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We did it, fellow RuneScape players! We made it to the release date announcement day. Isn’t it funny that announcements for announcements are so common now? Either way, I have been eagerly waiting for the new information to drop today, and I have not been disappointed. So, when is the release date for RuneScape’s long-awaited 29th skill, you ask? Keep reading to find out when you can Necromancy is released in RuneScape!

When Will Necromancy Be Released in RuneScape?

Players will be able to rise from the dead very soon as Necromancy goes live on Monday, August 7, 2023. I am surprised that it is so close! I expected it to be towards the end of the year. Jagex announced the release date through a new cinematic trailer that you can watch below.

Look, I was already excited for the release of Necromancy. The first new combat skill since the game began, and it exists outside of the combat triangle? It is an interesting concept, and I am curious to see how it shakes up the current state of the game. The trailer only further cemented my excitement for the new skill. We get to see Death as he narrates the trailer for us and introduces us to Rasial, The First Necromancer. Someone who will surely be a person of importance as we begin our exploration of the underworld.

Related: Is Runescape Playable On Steam Deck? – Answered

This is only the beginning of the information drip that Jagex is going to provide to the RuneScape community. They have stated that each week in July, they will provide the players with more information on the skill and that by release, Necromancy will be the skill that has had the most information provided by Jagex pre-launch.

On top of that, Jagex has assured the community that they plan to be listening closely to players’ feedback on the new skill and work with the community to make any adjustments and quality-of-life improvements to the skill so that it reaches its full potential. I have to give Jagex props for this. Their communication has not always been the best, but lately, they have really improved, especially with the extension of the Golden Cape event and now the ongoing feedback post-launch for Necromancy.

It seems that there have been so many updates lately, and there has been so much to do in RuneScape. Even Woodcutting has had exciting updates. As a player, I have been really impressed with the game as of late, and it seems that Jagex will be continuing their current update quality for the foreseeable future!

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We did it, fellow RuneScape players! We

Joe Biden wrapped up a fundraising blitz on Thursday with some words of praise for Jeffrey Katzenberg, who has an official role on his reelection campaign as one of its co-chairs.

At a fundraiser at the New York event space The Pool, Biden said, according to a pool report, “I have a lot of assets in my campaign, but none more consequential than Jeffrey Katzenberg.”

Katzenberg was present at the event, as he was for a fundraiser in Chicago on Wednesday. In recent weeks, Biden has been making a number of fundraising swings, including a trek to San Francisco last week, with a June 30 end-of-the-quarter deadline approaching. Campaigns must report their fundraising totals to the Federal Election Commission by July 15, so there will be plenty of attention on the Biden campaign total and what it says about donor enthusiasm for his reelection.

Katzenberg, who has long been a top fundraiser in Democratic party politics, has taken an official role in Biden’s campaign this cycle, appearing as the only non-elected official among a list of co-chairs when the president announced that he was running. He’s also been advising the campaign on messaging, Sen. Tammy Duckworth (D-IL) told the Chicago Sun-Times, with “just a real focus on what is the message to connect with the American people across the country.” The Wall Street Journal reported earlier this week that Katzenberg has advised the 80-year-old Biden to “own” his age and embrace it like Harrison Ford and Mick Jagger. Even though Biden’s age remains a major concern among voters in recent polls, Katzenberg has been bullish about Biden’s campaign launch.

The president has yet to make a trek to Los Angeles for a reelection fundraising swing, but there is expectation that will happen this summer.

At the New York event, Biden repeated some of the comments he made earlier in the day in his MSNBC appearance with Nicolle Wallace, including that the GOP was “not your father’s Republican party.”

“This is a different breed of cat,” he said. “But there’s still a lot of really honorable, decent Republican senators and congressmen.

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Joe Biden wrapped up a fundraising blitz

With less than a month to wait until the “official” start of Summer for fans of The Summer I Turned Pretty, the trailer for season two of our favorite heated romance is finally here, and one thing is for sure: you’ll want to make sure you pack tissues in your beach bag this year.

The trailer for The Summer I Turned Pretty is finally here, and one thing is spelled out quite plainly throughout it; loss and the heartbreak and life-altering changes that happen after the person you love most in the world is no longer there. The Fisher and Conklin families will deal with the most devastating blow of all when we meet them for our second summer together, and we’re not quite sure what the future looks like without one of their most beloved.

The first season of Jenny Han’s book-turned-series introduced us to some of our most well-loved pop culture characters: the Fisher and Conklin families, focusing specifically on the coming-of-age story happening within the heart and mind of Belly. Of course, another important focus of the series was the friendship between Susannah and Laurel, and their bond is an ode to true friendship, but the relationship we couldn’t get our minds off of throughout the last year is a love triangle.

Belly, Conrad, and Jeremiah — a love triangle so iconic it rivals the greats of Twilight (Bella, Edward, and Jake,) One Tree Hill (Peyton, Lucas, and Brooke,) and The Vampire Diaries (Elena, Damon, and Stefan). Belly has loved Conrad since before she knew the true meaning of the word, and the thing is, she’s loved Jeremiah, too — something she realizes during the summer that changed everything.

At first, that love was more of a profound friendship, but now both Fisher boys have their hearts set on Belly, and she’s seen the best in both of them, too. The thing is, we’re Team Conrad all the way — and we don’t really know you couldn’t be.

During season two, we’ll see changed versions of the characters we loved last summer, and we’ll see them as they’ve weathered more loss and heartache but also more joy and magic — and we can’t wait to see that Welcome to Cousins sign. New episodes of The Summer I Turned Pretty begin airing on July 14 on Prime Video, so get ready for a lot of love, heartache, and healing.

About the author

Ashley Marie

Ashley Marie is a staff writer, beat leader, Disney fanatic, and Yellowstone expert. When she’s not filling her friends in on all the entertainment news they can handle, she’s drinking her go-to Starbucks order — a caramel macchiato, thank you — and wishing she was at Disney World or spending time at the Yellowstone Dutton Ranch. With a focus on positivity and kindness in journalism, Ashley has been writing for a decade and hopes to keep bringing you articles for decades to come.

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[embed]https://www.youtube.com/watch?v=AOPE3mvYjRk[/embed] With less than a month to wait

Before you completely log off for the long weekend, do yourself a favor and check out the best Fourth of July sales the internet has to offer. Now that summer is finally here, retailers are clearing their shelves—and offering unbeatable deals on the clothes, home goods, and tech that you’ve had your eyes on for months now.

Need a summer wedding guest dress to get you through your next ceremony? You’ll find plenty. In the market for a new vitamin C serum or face sunscreen? These Independence Day deals rival Black Friday’s set. Ready to upgrade to a cooling mattress that won’t have you tossing and turning through the rest of the season? You’ve come to the right place.

So whether Fourth of July clothing sales are more your speed or you’re finally ready to splurge on a pair of AirPods, it’s high time to fill your cart. Sure, fireworks and lazy days by the pool are great, but so is the sense of accomplishment that only comes with scoring an unbeatable deal. These are the best Fourth of July sales to have on your radar this weekend. Happy hunting!

A massive Kate Spade sale is underway: Take 50% off already-discounted styles with the code SOEXTRA now through July 4. Go, go, go!

Although the Nordstrom Anniversary Sale is still a few weeks off, that hasn’t stopped the retailer from marking down designer clothes, beauty gems, and home decor galore. We suggest stocking up on everything Tory Burch while it’s still 30% off or more.

Getting hyped for Amazon Prime Day? Whet your appetite with a few early deals from the mega-retailer. We never need an excuse to upgrade our AirPods, and one can never have too many one-piece swimsuits.

Yet another retailer with an upcoming July sale (sensing a theme?), Target is celebrating the long weekend with its Sizzling Savings Event. Score kitchen appliances, personal care items, outdoor furniture, and beach essentials for up to half off. Oh, and keep an eye out for the inaugural Target Circle Week later in the month.

Shopbop’s sale section is seemingly never ending, and thousands of newly discounted items (at up to 70% off, no less) have just been added. Our only advice? Snag all the dresses, bikinis, jeans, T-shirts, and accessories you can before the holiday weekend.

Ulta’s aptly named Big Summer Beauty Sale includes three weeks of skin care, hair care, and makeup essentials. The deals rotate each week through July 15, bringing discounts on jumbo products as well as finds from Dyson, Olaplex, Kopari, and more.

Sephora just dropped a rare July 4th sale, which includes deals of up to 50% off on tons of luxe hair, skin, and makeup products. The best deal we saw by far? The Dyson Supersonic Hair Dryer, currently $100 off its list price (but really more when you factor in the two attachments included in this limited edition gift set).

Kiehl’s Since 1851 Ultra Facial Refillable Moisturizing Cream with Squalane

If any retailer knows how to do a sale-on-sale tentpole event, it’s Anthro. Tons of the site’s expertly curated selection of clothes and accessories just went on sale, and they’re all discounted by an additional 40% off from Thursday through the holiday. Plus, select home goods are up to 40% off right this minute. Go, go, go!

For preppy-cool finds that won’t set off any credit card alerts, J.Crew’s sale section is your ticket. The retailer is offering select discounted styles—including plenty of swimwear and office-ready tops—for an additional 60% off already slashed price tags with code SHOPSALE.

If you’ve sworn never to pay full price for designer, Net-a-Porter’s summer sale is about to become your best friend. You’ll find hundreds of women’s luxury goods that are perfect for your next cute summer outfit, all at a fraction of their original prices.

Save up to 60% off Athleta’s mega semi-annual sale, which runs the gamut from run shorts and workout tanks to skorts and wide-leg pants.

Tory Burch’s semi-annual sale gets you an additional 25% off existing sale items—no code required. We’re loving its collection of summer totes—like this big raffia style and this adorable crossbody that’d be great for running errands.

The prettiest summer tops and dresses—like this Rose-print one—are on sale at The Great. right now, with discounts up to 65% off. Use the code SUMMER20 to get an extra 20% off, now through July 4. 

Summersalt’s sitewide sale is bringing discounts of 30% off all the one-piece swimwear you could ever want. The brand rarely offers markdowns, so don’t let the long weekend pass you by without at least taking a look at its lineup. Use promo code SALE30 to unlock the discounts.

Clean nail and beauty brand Tenoverten specializes in gorgeous colors and nourishing hand care—and it almost never goes on sale. But from July 1 through the holiday, everything will be 20% off sitewide.  

Can’t make it through summer without the brand’s chafing cream, natural deodorant, or antisweat powder? From June 29 through July 3, Megababe’s entire site will be 20% off—you know what to do.

Although Mansur Gavriel’s sales are few and far between, the brand certainly knows how to hold a legendary one. Its newly expanded sale section is stocked with rarely discounted totes, clutches, wallets, and shoes, all of which give off just the right level of quiet luxury.

Casper’s internet-famous mattresses (and nearly everything else on its site, for that matter) are currently 20% off for the Fourth. Now’s the perfect time to spring for a cooling bed or pillow that’ll keep you chill through even the balmiest summer nights.


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Before you completely log off for the

After an exhausting day at work, all you want to do is unwind and indulge in some entertainment. Lucky for you, I have just the television gem! Brace yourself for the rollercoaster ride of laughter and mayhem that is Arrested Development. Just don’t be afraid to get lost in the eccentric and dysfunctional world of the Bluth family, who cause comedic disaster wherever they go. With its brilliant ensemble cast—including Jason Bateman, Portia de Rossi, Will Arnett, and many more— Arrested Development delivers a hilarious dynamic and witty wordplay that will keep you hooked from start to finish. So sit back and enjoy those uproarious punchlines, recurring inside jokes, and memorable catch phrases that will leave you on the floor.

Photo: Netflix

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By Maeve Degan After an exhausting day at work,

Arnold Schwarzenegger is crediting James Cameron with seeing the future.

During a recent Q&A with Arnold Schwarzenegger (via People magazine), he applauded Cameron’s 1984 film “Terminator” for predicting the rise of artificial intelligence. The actor shared that the plot of “Terminator” has essentially “become a reality” thanks to modern technology.

“Today, everyone is frightened of it, of where this is going to go,” Schwarzenegger said. “And in this movie, in ‘Terminator,’ we talk about the machines becoming self-aware and they take over.”

The “Fubar” star continued, “Now over the course of decades, it has become a reality. So it’s not any more fantasy or kind of futuristic. It is here today. And so this is the extraordinary writing of Jim Cameron.”

Schwarzenegger added of the “Titanic” Oscar winner, “He’s just such an extraordinary writer and he’s such an unbelievable director, this is again, one of those things that I wish I could take credit for this movie. I can only take credit of the character that I played and the way I played it. But I mean, he has created this character. He has written it so well, he’s written the movie so well, and that’s why he is, you know, the number one director in the world.”

Schwarzenegger, who has appeared in six of the “Terminator” franchise films, revealed earlier this year that he will not be back as the titular assassin. His final appearance in the role was for 2019’s “Terminator: Dark Fate.”

“The franchise is not done. I’m done,” Schwarzenegger said. “I got the message loud and clear that the world wants to move on with a different theme when it comes to ‘The Terminator.’ Someone has to come up with a great idea…The first three movies were great. Number four [‘Salvation’] I was not in because I was governor. Then five [‘Genisys’] and six [‘Dark Fate’] didn’t close the deal as far as I’m concerned. We knew that ahead of time because they were just not well-written.”

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Arnold Schwarzenegger is crediting James Cameron with seeing

Since its broadcast premiere in 1986, American Masters has chronicled the artistic lives and creative legacies of musicians, songwriters and composers who have left an indelible impact on our culture.  

Inspired by the dozens of music icons profiled in the series, American Masters: The Great American Playlist features genre-defining hits from Little Richard, Louis Armstrong, Ray Charles, Nina Simone, Roberta Flack, Jimi Hendrix, Miles Davis, Marvin Gaye, Janis Joplin, Philip Glass and many more. 

 Whether you’re looking to refresh your Fourth of July cookout rotation or create an entire soundtrack for your cross-country road trip, check out The Great American Playlist on Spotify. 

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Since its broadcast premiere in 1986, American

The chair of Hamilton’s public school board says an empty school in the core isn’t a site those experiencing homelessness in the city could “walk in and use” due to damage making it unsafe.

Dawn Danko says ideas have been pitched to the Hamilton Wentworth District School Board (HWDSB) by numerous groups and residents over the years suggesting how an empty John A MacDonald Secondary on York Boulevard could factor in alleviating the city’s homelessness problem.

“It would actually be quite a bit of remediation that would have to happen,” Danko explained.

“When we discussed that with the city and with other partners in the past, the idea of investing a significant amount of money to remediate a site for temporary use really wasn’t feasible.”

The board has pursued, four times with the Ministry of Education, creation of a community hub providing space for city partners like Hamilton Health Sciences, the Hamilton Community Foundation, Hamilton East Kiwanis Non-Profit Homes Inc. and YMCA of Hamilton, Burlington and Brantford.

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However, it’s failed to be approved each time.

“Unfortunately, the ministry at the time did not approve that proposal,” Danko recalls.

