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Six years after the culmination of the mammoth nine-year phenomenon that was The X-Files, its creator, Chris Carter, had more to say. He still had an idea for a new case for FBI Agents Fox Mulder and Dana Scully, but, as it turned out, that idea was darker and less PG-13-friendly than 20th Century Fox wanted at the time. The result, 2008’s The X-Files: I Want to Believe, is not the movie Carter first had. Now, two reboot seasons and almost 20 years later, Carter got a chance to revisit his imperfect creation. The new cut, fittingly entitled The X-Files: I Want to Believe – Vrach Frankenshteyn, will debut on Hulu August 14.

Nerdist got a chance to speak to Carter about unearthing this new version, what he changed to make it, and why he’s looking forward to Ryan Coogler’s reboot.

20th Century

Nerdist: I had read that you had been thinking about this cut of this movie for a while, but what was it about now that you thought was the right time to revisit it?

Chris Carter: It really came as an opportunity just presented itself. I was talking to the guy who runs the movie division at 20th Century Fox, and just on a whim I said, “Would you ever consider doing a director’s cut of I Want to Believe?” And he jumped. At first I thought, “Nah, they don’t want to spend any money.” I thought they were not going to be behind this, that it was a good idea, but nothing that would ever come to light. And sure enough, they gave us room, they gave us backing, they gave us their blessings, and we got to do the cut that we really wanted to do.

This isn’t simply a case of adding more footage. It is a different cut entirely. What was the process of revisiting it and figuring out how the new footage would be integrated in and what the new cut would look like?

Let me go back just a little bit. The original idea came from something I read, about a doctor who had transplanted the head of a monkey onto another monkey successfully. And I said, “This is X-Files territory. It’s got X-Files written all over it.” And I actually flew out to Cleveland, Ohio to meet this doctor. We sat at a bar and he explained to me how you transplant the head of a monkey onto another body and wonderful.

So, we, Frank Spotnitz and I, set out to do a story, a Frankenstein story as an X-Files. And I always felt that that story got buried under the weight of some other stories that felt that they stole [focus]. And by that I mean that the studio, I originally showed it to the studio executives when we made the movie in 2007, 2008, and I showed them a cut and the lights went up in the screening room and they were outraged. They said, “This is not the PG-13 movie promised us.”

Mulder and Scully in The X-Files: I Wat to Believe.
20th Century

Anyway, so we had to cut it back to what they accepted. Then we had to cut it back even further for the ratings folks. I always felt that what happened is it became a kind of Mulder/Scully romance relationship movie, and it wasn’t a good scary X-Files story. And so now we have taken the weight off of the one thing and put it on the right thing. To do that, we took seven minutes out.

Also, during the time between then and now, there have been two X-Files reboot seasons. So I felt that the audience had gotten a lot of the Mulder and Scully relationship in those reboots.

It’s interesting watching it because I kind of expected it to be gorrier, if you know what I mean. By today’s standards, it really feels like it could have passed for a PG-13 and been fine.

I completely agree with you. I’ve added this title, Vrach Frankenshteyn, to the movie because my feeling. We always set out to do a Frankenstein movie, but the audience by and large didn’t know that because it’s only touched on at the very end of the movie when Mulder’s pinning up a newspaper clipping. So, when you know the sequence where the search party is with Father Joe and they dig up that arm in the snow, it doesn’t quite make sense. It’s like it is more of a confusing element than an intriguing element. And I wanted people to know this is a Frankenstein story from the get-go.

Key art poster for The X-Files: I Want to Believe – Vrach Frankenshteyn.
Hulu

Throughout the show, you’ve done a few kind of Frankenstein riffs. Is that a favorite story of yours?

I love the Frankenstein story. I love the idea of breathing life into a new being and the idea in this case, if your head is put on another body, are you that new person? Are you the person whose head you the body? I just love this idea. I’m certain down the line we are going to say this is not science fiction anymore, that this is going to be medical science that a head can be transplanted onto another body. This may be the key, in fact, to everlasting life when you can transplant the head of someone onto a young body.

Given the kind of streaming landscape and how much kind of content that you can get away with now versus when you were making the show back in the ’90s, do you see episodes where you would’ve pushed the envelope even more now?

Well, it’s interesting because, the television censors were more permissive than the movie censors. I could have told a scarier story on network television than I was allowed to tell for the big screen to get that PG-13 rating, which is so ironic. I just wanted to tell a really good, scary X-Files story.

Chris Carter with a movie camera directing The X-Files: I Want to Believe.
20th Century

The X-Files is coming back, obviously, with Ryan Coogler. Do you think that there’s a future forever for The X-Files? Is there something kind of intrinsic to humanity that will always want to visit the X-Files?

Because it’s a show about science as it pertains to science fiction, I think that there’s always interesting territory in which to explore the intersection of Mulder and Scully’s belief systems. I’m very curious what Ryan Coogler is doing. My name is on the show, but I have not read the script by choice. I’m waiting to see. I want to be surprised. I want to watch that pilot episode like everyone else is watching it as a fan of the X-Files franchise.

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⚡ Quick Take Nerdist spoke with The X-Files creator

Warner Bros. debuted a new Green Lantern logo to mark the start of the DCU’s Lanterns era. The HBO drama pairs Kyle Chandler’s aging Hal Jordan with Aaron Pierre’s new recruit John Stewart, and it is the first DCU show made for HBO itself rather than HBO Max. Now, with its debut closing in, the promotional campaign has spread well beyond trailers and posters.

Warner Bros. Discovery unveiled the artwork on its official X account on Monday, placing the studio’s WB shield at the heart of the Green Lantern Corps symbol. The design places a weathered version of the crest inside the emblem’s circular frame and washes the whole image in green, with a lone shaft of light cutting across the black background and the logo. 

Warner Bros.

The scratched, faded finish also gives the shield the look of a logo pulled from an old film reel, a pretty fitting touch for a crest that has opened Warner Bros. movies for more than a century. The Lantern Corps symbol the WB logo is placed in can also be seen on the suit Hal wears in the trailers. 

Green Lanterns symbol on Hal Jordan's suit.
HBO Max

The new logo arrives just a few days before Lanterns debuts on HBO on Sunday, August 16. 

Warner Bros.' new Lanterns logo alongside the suit logo.
Warner Bros./HBO Max

The artwork joins a growing pile of Lanterns branding. DC Studios and HBO Max revealed a fresh logo and title card in April, placing silhouettes of Hal Jordan and John Stewart on a giant Green Lantern ring alongside the tagline, “Only one can wear the ring.” 

HBO Max's ring logo for Lanterns series.
HBO Max

A batch of character posters followed in July, drenching Pierre’s hero in green light with the Lantern oath printed underneath.

Green Larnterns logo by HBO.
HBO Max

Lanterns drops its two intergalactic cops into a murder case in the American heartland, where a small-town investigation slowly reveals cosmic elements. 

Warner Bros. Lanterns logo alongside HBO's ring logo.
Warner Bros./HBO Max

The series is expected to serve as a major connective tissue to the rest of the DC Universe, and John Stewart is already confirmed to appear in James Gunn’s Superman sequel, Man of Tomorrow, shortly after his debut.

The Marketing for Lanterns Is Getting Noticeably Greener

Warner Bros. and DC Studios have injected more green into Lanterns‘ marketing campaign ever since the series was unveiled. When the official Lanterns wordmark surfaced in February, fans weren’t very happy with its colorless design, and some even posted recolored versions of their own. The first teaser released in March made things even worse. Viewers mostly got earth tones and civilian clothes, and the scene where Hal takes flight came without any glow from the ring. The Green Lantern suit glimpsed in that trailer also looked browner than green, adding to fans’ frustration. 

The marketing since then has answered the complaint a little more directly. The second trailer featured glowing rings and bright constructs. The full trailer, which was first played at San Diego Comic-Con, showed even more green and creative use of the Lantern ring. Warner Bros.’ new logo further embraces the green theme, putting to bed complaints over the series lacking color. 

The show itself might still be hiding more green, as we have yet to see John Stewart in his suit, which is likely to be much greener than Hal’s. The trailer also showed glimpses of Stewart’s creative constructs. Given his background as an architect, he’s bound to create some incredibly detailed, green designs once he finally masters harnessing the ring.

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Broadcast networks aren’t known for planning this far ahead, but CBS has been stacking up projects this year for a season that’s still two development cycles away. Four dramas were flagged in April for 2027-28 consideration, and the newest one to get past the pilot-script stage is bringing back a face that network procedural fans have been wanting to see since a cancellation last year left him without anywhere to hang his hat.

It’s a reunion in the truest sense, pairing an actor with the writer who built the character that made his name in the first place, before hiring him again once the character was behind him. Both came up through Dick Wolf’s procedural machine, both are working outside of it now, and the show they’ve landed on is set a long way from Chicago.

Chicago P.D NBC

Variety is reporting that CBS has opened a development room for Strike Force, a working-title drama written and executive produced by Matt Olmstead, with Jesse Lee Soffer attached to star and executive produce. Per the logline, Soffer plays a battle-tested DEA agent who returns home to Kansas City to lead a multi-agency unit targeting the violent criminals now trying to exploit America’s heartland.

Jerry Bruckheimer and KristieAnne Reed executive produce as non-writing EPs through Jerry Bruckheimer Television, with CBS Studios producing. Bruckheimer’s relationship with the network is about as deep as they come, running from CSI through to the current Fire Country, Sheriff Country, and Boston Blue block on Friday nights, and his F1 took over $631 million worldwide in 2025.

For Soffer, this would be a third series alongside Olmstead. He played Jay Halstead on Chicago P.D. for more than nine seasons before leaving in 2022, well ahead of the cast churn that’s continued into Season 14, then took over the Fly Team on FBI: International for its fourth season, which CBS canceled in March 2025 after failing to reach terms with Universal Television. The finale aired that May.

The cast of Chicago Justice, led by Philip Winchester as Peter Stone.
Philip Winchester, as Peter Stone, leads the cast of Chicago Justice. 
NBC

Olmstead co-created Chicago P.D. with Wolf and ran it for its first four seasons, and he’s had a hand in most of what grew around it, co-creating Chicago Med and the short-lived Chicago Justice, then Law & Order: Organized Crime with Christopher Meloni. Before any of that, he wrote on NYPD Blue, Prison Break, and Breakout Kings, which is a roundabout way of saying he knows this genre better than almost anyone currently working in it.

A development room order hasn’t been greenlight, though, and Strike Force has to survive the script stage before CBS commits to anything. Kansas City has gone this long without a procedural to call its own, so another year of waiting shouldn’t sting too much.


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Release Date

January 8, 2014

Network

NBC

Showrunner

Derek Haas

Directors

Nick Gomez, Eriq La Salle, Carl Seaton, Fred Berner, Vincent Misiano, Bethany Rooney, Rohn Schmidt, Sanford Bookstaver, John Hyams, Nicole Rubio, Terry Miller, Takashi Doscher, Brenna Malloy, Lisa Robinson, Marc Roskin, Charles S. Carroll, David Rodriguez, Holly Dale, John Polson, Lin Oeding, Mykelti Williamson, Paul McCrane, Alik Sakharov, Charlotte Brändström

Writers

Craig Gore, Tim Walsh, Timothy J. Sexton, Mike Weiss, Mo Masi, Tiller Russell, Eduardo Javier Canto, Jamie Pachino, Mike Batistick, Cole Maliska, John Dove, Tiffany Bratcher, David Hoselton, Maisha Closson, Kim Rome, Katherine Visconti, Daniel Arkin, Todd Robinson, David Rambo, Denitria Harris-Lawrence, Mick Betancourt, Bryan Gracia


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    Marina Squerciati

    Kim Burgess

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    Patrick John Flueger

    Adam Ruzek

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    LaRoyce Hawkins

    Kevin Atwater


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Broadcast networks aren't known for planning this

Batman, Superman, and Wonder Woman are DC Comics’ “Big Three.” They are the company’s trio of iconic heroes, superior in strength, smarts, and star power. However, whether or not Wonder Woman is genuinely a part of DC’s holy trinity has become a recent debate. Is Wonder Woman getting the non-comic content she deserves? I (and plenty of fans) think not.

DC Comics

While at one point Diana may have been more prominent in DC’s non-comics content, nowadays, the media created around her character is scarce. The success of Absolute Wonder Woman, her most popular comic run right now, is a good sign, but it has not yet had any payoff on the screen.

The Trouble with Diana

Since she was created in 1941, Wonder Woman has continued to be featured as an essential, founding pillar of the Justice League. Still, she has not quite stolen the spotlight in an actually empowering way. Her two blockbuster movies starring Gal Gadot were definitely steps in the right direction, sure, but they just weren’t enough to make the public call for more Wonder Woman, at least not fully.

If Wonder Woman is such a DC staple, why has she continued to be so under-appreciated in non-comics media? Many fans claim sexism is driving this issue. Batman and Superman, the other two-thirds of the DC holy trinity, have plenty of content coming out. I have found no clear, recent statistics on the readership of DC Comics or comics in general. However, it is safe to say that women are reading comics, too—and more than previously expected. That, and not only women are interested in reading about strong female characters.

If not sexism, or not just sexism, why? Whether it was her shallow characterization in the Injustice series or many other weak portrayals, Diana has had it rough. This has not gone unnoticed on the internet, either.

Despite the clear interest in Wonder Woman, with Absolute Wonder Woman sales going exceedingly well, and not to mention the popularity of the 2017 live-action movie, Diana has never received her own animated series. She has made appearances in plenty of Justice League content and series headlined by other heroes. However, never as anything more than a side character. This is not the treatment Superman nor Batman has received. She got close to tasting glory with a video game announced in 2021, but Warner Bros. killed that project in 2025.

This is not to discount her many popular and well-thought-out comic runs. However, onscreen, Diana faces a lot of issues when she finally does get included in DC content. However, I believe Absolute Wonder Woman answers just about every problem she has experienced so far. Let’s go down the list.

Quality as a Main Character

Almost every significant female character seems to face the trope of becoming nothing but a romantic interest at some point, a crutch for the main male characters. Even Wonder Woman, who is dripping with main-character qualities and potential, is often reduced to a side character. Instead of serving as a worthy teammate to Batman, Superman, and the other Justice League members, writers reduce her to one of the other main characters’ love interest. This also reinforces the fact that, for some reason, not always but often, female characters can’t seem to exist professionally in the same space as male characters without there being romantic undertones.

Wonder Woman dodges bullets in DC Comics art by Daniel Sampere.
DC Comics

Of course, not having a love interest shouldn’t become the hallmark of being a strong female character. They should, too, be able to have those relationships. The problem is when those relationships become who these characters are, the only reason they exist. Absolute Wonder Woman may have found a love interest in Steve Trevor, but it doesn’t become the centerpiece of who she is and what makes her powerful.

Steve Trevor has proven to be a… problem in other iterations of Wonder Woman. In Gal Gadot’s 2017 portrayal, he manages to outshine the titular character with, I would venture to guess, more lines than she has. (The less said about WW84‘s weird bodily-possession subplot the better.) The 2009 animated movie, Wonder Woman, managed to introduce possibly the worst-written and most misogynistic character I have ever encountered, and certainly the worst Steve Trevor.

AWW‘s version of Steve Trevor is a love interest, but he is without question a supporting character. That’s all. More than that, he is a supportive friend to Diana throughout the story, but the story itself belongs entirely to her. I could harp on about the fact that it always should have been this way, but I choose to be glad that it is now.

Weak Character

Even in her own live-action movie, portrayed by Gal Gadot, Diana isn’t presented with much personality. She has a backstory detailing cherished loved ones guiding her through her childhood and teenage years, but I found myself caring about and understanding them more than the movie’s namesake.

Every conversation this Diana has with Steve Trevor, who is historically a significant friend, ally, and lover to her, is either overtly romantic or sexual, and doesn’t drive their relationship or her character anywhere. Ryan Syrek from The Reader said it best:

“In the first hour of the first massively-budgeted movie centered on a female superhero, Steve Trevor (Chris Pine) brags about his d**k as Wonder Woman (Gal Gadot) ogles it before he takes her to buy dowdy clothes because her outfit is too “distracting” to men.”

