The show’s highly anticipated 60th anniversary festivities are getting closer and closer.
With each passing day, the long wait for the highly anticipated “Doctor Who” 60th anniversary festivities gets a little bit shorter.
The announcements made over the past few months have been an embarrassment of riches for fans of the long-running British sci-fi show. First, it was announced that beloved showrunner Russell T. Davies would be taking over the series again, and that actors David Tennant and Catherine Tate would return to the show for the 60th anniversary. Then, BBC revealed “Sex Education” and “Barbie” star Ncuti Gatwa had been cast as the 14th actor to play the iconic role.
“There aren’t quite the words to describe how I’m feeling,” Gatwa said in a statement. “A mix of deeply honored, beyond excited and of course a little bit scared. This role and show means so much to so many around the world, including myself, and each one of my incredibly talented predecessors has handled that unique responsibility and privilege with the utmost care. I will endeavor my utmost to do the same.”
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“The future is here, and it’s Ncuti,”Davies said in a statement announcing Gatwa’s casting. “Sometimes talent walks through the door and it’s so bright and bold and brilliant, I just stand back in awe and thank my lucky stars. Ncuti dazzled us, seized hold of the Doctor and owned those TARDIS keys in seconds. It’s an honor to work with him, and a hoot, I can’t wait to get started. I’m sure you’re dying to know more, but we’re rationing ourselves for now, with the wonderful Jodie’s epic finale yet to come. But I promise you, 2023 will be spectacular!”
Now, the show’s official social media channels have given fans their best look yet at Gatwa’s Doctor. Two new photos showed Gatwa and his new co-star Millie Gibson in their costumes for the upcoming season.
While the next episodes of “Doctor Who” are still almost a year away, the photos are a good sign that updates on the show are about to become a lot more frequent. While BBC released a teaser earlier this year it’s fair to wonder if a full-fledged trailer is on the horizon.
As we wisely predicted last week (nobody else could’ve seen this coming!), James Cameron’s Avatar: The Way Of Watermade a real splashat the U.S. box office this weekend, making nearly $130 million more than its closest competition. That’s one of the highest openings of the year, but it is not the highest (it still fell short of Doctor Strange In The Multiverse Of Madness, Black Panther: Wakanda Forever, Jurassic World: Dominion, Thor: Love And Thunder, and—if only by a couple of bucks—The Batman).
That being said, nobody’s going to turn their nose up at $134 million, which is what the long-awaited Avatar sequel made, even if it’s going to need to make a lot more than that to justify the price tag and the amount of sequels Cameron has in mind. Of course, the first Avatar famously had a long and very profitable box office run, and there’s not much else coming out for a while that could threaten The Way Of Water, so there’s no need for Cameron to start selling off his collection of prized submarines or whatever just yet.
The rest of the top 10 isn’t very exciting, because it consists almost entirely of movies that have already been around for at least a couple of weeks, but there’s nothing wrong with that. Avatar movies tend to dominate the cultural conversation, with everyone talking about their favorite specific characters and quotes all the time, so it’s okay to have something else on the menu. Speaking of, The Menumade $1.7 million in its fifth week on the charts, sitting at $32 million total. Actually, only the top five made over a million dollars, with Violent Nightmaking $5.6 million ($34 after three weeks), Black Panther: Wakanda Forever making $5.4 million ($418 million after six weeks, most of which it spent in the top spot), and Strange Worldmaking $2.2 million ($33 million after four weeks).
The only newbie in the top 10 who wasn’t there before is Empire Of Light, which expanded its rollout by (relatively) a lot this weekend and jumped from 21st to 10th. Speaking of films with a smaller release, The Whale continues to do (relatively) big money with its very limited rollout, making $169,000 off of six screens. With all of the pro-Brendan Fraser buzz, that thing is going to do well when it finally expands. Again: relatively. There aren’t any avatars in it.
With all the nominees for the 2023 Film Independent Spirit Awards now official – following this Tuesday’s TV nominations announcement – we have eleven weeks until the 38th iteration of our grandest fête of the year! The annual awards ceremony is set to return in-person to the beach at the Santa Monica Pier on Saturday, March 4, 2023.
To vote for the winners, become a Member by December 20, 2022 to receive full voting benefits, including access to the much-anticipated nominee screeners (or make sure your membership is current as of the same date). To learn more about attending the Spirit Awards ceremony, please click here.
In the meantime, as we ease into the end of the year, let us fill your holiday season watchlist with six Spirit Awards winners that have achieved stunning success at the box office. Without massive budgets behind each of these films, it goes to show you don’t always need a sizeable budget to come up with a top-quality crowd-pleaser.
GET OUT
Spirit Awards Stats: 2018 Winner for Best Feature and Best Director; nominated for Best Male Lead, Best Screenplay, and Best Editing
Production Budget: $4.5 million
Worldwide Box Office: $256 million
Director: Jordan Peele
Cast: Daniel Kaluuya, Allison Williams, Bradley Whitford, Catherine Keener, Caleb Landry Jones
Why we love it: Director Jordan Peele’s psychological horror was a breath of fresh air when it was released in the winter of 2017: the film began with his desire to write a movie that he hadn’t seen before. Jolting audiences with its complex, witty, and sharp observations on the ugly facets of human nature, Get Out is a racially charged social satire that grips our attention from fade in to fade out. Kaluuya – who garnered a Spirit Awards nod for his performance – plays black photographer from Brooklyn, Chris, who is head over heels in love with (white) girlfriend Rose (Williams). Even though she has not told her parents – played by Whitford (The West Wing, The Handmaid’s Tale) and two-time Spirit Awards nominee Keener (Please Give, Capote) – about their relationship, Chris doesn’t think twice about visiting them in Upstate New York for the first time, until a series of menacing encounters unfold …. With its stunning box office and remarkable reviews (still at 98% Tomatometer score almost six years after its release!), Peele’s feature directing debut reportedly scored a net profit of $125 million, as calculated by Deadline’s Anthony D’Alessandro.
SILVER LININGS PLAYBOOK
Spirit Awards Stats: 2013 Winner for Best Feature, Best Female Lead, Best Director, and Best Screenplay; nominated for Best Male Lead
Production Budget: $21 million
Worldwide Box Office: $236 million
Director: David O. Russell
Cast: Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver, Brea Bee
Why we love it: Based on Matthew Quick’s 2008 novel by the same title, Russell’s (I Heart Huckabees, American Hustle) offbeat romantic dramedy received massive critical acclaim right out of the gate, winning the People’s Choice Award when it premiered at the 2012 Toronto International Film Festival. After eight months in a psychiatric hospital, bipolar disorder patient Pat Jr. (Cooper, nominated for his role) is released and moves back in with his parents, Pat Sr. (De Niro) and Dolores (Weaver). His first priority is to win back his unfaithful ex-wife Nikki (Bee), except for the little problem of a restraining order. He meets young widow Tiffany (Lawrence, who won Best Female Lead for her performance) – with her own myriad of issues – who offers to deliver a letter to Nikki if he agrees to be her partner in an upcoming dance competition. The two-time writer-director was interested in the story partly due to his own son, who has struggled with bi-polarity and OCD. Perhaps the highest praise for the film as a crowd-pleaser might be best summed by Kate Muir’s review for The Times: “This is a date movie that caters to the needs of both men and women: American football and comedy, ballroom dancing and romance. Silver Linings Playbook covers all those bases — and rises above them too.”
BROKEBACK MOUNTAIN
Spirit Awards stats: 2006 Winner for Best Feature and Best Director; nominated for Best Male Lead and Best Supporting Female
Production Budget: $14 million
Worldwide Box Office: $178 million
Director: Ang Lee
Cast: Heath Ledger, Jake Gyllenhaal, Michelle Williams, Anne Hathaway
Why we love it: Based on a short story by novelist Annie Proulx, one of the most visually arresting and heartrending romantic dramas ever committed to film is two-time Spirit Awards winner Ang Lee’s neo-Western set in 1960s Wyoming. The late Heath Ledger played Ennis – a role that won him endless accolades – a Wyoming ranch hand/sheepherder who meets rodeo cowboy Jack (Gyllenhaal, Spirit Awards winner for Nightcrawler) on a summer job herding sheep through grazing pastures on the titular Brokeback Mountain. They fall in love but are forced to adhere to the social norms of the time, both parting ways after that summer to marry and start their own respective families. However, true love does not stay suppressed for long, and the men reunite four years later, continuing to meet up on ‘fishing trips’ over the years as each man’s marriage suffers. This agonizing story of genuine love denied forever shines through with the impeccable performances by Ledger and Gyllenhaal. One of the integral characters in the Taiwanese director’s drama is undoubtedly Gustavo Santaolalla’s hauntingly heartbreaking score, which accentuates the immensity of the suppressed emotions, and their sense of hopelessness and resignation to the realities of their time.
SIDEWAYS
Spirit Awards stats: 2005 Winner for Best Feature, Best Director, Best Screenplay, Best Male Lead, Best Supporting Female, and Best Supporting Male
Production Budget: $16 million
Worldwide Box Office: $110 million
Director: Alexander Payne
Cast: Paul Giamatti, Thomas Haden Church, Sandra Oh, Virgnia Madsen
Why we love it: Adapted from Rex Pickett’s 2004 novel, Fox Searchlight’s Pinot Noir and Merlot-filled road-trip buddy comedy walked away with six (!!) trophies at the 2005 Spirit Awards, including acting prizes for both male leads. Depressed unpublished writer Miles (Giamatti) and has-been actor Jack (Church) go on a road trip to the Santa Barbara wine country before Jack’s upcoming nuptials. While the former prefers to relax with good food and wine on this excursion, the latter is dead set on having one last fling before he bids farewell to his bachelor days. Garnering widespread critical acclaim, the film was also a crowd-pleaser – honestly, how can you go wrong with the gorgeous vistas of the wine country and many wine tastings worked into the storyline! Aside from the Santa Barbara Visitors Bureau having a Sideways filming locations map for legions of fans who have flocked the region over the years, the film also famously resulted in an IRL impact on the wine industry: as reported by NPR, Merlot sales dropped approximately 2% in the three years since Sideways was released. In the film, during one of his rants, Pinot Noir devotee Miles screams “I am not drinking any f***ing Merlot!”
CROUCHING TIGER, HIDDEN DRAGON (Orig. title: 臥虎藏龍 or ‘Wo Hu Cang Long’)
Spirit Awards stats: 2001 Winner for Best Feature, Best Director, and Best Supporting Female
Production Budget: $17 million
Worldwide Box Office: $213 million
Director: Ang Lee
Cast: Chow Yun-Fat, Michelle Yeoh, Zhang Ziyi, and Chang Chen
Why we love it: Another film by director Ang Lee – who was previously nominated for Chinese-language dramas Eat Drink Man Woman and The Wedding Banquet – this visually captivating Chinese-language wuxia film scored him his first Spirit Awards win in 2001. Starring the who’s who of Hong Kong cinema at the time, the multinational co-production from Columbia Pictures was a surprise box office success Stateside, becoming the first foreign language film to break the coveted $100 million threshold in the United States. Also nominated for 10 Oscars (winning four!) – a huge feat for a foreign language film at the time – the action drama is set in 19th century Qing dynasty China. Impressing Western audiences with Chinese wuxia martial arts action, the film features kinetic rooftop chases and the now-famous gravity-defying sword-fighting sequence between Li Mu Bai (Chow) and Jen Yu (Zhang), hovering above a bamboo forest. The film was so successful that it spawned a universe of other entertainment offerings, including a video game, a series of comics, and a 34-episode Taiwanese television series.
PULP FICTION
Spirit Awards stats: 1995 Winner for Best Feature, Best Director, Best Male Lead, and Best Screenplay; nominated for Best Supporting Male
Production Budget: $8 million
Worldwide Box Office: $214 million
Director: Quentin Tarantino
Cast: John Travolta, Samuel L. Jackson, Uma Thurman, Harvey Keitel, Bruce Willis
Why we love it: Winning four Spirit Awards and regarded as one of writer-director Tarantino’s masterpieces, the Los Angeles-set crime drama wowed audiences with its irreverent alchemy of humor and intense violence. The nonlinear narrative is told through seven chapters that follow three main plots, each with a different protagonist: hitman Vincent Vega (Travolta), aging boxer Butch Coolidge (Willis), and Vincent’s business partner and hitman, Jules Winnfield (Jackson). Previously nominated for two Spirit Awards for Reservoir Dogs, Tarantino’s inspiration for this film stems from the old movies he came across while working in a video store (remember those? There was a time before Netflix and streaming galore!). With its $8 million budget and $10 million in marketing costs, the film is billed as the first independent film to break the $100 million mark in the domestic box office. One of the ultimate classics on many critic’s lists, Pulp Fiction was selected to be included in the United States National Film Registry by the Library of Congress in 2013.
Box office and budget data source:
Worldwide box office and production budget per Box Office Mojo
Supplemental production budget data per The Numbers
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[Header: Director Jordan Peele at the 2018 Film Independent Spirit Awards.]
While the overall projected $435 million global weekend for “Avatar: The Way of Water” qualifies as a good start, the film stumbled hard in China. Despite pre-release tracking suggesting an over/under $120 million opening in the world’s second-biggest moviegoing marketplace, the 3-D action sequel earned just $57.1 million. It’s the latest example of a big Hollywood movie underwhelming in China.
Its opening day was around $24 million, essentially tied with the $24.6 million first Friday of “Aquaman” in 2018. While the James Wan-directed underwater action fantasy earned $94 million over its Friday-Sunday weekend, the James Cameron-directed underwater action fantasy barely doubled its opening day.
“Aquaman” legged out to $298 million in China (out of $1.15 billion worldwide). Even if “Avatar: The Way of Water” benefits from post-debut legs, strong word of mouth and audiences waiting until they can see it in IMAX or related PLF auditoriums — 99% of the ticket sales were for 3-D shows — it’s now unknown if the mega-budget sequel will match even the $159 million Chinese gross of Universal’s “Jurassic World Dominion.”
A strong run in much of the world for “Avatar 2” would make Chinese box office a luxury or a bonus. There was hope — due to the original “Avatar” earning $57 million in China amid an early 2021 reissue — that the film might have earned grosses on par with the biggest Hollywood exports. Even if “Avengers: Endgame” and its $629 million gross (out of $2.8 billion total) was a hyperbolic pipe dream, it wasn’t absurd to hope for earnings on par with “Avengers: Infinity War” ($356 million in 2018), “Furious 7” ($380 million in 2015)” and “Fate of the Furious” ($390 million in 2017).
The original “Avatar” earned $203 million in China back in 2010, grossing that record-breaking figure on around 7% of the screens that are currently available. Hollywood reacted to the sky-high result by spending a decade chasing Chinese box office (setting tentpoles like “Transformers: Age of Extinction” in China, changing scripts like “World War Z” to make China look more heroic, etc.) as a supplement to its four-quadrant franchise blockbusters and to partially make up for lost DVD revenue.
China has for the last two years allowed far fewer Hollywood movies into their theaters with those films earning far less than pre-COVID expectations. For example, “Despicable Me 3” earned $153 million in 2017 but “Minions: The Rise of Gru” earned $37 million in 2022. “The Batman” earned $20 million in China this year while no Marvel films (from Disney or Sony) have played there since 2019.
While COVID restrictions and related moviegoing behavior are absolutely key factors, plenty of big Chinese tentpoles like “The Eight Hundred” ($460 million in 2020), “Hi, Mom” ($835 million in 2021) and “The Battle at Lake Changjin 2” ($610 million) have earned pre-COVID sized grosses. Concurrently, the likes of “Top Gun: Maverick” ($1.49 billion), “Spider-Man: No Way Home” ($1.91 billion) and “Doctor Strange in the Multiverse of Madness” ($956 million) have earned best-case-scenario box office without China.
Whatever the reasons for the decline, if China can no longer deliver top-tier box office for Hollywood tentpoles, especially as most films return just 25% of the gross to the studios, there’s little reason for Tinseltown to aggressively court the marketplace. Fair or not, “Avatar: The Way of Water” was seen as one last chance for China to show Hollywood the money.
Meanwhile, the Sam Worthington/Zoe Saldaña sequel pulled better-than-expected grosses in India. While the $18.1 million opening was obviously 2/3 smaller than China’s $57 million launch, it was the second-biggest opening weekend ever for a Hollywood title behind “Avengers: Endgame” ($26.7 million in 2019).
That MCU “Infinity Saga” finale legged out to $62.7 million in India, which was equal to 10% of China’s total and made up 2.2% of the $2.8 billion global cume. However, if Hollywood really decides to take a sabbatical from chasing fortune and glory in China, India might be a viable target.
This may be little more than a momentary blip due to the popularity of the “Avatar” brand — it’s not like moviegoers there are turned off by over-the-top fantasy action and bleeding-heart sincerity — or it could be another “history began here” moment.
Brian Tyree Henry and Paul Dano started in theater —— which will come as no surprise to anyone who sees them in their latest films, playing characters with carefully crafted backstories. In Lila Neugebauer’s “Causeway,” Henry portrays James, a New Orleans mechanic and amputee who bonds with Lynsey (Jennifer Lawrence), an injured soldier desperate to return to combat. And Dano has had an immense year, going from the Riddler in “The Batman” to embodying a benevolent 1950s dad named Burt, based on Steven Spielberg’s father, Arnold, in “The Fabelmans.” For Dano, moving from darkness to light not only showed his range, it’s what he needed in his life.
Paul Dano: I’m really happy to meet you.
Brian Tyree Henry: Not as excited as I am to meet you. I’ve been a huge fan of yours for quite some time.
Dano: Did you know you were going to use your middle name from the get-go?
Henry: I didn’t. Apparently, there is some imposter out there named Brian Henry that already had the name, and I had to put my middle name.
Dano: I did my first film when I was 16, and I went by Paul Franklin Dano. And then in the second film I did, they said, “If you want your name on the poster, it’s too long.” And I said, “OK.’
Henry: And you let them take Franklin away?
Dano: That’s right.
Henry: It sounds very presidential. To be part of the three-name club is something very special. Was acting something that you knew you always wanted to do?
Argentina has won the World Cup after a wild championship game against France that went into extra time and became the third World Cup final to be decided by a penalty-kick shootout.
The game ran more than two hours as Argentina and France played to a grueling draw. The score was 2-2 after 90 minutes, when extra time began. Argentine star Lionel Messi then scored a goal, and a few minutes later France answered back.
The duel continued with penalty kicks as both teams made goals on the first of their five penalty kicks. France missed kicks No. 2 and 3; Argentina made both of those kicks. The pressure was palpable as France kept its hopes alive by making kick No. 4. But the decisive move came from Argentina’s Gonzalo Montiel, who sank in kick No. 4, which sealed Argentina’s victory. France had hoped to defend its World Cup championship win from 2018.
With the penalty kicks, the final score was 4-2.
Argentina’s quest for the World Cup trophy was one of the big stories of the 2022 games, given Messi’s prominence as a player who had still not managed to secure a World Cup victory for his native country. The win marks Argentina’s third-ever World Cup victory and first since 1986.
The stadium in Qatar erupted with Argentine fans displaying emotion and waving their country’s white-and-blue striped flag and other insignia. The World Cup win is the perfect swan song for Messi, who had long ago announced his intention to retire from the national team after the 2022 games.
CBS and the Kennedy Center announced The 45th Annual Kennedy Center Honors will air Wednesday, Dec. 28 (8:00-10:00 PM, ET/PT) on the CBS Television Network and stream live and on demand on Paramount+.*
As previously announced, the Honorees include acclaimed actor and filmmaker George Clooney; contemporary Christian pop singer-songwriter Amy Grant; the legendary singer of soul, gospel, R&B and pop Gladys Knight; Cuban-born American composer, conductor and educator Tania León; and iconic Irish rock band U2, comprised of band members Bono, The Edge, Adam Clayton and Larry Mullen Jr.
In a star-studded celebration on the Kennedy Center Opera House stage on Dec. 4, the 2022 Honorees will be saluted by today’s leading performers from New York, Hollywood and the arts capitals of the world, accepting the recognition and gratitude of their peers through performances and tributes.
The Honors recipients are recognized for their contributions to American culture through the performing arts – whether in music, dance, theater, opera, motion pictures or television – and are confirmed by the Executive Committee of the Center’s Board of Trustees. The primary criterion in the selection process is excellence. The Honors are not designated by art form or category of artistic achievement; the selection process, over the years, has produced balance among the various arts and artistic disciplines.
Done+Dusted executive produces the special in association with ROK Productions, represented by Elizabeth Kelly, who serves as executive producer alongside David Jammy and Ian Stewart. Alex Rudzinski is the director.
Paramount+ Premium subscribers will have access to stream live via the live feed of their local CBS affiliate on the service as well as on demand. Essential-tier subscribers will have access to on-demand the day after the special airs.
It is impossible to talk about “Avatar: The Way of Water” without sounding hyperbolic. But James Cameron’s sequel is a truly dazzling cinematic experience that will have you floating on a blockbuster high.
No matter if you’ve spent a second of your life in the past 13 years thinking about what’s happening on Pandora or how Jake Sully (Sam Worthington) and Neytiri (Zoe Saldaña) are getting on, assuming you remember their characters’ names. “The Way of Water” will make awe-struck believers out of even “Avatar” agnostics like me, at least for three hours and 12 minutes. The film isn’t just visually compelling, either, it’s spiritually rich as well — a simple but penetrating story about family and the natural world that is galaxies better than the first.
About that run time: Three hours and 12 minutes sounds excessive, but there is something decidedly decadent about really committing that much time to a movie in a theater. When the filmmaker is purposeful with that time, as Cameron is and many others have been before him, it’s a uniquely rewarding experience. In other words, it’s not a big ask. And you’ll forget all about checking the time from the first shot of Pandora and Jake’s earnest exposition about what’s been going on in the past decade.
He and Neytiri have three kids now, Neteyam (Jamie Flatters), Lo’ak (Britain Dalton), Tuk (Trinity Jo-Li Bliss) and an adopted teenage daughter, Kiri (Sigourney Weaver), and they’re happy living in the forest. “Happiness is simple,” he says. “Who ever thought that a jughead like me could crack the code?” So, of course, it can’t last. The humans are on the hunt for Jake, with a familiar antagonist leading the charge. And soon his family is on the run, taking up home in another part of Pandora, on the water with a new tribe led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis) who reluctantly grant them refuge and try to teach them how to live on the water.
It’s worth noting that Cameron has not stuffed the film with mind-numbing, wall-to-wall action and needlessly complicated plot. There are long stretches of movie where we’re simply exploring the environment with the characters, delighting in the intricacies of a reef or basking in the beauty of giant sea creatures. Sometimes we’re just sitting in the water with Kiri who is also sitting in the water. It is not advancing the action in any obvious way. It is not even really developing characters. It just is, and it’s serene. You imagine that anyone without his clout would have a hard time justifying something similar.
The action is there, too, of course, and it’s exciting because you’ve become invested in the family and worried about the kids who are never where they’re supposed to be and are often in danger because of it. And though we know there are more sequels coming, and one already wrapped, this is not the kind of franchise where anyone is guaranteed to get a fake superhero death. Sure there is some “Avatar” silliness, including the fact that the word “bro” is uttered about 8,000 times, but there is something admirable about the straightforward dialogue and emotions at play, too. No one is snarking their way through this ordeal.
“Never doubt James Cameron” has become a bit of a rallying cry lately, at least among those left on Twitter. It’s all the more extraordinary as the once-mythical sequels had become a kind of joke in the years since the first movie. Even as “The Way of Water” release date actually approached the “who cares?” chorus intensified. Had anyone really thought twice about “Avatar”? But Cameron knows his way around a thrilling sequel, and the water for that matter (and references his own greatest hits in this film, too).
But then people saw it and the tune changed. There is something comforting about the fact that we are capable of intense, collective cultural whiplash. That “who cares?” can turn to uncynical amazement in an instant. Is that the magic of the movies? Of continuing to push the bounds of the big screen experience? Of betting big on weird-sounding stories about giant blue environmentalists instead of superheroes every so often? Maybe it’s just the magic of James Cameron.
“Avatar: The Way of Water,” a 20th Century Studios release in theaters Thursday, is rated PG-13 by the Motion Picture Association for “partial nudity, intense action, sequences of strong violence, some strong language.” Running time: 192 minutes. Three and a half stars out of four.
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MPA Definition of PG-13: Parents strongly cautioned. Some material may be inappropriate for children under 13.
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“Saturday Night Live’s” final show of the season started on a sweet note, as host Austin Butler tenderly recalled watching the late-night comedy show with his late mother, Lori Anne Howell.
“I love my mom, some of my favorite memories from growing up was watching ‘SNL’ every week,” and even though he had this “crippling shyness,” he would do anything to make her laugh — including an imitation of Gollum from “Lord of the Rings.”
Being silly with her, he said, is “what broke me out of my shell” and inspired his drive to be an actor. Butler, who got his start as a child actor on both Nickelodeon and Disney Channel shows, played Elvis Presley in Baz Luhrmann’s hit biopic, “Elvis.”
“Now, my mother is no longer with us, but I have been thinking about her a lot this week, just imagining of how proud she would be that her son is now standing on this stage,” Butler said, choking up.
“Any time you see me doing a funny voice or making a funny face, that is for you mom,” he said.
Butler also joked that he grew up in Anaheim, California, hence “the Southern accent” and said that he always sounded like Elvis Presley.
“I do want to address something. There’s people out there who say that ever since I’ve played Elvis my voice has changed — that it got deeper, more Elvis-y,” he said. “But that’s not true, I’ve always sounded like this and I can prove it. Here’s a clip from an interview I did 10 years ago.”
The show cut to an interview promoting “The Carrie Diaries” with his voice pitched high.
“We’ve stopped testing,” he said.
Butler also said that despite last year’s holiday show nearly being canceled due to COVID, the show developed a foolproof plan to ensure that doesn’t happen again.
Butler also talked about being “weird” growing up homeschooled with his sister, Ashley, who was in attendance celebrating her birthday.
“A lot of people don’t know that I’ve been acting since I was a kid,” he said, “studying ‘Raging Bull’ or ‘Taxi Driver.’”
