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PANTHER Sets Up X-MEN? – The Last Movie Outpost

Black Panther: Wakanda Forever has already caused comic fans to comment by reimagining Namor the Sub-Mariner as an Aztec. He is not from Atlantis but from Talocan. Tlālōcān is described in several Aztec codices as a paradise, ruled over by the rain deity Tlāloc and his consort Chalchiuhtlicue, so was still soggy I guess. Also it is a theme park ride in Bhrul, German inspired by the Aztec god, with water jets & flame effects.

Aquatic Blue Magnum

In an interview with Empire, the actor behind the scowl, Tenoch Huerta, revealed more and did confirm that one of the key parts of Namor’s lore will remain completely intact. He is a mutant. Speaking of the location changes, Huerta said:

“You can take Atlantis from Greek myth, or you can adapt from a real culture.”

Ryan Coogler chose Talocan, the ancient paradise described in Aztec writings. It turns out that Wakanda are directly responsible for the emergence of Namor, when T’Challa revealed Wakanda to the world at the end of Black Panther:

“[That] decision puts Talocan in jeopardy. And Talocan has to take action to protect themselves.”

Namor goes to Wakanda and finds a leaderless nation. In that same interview Kevin Feige revealed that there was a plan to tease Namor at the end of Black Panther with a post credits scene, never shot, showing wet footprints leading up to the throne of Wakanda.

Namor is frequently held up as one of the oldest superheroes and the first mutant. The coming of the mutants was hinted at in Doctor Strange in the Multiverse of Madness and Ms. Marvel. Their arrival has been inevitable since Disney purchased Fox, and in the process obtained the rights back to the characters.

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September 29, 2022

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Black Panther: Wakanda Forever has already caused

Movies

Kajal Aggarwal Spotted At Tirupati Temple While Shooting For Indian 2

Last Updated: September 29, 2022, 17:05 IST

Temple officials presented the newlyweds with silk fabric and the Swami’s tirdha prasadam.

Kajal Aggarwal was dressed in a dark green kurta set with an orange dupatta.

Kamal Haasan has resumed filming for S. Shankar’s Indian 2 and the crew is now in Tirupati. Kajal Aggarwal, another member of the massive star cast, recently joined the team. The actress and her husband Gautam Kitchlu paid their first visit to the Lord Venkateswara temple in Tirupati.

Temple officials presented the newlyweds with silk fabric and the Swami’s tirdha prasadam. In an interview with the media, Kajal stated that she was glad to see Sri Venkateswara Swami and that this was her first visit to Tirumala temple with her husband Gautam. She also stated that she was in town for the filming of Indian 2.

While Kajal Aggarwal was dressed in a dark green kurta set with an orange dupatta, Gautam was dressed in a white kurta pyjama with a red silk drape provided by temple officials.

Top showsha video

Priya Bhavani Shankar, Siddharth, Rakul Preet Singh, Delhi Ganesh, and Bobby Simha portray major parts in the film, which is produced by Lyca Productions. Indian 2, a sequel to the hit vigilante thriller of the same name, will see Kamal Haasan reprise his role as freedom fighter Senapathy.

The filming of Haasan’s Indian 2 with filmmaker Shankar was halted in 2020 due to a crane mishap. Since then, the film has faced financial difficulties, and the Covid-19 outbreak also slowed its progress. However, the makers are expected to begin filming soon. Siddharth, Rakul Preet Singh, and Priya Bhavani Shankar will all play major roles in the Lyka Productions-backed production.

Read all the Latest Movies News and Breaking News here

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September 29, 2022

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Last Updated: September 29, 2022, 17:05 ISTTemple

Film

‘Bros’ Stars Billy Eichner and Luke Macfarlane Get Tested on How Well They Know Each Other

‘Bros’ Stars Billy Eichner and Luke Macfarlane Get Tested on How Well They Know Each Other | Entertainment Tonight

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September 29, 2022

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28 Days in the Lives of Eight Women Postpartum

Photography by Alyssa Schukar, Beth Garrabrant, Bethany Mollenkof, Brittany Greeson, Eduardo Rodriguez, Emily Geraghty, Kristina Barker, Rachel Woolf Story by Natasha Pearlman & Ruhama Wolle Design: Alexandra Folino Visuals: Lauren Brown Story Build: Alexander Ratner

The US is one of only six countries in the world without national paid family or maternity leave, with a quarter of women returning to work two weeks after giving birth. Last year a bid to fund just four weeks of paid leave failed. To show the true impact of that first month, Glamour followed eight women through 28 days postpartum. Some had access to paid leave, others did not. Read their stories, and join us to demand the government #passpaidleave.

DAY 1

Our daughter came out first, and she was screaming and very pink, all the good things. When our son came out, he was pretty not pink and pretty not screaming.

Diana

man and woman in water birth pool with newborn in hand

My labor was so long, I was so close to quitting. I was like, “Just get this baby out of me.” I’m at home alone now. My husband had to go to work. I can’t believe that I have a person I need to take care of, but I feel fine.

Karina

I had PTSD from the birth of my first son, Landon. It delayed me wanting to really connect with him. This time I had a really good, fast labor, and I was immediately obsessed with Arlo.

Ashley

DAY 2

DIANA

DAY 3

Everything was going so well, and all of a sudden I felt something really crazy, in my pants. I went into the bathroom and a blood clot the size of a lemon came out.

Ashley

woman holding cellphone with text message conversation on screen

In the hospital we had to worry about filing all this stuff for my state parental leave. So we’re printing and scanning, but my DC state paid-leave claim was rejected. It’s saying I’m ineligible. I think I was accidentally registered as working in Virginia. But I work for a DC company and live just across the border in Virginia. I’m exhausted, and I can’t figure this out right now. And I missed the call from the guy today, and ugh—I just want this to be settled so I don’t have to worry about it.

Tiffany

Riley was born on Thursday. She’s perfect! We got home last night from the hospital. It’s hard to even remember who was in the room when I gave birth. For me, at least, it was a private moment. Just me and her.

Stephanie

This was the worst and most traumatic birth out of all four. All three of my other births combined don’t compare to this. I pushed for over two hours. They had to use the vacuum on his head. I heard it. Oh, my gosh. It was so terrible. I got a third-degree tear.

Kailey

CLICK TO LISTEN TO ABI’S STORY

DAY 4

My biggest anxiety is just the transition with my son. I keep telling myself that people have multiple children all the time, and it’s going to be okay. I can’t quite fathom how that’s going to all fit together until we’re together.

Tiffany

woman sitting on couch on the phone with newborn sleeping next to her

The hardest part right now is money. I’ve never not worked, but I took severance from my job a month back, and the money is coming to depletion. I’ve worked really hard to buy a house of my own—for myself, but also for my kids. I don’t want to risk that. And I don’t mean to cry. Maybe because I’m saying it out loud? After this month or two, I’m probably just going to start back working.

Shukura

I breastfed for 36 hours in the hospital. And then as soon as we got home, I was like, “Cool. So who else can feed my kid?” Why would I not do formula? But then of course, there’s a formula shortage right now. Which is terrifying. But I know for me, I’m going to be a better mom if I’m not trying to stress about breastfeeding.

Ashley

DAY 5

woman yawning with man next to her changing newborn’s diaper

My anxiety is spiking high today. Being exhausted, and not having slept well. I’m at the brink of tears constantly. There’s nothing actually wrong and everything’s okay; it’s just the unsettling anxious feeling is there.

Tiffany

woman hugging another woman holding sleeping newborn

It took me a long time to decide to have a baby on my own. Finding the “right” partner just didn’t happen, but I wanted a family. However, I’m a neonatal intensive care nurse with long hours and not high pay. The only way I could make this work was with family help. My mom, brilliantly, is going to be my daycare when I go back to work. I’d like 12 weeks off, but I only have a little bit of PTO and six weeks of disability.

Stephanie

SHUKURA

DAY 6

It’s been a journey being a NICU parent, which is not what we wanted and not what we tried to manifest for ourselves, but it’s what we’re doing. It’s meant lots of Uber Eats and DoorDash and lots of showering in random places and trying to decide, “Oh, do we go home tonight? Does one person go home? Do we get a hotel? Do we go to a friend’s house?”

Diana

CLICK TO LISTEN TO KAILEY’S STORY

I’m starting work again today, baking donuts for the café we supply. There’s no option really. I have to work. I can’t stop completely. We need the money. But I feel good. I’m just getting used to waking up with her. For let’s say a week, I’m very at peace.

Karina

woman in kitchen grabbing food from the fridge with newborn strapped on chest and toddler next to her

Work sent a dinner last night. It’s lovely to have that support. Because I have paid leave for a year and am planning to take eight months, they haven’t reached out about work. They’re great about it. If I was returning in six weeks, they’d probably be keeping me more in the loop.

Ashley

DAY 7

woman in hospital room sitting with twin newborn babies

CLICK TO LISTEN TO DIANA’S STORY

DAY 8

Riley is easy. It’s like I’m working from home! But for me, physically, it’s been very painful. During the birth I tore in three places, two near my vagina and one perineal, and some of my stitches ripped this weekend, so I had to go to the doctor to get that addressed.

Stephanie

DAY 9

We’re so happy to be home. But we’re mourning the fact we didn’t have the expected coming-home experience. There was no being wheeled out with a baby in your arms. And people being like, “Oh, congratulations!” There was one moment in the NICU where we just stood over them and sobbed because it sucked. They were hooked up to all of the leads to monitor their vital signs, so you can’t move out of a six-foot radius. And all we wanted was to take our babies for a walk.

Diana

DAY 10

woman sitting in bed with baby cradled in arms

I want to take six months’ leave; that’s my plan. It’s all unpaid. I’m a pediatric dentist, a self contractor, so I didn’t qualify for leave where I worked, and I’m lucky that my husband and I earn well enough for me to take the time I want off. It’s going to be a little bit more difficult, but even if we have to budget, I’m fine living with the bare minimum. I know how to not go above my means if need be.

Abi

DAY 11

woman sleeping in bed while cradling newborn

I am starting up my own business, but I think I thought that I was superwoman or something. I’m not far enough along, and I’m exhausted. Now I’m like, “I need a new job.” So it can be both mine and my boyfriend’s income. So we’re not struggling.

Shukura

DAY 13

We’re working four nights a week. We start around midnight, and it’s an eight-hour process. We make 20 donuts a day for a Brooklyn café, and once a week I bake 40 donuts for a local Harlem moms group. I make $400 a week for donuts for the cafe and $300 to $400 a week from the moms group. Do I wish I had paid leave? Life is fair; it’s also unfair. I went into pregnancy knowing that I would have to take care of that myself. So it’s not a surprise. But hopefully something will change.

Karina

woman and toddler laying on couch with newborn

You want to get real personal? I am still bleeding. My butt hurts. I think I have hemorrhoids. I know other people go through this, but not many people talk about it. Not my family, none of my friends. Ugh, I just hate it.

Shukura

woman sitting down eating while cradling baby in hand

It’s a little nerve-racking right now as the money I’m getting from disability doesn’t even cover half my monthly mortgage payment. The 60% payments are based off my base salary, so it’s a significant drop in income. I had money saved up just in case, and I’ll have to go through it because I am not willing to give up days with my baby. I want to take 12 weeks, but I don’t know if the money I’ve saved is going to cover the whole time. It’s only my salary. It’s a huge stress.

Stephanie

DAY 14

I’ve been sleeping on the couch since Draugr was born, with the baby next to me. I know, I’m terrible! But it’s just easier with feeding and pumping, and I don’t wake my boyfriend up, so he’s fresh to look after all four kids in the morning. Anyway, I’m so tired I could sleep anywhere!

Kailey

woman sitting on stairway steps breastfeeding with a boy child standing watching

I’ve been out on my own, and on walks with Porter and Harvey. Everyone’s like, “Oh, why are you out right now? You just had a baby.” And I’m like, “I have to be out in the sun, and I have to be walking and moving my body. Otherwise I’ll go a little bit stir-crazy.”

Tiffany

My husband’s semi going back to work today. So this week our nanny is coming in the mornings to help with Landon, our eldest. She’s here right now. We definitely wouldn’t be able to afford this if I wasn’t being paid my full pay. Because we’ve had so much help, I feel I’m healing faster too.

Ashley

DAY 15

man coloring with toddler and holding newborn

My boyfriend, Dazz, and my daughter are helping so much. It’s great. Last night Dazz stayed up with the baby. But I still wake up. I trust him and everything. It’s just that mommy thing!

Shukura

DAY 16

man and woman in car with kids in the back

My salary is our main income. David is a bare-knuckle fighter and ran a gym, but the owner of the building recently died and the lease came to an end. So we’re just figuring out our finances. But I get 12 weeks of paid maternity leave (six weeks of disability, and six weeks at 100%), so that helps a lot.

Kailey

DAY 17

woman breast pumping while watching newborn sleeping

I’m pumping so many times a day. The most I’ve done is eight. I try to aim for six, but I’ve started to try to tell myself that it’s okay if I hit four or five. Because it’s every five seconds of cleaning parts and reassembling. Then I’m like, “Okay, the clock begins again.” Each time I pump, it’s 30 minutes—that’s three hours of my day. Then putting milk away and then feeding, which can take an hour!

Diana

DAY 18

woman sleeping on the floor next to sleeping newborn

I didn’t sleep well for four days, and at one point I was so tired I felt like I was going to faint. So I just put a pillow on the living room floor, and I laid there and slept.

Karina

DAY 20

There is no way I could go back to work yet, mentally or physically. I still have to do twice-a-day wound care for my C-section incision.

Diana

woman in bathroom holding newborn and bathing toddler in tub

When I’m working, my hours are long, and I only see my eldest two hours a day, max. Now that I’m on leave, I see how much he loves us being here. I’m so thankful for these eight months. Being pregnant for nine months is tough. And then if you’re going back to work within six weeks, mentally you just don’t want to be there. But by the time I’ll be going back, I’ll be so ready and excited to dive in.

Ashley

I’m so lucky. Riley’s such an easy baby. She’s sleeping up to seven hours at night, which is just crazy. But physically I’m kind of a mess. I’ve burst several stitches, and there was a potential infection. In order to take away some of the pressure, they released some stitches, but now I have open wounds. If I was trying to work 12-hour shifts, I’d be in so much pain and definitely get another infection. I can’t stay on my feet for very long during the day. I worry about this a lot, especially if I have to go back to work in a month.

Stephanie

DAY 21

woman holding toddler boy in one hand and newborn in another

CLICK TO LISTEN TO TIFFANY’S STORY

man and two woman in kitchen, one holding newborn

Imisi has her traditional Nigerian naming ceremony in two weeks, which I’m going have to prepare myself for. I don’t think I’m going to let anyone hold her. This “28 days post postpartum” is interesting because it looks different for everyone. The “no sleep” looks the same. The “getting to know baby” looks the same, but we forget that, like, there’s specific cultural things that we have to, that we feel obligated to do.

Abi

DAY 23

There’s no way I could work right now. My brain is total mush. If I wasn’t getting some money from work, I’d just have to take unpaid leave and get in the financial hole of it. I can barely string together sentences. We’re probably getting four hours of sleep a night.

Tiffany

DAY 24

one woman sitting on couch and one woman bottle feeding newborn

In terms of feeding, it’s kind of an all-hands-on-deck buffet. We use nursing as a warm-up for the bottle. And especially with our daughter, Erin has to be there stroking her cheek and moving her arm to get her going for it. We’re awake a lot. Maybe we sleep three to four hours a day.

Diana

DAY 25

woman in mask cradling baby, woman braiding young gurls hair, little girl hugging a man

I didn’t have any paid leave when I had my daughter. I was working at a jewelry store and had $500, or something like that, in Paid Time Off to cash out. I don’t really want to start working yet, because of the baby being so small. But I’m doing hair to make extra money, and I like it a lot.

Shukura

DAY 26

CLICK TO LISTEN TO ABI’S STORY

She just wants to be on the boob. It’s challenging, because I want to take a shower, but I can’t because she just cries and cries. We’re going to start the supper club when Yohualli is eight weeks. I have reservations already, so we’re just trying to figure out how we’re going to work while the baby’s here with us.

Karina

DAY 27

woman sitting on couch with newborn baby lying next to her

I landed on the other side of this experience in a completely different body! I have a different set of breasts. My skin has changed. My hair is thinner. Thank God I don’t have a partner to think about. My vagina is not even close to being healed, I still bleed, and the six-week mark is two weeks away, and that’s when women are often expected to come home and have sex after their six-week checkup because they’re given the go-ahead. I can’t imagine having someone chomping at my shoulder waiting for the option. I feel lucky to do this alone.

Stephanie

DAY 28

KAILEY

woman holding newborn and man holding toddler

These 28 days have just gone by so fast. I’m still bleeding, annoyingly. And because this time around I’m a lot more mentally okay, I’m just feeling so much more impatient for my body to bounce back. I can’t wear any of my maternity clothes, and I can’t wear any of my normal clothes. So I’m just in the same one pair of shorts that fit me. That’s the other thing: If I was going back to work, I would have no clothes. I guess I would just be on Zoom wearing a shirt and no pants!

Tiffany

woman holding newborn baby up and kissing with man nearby watching

Imisi is thriving. Because I had such a tough delivery, I expected these first few weeks to be a struggle. But she’s such a good baby. Yes, I wake up in the middle of the night to feed her every three hours, but she’s so chill. It’s making it easier for me to be okay with going back to work.

Abi

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September 29, 2022

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Photography by Alyssa Schukar, Beth Garrabrant,

What to Watch

Anthony Mackie Shares His Workout Routine Ahead of Captain America 4

Anthony Mackie has been a prominent member of the Marvel Cinematic Universe for nearly a decade. He made his first appearance in 2014’s Captain America: The Winter Soldier, where his character would become a good friend and trusted ally to Steve Rogers (Chris Evans), the former Captain America. The role was then passed onto Mackie’s Sam Wilson character in The Falcon and the Winter Soldier series that premiered on Disney+ in 2021. The actor will make his feature film debut as Cap in the fourth installment in the franchise, Captain America: New World Order.

Of course, bulking up to be one of the faces of the MCU can’t be easy. During a sit-down with Men’s Journal, Mackie shared his workout and diet routine ahead of production, which should begin sometime in 2023. He says he can “kick out all the bad stuff” while avoiding carbs.

MOVIEWEB VIDEO OF THE DAY

“The most important thing is diet. I go to a lean protein and veggie diet of fish, chicken, and turkey with assorted vegetables,” he explains. “I don’t really need carbs for energy. I have high energy already. So I just kick out all the bad stuff.” Mackie continues, “I’ll do that for three months — eating five to six meals a day so I can get some bulk on my frame. Then I’ll carb-load for about a month.”

It may sound easy for the actor, but his six meals a day may be too much for someone who isn’t one of the world’s most prominent superheroes. Although, of course, the idea of a strict diet sounds a little better when you’re starring in some of the highest-grossing movies on the planet.

