With Hot Docs’ marquee market event the Forum and its sidebar operations back to live action, and the festival’s 30th anniversary adding a layer of buzzy excitement, docmakers and industry pros from Western Canada are hauling out a bumper crop of adventurous docs for audiences and buyers, and chatting in the real world about new projects with potential Canadian and international partners and funders.

Nine Western Canada-made doc features span Hot Docs’ programs, with stories that go deeper into landscapes and beyond cultural stereotypes.

Kathleen Jayme’s and Asia Youngman’s “I’m Just Here for the Riot” (ESPN 30 for 30), about violence that erupted after the Vancouver Canucks’ loss of the Stanley Cup final in 2011, is one of three titles world-premiering in the Canadian Spectrum competition.

“The riot was a story that no one had ever really talked about,” said Youngman, who’s currently working on a film about the first Indigenous woman to compete in Japan for professional wrestling. “We found out Vancouver was the only city in North America that rioted because of a loss of a game—it was like a black cloud and I think people were ashamed.”

“It’s known as the ‘first smartphone riot’ and for a while it was the most documented riot in history,” added Jayme, whose “The Grizzlie Truth” had a theatrical run earlier this year. “So a really big part of the development phase was sourcing archival footage from people who were there, and then later we interviewed 24 people.”

Also world-premiering in Canadian Spectrum, Jean-Philippe Marquis’ “Silvicola” frontlines the voices and cinematic surroundings of forestry workers in Canada’s Pacific Northwest, and Francois-Xavier De Ruydts’ “Subterraneans” follows hobbyist cavers striving to break records for the longest and deepest caves in Canada.

In “The Lebanese Burger Mafia,” world-premiering in World Showcase, director and award-winning journo Omar Mouallem navigates rural Alberta to track the origins of the rogue burger chain that he grew up in. Back Road Productions has worldwide sales and distribution rights.

Cam Christiansen’s “Echo of Everything,” world-premiering in Artscapes, mingles animation, dance, archive and interviews in a boundary-busting exploration of his personal relationship with music.

SXSW buzz film “Satan Wants You,” from Sean Horlor and Steve J. Adams (their “Someone Like Me” won Hot Docs’ 2021 audience award), explores the truths and lasting legacy of the bestselling memoir by a Victoria psychiatrist and his former patient that ignited the 1980s Satanic Panic. International sales agent is Cargo Film & Releasing.

Banchi Hanuse’s “Aitamaako’tamisskapi Natosi: Before the Sun,” winner of the Big Sky Award at Montana’s 2023 Big Sky Documentary Festival, follows a Siksika woman preparing to make history by riding in the men’s Indian relay competition at the Calgary Stampede.

Terra Long’s “Feet in Water, Head on Fire,” which screened at the True/False and First Look festivals, is an experimental portrait of the people who tend to the indigenous palm trees that grow along the San Andreas Fault.

On the industry side, the British Columbia branch of the Canadian Media Producers’ Association brought an official delegation of seven doc producers to Hot Docs. “It’s a great year to re-engage,” the branch’s managing vice-president Tracey Friesen told Variety last week. “The B.C. documentary community is tight and collaborative, especially with the active presence of the Documentary Organization of Canada’s British Columbia, Yukon, and Northwest Territories chapter.”

Friesen added that the appointment in February of Knowledge Network’s new president and CEO Michelle van Beusekom — a former executive director of the National Film Board’s (NFB) English language production studios — and the B.C. government’s April 11 announcement of a three-year Can. $15.9 million injection into Creative BC’s domestic motion picture fund are welcome boosts. “This will translate into more development and production investment for B.C.’s documentary producers.”

Like its neighbor to the West, Alberta is a popular destination for U.S. film and TV production (HBO’s “The Last of Us” being the largest to date), and its service production community has a “symbiotic relationship” with the documentary, Indigenous, and other film networks, bolstering the Alberta industry as a whole, Edmonton producer and 2023 Don Haig Award winner Bonnie Thompson, recently told Variety.

The province’s recently released budget increases the no-cap Film and Television Tax Credit by $100 million, bringing the total to $335 million over the next three years, and doubles funding of the Alberta Made Screen Industries Program, which offers grants to productions with budgets of up to $499,999.