I won’t continue to waste time trashing the movie, but I will say it is not her best portrayal. That said, there were some saving graces, from badass battle scenes (mediocre CGI aside) to an accurate level of otherworldliness in Diana’s character and her way of moving through the world.

Superheroes tend to have defining attributes, things they fight for. Batman has vengeance. Superman has justice. Wonder Woman has truth and kindness, and AWW portrays these better than any other portrayal I’ve seen. She shows kindness to creatures of all kinds. She is not grim in her strength, but compassionate. Other Diana portrayals have missed the mark somewhat when it comes to this. From her relationship with her mother and how she was raised, both strong and kind, to the wrath she directs toward those who harm the innocent, she is just incredibly interesting.

Wonder Woman’s Physique

Last and definitely least—the other items were definitely much more important—Absolute Wonder Woman having a physique that reflects the warrior she is is such a bonus for me. She is not stick-thin, reflecting modern (Euro-centric) beauty standards; she is unapologetically buff and looks like she could beat your ass, because she could. Sure, she doesn’t need to take up physical space for her powers to work (neither does the ever-yoked Superman), but man, is it cool. Her musculature reflects her hard work, her training, and the comic refuses to size her down.

Wonder Woman #11 José Luis García-López Artist Spotlight Variant
DC Comics

These comics also bring back her wavy hair from the days of yore, and I think it adds so much to her character. She is wild and untamed, growing up on the Wild Isle in Hell instead of Themyscira. I hate to sound so cliché, but allowing her to have natural-looking hair does reflect that just feels so right.

Absolute Wonder Woman: The Answer to Our Prayers

Not everybody has the time to geek out on comics, but movies and shows can much more easily become mainstream. This is why I believe it is important that Wonder Woman gets more love on the TV/film side of things.

James Gunn has announced that a Wonder Woman movie is in the works. It will be a part of the “new DCU,” Gunn is working on, which also contains Superman, Supergirl, and Lanterns. Matt Reeves’ The Batman is unfortunately set in an alternate universe. Getting a new Wonder Woman on screen from the same director/producer who crafted a comic-accurate Superman with such care definitely sounds promising.

Wonder Woman has had her few standalone movies, but never an animated series. Absolute Wonder Woman is solving every issue the DC fandom has ever had with portrayals of Diana of Themyscira. With DC confirming Absolute Batman will be getting an animated series, why should she not be next in line?

The Absolute series brings about brand new backstory concepts and plenty of badass weapons. Not to mention, the magic and color of her world are perfect for animation. This version of Diana is a sorceress, which is a really cool, rare choice for Wonder Woman. This adds more to her character, especially knowing it was borne from her relationship with her mother, Circe. It was a cool way of turning the classic Circe versus Wonder Woman trope on its head.

A panel from Absolute Wonder Woman Issue #1.
DC Comics (Absolute Wonder Woman Issue #1)

Speaking of her weapons, Diana’s traditional Lasso of Truth now takes the form of three individual lassos. One is red, menacing-looking, and called “Nemesis.” It reflects the “pain [one has] wrought on others.” There is nothing more just than that. The second is Thusia, and it has transformational powers, though its use does come with risk. Thirdly is Troika, which uses the secrets of those whom it binds and leaves them changed fundamentally. This one is more mysterious than the other two thus far.

Everything about Absolute Wonder Woman is a sorely needed upgrade, from the creativity of her mythological background to her dark yet emotionally moving adventures. If any version of Wonder Woman deserves an animated series, this is her, DC. The fans are begging to see more, and the comic sales are proving it.

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⚡ Quick Take Absolute Wonder Woman presents a strong

DC and Prime Video have landed a big win in 2026 for one of the most iconic superheroes of all time.

The Dark Knight continues to have his mythology retold through the big and small screens, both in animation and live-action. The summer season is nearing its end, but the iconic DC hero has made his way back in what is currently one of the most well-received versions of the character.

Batman: Caped Crusader season 2 landed on Prime Video on Friday, July 31, and it has given the Prime Video series a massive win. As of writing, the animated superhero project has landed an 82% rating for its audience score on Rotten Tomatoes. Not only is it a solid number for the second season, but a signficant improvement in response from the viewers.

For Batman: Caped Crusader season 1, the comic book noir entry is currently at 55% on its audience score. However, based on the season 2 episodes, there has been a big shift, as the show’s return has landed a stronger reception with audience members.

The latest season is also off to a great start among critics, as its Rotten Tomatoes score is at 90%. In ScreenRant’s Batman: Caped Crusader season 2 review, Felipe Rangel highlighted how the new episodes tackle the latest version of the Joker, who is voiced by Matthew Needham.

Per Rangel, this “is not your usual Joker. Much like how season 1 did away with the vibrant and energetic persona often attributed to Harley Quinn for that character’s debut in the show, season 2 brings to life a much more chilling Joker, one who is not about creating mayhem for madness’ sake, but is calm and calculated.” He also credits Needham as a wonderful casting addition in the role, saying “Needham makes the Joker smart, ruthless, and someone who nobody will want to cross.”

For the time being, Batman: Caped Crusader season 3 has not been officially announced by Prime Video and DC. However, given that the sophomore season has only been streaming for less than a week on the popular platform, it’s still too early to tell if the series will be back for another season or not, as it will all depend on how it performs analytically.

Hopefully, if the viewership is there, the positive reception will perhaps lead Prime Video to renew the series for another season. As Batman TV shows and movies continue to perform well in Hollywood, the Hamish Linklater-starring comic book project will ideally be back for more episodes.

Batman: Caped Crusader season 2 is now streaming on Prime Video along with season 1.


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Release Date

August 1, 2024

Network

Prime Video

Showrunner

Bruce Timm

  • Headshot Of Hamish Linklater

    Hamish Linklater

    Batman / Bruce Wayne (voice)

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    Krystal Joy Brown

    Barbara Gordon (voice)


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DC and Prime Video have landed a

DC Studios and HBO have reportedly abandoned two major DCU TV shows and rejected pitches for two Batman spin-offs, but there is good news for one show. James Gunn’s DCU is about to release its third TV show after Creature Commandos Season 2 and Peacemaker Season 2, with Lanterns set to premiere on HBO on Sunday, August 16. Still, since Peacemaker wasn’t part of the five-movie, five-show Chapter 1: Gods and Monsters slate that Gunn unveiled in January 2023, three of the five promised HBO Max series have remained in development limbo for almost four years: Booster Gold, Paradise Lost, and Waller.

According to an exclusive report from The Ankler, DC Studios has scrapped plans for two major HBO/HBO Max shows in James Gunn’s DCU that were part of the original Chapter 1 slate. The studio has reportedly called it quits with Waller and Paradise Lost following Supergirl‘s recent box-office flop, which may have cost Warner Bros. and DC Studios north of $125 million.

Fans previously heard that Paradise Lost was “dead” at DC Studios from The InSneider earlier this year; a statement that was later rebuffed by Gunn. More recently, the DCU architect seemingly fought back against claims that the Wonder Woman spin-off was canceled, saying it was in “extreme development.”

DC Comics

Waller was originally intended to bridge a gap between Peacemaker Seasons 1 and 2 with a story centered on Viola Davis’ Amanda Waller. Many have theorized for years that the ARGUS chief’s spin-off would never move forward, despite which Gunn has regularly claimed that Waller was still happening.

The Ankler reports that DC Studios is shifting its focus from streaming series to more theatrical films, which may explain the cuts to the DCU’s TV slate. That same sentiment can be felt beyond DC Studios and across Hollywood, especially after Marvel Studios called it quits with its own hit Disney+ show, Wonder Man.

Amanda Waller in Suicide Squad and Creature Commandos.
DC Studios

Even the ever-successful Batman and his rogues’ gallery don’t seem to be safe from DC Studios’ TV cutbacks. The Ankler notes that The Penguin Season 2 is still in “limbo” and the studio rejected pitches for shows starring Catwoman and Poison Ivy, although it’s unclear whether those concepts fell into James Gunn’s DCU or Matt Reeves’ The Batman universe.  

With Lanterns gearing up to premiere imminently, Creature Commandos heading for Season 2, and Paradise Lost and Waller reportedly axed, Booster Gold stands as the only originally announced Chapter 1 show awaiting release. However, it hasn’t exactly been smooth sailing for the superhero comedy either, as The Ankler reports that Booster Gold is now searching for a new writer. 

That news is encouraging, as Our Flag Means Death creator David Jenkins just recently confirmed that his Booster Gold won’t be moving forward, sparking fears that the show would be canceled. Jenkins was already the second to take a stab at Booster Gold after The Righteous Gemstones creator Danny McBride, and the search for a third signals a determination to make the show happen.

UPDATE: Entertainment Weekly requested comment on the news from DC Studios, who confirmed that Waller is “no longer a priority” or in “active development” at HBO, but isn’t completely cancelled at DC Studios. Meanwhile, Paradise Lost is in the same boat, but EW was informed that it “could still see the light of day in the future.”

The updates may signal that the setbacks to both projects came from the HBO side, not DC Studios, perhaps signalling a cutback in live-action superhero content at the platform.

Why DC Studios Is Changing Its TV Strategy (And Is It a Good Thing?)

James Gunn, DCU movies and shows slate.
DC Studios

There are bound to be many contributing factors in DC Studios’ shifting TV plans, not least of which is Paramount’s acquisition of Warner Bros., which won’t be complete until mid-2027 at the earliest due to legal obstacles. The studio may be limited in which projects can be greenlit until then, perhaps even requiring a seal of approval from Paramount, as development still be ongoing after their takeover.

Beyond that, Gunn is likely learning lessons as he goes with DC Studios, and Supergirl‘s tragic $126.25 million box office may have been a wake-up call that not every character can headline a project. Simply put, there isn’t enough demand for Amanda Waller to lead her own HBO show, and it’s hard to see the need for a Paradise Lost prequel to a Wonder Woman movie that doesn’t yet exist.

Ultimately, the fact that Paradise Lost and Waller are canceled isn’t a surprise, and it was already believed that Booster Gold was looking for a new writer. The biggest shocker in The Ankler’s report is that DC Studios and HBO turned down pitches for Catwoman and Poison Ivy shows, as Warner Bros. has never been one to reject a surplus in Batman-adjacent projects, especially in recent years.

It’s interesting to see that, of all the projects on the table, Booster Gold is the only live-action series that DC Studios and HBO are eager to move forward with, aside from the Jimmy Olsen/Gorilla Grodd show, which will shoot later this year. The studio seems to be doubling down on more comedic affairs on the TV front; but do they have the highest potential, or is Gunn simply eager to hone in on his comedy bread and butter amid fears that he could exit with the Paramount acquisition?

One area where DC Studios shows no signs of slowing down is animation, as the studio just announced a plethora of animated TV projects at the Annecy Festival. As budgets balloon for expensive, movie-scaled live-action shows that may not be paying for themselves in streaming subscriber revenue, perhaps it is time to refocus on the more cost-effective realm of animation for superhero TV.

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Warning! Spoilers ahead for Star Trek: Strange New Worlds Season 4, Episode 4, “A Case of Chiaroscuro.”Star Trek: Strange New Worlds Season 4 is really doubling down on the show’s aptitude for shuffling between genres on a weekly basis, and Episode 4, “A Case of Chiaroscuro,” is the latest example of the divisive decision to constantly reinvent the Original Series prequel. Personally, I don’t mind Strange New Worlds experimenting with different kinds of storytelling, but I will admit that Season 4 is maybe overdoing it a little. Regardless, Star Trek‘s recent film noir-inspired effort is very interesting, but it leaves a narrative loose end so drastically unexplained that it feels like a plot hole. At the very least, it comes across as overly convenient.

Set on a previously unvisited planet called Mat’aar 12 in Klingon space, “A Case of Chiaroscuro” is shot entirely in black-and-white. It isn’t just an aesthetic choice that enhances the tribute to the Hollywood flicks of yesteryear, though. The planet’s sun alters the perception of light so that everything actually looks that way to the characters in the story. That includes Captain Pike (Anson Mount) and those aboard the USS Enterprise. In other Star Trek episodes, everything appearing black-and-white would be treated as a mystery to be solved, and a very central one to the installment’s storyline. “A Case of Chiaroscuro” avoids this by explaining the phenomenon right out of the gate, but the installment expires without providing a satisfying explanation for one of its other enigmas.

I Don’t Buy Dr. M’Benga’s Theory About Una’s Doppelgänger

M'Benga talking to Uhura in Star Trek: Strange New Worlds Paramount+

“A Case of Chiaroscuro” relies very, very heavily on the fact that Commander Una Chin-Riley (Rebecca Romijn) looks visually indistinguishable from an off-screen resistance leader on Mat’aar 12. This is established shortly after Una and her two crewmates land on the planet and are forced to blend in to avoid detection. Una plays along with the revelation, which proves helpful in not giving themselves away as Federation citizens, as the Federation isn’t supposed to be present in that area of space. I kept expecting one of the locals to look at Una for just a little too long, or from the wrong angle, and figure out that she wasn’t who she had been mistaken for.

But…nothing. Una’s cover remains flawlessly intact until the second the body of the woman she’s impersonating is discovered. Before that reveal, Uhura (Celia Rose Gooding) makes her very understandable concerns about Una’s plan to stay hidden in plain sight known to Dr. M’Benga (Babs Olusanmokun). The Enterprise’s Chief Medical Officer offers a paper-thin theory about why even those close to the woman Una is pretending to be can’t tell she’s been replaced: “In a universe as vast as ours, the real mystery is that we don’t stumble onto our doppelgängers more often.”

That’s it. That’s all the logic the episode ever even attempts to provide on the matter. I understand that the story’s very premise required immediate integration of the Starfleet officers and those on Mat’aar, but Una just happening to look exactly like a prominent figure at the heart of a resistance comes across as way too convenient. I was waiting for M’Benga’s sentiment to be proven as nonsense throughout the installment, with Star Trek dropping a signature sci-fi twist to account for why someone else on another world, with no relation at all to Una, had her face. Such a twist never arrived, and it turned out Dr. M’Benga wasn’t being totally ridiculous after all.

From a storytelling perspective, I completely understand giving Una a doppelgänger. The episode is very unsubtle when establishing a theme of Una pretending to be someone she’s not, which references her past of concealing her Illyrian background. By making the person she’s impersonating look just like Una, then the script poetically points out that the version of herself she was once hiding was just as much part of her as the parts she felt permitted to display. It makes sense, and to a certain degree, I like it. But I can’t help but feel like there was a better way to pull this off than building an entire episode around a flawless doppelgänger that’s never properly explained. I’ll keep my fingers crossed that a more solid resolution to this enigma will eventually make itself known.

Dr. M’Benga’s Simplistic Doppelgänger Theory Quietly Explains a Separate Star Trek Mystery From 31 Years Ago

Star Trek has a long history of casting actors in two (or more) roles, but they usually look so different each time they appear, that there’s no need to explain why those characters share an actor. Jeffrey Combs is a great example. He appeared several times in Star Trek‘s classic era as a variety of different characters, from a range of different species. No one assumed his Ferengi and Andorian characters were canonically related, for instance.

That being said, Robert Duncan McNeill famously guest starred as Nick Locarno in Star Trek: The Next Generation, and then played Tom Paris throughout all seven seasons of Star Trek: Voyager. Trekkies tried to prove for years that both characters were related, but the franchise never drew an in-universe connection between them. Even Star Trek: Lower Decks only playfully acknowledged their shared face. However, if we take Dr. M’Benga’s comment about doppelgängers in Star Trek: Strange New Worlds and apply it to Locarno and Paris, then it makes Una a slightly less isolated case, which gives the theory a tiny little bit more merit.


star-trek-strange-new-worlds-poster.jpg


Release Date

2022 – 2027-00-00

Network

Paramount+


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Warning! Spoilers ahead for Star Trek: Strange

When Christopher Nolan’s new movie The Odyssey came out (actually, a year before it came out), film geeks everywhere rushed to buy tickets to see the film in IMAX 70 millimeter. It isn’t just IMAX or just 70mm—it’s the combination of the two that makes the format so specific and rare. This format requires special projectors that both run film horizontally, which is different than other forms of film, and project the image onto an enormous IMAX screen.

On average, IMAX screens span about 59 by 79 feet, at least for traditional film. As such, screenings usually occur in larger-than-normal theaters. But which theaters are equipped to show IMAX 70mm?