There Are High Expectations for Captain America

Mackie is aware of the certain expectations for superheroes, especially after replacing Chris Evans in the Captain America role. However, he says his workouts aren’t too different from when he was The Falcon, and he focuses on core strength for when the inevitable shirts-off scene. “I’ve always been core-strong. From doing all the flying stuff, there are times when I need to stay in a plank for a long time, pull myself up, or throw my feet under me,” he says. “So core strength is always the foundation of my workouts. That’s what really matters, you know, because everybody in the audience is waiting for that scene when you take your shirt off. [Laughs] You gotta get your cores and your caps ready!”

Of course, there is some pressure surrounding Mackie as he takes over one of the most beloved roles in Marvel. However, the 44-year-old actor has proven himself in the MCU over the past eight years, where he has appeared in six movies thus far, and his Disney+ series focuses on his character. If anyone could be the next Captain America, it’s Anthony Mackie. The actor is ready to prove it when Captain America: New World Order soars into theaters on May 3, 2024.

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September 29, 2022

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Anthony Mackie has been a prominent member

Awards

2022 News Emmys Winners List – The Hollywood Reporter

CBS, ABC and Vice were among the top winners at the 43rd annual News and Documentary Emmy Awards on Wednesday.

During a ceremony held at the Palladium Times Square in New York City and streamed online, the first night of the two-evening event celebrated the News categories, while the Documentary winners will be announced Thursday.

Scheduled presenters at the News portion included ABC News’ Linsey Davis, CBS News’ Margarat Brennan, CNN’s Omar Jimenez, NBC News’ Morgan Radford, Noticias Telemundo’s Julio Vaqueiro, Univision’s Teresa Rodrigues and Vice News’ Paola Ramos.

PBS NewsHour anchor and managing editor Judy Woodruff was the previously announced recipient of the night’s lifetime achievement honors during the News event, with McNeill/Lehrer NewsHour co-founder Robert McNeil chosen to present the award.

The full list of winners from the first night of the News & Documentary Emmy Awards ceremony is below.

Outstanding Live News Program

ABC World News Tonight with David Muir ABC

Anderson Cooper 360 CNN

CBS Mornings / CBS This Morning CBS (WINNER)

NBC Nightly News with Lester Holt NBC

The Lead with Jake Tapper CNN

Today NBC

Outstanding Recorded News Program

20/20 ABC

60 Minutes CBS (WINNER)

ABC News Soul of a Nation ABC

CBS Sunday Morning CBS

Nightline ABC

Outstanding Emerging Journalist

Anna Kook AJ+

Omar Jimenez CNN

Antonia Hylton NBC

Paola Ramos Vice

Rachel Scott ABC (WINNER)

Outstanding Live Breaking News Coverage

ABC News Special Events ABC
The January 6th Insurrection

Belarus: Inside a Manufactured Migrant Crisis CNN

CBS News CBS
Assault on the Capitol

Haitians Converge on the U.S. Mexico Border CNN

NBC News Specials NBC
January 6 Attack on the Capitol (WINNER)

PBS NewsHour PBS
PBS NewsHour’s Special Coverage of the Electoral College Count

Outstanding Edited Breaking News Coverage

60 Minutes CBS
January 6th

60 Minutes CBS
The Beast

A Reporter’s Video from Inside the Capitol Siege The New Yorker

ABC News Originals for Hulu Hulu
24 Hours: Assault on the Capitol

ABC World News Tonight with David Muir ABC
The Insurrection

Vice News
Inside the Battle for Jerusalem (WINNER)

Outstanding Continuing News Coverage: Short Form

ABC World News Tonight with David Muir ABC
Afghanistan Unraveling

ABC World News Tonight with David Muir ABC
The Climate Crisis (WINNER)

NBC Nightly News with Lester Holt NBC
Richard Engel – Afghanistan Continuing Coverage

The Coup in Myanmar CNN

VICE News Tonight Vice
India’s Deadly Delta Wave

VICE News Tonight Vice
Battle For Care

VICE News Tonight Vice
Haiti: Descent into Chaos

Outstanding Continuing News Coverage: Long Form

20/20 ABC
George Floyd

The Fall of Afghanistan CNN

VICE News Tonight Vice
Taliban’s Takeover of Afghanistan

VICE News Tonight Vice
Yemen: The Forgotten War (WINNER)

VICE News Tonight Vice
Six Weeks: Inside the Texas Abortion Ban

Outstanding Soft Feature Story: Short Form

ABC News Soul of a Nation ABC
Miss Lucille (WINNER)

CNN Digital CNN
Running as Equals

CNN Heroes CNN
Shirley Raines

The Undefeated Presents ESPN
Why We Kneel

Vice News Vice
Deaf in a Pandemic

Outstanding Soft Feature Story: Long Form

20/20 ABC
The Babies of 9/11: Twenty Years Later (WINNER)

48 Hours CBS
What Happened to the Perfect Child?

60 Minutes CBS
The Comeback

The New York Times Opinion Video The New York Times
How Life Looks Through My ‘Whale Eyes’

VICE News Tonight Vice
This Family of Black Cowboys Dates Back 5 Generations

Outstanding Hard News Feature Story: Short Form

Axum: Journey to a Sacred City CNN

Chinese Detective Turned Whistleblower Reveals Torture Against Uyghurs CNN

Searching for the Lost Graves of Louisiana’s Enslaved People The New York Times

The Lead with Jake Tapper CNN
9-Year-Old Afghan Sold into Marriage (WINNER)

VICE News Tonight Vice
The Central African Republic Is Enlisting Russians in its War Against Rebels

VICE News Tonight Vice
Death Threats: Election Officials Call It Quits

Outstanding Hard News Feature Story: Long Form

‘So They Know We Existed’: Palestinians Film War in Gaza The New York Times

Day of Rage: How Trump Supporters Took the U.S. Capitol The New York Times

Fault Lines Al Jazeera International USA
Buried Truths: America’s Indigenous Boarding Schools

NBC News Digital NBC
Southlake: Racial Reckoning in a Texas Suburb

VICE News Tonight Vice
A Christian Summer Camp’s History of Abuse (WINNER)

Outstanding Investigative News Coverage: Short Form

Anderson Cooper 360 CNN
The Lost Children of Xinjiang

CBS Evening News with Norah O’Donnell CBS
Norah O’Donnell Investigates: A Silent Epidemic in the U.S. Military

CBS Mornings and CBS Evening News CBS
Seatback Collapse

Ethiopia: Exposing the Hallmarks of a Genocide CNN

How a U.S. Drone Strike Killed the Wrong Person The New York Times (WINNER)

Outstanding Investigative News Coverage: Long Form

60 Minutes CBS
Handcuffed to the Truth

Fault Lines Al Jazeera International USA
Unrelinquished: When Abusers Keep Their Guns

FRONTLINE PBS
Yemen’s COVID Cover-Up (WINNER)

FRONTLINE In Partnership with the International Consortium PBS
of Investigative Journalists
The Pandora Papers

Nightline ABC
Blindsided

The Source Vice
The Shockwave

Outstanding Live News Special

ABC News Live ABC
Mission to Mars, Live!

ABC News Special Events ABC
The Inauguration of Joseph R. Biden Jr.

ABC News Special Events ABC
9/11 – Twenty Years Later – America Remembers

Deadline | White House MSNBC
Lives Well Lived

The 15th Annual CNN Heroes All-Star Tribute CNN (WINNER)

Outstanding Recorded News Special

60 Minutes CBS
9/11: The FDNY (WINNER)

ABC News Soul of a Nation ABC
Reckonings

ABC News Soul of a Nation ABC
Juneteenth: Together We Triumph

CBS Sunday Morning CBS
Behind the Badge

The Moms of Magnolia Street NBC

Return of the Taliban: A VICE News Special Report Showtime

Outstanding News Discussion & Analysis

A Fareed Zakaria Special CNN
A Radical Rebellion: The Transformation of the GOP

CBS News Face the Nation CBS
Afghanistan’s Collapse

CBS News Face the Nation CBS
Dr. Deborah Birx: A COVID Autopsy

Meet the Press NBC
Schools, America & Race (WINNER)

The Circus: Inside the Greatest Political Show on Earth Showtime
Reigning Chaos

This Week with George Stephanopoulos ABC
Capitol Insurrection

Outstanding News Analysis: Editorial and Opinion

Amanpour CNN
60 Years Ago, We Saw the Face of Evil

The New York Times Opinion Video The New York Times
Dying in the Name of Vaccine Freedom

The New York Times Opinion Video The New York Times
Blue States, You’re the Problem (WINNER, TIE)

The New York Times Opinion Video The New York Times
I’m a Trans Runner Struggling to Compete Fairly

The New York Times Opinion Video The New York Times
Greta Thunberg Has Given Up on Politicians (WINNER, TIE)

Outstanding Live Interview

ABC News Live Prime ABC
Unvaccinated Patient in Hospital Pleads for Others to Get Vaccine

Don Lemon Tonight CNN
Exclusive Interview with Officer Michael Fanone

Katy Tur Reports MSNBC
Haiti: Biden Administration Expels Migrants to Danger

State of the Union CNN
Dealing with Tragedy: Jake Tapper Interviews Rep. Jamie Raskin After Son’s Death and January 6″

State of the Union CNN
A Congressman’s Final Words: Jake Tapper Speaks to Rep. Paul Mitchell on his Deathbed

The New York Times DealBook Summit: One-on-One with Adam Neumann The New York Times (WINNER)

Outstanding Edited Interview
20/20 ABC
Escape from a House of Horror (WINNER)

60 Minutes CBS
The Facebook Whistleblower

ABC News Soul of a Nation ABC
Officer Dunn: Capital Cop

ABC News Special ABC
Alec Baldwin Unscripted

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Eating Planet Earth: The Future of Your Food (WINNER, TIE)

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Something’s Coming: West Side Story

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Surfside Condo Collapse

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Wildfire Triggers Evacuations CA)

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Music

How Coolio Reimagined a Country Hit With His Unlikely Friend Kenny Rogers – Rolling Stone

Coolio, who died on Wednesday, Sept. 28 at the age of 59, was part of the generation that shepherded hip-hop into the American mainstream, topping the charts and soundtracking hot films like Dangerous Minds and Clueless. He seemed hard yet approachable; gritty but lively. Somewhere along his ascent, he and country legend Kenny Rogers became buddies and made a song called “The Hustler.”

“As a friend of Coolio, I’ll do whatever he wants me to do,” Rogers said in an interview with MTV about their collaboration, a hip-hop update to “The Gambler,” the track that the singer had made a hit in the late 1970s.

In a post-“Old Town Road” world, the rap-country coupling may not feel groundbreaking, but if Lil Nas X’s Western yarn caused all that ruckus in the year 2019, think about how crazy Coolio and Kenny’s link-up must have seemed in 1998. “I enjoy working with people that you wouldn’t expect me to be with,” said Rogers. “It’s a great opportunity for me to get kinda involved in another form of music.”

Country and rap can be kindred spirits in their storytelling, and Coolio aptly translated the lessons of “The Gambler” to fit the times. Written by Don Schlitz, “The Gambler,” centers a sage betting man that a narrator meets on a train “bound for nowhere” that offers advice in the form of an extended allegory on what he knows best. “You’ve got to know when to hold ’em/ Know when to fold ’em/ Know when to walk away/ And know when to run,” he famously warns.

Coolio’s “The Hustler” is much less allegorical and succinct, though his music video is more elaborate than Rogers’, bringing the scene to life by playing the central character in prosthetics as well as himself as the narrator. Rogers stars as well, singing that iconic hook in between Coolio’s verses on street — and general — smarts. “Bang bang if that’s your thang/If that’s your aim/But most of them fall when they get hit,” the Hustler warns.

“The agreement we had is that the message had to be a positive message,” said Rogers at the time. “Because I don’t wanna hurt myself and the people who follow me, and I don’t wanna hurt him, with the people who follow him.” Holding to it, Coolio’s Hustler is as encouraging as he is enterprising: “We need a few good men to take a few good stands/And lend a few good stands/And make a big stack of ends.”

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Coolio, who died on Wednesday, Sept. 28

Docs

In Theatres/Virtual Release: INHOSPITABLE | what (not) to doc

September 28, 2022 · 1:31 PM

Coming to theatres and virtual cinemas this Friday, September 30:
INHOSPITABLE

Director:
Sandra Alvarez

World Premiere:
DOC NYC 2021

Select Festivals:
Miami

About:
Patients and activists band together to fight a multi-billion dollar nonprofit hospital system that limits vital care for vulnerable patients.

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September 28, 2022 · 1:31 PM Coming to

Fana (pictured right in 2011) the oldest member of a chimpanzee tribe famed for its remarkable use of tools has died in solitude age 71

Global

Oldest member of famous tool-wielding chimpanzee tribe dies alone in Guinea aged 71

Oldest member of famous tool-wielding chimpanzee tribe dies alone in Guinea aged 71, leaving her two sons among seven members of the near-extinct community

Fana, born in 1951, has died in solitude in Bossou in southeastern Guinea
Her tribe uses stone hammers and anvils to crack open nuts
Numbers are dwindling and there are fears the community will die out

By Jack Newman For Mailonline

Published: 11:44 EDT, 28 September 2022 | Updated: 17:14 EDT, 28 September 2022

The oldest member of a chimpanzee tribe famed for its remarkable use of tools has died in solitude age 71.

Fana, a female chimp born in 1951, died in the forest near the village of Bossou in the southeast of Guinea, where scientists have trekked for decades to study the remarkable animal community.

Her death brings down the number of Bossou chimpanzees to just six or seven, half of which are females and two can no longer reproduce.

Fana (pictured right in 2011) the oldest member of a chimpanzee tribe famed for its remarkable use of tools has died in solitude age 71

The tiny community of apes use stone hammers and anvils to crack open nuts – the most sophisticated act ever observed of humanity’s genetically closest relative.

Fana had been showing signs of exhaustion over the past few months, the environment ministry said on Facebook Tuesday.

Her left upper limb has been paralysed since she took a bad fall nearly 25 years ago and she had long since stopped climbing trees.

She lived alone as she became less mobile.

Her body was found on September 19 and she was buried the next day in the presence of local villagers.

The Bossou apes have a unique relationship with the village population.

The great apes live in the wild but share the territory and its resources with the locals, who protect them, believing them to be reincarnated ancestors.

A number of chimps have been shown to use tools – including this one at a sanctuary in Kenya – but its prevalence among the Bossou tribe in Guinea makes them particularly interesting

Up until 2003, the Bossou chimp group had been relatively stable at around 21 animals. But it lost seven members to the flu that year.

It has also been affected by human activities in the area.

Locals traditionally use slash-and-burn agriculture, and though they had preserved a 320-hectare block of forest around Bossou, surrounding deforestation has cut it off from the rest of the Mount Nimba Strict Nature Reserve, where there are more numerous chimp communities.

Slash-and-burn agriculture sees people cultivate lands until they become depleted, then clear forests to create new lands, and repeat the cycle.

The UNESCO World Heritage-listed reserve straddles Guinea’s borders with Liberia and Ivory Coast.

Fana leaves behind two sons, Foaf and Fanwa. She is predeceased by her daughter, Fotayou.

The tiny community of apes, famed for their remarkable use of tools, lives in a forest around the village of Bossou, in the far southeastern corner of Guinea

The last baby girl was born in 2020 after researchers spotted the last fertile female in the group – Fanle – clutching a tiny baby on her belly.

Aly Gaspard Soumah, director of the Bossou Environmental Research Institute, said they were able to confirm the sex of the baby as female.

Female chimps are capable of having offspring every four or five years, which means that Fanle ‘by herself will not be able to reproduce the social dynamic of the group,’ in terms of numbers and genetic diversity, Soumah cautioned.

But other means are available to buttress the Bossou population – including the creation of a ‘migration corridor’ to enable two-way traffic between isolated communities and their cousins in the hills.

Another possibility is to introduce young females into the tribe – an idea that has its critics, ‘who contend that this is a group living in the wild, which should deal with its own natural destiny,’ Soumah said.

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Trending

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Jamie Lee Curtis walked the red carpet at the “Halloween Ends” photocall in Madrid.

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Jamie Lee Curtis walked the red carpet

Tech

‘PUBG’ creator’s new project is an open source metaverse, Artemis

Brendan “PlayerUnknown” Greene, the creator of “PlayerUnknown’s Battlegrounds” (commonly known as “PUBG”) has embarked on a metaverse project called Artemis.

Greene revealed new details about Artemis in Hit Points, a newsletter by video game journalist Nathan Brown. In 2019, the developer announced a new project after leaving the PUBG team: “Prologue,” an open-world survival game on a massive, 40-square-mile map. In Tuesday’s edition of Hit Points, Greene told Brown that “Prologue” will ultimately be a tech demo for the even more ambitious Artemis, an Earth-size virtual sandbox.

Companies in the tech world have expressed their ambitions to build the metaverse, the hypothetical next iteration of the internet that technologists surmise will be less like the text-based internet we have now, and closer to a digitized version of the real world. And Greene’s vision of the metaverse is a world owned and shared by everybody.

PlayerUnknown Productions, the Amsterdam-based studio Greene founded to develop “Prologue” and Artemis, sounds more like a research and development lab than a game developer. Greene told Hit Points the staff includes nuclear physicists and mathematicians — decidedly not the sort of workers you might typically find on a video game team. But Artemis isn’t really a game in a traditional sense. Greene described it as a decentralized interactive world where the inhabitants are free to make or play whatever they wish.

“I’m quite zealous about this,” Greene said. “It has to be made a certain way. The only way this exists is if it’s made for everyone, and it’s not made for money.”

Roblox wants to advertise to gamers ages 13 and up in the metaverse

It’s a big vision that requires skilled management, which is why Greene brought on former Ubisoft Massive managing director David Polfeldt to the PlayerUnknown team as a senior adviser.

The technology to create something like Artemis does not even exist yet. Making a 1:1 scale virtual Earth with thousands of people exploring its fully realized biomes is, currently, an impossible task. The tools for crafting a metaverse mirror of Earth don’t exist yet, at least on a scale that is practical. That is why PlayerUnknown Productions has been singularly devoted to building a game engine, Melba, which will be propped up by machine learning.

Building Artemis, Greene said, would require an absurd amount of labor for human engineers, but it may be doable for an AI capable of churning out an entire planet’s worth of trees, plants, valleys, rivers and mountains at a relentless pace. It may also be able to populate Artemis with animals and even human NPCs that behave and interact in realistic ways — as long as the AI is built well and fed the right data. Greene told Hit Points that his studio has already filed several patent applications for some of the tech it has developed, and he shared a little about how it works.

“We’ve created some new knowledge here: mapping terrain, populating it with trees and assets, inserting artist-made locations into that terrain,” Greene told Hit Points. “And that’s all done generatively, as you move through the world.”

All of this is going to take a long time, about 10 to 15 years by Greene’s estimation. Polfeldt is optimistic about the project’s success and cited the team’s small staff as an advantage rather than a hurdle. To Polfeldt, it means the team can knock out the many objectives ahead of them — task by task — as they steadily march toward the white whale of a planet-size digital playground.

Greene has remained open to using blockchain technology. Since anyone in Artemis can create whatever or do whatever they want, Greene said, they’ll need some way to verify proof of ownership or some sort of currency to exchange for providing a service.