“Put down the knife, you are scaring, iCarly,” Butler deadpanned.
“Saturday Night Live” stars Kenan Thompson, Cecily Strong, Mikey Day, Heidi Gardner, Ego Nwodim, Bowen Yang, Chloe Fineman, Punkie Johnson, Andrew Dismukes and Michael Che and Colin Jost as the hosts of Weekend Update. The cast also includes James Austin Johnson, Sarah Sherman, Marcello Hernandez, Molly Kearney, Michael Longfellow and Devon Walker as featured players. Kent Sublette, Alison Gates and Streeter Seidell serve as the head writers for the show, while Liz Patrick directs.
Earlier in the night, NBC announced that the Dec. 17 episode would be Strong’s last.
Chag Sameach everyone! Hanukkah 2021 kicks off on Dec. 18, which means festivities through Dec. 26 for those of you celebrating. And to help get you in the spirit of the season, here are eight Hanukkah movies to light up your holiday.
Universal Pictures
“An American Tail” (1986)
Steven Spielberg’s 1986 allegory for the Jewish immigrant experience became the highest grossing non-Disney animated film of its time. Telling the story of a family of mice (the Mousekewitzes) who emigrate to America to escape persecution from cats, it spawned a theatrical sequel, “An American Tail: Fievel Goes West,” a slew of direct-to-DVD sequels and a PlayStation game. This classic film is sure to keep you warm this Hanukkah. Just don’t tell your cat about it.
Sony Pictures
“Eight Crazy Nights” (2002)
For the outsider at the party who needs a crash course in latkes and dreidels, “Eight Crazy Nights” is a good start. Adam Sandler gives us his classic “The Hanukkah Song” during the movie, which let the world know O.J. is in fact not a Jew. But David Lee Roth? Definitely.
Disney Channel
“Full-Court Miracle” (2003)
A Hanukkah staple, the Disney Channel Original Movie (currently streaming on Disney+) revolves around Alex Schlotsky (Alex D. Linz), the young leader of an inept Jewish basketball team, who recruits a washed up college basketball star to be their coach. Inspired by the true story of University of Virginia Cavaliers basketball star Lamont Carr, the 2003 movie is a good old fashion sports movie with a side of latkes that is sure to make you cry.
Comedy Central Films
“The Hebrew Hammer” (2003)
How does a Jewish private (circumcised) dick talk dirty? He tells his ladies that he wants to “have lots of children” by them. “The Hebrew Hammer” is the ultimate Hanukkah flick starring Adam Goldberg as a private detective who is “part man, part street, 100 percent kosher” and whose mission is to save Hanukkah from the clutches of Santa Claus’ evil son. The 2003 film, directed by Jonathan Kesselman, has garnered a fierce cult following over the years. And if it seems like it packs every possible Jewish stereotype, it’s because it does.
Universal Pictures
“Little Fockers” (2010)
The third installment in the “Meet the Parents” trilogy isn’t exactly Oscar material. The comedy sequel was dubbed “the worst film of any trilogy to appear in a movie theater,” by Vanity Fair, even “worse than ‘Look Who’s Talking Now,’ ‘Major League: Back to the Minors,’ and ‘Porky’s Revenge’ (ouch). The Fockers come together for a mixed holiday shindig. And if that’s not enough to put you in a Hanukkah spirit, there’s enough Barbra Streisand and Ben Stiller to last you a lifetime… or at least eight days.
Hallmark
“Hitched for the Holidays” (2012)
“Blossom” alum Joey Lawrence and “Schitt’s Creek” star Emily Hampshire play characters pretending to be a couple to get their families off their backs (only to fall in love for real) in this 2012 Hallmark movie that has a little Hanukkah and Christmas all mixed in for a perfect blend of light rom-com fun.
Sony Pictures
“The Night Before” (2015)
Seth Rogen dons a dorky Hanukkah sweater to join two childhood friends (Joseph Gordon-Levitt and Anthony Mackie) on one final Christmas Eve of debauchery in this R-rated comedy. “Made by Jews, is about Christmas, and opens on Thanksgiving,” Rogen posted about the movie on Facebook ahead of its release. Yes, this is mostly a Christmas movie — but Rogen’s character does remind the goyim, “We did not kill Jesus! We did not do that!”
Sony Pictures Classics
“Call Me by Your Name” (2017)
You may be surprised to see this flick on the list. But as Refinery29 aptly noted, “Call Me by Your Name” is the perfect Hanukkah movie. Not only are Elio (Timothee Chalamet) and Oliver (Armie Hammer) both Jewish, the movie also has one of the rare explicit Hanukkah scenes in which housekeeper Mafalda makes latkes, Elio plays with gelt (for all you goyim out there, it means money) and there’s even a Menorah with seven lit candles. And if that’s not enough reason to watch, the movie won a gazillion awards including an Oscar for Best Adapted Screenplay. Peaches not included.
There’s a very short list of people who can say they had an uncle named Groucho. As Harpo Marx’s oldest child, I’m on that list.
Although there’s a beautiful piece of home movie footage of Groucho Marx tossing me around when I was probably around three years old, I have no recollection of that moment. The earliest encounters I can recall with him are those times when my dad brought me to the sets of the later Marx Brothers films. Apart from those visits and the occasional large family gathering, I didn’t spend a lot of time with Groucho when I was a kid.
Harpo and Groucho Marx, 1931
I really got to know my Uncle Groucho later in life – once I’d become a musician. He always liked to have a piano player nearby – and over the years he’d have people like George Gershwin, Oscar Levant and Harry Ruby accompany him at parties. In the 1960s and 70s, Groucho had slowed down and wasn’t working much. But it was great to occasionally see him singing his wonderful old songs on television – particularly on “The Dick Cavett Show.” During that period, I accompanied him at several parties at his house. Uncle Groucho still had a bit of the old spark left.
When he decided to go on tour in 1972 and play his famous Carnegie Hall concert, he asked me to be his piano player. It was a difficult decision because he was starting to become compromised by old age and some health problems. Ultimately my mother, Susan, advised me not to do it due to Groucho’s condition. I have no regrets and Marvin Hamlisch did a fine job in support of Uncle Groucho, who still wanted to entertain. People were thrilled to see him in any condition, and Groucho could still be pretty great in the early 70s. People were lining up to be insulted by him. He was more famous than at any other time. He was truly a legend, and it’s wonderful that he was around to enjoy that adulation.
Groucho and my dad, Harpo, had a special relationship.
Groucho (left) and Harpo at the age of 12 and 14, 1902
They spoke on the phone almost every day – even if it was just to say they had nothing to say. One afternoon in the late 50s, I was rehearsing some new music with my dad for an album we were about to record. Groucho called and said, “Come over. I want to talk to you about something.” Dad said, “Groucho, hold on a minute, Susan needs me.”
We hopped in the car and drove three minutes to his house. We pulled up and saw him through the window still holding the phone waiting for Harpo to come back on. We rang the bell and went in. Groucho looked at us and said to my father, “You son of a bitch.” They loved pulling gags like that on each other.
Harpo loved watching his favorite television shows and didn’t want to be disturbed when they were on. Of course, he never missed the shows with his dear friends George Burns and Gracie Allen, or Jack Benny. He also loved “The Honeymooners.” And as my mom always enjoyed telling people, “Never call him when ‘Time for Beany’ is on.” Dad loved those “Beany & Cecil” cartoons1.
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Groucho & Cavett – Watch the Trailer Now
But the most egregious offense one could commit with Harpo was to disturb him when Groucho’s show, “You Bet Your Life” was on. There had to be silence and no distractions for those 30 minutes each week. Even after 50 years of working with Groucho, Harpo could never get enough of him.
In his house, Groucho had a gallery on the wall with many signed photos of great men he admired, including Harpo. Near the end of his life, he proudly guided me to the gallery and began pointing out these heroes of his, announcing them in a slow halting voice: “Irving Berlin, great songwriter. George S. Kaufman, great playwright. Sam Harris, great producer. Franklin Roosevelt, great actor.” Sadly, it wasn’t a joke. Groucho was starting to noticeably fade.
The last time I played piano for him was at one of his last public appearances.
He was struggling. He’d start one song and abruptly switch to another one after a few lines. This happened a few more times and to my amazement, the audience loved it. They thought he was doing a medley, but he wasn’t. When it was over, he whispered to me, in as sweet a moment as I ever had with him, “I couldn’t have done it without you.”
I’m so pleased to see that Groucho & Cavett has captured some of the magic of Groucho’s later years. I’m proud to say I made a tiny contribution to the film. Director Robert Bader asked me to play a slow melancholy version of “Hooray for Captain Spaulding” while we were recording some music for another project. I had forgotten all about it until I saw the film and recognized something about the music over the closing credits. I’ll just say, he paid me the exact same amount as Uncle Groucho did for playing at those parties. You do the math.
1Editor’s Note: “Time for Beany” was a popular children’s puppet television show in the 40s and 50s. “Beany & Cecil” was a cartoon series based on the puppet show.
A mother who leaped to her death from a burning flat after throwing her child to safety is among ten victims of an apartment block fire in France today.
The woman, who has not yet been identified, became trapped after a blaze broke out on the ground floor of a seven-storey block in Vaulx-en-Velin, a suburb of Lyon, shortly after 3am on Friday and spread upwards.
Witnesses told how the woman threw her child from the window of her apartment into the crowd below who caught the infant, but then jumped herself and was fatally injured during the fall.
Five children, aged between three and 15, are among the victims of the fire which also wounded 14 – including four who are in critical condition in hospital.
Ten people have died, including five children, and four more are critically wounded after a fire broke out in an apartment block in the French city of Lyon in the early hours of Friday
The blaze started in a ground floor apartment (pictured) and spread upwards, trapping people in their homes including one woman who jumped to her death
Gérald Darmanin, the French interior minister, said he is in ‘shock’ after hearing the news and will travel to the scene today.
Asked about the cause of the fire, he said ‘multiple hypotheses’ are possible and an investigation is underway.
Local authorities said they are ruling nothing out in their investigations, including that the fire may have been started deliberately.
Neighbours said that squatters – possibly drug dealers – had lived on the ground floor of the building.
Mr Darmanin said he was awake throughout the night giving updates on the situation to President Emmanuel Macron, and will visit the site of the fire today.
Asked about the cause of the blaze, he told French news station BFMTV that ‘several hypotheses’ are possible and an investigation is underway.
A witness told the news station: ‘We heard screams, children screaming. When we opened the windows, we saw smoke coming out and suddenly we went downstairs.
‘Neighbors came with a ladder, we were still able to evacuate people who live on the first floor, on the garden side.’
Investigations into the cause of the fire are underway, with officials saying they are ruling nothing out – including the possibility the fire was started deliberately
The five children killed are aged between three and 15, France’s interior minister said, as he announce he will visit the site today
Locals say the fire happened in one of Lyon’s most-deprived neighbourhoods and that squatters were living on the bottom floor of the block
Another said: ‘[I heard] a dad who cried my children, save my children help my children’
Some 165 firefighters and 70 vehicles were sent to fight the fire in total. The exact cause of the blaze, which took four hours to extinguish, is currently unknown.
The building where the fire happened has seven stories in total, plus a basement.
It is located in the Mas du Taureau district of Lyon, once considered one of the city’s most-deprived, but has been the subject of a recent regeneration plan.
Starting in the early 2000s, Lyon invested large sums of money to improve local shops and public transport links, according to Le Monde.
However, locals told journalists that conditions in the neighbourhood are still poor and that many people there feel abandoned.
Police patrol a security perimeter set up around an apartment block in Lyon, France, where a fire killed at least 10 people on Friday
Onlookers walk by a security perimeter set up next to an apartment block that caught fire early Friday morning, killing multiple people
The fire happened in the eastern Lyon suburb of Vaulx-en-Velin, which was described by locals as one of the city’s most-deprived
“Saturday Night Live” star Cecily Strong did not go quietly into that good night, saying a heartfelt goodbye to the show in her final appearance on “Weekend Update,” appearing as her popular character Cathy Anne.
Wearing a Santa hat, which she said was due to having her hair scalped in an escalator mishap, Cathy Anne reveals the reason for her appearance.
“I’m a little emo tonight, because I’m here to say goodbye,” she said.
When pressed for a reason for her departure by anchor Michael Che, she said “turns out, prison.”
“After seven years, you had enough of me,” she cracked, saying prison would give her stability and she already had “friends on the inside.” (Kate McKinnon and Aidy Bryant were pictured as the friends on the inside.)
In a goodbye to Colin Jost, Strong shared a “picture of you and me doing ‘Update’ together,” she said.
“Everybody has to go to jail at some point, and it’s just my time now, but I feel really lucky that I got to spend so many of the best moments of my life with these people that I love so much,” she said as she nearly broke character, then embraced both cast members after singing a snippet of “I did it my way,” changing the lyrics to “high Che.”
In the show’s final sketch, Kenan Thompson said goodbye to Strong, honoring her “11 years at Radio Shack” before host Austin Butler and the cast serenaded her with a teary rendition of Elvis Presley’s “Blue Christmas.”
Prior to tonight’s show, which Butler and musical guest Lizzo, NBC announced that the Dec. 17 episode would be Strong’s last.
The news of her departure was posted on “Saturday Night Live’s” Instagram. “Tonight we send off one of the best to ever do it. We’ll miss you, Cecily!”
For 11 seasons, Strong has distinguished herself by playing such characters as The Girl You Wish You Hadn’t Started a Conversation with at a Party and with a louche impersonation of the Fox News opinion host Judge Jeanine Pirro and most recently, Arizona Governor candidate Kari Lake. During her tenure on “SNL,” Strong even did a stint as an anchor on “Weekend Update” opposite Seth Meyers, then Colin Jost.
She is currently starring in the second season of “Schmigadoon!,” a parody of musicals that streams on Apple+. Like “SNL,” the show is produced by Lorne Michaels.
The whereabouts of Elon Musk’s private jet are based on public data — that Musk banned from Twitter this week.
Flight data for aircraft from Musk’s shiny multimillion-dollar Gulfstream G650 jet to commercial planes has long been public. Now Musk, who acquired Twitter for $44 billion in late October, is asserting that disclosing the location of his jet amounts to doxing, a form of online harassment that involves the sharing of personal information in a way that could spur harm.
“Same doxing rules apply to ‘journalists’ as to everyone else,” he said in a tweet on Thursday. “They posted my exact real-time location, basically assassination coordinates.” The Washington Post saw no evidence that the reporters did what he claimed.
The internet has made vast amounts of data public, from property records to family ties, as well as phones that post people’s locations in real time. Sometimes, the data empowers scammers and criminals. But there are limits to the value of the data — it can be outdated or false. And in the case of publicly available flight information, it reveals the location of the aircraft, not its passengers.
While Twitter has abruptly changed its rules to prevent accounts from sharing live location details, it cannot stop the torrent of aviation hobbyists who track jets and post information elsewhere.
Musk and Twitter did not immediately return a request for comment.
Here is an overview of what’s going on with tracking Musk’s personal jet and how people follow it.
The “Happy Days” star doesn’t expect his daughter to cast him out of nepotism. “Unless I’m right for something, absolutely right, it ain’t happening,” he said.
Before he won an Oscar for “A Beautiful Mind” and directed classic films like “Apollo 13” and “Cocoon,” Ron Howard was one of America’s most popular screen actors. Beginning his career as a child star on “The Andy Griffith Show,” he went on to become a household name in the 1970s for his roles in “Happy Days” and “American Graffiti.”
But in the years since he has primarily spent his time working behind the camera (save for his memorable stint as the narrator on “Arrested Development”). And in a new interview with Variety, Howard revealed that he would only return to acting if his daughter Bryce Dallas Howard was directing him.
“It would probably be Bryce,” Howard said. “It would probably be Bryce directing something and saying, ‘Dad, I really need you to come in and do this,’ or ‘You have to.’ Either of those would probably get me in the makeup chair and in front of the camera.”
That said, Howard isn’t getting his hopes up about his daughter casting him any time soon. After seeing her demonstrate her directing prowess on shows like “The Mandalorian” and “The Book of Boba Fett,” Howard knows that she isn’t the kind of filmmaker to cast based on nepotism.
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“She’s very astute and meticulous,” he said. “So unless I’m right for something, absolutely right, it ain’t happening.”
Howard doesn’t appear t0o worried about it, though, as he has a thriving directing career to keep himself busy. He recently appeared at IndieWire’s Consider This FYC Brunch to discuss the meticulous planning that went into recreating the 2018 Tham Luang cave rescue in his latest film “Thirteen Lives.”
“My whole interest in this was understanding, on a personal, granular level, what it was like to be there,” Howard said. “It was to use a lot of these POV shots and keep connecting you. So different scenes would be connected to different characters, and it would be a different kind of test and a challenge. And of course the cave was shifting, and the water needed to be a character. Both visually and from a sound design standpoint, it was important to keep varying that.”
Cecily Strong got an Elvis goodbye on Saturday when host Austin Butler — who was later joined by the rest of the SNL cast — ended the show with a performance of “Blue Christmas.”
Even Kenan Thompson had a solo during the bittersweet number for Strong, who is leaving Saturday Night Live after 11 seasons on the show. A post on social media from SNL‘s official Instagram account for the sketch show confirmed Strong’s exit earlier in the day.
Strong made her debut on SNL as a featured player on September 15, 2012, and was upped the following year starting with Season 39. The comedic star co-anchored the “Weekend Update” segment alongside Seth Meyers. When Meyers left to host Late Night, Strong continued to co-anchor the segment alongside SNL writer Colin Jost for one season.
Strong follows several SNL players out the door. Chris Redd is gone. Players Alex Moffat, Melissa Villaseñor and Aristotle Athari were dropped before the start of Season 48. And last May, Deadline revealed that Kate McKinnon, Aidy Bryant and Kyle Mooney were exiting in addition to Pete Davidson.
The idea of Henry Cavill joining the Marvel Cinematic Universe is a dream to Marvel fans and after seeing the actor suit up as Cyclops we can see why.
Now more than ever, there are plenty of projects to look forward to as Marvel fans. Not only is Marvel Studios still going strong with its expansive cinematic universe, but the billion-dollar franchise has now expanded into other mediums with the launch of its various Disney Plus originals.
Several titles are already confirmed with even more mysterious projects said to be in development from the studio incorporating both previously introduced characters and characters we’ve yet to make their Marvel Cinematic Universe debut.
Among the titles fans are eagerly awaiting news on is the studios’ plan for the X-Men franchise, which only just recently became available to Marvel Studios after Disney acquired 20th Century Fox.
Given the popularity of the franchise and its iconic characters, one can’t imagine Marvel will keep fans waiting too long before announcing its first X-Men project. When this time finally comes, the assumption is that Marvel Studios will look to introduce fans to new iterations of the franchise’s most iconic characters.
While a lot of eyes are on who might play Wolverine in the MCU, another iconic X-Men hero fans are eager to see make his MCU debut is the team’s long-time leader: Cyclops.
What Henry Cavill could look like as Cyclops in the MCU
There are a lot of actors who would be a good fit for the role of Cyclops, but one recently emerging favorite is a man who is no stranger to leading superhero franchises on the big screen: the Man of Steel himself, Henry Cavill.
With his time at DC up in the air, Cavill has become a frontrunner to join the MCU with fan dream cast theories running rampant as of late. While some have floated the idea of Cavill playing Wolverine or perhaps Captain Britain, many others have expressed a desire to see Cavill tackle a less obvious role by taking up the mantle of Cyclops within the MCU.
As fans continue to debate who Cavill should play, digital artist Daniel Savage took to Instagram to share a stunning edit envisioning The Witcher actor as the X-Men’s iconic leader.
In the incredible concept art, the artist transforms Cavill into Cyclops with a design that flawlessly captures the essence of the character’s most iconic costume from over the years. The modern spin of Cyclops’ signature blue and yellow suit is movie-ready, and can we please take a minute to recognize the jaw-dropping adaptation of Cyclops’ signature visor used to channel his energy beams!
Maybe it’s the design or maybe it’s seeing Cavill suit up as Cyclops, but the key art absolutely gives us chills and makes a compelling argument for why he’d be perfect in the role if given the chance.
Is Henry Cavill joining the Marvel Cinematic Universe?
At this time, it’s unclear whether Henry Cavill might be joining the Marvel Cinematic Universe, but the actor has voiced an interest in joining the MCU. In fact, he’s even got his eyes on one particular character: Captain Britain.
In an interview with The Hollywood Reporter,Cavill revealed he not only has an interest in joining the Marvel Cinematic Universe but that he’d love to do so by portraying a modernized version of Captain Britain — a character fans have long hoped he might portray.
“I have the internet and I have seen the various rumors about Captain Britain and that would be loads of fun to do a cool, modernized version of that — like the way they modernized Captain America. There’s something fun about that, and I do love being British,” Cavill revealed.
If we were to fan-cast him on the spot, we have to admit the above fan art makes a compelling argument for why he should play Cyclops in the MCU. Not only does he look the part, but Cavill could be the perfect actor to introduce Cyclops to a new generation and make the hero more respected than past iterations have been.
However, we also have to confess we would love to see Cavill put his spin on Captain Britain and know he’d bring so much to the character! Regardless of who he ends up playing, we know he’ll deliver an incredible performance.
Do you think Henry Cavill would make a good Cyclops in the MCU? How about Captain Britain? If not Cyclops or Captain Britain, which Marvel character would you like to see Cavill play within the MCU? Let us know in the comments below!
James Badge Dale as John Dutton Sr. and Harrison Ford as Jacob Dutton in 1923Photo: Emerson Miller/Paramount+
1923, the latest Paramount+ drama from the prolific producer and writer Taylor Sheridan, isn’t your average spinoff. For starters, the second Yellowstone prequel features two of the most venerated and decorated actors of their generation: Harrison Ford (in his TV debut) and Helen Mirren (in a rare return to the small screen for the dame). And while critics were only given the pilot to screen for review, it soon becomes clear that Ford and Mirren, who previously co-starred as husband and wife in The Mosquito Coast, still share a magnetic screen presence that can elevate 1923 beyond another overwrought Western.
Set four decades after the events of 1883, the limited series that chronicled the Dutton family’s arduous journey to the land that ultimately became the Yellowstone Ranch, 1923 finds the now-thriving ranch under the control of Jacob Dutton (Ford), the older brother of James (Tim McGraw from 1883), and Jacob’s Irish wife, Cora (Mirren). After arriving in 1894, Jacob and presumably Cora began raising James’ sons, John (James Badge Dale) and Spencer (Brandon Sklenar), as their own. John now has an adult son, Jack (Darren Mann), who is eager to continue the Duttons’ ranching legacy—even if it means delaying his wedding to the more prim-and-proper Elizabeth Strafford (Michelle Randolph), who might not have been completely aware of what comes with marrying a cowboy, for a cattle drive.
But, in true Yellowstone style, regardless of the year, the Duttons are facing threats on multiple fronts. And as Isabel May, who starred in 1883, says in an early voiceover in 1923, “Violence has always haunted this family.” Following the turmoil of World War I and the Spanish flu pandemic, the characters are forced to contend with prohibition, cattle disease, a rise in locusts, and the economic conditions of the looming Great Depression. Central to the new Duttons’ story in Montana, however, is a drought that has led to a grass shortage for grazing, causing a growing sense of competition and resentment between the cowboys and shepherds in town. With his piercing eyes and thinly veiled threats, Banner Creighton (Jerome Flynn), a belligerent Scot who leads the group of local sheep herders and has a certain vendetta against the Duttons, makes it clear that he will be one of many familiar foes for the Duttons to contend with. (Timothy Dalton, the former James Bond, will also play a villain, but he does not appear in the first episode.)
While Jacob rounds up livestock and attends to business in town as the livestock commissioner, Cara, despite being in her later years, continues to tend to the homestead and relish the quiet freedom she has on the ranch without her husband—something that she reminds Elizabeth in an attempt to keep the peace between her and Jack. (But make no mistake: Cara knows how to fire a double barrel shotgun when she needs to protect her family.)
1923 | Official Trailer | Paramount+
No stranger to iconic action heroes, Ford cuts a naturally imposing and threatening figure as a classic cowboy, although his character’s stiff expression seems to be stuck in a perpetual scowl except when he’s with his wife. By contrast, Cora feels more dynamic and emotionally accessible, with Mirren tapping into the matriarch’s quiet humanity and strength. Because of its leads, 1923 functions more interestingly as a family drama and will only benefit from a deeper exploration of Jacob and Cora’s shared history as partners. Together, Ford and Mirren’s witty repartee even helps to add a few moments of levity in an otherwise taut and tense hour that attempts to juggle two other storylines that don’t really feel connected to the ranch but are arguably more compelling than spats over land rights.
A world away, Spencer, Jacob and Cora’s war veteran nephew, has developed a reputation as a kind of marksman hunting dangerous big cats that are threatening the lives of villagers and travelers in Africa. Traumatized by his experiences in the battlefield, which were shown in a lengthy and graphic flashback that illustrates 1923’s innate cinematic quality, Spencer has decided against going home to Montana in favor of searching for the parts of himself that he lost in the Great War. Sklenar bears such an uncanny resemblance to Ford that, at first glance, one might think Sklenar was playing Jacob in a flashback. As a ruggedly handsome safari hunter, Sklenar commands the screen by playing one of the show’s most immediately compelling characters.
Sheridan has not shied away from the historical mistreatment of Indigenous peoples, but he’s taken that theme a step further in 1923 with the introduction of Teonna Rainwater (an excellent Aminah Nieves), a strong-willed young woman on the verge of reaching her break point who is forced to attend one of the horrific residential schools of that era. When she lashes out, Teonna faces the wrath of her sadistic nun teacher, Sister Mary (a terrifying Jennifer Ehle), and a slightly more compassionate but even more ruthless headmaster, Father Renaud (a menacing Sebastian Roché), who has his own perverse way of asserting his power over both women.