“Then we had a change in government and we haven’t had approval since, despite repeated requests to have that project approved. So that’s part of the reason the site’s been sitting empty.”

She says the board also had a dialogue with the Hamilton Alliance for Tiny Shelters (HATS) to use the space as a transitional shelter and support site. However, the high cost of remediation also mothballed that concept.


“Unfortunately, we’ve had some damage to the building, so there’s some structural issues,” Danko said.

“We’ve also had some water damage, and that’s led to, unfortunately, a mold issue. So the site isn’t something that you could walk in and use.”

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The structure was specifically addressed by several residents at a public consultation on homelessness at the convention centre Tuesday as a potential solution to eliminate some 100 unwanted encampments across the city.

As was Delta Secondary School that’s been shuttered since a consolidation in 2019 and is up for sale.

Hamilton’s housing director, Michelle Baird, told attendees the city looked at those options with the HWDSB and was advised by the board that they were not “in a condition that’s appropriate.”

“We are looking at those kinds of things as well as what other vacant or unused sites that might exist in the city,” Baird said.

“So (we’re) looking at all of those options and where we can locate them, including potentially, the project to put some tiny shelters in place. So none of those options are off the table.”

Global News reached out to the Ministry of Education seeking comment on past requests by the HWDSB to remediate Sir John A MacDonald for alternate use.

A spokesperson didn’t directly address the site in a response but did say The Better Schools and Student Outcomes Act , passed by the Ford government in June, does have a framework to identify “excess property” and “better leverage surplus” for provincial priorities, including affordable housing.

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Danko says she can’t speak for the ministry but the current HWDSB “vision” is for partial demolition of the site to create a new elementary school allowing for consolidation of Strathcona Elementary and High Street Elementary.

“Those are two sites that have very limited access to greenspace, they’re older buildings, and so it would be an opportunity to provide a much higher quality building, but also greenspace for students.”


Click to play video: 'New bill gives Ford government authority to sell underused schools in Ontario for housing'


New bill gives Ford government authority to sell underused schools in Ontario for housing


&copy 2023 Global News, a division of Corus Entertainment Inc.

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The chair of Hamilton’s public school board

The scenes on social media are grisly. A body dangles out of the trunk of a sedan, dribbling purple goo. Another is draped across a basketball hoop with a net that has been stained lilac. A third splutters in a bathtub covered in dusky handprints.

The liquid splashed across these tableaus is not blood. It is an extremely purple milkshake from McDonald’s.

The social media reaction has come about in recent weeks since McDonald’s released the Grimace Shake as part of the Grimace Birthday Meal, a menu item that highlights a purple, bloblike supporting player to the brand’s signature clown, Ronald McDonald. The limited-edition beverage has become a key ingredient in a TikTok trend in which users concoct elaborate horror scenes — with Grimace as the implied assassin.

Each video begins with a TikTok user pretending to give an upbeat review of the shake. It then cuts to a shot of the person doused in the beverage — sometimes appearing dead, other times zombified — to flickering lights and eerie music.

Might McDonald’s be concerned that people are pretending to drown themselves in one of its products? Or painting one of its mascots as a murderer? Probably not, said Jonah Berger, an associate professor of marketing at the Wharton School of the University of Pennsylvania.

“This is free advertising,” he said. “It’s not only raising awareness of the brand, but it makes the brand cooler among a key demographic, which is young people.”

McDonald’s acknowledged the trend Wednesday in posts on TikTok and Twitter. The company did not respond to a request for comment.

The first of the videos to gain traction was posted June 13 by Austin Frazier, a 28-year-old social media manager in Knoxville, Tenn., who is not associated with McDonald’s. While scrolling on TikTok, he came across a video of the food blogger Wayne Dang sampling the shake.

Inspiration struck. He drove to McDonald’s and ordered one. Then, he filmed himself wishing Grimace a happy birthday and taking a sip. Next, he lay down on his kitchen floor and instructed his wife to transform the area into “a crime scene,” using the shake as blood.

“She put a little bit on my mouth and a little bit on the ground,” he said. “I was like, no, you’ve got to dump the whole thing.” Mr. Frazier added that McDonald’s has not contacted him since the trend took off. “They owe me a fat check for all the shakes that they’ve sold,” he joked.

Many fast-food brands have released stunt items that seem designed for social sharing, like Taco Bell’s Doritos Locos taco and Pizza Hut’s hot-dog stuffed-crust pizza. In 2020, McDonald’s released a meal in collaboration with Travis Scott that caused an online frenzy.

The Grimace Shake was quite likely another play for online attention, said Jared Watson, an assistant professor of marketing at New York University’s Stern School of Business. The shake is a shocking color, and its flavor is not defined by the company, making it ripe for debate.

TikTok users injected their own absurdist twist. “Part of that trend is an act of rebellion,” Dr. Watson said. “They’re saying, We see what you’re doing, and we’re going to take it in an entirely different direction than you expected.”

Still, they are buying Grimace Shakes and taking at least a sip. Online taste-testers have described the flavor as “Fruity Pebble-flavored cough syrup” and “purple, vanilla and a stomach ache.”

The shake has introduced many younger customers to Grimace, a character with a perpetually cheerful, or hapless, expression. He seems less well known than his fellows, Hamburglar and Mayor McCheese, and his identity has been something of a mystery since his first appearance in the 1970s. In 2012, the company said Grimace was “the embodiment of a milkshake.” Others have argued that Grimace is a giant taste bud.

Dylan Zitkus, 18, a content creator in Chicago, said he had not heard of Grimace before seeing the TikTok videos. He bought a large Grimace Shake for the purpose of participating in the trend.

“I didn’t want to do it at first, because you have to put the milkshake all over you,” said Mr. Zitkus, who described himself as lactose-intolerant. “It’s cold. It’s unpleasant.”

He said he gave in after seeing other Grimace Shake videos surpass five million views. He put on a white shirt and went to a park with a friend around 1 a.m. The video did not take long to film, but it did take a while to clean up.

“My neighbor saw me and was like, ‘What are you doing?’” Mr. Zitkus said. “I’m like, long story.”

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The scenes on social media are grisly.

With 1991’s James Cameron-written and -directed “Terminator 2: Judgement Day,” Arnold Schwarzenegger may have notched his highest-grossing feature to date and cemented himself as an action icon. But he still remembers feeling “suspicious” about something missing from the script.

He wanted to kill more people.

Not just kill more people — “massacre” them, he admitted at a “Terminator 2” screening hosted by the Academy Museum on Wednesday. “I was killing 68 people in the first one — the second one, I have to kill 150. We go up with the count and the massacre, and we cut their throats and kill them and shoot them and the cannon and this and that — run them over with the car. I said, ‘I’ve got to outdo Stallone!’ I’ve gotta be No. 1 in killing the amount of people on the screen.”

His thirst for blood was so intense, Schwarzenegger said, that Cameron had to talk him down. “He says, ‘Arnold, stop it. You’re a very sick guy,’” he recounted, humorously.

Schwarzenegger spoke on his experience making “Terminator 2” and why it’s become an enduring genre classic as part of the Los Angeles launch of his two-volume book published by Taschen, “Arnold.” The centerpiece of the sold-out evening was a wide-ranging conversation between he and the book’s editor, Dian Hanson, followed by a 3D screening of the film.

Today, the actor, activists and former California governor credits Cameron with coming up with the “brilliant idea” of having his Terminator be a protector instead of an assassin in his 1991 sequel. But he corroborated Wednesday previous interviews with Cameron (and expanded on revelations he shared in his Netflix documentary, “Arnold”), saying that at first, he was frustrated with the plot twist.

“‘Terminator 2,’ the reason why it became a big hit was No. 1 Jim Cameron. I mean, Jim Cameron is a genius writer,” Schwarzenegger said. “They always say, ‘What is not on the page is not on the stage.’ And so he’s a great writer. He wrote the first one, and he did a fantastic job, and he came up with this brilliant idea — even though in the beginning I was suspicious — he said, ‘I want to make you a good Terminator.’ I said, ‘What do you mean a “good” Terminator?’

“He said to me, ‘I am going to make sure that in “Terminator 2,” you’re not going to kill one single person.,’” he continued. “And I said, ‘Well, that is the stupidest thing I’ve ever heard. How can we do “Terminator 2” with me killing nobody? C’mon, just a few token bodies we throw in there.’ No, no. ‘The whole idea,’ he says, ‘is that you come back as a machine, but this time you have to protect Linda Hamilton and you have to protect this child of hers. Your mission is different.”

The actor then detailed the decision in the movie to only have his Terminator shoot people in the knees and shoulders. “You disable them, but you don’t kill anybody. And there’s this great scene in the movie where I say to the kid, ‘I swear I will not kill anybody.’ And he made me swear to him not to kill anybody. It’s the brilliance of Jim Cameron, he’s just such an extraordinary writer and he’s such an unbelievable director.”

Watch the full conversation with Schwarzenegger, which was live streamed, in the video above.

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With 1991’s James Cameron-written and -directed “Terminator

When stunt coordinators Tim Connolly and Hank Kingi Jr. first read the script for the pilot of FX’s “The Old Man,” they thought its central chase sequence was one of the best-written scenes in TV. Then, their minds flooded with “a ton of concerns.”

Speaking with Variety as Emmy voting comes to a close, Connolly says their challenge was: “How do you pull such a significant scene off with an actor that is 70 years old, and make it feel real and visceral?”

So Jeff Bridges prepared for the scene for over a month. In the series, he plays Dan, a rogue CIA operative on the run after being discovered by the FBI. The pilot climaxes with Dan trying to outrun a tail. He seemingly disappears, but before the agents can react, he comes out of nowhere and crashes his car, staving off any fightback from the FBI agents chasing after him.

Since Bridges was taking on a younger and stronger enemy, Kingi Jr. was concerned about making the scene feel believable and creative. Luckily, they had plenty of lead time to rehearse and choreograph the sequence. “It was one of the first things we tackled,” Kingi Jr. says. Their first conversation with the showrunners was to ensure Bridges’ safety at all costs, and yet still make it feel like he was in a fight.

Connolly explains that as they prepped, “We’d bring the camera in and keep it moving. But [Bridges] has a bad back, and his back was bothering him. That’s typical for a man of his age, and so we built that into the action.” He continues, “We built in the wet-rag technique. It’s old man jiu-jitsu, which is about tying down certain parts of the body and holding them so you can believe this man is about to take out the younger guy. He takes his hits and beatings along the way.”

To ensure Bridges didn’t get injured, the duo worked with him on a warm-up routine that focused on his back and shoulders. Says Connolly, “We built on what his capabilities were.” However, there were hurdles regarding “taking the weight on the body,” so they had to figure out how to tweak that.

Bridges had a willingness and determination to get the scene right, and he came in with plenty of notes, says Connelly. “He pulled out a binder that was as thick as the script for that episode, and he was so prepared,” Connelly recalls of their first meeting. “He had thought about this scene from every direction, from the minute he hits the vehicle to how he gets out of the vehicle, to how he’s going to go from that. That prep helped elevate the scene and us, because he brought so much to it.”

However, a month of preparation could not protect the scene from bad weather. Connolly says they had planned to do one or two takes at most, but, “When we went to shoot, it was three in the morning, it was freezing and there were big gusts of wind.”

The strong wind meant it would move the camera out of frame. Says Kingi Jr., “We would lose the framing, which meant we had to do another take because the shot simply wasn’t there. But Jeff was very understanding about it, and he’d push on and we got the shot… Jeff gave 110% in every moment of that sequence.”

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When stunt coordinators Tim Connolly and Hank

A part of downtown Toronto was transformed into Barbie Land on Wednesday night to promote the much anticipated new movie “Barbie.”

Canadian actors Ryan Gosling and Simu Liu, who play different versions of the doll Ken in the film, took over #Kenada as they walked the pink carpet at 600 King St. W.

The historic building was given the “Barbie” treatment as hundreds of fans attended the invite-only event. Gosling and Liu took the stage to talk about the film before they walked the press line for interviews.

Gosling said it was incredible to be back in Canada and thanked the fans. When asked onstage what Ken’s real-life accessory would be, he paused and said, “Timbits.” It doesn’t get more Kenadian than that.

“Seismologists have been studying this for a while. There is a huge well of Kenergy in Canada,” Gosling said. Liu agreed and added, “It’s an epicentre.”

When they were asked what the fans need to know about each of their Kens, Liu brought the house down with laughs. “I won’t name any names, but one of the Kens in the movie can backflip. And one of the Kens cannot. And that’s the most important thing I want you to know about our Kens,” he teased as he looked at Gosling.

They also awarded one fan a grand prize of a trip for two to Los Angeles with tickets to the Warner Bros. Studio Tour Hollywood, a one-year supply of NYX Cosmetics and a signed Kenada surfboard, which both Gosling and Liu signed onstage.

Warner Bros. Canada transformed the five floors of the venue, offering complimentary Barbie and Ken makeovers in a Barbie-fied beauty bar, a chance to explore Ken’s Mojo Dojo Casa House and the pink sands of Kenada Beach.

There were also photo opps for attendees, who were almost all dressed in various shades of pink, including stepping into a Barbie box, a #Kenada pink rose photo booth and pictures that could be printed on a cookie. One fan made an exact replica of an outfit Margot Robbie sports in the film, while Gosling spotted cowboy Ken and beach Ken in the room.

Directed by Greta Gerwig, the movie follows Barbie (Robbie) and Ken (Gosling), who are having the time of their lives in the seemingly perfect world of Barbie Land. However, when they get a chance to go to the real world, they discover the joys and perils of living among humans.

“Barbie” is in theatres July 21.

Marriska Fernandes is a Toronto-based entertainment reporter and film critic. She is a freelance contributor for the Star’s Culture section. Follow her on Twitter: @marrs_fers

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If you purchase an independently reviewed product or service through a link on our website, Variety may receive an affiliate commission.

Apple is known for its world-famous AirPods earbuds, but more and more people are catching onto the brand’s AirPods Max headphones as well. Beloved by stars like Bella Hadid, Timothée Chalamet and the girls from Blackpink, the AirPods Max are Apple’s first-ever wireless headphones, with an instantly recognizable earcup design and big, powerful sound to match.

Normally $549+, a new Amazon deal gets you the AirPods Max on sale for just $479. That’s a $70 discount and the lowest price we’ve seen for the headphones since early Spring. What’s more: the AirPods Max are still priced at $549 at sites like Target and on Apple’s own website, so this Amazon deal is worth taking advantage of.

Apple AirPods Max Wireless Headphones $549.00  $479.99 Buy Now On Amazon

The wireless headphones are designed for performance, with a custom acoustic housing and a big dynamic driver pushing through high-fidelity, theater-like sound. Apple’s audio engineers have also implemented spatial audio in these cans, which creates a more natural and realistic listening experience. Music floats around you rather than directly at you, while “dynamic head tracking” technology keeps the sound at ear level, even if you’re on the move.

The AirPods Max come with active noise cancellation technology (ANC), which helps to block out ambient noise. It makes these headphones especially great for traveling or for work. Turn on “transparency mode” when you need to let a little outside noise in, say, to be alerted to traffic, or to hear a colleague speak.