IMAX

The answer is not many. Digital IMAX screens, which some call “LieMAX,” come a dime a dozen. Hundreds of theaters around the U.S. operate these screens with a different aspect ratio than IMAX’s traditional size. However, IMAX screens built for 70mm are hard to come by, with only 25-30 in the U.S. and a handful of others scattered around the rest of the world. It’s even harder to come by the projectors for the format. Only 41 theaters worldwide were able to play The Odyssey in IMAX 70mm, which was an increase from the 30 that played Oppenheimer.

The U.S. locations are scattered across the country. USA Today listed the 25 locations in the country that screened it, with theaters in:

  • Arizona: Tempe
  • California: Hollywood, Dublin, Irvine, LA, Ontario, Sacramento, San Fransisco, Universal City
  • Colorado: Colorado Springs, Denver
  • Florida: Fort Lauderdale
  • Georgia: Buford
  • Illinois: Woodridge
  • Indiana: Indianapolis
  • Michigan: Grand Rapids
  • Nevada: Las Vegas
  • New York: New York City, Rochester
  • Pennsylvania: King of Prussia
  • Rhode Island: Providence
  • Tennessee: Chattanooga, Nashville
  • Texas: Dallas, San Antonio

That only “covers” 14/50 states. Some dedicated movie buffs went out of their way to road trip to other cities and even other states to see The Odyssey this year.

This is clearly an issue, and a big loss of potential revenue for IMAX. However, the chances that the company will go out of its way to increase the number of 70mm IMAX theaters are slim. Unfortunately, “The problem is they haven’t made new IMAX film projectors in about fifty years,” said IMAX CEO Richard Gelfond. In fact, the company doesn’t even have a complete blueprint for the machines anymore, and many of its parts no longer exist.

The projectors themselves are also huge, and the film they take can weigh over 300 pounds. Mistakes cost more, damaged film is a danger, and there is no way to restart or rewind the film efficiently.

After The Odyssey‘s success and the buzz around Dune: Part Three, who knows what the company has in store for the medium?

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⚡ Quick Take Only 41 theaters worldwide were able

For years, Christopher Nolan’s The Dark Knight has been treated as the gold standard of Batman movies. With its gritty tone and the late Heath Ledger’s iconic performance as the Joker, the 2008 film raised the bar. Any comparison to it is usually framed as an uphill battle, one that no other feature-length Batman story could win. Yet, there’s one movie in the Batman franchise that is actually aging far better than The Dark Knight.

Of course, Nolan’s film hasn’t lost its impact on Gotham’s cinematic history, but that doesn’t necessarily mean that it is still viewed the same way, especially when compared to Batman: Mask of the Phantasm. Released in 1993, the animated movie about the Caped Crusader is told in two timelines: the past and the present. In the present, Batman investigates a mysterious vigilante known as the Phantasm, who is killing Gotham’s crime bosses, while the flashbacks explore Bruce’s past and his romance with Andrea Beaumont.

With the massive number of Batman films available, both live-action and animated, it’s quite difficult to pick one that reigns supreme. However, Mask of the Phantasm has set itself apart, not only as a great Batman movie, but one that does an incredible job of showing the emotional demons that the Caped Crusader has to fight. While not everyone remembers Mask of the Phantasm, the animated film is proof that there’s a Batman story that is as good as The Dark Knight — or better.

The Best Batman Movie Isn’t Even Live-Action

When it comes to Batman, everyone has their favorite film, and it’s more often than not a live-action movie. However, the title that beats them all is none other than Mask of the Phantasm. The 1993 movie being the superior Batman story shouldn’t really come as a surprise, especially because DC has struggled when it comes to its live-action movies, which are usually hit or miss. On the other hand, the comic book company’s Batman animated films have built a reputation for being consistently stronger than many of their live-action counterparts.

Live-action Batman movies are often constrained by many factors, whereas animated films don’t have those same restrictions, and thus have more creative freedom. In the Batman franchise, the animated DC movies are often willing to go darker and explore mature themes than live-action entries. Of course, Mask of the Phantasm isn’t the only Batman film that features a dark tone or depicts Bruce Wayne’s struggle with his alter ego, but it is the one that shows his humanity exceptionally well.

Why Mask Of The Phantasm Has Aged So Well

Bruce Wayne at his parents' grave in Batman Mask of the Phantasm
Bruce Wayne at his parents’ grave in Batman Mask of the Phantasm

When Mask of the Phantasm was released in 1993, it was expected to be a simple extension of Batman: The Animated Series, but it became one of the most respected Batman stories ever created. Decades later, the film has only gotten better, as there are always new things about it to appreciate. Batman is often seen as a symbol of good, but not many understand what it takes for Bruce Wayne to don the cape, which is why Mask of the Phantasm is a masterpiece.

Batman: Mask of the Phantasm Rotten Tomatoes Score

Critics’ Score

83%

Audience Score

88%

Many adaptations of the Caped Crusader’s adventures focus on his detective skills or his fighting prowess, but Mask of the Phantasm zooms in on the person underneath the mask. Through his relationship with Andrea, audiences see a version of Bruce before he completely commits to his mission, as he is not yet the distant character typically depicted in adaptations.

There’s a weight to Mask of the Phantasm because Bruce Wayne considers leaving his vigilante ways in order to have a normal life with Andrea. Since he became Batman to avenge his parents’ death, the movie explores the guilt he carries for being happy instead of leaning into the grief that has defined him since childhood.

The Dark Knight’s Shine Has Slightly Dulled Over The Years

Heath Ledger as the Joker holding a playing card in The Dark Knight
Heath Ledger as the Joker holding a playing card in The Dark Knight
Image via MovieStillsDB

The Dark Knight is without a doubt the most revered Batman movie, both by critics and audiences. A film like that is simply generational, and one that is extremely difficult to top. While it is still considered a revolutionary tale, particularly because of Heath Ledger’s Joker, it just doesn’t hit the same way it did when it was initially released. With The Dark Knight, Nolan set a bar for himself that even he couldn’t surpass, given that The Dark Knight Rises, the sequel to the film, is considered inferior.

Batman isn’t meant to be a funny or lighthearted superhero, given his tragic beginnings, but even with that in mind, The Dark Knight can be a little too dark. The movie’s best part is also its downfall: the Joker made the film fantastic, but he also outperformed the hero, which isn’t good given that the film is about Batman and not his greatest nemesis.

Furthermore, at nearly three hours long, The Dark Knight drags on. What once felt like crucial elements to the story are now seen as filler, especially because more time could have been spent fleshing out Batman and Harvey Dent.

The Batman Part II Rumors Suggest It’s Remaking Mask Of The Phantasm (Sort Of)

Robert Pattinson in The Batman
Robert Pattinson in The Batman
Image via MovieStillsDB

Matt Reeves’ The Batman, starring Robert Pattinson as the titular character, easily became a fan favorite, and the director took his time writing the sequel script to get it right. Now that the highly anticipated film is finally in production, rumors about what The Batman II will be about are currently swarming, with some theorizing that it could be a remake of Mask of the Phantasm.

Since Scarlett Johansson is set to appear in The Batman II in an undisclosed role, there are theories that she might be playing Batman’s ex-fiancée, Andrea. But like any rumors, this should be taken with a grain of salt, as there are so many other characters in the Batman universe that Johansson could be portraying, with Gilda Dent being a common theory. There’s also a chance that The Batman II’s main antagonist could be the Court of Owls.

With news about the upcoming Batman film being a closely guarded secret, fans can only hope that it’s their favorite storyline that will take center stage. Still, it would be cool if Mask of the Phantasm was the one finally getting a live-action adaptation because it truly is one of the best Batman films ever created.


Batman Mask of the Phantasm Movie Poster


Release Date

December 25, 1993

Runtime

76 minutes

Director

eric radomski, Bruce W. Timm


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For years, Christopher Nolan’s The Dark Knight

DC Studios is hyping up the DCU debut of Kyle Chandler as Hal Jordan in the upcoming Lanterns series. Following the appearance of Nathan Fillion’s Guy Gardner in Superman, James Gunn’s DC reboot is returning to the fundamentals by diving deeper into Green Lantern lore on the small screen. HBO’s Lanterns shifts the spotlight to Hal Jordan as a seasoned Corps veteran, pairing him with Aaron Pierre’s rookie John Stewart as the intergalactic cops investigate a mysterious murder in Rushville, Nebraska. Set to premiere this Sunday, August 16, Lanterns promises a character-driven exploration of both Hal and John as they navigate an expanding DCU. 

Ahead of the show’s arrival on HBO and HBO Max, DC Studios co-CEO James Gunn unveiled a special trailer focusing on Hal Jordan, showcasing the character’s bravado and superpowers before his DCU debut. 

The 15-second trailer opens with a vehicle’s POV, then Hal Jordan (who seems furious) arrives on the scene and interrupts the unnamed character. 

DC Studios

A close-up shot of Hal’s Green Lantern ring was then featured, highlighting the battle-hardened look of the famous DC hero. 

Hal Jordan's ring.
DC Studios

A voiceover then declared that “maintaining the peace” is part of the Green Lantern’s job before footage of Hal using his constructs to defend himself against enemies is shown. 

Hal Jordan vs. enemies in Lanterns.
DC Studios

Some more action shots of Hal are shown before the footage shows the character in his fully suited Green Lantern look for Lanterns. 

Hal Jordan wearing his costume in Lanterns.
DC Studios

A striking close-up of Chandler as the DCU hero also takes center stage, further showcasing his commanding presence as Hal Jordan. 

Kyle Chandler as Hal Jordan.
DC Studios

Alongside the trailer, DC Studios also unveiled a new poster for Hal Jordan, confirming that Hal is Earth’s first Green Lantern, similar to the comics. 

Kyle Chandler as Hal Jordan.
DC Studios

Watch the official Hal Jordan trailer below: 

Joining Kyle Chandler and Aaron Pierre in Lanterns is a star-studded cast led by the returning Nathan Fillion as Guy Gardner, Ulrich Thomsen as Sinestro, Kelly Macdonald as Sheriff Kerry, Garret Dillahunt as William Macon, and Laura Linney in an undisclosed role. 

Why Hal Jordan’s Role In Lanterns Could Define His DCU Future 

Kyle Chandler as Hal Jordan.
DC Studios

Kyle Chandler’s take on Hal Jordan arrives as far more than just another superhero introduction, mainly because his debut is the first substantial live-action foundation for one of DC’s most iconic characters in James Gunn’s rebooted DCU. 

Given that Lanterns positions Hal as a grizzled veteran mentoring John Stewart, how this portrayal lands will likely shape whether Hal becomes a cornerstone of the DCU or remains a supporting player. 

In a show that blends intergalactic lore with a high-stakes murder mystery on Earth, this version of Hal Jordan has the chance to redefine the character away from previous live-action misfires. 

A compelling performance that balances mentorship, moral complexity, and heroism could elevate Chandler as one of the long-term faces of the Green Lantern Corps, opening doors to future Justice League crossovers and larger Chapter One: Gods and Monsters arcs set in the cosmos. 

By establishing Hal as the authority who both challenges and guides the next generation, Lanterns can set up lasting interpersonal stakes that carry into films and potential Season 2 of the series. All in all, Lanterns is not merely introducing Hal; instead, this is the ultimate test for this version of the character that the entire rebooted universe will either build upon or quietly move past. Hopefully, the former outcome will prevail. 

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Sylvester Stallone built his legendary career on high-octane action blockbusters, many of which became staples of the genre. Through these movies, he brought to the screen some of cinema’s most enduring icons, from the ultimate underdog boxer, Rocky Balboa, to the troubled Vietnam veteran, John Rambo. He also showcased his remarkable talent for explosive spectacles, starring in the likes of Demolition Man, Cliffhanger, and the Expendables series. However, his extensive filmography holds some hugely underrated treasures, including a 1996 disaster epic that remains one of the most gripping and suspenseful, yet frequently overlooked, triumphs in the actor’s decades-long evolution as a true cinematic powerhouse.

Sylvester Stallone as Chief Kit Latura in Daylight
Sylvester Stallone as Chief Kit Latura in Daylight
Universal Pictures

While the world knew him as an unstoppable force, Daylight proved that Stallone could command an action movie using raw, human vulnerability rather than just firepower. He anchored the claustrophobic thriller playing Kit Latura, a disgraced former New York City Emergency Medical Services (EMS) chief, who comes to the rescue of a group of commuters trapped inside a collapsed tunnel after a massive explosion. Instead of battling rogue mercenaries or hardened criminals, Stallone fights rising water, toxic fumes, and crumbling concrete, as he desperately tries to make his way back to daylight before the tomb seals them in forever.

“A group of armed robbers fleeing the police head for the New Jersey Tunnel and run right into trucks transporting toxic waste. The spectacular explosion that follows results in both ends of the tunnel collapsing and the handful of people who survived the explosion are now in peril. Kit Latura is the only man with the skill and knowledge to lead the band of survivors out of the tunnel before the structure collapses.”

Stallone’s massive global appeal ultimately rescued Daylight from being a total financial disaster, but only just. Produced on a mega budget of $80 million, the film drastically underperformed in North America, stalling at $33 million. However, it pulled in an impressive $126.2 million from international markets to secure a box office haul of $159.2 million worldwide. Critics were similarly split, with some praising the movie’s special effects and tense action sequences, while others heavily criticized its formulaic plot and flat character depth. The majority seemed to agree that it failed to bring anything truly innovative to the genre, awarding it a measly 28% score on Rotten Tomatoes (alongside a marginally better 37% approval rating from audiences).

Despite its initial reception, Daylight eventually found a dedicated cult fanbase through home video releases, television airings, and the rise of streaming platforms. Movie enthusiasts grew to appreciate the film as a peak example of ’90s, high-concept filmmaking, finding merit in Stallone’s more grounded performance compared to his usual action hero personas. The movie’s newfound following has further cemented its legacy as an underrated gem in Stallone’s acting portfolio, one that demands a second look, and boutique label Kino Lorber is ensuring it receives the premium treatment it deserves by giving it a new release.

Daylight is officially coming to 4K Ultra HD Blu-ray on Aug. 18, 2026, as a second pressing to satisfy demand for the action gem. Sourced from a pristine scan of the original 35mm camera negative, the physical media upgrade features High Dynamic Range (HDR) and Dolby Vision color grading, enhancing the chaotic disaster zone’s fire, water, and shadow effects. The discs are also loaded with a bevy of bonus features, including an audio commentary with director Rob Cohen and archival behind-the-scenes featurettes – listed below.

  • Brand New HDR/Dolby Vision Master – From a 4K Scan of the 35mm Original Camera Negative
  • Audio Commentary by Director Rob Cohen
  • 5.1 Surround and Lossless 2.0 Audio
  • Triple-Layered UHD100 Disc
  • Optional English Subtitles
  • Brand New HD Master – From a 4K Scan of the 35mm Original Camera Negative
  • Audio Commentary by Director Rob Cohen
  • The Making of Daylight (33:28)
  • EPK Featurette (6:26)
  • Whenever There Is Love: Music Video by Donna Summer and Bruce Roberts (4:31)
  • The Daylight Archives: Slideshow (76:34)
  • Theatrical Trailers (4:31)
  • 5.1 Surround and Lossless 2.0 Audio
  • Dual-Layered BD50 Disc
  • Optional English Subtitles

For physical media collectors and action genre fans, this premium upgrade serves as proof that some films simply need a little bit of time to finally find their light, and Kino Lorber’s stunning 4K restoration of Daylight guarantees that Stallone’s forgotten mid-90s survival thriller will shine brightly for decades to come.

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Sylvester Stallone built his legendary career on

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If there was any question that the upcoming Mister Miracle animated series from DC Studios takes place in the DCU, this latest news erases any doubt. According to Entertainment Weekly, it seems Nathan Fillion will reprise his role as Green Lantern Guy Gardner in Mister Miracle. His character first appeared in Superman, and pops up soon in Lanterns. Showrunner Tom King, who also wrote the critically acclaimed Mister Miracle comic book the show is based on, had this to say about Fillion joining the cast as the galaxy’s most obnoxious member of the Green Lantern Corps:

We brought Nathan into Mister Miracle’s show, and doing that, it’s just so wonderful. He brings that energy to every aspect of it. And you would think it would be different tonally from [Lanterns], but it blends because that’s who Guy is. He’s that guy who is over the top. We all know that guy who’s a little bit like that.