Sheridan continues to walk an ever-so-fine line between exposing the murder and mistreatment of Indigenous peoples in history and falling into sensationalist exploitation. While it remains imperative to depict these difficult parts of American history, these scenes in the school are deeply unsettling and uncomfortable to watch—so much so that they feel like a different show altogether—and these unflinching depictions of violence can run the risk of being gratuitous. It’s still unclear from the first episode alone how all of the storylines will inevitably converge, or if all of the storylines even work to begin with, but if executed correctly, Sheridan’s prequel can be a worthy star vehicle for its sprawling ensemble.
Premiering at the 2022 SXSW Film Festival, the 85-minute-long documentary from Amy Bandlien Storkel and Bryan Storkel, The Pez Outlaw, will be hitting Netflix in the United States in January 2023.
The documentary centers around the story of Steve Glew, who saw a lucrative market and exploited it in the most strange way possible.
Per Gravitas Ventures (the distributor of the movie), here’s the full description for the doc:
“This incredible fish-out-of-water story follows the adventures of Steve Glew, a small-town Michigan man, who boards a plane for Eastern Europe soon after the fall of the Berlin Wall. His mission is to locate a secret factory that holds the key to the most desired and valuable Pez dispensers. If he succeeds, he will pull his family out of debt and finally be able to quit his job of 25 years. Steve becomes the hero of his own adventure, smuggling the rarest of goods into the U.S. and making millions in the process. It was all magical, until his arch-nemesis, the Pezident decided to destroy him.”
Amy Bandlien Storkel, Bryan Storkel, Chris Smith, Theo Love, Nate Larson, Jonathan Ignatius Green, Dawn Bender, Bo Butterworth, and Norbert Blecha produces.
Amy Bandlien Storkel and Bryan Storkel, the two directors behind the doc, are also behind Netflix’s 2018 documentary The Legend of Cocaine Island. Bryan also served as a producer on QB1: Beyond the Lights.
The full doc is set to debut on Netflix on January 19th, 2023.
This will mark the SVOD debut for the documentary, which has only been available on VOD services until now. This is the first time the documentary has been available as part of a streaming service where you don’t need to pay for the title separately.
Picture: Gravitas Ventures
Netflix will also open the year with a handful of its own upcoming documentaries carrying Netflix Original branding. January 2023 includes Pamela: A Love Story, Bernie Madoff: The Wall Street Monster, Mumbai Mafia, The Hatchet Wielding Hitchhiker, and Break Point.
For the full list of what’s coming to Netflix in January 2023, keep it locked here on What’s on Netflix where we’re listing titles not featured by any other outlet.
Will you be checking out The Pez Outlaw on Netflix in January 2023?
In contrast to the way that their incarcerated characters in the tense Apple TV+ miniseries Black Bird circle one another over the course of several episodes, warily testing and probing in a cat-and-mouse game to determine just how much trust one can place in the other, Paul Walter Hauser and Taron Egerton recognized from the outset that they were in deep together.
Indeed, the actors needed teamwork to plumb the often chilling darkness of a true-crime tale. They stand at the center of the series in their scenes together, as Egerton’s polished but convicted drug dealer Jimmy Keene seeks to shave years off his sentence by faux-befriending Hauser’s eccentric suspected serial killer Larry Hall, in hopes of learning secrets that would keep Hall behind bars. But they also needed each other’s support and good humor to help shake off the lingering shadows of the story’s more repugnant aspects.
Black Bird is, at its core, as classic a two-hander as it could be, fueled by the potent push-pull of the two characters’ alternating attraction and suspicion. Hauser and Egerton joined THR in a far less harrowing — but no less fascinating — exploration of their bond on set, speaking to how their performances took each other to places, both dark and light, that they never expected.
The two of you are really in this together, deeply. What did you discover you needed from each other to make this work the way that you wanted it to work?
PAUL WALTER HAUSER Teamwork is always about listening and trusting. Listening is Actor 101, but trusting is a whole other thing that you don’t fully learn in a university or class or something. Taron and I overcommunicating our intentions for scenes and what we needed to accomplish paired with us socializing and getting along as two people, that felt like a really healthy dynamic to get what we needed out of those scenes together.
TARON EGERTON We are naturally very enthused by each other as actors and as creatives, and the dynamic of those characters is two guys really studying and scrutinizing each other. And I think we just naturally found a groove and a familiarity. It’s really just being as interested as possible as you can be in the other person. That sense of trust, because I think particularly for Paul, but also for myself to a lesser extent, they’re both quite ugly performances at times. To do that, you have to feel that you can lead a safe dance with each other and [not] be afraid to take risks — and be quite weird at times.
HAUSER The lack of vanity is really important. Basically any acting that I like, whether I think of Jack Nicholson in One Flew Over the Cuckoo’s Nest or Tracy Morgan in a Saturday Night Live sketch, I always go back to lack of vanity as what I’m most attracted to. And I think Taron and I both have the ability to go there and do that.
What did your scene partner’s performance bring out in your own that you didn’t expect, once you guys were going toe-to-toe on set?
EGERTON Paul ran at the darkness of that part like a charging bull rather than try to soften it or sentimentalize it or romanticize it, or try to make it in any way Hollywood. It really was very ugly at times, but it also engendered sympathy. The dynamic that I’m most proud of is that, I think, through what Paul does with [his] part, my Jimmy finds moments — and it is in the writing — of really liking him, being amused by him.
Then there’s a secondary emotion that comes after that, where there’s revulsion at the fact that it feels that way. That happens in really nice, spontaneous moments throughout the story because of the level of presence that Paul brings and the level of complete unfettered commitment to the part. When acting is really good and you’re truly listening to each other, you have moments of forgetting yourself. And then really spontaneous things happen. I really felt that happened to us often throughout the process of making our show.
HAUSER I’ve been doing this almost 11, 12 years, and there are maybe three occasions where I feel I’ve actually lost myself and been in the material deep enough with another male co-star. And Taron’s one of the three people that allowed me to get there. When I look at this show from an outside perspective, I’ve realized, “Oh, there’s an interesting emotional dance that Taron did so well” — which is that he’s portraying Jimmy Keene as a man who’s being seduced by Larry Hall, but his sense of being seduced by me is actually him seducing me.
Taron’s performance is hallmarked by being present and having a sense of neediness. Because a guy like Larry Hall looks at a guy like Jimmy Keene and thinks, “You don’t want for anything. You don’t need anything.” Then, to discover that emotionally he does need these things and he is looking for a friend — that, of course, to a lonely person like [Larry], getting that type of attention and seeing that vulnerability on display, it’s hook, line and sinker. [Jimmy] seduced him by pretending he was seduced.
Black Bird
Courtesy of Apple TV+
When you’re so deep that you’ve kind of lost yourselves, tell me about coming out of that and getting back to you. What is that experience like for both of you to come out of being that deep in character?
EGERTON I’m quite good at resetting myself, I think, but there were two occasions where I didn’t feel particularly good afterward. It’s not like you become so lost in the part that you don’t know who you are, but being unable to shed the energy of something. And Larry’s confession and description of the abduction and murder of Jessica Roach, that was a day where I think we both felt it was difficult to shed the skin of it afterward, because of the reality of it and the knowledge that it really happened — so it’s not like a really well-written bit of fantasy. You have to go home and have a bath or a shower and just try and come back down to earth, really.
There’s a scene earlier on in the show, when it’s kind of a dual-purpose thing in the third episode. I’m trying to win favor with Larry, but I’m also unleashing a lot of stress and tension, and I beat that guy up. I really didn’t like that. I don’t know if you ever had schoolyard tussles as a kid, where you have a scrap or a fight with another kid in the schoolyard and you feel very shaken and anxious afterward. I felt anxious after that day, sort of compromised by the extremity of the violence. It’s like what Paul said: You just check in with each other and acknowledge that it’s all a bit weird and a bit dark and a bit grimy.
HAUSER I would compare it to coming out of a bad dream. You can have a bad dream where you’re doing something or partaking in something or just witnessing something reprehensible, and then you wake up and you go, “Wow, I actually didn’t kill someone! Tight! I’m glad — great!” But it does take a moment, for me at least — I don’t know how everybody else is, but sometimes I need somewhere between five and 45 minutes to shake the emotional residue of whatever’s transpired in my psyche.
I will say, though, that I think I’m pretty good at it, too. When I’m being a racist piece of shit in this show, I’m being a monster. When they yell “cut,” I am quick to be like, “Let me improvise a song and pretend I’m tap-dancing and find a funny video on Instagram.” I really do fight to peel that residue off.
Tell me about those fun moments on set where you really had to go as far away from that dark material and just lighten the mood.
HAUSER We sang a lot!
EGERTON Paul’s just so funny. Paul’s got a real facility for just making everyone around laugh, crew and cast alike. And he has that natural understanding of how to eke out comedy from daily life and moment-to-moment. He was brilliant at making light when light needs to be made in what is otherwise a very dark show. We did a lot of just being very silly. Acting’s play, and we’re good at playing and we enjoyed playing. Whether it’s singing or doing a stupid dance or Paul cocking his leg up on whatever table is nearest at the time — which I tried to do myself, to diminishing comedic returns — but Paul manages to make it very, very funny.
HAUSER There were moments of wanting to make the other person uncomfortable just to see how they’d react. There was a lot of that: Give each other a hug, the hug lasts way too long.
EGERTON Way too long! (Laughs.)
Interview edited for length and clarity.
This story first appeared in a December stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.
There’s been much talk in the documentary ecosystem over the past five years about “The Golden Age of Documentaries,” and short docs have enjoyed more visibility than ever. Over the past 20 years, the digital age has revolutionized how documentaries are made and distributed, and a proliferation of platforms launched over the past decade, such as Field of Vision, The Guardian, The New York Times OpDocs and The New Yorker Documentary, have further transformed how short form cinema thrives online.
When Ben Proudfoot, who won an Academy Award for Best Documentary Short this year for The Queen of Basketball, uploaded his first short doc,ink&paper, on Vimeo in 2011, he had no idea it would ignite his filmmaking career and lead to the conception ofBreakwater Studios. ink&paperwas picked up by a popular blog, then chosen as a Vimeo staff pick, and soon the film he made as a student at USC had over 100,000 views.
“I could just upload it on the Internet and, boom, “ Proudfoot recalls. “When has cinema ever been that direct?”
The movie industry is one of the most exclusive, and expensive, arts industries in the world. For most people, without substantial finances and connections, it can be impenetrable.
Short documentaries are a rarity in the film industry, arguably able to achieve tantamount impacts to a feature-length documentary, but at half the production time and cost. While a feature-length documentary may cost hundreds of thousands of dollars and take up to five years to finish, short documentaries are timely and can be produced about a pressing topic within a year.
Proudfoot describes short documentary filmmaking as cultivating “the most with the least”—a more affordable door into the world of cinema. “It has the lowest barrier of entry, which means it has the greatest opportunity for filmmakers from all over the world, from all kinds of diverse backgrounds to enter it because we don’t have this crazy high price tag.”
Regardless of a more accessible entry, filmmaking is expensive and most short doc filmmakers need a supplemental income in order to survive. For the last six years, Ash Goh Hua, a filmmaker originally from Singapore, has been making films like I’m Free Now, You Are Free, which follows the reunion of a mother and son after decades of state-sanctioned separation through incarceration. Only recently was Goh able to start being a full-time filmmaker, with support from the ITVS’s Humanities Documentary Development Fellowship. Even with that support, financial security is fickle.
“I’m going to be good for six months,” Goh says. “But then after that, I don’t know. We’ll see.”
Though this is livable for Goh, they mentioned they don’t have kids to raise or other substantial financial obligations. Long term, it’s hard for indie short documentary filmmakers to feel financially secure.
Caitlin Mae Burke and Merrill Sterritt, co-directors of IF/Then Shorts, a program under Field of Vision that serves as a fund, career development and filmmaker advocacy initiative, address the financial insecurity of short documentary filmmakers, questioning who this “golden age” is actually for. “You have to have another income stream in order to continue making film work because you’re not even covering a portion of one side of the production,” Burke notes. “That sort of says, Who can do this as a career?”
Sterritt explains there are few opportunities for filmmakers to recoup the cost of making their films. Breakwater Studios distributes through The New York Times OpDocs, which pays about $3,000-5,000 per short doc. This wage is reflected from distributors across the board. “Until we pay people fairly, then it’s just saying this has to be your hobby, which isn’t fair,” Burke asserts.
Proudfoot’s studio Breakwater Studios is dedicated entirely to the short form, its homepage declaring the company “Home of the Short Doc.” But Proudfoot says, “For many years, it was just a one-room operation barely paying rent.”
By partnering with brands looking to advertise, Breakwater Studios has been able to grow into a profitable multimillion dollar company with 16 full-time staff, Proudfoot says. So far, this model has allowed for Proudfoot to finance his own directed or co-directed films. Proudfoot’s latest project, in partnership with digital consultancy Publicis Sapient, Impact Films, is a three-part short doc series that explores the positive impact of technology on societal issues. Proudfoot hopes the company, which turned 10 this year, will expand to support other filmmakers throughout the next decade.
According to Burke, short documentaries are often seen as the “minor leagues” —a stepping stone that budding filmmakers take as a rite of passage to transcend to feature documentaries. This misconception, Burke explains, is fueled by programs and funding opportunities for short documentaries that are limited only to emerging filmmakers.
The vast difference in funding opportunities for short documentaries versus feature-length films alone speaks to the value in which the world engages with these different mediums.
“There’s definitely a lot more funding available to feature opportunities,” Goh says. “That in itself creates this cultural assumption within the industry that features are more of an end goal than shorts.” For some stories, shorts are the perfect form. They offer the opportunity to be artistically adventurous with the filmmaker’s aesthetic and craft.
To counter what Burke describes as an industry with “fiercely competitive” funding opportunities, she advises filmmakers to explore potential pockets of untapped money, finding niche and unique funders—like a regional art budget or related nonprofits—to help fund projects.
Though there are fewer funding opportunities for short docs, Proudfoot sees the short documentary sphere being less populated as a strength for sourcing funding. Proudfoot describes the limited funding opportunities for short doc filmmakers as a “double-edged sword.”
Unlike feature documentaries, there aren’t hardcore capitalists with money-hungry agendas pumping out short, sensationalized documentaries on celebrity drama and true crime. Instead, short documentaries are created out of passion.
“You’re not getting any short documentaries that are designed to suck up people’s time or make money, which the rest of cinema is totally clogged with, especially documentary,” Proudfoot notes, referring to the business model of streaming services.
Proudfoot describes short documentaries as a “cup of coffee” medium, allowing cinema to breach into a new market. Rather than coming home and watching a film to decompress, short documentaries, many of which live on journalism outlets like The New York Times or The New Yorker, are often viewed in the morning while checking the news, Proudfoot says.
With people’s increasingly busy lifestyles, short documentaries’ ability to create impact, like Whitney Skauge’s short doc for Breakwater Studios, The Beauty President, which tells the historical and heartwarming story of Terence Alan Smith who, during the height of the AIDs pandemic, was the first drag queen to run for president, is powerful. This concision revolutionizes the way that we receive, interact and share documentaries and our takeaways from them.
The short doc form thrives in the digital age, allowing short documentaries to be shared globally through messaging like WhatsApp. People are more likely to watch the entirety of a short documentary on their phone, Sterritt says, rather than watch the entirety of a feature-length documentary.
“You can communicate a feeling or a point in 10 to 15 minutes, and someone can send that in an email, or share it with their friends or their family,” Sterritt said. “It can be viewed so many times in that way.”
Goh expanded on this, explaining short documentaries have the power to cultivate conversation and education around docs. “It’s a lot easier to screen a 10-20-minute short doc and then talk about it—As opposed to a feature film screening and then try to have some kind of conversation around it,” they say.
Even if there is a long way to go in order to establish security and respect for the medium and its filmmakers, the future of short documentaries looks promising. To contest the adversity,
Sterritt advises getting a producer who is creative with funding. Goh, who is a member of filmmaker collectives A-Doc and Brown Girls Doc Mafia, stresses the importance of collaborating with others and word-of-mouth opportunities. Proudfoot advises those who are passionate about filmmaking and lacking resources to try short docs.
In an industry where films are often constrained by the rigidity of streaming services, short documentaries empower filmmakers with creative freedom—allowing for experimentation, passion, and novelty in an oversaturated medium. The exponentially evolving digital age only grows the scope of short documentaries.
“We’re at the very beginning of a very big and beautiful future that will unfold over the coming decades,” Proudfoot asserts. “The Internet is going to transform it. I don’t think we’re at the Golden Age, I think we’re at the very beginning of a very big and beautiful future that will unfold over the coming decades.”
Kelsey Brown just completed an editorial internship with Documentary magazine. She is a senior at Cal State Long Beach, where she is pursuing her bachelor’s in journalism with a minor in international studies.
The final contest at home for the Montreal Canadiens before their longest road trip of the season of seven games. The Tampa Bay Lightning in town and they posted an easy 5-1 win.
Wilde Horses
It’s becoming clear that the best two-way forward on the Montreal Canadiens is actually Kirby Dach. No matter where he plays, he is on the best line that night.
Usually, Dach plays with Nick Suzuki and Cole Caufield, who are the best scoring forwards on the club, but as soon as he leaves that line, it’s Dach who carries the best line of the team while the first line has a lot of issues (detailed below).
On this night, Dach centred Juraj Slafkovsky and Jonathan Drouin. To be lined up with a rookie, and a player who has struggled mightily recently, yet then be the best trio is saying a lot about what Dach brings.
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It also bodes well for the future of Slafkovsky. The goal is for him to show the skills that will make him a top-six forward, and at only 18, it’s easy to see the possibility when Dach is his centre.
Drouin likely doesn’t have a future with the club when his contract runs out, but then again, if this is a confidence issue for a once massively talented player, then perhaps Dach can help Drouin find his long-lost better self.
It’s a shame that Dach can’t play all the lines. If that were possible, it feels like he could raise the play of everyone.
Head Coach Martin St. Louis would love to see his first line excel when Dach is playing centre on the second line. The last attempt in the middle, two weeks ago, Dach had a positive Corsi and was four of five from the face-off dot.
However, every time the head coach tries this, the line that Dach leaves goes from a fairly good Corsi to getting destroyed. The experiment last time lasted only two periods with the line of Suzuki, Caufield and Josh Anderson getting only a 20 per cent share of shot attempts. They were folded like a cheap tent.
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Suzuki and Cole Caufield do not function with Anderson. They were a minus-two in ten minutes. The line had a 35 per cent shot share. The Dach line had an 80 per cent shot share. The numbers are startling.
Dach is a special winger with Suzuki and Caufield. He has a natural tendency to behave like a second centre while playing the wing. He rushes the puck up ice and exits the zone well. He also enters the zone well with possession. Dach is a possession giant.
The team has a manpower shortage. The entire first line craters or there is no second line scoring. One of the two is sacrificed every time out.
This is a one line hockey team. Suzuki, Dach and Caufield have 38 goals. The entire rest of the team has only 47 goals.
This says a lot about how good these three are, because without any other dangerous options, opposing head coaches can fully concentrate on line matching and also make sure that the Canadiens’ top-three face the best defending pair. The three facing all that attention still score most of the goals. Remarkable.
The rebuild has some pieces to acquire still. The most important one being a winger for Suzuki not named Kirby Dach.
The Montreal Canadiens rebuild has advanced more at forward than defence. The goal is to have as many top-six forwards as possible, with the best teams having five of six.
The Canadiens are doing well early in the rebuild. They have three top-six in Nick Suzuki, Cole Caufield and Kirby Dach. They have another hopeful in the first pick overall, Juraj Slafkovsky, who is already playing well in the NHL at the age of 18.
Three more prospects Filip Mesar, Owen Beck and Sean Farrell could reach that lofty height. A free agent signing of Pierre-Luc Dubois is also a possibility, with him showing an interest in playing in Montreal when he becomes an unrestricted free agent. Montreal is close to set at the forward position.
Sadly though, Montreal’s defence is less developed overall. The goal is to have four top-four defenders. Any team reaching that goal will certainly have a chance at the Stanley Cup. Arguably, only one team has perfect top-four defencemen, and it should be no surprise that they won the Stanley Cup.
Cale Makar, Samuel Girard, Devon Toews, and Erik Johnson lead the best defence in the league. They also have a top-four in waiting in Bowen Byram. That’s a young group as well. Colorado will be good for a long time.
Another top defence is the Carolina Hurricanes. They are the perfect example that perhaps the second best defending team in the league doesn’t actually top out at all four top-four defenders. The Hurricanes are extremely strong, but they have only Brent Burns, Jacob Slavin, Brett Pesce, and Brady Skjei. Strong, but hardly the Central Red Army on the blue line.
Realistically, the Canadiens are shooting for three of the top-four as that would put the club within the top ranks of the league. This is where the club needs to get to work still. They’re not as close as they are with the forwards.
Montreal has only one potential top-four defender in Kaiden Guhle. After a junior campaign where he was the MVP of the Edmonton Oil Kings Western Hockey League championship run, Guhle is bringing his first round draft pick talent to the NHL in his rookie season. He looks polished already, and with experience, it would be a shock to see Guhle not reach top-four status.
After that the rest is hope, and it’s not likely that any of the roster players now, even though they are playing well, hit that clear top-four status. Jordan Harris, Arber Xhekaj, and Jonathan Kovacevic are likely to be locked in as strong third pair defenders.
Defending is more difficult to know how development will continue. Forward is easy as there are clear stats to assess, stick skills, and shot.
Former Canadiens defenceman Shea Weber says defending is mostly about decision-making, and then physically having the ability to follow through on that decision. That’s harder to assess.
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With that in mind, perhaps one of the three rookies on the Habs blue line can become both smarter and more physically able. It seems a reach, but hope floats.
The Canadiens need a prospect to shine. The biggest hope is Lane Hutson. He is an offensive unicorn — one of the most talented offensive defenders at the college level that’s ever been seen. The worry is that he can not, with his stature of only five foot nine inches, handle the physical nature.
Hutson’s ceiling is top four. However, his floor is not even in the NHL, if he can not figure out how to mitigate his slight build.
The other hope is Logan Mailloux, who has missed so much hockey since he was drafted that it is difficult to assess his ceiling. Offensively, he is extremely strong. He is terrific on the rush and has a powerful shot. He has not shown a defensive awareness yet to match top-four talent.
In summary, the Canadiens have one fairly sure thing in Guhle, and then five hopefuls. If two land, then the Canadiens could be ready to rise up the standings. However, two landing in this group is far from a guarantee.
It’s easy to see the Canadiens, when they lose a lot of fat contracts to get into a favourable cap position, signing a free agent top-four defender to strengthen the roster.
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Last year’s cup winner had eight of the 10 pieces of a top-six and top-four. That’s how a championship is won.
Montreal has four pieces already, and they have a lot of prospects projecting high hopes. They also have a draft coming up with two first round selections, and a lot of money coming off the books to acquire a top free agent.
They’re not as far off as some think. It should be exciting to watch the pieces fall into place in the hands now of an intelligent management team.
Cecily Strong is leaving Saturday Night Live after 11 seasons on the show. A post on social media from the official Instagram account for the sketch show confirmed Strong’s exit.
“We’ll miss you, Cecily,” read a cue card shared while the caption of the post said, “Tonight we send off one of the best to ever do it. We’ll miss you, Cecily!”
Strong’s last episode set for Saturday, December 17 has Austin Butler as the host and Lizzo as the musical guest.
Strong made her debut on SNL as a featured player on September 15, 2012, and was upped the following year starting with Season 39. The comedic star co-anchored the “Weekend Update” segment alongside Seth Meyers. When Meyers left to host Late Night, Strong continued to co-anchor the segment alongside SNL writer Colin Jost for one season.
Some of Strong’s most popular recurring characters on the NBC sketch show include The Girl You Wish You Hadn’t Started a Conversation with at a Party, Dana, the loud-mouthed and unfriendly retail employee, Krya the co-host of The Girlfriends Talk Show, Cathy Anne, the drug-addicted neighbor of Michael Che, among others.
Throughout her tenure on SNL, Strong had a strong celebrity impersonation game. Some of the most memorable ones include Michigan governor Gretchen Whitmer, Judge Jeanine Pirro, and most recently Arizona governor candidate Kari Lake with all of her Zoom filters.
James Cameron has truly outdone himself with Avatar: The Way Of Water, his long awaited sequel to Avatar (2009). Almost 14 years later he has delivered a sequel that rivals the first and was not only an extraordinary visual feat worth waiting for but, something cinema has needed.
Disney’s “Avatar: The Way of Water has stunned critics and audiences alike, the film earned a Fresh Rating on Rotten Tomatoes and is continuing to climb the Global box office.“The film has already earned over $180M worldwide. With $53 million being made in North America and $24 million in China so far. The film’s budget is reportedly around $460M. The most expensive film ever made.
The main plot behind the film is a beautiful, emotional and heartwrenching story of family, love, revenge, life and death. At the middle of it all is Jake Sully and his family. As the official synopsis reads, “Jake and Neytiri are doing everything to stay together and stay safe. However, they must leave their home and explore the regions of Pandora. When an ancient threat resurfaces, Jake must fight a difficult war against the humans.”
SPOILERS BELOW DO NOT CLICK READ MORE IF YOU HAVE NOT SEEN THE MOVIE
The Way of Water’ starts where the first left off, with Jake as chief as the Omaticaya Clan with Neytiri as his wife. The two are building a family together, at the start of the film we see a beautiful and emotional montage of Jake’s children growing up and that alone is enough to get the waterworks started. As James Cameron promised, this film would focus mainly on family, and it does.
When the humans return to Pandora, they start an old war up again, after a one year time jump we see how things have progressed for both sides. We then see their greatest weapon, Colonel Quaritch in Avatar form, hell bent on killing Jake Sully. Jake has no choice but to take his family and run to the sea clans where Quaritch continues to hunt him down. The film has such captivating and emotional stories, all within the movie’s main plot.
This of course all leads to a climactic battle towards the end of the movie that pits human against Na’vi once again, in a battle for family, freedom and what’s right. At one point combining the two things James Cameron is best at, sinking ships and aliens.