Battery life is super strong on the AirPods Max, with up to 20 hours of playtime on a single charge. A quick five-minute charge gets you 1.5 hours of listening time.

Apple AirPods Max Wireless Headphones $549.00  $479.99 Buy Now On Amazon

We like the instantly iconic design of these Apple headphones, which feature oversized memory foam ear cushions and a knit-mesh headband (which never gets sweaty). Adjust the headband to find your most comfortable fit.

Normally $549+, get the Apple AirPods Max Headphones on sale for just $479 on Amazon.com. We’re partial to the silver colorway (above) but you can choose from five different colors on sale.

The isn’t tied to Prime Day or any specific promotion, so Amazon could change the price at any time. We recommend adding this deal to cart now. See full details here.

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If you purchase an independently reviewed product

Ever since Jonathan Majors was arrested on domestic abuse charges last March, Marvel has been noticeably silent on the actor’s legal woes.

While other entities including the United States Army, MLB’s Texas Rangers, and even Majors’ management and PR team have distanced themselves from the embattled actor, Marvel has been biding their time.

Jonathan Majors Kang the Conqueror Ant-Man

(Photo by Mike Coppola/Getty Images for The Gotham Film Media Institute)

Majors Declares His Innocence

As Majors prepares to head to trial, his defense team has insisted that not only is the Loki star innocent, but he himself has been the victim of abuse.

“Jonathan Majors is innocent and has not abused anyone. We have provided irrefutable evidence to the District Attorney that the charges are false. We are confident that he will be fully exonerated.” His lawyers said in a statement.

Jonathan Majors

Photo: AFP via Getty Images

For Marvel, a break with Majors would likely affect a plethora of projects. As Kang, Majors is expected to appear as the franchise’s main villain over the next few years, culminating with Avengers: The Kang Dynasty and Avengers: Secret Wars.

Anthony Mackie Weighs In

While Marvel will likely wait for Majors’ legal issues to play out in a court of law before commenting, Captain America: Brave New World star Anthony Mackie has become the first MCU star to weigh in. Mackie, who is set to assume the mantle of Captain America, was quick to point out that everyone is innocent until proven guilty.

Anthony Mackie

Image Credit: Getty Images

“We’re a country that was built on ‘everyone is innocent until proven guilty.’ That’s one of the staples of this country,” he said.

“Nothing has been proven about this dude. Nothing. So everyone is innocent until proven guilty. That’s all I can say. It’s crazy where we are as a society. But as a country, everyone is innocent until proven guilty.”

Jonathan Majors

Photo by Chuck Zlotnick. ©Marvel Studios 2021. All Rights Reserved.

Majors is set to return to court in New York on August 3rd.

Thanks for visiting MickeyBlog.com! Want to go to Disney? For a FREE quote on your next Disney vacation, please fill out the form below, and one of the agents from MickeyTravels, a Diamond Level Authorized Disney Vacation Planner, will be in touch soon! Also, Thanks for reading!

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Ever since Jonathan

Uh, oh. Do you use an ad blocker? You probably do. But if you also like to use YouTube, you may soon have to turn off that handy dandy ad skipper. YouTube is testing taking a hardline against ad blocker usage on its interface, using its own version of tactics other websites employ. Instead of blocking you from viewing page content if you’re using an ad blocker, YouTube could soon block you from viewing its videos. Ads, it seems are at the center of every conversation right now.

As we saw on The Verge, YouTube is running “a small experiment globally that urges viewers with ad blockers enabled to allow ads on YouTube or try YouTube Premium.” This experiment entails warning users that they may no longer be able to watch videos on YouTube if they don’t disable ad blockers. If an ad blocker is active, users will be able to watch only three videos on YouTube before the platform stops letting them watch any more.

YouTube

Google spokesperson Oluwa Falodun shared with The Verge, “We take disabling playback very seriously, and will only disable playback if viewers ignore repeated requests to allow ads on YouTube… In cases when viewers feel they have been falsely flagged as using an ad blocker, they can share this feedback by clicking on the link in the prompt.”

Of course, YouTube taking a stance against ad blockers is one we might have seen coming. One of the perks of YouTube’s paid version, YouTube Premium, is an ad-free experience. If users can get an ad-free experience anyway, they may not be as incentivized to sign up. The company shares, “YouTube’s ad-supported model supports a diverse ecosystem of creators, and provides billions of people globally access to content for free with ads.” There is, however, the fact that YouTube Premium costs $11.99/month, which is no small price to pay, especially as other streaming platforms become more expensive and complex to navigate.

YouTube shares finally, “We want to inform viewers that ad blockers violate YouTube’s Terms of Service, and make it easier for them to allow ads on YouTube or try YouTube Premium for an ad-free experience.” We imagine that is indeed what the platform wants.

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Uh, oh. Do you use

Japan’s Hiroshi Teshigahara, who seemed on track for greatness after winning two Oscar nominations for “Woman in the Sands,” will be the subject of a San Sebastian Festival retrospective. 

Nominated for best foreign-language film in 1964, and winning Teshigahara a best director Academy Award nomination a year later, “Woman in the Sands” was just Teshigahara’s second feature, a social and erotic allegory which yoked the political convictions of Teshigahara and screenwriter Kobo Abe, both members of Japan’s communist party in their youth, with Abe’s penchant for the darkly surreal. 

Turning on an entomologist from Tokyo who discovers a young widow living at the bottom of an enormous sandpit on a deserted beach, it also won a Cannes Special Jury prize. Hailed as a masterpiece, and building on 1961’s “The Pitfall,” a political allegory which won Teshigahara fans, with Abe adapting his TV play, it looked like Teshigahara would find a niche on the same pantheon as contemporaries Nagisa Oshima and Shohei Imamura. 

Two more Abe adaptations of his own novels followed: “The Face of Another” (1966) and “The Man Without A Map (1968), which San Sebastian describes with “Woman in the Sands” as Teshigahara’s “key works.” Neither, however, were particularly successful. 

So the retrospective will offer a chance to revalue these two movies and other later relatvely overlooked works – including 1972’s “Summer Soldiers,” the tale of an American GI who deserts in Japan to avoid being sent to Vietnam, in a career which ran parallel with Teshigahara ’s heading Japan’s huge Ikebana Sogetsu school from 1980, teaching the art of flower arrangement. 

Though making less of an international impact, beyond “Woman in the Sands,” than many other members of his generation, Teshigahara was still “a key figure in Japanese cinema in the 1960s thanks to a series of experimental poetic films and his extensive collaboration with the writer Kobo Abe,” San Sebastian argued announcing the retrospective on Thursday.

 ”In one way or another, he was right at the heart of the conceptual turmoil that turned Japanese cinema upside down through new subject matter and ways of filming,” it added.

The retrospective will be accompanied by the publication of a book of interviews with the filmmaker published in collaboration with the Basque Film Archive.

At a time when much of the world’s industry is looking to breath a new originality into crime dramas, scripted TV’s principal international export, San Sebastian’s 2024 classic film showcase will focus on Italy’s “poliziotteschi”movies, singular crime-action movies which captured the upheaval of Italy’s so-called Years of Lead – though their most obvious influence was U.S. movies, led by Don Siegel’s “Dirty Harry.”

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Japan’s Hiroshi Teshigahara, who seemed on track

Per a grand jury decision, Travis Scott will not face any charges over the deaths that took place at the his Astroworld Festival in November 2021.

The decision comes after a grand jury spent a day deciding potential criminal charges in its investigation of the tragic festival, which took place on Nov. 5, 2021 in the NRG Park of Houston, Texas and left 10 concertgoers dead after the crowd stampedes. A medical examiner determined the victims, which included a 9-year-old, died of compression asphyxiation.

They concluded their probe returning six no bill decisions, clearing the rapper of any criminal charges for the incident.

“It has just been confirmed to me that the grand jury no-billed Travis Scott, which is great relief to Travis. It’s something we were hoping, something we expected based on lack of evidence,” Scott’s attorney told ABC13.

“Everything was presented to the grand jury, and they found there was no criminal liability on Travis’ part,” Scott’s lawyer Kent Schaffer said to the news outlet. While sharing his condolences for the impacted families, he mentioned that his client was “not responsible.”

“Bringing criminal charges against him will not ease their pain,” Schaffer said.

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Per a grand jury decision, Travis Scott

Screenwriter Scott Silver, known for Joker, The Fighter, 8 Mile and The Finest Hours, has bought a mid-century modern house owned by socialite and philanthropist Jamie Tisch for $4.99 million.

The sale comes months after the home hit the market in March for initially $7 million and about 2.5 hours after Tisch initially acquired the .25-acre property. The two-story house built and designed by William Porush and Richard Kearney in 1962 sits in the Hollywood Hills, just a few blocks above the Sunset Plaza.

Photography by Neue Focus

According to Dirt, Tisch listed the house for approximately 2.5 times what she paid for it when it was put up for sale in June 2020. At the time, it was described as needing some updates.

Scott Silver's house he bought in the Hollywood Hills

Photography by Hunter Kerhart

Now, post renovations, the outlet reported that the 3,517-square-foot home’s main level includes an open-plan living room, dining area, kitchen, three bedrooms and three bathrooms. The primary suite also features its own private balcony deck. An iron spiral staircase then connects the upper terrace to the lower patio, which has a lounge area, barbecue station and saltwater pool. Sliding glass doors opens into the home’s lower-level family room, which also includes a built-in bar, guest room, laundry room and two-vehicle carport.

Scott Silver's house he bought in the Hollywood Hills

Photography by Neue Focus

Silver, nominated for two Oscars for 2011’s The Fighter and 2020’s Joker, also wrote and directed Johns and The Mod Squad in the ’90s. He also served as a writer for Todd Phillips’ upcoming Joker: Folie à Deux, starring Joaquin Phoenix and Lady Gaga.

The seller is represented by Andrew Rhoda at Carolwood Estates and the buyer is represented by Anthony Stellini at Compass.

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Screenwriter Scott Silver, known for Joker, The

Marvel Studio’s ‘Guardians of the Galaxy Volume 3.’ Photo courtesy of Marvel.com.

Let’s get hooked on a feeling one more time with the latest installment of the ‘Guardians of the Galaxy’ franchise – ‘Guardians of the Galaxy Volume 3’

The film is set after the events of ‘Thor: Love and Thunder’ and ‘Guardians of the Galaxy Holiday Special’, where we find the band of misfits in their new home on Knowhere. Unexpectedly, a new powerful enemy crashes in and injures Rocket, and if the Guardians don’t act fast enough, it could mean life or death for their teammate.

“Once more with feeling.”

Not Yet RatedMay 5th, 2023

Showtimes & Tickets

Peter Quill, still reeling from the loss of Gamora, must rally his team around him to defend the universe along with protecting one of their own. A mission that,… Read the Plot

The official synopsis for ‘Guardians of the Galaxy Vol. 3’ is below:

“In Marvel Studios ‘Guardians of the Galaxy Vol. 3’ our beloved band of misfits are looking a bit different these days. Peter Quill, still reeling from the loss of Gamora, must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.”

‘Guardians of the Galaxy Vol. 3’ opened in theaters on May 5th, 2023, to $118.4 million domestically and has grossed over $348.5 million since its opening. Worldwide box office earnings have grossed over $825.3 million since its release. This was a highly anticipated film among Marvel fans and is certified Fresh on aggregator site Rotten Tomatoes, with an 82% score from critics and a 94% score from the audience.

Our team of galactic heroes for ‘Guardians of the Galaxy Vol. 3’ includes Chris Pratt (‘The Super Mario Bros. Movie’) as Peter Quill/Star-Lord, Zoe Saldana (‘Avatar: The Way of Water’) as Gamora, Dave Bautista (‘Knock at the Cabin’) as Drax the Destroyer, Karen Gillan (‘Jumanji: The Next Level’) as Nebula, Pom Klementieff (‘Mission: Impossible – Dead Reckoning Part One’) as Mantis, Vin Diesel (‘Fast X’) as the voice of Groot, Bradley Cooper (‘A Star Is Born’) as the voice of Rocket, Sean Gunn (‘The Suicide Squad’) as Kraglin, Elizabeth Debicki (‘Tenet’) as Ayesha, and Sylvester Stallone (‘Samaritan’) as Stakgar Ogord. Newcomers to the franchise include Chudwuki Iwuji (‘The Girl Who Got Away’) as The High Evolutionary, Will Poulter (‘We’re the Millers’) as Adam Warlock, Maria Bakalova (‘Borat Subsequent Moviefilm’) as the voice of Cosmo the Dog, and Daniela Melchior (‘Fast X’) as Ura.

The New Galactic Threats

Will Poulter as Adam Warlock in Marvel Studios' 'Guardians of the Galaxy Vol. 3.'

(L to R) Will Poulter as Adam Warlock in Marvel Studios’ ‘Guardians of the Galaxy Vol. 3.’ Photo by Jessica Miglio. © 2022 Marvel.

The team faces brand new threats in this movie, with the stakes being higher than ever when it involves one of the members of the team. Still recovering from his heartbreak and loss of Gamora, Peter Quill and his band of misfits are settled in on Knowhere when Adam Warlock crashes in.

Adam Warlock has long been teased to appear in the MCU since ‘Thor: Dark World’ and the first ‘Guardians of the Galaxy.’ However, it was in the post-credit scene in ‘Guardians of the Galaxy: Vol 2’ that confirmed his appearance. Played by Will Poulter, the MCU’s Adam Warlock origin differs from the comics. Instead of being created by scientists, Adam Warlock in the film is a Sovereign warrior created by the high priestess Ayesha and The High Evolutionary.

The film also introduces The High Evolutionary (played by Chukwudi Iwuji) to the MCU. A geneticist whose personal mission is to create the perfect species, he abducted various creatures for his experiment, with Rocket Raccoon (then named 89P13) being one of his test subjects. When Rocket points out the flaws in The High Evolutionary’s project, it confuses and angers him to the point where he orders Rocket’s brain to be removed so that he can study him.

Rocket manages to escape. Years later, when The High Evolutionary learns of his involvement with the Guardians of the Galaxy, he orders Adam Warlock to retrieve him at all costs.

Rocket’s Story

Rocket (voiced by Bradley Cooper) in Marvel Studios' 'Guardians of the Galaxy Vol. 3.'

Rocket (voiced by Bradley Cooper) in Marvel Studios’ ‘Guardians of the Galaxy Vol. 3.’ Photo courtesy of Marvel Studios. © 2023 Marvel.

When it comes to the Guardians of the Galaxy, we know we’re in for a grand space adventure, with hilarious banter between the Guardians. However, ‘Guardians of the Galaxy Vol. 3’ takes on a more somber and emotional tone. With director James Gunn being the co-chairman of DC Studios, this is likely the final film he’ll direct for Marvel. This movie not only wraps up the adventures of the current team of the Guardians, but it also dives into the origin story of Rocket.

