns just around the corner, HBO Max has released the first five minutes of the series for your viewing pleasure. And yes, it features Hal Jordan in his Green Lantern suit. You can watch the beginning of Lanterns above.

lanterns first look footage from hbo 2026 trailer
HBO

What else can we expect from the show when it does premiere? Here’s everything we know so far about Lanterns.

Title

The title of the series is simply Lanterns. The green is implied, I guess.

John Stewart and Hal Jordan artwork for the TV series Lanterns.
DC Studios

Lanterns Plot

In his initial video announcing the DC Studios slate, James Gunn described the show John Stewart and Hal Jordan investigating a “terrifying mystery” that has huge ties to the entire franchise. He likened the “Earthbound” story to True Detective.

Later descriptions include a fuller look at the plot. “Lanterns follows new recruit John Stewart and Lantern legend Hal Jordan, two intergalactic cops drawn into a dark, earth-based mystery as they investigate a murder in the American heartland.” The series full trailer proved Gunn’s description was very accurate.

Behind the Scenes

Ozark showrunner and True Detective: Night Country producer Chris Mundy will serve as Lanterns‘ showrunner. Mundy along with comic writer Tom King (Supergirl: Woman of Tomorrow) and Damon Lindelof (Lost, Watchmen) have written the series pilot and bible.

James Gunn and Peter Safran said of the announcement: “We’re thrilled to bring this seminal DC title to HBO with Chris, Damon and Tom at the helm. John Stewart and Hal Jordan are two of DC’s most compelling characters, and Lanterns brings them to life in an original detective story that is a foundational part of the unified DCU we’re launching next summer with Superman.”

“When we first started the DCU, the first couple of weeks of heading this out, we got together with a group of writers, and Tom King was one of those writers, and we were in this room, and we came up with sort of this concept for Lanterns. It’s a much more it’s a very grounded series, a very real series, which is a strange thing to say about a Green Lanterns show. But it’s going to be something like nobody’s ever seen before.”

James Hawes, director of series like Doctor Who, Penny Dreadful, and Black Mirror, will direct the the first two episodes of Lanterns. He, along with the writers above, will serve as executive producers.

Lanterns‘ Cast

first look image from DCU Lanterns
John P. Johnson/HBO

The series will focus on the veteran Green Lantern Hal Jordan working a case with rookie GL John Stewart. In order to play these roles, DC would need some heavy hitters. And heavy hitters they got! Kyle Chandler (Bloodline, Friday Night Lights) plays Hal Jordan.

Kyle Chandler as Hal Jordan in Lanterns
NBC/DC Comics

To play the role of John Stewart, DC cast Aaron Pierre. Pierre had a big 2025 with both the Netflix thriller Rebel Ridge and as the titular voice in Disney’s not-live-action live action film Mufasa.

“Aaron Pierre is somebody who I’ve wanted to work together with for a long time,” said James Gunn during an NYCC panel. “People don’t know, but he was almost cast as Adam Warlock. He’s an amazing actor, and I just really admired him from the beginning of his career. Seeing him read with Kyle was one of those miraculous moments. I don’t care what they’re saying, I just love what they’re saying together.”

Actor Aaron Pierre alongside the animated version of Green Lantern John Stewart.
Max PR/Warner Bros Animation

Boardwalk Empire‘s Kelly Macdonald also joins Lanterns as “Sheriff Kerry, a no-nonsense woman deeply devoted to her family and close-knit town. Her resilience, shaped by a complex past that’s hardened her resolve, anchors her when the community’s secrets begin to surface.” According to Deadline, Kelly Macdonald’s character may also “be a potential love interest for Chandler’s Hal Jordan.” Very interesting.

Additionally, Jason Ritter joins Lanterns as Billy Macon. The official description for this character notes, “Billy Macon is a good-looking charmer who does his father’s bidding. Capitalizing on his family’s reputation, he clings to his small-town ego and has everything to lose.” Ulrich Thomsen will play villain Sinestro.

LANTERNS Casts Sinestro, Danish Actor Ulrich Thomsen Will Play Iconic DC Villain

Finally, Deadline revealed that J. Alphonse Nicholson, known for his role on P-Valley, will have a recurring role as a younger John, Sr. in the series. Sherman Augustus will have a more regular role as the the current John, Sr.

Lanterns‘ Release Date

Lanterns will debut on August 16, just a month after Supergirl and a couple of months before Clayface.

Originally published on December 30, 2024.

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⚡ Quick Take Lanterns is DC Studios’ upcoming prestige

The DCU has had a roller-coaster week. With the premiere of Lanterns just on the horizon, news recently broke that the DCU series Waller and Paradise Lost were scrapped by Warner Bros. This all comes after the release of Supergirl, which bombed at the box office and was dismissed by critics and general audiences. After a poor theatrical run, Supergirl has been made available for video rental and purchase, and a behind-the-scenes clip appears to reveal that it may have used generative AI artwork during pre-production.

A newly released video titled “Jason Momoa as Lobo” features Supergirl director Craig Gillespie showing Jason Momoa what appears to be AI-generated concept art for Lobo. The featurette has since been removed from the Warner Bros. official YouTube page. James Gunn, Gillespie, and Warner Bros. have not commented yet. Check out the video below:

The apparent use of generative AI artwork in Supergirl‘s development process has been widely criticized. User StephanGailW replied with a simple “ew.” Kirby, the host of the YouTube series Comic Krakle, said, “It’s not too much to ask the people adapting these books to respect the artists, but y’know, it’s not surprising considering how Gunn is able to speak more about writers’ contributions than the artists.”Meanwhile, Captaincupkirk discussed how the terrible optics of a movie with a budget as big as Supergirl not paying a concept artist: “Any use of generative AI is awful, but it’s especially insulting when you have a $180M budget and still don’t pay someone to make concept art. Incredibly disappointing to see it used and promoted in such a soulless way.”

Many have also used this to criticize James Gunn, who has been vocally anti-AI and called out an AI-generated Superman trailer back in 2024. Despite saying “no way” to use AI in the DCU back in 2023, it was apparently used on Supergirl. TheSmartAlex1 said, “So like when Jimmy was making posts about AI art not being real art did he know about this or.” It should be noted that Supergirl was not directed by Gunn, though he serves as a producer and had a say in the final cut.

Nevertheless, film commentator John Rocha is still holding DC Studios presidents James Gunn and Peter Safran accountable, suggesting the studio released the video to distance itself from Supergirl’s box-office performance and place the blame solely at Gillespie’s feet. “It’s almost like WB and the DC Studios co-heads don’t want the #Supergirl stink on them and are throwing Craig Gillespie under the bus like this. I hope any filmmaker thinking of working for DC in the future sees this and knows what they’re signing up for if their film bombs.”


supergirl-poster.jpg


Release Date

June 26, 2026

Runtime

108 minutes


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The DCU has had a roller-coaster week.

Superman 2: Man of Tomorrow is assembling a stacked roster of Justice League-affiliated heroes, and one of them is an exciting up-and-coming DCU hero. Directed and written by James Gunn, Man of Tomorrow serves as the follow-up to 2025’s Superman, shifting the focus from origin story to an unexpected alliance between Superman and Lex Luthor as they work together against Brainiac. The DCU villain’s arrival on Earth is widely expected to trigger a full-scale invasion, a crisis of such magnitude that Clark and Lex cannot face alone. This situation requires a broader coalition of heroes, many of them with deep roots in Justice League lore. 

Man of Tomorrow, set for release on July 9, 2027, will bring back Xolo Maridueña’s Jaime Reyes (aka Blue Beetle), marking a notable bridge between the DCEU’s final days and the rebooted DCU. Superman 2 director James Gunn had long positioned Jaime Reyes as “the first DCU character,” and his inclusion in a story that pairs Superman with Lex Luthor against Brainiac expands the DCU sequel’s toward an emerging ensemble. 

DC Studios/DC Comics

Jaime’s inclusion in Man of Tomorrow feels organic because the young DC hero has repeatedly intersected with the Justice League’s various iterations, even though he is more closely associated with the Teen Titans or Young Justice. 

In DC Comics, Jaime first bonded with the Reach scarab during the Infinite Crisis era and quickly found himself pulled into larger team dynamics. Following his early solo adventures and a stint with the Teen Titans, Blue Beetle crossed paths with former members of the Justice League International in Justice League: Generation Lost to hunt down a newly resurrected Maxwell Lord. In the New 52 continuity, Booster Gold even invited Blue Beetle to be a member of Justice League International, but it was short-lived after being decimated by the Brother Eye. 

Blue Beetle’s inclusion in Man of Tomorrow echoes those comic dynamics, with him as a relatively new hero stepping into a crisis already involving established powerhouses and complicated alliances (similar to how Tom Holland’s MCU Spider-Man was introduced in 2016’s Captain America: Civil War).

Superman is expected to be front and center once again in Man of Tomorrow. As a founding member of the Justice League, Brainiac may be forced to confront the reality that he cannot face this threat alone, prompting him to assemble a team of DCU heroes. 

Superman has been a core presence in every iteration of the Justice League, leading teams ranging from the classic satellite-era League to the more fractured post-Crisis and New 52 teams. The Man of Steel often serves as the figure who holds the group together when personalities clash or cosmic threats escalate. 

David Corenswet as Superman, Justice League.
DC Studios/DC Comics

Another confirmed Kryptonian hero set to appear in Man of Tomorrow is Milly Alcock’s Supergirl. Kara Zor-El reunited with Clark at the end of her 2026 DCU solo film, setting up her significant role in 2027’s Superman 2. 

Supergirl’s history with the Justice League is more intermittent but no less significant. Kara has joined formal rosters in various eras, most notably during the Cry for Justice period and later in post-Flashpoint and Infinite Frontier iterations of the team. In the DC Animated Universe (DCAU), Kara became a member of the expanded Justice League in Justice League: Unlimited. 

Milly Alcock as Supergirl, Supergirl.
DC Studios/DC Comics

2026’s Supergirl movie established that this version of Kara is distinct from Corenswet’s, setting up tension that carries into the next major DCU crossover, where team dynamics are expected to take center stage.

As the leader of the Justice Gang, it is a no-brainer that Nathan Fillion’s Guy Gardner will return in Man of Tomorrow. Gardner’s stint with the Justice League in the comics was defined solely by the Justice League International era. Following the original team’s fracture, Guy became a founding member of the more international and far more dysfunctional team under Maxwell Lord’s influence. 

Nathan Fillion as Guy Gardner.
DC Studios/DC Comics

The DCU’s version of Guy already leaned into the character’s abrasive personality from the comics, positioning him as the kind of hero who forces the Justice League to confront its own egos. 2025’s Superman already offered a clear taste of the chaos he brings to group dynamics, and his continued presence suggests he will play a similarly disruptive yet essential role once the DCU’s Justice League fully takes shape. 

John Stewart’s path to the Justice League was slower in the comics than in the animated series. He was created as a backup Green Lantern, eventually stepping into full-time status and becoming a reliable member of the League across multiple eras. Stewart’s military discipline and architectural mind have often made him the Justice League’s pragmatic strategist, the one who builds structure when chaos threatens to overwhelm the team. 

Aaron Pierre as John Stewart in Lanterns, Justice League.
DC Studios/DC Comics

Stewart’s backstory in Lanterns closely echoes the comics, grounding him as a former Marine with a sharp tactical intellect. That same steady presence is exactly what Man of Tomorrow appears ready to highlight, positioning John Stewart as a crucial addition to the escalating Brainiac conflict. 

Isabel Merced’s Hawkgirl is set for a major comeback in Man of Tomorrow. Hawkgirl is perhaps one of the most prominent members of the Justice League in both the comics and animation. Her membership spans multiple identities and timelines, whether as the Thanagarian Shayera Hol or the reincarnated Kendra Saunders. 

Isabel Merced as Hawkgirl, Justice League.
DC Studios/DC Comics

As a member of the Justice League, Hawkgirl brings her Nth-metal weapons and warrior prowess to the team, providing a counterbalance to more cerebral and cosmic members. Merced’s Hawkgirl is expected to be on the front lines in the fight against Brainiac in Man of Tomorrow, adding aerial firepower and deeply rooted battlefield experience to Superman’s team. 

Mr. Terrific served as the scene-stealer and fan favorite in Superman, and his return in Man of Tomorrow is certain to expand that impact. With his genius-level intellect and proven ability to navigate chaos with calm precision, Mr. Terrific is set to serve as the strategic backbone of the growing ensemble against Brainiac, continuing the character’s long comic book history as a mainstay of both the Justice League and the Justice Society. 

Edi Gathegi as Mr. Terrific, JSA.
DC Studios/DC Comics

Maxima’s inclusion in Man of Tomorrow is still shrouded in mystery, and even her history with the Justice League raises more questions than answers. Maxima, the warrior queen of Almerac, initially viewed Superman as her genetically ideal mate before ultimately clashing and later joining the Justice League of America after helping the fight against Brainiac. 

Maxima.
DC Comics

It’s possible that the same narrative trajectory for Maxima will be explored in Man of Tomorrow, with her starting off as a villain before eventually joining the heroes to try and defeat Brainiac. 

While he is a DC villain, Lex Luthor has worn the Justice League’s colors. Following the Forever Evil event, the New 52 Justice League accepted him as a member, partly out of gratitude and partly to keep him under close watch. While his tenure was brief and fraught, which culminated in devastating betrayals, Lex’s joining the Justice League remains one of the standout roster choices in the group’s history. 

Lex Luthor.
DC Studios/DC Comics

Nicholas Hoult’s Lex Luthor already dominated the first Superman film as a clear-cut villain, and forcing him into an uneasy alliance with Superman and the Justice League members in Man of Tomorrow correlates to one of the most audacious turns in the comics.

Which Other Justice League Heroes Might Appear in Man of Tomorrow?

While Man of Tomorrow is already stacking an impressive roster of Justice League-affiliated heroes, a Brainiac invasion leaves the door open for even bigger names. 

Justice League founding members like Martian Manhunter or Wonder Woman (who has been rumored to appear in Man of Tomorrow) could easily make brief but impactful appearances, especially if the crisis or invasion expands even further. A quick cameo from the Flash cutting through while destroying Brainiac’s forces or a shadowy reference to Batman wouldn’t feel out of place. 

These kinds of moments wouldn’t need to steal focus from the central story in Man of Tomorrow. Instead, they could reinforce just how expansive the rebooted DCU has already become while also laying the groundwork for the DCU’s fully formed Justice League. 

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Earlier this year, Amazon unleashed an all-new action thriller that quickly became a streaming hit. Mixing movies like Rambo and John Wick together to create an explosive and bloody revenge flick, the film shot up the charts. Now, four months after its premiere, it’s still one that people can’t get enough of on streaming.

Money Changes Everything in Prime Video’s Action Thriller Smash

Still from Vengeance Amazon MGM Studios

Hitting Prime Video back in April, Vengeance wastes no time getting started. Clocking in at a lean 1hr and 43 minutes, the story focuses on Carlos Estrada (Omar Chaparro), a man whose life is turned upside down when his wife is brutally murdered. However, Carlos is no ordinary civilian. He’s a former Mexican Special Forces captain who knows exactly how to hunt people down and kill them. The only problem is he doesn’t have the resources for sweet revenge… yet.

In a brilliant stroke of luck, Carlos finds himself coming into some money. Lots of money. Now blessed with the fortune of John Wick, he uses his newly acquired arsenal of weapons and his special set of skills à la John Rambo to take down every single person responsible for his wife’s murder. Along the way, he uncovers a web of military corruption and organized crime that tests both his combat training and his humanity, which adds an extra layer to Vengeance to keep you engaged.

Directed by Rodrigo Valdés, Vengeance is a violent and brutal action affair that moves at break-neck speed. Called everything from a “solid piece of Spanish action cinema” to “a masterpiece full of excitement from the start” by users on Letterboxd, it might not reinvent the genre, but its uncomplicated plot makes it an easy-to-follow thrill ride that delivers everything it promises. With a high body count, hand-to-hand combat, and a plethora of gun battles, it’s an action lover’s dream come true, so it’s no wonder it’s remained a streaming hit for as long as it has.

‘Vengeance’ Continues to Succeed on Prime Video

Released on April 17, 2026, on Prime Video after a brief theatrical run in Mexico, Vengeance has more than proven itself a vigilante force on streaming. It’s consistently appeared on Amazon’s global charts, and this week is no exception.

Per Amazon News, Vengeance ranked eighth on the list of Top 10 non-English Prime Original films for the week of August 3–9, which is pretty impressive when you consider it’s been out for four months. Its staying power on the charts is proof positive that many can’t get enough of the action smash, and have most likely watched it more than once since its debut. Check out the full Top 10 for the reporting period below.

Rank

Title

1.

Beast Race

2.

Boulevard

3.

Culpa Mia

4.

Culpa Nuestra

5.

Culpa Tuya

6.

Assassination Classroom the Movie: Our Time

7.

Agent Zeta

8.

Vengeance

9.

Apocalypse Z: The Beginning of the End

10.

The Tank

Thus far, a sequel to Vengeance has yet to be confirmed, but there’s certainly room for it to grow should it become a full-blown franchise, with Estrada taking on even bigger threats in possible follow-ups. As we await to see what the future holds, be sure to check out the savage action thriller streaming now on Prime Video.

prime-video-poster.jpg

4
/5


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Earlier this year, Amazon unleashed an all-new

The Last of Us is one of the most emotionally resonant and entertaining video game adaptation series in existence. The initial story of Joel, a man hardened by an apocalyptic situation and Ellie, a young girl who could hold the cure, truly blossoms into something special. To us, casting Pedro Pascal as Joel was a brilliant move but little did we know that he almost didn’t get the role. During his Happy Sad Confused podcast interview, Matthew McConaughey said he turned down the role of Joel in The Last of Us. 

His reasoning behind this decision was rather simple: it was not for him at the time. 

“I wasn’t really acting at that point,” McConaughey told podcast host Josh Horowitz. “That was when I was doing more writing and looking at leadership roles in life. It was really good. I was excited. Correct me if I’m wrong, I’m not a huge TV watcher, we pulled off a real coup with True Detective at a time when series were not something that actors like myself or Woody Harrelson would hop over and go do. That one succeeded in a real royal fashion. Last of Us was really good but it wasn’t for me at the time.” 

That’s a fair point. If someone wants to focus their creative talents on behind-the-scenes work, they probably wouldn’t want to take a leading role in an HBO series. This is especially true for something like The Last of Us, which has fervent fans and would require a ton of an actor’s time, at least a couple of years of their lives. 

YouTube/HBO Max

Nerdist’s Take: Pedro Pascal Has the Perfect Offscreen Persona That Makes Him a Great Joel (No Offense to Matthew)

Matthew McConaughey is certainly far from the worst actor, and probably would have been good if he hadn’t turned down the role as Joel in The Last of Us. But there’s something so incredibly charming and vulnerable about Pedro Pascal both as a person and in this role. Either way, it is another interesting “What If?” for the entertainment world. 

The Last of Us is gearing up for season three, but you can always relive the first two seasons by streaming them on HBO Max. And, if you want to make sure that you truly have this gem of a series forever, you can own The Last of Us season two in 4K UHD.

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⚡ Quick Take Matthew McConaughey revealed during his Happy

Aerial Tour of Danville and Caesars Casinos

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It is a bright day for those waiting for Lanterns.

Lanterns will serve as the first live-action Green Lantern-focused project from DC since Ryan Reynolds’ 2011 solo movie, setting the stage for Hal Jordan and John Stewart in James Gunn’s DC Universe. With Kyle Chandler cast as Hal, the character is said to be a legend of the Green Lantern Corps. Now a veteran, Hal is reluctantly training his replacement, Aaron Pierre’s John Stewart. While the characters might not be close in age in the DCU, they share a major connection, as can be seen from this extended clip that was just released.

On X, HBO Max has released the first five minutes of Lanterns.

The footage features John Stewart as a child as he avidly watches a de-aged Chandler as Hal on a news program back when the Green Lantern was in his prime. The new look at Lanterns reveals that Hal made himself known as Green Lantern in 1986 as he stopped a meteor from destroying Victoria Falls. When John’s father arrives at home, he is not happy about John watching Hal on TV, and proceeds to shoot an apple off his head, asking, “Are you afraid?“

Hal Jordan looking to the side in Lanterns
Hal Jordan looking to the side in Lanterns

The release of the first five minutes of Lanterns comes right before the new live-action DC TV show debuts its first episode. Lanterns will be released on HBO and HBO Max this Sunday, August 16, at 9 PM ET/6 PM PT. There will be eight episodes in Lanterns season 1, with only the first dropping on Sunday, and the rest will be released weekly as is the rule for HBO shows. The timing of this surprise Lanterns 5-minute clip’s release is perfect to drum up even more interest for the upcoming DC series, spotlighting its characters’ connection.

The core dynamic of Lanterns is the veteran Hal Jordan training the rising star John Stewart. As evidenced by the first five minutes of Lanterns, John will have seemingly grown up looking at Hal as an inspiration. The same way that the first Green Lantern from Earth revealed during the interview that he was only asked one question before being chosen as Green Lantern, “Are you afraid?,” John is forced to go to his backyard when his father gets home, with the latter repeating the same question spoken by Hal before shooting an apple off his son’s head.

From the way John does not flinch, it seems like this might not be the first time his dad has done this. The footage ends with Pierre’s John Stewart entering the car of Chandler’s Hal Jordan. Despite being so marveled by watching Hal as Green Lantern on TV as a kid, John does not seem to have the same excitement about being in the actual presence of the hero he looked up to in the final moments of the footage.