What we have come to expect from most James Cameron fims are the visuals of his storytelling and his action packed fight scenes. Although the visuals are stunning, that isn’t the only reason people should want to see this film, James Cameron may be a master at VFX but he is also a grand storyteller. In this film in particular, James Cameron has truly pushed himself in terms of seeing how far her can go with the visual and storytelling aspects of filmmaking.
Courtesy of Disney
For some the film has proven to be above Avatar (2009) in terms of plot and cinematography, especially with the emotional aspect. However as Joel David Moore who plays Dr. Norm Spellman says “They are their own stories.” In case one might wonder if you need to watch the first movie to understand this one, yes of course that would be best, but this film stand out on its own and explains almost everything perfectly, except for a few key details.
Despite the fact that the movie is over 3 hours long, at times you can barely feel time going by. One thing that this film had more of in spades compared to the first was action. Way of Water was action packed and such and entertaining ride. It never slowed down. It will either have you on the edge of your seat or it will have you in tears, or it will have you foaming at the mouth with rage. Either way, get ready for an emotional ride.
The performances in the film were incredible, but especially those from the younger actors. Each character got a chance to shine on their own and together which meant an ample amount of screentime. We see a son trying to live up to his father, a son trying to escape his father, a daughter trying to figure out who she is and a brother who considers himself an outcast. In a moving turn of events, it ends up being the children who save their parents during the final moments of the film. There was some amazing talent on that screen.
Courtesy of Disney
As for Sam Worthington and Zoe Saldaña, they deliver such brilliant, emotional and intense performances throughout the film. We get to see them take on the role of parents and warriors as they face a number of obstacles. This cast’s work in this movie is something to be spoken about, both their physical work and the emotional heights they reached in the film.
Courtesy of Disney
James Cameron will have your heart bleeding for both creatures and characters even before the movie is over.
This film would have been the perfect ending to the Avatar franchise, however the film ends with the promise of sequels, and despite the fact that it was already revealed that more Avatar films were coming, after having seen Way of Water and witnessing the events that unfold, you might find yourself with a sense of closure, wishing that things had wrapped up here.
James Cameron is considered to be the King of sequels, with 2 successfull and widely popular sequels under his belt, Aliens” and “Terminator 2: Judgment Day in a recent interview with a Chicago reporter, Cameron explained his approach to sequels by saying, “You give the audience comfort that the things that they liked about the first film are gonna be there, but they’re going to be turned upside down or jumbled in a way that you don’t expect,” now with Avatar: The Way of Water, he has a third to add to the list.
However all in all, this film is a phenomenal cinematic experience and deserves to be seen in the biggest theatre you can find. Do not miss out on this phenomenal cinematic experience. With its incredible visuals you will forget that you are in a cinema and for 3 hours, you will have entered the world of Pandora. This is the kind of movie that reminds us what real cinema is.
James Cameron himself said, ‘If I Like My Movie, I Know Other People Are Gonna Like It,” if that’s the case, fans are going to love Way of Water.
Late Friday night, the mercurial mega-billionaire unilaterally announced that he was unbanning journalists whose accounts had been suspended a day before — which Musk claimed had “doxxed” him by posting links to an account that tracks his private jet. Until this week, the CEO of Twitter, Tesla and SpaceX had been OK with the jet-tracker remaining on the social network he acquired for $44 billion.
“The people have spoken,” Musk tweeted just after midnight ET. “Accounts who doxxed my location will have their suspension lifted now.” Musk was referring to a poll he posted about when to reinstate the accounts he’d blocked. After nearly 3.7 million votes, 59% of the votes were in favor of lifting the bans “now” while the rest voted for “in 7 days.” Musk similarly had decided to reinstate Donald Trump’s account last month based on a straw poll, after claiming he was forming a council with “diverse viewpoints” to weigh in on such questions.
The journalists Musk had banned have disputed his assertion they “doxxed” him. To some observers, it appeared that the tech titan — as the sole decision-maker at Twitter — was trying to silence critics of his reign at the company.
“To be clear, there was no ‘doxing’ — even if an impulsive, accountable-to-nobody oligarch said so,” Tony Webster, a journalist and photographer whose account was among those suspended on Dec. 16, tweeted on Friday night. He quoted his most recent tweet before he was suspended, which said, “If you aren’t willing to admit that Elon Musk lied to you about his ‘free speech’ goals, you are simply in denial at this point.”
This was my last tweet before my account was suspended. Needless to say, I was correct. This is not the free speech we were promised. To be clear, there was no ‘doxing’ – even if an impulsive, accountable-to-nobody oligarch said so. https://t.co/3w9V8EzRBq
As of Friday night, accounts that had been restored included those of independent journalist Aaron Rupar (@atrupar), the New York Times’ Ryan Mac (@RMac18), the Washington Post’s Drew Harwell (@drewharwell), CNN’s Donie O’Sullivan (@donie), Mashable’s Matt Binder (@MattBinder), the Intercept’s Micah Lee (@micahflee) and Tony Webster (@webster).
“Quite frankly, a few days away from Twitter is good for their mental health,” Musk smirked in a late-night tweet.
Twitter also Friday reinstated the account of Mastodon (@joinmastodon), which had tweeted a link to the ElonJet account on its own service. Still suspended at press time were the accounts of political commentator and podcaster Keith Olbermann (@keitholbermann) and Insider’s Linette Lopez (@lopezlinette), who has reported on Musk and his companies for years. Lopez told the AP that shortly prior to her suspension she had posted court-related documents to Twitter that included an email address for Musk from 2018 but which Lopez said it not current because “he changes his email every few weeks.”
“Olbermann tweeting from his dog’s account still makes me lmao,” Musk commented.
The move by Musk — who claims he’s a “free speech absolutist” — to suspend the accounts of the high-profile journalists came after he banned the @ElonJet account and other plane-tracking bots on Wednesday, citing the need to ensure the safety of his family. Also Wednesday, Twitter issued a brand-new rule prohibiting accounts from sharing the real-time location of individuals, even if the data information is otherwise publicly available. Several of the journalists’ accounts that were suspended had tweeted about the jet-tracker and linked to its new account on rival social network Mastodon.
Last month, Musk said Twitter would grant “amnesty” to all suspended accounts and reinstate them (“provided that they have not broken the law or engaged in egregious spam”). That included neo-Nazi Andrew Anglin, founder of white-supremacist site the Daily Stormer, whom Twitter banned in 2013.
Rupar, after his account was reinstated, tweeted, “I want to thank everyone for all the support and kind words over the past day and some change. I was pretty bummed about getting suspended initially but quickly realized it’d be fine because I’m blessed to have an amazing online community. Seriously, I appreciate it a lot. Cheers.”
Rupar previously had told CNN that he had not posted anything on Twitter about @ElonJet. He has been critical of Musk in his tweets and reporting. For example, on Dec. 15, Rupar tweeted, “can’t wait for Twitter to ban Elon Musk for violating the policy the company just announced hours ago,” quote-tweeting a video clip Musk had posted of a masked person in a car that revealed its license plate and asking, “Anyone recognize this person or car?” Earlier, Musk had said in a tweet that a car in which his 2-year-old son was riding on Tuesday evening in L.A. “was followed by [a] crazy stalker (thinking it was me), who later blocked car from moving & climbed onto hood.”
Since closing the deal for Twitter less than two months ago, Musk has massively shaken up the company. In addition to axing 50% of Twitter’s staff, he’s moved to try to generate revenue from Twitter Blue by making the paid service the only way to get a “verified” blue check-mark going forward.
YouTube has removed Pornhub’s channel over “multiple” community guideline violations, as first reported by Variety. According to Google, Pornhub’s account violated YouTube’s external link policy, which prohibits users from linking to content that’s not allowed on the platform, such as pornography.
“Upon review, we terminated the channel Pornhub Official following multiple violations of our Community Guidelines,” YouTube spokesperson Jack Malon tells The Verge. “We enforce our policies equally for everyone, and channels that repeatedly violate or are dedicated to violative content are terminated.”
Pornhub’s YouTube channel, which had nearly 900,000 subscribers before it was taken down, posted safe-for-work content promoting the site and its performers. The company also applied an age restriction to the videos posted to YouTube that required viewers to be 18 years of age or older, and “vehemently denies” claims that it posted or linked to adult content.
“Pornhub maintains the absolute best trust and safety measures on the internet and takes special care to ensure it does not violate any of YouTube’s Community Guidelines,” a Pornhub spokesperson tells The Verge, who asked to remain anonymous due to safety reasons related to doxing. “Unfortunately, this is just the latest example of discrimination against those in the adult industry, a trend seen across social media and all other facets of life, especially as groups disingenuously conflate consensual adult content with exploitation.”
The news of Pornhub’s removal from YouTube comes months after Instagram permanently banned Pornhub’s account, citing rule violations regarding nudity, adult content, and sexual solicitation. Like YouTube, Instagram similarly claims Pornhub encouraged Instagram users to leave the site to view adult content. Pornhub responded to the ban with an open letter that criticizes Instagram for removing its “fully PG” account, all while other creators continue to post content with “nudity and overt sexuality with no repercussions.”
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The French occupation of India was not as wide as that of the British. France’s India settlements were small and geographically separated – Mahe in the west, Pondicherry and Karaikal in the East and Chandernagore in what was is now West Bengal among others. But French colonisation of Africa was huge, and it included Algeria, which won its independence in 1962. Not much about this is known in India.
Helier Cisterne’s Faithful in French – which had its world premiere at the ongoing Rome International Film Festival – is an incisive study of the Algerian freedom struggle seen through the eyes of one man, an ordinary factory worker, Fernand Iventon. It is a true story, and he is played in the movie by Vincent Lacoste.
Iventon was an idealist, communist and strongly believed that the French should not rule his native Algeria. On the lines of India’s Bhagat Singh or Netaji Subhas Chandra Bose, who felt that the way to rid India of British rule was through an armed struggle (which was directly contrary to Mahatma Gandhi’s views of Ahimsa and non-violence), Iventon took up arms to see his beloved country free from what he and many others perceived as an extremely cruel administration.
Faithful faithfully follows Iventon as he places a bomb in the Algiers factory where he works. Although his idea was not to kill or maim anybody and although the device did not go off at all, he was arrested and charged with treason. He was tried for murder, sentenced and guillotined. It was only in 1981 that France abolished capital punishment.
Cisterne’ work is non-linear, going back and forth, starting during Iventon’s days in Paris, where he meets Helene (Vicky Krieps), a young Polish woman. Although she has a son from her earlier marriage which has not yet ended, she falls in love with Iventon and goes away with him to Algiers – to a life that is fraught with dangerous uncertainty. And when Iventon is held and declared a traitor, Helene is also labelled that and subjected to degrading humiliation.
The film has arresting moments – both when the couple are courting in Paris and later, when Iventon is tortured in custody and faces a trial by a French tribunal that is nothing short of mockery.
In an important way, Iventon’s memory has been haunting the French psyche. About to die, he appealed to Francois Mitterrand, who was then the French Justice Minister in charge of considering such requests. Many years later, when he became President, he was asked by three journalists whether he had voted for Iventon’s execution. Mitterrand refused to answer. However, we now know after the release of hitherto confidential material that the President had given his consent.
Obviously, the French wanted to set an example, and Iventon, though he had not killed or wounded anybody, became a convenient scapegoat.
Faithful has captured the agony and angst of political activism in the then Algeria. There are haunting images of Algiers in the 1950s, its simplicity as well as fears and anger of a people in bondage. The movie raises important political questions, hardly ever explored before in cinema. While Lacoste’s Iventon embodies deep-rooted convictions. Yet, he was honest, jovial and normal, and does not match our preconceived notion of a bomber. He simply got caught up in history, a man who did not become the darling of the masses or the rallying point of the Press.
Rating: 3/5
(Gautaman Bhaskaran is author, commentator and movie critic)
Your weekly horoscope is here. Wednesday marks the winter solstice as the sun ‘dies,’ at its lowest and weakest point in the annual solar cycle. That means the only way is up from here! Congrats, you’ve made it this far! Also the first day of Capricorn season, a sign that’s a little grinchy and the ultimate provider. Gather friends and family together, serve warm, hearty food, no matter how simple, and share positive stories that brighten hearts. Make it a modern twist on a traditional time. Our humanity gets us through the longest nights, so utilize this time to invest in it.
Read on for your weekly horoscope to discover what’s in store for your sign during the week of Dec 18 through Dec 24, 2022.
Aries
Happy solstice Aries; this point in the year may be the lowest for the Sun in the sky, but it’s the highest in the Aries sun sign scope. The world is watching as your public persona is unmissable right now. Be aware of your natural leadership qualities and know that others are looking to you as a guiding light. Like the forerunner out in front, blaze a trail for others to follow to keep spirits high. Career also features, whether that’s real-world work or seriously considering your path forward into next year. It pays to give it extra thought. Align with Friday’s New Moon by creating a game plan for your number one goal. Be sure it provides a sense of achievement and scares you just a little—or a lot! Think big, Aries.
Taurus
Book those tickets, sign up for that course, and set up your blog or podcast, Taurus. The Sun lights up your zone of expansion from Wednesday and has a professional, formal flavor. Do things properly and build them to last. This position supports your sign, bringing both luck and abundance. Invest in good equipment, and go for quality over quantity. If you’re ready to study, go with a well-respected school or site and get your certificates. Over the holiday period, pull up a stool next to a mentor or older professional and learn from the best. Credentials and building your expertise over the long term are worth keeping in mind. Especially this Friday, as a new Moon sets a new cycle in this area. Write a list of goals and intentions, so you know what you want to achieve.
Here’s a list of TV shows that aired (or were expected to air) during the 2022-23 season (roughly September 2022 through August 2023) but won’t be back for the 2022-23 season. Not finding a show that you believe has been cancelled? Check our other season lists or our network, cable, and streaming show status pages.
Latest additions:Blockbuster (Netflix), Shantaram (Apple TV+), Stanley Tucci: Searching for Italy (CNN), Sanditon (PBS), Step Up (Starz), Warrior Nun (Netflix), The Nevers (HBO), Dangerous Liaisons (Starz), Half Bad: The Bastard Son & The Devil Himself (Netflix), Monarch (FOX), Moonhaven (AMC+), The Midnight Club (Netflix), The Mighty Ones (Peacock), Love Limo (E!), Growing Up Chrisley (E!), Chrisley Knows Best (USA Network), Avalon (ABC), This Is Life with Lisa Ling (CNN), Hunters (Prime Video), The Imperfects (Netflix), Carnival Row (Prime Video), A Million Little Things (ABC), Degrassi (Netflix), Cross Connection (MSNBC), The News with Shepard Smith (CNBC), Fate: The Winx Saga (Netflix), DC’s Stargirl (The CW), Nancy Drew (The CW), Bad Crimes (Netflix), Pit Bulls & Parolees (Animal Planet), Firefly Lane (Netflix), Armor Wars (Disney+), Grendel (Netflix), Doc Martin (Acorn TV), The Owl House (Disney Channel), Derry Girls (Netflix), Daily Pop (E!), Nightly Pop (E!), and The Umbrella Academy (Netflix).
This list will be updated as the season progresses, so feel free to bookmark and check back. If we’ve missed something, please let me know.
Atlanta (FX) A comedy-drama created by star Donald Glover, this show centers on a music manager and a rapper as they navigate Atlanta’s rap scene. It was announced in advance that season four would be the end of the show.
Armor Wars (Disney+) Marvel Studios announced this series had been ordered in December 2020 and would star Don Cheadle reprising his movie role as James Rhodes, aka War Machine. The studio later decided to rework the idea into a feature film.
Avalon (ABC) The alphabet network gave this drama from David E. Kelley a direct-to-series order but later cancelled the project.
Bad Crimes (Netflix) An adult animated series from Mike Judge and Greg Daniels, this show was cancelled mid-way through its production. It was to star Nicole Byer and Lauren Lapkus as FBI Agents who traveled across the country solving cases.
Beauty and the Beast (Disney+) A prequel that would have focused on Gaston (Luke Evans) and LeFou (Josh Gad) from the 2017 movie, this show was cancelled (at least for now) due to scheduling delays and conflicts.
Blockbuster (Netflix) The comedy about the last Blockbuster Video store was cancelled by the company that helped put Blockbuster out of business.
Chrisley Knows Best (USA Network) This popular reality show was reportedly cancelled after stars Todd and Julie Chrisley were sentenced to a combined 19 years in prison due to being found guilty of fraud.
Cross Connection (MSNBC) Hosted by Tiffany Cross, this news series was cancelled when the cable channel didn’t renew her contract.
Daily Pop (E!) A daytime series that covers pop culture and celebrity news, this show ran for five and a half years before being cancelled.
DC’s Stargirl (The CW) A superhero series, this show follows a high school student who discovers a cosmic staff and inspires a new generation of superheroes. Season three is the end.
Endeavour (PBS) A prequel to the Inspector Morse series, this detective drama follows the career of young Endeavour Morse (Shaun Evans). The British series ends with season nine.
Field of Dreams (Peacock) The streaming service ordered this series which would have been based on the 1989 sports fantasy drama movie, which starred Kevin Costner. Michael Shur was to write the project. Plans for the series were cancelled but it’s said to be shopped elsewhere.
Firefly Lane (Netflix) Starring Katherine Heigl and Sarah Chalke, this drama revolves around the lives of two female friends and follows them as teens and into adulthood. It was announced the story would end after two seasons.
The Good Fight (Paramount+) A sequel to The Good Wife TV show, this political and legal drama follows the lives of attorneys Diane Lockhart (Christine Baranski) and Maia Rindell (Rose Leslie) following a financial scam and scandal. Season six is the end.
Grendel (Netflix) Based on the comic series by Matt Wagner, this live-action adaptation was cancelled by the streaming service midway through the production of the first season.
Growing Up Chrisley (E!) A spin-off of Chrisley Knows Best, this series was reportedly cancelled after parents Todd and Julie Chrisley were sentenced to a combined 19 years in prison due to being found guilty of fraud.
Hunters (Prime Video) Starring Al Pacino, Logan Lerman, and Jerrika Hinton, this drama tells the story of Nazi hunters. They discover that high-ranking Nazi officials are conspiring to create the Fourth Reich in 1977 in New York City. Season two is the end.
Love Limo (E!) This dating series was ordered in May 2022 and was to feature reality star Todd Chrisley helping singles find love. The project was reportedly dropped after Chrisley was sentenced to 12 years in prison for fraud.
The Marvelous Mrs. Maisel (Prime Video) Midge Maisel (Rachel Brosnahan) leaves the stage with this dramedy’s fifth and final season. The show revolves around a 1950s wife and homemaker with aspirations of making it in standup comedy.
Million Dollar Island (NBC) A Survivor-like competition series featuring 100 contestants, this show was planned for the 2022-23 season. It was cancelled before casting could fully get underway.
Monarch (FOX) This multi-generational drama follows the leading family in the country music industry. It was cancelled the night after the first season finale aired.
Moonhaven (AMC+) A sci-fi thriller series, this show was renewed for a second season, but that order was subsequently rescinded due to cost-cutting.
The Nevers (HBO) Created by Joss Whedon, this Victorian sci-fi series had production delays due to the pandemic and ended up being cancelled before all of the episodes were released.
New Amsterdam (NBC) This medical drama series follows the efforts of Dr. Max Goodwin (Ryan Eggold) and his co-workers at New Amsterdam Medical Center to make a difference. Season five is the end.
Nightly Pop (E!) A late-night series hosted by Morgan Stewart, Nina Parker, and Hunter March, it covers pop culture and celebrity news. This show ran for nearly four years before being cancelled.
The Owl House (Disney Channel) Created by Dana Terrace, this fantasy series follows a teenage girl who befriends a witch and becomes her apprentice. The story ends with a third season of three specials.
Sanditon (PBS) Airing as part of the Masterpiece series, this show is based on the final and incomplete novel of Jane Austen. It ends with season three.
See (Apple TV+) The streaming service announced that the third season of this post-apocalyptic drama is also its last. The series stars Jason Momoa.
Step Up (Starz) Based on the film franchise, this series about a performing arts school ran for two seasons as a YouTube Original and one season on Starz before being cancelled.
The Film That Lit My Fuse is a Deadline video series that aims to provide an antidote to headlines about industry uncertainty by swinging the conversation back to the creative ambitions, formative influences and inspirations of some of today’s great screen artists.
Today’s subject is Chinonye Chukwu, director of Till, the heartbreaking story of the courage of Mamie Till-Mobley, who turned the brutal murder of her son Emmett Till into a lightning rod of the civil rights movement. She demanded her son’s body be returned, and insisted that the world see the price of unchecked racism and hate in the south during the Jim Crow era. The film is an awards season contender.
Chukwu comes to Hollywood filmmaking through an unusual route. Born in Nigeria, she grew up Fairbanks, Alaska. She worked her way up, before making her breakthrough at Sundance, where she became the first Black woman to win the U.S. Dramatic Grand Jury Prize for Clemency, a heartfelt drama about capital punishment that starred Alfre Woodard and Aldis Hodge. Here, she explains the sparks that helped light her fuse.
Now that the six-part series Harry & Meghan is widely available on Netflix, the reviews are in from the one place that matters most: Buckingham Palace.
The biggest issue currently seems to be the rift that has grown between Prince Harry and his older brother, Prince William. In the Netflix series, Harry accused the heir to the throne of screaming at him in front of their late grandmother, Queen Elizabeth II, during a conversation about the Sussexes stepping down from their royal duties. He also said that William broke a promise the two had made about never pitting their offices against one another in the press. Harry accused William of being trapped within the “institution” of the monarchy.
“I think that’s it,” a source told PageSix, concerning the brothers. “They’re done.”
A source told Vanity Fair that a rapprochement seems highly unlikely at this juncture. “There’s a great sense of mistrust, it’s why William won’t speak to Harry, because he is nervous that anything he says might end up in a book or a TV series.”
Parallel to this, officials at the Palace are contesting the remarks that open the show, suggesting that the royal family declined to respond to any of the charges made in the documentary. While it is still unclear if they ever would, representatives from the family accused the Netflix producers of telling a fib, and that they were never approached. This was backpedaled a bit after producers pushed back, and the Palace admitted they were approached for comment via email from a “third-party production company.” They further claim that they did not receive the proper confirmation that they were indeed representing Netflix or the Sussexes. While this does seem like a realistic miscommunication (no doubt the King of England received a lot of wacky emails!), one does wonder if anyone can pick up the damn telephone anymore.
Kate, William, Harry, and Meghan outside Windsor Castle on September 10
Select Festivals: New York, IDFA, Busan, Zurich, São Paulo, Rome, Ji.hlava
About: Super 8 films, shot between 1972 and 1981, reveal not only a family archive but a testimony to the pastimes, lifestyle, and aspirations of a social class in the decade after 1968.
Russian soldiers go into battle with little food, few bullets and instructions grabbed from Wikipedia for weapons they barely know how to use.
Russian soldiers go into battle with little food, few bullets and instructions grabbed from Wikipedia for weapons they barely know how to use.
They plod through Ukraine with old maps like this one from the 1960s, recovered from the battlefield, or no maps at all.
They plod through Ukraine with old maps like this one from the 1960s, recovered from the battlefield, or no maps at all.
They speak on open cellphone lines, revealing their positions and exposing the incompetence and disarray in their ranks.
They speak on open cellphone lines, revealing their positions and exposing the incompetence and disarray in their ranks.
They have trained at dilapidated Russian bases hollowed out by corruption, including this one, home to a tank division badly defeated in Ukraine.
They have trained at dilapidated Russian bases hollowed out by corruption, including this one, home to a tank division badly defeated in Ukraine.
They are given wildly unrealistic timetables and goals for taking Ukrainian territory and complain of being sent into a “meat grinder.”
They are given wildly unrealistic timetables and goals for taking Ukrainian territory and complain of being sent into a “meat grinder.”
This is the inside story of historic Russian failures.
This is the inside story of historic Russian failures.
Putin’s War
A Times investigation based on interviews, intercepts, documents and secret battle plans shows how a “walk in the park” became a catastrophe for Russia.
Putin’s War
A Times investigation based on interviews, intercepts, documents and secret battle plans shows how a “walk in the park” became a catastrophe for Russia.
By Michael Schwirtz, Anton Troianovski, Yousur Al-Hlou, Masha Froliak, Adam Entous and Thomas Gibbons-Neff
They never had a chance.
Fumbling blindly through cratered farms, the troops from Russia’s 155th Naval Infantry Brigade had no maps, medical kits or working walkie-talkies, they said. Just a few weeks earlier, they had been factory workers and truck drivers, watching an endless showcase of supposed Russian military victories at home on state television before being drafted in September. One medic was a former barista who had never had any medical training.
Now, they were piled onto the tops of overcrowded armored vehicles, lumbering through fallow autumn fields with Kalashnikov rifles from half a century ago and virtually nothing to eat, they said. Russia had been at war most of the year, yet its army seemed less prepared than ever. In interviews, members of the brigade said some of them had barely fired a gun before and described having almost no bullets anyway, let alone air cover or artillery. But it didn’t frighten them too much, they said. They would never see combat, their commanders had promised.
Only when the shells began crashing around them, ripping their comrades to pieces, did they realize how badly they had been duped.
Flung to the ground, a drafted Russian soldier named Mikhail recalled opening his eyes to a shock: the shredded bodies of his comrades littering the field. Shrapnel had sliced open his belly, too. Desperate to escape, he said, he crawled to a thicket of trees and tried to dig a ditch with his hands.
Of the 60 members of his platoon near the eastern Ukrainian town of Pavlivka that day in late October, about 40 were killed, said Mikhail, speaking by phone from a military hospital outside Moscow. Only eight, he said, escaped serious injury.
“This isn’t war,” Mikhail said, struggling to speak through heavy, liquid breaths. “It’s the destruction of the Russian people by their own commanders.”
President Vladimir V. Putin’s war was never supposed to be like this. When the head of the C.I.A. traveled to Moscow last year to warn against invading Ukraine, he found a supremely confident Kremlin, with Mr. Putin’s national security adviser boasting that Russia’s cutting-edge armed forces were strong enough to stand up even to the Americans.