“We’re building a digital place,” Green said. “That has to have an economy, and it has to have systems at work. … But it’s not about, like, Chanel and Louis Vuitton. It’s some kid called AwesomePickle selling cool skins because he understands what people want.”

League x Louis Vuitton. 100 Thieves x Gucci. Video game fashion is becoming a big business.

The dream is for Artemis to be an open source world that anyone can modify with a decentralized ownership. All of Artemis’s inhabitants will have a stake, with PlayerUnknown Productions eventually fading into a “maintenance” role to make sure that things are running smoothly, according to Greene. It’s a place with a framework but “no real rules,” he said.

Open-world games — even those with a limited scope and strictly controlled ownership relative to Artemis’s pitch — have already created some fascinating emergent moments, unplanned and often unforeseen by the developers. In 2007, a woman in New York City placed an ad on Craigslist offering sex in exchange for 5,000 gold in “World of Warcraft” to purchase an epic flying mount (the woman claimed to have found a client in a follow-up post). In 2012, the zombie apocalypse title “DayZ” inspired discussions on human nature as players chose to either band together or murder each other over cans of beans in the game’s cutthroat world. In 2005, a “World of Warcraft” glitch that acted like a viral epidemic forced the developer to briefly shut down the game to keep the “virus” from infecting all players — an incident later referenced by epidemiologists researching predictive modeling around covid-19.

Greene referenced English computer scientist Tim Berners-Lee, the inventor of the World Wide Web who also gave his creation away freely without copyrights or patents. More recently, Berners-Lee has been deeply critical of Silicon Valley giants controlling vast portions of the web and warning against a future he described as a “digital dystopia.”

To that end, PlayerUnknown Productions is going to build Artemis — but Greene wants its inhabitants to determine what it will be.

“We want to make our engine easy to mod, and to make it open source so everyone can participate,” Greene told Brown. “It won’t be PlayerUnknown’s Metaverse, just like it isn’t Tim Berners-Lee’s internet. It has to be owned by everyone.”

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Brendan “PlayerUnknown” Greene, the creator of “PlayerUnknown’s

Video

‘The Woman King’: How the Film’s Key Battle Scene Came Together

Director Gina Prince-Bythewood and editor Terilyn Shropshire have worked together for over 20 years, across films and TV shows “Love & Basketball,” “The Secret Life of Bees,” “Beyond The Lights,” “Shots Fired” and “The Old Guard.”

“We are in a mind-meld 90% of the time, and then 10% of the time it could occasionally get loud,” Prince-Bythewood says of their creative collaboration over the years. She adds, “It is always about the movie. It is never personal.”

In a conversation with Variety, Shropshire and Prince-Bythewood discuss “The Woman King” (in theaters now) starring Viola Davis, which follows female warriors in the 1800s in West Africa. “We have a relationship where ultimately there’s trust. I feel fortunate that I have early access to the scripts. It helps when you can, as an editor, get in early to the process so that you are informed when the footage starts coming in,” Shropshire explains.

Early access helped the editor when cutting a key sequence in the film — the battle dance as the warriors prepare to fight. The scene is intercut with a speech from Davis’ General Nanisca and young Nawi (Thuso Mbedu), the newest addition to the group, pumping up the warriors.

There are four separate scenes that the filmmaker gave her editor to work with. Shropshire’s biggest dilemma came when placing the speech. As Prince-Bythewood explains: “I tasked it to Teri. ‘How do we incorporate this into the dance and not take away from that moment?’”

The director’s use of three cameras gave Shropshire different setups. The process she explains is to look at one angle and play with the different takes. “We love the battle dance, but what is the point of the dance itself?” Shropshire asked herself when cutting the scene. Once she had found the best way in, she looked at the speech and found “elements to juxtapose with the fervor and energy of the women.”

Shropshire compares editing to building a mosaic, but ultimately, “it’s about being able to tell a story and help an audience direct their emotion, eyes and ears to moments so that they feel more interconnected and emotionally invested.”

As Prince-Bythewood and Shropshire release their latest collaboration to the world, the director says: “I know what I’m going for, but to come into this room and see how she’s elevated things that I captured on set, it’s magical.”

Watch the video above.

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September 28, 2022

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Director Gina Prince-Bythewood and editor Terilyn Shropshire

Entertaintment

Starzplay to rebrand as Lionsgate+ in 35 countries

Starz has announced that its streaming platform Starzplay will rebrand as Lionsgate+ in 35 countries, beginning on Thursday (September 29).
Premiered in 2018, Starzplay was one of the first global SVOD …

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September 28, 2022

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Starz has announced that its streaming platform

Movies

Review: ‘Smile’ turns twisted grin into bland horror flick

I have mostly frowny faces for “Smile,” a bluntly unsettling and blandly grim new horror flick that wrings as much mileage as it can out of a twisted grin.

Parker Finn’s directorial debut, which opens in theaters Friday, adapts his own 11-minute short into a jump scare-rich thriller about a hospital emergency ward therapist, Dr. Rose Cutter (Sosie Bacon), whose visit with a newly admitted patient rapidly turns gruesome. The young woman (Caitlin Stasey), beside herself with fear, suddenly flashes an ear-to-ear smile before slicing an ear-to-ear cut across her neck.

Rose at first brushes off the disturbing encounter. It’s clear that, despite her profession, this has been her way of dealing with trauma since she witnessed the overdose death of her mother as a child. Soon, Rose is seeing that creepy smile on other faces. Increasingly unhinged and paranoid, she believes she’s been cursed by an evil presence that, she comes to believe, is passed from person to person the way the unseen demon of “It Follows” was transferred through sex.

The devilish grin is both the movie’s poster-ready image and an impossible-to-miss metaphor for putting a bright face on unexamined pain. Somewhere, you might imagine, the Joker is tapping his foot, miffed.

Once you see it, it’s too late. Watch the official trailer for #SmileMovie – Only in theatres Sept. 30.

“Smile,” of course, isn’t the first film to think trouble can lurk behind a smile. That’s just one of many derivative elements to “Smile,” a horror movie that makes a few feeble gestures at sliding toward the so-called elevated variety of horror (like a couple upside-down shots that recall the vastly superior “Midsommar”). But there’s nothing in the film’s limp cinematography or flat atmospherics that suggest anything but cheap thrills.

Trauma, of course, has become a favorite subject of Hollywood’s in recent years. “Smile“ is far from the first to trade on trauma as a plot device but it may do so more than any other film I can remember.

There are moments here and there that suggest “Smile” might actually invest in its protagonist’s grief. Bacon, daughter of Kevin Bacon and Kyra Sedgwick, is impressively committed to the part, and her spiraling fear at both the malignant force haunting her and her own tenuous grip on reality is easily the best thing in “Smile.” (OK, the best thing is the terrific character Rob Morgan, but his appearance is extremely brief.) But at every turn, “Smile” detours instead to some horror cliche, eventually leading all the way to a monster in a remote cabin.

I know. It should surprise no one that a movie marketed with creepy smiling fans at MLB games might not actually have genuine concerns about pain and healing on its mind. But it still makes “Smile” a cynical and shallow piece of work unlikely to put a you-know-what on too many faces.

“Smile,” a Paramount Pictures release, is rated R by the Motion Picture Association of America for strong violent content and grisly images, and language. Running time: 115 minutes. One and a half stars out of four.

___

Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP

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Conversations are opinions of our readers and are subject to the Code of Conduct. The Star does not endorse these opinions.

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I have mostly frowny faces for “Smile,”

What’s Coming in October 22

Discovery+ has announced its list of non-fiction programming for the month of October.

New releases include We Bought a Funeral Home, which follows the journey of the Blumberg family as they trade in big city life to buy and renovate an 1800’s Victorian funeral home. Generation Porn explores the effects of internet pornography across the world through those who watch, produce and star in adult movies.

Jack Osbourne‘s Haunted Homecoming takes place in the United Kingdom where Osbourne revists his childhood home, seeking the truth behind terrifying, unexplained mysteries and experiences he had there as a young boy. Bollywood legend Amitabh Bachchan hosts The Journey to of India, a tale of India’s legacy with contributions from a range of personalities and leaders. Ina Garten opens up her East Hampton home to friends and family for fun days of conversation good food, and visits to some of her favorite local spots with special guests Emily Blunt, Faith Hill, Nathan Lane and Marcus Samuelson in Be My Guest with Ina Garten.

October 1
We Bought a Funeral Home

October 2
Jack Osbourne’s Haunted Homecoming

October 6
Generation Porn

October 7
Ghost Brothers: Lights Out, Season 2 Premiere

October 9
Be My Guest with Ina Garten

October 10
The Journey of India

October 13
A Radical Life

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Discovery+ has announced its list of non-fiction

What to Watch

Is ‘A Star Shoots Across the Sky’ on Netflix? Where to Watch the Movie

Netflix subscription is required to watch on Netflix

Great news! “A Star Shoots Across the Sky” is available to watch on Netflix USA!

Date Added: 28th September 2022

Want to keep forever? Try looking for ‘A Star Shoots Across the Sky’ on Amazon (paid link)

Description:

When a motley theater troupe sets out to stage a play about love, drama reaches new heights as attitudes around sexuality and caste begin to clash.

Certificate: TV-MA
For Mature Audiences. May not be suitable for ages 17 and under.

Year: 2022

Duration: 2hr 48m

Audio: Tamil [Original]

Subtitles: English

Cast and Crew

Director: Pa. Ranjith

Cast: Kalaiyarasan, Kalidas Jayaram, Dushara Vijayan, Hari Krishnan, Vinoth, Shabeer Kallarakkal, Subatra Robert, Regin Rose

Not yet rated

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Available on Netflix USA!

Netflix subscription is required to watch on Netflix

Where else can you watch ‘A Star Shoots Across the Sky’ on Netflix?

Want to keep forever? Why not rent or buy ‘A Star Shoots Across the Sky’ from one of the online services below?

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Awards

Academy Voters To Serve As Seat Fillers At March 12 Oscar Show – Deadline

Deadline

EXCLUSIVE: As a direct result of a suggestion at the September 17 Academy membership meeting, AMPAS CEO Bill Kramer and President Janet Yang told the 10,000+ group in an email this morning that Academy members without tickets for the actual Oscar show will now be allowed to serve as seat-fillers during the broadcast.

The idea came about because the AMPAS member who made the suggestion was frustrated by the annual lottery for tickets, especially affected the past two years due to restrictions imposed by Covid protocol. In their email Kramer and Yang also announced that the ticket lottery will be returning for the upcoming 95th Academy Awards, and actually already is in progress for the November 19 Governors Awards.

“Regarding the Oscars, we too loved the suggestion to have members serve as seat-fillers. We will enact this for the March 12 show and will provide information later this fall about seat-filler guidelines and protocols. In addition, the member lottery will return, with PwC now overseeing the process of vetting and selection. This applies to the Governors Awards lottery already in process,” the email read.

Seat-fillers are traditional jobs at every televised awards show, including the Oscars, where non-famous people are rushed into visible empty seats that may have been temporarily vacated for various reasons by those who have the real tickets. This especially includes seats for nominees, winners, presenters and just about any important attendee with ace seats that can be seen on television. The job usually goes to volunteers who like the idea of sitting in the spotlight, no matter how long, before they get booted out when the person who really belongs in the seat comes back. Now apparently that job will be filled by actual Oscar voters who are about to get a taste of what “seat-filling” is really like. Don’t expect though Christopher Nolan to keep Steven Spielberg’s seat warm while he takes a bathroom break, but it will be interesting to see who jumps at this novel idea and signs up.

Another area the new leaders of the Academy have immediately jumped on are the Membership Screenings in LA, NY, and London, and soon back in San Francisco. The weekend screenings have been very slow to come back, but after vocal complaints AMPAS has moved to form a new team overseeing the screening program, and by evidence of the still evolving schedule for October it looks like it is returning to some semblance of normalcy, at least in LA for starters, not only in numbers, but in quality of Oscar contending movies available to members at the Samuel Goldwyn Theatre. Among the October films scheduled are Moonage Daydream, Sidney, Amsterdam, Don’t Worry Darling, Tar, Triangle Of Sadness, The Good House, Decision To Leave, The Banshees Of Inisherin, Causeway, and Armageddon Time. Still at least one member devoted in the past to attending these screenings in person rather than watching on the Academy’s digital screening platform, says it is still fewer than in pre-pandemic times and wonders why there is no mention of Q&As with filmmakers and stars as there was in the past. He said at last weekend’s Blonde screening there were only about 100 attendees, and no Q&A much to his disappointment. He also wonders about the wisdom of scheduling some of the films as early as 10:30 AM, particularly documentaries which seem to be relegated to that slot – at least in October.

There are a number of initiatives the Academy has also clarified since the September 17 meeting, and they also provided a link to members to find out how to get more involved. To read the whole letter (minus the link) see below.

Dear Academy Members,

Thank you so much to those who joined us for the All-Member Meeting. We hope you found it helpful and informative and that it set the tone for the work we need to do together.

Prior to, during, and since the meeting, we have received many questions from members. We continue to answer them directly, but we thought it would be helpful to send this email to provide answers to some of the more frequently asked questions we have been receiving.

Regarding the Oscars, we too loved the suggestion to have members serve as seat-fillers. We will enact this for the March 12 show and will provide information later this fall about seat-filler guidelines and protocols. In addition, the member lottery will return, with PwC now overseeing the process of vetting and selection. This applies to the Governors Awards lottery already in process. The Oscars member viewing parties will continue in New York and London, and the Academy Museum will host its second annual Oscars Night party for members and the public in Los Angeles. More information on Academy Member ticket sales for these events will follow soon.

Membership screenings have returned to Los Angeles, New York and London, with a new team overseeing this program. Filmmaker and artist panels also will begin this fall and will be added to the Academy Screening Room. We will bring back screenings in San Francisco as well, and a members committee will be formed later this fall to help guide these initiatives. More information to follow on the committee. This team is also exploring screening opportunities in cities worldwide.

We will screen all international feature films on the Academy Screening Room and host gatherings (both in-person and virtual) for members voting in the category to connect and discuss the films. We will then screen the 15 shortlisted international feature films in Los Angeles, New York and London.

Additionally, over the last few years, we did not activate our grants program as the pandemic created fiscal challenges for us all. The budget for the current fiscal year, which was created in June based on the uncertainty of the pandemic, did not include the grants program for this year.

As we continue to build our robust talent development, education and community programs within the Academy (including the Academy Museum), our focus now is to invest in the film community beyond traditional grants to maximize impact. This is something we will continue to assess with the Academy Board Education and Outreach Committee as we establish the most effective way to build a more inclusive future for our industry and support our surrounding communities.

We are so grateful for the support of our membership and hope this email answers some of the lingering questions you may have. Please feel free to reach out to us with any additional thoughts or questions.

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September 28, 2022

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Deadline EXCLUSIVE: As a direct result of a

Docs

‘POV Shorts’ Unveils Documentary Lineup for Fifth Season

“POV Shorts” will kick off its fifth season Nov. 7, with 11 documentaries highlighting topics including art as activism, freedom of expression, Americans with disabilities, intergenerational stories, and connectedness on the way.

Packaged into six 30-minute episodes, “POV Shorts” will be available on PBS and will stream on POV.org and the PBS Video app. The season will conclude on Dec. 19. Nearly two-thirds of the season’s films were directed by filmmakers of color, and over 80% were made by women.

“As the fifth season of ‘POV Shorts’ marks a notable milestone, the series is well-represented by these outstanding stories and filmmakers,” says Opal H. Bennett, co-producer for “POV.” “This is an eclectic group of episodes, some performance-forward, some animated, one focused on ‘POV’s’ hometown – New York City – and all conveying the unique world view of each filmmaker.”

Season five’s first short is Titus Kaphar and Alex Mallis’s 24-minute film “Shut Up and Paint.” The film is about Kaphar, a painter who looks to film as a medium in the face of an insatiable art market seeking to silence his activism.

Other season highlights include the world premiere of the student film, “Call Me Anytime, I’m Not Leaving the House,” directed by Sanjna Selva, about two Ukrainian sisters separated by distance and war, Tom Krawczyk’s “My Duduś,” which follows a Polish mother with empty nest syndrome as she raises a baby squirrel, and Weixi Chen and Kai Wei’s “Happiness Is £4 Million,” about an idealistic young journalist in Beijing who profiles China’s biggest real estate speculator. Both “My Dudus” and “Happiness Is £4 Million,” will be co-released by “POV Shorts” and The New York Times Op-Docs.

Another co-release is William D. Caballero’s “Chilly and Milly,” an animated short about the filmmaker’s mother, her chronically ill husband, and the power of undying love. The short, the winner of the juried prize at the 2022 PBS Shorts Film Festival, will be available via “POV Shorts” and Latino Public Broadcasting.

“We play nice with the digital-only distributors like the New Yorker and the New York Times Op-Docs,” Bennett told Variety in January. “From our standpoint, it’s greater exposure and a broader audience for the filmmakers. It also means multiple license fees for the same title, which for a short documentary filmmaker is a big deal.”

Like HBO, PBS, the company behind “POV Shorts,” has been distributing short-form nonfiction content for decades. Launched in 2018, “POV Shorts” has received two Oscar nominations for its short docs. “Aguilas” and “A Broken House,” two “POV Shorts” distributed with the New Yorker, made last season’s Academy Award short doc shortlist.

“POV Shorts” has nearly 40 titles in its catalog. The strand works with major short-form digital distributors such as Field of Vision and Condé Nast. “POV Shorts” have screened at tier one film festivals, including Sundance, South by Southwest Tribeca, Hot Docs, DOC NYC, Palms Springs International ShortFest, and True/False.