As such, it stands to be seen just how close or distant John and Hal will be in Lanterns, and what role the former’s upbringing plays in that. Given that John’s brothers were urging him to turn the TV off before his father got home and saw John watching the Green Lantern, the tension in the heroes’ dynamic in Lanterns might come from trauma.


lanterns-poster.jpg


Release Date

August 16, 2026

Network

HBO

Showrunner

Chris Mundy

  • Headshot Of Aaron Pierre

    Aaron Pierre

    John Stewart

  • Headshot Of Kyle Chandler

  • Headshot Of Nathan Fillion IN The The Walking Dead Live: The Finale Event

  • Headshot Of Kelly Macdonald

    Kelly Macdonald

    Sheriff Kerry


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It is a bright day for those

DC Studios just revealed the best look yet at Hal Jordan’s real Green Lantern suit. Anticipation is running high for the DCU’s next release, HBO’s Lanterns, although the crime drama has faced backlash for swerving much of the green in the Green Lantern Corps, most notably on the suit worn by Kyle Chandler’s Hal Jordan. Interestingly, Jordan isn’t even the first DCU Green Lantern to have their superhero costume criticized. There was also a mixed reception to Nathan Fillion’s Guy Gardner and the Justice Gang’s matching LordTech costumes in Superman, which were clearly intended to denote their corporate nature. Fans are still waiting to see what Green Lantern attire Aaron Pierre’s John Stewart will be sporting, as he hasn’t suited up in Lanterns‘ marketing.

HBO officially released the first five minutes of Lanterns Episode 1 ahead of its premiere on Sunday, August 16, which brings the exciting reveal of Hal Jordan’s Green Lantern suit, as the Guardians of Oa intended. The eight-episode DCU saga will officially begin with a flashback to 1996, when a young John Stewart watched a TV interview with Jordan, early in his heroic career, and was clearly inspired.  

HBO

Lanterns‘ suit controversy kick-started with the HBO series’ first trailer, as Hal Jordan’s only vaguely green (mostly brown) suit was pictured on a hanger. As many theorized, it’s now clear that the veteran space-cop’s suit had simply weathered with age, and even the bulky armored look may be intentionally dated.

DCU Hal Jordan Green Lantern suit on coat hanger.
HBO

Thanks to the flashback clip featuring de-aged actor Kyle Chandler, fans can now see what the suit looked like when Jordan first became a Green Lantern. While the new look should alleviate some of the color criticisms, many will still be concerned that the suit isn’t a will-powered construct from the Power Ring, as it usually is.

Kyle Chandler Hal Jordan in Lanterns, 1996 flashback, Green Lantern suit.
HBO

For the most part, outside of this 1996 flashback, Lanterns will split its story into two timelines across 2016 and 2026. In a moment that likely comes from the HBO series’ earlier timeline, the Emmy-winning actor is spotted wearing his suit while visiting his old mentor and adversary, Sinestro, at some kind of sci-fi prison.

Kyle Chandler Hal Jordan in Green Lantern suit in modern day.
HBO

Lanterns will feature Hal Jordan on the verge of retirement and training his old fan, John Stewart, a marine veteran, as his Green Lantern replacement. Examining the suit two decades apart makes it clear that this is a space-cop and superhero who has been through the wars, carrying the very same suit along his whole journey.

Kyle Chandler Hal Jordan in Green Lantern suit in modern day vs 1996 flashback.
HBO

It’s unclear whether Lanterns will feature any more 1996 flashbacks with better looks at Jordan’s costume, fresh off the hanger in Oa’s closet. Regardless, the fact that the suit has remained intact at all after two decades of heroics is a clear sign of its durability, even if it has scuffed and faded along the way.

Kyle Chandler Hal Jordan in Green Lantern suit in modern day vs 1996 flashback.
HBO

Is Hal Jordan’s DCU Green Lantern Costume Bad on Purpose?

DC Studios is making it evidently clear that the 60-year-old Kyle Chandler and his take on Hal Jordan won’t be their primary Green Lantern going forward. That decision will undoubtedly still anger many, as Jordan has only been adapted in live action once before, in 2011’s Green Lantern, starring Ryan Reynolds, and it was executed so poorly that it has tarnished the Emerald Knight’s mythos to this day.

Much of Lanterns will seemingly see Jordan clinging to his superhero mantle and refusing to hand it over to the younger John Stewart. It seems DC Studios may be using Jordan’s old-guard, weathered suit to emphasize the difference between the Lanterns‘ leading men and to highlight how long he has been in the game; after all, they have openly responded to the green backlash, screaming that it is by design.

Up until now, Aaron Pierre, the actor behind Stewart, has only been spotted in civilian clothing, military get-up, and what appeared to be a blue prison outfit. DC Studios may be saving Stewart’s suit-up for later in the season, when he may wear a more classic Green Lantern suit that will also carry over into next year’s Man of Tomorrow, where Pierre will reprise his superhero role.

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4

Marcos Melendez is an entertainment journalist who has been active since 2017. His past work can be read on Collider, Escapist, ScreenRant, CBR, and Full Circle Cinema. He is currently a News Editor for MovieWeb. 

In 1976, legendary filmmaker John Carpenter released what would become one of his best directorial efforts, Assault on Precinct 13. The tight, 90-minute action thriller followed a group of cops and citizens holed up in a police station, battling a wave of members of a local street gang. 50 years later, the film’s influence in the genre continues to this day, with Paramount acquiring an exciting new twist on the tried and true concept.

According to The Hollywood Reporter, Paramount’s low-budget genre label, Paramount Primal, has acquired the screenplay for Tower Defense from screenwriter Evan Daugherty (Snow White and the Huntsman and Divergent). It’s described as a “Medieval and supernatural fantasy twist” on Carpenter’s Assault on Precinct 13, while further plot details remain unconfirmed.

More to come.


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Release Date

November 5, 1976

Runtime

91 minutes

Director

John Carpenter

Producers

J. Stein Kaplan


  • Cast Placeholder Image

    Austin Stoker

    Ethan Bishop

  • Cast Placeholder Image

    Darwin Joston

    Napoleon Wilson

  • Cast Placeholder Image

  • Cast Placeholder Image


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While the Enterprise is traditionally the flagship of the Federation, we all know Starfleet has many legendary vessels. Voyager, Defiant, and Discovery are all iconic names too. Now, for Star Trek‘s 60th anniversary, IDW Comics is exploring one of those ships in a new series. And it stars one of Star Trek: Picard’s breakout characters, Commander Raffi Musiker (Michelle Hurd). Only she’s no longer just a commander, she’s captain of the starship Endeavour. And in the new series Star Trek: Zero Point, by the creative team of Charlie Jane Anders, Isaac Sánchez González, and Jodie Troutman, we follow Captain Musiker as she takes her new starship on a special mission of the utmost importance to the Alpha Quadrant. You can check out several pages from Star Trek: Zero Point, along with multiple variant covers, down below:

Star Trek: Zero Point

In Zero Point, after five years at the side of Captain Seven of Nine on the Enterprise-G, as her first officer and as her wife, Raffi gets a command of her own, the U.S.S. Endeavour. And her new crew has a very dangerous (and secret) mission ahead of them. You can check out several pages from the first issue, which include none other than Voyager’s Admiral Janeway, and even a new artificial lifeform that’s a little bit of Data from The Next Generation and Lt. Uhura from the original series. Her name is Sybil, and she may already be the best Trek character of 2026. You can read the synopsis for Star Trek: Zero Point #1 down below:

STAR TREK ZERO POINT #1 Variant RI 1-10 Elizabeth Beals
IDW/Paramount

The tie-in series to Star Trek (2026) starts here! From Nebula and Hugo Award–winning writer
Charlie Jane Anders (New Mutants, Lessons in Magic and Disaster) and artist Isaac Sánchez
González (TMNT, Godzilla) comes an extremely CLASSIFIED mission. A starship graveyard on the moon. A captain haunted by failure. A mission that could change the future of the Federation…or end it entirely.

Raffi Musiker takes command of the U.S.S. Endeavour—and is immediately handed a classified
directive from Starfleet. Follow the guidance of a powerful, untested A.I., that can predict threats
before they happen. But these missions aren’t exploration—they’re a gamble. As systems fail, pressure mounts, and missions spiral out of control, Raffi must decide who to trust: her crew…or the machine guiding them. Because some discoveries are better left buried. And some warnings come too late.

Star Trek: Zero Point #1 cover variant A by Valeria Favoccia.
Paramount/IDW

For Star Trek: Zero Point writer Charlie Jane Anders, a lifelong Trekker, getting to tell this story in the Trek galaxy has been a dream come true. Here’s what she had to say about shepherding this exciting new addition to Star Trek lore:

I’ve loved Star Trek my whole life, and I’ve been reading Star Trek comics forever. Somewhere
I have a compilation of the Gold Key comics that contains my childhood scribbles in the
margins. Star Trek: Zero Point is my tribute to decades of brilliant Trek storytelling — but it’s
also me trying to do things I’ve never seen a Trek comic do before. The format of Zero Point, in
which a friendly supercomputer predicts possible future threats and sends one starship to deal
with them, has turned out to be a great way to launch all kinds of different stories.

But it’s also provided a way to carry on a fun debate about how Starfleet should deal with the scary stuff on the horizon, the threats that lurk in the future. Is it better to be proactive to the point of paranoia,or to simply hope for the best? I’ve also been having a wonderful time writing the traumatized Raffi Musiker and the science-loving, idealistic D’Vana Tendi as captain and first officer. Their scenes together are always my favorite thing to write. All in all, I’ve been having a blast writing
this, and I am so overjoyed at how Isaac Sanchez Gonzalez’s art and Jodie Troutman’s lettering
have turned my weird ideas into a thing of beauty.

IDW has several Star Trek comics celebrating the franchise’s 60th anniversary, including Starfleet Academy and the upcoming Holo-Ween II Special. Star Trek: Zero Point #1 goes on sale October 14. Pre-orders are due September 7.

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⚡ Quick Take Star Trek: Zero Point introduces us

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Amid a lot of uncertainty at Warner Bros. over Paramount’s acquisition and legal battles, My Adventures with Superman has yet to be renewed for another season—and one of the showrunners has given some insight into what’s going on.

The critically acclaimed animated series debuted in 2023, with Jack Quaid voicing the titular character, as Clark Kent/Superman works with Lois Lane and Jimmy Olsen to report on the major events occurring in Metropolis and defeat numerous villains. Alice Lee, Ishmel Sahid and Kiana Madeira provide the voices for Lois, Jimmy and Kara Zor-El, respectively.

A social media user asked co-creator and co-showrunner Jake Wyatt on X why Adult Swim hasn’t renewed My Adventures with Superman yet, especially since the season 3 finale is coming up on August 16.

Wyatt responded by saying that while ratings are the best they’ve ever been, and the stakeholders (DC Studios, Adult Swim and HBO Max) have been kind to the show, “each has to chart its own future in an uncertain, unstable climate. That takes time.”

He went on to acknowledge the hard work put in by DC Studios co-chairs Peter Safran and James Gunn to save My Adventures with Superman from cancellation, getting the show renewed for a third season and greenlighting the spinoff My Adventures with Green Lantern, which is currently in development.

Despite that critical advocacy, Wyatt noted, “It’s a weird time in entertainment,” so if My Adventures with Superman doesn’t get renewed, “it won’t be because they didn’t support it.”

My Adventures with Superman season 3 was a “gift from everyone involved,” according to Wyatt, with the TV creator admitting that he learned more with this season than on any other project he’s worked on in the past. “I’d love to bring those lessons back to Superman—but I’m grateful just to have taken the ride,” he added.

“My Adventures With Superman has not yet been renewed for a fourth season. Views have been great! Our best ever. Our stakeholders—DC Studios, Adult Swim, HBOmax—have been great to the show. But each has to chart its own future in an uncertain, unstable climate. That takes time.

“However it turns out, getting to make our third season was a gift from everyone involved, especially our team and our viewers. I learned more on S3 than on any other project, and I’d love to bring those lessons back to Superman—but I’m grateful just to have taken the ride.

“One last thing: Peter Safran and James Gunn saved our show from the chopping block, renewed us for a third season, and gave us a spinoff. It’s a weird time in entertainment, but if My Adventures With Superman doesn’t get a fourth season, it won’t be because they didn’t support it.”

Wyatt didn’t get into specifics about the “unstable climate” and why it’s a “weird time” in the entertainment industry, but one of the biggest factors affecting Warner Bros. right now is Paramount’s attempt at acquiring the company.

Paramount is currently facing lawsuits by multiple attorneys general across the United States, which is delaying the deal from being finalized. A trial is scheduled for March.

Some entities are hoping for a settlement soon so that the issue doesn’t become even more chaotic for the industry, with David Ellison even threatening to move Paramount out of California.

This is having a major impact on DC Studios and other sectors of Warner Bros. While some movies and shows are still moving forward at the company, there’s hesitancy to greenlight other projects amid the uncertainty.

As Wyatt noted, the lack of a renewal is not due to low ratings or because executives don’t have faith in the quality of the show.

It’s not just viewership that’s soaring. Reviews for My Adventures with Superman have been exceptional, and every single season has earned a perfect score on Rotten Tomatoes. The show even scored a Saturn Award nomination in 2024 for Best Animated Television Series or Special.

The My Adventures with Superman season 3 finale airs Sunday, August 16 at 12 a.m. EDT on Adult Swim.


kocoupdlnhyqfmw4jsrlxwt0qhm.jpg


Release Date

July 7, 2023

Network

Adult Swim

Showrunner

Jake Wyatt


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Amid a lot of uncertainty at Warner

James Gunn and Peter Safran are going out on a limb with their latest casting decision for DC Studios, copying a move Warner Bros. pulled back in the 1980s. Zack Snyder’s DCEU relied on melodrama to push its stories forward. A dance-off never would have decided the fate of the universe in Justice League. The DCU, run by a huge fan of comedy, isn’t concerned about having one too many jokes in its projects.

The first show out of the gates, Creature Commandos, focused on a group of misfits who couldn’t wait for their next opportunity to drop a quip. Peacemaker walked a similar path, with the 11th Street Kids focusing as much on making fun of each other as on completing their mission. However, none of the characters that appeared on those shows were well-known enough for anyone to be bothered about Gunn and Co. taking creative liberties with them.

The Jimmy Olsen show will test the waters like never before. Accompanying the young journalist on his journey to investigate DC villains will be Gorilla Grodd. American Vandal creators Tony Yacenda and Dan Perrault are bringing in their old pal Jimmy Tatro to voice the telepathic ape. Tatro is famous for his deadpan humor, which certainly isn’t a trait that Grodd typically possesses.

Netflix/The CW

In the comic books, Grodd is a schemer who frequently goes up against The Flash. The Arrowverse brought him to life in the Grant Gustin-led series, turning him into a tragic figure who went so far as to raise armies to get back at the people who hurt him. It appeared as if the DCU was borrowing a page out of The CW’s book when Grodd made a brief cameo in Creature Commandos as Ilana Rostovic’s general. But the tide appears to be turning in a different direction for the ape.

Before the pitchforks come out for Tatro, who’s surely going to do a great job with the material he’s presented, it’s important to remember that Warner Bros. has a good track record when it comes to getting the most out of comedians.

Bruce Wayne using his grappling hook in Batman '89.
Warner Bros.

Batman star Michael Keaton started his career in the entertainment industry as a stand-up comedian before landing roles in comedy movies like Mr. Mom and Beetlejuice. He showed enough in those roles for Tim Burton to hand him the cape and cowl for two movies. And Keaton crushed it as both Bruce Wayne and Batman, even bringing his own flair at times, such as when he asked Joker if he wanted to get “nuts.”

Tatro won’t just have a name like Keaton to lean on if times get tough, though, because there are plenty of other actors with comedy backgrounds who found success playing DC characters.

Comedy Actors Who Landed Roles In DC Projects

Zachary Levi

Shazam smirking in the DCEU.
Warner Bros.

Awkward characters ran network TV in the early 2000s, and Zachary Levi played a great one in Chuck. The titular character was always in over his head as he helped a couple of government agents take down the bad guys. Well, Levi clearly learned a thing or two because he went on to star in not one but two superhero franchises.

In the MCU, Levi played Fandral, one of the Asgardian Warriors Three, in Thor: The Dark World and Thor: Ragnarok. The DCEU gave the actor far more to do, having him bring the adult version of Billy Batson to life in both Shazam! movies when he uttered the magic words. 

Pete Davidson

Blackguard making a funny face in The Suicide Squad.
Warner Bros.

Most people who work in comedy dream of starring in or writing for Saturday Night Live. Lorne Michaels saw something special in stand-up comedian Pete Davidson and brought him in to work on his sketch-comedy show in 2014. For eight seasons, he made audience members laugh with stellar jokes and hilarious characters.

Before his time on SNL came to an end, Davidson turned his attention to the DCEU, playing Blackguard in Gunn’s The Suicide Squad. While he didn’t last long in the movie, his character certainly made an impact, as he tried to betray Task Force X before meeting a grim end.

Will Arnett

Batman using his grappling hook in The LEGO Batman movie.
Warner Bros.

Keaton can’t claim to be the only funny guy to play the Caped Crusader. Will Arnett made a name for himself by appearing in Fox’s critically acclaimed sitcom Arrested Development before making plenty of noise on the big screen. The creative team behind The LEGO Movie thought he was a good choice to play Batman, a decision that paid off big time.

Once everything was awesome, The LEGO Batman Movie entered the pipeline, with Arnett reprising his role and being joined by some of the other biggest names in comedy, including Michael Cera and Zach Galifianakis. The powers that be tried to get a sequel off the ground, but it didn’t come to fruition. Nevertheless, Arnett cemented himself as one of the best actors ever to play the Dark Knight in his short run.

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The latest season of Only Murders In The Building has already assembled an enviable collection of guest stars for its sixth season’s British invasion, and now it has added another cultural institution to its roster.

Only Murders In The Building follows three neighbors and unlikely friends, who bond over a shared interest in true-crime podcasts. Former television star Charles-Haden Savage, Broadway producer Oliver Putnam (Martin Short) and younger true-crime obsessive Mabel Mora (Selena Gomez) uncover a murder in their New York apartment building, and begin investigating the crime while documenting their findings in a podcast. From here on, the trio have uncovered several more murders, and their investigations regularly have a habit of becoming considerably more dangerous than they initially expected.

The series has always had a knack for attracting a high caliber of guest stars. Previous seasons have brought together comedy icons such as Tina Fey and Paul Rudd into the world of the show, alongside Oscar-winning Hollywood royalty like Meryl Streep. After five seasons set around the trio’s home of the Arconia in New York, Season 6 will see the characters heading to London following the events of Season 5, marking the first time the characters have ventured outside of New York. This change in scenery also brings an eclectic collection of British talent along for the ride.

But perhaps the most curious theme in this season’s casting is the show’s sudden fondness for Doctor Who alumni. Back in June, it was announced that David Tennant and Jodie Whittaker would both appear in Season 6. Tennant is best known for playing the iconic 10th and 14th Doctors, while Whittaker played the 13th Doctor. The season will also feature Doctor Who guest stars Derek Jacobi and Nicola Coughlan, as well as Jim Broadbent, who has a slightly more tenuous connection to the franchise: he played one of several incarnations of the Doctor in Stephen Moffat’s Comic Relief parody, The Curse of the Fatal Death.

Now, Peter Capaldi, the 12th iteration of The Doctor, star of The Thick Of It, and the answer to the quiz question, “which Doctor Who actor also won an Academy Award?” has also joined the series. (Capaldi won an Oscar in 1995 for his short film, Franz Kafka’s It’s A Wonderful Life, which he wrote and directed.)

There is no information on who Capaldi will be playing, but with production ongoing in London, there are plenty of questions surrounding how all these familiar British faces will fit into the latest mystery. The protagonists may have left the Arconia behind, but it seems they’ve brought their knack for surrounding themselves with suspiciously familiar faces with them. The release date is yet to be announced, but given the series’ track record, barring the unforeseen, it should be released this year. It remains to be seen whether any of the Doctors will share the screen, or if we will get any references to Jelly Babies, phone boxes, sonic screwdrivers or long scarves. As of now, we’re just waiting for the inevitable announcement about Matt Smith to get an uninterrupted run of Doctors from 10 to 14.


only-murders-in-the-building-season-5-poster.jpg


Release Date

August 31, 2021

Network

Hulu

Showrunner

John Hoffman


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The latest season of Only Murders In

As of now, we still don’t know much about Ryan Coogler’s The X-Files reboot besides a few cast members. Danielle Deadwyler and Himesh Patel will be its leads as two FBI agents who bond when they start working in a newly reopened division investigating weird things. Amy Magidan, Steve Buscemi, and Ben Foster, among others, will also be in this reboot. Many fans are speculating that Gillian Anderson and David Duchovny could appear as Mulder and Scully in Coogler’s The X-Files, too. One person who might truly know and isn’t actually confirming is the show’s creator Chris Carter. 

Gillian Anderson Says THE X-FILES Reboot Script Is ‘Really Good’

Chris Carter Thinks Mulder and Scully Will Appear in Ryan Coogler’s X-Files 

When Polygon asked Carter about whether there would be a continuation of the OG series with Mulder and Scully, he said the following, “At least Gillian, I think, is going to appear in the Coogler version. And I’m assuming David will too, so you will see Mulder and Scully there.” 

He told the outlet that he does not know the details of the reboot, so this is not a confirmation of their return. However, considering that he’s the creator of this universe and knows both actors on a personal basis, he would know if they were in talks to return or not. It is probably not his business to tell, even if he does actually know more than he suggests. Even Gillian herself said that the script is “really good,” so she’s read it for some reason besides her own enjoyment, right?

Chris Carter Admits That He Hasn’t Read Ryan Coogler’s Script… And He Doesn’t Want To

20th Century

Carter reaffirmed in a recent interview with us at Nerdist that he has not read the script at all. “I’m very curious what Ryan Coogler is doing,” Carter told us. “My name is on the show, but I have not read the script by choice. I’m waiting to see. I want to be surprised. I want to watch that pilot episode like everyone else is watching it as a fan of the X-Files franchise.” Check out more of that interview in the link below:

Chris Carter On Adding Horror Back to THE X-FILES Movie

Well, there you have it. We will just have to wait and see if Mulder or Scully appear in The X-Files reboot in some way, even if just for a very brief cameo.

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⚡ Quick Take The X-Files creator Chris Carter thinks

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Gotham Knights, a Batman TV show from 2023, ended after only one season, and now one of its stars is speaking out about what really led to the cancellation.

The series took place in a version of Gotham in which Bruce Wayne had died, with the storyline centering on Turner Hayes, the late superhero’s adopted son. After befriending runaways and a criminal, Turner found himself accused of murder by District Attorney Harvey Dent, played by Misha Collins.