Is DC Studios positioning Guy Gardner as the DCU equivalent to Nick Fury in the MCU? The one character who dips in and out of different projects, uniting the narrative? It certainly seems to be the case. He is Earth’s resident Green Lantern after all. So if Mister Miracle brings in cosmic elements from the New Gods mythology, it makes sense the Lanterns would be interested. Guy doesn’t appear in the Tom King/Mitch Gerads mini-series that Mister Miracle the animated show is based on. But then again, Lobo didn’t appear in Supergirl: Woman of Tomorrow. And DC Studios added him in for the Supergirl film.

DC Studios

So far, Nathan Fillion remains the only actor confirmed by DC Studios for Mister Miracle. James Gunn has stated that the same voice actors will play major roles from animated projects in live-action. So whoever plays Scott Free/Mister Miracle, his wife Barda, and other New Gods characters like Orion will play their live-action counterparts. Most importantly, DC Comics’ biggest bad, Darkseid, is a big part of Mister Miracle. So the voice actor they cast will be the eventual version of Darkseid in film. Apparently, DC has cast all the voice actors already, we’re just waiting on an announcement from James Gunn. Hopefully, any day now.

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⚡ Quick Take After appearing in Superman, and soon,

Tutustuessani Panosta Casinon pelitarjontaan ensimmäistä kertaa, havaitsin heti kotiutuksen palautusominaisuuteen, jota kutsutaan usein englanniksi reverse withdrawal -ominaisuudeksi https://panostasuomi.com/. Se on mekanismi, joka mahdollistaa pelaajalle vaihtoehdon peruuttaa tekemänsä rahamoston ja siirtää takaisin varat pelitilille ennen kuin siirto ehtii edetä pankkikäsittelyyn. Tämä ei ole itsestäänselvyys kaikilla nettikasinoilla, ja siksi halusin tutkia, miten se Panostalla toimii pelikäytännössä, kenelle se soveltuu ja minkälaisia etuja se tuo arjen pelaamiseen. Kokemukseni mukaan toiminto kertoo paljon nettikasinon halukkuudesta tuoda esiin joustavuutta, mutta se vaatii myös ymmärrystä siitä, milloin sitä on syytä käyttää ja milloin maltti on valttia.

Mikä on kotiutuksen peruutustoiminto?

Kotiutuksen peruutustoiminto tarkoittaa lyhyesti sitä, että pelaaja voi keskeyttää käsittelyssä noston ja siirtää rahat takaisin pelikassaan. Kun teet nostopyynnön Panosta Casinolla, varat eivät lähde tililtäsi heti, vaan ne siirtyvät odotustilaan, jonka aikana kasino käsittelee pyynnön. Tämän odotusajan puitteissa näet kassasivulla selvän painikkeen, jolla voit perua noston. Toiminto on rakennettu suoraan pelitilin hallintapaneeliin, joten se on aina jonkin klikkauksen päässä. Olennaista on, että peruutus on mahdollista vain niin kauan kuin nosto on tilassa “käsittelyssä” tai “vireillä”. Heti kun kasino on hyväksynyt ja lähettänyt maksun eteenpäin, peruutus ei enää onnistu.

Miten toiminto käytännössä toimii?

Testatessani Panosta Casinon kassaa havaitsin, että prosessi on tehty erittäin suoraviivaiseksi. Kun olin tehnyt kotiutuspyynnön, siirryin tapahtumahistoriaan, jossa vireillä oleva nosto näkyi heti. Sen vieressä oli “Peruuta”-painike, jota napsauttamalla sain vahvistusikkunan. Hyväksyttyäni peruutuksen rahat palasivat pelitililleni heti, ja voin jatkamaan pelaamista ilman viivettä. Aikaikkuna peruutukselle vaihtelee hieman käytetyn maksutavan mukaan, mutta tyypillisesti puhutaan tunneista tai enintään vuorokaudesta. Suosittelen aina katsomaan Panostan kassan ajantasaiset ehdot, sillä nopeat maksutavat voivat lyhentää peruutusikkunaa paljon.

Miksi tämä ominaisuus on hyödyllinen?

Peruutustoiminnon suurin etu on sopeutuvuus. Jos teet kiirehdityn noston ja huomaat vähän myöhemmin, että haluatkin jatkaa suosikkipelisi parissa, sinun ei tarvitse odottaa rahojen saapumista pankkitilille ja tehdä uutta talletusta. Tämä säästää aikaa ja työtä. Lisäksi ominaisuus toimii jonkinlaisena turvaverkkona: jos syötit huomaamatta väärät maksutiedot, voit perua noston ja korjata virheen ennen kuin rahat lähtevät matkaan. Olen myös todennut, että monet pelaajat käyttävät peruutusta harkitusti hyödyntääkseen äkillisiä kampanjoita tai live-vedonlyönnin kohteita, jotka tulevat yllättäen. Tällöin pelikassa on heti käytettävissä ilman uutta talletusprosessia.

Panosta-kasinon pelivalikoima ja peruutustoiminnon yhteys

Panosta Casino ole pelkkä kolikkopelisivusto, vaan se kokoaa saman katon alle laajan kasinon ja vedonlyönnin. Tämä tekee peruutustoiminnosta peruutustoiminnosta erityisen houkuttelevan, sillä varat voi palauttaa pelitilille ja kohdentaa ne heti joko uuteen slottiin, live-pöytään tai urheiluvedonlyöntiin. Pelivalikoima sisältää satoja nimikkeitä merkittäviltä pelivalmistajilta, kuten NetEnt, Play’n GO ja Evolution, minkä vuoksi vaihtoehtoja on tarjolla. Kun peruutat noston, et ole kiinnitetty siihen peliin, josta voitot alun perin tulivat, vaan voit vapaasti liikkua eri osastojen kesken. Tämä vapaus korostaa alustan monipuolisuutta ja antaa pelaajalle välineen reagoida nopeasti muuttuviin mieltymyksiin.

Kolikkopelit ja pöytäpelit – oston perumisen jälkeen

Kolikkopelien fanille peruutustoiminto on kätevä työkalu. Ajattele tilanne, jossa olet kotiuttanut voittosi iltapäivällä, mutta illalla julkaistaan uusi, paljon kohuttu slotti, jota haluat ehdottomasti kokeilla. Peruuttamalla noston saat rahat heti takaisin pelitilille ja saat pyöräyttämään uutta peliä ilman uusia talletuksia. Sama pätee myös pöytäpeleihin, kuten blackjackiin ja rulettiin. Jos olet tarkkaillut tiettyä rulettipöytää ja huomaat edullisen hetken, peruutus antaa sinulle välineen iskeä mukaan. Panostan pelivalikoimassa on myös kertyviä jackpoteja, joiden tapauksessa ajoitus saattaa olla ratkaisevaa – peruutustoiminto jättää sinut pelissä mukana juuri silloin kun, kun tarvitset nopeaa pääsyä pelikassaan.

Todellisen jakajan kasino ja vedonlyönti

Live-kasinon puolella tunnelma on aito ja jakajat oikeita, joten päätökset syntyvät usein äkkinäisen mielijohteesta. Jos olet juuri kotiuttanut, mutta haluatkin liittyä live-blackjack-pöytään, peruutustoiminto tuo rahat takaisin nopeasti. Vedonlyönnissä hyöty on vielä selvempi. Urheilutapahtumien kertoimet vaihtelevat jatkuvasti, ja odottamaton uutinen voi vaikuttaa pelisuunnitelman täysin. Panostan vedonlyöntiosio sisältää laajan valikoiman lajeja jalkapallosta jääkiekkoon, ja peruuttamalla noston voit asettaa vedon juuri siihen aikaan kun näet arvoa kerroinliikkeissä. Tämä yhdistelmä tekee Panostasta alustan, jossa kotiutuksen peruutus ei ole vain tekninen ominaisuus, vaan osa aktiivista pelikokemusta.

Mobiiliselailu ja peruutusmahdollisuus

Yhä useampi pelaaja hallinnoi pelinsä älypuhelimella, ja siksi kokeilin Panosta Casinon peruutustoimintoa sekä Android- että iOS-laitteilla. Mobiilisivusto on mukautuva, eikä erillistä sovellusta ole pakko. Kassanäkymä skaalautuu näytölle sopivaksi, ja “Peruuta”-painike on yhtä helposti löydettävissä kuin työpöytäversiossa. Pystyin perumaan noston muutamalla sormen napautuksella, ja rahat menivät pelitilille heti. Tämä on tärkeää, sillä mobiilipelaaminen on usein reipasta, ja peruutustarve voi syntyä esimerkiksi bussipysäkillä. Panostan mobiiliversio ei tingi toiminnallisuudesta, joten peruutustoiminto on aina taskussasi, olitpa sitten kotona tai liikkeellä.

Maksutavat ja käsittelyajat – mikä peruutustoiminto on?

Peruutusominaisuuden käytännön hyöty määräytyy suurelta osin siitä, kuinka pitkä käsittelyn kesto jokaisella maksutavalla on. Panosta Casino esittelee suomalaisille tuttuja maksuvaihtoehtoja, kuten Trustly, Euteller, Siirto, klassiset pankkikortit sekä joukko digitallompakoita. Kun teet kotiutuspyynnön, varat menevät alun perin kasinon käsittelyjonoon. Tänä aikana peruutus on tehtävissä. Sujuvimmilla maksutavoilla, kuten verkkopankin maksuilla, käsittely voi viedä vähän ainoastaan parin tunnin verran, mikä tarkoittaa, että peruutusikkuna on lyhyt. Pidempiaikaisilla tavoilla, kuten korttimaksuilla, peruutusikkuna voi olla vielä yön pituinen. Tämä on syytä muistaa mielessä, koska et varmasti kerkeä peruuttaa nostoa, mikäli valitset todella nopeaa maksutapaa ja toimit hitaasti.

Sujuvat maksutavat ja peruutuksen mahdollisuus

Trustlyn tyyliset pikamaksutavat kuuluvat suomalaisten suosiossa, siksi, että ne mahdollistavat nopeat tanat ja kotiutukset. Panostalla tämä tarkoittaa kuitenkin asiana, että peruutusikkuna voi olla tiukka. Kun nostopyyntö on tehty, se saattaa mennä käsittelystä valmiiksi jo parissa tunnissa. Siksi suosittelen, että ennen nostopyynnön vahvistamista mietit tarkkaan, haluatko todella siirtää rahat ulos. Mikäli epäilet, voit aina jättää varat pelitilille ja tehdä noston jälkeenpäin. Kassasivulla on yleensä merkintä arvioidusta käsittelyajasta, siksi tarkkaile aikaa. Hyvä nyrkkisääntö on, että mitä nopeampaa maksutapa, siten pienempi aikaa sinulla on peruutuksen suorittamiseen.

Turvallisuus ja lisensointi

Peruutuksen toiminto on luotu osaksi Panosta Casinon turvallista peliympäristöä. Kasino toimii EU-lisenssillä, joka taka että kaikki rahansiirrot ja peruutukset käsitellään määriteltyjen normien mukaisesti. Lisenssi velvoittaa pelipaikan pitämään asiakkaiden rahat erillä yrityksen omista rahatilioista ja noudattamaan kireä tietoturvakäytäntöjä. Käytännössä tämä tarkoittaa, että peruuttaessasi ___SPIN_314___ Mobiiliympäristö peruutustoiminto Entistä useampi hallinnoi, testasin niin skaalautuva, ole pakko skaalautuu samalla tavalla Voin palasivat. merkittävää reipasta esimerkiksi ei tingi koko ajan, ja Kelle, sopii auttaa mainiosti kehä. arvostavat joustavuutta mielivät säilyttää mahdollisuutensa auki käy erityisesti, niille jotka seuraavat innokkaasti.

Kelle peruutustoiminto passaa?

Kotiutuksen peruutustoiminto toimii parhaiten pelaajia, jotka arvottavat joustavuutta ja mielivät säilyttää mahdollisuutensa avoinna. Se käy varsinkin niille, ketkä tarkkailevat tiiviisti tuoreita peliuutuuksia, live-tapahtumia tai urheilukertoimia ja haluavat reagoida nopeasti. Toisaalta on tärkeää ymmärtää, että ominaisuus kykenee viehättää impulsiivisiin ratkaisuihin. Jos sinulla on taipumus peruuttaa kotiutuksia jatkuvasti ja hukata varat tämän jälkeen, on hyvä käyttää Panostan tarjoamia vastaavan pelaamisen välineitä, kuten talletusrajoja tai tappiorajoja. Itse koen peruutustoiminnon hyödyllisenä ominaisuutena, joka suo pelaajalle hallinnan tunnetta, joskin sitä hyödynnetään harkiten. Panosta Casino on kehittänyt tämän piirteen osaksi selkeää ja pelaajaystävällistä systeemiä, millä valta jää käyttäjällä itse.

Tutustuessani Panosta Casinon pelitarjontaan ensimmäistä kertaa, havaitsin

The DC Universe is taking its next major story to HBO.

The DCU’s Chapter 1: “Gods and Monsters” slate is finally giving the Green Lantern mythology its biggest spotlight yet in live-action. While audience members got a taste in 2025’s Superman with Nathan Fillion’s Guy Gardner, HBO will soon be the home for the Green Lantern Corps, as DC Studios is getting ready to expand their presence in James Gunn’s franchise.

Lanterns is only days away from its series premiere on HBO, and DC Studios is another major element for the superhero adventure, as Juju Green, also well-known as Straw Hat Goofy, is hosting The Lanterns Official Podcast. ScreenRant is exclusively sharing the first trailer for the upcoming podcast, featuring several major guests who will be no strangers to viewers. Check both the trailer below and key art above:

ScreenRant’s Grant Hermanns interviewed The Lanterns Official Podcast host Juju Green to discuss hosting the weekly companion piece, which will feature in-depth interviews with the show’s co-creators, writers, directors, as well as stars of the HBO drama. A new individual episode will be live after each installment has aired, with the podcast being available to watch on HBO Max and YouTube, along with numerous podcast platforms. Throughout the interview, Green opens up about going from being a fan of the DC legend to hosting weekly chats with the team behind it.

The Official Lanterns Podcast Was A True Collaboration Between DC & Juju Green

John Stewart and Hal Jordan at a bar in HBO's Lanterns
John Stewart and Hal Jordan at a bar in HBO’s Lanterns

ScreenRant: You’ve done many face-to-face interviews with big-name talent, and hosted panels at major conventions. Even still, it’s a really big deal to be hosting a DC official companion podcast. What was sort of going through your mind when that ink finally got signed and you were like, “All right, the time is now”?

Juju Green: Oh man, it’s so hard to describe because, like you said, I have sat in front of talent before. I’ve hosted big panels before, most recently at San Diego Comic-Con. But an official DC podcast to a show that I’m anticipating so much from — it’s the first appearance of John Stewart in live-action, it’s the first look at a Green Lantern, which we’ve been waiting for since 2012, in live-action. It was very surreal to put that ink to paper and say, “Yes, we’re doing this. We’re gonna film multiple episodes. We’re gonna watch every episode, talk about every episode.” It’s insane, man. And the talent that was there. The set itself is absolutely insane. As someone who is a big fan of the color green, not just because my last name is green [chuckles], but as someone who’s a big fan of that [color], just to walk onto that set every day, I just had to pinch myself and wonder, “How the hell did I even get put in this position?” It’s definitely different than anything else that I’ve ever done. But I’m really excited for other people to see it and other people to see not just myself geek out, but the talent behind the camera geek out, as well. That’s always the most fun part of these conversations.

ScreenRant: This is also a big deal in terms of the last DC official podcast was hosted by none other than James Gunn, Steve Agee, and Jennifer Holland themselves for Peacemaker season 2. I’d love to hear, first and foremost, how it was that you came to be in the conversation and to get the job. Are you that big of a DC super fan that you had been pitching it with everybody you could find connected to the show, or did they approach you?

