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We’re totally buggin’! Alicia Silverstone returns as

Episode 4 was shorter than most episodes but packed quite of punch! Not surprising with the show continue to break records for HBO. According to data shared by Deadline, episode 4 was watched by 7.5 million viewers, up 17 percent from the most-praised episode 3. Which that episode earned 6.4 million views the week prior. However, it was such a big departure for the other episodes and seems to stick closer to the game narrative. Let’s dive right in.

Spoilers below… stop reading if you haven’t seen the episode.


Courtesy of HBO/HBO Max

Wandering ways

The episode starts off with Ellie (Bella Ramsey) practicing in the bathroom with the gun she stole from Bill’s house. This will be a pre-requisite as to what comes later on in the episode. Out of curiosity Ellie starts asking Joel questions regarding cars and Joel (Pedro Pascal) even starts spilling out Science lingo which she makes a crack out saying he has no idea what they are saying. The episode continues with  bickering back and forth in the car on their way to Kansas. Even with Ellie pulling out the iconic pun book and starts delivering some terrible dad jokes just to make Joel smile.

They even used a scene straight from the game where Ellie pulls out a porno mag and Joel being a typical Dad gets uncomfortable, telling her not to look at that. Not knowing what to say due to being uncomfortable. The scene was important because it shows that their dynamic is starting to soften a bit. Joel is letting Ellie in little by little with her pun jokes and all.   The pair then finds themselves in the woods, camping out. Ellie asks if infected will venture out this far and Joel tells her no. It’s others they need to watch out. The others including raiders and such. Ellie continues with the pun book, trying to lighten the mood and get Joel to smile.

No where to go

The next day they make their way back on the road towards Kansas. Joel starts to open up when Ellie starts to ask questions about how he ended up in Boston and he starts opening up to her. He tells her that him, his brother, Tommy and Tess were part of crew. Tommy then meets Marlene and joins the Fireflies to save the world. He starts being cynical and how it’s all a pipe dream. Ellie tells him what is the point to keep going on then if he lost hope. He tells her he keeps going for family.

The pair then comes to a crossroads with nowhere else to go. Blocked by all cars from people who left them in a panic from Outbreak day. Joel finally decides to go backtrack and reassures Ellie they are fine. They find themselves in Kansas City and can’t seem to find the highway. Lost with nowhere to go. We then see a QZ and wonder where is FEDRA. In panic Joel starts to realize they are in trouble with incoming raiders. A man starts stumbling out, pretending he is hurt and Ellie asks if they are going to help him. Joel already knows he is faking it and this is raiders looking to kill them. Chaos starts to consume them from incoming raiders and Joel loses control of the car, crashing it.

They get out of the car and Joel tells Ellie to hide in a hole and don’t come out till he tells her too. She resists at first, but then starts hearing gun shots. Joel then starts to take on all the raiders, killing them one by one. Hearing Joel in trouble and being overtaken by a raider, she shoots him. Shot the raider tries to plead with them for his life. Joel doesn’t want Ellie to see this and tells her to go back in the hole. Ellie then hears him kill him. They make their way out and Joel’s fatherly instincts kick in asking her is she is ok. He thinks this is the first time she has shot a gun. Later on he finds out that’s not the case.

Courtesy of HBO/HBO Max

Here comes trouble

The next scene with meet Kathleen (Melanie Lynskey) torturing a man. She is the leader of the raiders and looking for “Henry”. We later find out the reason that she is trying to avenge her brother. She starts to list out everything that this Henry did. She holds a gun to the man who we learn is a doctor that she has known for a long time. We start to get the sense that Henry worked for FEDRA or ratted out to them all the names of the raiders. Her brother being one of them. Who are the raiders? Raiders are a human class of adversaries that usually operate in groups but despite their being human, the first game does little to make us think about the people we’re mowing down.

The game itself doesn’t identify them as much but now they are humanized and given a plot. Given here with Kathleen, we start to sympathize with her and see the hard decisions she has to make with the loss of her brother. Her backstory we yet to find out, but we start to see these people as not being as bad as we think. They are were stuck in a world overrun by the government, sounds familiar? I think we would all do what these people did in this situation. As we learned from the previous episode, FEDRA killed people who didn’t fit inside QZ’s infected or not. We will more than likely learn about more that they did as these episodes continue on.

Laughter in darkness

On her path to vengeance she orders all the raiders to look for Henry and anyone aiding him. Her second in command is Perry (Jeffrey Pierce) who is played by familiar face who originally voiced Tommy in the Last of Us games. We then see Joel and Ellie hidden in an abandoned shop, hiding out from the raiders. The pair start to bond and Joel asks Ellie again if she is ok. He explains to her that she shouldn’t have to do that, that she is just a kid. She finally tells him that wasn’t her first time shooting someone. This gives us a glimpse of her backstory. The game doesn’t really explain who is her first kill but we can guess it was probably her friend Riley who got infected with her. This tragic realization makes it all the more sad on what she had to do so early on to survive. Relenting, Joel finally gives her the gun and teaches her how to use it. He tells her to only use it for emergencies and put it in her back. They start to leave the shop once the coast is clear. Joel turns to look at Ellie and tells her we’ll get through this. In that moment we know he will do anything to protect her by any means necessary.

Kathleen and Perry start to look through all the buildings trying to see where their intruders are. They go into an abandoned  building finding an attic. There she comes across the hiding spot of Henry. We learn Henry is with another person called Sam and see all these drawings of superheroes on the wall. She tells Perry to seal off the building when they come across something underground.. In the upcoming episode we find out it will be a Bloater. The worst of the infected.

Joel and Ellie find a building they can seek shelter in and go up 30 or more flights or till Joel can make it. While going up Ellie asks him how he knew that guy wasn’t infected. He tells her that he has been on both sides. Out of breath they finally stop at the 33rd Floor. Spent Joel falls to the fall exhausted and Ellie makes a crack at him being a lazy ass. He then starts to sprinkle a whole bunch of glass on the floor. Confused, Ellie ask as to why he tells her that we will hear when someone sneaks up on us. Before they go to sleep, Joel asks Ellie about what she meant it wasn’t her first time. She tells him she doesn’t want to talk about. He starts to feel sorry for her. To break the tension she tells him a joke about Diarria being hereditary and running in their genes. She finally makes him laugh and victoriously tells him so. They both start to giggle and shows how close they are becoming. When then hear Ellie and see she is being held at gunpoint by who learn to be in Episode 5, Henry and Joel finally looks and sees Sam holding him at gunpoint. We know they will both become a bigger part in their story thanks to the games.

Below courtesy of HBO is a trailer on what is to come for Episode 5 and thanks to the Superbowl this episode will be on Friday instead of Sunday:

Cast includes Pedro Pascal as Joel, Bella Ramsey as Ellie, Gabriel Luna as Tommy, Anna Torv as Tess, Nico Parker as Sarah, Murray Bartlett as Frank, Nick Offerman as Bill, Melanie Lynskey as Kathleen, Storm Reid as Riley, Merle Dandridge as Marlene, Jeffrey Pierce as Perry, Lamar Johnson as Henry, Keivonn Woodard as Sam, Graham Greene as Marlon, and Elaine Miles as Florence. Ashley Johnson and Troy Baker also star in the series.

Brace yourselves because we are going to be in for quite a ride. New episodes of HBO’s The Last of Us will be airing on Sunday at 9:00 PM EST, running up to the Season 1 finale on March 12, 2023.

 

Episode 4 was shorter than most episodes

When the first Fast and The Furious film premiered in 2001, no one could have guessed that this would end up becoming one of the most successful franchises in the film industry. Now with “Fast X“, the final film in the franchise on the horizon, the success of the series continues to grow. It is Universal’s biggest franchise and the eighth highest-grossing film series, with a combined gross of over $6 billion.

The premiere of ‘Fast X’ brings the addition of even more A list actors to the franchise, including 2 Oscar Winning actresses. Here are the new faces who will be joining the family in ‘Fast X’.

Jason Momoa as Dante

Courtesy of Universal Pictures

Jason Momoa is no stranger to action films and shows, following in the tradition of hiring the biggest baddest actors in Hollwood to join the Fast Family, it only made sense that Momoa would be next. In the fifth film in the frachise, Fast Five, Dom’s crew took out nefarious Brazilian drug kingpin Hernan Reyes by driving his safe through the city of Rio de Janeiro, Momoa plays his son Dante who has spent the last 12 years hell bent on revenge, masterminding a plan to make Dom pay the ultimate price. With every Fast film the villains just get badder, but could Dante finally be the one who destroys the thing Dom holds the most dear, family?

Brie Larson as Tess

Courtesy of Universal Pictures

Oscar Winning actress Brie Larson, best known for her roles in “Room”, “Short Term 12” and “Captain Marvel” will play rogue a representative from the Agency named Tess. She looks to be on the side of the Torettos, so far but her character is still a mystery, however Vin Diesel did reveal that her role will “add something you might not have expected but yearned for.”

Rita Moreno as Abuelita Toretto

The Toretto family just got bigger. In this film we will be introduced to Dom and Mia’s grandmother, played by the iconic 91 year old Rita Moreno, EGOT recipient best known for her roles in on West Side Story, Singin’ in the Rain, The King and I, Oz and One Day at a Time. She brings the tally of Oscar recipients in the franchise to 4 (with Larson, Theron and Mirren).

Alan Richtson as Aimes

Courtesy of Universal Pictures

Alan Richtson who stars in “Reacher” on Amazon Prime will be the new head of the Agency, Aimes,  who doesn’t seem to hold the same fondness for Dom’s crew as his predecessor, Mr. Nobody did. Which may explain why in the trailer we see him shooting at Dom at one point.

Leo Abelo Perry as Little Brian

Courtesy of Universal

Dom’s 8 year old son Brian Marcos aka little Brian will be played by Leo Abelo Perry who starred in last year’s reboot of Cheaper by the Dozen on Disney+. Unfortunately for him and Dom, Brian is is the ultimate target of Dante’s vengeance.

Daniela Melchior

Courtesy of Daniela Melchior

Daniela Melchior from The Suicide Squad appears as a Brazilian street racer with a powerful tie to Dom’s past.

Returning to their reccuring roles in the franchise are Vin Diesel as Dominic “Dom” Toretto, Jordana Brewster as Mia Toretto, Michelle Rodriguez as Letty Ortiz, Tyrese Gibson as Roman Pearce, Chris “Ludacris” Bridges as Tej Parker, Sung Kang as Han Lue, Nathalie Emmanuel as Ramsey, Charlize Theron as Cipher, Scott Eastwood as Eric Reisner, Jason Statham as Deckard Shaw and Helen Mirren as Magdalene “Queenie” Ellmanson-Shaw.

Returning from “F9: The Fast Saga” are John Cena as Jakob Toretto, Michael Rooker as Buddy and Cardi B as Leysa.

The film’s storyline sees Dante’s plot scatter Dom’s family from Los Angeles to the catacombs of Rome, from Brazil to London and from Portugal to Antarctica. New allies will be forged and old enemies will resurface. But everything changes when Dom discovers that his son Dante’s main target.

When the franchise first began, it was a simple movie about street racing and an undercover agent. We have seen so much happen down the line, and so many big names join the franchise. It all comes down to this one last ride.

Watch the trailer for “Fast X” here:

When the first Fast and The Furious

The end of the road begins.

Fast X, the tenth film in the Fast & Furious Saga, launches the final chapters of one of cinema’s most storied and popular global franchises, now in its third decade and still going strong with the same core cast and characters as when it began.

Over many missions and against impossible odds, Dom Toretto (Vin Diesel) and his family have outsmarted, out-nerved and outdriven every foe in their path.

Now, they confront the most lethal opponent they’ve ever faced: A terrifying threat emerging from the shadows of the past who’s fueled by blood revenge, and who is determined to shatter this family and destroy everything—and everyone—that Dom loves, forever. Remember back in 2011’s Fast Five when Dom and his crew took out nefarious Brazilian drug kingpin Hernan Reyes by and driving his safe through the city of Rio de Janeiro?

Well, his son Dante played by Jason Momoa certainly does. — as the high-octane heist ruined his life. What they didn’t know was that Reyes’ son witnessed as they decapitated his father’s empire and has spent the last 12 years masterminding a plan to make Dom pay the ultimate price and he’s ready to take his revenge.

Dante threatens to tear the fast family apart, making Dom’s worst nightmare a reality, losing a member of his family. In “F9: The Fast Saga we saw Dom reunite with his long lost brother Jakob, and we get a look at Rita Moreno as Dom’s grandmother in the trailer and with Letty and his 8 year old son Brian Dom has a lot more to lose. Dante’s plot will scatter Dom’s family from Los Angeles to the catacombs of Rome, from Brazil to London and from Portugal to Antarctica. New allies will be forged and old enemies will resurface. But everything changes when Dom discovers that his son (Leo Abelo Perry, Black-ish) is the ultimate target of Dante’s vengeance.

 

The action packed trailer gives us at the danger to come, the epic car chases and more. “Fast X” brings back Jason Statham’s former baddie-turned-ally Deckard Shaw. The trailer footage promises a major showdown between Charlize Theron’s Cipher and Michelle Rodriguez’s Letty.

 

Directed by Louis Leterrier (Clash of the Titans, The Incredible Hulk), Fast X stars returning cast members Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Jordana Brewster, Sung Kang, Jason Statham, John Cena and Scott Eastwood, with Oscar® winner Helen Mirren and Oscar® winner Charlize Theron.

The film also features an extraordinary new cast including Jason Momoa, Oscar® winner Brie Larson as Tess, a rogue representative from the Agency; Alan Richtson (Reacher) as Aimes, the new head of the Agency who doesn’t hold the same fondness for Dom’s crew as his predecessor, Mr. Nobody; Daniela Melchior (The Suicide Squad) as a Brazilian street racer with a powerful tie to Dom’s past; and legendary Oscar® winner Rita Moreno as Dom and Mia’s Abuelita Toretto.

 

Fast X is produced by Neal H. Moritz, Vin Diesel, Justin Lin, Jeff Kirschenbaum and Samantha Vincent. The executive producers are Joseph M. Caracciolo, Jr., David Cain, Chris Morgan, Amanda Lewis and Mark Bomback. One last ride, for real this time.

Watch the trailer here:

 

The end of the road begins. Fast X,

Magical spirits, living toys, talking animals…oh my! Disney CEO Bob Iger confirms Frozen 3, Toy Story 5, and Zootopia 2 are in the works during the company’s first-quarter earnings call for 2023.

On Wednesday’s Q1 earnings call for 2023, Disney CEO Bob Iger dropped not one, not two, but three new projects that are in the works. Though release dates are still to come, Iger confirmed that Disney fans can be on the lookout for Frozen 3, Toy Story 5, and Zootopia 2 in the coming years. As some of Disney’s best-performing franchises, it’s no wonder why the company is choosing to invest in the expansion of these universes.

“Today I’m so pleased to announce that we have sequels in the works from our animation studios to some of our most popular franchises,” said Iger during the call. “We’ll have more to share about these productions soon, but this is a great example of how we’re leaning into our unrivaled brands and franchises.”

The announcement solidifies Disney’s strategy for combatting the significant struggles and losses the company has faced over the past few years. Disney’s recent original projects like Strange World and Lightyear saw massive box-office dips that have undoubtedly shaken Disney’s desire to invest in new stories that have no pre-existing material. Iger’s belief is that the company’s best path forward is to enhance and expand on its most successful and profitable content.

Racking in $1.45 billion, Frozen II shattered records as the highest-grossing animated film of all time upon its release in 2019. Toy Story 4, which also debuted in 2019, grossed $1.073 billion worldwide. Zootopia, having preceded the challenges of pandemic-era original content, brought in $1.025 billion in 2016.

By investing in established franchises, Disney can count on the fans they know they already have to make their sequels a success. With the wildly popular Frozen and Toy Story rides at Disney World and Disney California Adventure, and with the upcoming opening of Shanghai Disneyland’s Zootopia-inspired land, there is no denying the role that park experiences also play in deciding what content to invest in.

Though encouraging, the news of these projects comes on the heels of Iger’s announcement that Disney anticipates 7,000 layoffs as the company is restructured into three divisions: entertainment, parks, and ESPN. “While this is necessary to address the challenges we face today, I do not make this decision lightly,” said Iger. The news is not all too surprising given the massive hit its streaming platform took at the end of last year. Between October and December 2022 alone, Disney+ lost a whopping 2.4 million subscribers.

As film and television continue to be rattled by the impacts of the pandemic, it is clear that the company is focused on striking a delicate balance between blockbuster hits and streaming sensations, while also creating a cohesive brand from screens to parks. It’s no secret that Iger’s reinstatement at Disney would present a host of challenges, but he is confident in the direction he plans to take the company.

“Our company is fueled by storytelling and creativity, and virtually every dollar we earn, every transaction, every interaction with our consumers, emanates from something creative,” he said. “I have always believed that the best way to spur great creativity is to make sure the people who are managing the creative processes feel empowered.”

What do you think of the new slate of sequels? Let us know in the comments! 

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Magical spirits, living toys, talking animals…oh

Longtime Hollywood actor Michael Spears has joined a group of Native American activists to call on the Kansas City Chiefs to change their name with the team preparing to play in Sunday’s Super Bowl.

Spears, whose credits range from 1990’s “Dances with Wolves” to the FX series “Reservation Dogs” and the Paramount+ hits “1923” and “1883,” said people would need to swallow some hard truths to end the cultural appropriation linked to the Chiefs’ moniker use.

“People think they’re honoring us with these mascots and logos, but they’re mocking us,” Spears said in a report by The Arizona Republic.

Spears, speaking from his home in Montana to the Phoenix-based outlet as the city hosts Super Bowl events ahead of Sunday’s game, said the solution is rooted in a transparent approach.

“Communicate to each other,” said Spears, a member of the Lakota Lower Brulė Sioux Tribe. “Ask what would bring honor to us.”

The Chiefs have made concessions in recent years on how they incorporate Native American themes into their team, including forbidding traditional face paints and head dresses at their games. They also brought in a Native American advisory committee. But they have stopped short in taking the same action Cleveland’s MLB team did in 2021, when it changed its name from the Indians to the Guardians.

Spears joined other Native American activists who talked to The Arizona Republic and urged the Chiefs’ name change.

Gaylene Crouser, the executive director of the Kansas City Indian Center and a member of the Standing Rock Sioux Tribe, is leading a group traveling to Phoenix to protest the Chiefs.

“The team has worked hard to put out the illusion that they work with tribes because they do work with a few tribal members,” Crouser said. “But they weren’t interested in talking to us because they knew what we would have to say.”

To illustrate how efforts can change the perceptions, Spears recalled a moment while working on the 2023 film “The Year of the Dog,” in which he persuaded a producer to change a scene in which a non-Native man was to be featured wearing an Atlanta Braves cap.

“We’re real people. … I’m not a goofy cartoon,” Spears said of the film’s characters. “We don’t do the ‘tomahawk chop.’ … And that makes a difference in how we feel about ourselves.”

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Longtime Hollywood actor Michael Spears has joined


A Days of Our Lives alum has passed away, and he was young, too.


Variety Magazine reports that Cody Longo was found dead in his Austin, Texas, home on February 10. Longo was only 34 years old.


He last worked on Days of Our Lives in 2011, when he played a young version of Nicholas Alamain, the beloved nephew of popular villainess Vivian Alamain.


Longo has not been seen on canvas since 2011 and only appeared on Days of Our Lives for eight days, so some fans may not recall his appearances on the soap. Nevertheless, it is one of his most famous roles.


Nicholas was a popular and interesting character; he was Vivian’s nephew but had been raised as her son for part of his life. She was so determined to retain custody of him that she threw his biological mother off a rooftop.


While most of Salem had issues with Vivian, Nicholas was always close to her. Longo’s version of the character was unusual in that Nicholas had been de-aged after he had been rapidly aged several years earlier. In addition, Longo’s version of Nicholas was the last one seen on canvas; Nicholas has not been mentioned since 2011.


Longo’s version of Nicholas returned to Salem for several months in 2011 to visit his biological mother, Carly Manning, who was in rehab at the time. Previously, an older Nicholas had fallen in love with Kate Roberts, Vivian’s worst enemy; this was never addressed once Nicholas had been de-aged.


Although Nicholas has not been seen or heard from in years, Days of Our Lives has recently brought back other long-missing characters. With Vivian’s son, Stefan, recently resurrected, it would have been a perfect opportunity for Longo to return as Nicholas.


Sadly, that didn’t happen before the actor’s untimely death.


In addition to the eight episodes of Days of Our Lives that Longo filmed in 2011, viewers might recognize him from both CSI and CSI: New York. He appeared on both shows in 2011. On CSI, he played the boyfriend of a victim, while on CSI: New York, he played Jo Danville’s son for two episodes.


Longo also appeared in 78 episodes of the show Hollywood Heights as Eddie Duran, which established his status as a teen heartthrob.


He was known before that for his work on the 2009 reboot of Fame, which was a new version of the 1980s hit series. (Ironically, an actor from the original Fame, Billy Hufsey, went on to play Emilio Ramirez on Days of Our Lives in the late 1980s.)


He also had a recurring role on the ABC Family series Make it or Break It.


However, for many Days of Our Lives viewers, Longo will always be remembered as Nicholas Alamain.


While Nicholas Alamain was a mostly-upstanding citizen (though he wasn’t above doing Vivian’s dirty work for her!), Longo had more demons than his alter ego;  he reportedly struggled with alcohol abuse throughout his adult life.


According to a family member, Longo had renewed his battle against alcoholism and had gone to rehab this past summer.


Unfortunately, that may not have been enough; although there is not yet an official cause of death, Longo’s family believes that alcoholism is likely involved in his death.


Longo also faced other serious issues during his short life. In 2020, he was arrested for domestic assault. He also pleaded guilty to a misdemeanor assault charge in 2021 after being accused of sexually assaulting a nine-year-old girl.


Despite these legal problems, Longo had recently expressed an interest in getting back into acting and was excited about taking the next step in his career, according to his long-time representative. Shortly before his death, he had worked on David Moreton’s upcoming feature, Do You Want To Die in Indio?


Longo was also a musician; according to his representative’s statement, he had taken time away from acting to pursue his music and spend time with family in Nashville.


Longo’s death was discovered early on the afternoon of February 10, when his wife, Stephanie, became concerned that she couldn’t reach Longo by phone.


Stephanie asked the police to check on Longo; upon arrival at his home, he did not answer a knock on the door. When the police kicked down the door and entered the house to do a welfare check, they found Longo dead in his bed.


If the actor’s young age wasn’t tragic enough, he also left behind three young children, the youngest of which is only a year old.


May Longo rest in peace, especially after what sounds like a difficult battle with a serious mental health issue during his short life.


In the coming days, there may be more information about how and why Longo passed away. We hope that his family finds peace regardless of what they learn about their beloved father and husband’s death.


Do you remember Cody Longo’s version of Nicholas Alamain on Days of Our Lives? Or does one of his other performances stick out to you?


Hit the big, blue SHOW COMMENTS button and share your memories of Longo’s performances in the comments below.

Jack Ori is a senior staff writer for TV Fanatic. His debut young adult novel, Reinventing Hannah, is available on Amazon. Follow him on Twitter.