Russian invasion plans, obtained by The New York Times, show that the military expected to sprint hundreds of miles across Ukraine and triumph within days. Officers were told to pack their dress uniforms and medals in anticipation of military parades in the Ukrainian capital, Kyiv.
But instead of that resounding victory, with tens of thousands of his troops killed and parts of his army in shambles after nearly 10 months of war, Mr. Putin faces something else entirely: his nation’s greatest human and strategic calamity since the collapse of the Soviet Union.
A dead Russian soldier in Kharkiv the day after the war started in February.
Tyler Hicks/The New York Times
How could one of the world’s most powerful militaries, led by a celebrated tactician like Mr. Putin, have faltered so badly against its much smaller, weaker rival? To piece together the answer, we drew from hundreds of Russian government emails, documents, invasion plans, military ledgers and propaganda directives. We listened to Russian phone calls from the battlefield and spoke with dozens of soldiers, senior officials and Putin confidants who have known him for decades.
A Russian logbook detailing the movement of airborne troops from Belarus toward Kyiv, including attacks and “nonstop fire” by Ukrainian forces.
Ukraine’s military intelligence service, known as the G.U.R.
The Times investigation found a stunning cascade of mistakes that started with Mr. Putin — profoundly isolated in the pandemic, obsessed with his legacy, convinced of his own brilliance — and continued long after drafted soldiers like Mikhail were sent to the slaughter.
At every turn, the failures ran deeper than previously known:
In interviews, Putin associates said he spiraled into self-aggrandizement and anti-Western zeal, leading him to make the fateful decision to invade Ukraine in near total isolation, without consulting experts who saw the war as pure folly. Aides and hangers-on fueled his many grudges and suspicions, a feedback loop that one former confidant likened to the radicalizing effect of a social-media algorithm. Even some of the president’s closest advisers were left in the dark until the tanks began to move. As another longtime confidant put it, “Putin decided that his own thinking would be enough.”
The Russian military, despite Western assumptions about its prowess, was severely compromised, gutted by years of theft. Hundreds of billions of dollars had been devoted to modernizing the armed forces under Mr. Putin, but corruption scandals ensnared thousands of officers. One military contractor described frantically hanging enormous patriotic banners to hide the decrepit conditions at a major Russian tank base, hoping to fool a delegation of top brass. The visitors were even prevented from going inside to use the bathroom, he said, lest they discover the ruse.
Once the invasion began, Russia squandered its dominance over Ukraine through a parade of blunders. It relied on old maps and bad intelligence to fire its missiles, leaving Ukrainian air defenses surprisingly intact, ready to defend the country. Russia’s vaunted hacking squads tried, and failed, to win in what some officials call the first big test of cyberweapons in actual warfare. Russian soldiers, many shocked they were going to war, used their cellphones to call home, allowing the Ukrainians to track them and pick them off in large numbers. And Russia’s armed forces were so stodgy and sclerotic that they did not adapt, even after enduring huge losses on the battlefield. While their planes were being shot down, many Russian pilots flew as if they faced no danger, almost like they were at an air show.
Stretched thin by its grand ambitions, Russia seized more territory than it could defend, leaving thousands of square miles in the hands of skeleton crews of underfed, undertrained and poorly equipped fighters. Many were conscripts or ragtag separatists from Ukraine’s divided east, with gear from the 1940s or little more than printouts from the internet describing how to use a sniper rifle, suggesting soldiers learned how to fight on the fly. With new weapons from the West in hand, the Ukrainians beat them back, yet Russian commanders kept sending waves of ground troops into pointless assaults, again and again. “Nobody is going to stay alive,” one Russian soldier said he realized after being ordered into a fifth march directly in the sights of Ukrainian artillery. Finally, he and his demoralized comrades refused to go.
A Soviet-era map of modern-day Ukraine, Belarus and Russia recovered from the battlefield.
Mr. Putin divided his war into fiefs, leaving no one powerful enough to challenge him. Many of his fighters are commanded by people who are not even part of the military, like his former bodyguard, the leader of Chechnya and a mercenary boss who has provided catering for Kremlin events. As the initial invasion failed, the atomized approach only deepened, chipping away at an already disjointed war effort. Now, Mr. Putin’s fractured armies often function like rivals, competing for weapons and, at times, viciously turning on one another. One soldier recounted how the clashes became violent, with a Russian tank commander deliberately charging at his supposed allies and blowing up their checkpoint.
Since the early days of the invasion, Mr. Putin has conceded, privately, that the war has not gone as planned.
During a meeting in March with Prime Minister Naftali Bennett of Israel, Mr. Putin admitted that the Ukrainians were tougher “than I was told,” according to two people familiar with the exchange. “This will probably be much more difficult than we thought. But the war is on their territory, not ours. We are a big country and we have patience.”
People who know Mr. Putin say he is ready to sacrifice untold lives and treasure for as long as it takes, and in a rare face-to-face meeting with the Americans last month the Russians wanted to deliver a stark message to President Biden: No matter how many Russian soldiers are killed or wounded on the battlefield, Russia will not give up.
One NATO member is warning allies that Mr. Putin is ready to accept the deaths or injuries of as many as 300,000 Russian troops — roughly three times his estimated losses so far.
Just days after facing blowback about the war from normally friendly leaders in September, Mr. Putin doubled down on the invasion, calling up hundreds of thousands of Russians in a draft that was supposed to turn the war in Russia’s favor, but has instead stirred growing anger at home. Soon after, hundreds of Russian soldiers were killed outside Pavlivka, including Mikhail’s drafted comrades in the blind advance of the 155th.
“Legs, guts. I mean, meat. Just meat,” another member of the platoon, Aleksandr, said from a hospital in Russia. “I know it sounds terrible, but you can’t describe it any other way. People were turned into hamburger.”
Aleksandr recounted how he and his fellow draftees had asked their instructor in Russia what they could possibly learn about firing a gun and becoming soldiers in the few weeks before being sent to Ukraine.
“He was honest: ‘Nothing,’” Aleksandr said the instructor responded.
Reporting was contributed by Aaron Krolik, Adam Satariano, Alan Yuhas, Andrew Higgins, Carlotta Gall, Christiaan Triebert, Eric Schmitt, Helene Cooper, Ivan Nechepurenko, Julian E. Barnes, Mykola Ponomarenko, Natalia Yermak, Oleg Matsnev, Paul Mozur, Ronen Bergman, Stanislav Kozliuk and Valerie Hopkins. Aleksandra Koroleva, Oksana Nesterenko and Milana Mazaeva contributed translations.
Produced by Gray Beltran, Rumsey Taylor, Adam Dean, Mona Boshnaq, Gaia Tripoli and James Surdam. Maps by Scott Reinhard.
The more setbacks Mr. Putin endures on the battlefield, the more fears grow over how far he is willing to go. He has killed tens of thousands in Ukraine, leveled cities and targeted civilians for maximum pain — obliterating hospitals, schools and apartment buildings, while cutting off power and water to millions before winter. Each time Ukrainian forces score a major blow against Russia, the bombing of their country intensifies. And Mr. Putin has repeatedly reminded the world that he can use anything at his disposal, including nuclear arms, to pursue his notion of victory.
Emergency services at the site of a Russian missile strike on a residential building in Zaporizhzhia, in October.
Nicole Tung for The New York Times
As far back as January, with the United States warning that Russia’s invasion of Ukraine was imminent, a retired Russian general named Leonid Ivashov saw disaster on the horizon. In a rare open letter, he warned that using force against Ukraine would threaten “the very existence of Russia as a state.”
In a recent phone interview, General Ivashov said that his warnings before the war echoed what he had been hearing from nervous Russian military officials at the time. Though the Kremlin insisted an invasion was not on the table, some could tell otherwise. Service members told him that “victory in such a situation is impossible,” he said, but their superiors told them not to worry. A war would be a “walk in the park,” they were told.
The last 10 months, he went on, have turned out to be “even more tragic” than predicted. Nimble Ukrainian generals and soldiers have outmaneuvered a much bigger, more lethal foe. The West, cheered by Ukraine’s successes, has provided ever more powerful weapons to drive the Russians back.
“Never in its history has Russia made such stupid decisions,” General Ivashov said. “Alas, today stupidity has triumphed — stupidity, greed, a kind of vengefulness and even a kind of malice.”
Mr. Putin’s spokesman, Dmitri S. Peskov, blames the West, and the weapons it has given Ukraine, for Russia’s unexpected difficulties in the war.
“This is a big burden for us,” Mr. Peskov said, depicting Russia as taking on all of NATO’s military might in Ukraine. “It was just very hard to believe in such cynicism and in such bloodthirstiness on the part of the collective West.”
Some of the war’s original supporters are starting to reckon with the idea of defeat. Before the invasion, American intelligence agencies identified Oleg Tsaryov as a puppet leader the Kremlin could install once it took over Ukraine. His faith in the war has since slipped away.
Areas of Russian control before invasion
Areas of Russian control before invasion
“I was there. I participated” in the invasion, Mr. Tsaryov told The Times during a phone interview. But, he said, he was never told the final details and “the Russian Army didn’t understand” the Ukrainians would fight back, thinking “everything would be easy.”
Now, Mr. Tsaryov, a businessman from Ukraine, says he will be happy if the fighting simply ends along the current battle lines — with Russia having failed to capture and keep hold of a single regional capital since the invasion began.
“We’re losing Ukraine,” Mr. Tsaryov said. “We’ve already lost it.”
Blunders “Tomorrow you are going to Ukraine.”
Russian invasion plans obtained by The Times ordered troops to sprint hundreds of miles across Ukraine from multiple directions, anticipating little resistance.
Blunders “Tomorrow you are going to Ukraine.”
Russian invasion plans obtained by The Times ordered troops to sprint hundreds of miles across Ukraine from multiple directions, anticipating little resistance.
The attack came by land, sea and air.
The attack came by land, sea and air.
As missiles struck the southern city of Mykolaiv before dawn, a Ukrainian pilot, Oleksii, woke up to a phone call: Get to the runway, a fellow pilot told him.
As missiles struck the southern city of Mykolaiv before dawn, a Ukrainian pilot, Oleksii, woke up to a phone call: Get to the runway, a fellow pilot told him.
Oleksii bolted across the tarmac in the dark as the first Russian missiles landed, clambered into his Su-27 fighter jet and took off just as buildings across the airfield began to explode.
“At that moment, I understood that it was really something bad,” said Oleksii, 26, on condition that only his first name and rank, captain, be used. Some other soldiers and officials in this article were not authorized to speak publicly, or faced reprisals.
Just before 6 a.m. Moscow time, Mr. Putin declared the opening of his “special military operation” in a televised address. It began with an aerial bombardment to take out Ukraine’s air defenses, communications and radar installations — to overwhelm its military and shatter its ability to fight back.
More than 150 missiles thundered into Ukraine from bombers, submarines and ships. As many as 75 Russian aircraft streaked into Ukrainian skies, about the size of Ukraine’s entire working air combat fleet, analysts and officials said.
On his radar screen, Oleksii saw the blips of incoming missiles and enemy aircraft before getting his orders: Fly to a backup air base in central Ukraine. When he landed, he was astonished. Not only was his unit there, but a good portion of Ukraine’s remaining air force as well.
For days, he and his fellow pilots flew missions from their new base, wondering when Russian radar operators would finally notice them. A strike on their position could have been disastrous, gutting the Ukrainian defense, and the pilots assumed it was only a matter of time until one came. But it took four days for the Russians to attack, and most of the aircraft had moved to new locations by then, leaving Oleksii in amazement.
“It was really simple,” he said. “I don’t know how they missed this opportunity.”
The failure to destroy Ukraine’s modest air defenses was one of the most significant blunders of the war, foiling Russia’s mighty air force early on. Interviews revealed why that happened — and how the Ukrainians managed to stay a step ahead of their invaders.
Russia invades
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
Ukraine should have been overwhelmed. By one count, its fighter jets were outnumbered 15 to one in some early air battles. Russia’s planes were also more advanced, helping its pilots see farther and strike from greater distances. Russia had thousands of cruise and ballistic missiles that should have smothered Ukraine’s aging, Soviet-era defenses. That is what American and Ukrainian intelligence officials assumed, anyway, leading to predictions that Ukraine would fall within days.
So, Ukraine shuffled the deck. It moved some of its defenses — like Buk and S-300 missile launchers, along with its primary radio intelligence command and control center — to new sites before the war began, senior Ukrainian officials said. Russian missiles often hit the old locations instead. In all, as many as 60 percent of Russian cruise missiles missed their intended targets, American officials said.
Part of Russia’s problem was agility. Even if Russian forces had spotted Oleksii and his fellow pilots bunched together at their new rendezvous point, American officials said, Russia’s military was so rigid and centralized that it typically needed 48 to 72 hours to update its intelligence and get approval to go after new targets — by which time the Ukrainians were gone.
That same inflexibility made the Russians easy to hit. After failing to take out Ukraine’s defenses, many Russian pilots kept flying as if they had. Their ground-attack planes often flew sorties without backup from other fighter jets, the Ukrainians said, enabling outgunned pilots like Oleksii to catch them off-guard by flying at low altitudes, hidden from radar, and roaring up from below to shoot them down.
The debris of a Russian Su-34 aircraft that crashed into a residential neighborhood in Chernihiv in March.
David Guttenfelder for The New York Times
“Maybe the Russian Army didn’t read the Soviet books,” Oleksii said. “They flew straight without any cover. They had bombs, they had rockets, but they didn’t cover their attack aircraft.”
Then in March, when Russian pilots finally changed tactics and started flying low enough to duck under Ukrainian air defense radar, they fell into the sights of Ukrainian missiles, including shoulder-fired Stingers provided by the United States.
For Russian troops on the ground, it was a disaster.
Without air cover, they were suddenly far more vulnerable, throwing their troubled march toward Kyiv and other large cities further into disarray.
Though tens of thousands of them had amassed along Ukraine’s borders, hovering menacingly as if eager to strike, many never thought they were actually going to war. Like most of Russia, they figured it was just for show, to extract concessions from the West.
Interviews with Russian soldiers show how stunned they were when the orders came to invade. Cpl. Nikita Chibrin, a 27-year-old soldier in a motorized infantry brigade, said he had spent the month before in Belarus on what he and his fellow soldiers were told was a training exercise. On Feb. 23, he said, he and his unit were at their camp celebrating the Defender of the Fatherland holiday, snacking on candy they had been given for the occasion, when their commander approached.
“Tomorrow you are going to Ukraine to fuck up some shit,” he said the commander told them. There was no further explanation.
Before dawn on the 24th, Corporal Chibrin and his comrades loaded into a tracked armored personnel carrier. They had no instructions and no idea where they were headed, he said.
Another Russian soldier stationed in Belarus said he found out he was going to war only an hour before his unit began to march. The order was both simple and wildly optimistic: Follow the vehicle in front of you and reach Kyiv within 18 hours.
According to the unit’s schedule and logbook — which were obtained by The Times and reviewed by three independent military analysts, who considered them authentic — the first vehicles in his convoy were supposed to punch down from Belarus and arrive on the outskirts of Kyiv by 2:55 p.m., even faster than the soldier was told.
A Russian military timetable showing a detailed schedule of movement for airborne troops set to depart Belarus, and arrive on Kyiv’s outskirts.
Source: Ukraine’s military intelligence service, known as the G.U.R.
He didn’t come close. The massive vehicles were so heavy, ripping up the roads as they tried to move forward, that the convoy got bogged down immediately, the soldier said. It took more than a day just to cross the border into Ukraine.
It got worse from there. The logbook recorded day after day of delays, Ukrainian attacks and hundreds of injuries, deaths and destroyed vehicles.
Secret orders for a different Russian force — obtained by The Times and shared with four independent military analysts, all of whom said they were credible — were issued only hours before Mr. Putin’s announcement.
The orders, for a unit of the 26th Tank Regiment, were oddly overconfident, to the point of being contradictory. They anticipated a tangle of possible resistance from Ukrainian troops and planes, yet they still laid out a mostly uninhibited, 24-hour dash from Ukraine’s border with Russia to a point across the Dnipro River, about 250 miles away.
There, the unit would dig in, about two hours outside Kyiv, and block Ukrainian troops sweeping in from the south and east, the Russian war plans said. And no matter how fierce the enemy was, the unit was expected to complete the mission on its own.
A document recovered from the 26th tank regiment detailing invasion plans issued on Feb. 23, 2022.
“There are no forces or equipment for reinforcements,” the orders said.
On March 17, Valeriy Zaluzhnyi, the commander of Ukrainian forces, posted a video of burning tanks that he said belonged to the 26th Tank Regiment in northeastern Ukraine — hundreds of kilometers short of its intended destination.
The unit lost 16 vehicles in less than three weeks, according to Russian documents seized and published by Ukraine. The mother of one young tank soldier on the unit’s roster told Russian media that her son was brought home in pieces, identified only by his DNA.
Across Ukraine, the Russian losses mounted. A giant armored column of more than 30,000 troops at the core of Russia’s force pushing south toward the city of Chernihiv was eviscerated by a motley group of Ukrainian defenders outnumbered five to one, soldiers and senior officials said. The Ukrainians hid in the forest and picked apart the Russian column with shoulder-fired antitank weapons, like American-made Javelins.
A Ukrainian soldier carrying an NLAW anti-tank guided missile as he walks toward a destroyed Russian armored column at a junction near Ivankiv, northwest of Kyiv, filmed between Feb. 24-26.
Lyubov Shelkovich, via Facebook
One Russian soldier in the unit said he was shocked by the swiftness of the Ukrainian attack.
“In the first battle, the column was ambushed, and I was wounded, and that’s it,” he said. “For 24 hours, I was missing a leg, lying in a field waiting for my unit to come get me.”
The rout near Chernihiv spoiled part of Russia’s plan to envelop Kyiv.
Ukrainian soldiers walking along a street where a column of Russian military vehicles was destroyed near Chernihiv in April.
Daniel Berehulak for The New York Times
A massacre at the Antonov Airport spoiled another.
Russian forces had counted on the element of surprise when wave upon wave of helicopters descended on the airport, home to the largest aircraft in the world: the An-225 Mriya, a cargo plane with a 290-foot wingspan that was an object of Ukrainian national pride.
Taking the airport would give Russian forces a beachhead to ferry in troops for the assault on Ukraine’s capital. But the Ukrainians expected as much. Using shoulder-fired missiles, they shot down Russian aircraft and killed as many as 300 Russian paratroopers, according to senior American and Ukrainian officials and the captured Russian logbook.
Fierce battles in the following days destroyed much of the airport, including the prized Mriya cargo jet, but thwarted Russia’s plans.
“Yes, we lost our Mriya,” said Col. Yuriy Ignat, the spokesman for Ukraine’s Air Force Command. “But as a result the airport wasn’t lost.”
Russia not only botched the attack by land and air, but also put too much faith in another wing of its vaunted arsenal: hacking.
Even before the first missiles and shots were fired, unit 74455 of the Russian Military Intelligence Directorate, or G.R.U., tried to infiltrate Ukrainian networks and shut them down.
Officials in Washington, who had been working closely with the Ukrainians to bolster their cyberdefenses for years, had been holding their breath. States had mainly used hacking for acts of espionage and financial thievery, for subversion and sabotage. But nobody really knew how it would play out in a full-scale military conflict.
“All this stuff that has been written about cyberwar has been speculative,” said a senior U.S. defense official. “For the first time, you have war and cyber together — the real thing.”
The Russian hacking unit, known as Sandworm, had long menaced Ukraine, waging attacks against the power grid starting in 2015. But it was labor intensive, and only somewhat effective. By one estimate, it took Sandworm about 19 months to prepare the attack on a power station in western Ukraine, yet it only caused a six-hour power outage.
A snippet of code used by hackers to try to disable Ukrainian government computers.
Cybersecurity and Infrastructure Security Agency
A cyber cat-and-mouse game ensued, with the United States, Britain and other allies helping to shore up Ukrainian computers and stave off Russian intrusions.
On Feb. 23, hours before the invasion began, Sandworm took another swing, launching malware that infected several hundred Ukrainian government computers, officials said. The intrusion was detected quickly, the damage contained.
Then Sandworm struck again. But the code it used looked like it had been thrown together at the last minute, with programming errors — another fail.
Sandworm wasn’t done. In its boldest stroke yet, it went after the Ukrainian military’s satellite communications, used by soldiers in the field. It worked, and by 6:15 a.m. on Feb. 24, the system went down, right at Ukraine’s most vulnerable moment.
It could have been a crippling blow. But the Ukrainian government had a backup plan: a separate satellite communications system, which it had tested only two months before, to make sure it was ready in the event of a Russian invasion.
Russia had assumed its forces would march largely uncontested into Kyiv. When that didn’t happen, American officials suspect that Sandworm — like the rest of the Russian military — was caught off guard.
Soon, Russia’s missteps went from the sophisticated to the mundane.
With their plans for a speedy victory stymied, Russian forces were suddenly confronted with the most basic of problems: They hadn’t brought enough food, water or other supplies for a prolonged campaign. Soldiers resorted to looting grocery stores, hospitals and homes.
Security camera footage showing Russian soldiers looting a shop, said to be in Kherson, on Feb. 28.
u_now, via Telegram
“The guys were going from apartment to apartment and taking out large bags — looting in all its glory,” one Russian soldier wrote in mid-March in his diary, which was recovered by Ukrainian troops in eastern Ukraine and shared with a Times reporter embedded with them. “Some take only what they need, some take everything, from old nonfunctional phones to plasma TVs, computers, and expensive alcohol.”
In the diary, the soldier recounts hunting for medicine, food and other essentials, describing the joy his men felt entering a grocery store.
“We found everything that we lacked so much, even sweets,” the soldier wrote. “Everyone rejoiced like children.”
A page from the diary of a Russian soldier, recovered by Ukrainian troops, that described scavenging for candy and socks.
He recounts nearly dying in a mortar attack and stalking a Ukrainian armored personnel carrier. But just as often, he appears concerned with basic provisions for himself and his comrades, describing how they scoured a hospital and came up with jam, cookies and raisins.
Two days later, he had more luck. “I found socks that are now worth their weight in gold,” he wrote.
Some Russian troops panicked, and even resorted to self-sabotage. One Pentagon intelligence report said that Russian military drivers were poking holes in their gas tanks, disabling their own vehicles to avoid going into battle.
The commander of a Ukrainian tank repair depot said some 30 Russian T-80 tanks in seemingly perfect condition were taken and delivered to him at the beginning of the war. When his mechanics inspected, they found sand had been poured into the fuel tanks, rendering them inoperable.
Ukrainian law enforcement officials started noticing something else suspicious as well: a spike in foreign cellphone numbers near the border, in the forests between Ukraine and Belarus.
Russian soldiers were using cellphones to call home, and suddenly popping up on Ukrainian networks. Officials who monitor the traffic during peacetime for criminal activity quickly realized they could see and hear the invaders approaching in real time.
“We listened to the Russian soldiers as they panicked and called their friends and relatives,” said an official who oversees the phone intercepts. “They used ordinary phones to make decisions about their further moves.”
Down long corridors guarded by locks with facial detection, behind doors sealed with wax to detect intruders, teams of women tracked the Russian troops from small listening booths while their friends and relatives grabbed rifles to patrol the streets.
“We understood where the enemy was, what numbers they were using,” the official said.
The eavesdroppers passed the details to Ukraine’s armed forces to carry out ambushes and counterattacks. Maj. Gen. Kyrylo Budanov, the head of Ukraine’s military intelligence, said Ukrainian forces used cellphone signals and even TikTok videos to target a unit of Chechen soldiers known as the Kadyrovtsy, named for the strongman leader of Chechnya, Ramzan Kadyrov.
It took 40 minutes from the time one video was uploaded to pinpoint the unit’s location near the Hostomel airport northwest of Kyiv, Mr. Budanov said. The Ukrainian military then hit them with three Tochka-U ballistic missiles, he said.
The Russians kept closing in on Kyiv, forcing the eavesdroppers tucked in listening rooms to make a quick decision: destroy their equipment and flee for their own safety, or hang on and continue gathering intelligence.
They stayed.
“We didn’t lose Ukraine. We didn’t let the enemy move further,” the official said. “On the first days, when they made foolish mistakes, we used their foolish mistakes to our advantage.”
Hubris “They saw a czar in him. He just went nuts.”
Consumed by his legacy, stewing in resentment against the West, Mr. Putin drove his country to war to seal his place in Russian history.
Hubris “They saw a czar in him. He just went nuts.”
Consumed by his legacy, stewing in resentment against the West, Mr. Putin drove his country to war to seal his place in Russian history.
Fawning allies and aides fueled the conviction that Russia would easily overwhelm its neighbor.
Fawning allies and aides fueled the conviction that Russia would easily overwhelm its neighbor.
He boasted of wielding a modernized military behemoth, a far cry from its post-Soviet shell. Watching from afar, the West believed him.
He boasted of wielding a modernized military behemoth, a far cry from its post-Soviet shell. Watching from afar, the West believed him.
William J. Burns, the director of the C.I.A., flew to Moscow, sat in a conference room near the Kremlin and waited until the formalities were over before explaining the real reason he had come.
It was early November 2021. The United States believed Mr. Putin was considering a full-scale invasion of Ukraine, Mr. Burns explained. If he proceeded down this path, Mr. Burns warned, the West would respond — decisively, in unison — and the consequences for Russia would be severe.
Nikolai Patrushev, the secretary of Mr. Putin’s security council, stiffened and looked Mr. Burns in the eye, officials in the room said. He abandoned his notes and extolled the prowess of Russia’s armed forces. They had been so thoroughly modernized under Mr. Putin that they now rivaled the United States militarily, he said.
“Patrushev didn’t qualify it,” said John Sullivan, the American ambassador to Russia at the time, who was there. “He was just looking at Burns and saying: ‘We can do this. We’re back.’ The way I would describe it was that this was already decided, and they were supremely confident. His message was, ‘It’s not going to be a problem for us to do what we want to do.’”
Mr. Burns briefed Mr. Biden upon his return to Washington, officials said. Mr. Putin had all but made up his mind to take over Ukraine, Mr. Burns told him, and the Russians had absolute confidence victory would come swiftly.