POV Shorts Season 5 lineup:

“Shut Up And Paint”
Directors: Titus Kaphar, Alex Mallis/Producers: Matt O’Neill, Perri Peltz, Chloe Gbai
24 min | USA | 2022.
Premiere Date: Nov. 7

“Call Me Anytime, I’m Not Leaving the House”
Director/Producer: Sanjna Selva/Producers: Judith Helfand, Ed Robbins
11 min | USA | 2022
Two Ukrainian sisters – one recently emigrated to Brooklyn, the other in war-besieged Odessa – long to be reunited and reminisce about their homeland.
Premiere Date: Nov. 14

“Freedom Swimmer”
Director: Olivia Martin-McGuire/Producers: Brooke Silcox, Ron Dyens
15 min | Australia/France/UK/Hong Kong | 2022
The story of a grandfather’s perilous swim from China to Hong Kong that parallels his granddaughter’s own quest for a new freedom.
Premiere Date: Nov. 14

“Are You Down?”
Directors/Producers: Juan Matos, Dennis Scholl
12 min | USA | 2022
A portrait of the life and work of Jamaican New Yorker and visual artist Michael Richards, highlighting his powerful sculpture practice and beautiful spirit.
Premiere Date: Nov. 21

“All Riders”
Director/Producer: Victor Dias Rodrigues/Producer: Branton Choi
12 min |USA | 2021
The subway makes New York City tick, but getting around is a constant battle for disabled New Yorkers.
Premiere Date: Nov. 21

“Happiness Is £4 Million”
Directors: Weixi Chen, Kai Wei/Producer: Hao Wu
24 min | China/USA | 2022
An idealistic young journalist in Beijing profiles China’s biggest real estate speculator. Their divergent life experiences and clashing values reflect the generational and societal changes happening in the country.
Premiere Date: Nov. 28

“My Duduś”
Director: Tom Krawczyk/Producer: Nick J. Santore
9 min | USA | 2022
A Polish mother grieves when her only child leaves their home in the suburbs of Chicago to study in Poland. While her son is away, she finds a baby squirrel in her backyard and forges a unique and powerful bond with the animal, raising him as if he were her own child.
Premiere Date: Dec. 5

“Some Kind of Intimacy”
Director/Producer: Toby Bull/Producer: Isidore Bethel
6 min | UK | 2022
Director Toby Bull tries to find greater meaning from the sheep living on the land where his parents were buried several years ago. The film is an original perspective on bereavement, tackled with humor and tenderness.
Premiere Date: Dec. 5

“Chilly and Milly”
Director/Producer: William D. Caballero/Producer: Elaine Del Valle
9 min | USA | 2022
Eleven years after filming a documentary about his family, director William D. Caballero returns home to revisit scenes with his parents in the animated short, Chilly and Milly. Chilly, William’s father, is a diabetic with kidney failure, while Milly sees herself as a caretaker. Watching the documentary, Chilly and Milly discuss their life together, including their successes and setbacks.
Premiere Date: Dec. 5

“You Can’t Stop Spirit”
Director/Producer: Vashni Korin
16 min | USA | 2021
A group of self-liberated Black women who created an alternative social space – centered on the Baby Doll Mardi Gras masking tradition, where they are encouraged to be free.
Premiere Date: Dec. 19

“Coming Home”
Directors: Naim Naif, Margot Bowman/Producer: Meghan Doherty
10 min | USA/UK | 2022
Freedom Dabka Group, a collective of Palestinian-American dancers living in Bay Ridge, Brooklyn, use traditional Dabka as a way to connect to their community and homeland.
Premiere Date: Dec. 19

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September 28, 2022

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“POV Shorts” will kick off its fifth

Global

Shooting suspect followed by Toronto police stops vehicle, runs across Hwy. 401 before being arrested – Toronto

A shooting suspect who was followed by Toronto police Wednesday afternoon pulled over and ran across Highway 401 before being arrested, officers say.

Toronto police first said they were investigating a shooting in the area of Bellamy Road North and Ellesmere Road in Scarborough.

Police said they received reports of gunshots fired and determined that there was an altercation between two drivers around 1 p.m.

A man was located with a non-life-threatening gunshot wound.

Police investigating after ‘numerous shots’ fired at Ajax home

At 2 p.m., officers said there was a police investigation underway in the westbound express lanes of Highway 401 at Keele Street.

Toronto police later said the suspect vehicle in the shooting had been spotted and followed by police to the area.

Story continues below advertisement

Once the suspect was pulled over, he allegedly ran across the eastbound lanes of Highway 401 to Keele Street.

The man was then arrested on Keele, police said.

POLICE INVESTIGATION
– Police investigation underway on westbound 401, express lanes, at Keele Street
Apologies for impeding traffic, but thank you for your understanding.#GO1888732
^vk

— Toronto Police Operations (@TPSOperations) September 28, 2022

Shooting Investigation UPDATE
– alleged suspect vehicle spotted, then followed by police to HWY 401/Keele
– alleged suspect fled on foot when pulled over
– ran across 401 e/b lanes to Keele
– pursuing officers arrest man on Keele#GO1888732
^vk

— Toronto Police Operations (@TPSOperations) September 28, 2022

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September 28, 2022

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A shooting suspect who was followed by

Trending

From Propane Gas to Flicker Effects, How ‘Chicago Fire’ Pulls Off Its Blazing Sequences

Ever since its 2012 start, no matter how attractive its actors, there is only one person who truly puts the heat, smoke and flames to “Chicago Fire”: special effects coordinator and pyrotechnic John Milinac. Fire may be the star of Dick Wolf’s red-hot series, but Milinac is its master. For ten seasons, Milinac has pitted […]

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September 28, 2022

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Ever since its 2012 start, no matter

Tech

Variety’s Women’s Impact Report honors film, TV’s best

Variety‘s Power of Women issue celebrates the importance of giving back — no matter what obstacles you face. And this year’s slate of honorees do that with grace, dignity and guts.

Elizabeth Olsen, who inhabits the character of Marvel’s most complicated superheroine, has, for six years, spent her off-hours volunteering at Stuart House, a program that helps children and teens who have been sexually abused. Malala Yousafzai, the education activist who remains the youngest Nobel laureate, is making a parallel journey from nonprofit work to entertainment. With her new production company, Extracurricular, she also wants to shine a spotlight on the Pillars Artist Fellowship, which supports Muslim directors and screenwriters.

Yousafzai’s story proves that the arts can be an important staging ground for cultural change. That’s no surprise to Oprah Winfrey and Ava DuVernay, who made a radical decision in 2016. With their drama “Queen Sugar,” created by DuVernay for the Oprah Winfrey Network, they have hired only women directors. Seven seasons later, they’ve boosted the careers of 39 talented storytellers who had never directed television before. We’re excited to share some of those directors’ stories with you. Two other TV newbies in this issue: Hillary and Chelsea Clinton, whose HiddenLight Productions is behind “Gutsy,” a docuseries that tells the stories of feminist icons. Mother and daughter share their own hard-won insights onscreen, and now in conversation with Variety.

We also salute the industry change-makers on our Impact List, and we invite you to follow along on Variety.com to see our coverage of our Power of Women dinner in Los Angeles as it unfolds on Sept. 28, when these dynamic honorees meet to create change. —Ramin Setoodeh

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September 28, 2022

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Variety‘s Power of Women issue celebrates the

Video

‘Blonde’ Is an Anti-Choice Statement for a Post-Roe America

Andrew Dominik’s Marilyn Monroe portrait is a traumatizing anti-abortion statement in post-Roe v. Wade America.

[Editor’s note: The following article contains spoilers for “Blonde.”]

Update: In a new piece from The Wrap, “Blonde” writer/director Andrew Dominik has responded to claims that the Marilyn Monroe portrait was an anti-choice platform, especially being released after the Supreme Court overturn of Roe v. Wade. Our essay follows his response.

“I don’t think the movie is anti-pro choice. I don’t think it is at all,” Dominik told The Wrap. “And I’m not convinced that she actually wants to have a baby. I think she has feelings about not having a baby, but I’m not convinced that what she’s doing – I mean, she doesn’t end up having one. […] There’s a wish for baby but there’s a fear of baby, and I think that’s kind of the central stressor on her.”

Dominik continued, “I think sort of this desire to look at ‘Blonde’ through this Roe v. Wade lens is everybody else doing the same thing. They’ve got a certain agenda where they feel like the freedoms of women are being compromised, and they look at ‘Blonde’ and they see a demon, but it’s not really about that. I think it’s very difficult for people to step outside of the stories they carry inside themselves and see things of their own volition. And I think that’s really what the movie is about: the dangers of that.”

The filmmaker concluded, “I actually see that as a measure of the film’s success, that it inspires that kind of reaction. I think the movie is pretty nuanced actually, and I think it’s very complex, but that doesn’t fit — people are obviously concerned with losses of freedoms, obviously they are. But, I mean, no one would have given a shit about that if I’d made the movie in 2008, and probably no one’s going to care about it in four years’ time. And the movie won’t have changed. It’s just what sort of going on.”

Earlier: Andrew Dominik warned us that his NC-17 portrait of Marilyn Monroe would “offend everyone.” Or rather, he boasted.

The writer-director helmed a three-hour epic adapted from Joyce Carol Oates’ novel of the same name, cast Cuban actress Ana de Armas to play the blonde bombshell, and credited the #MeToo movement for finally leading to the film getting financed. Oates called Dominik’s film “most surprisingly an utterly ‘feminist’ interpretation” of her novel, tweeting that the “disturbing” feature makes a first for a male director to “achieve something [like] this.”

Well, that’s one way of putting it.

Another would be to say that “Blonde” is a horrific, tone-deaf reminder of why a female perspective should be included, or at least asked for, when writing about abortion. Yes, while “Blonde” made headlines on gossip sites like DeuxMoi for months ahead of its release for disturbing rape sequences (one such rumor that Dominik dispelled included de Armas as Monroe being assaulted while on her period), the real trigger warning is for a trio of CGI fetuses asking why Monroe murdered them.

This is our “feminist” statement in post-Roe v. Wade America, according to Oates, according to Dominik, and, presumably, according to Brad Pitt’s Plan B Productions?

Dominik’s saga of Monroe being an “unwanted child who becomes the most wanted person in the world” didn’t have to include three wanted children of her own. Dominik relies on the waking nightmare surrealist sensation of Monroe’s body not belonging to herself: She is raped by a studio head, forced to give JFK a blowjob while high, and kidnapped and held down twice by doctors as she begs to keep her babies. The other fetus — the one who actually speaks to Monroe while she is gardening and asks if she will “do the same” to it as she did to the other, i.e. terminate her pregnancy — results in a violently bloody miscarriage after Monroe trips over a rock at the beach and collapses in sand.

Monroe, whose body is simply being invoked here for shock value, frequently disassociates from her flesh to survive fame. Dominik categorized his film as capturing “what it’s like to go through the Hollywood meat-grinder” and bragged that his magnum opus is like “‘Citizen Kane’ and ‘Raging Bull’ had a baby daughter“… one who seems to have grown up to be Amy Coney Barrett.

Let’s dissect the “Blonde” abortion scenes: Her first terminated pregnancy starts with Monroe requesting for the studio secretary to help her “handle” her pregnancy after realizing her mother’s mental health disorder is genetic. Monroe has wanted nothing more than to be a parent, but with fears of her own abusive mother, she makes the tough decision to terminate her pregnancy, complete with a funeral procession of wearing black Ray-Ban sunglasses and being driven off in a Hearst-like limo. It’s in that very car in which Monroe has second thoughts, sees a literal stop sign, and decides she wants to keep the baby instead. Yet the driver doesn’t turn around or even flinch when she starts screaming. Her screams echo through the halls of a hospital as her feet are forced onto stirrups, and the camera follows a DNC tube gliding through her vaginal walls. The audience is trapped watching this sequence, much like Monroe is held down on the table by the aforementioned tube, and it’s clear Dominik’s comments on offensive content are not about sexual assault but rather surgical assault on the “Some Like It Hot” star.

In the real world, the one that Dominik’s twisted fantasy has no desire to acknowledge, one in three women has admitted to receiving abortions. But right-wing politics have argued that a high percentage of those are forced abortions, instead demanding forced births for pregnant women, even those with health risks or victims of rape. According to Dominik, which is more traumatic?

This type of abortion sequence does not happen once, but twice: It is years later, when Monroe is implied to have been impregnated by the philandering president John F. Kennedy. His goons kidnap and drug Monroe in the middle of the night; she is convinced the procedure is a horrible dream, but as she wakes up covered in blood smeared all over her abdomen, it’s clear the nightmare is only just beginning. There would never be that much blood afterward, but that’s not the point: Dominik is determined to shock and disgust, but at what cost?

Sure, “Blonde” has been close to two decades in the making, 20 years when most Americans believed Roe v. Wade would be upheld. As of 2022, the landmark Supreme Court ruling supporting women’s healthcare and fundamental right to body autonomy was struck down, leaving more than half of American women living in anti-choice states in peril.

Unlike Dominik’s Monroe, more than 95 percent of women who have received abortions say that they do not regret the procedure five years later. Instead, dire consequences for women who have been denied abortions are proven by the University of California San Francisco’s decade-long report, The Turnaway Study. The concept for the study was a reaction to the 2007 Supreme Court abortion case Gonzales v. Carhart, in which Justice Anthony Kennedy (not related to Monroe’s Kennedy, to note) speculated that abortions led to “severe depression and loss of esteem” in women.

The Turnaway Study disproved that assumption. Turnaway Study demographer Diana Greene Foster called the overturn of Roe v. Wade unfathomable even in her “worst nightmares” in an interview with NPR.

And Hollywood has issued a call to action, with “Blonde” distributor Netflix among the companies supporting employee travel costs for out-of-state abortions. More than a thousand showrunners and filmmakers penned a letter for production companies to disclose if they were funding anti-abortion politicians and also to cease filming in anti-choice states.

Indie films like Eliza Hittman’s “Never Rarely Sometimes Always” and Venice winner “Happening” have also struck a chord with audiences, humanizing this essential surgery because, for so long, Hollywood and Americans as a whole have turned away from seeing specifics behind the necessity of abortion rights onscreen.

Even “Juno” writer-director Diablo Cody reflected on her 2007 dramedy featuring a teen pregnancy and adoption journey. “I am emphatically pro-choice and have been my entire life. And it is important to me to make that clear,” Cody told The Hollywood Reporter. “But, you know, I can understand why people would misunderstand the movie. Looking back at it, I can see how it could be perceived as anti-choice. And that horrifies me.”

Cody continued, “If somebody had said to me at the time — as a carefree, younger, third-wave feminist — that in 2022, Roe v. Wade would be overturned, I would have been horrified and I would have assumed we were hurtling toward some kind of inconceivable dystopia, and maybe I would have been right. But at the time, it just seemed impossible. I took Roe for granted, and many of us did. I was just creating; I never intended the movie as any kind of political statement at all. I can’t imagine being that innocent again.”

Is Dominik really that “innocent” or does he just not care?

“Unpregnant” writer Jennifer Kaityn Robinson made seeking an abortion a kind of road trip dramedy, one that felt relatable, honest, and without the stigmatized shame that is prescribed to women post-abortion. Robinson’s latest indie film, “Do Revenge,” is also streaming on Netflix, right alongside “Blonde.” It only takes a moment to wonder what a big budget “Blonde” would look like from Robinson instead.

“Blonde” shows us that Monroe’s body is not her own. Her famed curves and iconic smile belong to America as she’s slowly suffocated by Hollywood and her male admirers, both presumably stopping her from having a white picket fence and nuclear family. But because Roe was overturned, all women’s bodies are now at the mercy of the United States — and we can’t just lay down and take it.

“Blonde” is now in select theaters and will be streaming on Netflix on Wednesday, September 28.

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September 28, 2022

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Andrew Dominik's Marilyn Monroe portrait is a

Entertaintment

Lizzo Plays 200-Year-Old Flute Once Owned by James Madison

Lizzo‘s making musical history with a damn near ancient instrument — she’s now the first person to play a crystal flute that once belonged to one of America’s founding fathers!!!

The singer unveiled the big surprise during her show Tuesday night in D.C. — the ultra-rare flute was made in 1813 and used to belong to James Madison … AKA U.S. President #4.

She was pretty nervous about even holding the flute, much less playing it, and told the crowd … as only Lizzo could, “Bitch I’m scared.”

Lizzo played her first note and the crowd went WILD — she followed it up by twerking while playing some more. Take that, Madison!!!

She shared her excitement online after the show, too … telling her followers she’s the “first and only person” to play this flute. She adds, “I WILL NEVER BE OVER IT.”

IM COMING CARLA! AND IM PLAYIN THAT CRYSTAL FLUTE!!!!! https://t.co/aPcIthlqeo

— FOLLOW @YITTY (@lizzo) September 24, 2022
@lizzo

Lizzo got an invite from Librarian of Congress Carla Hayden earlier this week to visit “the largest flute collection in the world” while in town … and the singer took her up on it, adding “I’M PLAYIN THAT CRYSTAL FLUTE!!!”

Goal achieved.

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September 28, 2022

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Movies

Why Carrie Underwood Blocked Billy Eichner

BuzzFeed Daily

Keep up with the latest daily buzz with the BuzzFeed Daily newsletter!

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September 28, 2022

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Marvel's Rebooted 'Blade' Shoots This October for a November 3, 2023 Release! #SDCC

Film

‘Blade’ Director Exits the MCU Movie Just Two Months Before Production

The next phase of the Marvel Cinematic Universe will bring Blade into the mix with a brand new reboot, and Oscar-winner Mahershala Ali is taking over the vampire-slaying role.

Announced earlier this year, Marvel was set to begin shooting Blade this November for a release in theaters on November 3, 2023, with Bassam Tariq (Mogul Mowgli) directing.

Those plans have changed, however. Variety reports today that just two months prior to the start of production, director Bassam Tariq has exited the project as director.

“It’s been an honor working with the wonderful folks at Marvel. We were able to put together a killer cast and crew. Eager to see where the next director takes the film,” Tariq said in a statement, with Variety reporting that he’ll stay on board as executive producer.

No word yet on how this will impact the Blade movie’s current release plan, but we’ll of course be keeping our ear to the ground and we’ll report more as this story develops.

Stacy Osei-Kuffour (“Watchmen”) was recently brought on board to write the script for Blade, which has a cast including Aaron Pierre (Old) and Delroy Lindo (Da 5 Bloods).

The vampire-slaying character was created by writer Marv Wolfman and artist Gene Colan, introduced in July 1973’s The Tomb of Dracula #10. Wesley Snipes played Blade across three films from 1998 through 2004, and he was played by Sticky Fingaz in a short-lived TV series.

The post ‘Blade’ Director Exits the MCU Movie Just Two Months Before Production appeared first on Bloody Disgusting!.

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September 28, 2022

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The next phase of the

Hayu, NBCUniversal’s Reality TV Streamer, to Launch in Central and Eastern Europe – The Hollywood Reporter

NBCUniversal International said Wednesday that it will launch its subscription-based reality TV streaming service Hayu “in multiple Central and Eastern European countries” in the fourth quarter.

“This builds on the ongoing success of the service in other European markets and will bring the number of territories for the streaming service to over 40,” said the company, part of Comcast’s entertainment arm NBCUniversal. The streamer will launch in the new territories direct-to-consumer “on a full array of devices – mobile, tablet, TV, console and web.”

Hayu offers more than 300 shows and more than 9,000 episodes of reality TV content, including such franchises as The Real Housewives, Below Deck and Million Dollar Listing. It also provides programming in the English language in such unscripted sub-genres as home and design, dating, cooking, crime and fashion. “Subscribers don’t have to worry about spoilers as the vast majority of U.S.A. shows are available on Hayu the same day as their U.S.A. broadcast,” the company highlighted.

“As the destination for world-renowned reality content, this expansion to Central and Eastern Europe continues to deliver on our goal of super-serving the best reality TV to even more fans of the genre,” said Hendrik McDermott, managing director, direct-to-consumer, global at NBCUniversal. “We are thrilled to be launching our direct-to-consumer subscription streaming service in the region, where we look forward to partnering with platforms and telcos to serve their young female audiences.”

Hayu launched in the U.K., Ireland and Australia in March 2016, followed by Norway, Sweden, Finland and Denmark in November 2017. Canada followed in September 2018, with the Benelux countries being added in December 2018. The service then became available in Southeast Asia, namely The Philippines, Hong Kong and Singapore, in October 2019, and in November 2020, it launched in Germany and Austria. Early in 2021, Hayu launched in Spain, Portugal, France, Italy, Switzerland, Lithuania, Estonia, Latvia, Poland, Hungary and the Czech Republic.