Previously named 89P13, Rocket Raccoon is subjected to tests and experiments by The High Evolutionary. In flashback scenes, we meet Rocket’s fellow cagemates Floor, Teefs, and Lylla. The four friends found comfort in each other, often playing games and daydreaming about the “forever and beautiful sky.” The message of animal cruelty is not missed in the film, and what The High Evolutionary does to Rocket and his friends will send a shock through your system and gives you an insight into some of Rocket’s hardened personality.

Though the Guardians tend to bicker with each other, the group has become quite close-knit. Once Rocket’s life is on the line, his friends will stop at nothing to save him, even if it means sacrificing themselves. Rocket is definitely the heart of this story and we suggest you have some tissues on standby when you watch.

Where Can I Watch ‘Guardians of the Galaxy Vol. 3’?

Karen Gillan as Nebula, Chris Pratt as Peter Quill / Star-Lord, and Dave Bautista as Drax the Destroyer in 'Guardians of the Galaxy Vol. 3.'

(L to R) Karen Gillan as Nebula, Chris Pratt as Peter Quill / Star-Lord, and Dave Bautista as Drax the Destroyer in ‘Guardians of the Galaxy Vol. 3.’ Photo courtesy of Marvel.com.

Related Article: Director James Gunn and Chris Pratt Talk ‘Guardians of the Galaxy Volume 3’

The film premiered at Disneyland Paris on April 22nd, 2023. Later, the US premiere was held at the Dolby Theater in Los Angeles, California, on April 27th, 2023. The movie is still showing in theaters, so be sure to check with Moviefone below for showtimes in your area. ‘Guardians of the Galaxy Vol. 3’ has a total runtime of 2 hours and 30 minutes, making it the longest film in the Guardians franchise.

Buy Tickets: ‘Guardians of the Galaxy Volume 3’ Movie Showtimes

Watch the official trailers for ‘Guardians of the Galaxy: Vol. 3’ below:

Can’t make it out to the theater? You will soon have the option to rent or purchase the movie on VOD. Services such as Prime Video, Apple TV, Google Play, and Movies Anywhere will have the movie available digitally on July 7th, 2023.

Where To Watch: ‘Guardians of the Galaxy Volume 3’ Online

As for as streaming goes, an official date hasn’t been confirmed. The movie is released by Disney so it is likely to end up on Disney+ once it is ready to go to streaming.

For those who prefer physical copies, ‘Guardians of the Galaxy Vol. 3’ will be available on DVD/Blu-Ray on August 1st, 2023, complete with special features such as featurettes, deleted scenes, director’s commentary, and gag reel.

Buy ‘Guardians of the Galaxy Volume 3’ On Amazon

Marvel Studios' 'Guardians of the Galaxy Volume 3.'

Marvel Studios’ ‘Guardians of the Galaxy Volume 3.’

Other Movies Similar to ‘Guardians of the Galaxy Vol. 3:’

To watch our exclusive interview with writer/director James Gunn and Chris Pratt about ‘Guardians of the Galaxy Volume 3,’ please click on the video player below.

 

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Marvel Studio's 'Guardians of the Galaxy Volume

Geraldo Rivera said Thursday that he has left Fox News after being fired from “The Five.”

“Bumpy day on the North Atlantic. Anyway, I got fired from @TheFive so I quit Fox,” Rivera wrote on Twitter alongside a video of himself on a boat posted Thursday. “After 23 years tomorrow ‘Fox and Friends’ could be my last appearance on the network. Thanks for the memories.”

In the nearly one-minute long video, which was taken on a boat ride heading from Jones Beach Island to Lower Manhattan, the former anchor explained his decision to leave the network and teased that he would have “more to say” about it during his Friday appearance on “Fox and Friends.”

“So it doesn’t look like I’m gonna be on ‘The Five’ — I mean I’m not gonna be on ‘The Five,’” Rivera said in the video. “I’ve been fired from ‘The Five’ and as a result of that, I quit Fox. So, I’ll have more to say about that on ‘Fox and Friends’ tomorrow morning.”

A spokesperson for Fox News did not immediately respond to TheWrap’s request for comment.

Though Rivera announced his departure over a week ago, his allegation that he was fired from “The Five” is an update on his comments from a recent interview with The Associated Press in which he said he was exiting the talk show due to “a growing tension that goes beyond editorial differences.”

He also expressed some difficulties he faced on while on show was “not worth it,” admitted that the work environment was “too intimate” and “too personal.”

“It’s not an easy job if you take it as personally as I do,” Rivera told the AP.

“It has been a rocky ride but it has also been an exhilarating adventure that spanned quite a few years,” Rivera said at the time. “I hope it’s not my last adventure.”

Things have clearly taken a turn since then, when Rivera said he would remain with the network as a “correspondent at large,” as the former anchor expressed uncertainty Thursday if his Friday appearance could be his last time on the conservative news network.

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Geraldo Rivera said Thursday that he has

June 29, 2023 · 10:30 AM

The lineup has been announced for 2023 Sundance Film Festival: Local Lens, taking place July 26-29 in Utah.

This series presents indoor and outdoor screenings of favorites from January’s Festival, free for Utah residents, as well as a special pitching event for local filmmakers. For full lineup and more information, including how to RSVP, click on the link above.

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June 29, 2023 · 10:30 AM The lineup

Damon Lindelof will mentor one up-and-coming TV writer as part of ScreenCraft’s latest TV pilot writing competition.

The Lost and Mrs. Davis exec producer will meet with the winner of the competition, which usually receives several thousand submissions. He serve as the grand juror of the competition, which will open submissions on July 1 and run through September 30.

The pilot program is being launched in partnership with The University of Georgia M.F.A. program in Film, Television, and Digital Media. Writers interested in submitting can do so via Coverfly.

There’s no worry that entering will go against the WGA strike rules as ScreenCraft has been communicating with the guild and its legal team has reviewed the program and confirmed it is in compliance with strike rules. The materials will not be shared with industry jurors until the final round, which is in January and ScreenCraft is not sharing materials with struck companies or their representatives as long as the strike is in effect.

“ScreenCraft has always taken seriously the responsibility of supporting emerging writers through its programs,” said Tom Dever, the VP of Development for Industry Arts, ScreenCraft’s parent company. “Facilitating a personal mentorship with creators of this stature is such an incredible opportunity for aspiring television writers and consistent with our mission.”

“With the state of Georgia now among the top three production hubs in the US, I can’t think of a better time for us to partner with Screencraft, the preeminent launching platform for screenwriters and filmmakers embarking on successful careers in film and television,” added Neil Landau, Executive Director of The University of Georgia M.F.A.. “Our program educates, mentors, inspires and nurtures above-the-line emerging screenwriters, directors, and producers to make exceptional creative work, and Screencraft helps get them noticed as they segue from academia into the industry.”

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Damon Lindelof will mentor one up-and-coming TV

The Asus ROG Ally has only been out since earlier this June 2023, and already the modding community has figured out how to install 4TB of M.2 2280 SSD storage.

Normally the Asus ROG Ally comes with 512GB of storage, with a 256 GB version coming soon. And as impressive as fitting that much in a small package is, it’s not nearly enough for many modern PC games, with some requiring 100 GB or more. Some Redditors have taken matters into their own hands and decided to figure out how to fit in even more storage.

According to these intrepid modders, and reported by VideoGameZ, the ROG Ally can in fact fit a standard M.2 2280 storage but you need to remove part of the chassis to do so. As you may have guessed, this is an irreversible change that will definitely void your warranty, something important to consider since currently every single one of these portables is covered by it. But if you don’t mind, then know you’ll need to remove antennas and insulate said SSD in a non-conductive foil. 

It seems that, so far, these mods have been successful, particularly with WD 4TB SN850X storage and Crucial P3 Plus 4TB (CT4000P3PSSD8) storage. None of the modders reported overheating or any performance issues in the two weeks since they started altering their ROG Ally systems.

The Asus ROG Ally has so much potential 

One of the most interesting aspects of the Asus ROG Ally is how receptive it seems to be to modding, not only in terms of gaming software modding but also for boosting its all-around performance. If it’s possible to upgrade the handheld to this degree so early in its launch, imagine its modding potential later on down the line when owners truly get a grasp on what they can do with the ROG Ally.

Not to mention that we’ve also seen how much a simple update can improve gaming performance across the board. Ahead of its launch, Asus released a set of firmware and driver updates that increased framerate in many of the best PC games, including Red Dead Redemption 2 and Forza Horizon 5, by up to 20%.

We could end up seeing a ROG Ally, whether officially boosted or warranty-voiding modified, that has specs far superior to what it initially had, which is saying a lot considering what it’s packed with already. I’m excited to see what’s possible, considering that it feels like the PC portable has so much untapped potential, as outlined in this Tom’s Guide review.

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The Asus ROG Ally has only been

Warner Bros on Thursday released a new trailer for Dune: Part Two, Denis Villeneuve’s second pic in a planned three-film saga based on Frank Herbert’s classic sci-fi novel. The Warners/Legendary Pictures pic is set to hit theaters November 3, 2023.

Timothée Chalamet returns as Paul Atreides and Zendaya as Chani in the film, which picks up after the events of the first Dune, which bowed in 2021 and grossed more than $402 million at the global box office.

Also back in the cast is Rebecca Ferguson, Josh Brolin, Javier Bardem, Dave Bautista, Charlotte Rampling, Stephen McKinley Henderson and Stellan Skarsgård, joined by Austin Butler, Florence Pugh, Christopher Walken and Léa Seydoux.

The middle pic in the series finds Atreides as he unites with Chani and the Fremen out for revenge against the conspirators who destroyed his family. Facing a choice between the love of his life and the fate of the known universe, Paul endeavors to prevent a terrible future only he can foresee (The film’s tagline is “Fury Will Rise,” so you get the idea).

Villeneuve co-wrote the screenplay with Jon Spaihts from Herbert’s novel.

Mary Parent, Cale Boyter, Villeneuve, Tanya Lapointe and Patrick McCormick are producers. Executive producers are Josh Grode, Herbert W. Gains, Spaihts, Thomas Tull, Brian Herbert, Byron Merritt and Kim Herbert.

The new trailer, which comes after the first official trailer dropped in May after it was shown at CinemaCon, shows off the scope that helped the original pic score 11 Oscar nominations including Best Picture. Dune: Part One won six Oscars in the crafts categories and returns several from that team here, including editor Joe Walker, production designer Patrice Vermette, composer Hans Zimmer and VFX supervisor Paul Lambert. Costume designer Jacqueline West, who was nominated last go-around, also returns.

Check out the trailer above.

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Warner Bros on Thursday released a new

The trailer has debuted for feature documentary “Dancing on the Edge of the Volcano,” which will have its world premiere in the Main Competition at Karlovy Vary Film Festival.

Cyril Aris’ film centers on the aftermath of the catastrophic explosion at the port of Beirut on Aug. 4, 2020, which leaves a large part of the Lebanese capital in ruins. In the midst of the chaos, a film crew face an overwhelming decision: to continue the production of their movie or abandon it? They are torn between their firm belief in the transformative power of cinema and a deep sense of cynicism about its ability to effect change in a nation plagued by economic turmoil and societal collapse.

In a statement, Aris said: “For a region mired in political strife and economic difficulties, art has always been deemed as luxury not only by most Arab governments, but by the general population. Thus, when the explosion occurred, it was inevitable to ask myself if what we do has any impact at all; if what we do has any meaning.

“‘Dancing on the Edge of a Volcano’ is not strictly about the explosion, but an investigation of the disputed worth of art in times of crisis. Most of all, this is a meditation on loss – the loss of the city that no longer exists; the loss of the life that no longer exists; the loss of the self that may not be resurrected, even with a film to make.”

The producers are Katharina Weser and Myriam Sassine for Reynard Films and Abbout Productions. It is co-produced by Nadi Lekol Nas. The film received a post-production grant from the Sundance Institute.

Aris is a Lebanese director, screenwriter and editor based in Beirut. His feature documentary “The Swing” (2018) premiered in Karlovy Vary, and won awards in El Gouna, Rome, London and Budapest. His short film “The President’s Visit” (2017) premiered at Toronto Film Festival and played in more than 80 festivals. Aris is in development for his feature “It’s a Sad and Beautiful World.”

Editing credits include American-Filipino feature film “Death of Nintendo” (2020), directed by Raya Martin, which premiered at the 70th Berlinale, and “Costa Brava Lebanon” (2021), directed by Mounia Akl, which premiered at the 78th Venice Film Festival, and won the Netpac award at the Toronto Film Festival, the audience award at the BFI London Film Festival, and the FIPRESCI award at El-Gouna.

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The trailer has debuted for feature documentary

Logan director James Mangold shared exciting insight on Deadpool 3‘s plot, specifically regarding Hugh Jackman’s Wolverine.

Excitement is high for Ryan Reynolds‘ third Deadpool film, this time within the MCU. Hugh Jackman’s return as Logan one more time was a massive storyline, especially considering the definitive ending presented in 2017’s Logan.

Anticipation is ramping up even more now that Deadpool 3 was pushed up significantly on the schedule, now releasing on May 3, 2024.

James Mangold Talks Hugh Jackman’s Wolverine in Deadpool 3

Marvel

During a recent interview promoting his latest film Indiana Jones and the Dial of Destiny, filmmaker James Mangold – who has directed two Marvel films in 2013’s Wolverine and 2017’s Logan – teased the chaotic energy of Deadpool 3:

“And tonally, because I’ve talked with them about this, I even was heavily talking with it about him a few years ago… I’m imagining it’s going to be some kind of Midnight Run or 48 Hours with these two guys just on the run… It sounds fun as hell.”

That “Midnight Run or 48 Hours” sounds thrilling and also lines up with a recently revealing comment by Deadpool 2 actor Lewis Tan. 

Tan said, “Deadpool will use Cable’s time travel machine to save Wolverine before his death in 2029 and they end up lost in the Multiverse being pursued by Mobius” in Deadpool 3.

Mangold added that he feels like they “stuck the landing” with Logan but added that he’s not sure Deadpool 3 “diminishes it or takes it away in any real way:”

“Well, yes and no. I mean, there’s a part of me that felt we stuck the landing, but we did it…But the reality is, we did end ‘Logan’ well, and it did have its impact and continues to. And I’m not really sure that anything diminishes it or takes it away in any real way.”

Deadpool 3 can be considered a “prequel” that takes place before Logan:

“If it works, it works. And it’s not like the new movie Hugh and Ryan [Reynolds] are working on takes place after Logan. So, in a sense they’re just making a prequel, if you will.”

The Role of the MCU’s Multiverse in Deadpool 3

The Multiverse will clearly be explored in Deadpool 3, an easy assumption considering Ryan Reynolds is brought into the MCU and Hugh Jackman from the dead.

Another element of the Multiverse that fans have seen so far in projects like Loki Season 1, Spider-Man: No Way Home, and Doctor Strange in the Multiverse of Madness is Variants.

While this doesn’t confirm anything, Hugh Jackman has said he’s playing “a dual role” in Deadpool 3. This could only mean he’s playing alongside his co-star Reynolds, or maybe audiences will be treated with several Variants of Wolverine.