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A Days of Our Lives alum has

CBS is reviewing its closed captioning process for all live entertainment events, following criticism over the network’s Grammys telecast and its initial lack of Spanish captioning. That’s according to CBS president/CEO George Cheeks, who has responded to a letter from U.S. Rep. Robert Garcia (D-Calif.) that had addressed the controversy.

During last Sunday’s initial live broadcast of the Grammys, captions only read, “[SPEAKING NON-ENGLISH]” and “[SINGING IN NON-ENGLISH]” during Bad Bunny’s mashup performance of “El Apagón” and “Después de la Playa.” Later, when Bad Bunny accepted the Grammy for Música Urbana album, his acceptance speech was partially in Spanish — and once again, the captions only said “[SPEAKING NON-ENGLISH]”.

In his letter to Rep. Garcia, Cheeks said he took “full responsibility” for the lack of Spanish closed captions. (The Grammys were later re-broadcast on the West Coast, and have since been available on demand on Paramount+ — and in both cases, the captions were corrected to include Spanish.)

“Regrettably, errors were made with respect to the closed captioning of his performance and subsequent acceptance speech,” Cheeks wrote in his letter. “We worked with a closed captioning vendor that did not execute at a standard to which we should rightfully be held. Regardless, we should have monitored the situation more closely. A bilingual (English and Spanish-language) real-time live captioner should have been utilized and the words used on the screen were insensitive to many.”

Moving forward, Cheeks added, “our teams are now re-examining the closed captioning process for all live entertainment events on the network to ensure we properly caption Spanish-language content. We will keep you updated regarding our efforts on this matter.” 

Cheeks was responding to a letter Rep. Garcia, a Peruvian immigrant representing California’s 42nd congressional district, sent on Wednesday. While Garcia acknowledged in the letter that CBS had since added captions to replays of the Grammys, he maintained that Cheeks must “take serious measures to address the failures which made this mistake possible.”

“CBS’s failure to properly close caption both his performance and his acceptance speech called attention to an incredibly disappointing failure on part of a network that caters to the millions of Spanish speakers that we have here in the U.S.,” Garcia wrote in a follow-up email to Variety. “If Bad Bunny, the first-ever Spanish-language Album of the Year nominee, can’t have his words made accessible to the American people, we have an issue.”

Here is Cheeks’ letter to Rep. Garcia:

Dear Representative Garcia: 

Thank you for your letter and for sharing your feedback about the Grammy Awards on CBS. 

The Grammys is our biggest live entertainment event of the year and an evening that showcases a wide range of diverse artists and voices. We were proud to open the broadcast with an electric Spanish-language performance by Grammy-winning artist Bad Bunny to a national and worldwide audience. 

Regrettably, errors were made with respect to the closed captioning of his performance and subsequent acceptance speech. We worked with a closed captioning vendor that did not execute at a standard to which we should rightfully be held. Regardless, we should have monitored the situation more closely. A bilingual (English and Spanish-language) real-time live captioner should have been utilized and the words used on the screen were insensitive to many. I take full responsibility for what happened. 

As you acknowledged in your letter, our closed captioning team worked quickly to address the matter that night, updated the captioning for the West Coast encore, and later for on-demand playback on our streaming platform. Our teams are now re-examining the closed captioning process for all live entertainment events on the Network to ensure we properly caption Spanish-language content. We will keep you updated regarding our efforts on this matter. 

Please be assured that diversity in our programming and an inclusive experience for our audiences will continue to be top priorities for CBS. 

Sincerely, 

George Cheeks

President & CEO 

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CBS is reviewing its closed captioning process

Both Nick Léon and DJ Python (aka Brian Piñeyro) are rising electronic producers with their own hypnotic take on dembow: Léon’s beats are often scaffolded in scraping, metallic sound design, while Python’s songs are warm and psychedelic, loosely draping glowing synth pads over reggaeton rhythms. They also have a clear admiration for one another: Python and Anthony Naples included “Ecotone,” a snaking dub jam from Léon and Bitter Babe, in an ambient techno compilation last year. Then a month later, Léon tapped Piñeyro to remix his and Bitter Babe’s “Delirio.” They’ve also spent a good portion of 2022 curating and DJing parties together in Miami. 

The product of the time spent in close orbit, Python and Leon’s new Split EP shows the two producers with a foot rooted in their own approach while testing ideas gleaned through osmosis. On “Nerve,” the jittery, aptly titled opener, Léon layers clicks and clangs onto a syncopated electro beat, a muffled melody giving way to a low bass growl that carries the song to its thrilling finish. DJ Python’s contributions are much less angular, though “I’m Tired” mimics Léon’s greyscale techno with atonal bells and a spiraling, detuned siren. The standout, however, is Léon’s “Love Potion,” which builds and unravels several times over the course of five minutes. The track begins with a shuffling drum pattern atop a distorted melodic loop. Léon gradually adds airier elements to the mix: synth drones appear and fade like headlights on a dark highway, while heavy kick drums settle into a groove after a filter sweep, as if brought by a gust of wind. “Love Potion” feels like Léon’s version of Python’s “Club Sentimiental, Vol. 3,” with a quicker tempo and more moving parts; it’s clear he’s learned to open up his approach without sacrificing any of his style.

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Both Nick Léon and DJ Python (aka Brian Piñeyro)

Welcome to Fiscal Spotlight, a special monthly round up of projects—at all stages of production—working their way through Film Independent’s Fiscal Sponsorship pipeline.

***

The word “paranormal” tends to conjure a certain set of images. A creaky Victorian mansion with blood dripping through its slats. A spectral young girl ringed in photo luminescent ectoplasm creepily singing “Ring Around the Rosie” while plucking daisies. Zak Bagans and his giant fake eyeglasses shout-whispering Did you hear that?!? under cover of midnight inside a long-abandoned Blockbuster video. But according to the big homies at the Oxford English Dictionary “paranormal” refers not to ghosts, but to any “phenomena analogous to physical phenomena but with no known physical cause.”

This, of course, opens the term up to apply to wide variety of scenarios running the gamut from Dadaist absurdity to sublime magical realism. Take the three projects highlighted in this month’s Fiscal Spotlight column, each taking their uncanny conceits in an entirely different direction; a tense games of cat-and-mouse between a psychic and a serial killer, a comedic tale of postmortem mommy issues, and a teetotaler cursed with an extra-aquatic gag reflex.

All three projects are supported by Film Independent’s Fiscal Sponsorship program, which enables filmmakers to solicit tax-deductible donations and seek organizational grants in partnership with Film Independent. Here’s how:

February’s featured projects are Apophenia, Fishtank and I’m Dead Right? Read on to learn more about each project and how to support.

 

I’M DEAD RIGHT?

Project type: Narrative Short

Project status: Development

Writer/Lead Actor/Producer: Rita Sengupta

Writer: Jyostna Hariharan

Director/Producer: J. Mehr Kaur

Producer: Neeraj Jain

About the project: Desperate to sell her childhood home Nikita, a queer South Asian woman, discovers what’s making the place unsellable—the ghost of her deeply religious, recently deceased mother, who will do whatever it takes to get to Heaven. Confused as to why she’s still on Earth, Philomena urges her daughter to help shepherd her into the afterlife, which Nikita finds a smidge hypocritical because of their lifelong disagreements about the Heaven’s entry requirements and Nikita’s supposed failure to meet them—aka her sexuality. Together, Nikita and Philomena are forced to confront every conflict they’ve avoided about their belief systems, identities and fraught relationship, in order to accomplish two equally hard feats: 1) getting into heaven, and 2) making a profit in the suburban New Jersey real estate market.

Meet the filmmakers: To learn more about I’m Dead Right? including how to support the project, click here. Rita Sengupta is a queer South Asian-American actor, writer, and comedian based in Brooklyn, NY. She was recently one of the featured performers in Kutti Gang’s comedy special on PBS All Arts network. Rita’s work has also been featured by WNYC, Buzzfeed, and Glamour Magazine. Jyotsna Hariharan is a screenwriter originally from Madurai, India, currently based in New York. J. Mehr Kaur is a director & producer for film & theatre. Her recent credits include Kultar’s Mime, a movement theatre piece written in verse, which toured internationally across six countries and Emraa a short doc film about the experiences of Muslim-American women.

 

APOPHENIA

Project type: Narrative Short

Project status: Development

Writer/Director/Producer: Morgen A. Whiteman

Producers: Jamie Ohlsen, Aliya Brooks

About the project: An aimless loner claims to have the psychic ability to find serial killers, but suspicions rise when she happens to brutally murder them every time. Apophenia is a limited-series crime thriller that follows Eva Nicholson, a struggling recluse who falls into the public spotlight as a superhero when a series of premonitions lead her to a serial killer moments away from claiming the life of his next victim. As Eva basks in the attention, her boyfriend Daniel is the only person even remotely concerned that Eva also “accidentally” brutally murdered the serial killer in the process. Then it happens again. And again. And as Eva’s body count rises, so do the suspicions surrounding who—or what—she really is. In a bold way, Apophenia tackles representation, diversity, equity and inclusion by mitigating the constant barrage of victimization on individuals who experience oppression in real life.

Meet the filmmaker: To learn more about Apophenia, including how to support the project, click here. Morgen A. Whiteman is a film and television director with a background as a filmmaker-in-residence in Ghana, and a 2022 Stowe Story Labs finalist for the SAGIndie’s Top Emerging Filmmaker of Color Fellowship. Morgen is a graduate of the AFI Conservatory’s Directing MFA Program, and her films have been featured as official selections at numerous film festivals. She has directed talent with credits on All American, Wonder Woman, and We Own This City. Morgen has a passion for the thriller and science fiction genres, especially speculative fiction.

 

FISHTANK

Project type: Narrative Short

Project status: Pre-Production

Writer/Director: Wendi Tang

Producer: Hongwei Wu

Co-Producer: Philip Yuzhong Ge

About the project: Sardonic 28-year-old Jules has been sober for a year, but she can’t stop vomiting fish. Striving to put her life back on track, she must preserve control when a fish enthusiast unexpectedly enters her life. In modern-day Los Angeles, Jules is a 28-year-old Chinese American woman. Newly sober, she that she now vomits fish whenever she reacts to negative stimuli. She usually keeps this a secret, but every now and then she tells it as a joke that no one believes. Jules, who is organized, caring, and trying to find her place in society, jumps between jobs and goes on casual dates. Things never go exactly as planned. However, Jules finally meets a person, a fish enthusiast, after a string of bad dates. Things quickly escalate between them, forcing Jules to confront something she’s avoided her entire life.

Meet the filmmaker: To learn more about Fishtank, including how to support the project, click here. Wendi Tang is a Chinese writer/director based in Los Angeles. She is a graduate of NYU’s BFA-BS dual-degree program. Wendi’s work focuses on character-driven stories that explore various corners of female narratives. Her short films have screened at film festivals worldwide and won several awards. She is a 2022 NYC Women’s Fund recipient and a Sundance Uprise Grant Fund Finalist, and a 2022 BAFTA Newcomer. Fishtank, is the winner of the 8th Tribeca Chanel Through Her Lens program and the winner of the 2022 Film Pipeline’s Script Writing Competition.

Learn more about Fiscal Sponsorship, including its benefits and eligibility requirements, by visiting our website. Check out our Sponsored Projects page to see the projects are currently being supported.

Celebrating 30 years, Film Independent Artist Development promotes unique independent voices by helping filmmakers create and advance new work. Become a Member of Film Independent today. Support us with a donation here.

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(Header: imagre from the Apophenia appeal video)

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Dozens of people filled a Kelowna, B.C., courtroom on Friday morning to support local freedom rally organizer David Lindsay.

Lindsay headed to trail after he was charged with assault during a protest at the Interior Health building in downtown Kelowna in August 2021.

“They are saying I assaulted them, and that is essentially what it comes down to. I think the trial will show that there was no assault,” said Lindsay.

Read more:

COVID-19 protest organizer charged with two counts of assault

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The assault trail is scheduled to begin on the first of March and is expected to last for two days.

Lindsay has since filed a Notice of Constitutional Challenge against the RCMP, arguing, “They have no jurisdiction over the arrest nor the investigation that followed.”

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“That the agreements between the province and the federal government are unconstitutional under the original British North America Act and now the constitution act of 1867.”


Click to play video: 'Kelowna Freedom Rally'


Kelowna Freedom Rally


According to Vancouver lawyer Kyla Lee, people can challenge the constitution if they feel the arrest is unlawful.

However, Lee said these challenges are often unsuccessful, saying the bar for police to arrest people is very low.

“A caution to people who find arguments on the internet that suggest that the police don’t have the power to do what they’re doing: you should always consult with a lawyer before bringing any of these arguments,” said Lee.

“Courts don’t take kindly to people who bring arguments that are based in nonsense. Sometimes when the judge is mad at you that can sometimes make your case go worse.”

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Click to play video: '‘Freedom Rally’ affidavits reveal extensive investigation'


‘Freedom Rally’ affidavits reveal extensive investigation


In response to Lindsay’s request, the judge decided to proceed with the assault trial first. The constitutional challenge would follow if Mr. Lindsay is found guilty.

“I’m expecting to be found innocent and not guilty — not just not guilty but innocent. I am looking forward to exposing the fact that this was a political charge only,” said Lindsay.

Lindsay has served time in jail for not paying taxes and has seen the inside of a courtroom for both civil and criminal proceedings.

He is also currently being sued by the city of Kelowna for organizing freedom rallies in public parks without obtaining permits.


Click to play video: '“Freedom” becomes rally cry co-opted by far-right actors: experts'


“Freedom” becomes rally cry co-opted by far-right actors: experts


&copy 2023 Global News, a division of Corus Entertainment Inc.

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Dozens of people filled a Kelowna, B.C.,

EXCLUSIVE: Vin Diesel and David Twohy are reuniting for Riddick: Furya, the fourth installment of the action series that launched with the 2000 hit Pitch Black.

Twohy will direct his script.  Diesel will star and produce under his One Race Films banner alongside Samantha Vincent, who will also produce.

Rocket Science and CAA Media Finance will launch worldwide sales at this week’s EFM.

In the new film, Riddick finally returns to his home world, a place he barely remembers and one he fears might be left in ruins by the Necromongers. But there he finds other Furyans fighting for their existence against a new enemy. And some of these Furyans are more like Riddick than he could have ever imagined.

(L-R): Director David Twohy, Katee Sackhoff, Vin Diesel and Jordi Molla attend the ‘Riddick’ premiere on August 28, 2013 in Westwood, California.AFP PHOTO /JOE KLAMAR (Photo credit should read JOE KLAMAR/AFP via Getty Images)

Diesel and Twohy followed Pitch Black with 2004’s The Chronicles of Riddick, and 2013’s Riddick. 

“Our legion fans have demanded it for years, and now we’re finally ready to honor their call-to-action with Riddick: Furya,” Twhoy said. “My collaboration with Vin and One Race has spanned 20 fruitful years, as together we’ve created three movies, two video games, an anime production, and motion comics for the internet. This new big-screen event will see a return to Riddick’s homeworld, where we finally get to explore Riddick’s genesis.”

Diesel continues as one of Hollywood’s most bankable action stars, headlining the Fast and Furious Saga and voicing Groot in Marvel’s Guardians of the Galaxy. Other credits include Saving Private Ryan, xXx, and Bloodshot. He will next be seen in Fast X, Guardians of the Galaxy Vol.3, and “ARK: The Animated Series.”

In addition to writing and directing the three previous Riddick films, Twohy’s scripting work includes The Fugitive, and he wrote and directed the alien horror pic The Arrival, and supernatural thriller Below.

THE CHRONICLES OF RIDDICK, Vin Diesel, 2004, ©Universal/courtesy Everett

Diesel is represented by CAA, Linden Entertainment, and Felker Toczek Suddleson Abramson McGinnis Ryan. Twohy is represented by Atlas Artists.

In Berlin, Rocket Science’s EFM slate also includes: Michael Gracey’s Better Man; Conor McPherson’s Girl from the North Country, based on the Bob Dylan Broadway show and starring Olivia Colman, Woody Harrelson, Tosin Cole, and Chloe Bailey; Alex Winter’s The Adults starring Evan Rachel Wood, Josh Gad, and Anthony Carrigan; Peter Cataneo’s The Penguin Lessons starring Steve Coogan. Peter Farrelly’s Ricky Stanicky starring Zac Efron and John Cena, recently acquired by Amazon Prime Video.

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EXCLUSIVE: Vin Diesel and David Twohy are

In a slight pivot to its streaming strategy, Warner Bros. Discovery expects to keep Discovery+ as a stand-alone streaming service, even after it launches its combined super-service with HBO Max later this year, a source familiar with the plans tells The Hollywood Reporter.

WBD announced the plan to combine HBO Max and Discovery+ last year, arguing that they have complementary content and subscriber bases. The combined service is expected to launch in the spring under a new name.

The new service would bring together HBO content like The Last of Us, HBO Max content like Hacks and Discovery content like shows from Magnolia Network, HGTV and Discovery. That will still be the case under the new plan, however, the company will keep Discovery+ as a lower-cost option for people who don’t want the scripted entertainment programming, potentially allowing it to retain subscribers that would otherwise churn out instead of paying more.

Already some Discovery content, like shows from Chip and Joanna Gaines, has moved onto HBO Max, while some CNN programming has found a home on Discovery+ (of course, some CNN shows are also on HBO Max, like Chris Wallace’s program).

The Wall Street Journal first reported the news.

Georg Szalai in London contributed to this report.

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In a slight pivot to its streaming

There is no lack of new movies to stream in February on the various major streamers, as blockbusters, dramas and underrated gems from 2022 all land on a combination of Netflix, Disney+, Paramount+, HBO Max, Peacock, Prime Video and Hulu in February. Not only that, but newly added library titles include Oscar winners, ’90s favorites and movies guaranteed to bring a smile to you face. Quite literally whatever mood you’re in, we’ve got a curated pick just for you.

Below, we’ve assembled a list of some of the best new movies to stream in February 2023. So thumb through, make a selection, and bookmark this page to come back throughout the month on your movie nights!

“Black Panther: Wakanda Forever”

Marvel Studios

Disney+ — Feb. 1

The sequel to 2018’s zeitgeist-capturing “Black Panther” was always going to be difficult to pull off. After all, the tragic passing of Chadwick Boseman in 2020 (he was only 43) led to a radical overhaul of the much-cooler-sounding screenplay and the resulting has a weird, cathartic pseudo-documentary quality, as we are watching characters mourning the loss of their friend being played by actors who are mourning the loss of their friend. And for the most part “Black Panther: Wakanda Forever” works; it is more emotional heft than virtually any other Marvel Studios project and has admirably grand ambition (director/co-writer Ryan Coogler said that he was inspired by James Cameron films in particular), weaving in a plotline about a warring underwater nation (led by Tenoche Huerta’s Namor) and Wakanda’s quest for a successor to T’Challa’s mantle. And if you haven’t seen it yet, the warped anamorphic photography by Autumn Durald Arkapaw is absolutely stunning. This movie is thrilling and contemplative in equal measure; it’s rare that a modern blockbuster is this invested in feeling as much as it is in thrilling. – Drew Taylor

“La La Land”

la-la-land-ryan-gosling-emma-stone
Lionsgate

Netflix — Feb. 1

Damien Chazelle’s Oscar-winning (but not Best Picture-winning) “La La Land” is at once a joyful Hollywood musical and a somber story of what we sacrifice to make our dreams come true, and is a terrific watch whether you loved or hated Chazelle’s recent polarizing Hollywood epic “Babylon.” Ryan Gosling is an aspiring jazz musician and Emma Stone is an aspiring actress, both just trying to make it big in Los Angeles. Their paths cross, stars align, and a head-over-heels romance ensues. But Chazelle manages to combine the fantastical with the grounded, allowing us to feel deeply for what these individuals are going through (and root for them hard). And the songs are fantastic to boot. – Adam Chitwood

“The Watch”

the-watch
20th Century Fox

Hulu — Feb. 1

For an amiable, “Ghostbusters”-style comedy where a bunch of goofballs (Ben Stiller, Vince Vaughn, Jonah Hill and Richard Ayoade) start a neighborhood watch in their sleepy town and wind up uncovering an alien conspiracy, “The Watch” has been oddly controversial. The name of the movie changed from “Neighborhood Watch” to “The Watch” only two months before its release, leaving the marketing and publicity teams to scramble due to the death of Trayvon Martin. And even now the idea of a predominantly white cast stalking around an affluent neighborhood and roughing people up, no matter how funny feels a little iffy. But taken at face value – a high-concept R-rated studio comedy featuring famous actors and a narrative loose enough to let them have fun (the eventual script was co-written by Seth Rogen and his partner Evan Goldberg) – “The Watch” feels like something of a lost gem, one ripe for rediscovery. (Great, rubbery monsters too.) – Drew Taylor

“Almost Famous”

almost-famous
Columbia Pictures

Prime Video — Feb. 1

One of the best films ever made about music, Cameron Crowe’s “Almost Famous” is a timeless classic. Inspired by Crowe’s earlier career as a music journalist, the film follows a teen named William (played by Patrick Fugit) who scores an assignment from Rolling Stone to write a story on an up-and-coming band named Stillwater. Embedded with the band on the road, William learns about life, love and friendship – although through Crowe’s unabashedly earnest prism, it never comes off as trite or rote. Crowe won an Oscar for Best Original Screenplay, and Kate Hudson was rightfully nominated for Best Supporting Actress. The impeccable ensemble also includes Frances McDormand, Billy Crudup, Jason Lee, Fairuza Balk, Anna Paquin and Philip Seymour Hoffman. – Adam Chitwood

“Inside Man”

inside-man-denzel-washington-chiwetel-ejiofor
Universal Pictures

Prime Video — Feb. 1

Spike Lee’s 2006 thriller “Inside Man” is one of the director’s best and most entertaining films. The story opens in the aftermath of a bank heist, with those taken hostage giving their interviews to police about what happened. The film then flashes back to portray the events as they unfold, with Denzel Washington playing the detective trying to talk down the robber and kidnapper (played by Clive Owen) who seems to be harboring some kind of secret. Mind games ensue, and this one keeps you guessing all the way up through the end. – Adam Chitwood

“How to Train Your Dragon”

DreamWorks Animation

Netflix — Feb. 1

A tremendous family film if there ever was one, 2010’s “How to Train Your Dragon” is an uplifting, deeply compassionate animated adventure. Jay Baruchel voices Hiccup, a Viking living in a village with his father who struggles to fit in. When he befriends a dragon – creatures thought by the Vikings to be violent and terrifying – Hiccup begins to see the world differently, and in turn convinces his friends and family to check their prejudices and consider the world from a different point of view. This one’s a family favorite. — Adam Chitwood

“Invasion of the Body Snatchers” (1978)

United Artists

Prime Video — Feb. 1

Who says all remakes are bad? The 1978 version of “Invasion of the Body Snatchers” is a terrifying and thematically rich update of the 1955 novel that was first adapted into a film in 1956. Donald Sutherland stars as a San Francisco health inspector who begins to discover that humans are being taken over by alien doubles. As the numbers of alien imposters mount, Sutherland and his colleagues try to outrun the growing threat, culminating in a true “humdinger” of an ending. – Adam Chitwood