It’s been three years since Gotham Knight‘s cancellation, but Collins has given insight into what was going on behind-the-scenes that resulted in the show only lasting one season. During an interview with Comic Book, the actor revealed that Gotham Knights was the “victim…of the CW network’s transition.”

Just before the show had debuted, Nexstar bought a 75% majority stake in the network, so Gotham Knights was in the unfortunate position of premiering at a time when the new executives were looking at ways to save money and produce cheaper shows.

Nowadays, The CW’s primetime schedule is filled with a lot of game shows, unscripted/variety series, acquired content and sporting events.

Collins believes that if Gotham Knights was airing at any other point before Nexstar’s involvement, it “would have carried on and been quite successful, but we found ourselves landing at that home on the air at a time when it just wasn’t going to work. So corporate machinations ended up conspiring against us.”

“Such a cool character. It was so much fun, and I think that series, you know, we only did 13 episodes, and by the end of the run of that series, I think the show really found its footing, and I was really pleased with it. We were also, unfortunately, victims of the CW network’s transition. So, that show, any other year on the CW, would have carried on and been quite successful, but we found ourselves landing at that home on the air at a time when it just wasn’t going to work. So, corporate machinations ended up conspiring against us.”

By the end of Gotham Knights season 1, the show had “really found its footing.” Collins was “pleased” with how the story was progressing and playing a “cool” character like Dent, who became Two-Face, a transition that he “loved” getting the chance to film.

The experience was “so much fun,” especially working with showrunners James Stoteraux and Chad Fiveash, and his fellow cast members. “It was a very positive experience for me,” he added. Collins has a history with The CW, having starred on Supernatural for several years.

“I did get to have the opportunity to make the transition from Harvey Dent to Two-Face, and that was just super cool. I really loved doing it, and I had so much fun with James [Stoteraux] and Chad [Fiveash], the showrunners, and the rest of the cast there. It was a very positive experience for me.”

Aside from Collins, Gotham Knights also starred Oscar Morgan, Olivia Rose Keegan, Navia Robinson, Fallon Smythe, Tyler DiChiara, Anna Lore and Rahart Adams.

Not only was Gotham Knights canceled after only 13 episodes, but critics were never kind to the show during its run on the air, giving it a 27% score on Rotten Tomatoes. The audience score, meanwhile, currently sits at 44%. ScreenRant gave Gotham Knights a positive review, though. The ratings were average, with viewership ranging from 300,000 to 600,000.

At one time, The CW was best known for the Arrowverse, a universe of DC superhero shows that included Arrow, The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman and (to an extent) Superman & Lois.

Gotham Knights, which can be streamed on HBO Max, wasn’t actually part of the Arrowverse, but it debuted around the time that fan-favorite franchise was coming to an end after more than a decade.


gotham knights


Release Date

2023 – 2023-00-00

Showrunner

James Patrick Stoteraux, Chad Fiveash

  • Cast Placeholder Image

  • Headshot Of Olivia Rose Keegan


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Gotham Knights, a Batman TV show from

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In a recent report from The Hollywood Reporter (THR), it was detailed that Paramount has some specific plans for existing Warner Bros. properties, specifically when it comes to deals that Warner Bros. IPs can make with third parties. These issues could affect Warner’s most popular franchises and production companies, including DC Studios, which is behind James Gunn’s new DCU.

According to THR, Paramount is placing restrictions on what is being considered key property under Warner Bros.’ banner. These restrictions weren’t specifically detailed, but it was reported that they included new deals regarding TV shows and films, as well as licensing agreements with third parties.

DC Studios and, by nature, the DCU, would undoubtedly be considered key property for Warner Bros., as the Gunn-led company is one of the most important assets Warner Bros. has. It is one piece that Warner Bros. is willing to shell out a lot of money for, and a property that the company demands high returns from.

Paramount / Warner Bros.

Notably, the THR report didn’t specify what the deals would entail. It is impossible to know until Paramount makes a specific decision and the merger goes through (as it is not yet officially complete), but these deals would likely affect key aspects of DC Studios and the other key properties, especially in the future.

For example, the new deals that the report mentioned are likely referencing new movies and TV series getting greenlit by the studio. If Paramount owns Warner Bros., Paramount would have the final say on if a Warner Bros. production could go into development. Therefore, it is possible that the merger could make it tougher for future DC Studios projects to be announced, and even harder for them to actually go into production.

It is especially worrying considering the recent box office failure of Supergirl. Paramount will most likely have a shorter leash on the DCU than Warner Bros., so if the DCU releases multiple projects that don’t perform well financially, it could spell major trouble for the franchise and for DC projects as a whole.

Something else that could be affected by these restrictions is third-party licensing deals. Essentially, Paramount’s acquisition of Warner Bros. (due to these clauses in the merger agreement) could make it extremely difficult, or even impossible, for any company that isn’t under the Paramount umbrella to develop anything from one of Warner’s key properties.

A good example of this is the Hogwarts Legacy video game. The game developers of that title are not owned by Warner Bros., but are allowed to create and work on the game through a third-party licensing agreement. Essentially, Warner Bros. allows them to develop and continually work on the game, but Warner Bros. still profits from it.

David Corenswet as Superman.
DC Studios

In the future, it is possible that Paramount will not let Warner Bros. license any of its properties to any third parties, or at least will be extremely restrictive with what can go to third parties. This could mean that fans could receive less content in the form of video games or other media.

These restrictions from Paramount could also affect talent deals, potentially in a major way. For example, Paramount could put a hold on first-look deals with talent (writers, directors, actors, etc.), which could cause Warner and Paramount to lose out on potential projects.

The easiest way to describe what a first-look deal is would be to give an example. Say a director has an idea for a film, and they go to Warner Bros. as a potential partner/buyer of that idea. Warner Bros. could offer that director a first-look deal, where Warner gets a period of time to exclusively decide if they want to move forward with the project. In that case, Warner would pay the director a sum of money and come to an agreement that the director can’t shop the project to any other studio.

Warner would then either tell the director it wants to move forward with the project and greenlight it or reject it. In that case, the director would then be free to show other companies their project. However, the important part to keep in mind is that the director, while under the first-look agreement, is not legally allowed to pitch the project to a different studio.

These restrictions in Paramount’s merger agreement could affect Warner’s ability to make first-look deals with different talent. Paramount may not want to pay millions of dollars in order for Warner to have a first-look agreement, which could cause Warner to miss out on major movies or TV shows.

It is also possible that another deal that could be affected by these restrictions is theme park licensing. Theme parks are some of the most lucrative businesses in the world, and can be one of the safest ways for companies to get their IPs exposure. 

Darkseid at the Superman Experience in Hollywood.
Warner Bros.

Notably, neither Paramount nor Warner Bros. owns a theme park in the United States, so if any Paramount or Warner Bros. properties were to be put in a theme park, the companies would have to come to a licensing agreement with whatever theme park they wanted their IPs to be represented in.

That being said, it is possible that Paramount could put restrictions on Warner Bros., making it harder for Warner to license its properties to theme parks. This could obviously mean that any characters/IPs under Warner Bros.’ banner would be less likely to show up in parks in the future.

However, it could even potentially affect the agreements that Warner already has with certain parks. For example, there are DC attractions and characters in multiple Six Flags amusement parks. This is due to a licensing agreement that was made between Six Flags and Time Warner years ago, and the DC attractions remain some of the most popular in the Six Flags parks. 

If Paramount were to put restrictions on theme park licensing from Warner Bros., in the worst-case scenario, it could lead to Six Flags being forced to remove its DC attractions and characters from the parks.

How Can the DCU Survive?

Milly Alcock as Supergirl.
DC Studios

Luckily, DC has been around for decades and is one of the most popular IPs in the world. That makes it a bit tougher for Paramount to completely pull the plug on it, but if Paramount truly felt as though keeping DC alive (especially the DCU) was not worth the investment, it could absolutely shut it down.

It may seem simple, but DC Studios needs to put a lot of focus on getting fans to theaters when a new film is released. Unfortunately, Supergirl was one of the biggest box office failures in recent memory, which only puts more pressure on future projects like Clayface and Man of Tomorrow.

A lot of fans want to see different stories, especially since the DCEU tried to make movies around the brand’s most popular characters, and many of them failed. However, Marvel and Sony just proved with Spider-Man: Brand New Day that even popular superheroes who have been in tons of movies in the modern era can still be successful.

It may be better for DC to solely focus on its heavy hitters, such as Superman, Batman, Wonder Woman, the Flash, etc., instead of creating movies around characters who aren’t as popular with general audiences, like Supergirl and Clayface.

DC Studios also needs to do everything it can to drive new subscribers to the HBO Max platform with its television releases. Lanterns is set to be released in just over a week, as of writing, so it will be interesting to see exactly what the streaming numbers look like for that show, as well as if it is giving HBO Max any new subscribers.

Fans want DC to be successful. Unfortunately, it seems as though DC Studios has an uphill battle in front of it, with Paramount standing atop the hill and staring it in the face.

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  3. Itsesulku (Self-exclusion): Tilanteen vaatiessa voit kytkeä päälle itsesulun kaikista pelejämme päättämälläsi ajanjaksolla.

Neuvomme pelaajiamme hyödyntämään näitä työkaluja. Pidä myös vapaasti yhteyttä asiakastukeemme, jos kärsit rahapelaamiseen liittyviä haasteita.

Usein kysytyt kysymykset

Onko Roobet Casino sallittu ja luotettava Suomessa?

Kyllä. Roobet Casino toimii Curacaon toimiluvalla. Sovellamme huippuluokan turvatoimia, kuten SSL-salausta. Kaikki pelimme ovat tarkastettuja oikeudenmukaisen pelin varmistamiseksi. On aina suositeltavaa tarkistaa Suomen kansalliset määräykset verkkopelaamista koskien.

Kuinka voin suorittaa talletuksen Roobet Casinolle Suomesta?

Talletuksen tekeminen on vaivatonta. Kirjaudu tilillesi, mene ’Talleta’-osioon ja valitse haluamasi maksutapa (esimerkiksi kryptovaluutta tai pankkikortti). Syötä talletussumma ja seuraa näytön ohjeita. Suurin osa talletukset käsitellään välittömästi, joten pelaaminen voi alkaa saman tien.

Tarjoatteko bonuksia uusille suomalaisille pelaajille?

Todellakin. Tarjoamme uusille suomalaisille jäsenille houkuttelevan tervetuliaisbonuksen. Tarkat ehdot ja aktivointiohjeet löydät sivustomme ’Bonukset’-osiosta. Suosittelemme lukemaan bonusehdot aina huolellisesti ennen niiden hyväksymistä.

Kuinka nopeasti kotiutukset käsitellään?

Pyrimme käsittelemään kotiutuspyynnöt nopeasti, useimmat 24 tunnin sisällä. Varsinainen rahojesi saapumisaika riippuu valitsemastasi maksutavasta. Kryptovaluuttojen kotiutukset ovat yleensä nopeimpia.

Onko Roobet Casino saatavilla suomen kielellä?

Kyllä. Koko sivustomme, mukaan lukien pelit, asiakastuki ja kaikki tarvittava tieto, on saatavilla suomeksi. Voit ottaa yhteyttä asiakastukeemme suomeksi milloin tahansa, vuorokauden ympäri.

Miten voin asettaa rajoja pelaamiselleni?

Voit hallita pelaamistasi tilisi asetuksissa. Tarjoamme työkaluja talletusrajojen, istuntoaikarajojen ja taukojen asettamiseen. Löydät nämä kaikki ’Vastuullinen pelaaminen’ -osiosta. Voit myös kysyä apua asiakaspalvelultamme.

Roobet Casino tuo suomalaisille pelaajille vauhdikkaan ja turvallisen verkkokasinokokemuksen. Yhdistämme laajan pelivalikoiman, suomalaisille räätälöidyt bonukset ja oman kielen tuen. Painotamme vastuullista pelaamista ja tarjoamme moderneja maksutapoja, kuten kryptovaluuttoja. en.wikipedia.org Olemme rakentaneet alustan, joka tarjoaa enemmän kuin pelkkää viihdettä. Se kunnioittaa ja suojelee jäseniään. Tervetuloa mukaan kokemaan ero itse.

Suomalaiset pelaajat ovat oikeutettuja ehdottomasti hienointa verkkoviihdettä

4

Richard is a writer/journalist from Oregon (by way of California) with a love of Marvel, Star Wars, DC, and all kinds of entertainment. He joined MovieWeb in January 2026 as a Movie & TV Writer/Editor. Richard has published articles, videos, and interviews with The Direct (Senior Writer), Agents of Fandom, and The Illuminerdi, and has attended a handful of live Comic Cons, premieres, and other events.

HBO Max released the first five minutes of footage from DC Studios and HBO’s Lanterns series, the first episode of which debuts worldwide on Sunday, Aug. 16. The footage starts off with a flashback to 1996, where a young John Stewart is watching a news report on Hal Jordan taking his place as Earth’s first Green Lantern, which also uses his classic origin story from the comics. When John’s father comes home in a military uniform, he takes John outside and asks him if he is afraid before shooting an apple clean off the top of his head, proving John’s resiliency. The footage then moves to 2016, when John meets up with Hal to seemingly continue his training as a Lantern.

More to come…

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Six years after the culmination of the mammoth nine-year phenomenon that was The X-Files, its creator, Chris Carter, had more to say. He still had an idea for a new case for FBI Agents Fox Mulder and Dana Scully, but, as it turned out, that idea was darker and less PG-13-friendly than 20th Century Fox wanted at the time. The result, 2008’s The X-Files: I Want to Believe, is not the movie Carter first had. Now, two reboot seasons and almost 20 years later, Carter got a chance to revisit his imperfect creation. The new cut, fittingly entitled The X-Files: I Want to Believe – Vrach Frankenshteyn, will debut on Hulu August 14.

Nerdist got a chance to speak to Carter about unearthing this new version, what he changed to make it, and why he’s looking forward to Ryan Coogler’s reboot.

20th Century

Nerdist: I had read that you had been thinking about this cut of this movie for a while, but what was it about now that you thought was the right time to revisit it?

Chris Carter: It really came as an opportunity just presented itself. I was talking to the guy who runs the movie division at 20th Century Fox, and just on a whim I said, “Would you ever consider doing a director’s cut of I Want to Believe?” And he jumped. At first I thought, “Nah, they don’t want to spend any money.” I thought they were not going to be behind this, that it was a good idea, but nothing that would ever come to light. And sure enough, they gave us room, they gave us backing, they gave us their blessings, and we got to do the cut that we really wanted to do.

This isn’t simply a case of adding more footage. It is a different cut entirely. What was the process of revisiting it and figuring out how the new footage would be integrated in and what the new cut would look like?

Let me go back just a little bit. The original idea came from something I read, about a doctor who had transplanted the head of a monkey onto another monkey successfully. And I said, “This is X-Files territory. It’s got X-Files written all over it.” And I actually flew out to Cleveland, Ohio to meet this doctor. We sat at a bar and he explained to me how you transplant the head of a monkey onto another body and wonderful.

So, we, Frank Spotnitz and I, set out to do a story, a Frankenstein story as an X-Files. And I always felt that that story got buried under the weight of some other stories that felt that they stole [focus]. And by that I mean that the studio, I originally showed it to the studio executives when we made the movie in 2007, 2008, and I showed them a cut and the lights went up in the screening room and they were outraged. They said, “This is not the PG-13 movie promised us.”

Mulder and Scully in The X-Files: I Wat to Believe.
20th Century

Anyway, so we had to cut it back to what they accepted. Then we had to cut it back even further for the ratings folks. I always felt that what happened is it became a kind of Mulder/Scully romance relationship movie, and it wasn’t a good scary X-Files story. And so now we have taken the weight off of the one thing and put it on the right thing. To do that, we took seven minutes out.

Also, during the time between then and now, there have been two X-Files reboot seasons. So I felt that the audience had gotten a lot of the Mulder and Scully relationship in those reboots.

It’s interesting watching it because I kind of expected it to be gorrier, if you know what I mean. By today’s standards, it really feels like it could have passed for a PG-13 and been fine.

I completely agree with you. I’ve added this title, Vrach Frankenshteyn, to the movie because my feeling. We always set out to do a Frankenstein movie, but the audience by and large didn’t know that because it’s only touched on at the very end of the movie when Mulder’s pinning up a newspaper clipping. So, when you know the sequence where the search party is with Father Joe and they dig up that arm in the snow, it doesn’t quite make sense. It’s like it is more of a confusing element than an intriguing element. And I wanted people to know this is a Frankenstein story from the get-go.

Key art poster for The X-Files: I Want to Believe – Vrach Frankenshteyn.
Hulu

Throughout the show, you’ve done a few kind of Frankenstein riffs. Is that a favorite story of yours?

I love the Frankenstein story. I love the idea of breathing life into a new being and the idea in this case, if your head is put on another body, are you that new person? Are you the person whose head you the body? I just love this idea. I’m certain down the line we are going to say this is not science fiction anymore, that this is going to be medical science that a head can be transplanted onto another body. This may be the key, in fact, to everlasting life when you can transplant the head of someone onto a young body.

Given the kind of streaming landscape and how much kind of content that you can get away with now versus when you were making the show back in the ’90s, do you see episodes where you would’ve pushed the envelope even more now?

Well, it’s interesting because, the television censors were more permissive than the movie censors. I could have told a scarier story on network television than I was allowed to tell for the big screen to get that PG-13 rating, which is so ironic. I just wanted to tell a really good, scary X-Files story.

Chris Carter with a movie camera directing The X-Files: I Want to Believe.
20th Century

The X-Files is coming back, obviously, with Ryan Coogler. Do you think that there’s a future forever for The X-Files? Is there something kind of intrinsic to humanity that will always want to visit the X-Files?

Because it’s a show about science as it pertains to science fiction, I think that there’s always interesting territory in which to explore the intersection of Mulder and Scully’s belief systems. I’m very curious what Ryan Coogler is doing. My name is on the show, but I have not read the script by choice. I’m waiting to see. I want to be surprised. I want to watch that pilot episode like everyone else is watching it as a fan of the X-Files franchise.

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⚡ Quick Take Nerdist spoke with The X-Files creator

Warner Bros. debuted a new Green Lantern logo to mark the start of the DCU’s Lanterns era. The HBO drama pairs Kyle Chandler’s aging Hal Jordan with Aaron Pierre’s new recruit John Stewart, and it is the first DCU show made for HBO itself rather than HBO Max. Now, with its debut closing in, the promotional campaign has spread well beyond trailers and posters.

Warner Bros. Discovery unveiled the artwork on its official X account on Monday, placing the studio’s WB shield at the heart of the Green Lantern Corps symbol. The design places a weathered version of the crest inside the emblem’s circular frame and washes the whole image in green, with a lone shaft of light cutting across the black background and the logo. 

Warner Bros.

The scratched, faded finish also gives the shield the look of a logo pulled from an old film reel, a pretty fitting touch for a crest that has opened Warner Bros. movies for more than a century. The Lantern Corps symbol the WB logo is placed in can also be seen on the suit Hal wears in the trailers. 

Green Lanterns symbol on Hal Jordan's suit.
HBO Max

The new logo arrives just a few days before Lanterns debuts on HBO on Sunday, August 16. 

Warner Bros.' new Lanterns logo alongside the suit logo.
Warner Bros./HBO Max

The artwork joins a growing pile of Lanterns branding. DC Studios and HBO Max revealed a fresh logo and title card in April, placing silhouettes of Hal Jordan and John Stewart on a giant Green Lantern ring alongside the tagline, “Only one can wear the ring.” 

HBO Max's ring logo for Lanterns series.
HBO Max

A batch of character posters followed in July, drenching Pierre’s hero in green light with the Lantern oath printed underneath.

Green Larnterns logo by HBO.
HBO Max

Lanterns drops its two intergalactic cops into a murder case in the American heartland, where a small-town investigation slowly reveals cosmic elements. 

Warner Bros. Lanterns logo alongside HBO's ring logo.
Warner Bros./HBO Max

The series is expected to serve as a major connective tissue to the rest of the DC Universe, and John Stewart is already confirmed to appear in James Gunn’s Superman sequel, Man of Tomorrow, shortly after his debut.

The Marketing for Lanterns Is Getting Noticeably Greener

Warner Bros. and DC Studios have injected more green into Lanterns‘ marketing campaign ever since the series was unveiled. When the official Lanterns wordmark surfaced in February, fans weren’t very happy with its colorless design, and some even posted recolored versions of their own. The first teaser released in March made things even worse. Viewers mostly got earth tones and civilian clothes, and the scene where Hal takes flight came without any glow from the ring. The Green Lantern suit glimpsed in that trailer also looked browner than green, adding to fans’ frustration. 

The marketing since then has answered the complaint a little more directly. The second trailer featured glowing rings and bright constructs. The full trailer, which was first played at San Diego Comic-Con, showed even more green and creative use of the Lantern ring. Warner Bros.’ new logo further embraces the green theme, putting to bed complaints over the series lacking color. 

The show itself might still be hiding more green, as we have yet to see John Stewart in his suit, which is likely to be much greener than Hal’s. The trailer also showed glimpses of Stewart’s creative constructs. Given his background as an architect, he’s bound to create some incredibly detailed, green designs once he finally masters harnessing the ring.

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Broadcast networks aren’t known for planning this far ahead, but CBS has been stacking up projects this year for a season that’s still two development cycles away. Four dramas were flagged in April for 2027-28 consideration, and the newest one to get past the pilot-script stage is bringing back a face that network procedural fans have been wanting to see since a cancellation last year left him without anywhere to hang his hat.

It’s a reunion in the truest sense, pairing an actor with the writer who built the character that made his name in the first place, before hiring him again once the character was behind him. Both came up through Dick Wolf’s procedural machine, both are working outside of it now, and the show they’ve landed on is set a long way from Chicago.

Chicago P.D NBC

Variety is reporting that CBS has opened a development room for Strike Force, a working-title drama written and executive produced by Matt Olmstead, with Jesse Lee Soffer attached to star and executive produce. Per the logline, Soffer plays a battle-tested DEA agent who returns home to Kansas City to lead a multi-agency unit targeting the violent criminals now trying to exploit America’s heartland.