It will be wonderful to see both Reynolds and Jackman in the MCU, a dream of many fans that now is a reality due to Disney buying 20th Century Fox.

Adding onto James Mangold’s comments, Deadpool 3 writer Rhett Reese previously teased a “fish-out-of-water” story. He also added that “Deadpool is a lunatic at the center of a movie.”

Deadpool 3 releases in theaters on May 3, 2024.

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The difference in age between new Superman actor David Corenswet and DCEU star Henry Cavill explains the direction Superman: Legacy is headed in. Cavill went through a rough patch in the role in the old DCEU, with the actor only getting one solo movie in the role, and last playing Superman in 2017’s Justice League before returning for a cameo role in 2022, appearing in Black Adam‘s post-credits scene. The moment was meant to start a new age for Cavill in the role, with the actor taking to social media to celebrate his Superman return. However, a few months after Cavill’s return, James Gunn announced that the actor was out.




Gunn and Peter Safran assumed the role of DC Studios co-CEOs, with the duo rebooting the old DCEU with their DC Universe. Cavill was not asked to return as Clark Kent due to the hero’s reboot movie, Superman: Legacy, focusing on a younger Superman. After a lengthy casting process, three actors were brought in to screen test for the coveted lead role of Clark Kent. Corenswet emerged as the new Superman actor for Superman: Legacy. The actor had been the fan-favorite choice for the role over the last couple of years, even before Cavill left, and the difference between the actors’ ages reveals an essential detail about Superman: Legacy‘s approach.



How Old Is New Superman Actor David Corenswet?

Corenswet is 29 years old at the time of his casting in Superman: Legacy. The actor’s birthday is on July 8, which means he is close to being 30. That will be his age when shooting Superman: Legacy. If it all goes to plan, Superman: Legacy‘s filming start will be on January 2024. After filming wraps, Corenswet will turn 31, but that will not be the actor’s age when the movie premieres. By the time Superman: Legacy comes out, Corenswet will be 32, as the actor’s birthday will come three days before Superman: Legacy‘s July 11, 2025, release date, which will lead to a pretty eventful week in Corenswet’s life.

How Old Henry Cavill Was When He Was Cast As Superman

Henry Cavill as Superman in Man of Steel

Cavill was younger than Corenswet when he was cast as Superman for Zack Snyder’s Man of Steel. Cavill was 27 years old when he was cast as Superman back in January 2011. With the actor’s birthday being on May 5, Cavill was 28 by the time Man of Steel started shooting that August. The actor has appeared in three DCEU movies as Superman since then. While shooting 2016’s Batman v Superman: Dawn of Justice, Cavill was younger than Superman: Legacy‘s new Clark Kent actor Corenswet will be when the movie releases in theaters. Batman v Superman: Dawn of Justice‘s principal photography began on May 19, 2014, with Cavill at 31.

The actor’s next time as Superman was in 2017’s Justice League. The movie started shooting on April 2016, making Cavill 32 at the time. This means that Cavill had three movies as Superman under his belt at the age that Corenswet will be when he is seen in theaters leading Superman: Legacy. While the actor appears in 2021’s Zack Snyder’s Justice League, Cavill did not return to film new scenes as Superman for the movie. Cavill’s last time filming for Superman was for Black Adam. Cavill was a late inclusion to the movie, with his Superman cameo being shot in September 2022, a month before it debuted, when Cavill was 39.

What Superman: Legacy’s Younger Clark Kent Means For The Story

Superman Legacy David Corenswet and Rachel Brosnahan as Clark and Lois

Soon turning 30, Corenswet will be 10 years younger than Cavill when he starts shooting Superman: Legacy. While Cavill became Superman a couple of years younger than Corenswet, the DC Universe’s expansive scope of having the same actors play their roles in movies, TV shows, animation, and video games guarantees that Corenswet will surpass Cavill’s five Superman appearances in no time. Corenswet’s age, in comparison to Cavill’s, perfectly explains what Gunn is looking for in his reboot of the Man of Steel for the DC Universe. Corenswet is not only younger than Cavill, but at 29, he is younger than Superman: Legacy runner-ups Tom Brittney, 32, and Nicholas Hoult, 33.

Gunn ended up going with the youngest actor of the final three that screen tested for the Clark Kent role in Superman: Legacy, with Corenswet even being younger than Lois Lane actress Rachel Brosnahan, who is 32. Corenswet’s age perfectly lines up with the details that have been revealed from the upcoming movie. Superman: Legacy features a younger take on Clark Kent, with the character starting out as a reporter at the Daily Planet, learning the ropes from a more experienced Lois Lane.

The DC Universe will introduce a world where superheroes already exist in Superman: Legacy, with Corenswet’s Clark Kent early in his Superman career providing a nice point of view for the audience as the DCU starts. Based on that, it makes sense why Gunn chose not to bring back Cavill, with Corenswet, at 29, being the perfect new actor to lead Superman: Legacy and the next decade of DC Universe projects.

Key Release Dates

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The difference in age between new Superman

Razer the Cobra Pro, that’s packed with buttons and customization options, all wrapped in an eye-pleasing symmetrical design. There’s seven buttons at the top of the device, two on the side and one on the bottom, adding up to ten. As is traditional with modern mice, each button is fully customizable. However, Razer takes this customization to the next level.

The Cobra Pro stores five memory profiles that allow you to instantly swap between customization options to suit whatever game you’re playing. Additionally, the mouse integrates with Razer’s Hypershift feature, which temporarily adds a secondary set of functions to each button.

The symmetrical design is nifty, but this is a modern gaming mouse, so there’s plenty of customizable RGB lighting. As a matter of fact, the Cobra Pro boasts 11 individually addressable Chroma RGB zones, which Razer says is the most zones available in its class. There’s nearly 17 million colors to choose from, so it’s highly unlikely your mouse’s lighting scheme will match your neighbors.

As for regular specs, the Cobra Pro continues some of the traditions present with the company’s There’s a Focus Pro 30K optical sensor and next-generation optical mouse switches. The Cobra Pro integrates with the Razer Mouse Dock Pro (sold separately) that amps the polling rate up to 4000 Hz.

The built-in battery allows for 100 hours of use when connected via the company’s HyperSpeed Wireless technology and 170 hours when using traditional Bluetooth. It ships with a USB-C cable for quick-charging.

In addition to the Cobra Pro, the company also launched a bare-bones version for budget-conscious gamers. The standard Cobra mouse is wired and boasts eight customizable buttons. Both options with the Cobra Pro costing $120 and the standard Cobra coming in at just $40.

All products recommended by Engadget are selected by our editorial team, independent of our parent company. Some of our stories include affiliate links. If you buy something through one of these links, we may earn an affiliate commission. All prices are correct at the time of publishing.

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Razer the Cobra Pro, that’s packed

Maybe we live inside a Squid Game after all… 

One of the biggest,s if not the biggest Netflix hits of all time was Squid Game. The show won six Emmys, was viewed for 1.65 billion viewing hours in its first 28 days, and, now, according to internal Netflix documents obtained by the LA Times, it raised Netflix’s value by $900 million. 

Sheesh. 

Of course, none of this would be possible without South Korean writer and director Hwang Dong-hyuk, who created the show and has earned the right to see it become a stunning success story. But he has not earned any residuals from this massive win. 

According to sources, his contract was written in a way that forfeited all intellectual property rights and received no residuals. According to Hwang, he made some money from the sale and show, but not anymore. 

If this show had been on a different channel and not a streamer, Hwang would have been entitled to royalty payments when the show played over and over after its broadcast. 

This is one of the core reasons the WGA is on strike right now, and that SAG-AFTRA might follow them soon.  

These residual payments used to be how creatives made money. But now, with streamers relying on these massive hits, creatives are cut off from any of the wins that follow. 

You could try to blame his contract or the Korean film industry, but it’s Netflix who made sure those provisions were not in there, and it’s why unions in the United States are working to make sure that can never happen again. 

Being paid residuals for work that generates massive revenue should become something standard all over the world. 

It’s only in the streaming era that this has not happened.      

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Maybe we live inside a Squid

Audiences might bemoan the lack of original thinking at the movies these days — all those sequels, remakes, and reboots! — but even new ideas can feel suddenly played out when faced with the horrifying specter of parallel thinking. Consider everything from “Deep Impact” and “Armageddon” to “Dante’s Peak” and “Volcano,” “Capote” and “Infamous” to “No Strings Attached” and “Friends with Benefits,” and those are just contemporary examples of the phenomenon. If you’ve got an idea for a movie — hopefully, a good one to boot — chances are, someone else has it, too. And they may even have it at the exact same time.

Such is the case with Kirk DeMicco and Faryn Pearl’s “Ruby Gillman, Teenage Kraken,” which arrives on the heels (fins? paws?) of some very similar other animated adventures, like Pixar’s superior “Turning Red” and the studio’s less thrilling entry “Luca,” both of which use monstrous imagery to explore puberty and coming-of-age. No, literally monstrous: In “Turning Red,” a young girl’s maturation turns her into a giant panda (adorable, terrifying), while “Luca” follows a pair of young boys who discover they’re both sea monsters (in sun-drenched Italy, no less).

For the DreamWorks-backed entry into the “whoa, puberty is nuts!” animated movie Mad Libs arena, those ideas get mashed up into something funny, sweet, and all-too-familiar. This time around, we’re following a delightful young girl (voiced by the winning Lana Condor) who can’t shake the feeling she’s different, only to discover on the eve of a key teenage experience that she very, very much is (she, too, is a sea monster). And while this concept, from writers DeMicco, Pam Brady, Elliott DiGuiseppi, and Brian C. Brown, might have felt fresh five years ago, in 2023, it’s just another example of parallel thinking damning even the cutest of ideas.

And “Ruby Gillman, Teenage Kraken” is cute.

DeMicco and Pearl open with some splashy exposition, telling us that kraken, despite their bad reputations and terrifying name, are actually protectors of the ocean. Being a kraken? It’s a good thing! But that hasn’t stopped even the most lauded of kraken — like Ruby’s mom Agatha (voiced by Toni Collette, in just one of many excellent pieces of voice casting) — from sweeping her family onto dry shores (like their small town of Oceanside) and keeping everyone very much out of the ocean and away from their legacy as massive, butt-kicking sea monsters.

“Ruby Gillman, Teenage Kraken”Universal Pictures

Ruby (voiced by Condor) has always known she’s different — perhaps her blue skin and gilled ears are a tip-off — but even she doesn’t know just how different she is. That’s a tough load for any teenager to carry, but one that’s particularly hard for Ruby, who already feels torn between her love of order (she’s into math and rules) and her spunky and fun personality. While “Turning Red” was explicitly coded to be about puberty and periods and “Luca” has been viewed as a story about sexual and gender identity, “Ruby Gillman” flits between all these possible readings. In short, it’s about discovering who you are (be it physically, sexually, mentally, emotionally) and harnessing the bravery to embrace it. A classic tale in sea monster form.

One thing Ruby has always understood: She can’t go in the ocean, ever. (Then why did they move to Oceanside, you may wonder? As Agatha tells us in one of the film’s most clever and amusing moments, they do still need to remain moist, obviously.) Ruby is just fine with that request until Oceanside High goes ahead and schedules their annual prom on a party boat, and all of Ruby’s best pals (rendered mostly in tropes: the wacky one, the gothic one, the dude one) can’t wait to literally splash out on the luxe vessel. But what about Ruby?

“Ruby Gillman, Teenage Kraken”Universal Pictures

Before you can say “promposal,” Ruby has tumbled into the ocean in an attempt to save her sweet crush Connor (voiced by Jaboukie Young-White) after he goes into the drink. It’s there that she discovers — care of some colorful animation, amusing character design, and a healthy dose of pop music — that she’s actually a massive kraken, and everything Agatha has told her is, well, kind of a massive lie.

Much like “Turning Red,” the real heart of “Ruby Gillman” lies in the complicated bond between mother and daughter, one built on both very good intentions and totally traumatic deceptions. And when Ruby’s transformational news travels to both her Grandmamah (voiced by Jane Fonda) and the rest of the ocean’s many other inhabitants, that bond is going to be mightily tested. Who else in the ocean, you may ask? Her funny uncle Brill (voiced by Sam Richardson), who arrives at the Gillman home, along with hip new girl at school Chelsea Van Der Zee (voiced by Annie Murphy), who soon reveals herself to be an Ariel-styled mermaid who is thrilled to have a new water-logged pal (maybe).

Partially spurred on by Chelsea and her instant popularity but mostly driven by her own desire to break free, Ruby starts spending more time in the ocean (read: more time as a kraken), where Grandmamah teaches her a ton about their heritage and lineage. Kraken? Sure, there’s plenty of them, but Grandmamah and Agatha and Ruby are the only giant kraken, fierce fighters and beloved royalty who are tasked with protecting the ocean from all the bad stuff, including (dramatic pause) mermaids, who are the real monsters. Oh, so what about Chelsea?

Exposition and information dumps abound, but despite the seemingly overstuffed nature of the plot, “Ruby Gillman” skews a bit younger than similar cinematic options. It really soars (swims?) when it’s leaning into the lighter, literally more colorful stuff, like when Ruby goes full kraken and explores a lush, bright ocean alongside her grandmother or new best frenemy. The pop songs blare, the montages zip by, and the water setting is turned into something bright and fresh (sorry, new “Little Mermaid”), all setting the perfect stage for a warm and good-hearted story about self-acceptance.

This may all seem familiar, and that’s both comforting and disappointing. Kids are always in need of gracious tales about the power of being yourself in a world not necessarily built to embrace differences (of all sizes, of all kinds) and stories like “Ruby Gillman, Teenage Kraken” can do that, with fun to spare. But why not get more splashy, why not take more risks, why not get bigger and weirder, when that’s also the aim of the very story you’re telling? Audiences of all ages deserve those leaps, the more giant, the better.

Grade: C+

Universal Pictures will release “Ruby Gillman, Teenage Kraken” in theaters on Friday, June 30.

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Audiences might bemoan the lack of original

EXCLUSIVE: Shondrella Avery, who starred in Napoleon Dynamite, is developing a slew of unscripted projects after striking a first-look deal with Bling Empire producer Jeff Jenkins Productions.

Avery is working with R&B star Macy Gray and four-time NBA champion John Salley on series as well as other projects featuring musicians, athletes and influencers.

She will work directly with JJP President Jeff Jenkins, who exec produced Keeping Up With The Kardashians, to co-develop and produce series with an emphasis on Black and BIPOC talent.

Jeff Jenkins Productions, which is backed by 3BMG, is also behind Netflix’s My Unorthodox Life, and Bravo’s upcoming Luann and Sonja: Welcome to Crappie Lake.

As well as starring as Lafawnduh in cult comedy Napoleon Dynamite, Avery has appeared in films and series including The Secret Life of Bees, Déjà vu, End of Watch, Single Drunk Female and The Neighborhood. She has also produced and exec produced more than 20 series and feature films over the last 10 years.