“Shaft” (2000)

shaft-2000
Paramount Pictures

Prime Video — Feb. 1

Not to be confused with Gordon Parks’ 1971 original masterpiece or the very lousy 2019 sequel, John Singleton’s 2000 movie (like those other versions, also just named “Shaft” and also based, in part, on the 1970 Ernest Tidyman novel) is a terrific, knowing crime movie and a great showcase for Samuel L. Jackson, who provides a performance both bombastic and nuanced. In this modern-day version, Jackson’s detective is pulled from the force after investigating a racially motivated murder perpetrated by a spoiled rich guy (Christian Bale). Once he’s on the loose, though, Shaft looks to right some wrongs. With a killer cast that includes Toni Collette, Vanessa Williams, Busta Rhymes and Jeffrey Wright as the movie’s other villain, a gangster named Peoples Hernandez, “Shaft” is an absolute delight. But it’s more than just popcorn fare. This movie has a lot on its mind, thanks largely to the thoughtful script primarily written by Spike Lee collaborator Richard Price. And it looks like a million bucks too, with cinematographer Donald E. Thorin’s camera capturing the action in long, fluid takes. It really is a great movie and will make you miss Singleton, who sadly passed away in 2019, even more. – Drew Taylor

“Hannibal”

hannibal
MGM

HBO Max — Feb. 1

A controversial project defined largely by complicated rights issues, polarizing source material, contested cast shake-ups and the oversized shadow of its predecessor, the Oscar-sweeping masterpiece “The Silence of the Lambs.” And obviously “Hannibal,” based on the deliciously outrageous and highly contentious Thomas Harris novel of the same name, was never going to live up to the film that came before. But what Ridley Scott conjured, taking over for Jonathan Demme, is still highly memorable and singular – a Grand Guignol thriller that reaches an operatic high early in its runtime and, incredibly, sustains that florid intensity throughout. Hannibal (once again played by Anthony Hopkins) is hiding out in Florence, on the run from law enforcement as well as a disfigured victim (played by an uncredited Gary Oldman) who is training a pack of wild boars to eat Hannibal alive (yes this is a very real plot point). Julianne Moore steps into the stylish but sensible shoes of Jodie Foster and her Clarice is a little flintier but no less engaging. The screenplay by David Mamet and Steve Zaillian threw out one of the more controversial elements of the book (the fact that Clarice and Hannibal end up together) but maintained its truly disgusting final set piece, featuring a very game Ray Liotta. As a “Silence of the Lambs” sequel it may disappoint but taken on its own terms, it’s a bizarre knockout. – Drew Taylor

“Days of Heaven”

days-of-heaven
Paramount Pictures

Paramount+ — Feb. 1

Terrence Malick was already acclaimed for his debut feature, the based-on-a-true-story thriller “Badlands,” but it was with his second film, “Days of Heaven,” that he really stepped into his own as an artist. All of the hallmarks of his later career, things we would today describe as “Malickian,” are on full display in “Days of Heaven” – the dreamy voiceover narration (a holdover from “Badlands”), the keen interest in the natural world (and in capturing that natural world in the most twinkly way possible) and a central narrative far less interested in plot specifics than in the feeling of scenes and sequences. If you’ve never seen the film, it follows Bill (Richard Gere) and Abby (Brooke Adams) as they travel with Bill’s young sister Linda (Linda Mantz) to the Texas panhandle in 1916. (Bill had been working in Chicago but gets in a fight with his boss and accidentally kills him.) While at work on the farm, they concoct a plot to swindle the wealthy landowner (Sam Shepard). Not that the plot really matters. Instead what matters is the golden hour cinematography of Néstor Almendros and Haskell Wexler, the sweeping music by Ennio Morricone and the way the movie casts its singular spell. One of cinema’s greatest accomplishments, now you can watch “Days of Heaven” on the same app you saw the latest “Jackass” movie. – Drew Taylor

“Dead Presidents”

dead-presidents
Buena Vista Pictures

Paramount+ – Feb. 1

Like Terrence Malick, the Hughes Brothers (Albert and Allen) made a splash with their debut, the acclaimed inner-city drama “Menace II Society.” But they really came into their own with their follow-up, “Dead Presidents.” Based in part on the nonfiction book “Bloods: An Oral History of the Vietnam War by Black Veterans” by Wallace Terry, the movie stars Lorenz Tate as a young Vietnam veteran who returns from the war and starts robbing banks. Everything about “Dead Presidents” is grander and slicker than “Menace II Society,” benefitting the larger budget ($10 million compared to the $3.5 million of “Menace II Society”) and the studio backing (believe or not, Disney’s Hollywood Pictures produced the movie). You can feel it in the fluid cinematography of Lisa Rinzler (clearly working with more toys than she had on “Menace II Society”) and the lush orchestral score of Danny Elfman (one of his very best). If for some reason you haven’t seen “Dead Presidents,” it’s one of the very best (and most underappreciated) movies of the 1990’s, full of the Brothers’ inventive staging and unforgettable flourishes (if you thought iconic white make-up was exclusive to “The Crow,” think again). Be warned: it’ll make you very sad that the Brothers only made one more narrative feature together, 2001’s terrific Jack the Ripper chiller “From Hell.” Sigh. – Drew Taylor

“In the Bedroom”

in-the-bedroom
Miramax

Paramount+ — Feb. 1

All this talk about “Tár” makes it a great time to revisit filmmaker Todd Field’s first feature, “In the Bedroom.” The 2001 film is a tragic family drama with Sissy Spacek and Tom Wilkinson delivering stellar (and Oscar-nominated) performances as a couple grappling with issues plaguing their family unit, which includes son Frank (Nick Stahl). The feature garnered five Oscar nominations including Best Picture and Best Adapted Screenplay. – Adam Chitwood

“The Curious Case of Benjamin Button”

the-curious-case-of-benjamin-button-brad-pitt
Paramount Pictures

Paramount+ — Feb. 1

“The Curious Case of Benjamin Button” will always be an outlier in the career of filmmaker David Fincher – a movie meant to be a celebration of life made by an artist obsessed with death. And even as it straddles that line, between nihilistic bleakness and a honeyed, “Forrest Gump”-style biography of a man gifted (cursed?) with a lifecycle that sees him age backwards (Brad Pitt), “The Curious Case of Benjamin Button” succeeds. Pitt is great as the aloof Button, who acts almost as a time traveler, as he observes major events in human history from a distance, always unmoored and longing for attachment. And Cate Blanchett, as the woman he loves (and who ends up taking care of him in his young age), grounds the movie emotionally even when things are really out there. And the visual effects that brought Button to life, from the wizards at Digital Domain, still feel cutting edge even if they feel somewhat antiquated in 2023. Not everything works (the Hurricane Katrina wraparound story is a bit puzzling), but the movie, as a whole, is such an overwhelmingly beautiful work that its hard to deny. If you’ve only seen Fincher’s darker material, take a walk on the warmer side. – Drew Taylor

“The Talented Mr. Ripley”

the-talented-mr-ripley-cast
Paramount Pictures

Paramount+/Prime Video — Feb. 1

One of Matt Damon’s best performances and one of the best films of the 1990s, “The Talented Mr. Ripley” is a chilling dramatic thriller that gets under your skin in the best way. Set in the 1950s, Damon plays a young man named Tom Ripley who is mistaken for somebody else and tasked with persuading a rich young man (played by Jude Law) to return to the United States from Italy. Once Ripley gets to Italy, however, he becomes infatuated with Law’s character and the life he’s living (complete with kind girlfriend Gwyneth Paltrow), and grows increasingly close to the couple in uncomfortable ways. Anthony Minghella directs this beautifully haunting story of identity, jealousy and self-loathing that takes a number of shocking twists and turns. Oh, and Philip Seymour Hoffman delivers a phenomenal supporting performance. – Adam Chitwood

“Lyle Lyle Crocodile”

Lyle looks at Mr. Primm’s wrestling uniform in Columbia Pictures LYLE, LYLE, CROCODILE.

Netflix — Feb. 4

Based on the beloved books by Bernard Waber, “Lyle, Lyle, Crocodile” tells the story of a magical singing crocodile who finds family and a friend in a boy named Josh (Winslow Fegley), and is the perfect pick for a family movie night. The animated adventure is directed by Will Speck and Josh Gordon with original music from Oscar, Grammy and Tony winning songwriters and producers Benj Pasek and Justin Paul (“La La Land,” “The Greatest Showman,” “Dear Evan Hansen”) as well as singer Shawn Mendes, who voices Lyle. A powerful ensemble cast of Javier Bardem, Constance Wu, Scoot McNairy and Brett Gelman as Alistair Grumps rounds out the cast. Twists and turns lead to an epic moment for Lyle and Josh after they encourage each other to step out of their shells in different ways. – Dessi Gomez

“Beast”

beast-idris-elba
Universal Pictures

Prime Video — Feb. 7

People who moan about the decline in quality cinema clearly aren’t acknowledging the fact that, just a few months ago, we were gifted with a terrific movie where Idris Elba is terrorized by a man-eating lion for 93 minutes. “Beast,” from underrated Icelandic journeyman director Baltasar Kormákur, follows Elba’s character and his two young daughters as they travel to South Africa. His wife has just passed away and he’s reuniting with his old friend, played (of course) by Sharlto Copley, And while they’re there, trying to bond and process the loss of Elba’s wife, they are repeatedly stalked by a killer lion. And as simple as the story is, Kormákur and cinematographer Philippe Rousselot (known for his work with Tim Burton and cinema du look pioneer Jean-Jacques Beineix) take a much more sophisticated visual approach, staging the attacks in a series of unbroken shots. While occasionally (“1917,” we’re looking at you) this tactic can lead to the movie feeling like it’s “on rails,” the opposite is true of “Beast” – it actually heightens the suspense because you know that there’s nowhere to go and the camera cannot look away. An underrated gem from last year, hopefully it will get the appreciation it deserves on streaming. Roar! – Drew Taylor

“All That Breathes”

All That Breathes
“All That Breathes” / HBO Documentary Films

HBO Max — Feb. 7

You can watch one of the documentaries up for this year’s Best Documentary Feature Oscar on HBO Max this month, and it’s a great one. “All That Breathes” follows two brothers living in New Delhi who capture and treat birds that are dropping from the sky due to the increasing pollution. What really makes this doc soar, though, is director Shaunauk Sen’s cinematic approach to the film. Long takes, slow pans and evocative cinematography capture life in New Delhi in a transfixing way, making the emotional twists and turns all the more impactful. — Adam Chitwood

“Empire of Light”

"Empire of Light" (Searchlight)
“Empire of Light” (Searchlight)

HBO Max — Feb. 7

There were many BEHOLD, THE POWER OF MOVIES! movies released in 2022. At the very least, Sam Mendes’ “Empire of Light” is the most gorgeously photographed, with Mendes re-teaming with Roger Deakins for a melancholic tale of a movie theater in Thatcher-era England. (Deakins’ work was just nominated for a Best Cinematography Oscar.) The movie stars the always-wonderful Olivia Colman as the manager of a movie theater in the early-1980s in a small seaside town. She strikes up an unlikely romance with a young Black British employee (Michael Ward) that winds up transforming both of their lives. More unpredictable than you probably imagined, Mendes’ script is occasionally quite messy as it lurches between tones, styles and subject matter (including lightly touching upon the rise in white nationalism in Britain at the time). Is it a portrait of mental illness? A love letter to the power of moviegoing? A quaint, kitchen sink drama? As it turns out, it’s all of those things – and more. If you go in with the right expectations and can give over to the mood of “Empire of Light” (exemplified by the twinkly score by Trent Reznor and Atticus Ross), it is pretty enjoyable. Especially when you’re just staring, astounded, at Colman’s amazing performance. The movies! – Drew Taylor

“Your Place or Mine”

Reese Witherspoon and Ashton Kutcher in "Your Place Or Mine" (Netflix)
Reese Witherspoon and Ashton Kutcher in “Your Place Or Mine” (Netflix)

Netflix — Feb. 10

Calling all Reese Witherspoon fans! The latest project from Witherspoon’s Hello Sunshine production company, “Your Place Or Mine” stars Witherspoon in a romantic comedy role opposite Ashton Kutcher. Written by Aline Brosh McKenna (“The Devil Wears Prada,” “27 Dresses,” “Crazy Ex-Girlfriend”), the story follows complete opposites Debbie (Witherspoon) and Peter (Kutcher). Debbie has to be a practical single mom, building a regimen for her son Jack (Wesley Kimmel) who has many allergies and health conditions. Peter can’t commit to a project or a person for more than six months. Debbie and Peter had a one night stand 20 years ago and have stayed friends ever since, so when Debbie’s babysitter cancels last minute before Debbie is supposed to fly to New York to finish her graduate program in accounting, Peter offers to lend her his place and watch Jack instead. Swapping their homes on opposite sides of the country, the two begin to realize that they haven’t told each other everything, and past feelings bubble up like they never left. Plus, books (something Reese knows well), play their own role in the cross-country love story. Jesse Williams plays the handsome Duncan Press editor who completes the love triangle, and Tig Notaro plays the supportive friend who has known the confused couple for the 20 years since they slept together. Steve Zahn appears as Debbie’s googly-eyed gardener. Zoe Chao plays Peter’s sleek ex-girlfriend Minka. Oh, and this one has a great soundtrack. – Dessi Gomez

“Somebody I Used to Know”

somebody-i-used-to-know-alison-brie
Prime Video

Prime Video — Feb. 10

Alison Brie and husband Dave Franco wrote and made a movie together, and this month you can watch that movie! Brie plays a workaholic TV producer who runs off to her hometown after a career setback, only to reconnect with her first love (played by Jay Ellis). Only problem is, he’s engaged to be married. Chaos and hilarity ensue. Franco directed the film, and the ensemble also includes Kiersey Clemons, Haley Joel Osment and Brie’s “Community” co-star Danny Pudi. – Adam Chitwood

“Halloween Ends”

Halloween Ends
Universal Pictures

Prime Video — Feb. 14

If, for some reason, you missed “Halloween Ends” when it debuted on Peacock this past, well, Halloween, fear not! It’s back – and this time, it’s on Prime Video. The third film in co-writer/director David Gordon Green’s new “Halloween” trilogy (which began in 2018) and the conclusion of the story that began with John Carpenter’s 1978 original, this latest installment is one of the best – an idiosyncratic, blood-soaked love story that also happens to bring the entire franchise to a satisfying close. (It’s certainly the weirdest since “Halloween III: Season of the Witch;” “Halloween Ends” even borrows that movie’s distinctive opening title font.) This time around Michael Myers has all but disappeared, not that Haddonfield, Illinois is free from evil. A young boy named Corey Cunningham (Rohan Campbell), who suffered his own horror on Halloween 2018, falls in love with Laurie Strode’s (Jamie Lee Curtis) granddaughter Allyson (Andi Matichak) as his own homicidal impulses begin to increase … It’s a wild, out-of-left-field way to wrap things up, but it works. This isn’t a cut-and-paste “Halloween” retread. In fact, the Carpenter movie it is closest to is probably “Christine,” not “Halloween.” And that difference goes a long way. The movie was certainly polarizing, so now it’s time to make up your own mind and join in the discourse. – Drew Taylor

“2 Guns”

2-guns
Universal Pictures

Netflix — Feb. 16

They don’t make them like this anymore. Yes, “2 Guns” came out less than 10 years ago. But how often do you see R-rated two handers, starring genuine movie stars, that embody that same, rough-and-tumble spirit of similar movies from the 1980’s (“Shakedown” and “Harley Davidson and the Marlboro Man” immediately come to mind)? They are few and far between. We must treasure “2 Guns.” Mark Wahlberg and Denzel Washington play the mismatched duo; they share a great, quippy rapport. The actual plot of the movie is too complicated by half (it involves stolen money, drug dealers and the C.I.A.), but that doesn’t really matter, especially with performances (from Edward James Olmos, Paula Patton, Fred Ward and, in particular, Bill Paxton) this fun and direction (from Icelandic filmmaker Baltasar Kormákur) this stylish. This is the kind of movie you used to discover late night on premium cable and watch until the end because it was so entertaining. Is it too much to ask for “3 Guns?” – Drew Taylor

“The Woman King”

Viola Davis and John Boyega star in The Woman King.
Viola Davis and John Boyega star in The Woman King.

Netflix — Feb. 16

One of the most exhilarating action movies of last year, “The Woman King” is finally streaming. Directed by Gina Prince-Bythewood, who last directed the terrific Charlize Theron vehicle “The Old Guard,” “The Woman King” is based on a true story of an elite group of all-female warriors that protected the West African kingdom of Dahomey during the 17th to 19th centuries. The movie version focuses on a young warrior (played by the terrific Thuso Mbedu) who is tutored by another member of the tribe (Lashana Lynch) and who longs for the approval of the tough-as-nails general (Viola Davis). Brightly staged action sequences, a terrific cast (including John Boyega as the king) and a movie that genuinely felt like nothing that had ever been seen before, “The Woman King” deserved more attention – and not just from the Academy (although that too). Marvel at its power. – Drew Taylor

“A Simple Favor”

a-simple-favor-blake-lively
Lionsgate

Prime Video – Feb. 19

Few films are as surprising moment to moment as “A Simple Favor.” Truly, at any given turn, anything could happen in this candy-coated thriller/dark comedy. Anna Kendrick plays a vlogging single mother who suddenly finds the opportunity to step into the spotlight when her friend, a PR director for a fashion company (played by Blake Lively) goes missing. Henry Golding and Andrew Rannells co-star in this Hitchcock-inspired delight that you might be shocked to find hails from “Bridesmaids” and “Spy” filmmaker Paul Feig. – Adam Chitwood

“We Have a Ghost”

We Have A Ghost. (L to R) Isabella Russo as Joy, Jahi Winston as Kevin, David Harbour as Ernest in We Have A Ghost. (Netflix)

Netflix — Feb. 24

Christopher Landon, the reigning king of horror comedy thanks to “Happy Death Day,” its sequel “Happy Death Day 2 U” and modern classic “Freaky,” aims for something a little more family-friendly with his latest. “We Have a Ghost,” based on a short story by Geoff Manaugh, concerns a young man who encounters a ghost he names Ernest (played by a mute David Harbour) in the new family house. From there (a fairly straightforward, “Beetlejuice”-ish set-up), the movie spins out to include subplots about an author (Tig Notaro) who teams up with some CIA agents to hunt down Ernest, Ernest becoming a social media sensation and, eventually, it introduces a fairly heavy murder mystery element. – Drew Taylor

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There is no lack of new movies

RAPPER AKA has been shot dead in South Africa.

The musician, 35, was gunned down in a drive-by shooting, police say.

1

Rapper AKA has been shot deadCredit: Instagram

AKA, real name Kiernan Forbes, and another man were killed while standing outside a restaurant in Durban on Friday night.

Two cars drove by and opened fire shortly before 10pm local time (8pm GMT), according to local reports.

It is understood he was due to perform at a nightclub called YUGO on Friday night.

A notice was shared on social media, saying the event had been cancelled “due to unforeseen circumstances”.

Paramedic Garrith Jamieson told Times Live two men were shot dead.

He said: “On arrival, paramedics met total chaos and a scene where two men, believed to be in their late 30s,  sustained multiple gunshot wounds.

“Paramedics assisted the men and unfortunately the first male had sustained multiple gun shot wounds and showed no signs of life and was declared deceased at the scene.”

AKA briefly dated DJ Zinhle, and in 2015 they welcomed daughter Kairo.

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RAPPER AKA has been shot dead in

Last Updated: July 13, 2020, 00:26 IST

Greyhound

Cast: Tom Hanks, Elisabeth Shue

Director: Aaron Schneider

It is rare to find a film that invests all its fortunes on a single actor, and Aaron Schneider’s Greyhound, now on Apple Plus TV, does precisely this. The one man who carries the entire weight of the taut narrative, through terrifyingly turbulent waters of the Atlantic Ocean in a zigzag pattern to avoid being torpedoed is, but who else, Tom Hanks. A master of many moods on screen, he has been seen playing characters as diverse as a man forced to live on an uninhabited island for four years in Cast Away, as an AIDS patient in Philadelphia, as someone with a low IQ in Forrest Gump, as Professor Langdon in Dan Brown’s adaptations, as a romantic in Sleepless in Seattle and You’ve Got Mail, as a pilot in Sully getting a plane to land on water and as a captain taken hostage by Somali pirates in Captain Phillips.

In Greyhound, Hanks’ Ernest Krause, is the US Naval Commander of a battleship tasked with taking a large number of ships carrying supplies and troops across the Atlantic during World War II. The fleet has to cross a 50 mile “black pit” when it will have no air cover, because the stretch is too far from both the European and American shores. It is there that German submarines pitch themselves to destroy Allied ships.

Greyhound is not a true story and is based on a 1955 novel, The Good Shepherd by C S Forester. Scripted by Hanks (who makes his debut in this category), the movie has Krause bidding a hurried goodbye to his wife, Evie (Elisabeth Shue) before he gets on to his battleship to play a no-nonsense captain, whose word is law.

In about 100 minutes, the 1942 battle of the Atlantic is enacted with gripping precision and no false note. At the end of the 50-hour journey fraught with peril and pain, Krause, dodging the torpedoes from German U-Boats and managing to destroy four of them (a great record we are told), is a tired man, his feet bleeding after being continuously standing giving orders and literally starving himself.

In some ways, Greyhound is great action, the rough sea and the wily Germans (You will all die today, they keep announcing through their broadcasts) adding to the nail-biting thrill. Lensed with utmost care, the film may well earn Hanks an Oscar nod even a win. He is commander in every sense of the term, his jaws tight, eyes unwavering as they search out for the German boats even as he keeps playing a cat-and-mouse game with them.

In the entire movie, he makes one mistake of calling one black steward by the name of another black steward. Call it sheer fatigue, but probably in the kind of racially tense times now, none other than Hanks can get away with this.

While Greyhound is an entirely Hanks’ take and is a great piece of work, it seriously lacks in one department. There is very little effort made to flesh out the characters, and this includes Krause. The others are as thinly written, and this means Greyhound is completely devoid of the human angle – the kind I saw in some of the early World War II masterpieces like Von Ryan’s Express, The Bridge on the River Kwai, Battle of the Bulge and so on. Who can forget the closing scene in Von Ryan’s Express when he fails to get on to the train and is gunned down by pursuing Germans. So, Greyhound may be an exciting watch, but lacks the emotional touch. A miss that cannot be overlooked in an otherwise fine piece of narration.

Rating: 4/5

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Last Updated: July 13, 2020, 00:26 ISTGreyhound Cast:

Coincidentally, the first high fashion runway show Kendall Jenner booked was for Marc Jacobs in 2014 when she was just 18 years old. Nearly a decade later, Jenner reflected on the sheer brown top and bleached-brow look. “I actually could not believe I was there,” she said in Vogue’s “Life in Looks” video in September 2022. “I was pretty chill, even though my boobies were out.”

Jenner says she approved the see-through top before seeing it in person. “I remember getting a call from my agent saying that Marc and Katie [Grand] wanted to put me in this kind of sheer top, and I was like, ‘I’m game. I don’t mind. I’m all good with the nipple,’” she shared. “It didn’t make me any more nervous. I genuinely was just like, ‘Dope, whatever they want, it’s their vision, let’s do it.’ So I was completely comfortable.”

Clearly, she’s only got bolder from there. 


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Coincidentally, the first high fashion runway show

Biden will now take part in the annual presidential interview before the Super Bowl, Fox Corp. said Friday.

Updated: Biden will take part in an interview with Fox Corporation on Super Bowl Sunday after all. After some confusion, the President is now set to be interviewed by the company’s Black audience-focused channel Fox Soul.