Jerry Bruckheimer and KristieAnne Reed executive produce as non-writing EPs through Jerry Bruckheimer Television, with CBS Studios producing. Bruckheimer’s relationship with the network is about as deep as they come, running from CSI through to the current Fire Country, Sheriff Country, and Boston Blue block on Friday nights, and his F1 took over $631 million worldwide in 2025.

For Soffer, this would be a third series alongside Olmstead. He played Jay Halstead on Chicago P.D. for more than nine seasons before leaving in 2022, well ahead of the cast churn that’s continued into Season 14, then took over the Fly Team on FBI: International for its fourth season, which CBS canceled in March 2025 after failing to reach terms with Universal Television. The finale aired that May.

The cast of Chicago Justice, led by Philip Winchester as Peter Stone.
Philip Winchester, as Peter Stone, leads the cast of Chicago Justice. 
NBC

Olmstead co-created Chicago P.D. with Wolf and ran it for its first four seasons, and he’s had a hand in most of what grew around it, co-creating Chicago Med and the short-lived Chicago Justice, then Law & Order: Organized Crime with Christopher Meloni. Before any of that, he wrote on NYPD Blue, Prison Break, and Breakout Kings, which is a roundabout way of saying he knows this genre better than almost anyone currently working in it.

A development room order hasn’t been greenlight, though, and Strike Force has to survive the script stage before CBS commits to anything. Kansas City has gone this long without a procedural to call its own, so another year of waiting shouldn’t sting too much.


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Release Date

January 8, 2014

Network

NBC

Showrunner

Derek Haas

Directors

Nick Gomez, Eriq La Salle, Carl Seaton, Fred Berner, Vincent Misiano, Bethany Rooney, Rohn Schmidt, Sanford Bookstaver, John Hyams, Nicole Rubio, Terry Miller, Takashi Doscher, Brenna Malloy, Lisa Robinson, Marc Roskin, Charles S. Carroll, David Rodriguez, Holly Dale, John Polson, Lin Oeding, Mykelti Williamson, Paul McCrane, Alik Sakharov, Charlotte Brändström

Writers

Craig Gore, Tim Walsh, Timothy J. Sexton, Mike Weiss, Mo Masi, Tiller Russell, Eduardo Javier Canto, Jamie Pachino, Mike Batistick, Cole Maliska, John Dove, Tiffany Bratcher, David Hoselton, Maisha Closson, Kim Rome, Katherine Visconti, Daniel Arkin, Todd Robinson, David Rambo, Denitria Harris-Lawrence, Mick Betancourt, Bryan Gracia


  • instar51536103.jpg

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    Marina Squerciati

    Kim Burgess

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    Patrick John Flueger

    Adam Ruzek

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    LaRoyce Hawkins

    Kevin Atwater


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Broadcast networks aren't known for planning this

Batman, Superman, and Wonder Woman are DC Comics’ “Big Three.” They are the company’s trio of iconic heroes, superior in strength, smarts, and star power. However, whether or not Wonder Woman is genuinely a part of DC’s holy trinity has become a recent debate. Is Wonder Woman getting the non-comic content she deserves? I (and plenty of fans) think not.

DC Comics

While at one point Diana may have been more prominent in DC’s non-comics content, nowadays, the media created around her character is scarce. The success of Absolute Wonder Woman, her most popular comic run right now, is a good sign, but it has not yet had any payoff on the screen.

The Trouble with Diana

Since she was created in 1941, Wonder Woman has continued to be featured as an essential, founding pillar of the Justice League. Still, she has not quite stolen the spotlight in an actually empowering way. Her two blockbuster movies starring Gal Gadot were definitely steps in the right direction, sure, but they just weren’t enough to make the public call for more Wonder Woman, at least not fully.

If Wonder Woman is such a DC staple, why has she continued to be so under-appreciated in non-comics media? Many fans claim sexism is driving this issue. Batman and Superman, the other two-thirds of the DC holy trinity, have plenty of content coming out. I have found no clear, recent statistics on the readership of DC Comics or comics in general. However, it is safe to say that women are reading comics, too—and more than previously expected. That, and not only women are interested in reading about strong female characters.

If not sexism, or not just sexism, why? Whether it was her shallow characterization in the Injustice series or many other weak portrayals, Diana has had it rough. This has not gone unnoticed on the internet, either.

Despite the clear interest in Wonder Woman, with Absolute Wonder Woman sales going exceedingly well, and not to mention the popularity of the 2017 live-action movie, Diana has never received her own animated series. She has made appearances in plenty of Justice League content and series headlined by other heroes. However, never as anything more than a side character. This is not the treatment Superman nor Batman has received. She got close to tasting glory with a video game announced in 2021, but Warner Bros. killed that project in 2025.

This is not to discount her many popular and well-thought-out comic runs. However, onscreen, Diana faces a lot of issues when she finally does get included in DC content. However, I believe Absolute Wonder Woman answers just about every problem she has experienced so far. Let’s go down the list.

Quality as a Main Character

Almost every significant female character seems to face the trope of becoming nothing but a romantic interest at some point, a crutch for the main male characters. Even Wonder Woman, who is dripping with main-character qualities and potential, is often reduced to a side character. Instead of serving as a worthy teammate to Batman, Superman, and the other Justice League members, writers reduce her to one of the other main characters’ love interest. This also reinforces the fact that, for some reason, not always but often, female characters can’t seem to exist professionally in the same space as male characters without there being romantic undertones.

Wonder Woman dodges bullets in DC Comics art by Daniel Sampere.
DC Comics

Of course, not having a love interest shouldn’t become the hallmark of being a strong female character. They should, too, be able to have those relationships. The problem is when those relationships become who these characters are, the only reason they exist. Absolute Wonder Woman may have found a love interest in Steve Trevor, but it doesn’t become the centerpiece of who she is and what makes her powerful.

Steve Trevor has proven to be a… problem in other iterations of Wonder Woman. In Gal Gadot’s 2017 portrayal, he manages to outshine the titular character with, I would venture to guess, more lines than she has. (The less said about WW84‘s weird bodily-possession subplot the better.) The 2009 animated movie, Wonder Woman, managed to introduce possibly the worst-written and most misogynistic character I have ever encountered, and certainly the worst Steve Trevor.

AWW‘s version of Steve Trevor is a love interest, but he is without question a supporting character. That’s all. More than that, he is a supportive friend to Diana throughout the story, but the story itself belongs entirely to her. I could harp on about the fact that it always should have been this way, but I choose to be glad that it is now.

Weak Character

Even in her own live-action movie, portrayed by Gal Gadot, Diana isn’t presented with much personality. She has a backstory detailing cherished loved ones guiding her through her childhood and teenage years, but I found myself caring about and understanding them more than the movie’s namesake.

Every conversation this Diana has with Steve Trevor, who is historically a significant friend, ally, and lover to her, is either overtly romantic or sexual, and doesn’t drive their relationship or her character anywhere. Ryan Syrek from The Reader said it best:

“In the first hour of the first massively-budgeted movie centered on a female superhero, Steve Trevor (Chris Pine) brags about his d**k as Wonder Woman (Gal Gadot) ogles it before he takes her to buy dowdy clothes because her outfit is too “distracting” to men.”

I won’t continue to waste time trashing the movie, but I will say it is not her best portrayal. That said, there were some saving graces, from badass battle scenes (mediocre CGI aside) to an accurate level of otherworldliness in Diana’s character and her way of moving through the world.

Superheroes tend to have defining attributes, things they fight for. Batman has vengeance. Superman has justice. Wonder Woman has truth and kindness, and AWW portrays these better than any other portrayal I’ve seen. She shows kindness to creatures of all kinds. She is not grim in her strength, but compassionate. Other Diana portrayals have missed the mark somewhat when it comes to this. From her relationship with her mother and how she was raised, both strong and kind, to the wrath she directs toward those who harm the innocent, she is just incredibly interesting.

Wonder Woman’s Physique

Last and definitely least—the other items were definitely much more important—Absolute Wonder Woman having a physique that reflects the warrior she is is such a bonus for me. She is not stick-thin, reflecting modern (Euro-centric) beauty standards; she is unapologetically buff and looks like she could beat your ass, because she could. Sure, she doesn’t need to take up physical space for her powers to work (neither does the ever-yoked Superman), but man, is it cool. Her musculature reflects her hard work, her training, and the comic refuses to size her down.

Wonder Woman #11 José Luis García-López Artist Spotlight Variant
DC Comics

These comics also bring back her wavy hair from the days of yore, and I think it adds so much to her character. She is wild and untamed, growing up on the Wild Isle in Hell instead of Themyscira. I hate to sound so cliché, but allowing her to have natural-looking hair does reflect that just feels so right.

Absolute Wonder Woman: The Answer to Our Prayers

Not everybody has the time to geek out on comics, but movies and shows can much more easily become mainstream. This is why I believe it is important that Wonder Woman gets more love on the TV/film side of things.

James Gunn has announced that a Wonder Woman movie is in the works. It will be a part of the “new DCU,” Gunn is working on, which also contains Superman, Supergirl, and Lanterns. Matt Reeves’ The Batman is unfortunately set in an alternate universe. Getting a new Wonder Woman on screen from the same director/producer who crafted a comic-accurate Superman with such care definitely sounds promising.

Wonder Woman has had her few standalone movies, but never an animated series. Absolute Wonder Woman is solving every issue the DC fandom has ever had with portrayals of Diana of Themyscira. With DC confirming Absolute Batman will be getting an animated series, why should she not be next in line?

The Absolute series brings about brand new backstory concepts and plenty of badass weapons. Not to mention, the magic and color of her world are perfect for animation. This version of Diana is a sorceress, which is a really cool, rare choice for Wonder Woman. This adds more to her character, especially knowing it was borne from her relationship with her mother, Circe. It was a cool way of turning the classic Circe versus Wonder Woman trope on its head.

A panel from Absolute Wonder Woman Issue #1.
DC Comics (Absolute Wonder Woman Issue #1)

Speaking of her weapons, Diana’s traditional Lasso of Truth now takes the form of three individual lassos. One is red, menacing-looking, and called “Nemesis.” It reflects the “pain [one has] wrought on others.” There is nothing more just than that. The second is Thusia, and it has transformational powers, though its use does come with risk. Thirdly is Troika, which uses the secrets of those whom it binds and leaves them changed fundamentally. This one is more mysterious than the other two thus far.

Everything about Absolute Wonder Woman is a sorely needed upgrade, from the creativity of her mythological background to her dark yet emotionally moving adventures. If any version of Wonder Woman deserves an animated series, this is her, DC. The fans are begging to see more, and the comic sales are proving it.

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⚡ Quick Take Absolute Wonder Woman presents a strong

DC and Prime Video have landed a big win in 2026 for one of the most iconic superheroes of all time.

The Dark Knight continues to have his mythology retold through the big and small screens, both in animation and live-action. The summer season is nearing its end, but the iconic DC hero has made his way back in what is currently one of the most well-received versions of the character.

Batman: Caped Crusader season 2 landed on Prime Video on Friday, July 31, and it has given the Prime Video series a massive win. As of writing, the animated superhero project has landed an 82% rating for its audience score on Rotten Tomatoes. Not only is it a solid number for the second season, but a signficant improvement in response from the viewers.

For Batman: Caped Crusader season 1, the comic book noir entry is currently at 55% on its audience score. However, based on the season 2 episodes, there has been a big shift, as the show’s return has landed a stronger reception with audience members.

The latest season is also off to a great start among critics, as its Rotten Tomatoes score is at 90%. In ScreenRant’s Batman: Caped Crusader season 2 review, Felipe Rangel highlighted how the new episodes tackle the latest version of the Joker, who is voiced by Matthew Needham.

Per Rangel, this “is not your usual Joker. Much like how season 1 did away with the vibrant and energetic persona often attributed to Harley Quinn for that character’s debut in the show, season 2 brings to life a much more chilling Joker, one who is not about creating mayhem for madness’ sake, but is calm and calculated.” He also credits Needham as a wonderful casting addition in the role, saying “Needham makes the Joker smart, ruthless, and someone who nobody will want to cross.”

For the time being, Batman: Caped Crusader season 3 has not been officially announced by Prime Video and DC. However, given that the sophomore season has only been streaming for less than a week on the popular platform, it’s still too early to tell if the series will be back for another season or not, as it will all depend on how it performs analytically.

Hopefully, if the viewership is there, the positive reception will perhaps lead Prime Video to renew the series for another season. As Batman TV shows and movies continue to perform well in Hollywood, the Hamish Linklater-starring comic book project will ideally be back for more episodes.

Batman: Caped Crusader season 2 is now streaming on Prime Video along with season 1.


batman-caped-crusader-poster.jpg


Release Date

August 1, 2024

Network

Prime Video

Showrunner

Bruce Timm

  • Headshot Of Hamish Linklater

    Hamish Linklater

    Batman / Bruce Wayne (voice)

  • Headshot Of Krystal Joy Brown

    Krystal Joy Brown

    Barbara Gordon (voice)


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DC and Prime Video have landed a

DC Studios and HBO have reportedly abandoned two major DCU TV shows and rejected pitches for two Batman spin-offs, but there is good news for one show. James Gunn’s DCU is about to release its third TV show after Creature Commandos Season 2 and Peacemaker Season 2, with Lanterns set to premiere on HBO on Sunday, August 16. Still, since Peacemaker wasn’t part of the five-movie, five-show Chapter 1: Gods and Monsters slate that Gunn unveiled in January 2023, three of the five promised HBO Max series have remained in development limbo for almost four years: Booster Gold, Paradise Lost, and Waller.

According to an exclusive report from The Ankler, DC Studios has scrapped plans for two major HBO/HBO Max shows in James Gunn’s DCU that were part of the original Chapter 1 slate. The studio has reportedly called it quits with Waller and Paradise Lost following Supergirl‘s recent box-office flop, which may have cost Warner Bros. and DC Studios north of $125 million.

Fans previously heard that Paradise Lost was “dead” at DC Studios from The InSneider earlier this year; a statement that was later rebuffed by Gunn. More recently, the DCU architect seemingly fought back against claims that the Wonder Woman spin-off was canceled, saying it was in “extreme development.”

DC Comics

Waller was originally intended to bridge a gap between Peacemaker Seasons 1 and 2 with a story centered on Viola Davis’ Amanda Waller. Many have theorized for years that the ARGUS chief’s spin-off would never move forward, despite which Gunn has regularly claimed that Waller was still happening.

The Ankler reports that DC Studios is shifting its focus from streaming series to more theatrical films, which may explain the cuts to the DCU’s TV slate. That same sentiment can be felt beyond DC Studios and across Hollywood, especially after Marvel Studios called it quits with its own hit Disney+ show, Wonder Man.

Amanda Waller in Suicide Squad and Creature Commandos.
DC Studios

Even the ever-successful Batman and his rogues’ gallery don’t seem to be safe from DC Studios’ TV cutbacks. The Ankler notes that The Penguin Season 2 is still in “limbo” and the studio rejected pitches for shows starring Catwoman and Poison Ivy, although it’s unclear whether those concepts fell into James Gunn’s DCU or Matt Reeves’ The Batman universe.  

With Lanterns gearing up to premiere imminently, Creature Commandos heading for Season 2, and Paradise Lost and Waller reportedly axed, Booster Gold stands as the only originally announced Chapter 1 show awaiting release. However, it hasn’t exactly been smooth sailing for the superhero comedy either, as The Ankler reports that Booster Gold is now searching for a new writer. 

That news is encouraging, as Our Flag Means Death creator David Jenkins just recently confirmed that his Booster Gold won’t be moving forward, sparking fears that the show would be canceled. Jenkins was already the second to take a stab at Booster Gold after The Righteous Gemstones creator Danny McBride, and the search for a third signals a determination to make the show happen.

UPDATE: Entertainment Weekly requested comment on the news from DC Studios, who confirmed that Waller is “no longer a priority” or in “active development” at HBO, but isn’t completely cancelled at DC Studios. Meanwhile, Paradise Lost is in the same boat, but EW was informed that it “could still see the light of day in the future.”

The updates may signal that the setbacks to both projects came from the HBO side, not DC Studios, perhaps signalling a cutback in live-action superhero content at the platform.

Why DC Studios Is Changing Its TV Strategy (And Is It a Good Thing?)

James Gunn, DCU movies and shows slate.
DC Studios

There are bound to be many contributing factors in DC Studios’ shifting TV plans, not least of which is Paramount’s acquisition of Warner Bros., which won’t be complete until mid-2027 at the earliest due to legal obstacles. The studio may be limited in which projects can be greenlit until then, perhaps even requiring a seal of approval from Paramount, as development still be ongoing after their takeover.

Beyond that, Gunn is likely learning lessons as he goes with DC Studios, and Supergirl‘s tragic $126.25 million box office may have been a wake-up call that not every character can headline a project. Simply put, there isn’t enough demand for Amanda Waller to lead her own HBO show, and it’s hard to see the need for a Paradise Lost prequel to a Wonder Woman movie that doesn’t yet exist.

Ultimately, the fact that Paradise Lost and Waller are canceled isn’t a surprise, and it was already believed that Booster Gold was looking for a new writer. The biggest shocker in The Ankler’s report is that DC Studios and HBO turned down pitches for Catwoman and Poison Ivy shows, as Warner Bros. has never been one to reject a surplus in Batman-adjacent projects, especially in recent years.

It’s interesting to see that, of all the projects on the table, Booster Gold is the only live-action series that DC Studios and HBO are eager to move forward with, aside from the Jimmy Olsen/Gorilla Grodd show, which will shoot later this year. The studio seems to be doubling down on more comedic affairs on the TV front; but do they have the highest potential, or is Gunn simply eager to hone in on his comedy bread and butter amid fears that he could exit with the Paramount acquisition?

One area where DC Studios shows no signs of slowing down is animation, as the studio just announced a plethora of animated TV projects at the Annecy Festival. As budgets balloon for expensive, movie-scaled live-action shows that may not be paying for themselves in streaming subscriber revenue, perhaps it is time to refocus on the more cost-effective realm of animation for superhero TV.

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Warning! Spoilers ahead for Star Trek: Strange New Worlds Season 4, Episode 4, “A Case of Chiaroscuro.”Star Trek: Strange New Worlds Season 4 is really doubling down on the show’s aptitude for shuffling between genres on a weekly basis, and Episode 4, “A Case of Chiaroscuro,” is the latest example of the divisive decision to constantly reinvent the Original Series prequel. Personally, I don’t mind Strange New Worlds experimenting with different kinds of storytelling, but I will admit that Season 4 is maybe overdoing it a little. Regardless, Star Trek‘s recent film noir-inspired effort is very interesting, but it leaves a narrative loose end so drastically unexplained that it feels like a plot hole. At the very least, it comes across as overly convenient.

Set on a previously unvisited planet called Mat’aar 12 in Klingon space, “A Case of Chiaroscuro” is shot entirely in black-and-white. It isn’t just an aesthetic choice that enhances the tribute to the Hollywood flicks of yesteryear, though. The planet’s sun alters the perception of light so that everything actually looks that way to the characters in the story. That includes Captain Pike (Anson Mount) and those aboard the USS Enterprise. In other Star Trek episodes, everything appearing black-and-white would be treated as a mystery to be solved, and a very central one to the installment’s storyline. “A Case of Chiaroscuro” avoids this by explaining the phenomenon right out of the gate, but the installment expires without providing a satisfying explanation for one of its other enigmas.

I Don’t Buy Dr. M’Benga’s Theory About Una’s Doppelgänger

M'Benga talking to Uhura in Star Trek: Strange New Worlds Paramount+

“A Case of Chiaroscuro” relies very, very heavily on the fact that Commander Una Chin-Riley (Rebecca Romijn) looks visually indistinguishable from an off-screen resistance leader on Mat’aar 12. This is established shortly after Una and her two crewmates land on the planet and are forced to blend in to avoid detection. Una plays along with the revelation, which proves helpful in not giving themselves away as Federation citizens, as the Federation isn’t supposed to be present in that area of space. I kept expecting one of the locals to look at Una for just a little too long, or from the wrong angle, and figure out that she wasn’t who she had been mistaken for.

But…nothing. Una’s cover remains flawlessly intact until the second the body of the woman she’s impersonating is discovered. Before that reveal, Uhura (Celia Rose Gooding) makes her very understandable concerns about Una’s plan to stay hidden in plain sight known to Dr. M’Benga (Babs Olusanmokun). The Enterprise’s Chief Medical Officer offers a paper-thin theory about why even those close to the woman Una is pretending to be can’t tell she’s been replaced: “In a universe as vast as ours, the real mystery is that we don’t stumble onto our doppelgängers more often.”

That’s it. That’s all the logic the episode ever even attempts to provide on the matter. I understand that the story’s very premise required immediate integration of the Starfleet officers and those on Mat’aar, but Una just happening to look exactly like a prominent figure at the heart of a resistance comes across as way too convenient. I was waiting for M’Benga’s sentiment to be proven as nonsense throughout the installment, with Star Trek dropping a signature sci-fi twist to account for why someone else on another world, with no relation at all to Una, had her face. Such a twist never arrived, and it turned out Dr. M’Benga wasn’t being totally ridiculous after all.

From a storytelling perspective, I completely understand giving Una a doppelgänger. The episode is very unsubtle when establishing a theme of Una pretending to be someone she’s not, which references her past of concealing her Illyrian background. By making the person she’s impersonating look just like Una, then the script poetically points out that the version of herself she was once hiding was just as much part of her as the parts she felt permitted to display. It makes sense, and to a certain degree, I like it. But I can’t help but feel like there was a better way to pull this off than building an entire episode around a flawless doppelgänger that’s never properly explained. I’ll keep my fingers crossed that a more solid resolution to this enigma will eventually make itself known.

Dr. M’Benga’s Simplistic Doppelgänger Theory Quietly Explains a Separate Star Trek Mystery From 31 Years Ago

Star Trek has a long history of casting actors in two (or more) roles, but they usually look so different each time they appear, that there’s no need to explain why those characters share an actor. Jeffrey Combs is a great example. He appeared several times in Star Trek‘s classic era as a variety of different characters, from a range of different species. No one assumed his Ferengi and Andorian characters were canonically related, for instance.