“Grounded in faith and guided by courage, I am thrilled to partner with the esteemed Mr. Jenkins, a true mentor and ally,” said Avery. “It is an immense blessing to call ‘JJ’ my friend and collaborator as we forge ahead, embracing limitless possibilities and aiming to leave an indelible mark on the industry.”

“I’ve known Shondrella for years and have always admired her drive and endless capabilities, as both a performer and a behind-the-scenes creative,” added Jenkins. “I’m so pleased she chose JJP as her partner for unscripted content, and our team is incredibly inspired by the fresh concepts and dynamic talent she’s already bringing to the space.”

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EXCLUSIVE: Shondrella Avery, who starred in Napoleon

Futurama welcomes us back to New New York! The upcoming eleventh season brings back all the fan favorites in yet another new season of a series that simply refuses to stay concluded.

The series has come a long way, through time and space, since its debut in 1999. The first batch of seasons ran through 2003, featuring some of the wittiest, nerdiest humor (in addition to the saddest episode in animated television history, “Jurassic Bark”) from the creative team led by Matt Groening and David X. Cohen.

Futurama returned in 2008 and 2009 as a series of four movies split into multiple episodes. The series again made a comeback from 2010 through 2013, seemingly summing up the story with a beautifully twisted faux series finale. Throughout Futurama’s span so far, the series won six Emmy Awards and was nominated for an additional fourteen.

Earlier this year, Vice President of 20th Century Television Animation Marci Proietto said, “I’ve always felt [Futurama] had more stories to tell.” He went on to say “Viewers can expect the same great humor and great writing they love. For Futurama, it’s like catching up with old friends in the most amazing way.”

Starting next month, the Planet Express crew is coming back again in full force this summer with returning cast members Billy West (Philip J. Fry, Professor Farnsworth, Zoidberg), Katey Sagal (Turanga Leela), John Dimaggio (Bender Bending Rodriguez), Phil LaMarr (Hermes Conrad), and Lauren Tom (Amy Wong). 

The new season will have something for everyone, old fans and newbies alike, spanning twenty episodes. Check out the trailer to catch a glimpse of what’s in store.

The new season of Futurama premieres on July 24th exclusively on Hulu. Until then, go back in time and jump 1,000 years into the future by catching up on the first ten seasons of the series now streaming on Hulu.

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Futurama welcomes us back to New New

MGM+, a premium linear channel and streaming service announced today that the contemporary sci-fi horror series FROM has been renewed for a 10-episode third season. Created and executive produced by John Griffin (Crater) and executive produced by showrunner Jeff Pinkner (Lost, Alias, Fringe), and director Jack Bender (Lost, Game of Thrones), the series unravels the mystery of a nightmarish town that traps all those who enter. In the wake of Season Two’s epic cliffhanger, escape will become a tantalizing and very real possibility as the true nature of the town comes into focus, and the townspeople go on offense against the myriad horrors surrounding them. The series is set to return in 2024.  

Photo Credit: Chris Reardon/MGM+

FROM is the second-most viewed series in the history of the premium network, behind the Emmy winning Godfather of Harlem, starring Forest Whitaker and co-created by Chris Brancato and Paul Eckstein (Narcos).  

The series stars Harold Perrineau (Lost) and an ensemble cast which includes Catalina Sandino Moreno (Maria Full of Grace, The Affair), Eion Bailey (Band of Brothers, Once Upon a Time), Hannah Cheramy (Under Wraps, Van Helsing), Simon Webster (Strays), Ricky He (The Good Doctor), Chloe Van Landschoot (Charity, Skin),Corteon Moore (Utopia Falls), Pegah Ghafoori (The Perfect Wedding), David Alpay (Castle Rock), Elizabeth Saunders (Clarice), Elizabeth Moy, Avery Konrad (Honor Society), and Scott McCord (East of Middle West). Joining the ensemble in Season Two were Nathan D. Simmons (Diggstown, This Hour Has 22 Minutes), Kaelen Ohm (Hit & Run, Eumenides Falls), Angela Moore (A Series of Unfortunate Events, Maid), A.J. Simmons (Reacher), and Deborah Grover (My Next Door Nightmare, Jann). 

“The first two seasons of FROM captivated critics and terrified and engaged fans, who have formed a thriving online community that is trying to put the pieces together week by week as the secrets of the nightmarish town—and possibly beyond—are slowly revealed,” said Michael Wright, head of MGM+. “We can’t wait for fans to see the surprises ahead in Season Three, which promises more scares and mysteries, but also more answers.” 

“We’re so grateful for the support of our fans and FROMily this season. We have a lot more story to tell … and shocking, weird roads to take you on, with plenty of answers along the way,” said Jack Bender, executive producer and director. 

FROM is a co-production between MGM+ Studios and Amazon’s Pan-English scripted TV.  Alongside Jeff Pinkner,John Griffin, and Jack Bender, serving as executive producers are Josh Appelbaum, André Nemec, and Scott Rosenberg from Midnight Radio, Anthony and Joe Russo and Mike Larocca from AGBO, and Lindsay Dunn. Midnight Radio’s Adrienne Erickson serves as co-executive producer. The series is distributed internationally by Paramount Global Content Distribution. 

Check out some photos below:

 

About Midnight Radio  

Midnight Radio is the producing team of Josh Appelbaum, André Namec, Jeff Pinkner & Scott Rosenberg. On the TV side they are responsible for shows such as High Fidelity for Hulu, Cowboy Bebop for Netflix, and Zoo for CBS. On the film side, Jeff Pinkner & Scott Rosenberg co-wrote both Jumanji and Jumanji 2: The Next Level for Sony, as well as Venom for Sony, starring Tom Hardy. Josh Appelbaum & André Nemec wrote Misson Impossible: Ghost Protocol for Paramount, and produced Tom Clancy’s Without Remorse, starring Michael B. Jordan, for Amazon.  

About AGBO  

Founded by award-winning, record-breaking directors Anthony and Joe Russo, AGBO is an artist-led entertainment company focused on creating content born of innovative story universes across film, television, and digital platforms. Headquartered in downtown Los Angeles, AGBO was founded in 2017.  

About MGM+  

MGM+, an Amazon company, is a premium linear channel and streaming service delivering a broad lineup of quality original series and docuseries, the latest movie releases, and classic film franchises—all available in the U.S. on TV, on-demand, online, and across devices. MGM+ is a destination for original premium content, with original series including sci-fi horror series FROM; Emmy-winning series Godfather of Harlem; the Western adventure Billy the Kid; and cinematic dramatic series A Spy Among Friends, War of the Worlds, Rogue Heroes, Domina and Belgravia. The network is also the home of acclaimed docuseries, including Emmy-nominated Laurel Canyon, Helter Skelter, Slow Burn, My Life as a Rolling Stone, NFL Icons, and Murf the Surf.  Premium movies are also available, including Top Gun: Maverick, No Time to Die, House of Gucci, Sonic the Hedgehog 2, Smile and Till.  

MGM+ will continue to be available nationwide through cable, telco, satellite, and emerging digital distribution channels, as well as through its MGM+ app, providing more movies than any other network with thousands of titles available for streaming. For more information about the current MGM+ lineup, go to [www.mgmplus.com] or follow on [Twitter, Instagram, Facebook, TikTok, and YouTube].   

MGM+, a premium linear channel and streaming

Jada Pinkett Smith is promising viewers haven’t seen the last of Red Table Talk, despite the shuttering of Facebook Watch earlier this year.

The actress, producer, mother and host revealed the news to People in a new interview about her anticipated memoir Worthy, out Oct. 17 with Dey Street Books, an imprint of the William MorrowGroup at HarperCollins Publishers. “It’s definitely coming back. We’ve had a couple platforms reach out to us. And we have some interesting avenues that we’re looking at now,” she said.

Published on Thursday, the conversation also saw Pinkett Smith address the public criticism she’s increasingly faced over the years for both her — along with husband Will, and children Jaden and Willow — being so open about elements of her family’s life on the series and beyond.

“So many people feel because of my talk show Red Table Talk that they know my journey. And they really don’t,” she told the magazine. “There’s been so much about my journey that I haven’t really been able to share on a format like RTT.”

Pinkett Smith went on to say that “everything” will be covered in the book, while addressing critics of her and husband Will Smith’s choices about openly discussing elements of their marriage, parenting choices and more. For the actress and producer, those who aren’t interested in learning more “don’t need to know” and “this is not a book for them.”

“That’s the beauty of it. It just so happens that there’s some moments that a lot of people are aware of that I’ll be able to break down. In regards to that self-reclamation,” she said of those who argue she and her family overshare. “For those who are not interested, the beauty is they don’t have to get the book. But for those who are, the book will be available.”

Describing Worthy as “an adventure, a search for love and self-worth,” Pinkett Smith said the book will give her an opportunity to address what she is — and isn’t — to “blame” for when it comes to the misunderstandings about her family floating around.

Recently, that discussion has increased around son Jaden Smith’s reveal at the Psychedelic Science conference in Denver that she was first to use psychedelics — something she revealed on Red Table Talk — before other members of her family followed suit. It also rose up around the 2022 Oscars, when fellow actor and husband Smith slapped Chris Rock on stage during the televised ceremony after the Selective Outrage comedian delivered an unscripted joke about Pinkett Smith’s shaved head, which is related to her alopecia.

“You escape the blame when you know that it’s not your blame. Right? When there’s misunderstanding. And when you know the truth, there’s no self-judgment. And if you have no self-judgment, then the judgment of others can’t penetrate,” she said. “In the book, people will see that I have to be very accountable of the misunderstandings that are floating. But ultimately, I hope the book enhances someone’s perspective of their own life. That is my greatest hope.”

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Jada Pinkett Smith is promising viewers haven’t

After a day of news that could’ve fueled its own “We Didn’t Start The Fire” reboot, Twitter timelines everywhere suddenly flooded with one last absurdity: Colleen Ballinger reaching for a ukulele. You’d be forgiven for thinking this was a time capsule from 2009, when the twee aesthetic reigned and Ballinger’s Miranda Sings character was one of YouTube’s first bonafide celebrities. But this is a video from 2023, and Ballinger is attempting to apologize for serious accusations of grooming her fans by breaking into song.

To understand what’s going on, we have to rewind to 2020, when a YouTuber named Adam McIntyre shared the negative experiences he had with Ballinger as a longtime Miranda Sings fan. He became a fan when he was nine years old, eventually running a Twitter fan account and subsequently joining an “inner circle” of stans with whom Ballinger would communicate directly. McIntyre accused Ballinger of sending him inappropriately sexualized messages (like asking his favorite sex position) while he was a teenager, and even mailing him a set of underwear (bra and panties) after telling fans she wanted to get rid of “ugly” unused clothes, per HuffPost U.K. In response, Ballinger denied accusations of grooming, but admitted to sending the underwear, saying it was a “stupid” thing for her to do.

Ballinger’s fans turned on McIntyre after he came forward with his accusations (which also included Ballinger exploiting him for the free labor of posting on her social media accounts). Otherwise, the controversy died down until June 2023, when another fan came forward to corroborate McIntyre’s story. Since then, the floodgates have opened and many fans have chimed in with their own negative stories of being bullied or manipulated by Ballinger and her friends and family.

Per a Rolling Stone report, these issues range from body shaming to being sexualized on stage. Some of her inner circle fans (members of a group chat called “Colleenies Weenies”) felt Ballinger tacitly encouraged them to attack her detractors online, including her ex-husband. Multiple fans, who were high schoolers at the time, shared that Ballinger would unload on them about her ex Joshua Evans’ “emotionally abusive” ways and the devastation of their breakup. At least one fan, Johnny Silvestri, spoke of being hired in a professional capacity (to work on Ballinger’s Miranda Sings tour), where he was exploited, verbally abused, and drawn into a toxic parasocial dynamic (one that Evans, at least, has acknowledged and apologized for).

Ballinger broke her silence on this deluge of accusations on Wednesday in the most baffling manner, literally evoking a classic Ariana Grande Victorious meme: “Even though my team has strongly advised me to not say what I want to say, I recently realized that they never said that I couldn’t sing what I want to say,” she vocalized while strumming that ukulele. Her ten-minute musical response video turns the blame on the “toxic gossip train,” arguing that “I’m not a groomer, just a loser.” She acknowledges transgressing boundaries with fans, “but not in a creepy way like a lot of you are trying to suggest.” Further, Miranda Sings—a character leveraged into the short-lived Netflix series Haters Back Off in 2016—was always a PG-13 enterprise, she says (or sings).

hi.

The non-apology apology video would already be raising eyebrows for the embittered way Ballinger insists that she already has taken accountability, “but that’s not the point of your mob mentality, is it?” To do so in song has only served to make the controversy even more viral than it already is. Miranda Sings was a very specific product of its time—down to the problematic early 2000s racial stereotyping—and now it seems we’re witnessing the sun finally set on the character, as well as, perhaps, an entire era of YouTube.

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After a day of news that could’ve

Writer-director Lewis William Robinson’s feature-length debut, Orchid Moon, is a dramatic ode to what it takes to come out of a downward grief spiral. Harry (Jake Waring) drinks himself into oblivion every night, unable to deal with the loss of his significant other, Clementine (Nicole Evans). At night, he dreams of her, and in the day, he wants the pain to stop. The bartender at the local pub, Geoff (Grahame Edwards), is an understanding man, but Harry goes too far one night and gets thrown out.

At rock bottom, Harry must choose between facing what happened and forgiving himself and forever dwelling in his misery. The former means trying to move on from his beloved, while the latter has consequences for everyone in his life. Will meeting Anna (Alice Fforde) help Harry or make him further fall, reminding him of what he lost?

Orchid Moon is lushly shot in black and white by Matt Kerins. The cinematography makes everything, from Harry’s flat to the bar he frequents, appear sullen, mimicking the lead’s emotional state. Tom Althorpe’s score helps immensely, full of moody, introspective compositions that set the tone for Harry’s feelings. The melding of these two elements perfectly invokes the intended feelings in the most beautiful way possible.

“…drinks himself into oblivion every night, unable to deal with the loss of his significant other…”

There is a small bump in the plot, however. Frazer Hines plays Eddie, who is… Clementine’s father? Perhaps? This is very unclear, and while only having one major scene, it does cause confusion. But the rest of the narrative, especially how it plays with reality versus dreams versus expectations of a situation, is brilliantly handled.

Throughout Orchid Moon, Waring gives a superb performance. Every heartache, each moment of despair, is keenly emoted and felt by the actor. Due to the nature of the story, there’s not a single scene without Harry, and Waring proves more than capable of carrying the feature. It certainly helps that outstanding supporting players surround him. While his character is confusing, Hines is great. Edwards is excellent as the bartender who wants what’s best for Harry. When Geoff forgives Harry for calling him some not-so-nice things, it is authentic and sweet. Evans has the difficult task of being a haunting figment, a mysterious being only represented through a single perspective. She’s elegant and makes it easy to understand why the main character’s heart is so broken. Fforde is energetic and delightful, making her one scene full of life.