“After the White House reached out to Fox Soul Thursday evening, there was some initial confusion,” Fox Corp. said in a statement shared with press. “Fox Soul looks forward to interviewing the President for Super Bowl Sunday.”

The news follows conflicting reports on Friday that Biden would not take part in an interview with the Fox Corporation for the upcoming sporting event. Representatives from Fox News claimed that an interview was offered but Biden declined, while representatives from the White House claimed that Biden was scheduled to speak with Fox Soul but was asked to cancel the interview. It’s unclear if miscommunication between Fox Soul and Fox News created the issue.

Original Story Follows:

On Friday, it was officially reported that President Joe Biden will not take part in a pre-Super Bowl interview with Fox News, a practice that has been standard for presidents since Barack Obama initiated it in 2009. Representatives from Fox News have claimed that an interview was offered but that Biden declined — a version of events that White House officials seem to be disputing.

According to White House press secretary Karine Jean-Pierre, Fox Corp asked for the Super Bowl interview with Biden to be canceled. In a tweet published shortly after news that the interview will not take place broke, Jean-Pierre claimed that Biden was “looking forward” to his interview with Fox Soul, referring to the Fox Corporation’s free streaming service and broadcast network aimed at Black audiences.

“The President was looking forward to an interview with Fox Soul to discuss the Super Bowl, the State of the Union, and critical issues impacting the everyday lives of Black Americans,” Jean-Pierre’s tweet reads. “We’ve been informed that Fox Corp has asked for the interview to be cancelled.”

Jean-Pierre’s claim seems to contradict a statement that a Fox News executive gave Variety, claiming that “We offered an interview with our top news anchors with no strings attached — they’re walking away from a huge audience and it’s a major missed opportunity.”

Representatives from Fox did not immediately respond to IndieWire’s request for comment.

News that Biden likely would not take part in an interview with Fox began during State of the Union coverage on Tuesday, when Fox’s Bret Baier told viewers of his program “Special Report” that Biden hadn’t yet committed to an interview with the outlet. On Thursday, CNN’s Reliable Sources newsletter reported that Fox News had not heard back on Biden’s participation in an interview, with a source stating that “We don’t have a formal no, but we are operating like it’s not happening.” Had the interview occurred, Baier likely would have conducted it.

The Super Bowl presidential interview first began in 2004 with President George W. Bush, before Obama made it an annual event for presidents to grant an interview with the network hosting the big game. These interviews are typically conducted and pre-taped the Friday before the Super Bowl, airing immediately prior to the event.

President Donald Trump also took part in interviews with CBS and Fox News during his term, although he skipped out on a sit-down with NBC News in 2018 — likely due to the then-ongoing controversy over NFL players protesting police brutality. Since taking office in 2021, Biden has yet to take part in a sit-down interview with the right-leaning Fox News.

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Biden will now take part in the

Claudia and Jackie Oshry co-host The Toast, a podcast available to stream on Youtube around 1 p.m. ET daily.  Each episode is based around “the fast 5 stories,” a phrase the sister’s coined, where they discuss the most important pop-culture headlines of the day. They also talk about their personal lives, which garnered a large following as people began to love the sister’s dynamic. Jackie (30) just moved to Florida after having a baby, following their older sister Olivia (31); while Claudia (28) is a touring comedian who still loves to party in NYC, with their little sister Margo (25). When listening, toasters often recount that they feel like a part of the Oshry family – as Claudia and Jackie let the listener’s in on all of their memories and inside jokes. The show was originally focused around people in their late twenties, which is why they start each episode saying “good morning millennials!”  However, with the evolution of Tik Tok, GenZ has grown to love them as well. After tuning in every day, you will feel like you are talking to your best friends while also being kept up to date on all of the top news stories – and on Wednesdays, you can even ask them for advice!

Photo: Instagram

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By Rachel Meller Claudia and Jackie Oshry co-host The

On March 2, 2023, final Oscar voting begins; five days later, it closes. With less than one month of frantic campaigning to go, a few categories remain surefire bets: “Everything Everywhere All at Once” continues to be a Best Picture frontrunner and “All Quiet on the Western Front” seems to have Best International Feature Film locked up. Ke Huy Quan can rest easy about his future Best Supporting Actor trophy and Angela Bassett is in a good position for Best Supporting Actress. Sarah Polley is on track to win Best Adapted Screenplay for “Women Talking.”

From there, however, things get murky.

In this week’s episode of Screen Talk, Eric Kohn and Anne Thompson discuss the hardest categories to predict at this stage of the season, from Best Makeup and Hairstyling to Best Actor (and why those categories in particular may be linked). Anyone hoping to win their Oscar pool will want to pay close attention to this one. (And stay tuned next week for a closer look at the short film nominees.)

This week’s episode also deals with Gina Prince-Bythewood’s searing editorial about the Academy snubbing “The Woman King” and the continuing presence of racial bias across the industry. What can the Academy do to address this problem now? There are a few possibilities.

Kohn and Thompson also touch on why President Joe Biden’s State of the Union speech made for great television, and close by offering some thoughts on recent film and TV.

Watch the full episode above or listen to it below.

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On March 2, 2023, final Oscar voting

You have to be doing something awfully well for a lot of years to be known by your acronym. TIFF, or the Toronto International Film Festival , certainly qualifies. It has become the first must-attend event of the fall season for most US, European and, increasingly, Asian film professionals.

This year, TIFF drew over 5,000 industry delegates, a record breaker for the festival, and among them were 1,900 buyers. On the festival’s final day, it was announced that over 35 films had been sold internationally, including such docs as National Gallery, Frederick Wiseman’s incisive look at Britain’s prestigious art museum; Tales of a Grim Sleeper, Nick Broomfield’s dark study of a Los Angeles serial killer; The Look of Silence, Joshua Oppenheimer’s powerful follow-up to The Act of Killing; Sunshine Superman, Marah Strauch’s revelatory BASE-jumping feature; and The Price We Pay, Harold Crooks’ muckraking exposure of the corrupt global economy.

The documentary section of TIFF clearly benefits from the overall appeal of the festival. With huge attendance at screenings, healthy government support for both the public and industry sides of TIFF and increasing global coverage of the festival, it’s no wonder that just about anyone making a feature documentary targets Toronto in September as a great time to premiere their film.

As always, the selection of documentaries was top-notch. Besides the five films already cited, TIFF Docs included a duo centering on climate change, The Yes Men Are Revolting and Merchants of Doubt; a diverse quartet on the war zone that is the Middle East—This is My Land, The Wanted 18, Silvered Water, Syria Self Portrait and Iraqi Odyssey; two very different looks into Africa- National Diploma, the Congo-based indictment of corruption, and Beats of the Antonov, the People’s Choice Documentary Award-winning study of war and music in Sudan; a pair of films set in Asia–Monsoon and I Am Here; as well as docs taking place in Canada (Trick or Treaty?), Italy (Natural Resistance), Russia (Red Army) and the US (Seymour: An Introduction).

 

Besides offering viewers a nice opportunity to armchair-travel around the world, nothing much held the films together. But then, film programming for festivals isn’t the same as curating for a cinematheque. The philosophy of programming for an event like TIFF amounts to “find the best new films out there, and please don’t repeat themes or stories in too obvious a manner.” What’s wonderful for someone at TIFF—or the Berlinale or Cannes or Sundance or IDFA—is that everyone wants to submit to you and your festival; no salesmanship is necessary.

Jonathan Nossiter, whose Natural Resistance combined ecological concerns about making chemical and additive free wine with a quirky set of clips from older Italian films, would surely attest that some years produce vintage grapes and excellent libations. So it is with films and it’s clear that this is a good year for feature docs. The range was astonishing.

Take Sturla Gunnarsson’s Monsoon, for example. It is a gloriously pictorial meditation on India, emphasizing the extreme contrasts in a land of deserts and floods, mountaintops and verdant farmland, cities teeming with humanity and villages where no one is a stranger to their neighbors. Using the immense chaos that the monsoon engenders, Gunnarsson has been able to convey some of the complexity of one of the greatest countries in the world.

From Sturla Gunnarsson's Monsoon.   

Lixin Fan’s I Am Here has already been released in China, where it grossed over $1 million at the box office. The film focuses on a “Chinese Idol” reality show called Super Boy, which pits ten young men against each other to deliver the greatest performance of the TV season. Millions watch Super Boy, and the contestants are hounded like true celebrities—at least for a while. Fan got to spend time with the young men, who are an appealing, almost naïve group. Contrasting upbeat, high-tempo songs with amazing production values to the quietly intense life that the boys spend training for their TV appearances, Fan is able to convey a sense of the unreality of the situation—and its potential for triumph or heartbreak.

In Merchants of Doubt, Robert Kenner follows up his controversial and very well reviewed feature doc Food, Inc. with an unsparing attack on those in the US who oppose legislation to stop climate change. Kenner is adept at structuring arguments in ways that are witty and devastating; he is a fine essayist and polemicist. Like Food, Inc., Merchants of Doubt is based on a book, this time by Naomi Oreskes and Eric M. Conway.

Kenner foregrounds Merchants of Doubt with repeated appearances of a magician, Jamy Ian Swiss, who demonstrates how tricks are created by misdirection. Kenner shows how tobacco companies used the same technique for decades to “blow smoke” over correct allegations that cigarettes are harmful to people’s health.

Misdirection, the film makes clear, is being applied now to climate change. Kenner points out that the vast majority of scientists believe that climate change is happening but certain figures in US politics, bolstered by oil and gas money, are causing enough doubt in the public’s mind to prevent legislation from occurring. Merchants of Doubt is a powerful indictment of gas and oil companies, the beneficiaries of the “debate” that is still happening today.

The Wanted 18 tackles another major topic—the conflict between Israeli authorities and the Palestinians. Set during the first Intifada in the late 1980s, the film relates one of those crazy documentary stories that can only work because it’s true. With the Israeli occupation at its height, Palestinians in the West Bank town of Beit Sahour were bereft of dairy products. Town leaders bought 18 cows and set up a collective farm to answer a basic need-to have milk.

The Israelis tried to seize the cows, only to find that they’d disappeared into the mountains and rough terrain in the area. Countless attempts proved unsuccessful as the cows and their Palestinian farmers became masters at finding new, inaccessible spots where they could hide—leaving the milk to flow and the Israelis to become angrier and angrier. This amazing tale is recreated by Palestinian artist Amer Shomali and veteran Canadian doc director Paul Cowan, using stop-motion animation, interviews and drawings to illustrate how people can survive nearly anything if they have imagination and faith.

From Amer Shomali and Paul Cowan's The Wanted 18 

The strongest film I saw at TIFF was The Look of Silence, Joshua Oppenheimer’s documentary about Adi, an optometrist who decides to confront the killers of Ramli, an older brother he never met but whose memory was worshipped by his parents. Like so many others, Ramli was accused of being a Communist and brutally murdered in the mid-1960s, when Indonesia destroyed its democratic left, at the behest of the US government. This documentary couldn’t have been better cast: Adi is perfect as the anonymous accuser of Indonesian “heroes”—murderers who feign remorse and refuse to take any moral responsibility for their actions. When Adi’s quiet, determined mien transforms into a scowl with his eyes aflame, the former death squad members get angry and threaten him with violence if he doesn’t abandon his “communist” line of thinking. Few films have ever exposed the face of evil so effectively, or as aesthetically. This unofficial sequel to The Act of Killing is brilliant.

From Joshua Oppenheimer's The Look of Silence  

Oppenheimer was the highlight of the Doc Conference, speaking passionately and poetically about his experiences working in Indonesia. Filmmaker Astra Taylor (Zizek!) was also provocative and well spoken, offering a somewhat jaundiced view of the Internet and its power to influence democratic thought. The Conference ended with Hot Docs Forum Director Elizabeth Radshaw presenting the results of an audience survey conducted by Hot Docs. Her takeaways were clear: viewers of docs are highly educated and mainly female, and would support more documentaries if they knew where to find them.

The task ahead in Toronto is obvious: figure out how to attract a public when Hot Docs and TIFF Docs aren’t in town. Easier said than done.

Based in Toronto, Marc Glassman is editor of Point of View magazine and Montage magazine.

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You have to be doing something awfully

While SARS-CoV-2 has dominated headlines for the past few years, other viruses have been simmering in the background. And with most of COVID-19’s infection control measures (like mask-wearing, isolation, and physical distancing) now gone in the U.S., those viruses are starting to roar back again.

The U.S. has already seen spikes in RSV and influenza, and now norovirus cases are inching upward, according to the latest data from the U.S. Centers for Disease Control and Prevention (CDC). Unlike SARS-CoV-2, RSV, and influenza, norovirus is not a respiratory pathogen but instead causes problems in the gastrointestinal tract. Each year, the U.S. has about 2,500 outbreaks that typically occur during the winter months from November to April, leading to 19 to 21 million cases of illness and nearly half a million emergency-room visits. Young children and older people are the most vulnerable to serious complications from the infections, leading to 100,000 hospitalizations and 900 deaths annually.

The CDC tracks norovirus cases through the National Respiratory and Enteric Virus Surveillance System (NREVSS), which receives reports of positive norovirus tests from clinical labs and state and local state health departments from around the country. Since mid-January, the three-week average of percent of positive tests has jumped from 10.5% to 15% in the first week of February.

Because norovirus infections aren’t one of the required diseases for state health departments to report to the CDC, given that most people aren’t tested for it, the agency also tracks the virus via outbreaks through its Norovirus Sentinel Testing and Tracking network (NoroSTAT). The network includes data on outbreaks—which the CDC defines as two or more cases resulting from a common exposure or source that lab tests have confirmed are due to norovirus, or that doctors suspect are caused by norovirus—from 14 state health departments. In January 2023—the most recently recorded data—NoroSTAT reported a sharp increase from 15 to 26 outbreaks of norovirus. Overall, there have been more outbreaks this year compared to last year, when numbers were low because pandemic protocols such as mask-wearing and social distancing likely hampered the virus’ ability to spread. That suggests that the recent upticks this year are likely a resetting back to pre-pandemic cycles of infections. Still, when looked at over trends from the past decade, says a CDC spokesperson, “reported norovirus outbreaks and reported cases from both state health departments and clinical laboratories are increasing but remain within the expected range for this time of year.”

“I do think we getting back to pre-pandemic epidemiology of many these viruses,” says Dr. Camille Sabella, director of the center for pediatric infectious diseases at Cleveland Clinic Children’s.

Here’s what you need to know about norovirus.

What is norovirus?

Norovirus belongs to a family of viruses called Caliciviridae and—like SARS-CoV-2—are made up of single strands of the genetic material RNA. There are dozens of different variants of norovirus, also known as the stomach flu or viral gastroenteritis.

The virus is very contagious and spreads quickly among infected people via close contact, touching infected surfaces such as doorknobs and handles, and sharing food and utensils.

Where does norovirus come from?

Unlike many other viruses, norovirus does not sequester in animals and jump to people, but persists and predominantly spreads in people. “The reservoir for norovirus is always humans or human waste material,” says Lee-Ann Jaykus, professor of food bioprocessing and nutrition sciences at North Carolina State University. A gram of infected feces can contain billions of virus particles, and it only takes anywhere from 10 to 1,000 particles to make someone sick. The virus can survive in water sources for long periods of time, so anywhere sewage or bilge is dumped, there’s a good chance of finding the virus. “If you go to all the water sources in the country, and ask what the potential is to get some amount of norovirus genomes, it’s pretty high,” says James Samuel, department head of microbial pathogenesis and immunology at Texas A&M School of Medicine.

That includes water feeding into areas where shellfish grow. As filter feeders, mollusks and oysters can harbor the virus and sicken people who eat them. The most recent norovirus outbreak reported by the CDC occurred among oysters in Galveston Bay, Texas in December.

And once someone gets infected, the virus’ high contagiousness means outbreaks occur most commonly in group settings, most famously on cruise ships where people are in close quarters for lengthy periods of time and shared surfaces may not be sanitized frequently. But these exposures only account for about 1% of norovirus outbreaks in the country; the majority occur in places such as hospitals and long-term care facilities, restaurants and catered events like weddings, schools, and childcare centers.

What are the symptoms?

The stomach flu causes vomiting, diarrhea, and queasiness. Some people experience stomach pain and fever, and symptoms usually start anywhere from 12 to 48 hours after infection. Most people feel sick for about one to three days.

Can I be tested for norovirus?

Doctors can perform a test, but it requires a stool sample. Such sampling is mostly done by research scientists tracking an outbreak. “We don’t commonly test for these viruses in most individuals,” says Sabella. “When we see these patients, usually from the case history it’s very clear that viral gastroenteritis is likely.” Because the virus spreads so quickly, if family members all experience the same symptoms in close proximity, for example, doctors will suspect norovirus or a similar viral infection.

How norovirus is treated

There is no vaccine or treatment for norovirus, but the infection is a good candidate for one, says Samuel. The recent success of using mRNA technology in the COVID-19 vaccines should lead to a push for using the same platform for a norovirus vaccine. “There is going to be a renaissance, I predict, in terms of vaccines using mRNA against a number of different diseases,” he says, including the stomach flu.

When it comes to treatments for norovirus, the need may not be as urgent, since most people recover from the symptoms in 48 to 72 hours—so antiviral development isn’t as robust. “While there are many different viruses that cause gastroenteritis, the majority of the time it’s not important to know what specific virus is causing symptoms because the treatment is generally the same,” says Sabella. Doctors advise people to drink plenty of liquids, since vomiting and diarrhea and lead to dehydration. In some cases, they may recommend anti-nausea medications to ease symptoms.

How to protect yourself from norovirus

Norovirus is more difficult to eliminate than SARS-CoV-2. Start with the same infection control measures for COVID-19, but keep these additional things in mind:

  • Wash your hands with soap and water, not hand sanitizer, frequently. Hand sanitizers won’t inactivate norovirus, says Jaykus, but the physical act of washing your hands, plus the soap and running water, can remove more virus.
  • Wash fruits and vegetables thoroughly before eating.
  • Cook seafood to at least 145°F.
  • Try to isolate and sanitize shared surfaces if someone in your household is infected. If there is feces or vomit on the surface, clean it first before disinfecting it, since disinfecting agents don’t work as well in the presence of organic material.

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Kimberly Stewart shared a sweet family photo from her recent trip to Puerto Rico on Thursday, February 9. The actress, 43, shared a photo of herself posing alongside her daughter Delilah Genoveva, 11, her dad Rod Stewart, 78, and Delilah’s dad Benicio del Toro, 55. The whole family smiled in the sweet shot from Kimberly’s Instagram, which she captioned with a heart emoji.

Making a rare appearance, Delilah smiled between her parents, sporting an olive green outfit. Kimberly rocked a pink, colorful mini-dress, while Benicio wore a plaid shirt and blazer. Rod went for one of his classic white blazers and black slacks for the family outing.

Kimberly gave more of a peak at their trip on her Instagram Stories, with photos taken in the clouds during their flight, as well as shots of some of the sights that they saw and the beautiful architecture down in Puerto Rico. She also shared another cute selfie of herself and Delilah cozying up to each other.

The rockstar’s daughter occasionally posts photos of herself and Delilah, especially around the holidays, but it’s rare for them to include Benicio, because Kimberly and The Usual Suspects actor aren’t a couple, but it’s clear they’re excellent co-parents, who have no issue taking a vacation as a family.

Rod relaxes with Kimberly, Delilah and his wife Penny Lancaster on vacation. (Shutterstock)

Kimberly is Rod’s second child, who the British rocker had with his first wife Alana Collins. The “Maggie May” singer has seven other children. Delilah is also the rocker’s first (and for now) only grandchild, but Rod will be getting another grandchild soon, when his fourth child Ruby gives birth to her first baby, which she has announced is a boy.

Rod’s daughter Ruby announced she was pregnant with her fiancé Jake Kalick’s son in a January Instagram post. “Out of all of the things that happened in 2022 you were by far the most beautiful…We can’t wait to meet you,” she wrote. “Baby boy Kalick coming in April.” Ruby announced that she and Jake got engaged in another post later in January.

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View gallery Image Credit: Shutterstock Kimberly Stewart shared a sweet

The days of having several programs installed on your computer for RGB devices may be coming to an end. The latest public test build of Windows 11 seems to have software that allows users to directly control RGB settings through the OS itself.

First found by Twitter user Albacore and reported on by The Verge, the settings interface includes options for controlling brightness, lighting effects, speed, and colors — there’s even an option for matching RGB lighting to the Windows color palette. By allowing users to augment their own lighting through the OS, there would no longer be any need to download programs from device manufacturers to change those settings.

Full-screen third-party widgets are also coming to Windows 11, as they were included in an OS build from the Insider’s Program back in September 2022. 

What does this mean for PC users?

Though RGB lighting is visually appealing and can make typing at night much easier, having to download bloatware software for each and every PC gaming device can be annoying.

And while Windows 11 can be divisive, these new settings would clean up so much wasted space. Hopefully, if this turns out to be successful enough, Microsoft will consider expanding these options to changing HPI and polling rates in the best gaming mouse, programming macros for the best gaming keyboard, and other settings currently restricted to manufacturer programs.

Combined with the third-party widgets feature that’s still being developed, it’s nice to see Microsoft testing out popular features that would improve the Windows 11 experience. Here’s hoping this will be a lasting trend from the tech giant.

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The days of having several programs installed

Paramount on Friday revealed its 30-second Super Bowl commercial trailer for Dungeons & Dragons: Honor Among Thieves, the action comedy that rolls the dice on an adaptation of the iconic Hasbro role-playing game. It hits theaters March 31.

Chris Pine, Michelle Rodriguez, Regé-Jean Page, Justice Smith, Sophia Lillis, Chloe Coleman, Daisy Head and Hugh Grant star in the pic, which centers on a band of unlikely adventurers who undertake an epic heist to retrieve a lost relic. Things go dangerously awry when they run afoul of the wrong people. 

RELATED: Watch All Of This Year’s Super Bowl Commercials

Jonathan Goldstein & John Francis Daley directed the script they wrote with Michael Gilio.

The Super Bowl ad treatment is the latest big push for the D&D movie, after the Paramount and eOne pic was slotted into the opening-night position at SXSW, where it will mark its world premiere March 10.

Producers are Jeremy Latcham, Brian Goldner and Nick Meyer. Denis L. Stewart, Goldstein, Daley, Pine, Zev Foreman and Greg Mooradian are executive producers.

When the first trailer premiered at Comic-Con last summer, Grant noted the film has s “a Monty Python sensibility.” More is expected of it for sure than a 2000 movie take on the game, with Goldstein saying “there are characters from the Lore as well which will provide a runway into multiple films.”

Check it out above.

Fox’s coverage of the Super Bowl on Sunday begins at 10 a.m. PT/1 p.m. ET, with kickoff at 3:30 p.m. PT/6:30 p.m. ET.

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Paramount on Friday revealed its 30-second Super

About The Author

Andrew Jeffrey joined Realscreen in 2021 as its news editor. Here, he helps to oversee assignment, reporting and editing for Realscreen’s daily newsletter. Prior to his work covering documentary and non-fiction film and TV, he worked as a reporter and associate producer for CBC Edmonton, and as a reporter for The Star Calgary, where he covered daily news on beats such as local and provincial politics, health care and harm reduction, sports and education. His work has appeared in other Canadian news outlets such as TVO, the Edmonton Journal and Avenue Magazine.