That being said, Robert Duncan McNeill famously guest starred as Nick Locarno in Star Trek: The Next Generation, and then played Tom Paris throughout all seven seasons of Star Trek: Voyager. Trekkies tried to prove for years that both characters were related, but the franchise never drew an in-universe connection between them. Even Star Trek: Lower Decks only playfully acknowledged their shared face. However, if we take Dr. M’Benga’s comment about doppelgängers in Star Trek: Strange New Worlds and apply it to Locarno and Paris, then it makes Una a slightly less isolated case, which gives the theory a tiny little bit more merit.


star-trek-strange-new-worlds-poster.jpg


Release Date

2022 – 2027-00-00

Network

Paramount+


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Warning! Spoilers ahead for Star Trek: Strange

When Christopher Nolan’s new movie The Odyssey came out (actually, a year before it came out), film geeks everywhere rushed to buy tickets to see the film in IMAX 70 millimeter. It isn’t just IMAX or just 70mm—it’s the combination of the two that makes the format so specific and rare. This format requires special projectors that both run film horizontally, which is different than other forms of film, and project the image onto an enormous IMAX screen.

On average, IMAX screens span about 59 by 79 feet, at least for traditional film. As such, screenings usually occur in larger-than-normal theaters. But which theaters are equipped to show IMAX 70mm?

IMAX

The answer is not many. Digital IMAX screens, which some call “LieMAX,” come a dime a dozen. Hundreds of theaters around the U.S. operate these screens with a different aspect ratio than IMAX’s traditional size. However, IMAX screens built for 70mm are hard to come by, with only 25-30 in the U.S. and a handful of others scattered around the rest of the world. It’s even harder to come by the projectors for the format. Only 41 theaters worldwide were able to play The Odyssey in IMAX 70mm, which was an increase from the 30 that played Oppenheimer.

The U.S. locations are scattered across the country. USA Today listed the 25 locations in the country that screened it, with theaters in:

  • Arizona: Tempe
  • California: Hollywood, Dublin, Irvine, LA, Ontario, Sacramento, San Fransisco, Universal City
  • Colorado: Colorado Springs, Denver
  • Florida: Fort Lauderdale
  • Georgia: Buford
  • Illinois: Woodridge
  • Indiana: Indianapolis
  • Michigan: Grand Rapids
  • Nevada: Las Vegas
  • New York: New York City, Rochester
  • Pennsylvania: King of Prussia
  • Rhode Island: Providence
  • Tennessee: Chattanooga, Nashville
  • Texas: Dallas, San Antonio

That only “covers” 14/50 states. Some dedicated movie buffs went out of their way to road trip to other cities and even other states to see The Odyssey this year.

This is clearly an issue, and a big loss of potential revenue for IMAX. However, the chances that the company will go out of its way to increase the number of 70mm IMAX theaters are slim. Unfortunately, “The problem is they haven’t made new IMAX film projectors in about fifty years,” said IMAX CEO Richard Gelfond. In fact, the company doesn’t even have a complete blueprint for the machines anymore, and many of its parts no longer exist.

The projectors themselves are also huge, and the film they take can weigh over 300 pounds. Mistakes cost more, damaged film is a danger, and there is no way to restart or rewind the film efficiently.

After The Odyssey‘s success and the buzz around Dune: Part Three, who knows what the company has in store for the medium?

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⚡ Quick Take Only 41 theaters worldwide were able

For years, Christopher Nolan’s The Dark Knight has been treated as the gold standard of Batman movies. With its gritty tone and the late Heath Ledger’s iconic performance as the Joker, the 2008 film raised the bar. Any comparison to it is usually framed as an uphill battle, one that no other feature-length Batman story could win. Yet, there’s one movie in the Batman franchise that is actually aging far better than The Dark Knight.

Of course, Nolan’s film hasn’t lost its impact on Gotham’s cinematic history, but that doesn’t necessarily mean that it is still viewed the same way, especially when compared to Batman: Mask of the Phantasm. Released in 1993, the animated movie about the Caped Crusader is told in two timelines: the past and the present. In the present, Batman investigates a mysterious vigilante known as the Phantasm, who is killing Gotham’s crime bosses, while the flashbacks explore Bruce’s past and his romance with Andrea Beaumont.

With the massive number of Batman films available, both live-action and animated, it’s quite difficult to pick one that reigns supreme. However, Mask of the Phantasm has set itself apart, not only as a great Batman movie, but one that does an incredible job of showing the emotional demons that the Caped Crusader has to fight. While not everyone remembers Mask of the Phantasm, the animated film is proof that there’s a Batman story that is as good as The Dark Knight — or better.

The Best Batman Movie Isn’t Even Live-Action

When it comes to Batman, everyone has their favorite film, and it’s more often than not a live-action movie. However, the title that beats them all is none other than Mask of the Phantasm. The 1993 movie being the superior Batman story shouldn’t really come as a surprise, especially because DC has struggled when it comes to its live-action movies, which are usually hit or miss. On the other hand, the comic book company’s Batman animated films have built a reputation for being consistently stronger than many of their live-action counterparts.

Live-action Batman movies are often constrained by many factors, whereas animated films don’t have those same restrictions, and thus have more creative freedom. In the Batman franchise, the animated DC movies are often willing to go darker and explore mature themes than live-action entries. Of course, Mask of the Phantasm isn’t the only Batman film that features a dark tone or depicts Bruce Wayne’s struggle with his alter ego, but it is the one that shows his humanity exceptionally well.

Why Mask Of The Phantasm Has Aged So Well

Bruce Wayne at his parents' grave in Batman Mask of the Phantasm
Bruce Wayne at his parents’ grave in Batman Mask of the Phantasm

When Mask of the Phantasm was released in 1993, it was expected to be a simple extension of Batman: The Animated Series, but it became one of the most respected Batman stories ever created. Decades later, the film has only gotten better, as there are always new things about it to appreciate. Batman is often seen as a symbol of good, but not many understand what it takes for Bruce Wayne to don the cape, which is why Mask of the Phantasm is a masterpiece.

Batman: Mask of the Phantasm Rotten Tomatoes Score

Critics’ Score

83%

Audience Score

88%

Many adaptations of the Caped Crusader’s adventures focus on his detective skills or his fighting prowess, but Mask of the Phantasm zooms in on the person underneath the mask. Through his relationship with Andrea, audiences see a version of Bruce before he completely commits to his mission, as he is not yet the distant character typically depicted in adaptations.

There’s a weight to Mask of the Phantasm because Bruce Wayne considers leaving his vigilante ways in order to have a normal life with Andrea. Since he became Batman to avenge his parents’ death, the movie explores the guilt he carries for being happy instead of leaning into the grief that has defined him since childhood.

The Dark Knight’s Shine Has Slightly Dulled Over The Years

Heath Ledger as the Joker holding a playing card in The Dark Knight
Heath Ledger as the Joker holding a playing card in The Dark Knight
Image via MovieStillsDB

The Dark Knight is without a doubt the most revered Batman movie, both by critics and audiences. A film like that is simply generational, and one that is extremely difficult to top. While it is still considered a revolutionary tale, particularly because of Heath Ledger’s Joker, it just doesn’t hit the same way it did when it was initially released. With The Dark Knight, Nolan set a bar for himself that even he couldn’t surpass, given that The Dark Knight Rises, the sequel to the film, is considered inferior.

Batman isn’t meant to be a funny or lighthearted superhero, given his tragic beginnings, but even with that in mind, The Dark Knight can be a little too dark. The movie’s best part is also its downfall: the Joker made the film fantastic, but he also outperformed the hero, which isn’t good given that the film is about Batman and not his greatest nemesis.

Furthermore, at nearly three hours long, The Dark Knight drags on. What once felt like crucial elements to the story are now seen as filler, especially because more time could have been spent fleshing out Batman and Harvey Dent.

The Batman Part II Rumors Suggest It’s Remaking Mask Of The Phantasm (Sort Of)

Robert Pattinson in The Batman
Robert Pattinson in The Batman
Image via MovieStillsDB

Matt Reeves’ The Batman, starring Robert Pattinson as the titular character, easily became a fan favorite, and the director took his time writing the sequel script to get it right. Now that the highly anticipated film is finally in production, rumors about what The Batman II will be about are currently swarming, with some theorizing that it could be a remake of Mask of the Phantasm.

Since Scarlett Johansson is set to appear in The Batman II in an undisclosed role, there are theories that she might be playing Batman’s ex-fiancée, Andrea. But like any rumors, this should be taken with a grain of salt, as there are so many other characters in the Batman universe that Johansson could be portraying, with Gilda Dent being a common theory. There’s also a chance that The Batman II’s main antagonist could be the Court of Owls.

With news about the upcoming Batman film being a closely guarded secret, fans can only hope that it’s their favorite storyline that will take center stage. Still, it would be cool if Mask of the Phantasm was the one finally getting a live-action adaptation because it truly is one of the best Batman films ever created.


Batman Mask of the Phantasm Movie Poster


Release Date

December 25, 1993

Runtime

76 minutes

Director

eric radomski, Bruce W. Timm


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For years, Christopher Nolan’s The Dark Knight

DC Studios is hyping up the DCU debut of Kyle Chandler as Hal Jordan in the upcoming Lanterns series. Following the appearance of Nathan Fillion’s Guy Gardner in Superman, James Gunn’s DC reboot is returning to the fundamentals by diving deeper into Green Lantern lore on the small screen. HBO’s Lanterns shifts the spotlight to Hal Jordan as a seasoned Corps veteran, pairing him with Aaron Pierre’s rookie John Stewart as the intergalactic cops investigate a mysterious murder in Rushville, Nebraska. Set to premiere this Sunday, August 16, Lanterns promises a character-driven exploration of both Hal and John as they navigate an expanding DCU. 

Ahead of the show’s arrival on HBO and HBO Max, DC Studios co-CEO James Gunn unveiled a special trailer focusing on Hal Jordan, showcasing the character’s bravado and superpowers before his DCU debut. 

The 15-second trailer opens with a vehicle’s POV, then Hal Jordan (who seems furious) arrives on the scene and interrupts the unnamed character. 

DC Studios

A close-up shot of Hal’s Green Lantern ring was then featured, highlighting the battle-hardened look of the famous DC hero. 

Hal Jordan's ring.
DC Studios

A voiceover then declared that “maintaining the peace” is part of the Green Lantern’s job before footage of Hal using his constructs to defend himself against enemies is shown. 

Hal Jordan vs. enemies in Lanterns.
DC Studios

Some more action shots of Hal are shown before the footage shows the character in his fully suited Green Lantern look for Lanterns. 

Hal Jordan wearing his costume in Lanterns.
DC Studios

A striking close-up of Chandler as the DCU hero also takes center stage, further showcasing his commanding presence as Hal Jordan. 

Kyle Chandler as Hal Jordan.
DC Studios

Alongside the trailer, DC Studios also unveiled a new poster for Hal Jordan, confirming that Hal is Earth’s first Green Lantern, similar to the comics. 

Kyle Chandler as Hal Jordan.
DC Studios

Watch the official Hal Jordan trailer below: 

Joining Kyle Chandler and Aaron Pierre in Lanterns is a star-studded cast led by the returning Nathan Fillion as Guy Gardner, Ulrich Thomsen as Sinestro, Kelly Macdonald as Sheriff Kerry, Garret Dillahunt as William Macon, and Laura Linney in an undisclosed role. 

Why Hal Jordan’s Role In Lanterns Could Define His DCU Future 

Kyle Chandler as Hal Jordan.
DC Studios

Kyle Chandler’s take on Hal Jordan arrives as far more than just another superhero introduction, mainly because his debut is the first substantial live-action foundation for one of DC’s most iconic characters in James Gunn’s rebooted DCU. 

Given that Lanterns positions Hal as a grizzled veteran mentoring John Stewart, how this portrayal lands will likely shape whether Hal becomes a cornerstone of the DCU or remains a supporting player. 

In a show that blends intergalactic lore with a high-stakes murder mystery on Earth, this version of Hal Jordan has the chance to redefine the character away from previous live-action misfires. 

A compelling performance that balances mentorship, moral complexity, and heroism could elevate Chandler as one of the long-term faces of the Green Lantern Corps, opening doors to future Justice League crossovers and larger Chapter One: Gods and Monsters arcs set in the cosmos. 

By establishing Hal as the authority who both challenges and guides the next generation, Lanterns can set up lasting interpersonal stakes that carry into films and potential Season 2 of the series. All in all, Lanterns is not merely introducing Hal; instead, this is the ultimate test for this version of the character that the entire rebooted universe will either build upon or quietly move past. Hopefully, the former outcome will prevail. 

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Sylvester Stallone built his legendary career on high-octane action blockbusters, many of which became staples of the genre. Through these movies, he brought to the screen some of cinema’s most enduring icons, from the ultimate underdog boxer, Rocky Balboa, to the troubled Vietnam veteran, John Rambo. He also showcased his remarkable talent for explosive spectacles, starring in the likes of Demolition Man, Cliffhanger, and the Expendables series. However, his extensive filmography holds some hugely underrated treasures, including a 1996 disaster epic that remains one of the most gripping and suspenseful, yet frequently overlooked, triumphs in the actor’s decades-long evolution as a true cinematic powerhouse.

Sylvester Stallone as Chief Kit Latura in Daylight
Sylvester Stallone as Chief Kit Latura in Daylight
Universal Pictures

While the world knew him as an unstoppable force, Daylight proved that Stallone could command an action movie using raw, human vulnerability rather than just firepower. He anchored the claustrophobic thriller playing Kit Latura, a disgraced former New York City Emergency Medical Services (EMS) chief, who comes to the rescue of a group of commuters trapped inside a collapsed tunnel after a massive explosion. Instead of battling rogue mercenaries or hardened criminals, Stallone fights rising water, toxic fumes, and crumbling concrete, as he desperately tries to make his way back to daylight before the tomb seals them in forever.

“A group of armed robbers fleeing the police head for the New Jersey Tunnel and run right into trucks transporting toxic waste. The spectacular explosion that follows results in both ends of the tunnel collapsing and the handful of people who survived the explosion are now in peril. Kit Latura is the only man with the skill and knowledge to lead the band of survivors out of the tunnel before the structure collapses.”

Stallone’s massive global appeal ultimately rescued Daylight from being a total financial disaster, but only just. Produced on a mega budget of $80 million, the film drastically underperformed in North America, stalling at $33 million. However, it pulled in an impressive $126.2 million from international markets to secure a box office haul of $159.2 million worldwide. Critics were similarly split, with some praising the movie’s special effects and tense action sequences, while others heavily criticized its formulaic plot and flat character depth. The majority seemed to agree that it failed to bring anything truly innovative to the genre, awarding it a measly 28% score on Rotten Tomatoes (alongside a marginally better 37% approval rating from audiences).

Despite its initial reception, Daylight eventually found a dedicated cult fanbase through home video releases, television airings, and the rise of streaming platforms. Movie enthusiasts grew to appreciate the film as a peak example of ’90s, high-concept filmmaking, finding merit in Stallone’s more grounded performance compared to his usual action hero personas. The movie’s newfound following has further cemented its legacy as an underrated gem in Stallone’s acting portfolio, one that demands a second look, and boutique label Kino Lorber is ensuring it receives the premium treatment it deserves by giving it a new release.

Daylight is officially coming to 4K Ultra HD Blu-ray on Aug. 18, 2026, as a second pressing to satisfy demand for the action gem. Sourced from a pristine scan of the original 35mm camera negative, the physical media upgrade features High Dynamic Range (HDR) and Dolby Vision color grading, enhancing the chaotic disaster zone’s fire, water, and shadow effects. The discs are also loaded with a bevy of bonus features, including an audio commentary with director Rob Cohen and archival behind-the-scenes featurettes – listed below.

  • Brand New HDR/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative
  • Audio Commentary by Director Rob Cohen
  • 5.1 Surround and Lossless 2.0 Audio
  • Triple-Layered UHD100 Disc
  • Optional English Subtitles
  • Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative
  • Audio Commentary by Director Rob Cohen
  • The Making of Daylight (33:28)
  • EPK Featurette (6:26)
  • Whenever There Is Love: Music Video by Donna Summer and Bruce Roberts (4:31)
  • The Daylight Archives: Slideshow (76:34)
  • Theatrical Trailers (4:31)
  • 5.1 Surround and Lossless 2.0 Audio
  • Dual-Layered BD50 Disc
  • Optional English Subtitles

For physical media collectors and action genre fans, this premium upgrade serves as proof that some films simply need a little bit of time to finally find their light, and Kino Lorber’s stunning 4K restoration of Daylight guarantees that Stallone’s forgotten mid-90s survival thriller will shine brightly for decades to come.

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Sylvester Stallone built his legendary career on

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If there was any question that the upcoming Mister Miracle animated series from DC Studios takes place in the DCU, this latest news erases any doubt. According to Entertainment Weekly, it seems Nathan Fillion will reprise his role as Green Lantern Guy Gardner in Mister Miracle. His character first appeared in Superman, and pops up soon in Lanterns. Showrunner Tom King, who also wrote the critically acclaimed Mister Miracle comic book the show is based on, had this to say about Fillion joining the cast as the galaxy’s most obnoxious member of the Green Lantern Corps:

We brought Nathan into Mister Miracle’s show, and doing that, it’s just so wonderful. He brings that energy to every aspect of it. And you would think it would be different tonally from [Lanterns], but it blends because that’s who Guy is. He’s that guy who is over the top. We all know that guy who’s a little bit like that.

Is DC Studios positioning Guy Gardner as the DCU equivalent to Nick Fury in the MCU? The one character who dips in and out of different projects, uniting the narrative? It certainly seems to be the case. He is Earth’s resident Green Lantern after all. So if Mister Miracle brings in cosmic elements from the New Gods mythology, it makes sense the Lanterns would be interested. Guy doesn’t appear in the Tom King/Mitch Gerads mini-series that Mister Miracle the animated show is based on. But then again, Lobo didn’t appear in Supergirl: Woman of Tomorrow. And DC Studios added him in for the Supergirl film.

DC Studios

So far, Nathan Fillion remains the only actor confirmed by DC Studios for Mister Miracle. James Gunn has stated that the same voice actors will play major roles from animated projects in live-action. So whoever plays Scott Free/Mister Miracle, his wife Barda, and other New Gods characters like Orion will play their live-action counterparts. Most importantly, DC Comics’ biggest bad, Darkseid, is a big part of Mister Miracle. So the voice actor they cast will be the eventual version of Darkseid in film. Apparently, DC has cast all the voice actors already, we’re just waiting on an announcement from James Gunn. Hopefully, any day now.

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⚡ Quick Take After appearing in Superman, and soon,

Tutustuessani Panosta Casinon pelitarjontaan ensimmäistä kertaa, havaitsin heti kotiutuksen palautusominaisuuteen, jota kutsutaan usein englanniksi reverse withdrawal -ominaisuudeksi https://panostasuomi.com/. Se on mekanismi, joka mahdollistaa pelaajalle vaihtoehdon peruuttaa tekemänsä rahamoston ja siirtää takaisin varat pelitilille ennen kuin siirto ehtii edetä pankkikäsittelyyn. Tämä ei ole itsestäänselvyys kaikilla nettikasinoilla, ja siksi halusin tutkia, miten se Panostalla toimii pelikäytännössä, kenelle se soveltuu ja minkälaisia etuja se tuo arjen pelaamiseen. Kokemukseni mukaan toiminto kertoo paljon nettikasinon halukkuudesta tuoda esiin joustavuutta, mutta se vaatii myös ymmärrystä siitä, milloin sitä on syytä käyttää ja milloin maltti on valttia.

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Miten toiminto käytännössä toimii?

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Yhä useampi pelaaja hallinnoi pelinsä älypuhelimella, ja siksi kokeilin Panosta Casinon peruutustoimintoa sekä Android- että iOS-laitteilla. Mobiilisivusto on mukautuva, eikä erillistä sovellusta ole pakko. Kassanäkymä skaalautuu näytölle sopivaksi, ja “Peruuta”-painike on yhtä helposti löydettävissä kuin työpöytäversiossa. Pystyin perumaan noston muutamalla sormen napautuksella, ja rahat menivät pelitilille heti. Tämä on tärkeää, sillä mobiilipelaaminen on usein reipasta, ja peruutustarve voi syntyä esimerkiksi bussipysäkillä. Panostan mobiiliversio ei tingi toiminnallisuudesta, joten peruutustoiminto on aina taskussasi, olitpa sitten kotona tai liikkeellä.

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The DC Universe is taking its next major story to HBO.

The DCU’s Chapter 1: “Gods and Monsters” slate is finally giving the Green Lantern mythology its biggest spotlight yet in live-action. While audience members got a taste in 2025’s Superman with Nathan Fillion’s Guy Gardner, HBO will soon be the home for the Green Lantern Corps, as DC Studios is getting ready to expand their presence in James Gunn’s franchise.

Lanterns is only days away from its series premiere on HBO, and DC Studios is another major element for the superhero adventure, as Juju Green, also well-known as Straw Hat Goofy, is hosting The Lanterns Official Podcast. ScreenRant is exclusively sharing the first trailer for the upcoming podcast, featuring several major guests who will be no strangers to viewers. Check both the trailer below and key art above:

ScreenRant’s Grant Hermanns interviewed The Lanterns Official Podcast host Juju Green to discuss hosting the weekly companion piece, which will feature in-depth interviews with the show’s co-creators, writers, directors, as well as stars of the HBO drama. A new individual episode will be live after each installment has aired, with the podcast being available to watch on HBO Max and YouTube, along with numerous podcast platforms. Throughout the interview, Green opens up about going from being a fan of the DC legend to hosting weekly chats with the team behind it.

The Official Lanterns Podcast Was A True Collaboration Between DC & Juju Green

John Stewart and Hal Jordan at a bar in HBO's Lanterns
John Stewart and Hal Jordan at a bar in HBO’s Lanterns

ScreenRant: You’ve done many face-to-face interviews with big-name talent, and hosted panels at major conventions. Even still, it’s a really big deal to be hosting a DC official companion podcast. What was sort of going through your mind when that ink finally got signed and you were like, “All right, the time is now”?