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September 28, 2022

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NBCUniversal International said Wednesday that it will

What to Watch

Is ‘Too Hot to Handle: Brazil’ on Netflix UK? Where to Watch the Series

Great news! “Too Hot to Handle: Brazil” is available to watch on Netflix UK!

Date Added: 21st July 2021

Known expiry dates are shown above as well as on the Last Chance page.

Want to keep forever? Try looking for ‘Too Hot to Handle: Brazil’ on Amazon (paid link)

History:

21/07/2021: 1 Season (2021)

28/09/2022: 2 Seasons (2022)

Final episodes coming 5 October

Description:

Sizzling hot young Brazilians meet at a dreamy beach resort. But for a shot at R$500,000 in this fun reality show, they’ll have to give up sex.

Certificate: Suitable for ages 15 and up

Year: 2022

Duration: 2 Seasons

Available Seasons: Season 1 (8 Ep)

Audio: English, Spanish, Brazilian Portuguese – Audio Description, Brazilian Portuguese [Original]

Subtitles: Arabic, English, French, Polish, Brazilian Portuguese, Ukrainian

Episode Length: 56min

Cast and Crew

Cast: Bruna Louise

Production & Season Details:

Status: Returning Series”Too Hot to Handle: Brazil” was originally broadcast on Netflix and premiered on July 21st 2021. So far there have been 2 seasons (comprising of 9 episodes) of “Too Hot to Handle: Brazil”. The most recent episode aired on July 28th 2021 and more seasons are expected in the future.

RATINGS:

IMDB rating 5.5/10

The Movie Database rating 60.91%

Average Rating Average rating 57.96%

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September 28, 2022

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Awards

Zahra Amir Ebrahimi Talks ‘Holy Spider’ Oscar Buzz, Iran Government

Zar Amir Ebrahimi (also known as Zahra) should be basking in the glow of her best actress win at Cannes for “Holy Spider.” Instead, she’s in a reflective mood when she sits down with Variety for a Zoom interview, recounting the tumultuous 16 years that culminated with earning a prominent role in one of the best-reviewed movies of 2022.

But before the red carpets and splashy premieres, this Iranian actress’s career was derailed and her personal life was upended following the release of a sex tape. As punishment, she faced possible stoning and lashing in her native country. Despite all that she endured, Ebrahimi has persevered and Hollywood is taking notice.

Ironically, Ebrahimi was never supposed to appear in “Holy Spider.”

She signed on to be the casting director for director Ali Abbasi as he put together the ensemble for “Holy Spider,” which tells the true story of Saeed Hanaei, nicknamed the “Spider Killer,” who targeted sex workers in 2000 and 2001, believing he was cleansing the city of moral corruption. Ebrahimi met with nearly 500 people for three years to fill out the cast. This included acclaimed theater actor Mehdi Bajestani, who plays the psychologically disturbed Saeed, and debut performer Arash Ashtiani as local news reporter Sharifi, who receives calls from the killer on the whereabouts of his newest victim. However, Abbasi was struggling to find the right person to play Rahimi, a female journalist who descends into the dark underbelly of the Iranian holy city of Mashhad to investigate the murders. At various points, Ebrahimi, who acted in soap operas in her country before being pressured to flee, expressed interest to Abbasi in playing the role. But he would dismiss her suggestion, telling her, “You are too soft. This journalist, I see, is not you.”

Eventually, they found a promising Iranian actress, but a few days before shooting in Jordan was set to begin she dropped out of the project, fearing the movie was going to be too controversial. Iran has a bustling film business (Asghar Farhadi has won two international feature Oscars for the country in recent years). However, it also has strict censorship, ones that prevented “Holy Spider” from filming in Iran due to the country’s rules, among them, that women cannot be depicted without headscarves.

“It looks at the dark side of the soul,” Abbasi says of “Holy Spider,” which was announced as the international feature submission for Denmark for this year’s Academy Awards.

The director was also interested in exploring the social conditions and reactions that allowed Saeed to justify his killing spree by using religion. The repressive society explored in “Holy Spider” was all too familiar to Ebrahimi, who fled Iran in 2006 after becoming the center of media attention for appearing in a sex tape. It was an intimate encounter between two consenting adults that was filmed privately in 2004. Then two years later, a friend called Ebrahimi to tell her a video was circulating online, and that the woman it showed appeared to be her.

Participating in an explicit sex tape is a serious crime under Iranian law. Ebrahimi denied her involvement at the time to the authorities and local media. “I had to deny; otherwise, they were going to put me in prison or even worse,” she says.

Iranian authorities accused her of leaking the tape herself to get “more famous,” something she says she did not do. However, having now left Iran, for the first time, Ebrahimi admits that she is the woman in the video. And according to Ebrahimi, the authorities eventually found the man who leaked the tape, an actor in Iran she declines to name. That man was sentenced to six years in prison after the police discovered an extensive archive on his computer of images, videos and conversations with girls asking them for nude pictures. However, three months into his sentence, he was released, gaining even more notoriety than before. Iranian citizens even raised funds for him after his cancer diagnosis and sent him to Germany to receive special treatment.

“I think the people even appreciated what he did,” Ebrahimi says, tearfully. “They let him work. They let him get out of prison. I faced lashes.”

On the day Ebrahimi’s court trial for participating in the sex tape was set to start, a second case against the actress was opened. Police and officials began interrogating former colleagues and friends of Ebrahimi, asking for photos showing her in any sexualized setting or even simply touching another man. As part of that investigation, the prosecutors planned to present five men who would testify that they had premarital relations with Ebrahimi. Before they appeared in court, Ebrahimi fled Iran and never returned. The government found her guilty in absentia and she was sentenced to 10 years in prison, 99 lashes with a leather strap, and banned from appearing in Iranian films and television. In response to the scandal, a bill by the Parliament of Iran was passed soon after, making the production of sexually explicit media, even for private consumption, an offense punishable by death.

“Holy Spider”

Courtesy Everett Collection

Following its Cannes debut, Utopia bought U.S. distribution rights to “Holy Spider” and screened the suspense thriller at several festivals, including Telluride and Toronto. Ebrahimi says she’s savoring the experience after the long struggle she has endured and she’s hoping that her ordeal can inspire others.

“We have a cultural problem in Iran,” she says. “If I have a message for any girl or boy, around the world or in Iran – speak, speak, we need to speak.”

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September 28, 2022

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Zar Amir Ebrahimi (also known as Zahra)

Music

Maggie Gyllenhaal and Her Daughter Look Perfectly Preppy-Cool at Paris Fashion Week

Maggie Gyllenhaal and Peter Sarsgaard must have equally mighty genes, because their daughter Ramona is the spitting image of…both of them. The teenager and her mom attended the Dior show at Paris Fashion week looking like the coolest art history teacher at boarding school and her favorite student, a rule-breaking artist who’s a secret genius. Or something.

Gyllenhaal wore a black wool coat with lace shoes, a tasseled bag, and large sunglasses, while Ramona opted for an oversized jacket, plaid dress, and oxford loafers with socks. BRB, taking notes for my Fall Fashions.

Can you imagine being in Ramona’s class and, like, studying for a history test and you text your friend to see if she wants to do Zoom flashcards together (or whatever they do now) and she’s like, oh sorry, just saw this, time zones, I’m in Paris for Fashion Week. And you’re just like cool cool, BTW the Treaty of Versailles was signed in 1919.

Maggie Gyllenhaal and daughter Ramona Sarsgaard arrive to attend the Dior fashion show as part of Paris Fashion Week on September 27, 2022.Marc Piasecki

Tory Burch Single T Square Sunglasses

I’ll just get this out of the way here: Maggie Gyllenhaal may have scripted and directed The Lost Daughter, but it looks like she found her! Ha, ha! Okay, thank you, that’s over now.

In addition to Ramona, Gyllenhaal and Sarsgaard also share daughter Gloria, age 10. They tend to keep their children and home life out of the spotlight, but Gyllenhaal did recently share a throwback picture from one of her pregnancies on Instagram in honor of Mother’s Day.

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September 28, 2022

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Maggie Gyllenhaal and Peter Sarsgaard must have

Docs

"Street Gang" Explores the Origins of Sesame Street

“Street Gang: How We Got to Sesame Street” looks at the origins of the groundbreaking children’s television show. Documentary maker Marilyn Agrelo profiles both famous figures such as Jim Henson and Frank Oz as well as lesser-known people behind the scenes.

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September 28, 2022

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"Street Gang: How We Got to Sesame

Global

I was traumatised after huge spider crawled from under toilet seat when I was sat scrolling on my phone for 20 minutes

A WOMAN was horrified after spotting a huntsman spider lurking under her toilet seat after spending 20 minutes scrolling on her phone.

Gabriella Pizzato, from Queensland Australia, shared the terrifying footage of the massive arachnid creeping out of the toilet bowl after she’d stood up and flushed.

The terrified woman found the huntsman spider lurking under the toilet after she had been sitting on the seat for 20 minutesCredit: Tiktok

The huge spider is seen scurrying from under the rim of the toilet seatCredit: Tiktok

In the TikTok video, a tearful Gabriella explains how she was scrolling on her phone for 20 minutes before she even noticed the spider.

She said: “I just went to the toilet and I got up and flushed the toilet and there is a big f***ing spider under the seat.

“I was sitting there for about 20 minutes!

“Oh my god, I want to show you, it’s actually huge. I want to cry. It is huge.”

I’m a scientist - why you should never kill the spiders in your home

Doc thought I’d been in a CAR CRASH after false widow spider bite

She then whispers: “Oh my god I just saw his legs. It’s like under the rim.”

She turns the camera to show the edge of the toilet seat when the spider’s leg slowly appears.

The creepy-crawly then scurries onto the seat before disappearing under some loo roll as she gasps in disbelief.

The video, titled ‘Welcome to Australia’, is captioned ‘I have no idea how I’m ever gonna go to the toilet again.’

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Many viewers were horrified by the clip with one commenting: “Well that’s unlocked a new fear.”

Another added: “This is why I will never go to Australia.”

However, others were calmer and claimed the encounter was a rare occurrence and nothing to worry about.

One said: “I’ve been here 20 years and this has never happened to me.”

Another commented: “Legit just a huntsman…they’re like the labradors of spiders.”

Parents in the UK have been warned to look out for venomous spiders after a 10-year-old girl was ‘attacked in her sleep’.

Little Phoebe-Lee Matthews woke up on August 10 with a strange black dot on her lip which started to grow bigger and darker.

Her mum Rachel Wilson, 35, became concerned and took her to her GP five days later.

The mum-of-three said it then eventually popped and began oozing “white gunk” into her daughter’s mouth before scabbing over.

She told Wales Online: “It was absolute hell. It’s taken a good four weeks for her to get over this.

“The bite was really black with brown spots in it and it had a white ring around the black spots. It was also red where it was swollen. It’s left a hole in her face.

“The dermatologist agreed that it was a false widow spider bite.”

She told viewers on Tiktok that she didn't know if she would ever go to the toilet again — She told viewers on Tiktok that she didn’t know if she would ever go to the toilet againCredit: Tiktok

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September 28, 2022

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A WOMAN was horrified after spotting a

Trending

Amazon Prime Video’s Kelly Day On Growth Of AVOD, Asia Content – Deadline

Kelly Day, Amazon Prime Video Vice President, International, outlined the company’s localisation efforts across Asia, Europe and Latin America in the first keynote session of APOS 2022, which is taking place virtually and as an in-person event in Singapore (September 27-29).

After initially focusing on Japan and India, Amazon Prime Video launched a slate of local-language originals and localised user experience across Southeast Asia just last month. Speaking from the U.S., Day told APOS: “We try to be thoughtful in not only bringing all these amazing global series and tentpoles, but also doing it right locally, so we’ve got a brand new team just hired, based in Singapore. We’ve seen the response in Indonesia and the Philippines really strong right out of the gate.”

In India, Amazon Prime has already scored successes with Hindi-language scripted series including Paatal Lok, The Family Man and Made In Heaven, and has user numbers that trail Disney+ Hotstar but are ahead of Netflix. Day said the next step is building up its presence in South India, which has thriving local industries across Tamil, Telugu, Kannada and Malayalam-language content. Back in April, Amazon Prime announced a slate of 41 new series and movies across different language segments.

“We view India as a region and not just one country, so we’re doing programming in ten different languages,” Day explained. “We have been offering and starting to develop more originals, not only in Hindi, but also many other local languages throughout India. We building out the team in the south to focus on those regions of India….we have extensive investment in local originals.”

She added that another key development in this price-conscious market has been the launch of cheaper mobile-only plans. “Our mobile-only tier has been hugely successful for us in partnership with mobile carriers in India, and we’ve started to introduce that in other regions, including Southeast Asia and Africa.”

Amazon Prime is also expanding its content offering in Japan, a territory with higher ARPUs where it continues to be the market leader, although competitors are working hard to catch up. While Japanese anime is a major driver in this market, Day said Amazon is having success in live-action scripted and unscripted content.

“We’ve made significant investment in original content in Japan as well. We’ve been quite successful in unscripted with [local versions of] The Bachelorette and the new season of The Masked Singer, but we’re also doing more with scripted content. Next month we’re launching the local version of Modern Love and YA dark comedy My Undead Girlfriend, which is a lot of fun.”

Day added that Japan has also become a source of unscripted formats with the Documental comedy game show series being adapted in around 16 countries.

Finally, Day addressed how the global cost of living and inflation crisis is impacting the streaming business, confirming that AVOD service Amazon Freevee, currently available in the U.S., UK and Germany, would be rolled out to other territories. Amazon also has an AVOD service specific to India, MiniTV, launched last year and offering free content within the Amazon India app.

“We also offered a premium ad experience on Freevee for Thursday night football in the U.S. last week and we’re very pleased with the early results – there’s a great opportunity in live sports to introduce a unique premium ad experience,” Day continued. “There’s clearly more invention and evolution going on in the industry right now, with more SVODs offering a a variety of AVOD and freemium platforms.”

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September 28, 2022

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Kelly Day, Amazon Prime Video Vice President,

Tech

NFT Artist Diana Sinclair Signs With UTA, Sets Auction at Christie’s – The Hollywood Reporter

Diana Sinclair, a leading visual artist in the Web3 space, has signed with UTA and is set to auction off nine of her NFTs at Christie’s beginning this week.

Sinclair, 18, was recognized by Fortune as one of the top 50 most influential people in the NFT space alongside artists like Beeple. Her work focuses on themes like self-identity and social justice, and she is the curator behind Digital Diaspora, a Juneteenth exhibition that highlights the work of Black artists and creatives in the NFT community.

Last year, Sinclair also collaborated with estate of Whitney Houston to create a digital video that comprised rare archival photos of the late singer that sold for roughly $1 million.

And beginning on Wednesday, the artist will debut an NFT collection, Phases, for Christie’s. The works were created and minted specifically for Christie’s 3.0, a newly developed platform for the legacy auction house that will specialize in NFT sales that are fully on the blockchain from beginning to end. Sinclair’s work will be open for bidding from September 28 to October 11, and the entire Phases collection will be on exhibition at Christie’s Rockefeller Center galleries from September 27 to October 5.

Diana Sinclair’s I Am That I Am

Courtesy of Christie’s Images

“Diana Sinclair is a visionary and we are so excited to partner with her on this next phase of her career,” Lesley Silverman, the head of UTA Web3, said. “Diana’s boundary pushing translation of the medium of digital art, along with her dedication to creating new lanes for underrepresented artists, made her a brilliant choice for the launch of the new Christie’s 3.0 platform, which will bring her fresh and thoughtful perspective to a global audience.”

At UTA, Sinclair will join a roster of digital artists and NFT collections that include the Deadfellaz and MV3 collections, as well as the Web3 creators Emonee LaRussa, Vinnie Hager and Andrew Wang.

Sinclair will maintain legal representation by Sarah G. Barrack, Esq.

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September 28, 2022

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Diana Sinclair, a leading visual artist in

Video

The Try Guys cut ties with Ned Fulmer after Redditors uncover cheating scandal

The Try Guys built a loyal following by pulling stunts on the internet, like baking pies without knowing what they were doing or using devices that simulate the pain of going into labor. But over the last few days, fan pages have been buzzing with rumors that one of the guys was also trying infidelity.

Fans on the Try Guys subreddit began to notice that Ned Fulmer, one of four members of the YouTube group, was missing from recent videos and other content. Speculation swirled, and fans exchanged theories of what was happening, including that Fulmer was being hastily edited out of content. The rumors hit a boiling point and spilled onto other social media platforms when one user shared screenshots allegedly showing Fulmer kissing and dancing with someone who isn’t his wife at a nightclub in New York. The person in the photos was said to be Try Guys producer Alex Herring, who also appears in a video series called Food Babies.

Today, The Try Guys announced that after a “thorough internal review,” they didn’t see a way to keep working with Fulmer and that the group was parting ways with him. Fulmer followed up shortly after with his own baffling statement, in which he says family should have been his priority, but he lost focus and “had a consensual workplace relationship.” He goes on to apologize to fans, his wife, Ariel, and the other guys that tried things with him.

An unfortunate reality is that people cheat on their partners regularly, famous or not — social media had mercifully just gotten past the Adam Levine cheating ordeal from last week when The Try Guys rumors started spreading. But Fulmer isn’t just a man who is married; much of his public persona revolves around being a husband, and he’s sold products like a “date night” cookbook and T-shirts joking about how often he talks about his wife. Fulmer is what we call a wife guy, and he’s successfully built a fanbase and brand around this relationship specifically. (Ariel also posted a short statement to Instagram saying her family is the most important thing to her and Fulmer and asking for privacy.)

Though Fulmer doesn’t say who he had a “consensual workplace relationship” with, that’s quite a way to spin allegedly cheating on your wife with someone who works for you. The moral debate of infidelity aside, any relationship (romantic or not) between boss and employee is entangled in the power dynamics that a workplace produces — if your boss hits on you, you are standing on unequal footing, less empowered to deny someone who determines your employment. And if you hit on your boss, it’s their responsibility to make boundaries clear.

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September 28, 2022

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The Try Guys built a loyal following

Entertaintment

Golden Globes Sets Jesse Collins as Executive Producer, Showrunner – The Hollywood Reporter

Jesse Collins, the Emmy-winning producer who has previously produced the Grammys, the Oscars and the Super Bowl halftime show, will serve as the executive producer and showrunner of NBC and Peacock’s telecast of the 80th Golden Globe Awards on Jan. 10, 2023, it was announced on Tuesday by the Hollywood Foreign Press Association, NBC and dick clark productions.

Dionne Harmon of Jesse Collins Entertainment will also serve as an executive producer.

“We are thrilled to have Jesse produce the historic 80th Golden Globes,” HFPA president Helen Hoehne said in a statement. “His record of success puts him among the premier producers of live television events and we are looking forward to his ideas for capturing the excitement of the ‘Party of the Year’ in Beverly Hills.”

DCP president Adam Stotsky added, “We have a wonderful working relationship with Jesse and Dionne, who are tremendous creatives and producers, and we look forward to partnering with them on this year’s Golden Globes as we officially kick off awards season in 2023.”