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Last Updated: February 10, 2023, 22:00 IST

Here are some of the top entertainment news of the day

Kiara Advani and Sidharth Malhotra tied the knot in Jaisalmer in the presence of their family members. Rakhi Sawant talked up about Adil’s alleged extramarital affair and said that she wants him to be punished.

Kiara Advani has dropped a dreamy video from her wedding with Sidharth Malhotra. Sidharth Malhotra and Kiara Advani tied the knot in Jaisalmer, Rajasthan, on February 7 after three years of dating. After sharing the first pictures from their wedding, the Shershaah co-stars have now posted a stunning video from their D-Day.

Also Read: Sidharth Malhotra in Tears As Kiara Advani Makes Entry on Ranjha in Wedding; Couple Shares A Kiss

Rakhi Sawant, whose estranged husband Adil Khan Durrani has been arrested after an assault case filed by her, has said that she doesn’t want him to be out on bail. The actress, in her recent interaction with media on Friday, talked up about Adil’s alleged extramarital affair and said that she wants him to be “punished” for what he has done to her.

Also Read: Rakhi Sawant Doesn’t Want Adil Khan Durrani to Get Bail, Says ‘Jo Unhone Mere Saath…’

Universal Pictures has dropped a terrific teaser of Fast X on Twitter. The studio is all set to release the 10th and penultimate instalment in the Fast Saga on May 19. The catchy teaser gives fans a first peek at two of the highly-anticipated new arrivals to the blockbuster action series, Jason Momoa and Brie Larson.

Also Read: Fast X Teaser: Jason Momoa, Brie Larson Burn Up The Screen, Join Vin Diesel, Others in Latest Instalment

Showing no signs of slowing down, Shah Rukh Khan and Deepika Padukone’s Pathaan is on a record-breaking spree at the box office. The film, in its third week of release, has already entered the 400-crore club. Now, film trade analyst Taran Adarsh has revealed that Siddharth Anand’s directorial has 450 crore collection insight just for its Hindi version. This is just the day after, Yash Raj Films declared that Pathaan has already earned Rs 452.95 crore net at the Indian box office, on Thursday, February 9.

Also Read: Pathaan: Shah Rukh Khan’s Film Packs Solid Punch In Week 2, Mints Rs 458.90 Cr Nett in India

When the stamp of Raj Nidimoru and Krishna DK, better known as Raj and DK is printed on a project, you can’t help but set expectations from it. If the format is a series, it makes the hype all the more high, thanks to The Family Man. Farzi does carry the burden of expectations of the hit series but after eight hours of binge-watching, I realised that while The Family Man has its own benchmark, Farzi tries and almost successfully leaves a mark of its own.

Also Read: Farzi Review: Shahid Kapoor And Vijay Sethupathi’s Fake ‘Money Heist’ Is Worth Bingeing

Read all the Latest Movies News here

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Last Updated: February 10, 2023, 22:00 ISTHere

Dungeons & Dragons: Honor Among Thieves is bringing a little fantasy to the Super Bowl. Paramount and eOne have unveiled the Super Bowl spot for the film, inspired by the popular roll-playing game.

Chris Pine, Regé-Jean Page, Michelle Rodriguez and Sophia Lillis star in the feature, which is from writer-directors Jonathan Goldstein and John Francis Daley. The duo are known for their comedic chops as the directors of Game Night, and they bring that sensibility to the fantasy realm in the movie. Hugh Grant, who also stars in the film, has compared the comedy to that of the classic film Monty Python and the Holy Grail. The film is a big swing, as fantasy has not generally been successful at the box office over the past decade.

Dungeons & Dragons is due out in theaters March 31, and will have its debut next month at the SXSW festival in Austin, Texas.

D&D has had a resurgence in pop culture in recent years, thanks in part to the ’80s-set Netflix series Stranger Things, which has incorporated it into its plotline. There is also a D&D show in the works at Paramount+ that is not related to the new film, as well as a documentary feature.

“I have been an avid player since I was 14 years old when I acted on the show Freaks & Geeks,” co-director Daley said at San Diego Comic-Con last year. “Anyone who plays D&D knows it’s not just a game. It is the feeling you get when you play the game.”

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Dungeons & Dragons: Honor Among Thieves is

Penn Badgley’s Joe Goldberg has had his share of romantic obsessions, from Elizabeth Lail’s Guinevere Beck to Victoria Pedretti’s Love Quinn. But in the new episodes of You season 4 that hit Netflix this week, his character—now going by the alias Jonathan Moore—will be getting less hot and heavy with the women in his web. 

That’s at the request of Badgley himself, he recently revealed in a bonus episode of his podcast, Podcrushed. “I asked Sera Gamble, the creator, ‘Can I just do no more intimacy scenes?’” the former Gossip Girl actor explained. “This is actually a decision I had made before I took the show [in 2018]. I don’t think I had ever mentioned it publicly, but one of the main things is like, Do I want to put myself back in a career path where I’m just always a romantic lead?”

Penn Badgley as Joe and Charlotte Ritchie as Kate in season 4 of You. 

© 2022 Netflix, Inc.

Another factor in Badgley’s decision was his five-year marriage to Domino Kirke, with whom he shares a son, James. “Fidelity, in every relationship, and especially my marriage, is important to me,” he continued. “And it just got to that point where I don’t want to do that.” Gamble “didn’t even bat an eye” at his request, Badgley said. “She was very glad that I was that honest. She had a really positive response. They came back with a phenomenal reduction.” 

Badgley did, however, understand that to deescalate Joe’s sexual appetite “from 100 to zero” would be disingenuous. In this season’s storyline, the character flees his suburban life in California for a fresh start in London, where he’s working as a writing professor and getting cozy with a group of wealthy British socialites being terrorized by a mysterious killer. And—surprise, surprise—Joe’s lust eventually comes into play. “I signed this contract, I signed up for this show, I know what I did,” Penn Badgley concluded. “You can’t take this aspect out of the DNA of the concept.”

This article first appeared on Vanity Fair.


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Penn Badgley’s Joe Goldberg has had his

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Eddie Murphy is one of the greatest stand-up comics and movie stars of all time!

The Oscar-nominated actor’s films have grossed over $6 billion dollars at the box office, and he recently received the prestigious Cecil B. Demille Award from the Hollywood Foreign Press at the 2023 Golden Globes.

Murphy has the new Netflix comedy ‘You People‘ with Jonah Hill premiering on January 27th, and he just wrapped production on the long-awaited sequel, ‘Beverly Hills Cop: Axel Foley,’ where he will reprise his signature role, which is also scheduled to stream on Netflix later this year.

In honor of Murphy’s Cecil B. Demille Award and the release of ‘You People,’ Moviefone has compiled a list of the 30 best Eddie Murphy movies of all-time!

Let’s begin!


30. ‘I Spy‘ (2002)

When the Switchblade, the most sophisticated prototype stealth fighter created yet, is stolen from the U.S. government, one of the United States’ top spies, Alex Scott (Owen Wilson), is called to action. What he doesn’t expect is to get teamed up with a cocky civilian, World Class Boxing Champion Kelly Robinson (Murphy), on a dangerous top secret espionage mission. Their assignment: using equal parts skill and humor, catch Arnold Gundars (Malcolm McDowell), one of the world’s most successful arms dealers.

I Spy

I Spy

“Attitude meets espionage.”

54

PG-131 hr 37 minOct 31st, 2002


A spoof of buddy cop movies where two very different cops (Murphy and Robert De Niro) are forced to team up on a new reality based T.V. cop show.

Showtime

Showtime

“Lights. Camera. Aggravation.”

55

PG-131 hr 35 minMar 14th, 2002


For the past four years, San Francisco cop Jack Cates (Nick Nolte) has been after an unidentified drug kingpin who calls himself the Ice Man. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond (Murphy), who is scheduled to be released from prison on the next day.

Another 48 Hrs.

The King of Far Far Away (John Cleese) has died and Shrek (Mike Myers) and Fiona (Cameron Diaz) are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.

Shrek the Third

“He’s in for the Royal Treatment.”

63

PG1 hr 33 minMay 17th, 2007


Maximillian (Murphy), the lone survivor of a race of vampires, comes to Brooklyn in search of a way to live past the next full moon. His ticket to survival is Rita (Angela Bassett), a NYPD detective who doesn’t know she’s half vampire — and Maximillian will do whatever’s necessary to put her under his spell.

Vampire in Brooklyn

Arsenio Hall and Eddie Murphy in Prime Video's 'Coming 2 America.'

Amazon Studios

Prince Akeem Joffer (Murphy) is set to become King of Zamunda when he discovers he has a son he never knew about in America – a street savvy Queens native named Lavelle (Jermaine Fowler). Honoring his royal father’s (James Earl Jones) dying wish to groom this son as the crown prince, Akeem and Semmi (Arsenio Hall) set off to America once again.


A successful physician and devoted family man, John Dolittle (Murphy) seems to have the world by the tail, until a long suppressed talent he possessed as a child, the ability to communicate with animals is suddenly reawakened with a vengeance! Now every creature within squawking distance wants the good doctor’s advice, unleashing an outrageous chain of events that turns his world upside down!

Doctor Dolittle

Doctor Dolittle

“He doesn’t just talk to the animals!”

57

PG-131 hr 25 minJun 26th, 1998


Shrek (Mike Myers), Fiona (Cameron Diaz) and Donkey (Murphy) set off to Far, Far Away to meet Fiona’s mother (Julie Andrews) and father (John Cleese). But not everyone is happy. Shrek and the King find it hard to get along, and there’s tension in the marriage. The fairy godmother (Jennifer Saunders) discovers that Shrek has married Fiona instead of her Son Prince Charming (Rupert Everett) and sets about destroying their marriage.

Shrek 2

“Once upon another time…”

72

PG1 hr 33 minMay 19th, 2004


22. ‘Life‘ (1999)

Two men (Murphy and Martin Lawrence) in 1930s Mississippi become friends after being sentenced to life in prison together for a crime they did not commit.

Life

Life

“Share it with someone you love.”

66

R1 hr 48 minApr 16th, 1999


The hilarity begins when professor Sherman Klump (Murphy) finds romance with fellow DNA specialist, Denise Gaines (Janet Jackson), and discovers a brilliant formula that reverses aging. But Sherman’s thin and obnoxious alter ego, Buddy Love, wants out…and a big piece of the action. And when Buddy gets loose, things get seriously nutty.

Nutty Professor II: The Klumps

Universal Pictures

Universal Pictures

A luxury condo manager (Ben Stiller) leads a staff of workers to seek payback on the Wall Street swindler who defrauded them. With only days until the billionaire gets away with the perfect crime, the unlikely crew of amateur thieves enlists the help of petty crook named Slide (Murphy) to steal the $20 million they’re sure is hidden in the penthouse.

Tower Heist

“Ordinary guys. An extraordinary robbery.”

61

PG-131 hr 44 minNov 4th, 2011


A bored and domesticated Shrek (Mike Myers) pacts with deal-maker Rumpelstiltskin (Walt Dohrn) to get back to feeling like a real ogre again, but when he’s duped and sent to a twisted version of Far Far Away—where Rumpelstiltskin is king, ogres are hunted, and he and Fiona (Cameron Diaz) have never met—he sets out to restore his world and reclaim his true love.


18. ‘Metro‘ (1997)

Roper (Murphy), a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber (Michael Wincott) escapes and immediately goes after the man who put him behind bars.

Metro

Metro

“San Francisco’s top police hostage negotiator is about to get more than he ever bargained for.”

57

R1 hr 57 minJan 16th, 1997


A Florida con man (Murphy) uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the money flows from lobbyists. But soon he learns the nature of the game and decides to fight back the only way he knows how, with a con.

The Distinguished Gentleman

The Distinguished Gentleman

“From con man to congressman”

61

R1 hr 52 minDec 4th, 1992

A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise,… Read the Plot


Marcus (Murphy) is a successful advertising executive who woos and beds women almost at will. After a company merger he finds that his new boss, the ravishing Jacqueline (Robin Givens), is treating him in exactly the same way. Completely traumatised by this, his work goes badly downhill.

Boomerang

Boomerang

“A player who’s about to be played.”

57

R1 hr 57 minJun 30th, 1992


15. ‘Mulan‘ (1998)

Walt Disney Pictures

Walt Disney Pictures

To save her father (Soon-Tek Oh) from certain death in the army, a young woman named Mulan (Ming-Na Wen) secretly enlists in his place and becomes one of China’s greatest heroines in the process. Murphy plays Mushu, a Chinese dragon that is Mulan’s sidekick.

Mulan

Mulan

“Courage. Family. Honor.”

79

G1 hr 28 minJun 19th, 1998


‘Sugar’ Ray (Richard Pryor) is the owner of an illegal casino where he and his son Quick (Murphy), must contend with the pressure of vicious gangsters and corrupt police who want to see them go out of business. In a world of organized crime and police corruption in the 1920s, any dastardly trick is fair.

Harlem Nights

Harlem Nights

“They’re up to something big.”

61

R1 hr 56 minNov 17th, 1989


After a Tibetan boy, the mystical Golden Child (J. L. Reate), is kidnapped by the evil Sardo Numspa (Charles Dance), humankind’s fate hangs in the balance. On the other side of the world in Los Angeles, the priestess Kee Nang (Charlotte Lewis) seeks the Chosen One, who will save the boy from death. When Nang sees social worker Chandler Jarrell (Murphy) on television discussing his ability to find missing children, she solicits his expertise, despite his skepticism over being “chosen.”

The Golden Child

The Golden Child

“Eddie Murphy is the chosen one.”

59

PG-131 hr 34 minDec 12th, 1986


On the run from a lethal assassin, a wily con artist (Frank Grillo) devises a scheme to hide out inside a small-town police station. However, when the hit man (Butler) turns up at the precinct, an unsuspecting rookie cop (Alexis Louder) finds herself caught in the crosshairs.

Beverly Hills Cop II

Eddie Murphy delights, shocks and entertains with dead-on celebrity impersonations, observations on ’80s love, sex and marriage, a remembrance of Mom’s hamburgers and much more.

Eddie Murphy Raw

Freestyle Releasing

Freestyle Releasing

A unique friendship develops when a little girl (Britt Robertson) and her dying mother (Natascha McElhone) inherit a cook – Mr. Church (Murphy). What begins as an arrangement that should only last six months, instead spans fifteen years.

Mr. Church

“He was the one person she could always count on.”

74

PG-131 hr 44 minSep 16th, 2016


9. ‘Shrek‘ (2001)

DreamWorks Pictures

DreamWorks Pictures

It ain’t easy bein’ green — especially if you’re a likable (albeit smelly) ogre named Shrek (Mike Myers). On a mission to retrieve a gorgeous princess (Cameron Diaz) from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot — a wisecracking donkey (Murphy).

Shrek

Shrek

“The greatest fairy tale never told.”

77

PG1 hr 30 minMay 18th, 2001


Paramount Pictures

Paramount Pictures

A snobbish investor (Dan Aykroyd) and a wily street con-artist (Murphy) find their positions reversed as part of a bet by two callous millionaires (Ralph Bellamy and Don Ameche).

Trading Places

Trading Places

“They’re not just getting rich… They’re getting even.”

72

R1 hr 56 minJun 7th, 1983


Universal Pictures

Universal Pictures

On the verge of bankruptcy and desperate for his big break, aspiring filmmaker Bobby Bowfinger (Steve Martin) concocts a crazy plan to make his ultimate dream movie. Rallying a ragtag team that includes a starry-eyed ingenue (Heather Graham), a has-been diva (Christine Baranski) and a film studio gofer (Jamie Kennedy), he sets out to shoot a blockbuster featuring the biggest star in Hollywood, Kit Ramsey (Murphy) — only without letting Ramsey know he’s in the picture.

Bowfinger

Bowfinger

“The con is on.”

62

PG-131 hr 37 minAug 12th, 1999


Universal Pictures

Universal Pictures

Eddie Murphy stars as shy Dr. Sherman Klump, a kind, brilliant, ‘calorifically challenged’ genetic professor. When beautiful Carla Purty (Jada Pinkett Smith) joins the university faculty, Sherman grows desperate to whittle his 400-pound frame down to size and win her heart. So, with one swig of his experimental fat-reducing serum, Sherman becomes ‘Buddy Love’, a fast-talking, pumped-up, plumped down Don Juan.

The Nutty Professor

The Nutty Professor

“Inside Sherman Klump, a party animal is about to break out.”

56

PG-131 hr 35 minJun 26th, 1996


DreamWorks Pictures

DreamWorks Pictures

A trio of female soul singers (Beyoncé Knowles, Anika Noni Rose and Jennifer Hudson) cross over to the pop charts in the early 1960s, facing their own personal struggles along the way. Murphy received an Oscar-nomination for Best Supporting Actor for his performances as James (Jimmy) “Thunder” Early.

Dreamgirls

“All you have to do is dream.”

68

PG-132 hr 14 minDec 25th, 2006


Paramount Pictures

Paramount Pictures

A hard-nosed cop (Nick Nolte) reluctantly teams up with a wise-cracking criminal (Murphy) temporarily paroled to him, in order to track down a killer (James Remar).

48 Hrs.

48 Hrs.

“One Cop. One Con. No Mercy.”

67

R1 hr 36 minDec 7th, 1982


Eddie Murphy

Netflix

The story of Rudy Ray Moore (Murphy), who created the iconic big screen pimp character Dolemite in the 1970s.

Dolemite Is My Name

Paramount Pictures

Paramount Pictures

An African prince (Murphy) decides it’s time for him to find a princess… and his mission leads him and his most loyal friend (Arsenio Hall) to Queens, New York. In disguise as an impoverished immigrant, the pampered prince quickly finds himself a new job, new friends, new digs, new enemies and lots of trouble.

Coming to America

Coming to America

“The four funniest men in America are Eddie Murphy.”

69

R1 hr 57 minJun 29th, 1988


Eddie Murphy in Beverly Hills Cop

Paramount Pictures

The heat is on in this fast paced action-comedy starring Eddie Murphy as Axel Foley, a street smart Detroit cop tracking down his best friend’s (James Russo) killer in Beverly Hills. Axel quickly learns that his wild style doesn’t fit in with the Beverly Hills Police Department, which assigns two officers (John Ashton and Judge Reinhold) to make sure things don’t get out of hand. Dragging the stuffy detectives along for the ride, Axel smashes through a huge culture clash in his hilarious, high-speed pursuit of justice. Also featuring Paul Reiser, Bronson Pinchot and Damon Wayans, ‘Beverly Hills Cop’ is an exhilarating, sidesplitting adventure.

Beverly Hills Cop

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NetflixEddie Murphy is one of the greatest

It’s almost the end of the road for the Fast Saga, as there’s just two more movies planned for Vin Diesel’s Dominic Toretto and his family. As part of the 2023 new movie releases, we’ll be seeing a lot of cars doing things the laws of physics says they shouldn’t be able to do, and that’s just how this series likes it. However, war is coming as well, thanks to Jason Momoa’s heavy having a huge connection to Dominic Tortetto’s past. He also looks like he’s having fun blowing up armored vehicles while on a Harley, as most good villains would.

Universal premiered the first trailer for director Louis Leterrier’s debut in the long-running action franchise, ahead of this weekend’s Super Bowl. Following a week of sharing the trailers to each previous entry in the series, Fast X’s first look arrived with the style you’d expect from this explosive decades-long drama. And it looks like Dom’s greatest foe might be on the table, thanks to Dante (Jason Momoa) seeking vengeance for the events of Fast Five.

The Fast And Furious Release Timeline

(Image credit: Universal Pictures)

While The Fast and the Furious timeline runs a bit weird with how it shows events, here’s the rundown of the order the films were released in:

The Fast and the Furious – 6/22/01
2 Fast 2 Furious
– 6/6/03
The Fast and the Furious: Tokyo Drift
– 6/16/06
Fast and Furious
– 4/3/09
Fast Five
– 4/29/11
Fast & Furious 6
– 5/24/13
Furious 7
– 4/3/15
The Fate of the Furious
– 4/14/17
Fast & Furious presents: Hobbs & Shaw
F9
– 6/25/21
Fast X – 5/19/23
Fast and Furious 11
– TBD

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It’s almost the end of the road

In honor of their 60th anniversary, Marvel Entertainment will be celebrating Earth’s Mightiest Heroes with fans everywhere with an entire year-long lineup of new comics, collectibles, toys, apparel, accessories, home décor, party items, stationery, video series, live experiences, and more.

Marvel HQ is set to kick off the year with two new Avengers short-form video series for kids: ‘MARVEL STUNT SQUAD’, available February 11, and ‘MARVEL MECH STRIKE: MECHASAURS’ this March. Classic and recent Avengers animated series are returning to Disney Plus and new ‘AVENGERS’ comic book series new series will debut this May.

Marvel HQ, Marvel’s official family platform, will first kick off the year of Earth’s Mightiest Heroes with MARVEL’S AVENGERS: STUNT SQUAD on Marvel HQ’s YouTube channel, launching Saturday, February 11! In collaboration with Hasbro, this new motion comics series of shorts will follow genius inventor Tony Stark, aka Iron Man, as he creates a new nanotech launch pad that allows his elite team of Avengers, aka his Stunt Squad, to fly through the air, show off their moves, and perform awesome heroic feats as they take their battles against Marvel’s meanest baddies to delightful new heights! Witness new high-flying adventures featuring Hulk, Black Panther, and Captain Americas Steve Rogers and Sam Wilson. Episodes will release regularly through April 2023, and later this month, Hasbro will bring characters from the shorts to life in a new upcoming toy line.

The Avengers are back in MARVEL MECH STRIKE: MECHASAURS this March, only on Marvel HQ’s worldwide YouTube channels! In this third season of the popular short-form series, Ultron has returned to take over humanity…by sending it back to the PREHISTORIC AGE! When all hope seems lost, Shuri and Iron Man discover a new Mech Strike armor to give them a fighting chance. But will the combined might and ingenuity of the Avengers be enough to save the world? Following the success of the first two Marvel Mech Strike seasons, fans won’t want to miss exciting new MARVEL MECH STRIKE: MECHASAURS episodes, videos and digital activities, toys, collectibles, apparel, and more coming later this year. Stay tuned for more series details soon, and prepare for even more weekly Avengers content on Marvel HQ through 2023 – along with news about Marvel HQ’s biggest chapter yet!

Outside of Marvel HQ, kids and families will also have a chance to dive into a number of classic and recent animated series featuring your favorite Avengers characters returning to Disney XD all year long! Library titles that will be highlighted throughout the year include: “Marvel’s Avengers: Secret Wars,” “Marvel’s Avengers Black Panther’s Quest,” “Marvel’s Guardians of the Galaxy,” “Marvel’s Guardians of the Galaxy Mission: Breakout!,” Marvel’s Spider Man” and “Marvel’s Spider Man Maximum Venom.”

Marvel Comics will also join the celebration this year with an all-new Avengers comic book series, starting with AVENGERS #1 on sale in May! Written by Jed MacKay (Moon Knight) and drawn by Marvel’s Stormbreaker artist C.F. Villa (X-Men), this new era will see Captain Marvel leading a team of some of Marvel’s greatest icons, including Iron Man, Thor, Captain America, Black Panther, Scarlet Witch, and Vision, as they assemble once more to face The Tribulation Events and a new and insidious danger rearing its head: one that the Avengers know all too well, and one that comes to them in the most dangerous of guises – that of a friend.