Juju Green: Oh man, it’s so hard to describe because, like you said, I have sat in front of talent before. I’ve hosted big panels before, most recently at San Diego Comic-Con. But an official DC podcast to a show that I’m anticipating so much from — it’s the first appearance of John Stewart in live-action, it’s the first look at a Green Lantern, which we’ve been waiting for since 2012, in live-action. It was very surreal to put that ink to paper and say, “Yes, we’re doing this. We’re gonna film multiple episodes. We’re gonna watch every episode, talk about every episode.” It’s insane, man. And the talent that was there. The set itself is absolutely insane. As someone who is a big fan of the color green, not just because my last name is green [chuckles], but as someone who’s a big fan of that [color], just to walk onto that set every day, I just had to pinch myself and wonder, “How the hell did I even get put in this position?” It’s definitely different than anything else that I’ve ever done. But I’m really excited for other people to see it and other people to see not just myself geek out, but the talent behind the camera geek out, as well. That’s always the most fun part of these conversations.

ScreenRant: This is also a big deal in terms of the last DC official podcast was hosted by none other than James Gunn, Steve Agee, and Jennifer Holland themselves for Peacemaker season 2. I’d love to hear, first and foremost, how it was that you came to be in the conversation and to get the job. Are you that big of a DC super fan that you had been pitching it with everybody you could find connected to the show, or did they approach you?

Juju Green: Yeah, they approached me for the job, which was very surprising, because I am a big DC fan, but I feel like a lot of people don’t know that as much, because usually, I came up on TikTok talking about Marvel things and [general] comic book things. But I haven’t really had a chance to really flex my knowledge of DC in a big way, such as this, so the fact that they even heard that I was a DC fan was already just kind of like, “Oh wow, how did you even hear about that?” But then the other part, it just came with this exciting opportunity to finally flex those chops. And when they said, “Oh yeah, man! We’ve seen your interviews. We love the way you break down things.” I guess they just saw something where they watch my content, they saw that I love deep diving into things. I love watching prestige television. I love watching superhero content, so this was just the perfect marriage between the two because, without spoiling anything, Lanterns is just one of those things that is the perfect marriage between prestige TV and superherodom that you can break down, not just from a filmmaking perspective, but from a very nerdy fandom, comic book perspective. So, I’m just really happy that they thought of me and approached me for this, because this was always going to be a yes. [Laughs] I just didn’t know if they were going to ask me.

ScreenRant: So, in collaborating with everyone involved, both the creatives that you had in every episode, as well as everybody behind the scenes, what was it like having those discussions of, “Hey, this is what I’d love to discuss.” Obviously, they’ve seen your content, so they know your personality, your brand of humor, all that. But what was it like finding that creative rhythm with everyone to make this as much yours as it is HBO and DC’s?

Juju Green: Yeah, no, I think the word you use is 100% correct. Collaboration — that’s the key word. Working with everyone behind the camera, the producers and everyone, they’re such a great team over there that they didn’t make me feel like I was coming in to take care of their precious baby. It is their precious baby, but they also gave me some ownership on where to take the conversation. The research team, the editors, the producers, the cameraman, the lighting, the makeup, everybody just was on full 100. In terms of the behind-the-scenes talent of the show, that was truly a gift. Whenever I do my interviews, I like to frame them up as conversations, so it really felt cool to have just nonstop conversations, and being given the leeway from the team over at DC to have these conversations, because that’s where I feel like you get the best soundbites. That’s where I feel like you get the best — for lack of a better word — conversation from the show. That’s where you get the really true good nuggets from what we’ve all watched. It’s just a bunch of people who had just watched, or in this case, worked on a show where we’re looking at each other and going, “Oh yeah, let’s talk about it!” It’s like when you go to a movie and then you sit in the parking lot for an hour or two just to talk about what you just saw. [Chuckles] So, it was definitely that type of energy, and I couldn’t have been happier to do it with such a great group of people. We’re just a couple of adults nerding out about things that we either worked on or witnessed. We do that every day, so it’s really cool to do that in a professional setting, in an official capacity. But that’s where the authenticity comes from, and I feel like the fans who will tune into this will feel that authenticity, and really gravitate towards the conversations, and have their own conversations. That’s the most important part about what they’ve watched, as well.

One Lanterns Episode Comes With A Lot Of Unpacking & An All-Time Level Of Hype

Hal Jordan and John Stewart in Lanterns
Hal Jordan and John Stewart in Lanterns
Credit: HBO

ScreenRant: Obviously, you have seen the Lanterns episodes. I don’t want to get you in trouble for saying anything about them, apart from that I would just love to hear your reaction to them.

Juju Green: Yeah, dude, it’s unlike any other superhero media that I’ve ever seen. I think the closest — and I know a lot of people are gonna say like, “Oh, is it as good as? So, this is what we have to like strive for — it reminds me very much of The Penguin, and how that show was framed up. Where you can put anybody onto that show, even if you’re not a Batman fan, you’re looking at a mafia series. That’s what it is at its core. With Lanterns, I really loved it, and it’s hard to adapt Lanterns in this way. Green Lanterns is one of the more fantastical, science-fictiony properties that is out there in D.C. They’re space cops, for god’s sakes. [Laughs] But to make this show as grounded as it is, and make it True Detective meets Training Day meets Fargo, that just so happens to have Green Lanterns at their center, I really loved how they highlight the character and their decision-making. There are a lot of green bubbles. [Chuckles] There are a lot of green constructs, you will get a lot of that. You will get a lot of those pieces and nuggets that you love from the DC Green Lantern lore. But at the very heart of the show, it’s about two guys, and you’re trying to figure out whether or not they can work together. That is the best part about the show is that it uses its groundedness in the best way that it can in order to tell a very gritty, grounded story that tackles just many different subjects. But you’ll never lose sight that this is still a Green Lantern show, and I think that balance is hard to do. I think they did it, and I’m really excited for other people to see how they did it.




















Bold Reimagining · Alternate DC Universe
Test Your DC Comics
Absolute Universe Knowledge

♆️SupermanReimagined

🦇BatmanNo billions

⚔️Wonder WomanReforged

⚡FlashSpeed

🌐UniverseAbsolute

01

DC’s Absolute Universe is a new line of comics launched in late 2024 that reimagines iconic DC heroes in a world without the legacy advantages they traditionally have. Which DC event/storyline set up the creation of the Absolute Universe?




✓ Correct! The Absolute Universe was born from Darkseid rewriting reality in the current DC continuity. This cosmic act of villainy created a parallel world where DC’s greatest heroes exist without the advantages and support systems they traditionally rely on.

✗ That answer didn’t make it through the Absolute reboot! The answer is Darkseid’s rewriting of the DC Multiverse. While Dark Crisis, Infinite Frontier, and Flashpoint Beyond are all significant DC events, it was Darkseid’s manipulation of reality that gave birth to the Absolute Universe.

02

In Absolute Superman, Kal-El’s origin is dramatically different from the main universe. Instead of being raised by the Kents in Smallville, how does Absolute Superman grow up?




✓ Correct! In the Absolute Universe, Kal-El lands not with the Kents but in an immigrant community, growing up without wealth or privilege. This reimagining strips away Superman’s traditional support system while keeping his core values of hope and justice intact.

✗ That answer didn’t make it through the Absolute reboot! The answer is that he’s raised in an immigrant community with no wealth or privilege. The Absolute line is built on the concept of heroes without their traditional advantages, and Superman’s new upbringing reflects this perfectly.

03

Absolute Batman reimagines Bruce Wayne without his billionaire status. In this version, Bruce Wayne has a very different civilian occupation. What is Absolute Batman’s day job?




✓ Correct! In the Absolute Universe, Bruce Wayne works as an engineer and construction worker. Without the Wayne fortune or Wayne Enterprises, this Bruce builds his gear and gadgets with his own hands and working-class ingenuity, making him a truly self-made Batman.

✗ That answer didn’t make it through the Absolute reboot! The answer is engineer / construction worker. Absolute Batman strips Bruce Wayne of his billionaire status entirely. This Bruce is a massive, imposing figure who uses his engineering skills and physical labor background to craft his own Batman arsenal.

04

Absolute Batman’s costume and physique are dramatically different from the traditional Batman. This version of Bruce Wayne is much larger and more imposing. Who is the writer of Absolute Batman?




✓ Correct! Scott Snyder, who previously wrote the acclaimed New 52 Batman run, is the writer of Absolute Batman. His bold reimagining of Bruce Wayne as a working-class hero without billions has been one of the breakout hits of the Absolute Universe line.

✗ That answer didn’t make it through the Absolute reboot! The answer is Scott Snyder. Known for his legendary Batman run featuring the Court of Owls and other iconic storylines, Snyder returned to the Dark Knight with Absolute Batman, completely reinventing Bruce Wayne for this new universe.

05

Absolute Wonder Woman reimagines Diana in a significantly different setting. In this version, the character’s mythology and origin pull from different cultural influences. Who is the writer of Absolute Wonder Woman?




✓ Correct! Kelly Thompson writes Absolute Wonder Woman, bringing a fresh take on Diana’s mythology and origin. This version reimagines Wonder Woman’s world with different cultural influences while maintaining the warrior spirit at the core of the character.

✗ That answer didn’t make it through the Absolute reboot! The answer is Kelly Thompson. While all four writers are acclaimed in the comics industry, it’s Thompson who helms Absolute Wonder Woman, crafting a bold new vision for Diana in the Absolute Universe.

06

The Absolute Universe was created as a result of Darkseid altering reality. A key difference is that in this universe, heroes don’t have the traditional advantages and support systems. What concept describes this — that these heroes exist without their usual “safety nets”?




✓ Correct! “Heroes without legacy” is the core concept of the Absolute Universe. These versions of DC’s iconic characters exist without the inherited advantages, mentors, wealth, and support networks that traditionally define them — forcing them to become heroes purely on their own terms.

✗ That answer didn’t make it through the Absolute reboot! The answer is “Heroes without legacy.” The Absolute Universe is built on the idea that Darkseid stripped these heroes of their legacies — Batman has no fortune, Superman has no Kents, Wonder Woman has no Themyscira as we know it.

07

Absolute Flash reimagines Wally West in the Absolute Universe. In this version, the Flash’s connection to the Speed Force is portrayed differently. Who is the writer of Absolute Flash?




✓ Correct! Jeff Lemire, known for his deeply human storytelling in titles like Sweet Tooth and Animal Man, writes Absolute Flash. His take on Wally West reimagines the speedster’s relationship with the Speed Force in the context of the Absolute Universe’s stripped-down heroic landscape.

✗ That answer didn’t make it through the Absolute reboot! The answer is Jeff Lemire. While Williamson, Waid, and Adams have all written excellent Flash stories in the main continuity, it’s Lemire who brings his unique storytelling vision to Absolute Flash.

08

Absolute Superman is written and drawn by a critically acclaimed creator who handles both the writing and art duties on the series. Who is this creator?




✓ Correct! Absolute Superman is written by Jason Aaron with art by Rafa Sandoval. Together they’ve crafted a powerful reimagining of Kal-El, placing him in an immigrant community without the Kent family’s support, creating one of the most compelling new takes on the character in years.

✗ That answer didn’t make it through the Absolute reboot! The answer is Jason Aaron (writer) with Rafa Sandoval (art). While Jim Lee, Grant Morrison, and Jorge Jiménez are all legendary DC creators, it’s the Aaron and Sandoval team that brings Absolute Superman to life.

Analysis Complete
Your Absolute Knowledge

/ 8

Are you an Absolute expert — or still in the main continuity?

ScreenRant: So, in talking about unpacking these episodes with the creatives you have, again, not to discount any episode this season, but is there one episode that you found you really had to sit there and be like, “How do I unpack this all?”

Juju Green: Episode 3. Episode 3 is, to me — I think a lot of people are going to hail it as one of the best episodes of television of the year, and I know that might be hyperbole. I know people are going to hype it up. Just from my perspective, what that show does is very reminiscent of what the Watchmen series did a couple years ago. For those who know, there’s a certain episode that was the cream of the crop of this. Same writer, as well, Vanessa Baden Kelly is the writer on this one. Stephen Williams, the director on this one, they 100% knock it out the park. And I will say that it is one of the best explorations of a character that I feel will get a lot of conversation started around the Green Lanterns, what is fear, and those type of things. So, episode 3 is the one. As soon as you said, “Which episode?” I was like, that is the episode that I think a lot of us are going to look out for as one of the best episodes of the year, for sure.

ScreenRant: Obviously, podcast episodes have a little more flexibility with timing, but how did you specifically go about finding ways to ensure that they weren’t turning into three-hour conversations with everyone, but still staying fluid enough that they could be, like you say, conversations rather than just generic plot breakdowns from everyone?

Juju Green: Yeah, that’s a really good question. Obviously, we have normal conversations, and especially when you’re in a flow state with a buddy of yours, or somebody that you’re really clicking with, you can sit there and talk for hours, and the best conversations are when you talk for hours. Like, hello, 2 a.m. conversations are the best, right? [Chuckles] But with this particular show, staying focused was a challenge, because there is a lot to unpack, and there is a lot that we get excited about, and things that we wish that we can dive into a little bit more. But it’s the excitement that really helped us, of like, “Okay, let’s talk about this really quick, that’s gonna lead us into this, and that’s gonna lead us into that.” I think how to keep it concise, that’s always gonna be the biggest challenge. But I think we really like struck a really great balance of talking about the full episode, while also leaving time to really gush over the things that we really wanted to talk about. It’s just a matter of discipline. I think that’s the best word to describe it. It’s a matter of discipline. Sometimes, even though you can talk, you got schedules to keep, and you got to say like, “Hey, maybe next time.” But then also, you know that touching on something is going to start a larger conversation online, anyway, right? So, I think we were fully aware that a lot of people are going to be watching this are online, those conversations are going to happen in the chat rooms, the comment section, and those videos on TikTok. So, it’s also a lot of trust to know, like, “Hey, we didn’t get to this, but we’ll keep the conversation going in other ways, as well.”

A Particular Group Of Lanterns Podcast Guests Took Green By Surprise

Juju Green holding up the lantern and pointing his ring toward it in Lanterns official podcast
Juju Green holding up the lantern and pointing his ring toward it in Lanterns official podcast

ScreenRant: You talk about the set, and the green nature of the set and how much you were vibrating with excitement stepping onto that set. What can you tease about the design of the set they utilized for this podcast?

Juju Green: It’s very green. [Laughs] It’s a very green set, but there’s also an air of beauty to it, as well. It’s a beauty that I feel goes hand in hand with the Lanterns, the otherworldly nature of it. It’s pristine. It’s almost like what Dorothy felt when she went to the Emerald City for the first time. And just just being there, I think it’s one of the most iconic podcasting studios that I’ve ever like walked into, and it makes you feel like you’re part of the world. It makes you feel like you, yourself, could be a Lantern, and I just gotta say, every time I walked onto it, it felt like my own little slice of home. You know, it just felt it just felt great.

ScreenRant: Very final question for you. Again, not to discount any of the guests that you had on the podcast, but I am curious if there was anybody that took you by surprise, whether it was with a story they shared from the set, or just the energy that they brought to the conversation?

Juju Green: You know, I have a cliché answer, and then I have a real answer. [Chuckles] Getting being able to talk to Chris Mundy, Damian Lindelof, and Tom King together, that in and of itself was a special treat, because they’re titans in their respective fields and job markets, right? Tom King, one of the best writers in the game when it comes to comics; Damon Lindelof, with his work on Watchmen, with Lost, everybody in their job, they know what they’re doing. But seeing them all interact together, and geek out together, and talk about what they did in order to make the show what it is, all their respective geniuses coming together to make this show, I could just sit back and just listen to them just talk. They’re so personable, and they’re so down to Earth, and they’re so cool.

So, I would have to say, those three getting to talk to them was one of the most surprising because there’s no pretentious bone in their body. They’re just fans of what they do, and they’re really good at what they do. They’re really students of the craft, every craft. So yeah, that was really good. But then I have to say this, Aaron Pierre, being able to talk to him about John Stewart, and this was my first time ever talking to him in this official capacity. It was just like talking to a friend, or a cousin. He’s super passionate about it, and he’s so locked in, and he’s so dialed in. And I’m just gonna say this: watching him be John Stewart gave me the same feeling I got when I was watching Robert Downey Jr. as Tony Stark, or Hugh Jackman as Wolverine. I cannot see anybody better suited for the role after having him see it. It’s inseparable, and the way he uses stillness and his demeanor and his aura, the man’s just got an amazing aura, on and off camera. So yeah, I think between those three and Aaron Pierre, those were the guests that really surprised me and were the biggest joys to talk to, for sure.

Lanterns premieres on Sunday, August 16, on HBO.


lanterns-poster.jpg


Release Date

August 16, 2026

Network

HBO

Showrunner

Chris Mundy

  • Headshot Of Aaron Pierre

    Aaron Pierre

    John Stewart

  • Headshot Of Kyle Chandler

  • Headshot Of Nathan Fillion IN The The Walking Dead Live: The Finale Event

  • Headshot Of Kelly Macdonald

    Kelly Macdonald

    Sheriff Kerry


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The DC Universe is taking its next

When Lanterns lands on HBO this Sunday, it closes out a development story that’s run for nearly seven years, absorbed at least four creative approaches, and outlasted more executives than most shows manage episodes. It’s also the first live-action series developed start to finish under James Gunn and Peter Safran, making it the clearest test yet of whether the DCU can hold a TV audience like it does a multiplex one.

The slate revealed by the pair at the start of 2024 has now thinned out considerably, and a new report during Lanterns‘ premiere week suggests that the attrition still has some way to go. The Authority went on ice, Swamp Thing drifted, and David Jenkins’ version of Booster Gold was shelved at the end of July.

Viola Davis as Amadna Waller in The Suicide Squad Warner Bros.

Now, two more titles from that original lineup have reportedly gone the same way. According to The Ankler‘s Lesley Goldberg, both Waller and Paradise Lost are dead at DC Studios, becoming casualties of the “noisy early slate” Gunn and Safran built their tenure on. DC Studios has not addressed either publicly.

Waller has had the longer and perhaps more visible struggle out of the two, after being announced in 2023 as a Peacemaker spin-off with Viola Davis returning as Amanda Waller. It was to be scripted by Christal Henry and Jeremy Carver and was substantially rewritten after the labor disputes of that year reshaped the DCU timeline underneath it. As such, the show never quite regained its momentum, though Gunn still said the studio was “working on” it around the time of Peacemaker​​​​​’s final season. Davis, for her part, has kept the character in circulation regardless, voicing her in Creature Commandos while waiting for news on her own star vehicle.

Paradise Lost, until now, looked a little healthier. The Themyscira-set prequel, which was pitched as Game of Thrones with Amazons but no Wonder Woman, was declared dead by insider chatter earlier this year, only for Gunn to shoot those reports down with a flat “definitely not” via his Threads account. His words were “extreme development” as recently as April, and writers Kira Snyder and Janet Lin were reported to have joined the project in June. Nevertheless, its loss leaves the DCU’s Wonder Woman plans resting entirely on Ana Nogueira’s reboot script, with a newly imagined Themyscira now unlikely to reach the screen before Diana herself is ready to show up.

Amazons from Wonder Woman in Paradise Lost
Amazons from Wonder Woman in Paradise Lost
DC Comics

The gap between the public reassurance from Gunn and the producers and what is actually happening internally is growing wider, and this story lands at an awkward moment. DC is among the more consequential assets in Paramount Skydance’s proposed $111 billion merger with Warner Bros. Discovery, and the studio is coming off a summer in which Supergirl underperformed despite Superman‘s success in 2025.

Lanterns itself isn’t out of the woods yet, either, as HBO has not yet renewed it despite — per the same report — a co-showrunner already having been hired for the second season. Numbers from Sunday’s premiere will likely lead to some big decisions.


lanterns-poster.jpg


Release Date

August 16, 2026

Network

HBO

Showrunner

Chris Mundy


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When Lanterns lands on HBO this Sunday,

A photo taken inside the official Lanterns experience at San Diego Comic-Con revealed a surprising connection to Batman’s corner of the DC Universe. The HBO series stars Kyle Chandler as veteran Green Lantern Hal Jordan and Aaron Pierre as new recruit John Stewart, two intergalactic cops investigating a murder in a small American town. It is the first series in James Gunn and Peter Safran’s rebooted DC Universe made for HBO, and its marketing kept the specifics of that central mystery under tight guard before the show arrives on August 16.

The connection comes through the Gotham Gazette, the longtime newspaper of Batman’s home city in DC Comics. A fan who visited the Lanterns Training Headquarters, the interactive activation HBO Max held in San Diego from Thursday, July 23 through Saturday, July 25, photographed a prop edition of the Gazette pinned to a corkboard inside one of its rooms. Its appearance in official marketing is a strong sign that Gotham has some part to play in the show’s world, even if it stops short of confirming what that part will be.

DC Studios

The prop heavily features the show’s branding alongside other intriguing details. An HBO Max logo can be seen beside the Gazette masthead, and a banner underneath promotes the series with the line, “Stream the HBO Original series Lanterns starting August 16.” The front page features a black-and-white photo of a run-down roadside motel with an aging sign indicating “No Vacancy.”

HBO Max's Lanterns features the Gotham Gazette.
HBO Max

The motel isn’t entirely random, as the building has actually appeared before. The same battered building featured briefly in the first Lanterns teaser trailer, which arrived in March and flashed a broken motel sign amid scenes of destruction in the town.

Two smaller details on the paper are worth noting as well. Fine print beside the show’s logo seems to say Gotham County, and the edition appears to be dated Saturday, July 23, 2016. Showrunner Chris Mundy already confirmed the series unfolds across two timelines, one set in 2016 and another in 2026, so the date fits the show’s earlier era.

This is not the Gazette’s first appearance in DC Studios’ promotional playbook, either. Fictional clippings from the paper circulated on Clayface’s official social media accounts earlier this year, teasing the brutal attack on Matt Hagen and the experimental treatment that transforms him ahead of the film’s theatrical release on Friday, October 23. 