Juju Green: Yeah, they approached me for the job, which was very surprising, because I am a big DC fan, but I feel like a lot of people don’t know that as much, because usually, I came up on TikTok talking about Marvel things and [general] comic book things. But I haven’t really had a chance to really flex my knowledge of DC in a big way, such as this, so the fact that they even heard that I was a DC fan was already just kind of like, “Oh wow, how did you even hear about that?” But then the other part, it just came with this exciting opportunity to finally flex those chops. And when they said, “Oh yeah, man! We’ve seen your interviews. We love the way you break down things.” I guess they just saw something where they watch my content, they saw that I love deep diving into things. I love watching prestige television. I love watching superhero content, so this was just the perfect marriage between the two because, without spoiling anything, Lanterns is just one of those things that is the perfect marriage between prestige TV and superherodom that you can break down, not just from a filmmaking perspective, but from a very nerdy fandom, comic book perspective. So, I’m just really happy that they thought of me and approached me for this, because this was always going to be a yes. [Laughs] I just didn’t know if they were going to ask me.

ScreenRant: So, in collaborating with everyone involved, both the creatives that you had in every episode, as well as everybody behind the scenes, what was it like having those discussions of, “Hey, this is what I’d love to discuss.” Obviously, they’ve seen your content, so they know your personality, your brand of humor, all that. But what was it like finding that creative rhythm with everyone to make this as much yours as it is HBO and DC’s?

Juju Green: Yeah, no, I think the word you use is 100% correct. Collaboration — that’s the key word. Working with everyone behind the camera, the producers and everyone, they’re such a great team over there that they didn’t make me feel like I was coming in to take care of their precious baby. It is their precious baby, but they also gave me some ownership on where to take the conversation. The research team, the editors, the producers, the cameraman, the lighting, the makeup, everybody just was on full 100. In terms of the behind-the-scenes talent of the show, that was truly a gift. Whenever I do my interviews, I like to frame them up as conversations, so it really felt cool to have just nonstop conversations, and being given the leeway from the team over at DC to have these conversations, because that’s where I feel like you get the best soundbites. That’s where I feel like you get the best — for lack of a better word — conversation from the show. That’s where you get the really true good nuggets from what we’ve all watched. It’s just a bunch of people who had just watched, or in this case, worked on a show where we’re looking at each other and going, “Oh yeah, let’s talk about it!” It’s like when you go to a movie and then you sit in the parking lot for an hour or two just to talk about what you just saw. [Chuckles] So, it was definitely that type of energy, and I couldn’t have been happier to do it with such a great group of people. We’re just a couple of adults nerding out about things that we either worked on or witnessed. We do that every day, so it’s really cool to do that in a professional setting, in an official capacity. But that’s where the authenticity comes from, and I feel like the fans who will tune into this will feel that authenticity, and really gravitate towards the conversations, and have their own conversations. That’s the most important part about what they’ve watched, as well.

One Lanterns Episode Comes With A Lot Of Unpacking & An All-Time Level Of Hype

Hal Jordan and John Stewart in Lanterns
Hal Jordan and John Stewart in Lanterns
Credit: HBO

ScreenRant: Obviously, you have seen the Lanterns episodes. I don’t want to get you in trouble for saying anything about them, apart from that I would just love to hear your reaction to them.

Juju Green: Yeah, dude, it’s unlike any other superhero media that I’ve ever seen. I think the closest — and I know a lot of people are gonna say like, “Oh, is it as good as? So, this is what we have to like strive for — it reminds me very much of The Penguin, and how that show was framed up. Where you can put anybody onto that show, even if you’re not a Batman fan, you’re looking at a mafia series. That’s what it is at its core. With Lanterns, I really loved it, and it’s hard to adapt Lanterns in this way. Green Lanterns is one of the more fantastical, science-fictiony properties that is out there in D.C. They’re space cops, for god’s sakes. [Laughs] But to make this show as grounded as it is, and make it True Detective meets Training Day meets Fargo, that just so happens to have Green Lanterns at their center, I really loved how they highlight the character and their decision-making. There are a lot of green bubbles. [Chuckles] There are a lot of green constructs, you will get a lot of that. You will get a lot of those pieces and nuggets that you love from the DC Green Lantern lore. But at the very heart of the show, it’s about two guys, and you’re trying to figure out whether or not they can work together. That is the best part about the show is that it uses its groundedness in the best way that it can in order to tell a very gritty, grounded story that tackles just many different subjects. But you’ll never lose sight that this is still a Green Lantern show, and I think that balance is hard to do. I think they did it, and I’m really excited for other people to see how they did it.




















Bold Reimagining · Alternate DC Universe
Test Your DC Comics
Absolute Universe Knowledge

♆️SupermanReimagined

🦇BatmanNo billions

⚔️Wonder WomanReforged

⚡FlashSpeed

🌐UniverseAbsolute

01

DC’s Absolute Universe is a new line of comics launched in late 2024 that reimagines iconic DC heroes in a world without the legacy advantages they traditionally have. Which DC event/storyline set up the creation of the Absolute Universe?




✓ Correct! The Absolute Universe was born from Darkseid rewriting reality in the current DC continuity. This cosmic act of villainy created a parallel world where DC’s greatest heroes exist without the advantages and support systems they traditionally rely on.

✗ That answer didn’t make it through the Absolute reboot! The answer is Darkseid’s rewriting of the DC Multiverse. While Dark Crisis, Infinite Frontier, and Flashpoint Beyond are all significant DC events, it was Darkseid’s manipulation of reality that gave birth to the Absolute Universe.

02

In Absolute Superman, Kal-El’s origin is dramatically different from the main universe. Instead of being raised by the Kents in Smallville, how does Absolute Superman grow up?




✓ Correct! In the Absolute Universe, Kal-El lands not with the Kents but in an immigrant community, growing up without wealth or privilege. This reimagining strips away Superman’s traditional support system while keeping his core values of hope and justice intact.

✗ That answer didn’t make it through the Absolute reboot! The answer is that he’s raised in an immigrant community with no wealth or privilege. The Absolute line is built on the concept of heroes without their traditional advantages, and Superman’s new upbringing reflects this perfectly.

03

Absolute Batman reimagines Bruce Wayne without his billionaire status. In this version, Bruce Wayne has a very different civilian occupation. What is Absolute Batman’s day job?




✓ Correct! In the Absolute Universe, Bruce Wayne works as an engineer and construction worker. Without the Wayne fortune or Wayne Enterprises, this Bruce builds his gear and gadgets with his own hands and working-class ingenuity, making him a truly self-made Batman.

✗ That answer didn’t make it through the Absolute reboot! The answer is engineer / construction worker. Absolute Batman strips Bruce Wayne of his billionaire status entirely. This Bruce is a massive, imposing figure who uses his engineering skills and physical labor background to craft his own Batman arsenal.

04

Absolute Batman’s costume and physique are dramatically different from the traditional Batman. This version of Bruce Wayne is much larger and more imposing. Who is the writer of Absolute Batman?




✓ Correct! Scott Snyder, who previously wrote the acclaimed New 52 Batman run, is the writer of Absolute Batman. His bold reimagining of Bruce Wayne as a working-class hero without billions has been one of the breakout hits of the Absolute Universe line.

✗ That answer didn’t make it through the Absolute reboot! The answer is Scott Snyder. Known for his legendary Batman run featuring the Court of Owls and other iconic storylines, Snyder returned to the Dark Knight with Absolute Batman, completely reinventing Bruce Wayne for this new universe.

05

Absolute Wonder Woman reimagines Diana in a significantly different setting. In this version, the character’s mythology and origin pull from different cultural influences. Who is the writer of Absolute Wonder Woman?




✓ Correct! Kelly Thompson writes Absolute Wonder Woman, bringing a fresh take on Diana’s mythology and origin. This version reimagines Wonder Woman’s world with different cultural influences while maintaining the warrior spirit at the core of the character.

✗ That answer didn’t make it through the Absolute reboot! The answer is Kelly Thompson. While all four writers are acclaimed in the comics industry, it’s Thompson who helms Absolute Wonder Woman, crafting a bold new vision for Diana in the Absolute Universe.

06

The Absolute Universe was created as a result of Darkseid altering reality. A key difference is that in this universe, heroes don’t have the traditional advantages and support systems. What concept describes this — that these heroes exist without their usual “safety nets”?




✓ Correct! “Heroes without legacy” is the core concept of the Absolute Universe. These versions of DC’s iconic characters exist without the inherited advantages, mentors, wealth, and support networks that traditionally define them — forcing them to become heroes purely on their own terms.

✗ That answer didn’t make it through the Absolute reboot! The answer is “Heroes without legacy.” The Absolute Universe is built on the idea that Darkseid stripped these heroes of their legacies — Batman has no fortune, Superman has no Kents, Wonder Woman has no Themyscira as we know it.

07

Absolute Flash reimagines Wally West in the Absolute Universe. In this version, the Flash’s connection to the Speed Force is portrayed differently. Who is the writer of Absolute Flash?




✓ Correct! Jeff Lemire, known for his deeply human storytelling in titles like Sweet Tooth and Animal Man, writes Absolute Flash. His take on Wally West reimagines the speedster’s relationship with the Speed Force in the context of the Absolute Universe’s stripped-down heroic landscape.

✗ That answer didn’t make it through the Absolute reboot! The answer is Jeff Lemire. While Williamson, Waid, and Adams have all written excellent Flash stories in the main continuity, it’s Lemire who brings his unique storytelling vision to Absolute Flash.

08

Absolute Superman is written and drawn by a critically acclaimed creator who handles both the writing and art duties on the series. Who is this creator?




✓ Correct! Absolute Superman is written by Jason Aaron with art by Rafa Sandoval. Together they’ve crafted a powerful reimagining of Kal-El, placing him in an immigrant community without the Kent family’s support, creating one of the most compelling new takes on the character in years.

✗ That answer didn’t make it through the Absolute reboot! The answer is Jason Aaron (writer) with Rafa Sandoval (art). While Jim Lee, Grant Morrison, and Jorge Jiménez are all legendary DC creators, it’s the Aaron and Sandoval team that brings Absolute Superman to life.

Analysis Complete
Your Absolute Knowledge

/ 8

Are you an Absolute expert — or still in the main continuity?

ScreenRant: So, in talking about unpacking these episodes with the creatives you have, again, not to discount any episode this season, but is there one episode that you found you really had to sit there and be like, “How do I unpack this all?”

Juju Green: Episode 3. Episode 3 is, to me — I think a lot of people are going to hail it as one of the best episodes of television of the year, and I know that might be hyperbole. I know people are going to hype it up. Just from my perspective, what that show does is very reminiscent of what the Watchmen series did a couple years ago. For those who know, there’s a certain episode that was the cream of the crop of this. Same writer, as well, Vanessa Baden Kelly is the writer on this one. Stephen Williams, the director on this one, they 100% knock it out the park. And I will say that it is one of the best explorations of a character that I feel will get a lot of conversation started around the Green Lanterns, what is fear, and those type of things. So, episode 3 is the one. As soon as you said, “Which episode?” I was like, that is the episode that I think a lot of us are going to look out for as one of the best episodes of the year, for sure.

ScreenRant: Obviously, podcast episodes have a little more flexibility with timing, but how did you specifically go about finding ways to ensure that they weren’t turning into three-hour conversations with everyone, but still staying fluid enough that they could be, like you say, conversations rather than just generic plot breakdowns from everyone?

Juju Green: Yeah, that’s a really good question. Obviously, we have normal conversations, and especially when you’re in a flow state with a buddy of yours, or somebody that you’re really clicking with, you can sit there and talk for hours, and the best conversations are when you talk for hours. Like, hello, 2 a.m. conversations are the best, right? [Chuckles] But with this particular show, staying focused was a challenge, because there is a lot to unpack, and there is a lot that we get excited about, and things that we wish that we can dive into a little bit more. But it’s the excitement that really helped us, of like, “Okay, let’s talk about this really quick, that’s gonna lead us into this, and that’s gonna lead us into that.” I think how to keep it concise, that’s always gonna be the biggest challenge. But I think we really like struck a really great balance of talking about the full episode, while also leaving time to really gush over the things that we really wanted to talk about. It’s just a matter of discipline. I think that’s the best word to describe it. It’s a matter of discipline. Sometimes, even though you can talk, you got schedules to keep, and you got to say like, “Hey, maybe next time.” But then also, you know that touching on something is going to start a larger conversation online, anyway, right? So, I think we were fully aware that a lot of people are going to be watching this are online, those conversations are going to happen in the chat rooms, the comment section, and those videos on TikTok. So, it’s also a lot of trust to know, like, “Hey, we didn’t get to this, but we’ll keep the conversation going in other ways, as well.”

A Particular Group Of Lanterns Podcast Guests Took Green By Surprise

Juju Green holding up the lantern and pointing his ring toward it in Lanterns official podcast
Juju Green holding up the lantern and pointing his ring toward it in Lanterns official podcast

ScreenRant: You talk about the set, and the green nature of the set and how much you were vibrating with excitement stepping onto that set. What can you tease about the design of the set they utilized for this podcast?

Juju Green: It’s very green. [Laughs] It’s a very green set, but there’s also an air of beauty to it, as well. It’s a beauty that I feel goes hand in hand with the Lanterns, the otherworldly nature of it. It’s pristine. It’s almost like what Dorothy felt when she went to the Emerald City for the first time. And just just being there, I think it’s one of the most iconic podcasting studios that I’ve ever like walked into, and it makes you feel like you’re part of the world. It makes you feel like you, yourself, could be a Lantern, and I just gotta say, every time I walked onto it, it felt like my own little slice of home. You know, it just felt it just felt great.

ScreenRant: Very final question for you. Again, not to discount any of the guests that you had on the podcast, but I am curious if there was anybody that took you by surprise, whether it was with a story they shared from the set, or just the energy that they brought to the conversation?

Juju Green: You know, I have a cliché answer, and then I have a real answer. [Chuckles] Getting being able to talk to Chris Mundy, Damian Lindelof, and Tom King together, that in and of itself was a special treat, because they’re titans in their respective fields and job markets, right? Tom King, one of the best writers in the game when it comes to comics; Damon Lindelof, with his work on Watchmen, with Lost, everybody in their job, they know what they’re doing. But seeing them all interact together, and geek out together, and talk about what they did in order to make the show what it is, all their respective geniuses coming together to make this show, I could just sit back and just listen to them just talk. They’re so personable, and they’re so down to Earth, and they’re so cool.

So, I would have to say, those three getting to talk to them was one of the most surprising because there’s no pretentious bone in their body. They’re just fans of what they do, and they’re really good at what they do. They’re really students of the craft, every craft. So yeah, that was really good. But then I have to say this, Aaron Pierre, being able to talk to him about John Stewart, and this was my first time ever talking to him in this official capacity. It was just like talking to a friend, or a cousin. He’s super passionate about it, and he’s so locked in, and he’s so dialed in. And I’m just gonna say this: watching him be John Stewart gave me the same feeling I got when I was watching Robert Downey Jr. as Tony Stark, or Hugh Jackman as Wolverine. I cannot see anybody better suited for the role after having him see it. It’s inseparable, and the way he uses stillness and his demeanor and his aura, the man’s just got an amazing aura, on and off camera. So yeah, I think between those three and Aaron Pierre, those were the guests that really surprised me and were the biggest joys to talk to, for sure.

Lanterns premieres on Sunday, August 16, on HBO.


lanterns-poster.jpg


Release Date

August 16, 2026

Network

HBO

Showrunner

Chris Mundy

  • Headshot Of Aaron Pierre

    Aaron Pierre

    John Stewart

  • Headshot Of Kyle Chandler

  • Headshot Of Nathan Fillion IN The The Walking Dead Live: The Finale Event

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    Kelly Macdonald

    Sheriff Kerry


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The DC Universe is taking its next

When Lanterns lands on HBO this Sunday, it closes out a development story that’s run for nearly seven years, absorbed at least four creative approaches, and outlasted more executives than most shows manage episodes. It’s also the first live-action series developed start to finish under James Gunn and Peter Safran, making it the clearest test yet of whether the DCU can hold a TV audience like it does a multiplex one.

The slate revealed by the pair at the start of 2024 has now thinned out considerably, and a new report during Lanterns‘ premiere week suggests that the attrition still has some way to go. The Authority went on ice, Swamp Thing drifted, and David Jenkins’ version of Booster Gold was shelved at the end of July.