Since the Avengers first debuted in The Avengers #1 in 1963, Marvel’s iconic team of Super Heroes has stood united against countless threats against humanity. With a continuously changing roster of living legends, the Avengers today are now one of the most recognizable Super Hero teams in pop culture. Join the Avengers’ 60th anniversary celebrations with your favorite Marvel comics, games, shows, collectibles, apparel, and more!

The Avengers’ 60th anniversary campaign, AVENGERS: BEYOND EARTH’S MIGHTIEST, follows the massive success of Marvel’s Spider-Man: Beyond Amazing celebration last year and promises to be bigger than ever before as Marvel marks six decades of its mightiest all-star team and showcases their thrilling storytelling and their inspirational, iconic team ups for fans all around the world.

For more information about Marvel’s Avengers 60th anniversary plans, visit Marvel.com. Families should also subscribe to Marvel HQ’s YouTube Channel to check out original shorts, clips, episodes, behind-the-scenes content and more exciting videos featuring your favorite Marvel heroes. With over 1.9 million subscribers, Marvel HQ is the destination for kids and families to find content from popular series like Marvel’s Moon Girl and Devil Dinosaur, Marvel’s Spidey and his Amazing Friends, Marvel Super Hero Adventures, Marvel’s Avengers Assemble, and more! Visit Marvel HQ’s YouTube Channel or on the YouTube Kids App.

Celebrate 60 years of the Avengers and discover why they are BEYOND EARTH’S MIGHTIEST in 2023! More details about Avengers 60th anniversary plans will be revealed later this year.

In honor of their 60th anniversary, Marvel

Antonia Gentry (Ginny & Georgia) and Haley Lu Richardson (The White Lotus) have been named Ambassadors for the 29th Annual Screen Actors Guild Awards®️. The SAG Awards®️ will be broadcast live on Netflix’s YouTube channel, YouTube.com/Netflix, Sunday, February 26 at 8 p.m. ET / 5 p.m. PT from the Fairmont Century Plaza in Los Angeles.

Ambassadors for the 29th Annual Screen Actors Guild Awards

SAG Awards Ambassadors are actors who exemplify the utmost values of the profession and are positive role models for the next generation of performers. These individuals actively use their platform to advocate for humanitarian and public service endeavors. In this special role, Gentry and Richardson will present on the show, and provide viewers with exclusive behind-the-scenes access to the ceremony. The Ambassadors will also participate in various SAG Awards pre-show events, including the exclusive SAG Awards Ambassador Dinner presented by Campari®️, the Official Spirits Sponsor of the 29th Annual Screen Actors Guild Awards. The dinner will take place on Thursday, February 16 at Michelin-starred Gwen Butcher Shop & Restaurant in Hollywood by SAG Awards Executive Chef Curtis Stone.

Antonia Gentry

Courtesy of Netflix

Antonia Gentry currently stars as the titular character, “Ginny,” in the Netflix hit original series, Ginny & Georgia, which premiered its second season on January 5, 2023. Season one debuted to a record viewership of 52 million subscribers, and season two topped the Netflix charts, with 180.5 million hours viewed in its first week on the streaming platform. Additionally, Gentry earned an MTV Movie & TV Award nomination in the category of “Best Breakthrough Performance” for her role in the first season. Previous credits include a supporting role in the Netflix film Candy Jar and a guest starring role in an episode of Netflix’s Raising Dion. Gentry is a graduate of Emory University, where she majored in English and Creative Writing. She was also a member of the Rathskellar Comedy Improv Group. Gentry is a mental health advocate as demonstrated in her participation in Mental Health America and IDONTMIND’s Our Future In Mind, mental health summit, which offered virtual training for students to learn mental health awareness and advocacy skills. Gentry can be found on social media as @_antoniagentry_ on Instagram.

Haley Lu Richardson

Courtesy of Getty Images

Haley Lu Richardson has quickly emerged as one of the leading young actors of her generation. Richardson stars in the critically acclaimed second season of Mike White’s The White Lotus for HBO, opposite Jennifer Coolidge and Aubrey Plaza. She also starred in Unpregnant, the first feature film for HBO MAX, which was released in 2020. Richardson first came to prominence with her breakthrough performance in Kogonada’s highly acclaimed Columbus, which premiered to rave reviews at the Sundance Film Festival. It was released as a special edition for The Criterion Collection. Richardson stars opposite Colin Farrell in After Yang, which premiered at Cannes. Recently, she can be seen in David Siegel and Scott McGehee’s Montana Story opposite Owen Teague, which premiered at TIFF and she can next be found in ACE Entertainment’s upcoming feature for Netflix, Love At First Sight, with Dexter Fletcher and Ben Hardy. Other notable film credits include Operation Finale for Chris Weitz, Support The Girls for director Andre Bujalski, and The Chaperone for Julian Fellowes, in which she memorably plays a young Louise Brooks. Richardson’s role in Five Feet Apart, the hit motion picture for CBS Films, prompted her to become a supporter of the Claire’s Place Foundation, which provides heart-felt assistance to the families of children and to individuals diagnosed with cystic fibrosis. Richardson can be found on social media as @haleyluhoo on Instagram.

About the 29th Annual Screen Actors Guild Awards®️
The 29th Annual Screen Actors Guild Awards®️, presented by SAG-AFTRA with Screen Actors Guild Awards, LLC will be executive produced by Jon Brockett and produced by Avalon Harbor Entertainment, Inc. The ceremony will be broadcast live on Netflix’s YouTube channel, YouTube.com/Netflix, Sunday, February 26 at 8 p.m. ET / 5 p.m. PT from the Fairmont Century Plaza in Los Angeles. One of awards season’s premier events, the SAG Awards annually celebrates the outstanding motion picture and television performances from the previous calendar year. Of the top industry honors presented to actors, only the SAG Awards are selected entirely by performers’ peers in SAG-AFTRA with 122,600 eligible voters.

Antonia Gentry (Ginny & Georgia) and Haley

Disney Shocks with Surprise Toy Story, Frozen, and Zootopia announcements

Years prior to its release, Disney and Pixar shocked everyone by announcing Toy Story 4.  It seemed like a risky move, given Toy Story 3 provides an amazing end to a trilogy of films.  That said, Toy Story 4 is now a hit, both critically and financially, serving just as effective a conclusion to the films.  Now, however, the question as to whether or not Disney and Pixar should have stopped is being brought back up.

During yesterdays Q1 earnings call, Disney CEO Bob Iger stated, “Today I’m so pleased to announce that we have sequels in the works from our animation studios to some of our most popular franchises, Toy Story, Frozen, and Zootopia.  We’ll have more to share about these productions soon, but this is a great example of how we’re leaning into our unrivaled brands and franchises.”

Of course, this isn’t too surprising a decision when looking at the financial reasoning.  Frozen 2, Toy Story 4, and Zootopia are all billion dollar films.  In addition, Disney’s recent original films have been disappointing at the box office.  Strange World made $73.4 million worldwide against a budget of $135-180.  Encanto, despite finding success on Disney+.  Lightyear, Pixar’s latest high profile film, similarly became a box-office bomb.  Making $226.4 million against a budget of $200 million, Lightyear underwhelmed to say the least.

Storywise, however, that’s a bit of a different story.

Financially a Good Idea, but Storywise?

While Frozen 3 and Zootopia 2 can explore their respective worlds in many new unique ways, taking the characters in bold, new directions, Toy Story 5 could prove to be far more risky.  Toy Story 4 already ran a risk of undoing a perfect ending.  Still, Toy Story 4 managed the impossible, being a strong film and conclusion in its own right.

It’s hard to say how a fifth film could play out realistically.  Toy Story 4 works as it plays with the idea of lost toys(an idea from the original Toy Story), tying that in with Woody no longer having the same sense of purpose or identity without Andy.  Tim Allen has taken to Twitter to announce his return as Buzz Lightyear, seemingly hinting at a reunion with Woody, though that may risk undermining the end of Toy Story 4.  Still, if Toy Story 4 works, who’s to say Toy Story 5 won’t?

Details of these films are still sparse, alongside Tim Allen, Josh Gad also took to Twitter to announce his return as Olaf in Frozen 3.

More details of these films will come at a later time.  Until then, check out each of these franchises on Disney+.

Disney Shocks with Surprise Toy Story, Frozen,

“The Blue Caftan,” the second feature from Moroccan writer-director Maryam Touzani, is not exactly packed with incident. It is basically a standard triangle drama that has been stretched out to an interminable length.

Halim (Saleh Bakri) and his wife Mina (Lubna Azabal) run a store specializing in caftans in Salé, Morocco and hire an apprentice named Youssef (Ayoub Missioui) to work with them. Halim steals looks at Youssef nearly right away, and Mina sees her husband looking. Touzani trains her camera very closely on her characters and rarely lets in any outside influences; the majority of the movie takes place inside the shop and also a nearby bathhouse where Halim goes to have furtive sex with men.

Touzani’s camera follows Halim and another man to a cubicle at the bathhouse but then cuts after they close the door. Some time later in the film, when we see Halim at the bathhouse with another man and the door to their cubicle closes, the camera pans down this time so that we see their feet. In each case, we are kept at arm’s length.

Mina is shown praying and Halim counsels Youssef about the ways of the caftan and the art of fine stitching, or what he calls “the maalem’s centimeter.” Mina observes her husband giving their young employee these fabric tips, so to speak, and it is made clear that they have had other male apprentices who have moved on.

Touzani’s script parcels out information in such a lackadaisical fashion that a misunderstanding between Mina and Youssef over pink satin, which could have been handled in five minutes or less, takes most of the film to resolve and it doesn’t exactly qualify as an intriguing subplot.

We see Mina stroke Halim’s chest in bed at night, which means it is time for them to have bad and emotionally disconnected sex while he stares off into the distance, but the long-married couple are not bad friends. In fact, these two laugh over their customers so much, and Halim is so haughty with them (“It’s not royal blue, it’s petroleum blue!” he cries of the titular caftan), that it’s a wonder they are still in business, and this is before we learn Mina is ill and they have been paying steep medical bills.

Halim keeps saying things to Youssef like, “Put the needle in well,” and Mina will not hear of Halim staying at home to nurse her: “You must finish that caftan!” she tells him. This should all be somewhat comic yet it never quite is. The film does not fall into the familiar cliches of this situation partly because what is actually going on cannot be spoken of until near the end. But the prospect of a confrontation scene, even a cliched one, begins to seem welcome amidst all the close-ups of slow stitching, the warm, vague smiles of complicity between the characters, and all the stolen glances.

“The Blue Caftan” is not helped by the fact that a caftan has a camp connotation in gay American culture that it does not have in Moroccan culture; mainly because of Elizabeth Taylor’s caftan period which ran roughly from 1968 to the early 1980s, and all the camp movies that went with it. Halim works on his “petroleum blue” caftan throughout this film and when we finally see it, with all its gold stitching, it looks exactly like something Taylor could have worn in “Secret Ceremony” or “Boom!”

Youssef finally confesses his love to Halim, but even though we have spent a lot of time observing him he has barely been characterized. When Youssef accompanies his employer to the bathhouse Touzani shows them both getting massages, but we do not see what they do afterward (if they do anything). This feels like a fatal reticence, just as every scene and every close-up of a stitch in “The Blue Caftan” feels like an eternity.

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“The Blue Caftan,” the second feature from

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At least Julia Roberts was invited to the wedding.

I heard myself saying that out loud, rather indignantly, about halfway into “Somebody I Used to Know,” the new wedding-crashing rom-com directed by Dave Franco and starring real-life partner (and co-writer) Alison Brie, in which parallels to “My Best Friend’s Wedding“ come early and often.

Roberts’ crafty Julianne, if you recall, hopped a plane to disrupt the wedding of the guy who got away years ago. But she was greeted with open arms at the airport, not only by the groom but by the blushing bride. Here, Brie’s Ally basically crashes her ex’s nuptial week — to the distress of the bride — creating a scenario which feels a lot meaner. Oh, she’s charming and all, but her mayhem is a lot more devious.

Of course, as these movies go, people end up as their better selves, eventually. But there’s a late, desperate move on Ally’s part in this often entertaining but also hectic and hit-or-miss story that’s so nasty, you just stop rooting for her — and wish Julianne would swoop in, 25 years later, and set her young doppelganger straight.

We first meet Ally, a Hollywood showrunner, as she’s wrapping up the third season of her reality TV show, “Dessert Island” (wherein top chefs compete to create desserts on an island, of course). Ally is great at getting people to admit private stuff on camera. But the show suddenly gets canceled.

Devastated, Ally goes home and cries with her cat, then consults her agent (an amusing Amy Sedaris), who suggests she stick with the dessert theme — maybe a show called “Dis-Hurt Locker,” involving Jeremy Renner and baklava? (Brie and Franco have lots of fun sending up reality TV. Which is much funnier than the cat on the plane with gastric distress.)

Speaking of that cat, Ally and her feline friend hop a plane to her hometown in Washington state, whereupon she walks in on her mom (Julie Haggerty, also amusing) having sex with her 3rd-grade teacher. Escaping to the local bar, she runs into her ex, Sean (a terrific Jay Ellis, both effortlessly charming and vulnerable).

They decide to get a quick bite, which leads to a full night of drinking, square-dancing, eating huge pretzels, guzzling melted cheese, puking from alcohol — you know, all those things you do when you run into your ex. At sunup, Ally suggests the two go home and get even more reacquainted, an offer Sean politely turns down.

Oops! Turns out, he neglected to mention he’s engaged! Ally doesn’t learn this until the next day when, popping by Sean’s family home and catching up with his lovely parents, the mother gives a toast to the soon-to-be newlyweds. Bride-to-be Cassidy (Kiersey Clemons) is ostensibly everything Ally is not, at least now — a free and rather innocent spirit, a punk rock musician, and young, very young.

Anyway, it’s too late, Ally! That’s what old friend Benny (Danny Pudi, in the sort-of Rupert Everett role) tells her, and it’s what anyone would tell her. But, like Roberts’ Julianne, Ally decides it’s not too late to nab the groom out of the jaws of matrimony.

The parallels keep coming — remember that karaoke scene, where Cameron Diaz’s tone-deaf (literally) bride is forced by Julianne to sing, but ends up charming the whole room? Here it’s Ally who is baited by the bride (understandably suspicious of Ally’s motives) into performing before a crowd, with similarly unexpected results.

Cassidy’s suspicions are clear. “You’re not going to pull some Julia Roberts ‘Best Friend’s Wedding’ type (stuff), are you?’ she asks. Why, no, Ally replies. But obviously she is. Soon, Ally’s taken on the role of wedding videographer.

It’s an edgier, much updated plot, in which Brie and Franco try to tie in themes of female empowerment and work-life balance along with serious difficulties each partner had to overcome earlier in their lives. There are also elements of bisexuality and public nudism. It’s a kitchen-sink approach.

Not everything works. Especially perplexing is a half-baked subplot involving one set of parents, and this is where the story lost me, making Ally seem not only selfish but actually rather cruel, and not as smart as we thought. We end up feeling sorry for virtually everyone else.

Ally will redeem herself in other ways, as did Julianne. But the messiness of the plot makes us nostalgic for the source inspiration. As we wind our way to a hectic conclusion, can you blame us for simply wanting to see Roberts put down her enormous 1997 flip phone (how DID that thing ever fit into an evening bag?) and dance with her dashing bestie, George, at the wedding? Check it out on YouTube. Some things don’t get old.

“Somebody I Used to Know,” an Amazon Studios release, has been rated R by the Motion Picture Association of America “for sexual content, graphic nudity, language throughout and brief drug use.“ Running time: 106 minutes. Two stars out of four.

MPAA definition of R: Restricted. Under 17 requires parent or adult guardian.

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At least Julia Roberts was invited to

Good afternoon Insiders, Max Goldbart here. The Berlinale is nearly upon us and plenty has been going down in the film and TV world this week. Read on.

EFM Nears

A welcome return: Berlin’s European Film Market was the last major physical market to take place in 2020 as the world began to shut down with the Covid-19 pandemic taking hold. The virus would force the event online in 2021 and 2022. Finally, this year, the market returns to in-person events, with thousands of industry professionals once again gearing up to descend on the Gropius Bau, the market’s traditional home, for the 2023 edition, running February 16-22.

Heating up: The market has already begun to heat up, with the first of the high-profile packages arriving this week. Mike Fleming had the scoop that Sacha Baron Cohen and Keke Palmer are set to star in Super Toys, a new pic written and directed by David O Russell, while Andreas reported that Jude Law and Nicholas Hoult are attached to lead the true-crime movie The Order, from Australian filmmaker Justin Kurzel (Macbeth) and AGC Studios. Other hot packages include Anthony Hopkins teaming up with Glen Powell (Top Gun: Maverick) for a remake of Argentinian action thriller 4X4 for ZQ Entertainment and Raimi Productions, and Steve Coogan attached to star in The Penguin Lessons, with The Full Monty’s Peter Cattaneo directing from a Jeff Pope screenplay. Meanwhile, Mel broke the news that Canada’s APL Film has acquired sales on Palestinian-Canadian LGBTQ+ drama Polarized and Reel Suspects boarded Belgian Donald Trump-inspired dark comedy Krump. There will be more announcements in the coming days as the industry heads out to Berlin. Keep your eyes peeled for our round-the-clock coverage.

Turkey-Syria Earthquake

Search and rescue efforts continue in Turkey after two huge quakes hit yesterday

Evrim Aydin/Anadolu Agency via Getty Images

Sobering week: A major dose of perspective came following a devastating 7.8 magnitude earthquake in Turkey and Syria that at last count had claimed the lives of at least 21,000 people, according to Reuters. Rescuers are still searching through the rubble for people trapped as we write and desperation is growing. Turkey’s TV and film community has taken action and is supplying financial aid and resources to the victims of the earthquakes, with producers association Tesiyap saying work is taking place “as soon as possible.” “The majority of our member producers shared with us that they took a break from the movie sets for a while to support their charity work,” added a Tesiyap statement. The earthquake has dominated news bulletins over the past few days and has been a sobering reminder of the destruction that can be wrought by natural disasters. The likes of Doctors Without Borders, the Syrian American Medical Society and the White Helmets are collecting aid and donations. For more on how you can help, you can visit Unicef’s website.

‘Aftersun’ Rises

A24/Courtesy Everett Collection

Mubi on up: Indie smash Aftersun has already been showered with BIFA wins, BAFTA noms and a cheeky Oscar nod for beloved Irish heartthrob Paul Mescal and this week it broke new ground for Mubi. Andreas broke the news on Wednesday that Charlotte Wells’ astonishing debut is now the company’s most streamed release globally – not a bad feat given competition includes Portrait Of A Lady On Fire, The Worst Person In The World, Drive My Car and Decision To Leave. Aftersun is in good company on a platform that has nurtured a reputation in recent years for carrying some of the hottest indie pics. In the coming weeks it should overtake Park Chan-wook’s Decision to Leave to become Mubi’s biggest global theatrical release. Since its January 6 launch, the movie has been hailed for its astonishingly confident nature and head-on treatment of issues such as male mental health, and Mescal is an outside bet for the Oscar. Speaking to the BBC’s Today program Thursday, Mescal – who is definitely not British – described the Oscar nom as “absurd”  but said it has provided welcome relief for his family as they go through a difficult time. Ever the likely lad, he joked that even with recognition from the Academy Awards, he will never escape a sausage ad he made in Ireland before his breakthrough role in Normal People. If he ever feels he’s getting too big for his boots, a swift YouTube search for this gem brings Mr Mescal back down to Earth.

Deadline Global Breakouts

Global Breakouts

Resurrecting ‘Reborn Rich’: We have a new strand! Each fortnight, Deadline Global Breakouts will bring you a TV show or film killing it in its local territory and analyze how the show achieved its outsized success, while delving deeper into the state of the nation’s industry. We kicked off Tuesday with Korea’s Reborn Rich, a buzzy resurrection drama that has in recent weeks become the nation’s second most-watched cable show of all time. Dive deeper here to discover how the Inception-like drama came about, the financial commitment required to get it going and what’s coming next from the nation that introduced Squid Game to the world. Stay tuned for your next fortnightly Breakout.

Basil’s Back

Fawlty what? Reboots and remakes are all the rave at the moment but news of a Fawlty Towers development project with Rob Reiner’s Castle Rock Entertainment caught pretty much everybody unawares. More than 40 years after filming wrapped on the second and final season of (some would argue) the greatest British comedy of all time, John Cleese is set to create and star in season three alongside his daughter Camilla Cleese (nepo baby fans look away now). Reiner will EP along with Matthew George for the show that will bring Cleese’s hapless hotel manager kicking and screaming into the 21st century, as he takes the reins of a boutique hotel in the Caribbean. Fawlty’s take on the modern world may well have resonance with the real-life Cleese’s public life over the past decade. He has become something of a culture warrior, raging – often falsely – against British broadcasting’s desire to shun repeats of Fawlty Towers and Monty Python and preparing to helm a Channel 4 documentary and GB News show on cancel culture/free speech. Speaking to GB News last night, Cleese said the reboot definitely won’t end up on the BBC but scotched the idea that it will focus on “wokery.” “The idea hadn’t particular occurred to me,” he said.

Kapoor’s ‘Night Manager’

The Night Manager

The Night Manager

Disney+ Hotstar

“With great power comes great responsibility”: Speaking of hotels, our Asia expert Liz Shackleton brought the skinny on India’s Anil Kapoor-starring version of John Le Carre’s The Night Manager for Disney+ Hotstar. The adaptation is one of the most hotly anticipated Indian reworks in recent years and Director Sandeep Modi already hopes to shoot a second season. “I keep joking with Simon [Cornwell, Le Carre’s son and co-CEO of producer The Ink Factory] that we’ll make season two before you do and you can use that for the English version,” joked Modi, and Simon Cornwell concurred, saying he’d “love to see a season two.” Sandeep and Simon walked Liz through the challenges of adapting one of the world’s best known thrillers, which achieved major success when the Hugh Laurie-starring UK version hit the screens in 2016. “With great power comes great responsibility,” Sandeep considered. And in a separate interview, Kapoor tells Liz he drew on “everything I’d learned and unlearned” during the making of India’s 24. Read here for Sundeep/Simon and here for Anil.

The Essentials

Winter King

April Alexander/Getty/Everett/Courtesy/Rocco Redondo

?️ Hot One: Bad Wolf and ITVX rounded out cast on Arthurian legend The Winter King.

?️ Another One: Fremantle is in talks to once again merge Britain’s Got Talent indie Thames with Talkback.

?️ A third: Canada’s HighballTV unveiled a $15.6M slate of original indie pics. Mel with this one.

? Restructured: Kelly Day’s Prime Video EMEA, APAC and Americas division. Barry Furlong and Gaurav Gandhi were handed expanded roles.

? Record-smasher: Happy Valley’s finale became comfortably the most-watched UK show of 2023.

? Awards latest: World Trailer Awards set regional winners.

?️ Casting: Evergreen Friends star David Schwimmer joined Channel 4’s The Great Celebrity Bake Off.

? Chair: BBC Boss Richard Sharp’s relationship with Boris Johnson remains in the spotlight and he faced a committee grilling.

?? Partners: Whitney director Kevin Macdonald and Banijay label Workerbee Group tied on a multi-project deal.