Golden Globes owner Eldridge Industries has a stake in The Hollywood Reporter, which is owned by Penske Media.

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September 28, 2022

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Jesse Collins, the Emmy-winning producer who has

Movies

A Cock and Bull Story Overly Dramatising a Scam

The Big Bull
Cast: Abhishek Bachchan, Sohum Shah, Saurabh Shukla, Ram Kapoor, Ileana D’Cruz, Nikita Dutt
Director: Kookie Gulati

Many moons ago, the ‘God of Advertising’, Alyque Padamsee told me that they sold dreams which men and women strove to make real. In Kookie Gulati’s outing on Disney+Hotstar, The Big Bull, Hemant Shah says time and again that he sells dreams, helping the man on the street to achieve what he may have considered impossible. There is a very telling scene in the ploddingly long work with a runtime of about 150 minutes in which Shah (played by Abhishek Bachchan), a broker who has made it good on the Bombay Stock Market, is advising the elevator operator to first buy a tyre before getting a car. An invaluable hint for the guy to invest in a tyre company, which he does and reaps rewards. There are other instances of Shah helping people in need with market tips that turn out to be almost magical.

The Big Bull scores with its message that everybody has the right to dream and try and realise it – the way Shah himself made the long leap from a modest home to a palatial mansion. And all because he dared to think big, take even bigger risks, firmly believing in the dictum that there cannot be progress and prosperity without these.

Inspired by the 1980s-1990s Harshad Mehta scam that shook the market, pushing up share prices to impossible digits, Gulati, who has co-written the story and scripted it along with Arjun Dhawan, underlines how India’s middleclass profited through Shah’s scheming ways. Admittedly, he made a wily use of the many loopholes in the banking and other financial systems. While he feathers his own nest, and what a grand one this is, he is shown to be magnanimous enough to share a bit of his loot – which he justifies by saying that there cannot be anything wrong in playing this game since there is no law against “insider trading”. And,this is what he he does. The people who benefit – and they are also those in the higher echelons of the financial sector – are deliriously happy with the way Shah craftily pushes up stock prices, greasing the palms of several officials.

But Gulati takes his plot a bit too far for anybody’s comfort. To say that the nation was on the verge of bankruptcy and would have gone into a tailspin had Shah not stepped in sounds like pure bunkum. What seems still worse is the implication that India achieved precious little in the first couple of decades after Independence. And Mr Shah arrived as the mighty saviour!

What was it that first motivated him to climb? The girl next door, Priya Patel (Nikita Dutta), whose father makes it clear that Shah can marry her if he can provide her a decent life which translates as a house, a car, etc. And Shah gets on to his upward trajectory, manipulating the market, bribing bank and government officials and disregarding the advice of his own brother, Viren (Sohum Shah), and his mother (Supriya Pathak Kapoor). Shah also rough rides the warning of Manu Malpani (Saurabh Shukla), Chairman of the Bombay Stock Exchange, who tells him in so many words that what the younger man does is nothing but illegal. True, there is no law against “insider trading” practice. But it will come!

Woven into all this is the story of a journalist, Meera Rao (Illeana D’Cruz), whose investigative methods appear brazenly unreal. Look at the way she walks in and out of the chambers of top magnates, and tries twisting them all in her little finger. And this includes, Shah’s. She is the film’s sutradhar or the conscience-keeper! Finally, she ends up penning a book on The Big Bull.

Bachchan does show patches of performance that are illuminating, and one is reminded of his role in Mani Ratnam’s Guru (in which he essays Dhirubhai Ambani). But he is still to get beyond the halo of Bachchan, and fails to sink into the character of a man who is many layered – a loving son, an affectionate brother and a passionate lover/husband. Also, a shrewd businessman who has no qualms about being a downright scamster.

While, Shukla shines in the few scenes he has – as always – the women, including a wonderful actress like Pathak Kapoor – remain pretty much in the shadows. D’Cruz comes off as a pretty prop. There is little authenticity in Rao’s character.

Comparisons may be unfair, but the web series, Scam 1992, also about Harshad Mehta was proficiently paced, scripted with subtlety and performed by Pratik Gandhi with a flourish. Bachchan pales here, and The Big Bull in the end looks like, well, “bull”.

Rating: 2/5

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September 28, 2022

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The Big BullCast: Abhishek Bachchan, Sohum Shah,

Beth and Rip: Beginning to Happily Ever After

Film

Cole Hauser Teases the ‘Yellowstone’ Spinoff of Our Dreams

Paramount via Yellowstone YouTube

Be still our Rip and Beth loving hearts, Cole Hauser is sharing some exciting news about a potential Yellowstone spinoff, and we can’t stop thinking about the beautiful idea.

Hauser spoke with JC Fernandez from KLAS Las Vegas during an event for the Special Operations Warrior Foundation, which took place in Vegas last weekend. Attending the dinner was an important personal mission for Hauser, who has long believed in the foundation’s mission and what help it provides to families of Special Operations Warriors.

Of course, Fernandez also asked Hauser about the future of Yellowstone, and his response has us ready to pack up our lives, jump on a horse, and head to the Yellowstone Dutton Ranch for a front-row seat to our favorite pop culture love story. Hauser’s answer is everything we could have hoped for when questioned about a Rip Wheeler prequel.

“I don’t know about a prequel. They’ve been talking a little bit about a spin off — so we’ll see. You know with Beth and I, so we’ll see what happens.”

A Beth and Rip spinoff? Could we be so lucky? While he’s not making any promises, the very idea that it’s been mentioned is enough to keep us well-fed and crossing our fingers for the foreseeable future.

When asked what kind of spinoff it would be, Hauser said that whatever it is, they’re going to keep it on cable, and for a good reason.

“We want to keep it on cable so we can we can talk you know — sh**.”

Part of the dynamic between the two that we love so much is that for each romantic moment they share, a snarky one follows. They’re both set in their ways, both proud and confident, but it doesn’t hamper their love — it enhances it. If you remember, the very day Beth proposed, Rip walked right past her and chugged two beers before he could even ask what kind of day she had.

They’ve seen the best and the worst in one another, and it’s only brought them closer. Hauser also commented on married life between the two and what’s new in their relationship.

“It’s more of the same with Beth and I, which is great, you know; obviously we’re married now. So our relationship kind of flourishes with but I’m living in the main house, which is a bit odd.”

Living in the main house is a change for Rip, but as Beth’s husband, living elsewhere doesn’t make sense. Fans know that Rip had a cabin of his own, but somebody burned it to the ground during the attacks on the Dutton family.

We’ll see the new living arrangements and the wedded bliss between Rip and Beth when season 5 of Yellowstone kicks off on Nov. 13. Here’s to our favorite romance, a bright future, and a potential spinoff!

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September 28, 2022

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Paramount via Yellowstone YouTube Be still

Solstice’ Actor Was 33 – Deadline

Robert Cormier, a TV and film actor whose credits include playing Finn Cotter on the long-running Canadian series Heartland as well as the Netflix horror series Slasher: Solstice died September 23. He was 33. No cause of death was given.

Cormier for the past two seasons played Finn on CBC’s Heartland, which has run for 15 seasons on Canadian TV and holds the record for being Canada’s longest-running one-hour drama. It is also syndicated in the U.S.

Hollywood & Media Deaths 2022: A Photo Gallery

His other TV credits included ABC/Netflix’s Designated Survivor, CBS’ Ransom, and playing Winston for two episodes on Starz’s American Gods.

In film, he appeared in Jasmin Mozaffari’s Firecrackers which world premiered in 2018 at the Toronto Film Festival. Other big-screen credits include Otto in Pyrenees (2018) and Al in The Intersection (2019).

“We are deeply saddened to learn of the passing of Robert Cormier,” the Heartland production wrote on its social media accounts Tuesday. “He was a beloved member of the Heartland cast the last two seasons. On behalf of the Heartland cast and crew, our thoughts are with him and his family, who have asked for privacy during this difficult time.”

“Robert Cormier, aka Heartland’s Finn, was an amazing talent, gone too soon,” wrote Heartland‘s U.S.-based network UpTV. “We are deeply saddened to learn of his passing. Our sincere condolences go out to his friends, family, and co-workers.”

Cormier is survived by his parents Robert and Lisa; his sisters Brittany, Krystal and Stephanie; his grandmother Joanne; and aunts, uncles and cousins.

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September 28, 2022

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Robert Cormier, a TV and film actor

What to Watch

Dark Horse Comic Series Adaptation ‘Grendel’ Canceled at Netflix

Netflix was due to adapt and release the Dark Horse comic Grendel adaptation but as of September 2022, the project is no longer moving forward. Below we’ll be keeping track of everything you need to know about Grendel.

Grendel was an upcoming Netflix Original superhero crime-action series created by Andrew Dabb (Supernatural, Resident Evil) and based on the Dark Horse comic by author Matt Wagner. Netflix’s expansive deal with Dark Horse Comics was renewed in August 2022.

The series was given an 8-episode order back in September 2021.

Dark Horse Entertainment is behind the production of the series, with executive producers Andrew Dabb, Matt Wagner, Keith Goldberg, Mike Richardson, and Chris Tongue also behind the project. Pete Corona was the executive behind the project at Netflix.

Netflix canceled Grendel in September 2022

TheWrap reported that Grendel was no longer moving forward at Netflix in September 2022.

According to their report, “the show’s producers have the opportunity to shop the project externally if they choose to and find the best home for their show, but no other details were given.”

This is Andrew Dabb’s second Netflix cancelation in 2022, although his first show did manage to see the light of day on Netflix. We’re referring to Resident Evil which received a swift cancelation after poor reviews and viewership that cratered in its third week on Netflix.

What is Grendel?

Created by American author Matt Wagner, Grendel is a long-running comic book series first published in 1982 by Comico. Eventually, the comic moved publication to Dark Horse.

Grendel is the alter-ego and masked identity of Hunter Rose, a successful author, an assassin who eventually takes control of New York City’s organized crime ring.

In the early years of Grendel’s publication, financial troubles with the comics publisher Comico lead to the abrupt end of its first run, to which Wagner now considers the early stories as his rough draft for the character. Eventually, Wagner returned to write more stories about Grendel in a new series of comics where he would change the villain’s origin story.

A beloved villain, Grendel was ranked as IGN’s 88th-greatest villain of all time. Considering the number of rogues within Marvel and DC Comics, ranking 88th is quite the achievement.

What is the plot of Grendel?

Hunter Rose is a gifted fencer, writer, and assassin, who seeks to avenge the death of his lost love. Rather than taking down the criminal underworld, Hunter asks himself, why not join them instead?

Who were the cast members of Grendel?

Cast in the lead role of Hunter Rose, the enigmatic villain Grendel is Abubakr Ali. Fans of The CW series Katy Keene will recognize Ali as the character of Raj Patel. The actor has also starred in Power Book 2 as Sebastian ‘Bash’ Kamal-Stern, and The Walking Dead: World Beyond as Dev.

The news of his casting was groundbreaking because he was the first Arab Muslim actor to lead a comic book adaptation.

The further eight confirmed cast members of Grendel are;

Brittany Allen – Annabelle Wright
Julian Black Antelope – Argent
Kevin Corrigan – Barry Palumbo
Andy Mientus –
Emma Ho – Stacy Palumbo
Jaime Ray Newman
Erik Palladino
Madeline Zima

What is the production status of Grendel?

Principal photography began on September 8th, 2021 with filming initially scheduled to run through December 2021.

The show was filmed under the codename Inkblot.

Filming eventually concluded in January 2022, according to an Instagram post by one of the show’s main star, Abubakr Ali, where he said:

“I’m a little late to this, but it’s a wrap on Season One of Grendel. This role took a toll on me y’all, emotionally, mentally, physically. But honestly, being with this cast and crew every day made it all feel like a joyful breeze. I’m so thankful for that gift. I can’t wait for y’all to see the beautiful work every single human involved put into this, and for y’all to experience the unhinged tragedy and chaos of Hunterrr Rose”

The show filmed in Vancouver, Canada, and also filmed in New York City.

Abubakr Ali back filming in Vancouver as Grendel/Hunter Rose on Netflix series #Grendel. @theAbubakrAli pic.twitter.com/8ScIUZxrCX

— YVRShoots (@yvrshoots) January 10, 2022

The Canadian Director’s Guild recently reported that the series was in post-production as of September 2022 with picture post-production due to conclude on November 25th and sound post-production to conclude in March 2023.

When can we expect to see Grendel on Netflix?

With filming not expected to end until mid-December 2021, it’s a safe bet that it will be a significant wait before we see Grendel on Netflix.

At the earliest, we could see Grendel on Netflix in late 2022, but there’s a chance we may not see the show arrive until early 2023.

Are you looking forward to watching Grendel on Netflix? Let us know in the comments below!

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September 27, 2022

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Netflix was due to adapt and release

Awards

‘Amsterdam Review: David O. Russell Plea for Kindness Rings Hollow

Christian Bale, Margot Robbie, and Taylor Swift are just some of the mega-stars trying to survive a frantic comedy about fascism in America.

A star-studded new historical comedy that’s amusing at best, noxious at worst, and frantically self-insistent upon its own negligible entertainment value at all times as it strains to find the beauty in the mad tapestry of life? That’s right: David O. Russell is back. And while the volatile director’s recent work (“Joy,” “American Hustle”) has been damning enough to dampen enthusiasm for this comeback on its own — even without Russell’s various personal controversies — it doesn’t exactly help matters that his first movie in seven years is a wildly over-cranked plea to “protect kindness” that rings every bit as forced and hollow as you might expect from someone with such a pronounced reputation for killing it himself.

But David O. Russell lives for mess. It’s his ideal state and favorite subject. “Amsterdam,” as with all of the director’s movies, is clearly the work of someone who wanted it to be this way; someone who wanted his sepia-toned noir about one of the United States’ clumsiest political conspiracies to feel like a humorless farce, a sexless “Jules and Jim” love triangle, and also a guileless rebuttal to the latest flare-up of American fascism all at the same time.

Such exuberant muchness has become Russell’s signature over the last two decade, as most of his 21st century films — starting and peaking with the miraculous “I Heart Huckabees” — have run themselves ragged trying to thread a measure of divine togetherness through the fraying quilt of our existence (“When you get the blanket thing you can relax because everything you could ever want or be you already have and are”). A worthy subject, to be sure, but in order to dramatize how everything is connected on a subatomic level, Russell first has to skin his films with a superficial layer of chaos. In order to hear the beauty in the breakdown, he first has to orchestrate a cacophony of white noise.

In Russell’s more “grounded” fare — namely earlier work like “Three Kings,” but also 2012’s “Silver Linings Playbook,” during which the filmmaker adopted the uptempo and unmoored 360-degree style he still employs today — the real world once gave him something of a leg to stand on. When it comes to the (even more) heightened likes of his later Jennifer Lawrence collaborations, however, Russell has been responsible for creating the same mess he wanted to clean up, and that invariably leads to a clusterfuck of bad shtick.

So it goes with “Amsterdam,” which swaps out Lawrence for the equally game Margot Robbie and surrounds her with a dozen more of today’s biggest stars but otherwise continues the director’s recent trend of trying (and failing) to pan for truth amid the whitewater rapids of his own bullshit.

“A lot of this really happened,” promises the movie’s pained smile of an opening title card (what hath Adam McKay wrought?), which proves to be a characteristically misleading introduction from a filmmaker who can no longer tell the difference between truth and artifice. It also proves to be a perverse setup for a story that starts with Christian Bale playing someone who clearly never existed. No one on Earth will come away from “Amsterdam” wondering if Dr. Burt Berendsen — a kind and kooky one-eyed WWI vet whose rumpled optimism and frizzy shock of brown hair make it seem like he wandered off of a Coen brothers set — was an actual person. Willy Wonka was a more believable human being.

Less obviously invented is Burt’s best friend, former war buddy, and forever straight man Harold Woodman, Esq. (John David Washington), who summons Burt to a Manhattan funeral parlor one day in 1933. It seems the magnanimous general who created Burt and Harold’s mixed-race army regiment has been murdered, and his daughter — played by Taylor Swift, who acquits herself with aplomb in a brief appearance that will survive in meme-form long after the rest of this movie has been forgotten — would like our trusted heroes to perform the autopsy.

Chris Rock is also there for some reason, inhabiting perhaps the most flagrantly “there for some reason” role in a film that features stiff competition from Michael Shannon and Mike Myers as a pair of goofy spies, Ed Begley Jr. as a corpse, ex-New York Ranger Sean Avery as a random soldier, and Matthias Schoenaerts as a hulking detective (at least Alessandro Nivola, who plays Schoenaerts’ weaselly partner, finds a wide array of funny reasons to be there every time he appears on screen).

The general’s killing will turn out to be the first domino in a cryptocratic plot to overthrow the American government and replace it with a puppet dictator controlled by a cabal of racist business tycoons — hence our history books remembering it as “The Business Plot” before the same methods were formerly rebranded as the “Republican Agenda.” But “Amsterdam” can’t fully embrace its fate as the interwar “American Hustle” until it walks us through some major backstory, and so we’re off to 1918, where Burt and Harold find themselves under the loving care of a sweetly deranged nurse named Valerie Voze (Robbie, serving up a well-adjusted version of Harley Quinn) after sustaining injuries on the frontlines.

“Amsterdam”

screenshot

Valerie and Harold fall in love, which works for Burt because his senseless heart belongs to the WASPy nightmare of a wife he left back home (Andrea Riseborough), and the three of them decamp to Amsterdam for an edenic slice of bohemia and the best years of their lives. Alas, it’s only a matter of time before reality intervenes and the trio is split apart, a separation made all the more unfortunate because this movie actually has a nice little kick to it during the brief stretches when its blissful triumvirate is left to swan around the dream life they share together.

These characters are destined to reunite more than a decade later when it’s revealed that Valerie — who has some backstory of her own — was the one who suggested Burt and Harold for the general’s autopsy, but little of the old magic follows them home. What scant traces of it remain aren’t enough to buoy a convoluted yet all too simple conspiracy saga that’s all business and no product.

Some mysterious proto-Nazi types, mostly represented by Timothy Olyphant’s mustached Tarim Milfax, are trying to install the very uninterested General Gil Dillenbeck (a very uninterested Robert De Niro) into the White House, and maybe sterilize America’s Black population at the same time, although that subplot gets weirdly minimized for something so sinister. Despite the bulging size of Russell’s cast — I haven’t even mentioned that Anya Taylor-Joy does a rather marvelous turn as Valerie’s aloof sister, that Rami Malek gawks through a couple of scenes as her rich husband, or that Zoe Saldaña plays Burt’s autopsy nurse crush with a hard-edged appeal that screams for a better movie — there are only a small handful of plausible suspects who could be masterminding the conspiracy, the details of which are even more undercooked here than they seem to have been in real life.

And the only thing that could foil their evil plan and prove that love will triumph over hatred in the end? An interracial throuple.