Orchid Moon is an evocative, moody look at loss, grief, and if it’s possible to come out the other side. The cast is terrific, especially Jake Waring as the protagonist. The music and cinematography meld together to seamlessly put audiences into the main character’s headspace. While dealing with heavy subjects, Robinson injects life into the sad tale, knowing the two must co-exist.

For more information about Orchid Moon, visit Lewis William Robinson’s official site.

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Writer-director Lewis William Robinson’s feature-length debut, Orchid

Dozens of Iraqi protesters stormed the Swedish embassy in Baghdad today over the burning of a Koran by an Iraqi protester in Stockholm.

Video showed an angry mob breaking through an iron gate and climbing on top of the compound, as global fury grew over the stunt.

It came after several Muslim countries condemned Sweden for allowing the Iraqi man to burn a Koran outside Stockholm’s main mosque on Wednesday.

Under a heavy police presence and in front of a crowd of 200, Salwan Momika, a 37-year-old who fled to Sweden several years ago, put bacon in the pages of a Koran before stomping on it and setting several pages alight.

Police had granted him a permit for the protest in line with free-speech protections after an appeals court rejected their ban on Koran burning protests, but said later the man had been charged with agitation against an ethnic or national group.

In response to Momika's stunt, video showed an angry mob breaking through an iron gate and climbing on top of the Swedish embassy in Baghdad, as global fury grows over the stunt.

In response to Momika’s stunt, video showed an angry mob breaking through an iron gate and climbing on top of the Swedish embassy in Baghdad, as global fury grows over the stunt.

Protesters gather at the entrance to the Swedish embassy in Baghdad, Iraq, June 29

Protesters gather at the entrance to the Swedish embassy in Baghdad, Iraq, June 29

Protesters gather at the entrance to the Swedish embassy in Baghdad, Iraq a day after a protester burned a copy of the Quran in Sweden, June 29

Protesters gather at the entrance to the Swedish embassy in Baghdad, Iraq a day after a protester burned a copy of the Quran in Sweden, June 29

Iraqi security forces guard the graffiti-covered entrance to the Swedish embassy in Baghdad after protesters reportedly breached the building briefly over the burning of the Koran by an Iraqi living in Sweden, on June 29

Iraqi security forces guard the graffiti-covered entrance to the Swedish embassy in Baghdad after protesters reportedly breached the building briefly over the burning of the Koran by an Iraqi living in Sweden, on June 29 

Under a heavy police presence and in front of a crowd of 200, Salwan Momika (pictured), a 37-year-old who fled to Sweden several years ago, put bacon in the pages of a Koran before stomping on it and setting several pages alight

Under a heavy police presence and in front of a crowd of 200, Salwan Momika (pictured), a 37-year-old who fled to Sweden several years ago, put bacon in the pages of a Koran before stomping on it and setting several pages alight

The stunt sparked anger across the Muslim world, including in Turkey which is currently blocking Sweden’s bid to join the NATO military alliance. 

Iraq slammed the burning of the Koran, calling it ‘racist’ and ‘irresponsible’, while Morocco recalled its ambassador to Stockholm late on Wednesday.

United Arab Emirates presidential adviser Anwar Gargash tweeted that the West ‘must realise that its value system… cannot be imposed on the world’.

The foreign ministry in Abu Dhabi summoned the Swedish ambassador to protest the free-speech protections given to ‘such heinous acts’, it said on Thursday.

Kuwait said perpetrators of ‘hostile acts’ must be brought to justice and ‘prevented from using the principle of freedoms as a ploy to justify hostility against Islam or any holy faith’.

‘This new offensive and irresponsible act disregards the feelings of more than a billion Muslims,’ the emirate said.

Bahrain said that ‘insulting religions is inconsistent with religious freedom… and generates hatred, extremism and violence’.

The United States State Department also weighed in, with spokesman Vedant Patel calling the burning of religious texts ‘disrespectful and hurtful’. ‘What might be legal is certainly not necessarily appropriate,’ he said. 

Anger boiled over in Iraq today with demonstrators storming inside the Swedish embassy in the capital of Baghdad. 

Footage from the compound in Iraq showed people barging through a copper-coloured gate as others climbed over the walls. A second clip showed people climbing on top of the barbed-wire covered building, singing and waving flags.

The demonstrators, supporters of firebrand Shiite leader Moqtada Sadr, remained inside for about 15 minutes before leaving peacefully as security forces deployed, a press photographer who witnessed the scenes unfold said.

The protesters first rallied outside the embassy in response to a call by Sadr who demanded the removal of the Swedish ambassador, echoing outrage in several Muslim countries over the Koran burning Wednesday in Stockholm.

The demonstrators also distributed leaflets that carried messages in Arabic and English that said: ‘Our constitution is the Koran. Our leader is Al-Sadr’.

‘Yes, yes to the Koran,’ was also scrawled on the gate leading to the embassy, according to the photographer.

Sadr’s supporters also torched rainbow flags that represent the LGBTQ community, after the powerful cleric suggested this would be ‘the best way to provoke’ those who back Koran burnings.

Stockholm’s foreign ministry said in a statement it was ‘well informed about the situation. Our embassy staff are safe.’

Protester Hussein Ali Zeidan, 32, told AFP he came out to ‘support the noble Koran’ and called to revoke Momika’s citizenship as ‘he does not represent Iraq’. 

Wednesday was not the first time a Koran has been burned in a public protest this year. In January, far-right Danish political party politician Stram Kurs Rasmus Paludan burned the religious book outside the Turkish embassy in Stockholm.

The move angered Ankara then too, which is already using its grievances with Stockholm and its government to continue to block Sweden’s ascension to NATO.

Police had granted Salwan Momika (right) a permit for the protest in line with free-speech protections after an appeals court rejected their ban on Koran burning protests, but said later the man had been charged with agitation against an ethnic or national group

Police had granted Salwan Momika (right) a permit for the protest in line with free-speech protections after an appeals court rejected their ban on Koran burning protests, but said later the man had been charged with agitation against an ethnic or national group

Police had cordoned off an area in a park next to the mosque separating Momika and a co-protester from the crowd. One man was understood to have been taken away from the scene when he was caught carrying a rock. Pictured: Police are seen detaining a man at the scene

Police had cordoned off an area in a park next to the mosque separating Momika and a co-protester from the crowd. One man was understood to have been taken away from the scene when he was caught carrying a rock. Pictured: Police are seen detaining a man at the scene

The Iraqi government in a statement issued late on Wednesday – hours after the burning – strongly condemned ‘the repeated acts of burning copies of the holy Koran by individuals with extremist and disturbed minds’.

‘These acts demonstrate a hateful and aggressive spirit that goes against the principles of freedom of expression,’ it said.

‘They are not only racist but also promote violence and hatred.

‘These irresponsible actions, in direct conflict with the values of respect for diversity and the beliefs of others, are unequivocally condemned.’

Iran joined in the condemnation on Thursday, calling the Koran burning ‘provocative, ill-considered and unacceptable’.

‘The government and people of the Islamic Republic of Iran… do not tolerate such an insult and strongly condemn it,’ said foreign ministry spokesperson Nasser Kanani.

‘The Swedish government is expected to seriously consider the principle of responsibility and accountability in this regard, while preventing the repetition of insulting the holy sanctities,’ he added.

Morocco also condemned the Koran burning and recalled its ambassador to Stockholm late Wednesday.

‘This new offensive and irresponsible act disregards the feelings of more than a billion Muslims, at this sacred time of the great pilgrimage to Mecca and the blessed feast of Eid al-Adha,’ it said in a statement.

‘Faced with these repeated provocations, committed under the complacent gaze of the Swedish government’, Morocco summoned Sweden’s charge d’affaires in Rabat and recalled its ambassador, it added.

Jordan also issued a statement on Wednesday, saying it was a dangerous display of hatred and Islamophobia that cannot be justified as freedom of expression.

Turkish Foreign Minister Hakan Fidan called the burning of the pages of the Islamic holy book ‘despicable.’

‘It is unacceptable to allow these anti-Islamic actions under the pretext of freedom of expression,’ Turkish Foreign Minister Hakan Fidan wrote on Twitter. ‘Turning a blind eye to such atrocious acts is to be complicit.’

The stunt (pictured) sparked anger across the Muslim world, including in Turkey which is currently blocking Sweden's bid to join the NATO military alliance

The stunt (pictured) sparked anger across the Muslim world, including in Turkey which is currently blocking Sweden’s bid to join the NATO military alliance

Police had granted Momika (right) a permit for the protest in line with free-speech protections after an appeals court rejected their ban on Koran burning protests, but said later the man had been charged with agitation against an ethnic or national group

Police had granted Momika (right) a permit for the protest in line with free-speech protections after an appeals court rejected their ban on Koran burning protests, but said later the man had been charged with agitation against an ethnic or national group

Some 200 onlookers witnessed Momika – one of the two protesters – tearing up pages of a copy of the Koran and wiping his shoes with it before putting bacon in it and setting the book on fire. The other spoke into a megaphone.

Some of those present shouted ‘God is Great’ in Arabic to protest against the burning, and one man was detained by police after he attempted to throw a rock.

A supporter of the protest shouted ‘let it burn’ as the holy book caught fire.

While Swedish police have rejected several recent applications for anti-Koran demonstrations, courts have overruled those decisions, saying they infringed on freedom of speech.

Turkey is blocking Sweden’s NATO membership bid due to what it perceives as Stockholm’s failure to crack down on Kurdish groups it considers ‘terrorists.’

Ankara took particular offence at another Koran burning outside its Stockholm embassy in January by Paludan.

A meeting between the countries’ top diplomats is scheduled for July 6 at the NATO headquarters in Brussels, with NATO counterparts pushing for Turkey to grant the green light to Sweden by the time the summit takes place in Lithuania on July 11-12.

In its written decision granting a permit for the protest, Stockholm police said the security risks associated with the burning ‘were not of a nature that could justify, under current laws, a decision to reject the request’.

Momika, 37, who fled to Sweden several years ago, had asked police for permission to burn the holy book ‘to express my opinion about the Koran’.

Ahead of the protest, Momika told news agency TT he also wanted to highlight the importance of freedom of speech.

‘This is democracy. It is in danger if they tell us we can’t do this,’ Momika said.

Police later said in a statement that the protest (pictured) had not caused 'disturbances to order,' but added that an investigation had been opened regarding 'agitation against an ethnic group' because Momika had chosen to burn the Koran near a mosque

Police later said in a statement that the protest (pictured) had not caused ‘disturbances to order,’ but added that an investigation had been opened regarding ‘agitation against an ethnic group’ because Momika had chosen to burn the Koran near a mosque

Salwan Momika is seen on Wednesday holding up a smoking Koran during his stunt

Salwan Momika is seen on Wednesday holding up a smoking Koran during his stunt

Police had cordoned off an area in a park next to the mosque separating Momika and a co-protester from the crowd. One man was understood to have been taken away from the scene when he was caught carrying a rock.

Police later said in a statement that the protest had not caused ‘disturbances to order,’ but added that an investigation had been opened regarding ‘agitation against an ethnic group’ because Momika had chosen to burn the Koran near a mosque.

Police added he was also being investigated for violating a temporary ban on lighting fires – in place due to a heatwave.

Noa Omran, a 32-year-old artist from Stockholm, called the protest ‘insane’.

‘It’s just hatred masquerading in the name of democracy and freedom, which it isn’t,’ the woman, who said her mother was from a Muslim background, said at the scene.

The police authorisation for the protest came two weeks after a Swedish appeals court rejected the police’s decision to deny permits for two demonstrations in Stockholm which were to include Koran burnings.

Police had at the time cited security concerns, following the January protest which led to weeks of demonstrations and calls for a boycott of Swedish goods.

Prime Minister Ulf Kristersson told a press conference on Wednesday he would not speculate about how the protest could affect Sweden’s NATO process.

‘It’s legal but not appropriate,’ he said, adding that it was up to the police to make decisions on Koran burnings.

Representatives of the mosque were disappointed by the police decision to grant permission for the protest on the Muslim holiday of Eid al-Adha, mosque director and Imam Mahmoud Khalfi said on Wednesday.

‘The mosque suggested to the police to at least divert the demonstration to another location, which is possible by law, but they chose not to do so,’ Khalfi said.

The United States, the largest power in NATO, joined criticism of the Koran burning but reiterated its support for Sweden’s entrance into the alliance.

‘We’ve said consistently that the burning of religious texts is disrespectful and hurtful and what might be legal is certainly not necessarily appropriate,’ State Department spokesman Vedant Patel told reporters in Washington.

Police during a protest where a koran was burned at the Stockholm mosque on June 28

Police during a protest where a koran was burned at the Stockholm mosque on June 28

Police during a protest where a koran was burned at the Stockholm mosque on June 28

Police during a protest where a koran was burned at the Stockholm mosque on June 28

‘We continue to believe that Sweden should become a NATO member as soon as possible,’ he said, calling the country a ‘strong, capable defence partner that shares NATO’s values.’

Speaking to newspaper Aftonbladet in April, Momika said his intention was not to sabotage Sweden’s NATO bid and that he had considered waiting to stage his protest until after the country had joined the alliance.

‘I don’t want to harm this country that received me and preserved my dignity,’ Momika told the newspaper.

Up to 10,000 visitors attend Stockholm’s mosque for Eid celebrations every year, according to Khalfi.

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Dozens of Iraqi protesters stormed the Swedish




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Image Credit: Ray Garbo/Shutterstock

The mother of Wynonna Judd and Ashley Judd passed away on Saturday, April 30, 2022 at the age of 76 as a result of suicide. HollywoodLife obtained a copy of the autopsy report sourly after Naomi Judd‘s death in 2022, which stated that the country music superstar died as a result of a gunshot wound to the head. It also stated that she left a suicide note.

The shocking news of her death was confirmed on April 30 by daughter Wynonna, who was one half of country music duo The Judds with her mother, as well as younger daughter Ashley. “Today we sisters experienced a tragedy. We lost our beautiful mother to the disease of mental illness,” the emotional statement read.  “We are shattered. We are navigating profound grief and know that as we loved her, she was loved by her public. We are in unknown territory,” they also said.

 

Naomi Judd (Charles Sykes/Shutterstock)

An additional statement from Naomi’s husband of 32 years, Larry Strickland, was given to PEOPLE, and it states: “Naomi Judd’s family request privacy during this heartbreaking time. No additional information will be released at this time.”

The death came just a day before the GRAMMY winning icon — who dominated country music charts through the 1980s — was set to be inducted into the Country Music Hall of Fame on Sunday, May 1. Both Ashley and Wynonna were present at the ceremony where they paid tribute to their mother through tears. Hugging Wynonna, Ashley said she was “sorry that she couldn’t hang on until today.” Wynonna appeared devastated and shocked, saying she “didn’t prepare anything tonight because I knew mom would probably talk the most.”