❌ In trouble: Korean Hellbound star Yoo Ah-in is under police investigation for alleged illegal use of an anaesthetic drug.

⚽ Footbaaaallll: No fairytale ending for Ryan Reynolds and Rob McElhenny’s Wrexham, whose FA Cup run was ended by Sheffield United.

? Box office: Shah Rukh Khan’s Pathaan topped $100M global – the first Bollywood movie to hit this milestone without China release.

✈️ It’s … been sold: BritBox North America, Australia’s Foxtel and New Zealand’s +HR=E snapped up Channel 4 Wagatha Christie drama Vardy vs Rooney.

? Trail: For The Swarm, Frank Doelger’s big-budget European thriller that will premiere at the Berlinale Series.

And finally… Ever wondered what it’s like to perform for 24 hours with 100 men on a London West End stage? Well wonder no more, as this week’s Breaking Baz sees Baz Bamigboye get the lowdown on Luther star Ruth Wilson’s upcoming endurance performance, while our intrepid International Editor-at-Large provides a deep dive combining mud with All Quiet on the Western Front.

Zac Ntim contributed to this week’s Insider

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Good afternoon Insiders, Max Goldbart here. The

We may not have clarity on the particulars surrounding Netflix’s password-sharing crackdown efforts after all.

Earlier this week, the streamer shared new details about its upcoming plans on when and how your account should and shouldn’t be shared. The new rules would require users to verify their home devices each month, block devices outside the home and encourage them to open their own accounts.

However, those new rules were removed from the Netflix Help Center on Wednesday, with Netflix alleging they were posted by accident.

“For a brief time yesterday, a help center article containing information that is only applicable to Chile, Costa Rica, and Peru, went live in other countries,” a Netflix spokesperson said in a statement. “We have since updated it.”

In a perfect world, we’d take Netflix at its word, but given the criticism online, we have to wonder if Netflix simply decided to backtrack for the time being. After all, admitting a mistake can be forgiven more easily than the possibly tone-deaf rules that prevent those within the single household but travel for a living or are away at college from accessing the streamer.

Any future changes would be communicated to subscribers first before taking effect, but who’s to say those aren’t controversial as well?

Password sharing has long been the bane of Netflix’s existence, prompting it to launch several efforts to mitigate the issue in 2022.

Most recently, the company announced it would roll out paid sharing “more broadly” later this quarter.

The changes will restrict Netflix’s use to a single household. Members can move profiles to new accounts and check which devices are using their accounts.

“This will not be a universally popular move,” new co-CEO Greg Peters said during the company’s prerecorded fourth earnings call of the password-sharing crackdown. “So there will be current members that are unhappy with this move and we’ll see a bit of a cancel reaction to that.”

However, he said, after things settle, new subscribers will come back with “borrowers creating their own accounts or incremental monetization through the extra member,” as the streamer’s “amazing” titles will win them back.

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We may not have clarity on the

Vin Diesel plus plenty of new and familiar faces take center stage in the new Fast X teaser trailer that signals tickets going on sale. The 30-second spot shows the star-studded cast and confirms that John Cena and Jason Statham are returning for the sequel.

Check out the Fast X teaser trailer below:

Fast X is being directed by Transporter director Louis Leterrier, who took over the role from Justin Lin after Lin suddenly exited the project due to creative differences. The film is written by Lin and Dan Mazeau, with Lin still attached as a producer

Diesel, Tyrese Gibson, Michelle Rodriguez, Jordana Brewster, Ludacris, Nathalie Emmanuel, Sung Kang, and Scott Eastwood will reprise their respective roles in the film. The tenth installment will also feature the additions of franchise newcomers Jason Momoa (Aquaman), Daniela Melchior (The Suicide Squad), Brie Larson (Captain Marvel), and Alan Ritchson (Reacher), with Momoa expected to portray the antagonist.

Based on the characters created by Gary Scott Thompson, the latest installment takes the family around the globe from London to Tokyo, from Central America to Edinburgh, and from a secret bunker in Azerbaijan to the teeming streets of Tbilisi. Along the way, old friends will be resurrected, old foes will return, history will be rewritten, and the true meaning of family will be tested like never before.

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Vin Diesel plus plenty of new and

Lisa Rinna predicts the upcoming season of “The Real Housewives of Beverly Hills” will lack drama now that she has left.

Rinna, who exited the Bravo reality show in January after eight seasons, gave an update on her post-housewife life on “The Talk” Thursday, where she filled in for an ailing Amanda Kloots.

The guest host was treated to an enthusiastic round of applause, to which she replied, “I’ll take it, I’ll take it!” The audience response was a far cry from the one Rinna received at BravoCon last October, where she was booed while taking the stage with her “Beverly Hills” castmates.

Watch her appearance on “The Talk” here:

“I never held a job for eight years. As an actor as you know, [cohost] Jerry [O’Connell] knows, it doesn’t last that long … so I will miss that routine of having a paycheck,” Rinna replied when asked about leaving the show.

“I grew up loving wrestling,” she continued. “So to me, if you got booed as a wrestler, you were the star … I’ve never been booed before, that’s the truth, but I was like, ‘I made it!’”

Co-host Natalie Morales then asked Rinna if there is a potential “franchise” in her future. (There are unconfirmed reports that Rinna, her actor husband Harry Hamlin, and model daughters Amelia Gray and Delilah Belle are shopping around a “Keeping Up With the Kardashians”-esque show.)

“To be free for the first time in eight years, I can’t wait to see what’s going to happen, you know, the doors are flying open,” Rinna replied. “I’m just saying yes to everything.”

One of those projects could be a future installment of “Real Housewives: Ultimate Girls Trip” — a spin-off series streaming on Peacock where housewives from different shows travel to exotic locations.

“First of all, it would depend on where, and how much money,” Rinna responded. “And again, never say never, so we would have to see. I like a lot of those girls.”

On keeping in touch with her former co-stars, Rinna added, “Erika Jayne and I are very close friends, Dorit [Kemsley] and Kyle [Richards] are my closest crew. You know, it ebbs and flows. But listen, the ladies are going to be fine. It might be a little boring,” she joked. (Note: Bravo does not comment on casting for the upcoming season of “The Real Housewives of Beverly Hills.”)

Meanwhile, Rinna’s former friend and “Real Housewives” castmate Denise Richards appeared on SiriusXM’s Jeff Lewis Live Thursday, where she talked about a potential return to the show.

“I definitely would consider [going back],” Richard told Lewis. “They haven’t approached me though.”

Richards overlapped with Rinna on Seasons 9 and 10 of “The Real Housewives of Beverly Hills.” She ultimately exited the show after Rinna continually badgered her about having a rumored intimate encounter with former cast member Brandi Glanville, which Richards denied.

“That wouldn’t have prevented you from coming back if Lisa was there, correct?” Lewis asked.

“Correct,” Richards answered.

Lewis and Richards then speculated on why Rinna left the show, with Lewis ultimately believing it came down to money.

“When you give someone an ultimatum like that, you have to be prepared to walk away,” Lewis speculated. “I think in the past, there have been Housewives that … want too much money.”

Like “Housewives” impresario Andy Cohen, Richards predicted Rinna will be back.

When asked if Glanville’s hypothetical participation in the show would prevent Richards from coming back, Richards replied, “In my opinion, the show should take a shift in what’s going on. That’s my diplomatic way of [responding].”

Glanville, who last appeared as a guest on “Beverly Hills” in Season 10, has made headlines of her own in recent weeks. Glanville reported left filming on “Real Housewives: Ultimate Girls Trip 4” in Morocco after inappropriately touching castmate Caroline Manzo.

Peacock and production company Shed Media did not mention either woman by name, but released a statement that read: “The safety and security of cast and crew while shooting is extremely important and we take all reports seriously. In this situation, production immediately launched a comprehensive review and is taking appropriate action.”

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Lisa Rinna predicts the upcoming season of

Netflix’s latest sports docuseries, “Bill Russell: Legend,” is sandwiched between its 10-part tennis series, “Break Point,” and its eight-part golf series, “Full Swing,” in a string of non-fiction programming demonstrating the streamer’s commitment to chronicling athletic excellence. Although there have been other docs made about Russell, a Boston Celtics legend who won 11 championships during his career, Netflix is calling this latest nonfiction film about the 6-foot-10-inch center the “definitive documentary.”

In the series, Oscar-nominated documentarian Sam Pollard, who recently spotlighted tennis great Arthur Ashe in “Citizen Ashe,” traces Russell’s groundbreaking career on the court as well as his role as a civil rights pioneer and activist. The doc features interviews with Russell before his death in 2022, personal archival footage and interviews with players including Steph Curry, Chris Paul, Julius Erving, Magic Johnson, Shaquille O’Neal and Kareem Abdul-Jabbar. Variety spoke with Pollard about making another doc about Russell, editing road bumps and the use of narration in the film.

HBO Sports and ESPN have made documentaries either featuring Russell or about Russell. Why make another doc about him?

The difference is that this is Netflix. We did a deeper dive. A more complicated dive into this very complicated human. He wasn’t just a basketball player, but a true Black man from my perspective. A man who stood up for his principles. He could also piss people off.

The series details not only Russell’s legacy as a great basketball player, but also his role in the civil rights movement. Was it challenging to weave together those two parts of his life?

Initially, we were trying to figure out if we should start with his early life in Monroe, La., then build to his first years as a Celtic. Then we decided to slip it around and do the backstory of his early life after we introduced the fact that he became a member of the Celtics. We also asked ourselves, how long do we stay in the basketball before we then get back to his off-the-court activities? So, yes. It was a bit of a challenge. I mean, it took a while to edit this one.

Russell played in the 1950s and 1960s when a lot of the basketball television coverage was in black-and-white, without close-ups and, occasionally, not in focus. Did incorporating that footage into the doc also make the edit tricky?

The one challenge that we as documentarians always face is that when you see this old footage, you say, “It looks pretty crappy, and there wasn’t a lot of coverage.” So, you have to sort of take a leap of faith. [We looked at the archives] and would say – “Is that Bill Russell?” But we also knew that we were never going to get the same kind of coverage and quality we see today.

Bill Russell in his heyday
Courtesy Netflix

Did directing “Citizen Ashe,” a film about tennis great Arthur Ashe, who was also an activist, inform this film at all?

You know, what helped me make this film and the Arthur Ashe doc is that these [are people who were] part of my generation. I grew up in the ’60s. I remember Arthur as a teenager. I remember Bill Russell playing Wilt Chamberlain as a teenager. So, for me, it’s like all these films that I’ve made lately are touching on things that surrounded me as a young man growing up, and that I was completely aware of. So, I’m immersed in these films, and I’m feeling a real personal connection to the material.

The doc features narration, which is not something you use in most of your films. Why did you decide to use it in this one?

My take is to try and never use narration. I was informed as a filmmaker by the Maysles brothers and D.A. Pennebaker, so usually, I try to do it without narration. And the first couple of cuts we had, we didn’t have any narration at all. We just had the recorded excerpts from Bill’s memoir. But then we felt, as we were starting to tighten the cuts, that there was some specific information that our entities were never going give us because some of these players weren’t playing in Russell’s era. So, we needed some narration to tie up some of those loose ends.

How did you decide to make this a two-part series?

Originally it was going to be six parts. Then as we started to put the cut together and we started showing it to Netflix, the reaction was, “Well, it should maybe just be two films.” So, that enabled us to keep it tighter and elongate in certain sections.

Was there anything that you learned about Russell that surprised you while making the doc?

What I learned, which just fascinates me, is here’s a man who wins 11 championships in 13 seasons, the last in 1969. He’s at the top of his game. What does he do? He decides to quit the Boston Celtics. He decides to leave Boston. And to me, the big elephant in the room is he walks out on his family. He leaves his wife and his kids, gets in his Lamborghini and he drives to Los Angeles.

Midlife crisis?

Yeah. Listen. He had a tremendous ego, and he was looking for a different life.

“Bill Russell: Legend” will begin streaming on Netflix Feb. 8. The doc was produced by Larry Gordon (“Field of Dreams,” “Die Hard”), Ross Greenburg (“Magic & Bird: A Courtship of Rivals”) and Mike Richardson (“Hellboy,” “The Umbrella Academy”).

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Netflix’s latest sports docuseries, “Bill Russell: Legend,”

Vladimir Putin’s major new offensive has ‘definitely started,’ Ukraine has said, as Russia unleashed a ‘massive’ wave of missile and drone strikes on Friday.

The strikes came a day after President Volodymyr Zelensky visited European countries to push for long-range weapons to aid in his country’s fight against Russia.

Air sirens blared across the whole of the country during the morning rush hour and local officials urged civilians to take shelter, warning of potential new strikes. One said there was enemy aircraft in the air, and warships in the Black Sea.

Moscow’s forces struck critical infrastructure in Kharkiv, Ukraine’s second-largest city, and launched multiple strikes on energy infrastructure in Zaporizhzhia.

Explosions were also heard close to the capital of Kyiv, where a Ukrainian MP said air defences were ‘working massively’. ‘Apart from that the city is extra quiet, as if before a storm,’ MP Lesia Vasylenko wrote on Twitter. Explosions were also reported in the central city of Kremenchuk, and Vinnytsia – further into the west of Ukraine.

Russia overnight unleashed its most intense period of missile strikes since its invasion of Ukraine began, an official said, amid warnings that Putin is readying his armies for a new invasion in the coming days. Pictured: Smoke is seen rising over Bakhmut on Thursday, which has been the focus of brutal fighting in recent months

The strikes came after Ukrainian President Volodymyr Zelensky (centre on Thursday) met with European leaders, including President of the European Council Charles Michel (right) European Commission President Ursula von der Leyen (left) to request long-range weapons

The strikes came after Ukrainian President Volodymyr Zelensky (centre on Thursday) met with European leaders, including President of the European Council Charles Michel (right) European Commission President Ursula von der Leyen (left) to request long-range weapons

The latest wave attacks came amid warnings that Putin is readying 1,800 tanks and 400 fighters jets for a new invasion in the coming days, ahead of the first anniversary of the Russian president’s invasion on February 24. 

When asked on television whether the new offensive had already begun, Ukrainian Governor of the Donetsk region answered: ‘Yes, definitely.’

Pavlo Krylenko said in areas around Bakhmut, Avdiivka and Vuhledar – which have seen some of the bloodiest fighting of the war – ‘the enemy’s forces and means are escalating there with daily intensity’.

Luhansk governor Serhiy Haidai echoed the comments by his fellow governor. 

‘Over the past week to 10 days, the frequency of shelling has increased. The daily number of attacks has increased,’ he told Ukrainian radio station Radion NV.

‘In real terms, this is part of the full-scale offensive planned by the Russians.’

He said there had been ‘maximum escalation’, adding: ‘So far they haven’t had any success. Our defenders have been able to hold them back completely.’     

In another ominous sign, Kremlin officials announced that Putin would address Russia’s Federal Assembly on February 21, three days before the anniversary. The assembly includes lawmakers from both chambers of Russia’s parliament.

On Friday morning, ‘the enemy struck cities and critical infrastructure facilities of Ukraine,’ the air force said, adding that the Russians had deployed seven Iranian-made drones, six Kalibr cruise missiles and ‘up to 35 anti-aircraft guided missiles’. 

Zaporizhzhia city council secretary Anatolii Kurtiev said the southern city had been hit 17 times in one hour, which he said made it the most intense period of attacks since the beginning of the full-scale invasion in February 2022.

In northeastern Kharkiv, authorities were still trying to establish information on victims and scale of the destruction, with mayor Ihor Terekhov saying there may be disruptions to heating and the electricity and water supply. 

‘Enemy aviation is in the air and ships which can carry Kaliber missiles are in the sea. The enemy launched the missiles. The air alert will be long,’ said Maksym Marchenko, regional governor of the southern region of Odesa.

‘Please do not ignore the air alert sirens, and go to the shelters.’

Terekhov said in a later update that seven people had been injured in the strikes on Kharkiv, with two people being left in a serious condition.

Serhiy Popko, head of Kyiv city military administration, said: ‘There is a big threat of the missile attack. I want to stress again – do not ignore the air alert sirens.’

Air force spokesperson Yuriy Ihnat told Ukrainian television that Ukrainian air defences had shot down five of seven drones and five out of six Kaliber missiles launched at Ukraine. The air force also said 35 S-300 missiles were launched in the Kharkiv and Zaporizhizhia regions.

Ukraine’s air defences are unable to shoot down these type of missiles.

Ukraine’s state power grid operator said several high-voltage facilities across the country had been hit in missile attacks. Officials also said they ordered emergency shutdowns of electricity across the country following the attacks on infrastructure. 

Ukraine’s top general also said that two Russian missiles passed into Moldovan and Romanian air space before entering Ukraine, as Moscow’s forces targeted cities in the west of Ukraine. 

Moldova confirmed that a missile had crossed its airspace and summoned its Russian ambassador. Romania said in a later update the missile did not reach it.

Pictured: People take shelter inside a metro station during massive Russian missile attacks in Kyiv, Ukraine February 10, 2023

Pictured: People take shelter inside a metro station during massive Russian missile attacks in Kyiv, Ukraine February 10, 2023

Air sirens blared across the whole of the country during Friday's morning rush hour and local officials urged civilians to take shelter, warning of potential new strikes. Pictured: Citizens of Kyiv take shelter inside a metro station during the latest wave of Russian attacks

Air sirens blared across the whole of the country during Friday’s morning rush hour and local officials urged civilians to take shelter, warning of potential new strikes. Pictured: Citizens of Kyiv take shelter inside a metro station during the latest wave of Russian attacks

A woman plays with a baby as people take shelter inside a metro station during massive Russian missile attacks in Kyiv, Ukraine February 10, 2023

A woman plays with a baby as people take shelter inside a metro station during massive Russian missile attacks in Kyiv, Ukraine February 10, 2023

Anton Gerashchenko, an adviser to the Minister of Internal Affairs of Ukraine, shared a screenshot on Twitter of an air-raid alert website in Ukraine. Almost ever region was marked in red. 'Air raid alert all over Ukraine,' he wrote. He said Ukrainians are advised to take shelter

Anton Gerashchenko, an adviser to the Minister of Internal Affairs of Ukraine, shared a screenshot on Twitter of an air-raid alert website in Ukraine. Almost ever region was marked in red. ‘Air raid alert all over Ukraine,’ he wrote. He said Ukrainians are advised to take shelter

Fighting on the ground in Ukraine also intensified on Thursday.

Kyiv’s military intelligence agency said Russian forces have launched an offensive in the partially occupied Donetsk and Luhansk regions, with the aim to grab full control of the entire Donbas region.   

In recent months, Russia has focused hundreds of thousands of troops in the east, using brute-force tactics and human waves to eat into Ukraine’s defences.

The Wagner mercenary group has played a large part in the fighting, claiming to have captured the town of Soledar, among others, in a push to seize the key city of Bhakmut. Fighting around the city has been described as a ‘meat grinder’.

Gains have been slow, but in an update on Friday morning, the UK’s military defence said Wagner had made gains in two key sectors in the region since February 7. 

‘On the northern outskirts of the Donbas town of Bakhmut, Wagner Group forces have pushed 2-3km further west, controlling countryside near the M-03 main route into the town. Russian forces increasingly dominate the northern approaches to Bakhmut,’ the MoD update said.

‘To the south, Russian units have made advances around the western edge of the town of Vuhledar, where they re-launched offensive operations in late January 2023.’

It added that Russian units were ‘likely’ to have suffered ‘heavy casualties’ in the assault around Vuhledar. ‘Inexperienced units have been committed,’ it added.

‘Russian troops likely fled and abandoned at least 30 mostly intact armoured vehicles in a single incident after a failed assault.’ 

Ukraine and its western allies have been warning of a new Russian offensive in the build up to the one-year anniversary of Vladimir Putin launching his so called ‘special military operation’ on February 24 last year.

Giving an update on the situation in his region, governor of Kharkiv Oleh Synyehubov said fires broke out and some parts of the city were left without power.

‘At 4am, the enemy launched rocket attacks on the city of Kharkiv and the region with S-300 missiles. Critical and infrastructure facilities were targeted. Fires broke out, which the rescuers managed to quickly put out,’ he wrote on Telegram.

‘However, some areas of the city remain without electricity. Specialists are working to eliminate the consequences of the impact. Fortunately, there were no casualties.’

Vitalii Kim, the Governor of the Mykolaiv region, warned at around 9am local time that about 20 rockets were expected to hit his region.   

Anton Gerashchenko, an adviser to the Minister of Internal Affairs of Ukraine, shared a screenshot on Twitter of an air-raid alert website in Ukraine. Almost ever region was marked in red. ‘Air raid alert all over Ukraine,’ he wrote. 

‘Threats of a massive Russian rocket attack. All in Ukraine advised to stay in shelters.’

The strikes followed warnings from a Ukrainian military official, who estimated Russia already has 1,800 tanks, 3,950 armoured vehicles, 810 Soviet-era multiple-rocket-launch systems and 400 fighter jets ready for ‘a new wave of attacks’.

The official, speaking to Foreign Policy, also estimated that Russia has 300 helicopters and 2,700 artillery systems prepared.

‘We expect in the next 10 days a new, huge invasion,’ the official said, speaking on condition of anonymity.  

A Ukrainian military vehicle is seen on a street while the first anniversary of Russia-Ukraine war approaches in Bakhmut, Ukraine on February 9

A Ukrainian military vehicle is seen on a street while the first anniversary of Russia-Ukraine war approaches in Bakhmut, Ukraine on February 9

Ukrainian service members ride a tank, as Russia's attack on Ukraine continues, near the frontline town of Bakhmut, Donetsk region, Ukraine February 9

Ukrainian service members ride a tank, as Russia’s attack on Ukraine continues, near the frontline town of Bakhmut, Donetsk region, Ukraine February 9

While the Kremlin has been mostly quiet about its plans for a new offensive, Chechen warlord Ramzan Kadyrov – a close Putin ally – brazenly claimed the new assault would grab Odessa, Kharkiv and Kyiv.

He also doubled down on his insistence that this will be the start of a wider westward push which will swallow up Poland.

Kadyrov, 46, was this week given the title ‘Father of the People’ to supplement his role as head of Chechnya.

‘Next we will take Odessa, Kharkiv and Kyiv,’ he said. ‘This is where we are gradually heading, thanks to the work of all structures, divisions and nations who united around the call of our President [Putin].

‘Today we are demonstrating results which the NATO and EU states have not even imagined in their dreams. We will fight through, and get to Poland.’

He urged Russians to be ‘calm’ about the provision of Western tanks to Ukraine.

‘These tanks [the West gives Ukraine] mean nothing at all,’ he said.

He claimed the Russian advance was ordained by God, and that after gaining control over Ukraine – which Putin has failed to do in the past year – it would go on to ‘denazify and demilitarise’ Poland – echoing false claims by Putin and his allies about Ukraine being a ‘nazi’ country, despite having little support for the far-right.

Earlier this week Kadyrov said in a Telegram rant that ‘the fight against Satanism should continue throughout Europe and, first of all, on the territory of Poland’.

His close ally parliament chairman Magomed Daudov said a unanimous vote had agreed to confer the title ‘Mehk-Da’, or ‘Father of the People’ on Kadyrov.

The warlord, who has ruled Chechnya, a republic that is part of Russia, since 2007 has a personality cult around him.

He is frequently accused by Russian and international human rights groups of overseeing grave human rights abuses including abductions, torture, extrajudicial killings, and targeting the LGBT community.