“Amsterdam”

Courtesy of 20th Century Studios

That “Amsterdam” manages to run for 134 minutes without slowing down — despite its wanton disarray of a plot — should be interpreted as a mild warning. Russell squeezes a lot mileage from the notion that Burt and Harold are suspects in the general’s murder, but it never feels like either of them is in the least bit of danger. Most of the film is spent on scenes that feature 10 gallons of dialogue poured into story beats the size of a thimble, an orgiastic flurry of self-amused reaction shots, and a rotating voiceover track that’s passed between the characters as if at random (drink every time Bale says that he “followed the wrong god home” and you might just be lucky enough to pass out before Mike Myers’ whole bit about cuckoo birds). At times, that strategy can make it feel as though Burt, Harold, and Vera share the same thoughts; more often, it just feels as though they share the same writer.

So far as Russell is concerned, that may be more of a feature than a bug. For him, anything is permissible in the pursuit of a certain madcap vibration — a harmonistic singularity that suggests everything is connected. His supercollider-like films strive to reveal that molecular togetherness by spinning so fast that they eventually blur into focus, and they tend to work best during the stretches when raw energy is being catalyzed into action (or vice-versa).

If “Amsterdam” ultimately arrives at some very simple conclusions about the power of love and the operatic ring cycle of history repeating, it at least manages to stay in Russell’s favorite zone for longer (and in more likable fashion) than several of his previous films. However dissonant it might be for a David O. Russell character to preach the virtues of protecting kindness, there’s an undeniable spark that bonds Burt, Harold, and Vera together — a bond that seems to grow stronger as the movie goes on because of how it weathers the nonsense around it.

As with any interwar story about the power of friendship, “Amsterdam” knows that its victories will be pyrrhic in nature, but if history repeats itself, that means our hopes for a better future can repeat themselves too. “Do me a favor,” Burt asks: “Try to be optimistic.” Of course, optimism is the easy part in a movie like this. It’s entertainment that proves elusive.

Grade: C-

20th Century Studios will release “Amsterdam” in theaters on Friday, October 7.

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September 27, 2022

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Christian Bale, Margot Robbie, and Taylor Swift

Music

Frankie Cosmos: “F.O.O.F” Track Review

Greta Kline spent the end of 2021 making TikToks reimagining her Frankie Cosmos songs via Playtronica, a web of wires and nodes that turn practically anything—bowls of water, plushies, tiny spoons—into a synth. Though Frankie Cosmos has been a full band for several years, their output thus far hasn’t strayed much from Kline’s solo work; that’s why songs like “Outside with the Cuties” and “On the Lips” work just as well with only her voice and homespun accompaniment. But on the singles from their forthcoming album Inner World Peace, the band’s instrumentation feels more substantial, bringing in a loose, psychedelic groove that feels like new ground.

Buoyed by a winsome melody and spirited rhythm section, Frankie Cosmos’ latest single “F.O.O.F.” (“Freak Out on Friday”), continues this collaborative streak. Kline is abuzz with anticipation on the power-pop gem: Through faint details, we find her eagerly counting down the sleeps until weekend freedom, and glimpse how she’s filling her time—relatably, with media consumption and light exercise. “What a sight to see before 1pm me listening to 2007 indie,” she sings. The song’s grooving bass line keeps it aloft at every moment; warm flits of piano keys and sprightly drums add welcome texture. As the song ends with an extended jam session, Kline’s lyrics fall away, shifting the spotlight onto the other talented musicians who animate the Frankie Cosmos universe.

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September 27, 2022

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Greta Kline spent the end of 2021

Docs

How To Make A Feature Film By Accident

I know what you are thinking. ‘Nice work on the glib, click-bait title. Now what is your article really about?’ And yes, you have a point. Making your debut feature is, of course, a monumental undertaking for any filmmaker and is never something that pops out of thin air, fully formed, as a pleasant surprise. But believe me when I say that for the first two acts of this story, I wasn’t making a feature film at all. I was doing something completely different altogether.

The Promise

I can distinctly remember sitting in my first film class, many moons ago now, and staring at a film poster on the wall opposite me. It was the arresting black and white image of Jack Nance in David Lynch’s directorial film debut, Eraserhead.

All around me other sixteen-year-olds boasted about the kind of filmmakers they would one day become. They fantasized excitedly about their creative vision and the cinematic stories they would, in no doubt, be telling in the not-too-distant future. But as I looked at Jack Nance I was hit by a cold little lightning bolt of awareness: “All these kids are deluded.” I thought to myself, “Filmmaking is hard!”

I was awakened to the harsh reality that most (maybe all) of these kids, so loud with ambition in this class-room, will, one by one, fall away and get ‘proper jobs’ and never make a film in their life. Possibly me included. “Maybe I too am deluded!” I thought to myself.

It was a thought that immediately filled me with a sublime dread.

In that moment I decided to make a promise to myself. Before I die I will make at least one film. It might be extremely low-budget, it may never find much of an audience, it may never make a penny. But the important fact is, that I will have made a film. Just one film if needs be. But I would be a filmmaker.

The Reality

Fast forward twenty or more years and the ‘just one’ film had still not materialised. Not through want of trying, I may add. Many feature scripts had been written and pitched. Some getting developed a little, but so far nothing on screen. Sure, I had written and directed plenty of shorts and even documentaries, I was working in television, but none of this satisfied the promise I made to myself at sixteen.

I did have a script that felt like my best chance yet at a feature film. It felt like ‘the one’. It was called ‘Routine’ and was a dark comedy-drama about a failed stand-up comedian who, one night, takes his entire audience hostage at gunpoint. We got pretty far down the road with screenplay drafts but once we really began to break it down and work out a realistic budget, it became clear that this project was a little beyond my reach. It would require a more substantial budget than I would be able to muster, to truly do the story justice.

Fine. It would get made eventually, just not quite yet.

Maybe I should firstly work on a smaller project. Something more manageable that would still showcase my writing and direction and hopefully work as assurance when setting up ‘Routine’ at a later date. I had been writing an episodic comedy-drama called ‘The Old Man’. It was really coming on nicely. It felt good. It felt funny. Maybe this was a project I could start making right now, shoot in on shoe-string, release it on the internet, get something out there!!

Not Writing A Film

It felt good! I could do this! It was a long-form narrative, something I could really get my teeth into but not as daunting as a feature film. ‘The Old Man’ was about two estranged brothers who have to re-connect and go on a trip to scatter their father’s ashes at the top of a mountain (called The Old Man) in The Lake District in the north of England. It was a very contained, emotional two-hander. It was small. It was doable.

I wrote the series and the story seemed to fall naturally into eight episodes. As I was writing it for web-release, the episodes ended up being anywhere between 8 and 15 minutes long. Also I felt no pressure to conform to feature screenplay conventions. The story rolled out very freely and the characters developed organically. I was having so much fun writing it. I was having so much not writing a feature film!

The plan was we would release the series on the internet for free to maximise our reach. Maybe it would go viral! Maybe it would reach the right people who might like it and ask what else I had! And I had the feature film. I had ‘Routine’!

Not Shooting A Film

I began to cast the series. I began to pull in old friends as crew. I hunted for locations and found an incredible collection of cottages at the foot of The Old Man, the hill the characters of our series had to climb. It would cost me just under £3,000 to have this location for a week. Eye-wateringly expensive to me but it was perfect for the series. The place would dramatically elevate our production value. The location was stunningly beautiful.

I bit the bullet and put down a deposit.

The location was booked about ten months in advance of shooting. ‘Perfect!’, I thought. Plenty of time for pre-production, to cast the series, to raise money. The wheels started rolling. However, as the first block of shooting got closer, the prospect of getting a crew up to the remote location (about 300 miles north of my home in London), and on a very small budget, began to seem rather scary.

Budget Vanishes

We were working to a very small budget as it was. This was, after all, only supposed to be a test piece, a calling card to help grease the wheels when trying to get funding for my ‘Routine’ script. But even with trying to keep costs down we were still looking at between 15 and 20k to shoot for a week in the Lake District. The problem was I only really had about 8k. So corners were cut and all of my ‘Do It Yourself’ Indie Filmmaking strategies were deployed.

Low-budget independent films can be very un-stable ventures. They can often be uncertain foundations on which to build. I learnt this the hard way the morning I found that the 8k of budget I thought I had – fell through. Suddenly, in the blink of an eye, we had nothing. Nothing but a location, a location that had now been paid in full to the tune of £2,800. I had to tell the cast and crew that the series was no longer happening. We would just have to pick up the project at a later date, when we had the money. The heart breaking aspect of this was that, so close to the shoot, we would lose our location and the money spent on it.

In desperation I even started writing a new script that I could shoot with a friend of mine. Just the two of us, in an ultra low-fi mode. At least then I would have something shot at the location!

Whatever It Takes

It was my Director of Photography, Rami Bartholdy, who talked me down. On a phone call he pleaded for me to do anything, whatever it takes, to get people up to the location for that week and shoot. In his eyes the location was too good to waste. I went back to our cast and crew and proposed that we shoot on deferred payments. I promised to pay for their travel and all their food. They would live for a week in a beautiful location. They would be treated like royalty. Apart for one actor, who left the production, everyone agreed and the shoot was back on. There was just the small matter of re-casting one of the leads a week before shooting.

All this considered, to get everyone up there for a week would still cost £3,000 in addition to the £2,800 already spent on the location. This was still, to me, a painful out-going. I was a father of three, we were a single-income family as my wife was still at home with our two-year-old son. Money was an issue. In fact, this shoot was putting us at rock-bottom. And this was only the first block of shooting. The second block of shooting in London would be more expensive. Suddenly, making a series to be released for free on the internet felt like a crazy target for us to be aiming at.

The Back-End

I was on a call with my producer friend, and off-loading some off my stress about the ‘The Old Man’, when we began to discuss the idea of the project being released as a feature film. If that were to be the case I would at least have an opportunity to make some of our modest budget back through sales or streaming. Making money on the back-end would give me a fighting chance of keeping my chin above water. I took a look at the scripts and read them through sequentially.

Damn it. They worked as a feature. They worked really well.

I had been making my first feature film all along. Without really realising it. By accident.

A swift re-write began and all episodes were combined into one feature script. It was a fairly simple job as all of the episodes fit so well into one another. Like jigsaw pieces of a feature screenplay that was there all along.

Honouring A Promise

So we went to the Lakes and shot our first block. It was a breath-taking location indeed. My new problem, however, was getting our crew to the top of the mountain on which I had set many of our key scenes! It all seemed perfectly fine when I was sitting at my desk, tapping on my computer and eating biscuits. But on the day I arrived at the location, and looked up to see the peak of The Old Man, the reality suddenly hit me. The mountain just seemed so high. It was going to take us two and a half hours to reach the top from our base location. It all had to be done on foot. Our camera and sound equipment all had to be carried by hand.

It was a challenging shoot to say the least, but the feeling of working on my first feature film was intoxicating. The results, through the hard work of our small but dedicated crew, were amazing.

Wisdom Of Youth

You think you know it all when you are sixteen. But there really is something to be said for the wisdom of youth. Maybe, as you get older, you end up losing a lot of instinctive wisdom. You give up on certain ideals, ambitions and boldness and you replace them with responsibilities, perceived ‘realities’ and fear.

The poster that the teenage me was staring at, Eraserhead, represented a director who dedicated his life to his first film. He made it as if it were the last film he may ever make. He rolled film whenever he could scratch the money together. He answered to nobody. It took many, many years to make with no real destination in sight. None, that is, except the completion of the film and the truth of the world he was building. The film was everything.

Even my sixteen-year-old self, with all his lack of experience as a filmmaker, knew that feature films just don’t get made ‘by accident’. And during the early production of ‘The Old Man’ I had that teenage promise in mind much of the time. It doesn’t matter how it’s made. It doesn’t matter if there’s money or not. You just have to start making it. Just make the film. Just one film. Otherwise you will regret it.

—

Well, we are still trying to raise money for our second block of shooting. If you can spare the time please visit our Kickstarter and maybe even come aboard and join us in bring our low-budget indie feature to the big screen! Please consider becoming a supporter if you can. It would be a pleasure to have you with us.

Marc Hardman is a writer and director based in London. He has been working for many years in the television industry, mostly as a Senior Motion Designer, but always returns to this first love. Film.

In 2011 his Film London funded comedy short ‘We Are What We Drink’ premiered at the BFI London Film Festival and went on to enjoy a lengthly international festival run. It was long-listed for the BAFTA for Best Short Film that year but missed out on a nomination. In 2016 he directed Miriam Margolyes in the short drama film ‘Mother’ and even directed a documentary called ’The Chewing Gum Man’. This film was a portrait of the eccentric London street artist Ben Wilson and was broadcast on Sky Arts in 2020.

But Marc has always felt most at home when writing comedy. He even spent a brief spell (with varying success) as a stand-up comedian, an experience that inspired him to write his screenplay ‘Routine’. In recent years Marc has been working in independent feature films and in a wild variety of roles from Animator, to Visual Effects Supervisor, to Editor. But THE OLD MAN is finally his directorial debut!

He is currently deep into planning the final stages of THE OLD MAN while beginning to look towards the next project (‘Routine’ is being dusted off and re-written’). Marc lives in North London with his wife and children.

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September 27, 2022

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I know what you are thinking. ‘Nice

Former Russian President Dmitri Medvedev (right, with Putin, left) has reiterated Putin's threats to use nuclear weapons, saying it is 'certainly not a bluff'

Global

Putin ally warns nuclear threat ‘certainly not a bluff’ amid fears of annexation within DAYS

One of Vladimir Putin‘s attack dogs has been rattling the nuclear sabre once again as he declared that his master is not bluffing, even as the Russian strongman prepares to announce the annexation of Ukrainian territories.

Dmitri Medvedev, a former Russian president, said in a now customary rant on the Telegram messaging app that Russia has the right to use nuclear weapons ‘if the use of conventional weapons threatens the very existence of our state.’

‘And it is certainly not a bluff,’ he added.

The ominous threat comes as the British Ministry of Defence assessed as a ‘realistic possibility’ that Putin might announce the annexation of sovereign Ukrainian regions on Friday Sept 30 after the occupiers held sham referenda there.

Referenda held in the regions of Russia-controlled Luhansk, Donetsk, Zaporizhzhia and Kherson are due to conclude today, with it assumed that the democratic charade will result in the regions ‘voting’ to join Russia.

The hasty move to incorporate Ukrainian territory into Russia proper gives rise to the fear that Putin will claim integral Russian land is under threat if and when Ukraine moves to liberate it, justifying the use of nuclear weapons according to Russia’s nuclear doctrine.

Former Russian President Dmitri Medvedev (right, with Putin, left) has reiterated Putin’s threats to use nuclear weapons, saying it is ‘certainly not a bluff’

The threat comes as Russia is thought to be preparing to announce the annexation Russia-controlled Luhansk, Donetsk, Zaporizhzhia and Kherson on Friday

Russian President Vladimir Putin today chairing a meeting on agriculture issues via a video link in Sochi while his minions steal land and threaten nuclear war

Putin is in Sochi after holding a meeting with Belarus dictator Alexander Lukashenko

Votes held in four areas currently under Russian control – Donetsk and Luhansk, which together make up the Donbas, as well as Kherson and Zaporizhzhia, are set to conclude today

The latest threat of nuclear annihilation follows on from Putin’s bluster during a televised address broadcast last week when he announced a partial mobilisation of Russian men.

During the speech, he raised the spectre of a nuclear strike if he deemed the ‘territorial integrity’ of Russia to be under threat.

The Kremlin is clearly fearful of a well-train and battle-hardened Ukrainian army, fresh with modern Western weapons, moving to liberate the stolen territories and sweeping the Russian army out of its homeland.

Medvedev was dismissive of Western warnings of ‘catastrophic consequences for Russia’ if they used nuclear weapons on the battlefield in Ukraine and indicated he thought they were bluffs.

‘I believe that NATO will not directly intervene in the conflict even in this situation. After all, the security of Washington, London, and Brussels is much more important for the North Atlantic Alliance than the fate of the perishing Ukraine, which no one needs, even if it is abundantly supplied with various weapons,’ he wrote.

‘Biden and Truss, spraying Atlantic saliva, demand that Russia remove its hand from its ”nuclear button.”

‘Together, they constantly threaten us with ”terrifying” consequences if Russia uses nuclear weapons.

‘And the London aunt [Truss], young in mind, is completely ready to immediately begin an exchange of nuclear strikes with our country.’

A hospitalised man casts his ballot into a mobile ballot box as members of an electoral commission visit patients of a hospital

People from Luhansk and Donetsk regions, the territory controlled by a pro-Russia separatist governments, who live in Crimea, vote during a referendum in Sevastopol, Crimea, Friday, Sept. 23, 2022

People line up to vote in a referendum in Luhansk, Luhansk People’s Republic controlled by Russia-backed separatists, eastern Ukraine, Sept. 24, 2022

Reservists drafted during the partial mobilisation attend a departure ceremony in Sevastopol, Crimea

The moves to mobilise the Russian population and rush through sham referenda in the occupied regions are seen as desperate ploys by analysts, prompted by public misgivings from Putin’s key allies of India, China and Turkey at a summit two weeks ago.

The announcement of the partial mobilisation has seen thousands of men called up to fight in the Russian army, along with chaotic scenes of Russians streaming out of the country, protests in the regions and unruly drinking and brawling by fresh conscripts.

‘Russia’s leaders almost certainly hope that any accession announcement will be seen as a vindication of the ‘special military operation’ and will consolidate patriotic support for the conflict,’ the British MoD wrote in their daily briefing.

‘This aspiration will likely be undermined by the increasing domestic awareness of Russia’s recent battlefield set-backs and significant unease about the partial mobilisation last week.’

The UK government condemned the sham referenda ‘held at the barrel of a gun’ and said they will never recognise the results.

Armed police went door-to-door to canvas votes while gun-toting mercenaries guarded polling stations during sham referendums in occupied Ukraine.

But, just to make extra sure, Kremlin officials, military police and hired guns kept a careful eye over the process – with Ukrainian politicians reporting that they were kicking front doors in to force people to cast their ballots.

Belarusian president Lukashenko (L) – who needed Putin’s help to crush a pro-Western democratic movement in his country in 2020 – assured the Kremlin leader he would win his war in Ukraine

Alexander Lukashenko (R) shakes hands with Vladimir Putin at a meeting in Sochi, Russia

Serhiy Haidai, governor of occupied Luhansk, said some towns under Russian occupation have been entirely sealed off to ensure people vote – with any crosses in the ‘no’ column recorded in a ‘notebook’.

Meanwhile state media has reported an unfeasibly high 97 per cent of people in two of those regions – Donetsk and Luhansk – are in favour of joining Russia.

Ballot boxes have also been opened across Russia itself, ostensibly to allow displaced Ukrainians to vote, but in reality offer more opportunities for vote rigging.

Meanwhile, the call for mobilisation has proved wildly unpopular, with hundreds of thousands of Russian men having already fled the country to avoid the call up.

Outbound flights from Russia are completely sold out, and traffic jams leading to Russia’s borders are so big they can be seen from space.

Anti-war protests have erupted across the country, and Russian media reported an increasing number of arson attacks on military enlistment offices. Yesterday, an enlistment officer was shot at almost point blank range by a man who refused to be drafted.