Gotham Gazette appears in Lanterns and Clayface promotional material.
DC Studios

The Training Headquarters itself recreated pieces of the series. HBO Max promised interactive challenges set inside locations from the show, including a sheriff’s office and a dive bar, meaning the props decorating those rooms were made to reflect the on-screen world of Hal and John.

Why the Gotham Gazette Over the Daily Planet?

The Gotham Gazette alongside the Daily Planet news paper.
DC Studios

The choice of newspaper is intriguing, not only due to the Batman connection but also because they could have easily gone with a more established option. The DC Universe already introduced the Daily Planet as its flagship news outlet in Superman, where Clark Kent and Lois Lane work in the Metropolis newsroom. 

If the set decorators simply needed a recognizable DC paper to fill a corkboard, the Planet was the easy option, already canon and familiar to general audiences. Reaching past it for the Gazette feels like a very deliberate creative choice, and deliberate choices in studio-approved marketing usually reflect what is actually in the story.

The Gotham County detail is also quite interesting. DC Comics stories have long placed a rural county of that name just outside Gotham City’s limits, which raises the possibility that the show’s murder-stricken town is far closer to Batman’s backyard than anyone assumed. The 2016 dateline also indicates that Batman’s city was active in the DCU long before the events of Superman. A Gotham newspaper covering heartland events during this earlier timeline quietly establishes that the Dark Knight’s metropolis was already fully operational a decade prior.

The timing makes this even more fascinating since DC Studios still does not have its Batman. The Brave and the Bold remains without a cast or release date, and Gunn shot down the latest casting rumors just last week. The news outlet being picked over the Daily Planet heavily implies that Lanterns has more connections to Gotham City than any other location in the DCU.

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House of the Dragon Season 3 is the strongest chapter of the Game of Thrones spinoff yet, and multiple factors contribute to its success. The action and political scheming is top-notch throughout the latest episodes, but the standout performances also bring them to new heights. The entirety of the House of the Dragon cast are excellent in their roles, and they have been since the show began back in 2022. The stars continue to breathe new life into their characters years later, and the newcomers prove impressive amid the established stars.

Of course, given the direction House of the Dragon Season 3 takes, some of the actors get to show off their range more than others. The best performances of the season come from the cast members who are handed hard-hitting and transformative character arcs. There are a few who benefit from leaning into humor, too. Here’s how the most impactful performances of Season 3 rank.

Why You Should Trust Me: I’ve been writing about pop culture for a decade now, and I’ve crafted and edited a number of rankings over that time. I understand the importance of arguing each placement, and I’m accustomed to analyzing every aspect of TV shows.

Honorable Mentions

Tommy Flanagan as Ser Roderick Dustin in House of the Dragon HBO

If I could, I’d just praise everyone in the House of the Dragon cast. However, these stars come close to making the main list. I hope we see more from some of them in House of the Dragon Season 4.

  • Abubakar Salim as Alyn Velaryon: Abubakar Salim plays a very reserved character with Alyn. Despite this, the actor captures his complicated feelings about his role in Rhaenyra’s court and his relationship with Corlys well. I’d love to see what pushes him beyond his usual calm. Fingers crossed for Season 4!
  • Benjamin Evan Ainsworth as Daeron Targaryen: Benjamin Evan Ainsworth debuts as Daeron Targaryen in Season 3, and he quickly comes to feel like he’s always been part of the Dance. He evokes so much sympathy through his character, and some respect as well. I wish we’d seen more of him.
  • Harry Collett as Prince Jacaerys Velaryon: Harry Collett is barely in House of the Dragon Season 3 — RIP, Prince Jace — but I have to give him his flowers for the premiere. He goes out with a bang, nailing his character’s desperation to protect his family and prove himself.
  • Freddie Fox as Gwayne Hightower: Gwayne Hightower is an unexpected highlight of House of the Dragon Season 3, and Freddie Fox’s performance contributes to that. He brings Gwayne to life with charm, snark, and a surprising bit of vulnerability when it comes to Daeron.
  • Tommy Flanagan as Roddy the Ruin: I’d be remiss to forget Tommy Flanagan’s performance as Roddy the Ruin, and part of me still wants to put it on the main list. Flanagan raises the energy of every scene he’s in, and the finale wouldn’t be nearly as fun without him. I only wish we’d gotten more of that from the Winter Wolves earlier.

Tom Bennett as Ulf

Ulf’s Terrible, but the Actor Who Plays Him Deserves His Flowers

Ulf in House of the Dragon

Ulf might be the most-hated character in the House of the Dragon fandom right now, but Tom Bennett plays the treacherous dragonseed masterfully. He gives a layered performance, capturing his character’s impulsive nature, growing resentment, and greed gradually until they all boil over. He injects humor into his scenes, and he manages to evoke anger from the audience as well. It’s a juggling act, but Bennett pulls it off. He deserves his flowers for delivering a great Season 3 character arc.

Why It’s #10: Bennett nails Ulf’s character, but he doesn’t have any huge emotional sequences for the actor to sink his teeth into.

Ewan Mitchell as Aemond Targaryen

Season 3 Shows Off a New Side of Aemond

Aemond Targaryen in House of the Dragon HBO

Ewan Mitchell is always fantastic as Aemond Targaryen, but House of the Dragon Season 3 gives the actor a new challenge. Aemond spends much of this outing at Harrenhal, which is not the most exciting storyline. However, it does force Aemond to contend with his deeper emotions. It takes the character’s demeanor from calmly cruel to more vulnerable. That’s a big shift, and Mitchell leans into it seamlessly. His final scene with Aegon is some of the most interesting acting fans have gotten from the actor so far.

Why It’s #9: Mitchell does a great job with everything from his character’s mommy issues to his guilt over Aegon. However, despite how convincing both he and Gayle Rankin (Alys Rivers) are, their storyline doesn’t give them the most grabbing material.

Olivia Cooke as Alicent Hightower

She Works With What ‘House of the Dragon’ Gives Her

House of the Dragon Season 3 doesn’t give Alicent much to do until the very end — and when it does, it’s a filicide storyline invented for the show. It’s clear the spin-off still wants Olivia Cooke on-screen, which is no surprise. She has a strong presence, and that continues throughout Season 3. In some ways, Alicent’s confinement makes it more impressive that Cooke still shines. Her flipped dynamic with Rhaenyra makes it so that Alicent must grapple with being truly powerless for the first time. Cookie conveys the discomfort of that well. She also does great work with her growing concern over Helaena and betrayal of Aemond, even when both occasionally feel out of character.

Why It’s #8: Cooke is compelling whenever she’s on-screen, and she sells Alicent. Unfortunately, the writing doesn’t always help her.

Steve Toussaint as Corlys Velaryon

He Gives a Well-Rounded Performance in Season 3

Steve Toussaint takes Corlys Velaryon on an interesting journey in House of the Dragon Season 3, starting with the Battle of the Gullet and ending the outing as a prisoner at Tumbleton. Corlys loses everything, and Rhaenyra adds insult to injury by refusing to legitimize his sons. It gives Toussaint some great acting moments, from his wildly shocking takedown of her own kids to his negotiations before the First Battle of Tumbleton. Viewers see all sides of Corlys, and Toussaint makes them all feel believable. He gives a well-rounded performance with a few explosive moments that will remain memorable.

Why It’s #7: Toussaint plays a convincing Corlys, whatever he’s doing, but other characters get more meaty individual scenes — either because their arcs are ending or because they’re more central.

Fabian Frankel as Criston Cole

The Actor Infuses Humanity Into an Unlikable Character

Fabien Frankel as Criston Cole in House of the Dragon season 3 Photograph by Theo Whiteman/HBO

House of the Dragon fans were not sad to say goodbye to Criston Cole, but they should clap for Fabian Frankel all the same. It takes a talented actor to make audiences root for a character’s demise for multiple seasons. And Frankel’s acting ensures that Criston is frustrating and unlikable until his very last moments on-screen. Despite this, he also adds a nice layer of humanity to Criston’s final episodes. He drives home his frustration with being a pawn in the Dance, as well as how cynical he’s become. It almost makes us feel for him, which is also impressive. Almost.

Why It’s #6: Criston’s send-off isn’t as emotional as the next character’s, and Frankel doesn’t get as much screen time or scene variety as the others. He does an incredible job with what he has, however.

Phia Saban as Helaena Targaryen

Her Performance Is as Devastating as Her Character’s Arc

Phia Saban in Helaena in House of the Dragon HBO

Helaena Targaryen is confined to Maegor’s Holdfast with Alicent in House of the Dragon Season 3, but her pregnancy and spiraling emotional state give Phia Saban meaty storylines to dig into. Saban is already impressive with how well she captures Helaena’s “fragile state.” However, her performance this season is something else. She takes her character from disinterested in the Dance and desiring true freedom to a state of despondency and despair. She’s convincing, and it makes Helaena’s tragic fate more gutting. She also gives us great glimpses into other sides of Helaena. It’s great to see her push back against Alicent, revealing there’s frustration there, and she has a few adorably comical moments. (Just give her the chickens!)

Why It’s #5: Saban’s performance as Helaena is equal parts charming and heartbreaking, but she doesn’t get enough time or story compared to the next four characters.

Matt Smith as Daemon Targaryen

He Continues to Be Magnetic as Daemon

Matt Smith is always magnetic as Daemon Targaryen, and he somehow manages to be even more entertaining in House of the Dragon Season 3. He fully demonstrates his dedication to Rhaenyra this season, which results in some of his best moments. His fierce approach to reclaiming and holding her throne is compelling, and it shows the merciless side of Daemon that fans know and love. Smith captures new aspects of the character as well. From his merriment in the Riverlands to his vulnerability with Rhaena, he paints Daemon as such a layered character. And his utter shock at the end of the finale drives home his performance as one of the best.

Why It’s #4: It’s intriguing to see small cracks in Daemon’s usually unshakable demeanor, but the majority of his Season 3 behavior isn’t new.

James Norton as Lord Ormund Hightower

Season 3’s Best New Performance

James Norton as Lord Ormund Hightower in House of the Dragon HBO

If there’s one new actor in House of the Dragon Season 3 that deserves all the applause, it’s James Norton. Ormund Hightower is a despicable character, but Norton brings him to life with such charisma. He steals every scene he’s in, making us despise the show’s newest villain — but also making it a delight to see more of him. His cruelty never lets fans forget that he’s a credible threat, but he still proves comically absurd and inept at times. It’s sad to see him go ahead of House of the Dragon‘s final outing.

Why It’s #3: Norton’s time on-screen is great, but Ormund doesn’t get the transformative arc that the two contenders for the Iron Throne do.

Tom Glynn-Carney as Aegon II Targaryen

He’s So Good, He Makes It Hard to Hate His Character

Aegon in House of the Dragon HBO

Tom Glynn-Carney is a revelation as Aegon II Targaryen, and that’s especially obvious in House of the Dragon Season 3. Aegon is another character that fans are primed to hate from the beginning, but Glynn-Carney makes that really, really hard to keep up. He brings such nuance to the role that it’s easy to forget where he started — and that he’s still not operating from a place of good intentions, even now. His grief over Sunfyre and euphoric response to reuniting with the dragon are prime examples of why he’s one of the best stars of Season 3. His comedic moments are also great. People will be quoting “I’m alive!” until House of the Dragon Season 4.

Why It’s #2: It’s a very close call between Glynn-Carney and Emma D’Arcy’s performances, but D’Arcy delivers one Emmy-worthy scene that pushes their Season 3 work to the top.

Emma D’Arcy as Rhaenyra Targaryen

Jace’s Death Leads to an Emmy-Worthy Performance

Emma D’Arcy is the standout performer of House of the Dragon Season 3, and they cement themselves as such as early as the second episode. D’Arcy captures Rhaenyra’s grief over Jace’s death in such a raw and heart-wrenching way. They then go on to portray Rhaenyra’s dark Season 3 arc in a manner that’s both compelling and as frustrating as it should be. Game of Thrones fans may feel that Daenerys’s villain turn is rushed, but House of the Dragon fully builds to Rhaenyra’s. Thanks to D’Arcy, that steady descent receives the nuance and weight it deserves.

Why It’s #1: D’Arcy’s performance is easily one of the top ones of Season 3. The increased focus on Rhaenyra, and the Episode 2 scene where the queen learns of Jace’s death, allow it to pull past Glynn-Carney’s. D’Arcy deserves an Emmy for that moment.


house-of-the-dragon-poster.jpg


Release Date

August 21, 2022

Network

HBO

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  • instar53816215.jpg

    Fabien Frankel

    Ser Criston Cole


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House of the Dragon Season 3 is

With summertime coming to a slow close, if you’re anything like me, you’re using your grill less and less. However, it’s not over yet, so fire those babies up for SPAM’s newest food-ition, SPAMdogs.

Yes, it is exactly what it sounds like. A hotdog, made out of SPAM, the canned mystery meat. Well, it’s not a total mystery what goes into SPAM: at the very least, we know there’s some pork shoulder, also known as “Boston Butt.”

Hormel Foods

This may actually be a good sign for the hot dog industry—now there’s a sentence you’ve never heard, and I’ve never written before. Non-premium “all-beef” or “all-pork” options are generally wieners made from much more dubious odds and ends, including but not limited to pork, beef, turkey, and chicken.

Do I think it will taste any different than your average hot dog? Probably not, but I’m sure SPAM connoisseurs will be able to taste the difference. People already grill SPAM for the classic Hawaiian dish, SPAM Musubi. The only new aspect is the wiener’s shape. Haley Eggum, SPAM’s brand manager, seemed enthused about this addition to the legions of origin-ambiguous hot dog options.

“We’re excited to be rolling out the SPAM® Dog and the opportunity it creates for foodservice operators to offer something both familiar and surprising. It’s a fresh, new take on a hot dog with the unmistakable flavor that SPAM fans know and love.”

It’s been a summer full of weird food combinations. So, honestly, compared to the fried chicken Oreos, this is a pretty natural form for SPAM to take. Meat belongs in hot dogs; KFC fried chicken batter flavoring does not belong between two chocolate cookies, in my humble journalistic opinion. But who cares what I think?

SPAMdogs will be available premade in stadiums and for your own grilling pleasure at your local convenience store.

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⚡ Quick Take SPAM, the creator of the iconic

Nathan Fillion’s Green Lantern is becoming a staple of the new DC Universe.

Fillion is a busy actor, with the star currently leading the long-running The Rookie, as well as working on an animated revival of his cult classic space Western series Firefly alongside other original cast members of the sci-fi series. That said, amid Fillion’s long list of movies and TV shows, the actor keeps finding projects to return as Guy Gardner. The sarcastic Green Lantern was introduced in James Gunn’s Superman movie, being part of the superhero team known as the Justice Gang. Now, it seems like Fillion’s Green Lantern is becoming one of the most important players in the DCU Chapter One.

Set to return at some point on HBO’s Lanterns, which debuts this Sunday, Fillion will also come back as Guy Gardner in Mister Miracle, as showrunner Tom King has confirmed the update to Entertainment Weekly. King is one of the creators who developed DC’s new Green Lantern series, which stars Kyle Chandler as Hal Jordan and Aaron Pierre as John Stewart, alongside Ozark‘s Chris Mundy and Watchmen‘s Damon Lindelof.

According to King, those who watch Guy in Lanterns, which is billed as a gritty detective series, will have no problem with the character in animated form, as he is “over the top.” Check out Tom King’s full quote about Fillion’s Guy Gardner joining Mister Miracle below:

“We brought Nathan into Mister Miracle’s show, and doing that, it’s just so wonderful. He brings that energy to every aspect of it. And you would think it would be different tonally from [Lanterns], but it blends because that’s who Guy is. He’s that guy who is over the top. We all know that guy who’s a little bit like that.”

Nathan Fillion's Green Lantern in Superman in a room filled with green energy
Nathan Fillion’s Green Lantern in Superman in a room filled with green energy

Previously, Fillion made his first TV appearance in the DCU as Guy Gardner in Peacemaker season 2, preparing him for his upcoming live-action DC series, Lanterns. That said, he is heading into animation with Mister Miracle, which is a different medium altogether. However, as mentioned by King, Guy’s sarcasm and high energy make him the perfect Green Lantern, based on what Lanterns‘ trailers have shown so far from Chandler’s Hal Jordan and Pierre’s John Stewart, to make the jump to the animated medium. Besides, Fillion has plenty of experience, not only with animated projects, but as a Green Lantern for DC.

Before he was cast as Guy Gardner in the live-action DC Universe, Fillion voiced the Hal Jordan version of Green Lantern in several animated DC movies, including Justice League: The Flashpoint Paradox, The Death of Superman, and many more. That, added to the fact that Guy Gardner and Mister Miracle were famously part of the Justice League International in the comics, might have been key factors in why the actor was brought in for the upcoming DCU animated series. Instead of leading to a traditional Justice League like many believe is the case, Superman‘s Justice Gang could evolve into the JLI.

That would make sense for a variety of reasons. Besides Guy’s confirmed role in Mister Miracle, the Justice League International’s founder in DC Comics was Maxwell Lord. In the DCU, Lord, played by Sean Gunn, was revealed as the man behind the Justice Gang. Batman, who will lead the announced The Brave and the Bold movie, Blue Beetle, of which a version is reportedly in Man of Tomorrow, and Booster Gold, whose live-action DCU series remains in development, were all in the JLI. As such, by putting Fillion’s Green Lantern in Mister Miracle, DC could be setting up the team.

DC FanDome Poster

Cast

Henry Cavill, Ben Affleck, Gal Gadot, Ezra Miller, Ray Fisher, Jason Momoa, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Jeremy Irons, Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Cara Delevingne, Chris Pine, Robin Wright, Zachary Levi, Dwayne Johnson, Amber Heard, Patrick Wilson, Yahya Abdul-Mateen II, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou, Mary Elizabeth Winstead, Jurnee Smollett, Rosie Perez, Ella Jay Basco, Ali Wong, Ewan McGregor, Idris Elba, John Cena, Michael Keaton, George Clooney, Xolo Mariduena

Created by

Malcolm Wheeler-Nicholson

Character(s)

Superman, Batman, Wonder Woman, Aquaman, The Flash, Cyborg, Harley Quinn, The Joker, Shazam, Darkseid, Amanda Waller, Lex Luthor, Doomsday, Deadshot, Deathstroke, Black Canary, Black Adam

Movie(s)

Man of Steel, Batman v Superman: Dawn of Justice, Suicide Squad, Wonder Woman, Justice League, Aquaman, Shazam!, Birds of Prey, Wonder Woman 1984, Zack Snyder’s Justice League, The Suicide Squad, Black Adam, Shazam! The Fury of the Gods, The Flash, Blue Beetle, Superman, The Brave and the Bold


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Nathan Fillion's Green Lantern is becoming a

certificado Incaspin Casino bono sin depósito promoción

We regularly notice that players misunderstand what a self-assessment actually does. It is not at all a clinical diagnosis, neither is it a trap meant to restrict your account without warning. On the contrary, a gambling self-assessment is a structured set of questions constructed around internationally recognized screening criteria, such as the Problem Gambling Severity Index (PGSI) or the DSM-5 criteria for gambling disorder. When you finish one on a platform like Incaspin Casino, the tool simply mirrors your own reported behaviors back at you in an organized way. The goal is to create a private moment of clarity, without judgment, so you can assess whether your current gambling habits match the entertainment experience you originally intended.

What a Gambling Self-assessment Actually Measures

These tools do not assess willpower or moral character. They assess the gap between your desired gambling actions and your real gambling conduct over a specific period, generally the past 12 months. Questions are crafted to spot patterns like lack of control, chasing losses, borrowing money to gamble, or becoming uneasy when attempting to reduce. In Spain, the criteria match closely with the guidelines issued by the Dirección General de Ordenación del Juego (DGOJ), which stress the significance of early detection. We view the self-assessment as a conduct mirror. It questions whether gambling has ceased being a kind of paid leisure and begun functioning as an urgent financial or emotional escape. That distinction matters more than any particular score.

Comprehending Self-exclusion and Its Real Impact

Self-exclusion is a official agreement between you and the operator to deny access to your account for a specified period, typically between six months and five years. In Spain, the process is reinforced by the RGIAJ, a nationwide registry that makes your self-exclusion effective across all licensed gambling websites, not just one brand. When you self-exclude through Incaspin Casino, we deactivate your account and remove you from marketing communications. We also offer clear information on how to extend your exclusion if you think you need more time. It is crucial to understand that self-exclusion is irreversible during the chosen period. This permanence is not a flaw. It is the aspect that shields you from impulsive decisions made during a moment of urge or stress.

The Inquiries Behind the Screen

You will not encounter trick questions in a proper self-assessment. Instead, you come across direct inquiries such as if you have ever bet more than you could afford to lose, whether or not you have hidden receipts or transactions from people close to you, or whether or not you have ever felt guilty about the way you gamble. These questions are purposefully uncomfortable because they target the exact friction points where recreational play can slide into something harder to manage. At Incaspin Casino, we present these questions in plain Spanish and English, ensuring that language never becomes a barrier to honest reflection. The phrasing is carefully neutral. There is no leading language that pushes you toward a particular answer, because the only useful result is one you recognize as true.

Beginning with Self-assessment to Defining Personal Limits

After obtaining your results, the next practical step is not to panic. It is calibration. We encourage every player, regardless of score, to examine their deposit limits, session time reminders, and loss limits. A self-assessment often reveals that a player has been neglecting the very tools that maintain gambling recreational. For example, you might discover that you consistently deposit again immediately after hitting a loss limit, effectively bypassing the boundary you set for yourself. At Incaspin Casino, you can adjust these limits downward at any time, and the change becomes active instantly. We also provide a cooling-off period, which temporarily pauses your account for a short, defined window. This is not punitive. It is a circuit breaker that offers you space to reevaluate without the immediate pull of the lobby.

How exactly the Scoring System Really Works

Most self-assessment tools give a point value to each answer, typically on a scale from zero to three. A response of “never” might score zero, while “almost always” scores three. The total is then converted to a risk category: low risk, moderate risk, or high risk. We want to be fully transparent about what these categories mean. A moderate-risk score does not mean you have a gambling disorder. It means there are adequate behavioral signals to suggest that your current habits could escalate if left unexamined. A high-risk score is a strong indicator that professional support could be helpful. In Spain, the DGOJ recommends that any player who scores in the high-risk bracket consider activating the national self-exclusion registry, known as RGIAJ, which covers all licensed operators.