Viola Davis as Amadna Waller in The Suicide Squad Warner Bros.

Now, two more titles from that original lineup have reportedly gone the same way. According to The Ankler‘s Lesley Goldberg, both Waller and Paradise Lost are dead at DC Studios, becoming casualties of the “noisy early slate” Gunn and Safran built their tenure on. DC Studios has not addressed either publicly.

Waller has had the longer and perhaps more visible struggle out of the two, after being announced in 2023 as a Peacemaker spin-off with Viola Davis returning as Amanda Waller. It was to be scripted by Christal Henry and Jeremy Carver and was substantially rewritten after the labor disputes of that year reshaped the DCU timeline underneath it. As such, the show never quite regained its momentum, though Gunn still said the studio was “working on” it around the time of Peacemaker​​​​​’s final season. Davis, for her part, has kept the character in circulation regardless, voicing her in Creature Commandos while waiting for news on her own star vehicle.

Paradise Lost, until now, looked a little healthier. The Themyscira-set prequel, which was pitched as Game of Thrones with Amazons but no Wonder Woman, was declared dead by insider chatter earlier this year, only for Gunn to shoot those reports down with a flat “definitely not” via his Threads account. His words were “extreme development” as recently as April, and writers Kira Snyder and Janet Lin were reported to have joined the project in June. Nevertheless, its loss leaves the DCU’s Wonder Woman plans resting entirely on Ana Nogueira’s reboot script, with a newly imagined Themyscira now unlikely to reach the screen before Diana herself is ready to show up.

Amazons from Wonder Woman in Paradise Lost
Amazons from Wonder Woman in Paradise Lost
DC Comics

The gap between the public reassurance from Gunn and the producers and what is actually happening internally is growing wider, and this story lands at an awkward moment. DC is among the more consequential assets in Paramount Skydance’s proposed $111 billion merger with Warner Bros. Discovery, and the studio is coming off a summer in which Supergirl underperformed despite Superman‘s success in 2025.

Lanterns itself isn’t out of the woods yet, either, as HBO has not yet renewed it despite — per the same report — a co-showrunner already having been hired for the second season. Numbers from Sunday’s premiere will likely lead to some big decisions.


lanterns-poster.jpg


Release Date

August 16, 2026

Network

HBO

Showrunner

Chris Mundy


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When Lanterns lands on HBO this Sunday,

A photo taken inside the official Lanterns experience at San Diego Comic-Con revealed a surprising connection to Batman’s corner of the DC Universe. The HBO series stars Kyle Chandler as veteran Green Lantern Hal Jordan and Aaron Pierre as new recruit John Stewart, two intergalactic cops investigating a murder in a small American town. It is the first series in James Gunn and Peter Safran’s rebooted DC Universe made for HBO, and its marketing kept the specifics of that central mystery under tight guard before the show arrives on August 16.

The connection comes through the Gotham Gazette, the longtime newspaper of Batman’s home city in DC Comics. A fan who visited the Lanterns Training Headquarters, the interactive activation HBO Max held in San Diego from Thursday, July 23 through Saturday, July 25, photographed a prop edition of the Gazette pinned to a corkboard inside one of its rooms. Its appearance in official marketing is a strong sign that Gotham has some part to play in the show’s world, even if it stops short of confirming what that part will be.

DC Studios

The prop heavily features the show’s branding alongside other intriguing details. An HBO Max logo can be seen beside the Gazette masthead, and a banner underneath promotes the series with the line, “Stream the HBO Original series Lanterns starting August 16.” The front page features a black-and-white photo of a run-down roadside motel with an aging sign indicating “No Vacancy.”

HBO Max's Lanterns features the Gotham Gazette.
HBO Max

The motel isn’t entirely random, as the building has actually appeared before. The same battered building featured briefly in the first Lanterns teaser trailer, which arrived in March and flashed a broken motel sign amid scenes of destruction in the town.

Two smaller details on the paper are worth noting as well. Fine print beside the show’s logo seems to say Gotham County, and the edition appears to be dated Saturday, July 23, 2016. Showrunner Chris Mundy already confirmed the series unfolds across two timelines, one set in 2016 and another in 2026, so the date fits the show’s earlier era.

This is not the Gazette’s first appearance in DC Studios’ promotional playbook, either. Fictional clippings from the paper circulated on Clayface’s official social media accounts earlier this year, teasing the brutal attack on Matt Hagen and the experimental treatment that transforms him ahead of the film’s theatrical release on Friday, October 23. 

Gotham Gazette appears in Lanterns and Clayface promotional material.
DC Studios

The Training Headquarters itself recreated pieces of the series. HBO Max promised interactive challenges set inside locations from the show, including a sheriff’s office and a dive bar, meaning the props decorating those rooms were made to reflect the on-screen world of Hal and John.

Why the Gotham Gazette Over the Daily Planet?

The Gotham Gazette alongside the Daily Planet news paper.
DC Studios

The choice of newspaper is intriguing, not only due to the Batman connection but also because they could have easily gone with a more established option. The DC Universe already introduced the Daily Planet as its flagship news outlet in Superman, where Clark Kent and Lois Lane work in the Metropolis newsroom. 

If the set decorators simply needed a recognizable DC paper to fill a corkboard, the Planet was the easy option, already canon and familiar to general audiences. Reaching past it for the Gazette feels like a very deliberate creative choice, and deliberate choices in studio-approved marketing usually reflect what is actually in the story.

The Gotham County detail is also quite interesting. DC Comics stories have long placed a rural county of that name just outside Gotham City’s limits, which raises the possibility that the show’s murder-stricken town is far closer to Batman’s backyard than anyone assumed. The 2016 dateline also indicates that Batman’s city was active in the DCU long before the events of Superman. A Gotham newspaper covering heartland events during this earlier timeline quietly establishes that the Dark Knight’s metropolis was already fully operational a decade prior.

The timing makes this even more fascinating since DC Studios still does not have its Batman. The Brave and the Bold remains without a cast or release date, and Gunn shot down the latest casting rumors just last week. The news outlet being picked over the Daily Planet heavily implies that Lanterns has more connections to Gotham City than any other location in the DCU.

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House of the Dragon Season 3 is the strongest chapter of the Game of Thrones spinoff yet, and multiple factors contribute to its success. The action and political scheming is top-notch throughout the latest episodes, but the standout performances also bring them to new heights. The entirety of the House of the Dragon cast are excellent in their roles, and they have been since the show began back in 2022. The stars continue to breathe new life into their characters years later, and the newcomers prove impressive amid the established stars.

Of course, given the direction House of the Dragon Season 3 takes, some of the actors get to show off their range more than others. The best performances of the season come from the cast members who are handed hard-hitting and transformative character arcs. There are a few who benefit from leaning into humor, too. Here’s how the most impactful performances of Season 3 rank.

Why You Should Trust Me: I’ve been writing about pop culture for a decade now, and I’ve crafted and edited a number of rankings over that time. I understand the importance of arguing each placement, and I’m accustomed to analyzing every aspect of TV shows.

Honorable Mentions

Tommy Flanagan as Ser Roderick Dustin in House of the Dragon HBO

If I could, I’d just praise everyone in the House of the Dragon cast. However, these stars come close to making the main list. I hope we see more from some of them in House of the Dragon Season 4.

  • Abubakar Salim as Alyn Velaryon: Abubakar Salim plays a very reserved character with Alyn. Despite this, the actor captures his complicated feelings about his role in Rhaenyra’s court and his relationship with Corlys well. I’d love to see what pushes him beyond his usual calm. Fingers crossed for Season 4!
  • Benjamin Evan Ainsworth as Daeron Targaryen: Benjamin Evan Ainsworth debuts as Daeron Targaryen in Season 3, and he quickly comes to feel like he’s always been part of the Dance. He evokes so much sympathy through his character, and some respect as well. I wish we’d seen more of him.
  • Harry Collett as Prince Jacaerys Velaryon: Harry Collett is barely in House of the Dragon Season 3 — RIP, Prince Jace — but I have to give him his flowers for the premiere. He goes out with a bang, nailing his character’s desperation to protect his family and prove himself.
  • Freddie Fox as Gwayne Hightower: Gwayne Hightower is an unexpected highlight of House of the Dragon Season 3, and Freddie Fox’s performance contributes to that. He brings Gwayne to life with charm, snark, and a surprising bit of vulnerability when it comes to Daeron.
  • Tommy Flanagan as Roddy the Ruin: I’d be remiss to forget Tommy Flanagan’s performance as Roddy the Ruin, and part of me still wants to put it on the main list. Flanagan raises the energy of every scene he’s in, and the finale wouldn’t be nearly as fun without him. I only wish we’d gotten more of that from the Winter Wolves earlier.

Tom Bennett as Ulf

Ulf’s Terrible, but the Actor Who Plays Him Deserves His Flowers

Ulf in House of the Dragon

Ulf might be the most-hated character in the House of the Dragon fandom right now, but Tom Bennett plays the treacherous dragonseed masterfully. He gives a layered performance, capturing his character’s impulsive nature, growing resentment, and greed gradually until they all boil over. He injects humor into his scenes, and he manages to evoke anger from the audience as well. It’s a juggling act, but Bennett pulls it off. He deserves his flowers for delivering a great Season 3 character arc.

Why It’s #10: Bennett nails Ulf’s character, but he doesn’t have any huge emotional sequences for the actor to sink his teeth into.

Ewan Mitchell as Aemond Targaryen

Season 3 Shows Off a New Side of Aemond

Aemond Targaryen in House of the Dragon HBO

Ewan Mitchell is always fantastic as Aemond Targaryen, but House of the Dragon Season 3 gives the actor a new challenge. Aemond spends much of this outing at Harrenhal, which is not the most exciting storyline. However, it does force Aemond to contend with his deeper emotions. It takes the character’s demeanor from calmly cruel to more vulnerable. That’s a big shift, and Mitchell leans into it seamlessly. His final scene with Aegon is some of the most interesting acting fans have gotten from the actor so far.

Why It’s #9: Mitchell does a great job with everything from his character’s mommy issues to his guilt over Aegon. However, despite how convincing both he and Gayle Rankin (Alys Rivers) are, their storyline doesn’t give them the most grabbing material.

Olivia Cooke as Alicent Hightower

She Works With What ‘House of the Dragon’ Gives Her

House of the Dragon Season 3 doesn’t give Alicent much to do until the very end — and when it does, it’s a filicide storyline invented for the show. It’s clear the spin-off still wants Olivia Cooke on-screen, which is no surprise. She has a strong presence, and that continues throughout Season 3. In some ways, Alicent’s confinement makes it more impressive that Cooke still shines. Her flipped dynamic with Rhaenyra makes it so that Alicent must grapple with being truly powerless for the first time. Cookie conveys the discomfort of that well. She also does great work with her growing concern over Helaena and betrayal of Aemond, even when both occasionally feel out of character.

Why It’s #8: Cooke is compelling whenever she’s on-screen, and she sells Alicent. Unfortunately, the writing doesn’t always help her.

Steve Toussaint as Corlys Velaryon

He Gives a Well-Rounded Performance in Season 3

Steve Toussaint takes Corlys Velaryon on an interesting journey in House of the Dragon Season 3, starting with the Battle of the Gullet and ending the outing as a prisoner at Tumbleton. Corlys loses everything, and Rhaenyra adds insult to injury by refusing to legitimize his sons. It gives Toussaint some great acting moments, from his wildly shocking takedown of her own kids to his negotiations before the First Battle of Tumbleton. Viewers see all sides of Corlys, and Toussaint makes them all feel believable. He gives a well-rounded performance with a few explosive moments that will remain memorable.

Why It’s #7: Toussaint plays a convincing Corlys, whatever he’s doing, but other characters get more meaty individual scenes — either because their arcs are ending or because they’re more central.

Fabian Frankel as Criston Cole

The Actor Infuses Humanity Into an Unlikable Character

Fabien Frankel as Criston Cole in House of the Dragon season 3 Photograph by Theo Whiteman/HBO

House of the Dragon fans were not sad to say goodbye to Criston Cole, but they should clap for Fabian Frankel all the same. It takes a talented actor to make audiences root for a character’s demise for multiple seasons. And Frankel’s acting ensures that Criston is frustrating and unlikable until his very last moments on-screen. Despite this, he also adds a nice layer of humanity to Criston’s final episodes. He drives home his frustration with being a pawn in the Dance, as well as how cynical he’s become. It almost makes us feel for him, which is also impressive. Almost.

Why It’s #6: Criston’s send-off isn’t as emotional as the next character’s, and Frankel doesn’t get as much screen time or scene variety as the others. He does an incredible job with what he has, however.

Phia Saban as Helaena Targaryen

Her Performance Is as Devastating as Her Character’s Arc

Phia Saban in Helaena in House of the Dragon HBO

Helaena Targaryen is confined to Maegor’s Holdfast with Alicent in House of the Dragon Season 3, but her pregnancy and spiraling emotional state give Phia Saban meaty storylines to dig into. Saban is already impressive with how well she captures Helaena’s “fragile state.” However, her performance this season is something else. She takes her character from disinterested in the Dance and desiring true freedom to a state of despondency and despair. She’s convincing, and it makes Helaena’s tragic fate more gutting. She also gives us great glimpses into other sides of Helaena. It’s great to see her push back against Alicent, revealing there’s frustration there, and she has a few adorably comical moments. (Just give her the chickens!)

Why It’s #5: Saban’s performance as Helaena is equal parts charming and heartbreaking, but she doesn’t get enough time or story compared to the next four characters.

Matt Smith as Daemon Targaryen

He Continues to Be Magnetic as Daemon

Matt Smith is always magnetic as Daemon Targaryen, and he somehow manages to be even more entertaining in House of the Dragon Season 3. He fully demonstrates his dedication to Rhaenyra this season, which results in some of his best moments. His fierce approach to reclaiming and holding her throne is compelling, and it shows the merciless side of Daemon that fans know and love. Smith captures new aspects of the character as well. From his merriment in the Riverlands to his vulnerability with Rhaena, he paints Daemon as such a layered character. And his utter shock at the end of the finale drives home his performance as one of the best.

Why It’s #4: It’s intriguing to see small cracks in Daemon’s usually unshakable demeanor, but the majority of his Season 3 behavior isn’t new.

James Norton as Lord Ormund Hightower

Season 3’s Best New Performance

James Norton as Lord Ormund Hightower in House of the Dragon HBO

If there’s one new actor in House of the Dragon Season 3 that deserves all the applause, it’s James Norton. Ormund Hightower is a despicable character, but Norton brings him to life with such charisma. He steals every scene he’s in, making us despise the show’s newest villain — but also making it a delight to see more of him. His cruelty never lets fans forget that he’s a credible threat, but he still proves comically absurd and inept at times. It’s sad to see him go ahead of House of the Dragon‘s final outing.

Why It’s #3: Norton’s time on-screen is great, but Ormund doesn’t get the transformative arc that the two contenders for the Iron Throne do.

Tom Glynn-Carney as Aegon II Targaryen

He’s So Good, He Makes It Hard to Hate His Character

Aegon in House of the Dragon HBO

Tom Glynn-Carney is a revelation as Aegon II Targaryen, and that’s especially obvious in House of the Dragon Season 3. Aegon is another character that fans are primed to hate from the beginning, but Glynn-Carney makes that really, really hard to keep up. He brings such nuance to the role that it’s easy to forget where he started — and that he’s still not operating from a place of good intentions, even now. His grief over Sunfyre and euphoric response to reuniting with the dragon are prime examples of why he’s one of the best stars of Season 3. His comedic moments are also great. People will be quoting “I’m alive!” until House of the Dragon Season 4.

Why It’s #2: It’s a very close call between Glynn-Carney and Emma D’Arcy’s performances, but D’Arcy delivers one Emmy-worthy scene that pushes their Season 3 work to the top.

Emma D’Arcy as Rhaenyra Targaryen

Jace’s Death Leads to an Emmy-Worthy Performance

Emma D’Arcy is the standout performer of House of the Dragon Season 3, and they cement themselves as such as early as the second episode. D’Arcy captures Rhaenyra’s grief over Jace’s death in such a raw and heart-wrenching way. They then go on to portray Rhaenyra’s dark Season 3 arc in a manner that’s both compelling and as frustrating as it should be. Game of Thrones fans may feel that Daenerys’s villain turn is rushed, but House of the Dragon fully builds to Rhaenyra’s. Thanks to D’Arcy, that steady descent receives the nuance and weight it deserves.