Ashley Judd, Naomi Judd, Wynonna Judd
Naomi Judd with her daughters Ashley and Wynonna. (Bei/Shutterstock)

“I’m gonna make this fast, because my heart’s broken, and I feel so blessed. It’s a very strange dynamic, to be this broken and this blessed. … Though my heart’s broken, I will continue to sing, because that’s what we do,” Wynonna also expressed to the crowed before reciting Psalm 23 alongside Ashley.

Naomi’s last public appearance and performance was just two and a half weeks before her untimely passing at the CMT Music Awards. The performance of “Love Can Build A Bridge” was her first with daughter Wynonna in over two decades.

The singer has been open about her past struggles with anxiety and depression. In 1990, Naomi announced she was retiring from music and duo The Judds after being diagnosed with Hepatitis C. She infrequently returned to performing with Wynonna over the years, including a 1999 New Year’s Eve special.

If you or someone you know is in crisis, call the National Suicide Prevention Lifeline at  call or text 988 or chat 988lifeline.org.

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View gallery Image Credit: Ray Garbo/Shutterstock The mother of

Tucker Carlson is reportedly raising money to start a new media company that could aim to take on former employer Fox News, which is working to regain its footing with a new primetime lineup.

Puck News reported Thursday that Carlson is looking to ultra wealthy conservative media investors to help jumpstart an as-yet-undefined media business, as the prospects for turning a profit from his Twitter videos remains elusive.

Carlson’s 10-minute long “Tucker on Twitter” videos that debuted in early June have been racking up huge numbers of views — Thursday’s entry logged 12.5 million in its first 12 hours online, well over his average 3 million viewers on Fox — but pulling in real cash from clicks is a difficult prospect, especially if he aims to match the $10 million a year he was earning at Fox.

While Fox has seen its ratings fall since Carlson’s departure, it remains in the lead during primetime and overall.

Carlson could follow the path paved by the likes of former Fox host Glenn Beck in trying to create a personal media platform, or he could have something larger planned.

The conspiracy-loving pundit is under contract with Fox until early 2025, and is now embroiled in a legal dispute with the conservative network over his ability to appear on Twitter – or any competing networks. Fox, which has accused Carlson of breaching his contract in a cease-and-desist letter, reportedly aims to keep him out of the public eye until his deal expires.

At the same time, Puck reported, Fox is also purging the remaining members of Carlson’s production team. Two of his top producers exited in recent weeks, including Alexander McCaskill, who departed after putting up a chyron calling President Joe Biden a “Wannabe Dictator.”

Carlson defended McCaskill on a Twitter video. “He’d been at Fox for more than a decade. He was considered one of the most capable people in the building. He offered to stay for the customary two weeks, but Fox told him to clear out his desk and leave immediately.” He also aired details about the response to the provocative chyron from inside the network, making it clear he still has connections there.

In fact, the eight remaining members of Carlson’s team learned Monday that they would be out by mid-July, Puck reported, and were told they would have to reapply for any new positions at the network. Much of the crew appears to hope to reunite with Carlson, Puck reported.

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Tucker Carlson is reportedly raising money to

Jonathan Harley, Lee Rolston and Rankin Carroll joined the Variety Studio presented by Canva, at Cannes Lions for a discussion about incorporating distinct partnerships, notable assets and attracting new consumers.

Harley, head of global strategic partnerships at Canva, Rolston, chief growth officer at Jones Knowles Ritchie (JKR) and Carroll, chief brand officer at Mars, discussed how their three differing companies have connected to collaborate and grow each company.

At the beginning of the conversation, Rolston spoke to JKR’s recent study which surveyed over 500 brands, over 5,000 assets and 26,000 people across nearly 30 countries, to examine the brands’ ability to invoke consumers’ brand recognition and recall. The study found only 15% of all assets were distinctive to consumers, including Mars’ M&Ms.

Carroll spoke to the company’s efforts in creating distinct branding, “We’ve been building distinctiveness on that brand for eight decades, always evolving to keep up with the times, but always being clear and being distinctive. Obviously our brand, our word mark the ‘M&M,’ but even the single M, that shape, when put in front of consumers unprompted, they will spot and say, ‘That’s the M&M’s brand.’ We have the luxury of now seven characters, which is fantastic, who keep evolving. And even the lentil shape of the M&M, but that is recognizable and iconic in that sense.”

Carroll continued to explain how these visual strategies have aided the 20-year partnership with JKR, as the two “work to protect that and guard it.” Carroll added, “[We] guard it preciously, because it adds value, it has business value, it has balance sheet value.”

While Carroll and Rolston spoke to the insights from the study, Harley elaborated on how companies, such as Canva, work to develop and distribute the distinct branding and “the consistency of the creative.” Harley said, “At Canva, our focus has been really about building out an environment that is effectively a home for every brand. A brand hub, which has multiple brand kits where you’ve got all of your fonts, your logos, your assets, all of that key collateral that then combined with brand controls means that anyone who is deploying on that is staying within the clear brand lane.”

Carroll added how M&M has brought forth the creation of an expansive branding environment, through the M&M characters. “They have full back stories. It was actually very cool to go through this because in order to re-offer them or represent them. Let’s say, we made some shifts along with the purpose in not just how they looked, but also the story they told and the jokes they told. Maybe some things we were presenting weren’t ideally set up for today, so we rewrote the backstory.”

As for the shifts in backstories, these revisions have worked in the company’s favor, with Carroll noting that Mars is ranked as one of the top five Gen Z brands. Attributing that success to the brand’s inclusion of conversations that are “incredibly relevant” to Gen Z consumers, as well as their efforts for inclusion.

While Carroll takes pride in their growth, he recognized that some consumers may not favor their new branding or perspectives, “whenever you take a position, you’re going to have some level of opposition.”

Carroll noted, “We took flack, from famously folks like Tucker Carlson, et cetera. But honestly, our reaction to that was to just stay with who we are.”

Watch the full conversation above.

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Jonathan Harley, Lee Rolston and Rankin Carroll

In exclusive clip from The 50th Anniversary of Lynyrd Skynyrd concert film, guitarist takes stage with Southern rock legends for last time before March 2023 death

Lynyrd Skynyrd’s final show with Gary Rossington prior to the guitarist’s death is the focus of the upcoming concert film The 50th Anniversary of Lynyrd Skynyrd, which captures the band’s all-star gig at Nashville’s Ryman Auditorium on Nov. 13, 2022.

Ahead of the film’s limited run at movie theaters and drive-ins nationwide on July 8, Rolling Stone exclusively presents a preview from the concert film — Rossington’s final performance of the Skynyrd classic “Gimme Three Steps,” with the guitarist taking centerstage on the show-stopping rendition.

Rossington, who was the last living original member of the Southern rock legends, died in March 2023 at the age of 71, less than five months after the Ryman gig.

“We are excited to share this special night and celebrate 50 Years of Skynyrd music with the Skynyrd Nation and fans of these timeless songs,” singer Johnny Van Zant said of the concert film in a statement.

“We were fortunate to capture this special evening with Gary Rossington and Dale Krantz Rossington and all of the special guests that were able to join us on stage. It is certainly bittersweet because this was Gary’s last show, but we are so fortunate that we were able to share one last special night together on stage, doing what Gary loved.”

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Special guests at the 50th anniversary show included John Osborne of Brothers Osborne, Shinedown’s Brent Smith, and Jelly Roll.

Despite Rossington’s death, the Lynyrd Skynyrd train keeps on rolling as the Rock Hall-inducted band is in the midst of a 2023 tour.

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In exclusive clip from The 50th Anniversary

On the Shelf

Our Migrant Souls: A Meditation on Race and the Meanings and Myths of “Latino”

By Héctor Tobar
MCD: 256 pages, $27

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Héctor Tobar is tired of the Latino caricature.

It’s everywhere from Netflix to the nightly news, from the Instagram feeds of the red-pilled to the bookshelves of the “woke.” Conservative propagandists aren’t alone in reducing Latinos to killers and cartel bosses. Liberal scribes traffic in such tropes too. But in their stories, Latinos aren’t always sinners. They can also be “spicy,” suffering or saintly characters.

No wonder so many people are silent or even celebratory in the face of the mass expulsion and exploitation of the most marginalized among us. Why should they care about the one-dimensional figures they imagine us to be?

Tobar’s latest book, “Our Migrant Souls,” is the culmination of his decades-long struggle to correct this dehumanization. A bestselling author and Pulitzer Prize-winning journalist who spent two decades at The Times, Tobar interrogates Latino identity with a subversive nuance. He is not writing for the white gaze, instead directly addressing young Latinos, including his former students at UC Irvine. At times, he cites their work to elucidate the fact that many Latinos, from the Afro-Puerto Rican to the Blaxican or part-Asian, feel they don’t fully belong anywhere. This sense of unbelonging is, in fact, what binds us.

The book’s subtitle, “A Meditation on Race and the Meanings and Myths of ‘Latino,’” reflects Tobar’s commitment to gray areas and contradictions. He writes: “An African heritage. Your indigeneity. Your Europeanness. You are everything — and you are the very specific places your parents came from.”

By reading the essays of those young Americans, who re-create their parents’ love stories and their own messy secrets, Tobar learned a lot about what “Latino” can mean. He observes: “Our humanity and our complexity exist outside broadcast and printed culture, rarely as alive and full as I see in your writing.”

“Our Migrant Souls” also illuminates deeper truths about the United States, an empire that has displaced millions of people and then trapped them here. Tobar spoke with The Times over the phone, in a conversation edited for clarity and length, about how Latinos are not only America’s future but also the essence of “a country conflicted over its own mestizo identity.”

You started this book in 2020. What inspired you to create this at that time?

I was teaching students and hearing their stories, and it was during the George Floyd uprisings. We were having this national conversation about race, and it seemed to me that Latino identity and the space Latino people occupy in the race ideas of this country wasn’t a subject of national discussion … To me, it’s the defining race question of the 21st century.

Why did you frame the book as a conversation with young Latinos?

I was inspired, like Ta-Nehisi Coates was, by James Baldwin’s “The Fire Next Time” [rhetorically structured as a letter to his nephew]. In many ways the book is a tribute to Baldwin. The fact that we as Latinos can stand up for ourselves, that we can begin to understand the race scheme of this country, is due in large measure to the work of African American activists, thinkers and writers.

So I’d read Baldwin, but I didn’t really feel that I wanted to address my own children because they’ve heard enough from me already. And my children are privileged in relation to most young Latino people in this country. I wanted to speak to those strivers that I met at UC Irvine. Those young people who have so much going on intellectually, who are very curious, and also hurt and angry. I wanted to share what they’ve taught me.

Many Latinos have a love-hate relationship with the terms that define us. What’s your biggest problem with the word “Latino”?

The biggest problem is that it centralizes Europeanness. Latin America was a phrase championed by, among others, the French intellectuals attempting to justify the French intervention in Mexico. It’s this attempt to tell people south of the Rio Grande that they have common cause with the French and Spanish elite over the Anglo American elite.

At the same time, it’s a term that’s used by marketers but also activists. The origin of “Latino,” the way we use it and the way it began to be used in the L.A. Times, one of the first media organizations to use the term, was as an expression of an alliance between people of many nationalities. It’s a name for a group of people who do have a shared experience — of mixing, of journeys, of surviving empire.

You write: “‘Latino’ and ‘Latinx’ are synonyms for ‘mixed.’” Is there a risk that this conception of Latino identity as mestizo replicates mainstream Latino erasure of Black or Indigenous people who don’t identify as mixed?

Absolutely. I think any generalization about a large group of people is going to create lies. And erasures … We need to find new ways of being in solidarity.

In your chapter “Ashes,” the book’s most powerful and haunting section, you write persuasively about the militarized border as a state killing machine that targets Latinos, drawing an implicit parallel to the machinery of the Holocaust. Your framing didn’t feel exaggerated to me as someone who has had repeated encounters with human remains at the border, which has become a mass grave where bodies are incinerated by nature. You describe the rerouting of migrants into the hostile desert as a “perfect American slaughter for the media age.” Why did you decide to focus an entire chapter on this comparison? Is there a reason you didn’t state it explicitly?

I didn’t want to be accused of saying that there was a moral equivalency because that’s not what I’m saying. … I’m saying that both of those crimes exist on the same continuum of human history. That they’re both expressions of the idea of race cleansing and race purity and race defense as instruments of nation building. The Nazis employed industrial methods to murder millions of people in the name of defending the German race against the Jewish race. [Border militarization] is this horrific crime and serves the same purpose as any violent act. It intimidates an entire people. The stories of what happens at the border reach into the hearts and minds of Latino families and shape the way they make decisions. They’re related incidents in the history of mankind.

You devote another chapter to the lies told about Latinos, whether in liberal Hollywood or on conservative Fox News. Are they linked?

Both our infantilization in the liberal media and our depiction as monsters in the right-wing media are symptoms of our voicelessness in American media. The root of that is a stereotype about Latino people, which is that we’re not intellectuals. We’re not and can never be. Not that there’s a great intelligentsia in this country.

Did you write this book to rebel against that idea?

It’s born from frustration as an artist. I just love the complexity and the textures of the storytelling of my students. Once you give them the idea that a complex father is more interesting to read about than a saintly father or a saintly mom, then you get a lot of interesting insights into the human condition. The thing that really bothers me is the didactic quality of so much of our [well-known] art … it’s what Roberto Lovato calls the folklórico-industrial complex. We’re selling this colorful — the equivalent of the abuelita on the label of the Abuelita chocolate. But there’s so much exciting work, some of which I mention in my book — great artists and photographers. I do believe we’re at the beginning of a Latino Renaissance like the Harlem Renaissance. I’ve been saying that for about 10 or 15 years, but now more than ever, I really feel it happening.

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Random House and Marvel Entertainment are teaming up for a new adult novel series based on Marvel’s What If…? franchise.

The originally licensed series will reimagine the origins of iconic Marvel heroes and show what can happen if the fabric of reality is altered.

Marvel What If?

Photo: Also The Direct

Each story will be set in its own distinct universes in the Multiverse, and will also feature a unique twist on an iconic Marvel origin story.

The series will launch in 2024 with three titles. The first book in the series will be “What If… Loki was Worthy? A Loki and Valkyrie Story” by Madeleine Roux, which will be published on March 12, 2024.

What If...?

Image: Marvel also slashfilm.com

This will be followed with “What If… Wanda Maximoff and Peter Parker Were Siblings? A Scarlet Witch and Spider-Man Story” by Seanan McGuire. Finally, “What If… Marc Spector Was A Host To Venom? A Moon Knight and Venom Story,” which will publish in October 2024.

What If…Loki Was Worthy?

“What If… Loki Was Worthy?” will see Loki and Valkyrie seeking redemption in the first installment of the series.

Marvel What If? Loki

Photo: Also Marvel

In the book, Asgard looks to Loki for salvation, after Iron Man vows to destroy those who consider themselves gods.

The volume will see Loki, whose practical joke led to the death of Thor, answer the question: Am I truly worthy?

Source: Also slashfilm.com

In addition to the print novels, audiobook editions of all novels will be published by Penguin Random House Audio.

Finally, as always, continue to check back with MickeyBlog. We will bring you all the news surrounding Marvel!

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Random House and Marvel