To Mr. Putin, Ukraine is an artificial nation, used by the West to weaken Russia. He describes it as a cradle of Russian culture, a centerpiece of Russian identity that must be wrested back from the West and returned to Russia’s orbit.
In his eyes, that is the biggest unfinished mission of his 22 years in power, people who know him say.
He began as an unassuming bureaucrat-turned-president on New Year’s Eve, 1999, seen by the inner circle of his predecessor, Boris N. Yeltsin, as a proficient manager who could bring stability without threatening the ruling elite.
By his third decade in power, Mr. Putin seems transformed, people who have known him since the 1990s say. He styles himself as a pivotal figure astride a millennium of Russian history — as he hinted when he unveiled a statue of Vladimir the Great, the medieval prince of Kyiv, outside the Kremlin walls in 2016.
That Vladimir “entered history as a uniter and protector of Russian lands,” Mr. Putin said.
The Vladimir at Russia’s helm in the 21st century, Mr. Putin has increasingly made plain, sees himself as carrying on that tradition.
“If everyone around you is telling you for 22 years that you are a super-genius, then you will start to believe that this is who you are,” said Oleg Tinkov, a former Russian banking tycoon who turned against Mr. Putin this year. “Russian businesspeople, Russian officials, the Russian people — they saw a czar in him. He just went nuts.”
Mr. Putin rose to power as a deft politician. He could flash charm, humility and a smile, painting himself as a reasonable leader to Russians and foreigners. He knew how to control his facial muscles in tense conversations, leaving his eyes as the only guide to his emotions, people who know him said.
But during his presidency, he increasingly wallowed in a swirl of grievances and obsessions: the West’s supposed disregard for the Soviet Union’s role in defeating Nazi Germany; the fear that NATO would base nuclear missiles in Ukraine to strike Moscow; modern-day gender politics in which, Mr. Putin often says, Mom and Dad are being replaced by “Parent No. 1 and Parent No. 2.”
In the personalist system he has built, those quirks have global consequences.
“What he thinks about obsessively, and quite possibly falsely,” has ended up shaping “the biography of the whole world,” said Konstantin Remchukov, a Moscow newspaper editor.
Mr. Putin seemed to think that only he truly understood Ukraine. After annexing the Ukrainian peninsula of Crimea in 2014, Mr. Putin bragged that he had overruled his own advisers, who had considered the move too dangerous because of the risk of sanctions and a Ukrainian military response.
Back then, Mr. Putin’s instincts mostly proved right. The Ukrainian military withdrew swiftly from Crimea — some soldiers and sailors switched sides to join Russia — and the West’s limited sanctions scarcely affected Russia’s economy, sealing Mr. Putin’s confidence.
“I took responsibility for everything,” Mr. Putin said after taking Crimea, according to a confidant. “I will be gone sooner or later, but Crimea will have been returned to Russia forever.”
A pro-Russian rally on Crimea in 2014, the year Russia seized the peninsula.
Sergey Ponomarev for The New York Times
Many of the people closest to Mr. Putin had an incentive to cater to the boss’s rising self-regard — and to magnify the external threats and historical injustices that Mr. Putin saw himself as fighting against.
A former Putin confidant compared the dynamic to the radicalization spiral of a social media algorithm, feeding users content that provokes an emotional reaction.
“They read his mood and they start to slip him that kind of stuff,” he said.
By the summer of 2021, during a meeting that was supposed to be about the economy, Mr. Putin railed instead against the West and President George W. Bush’s withdrawal from the Antiballistic Missile Treaty in 2002, which Mr. Putin often cites as one of America’s great post-Cold War sins.
“We tried to partner with the West for many years, but the partnership was not accepted, it didn’t work,” Mr. Putin said, recalled his guest, who sat on the other end of a long table.
The words had a sort of finality to them, the visitor said: “It was like he was talking to himself, not to me.”
The guest had spent three days in quarantine before meeting with Mr. Putin at a distance of roughly 15 feet. It was a “light” option the Kremlin offered to people who sought face time with Mr. Putin but wanted to avoid the lengthy quarantines required for an up-close meeting with him, even in the pandemic’s second year.
Mr. Putin meeting with his defense minister and a top military official in February. The photo was released by Russian state media.
Aleksey Nikolskyi/Sputnik, via Reuters
Mr. Putin’s isolation deepened his radicalization, people who know him say. He went 16 months without meeting a single Western leader in person. He held just about all his meetings by videoconference from nondescript rooms that left his exact location a mystery. Those who got to see him in person saw their influence rise in a system in which access to Mr. Putin — referred to as “the boss” or “V.V.,” his first initials, by insiders — is the most valuable of currencies.
“Our most important resource is not a medal, not money and not possession of anything,” said Konstantin Zatulin, a member of Parliament in Mr. Putin’s United Russia party. “Our main, most important resource is access to the president.”
On that score, Yuri Kovalchuk, a conservative physicist and banking magnate who befriended Mr. Putin in the 1990s, did well during the pandemic. Mr. Kovalchuk bragged last year that he had spent several months in 2020 with Mr. Putin at his residence on Lake Valdai, between St. Petersburg and Moscow, according to a person who met with him then.
Mr. Kovalchuk told the person that Mr. Putin’s main achievement was “militarization” — the creation of an army and a society ready for war.
The secretive Mr. Kovalchuk prides himself as a strategist who sees Russia locked in an existential battle with the West, according to people who know him. In the last decade, he has expanded his television and newspaper holdings, key parts of the Kremlin’s propaganda apparatus.
A onetime Putin confidant said Mr. Kovalchuk sees himself “as a visionary,” and the pandemic, given the extraordinary precautions Mr. Putin took, emerged as an opportunity for Mr. Kovalchuk to deepen his imprint on the president — and the nation.
Mr. Putin’s unfinished business with Ukraine also fed a growing personal animus toward Ukraine’s president, Volodymyr Zelensky.
Ukraine’s president, Volodymyr Zelensky, at a news conference in Kyiv in March.
Lynsey Addario for The New York Times
When Mr. Zelensky was elected in a landslide in 2019, the Kremlin saw him as someone it could work with: a Russian-speaking comedian who had lived in Moscow, performed on Russian television and won with a message of ending the war in eastern Ukraine that Russia had fueled.
And partly because Mr. Zelensky is Jewish, some in Moscow expected him to be tough on Ukraine’s nationalist wing, which venerated Ukrainian independence fighters who had fought alongside the Nazis in the closing battles of World War II.
“I think he is sincerely willing” to compromise with Russia, Mr. Putin said of Mr. Zelensky in 2019. “It is his sincere conviction, at least his striving.”
By early 2021, the Kremlin’s hopes had been dashed. Mr. Zelensky cracked down on pro-Russian interests in Ukraine, shutting down pro-Russian television channels and sanctioning Viktor Medvedchuk, a Ukrainian oligarch close to Mr. Putin.
Mr. Putin showed his frustration in a long meeting at his Sochi residence with Mr. Bennett, the new prime minister of Israel, in October 2021.
Mr. Putin charmed his guest, taking him into his private residence and pouring him a glass of whiskey. But when it came to Ukraine, Mr. Putin flashed anger. Mr. Bennett noted that Mr. Zelensky was interested in meeting Mr. Putin face to face.
“I have nothing to discuss with this person,” Mr. Putin shot back, according to two people familiar with the exchange. “What kind of Jew is he? He’s an enabler of Nazism.”
Some Western officials believe that, by that point, Mr. Putin may have already decided to go to war. But in Russia, even among those with access to Mr. Putin or his inner circle, almost no one thought that the president was seriously considering a full-scale invasion, people close to the Kremlin said. They were sure he was bluffing.
Mr. Remchukov, the newspaper editor, was one of them. As the chairman of the 2018 election campaign of Mayor Sergei S. Sobyanin of Moscow — Mr. Putin’s former chief of staff — he felt well-connected enough to happily announce to his wife a week before the invasion, “Lena, there won’t be a war!”
That day, he had met for two hours with several senior military officials. Rather than betray any hint of tension, they bantered about Mr. Remchukov’s newly svelte physique, queried him in detail about his weight-loss regimen and casually discussed their vacation plans for early March.
After he came home and described the meeting to his wife, he said, “she kissed me and said: ‘What happiness!’”
The Americans, by contrast, feared the worst.
On Feb. 22, two days before the invasion, Ukraine’s foreign minister, Dmytro Kuleba, went to the Pentagon and said his nation desperately needed Stingers, the shoulder-fired antiaircraft missiles.
Secretary of Defense Lloyd J. Austin III offered to help before asking how the Ukrainian government planned to keep running after the Russians invaded. “If you get pushed out of Kyiv,” he said, “where are you going to go?”
Mr. Kuleba replied: “I can’t even acknowledge that. We’re not even going to talk about that or think about that.”
“Yeah, I got that,” Mr. Austin said. “But you need a plan.”
Soon, Gen. Mark A. Milley, the chairman of the Joint Chiefs of Staff, joined in, launching into what a senior American defense official described as a “‘you’re going to die’ speech.”
“They’re going to roll into Kyiv in a few days,” General Milley said. “They’re coming in with tanks and columns of formations. You need to be ready for that. You need to be prepared. If you’re not, it’s going to be a slaughter.”
As General Milley spoke, Mr. Kuleba and members of his delegation sat back in their chairs, their eyes widening.
The Ukrainian air force had trained with NATO members since 2011, and the partnership deepened after Russia took Crimea in 2014. Wary of another invasion, they carried out combat exercises in Ukraine and California, preparing the nation’s air force to take on its technologically superior enemy. In February, a secretive U.S. Air Force and Air National Guard team called Grey Wolf was set up at Ramstein Air Base in Germany to support the Ukrainians.
But General Milley still harbored serious doubts about Ukraine’s state of readiness. He had walked the halls of the Pentagon that winter with an enormous green map of Ukraine, with increasingly ominous projections from U.S. intelligence agencies of Russia’s invasion plans. What’s more, the American defense attaché at the embassy in Kyiv had spent weeks trying to get Ukraine’s defensive plans, and the ones she received minimized, in the Pentagon’s view, the Russian threat.
Mr. Austin seemed somewhat uncomfortable at General Milley’s blunt admonishment of the Ukrainian foreign minister and chimed in, reassuringly: “We’re going to do what we can to help these guys.”
The reality was slow to sink in for many in Moscow, too. Mr. Zatulin, a senior Putin ally in Russia’s Parliament, said he got his first inkling that the president was serious about an invasion in mid-February. Though known as a leading expert on Ukraine, Mr. Zatulin said he was never consulted on the possibility.
To the contrary, Mr. Zatulin said he was scheduled to give an address to the Russian Parliament on behalf of Mr. Putin’s United Russia party on Feb. 15 that was supposed to signal the opposite — that there would be no invasion unless Mr. Zelensky himself went on the offensive in Ukraine’s divided east. But just five minutes before the session was scheduled to start, Mr. Zatulin said, he got a message from an aide: The party’s leadership had canceled his speech.
“I was not ready for this turn of events,” Mr. Zatulin said. “Everything connected to this decision turned out to be a surprise not just for me, but also for a great many of the people in power.”
Mr. Peskov, Mr. Putin’s spokesman, insisted that he found out about the invasion only once it had begun. Likewise, Anton Vaino, Mr. Putin’s chief of staff, and Aleksei Gromov, Mr. Putin’s powerful media adviser, also said they did not know in advance, according to people who spoke to them about it.
The best that senior aides could do was to try to read Mr. Putin’s body language. Some reported with concern that “he’s got this warlike twinkle in his eyes,” a person close to the Kremlin said.
Russian howitzers being loaded onto train cars at a station outside Taganrog, Russia, days before the invasion.
The New York Times
Sergei Markov, a former Kremlin adviser, said that amid Russia’s military buildup around Ukraine late last year, a deputy minister asked him if he knew what was going to happen.
“That means that no one has told the deputy minister,” Mr. Markov said. “Even some members” of Russia’s security council “weren’t told until the last moment.”
Many elites found out too late.
Russia’s main industrial association had been expecting to meet with Mr. Putin in February. On the agenda, among other things: the regulation of cryptocurrencies. But the meeting kept getting rescheduled, until finally, on Feb. 22 or Feb. 23, the Kremlin notified participants of the date: Feb. 24, the day Mr. Putin invaded Ukraine.
Andrey Melnichenko, a coal and fertilizer billionaire in that lobbying group, described how he woke up that day to the “madness” in Ukraine. But the meeting with Mr. Putin was still on, so a few hours later, he was at the Kremlin, as scheduled. In an anteroom, stunned tycoons were munching on sandwiches while awaiting the results of their coronavirus swabs to clear them to share Mr. Putin’s air.
When Mr. Putin finally appeared, the television cameras were rolling. He told the assembled billionaires that he had no choice but to invade.
Mr. Putin met with a group of Russian oligarchs at the Kremlin on Feb. 24.
“What happened, in my view, is irrational,” said Mr. Melnichenko, describing his reaction to the invasion. “It was shock.”
Another magnate recalled realizing — too late — that Mr. Putin was parading them in front of the television cameras, for all the world to see, for a carefully planned purpose. The point was “specifically to tar everyone there,” he said, “to get everyone sanctioned.”
There was no going back. They, like the rest of Russia, were in this with Mr. Putin now.
Sure enough, Mr. Melnichenko and all the other businessmen who appeared with Mr. Putin that day were hit with sanctions by the West in the months that followed.
Internal Rot “Everyone was stealing and lying.”
Even as the Ukrainians rallied to beat back the Russian advance, Russian intelligence officers emailed instructions to state media, telling it to portray generous and triumphant Russian troops saving civilians from Ukraine’s villainous leaders.
Russia’s main security service, the F.S.B., worked hand in glove with the military and state television to project the illusion of success — and to conceal the dysfunction.
Internal Rot “Everyone was stealing and lying.”
Even as the Ukrainians rallied to beat back the Russian advance, Russian intelligence officers emailed instructions to state media, telling it to portray generous and triumphant Russian troops saving civilians from Ukraine’s villainous leaders.
Russia’s main security service, the F.S.B., worked hand in glove with the military and state television to project the illusion of success — and to conceal the dysfunction.
Defeats became accomplishments, as if reflected through a carnival mirror. Despite Russia’s humiliating failure to seize Ukraine’s capital, its military sent TV crews a video about Ukrainians supposedly throwing down their NATO-provided guns.
Defeats became accomplishments, as if reflected through a carnival mirror. Despite Russia’s humiliating failure to seize Ukraine’s capital, its military sent TV crews a video about Ukrainians supposedly throwing down their NATO-provided guns.
As Russian troops retreated from areas around Kyiv in March, the F.S.B. boasted about the heroics of Russian special forces, claiming they stopped Ukrainians who terrorized pro-Russian civilians. In some cases, the agency even offered language to hide the source of the information: “A SOURCE CLOSE TO THE POWER STRUCTURES OF RUSSIA!!!!”
As Russian troops retreated from areas around Kyiv in March, the F.S.B. boasted about the heroics of Russian special forces, claiming they stopped Ukrainians who terrorized pro-Russian civilians. In some cases, the agency even offered language to hide the source of the information: “A SOURCE CLOSE TO THE POWER STRUCTURES OF RUSSIA!!!!”
The messages, drawn from tens of thousands of emails leaked from Russia’s largest state-owned media company and reviewed by The Times, show how at least one engine of the Russian war effort purred along smoothly: the nation’s propaganda machine.
At times, Russia’s military and the F.S.B. directed coverage down to the video clips played and the time of publication. The emails, leaked from V.G.T.R.K., the state media giant that oversees some of Russia’s most-watched channels, portrayed Mr. Putin’s military as backed into a corner by NATO.
Once the full invasion began, the machine downplayed Russian atrocities, bolstered conspiracy theories and tried to portray Ukrainian troops as abandoning their posts. (After the emails were released by a group that publishes hacked documents, The Times verified the documents by confirming identities, email addresses and broadcasts on the air.)
Off camera, state media employees had little to no idea what was actually happening. A state television journalist said in an interview that as late as April, his Kremlin sources were still assuring him that the war would be over within days.
A pro-Russian Ukrainian politician called for Mr. Zelensky to resign on a Russian state-run news channel.
“Tomorrow morning, there’ll be a statement,” the journalist recalled one of his sources saying, only to be proved wrong the next day. “It was really kind of weird.”
But while state broadcasters kept delivering upbeat assessments, Mr. Putin privately acknowledged that his military was struggling.
During the meeting in March with Mr. Bennett of Israel — when Mr. Putin conceded that the war would be “much more difficult than we thought” — he returned to the theme that has become a fixation of his presidency: his place in Russian history.
Ukraine recaptures the North
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
“I won’t be the Russian leader who stood by and did nothing,” he told Mr. Bennett, according to two people familiar with the exchange.
Once again, Mr. Putin seemed convinced that future generations of Russians could be threatened by the West. He had spent years preparing for precisely such a clash, devoting hundreds of billions of dollars to Russia’s military, supposedly to modernize it and strip out the corruption that had sapped it in the 1990s.
But while Russia made significant headway, Western officials said, a culture of graft and fraud persisted under Mr. Putin that emphasized loyalty above honesty, or even skill. The result was a hodgepodge of elite troops and bedraggled conscripts, advanced tanks and battalions that were powerful only on paper.
“Everyone was stealing and lying. This was a Soviet, and now Russian, tradition,” said Col. Vaidotas Malinionis, a retired Lithuanian commander who served in the Soviet military in the 1980s. Looking at satellite images of the army camp where he served, he said the old barracks and mess hall were still there, with no sign of modernization, and a few buildings had fallen down. “There has been no evolution at all, only regression,” he said.
European, American and Ukrainian officials warned against underestimating Russia, saying it had improved after its muddled invasion of Georgia in 2008. The defense minister overhauled the armed forces, forcibly retired about 40,000 officers and tried to impose more transparency on where money went.
“He made a lot of enemies,” said Dara Massicot, a RAND researcher who studies the Russian military.
Then, in 2012, that minister — in charge of dragging the military out of its post-Soviet dysfunction — became embroiled in a corruption scandal himself. Mr. Putin replaced him with Sergei K. Shoigu, who had no military experience but was seen as someone who could smooth ruffled feathers.
“Russia drew a lot of lessons from the Georgia war and started to rebuild their armed forces, but they built a new Potemkin village,” said Gintaras Bagdonas, the former head of Lithuania’s military intelligence. Much of the modernization drive was “just pokazukha,” he said, using a Russian term for window-dressing.
Contractors like Sergei Khrabrykh, a former Russian Army captain, were recruited into the stagecraft. He said he got a panicked call in 2016 from a deputy defense minister. A delegation of officials was scheduled to tour a training base of one of Russia’s premier tank units, the Kantemirovskaya Tank Division, whose history dates to the victories of World War II.
Billions of rubles had been allocated for the base, Mr. Khrabrykh said, but most of the money was gone and virtually none of the work had been done. He said the minister begged him to transform it into a modern-looking facility before the delegation arrived.
“They needed to be guided around the territory and shown that the Kantemirovskaya Division was the coolest,” Mr. Khrabrykh said. He was given about $1.2 million and a month to do the job.
As he toured the base, Mr. Khrabrykh was stunned by the dilapidation. The Ministry of Defense had hailed the tank division as a unit that would defend Moscow in case of a NATO invasion. But the barracks were unfinished, with debris strewn across the floors, large holes in the ceiling and half-built cinder-block walls, according to photos Mr. Khrabrykh and his colleagues took. A tangle of electrical wires hung from a skinny pole.
“Just about everything was destroyed,” he said.
The interior of a tank base building.
Sergei Khrabrykh
The same base after work was done to cover up its state.
Sergei Khrabrykh
Before the delegation arrived, Mr. Khrabrykh said, he quickly constructed cheap facades and hung banners, covered in pictures of tanks and boasting the army was “stronger and sturdier year by year,” to disguise the worst of the decay. On the tour, he said, the visitors were guided along a careful route through the best-looking part of the base — and kept away from the bathrooms, which had not been repaired.
After the invasion started, the Kantemirovskaya Division pressed into northeastern Ukraine, only to be ravaged by Ukrainian forces. Crews limped away with many of their tanks abandoned or destroyed.
In 2019, Russia’s chief military prosecutor said that more than 2,800 officers had been disciplined over corruption violations in the past year alone.
After the invasion, American officials noticed that much of Russia’s equipment was poorly manufactured or in short supply. Tires on wheeled vehicles fell apart, stalling convoys, while soldiers resorted to crowdfunding for clothes, crutches and other basic supplies as the war wore on.
But even more consequential than the corruption, officials and analysts said, were the ways Mr. Putin fundamentally misunderstood his own military.
Russia had, in fact, spent 20 years getting ready for a radically different kind of war.
It had not prepared its military to invade and occupy a country as big and powerful as Ukraine, officials and analysts said. Instead, Russia had largely organized its military to keep U.S. and NATO forces away by inflicting maximum damage from afar.
Central to this strategy was a series of outposts — Kaliningrad by the Baltic, Crimea in the Black Sea, and the Syrian port of Tartus on the Mediterranean — to use long-range missiles to keep Western forces at bay. In the event of conflict, Russia intended to blind the enemy and destroy it from a distance, American officials said.
But in this case, Russia did not crush Ukraine with weeks of missile strikes in advance. It marched in quickly with forces on the ground.
Unlike its more limited campaigns in places like Syria — or the big hypothetical war with NATO it had long planned for — the invasion of Ukraine was simply “not what the Russian military was designed to do,” putting it in a position it was probably “least prepared” to deal with, said Clint Reach, a researcher at RAND.
In other words, the Kremlin picked the “stupidest” of all potential military options by rushing forward and trying to take over Ukraine, said General Budanov, the Ukrainian military intelligence chief.
Russia had not trained its infantry, air and artillery forces to work in concert, move quickly and then do it all again from a new location, officials said. It did not have a clear Plan B after the march on Kyiv failed, and commanders had long been afraid to report bad news to their bosses.
Russian aims get smaller
Throughout the summer, Russia makes incremental gains in the East.
Areas of Russian control
Areas of existing Russian control before invasion
Reclaimed by Ukraine
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
“The collective system of circular, mutual self-deception is the herpes of the Russian Army,” the pro-Russian militia commander Aleksandr Khodakovsky wrote on Telegram in June.
The mounting failures drove a cadre of pro-Russian military bloggers to a boiling point. While still cheerleaders for the war, they began to openly criticize Russia’s performance.
“I’ve been keeping quiet for a long time,” the blogger Yuri Podolyaka said in May, after hundreds of soldiers died in a river crossing. “Due to stupidity — I emphasize, because of the stupidity of the Russian command — at least one battalion tactical group was burned, possibly two.”
A Ukrainian soldier atop an abandoned Russian tank at a river crossing where hundreds of Russian soldiers died.
Ivor Prickett for The New York Times
The fury eventually reached Mr. Putin himself. On the sidelines of his marquee annual economic conference in St. Petersburg in June, the president held a meeting that had become a tradition: a sit-down with news media chiefs. This time, though, the bloggers were the headline guests.
Mr. Putin sat alone at one end in a cavernous hall, according to one attendee, who provided a photo of the private gathering. Some of the bloggers took the floor and peppered Mr. Putin with messages and complaints from the front.
“It became a very concrete conversation, a surprising one for us,” the person present said. “We’d never had such conversations.”
It appeared to the person there that Russia’s intelligence agencies were using the bloggers to shift the blame for the war’s failings to the Ministry of Defense. Mr. Zatulin, the Putin ally in Parliament, insisted he supported the war, but said a blame game has broken out, and took a side himself.
“Of course, to a certain degree, we now have an element of everyone wanting to dump the responsibility on someone else,” Mr. Zatulin said.
“But I think that the main miscalculations,” he added, “were made by the Defense Ministry and the General Staff” — the military’s top brass.
Collapsing Front “Nobody is going to stay alive.”
Ruslan was 54 years old, at war in Ukraine, and seemed to be learning to use his weapon on the fly.
Collapsing Front “Nobody is going to stay alive.”
Ruslan was 54 years old, at war in Ukraine, and seemed to be learning to use his weapon on the fly.
In his pack, he had printouts from Wikipedia, describing the rifle he was carrying and instructions to help him shoot accurately.
In his pack, he had printouts from Wikipedia, describing the rifle he was carrying and instructions to help him shoot accurately.
He also carried pictures of enemy commanders, stamped “WANTED” in red.
He also carried pictures of enemy commanders, stamped “WANTED” in red.
A photocopied letter offered motivation: “Soldiers, take care of yourself and come back home swiftly to your family and close ones healthy and alive,” it read. “Goodbye.”
A photocopied letter offered motivation: “Soldiers, take care of yourself and come back home swiftly to your family and close ones healthy and alive,” it read. “Goodbye.”
His mission seemed clear enough. With his marksman’s rifle, bundle of papers and copies of his Russian passport in his pack, Ruslan was one of thousands of poorly trained, underequipped men asked to defend a huge swath of territory that Russia had seized in northeastern Ukraine.
By summer’s end, Russian leaders had sent their best troops far to the south, leaving skeleton crews behind. So when the Ukrainians swept in and attacked the northeast, hoping to recapture occupied land, soldiers like Ruslan were cut down or melted away in a chaotic retreat.
Military analysts had warned of such a danger before the invasion. Even as tens of thousands of Russian soldiers massed ominously along Ukraine’s borders, they said, the Kremlin had not sent enough to occupy the entire country. The Russian war plans for the 26th Tank Regiment signaled the same problem: Expect no reinforcements.
Russia managed to take territory, frequently at enormous cost. But how to keep it was often an afterthought.
“The army, the generals, the soldiers weren’t ready,” said Mr. Tsaryov, the man American officials identified as a puppet leader the Kremlin could install in Ukraine.
A kindergarten classroom near Izium was used as a base by retreating Russian soldiers and emblazoned with the military symbol “Z” in September.
Nicole Tung for The New York Times
He said the Russian Army had spread itself so thin across Ukraine after invading that it “would move through cities and not leave behind even a garrison, even a small one to stick up a Russian flag and defend it.”