And to compound Putin‘s discomfort, he was forced to endure a bizarre lecture on people fleeing his rule from fellow autocrat Alexander Lukashenko today.

The Belarusian president – who needed Putin’s help to crush a pro-Western democratic movement in his country in 2020 – assured the Kremlin leader he would win his war in Ukraine, despite the growing unrest over his decision to mobilise 300,000 new troops.

The Kremlin chief looked hunched and uncomfortable, saying little during the meeting in Sochi as Russians continue to protest his mobilisation edict or flee abroad to avoid being drafted.

One Telegram video appeared to show a Russian recruit passed out in the grass by the runway as his comrades stumbled towards a waiting plane

Multiple videos appear to show young Russian men drinking heavily as they are shipped off to war, suggesting that morale problems in the military are unlikely to improve as they arrive on the frontlines

‘Our course is right, our cause is right,’ Lukashenko told Putin, bringing a rare smile to the Russian warmonger’s lips.

‘We will win. We have no other choice. We, as Slavs, would not tolerate humiliation,’ Lukashenko told him.

But videos that emerged of the mobilisation and call-up process have been entirely humiliating for the Russian dictator.

They show reluctant conscripts at recruitment offices and staging points hitting the bottle and drinking themselves senseless as military commanders try to coral them into order before boarding buses and planes.

In what is rapidly becoming a popular subgenre of Russian war videos, multiple clips depict Russian recruits getting hammered as they prepare to ship out for two weeks of basic training before being thrown onto the front lines.

One video shows a Russian conscript passed out in the grass near a runway while others stumble towards the plane, while in another a drunken group try to have a punch up as the bus waits for them.

‘Shut your mouths! Why are you all yelling?’ a recruitment officer bawls at the new arrivals in yet another video.

‘Why are YOU yelling?’ comes a reply.

‘Stop yelling, let him speak,’ another recruit says.

‘That’s it! Games over! You’re all military now!’ the officer shouts.

While the partial mobilisation is supposed to only call up Russian men with military experience, raising 300,000 fresh troops, the age profile and the sheer numbers of men indicate the draft could actually be vastly larger.

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September 27, 2022

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The Number One Song On The Billboard Hot 100 Is Harry Styles’s “As It Was,” While The Number One Movie Is Don’t Worry, Darling

The 28-year-old actor/singer is riding high on the success of his latest film, which also features his hit single.

His film Don’t Worry, Darling! Opened this weekend at the top of the North American box office, and his catchy pop single “As It Was” has been at the top of the Billboard Hot 100 songs chart for 15 consecutive weeks.

As It Was, which debuted at the top of the Billboard Hot 100 in April and has yet to be dethroned, is presently the longest-reigning solo chart-topper in the history of the chart. Have No Fear Meanwhile; Variety reports that Darling made $19.2 million in its opening weekend at the domestic box office and $10.8 million worldwide.

Olivia Wilde directs a psychological thriller starring Harry Styles as Jack Chambers, a rising employee at the secretive Victory Project who, thanks to his wife Alice, gets to live in the idyllic 1950s town of Victory (played by Florence Pugh). Alice, however, becomes preoccupied with the unseen workings of her husband as she sees the first signs of trouble in their once-perfect town.

In an interview with Rolling Stone, Styles’ on-set girlfriend Wilde gushed over his acting chops, citing a specific sequence in which he “took it to another level.”

She explained that he became so immersed in the play that he began screaming the lines to the audience in a primal yell that was far more dramatic than anything we had anticipated from the scene.

She said the camera operator followed [Harry] as he walked the stage like some type of wild beast. We stared at the screen in disbelief. Even Harry was taken aback by that, I imagine. When you’re able to step entirely out of your body and into the role, that’s when acting is at its finest.

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September 27, 2022

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Google Play Store and Apple Store adware downloaded millions of times

Almost a hundred apps across the Android (opens in new tab) and iOS ecosystems have been discovered engaging in advertising fraud, researchers have claimed.

The apps, 80 of which were built for Android, and nine for iOS, have more than 13 million downloads between them, and include games, screensavers, camera apps, and more – some with more than a million downloads.

Research (opens in new tab) from cybersecurity firm HUMAN Security found that by targeting advertising software development kits (SDK), the unknown threat actors were able to compromise these apps for their own personal benefit, in multiple ways: by pretending to be apps they’re not; by rendering ads in places where users wouldn’t be able to see them; and by faking clicks and taps (keeping track of real ad interactions and faking them later).

Evolution of Poseidon

The campaign, which HUMAN dubbed Scylla, is still ongoing, meaning at least some of the apps are still up and running. “These tactics, combined with the obfuscation techniques first observed in the Charybdis operation, demonstrate the increased sophistication of the threat actors behind Scylla,” the researchers say.

The Charybdis operation the researchers mention is an older campaign, out of which Scylla evolved. Charybdis itself evolved from an even older campaign, called Poseidon, leading the researchers to conclude that the threat actors are actively developing these apps and that new variants are bound to appear.

HUMAN says it “worked closely” with both Google and Apple to have all of the identified malicious (opens in new tab) apps removed from the respective app repositories.

However, that doesn’t mean the threat is completely gone – users who have downloaded these apps in the meantime are still vulnerable, and will remain so until they remove them from their endpoints.

The company urges users to go through the entire list of apps found here (opens in new tab) and make sure they remove any apps they might have installed.

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September 27, 2022

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Almost a hundred apps across the Android

Video

‘Just Have to Be Honest’

As “Bachelor in Paradise” kicks off its newest season this week, bartender Wells Adams has a confession: It’s no longer the best gig he’s ever had. That title now goes to hosting Hulu’s new pizza making competition, “Best in Dough.”

Now streaming, the series follows various groups of contestants as they compete to be best in show — er, dough. They make creative pizza creations — from odd trends like pizza cones and cupcakes, to monochromatic pizzas — in the hopes of winning $10,000 in prize money. Adams hosts the competition, with an assist from professional chef Daniele Uditi. And though being in the kitchen is vastly different than being behind the bar, Adams is willing to be honest about which gig is more fun for him.

“Well, you know, ABC might fire me for saying this, but I just have to be honest. I used to say that I had the best job in the world. I went to Mexico every year and I got to sit and watch all these idiots run around and like, this dumpster fire burn on TV and just be like, ‘This is amazing,’” Adams told TheWrap. “And then I got to do a show with Daniele where we ate pizza every day. And I was like, ‘Oh my God, this was hands down the most fun thing I’ve ever had to work on.’ And my other job is so amazing. But the truth of the matter is that working on ‘Best in Dough’ was honestly like one of the highlights of my life.”

Of course, a lot of that fun comes from Uditi directly, and his own skills in the kitchen.

“It was so much fun. Daniele is so much fun to be around. He’s like such a positive energy,” Adams continued. “He’s an amazing cook. And the one thing that, like, I don’t know if it’s really ever [seen] on the show, is that after every week of filming, Daniele would get in the kitchen and make the entire crew pizzas. And oh my god, were those days absolutely amazing.”

And though he may already be an accomplished chef, Uditi himself did learn a few things thanks to “Best in Dough.”

“I always say this, even in my restaurants — I listen to everybody. You can learn anything, [even] from a dishwasher. Because if he has a taste of pizza, maybe he has an opinion,” Uditi said. “So I like to always listen to everybody, not put a barrier… I don’t like to close breach, I always leave the door open for new ideas to come because that makes you not only a better chef, but a better person.”

“Best in Dough” is now streaming on Hulu.

FX’s ‘Reservation Dogs’ Renewed for Season 3 on Hulu

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September 27, 2022

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As “Bachelor in Paradise” kicks off its

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Brendan Fraser Sets Santa Barbara Film Festival American Riviera Award – Deadline

Deadline

Gearing up for phase two of the Oscar season even before we have even scratched the surfaces of phase one, the Santa Barbara Film Festival said Tuesday that The Whale star Brendan Fraser will be the recipient of its American Riviera Award on Valentine’s Day, February 14, 2023.

Fraser has already become the nascent awards season’s “comeback kid” — first winning raves when the A24 film from director Darren Aronofsky had its world premiere at the Venice Film Festival (including a viral post showing a tearful Fraser reacting to a long standing ovation), and then at the Toronto Film Festival where the film also received raves along with a prize at TIFF’s awards gala.

The movie will not be released until December, but the Oscar buzz is loud already, something SBIFF heard as well in putting together its annual series of awards and career tributes to stars and filmmakers likely to hear their names mentioned when Oscar nominations are announced in January.

Brendan Fraser The Whale — ‘The Whale’
A24

“I’m so elated that we will be celebrating Brandon Fraser at SBIFF. Here’s a performer who brought us so much joy through the years, given us so many incredible cinematic memories, and now with the best performance of his career! We are thrilled to honor him!” SBIFF executive director Roger Durling said.

Among Fraser’s upcoming films for next year are Legendary Films’ Brothers with Glenn Close, Josh Brolin and Peter DInklage (directed by Santa Barbara’s own Max Barbakow); as well as Martin Scorsese’s epic Western Killers of the Flower Moon. In The Whale, he plays a reclusive teacher living with severe obesity who tries to reconcile with his estranged daughter.

The American Riviera Award was established to recognize actors who have made a significant contribution to American cinema. Previous recipients include Kristen Stewart, Delroy Lindo, Renée Zellweger, Viggo Mortenson, Sam Rockwell, Jeff Bridges, Michael Keaton, Rachel McAdams, Mark Ruffalo, Patricia Arquette, Ethan Hawke, Robert Redford, Quentin Tarantino, Martin Scorsese, Annette Bening, Sandra Bullock, Mickey Rourke, Tommy Lee Jones, Forrest Whitaker, Philip Seymour Hoffman, Kevin Bacon and Diane Lane.

The 38th Santa Barbara Film Festival will take place in-person February 8-18, 2023. Official events including screenings, filmmaker Q&As, industry panels and celebrity tributes will be held throughout the city including at the Arlington Theatre.

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September 27, 2022

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Deadline Gearing up for phase two of the

Movies

Salman Khan Attends Bigg Boss 16 Press Conference; Deepika Padukone Admitted To Hospital After Feeling ‘Uneasy’?

Salman Khan is set to get back on the TV screens with yet another season of the reality TV show Bigg Boss. On Tuesday, September 27, the superstar attended a press conference in Mumbai ahead of the release of the show. For the event, he went dressed in black and displayed his ultimate style and swag. The Tiger 3 actor took to his Instagram story section to share his photo from the event.

Also read: Bigg Boss 16: Salman Khan Looks Dapper in Black as He Attends the Press Conference, See Pic

Veteran actress Asha Parekh, one of the most influential stars of her generation, was on Tuesday named the Dadasaheb Phalke award recipient for the year 2020 for her immense contribution to the Indian film industry. The announcement was made by Information and Broadcasting Minister Anurag Thakur.

Also read: Asha Parekh to Be Conferred With Dada Saheb Phalke Award This Year

Ranbir Kapoor and Alia Bhatt are set to embrace parenthood, and they are gearing up for the same. In a new interview, Ranbir revealed that the two are all set to start the next phase of their lives. “We have done everything, the room is done, we have done all the preparations that are required for a child,” Ranbir was quoted as saying by Indian Express. To this, Alia adds, “My check list is ready, like I am foreseeing things, ‘if we have this etc…’ but one can never be prepared for it. We take each day as it comes.”

Also read: Ranbir Kapoor Says Baby’s Room Is Ready, But He And Alia Bhatt Are ‘Having A Fight Because…’

TOP SHOWSHA VIDEO

American actress Gwyneth Paltrow has broken the internet on the occasion of her 50th birthday. The Iron Man star, who is celebrating her 50th birthday today, marked the special occasion by posing in the nude. The Goop founder took to Instagram to share a pic in which she posed wearing gold body paint – and nothing else – to celebrate her milestone year.

Also read: Gwyneth Paltrow ‘Breaks The Internet’ As She Goes Fully Naked For Photoshoot On 50th Birthday; See Pic

Bollywood actress Deepika Padukone was reportedly rushed to Breach Candy hospital, Mumbai last night after she complained of uneasiness. The Gehraiyaan actress underwent numerous tests but is now fine. However, her team has not given any official statement or confirmed this development yet.

Also read: Deepika Padukone Admitted to Hospital Last Night After Complaining of Uneasiness: Report

Read all the Latest Movies News and Breaking News here

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September 27, 2022

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Salman Khan is set to get back

Film

Grendel Series from Dark Horse Not Moving Forward at Netflix

“Grendel,” the series adaptation of the Dark Horse comic book of the same name, will not be moving forward at Netflix, people familiar with the matter informed TheWrap. The decision, which was not “taken lightly,” will not impact Dark Horse Entertainment’s overall deal with the streamer.

The show’s producers have the opportunity to shop the project externally if they choose to and find the best home for their show, but no other details were given.

The eight-episode show was announced in September of last year, with “Power Book II: Ghost” and “Katy Keene” alum Abubakr Ali attached to star as the masked vigilante and “Supernatural” showrunner Andrew Dabb serving as writer, showrunner and executive producer. “Grendel” creator Matt Wagner also served as EP alongside Dark Horse Entertainment’s Mike Richardson, Keith Goldberg and Chris Tongue.

In early August, Netflix announced the extension of its creative partnership with Dark Horse. Under the multi-year deal, Dark Horse will continue to give Netflix a first look at its IP for both film and TV. Upcoming projects include “Bang!” with Idris Elba, “Mind MGMT” and “Revenge Inc.” Dark Horse is also behind “The Umbrella Academy,” which was just renewed for a fourth and final season.

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September 27, 2022

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“Grendel,” the series adaptation of the Dark

Malala’s Extracurricular Unveils First Slate for Apple

Malala Yousafzai has unveiled her first slate of film and TV projects for Apple TV+ through her production banner Extracurricular.

The Nobel Laureate struck a programming deal with Apple TV+ last year, and appointed former Berlanti Productions executive and “The Flight Attendant” producer Erika Kennair as president of production at Extracurricular. The resulting projects reflect “Stranger Things” and “Severance” fan Yousafzai’s wide array of interests and tastes — some of which may surprise people.

Headlining the slate is “Hyperobject,” a feature film adaptation of Elaine Hsieh Chou’s acclaimed book “Disorientation” — a sharp-edged, celebrated satire published earlier this year about a college student’s revealing dissertation on a young poet. The project will be directed by “Don’t Look Up” helmer Adam McKay.

Elsewhere, Extracurricular is also working on a scripted series based on Asha Lemmie’s coming-of-age novel “Fifty Words for Rain,” about a woman’s search for acceptance in post-World War II Japan.

The lead casting for both projects will introduce new talent, Kennair tells Variety. “Just by the nature of it, the lead of ‘50 Words for Rain’ is a half-Black half-Japanese woman. And unless Naomi Osaka wants to start acting, we’re going to have to discover that woman, which is really exciting.”

Meanwhile, “Disorientation” will require a Taiwanese American lead. Both are “discovery roles” with the opportunity for more big-name casting around them to fulfil Apple’s star-studded remit, Kennair explains.

Also on the slate is a feature documentary with A24 about South Korea’s matriarchal Haenyeo society of elderly fisherwomen, which is currently in production.

Overall, the Apple pact will cover dramas, comedies, documentaries, animation and children’s series.

“What I hope to bring to the table are the voices of women of color, and debut writers and Muslim directors and writers,” Yousafzai tells Variety. “I hope we can have a wide range of perspectives and that we challenge some of the stereotypes we hold in our societies. And I also hope that the content is entertaining, and that people fall in love with the characters and have the best time together.”

The company also won’t shy away from telling a fictionalized or unscripted account of Yousafzai and her family’s experience with the Taliban — with Kennair noting that the topic is frequently discussed at Extracurricular — but Yousafzai and her production head are keen to “find the surprising way in…that really [adds dimension to] the characters.”

“It’s about finding — whether scripted or unscripted — a way in that’s character-driven, as opposed to issue-driven,” says Kennair.

She notes that when approached by Yousafzai’s agency UTA to join Extracurricular, she initially had her reservations. “At first, I was like, ‘I don’t think I’m your gal; I’m doing a show about an alcoholic flight attendant and a stalker.’” The agency said, “‘Talk to her. You’re going to be surprised,’” Kennair recalls.

The executive — who discussed shows such as adult animated sitcom “Rick and Morty” and Netflix comedy “Sex Education” with Yousafzai in their meeting — says the company wants to make those kinds of programs, with a rich diversity at the heart of them.

“I’m a Cuban woman,” says Kennair, “and a lot of the time, shows about people of color — and particularly women of color — are very trauma-focused. It’s not about iconic personalities and characteristics; it’s more about the things put on people.”

Yousafzai, says Kennair, does not want to be known for the worst day of her life. The Nobel Peace Prize winner’s brand comes with certain assumptions — that the company will focus on only documentaries; that all the shows will be serious; that the entire slate will be G-rated. Upon launching, Extracurricular received submissions of “the world’s most depressing books,” says Kennair.

In fact, it’s the opposite that Extracurricular is looking for: the company is on the hunt for work that will inspire viewers to get off their couches and do something.

Yousafzai, adds Kennair, is “fearless” in how she approaches projects for Extracurricular.

“Especially right now, we’re in an entertainment industry that gets really scared and reactive,” says the executive. “How many times a day does everyone hear the word ‘precedence’? And Malala does not care. It’s really emboldened me, to work with someone who isn’t stuck in the fear cycle — who really is just looking at things for their creative value, and for how they make people feel as opposed to statistics and fear.”

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September 27, 2022

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Malala Yousafzai has unveiled her first slate

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“[That] decision puts Talocan in jeopardy. And Talocan has to take action to protect themselves.”

Kajal Aggarwal was dressed in a dark green kurta set with an orange dupatta.

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There Are High Expectations for Captain America

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Oldest member of famous tool-wielding chimpanzee tribe dies alone in Guinea aged 71, leaving her two sons among seven members of the near-extinct community

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Andrew Dominik’s Marilyn Monroe portrait is a traumatizing anti-abortion statement in post-Roe v. Wade America.

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Last summer, two of my favorite celebs — Billy Eichner and Carrie Underwood — made headlines after Billy revealed that the country superstar blocked him.

“Did you ever find out why Carrie Underwood blocked you on Twitter?” the fan asked.

“Carrie Underwood blocked me from Twitter, which I consider a great honor. It was one of the great thrills of my life,” Billy said.

“Jesus, follow me back on Twitter,” Billy said, referencing Carrie’s hit “Jesus Take The Wheel.”

“During the height of COVID, she retweeted a speech about how kids shouldn’t have to wear masks in schools, letting her political views be known for the first time,” he said.

Billy was probably referring to Carrie liking (not retweeting) this anti-mask tweet, which drew backlash at the time.

“I guess I made some jokes about that that went viral on Twitter, and she didn’t like that.”

Welp. Well, besides, you know, the block, Carrie has not responded to Billy, but we’ll update you if she does. And you can watch more of Billy’s WWHL appearance here.

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Netflix canceled Grendel in September 2022

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Christian Bale, Margot Robbie, and Taylor Swift are just some of the mega-stars trying to survive a frantic comedy about fascism in America.

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