Why It’s #1: D’Arcy’s performance is easily one of the top ones of Season 3. The increased focus on Rhaenyra, and the Episode 2 scene where the queen learns of Jace’s death, allow it to pull past Glynn-Carney’s. D’Arcy deserves an Emmy for that moment.


house-of-the-dragon-poster.jpg


Release Date

August 21, 2022

Network

HBO

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  • instar53816215.jpg

    Fabien Frankel

    Ser Criston Cole


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House of the Dragon Season 3 is

With summertime coming to a slow close, if you’re anything like me, you’re using your grill less and less. However, it’s not over yet, so fire those babies up for SPAM’s newest food-ition, SPAMdogs.

Yes, it is exactly what it sounds like. A hotdog, made out of SPAM, the canned mystery meat. Well, it’s not a total mystery what goes into SPAM: at the very least, we know there’s some pork shoulder, also known as “Boston Butt.”

Hormel Foods

This may actually be a good sign for the hot dog industry—now there’s a sentence you’ve never heard, and I’ve never written before. Non-premium “all-beef” or “all-pork” options are generally wieners made from much more dubious odds and ends, including but not limited to pork, beef, turkey, and chicken.

Do I think it will taste any different than your average hot dog? Probably not, but I’m sure SPAM connoisseurs will be able to taste the difference. People already grill SPAM for the classic Hawaiian dish, SPAM Musubi. The only new aspect is the wiener’s shape. Haley Eggum, SPAM’s brand manager, seemed enthused about this addition to the legions of origin-ambiguous hot dog options.

“We’re excited to be rolling out the SPAM® Dog and the opportunity it creates for foodservice operators to offer something both familiar and surprising. It’s a fresh, new take on a hot dog with the unmistakable flavor that SPAM fans know and love.”

It’s been a summer full of weird food combinations. So, honestly, compared to the fried chicken Oreos, this is a pretty natural form for SPAM to take. Meat belongs in hot dogs; KFC fried chicken batter flavoring does not belong between two chocolate cookies, in my humble journalistic opinion. But who cares what I think?

SPAMdogs will be available premade in stadiums and for your own grilling pleasure at your local convenience store.

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⚡ Quick Take SPAM, the creator of the iconic

Nathan Fillion’s Green Lantern is becoming a staple of the new DC Universe.

Fillion is a busy actor, with the star currently leading the long-running The Rookie, as well as working on an animated revival of his cult classic space Western series Firefly alongside other original cast members of the sci-fi series. That said, amid Fillion’s long list of movies and TV shows, the actor keeps finding projects to return as Guy Gardner. The sarcastic Green Lantern was introduced in James Gunn’s Superman movie, being part of the superhero team known as the Justice Gang. Now, it seems like Fillion’s Green Lantern is becoming one of the most important players in the DCU Chapter One.

Set to return at some point on HBO’s Lanterns, which debuts this Sunday, Fillion will also come back as Guy Gardner in Mister Miracle, as showrunner Tom King has confirmed the update to Entertainment Weekly. King is one of the creators who developed DC’s new Green Lantern series, which stars Kyle Chandler as Hal Jordan and Aaron Pierre as John Stewart, alongside Ozark‘s Chris Mundy and Watchmen‘s Damon Lindelof.

According to King, those who watch Guy in Lanterns, which is billed as a gritty detective series, will have no problem with the character in animated form, as he is “over the top.” Check out Tom King’s full quote about Fillion’s Guy Gardner joining Mister Miracle below:

“We brought Nathan into Mister Miracle’s show, and doing that, it’s just so wonderful. He brings that energy to every aspect of it. And you would think it would be different tonally from [Lanterns], but it blends because that’s who Guy is. He’s that guy who is over the top. We all know that guy who’s a little bit like that.”

Nathan Fillion's Green Lantern in Superman in a room filled with green energy
Nathan Fillion’s Green Lantern in Superman in a room filled with green energy

Previously, Fillion made his first TV appearance in the DCU as Guy Gardner in Peacemaker season 2, preparing him for his upcoming live-action DC series, Lanterns. That said, he is heading into animation with Mister Miracle, which is a different medium altogether. However, as mentioned by King, Guy’s sarcasm and high energy make him the perfect Green Lantern, based on what Lanterns‘ trailers have shown so far from Chandler’s Hal Jordan and Pierre’s John Stewart, to make the jump to the animated medium. Besides, Fillion has plenty of experience, not only with animated projects, but as a Green Lantern for DC.

Before he was cast as Guy Gardner in the live-action DC Universe, Fillion voiced the Hal Jordan version of Green Lantern in several animated DC movies, including Justice League: The Flashpoint Paradox, The Death of Superman, and many more. That, added to the fact that Guy Gardner and Mister Miracle were famously part of the Justice League International in the comics, might have been key factors in why the actor was brought in for the upcoming DCU animated series. Instead of leading to a traditional Justice League like many believe is the case, Superman‘s Justice Gang could evolve into the JLI.

That would make sense for a variety of reasons. Besides Guy’s confirmed role in Mister Miracle, the Justice League International’s founder in DC Comics was Maxwell Lord. In the DCU, Lord, played by Sean Gunn, was revealed as the man behind the Justice Gang. Batman, who will lead the announced The Brave and the Bold movie, Blue Beetle, of which a version is reportedly in Man of Tomorrow, and Booster Gold, whose live-action DCU series remains in development, were all in the JLI. As such, by putting Fillion’s Green Lantern in Mister Miracle, DC could be setting up the team.

DC FanDome Poster

Cast

Henry Cavill, Ben Affleck, Gal Gadot, Ezra Miller, Ray Fisher, Jason Momoa, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Jeremy Irons, Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Cara Delevingne, Chris Pine, Robin Wright, Zachary Levi, Dwayne Johnson, Amber Heard, Patrick Wilson, Yahya Abdul-Mateen II, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou, Mary Elizabeth Winstead, Jurnee Smollett, Rosie Perez, Ella Jay Basco, Ali Wong, Ewan McGregor, Idris Elba, John Cena, Michael Keaton, George Clooney, Xolo Mariduena

Created by

Malcolm Wheeler-Nicholson

Character(s)

Superman, Batman, Wonder Woman, Aquaman, The Flash, Cyborg, Harley Quinn, The Joker, Shazam, Darkseid, Amanda Waller, Lex Luthor, Doomsday, Deadshot, Deathstroke, Black Canary, Black Adam

Movie(s)

Man of Steel, Batman v Superman: Dawn of Justice, Suicide Squad, Wonder Woman, Justice League, Aquaman, Shazam!, Birds of Prey, Wonder Woman 1984, Zack Snyder’s Justice League, The Suicide Squad, Black Adam, Shazam! The Fury of the Gods, The Flash, Blue Beetle, Superman, The Brave and the Bold


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Nathan Fillion's Green Lantern is becoming a

certificado Incaspin Casino bono sin depósito promoción

We regularly notice that players misunderstand what a self-assessment actually does. It is not at all a clinical diagnosis, neither is it a trap meant to restrict your account without warning. On the contrary, a gambling self-assessment is a structured set of questions constructed around internationally recognized screening criteria, such as the Problem Gambling Severity Index (PGSI) or the DSM-5 criteria for gambling disorder. When you finish one on a platform like Incaspin Casino, the tool simply mirrors your own reported behaviors back at you in an organized way. The goal is to create a private moment of clarity, without judgment, so you can assess whether your current gambling habits match the entertainment experience you originally intended.

What a Gambling Self-assessment Actually Measures

These tools do not assess willpower or moral character. They assess the gap between your desired gambling actions and your real gambling conduct over a specific period, generally the past 12 months. Questions are crafted to spot patterns like lack of control, chasing losses, borrowing money to gamble, or becoming uneasy when attempting to reduce. In Spain, the criteria match closely with the guidelines issued by the Dirección General de Ordenación del Juego (DGOJ), which stress the significance of early detection. We view the self-assessment as a conduct mirror. It questions whether gambling has ceased being a kind of paid leisure and begun functioning as an urgent financial or emotional escape. That distinction matters more than any particular score.

Comprehending Self-exclusion and Its Real Impact

Self-exclusion is a official agreement between you and the operator to deny access to your account for a specified period, typically between six months and five years. In Spain, the process is reinforced by the RGIAJ, a nationwide registry that makes your self-exclusion effective across all licensed gambling websites, not just one brand. When you self-exclude through Incaspin Casino, we deactivate your account and remove you from marketing communications. We also offer clear information on how to extend your exclusion if you think you need more time. It is crucial to understand that self-exclusion is irreversible during the chosen period. This permanence is not a flaw. It is the aspect that shields you from impulsive decisions made during a moment of urge or stress.

The Inquiries Behind the Screen

You will not encounter trick questions in a proper self-assessment. Instead, you come across direct inquiries such as if you have ever bet more than you could afford to lose, whether or not you have hidden receipts or transactions from people close to you, or whether or not you have ever felt guilty about the way you gamble. These questions are purposefully uncomfortable because they target the exact friction points where recreational play can slide into something harder to manage. At Incaspin Casino, we present these questions in plain Spanish and English, ensuring that language never becomes a barrier to honest reflection. The phrasing is carefully neutral. There is no leading language that pushes you toward a particular answer, because the only useful result is one you recognize as true.

Beginning with Self-assessment to Defining Personal Limits

After obtaining your results, the next practical step is not to panic. It is calibration. We encourage every player, regardless of score, to examine their deposit limits, session time reminders, and loss limits. A self-assessment often reveals that a player has been neglecting the very tools that maintain gambling recreational. For example, you might discover that you consistently deposit again immediately after hitting a loss limit, effectively bypassing the boundary you set for yourself. At Incaspin Casino, you can adjust these limits downward at any time, and the change becomes active instantly. We also provide a cooling-off period, which temporarily pauses your account for a short, defined window. This is not punitive. It is a circuit breaker that offers you space to reevaluate without the immediate pull of the lobby.

How exactly the Scoring System Really Works

Most self-assessment tools give a point value to each answer, typically on a scale from zero to three. A response of “never” might score zero, while “almost always” scores three. The total is then converted to a risk category: low risk, moderate risk, or high risk. We want to be fully transparent about what these categories mean. A moderate-risk score does not mean you have a gambling disorder. It means there are adequate behavioral signals to suggest that your current habits could escalate if left unexamined. A high-risk score is a strong indicator that professional support could be helpful. In Spain, the DGOJ recommends that any player who scores in the high-risk bracket consider activating the national self-exclusion registry, known as RGIAJ, which covers all licensed operators.

Professional Help Resources Available in Spain

We maintain that a responsible gambling page is not complete without straightforward pathways to external, professional help https://incaspin-casino.com.es/responsible-gambling/. In Spain, various organizations deliver free, confidential support. FEJAR (Federación Española de Jugadores de Azar Rehabilitados) delivers therapy, prevention programs, and a helpline manned by trained counselors. The DGOJ also keeps an revised list of authorized treatment centers on its official website. Moreover, the national helpline for problematic gambling, 900 200 225, operates with extended hours and provides guidance in multiple languages. At Incaspin Casino, we connect to these resources clearly because we acknowledge that our role as an operator is to enable access to help, not to act as a substitute for clinical expertise. No one should feel alone in navigating this process.

The way Incaspin Casino Supports Responsible Play Every Day

Responsible gambling tools are not simply a single page you visit once and overlook. They are embedded into the daily operation of our platform. Every player at Incaspin Casino is provided with mandatory reality checks that break play at regular intervals to display net spend and time elapsed. Deposit limits are configurable during registration and tightened further at any moment. Our customer support team receives specific training on how to identify distress signals and how to guide a player toward self-assessment or self-exclusion without criticism. We also carry out regular audits of our responsible gambling framework to guarantee it meets both Spanish regulatory standards and our own internal ethical obligations. Our aim is to ensure that the excitement of a game never quietly transforms into something that harms your well-being.

We regularly notice that players misunderstand what

With the release of Lanterns on the horizon, the DCU is in a unique spot. Following the box office disappointment of Supergirl, the loss of the lead writer for Booster Gold, and the reported cancellation of Paradise Lost and Waller, the DCU is showing signs of growing pains. However, the universe is still moving forward, with Man of Tomorrow set for release in 2027, as well as a television series centered on Jimmy Olsen. One show currently in the works is Mister Miracle, an animated series being overseen by Lanterns co-creator Tom King. Mister Miracle just got a huge update with the reveal that a DCU hero is joining the cast.

Speaking with Entertainment Weekly, Tom King revealed that Nathan Fillion will reprise his role as Guy Gardner in Mister Miracle. Guy Gardner is the Green Lantern member of the Justice Gang. This marks the first official casting news for the Mister Miracle series. Regarding Fillion’s role in Mister Miracle, King said:

“We brought Nathan into Mister Miracle’s show, and doing that, it’s just so wonderful. He brings that energy to every aspect of it. And you would think it would be different tonally from [Lanterns], but it blends because that’s who Guy is. He’s that guy who is over the top. We all know that guy who’s a little bit like that.”

Mister Miracle will mark Fillion’s fifth appearance as Guy Gardner. The actor made his DCU debut in Superman, and followed it up with a cameo in Peacemaker Season 2. Fillion is set to appear in Lanterns, alongside fellow Green Lanterns Hal Jordan (Kyle Chandler) and John Stewart (Aaron Pierre). Guy Gardner will return in Man of Tomorrow, scheduled for release on Jul. 9, 2027. This makes Fillion’s Guy Gardner the DCU character with the most appearances, beating out Frank Grillo’s Rick Flag Sr., who has appeared in Creature Commandos, Superman, and Peacemaker, and will appear in Man of Tomorrow.

Mister Miracle is based on Tom King and Mitch Gerads’ acclaimed 12-issue miniseries centered on the New God. The story focuses on Scott Free / Mister Miracle, an escape artist and New God, as he lives with his wife, Big Barda, only to be disrupted by the arrival of his adoptive father, Darkseid. The animated series was officially announced in 2025, with both King and Gerads involved. In 2026, it was confirmed to be DCU canon.

Mister Miracle is one of three high-profile DCU animated series in the works, alongside Creature Commandos Season 2 and the Blue Beetle animated series. While James Gunn has previously mentioned that Darkseid is not the major villain of the DCU’s Gods and Monsters, the character will make his shared universe debut in Mister Miracle. With Fillion now confirmed to be part of the series, the rest of the voice cast will potentially be revealed. As with Creature Commandos, the intention is for the actors who voice the characters to also play the roles in live action, and vice versa.

Nathan Fillion can be seen on Lanterns, which debuts on HBO and HBO Max on Aug. 16 at 9 p.m. ET / 6 p.m. PT.


lanterns-poster.jpg


Release Date

August 16, 2026

Network

HBO

Showrunner

Chris Mundy


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With the release of Lanterns on the

Pre-orders for the highly anticipated action title, Phantom Blade Zero, are finally live across all platforms along with the debut of an 11-minute trailer. Since it’s coming to PC as well, the Steam page has been updated with our first look at the technical side, including the official system requirements.

Here is what you’ll need to play Phantom Blade Zero, along with details of its pre-order bonuses, the contents of each edition, and pricing as well.

Phantom Blade Zero System Requirements

Minimum Recommended
Target 1080p / 30 FPS with upscaling 1440p / 60 FPS with upscaling
OS Windows 10/11 (64-bit) Windows 10/11 (64-bit)
Processor Intel Core i7-8700K
AMD Ryzen 5 3600
Intel Core i5-10600K
AMD Ryzen 5 5600X
Memory 16 GB RAM 16 GB RAM
Graphics NVIDIA GeForce GTX 1660 6GB
AMD Radeon RX 5500 XT 8GB
NVIDIA GeForce RTX 3060 Ti 8GB
AMD Radeon RX 6700 XT 12GB
DirectX Version 12 Version 12
Storage SSD required SSD required

This is an Unreal Engine 5 title, and the requirements are pretty much in line with what you’d expect from a title developed on it. First, the target resolutions mention upscaling, so the values aren’t native, and we can’t know for sure how aggressively the upscaling is applied here. Still, if you’re looking to play the title at 1440p with a 60 FPS target, at what I’m assuming are high settings, you’ll need an RTX 3060 Ti paired with a Ryzen 5 5600X.