Professional Help Resources Available in Spain

We maintain that a responsible gambling page is not complete without straightforward pathways to external, professional help https://incaspin-casino.com.es/responsible-gambling/. In Spain, various organizations deliver free, confidential support. FEJAR (Federación Española de Jugadores de Azar Rehabilitados) delivers therapy, prevention programs, and a helpline manned by trained counselors. The DGOJ also keeps an revised list of authorized treatment centers on its official website. Moreover, the national helpline for problematic gambling, 900 200 225, operates with extended hours and provides guidance in multiple languages. At Incaspin Casino, we connect to these resources clearly because we acknowledge that our role as an operator is to enable access to help, not to act as a substitute for clinical expertise. No one should feel alone in navigating this process.

The way Incaspin Casino Supports Responsible Play Every Day

Responsible gambling tools are not simply a single page you visit once and overlook. They are embedded into the daily operation of our platform. Every player at Incaspin Casino is provided with mandatory reality checks that break play at regular intervals to display net spend and time elapsed. Deposit limits are configurable during registration and tightened further at any moment. Our customer support team receives specific training on how to identify distress signals and how to guide a player toward self-assessment or self-exclusion without criticism. We also carry out regular audits of our responsible gambling framework to guarantee it meets both Spanish regulatory standards and our own internal ethical obligations. Our aim is to ensure that the excitement of a game never quietly transforms into something that harms your well-being.

We regularly notice that players misunderstand what

With the release of Lanterns on the horizon, the DCU is in a unique spot. Following the box office disappointment of Supergirl, the loss of the lead writer for Booster Gold, and the reported cancellation of Paradise Lost and Waller, the DCU is showing signs of growing pains. However, the universe is still moving forward, with Man of Tomorrow set for release in 2027, as well as a television series centered on Jimmy Olsen. One show currently in the works is Mister Miracle, an animated series being overseen by Lanterns co-creator Tom King. Mister Miracle just got a huge update with the reveal that a DCU hero is joining the cast.

Speaking with Entertainment Weekly, Tom King revealed that Nathan Fillion will reprise his role as Guy Gardner in Mister Miracle. Guy Gardner is the Green Lantern member of the Justice Gang. This marks the first official casting news for the Mister Miracle series. Regarding Fillion’s role in Mister Miracle, King said:

“We brought Nathan into Mister Miracle’s show, and doing that, it’s just so wonderful. He brings that energy to every aspect of it. And you would think it would be different tonally from [Lanterns], but it blends because that’s who Guy is. He’s that guy who is over the top. We all know that guy who’s a little bit like that.”

Mister Miracle will mark Fillion’s fifth appearance as Guy Gardner. The actor made his DCU debut in Superman, and followed it up with a cameo in Peacemaker Season 2. Fillion is set to appear in Lanterns, alongside fellow Green Lanterns Hal Jordan (Kyle Chandler) and John Stewart (Aaron Pierre). Guy Gardner will return in Man of Tomorrow, scheduled for release on Jul. 9, 2027. This makes Fillion’s Guy Gardner the DCU character with the most appearances, beating out Frank Grillo’s Rick Flag Sr., who has appeared in Creature Commandos, Superman, and Peacemaker, and will appear in Man of Tomorrow.

Mister Miracle is based on Tom King and Mitch Gerads’ acclaimed 12-issue miniseries centered on the New God. The story focuses on Scott Free / Mister Miracle, an escape artist and New God, as he lives with his wife, Big Barda, only to be disrupted by the arrival of his adoptive father, Darkseid. The animated series was officially announced in 2025, with both King and Gerads involved. In 2026, it was confirmed to be DCU canon.

Mister Miracle is one of three high-profile DCU animated series in the works, alongside Creature Commandos Season 2 and the Blue Beetle animated series. While James Gunn has previously mentioned that Darkseid is not the major villain of the DCU’s Gods and Monsters, the character will make his shared universe debut in Mister Miracle. With Fillion now confirmed to be part of the series, the rest of the voice cast will potentially be revealed. As with Creature Commandos, the intention is for the actors who voice the characters to also play the roles in live action, and vice versa.

Nathan Fillion can be seen on Lanterns, which debuts on HBO and HBO Max on Aug. 16 at 9 p.m. ET / 6 p.m. PT.


lanterns-poster.jpg


Release Date

August 16, 2026

Network

HBO

Showrunner

Chris Mundy


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With the release of Lanterns on the

Pre-orders for the highly anticipated action title, Phantom Blade Zero, are finally live across all platforms along with the debut of an 11-minute trailer. Since it’s coming to PC as well, the Steam page has been updated with our first look at the technical side, including the official system requirements.

Here is what you’ll need to play Phantom Blade Zero, along with details of its pre-order bonuses, the contents of each edition, and pricing as well.

Phantom Blade Zero System Requirements

Minimum Recommended
Target 1080p / 30 FPS with upscaling 1440p / 60 FPS with upscaling
OS Windows 10/11 (64-bit) Windows 10/11 (64-bit)
Processor Intel Core i7-8700K
AMD Ryzen 5 3600
Intel Core i5-10600K
AMD Ryzen 5 5600X
Memory 16 GB RAM 16 GB RAM
Graphics NVIDIA GeForce GTX 1660 6GB
AMD Radeon RX 5500 XT 8GB
NVIDIA GeForce RTX 3060 Ti 8GB
AMD Radeon RX 6700 XT 12GB
DirectX Version 12 Version 12
Storage SSD required SSD required

This is an Unreal Engine 5 title, and the requirements are pretty much in line with what you’d expect from a title developed on it. First, the target resolutions mention upscaling, so the values aren’t native, and we can’t know for sure how aggressively the upscaling is applied here. Still, if you’re looking to play the title at 1440p with a 60 FPS target, at what I’m assuming are high settings, you’ll need an RTX 3060 Ti paired with a Ryzen 5 5600X.

Image via S-GAME Studio

On the lower end, if you’re fine with a 30 FPS target at 1080p with upscaling enabled, a GTX 1660 paired with a Ryzen 5 3600 can provide that experience. It doesn’t exactly sound that appealing to me, especially since action games benefit from a higher framerate, but it does mean that Phantom Blade Zero is a bit on the demanding side, and you’ll likely need something like an RTX 3060 for a 1080p experience.

An SSD is required regardless of what settings you play the title at, and 16 GB of RAM is required. DirectX 12 is also required, so people with older GPUs might struggle to run the title at all.

Ray and Path Tracing GPU Requirements

On the official website, the developers have also listed GPUs and targets for ray tracing and path tracing.

Ray-Tracing Path-Tracing
GPU NVIDIA GeForce RTX 5060 8GB NVIDIA Geforce RTX 5080 16GB
Target 1080p / 60 FPS (with upscaling enabled) NVIDIA GeForce RTX 5080 16GB

Again, the resolutions mentioned are achieved through upscaling and aren’t native.

Phantom Blade Zero Pre-Order Bonus

If you pre-order Phantom Blade Zero, you’ll get the Treasure Basin accessory and the Legacy outfit for Soul.

Phantom Blade Zero Pre-Order Bonus and Deluxe Edition
Image via S-GAME Studio

According to the description, the Treasure Basin accessory increases the Remnant Dust drop rate by 10%. Both the accessory and the outfit aren’t exclusive to pre-orders and can also be obtained through in-game progression.

Phantom Blade Zero Deluxe Edition

There is also a deluxe edition that comes with the following content:

  • Full Game
  • Early Unlock Accessory: Treasure Basin (Pre-order Bonus)
  • Early Unlock Outfit: Legacy (Pre-order Bonus)
  • Deluxe Edition Exclusive Outfit: Wulin Legend
  • Deluxe Edition Exclusive Outfit: Blood-Steel Form
  • Digital Artbook
  • Digital Soundtrack (OST)

Phantom Blade Zero Pricing and Pre-Order Links

Phantom Blade Zero Edition Price
Standard Edition $59.99 USD
Deluxe Edition $69.99 USD

You can pre-order the title from the links below:

It also has regional pricing on Steam.

Phantom Blade Zero Release Date

Phantom Blade Zero is launching on PC and PS5 on October 29, 2026.

Can You Play Phantom Blade Zero Early?

No, the Deluxe Edition of Phantom Blade Zero doesn’t have an early access incentive, so everyone will be able to play on the same date.

Phantom Blade Zero Screenshot
Image via S-GAME Studio

Is Phantom Blade Zero Coming to PlayStation Plus?

No, Phantom Blade Zero is not coming to any tier of PlayStation Plus.

My only major concern for Phantom Blade Zero is performance. Unreal Engine 5 titles can be pretty hit-or-miss, and the requirements don’t mention any native resolution values, which is always a bit concerning. That concern aside, the game looks fantastic, and the new trailer had so many excellent moments that I’m looking forward to experiencing for myself.

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EXCLUSIVE: Marc Turtletaub will direct a feature adaptation of Ben Reeves’ novel Everything Was Beautiful and Nothing Hurt. 

The novel, which landed on the New York Times Bestsellers List in its first week, will be adapted by screenwriter Oren Moverman. 

Everything Was Beautiful and Nothing Hurt tells the story of Travis, who lives with his cat in a small, gray town. His job is to offer people comfort in their final hours of life, which he does without complaint or judgment. But when Travis meets Dalia, a midwife, and her boisterous eight-year-old daughter Layla, who live across the hall, he begins to understand what it means to be truly alive—and what might be irrevocably lost in death.

Moverman and Turtletaub have enjoyed a long-standing creative partnership. Moverman wrote Turtletaub’s 2018 film Puzzle and his latest feature, Borges and Me, which debuts this weekend at the Edinburgh International Film Festival. 

Turtletaub revealed his plans to adapt Reeves’ novel during an interview with Deadline, ahead of his trip to Edinburgh. 

“The next one is based on a book written by the British author Ben Reeves. It’s called Everything Was Beautiful and Nothing Hurt. It just came out and, in its first week, was on the New York Times bestseller list, so we think it’s quite special,” Turtletaub said, adding the film will be shot in the UK. You can read that full interview here. 

Borges and Me is Turtletaub’s first feature as a director since Jules (2023). The film follows a young graduate student at the University of St Andrews who embarks on the trip of a lifetime across the Scottish Highlands accompanied by the legendary poet Jorge Luis Borges. The picture is an adaptation of Jay Parini’s New York Times bestselling memoir Borges and Me: An Encounter. 

Fionn Whitehead and Luis Gnecco lead the film alongside a band of popular Scottish actors, including Alan Cumming, Freya Mavor, John Gordon Sinclair, Morven Christie, Peter Mullan, and Stuart Bowman. Borges and Me debuts on Saturday, August 15, at the Edinburgh International Film Festival. The festival ends on August 19.

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EXCLUSIVE: Marc Turtletaub will direct a feature

Netflix subscription is required to watch on Netflix

 

Great news! “Elle – Where is the Lie” is available to watch on Netflix USA!

 

Date Added: 3rd August 2026

Want to keep forever? Try looking for ‘Elle – Where is the Lie’ on Amazon (paid link)

 

History:

   08/03/2026: 2 Seasons (2026)

   08/12/2026: 3 Seasons (2026)

 

Synopsis:

Celebrity co-stars interrogate one another to uncover the lie behind three unbelievable stories.

 

Certificate: TV-MA
For Mature Audiences.

 

Year: 2026

Duration: 3 Seasons

Available Seasons: Season 3 (2 Ep), Season 2 (17 Ep), Season 1 (2 Ep)

 

Cast and Crew

Average Rating Not yet rated

LISTS:

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Available on Netflix USA!

Netflix subscription is required to watch on Netflix

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de confianza Incaspin Casino bono diario anuncio en Spain

La forma en que los usuarios españoles acceden a sus portales de entretenimiento ha cambiado considerablemente en los recientes años. Al registrarse en un operador como instalar app incaspincasino, una de las primeras dudas que surgen es si resulta más práctico usar la app nativa para descargar o solo abrir el explorador del móvil. Los dos sistemas dan acceso completo a la catálogo de títulos, las bonificaciones y las funciones de manejo de cuenta, pero la sensación de usuario, el funcionamiento técnico y la conveniencia del día a día son considerablemente dispares. La versión de navegador destaca por rapidez y por no requerir descargas. La app dedicada de Incaspin Casino, en contraste, está creada para sacarle el máximo rendimiento al dispositivo de los dispositivos modernos, con una fluidez que se percibe, sobre todo en períodos de juego extensas. Esta comparativa examina los puntos de cada posibilidad para que los usuarios en España logren optar según sus costumbres de juego y las características de su dispositivo.

Experiencia de Usuario y Diseño de Interfaz

Al acceder a la app de Incaspin Casino, el usuario se topa con una interfaz adaptada a la ergonomía del pulgar y a la navegación táctil. El pequeño detalle marca una gran diferencia frente a la versión de navegador. La colocación de los menús en la barra inferior de la app posibilita acceder con un solo toque a las secciones de mayor tráfico: el buscador de tragaperras, el historial de transacciones y el chat de soporte en vivo. No se necesita estirar el dedo hasta la esquina superior de la pantalla. La experiencia de navegación en el browser es responsiva y está bien diseñada, pero sigue dependiendo en cierta medida de los patrones de diseño web tradicionales. Algunos elementos interactivos pueden resultar más pequeños o exigir gestos de pellizco para ampliar zonas específicas. Otro aspecto distintivo es la gestión de las notificaciones. La app manda alertas push personalizadas sobre nuevos bonos de bienvenida, torneos exclusivos o la activación de giros gratis. El jugador se sigue informado sin necesidad de abrir el correo electrónico. La versión de navegador no tiene esta capacidad proactiva y se reduce a mostrar notificaciones emergentes solo mientras la pestaña está activa. Esta conexión sensorial y la fluidez de las transiciones entre pantallas logran que la aplicación se experimente como un producto más robusto y cohesivo, diseñado para sesiones de juego inmersivas y prolongadas. El navegador cumple a la perfección su función como herramienta de acceso rápido y universal.

Uso de Datos y Almacenamiento Interno

Un punto funcional que a menudo determina la elección en España, donde muchos usuarios tienen tarifas de datos limitadas, es la administración del ancho de banda y el espacio en disco. La app de Incaspin Casino efectúa una descarga inicial de aproximadamente cien megabytes que abarca los activos gráficos fundamentales y el motor de juego. Tras esa primera inversión de almacenamiento, el consumo de datos durante las sesiones posteriores se reduce drásticamente. La app solo requiere intercambiar pequeñas cadenas de texto con el servidor para validar las apuestas y los resultados. Las animaciones y los sonidos se almacenan localmente desde la memoria del teléfono. El navegador móvil, en cambio, opera como un cliente ligero que depende por completo de la descarga continua de recursos desde la nube. Cada vez que se abre una tragaperras nueva o se presenta una mesa de blackjack en vivo, el dispositivo solicita al servidor los paquetes de imágenes y scripts necesarios. A largo plazo, esto puede significar un consumo de datos móviles bastante mayor, sobre todo para jugadores que gustan explorando decenas de títulos diferentes en una sola sesión. Sin embargo, el navegador se impone en lo que respecta al almacenamiento interno. No genera una huella permanente en el dispositivo más allá de las cookies y una caché temporal que puede borrarse fácilmente. Para quienes disponen de terminales con poca capacidad libre, esto es crucial.

Compatibilidad con Equipos y Plataformas

La disponibilidad universal es uno de los fundamentos de la planificación móvil de Incaspin Casino, y se refleja en la extensa gama de dispositivos que soportan tanto la aplicación como la interfaz web. La app nativa está diseñada para operar sin contratiempos en teléfonos y tabletas con Android a partir de la versión 8.0. Esto incluye la inmensa mayoría de los terminales activos en el mercado español, desde fabricantes líderes como Samsung, Xiaomi y Huawei hasta dispositivos de marcas menos famosos. Para los jugadores de iPhone y iPad, la experiencia se canaliza mediante una solución web adaptativa. No necesita configuración vía APK, pero puede fijarse a la pantalla de inicio y actúa como un enlace directo con una apariencia casi similar a una app nativa. En el extremo contrario, el explorador móvil proporciona una integración casi completa. Opera en cualquier dispositivo que tenga Chrome, Safari, Firefox o browsers integrados en sistemas menos extendidos, sin tener en cuenta la edad del hardware. Esta flexibilidad asegura que los jugadores con terminales más antiguos o sistemas operativos alternativos nunca se encuentren sin acceso a su cuenta. Eso sí, la nitidez visual y la velocidad de reacción se adaptan automáticamente a la baja para garantizar la consistencia en hardware menos capaz. Es una virtud que la app, al ser más demandante, no puede ofrecer con la misma soltura.

Protección y Mejoras de la Plataforma

La salvaguarda de los datos personales y financieros es una prioridad absoluta para los usuarios españoles. Los ambos métodos de entrada a Incaspin Casino mantienen los más altos estándares de cifrado, aunque con sutiles diferencias operativas. La aplicación nativa incorpora protocolos de seguridad complementarios vinculados al equipo del dispositivo, como la opción de permitir el acceso mediante biometría o identificación facial. Esta nivel de salvaguarda biométrica evita el acceso no autorizado a la perfil incluso si el móvil está desbloqueado. La versión de navegador no dispone de esta funcionalidad y se basa exclusivamente de la combinación tradicional de email y contraseña. En cuanto a las mejoras, la app requiere que el usuario descargue e instale manualmente las nuevas versiones del fichero APK cuando se lanzan parches mayores o correcciones de seguridad. qué debes saber El proceso es sencillo, pero demanda una acción consciente por parte del jugador. El explorador, en lugar, se mejora de forma transparente en los servidores web del proveedor: el cliente siempre observa la más reciente edición del software al recargar la pantalla, sin necesidad de ejecutar nada. Los dos canales usan cifrado SSL de más reciente generación para las operaciones. La app ofrece una ventaja en la fiabilidad de la comunicación durante las sesiones en vivo, porque gestiona mejor las caídas intermitentes de la conexión móvil y se reconecta automáticamente sin expulsar al jugador de la partida. Es un detalle técnico que puede proteger una inversión en un momento crítico.

Disponibilidad de Funciones y Bonos Especiales

El catálogo de juegos de Incaspin Casino es prácticamente igual en las dos plataformas. Sin embargo, la oferta promocional y determinadas funcionalidades avanzadas se orientan claramente hacia el uso de la app móvil. Los operadores acostumbran premiar la lealtad de los usuarios que descorgan el software nativo con incentivos exclusivos por recarga o giros gratis que no están disponibles para quienes juegan solo desde el explorador. Estas estrategias de incentivo buscan impulsar la instalación porque un jugador con la app integrada tiende a participar con superior regularidad por medio de las notificaciones push. La aplicación también posibilita una integración más profunda con los sistemas de pago. Por ejemplo, puede almacenar de forma protegida la tokenización de una tarjeta para ingresos en un solo pulso, lo que optimiza el flujo de caja al extremo. En el navegador, aunque se pueden guardar los datos de forma segura, el flujo de pago acostumbra exigir pasos extra de comprobación por parte del banco emisor. Otra función distintiva es el formato de juego horizontal forzado y la multitarea optimizada. La app posibilita establecer la dirección de la display y manejar mejor la yuxtaposición de otras herramientas, como el chat de comunicación, sin que el juego se detenga o se pierda. Es una ventaja significativa para los participantes que disfrutan de sesiones de ocio mientras hacen otras cosas en su terminal. La versión de navegador, por su esencia, está más acotada por las normas de administración de solapas del propio sistema operativo.

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Desempeño y Rapidez de Carga en el Día a Día

La diferencia más palpable entre la aplicación nativa y la versión web de Incaspin Casino se encuentra en la rapidez de reacción y la fluidez general de la interfaz. Es un factor crítico cuando tratamos sobre partidas de casino en vivo o tragamonedas con animaciones complejas. La app está desarrollada para ejecutarse de forma nativa en los chips de los móviles. El resultado: tiempos de carga casi instantáneos al alternar entre las apartados de deportes virtuales, el lobby de slots o la caja de pagos. Este desempeño superior se justifica porque los elementos gráficos pesados y los archivos de audio se guardan en la memoria del dispositivo durante la configuración, así que no hace falta descargarlos varias veces desde el servidor, como sí ocurre en el navegador. La variante web para móviles, por su parte, usa tecnologías de caché avanzadas y carga diferida para minimizar el consumo de datos. La experiencia resulta competitiva, sobre todo en conexiones de fibra indirecta o 5G. Ahora bien, los usuarios con dispositivos de gama media o básica percibirán que el navegador, aunque funcional, puede exhibir micro-parpadeos o sutiles pausas al renderizar gráficos 3D de alta resolución. La app mantiene una tasa de fotogramas estable y uniforme incluso en partidas largas, lo que representa una ventaja tangible en la experiencia de uso diaria.

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Procedimiento de Descarga e Instalación de la App

Adquirir la aplicación de Incaspin Casino no es como instalar cualquier otra app desde las tiendas oficiales, y conviene saberlo de antemano. Google Play Store y Apple App Store tienen políticas limitantes con los juegos de azar con dinero real en muchas jurisdicciones. Por eso, el archivo de instalación —el APK para dispositivos Android— se obtiene directamente desde la página web oficial del operador. El usuario accede en incaspins.es/app/ con su navegador móvil y encuentra el botón de descarga. Antes de empezar, hay que ajustar la configuración de seguridad del teléfono para permitir la instalación de aplicaciones de orígenes desconocidos. Es un ajuste estándar que no afecta la integridad del sistema si se hace solo para este archivo verificado. Una vez bajado el paquete, el asistente de instalación guía al usuario en pocos segundos y solicita los permisos necesarios para que la app opere bien, como el acceso al almacenamiento para guardar datos temporales de juego. El acceso mediante navegador móvil suprime por completo estos pasos técnicos: basta con introducir la dirección web e iniciar sesión. Para quienes prefieren la rapidez sobre la integración profunda con el sistema operativo, esto constituye una ventaja inmediata.

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