In the northeastern region of Kharkiv, Russian commanders put men like Ruslan at roadblocks and moved on.
Ukrainians break through in the Kharkiv region
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
He had little else besides the printouts in his pack, which Ukrainian soldiers recovered with what they believe to be his body in September. The rifle next to him suggested he was a sniper. But while snipers in modern militaries often go through weeks of additional special training, Ruslan’s teacher appeared to be the internet.
“Hello dear soldier!” read the unsigned letter in his pack. “You have to risk your life so that we can live peacefully. Thanks to you and your comrades our army remains so strong, mighty and can protect us from any enemy.”
More than 50 pages of Russian documents, collected from three towns in the Kharkiv region and reviewed by The Times, show a timeless truth: Foot soldiers bear the outsize burden of combat.
The documents — shared with three independent military experts, who considered them credible — detail how Russia relied on bedraggled backup forces, many of them separatist fighters from Ukraine’s long conflict in its divided east, to hold territory as the regular Russian Army fought hundreds of miles away.
The 202nd Rifle Regiment of the Luhansk People’s Republic — Kremlin-backed separatists in eastern Ukraine — was one of them. It had nearly 2,000 men, but was almost completely dependent on foot soldiers.
More than a dozen pages of its rosters detail the particulars of the unit’s suffering, down to a lack of warm clothing and boots.
Several of its soldiers were in their 50s, including one who experienced “cardiac failure,” while one of its youngest casualties, a 20-year-old named Vladimir, endured “frostbite of the lower limbs.” Yet another complained on a phone call intercepted by the Ukrainians that he had no armored vest and a helmet from the 1940s.
An excerpt from a roster of soldiers from the 202nd Rifle Regiment of the Luhansk People’s Republic.
“Our battalion, for instance, has already gone more than three weeks without receiving ammunition from the army,” the pro-Russian militia commander, Mr. Khodakovsky, said on Telegram in September.
In an interview, another soldier described having only the vaguest sense of how to use his weapon.
He recounted being advised to fire judiciously, one round at a time, rather than blasting his rifle uncontrollably. But he wasn’t sure how to do that. So, shortly before going into combat, he said, he turned to a commander and asked how to switch his rifle off fully automatic.
Russia came to rely on such battered, inexperienced troops after months of tactics that more closely resembled 1917 than 2022. Commanders sent waves of troops into the range of heavy artillery, eking out a few yards of territory at grievous tolls.
When one Russian unit arrived in eastern Ukraine, it was quickly whittled down to a haggard few, according to one of its soldiers.
During fighting in the spring, he said, his commanders ordered an offensive, promising artillery to support the attack. It never came, he said, and his unit was devastated.
Yet commanders sent them right back into the melee all the same.
“How much time has passed now? Nine months, I think?” he said. “In this whole time, nothing has changed. They have not learned. They have not drawn any conclusions from their mistakes.”
He recounted another battle in which commanders sent soldiers down the same path to the front, over and over. On each trip, he said, bodies fell around him. Finally, after being ordered to go a fifth time, he and his unit refused to go, he said.
In all, he said, his unit lost about 70 percent of its soldiers to death and injury, ruining any faith he had in his commanders.
“Nobody is going to stay alive,” he said. “One way or another, one weapon or another is going to kill you.”
American officials realized early on that they had vastly overestimated Russia’s military. The morale of rank-and-file soldiers was so low, the Americans said, that Russia began moving its generals to the front lines to shore it up.
But the generals made a deadly mistake: They positioned themselves near antennas and communications arrays, making them easy to find, the Americans said.
Ukraine started killing Russian generals, yet the risky Russian visits to the front lines continued. Finally, in late April, the Russian chief of the general staff, Gen. Valery Gerasimov, made secret plans to go himself.
American officials said they found out, but kept the information from the Ukrainians, worried they would strike. Killing General Gerasimov could sharply escalate the conflict, officials said, and while the Americans were committed to helping Ukraine, they didn’t want to set off a war between the United States and Russia.
The Ukrainians learned of the general’s plans anyway, putting the Americans in a bind. After checking with the White House, senior American officials asked the Ukrainians to call off the attack.
“We told them not to do it,” a senior American official said. “We were like, ‘Hey, that’s too much.’”
The message arrived too late. Ukrainian military officials told the Americans that they had already launched their attack on the general’s position.
Dozens of Russians were killed in the strike, officials said. General Gerasimov wasn’t one of them.
Russian military leaders scaled back their visits to the front after that.
Divided Ranks “Wagner almost always fights alone.”
They deployed tanks, heavy artillery and fighter jets.
Divided Ranks “Wagner almost always fights alone.”
They deployed tanks, heavy artillery and fighter jets.
They pushed out their own propaganda and ran recruiting centers.
They pushed out their own propaganda and ran recruiting centers.
And they fought on the front line in Ukraine.
And they fought on the front line in Ukraine.
But they didn’t answer directly to the Russian military. They belonged to a mercenary group, known as Wagner.
But they didn’t answer directly to the Russian military. They belonged to a mercenary group, known as Wagner.
And they became one of Mr. Putin’s shadow armies in Ukraine, often acting as a rival to the Russian military.
And they became one of Mr. Putin’s shadow armies in Ukraine, often acting as a rival to the Russian military.
Wagner’s leader, Yevgeny Prigozhin, has long been a crony of the Russian president.
Wagner’s leader, Yevgeny Prigozhin, has long been a crony of the Russian president.
To join in Mr. Putin’s war, he has recruited prisoners, trashed the Russian military and competed with it for weapons.
To join in Mr. Putin’s war, he has recruited prisoners, trashed the Russian military and competed with it for weapons.
More than 20 years into a murder sentence, Yevgeny Nuzhin saw his chance at salvation swoop in by helicopter.
Mr. Prigozhin — the close confidant of Mr. Putin, known for stirring up trouble across the Middle East and Africa with his mercenary army, Wagner — came to Mr. Nuzhin’s prison south of Moscow in August, looking for recruits.
Heaving with patriotic fervor, Mr. Prigozhin gave the kind of speech he has delivered at other Russian prisons in recent months, some shared online. In one, also from August, Mr. Prigozhin, dressed in a drab beige uniform, promised pardons for the inmates who made it back from Ukraine alive. Those who didn’t, he said, would “be buried in the alleys of the heroes.”
He also issued a warning: Anyone thinking of deserting his forces once in Ukraine, he said in the video, would be shot.
Mr. Nuzhin accepted Mr. Prigozhin’s offer, but ignored the warning.
After two days at the front, where he spent his time collecting the bodies of dead Wagner soldiers, he used the cover of darkness to slip away and surrender to Ukrainian troops.
“What good has Putin done in the time that he has been in power? Has he done anything good?” Mr. Nuzhin told The Times after being taken into Ukrainian custody. “I think this war is Putin’s grave.”
Yevgeny Nuzhin, 55, a Russian prisoner of war held by Ukraine, in October.
Brendan Hoffman for The New York Times
Mr. Putin’s reliance on mercenaries and convicts is one of the more unusual features of his war in Ukraine. Mr. Prigozhin is just one of a handful of strongmen active in the war, all of them managed by Mr. Putin, who has carved up the administration of much of Russia into competing fiefs run by people loyal to him above all.
Beyond the mercenaries controlled by Mr. Prigozhin, who rose to prominence as a caterer of Kremlin events, there is also the Russian national guard, overseen by Mr. Putin’s former bodyguard. And there is the unit commanded by the Chechen leader, Mr. Kadyrov — whose fighters were found and attacked because of their misadventures on TikTok.
As far as officials can tell, the Russian military has limited coordination with any of them.
“There was no unified command, there was no single headquarters, there was no single concept and there was no unified planning of actions and command,” said General Ivashov, the retired Russian officer who warned the war would go badly. “It was destined to be a defeat.”
The splintered Russian forces have sparred openly. After Russian forces withdrew from northeast Ukraine in late summer, Mr. Kadyrov called for the Russian commander responsible to be demoted to private and shipped to the front, “to wash his shame away with blood.”
Mr. Prigozhin weighed in, too: “All these bastards should go with machine guns barefoot to the front.”
The public finger-pointing has added to a sense of disarray within the Russian war effort. Mr. Putin has replaced several top military commanders. Yet he has stuck with Mr. Shoigu, his defense minister, and with General Gerasimov, the chief of the military’s general staff, because firing them would amount to a public acknowledgment that the war is going badly, an admission Mr. Putin is loath to make, argued General Budanov, the Ukrainian military intelligence chief.
“They are still trying to maintain the illusion that everything is going well,” he said.
The friction has, at times, run all the way down to the troops in the battle zone.
After a battlefield argument in the Zaporizhzhia region over the summer, a Russian tank commander drove his T-90 tank not at the enemy but toward a group of Russian national guard troops, firing at their checkpoint and blowing it up, said Fidar Khubaev, describing himself as а Russian drone operator who witnessed the episode.
“Those types of things happen there,” said Mr. Khubaev, adding that he fled Russia in the fall.
Of all the supplementary armies charging into Ukraine, Mr. Prigozhin’s Wagner has become especially pivotal. Its troops have received glowing coverage on Russian state television, and in November they were profiled in a documentary film called “Wagner: Contract with the Motherland” produced by RT, one of the Kremlin’s primary propaganda outlets.
“Until recently, Wagner has been one of the most closed and secretive organizations, but for us they have made a huge exception,” Andrey Yashchenko, the film’s presenter, says in the opening montage, which shows tanks rolling through rubble-strewn villages.
In the first five months of the war, there was almost no public mention of Wagner or Mr. Prigozhin’s involvement in Ukraine. By late summer, as the Russian military began to collapse under Ukrainian campaigns in the northeast and south, Mr. Prigozhin stepped into the spotlight.
After years of denying any links to Wagner — and sometimes its very existence — Mr. Prigozhin suddenly went public, making a show of visiting his troops in Ukraine, handing out medals, attending funerals and trumpeting his independence on the battlefield.
Mr. Prigozhin attending a soldier’s funeral on Sept. 23.
A Times analysis of videos in Ukraine found that Wagner troops are often showcasing some of Russia’s most advanced weaponry, including tanks, fighter aircraft and thermobaric rocket launchers. And because of his connection with the president, Mr. Prigozhin is given priority over other military units for arms and equipment, a senior European official said.
Mr. Peskov, the Kremlin spokesman, denied that Russia’s separate fighting forces were causing confusion or division, insisting they all report to Russia’s top military brass. The prominence of Mr. Prigozhin and Mr. Kadyrov, he said, was merely a function of their public-relations efforts.
“Some people are more active in the information space, some people are less active,” Mr. Peskov said. “But it doesn’t signify any, let’s say, independence.”
Despite its weaponry and bravado, Wagner has struggled on the battlefield. Some Ukrainian soldiers say it is a formidable foe. Yet for nearly six months, Wagner’s troops have been trying to seize the small industrial city of Bakhmut, in the eastern Donetsk region, and have been kept at bay by Ukrainian forces at great cost to both sides — prompting a rare public acknowledgment of Ukraine’s fighting prowess.
The frontline city of Bakhmut, where Wagner forces have fought for months.
Tyler Hicks/The New York Times
“The situation is difficult but stable,” Mr. Prigozhin said in the Oct. 14 post. “The Ukrainians are offering dignified resistance. The legend about Ukrainians running away is just that, a legend. Ukrainians are guys with steel balls just like us. This isn’t a bad thing. As Slavs, we should take pride in this.”
Hundreds of Wagner troops have been killed in the war, and several of the group’s fighter jets have been downed. The convicts Mr. Prigozhin has recruited appear to be little more than cannon fodder and make up a vast majority of casualties among Wagner forces, according to an assessment by Ukraine’s military intelligence agency, which said in October that about 8,000 Wagner troops were fighting in Ukraine.
Another former Russian inmate recruited by Mr. Prigozhin said he was left in a shallow trench at the front lines near Bakhmut for four days with no food or water and little sense of what he was supposed to be doing, other than dragging away the many bodies of his dead comrades.
It was no wonder, he said, that some of Wagner’s recruits decided to flee.
To keep control, Mr. Prigozhin has resorted to extreme punishment, showing how the war has whittled away the vestiges of rule of law in Russia.
Like Mr. Putin, whose spies have been accused of poisoning and assassinating perceived traitors all over the world, Mr. Prigozhin has said that treachery is the worst sin any Russian can commit. He has proposed setting up his own Gestapo-like police force to hunt down the disloyal, including, he has said, Russian businessmen “who leave our country in their business jets.”
The fate of Mr. Nuzhin serves as a grisly warning.
Mindful of the pressures on prisoners of war and the risks they face, The Times has chosen to withhold their names. And, as with the other people we interviewed, we use documents and other evidence to vet their claims.
In Mr. Nuzhin’s case, we did not publish our interview with him, but he also spoke to Ukrainian media, which broadcast portions of his account. Soon after, he was released in a prisoner swap — and ended up back in the hands of Wagner.
He then appeared in a video on a pro-Russian Telegram account. In it, Mr. Nuzhin’s head was taped to a block. Looming over him was a man in camouflage, holding a sledgehammer.
“I woke up in this basement, where I was told that I will be judged,” Mr. Nuzhin says in the video, his voice dry and gravelly. The sledgehammer then swings down and crushes his skull.
Shortly after, Mr. Prigozhin released a statement endorsing Mr. Nuzhin’s murder.
“Nuzhin betrayed his people, betrayed his comrades, betrayed them consciously,” the statement said. “He planned his escape. Nuzhin is a traitor.”
A day later, asked about the video on a conference call with journalists, Mr. Peskov said, “It’s not our business.”
Cannon Fodder “They’ll have a glass of vodka for you.”
For much of the war, Russian forces held onto a bright spot: the city of Kherson, the only regional capital they had captured since the invasion began.
Cannon Fodder “They’ll have a glass of vodka for you.”
For much of the war, Russian forces held onto a bright spot: the city of Kherson, the only regional capital they had captured since the invasion began.
But the Russians withdrew from the city in November. Intercepted phone calls from Russian soldiers in the region showed their bitterness as they were coming under fire — with much of their anger directed at their commanders.
But the Russians withdrew from the city in November. Intercepted phone calls from Russian soldiers in the region showed their bitterness as they were coming under fire — with much of their anger directed at their commanders.
00:17
Vadyulya, is it true that you give up your positions all the time?
Yes.
What is going on?
Darling I fucking don’t know. I don’t know what’s going on. Everybody asks just like you do: why the fuck are we retreating? Where is this fucking Russian army?
The defeat carried a particular sting, because Russia had tried to assimilate the population of Kherson and stamp out Ukrainian identity.
00:06
What about the bastard?
What is the news from Putin?
What is this scumbag bastard saying?
Some soldiers felt sacrificed by hypocritical commanders trying to save themselves.
00:18
Some deputy commander of the army came here. A fucker.
He saw all this fucking mess.
He said, ‘You could be sentenced if you leave your position, if you run away.’
Fucking imagine, when mortar shelling began, do you know how fast they fucking left?
His wheels didn’t even get stuck in the mud.
Bracing for death, some soldiers slipped into despair.
00:10
They’re preparing you to be cannon fodder.
They’ll remember you for five fucking minutes.
They’ll have a glass of vodka for you.
And then fucking forget clean about you.
Fuck.
The resignation exists in Moscow, too, where opposition to the war is common, but rarely expressed above whispers.
“We’re giving each other looks, but to say something is impossible,” one former Putin confidant in Moscow said, describing the atmosphere in the halls of power.
A priest blessing men conscripted into the Russian forces in Moscow in October.
Nanna Heitmann for The New York Times
Mr. Tinkov, the former tycoon who founded one of Russia’s biggest banks, posted on Instagram in April that the war was “crazy” and excoriated Mr. Putin in an interview with The Times, thinking he’d set the stage for more of Russia’s powerful to follow suit.
“Why didn’t anyone speak out after me?” Mr. Tinkov lamented.
One prominent Russian public figure who privately described the war as a “catastrophe” explained his silence by quoting the Soviet poet Yevgeny Yevtushenko.
In the day of Galileo, one of his poems says, another scientist was also “well aware the earth revolved” around the sun, but he “had a large family to feed.”
By keeping Russia’s borders open, despite calls from hard-liners to shut them, Mr. Putin has allowed Russians unhappiest with the war — who might have otherwise protested — to leave the country. And the West’s wide-ranging sanctions have not turned the elite against Mr. Putin, at least not publicly.
“In textbooks, they call this political terrorism,” said Mr. Melnichenko, the coal and fertilizer billionaire. “To say anything at gunpoint, even if you want to say it — it’s better not to.”
Mr. Melnichenko has been penalized — unfairly, he insists — for the Russian invasion. The Italians said they seized his 468-foot sailboat featuring an underwater observation pod in the keel, and sanctions forced him to abandon his longtime home in Switzerland. He now holds court on white couches in the lobby of a luxury hotel in Dubai.
Mr. Melnichenko offered some veiled criticism of the invasion, declaring that “any war is horrible — the faster it ends, the better.” But he insisted he was powerless to do anything to hasten its end, and that any further opinions “would trigger immediate risks.”
Ukrainians recapture Kherson in the South
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
Areas of Russian control
Areas of Russian control before invasion
Reclaimed by Ukraine
Despite the sanctions, Mr. Putin sees himself on a far grander timeline than the election cycles and shifting political winds steering Western leaders, who come and go, those who know him say. In June, he compared himself to Peter the Great as a leader “returning” and “strengthening” Russian lands.
When the 18th-century czar founded St. Petersburg, Mr. Putin said, the Europeans did not consider that territory to be Russian — suggesting that Mr. Putin expects the West to someday come around and recognize his conquests as well.
In late November, at his suburban Moscow residence, Mr. Putin met with mothers of Russian soldiers. It was a distant echo of one of the lowest moments of his tenure: his encounter with the families of sailors aboard a sunken submarine in 2000, when a crying woman in a remote Arctic town demanded, “Where is my son?”
Twenty-two years later, the Kremlin was careful to prevent such outpourings of grief. Around a long table with individual teapots for the handpicked women — some of them state employees and pro-Kremlin activists — Mr. Putin showed no remorse for sending Russians to their deaths.
After all, he told one woman who said her son was killed in Ukraine, tens of thousands of Russians die each year from car accidents and alcohol abuse. Rather than drinking himself to death, he told her, her son died with a purpose.
“Some people, are they even living or not living? It’s unclear. And how they die, from vodka or something else, it’s also unclear,” Mr. Putin said. “But your son lived, you understand? He reached his goal.”
He told another mother that her son was not only fighting “neo-Nazis” in Ukraine, but also correcting the mistakes after the collapse of the Soviet Union, when Russia “enthusiastically indulged in the fact” that the West was “trying to control us.”
“They have a different cultural code,” he told her. “They count the genders there by the dozens.”
It was a stark display of Mr. Putin’s preoccupations and revanchist politics. But several people who have known him for decades rejected any notion that he had grown irrational.
“He’s not crazy and he’s not sick,” a person who has known Mr. Putin since the 1990s said. “He’s an absolute dictator who made a wrong decision — a smart dictator who made a wrong decision.”
Mr. Putin has shown few hints that he’s willing to turn back now. Last month, the C.I.A. director, Mr. Burns, met for the first time since the invasion with Sergei Naryshkin, the director of the Foreign Intelligence Service of Russia. The meeting, at the headquarters of Turkish intelligence in Ankara, took place to reopen a direct, in-person line of communication between Washington and Moscow, but the tone was not one of reconciliation.
According to senior officials present, Mr. Naryshkin said Russia would never give up, no matter how many troops it lost on the battlefield. This month, Ukrainian leaders warned that Russia might be massing troops and arms to launch a new offensive by spring.
The world has been debating Mr. Putin’s willingness to use a nuclear weapon in Ukraine. People who know him don’t discount the possibility, but they also believe he expects to defeat the West and Ukraine in a long-term, non-nuclear test of wills.
As one senior NATO intelligence official put it, Russian generals “acknowledge the incompetence, lack of coordination, lack of training. They all recognize these problems.” Still, they seem confident of an “eventual victory” because, the official said, “Putin believes this is a game of chicken between him and the West, and he believes the West will blink first.”
Mr. Putin has already shown a talent for the long game, agreed Mr. Tinkov, the banking magnate who turned against the Kremlin, noting how the Russian leader had spent decades bringing Russia’s elite to heel.
“He slowly outplayed everyone, because the thing was: It was like he had unlimited time,” Mr. Tinkov said. “He is still behaving in this war as though he has an unlimited amount of time — as though he plans to live for 200 years.”
Domestically, the pressure on Mr. Putin has been fairly muted. For all the losses his army has endured, there have been no significant uprisings among Russian troops. Even the newly drafted continue to go without serious protest.
Aleksandr, the soldier drafted into the 155th, is still enraged at the way he and his comrades were dropped into Ukraine with few bullets for their aging rifles and forced to live in a cowshed with only a few meal packets to share. His commanders flat-out lied, he said, telling them they were going for additional training — when in fact they were sent to the front lines, where most were killed or grievously wounded.
After months of fighting, Russia announced last month that it had finally captured Pavlivka, but soldiers said it came at tremendous cost.
Aleksandr had been drafted in September along with three close childhood friends, he said. He and another suffered concussions. One lost both legs. The fourth is missing.
But when he is discharged from the hospital, he said, he fully expects to return to Ukraine, and would do so willingly.
“This is how we are raised,” he said. “We grew up in our country understanding that it doesn’t matter how our country treats us. Maybe this is bad. Maybe this is good. Maybe there are things we do not like about our government.”
But, he added, “when a situation like this arises, we get up and go.”
A burning oil depot that local residents said had been hit by a Russian mortar barrage in Kherson.
King Charles, 74, showed off his dance moves during a visit to JW3 London, a Jewish community center on Dec. 16. The new monarch mingled with other guests as the guest of honor and even danced the hora with some of them as they celebrated Hanukkah. He wore a dark striped suit and gray patterned tie, in photos and video from the event, which were posted to the official Royal Family Twitter account, and looked like he was having a great time.
King Charles dancing at the Hanukkah celebration. (Ian Vogler/WPA Pool/Shutterstock)
“As the Jewish community prepares to celebrate Chanukah, The King today joined holocaust survivors for a reception at @JW3London – a community centre that acts as a hub for the arts, culture, social action and learning in North London,” the caption for the post read. “During the visit, His Majesty also had the chance to learn more about the centre’s work, hearing from those who take part in its programmes, as well as meeting the volunteers who dedicate their time to delivering the centre’s range of activities,” a second caption read while adding a link to the official royal website, which included more details.
Another photo of King Charles at the event. (Ian Vogler/WPA Pool/Shutterstock)
In addition to greeting and dancing with Holocaust survivors, King Charles reportedly joined students and volunteers preparing and packing meals for the center’s food bank. One photo, which can be seen above, shows him flashing a smile while chatting with a group who looked ecstatic by his memorable visit.
King Charles’ visit to the Jewish community center happened just hours after his son, Prince Harry, and daughter-in-law Meghan Markle, released the second part of their Netflix docuseries, Harry & Meghan. In the tell-all series, Harry made shocking accusations about the royal family, including that his older brother Prince William “bullied” him and his wife out of the royal family when he tried to discuss their future with the institution in a family meeting that included William, as well as his dad and his now late grandmother, Queen Elizabeth II. He also said a “wedge” was created between him and William when he chose to ultimately leave because they didn’t present him with the option he hoped for.
Harry said he made the “same proposal that we’d already made publicly,” during the meeting, “but once I got there, I was given 5 options. One being, all in, no change. Five being, all out. I chose option three in the meeting. Half in, half out. Have our own jobs, but also work in support of the Queen. It became very clear very quickly that goal was not up for discussion or debate. It was terrifying to have my brother scream and shout at me, and my father say things that just simply weren’t true and my grandmother, you know, quietly sit there, and sort of take it all in.”
Harry also claimed that his father’s staff leaked a story about him and Meghan wanting to move to Canada, before they ultimately settled in Southern California, where they continue to live with their two children, Archie, 3, and Lilibet, 1. No one from the royal family, including Charles and William, has commented on the docuseries.
Elon Musk took to Twitter Friday night to announce that he would be reinstating the accounts of multiple high-profile journalists who were suspended from the platform Thursday.
On Dec. 15, former MSNBC and ESPN host Keith Olbermann, CNN correspondent Donie O’Sullivan, New York Times reporter Ryan Mac, Washington Post reporter Drew Harwell, Matt Binder of Mashable, freelance journalist Aaron Rupar and Tony Webster were among those suspended from Twitter.
A few hours after the news broke Thursday, Musk began a poll on his account, asking his nearly 122 million followers whether he should “unsuspend accounts who doxxed my exact location in real-time” now or in seven days. More than 58 percent of the 3.7 million people who voted on the poll said now, resulting in Musk reinstating them.
While it was not clear why the accounts were suspended in the first place, some of the journalists had been critical of Musk and tweeted links to a Mastodon social account that tracked Musk’s private jet. “The people have spoken,” he tweeted Friday. “Accounts who doxxed my location will have their suspension lifted now.” Rupar, Mac, Harwell, O’Sullivan, Binder and Webster’s accounts had been restored as of Friday night, but Olbermann’s remained suspended.
“I want to thank everyone for all the support and kind words over the past day and some change,” Rupar tweeted. “I was pretty bummed about getting suspended initially but quickly realized it’d be fine because I’m blessed to have an amazing online community.”
Webster took a more critical approach to his return to the platform and replied to his last tweet before being suspended, which read, “If you aren’t willing to admit that Elon Musk lied to you about his ‘free speech’ goals, you are simply in denial at this point.”
“This was my last tweet before my account was suspended,” his tweet on Friday read. “Needless to say, I was correct. This is not the free speech we were promised. To be clear, there was no ‘doxing’ – even if an impulsive, accountable-to-nobody oligarch said so.”
‘They just didn’t work out together for the long run,’ a source shared with Us Weekly on Friday.
The Dawson’s Creek alumna, 43, and the self-taught musician, 33, made their red carpet debut this past May.