“We’re hoping it will grow,” said Thompson, who serves on the board of the Alberta Media Production Industry Association. “Alberta’s small budget grant is limited and a huge competition because many documentaries are in the 250,000 to 500,000 range.” Thompson has a long association with Tasha Hubbard, whose latest doc, “Singing Back the Buffalo,” is now in post, and whose “We Will Stand Up” opened Hot Docs, and won its Best Canadian Feature award in 2019. Thompson also produced “Echo of Everything.”

Both filmmakers and producers say telecommunications technology company Telus has become the most important incubator of new talent in Western Canada. Run by a four-person team, the Telus Originals program has been supporting local social-impact documentary productions in 15 British Columbia and Alberta communities since 2014. To fulfill its CRTC conditions of license, Telus, which is not a broadcaster, provides funding from $30,000 to $250,000, depending on project scope, and allows creators to retain copyright and sell their docs after they’re uploaded to Telus’ SVOD platform.

“It is critical to have this type of funding for emerging, beginner, and mid-level creators,” said Michael Grand, who will producing Haida filmmaker Patrick Shannon’s basketball doc “Saints & Warriors,” one of five projects recently selected for Hot Docs Incubator, and is here with B.C. delegate as a producer on both “Satan” and “Riot.”

“Telus found a niche that wasn’t being served and developed a way to fund a lot more projects,” Grand explained. “Kat (Jayme) gave me a shot to produce her 2018 film ‘Finding Big Country’ after she got Telus funding, which started me on this track. This kind of support is a stepladder that allows you to make your proof of concept and get it to a really good place so you will be taken seriously in those bigger rooms.”

Like him or not, Morgan Wallen is one of the biggest music artists in the world at the moment, in any genre. The country singer’s relatively young career has been a roller-coaster ride, to say the least, from the genuinely inspired to the boneheaded, and, in one case, shameful. Here’s a closer look at the major times the Sneedville, Tennessee, native has made waves with his music, his actions, or his words.

Baseball Blues
There’s an alternate-timeline scenario in which Wallen’s musical dreams are realized a little too late to make much of an impact, or maybe never even realized at all. As a baseball player at Gibbs High School near Knoxville, he dreamt of playing at higher levels and — according to his coach, anyway — had the talent to make that possible. But a torn UCL effectively killed his big-time baseball prospects for good. “I was supposed to play in college, got hurt,” he told Nashville Lifestyles in 2021. “I was devastated because I’d put so much time and effort into baseball. So, I started writing songs and playing guitar.” We all know what happened from there.

The Voice Giveth
Free to focus on his music, Wallen tried out for The Voice. The swoop-haired singer’s blind audition was not with a country song, but with Howie Day’s “Collide.” He started out on Usher’s team, then Adam Levine’s after a steal, singing songs by Avicii and One Direction. The week he sang his first country song, Florida Georgia Line’s “Stay,” he was eliminated from the competition.

Bro-Alignment Pact
After an initial indie release, Wallen signed with the indie label Big Loud and started recording. His debut single for the label, “The Way I Talk,” which he didn’t have a hand in writing, was a charming examination of rural speech patterns that “got some words you never heard/’less you come from down yonder.” But it was his alignment with then-bro kings Florida Georgia Line on the summer-barbecue-ready “Up Down” that put him on the track to superstardom with his first country-radio Number One. Even so, during this time, his live sets included a medley that mashed together hits by Linkin Park, Bon Jovi, Fall Out Boy, and Kings of Leon.

“Whiskey” Neat
Some time between the spring and summer of 2018, Wallen’s look went from auxiliary member of an alt-rock band to lumberjack-erotica cover model with the addition of a Joe Diffie-style mullet and the subtraction of sleeves from his array of flannel shirts. This is when his imperial era really began, in particular with “Whiskey Glasses,” a song that was written by Ben Burgess and Kevin Kadish. It was a potent combination of catchy and clever, with its rousing “line ‘em up” bridge that was easy for a crowd to remember and yell back at Wallen. There were also more than a few funny lines about drinking one’s way through a breakup — “Poor me, pour me another drink,” for example. It’s symbolic in a way, since alcohol has played a role in some of what would happen to Wallen over the next couple of years.