The father-of-13 – with three current wives – has recruited tens of thousands of ‘volunteers’ to the war in Ukraine and claims to have sent three of his own sons to the frontline.

Kadyrov – who is a colonel-general in the Russian national guard – has strongly criticised the war tactics of Putin’s commanders, demanding a blitzkrieg against Ukraine. Despite this, he remains a Kremlin favourite.

A woman walks out from a residential building which was hit by a Russian rocket, in the city center of Kharkiv, Ukraine, Sunday, February 5

A woman walks out from a residential building which was hit by a Russian rocket, in the city center of Kharkiv, Ukraine, Sunday, February 5

Amid the recent increase in fighting, several military analysts believe the Russian offensive is already underway and anticipate that it will heighten as the first anniversary of the invasion approaches on February 24.

Ukrainian officials estimate that Russian forces inside Ukraine have now exceeded 300,000 following a mobilisation effort that started in September.

Military analysts argue that the figure may be slightly less, but it would still be higher than the amount that invaded Ukraine in February last year.

In the days leading up to February 24, Western officials estimated that Russia had staged around 150,000 troops near Ukraine’s border.

This time they would have a large concentration in eastern Ukraine.

Meanwhile, it was revealed on Friday morning that the presidents of Poland and Ukraine had met in Rzeszow, south-east Poland, and discussed the war.

‘The President of Ukraine reported on his recent diplomatic activity in Brussels and other European capitals; the talks also focused on security in the region,’ it said.

The presidents discussed the current situation at the front and the need for further joint actions for military support, the office said.

The foreign visit by Zelensky is the latest in a string that saw him address ministers in Britain, and European officials in Brussels. 

Zelensky said he saw ‘positive signals, concerning the respective weapons’ from EU leaders and expressed hope those murmurs would become a ‘concrete voice’.

But some EU leaders were warier, fearing it could drag the West closer to direct conflict with Russia.

French President Emmanuel Macron warned that even if fighter jets were to be sent to Kyiv, it would not be in ‘the coming weeks’.

‘I’m not ruling anything out… but that doesn’t correspond to today’s requirements,’ Macron said Friday.

Polish Premier Mateusz Morawiecki said his country ‘will not be the first to hand over fighters’ but would welcome others leading the way, while Britain said it would consider it as a ‘long-term solution’.

NATO, the EU and the United States have been the main backers of Ukraine since President Vladimir Putin’s Russia unleashed its invasion on February 24 last year.

Military analysts say the Russian President is hoping that Europe’s support for Ukraine in the war will wane, as Kyiv continues to request western firepower in the form of heavy battle tanks and fighter jets.

Dozens of tanks have been promised to help the country in its fight against the invaders, including Germany’s Leopard 2, the UK’s Challenger 2, and the US-made Abrams. Countries have so far been reluctant to pledge fighter jets. 

Officials in Kyiv pointed to latest attacks in Ukraine as a reason to send more arms.

‘Russia has been striking at Ukrainian cities all night & morning,’ presidential adviser Mykhailo Podolyak wrote on Twitter. 

‘Enough talk & political hesitation. Only fast key decisions: long-range missiles, fighter jets, operational supplies logistics for Ukraine.’ 

Russia last targeted Ukraine with a mass strike in late January, days after Western allies agreed to deliver heavy tanks to Kyiv after long deliberations. 

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Vladimir Putin's major new offensive has 'definitely

Speaking her truth. Candace Cameron Bure opened up about the challenges of “cancel culture” after sharing her controversial reasoning behind leaving Hallmark Channel for Great American Media. 

“Cancel culture is real, and it’s difficult, and it’s hard,” Cameron Bure, 46, said during the Wednesday, February 8, episode of the “Unapologetic With Julia Jeffress Sadler” podcast. “It’s hard, no matter what. Especially when you are a compassionate person and you have a heart for people. … It’s important that we don’t back down.”

While Cameron Bure admitted that there are “places in the world where people get severely persecuted for their faith,” she still doesn’t always feel like she can “speak her truth” openly. 

“There are some days where I want to move to Texas,” the Full House alum, who is a California resident, quipped to host Julia Jeffress Sadler. 

The Christmas Town actress made headlines in November 2022 when she revealed her motive for exiting Hallmark.“My heart wants to tell stories that have more meaning and purpose and depth behind them,” she told The Wall Street Journal’s WSJ. Magazine at the time. “I knew that the people behind Great American Family were Christians that love the Lord and wanted to promote faith programming and good family entertainment.”

When asked if GAC had plans to include LGBTQIA+ movies in their programming, Cameron Bure replied, “I think that Great American Family will keep traditional marriage at the core.”

CEO Bill Abbott, meanwhile, told the outlet that the network is “aware of the trends” in 2022 but there’s “no whiteboard that says, ‘Yes, this’ or ‘No, we’ll never go here.’”

After receiving backlash for the controversial remarks, the former View cohost defended herself in a statement later that month, claiming that she has “great love and affection for all people.” 

“It absolutely breaks my heart that anyone would ever think I intentionally would want to offend and hurt anyone,” she shared. “It saddens me that the media is often seeking to divide us, even around a subject as comforting and merry as Christmas movies. But, given the toxic climate in our culture right now, I shouldn’t be surprised. We need Christmas more than ever.”

Despite her efforts, Cameron Bure’s controversy continued to make headlines when Neal Bledsoe announced he was stepping away from GAC in support of the LGBTQIA+ community. 

“I cannot continue with business as usual. I cannot take comfort from, nor will I give refuge to, those who excuse exclusion and promote division in any way, shape, or form. Everyone is entitled to their beliefs, and these are mine: the recent comments made by leadership at Great American Family are hurtful, wrong, and reflect an ideology that prioritizes judgment over love,” the actor, 41, told Variety in a November 2022 statement. “I was raised as a Christian, and believe in the essential message of love and forgiveness. That said, I could never forgive myself for continuing my relationship with a network that actively chooses to exclude the LGBTQIA+ community.”

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Speaking her truth. Candace Cameron Bure opened

Neil Simon meets Arthur Miller in Sharr White’s play “Pictures From Home,” which received its world premiere Thursday at Broadway’s Studio 54.

Early in White’s dramedy, long before we learn that the retired salesman Irving Sultan spent most of his time on the road being unfaithful to his wife (this is the Miller part), Irving and his son Larry indulge in epic battles over whether or not to be photographed. These sometimes funny and always loud verbal brawls recall those moments in Simon’s “The Sunshine Boys” when the talent agent Ben tries to get his uncle Willie to reunite onstage with Al, his old and much-despised vaudeville partner. Or to think of it another way, imagine “The Odd Couple” if Oscar were really Felix’s father. Or Felix were Oscar’s father.

What gives all this boisterous comedy a heavy patina of high-mindedness is its source material. White’s play is based on Larry Sultan’s photo memoir “Pictures From Home,” which was published to great acclaim in 1992. In it, Sultan mixed vintage family album photos with highly choreographed ones he took of his parents over an eight-year period in the 1980s. According to playwright White, the photographer wanted to examine the emptiness of the American Dream during the Reagan years. (Yes, at the top of the play, our first Orange President gets stuck with most of the blame.)

Sultan took literally thousands and thousands of photos of his parents, Irving and Jean. From what transpires onstage at Studio 54, it’s a wonder he was able to use up even one roll of Kodak.

Irving (Nathan Lane) bickers constantly with Larry (Danny Burstein) about the stupidity of his photo “project” and the “dishonesty” of it all, because he and Jean (Zoë Wanamaker) are not victims of rampant capitalism but a happily married couple on the verge of blissful retirement. When Irving is not bitching about having his photo taken, he complains about Larry showing up at the wrong airline terminal or putting onions in the hamburger patties when Larry should be using Worcestershire sauce instead. What doesn’t happen in “Pictures From Home” is much picture-taking, despite Burstein often holding a camera, exasperated that his parents are such difficult subjects.

This 110-minute one-act, directed by Bartlett Sher, uses Sultan’s original photographs, which are projected on the walls of Michael Yeargan’s living room set, which, at one point, effectively morphs into a desert landscape. (Irving and Jean eventually left Los Angeles to retire in Palm Desert.) In one photograph, she is shown unpacking groceries in front of her husband, who is seated at the kitchen table. Apparently, Larry directed his mother to repeat her unpacking duties several times before getting the exact right shot.

In other words, the real Larry Sultan was no documentarian. Which is fine. But why doesn’t White replicate one of these photo sessions onstage? Did the real Jean Sultan unpack and repack the iceberg lettuce (romaine or butterhead would have been too upper-class) a dozen times before she conveyed the right amount of angst or ennui at being exploited by her wifely duties? More significant, did the real Irving Sultan kvetch between every shot?

The book “Pictures From Home” shows Irving and Jean to be extremely willing subjects. The play “Pictures From Home” tells an entirely different story, perhaps because taking photos is not a very dramatic subject. Arguing about onions versus Worcestershire is much more fun. The exact size of those hamburger patties also gets the full stand-up comedy treatment, as does Terminal A vs. Terminal B at LAX. It is precisely the kind of mundane minutiae that made Neil Simon’s comedies so popular in the 1960s and ’70s – and why those plays have dated so badly. In an age of climate change and annual pandemics, jokes about the size of zucchini (Irving was also an avid gardener) seem lame.

Downright dishonest is White and Lane’s portrayal of Irving Sultan. In the photos, he exudes patrician reticence and male vanity. For a man in his 70s, Irving took his shirt off a lot to be photographed. Lane never removes his shirt, and his emphatic Borscht Belt delivery radically oversells White’s material.

Early in the play, Lane’s Irving delivers a speech about having to change his last name from Sultan to Sutton to get a job, to hide his Jewish heritage. Larry Sultan’s photos of his father show a man who gave up much more than his name. In these photos, Irving is elegant, poised if not posed, tightly wound, very restrained.

Lane takes another approach. His energy is that of Max Bialystock without the songs. It’s the opposite of restrained. And unfortunately, under Sher’s blunt direction, Burstein matches his costar’s decibel level — and then some. Was the real Larry Sultan so weepy and sentimental in his memory of Mom and Dad? His photography shows a cold, analytical approach.

Wanamaker manages to keep her distance to let the men fight it out over who gets the most guffaws. She is a portrait of reserve amid a storm of schmaltz.

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Neil Simon meets Arthur Miller in Sharr

EXCLUSIVE: John Malkovich will be at the Berlin Film Festival this year in the titular lead role of Robert Schwentke’s tale Seneca – On The Creation Of Earthquakes.

The drama follows influential Roman philosopher Seneca and his deadly fall from grace with mentee and benefactor Emperor Nero, who falsely accuses him of being involved in an assassination plot.

It is the latest in a long line of roles for Malkovich interpreting real-life, controversial historic figures, from Casanova to the Duke of Wellington and Gustav Klimt.

Further lead cast includes newcomer Tom Xander as Nero, Geraldine Chaplin as well as Mary-Louise Parker, Julian Sands and Andrew Koji in supporting roles.

RELATED: Deadline’s Full EFM Coverage

Picture Tree International, which handles world sales, has been teasing clips for the film since the fall and has now revealed the full-length international trailer ahead of the film’s premiere in Berlin.

The clip shows Malkovich in full dramatic swing as his character takes stock of his life, contemplates Nero’s ascent under his guidance, and stares his impending death in the face, surrounded by family, friends and enemies at his country villa on his last night.

There is also a brief shot of Malkovich’s long-time friend and collaborator Sands, who went missing while hiking in the San Gabriel Mountains northeast of Los Angeles on January 13. Seneca is among half a dozen films featuring Sands in the cast that have yet to be released.

Seneca was shot on location in Morocco in 2021.

The production marks versatile German director Schwentke’s 12th feature and follows recent credits The Captain and Snake Eyes.

Seneca – On The Creation Of Earthquakes world premieres on February 20 as a Berlinale Special Gala and Weltkino Film distribution is due to release the film in Germany on March 23.

The feature is produced by Filmgalerie 451 in co-production with Gretchenfilm, Kasbah Films and ZDF/ARTE.

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EXCLUSIVE: John Malkovich will be at the

The 2023 Emmys have a date.

The 75th annual edition of the TV awards ceremony is set for Monday, Sept. 18. The show will air live coast to coast on Fox from 8 to 11 p.m. ET / 5 to 8 p.m. PT.

The Monday airdate is unusual for a year when the telecast, which rotates among broadcast networks ABC, CBS, Fox and NBC, doesn’t air on NBC.

The Emmys usually air Sunday nights, except when NBC hosts the telecast, when the awards ceremony has aired Mondays due to the network’s Sunday Night Football commitments. Fox last aired the Emmys in 2019 when the show aired on a Sunday, Sept. 22.

The 2022 Emmys took place Monday, Sept. 12, and aired live on NBC and Peacock.

The Television Academy has also set the dates for the Creative Arts Emmys, which will take place over two consecutive nights on Saturday, Sept. 9, and Sunday, Sept. 10. While those ceremonies won’t air live, an edited presentation will air later on FXX.

As with the main show, this year’s Emmy schedule pushes the awards back later into September. Last year, the Creative Arts Emmys took place over Labor Day weekend, Sept. 3 and 4.

It was previously announced that Emmy nominations will be announced Wednesday, July 12. TV shows that aired between June 1, 2022 and May 31, 2023 are eligible for the 2023 Emmys.

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The 2023 Emmys have a date. The 75th

“I left the theatre in absolute shambles.”

Whether a “kids” movie hits you in the feels, or what you perceive as a rom-com turns out to be a tear-jerker – we’re not always prepared for the sobbing that will incur when we chuck a film on.

So, here are 36 movies that made people cry far more than they thought they would:

1.

Spider-Man No Way Home

3.

The Perks of Being a Wallflower

11.

Mamma Mia! Here We Go Again

19.

Bridget Jones’s Diary

20.

Harry Potter and the Goblet of Fire

25.

The Lord of the Rings

31.

Jurassic World: Fallen Kingdom

32.

Once Upon a Time In Hollywood

33.

Middle School: The Worst Years of My Life

36.

The Art of Racing In The Rain

What movie unexpectedly had you sobbing? Let us know in the comments below!

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"I left the theatre in absolute shambles."

CPH:FORUM, the financing and co-production event held during CPH:DOX documentary film festival in Copenhagen, will introduce new projects by filmmakers such as Ljubomir Stefanov (“Honeyland”), Jessica Kingdon (“Ascension”), Finlay Pretsell (“Time Trial”), Ousmane Samassekou (“The Last Shelter”), Mila Turajlić (“The Other Side of Everything”), Tonislav Hristov (“The Good Postman”), Iryna Tsilyk (“The Earth Is Blue as an Orange”) and Brett Story (“The Hottest August”), among others.

Stefanov, who was nominated for an Oscar for “Honeyland,” will be pitching “House of Earth.” He teams with producer Maya E. Rudolph, who produced Emmy-nominated “The Andy Warhol Diaries,” and Sarah D’hanens. The film centers on transgender sex worker Pinky, who returns to her Roma community after 30 years, and finds two families in need of a matriarch. Torn between her biological kin and chosen queer family, Pinky attempts to build a future that feels like home.

Kingdon, who was Oscar nominated for “Ascension,” arrives with “Untitled Animal Project,” reteaming with “Ascension” producer-cinematographer Nathan Truesdell. Jamie Gonçalves also produces. Shot at locations around the world, the film “weaves together ways consumer industries affect various species – with a focus on the elusive idea of animal sentience.”

The lineup (see here for full details) presents a curated slate of 33 projects – bringing together more than 70 filmmakers and producers from 25 countries. It is curated “for the films to reflect each other and collectively point to some of the major issues of the world politics, culture and society,” the festival said.

Tereza Simikova, head of industry and training at CPH:DOX, said: “In a time of increasing polarization and radicalization of society, it’s inspiring to see filmmakers having complicated, nuanced conversations around such timely issues as the legacy of colonialism, inequality and free speech, but also cancel culture and the role of activism, arts and science in today’s society. Remarkably, they find also a great deal of hope, humor and beauty while doing so.”

More than 250 financiers have confirmed that they will attend, including streaming platforms such as Disney+, Netflix and Hulu; broadcasters such as ARTE, ZDF, BBC, CNN, National Geographic, POV and DR; film studios Participant Media, Amazon Studios, Concordia Studio, Fremantle, A24, Sandbox Films and HHMI Tangled Bank Studios; and philanthropic foundations such as Sundance Institute, Doc Society, Chicken and Egg Pictures, Catapult, Open Society Foundations, Freedom of Speech Foundation, and Blue Ice Docs.

“Cuba&Alaska”

The event runs March 21-23, with CPH:WIP (works-in-progress) and CHANGE presentations taking place on March 20.

This year, CPH:WIP will present eight projects. The titles include projects from established filmmakers such as Yrsa Roca Fannberg, Camilla Magid, Håvard Bustnes and Zippy Kimundu, who will show scenes from their upcoming films and look for gap financing or a launch pad for further distribution. 

In 2021 CPH:DOX partnered with IMS (International Media Support) and EAVE (European Audiovisual Entrepreneurs) to run the development co-production training program CHANGE, featuring projects from six Eastern European countries – Ukraine, Moldova, Belarus, Georgia, Armenia and Azerbaijan. The second edition of the six-month long training program will have its last residential workshop in Copenhagen, organized in partnership with the National Film School of Denmark. The program will culminate with a presentation of the eight participating projects at the CHANGE pitch session on March 20.

CPH:FORUM will present the Eurimages Co-Production Development Award of €20,000 for the event’s best pitch of a project intended for co-production.

“Fighting Demons With Dragons”

The selected CPH:FORUM projects:

#WhileBlack, U.S. 

By Sidney Fussell and Samantha Knowles, produced by Ann Shin and Geeta Gandbhir 

Almost Human, Norway/Denmark
By Ola Waagen, produced by Bjarte Mørner Tveit and Peter Engel. 

Confidential, U.S./Denmark
By “Confidential,” produced by Sigrid Dyekjaer, Ross Levine 

Conscious, U.K.
By Suki Chan, produced by Aimara Reques 

Cuba&Alaska, Ukraine/France
By Yegor Troyanovsky, produced by Olha Beskhmelnytsina and Christian Popp 

The Dawn of the Post Plantation, Netherlands/Germany

By Renzo Martens, produced by Lea Fels 

Douglas Gordon: Self Divided, U.K./France
By Finlay Pretsell, produced by Sonja Henrici 

Dreams of a Dark Sky, India
By Anmol Tikoo, produced by Raghu Karnad 

Dreamscape, France/Mali
By Ousmane Samassekou, produced by Estelle Robin You and Andrey S. Diarra 

The Eukrainian, Sweden/France/Ukraine
By Viktor Nordenskiöld, produced by Viktor Nordenskiöld, Christian Popp and Olga Beskhmelnytsina 

Evo: The Burnt Palace, U.S./Argentina
By Martin Sivak and Noah Friedman-Rudovsky, produced by Justine Nagan and Irene Cajias 

Far From Maine, Israel/France/Palestine
By Roy Cohen, produced by Roy Cohen and Serge Gordey 

Generation Z, Denmark/U.K.
By David Borenstein, produced by Helle Faber 

Give It a Shot, India/U.S.
By Vaishali Sinha, produced by Hemang Chheda, Tracie Holder, Jessica Harrop and Greg Boustead 

House of Earth, North Macedonia/U.S.
By Ljubomir Stefanov, produced by Maya E. Rudolph and Sarah D’hanens 

The Infinite Rehearsal, U.K./Guyana
By Louis Henderson, produced by Luke Moody and Romola Lucas 

Intercepted, Canada/France/Ukraine
By Oksana Karpovych, produced by Giacomo Nudi 

The Menopause Mystery, Denmark
By Louise Unmack Kjeldsen, produced by Malene Flindt Pedersen 

The Lions at the River Tigris, Norway
By Ahmed Zaradasht, produced by Thorvald Nilsen 

Once Upon a Time in a Forest, Finland
By Virpi Suutari, produced by Virpi Suutari 

Only on Earth, Denmark/Spain
By Robin Petré, produced by Signe Skov Thomsen and Malene Flindt Pedersen 

Opening Night, Sweden
By Aron Skoog and John Skoog, produced by Aron Skoog and John Skoog 

Our Love, Sweden/Finland/Germany
By Hannah Reinikainen and Lia Hietala, produced by Melissa Lindgren 

Part of Society, Georgia
By Rati Tsiteladze, produced by Olga Slusareva 

The Production of the World, Canada/U.S.
By Brex Story, produced by Jeff Reichert 

Red Zone, Ukraine
By Iryna Tsilyk, produced by Darya Bassel 

Second World, Second Sex, Serbia
By Mila Turajlić, produced by Carine Chichkowsky 

Truth.com, Finland/Bulgaria
By Tonislav Hristov, produced by Kaarle Aho 

Two Strangers Trying Not to Kill Each Other, U.K./Denmark
By Jacob Perlmuxer, produced by Manon Ouimet and Signe Byrge Sørensen 

Untitled Animal Project, U.S.
By Jessica Kingdon, produced by Nathan Truesdell and Jamie Gonçalves 

Untitled Dwarfism Project, U.S.
By Julie Forrest Wyman, produced by Lindsey Dryden and Jonna McKone 

Voice/over, Hungary
By Balint Revesz, produced by Viki Reka Kiss 

We Have Always Lived in the End Times, Germany
By Ben Russell, produced by Guillaume Cailleau 

The selected CPH:WIP projects: 

Adil, Norway/ Netherlands
By Adil Khan and Julian Nazario Vargas, produced by Eirik Smidesang Slåen and Elisabeth Opdal 

The Animated Mind of Oliver Sacks, U.S./U.K.

By Dempsey Rice, produced by Lori Cheatle 

Before the Storm, Denmark
By Juan Palacios and Sofie Husum Johannesen, produced by Kasper Lykke Schultz 

Fighting Demons With Dragons, Denmark
By Camilla Magid, produced by Heidi Elise Christensen 

The Ground Beneath Our Feet, Israel/Palestine
by Yrsa Roca Fannberg, produced by Hanna Björk Valsdó|r 

Phantoms of Sierra Madre, Norway/Finland

By Håvard Bustnes, produced by Christian Aune Falch, Håvard Bustnes

Testament, Kenya/U.S./Portugal/Germany
By Zippy Kimundu and Meena Nanji, produced by Zippy Kimundu, Meena Nanji and Eliane Ferreira 

The selected CHANGE projects: 

A Bit of a Stranger, Ukraine
By Svitlana Lishchynska, produced by Anna KapusKna 

Boxes From Georgia, Georgia
By Gvantsa Meparishvili, produced by Tiko Nadirashvili 

Flow, Palestine/Belarus
By Belarusian Filmmakers 

Here, Between This Sea and Those Mountains, Georgia

By Keti Machavariani, produced by Keti Machavariani 

How Long Is the Echo?, Armenia
By Merri Mkrtchyan, produced by Yelizaveta Petrosyan 

Kartli, Georgia
By Julien Pebrel and Tamar Kalandadze, produced by Ketevan Kipiani and Jean-Baptiste Bonnet 

Memo ‘94, Ukraine
By Kornii Hrytsiuk, produced by Anna Palenchuk 

Strange Sea, Azerbaijan
By Lala Aliyeva, produced by Aysel Akhundova 

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CPH:FORUM, the financing and co-production event held