Splitsville: Katie Holmes and beau Bobby Wooten III have parted ways after dating throughout most of the year; pictured in Paris in September
The couple were first linked when they were spotted kissing and holding hands in New York City this past April.
The following month they appeared together at The Silver Ball, The Moth’s 25th Anniversary Gala.
They were together a total of eight months and during that time didn’t shy away from public displays of affection while out and about.
Then over the summer the couple traveled to The Hamptons where Katie was Bobby’s plus one at a friend’s wedding and met his family.
Reasoning: ‘They just didn’t work out together for the long run,’ a source shared with Us Weekly on Friday; pictured in June
‘Katie spent time with Bobby’s family, who really liked her,’ a source told Us about the event at the time.
The person added that the movie star ‘was very unassuming and kind to everyone.’
It was also reported that, ‘Whenever they would go without seeing each other, they would kiss and be very happy to be together again.’
Happier times: Katie and Bobby were together a total of eight months and during that time didn’t shy away from public displays of affection while out and about
Former flame: Katie was previously linked to New York City chef Emilio Vitolo Jr.
Holmes and Wooten were introduced to each other through mutual friends.
The two had a lot in common, with both hailing from the Midwest and having performed on Broadway.
Bobby was in American Utopia, while Katie made her Broadway debut in the 2008 revival of Arthur Miller’s All My Sons and acted in Dead Accounts in 2012.
Katie was previously linked to NYC chef Emilio Vitolo Jr. following her years-long romance with Academy Award winning actor Jamie Foxx.
She was famously married to actor Tom Cruise from 2006 until their finalized divorce in 2012. The former couple share 16-year-old daughter Suri.
Exes: She was famously married to actor Tom Cruise from 2006 until their finalized divorce in 2012
The trailer for Greta Gerwig’s take on “Barbie” has arrived, much to the delight of Twitter users around the world.
The trailer appeared in cinema screenings of “Avatar: The Way of Water” before being released online Friday morning.
The trailer pays homage to the film “2001: A Space Odyssey” through its music and imagery. Margot Robbie stars as Barbie in Gerwig’s exploration of the iconic doll. Ryan Gosling joins as Ken, and Canadian actor Simu Liu also makes a brief appearance in the trailer.
Fans have reacted positively to the trailer, praising its emulation of “2001: A Space Odyssey” and references to classic Barbie dolls.
The film opens in theatres on July 21.
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One of the classic scenes in James Cameron’s 1997 blockbuster Titanic has led to decades of debate.
Ahead of the film’s 25th anniversary, Kate Winslet recently reflected on the moment where her character, Rose DeWitt Bukater, is afloat on a door as Leonardo DiCaprio’s character, Jack Dawson, sinks to his death, and also addressed the response she got from viewers regarding the memorable scene.
In Friday’s episode of the Happy, Sad, Confused podcast, the Avatar: The Way of Water actress told Josh Horowitz that “Apparently I was too fat,” in reference to people commenting at the time that her character’s weight was the reason DiCaprio couldn’t get on the door.
“They were so mean. I wasn’t even fucking fat,” she said. “If I could turn back the clock, I would have used my voice in a completely different way. … I would have said to journalists, I would have responded, I would have said, ‘Don’t you dare treat me like this. I’m a young woman, my body is changing, I’m figuring it out, I’m deeply insecure, I’m terrified, don’t make this any harder than it already is.’ That’s bullying, you know, and actually borderline abusive, I would say.”
Winslet has been public about being fat-shamed and bullied when she was growing up. In 2017, during a motivational speech to children in London, she said, “They called me Blubber.” She added that the scrutiny continued when she decided to pursue acting and that casting agents would tell her she wasn’t what they were looking for: “I was even told that I might be lucky in my acting if I was happy to settle for the fat-girl parts.”
The actress, who won an Oscar for The Reader, told Josh Horowitz that she believes comments on bodies and how women look are “getting better,” but that “we’ve still got such a ways to go.”
“It’s such an irresponsible thing to do and it feeds directly into young women aspiring to ideas of perfection that don’t exist,” Winslet continued. “I just wish there weren’t quite so many comments on the physical form of actresses. … You know, bodies are bodies. Everyone’s beautiful however they are and whatever they came with, you know. It still drives me kind of crazy. I definitely think we can do better with that stuff.”
And in response to the frequently asked question regarding whether Jack could have squeezed onto the door in Titanic, the actress said, “Once and for all, he could have fit on that door but it would not have stayed afloat,” and that it was not a “sustainable idea.”
The film, which earned 11 Oscars and became the highest-grossing movie of all time to that point, hit theaters Dec. 19, 1997.
“Great British Bake Off” judge and master chef Prue Leith found herself in a rather precarious position recently when her motorboat that was cruising the Mediterranean Sea off the coast of Italy lost power and she was set adrift for an entire day.
“I couldn’t start it and the wind was getting up,” she told The Mirror. “I thought, ‘This has the makings of a really bad novel.’”
Several hours passed as her boat floated aimlessly at sea and although many other boats passed, her signaling to them didn’t elicit help but was instead misinterpreted as a friendly hello.
“People would pass, not close enough to shout to them but close enough to wave and I’d be waving wildly and they just waved back, thinking I was just being friendly,” she smiled.
Finally, a lone Sardinian fisherman saved the day. He, however, wasn’t very happy with her for placing herself in such a risky predicament.
“He was so angry with me. He said, ‘You tourists, you risk your lives. You could have drifted all the way to Corsica!’” she remembered. “And he just gave me absolutely blazes. And there was I… sunburnt. I was thirsty, I’d had a whole day of absolute misery. But he was quite right and I was very foolish.”
Leith can currently be seen in Seasons 8-12 of “The Great British Bake Off” on Netflix and “The Great American Baking Show Celebrity Holiday Special” on Ruko Channel. Come 2023, watch for “The Great American Bake Show” at a date later to be released.
Fun podcast today with the hosts from the “She’s All Bach” podcast hosts Stefanie Parker and Jackie Maroney to put a wrap on all things BIP, including all the offseason drama. We do discuss what happened with Aaron on the “Almost Famous” podcast and “Beth” on my podcast last Friday. A lot of good discussion about the season, as the women definitely have opinions on what they saw and some of the behavior by the contestants this season, both on the show and afterwards. Always fun having Stefanie and Jackie on and I’m glad we could get them on for a wrap of the season. We do discuss a lot of the other couples and what it’s been like for them developing their podcast and some of the interviews and tea they’ve been able to get in recent weeks. And before we get to them, my thoughts briefly on the tragic death of Stephen “tWitch” Boss along with the “Survivor” finale, the Challenge twist, and some 90210 nostalgia this week. Thanks again to Stefanie and Jackie for coming on as they will definitely be on in the future.
You can listen to today’s podcast on a number of platforms, but you can also tune in by clicking the player below:
(SPOILERS) I begin by briefly talking about the tragic death of Stephen “tWitch” Boss, the Survivor finale, the Challenge twist, & 90210 nostaglia this week. Then Stefanie and Jackie join me (10:49) to do a final wrap on all things BIP this season, including everything that happened post filming with all the couples – the Victoria/Johnny/Greg fiasco, Aaron & “Beth’s” interviews, Tyler & Brittany, and much, much more.
Also, released earlier this morning was Today’s Daily Roundup.
(SPOILERS) Today’s Daily Roundup covers the death of Stephen “tWitch” Boss, the “Survivor” finale, that Challenge twist, and a 90210 nostalgia moment this week.
You can listen to that podcast on a number of platforms, but you can also tune in here:
No more PowerPoint presentations for Oscar nominations – the big screens with pictures of the actors, directors and movies are back to celebrate the best of 2022.
The Academy announced that it will return to an in-person live event from the Samuel Goldwyn Theater on Jan. 24.
While the ungodly early hour between 5 and 6 a.m. P.T. is still in effect (prime time nomination special is right there for the taking), this marks one of the low-hanging fruits the Academy had dangling in front of them to get an easy win.
As many remember from the ’80s, ’90s and aughts of Academy announcements, a celebrity and whoever the current president of the Academy was in place at the time would take the stage, with five small screens surrounding them. And then, to a room full of antsy publicists, exhausted journalists and other industry figures, the reveal of the major categories would bring gasps and groans from the crowd.
For those of us that were watching at home, it’s one of the traditions that made many awards enthusiasts (myself included) fall in love with the Academy and the celebration of filmmaking.
As technology and the industry changed, the five small tube TVs were removed and graduated to a large screen with movie stills and splits. In 2015, the Academy made its most respected move – announcing all 24 categories. From the producers of best picture to the directors of the animated short film, artisans could now see their names and film titles on the screen and read by the leading figures in Hollywood. It would be split into two parts, as not every television network would carry the reading of the artisan categories (but they definitely should). This process would bring the likes of JJ Abrams and Alfonso Cuaron in the first year and then Guillermo del Toro and Ang Lee in the second.
The noises from the room still remain the most memorable and the single best moments of the awards season, next to the actual ceremony itself. However, in 2019, they began to move away from the large spectacle and lean into the simple text to do the work for them. The excitement was minimal in this format, missing the shocks and reactions with the announcers in a smaller room format and missing the AMPAS president.
To celebrate the in-person format return, Variety ranks the five most memorable morning announcements that garnered the best reactions from inside the room.
Honorable mention: Adrien Brody jokingly tries to kiss Frank Pierson.
Consider Mona Evie the free-spirited younger sibling in Vietnam’s vibrant experimental music scene. While their songs are just as sprawling as that of Rắn Cạp Đuôi or Tran Uy Duc, Mona Evie go further in embracing scrappiness: You can hear that across their statement-making debut LP Chó ngồi đáy giếng, whose 13-minute closer scampers audaciously through industrial noise, austere drones, and what seems like multiple pop songs. “Madhatter,” their new one-off single, feels like a concise take on their collaged ambitions. It begins in dreamlike terrain, with digitized birdsong fluttering atop swirling ambience and jazzy drums. “Let me into your heart,” singer Aprxel intones, her hazy voice trailing upwards atop tumbling beats and rustling metallophones. The song gradually becomes more scrambled, as tape loops and off-kilter piano segue into searing electric guitar melodies. When Aprxel asks, “What can I do to know you? What can I do to show you my love?” it sounds like she’s bringing you down the rabbit hole of desire, a journey of otherworldly psychedelia.
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When Alexandra Dean signed on to direct “Casey Anthony: Where the Truth Lies” for Peacock, she had high hopes that the series would help people understand the Casey Anthony murder case, which Time magazine previously dubbed the social media trial of the century, in a new light.
Anthony, now 36, was found not guilty of murdering her two-year-old daughter Caylee during a 2011 trial that captivated the country. Anthony was charged with her daughter’s murder in 2008.
“My biggest hope for the series is that it provokes really profound conversations around how people like Casey are portrayed by the media,” Dean told Variety. “I hope it makes people think more critically about where they’re getting their information. If it’s from an outlet that covers a court case from one side and doesn’t want to hear from anyone not on their side, then they don’t have the full story.”
But after the Nov. 29 debut of Peacock’s three-part docuseries, it became clear to Dean that Anthony is as polarizing a figure as she was 11 years ago, when 12 people found her innocent of murder.
Cardi B, the hosts of “The View” and Nancy Grace were among many who publicly denounced the series. Grace, who turned down an invitation to participate in the project, does not consider it a documentary. “When I hear the word documentary, I think of something that is truthful,” she told the Hollywood Reporter. Guardian critic Rebecca Nicholson called the series “a soft-focus vanity project from a world-class narcissist.”
The public outcry against “Where the Truth Lies” surprised Dean, a former reporter for Bloomberg.
She says that she approached the Anthony docuseries the same way she did earlier nonfiction projects “Bombshell: The Hedy Lamarr Story” and “Secrets of Playboy” — as a journalist. She dug into the details of the case, examined all the evidence, verified that evidence, and interviewed multiple sources on both sides of the fence including Anthony and the police who arrested her for murder.
The helmer also explored Anthony’s alleged sexual abuse allegations against her father George and brother Lee. (Both George, Lee and Casey’s mother Cindy did not agree to be part of the series.) Various other topics that are investigated in the series are the supposed trauma Anthony endured due to the sexual abuse and the Stockholm syndrome she lived with during Caylee’s 31-day disappearance.
Dean’s on-camera interview with Anthony marks the first time that the public has heard from the Florida-native. Dean maintains that she had complete editorial control over the docuseries and that neither she nor Peacock paid Anthony for the interview. (Anthony did receive money for archive footage that she supplied to production including photographs and videos, but Dean says that the total sum paid was minimal.)
Variety spoke to Dean about dividing the series into three parts, the public’s reaction to pedophilia and sexual abuse and why Anthony never believed that her daughter drowned.
Why did Casey Anthony feel like now was the right time to participate in a series like this?
Casey says she chose to speak now because she’s been through 10 years of therapy and dealt with a lot of her trauma and she finally understands what happened to her.
Viewers have taken issue with Anthony saying that trauma due to sexual assault made her lie over and over again during the search for Caylee. Over the last few decades, it’s been clear that the public initially has a hard time accepting allegations of sexual abuse — especially childhood sexual abuse. Why do you think that is?
We don’t want to acknowledge that parents can sexually abuse their children because it’s simply too frightening. The damage to the children is so profound. We never want to hear about such terrifying sexual abuse. It took years and years of whistleblowers coming forward to begin the #MeToo movement. Same with the whistleblowers who revealed pedophilia in the Catholic Church. It may also be decades before we can recognize that sexual abuse by parents is fairly widespread.
Not until episode three do you get into the details of Anthony’s side of the story. Why wait so long?
Until we’ve gone through the doubt and uncertainty of episodes one and two, I didn’t think our audience would be ready, because I myself wasn’t ready to listen to Casey until then. So, episode three is where you hear my probing questions for Casey as I try to understand her version of events. Episode three is where we explore why she behaved so strangely during the 31 days Caylee was missing, and it’s when we hear her story of how her father George pretended to be on her side, told the media she was innocent and then suddenly became the star witness against her. It’s like turning a glass three times and seeing three stories. My conclusion is that we don’t know what happened to Caylee because no one has tested Casey’s version of events in a court of law, but the media and the cops should have looked at all these three sides of the story to evaluate what happened instead of only one. That’s why it’s so important to watch all three episodes before reaching a conclusion.
“The entire defense was that Caylee drowned in the pool, but now she’s saying she didn’t,” one juror told People Magazine. “So either the defense was a lie or she’s lying now.” Can you explain why Casey was OK with her defense using the drowning as a theory if she didn’t believe it?
Casey tells us she felt too traumatized to speak directly to her lawyers about what happened to Caylee, but she told everything to court appointed psychologists who interviewed her in jail. The defense lawyers had access to those transcripts and could craft their arguments accordingly. We checked the transcripts and Casey told those psychologists the same story she tells us now: that her father appeared with Caylee soaking wet in his arms, that the baby appeared lifeless, but he said she’d be alright, that she listened to him because she wanted to believe him, and that he disappeared with Caylee and she didn’t know where he went. So, Casey’s story has been consistent all these years. Addressing why her lawyers chose to go with the theory that Caylee drowned, Casey says her lawyers couldn’t say “Casey doesn’t know what happened to her kid.” They had to come up with a theory they could argue in court. I would add that they also couldn’t put George on trial. That wasn’t their job, their job was to argue for Casey’s innocence.
A huge aquarium exploded inside a German hotel today, unleashing a ‘tsunami’ of water which caused ‘unbelievable maritime damage’ at a major tourist attraction.
The 82ft-high tank, located in the foyer of the Radisson Blu hotel in central Berlin, burst at around 5.50am, killing all of the 1,500 tropical fish housed there.
The explosion at the AquaDom aquarium unleashed a million litres of water into the lobby and cut off electricity in the hotel. Two people were injured from glass shards and received treatment at hospital.
There was speculation freezing temperatures overnight caused a crack in the glass tank, which then exploded under the weight of the water – but police are still investigating the cause.
Now, efforts are under way to save an additional 400 to 500 smaller fish housed in aquariums underneath the lobby area. Without electricity, their tanks were not receiving the necessary oxygen for them to survive, officials said.
The 82ft-high fish tank, which is located in the foyer of the Radisson Blu hotel in central Berlin, burst at around 5.50am this morning. Pictured: The aquarium before the incident (left) and the wreckage afterwards (right)
Devastation from inside the hotel foyer after the aquarium burst in central Berlin
The 82ft-high tank in the foyer of the Radisson Blu hotel in central Berlin burst at around 5.50am, killing all of the 1,500 tropical fish housed in the aquarium. Pictured: A dead tropical fish lays in the debris in front of the hotel following the explosion today
Now, efforts are under way to save an additional 400 to 500 smaller fish housed in aquariums under the lobby area. Without electricity, their tanks were not receiving the necessary oxygen for them to survive, officials said. Pictured: Emergency responders evacuate additional fish that were located in other aquariums inside the hotel
‘Now it’s about evacuating them quickly,’ Almut Neumann, a city official in charge of environmental issues for Berlin’s Mitte district, told German news agency dpa.
Various organisations, including the Berlin Zoo, offered to take in the surviving fish.
The Aquadom was described as the biggest cylindrical tank in the world.
Among the 80 types of fish the main aquarium housed were blue tang and clownfish, two colourful species known from the animated film Finding Nemo.
‘Unfortunately, none of the 1,500 fish could be saved,’ Berlin mayor Franziska Giffey said.
Ms Giffey said the incident had unleashed a ‘veritable tsunami’ of water but the early morning timing had prevented far more injuries.
‘Despite all the destruction, we were still very lucky,’ she said. ‘We would have had terrible human damage’ had the aquarium burst even an hour later, once more people were awake and in the hotel and the surrounding area, she said.
The explosion filled the hotel lobby with over a million litres of water, some of which reached the outside of the complex, prompting police to close a nearby street.
Debris from the burst aquarium is seen on the ground in front of the Radisson Blu hotel in Berlin today
Dead tropical fish lay in the debris inside the hotel following the explosion on Friday
A man looks through the debris outside the Radisson Blu hotel after the aquarium burst today
Debris lies in front of the Radisson Blu hotel, where a huge aquarium located in the hotel’s lobby burst on Friday
Firefighters are deployed outside the Radisson Blu hotel, where a huge aquarium located in the hotel’s lobby burst on Friday
Emergency responders evacuate additional fish that were located in other aquariums inside the hotel
Two fish swim in a bucket filled with water and are carried out of the hotel after a different aquarium tank exploded
There was speculation freezing temperatures that got down to minus 10 degrees Celsius (14F) overnight caused a crack in the acrylic glass tank, which then exploded under the weight of the water.
Police said there was no evidence the incident resulted from an attack.
Footage from inside the hotel showed extensive damage to the transparent aquarium, with only the frame still standing.
Broken window panes and damaged furniture were scattered near the scene.
More than 100 emergency workers and rescue dogs were deployed to search the building for anyone who might be trapped under the debris, Berlin’s firefighting service said.
‘The aquarium is damaged, water is leaking out. The situation is unclear at the moment,’ it said. ‘A million litres of water and all the fish inside spilled onto the ground floor.’
German lawmaker Sandra Weeser, who was staying at the hotel when the aquarium burst, said she was woken up by ‘a kind of shock wave’.
The street outside the hotel after a leak of the AquaDom aquarium in central Berlin near Alexanderplatz today
Debris lay on the street after the tank burst in the German capital today
Pictured: The aquarium, which featured 1,500 tropical fish, before the explosion at the hotel
‘There was a slight tremor of the building and my first guess was an earthquake,’ she told the Berliner Morgenpost newspaper.
‘There are shards (of glass) everywhere. The furniture, everything has been flooded with water,’ she said. ‘It looks a bit like a war zone.’
The area where the aquarium once stood was now just ‘dark and wet’ she said, recalling how she saw ‘one of those large parrotfish lying on the ground, frozen’.
Hotel guest Claudia Gonzales said she ‘jolted out of bed’ when the aquarium burst.
‘It sounded almost like a firework but the hotel actually shook inside,’ she said.
Aquarium operator Sea Life said it was saddened by the incident and was trying to get more information about the incident from the owners of the AquaDom.
Sea Life’s own aquarium is located in the same building and visitors can tour it and the AquaDom on a single ticket.
Around 350 people who had been staying at the hotel in the complex were asked to pack their belongings and leave the building
Emergency services work on a street outside a hotel after the AquaDom aquarium in the German capital leaked
Two people, including a hotel employee, suffered injuries from glass splinters and had to be hospitalised, a spokesman from the Berlin fire department said.
Witness Gwendolin Szyszkowitz told German news channel n-tv that she heard a loud bang and initially feared a bomb had exploded.
Berlin police urged drivers to avoid the area, warning on Twitter that water is ‘massively’ leaking from the aquarium onto the adjoining Karl Liebknecht Street.
Emergency services were forced to shut a major road next to the complex that leads from Alexanderplatz toward the Brandenburg Gate in Berlin due to the large volume of water that had flooded out of the building. The tram service was also suspended.
The road and the pavement outside the complex were littered with debris.
Around 350 people who had been staying at the hotel in the complex were asked to pack their belongings and leave the building.
Buses were sent to provide shelter for guests, police said on Twitter, as outside temperatures in Berlin stood around -7 degrees Celsius (19.4F).
A drone was being used to survey the extent of the destruction, a fire service spokesman said.
Emergency workers respond at the scene of a broken giant aquarium in Berlin
Emergency services shut a major road next to the complex that leads from Alexanderplatz toward the Brandenburg Gate due to the large volume of water that had flooded out of the building
Police said a Lindt chocolate store and several restaurants in the same building complex, as well as an underground parking garage next to the hotel, sustained damage from the incident.
A fire service spokesman said building safety experts were assessing the extent to which the hotel had sustained structural damage.
Hours after the incident, trucks began clearing away the debris that had spilled out onto the street in front of the hotel.
The cylindrical aquarium is located in the foyer of a Radisson Blu hotel and has a clear-walled elevator built inside that was used by visitors to the Sea Life leisure complex, which also has a hotel, shops and restaurants.
Operators say the aquarium has the biggest cylindrical tank in the world and contained 1,500 tropical fish of 80 different species before the incident.
The aquarium, which was built in 2004, was last refurbished in 2020, according to the website of the DomAquaree complex.
During the upgrading work, all the water was drained from the tank and the fish were moved to aquariums in the basement of the building, where there is a breeding care facility for the fish, it said.
The Bild newspaper said the aquarium had only reopened this summer after a two-year renovation that cost around 2.6 million euros (£2.2 million).
The complex that housed the aquarium is also home to the GDR museum, devoted to everyday life in former communist East Germany.
The museum, located in the basement of the complex, suffered serious water damage and will likely remain closed until late February, its director Gordon von Godin told local media.
The Sea Life Berlin centre, which sells tickets for the AquaDom elevator ride and also has its own collection of aquariums nearby, said it too would remain shut ‘until further notice’.
A spokesman stressed that Sea Life Berlin did not own the aquarium nor was it responsible for its maintenance.
‘We are trying to get information from the owners of AquaDom,’ he said in a statement.
The aquarium is a major tourist attraction in Berlin. The ten-minute elevator ride through the tank was one of the highlights.
Aaron Carter’s ex Melanie Martin is thrilled after being granted full custody of their 13-month-old son Prince — but she wishes the late singer could share in the joyful moment with her.
“I am extremely happy to have my son back but very sad that Aaron couldn’t share this time together with me as a family,” Martin, 30, said in a statement to Us Weekly on Friday, December 16. “My heart has been heavy the past few days, realizing that I won’t be spending Christmas as a family with Aaron and my son.”
In September, Carter revealed that he and this then-fiancée had lost custody of their son due to domestic violence and drug-use concerns during an interview with The Sun, but noted that he had voluntarily entered a month-long outpatient program through Lionrock Recovery.
“I decided to enroll myself into that program. This will be my fifth time in rehabilitation, mainly to take care of aftercare,” he told the outlet. “There’s been no relapses. I haven’t had any relapses … it’s just triggers are big right now for me. You know, so, I just, I want my son back.”
On Friday, Martin spoke candidly about Carter’s future holiday plans, telling Us that the Florida native hoped “we could get custody of our son by Christmas.”
“He said he couldn’t wait to get custody of Prince so we could vacation together in Colorado for Christmas,” she shared. “He wanted to sit by the fireplace and watch the snow.”
Carter was found dead in his home on November 5, a rep for the “I Want Candy” singer confirmed to Us at the time. He was 34. While his official cause of death has not yet been revealed, the musician struggled with his mental health and had a history of substance abuse.
One month prior to his passing, the “Aaron’s Party” artist listed his house in California in hopes of turning over a new leaf. “Selling my 2nd home. Real estate has been super good to me. Ready for a new chapter in my 3rd home which I plan on staying to make a beautiful life for my family,” he wrote via Twitter at the time.
Last month, the “Crush on You” crooner’s mother, Jane Carter, told TMZthat Martin wouldn’t be invited to disperse Aaron’s remains in the Florida Keys. The family also planned to spread some of Leslie Carter’s ashes. Aaron’s older sister died of a drug overdose in February 2012 at the age of 25. (In addition to Leslie, Aaron had six other siblings:Nick, 42, Bobbie Jean, 40, Angel, 34, and half-siblings Virginia and Kaden. He was also stepbrother to Taelyn Dobson.)
A source exclusively told Us at the time that while Martin would not receive any of Aaron’s remains, the OnlyFans content creator planned to have her own service.
“Since they are not inviting her to the memorial to spread his ashes, she is going to have her own memorial for Aaron with her family, their son Prince and some of Aaron’s true friends,” the insider shared.
Martin, for her part, told Us that she didn’t want “any problems or stress over Aaron’s estate,” and was only concerned that Prince would be “taken care of” and Carter’s “legacy would live on.”
‘She added, “I don’t want any bad blood with Aaron’s family. Whoever wants to be in Prince’s life can be in Prince’s life.”
On December 4, Jane told TMZ that the Carter family had no plans to fight for her late son’s wealth and that his relatives have agreed the money should go to Prince. Jane also confirmed that the family hadn’t met Martin or Prince yet but they hope to have a relationship with them eventually.