Diplo Collabo
Immediately after “Whiskey Glasses” took its over-the-limit bow at Number One, Wallen had a double dose of radio saturation with “Chasin’ You” and “Heartless.” “Chasin’ You,” Wallen’s final single from If I Know Me, was released in late July 2019 and was a slower burn in terms of chart success. Two weeks after its release, “Heartless,” a moody trap-country collaboration with producer and trend-spotter Diplo, promptly blew up on streaming sites. Everything was falling in place for a big next era, though there was a darker side to Wallen’s emerging stardom.

The Law and Kid Rock’s Bar
In May 2020, which as you may recall was very early in the pandemic, Wallen was arrested for public intoxication and disorderly conduct after being kicked out of Kid Rock’s Big Ass Honky Tonk Rock N’ Roll Steakhouse in downtown Nashville. Which brings up a couple of questions. One, were these Broadway places not observing any kind of pandemic safety rules? And two, what the hell kind of nonsense does someone have to be doing to get kicked out of Kid Rock’s Big Ass Honky Tonk Rock N’ Roll Steakhouse? The answer to the first is clearly no, and the second, according to The Tennessean, was for “kicking glass items.” He’d have walked away from it with a clean record, if only he didn’t reportedly try to fight people in the street outside and officers intervened.

Saturday Night Loss
Wallen’s next musical era was ramping up later in 2020. The new singles “More Than My Hometown” and “7 Summers” had an unmistakably sensitive bent even when the music was more muscular. The songs were immediately popular and helped land him an artist’s dream gig, as the musical guest on Saturday Night Live on Oct. 10, 2020. Three days before his scheduled appearance he was swiftly booted from the gig when photos of the singer partying in Tuscaloosa, Alabama, after a Crimson Tide football game began circulating. The images showed him kissing multiple women and playing guitar for an unmasked crowd, still very much in pandemic times. SNL was only just getting back to in-person shows with rigorous testing, and they weren’t having it. But Wallen ended up back on the show a few weeks later and even got to joke about the experience in a sketch with host Jason Bateman.

The Slur
Wallen’s double-length second album, Dangerous, was released on Jan. 8, 2021, a 30-track monster that included “More Than My Hometown,” “7 Summers,” a new version of “Heartless,” and a cover of Jason Isbell’s “Cover Me Up.” A mere three weeks after it came out, Wallen was captured on camera saying the n-word to a group of friends as he arrived back home after a night out. The fallout was swift — country radio dropped him and country institutions uninvited him from their awards shows. He apologized, saying “I promise to do better,” and mostly kept a low profile, making a little time to go golfing with Eric Church while things were quiet. The radio ban lasted about six months before the Dangerous track “Sand in My Boots” was in heavy rotation.

The GMA Interview
In July 2021, Wallen sat down for an interview with Michael Strahan on Good Morning America. While he attempted to openly address the controversy, he came off as unprepared. “I was around some of my friends, and we just … we say dumb stuff together,” he told Strahan when asked why he used the word. “And it was — in our minds, it’s playful. I don’t know, that sounds ignorant, but that’s really where it came from. And it’s wrong.” But his answer that was most misguided came when he was asked if country music had a race problem. “It would seem that way, yeah,” Wallen answered, six months after the slur video caused a firestorm. “I haven’t really sat and thought about that.”

Dangerously Popular
In what feels like the Streisand effect to end all Streisand effects, the slur and Wallen’s temporary ban from various country music platforms helped turn Dangerous into a sensation. It was popular out of the gate, but streaming numbers surged in the weeks after the incident, giving the album multiple weeks at Number One across all genres, and even dragging If I Know Me into the Top 10. Dangerous finished 2021 as the year’s top-performing album, and then later set a record for most consecutive weeks in the Top 10 by a single artist. Awards shows slowly started letting Wallen come back and perform, and the nominations began rolling in. Getting “canceled,” as some on the right suggested was happening with the response, may have been the best thing that could’ve happened to his career.

New Beginnings
To his credit, Wallen was mostly on good behavior in the stretch that followed his becoming a superstar. Granted, he didn’t actively try to call out the white supremacists who’d glommed onto him in the wake of the racist slur, but he wasn’t out creating more chaos. There was one little incident in a Broadway bar that got reported as him dumping a drink on someone, but that seems to be up for dispute. In the meantime, he began rolling out singles from a new album. “You Proof” was the first of the bunch and another country Number One — his eighth overall. The new album is called One Thing at a Time, and it packs a borderline-insane 36 tracks under one title. It was released March 3 and broke a record held by Drake when all 36 of its tracks entered the Billboard Hot 100 at once. It’s been sitting at Number One among all genres ever since, and even robbed Metallica of their 32-year streak of debuting at Number One on the Billboard 200 albums chart.

The Voice Taketh Away
Wallen’s One Night at a Time Tour is undoubtedly one of the hottest tickets of the year, but it got off to a slightly rocky start in mid-April. At the KFC YUM! Center in Kentucky, Wallen took a hard tumble off the stage after getting lost in the fog. He recovered quickly, seemingly without any grievous injury. More concerning, his second of two shows at Vaught-Hemingway Stadium in Oxford, Mississippi, was canceled minutes before he was set to go onstage. The official explanation was voice issues, but fans were unhappy about sitting through opening acts in the stadium only to be denied the main attraction.

More Nixed Shows
Wallen said he was placed on “doctor-ordered vocal rest” and postponed three more concerts in Michigan, Illinois, and Nebraska. But some fans weren’t buying it, and rumors that excessive partying had compromised Wallen’s voice swirled, spurred by a video of a security guard at the Mississippi show who claimed the singer was “too drunk.” The security firm issued a statement saying the employee “made false claims as it related to last night’s Morgan Wallen concert,” which Big Loud amplified. “Thank you Best Crowd Management for correcting your employee, who made up an entire story that was nowhere close to true. Every detail was false,” said the label’s CEO, Seth England. Wallen’s One Night at a Time Tour is scheduled to resume May 4 with three shows in Florida.

The Songwriters Hall of Fame announced today that Post Malone will be the 2023 recipient of the Hal David Starlight Award, which is intended to honor “gifted young songwriters who are making a significant impact in the music industry with their original songs.”

The award was created in 2004 to honor Hal David, Burt Bacharach’s longtime songwriting partner and SHOF chairman emeritus, for his support of young songwriters. Past recipients include Taylor Swift, Drake, Ed Sheeran, Lil Nas X, Sara Bareilles, Nick Jonas, Halsey, Nate Ruess, Imagine Dragons’ Dan Reynolds, John Legend, Alicia Keys, Ne-Yo, Benny Blanco, Jason Mraz, John Mayer, Rob Thomas, and John Rzeznik.

SHOF Chairman Nile Rodgers said, “Over the last few years I have had the pleasure of watching Posty become one of the biggest artists in the world and he’s done it by writing phenomenal songs. Way before Post Malone was a superstar, he was a great songwriter, and this is his first step into the Songwriters Hall of Fame!”

The 52nd Annual Songwriters Hall of Fame Induction and Awards Dinner is scheduled for Thursday, June 15 at the Marriott Marquis Hotel in New York City. Inductees at this year’s event include Glen Ballard, Snoop Dogg, Gloria Estefan, Jeff Lynne, Teddy Riley & Liz Rose. Master songwriter Tim Rice will be receiving the prestigious Johnny Mercer Award.

The Songwriters Hall of Fame is dedicated to recognizing the work and lives of those composers and lyricists who create music around the world. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first significant commercial release of a song.

Last year, the ceremony — which is one of the most unique and star-studded in the music industry — returned after a three-year hiatus due to the pandemic.  Mariah Carey, Annie Lennox and Dave Stewart (Eurythmics), the Isley Brothers, Steve Miller, Pharrell Williams and Chad Hugo (the Neptunes), Rick Nowels, and William “Mickey” Stevenson were inducted into the Songwriters Hall of Fame. Songwriter Paul Williams received the prestigious Johnny Mercer Award, Universal Music Publishing Chairman-CEO Jody Gerson received the Abe Olman Publisher Award, and rapper Lil Nas X received the Hal David Starlight Award — the first rapper to receive that honor since Drake.