Image via S-GAME Studio

On the lower end, if you’re fine with a 30 FPS target at 1080p with upscaling enabled, a GTX 1660 paired with a Ryzen 5 3600 can provide that experience. It doesn’t exactly sound that appealing to me, especially since action games benefit from a higher framerate, but it does mean that Phantom Blade Zero is a bit on the demanding side, and you’ll likely need something like an RTX 3060 for a 1080p experience.

An SSD is required regardless of what settings you play the title at, and 16 GB of RAM is required. DirectX 12 is also required, so people with older GPUs might struggle to run the title at all.

Ray and Path Tracing GPU Requirements

On the official website, the developers have also listed GPUs and targets for ray tracing and path tracing.

Ray-Tracing Path-Tracing
GPU NVIDIA GeForce RTX 5060 8GB NVIDIA Geforce RTX 5080 16GB
Target 1080p / 60 FPS (with upscaling enabled) NVIDIA GeForce RTX 5080 16GB

Again, the resolutions mentioned are achieved through upscaling and aren’t native.

Phantom Blade Zero Pre-Order Bonus

If you pre-order Phantom Blade Zero, you’ll get the Treasure Basin accessory and the Legacy outfit for Soul.

Phantom Blade Zero Pre-Order Bonus and Deluxe Edition
Image via S-GAME Studio

According to the description, the Treasure Basin accessory increases the Remnant Dust drop rate by 10%. Both the accessory and the outfit aren’t exclusive to pre-orders and can also be obtained through in-game progression.

Phantom Blade Zero Deluxe Edition

There is also a deluxe edition that comes with the following content:

  • Full Game
  • Early Unlock Accessory: Treasure Basin (Pre-order Bonus)
  • Early Unlock Outfit: Legacy (Pre-order Bonus)
  • Deluxe Edition Exclusive Outfit: Wulin Legend
  • Deluxe Edition Exclusive Outfit: Blood-Steel Form
  • Digital Artbook
  • Digital Soundtrack (OST)

Phantom Blade Zero Pricing and Pre-Order Links

Phantom Blade Zero Edition Price
Standard Edition $59.99 USD
Deluxe Edition $69.99 USD

You can pre-order the title from the links below:

It also has regional pricing on Steam.

Phantom Blade Zero Release Date

Phantom Blade Zero is launching on PC and PS5 on October 29, 2026.

Can You Play Phantom Blade Zero Early?

No, the Deluxe Edition of Phantom Blade Zero doesn’t have an early access incentive, so everyone will be able to play on the same date.

Phantom Blade Zero Screenshot
Image via S-GAME Studio

Is Phantom Blade Zero Coming to PlayStation Plus?

No, Phantom Blade Zero is not coming to any tier of PlayStation Plus.

My only major concern for Phantom Blade Zero is performance. Unreal Engine 5 titles can be pretty hit-or-miss, and the requirements don’t mention any native resolution values, which is always a bit concerning. That concern aside, the game looks fantastic, and the new trailer had so many excellent moments that I’m looking forward to experiencing for myself.

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EXCLUSIVE: Marc Turtletaub will direct a feature adaptation of Ben Reeves’ novel Everything Was Beautiful and Nothing Hurt. 

The novel, which landed on the New York Times Bestsellers List in its first week, will be adapted by screenwriter Oren Moverman. 

Everything Was Beautiful and Nothing Hurt tells the story of Travis, who lives with his cat in a small, gray town. His job is to offer people comfort in their final hours of life, which he does without complaint or judgment. But when Travis meets Dalia, a midwife, and her boisterous eight-year-old daughter Layla, who live across the hall, he begins to understand what it means to be truly alive—and what might be irrevocably lost in death.

Moverman and Turtletaub have enjoyed a long-standing creative partnership. Moverman wrote Turtletaub’s 2018 film Puzzle and his latest feature, Borges and Me, which debuts this weekend at the Edinburgh International Film Festival. 

Turtletaub revealed his plans to adapt Reeves’ novel during an interview with Deadline, ahead of his trip to Edinburgh. 

“The next one is based on a book written by the British author Ben Reeves. It’s called Everything Was Beautiful and Nothing Hurt. It just came out and, in its first week, was on the New York Times bestseller list, so we think it’s quite special,” Turtletaub said, adding the film will be shot in the UK. You can read that full interview here. 

Borges and Me is Turtletaub’s first feature as a director since Jules (2023). The film follows a young graduate student at the University of St Andrews who embarks on the trip of a lifetime across the Scottish Highlands accompanied by the legendary poet Jorge Luis Borges. The picture is an adaptation of Jay Parini’s New York Times bestselling memoir Borges and Me: An Encounter. 

Fionn Whitehead and Luis Gnecco lead the film alongside a band of popular Scottish actors, including Alan Cumming, Freya Mavor, John Gordon Sinclair, Morven Christie, Peter Mullan, and Stuart Bowman. Borges and Me debuts on Saturday, August 15, at the Edinburgh International Film Festival. The festival ends on August 19.

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EXCLUSIVE: Marc Turtletaub will direct a feature

Netflix subscription is required to watch on Netflix

 

Great news! “Elle – Where is the Lie” is available to watch on Netflix USA!

 

Date Added: 3rd August 2026

Want to keep forever? Try looking for ‘Elle – Where is the Lie’ on Amazon (paid link)

 

History:

   08/03/2026: 2 Seasons (2026)

   08/12/2026: 3 Seasons (2026)

 

Synopsis:

Celebrity co-stars interrogate one another to uncover the lie behind three unbelievable stories.

 

Certificate: TV-MA
For Mature Audiences.

 

Year: 2026

Duration: 3 Seasons

Available Seasons: Season 3 (2 Ep), Season 2 (17 Ep), Season 1 (2 Ep)

 

Cast and Crew

Average Rating Not yet rated

LISTS:

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DISCUSS ON…:
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Available on Netflix USA!

Netflix subscription is required to watch on Netflix

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de confianza Incaspin Casino bono diario anuncio en Spain

La forma en que los usuarios españoles acceden a sus portales de entretenimiento ha cambiado considerablemente en los recientes años. Al registrarse en un operador como instalar app incaspincasino, una de las primeras dudas que surgen es si resulta más práctico usar la app nativa para descargar o solo abrir el explorador del móvil. Los dos sistemas dan acceso completo a la catálogo de títulos, las bonificaciones y las funciones de manejo de cuenta, pero la sensación de usuario, el funcionamiento técnico y la conveniencia del día a día son considerablemente dispares. La versión de navegador destaca por rapidez y por no requerir descargas. La app dedicada de Incaspin Casino, en contraste, está creada para sacarle el máximo rendimiento al dispositivo de los dispositivos modernos, con una fluidez que se percibe, sobre todo en períodos de juego extensas. Esta comparativa examina los puntos de cada posibilidad para que los usuarios en España logren optar según sus costumbres de juego y las características de su dispositivo.

Experiencia de Usuario y Diseño de Interfaz

Al acceder a la app de Incaspin Casino, el usuario se topa con una interfaz adaptada a la ergonomía del pulgar y a la navegación táctil. El pequeño detalle marca una gran diferencia frente a la versión de navegador. La colocación de los menús en la barra inferior de la app posibilita acceder con un solo toque a las secciones de mayor tráfico: el buscador de tragaperras, el historial de transacciones y el chat de soporte en vivo. No se necesita estirar el dedo hasta la esquina superior de la pantalla. La experiencia de navegación en el browser es responsiva y está bien diseñada, pero sigue dependiendo en cierta medida de los patrones de diseño web tradicionales. Algunos elementos interactivos pueden resultar más pequeños o exigir gestos de pellizco para ampliar zonas específicas. Otro aspecto distintivo es la gestión de las notificaciones. La app manda alertas push personalizadas sobre nuevos bonos de bienvenida, torneos exclusivos o la activación de giros gratis. El jugador se sigue informado sin necesidad de abrir el correo electrónico. La versión de navegador no tiene esta capacidad proactiva y se reduce a mostrar notificaciones emergentes solo mientras la pestaña está activa. Esta conexión sensorial y la fluidez de las transiciones entre pantallas logran que la aplicación se experimente como un producto más robusto y cohesivo, diseñado para sesiones de juego inmersivas y prolongadas. El navegador cumple a la perfección su función como herramienta de acceso rápido y universal.

Uso de Datos y Almacenamiento Interno

Un punto funcional que a menudo determina la elección en España, donde muchos usuarios tienen tarifas de datos limitadas, es la administración del ancho de banda y el espacio en disco. La app de Incaspin Casino efectúa una descarga inicial de aproximadamente cien megabytes que abarca los activos gráficos fundamentales y el motor de juego. Tras esa primera inversión de almacenamiento, el consumo de datos durante las sesiones posteriores se reduce drásticamente. La app solo requiere intercambiar pequeñas cadenas de texto con el servidor para validar las apuestas y los resultados. Las animaciones y los sonidos se almacenan localmente desde la memoria del teléfono. El navegador móvil, en cambio, opera como un cliente ligero que depende por completo de la descarga continua de recursos desde la nube. Cada vez que se abre una tragaperras nueva o se presenta una mesa de blackjack en vivo, el dispositivo solicita al servidor los paquetes de imágenes y scripts necesarios. A largo plazo, esto puede significar un consumo de datos móviles bastante mayor, sobre todo para jugadores que gustan explorando decenas de títulos diferentes en una sola sesión. Sin embargo, el navegador se impone en lo que respecta al almacenamiento interno. No genera una huella permanente en el dispositivo más allá de las cookies y una caché temporal que puede borrarse fácilmente. Para quienes disponen de terminales con poca capacidad libre, esto es crucial.

Compatibilidad con Equipos y Plataformas

La disponibilidad universal es uno de los fundamentos de la planificación móvil de Incaspin Casino, y se refleja en la extensa gama de dispositivos que soportan tanto la aplicación como la interfaz web. La app nativa está diseñada para operar sin contratiempos en teléfonos y tabletas con Android a partir de la versión 8.0. Esto incluye la inmensa mayoría de los terminales activos en el mercado español, desde fabricantes líderes como Samsung, Xiaomi y Huawei hasta dispositivos de marcas menos famosos. Para los jugadores de iPhone y iPad, la experiencia se canaliza mediante una solución web adaptativa. No necesita configuración vía APK, pero puede fijarse a la pantalla de inicio y actúa como un enlace directo con una apariencia casi similar a una app nativa. En el extremo contrario, el explorador móvil proporciona una integración casi completa. Opera en cualquier dispositivo que tenga Chrome, Safari, Firefox o browsers integrados en sistemas menos extendidos, sin tener en cuenta la edad del hardware. Esta flexibilidad asegura que los jugadores con terminales más antiguos o sistemas operativos alternativos nunca se encuentren sin acceso a su cuenta. Eso sí, la nitidez visual y la velocidad de reacción se adaptan automáticamente a la baja para garantizar la consistencia en hardware menos capaz. Es una virtud que la app, al ser más demandante, no puede ofrecer con la misma soltura.

Protección y Mejoras de la Plataforma

La salvaguarda de los datos personales y financieros es una prioridad absoluta para los usuarios españoles. Los ambos métodos de entrada a Incaspin Casino mantienen los más altos estándares de cifrado, aunque con sutiles diferencias operativas. La aplicación nativa incorpora protocolos de seguridad complementarios vinculados al equipo del dispositivo, como la opción de permitir el acceso mediante biometría o identificación facial. Esta nivel de salvaguarda biométrica evita el acceso no autorizado a la perfil incluso si el móvil está desbloqueado. La versión de navegador no dispone de esta funcionalidad y se basa exclusivamente de la combinación tradicional de email y contraseña. En cuanto a las mejoras, la app requiere que el usuario descargue e instale manualmente las nuevas versiones del fichero APK cuando se lanzan parches mayores o correcciones de seguridad. qué debes saber El proceso es sencillo, pero demanda una acción consciente por parte del jugador. El explorador, en lugar, se mejora de forma transparente en los servidores web del proveedor: el cliente siempre observa la más reciente edición del software al recargar la pantalla, sin necesidad de ejecutar nada. Los dos canales usan cifrado SSL de más reciente generación para las operaciones. La app ofrece una ventaja en la fiabilidad de la comunicación durante las sesiones en vivo, porque gestiona mejor las caídas intermitentes de la conexión móvil y se reconecta automáticamente sin expulsar al jugador de la partida. Es un detalle técnico que puede proteger una inversión en un momento crítico.

Disponibilidad de Funciones y Bonos Especiales

El catálogo de juegos de Incaspin Casino es prácticamente igual en las dos plataformas. Sin embargo, la oferta promocional y determinadas funcionalidades avanzadas se orientan claramente hacia el uso de la app móvil. Los operadores acostumbran premiar la lealtad de los usuarios que descorgan el software nativo con incentivos exclusivos por recarga o giros gratis que no están disponibles para quienes juegan solo desde el explorador. Estas estrategias de incentivo buscan impulsar la instalación porque un jugador con la app integrada tiende a participar con superior regularidad por medio de las notificaciones push. La aplicación también posibilita una integración más profunda con los sistemas de pago. Por ejemplo, puede almacenar de forma protegida la tokenización de una tarjeta para ingresos en un solo pulso, lo que optimiza el flujo de caja al extremo. En el navegador, aunque se pueden guardar los datos de forma segura, el flujo de pago acostumbra exigir pasos extra de comprobación por parte del banco emisor. Otra función distintiva es el formato de juego horizontal forzado y la multitarea optimizada. La app posibilita establecer la dirección de la display y manejar mejor la yuxtaposición de otras herramientas, como el chat de comunicación, sin que el juego se detenga o se pierda. Es una ventaja significativa para los participantes que disfrutan de sesiones de ocio mientras hacen otras cosas en su terminal. La versión de navegador, por su esencia, está más acotada por las normas de administración de solapas del propio sistema operativo.

popular bono de bienvenida imagen

Desempeño y Rapidez de Carga en el Día a Día

La diferencia más palpable entre la aplicación nativa y la versión web de Incaspin Casino se encuentra en la rapidez de reacción y la fluidez general de la interfaz. Es un factor crítico cuando tratamos sobre partidas de casino en vivo o tragamonedas con animaciones complejas. La app está desarrollada para ejecutarse de forma nativa en los chips de los móviles. El resultado: tiempos de carga casi instantáneos al alternar entre las apartados de deportes virtuales, el lobby de slots o la caja de pagos. Este desempeño superior se justifica porque los elementos gráficos pesados y los archivos de audio se guardan en la memoria del dispositivo durante la configuración, así que no hace falta descargarlos varias veces desde el servidor, como sí ocurre en el navegador. La variante web para móviles, por su parte, usa tecnologías de caché avanzadas y carga diferida para minimizar el consumo de datos. La experiencia resulta competitiva, sobre todo en conexiones de fibra indirecta o 5G. Ahora bien, los usuarios con dispositivos de gama media o básica percibirán que el navegador, aunque funcional, puede exhibir micro-parpadeos o sutiles pausas al renderizar gráficos 3D de alta resolución. La app mantiene una tasa de fotogramas estable y uniforme incluso en partidas largas, lo que representa una ventaja tangible en la experiencia de uso diaria.

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Procedimiento de Descarga e Instalación de la App

Adquirir la aplicación de Incaspin Casino no es como instalar cualquier otra app desde las tiendas oficiales, y conviene saberlo de antemano. Google Play Store y Apple App Store tienen políticas limitantes con los juegos de azar con dinero real en muchas jurisdicciones. Por eso, el archivo de instalación —el APK para dispositivos Android— se obtiene directamente desde la página web oficial del operador. El usuario accede en incaspins.es/app/ con su navegador móvil y encuentra el botón de descarga. Antes de empezar, hay que ajustar la configuración de seguridad del teléfono para permitir la instalación de aplicaciones de orígenes desconocidos. Es un ajuste estándar que no afecta la integridad del sistema si se hace solo para este archivo verificado. Una vez bajado el paquete, el asistente de instalación guía al usuario en pocos segundos y solicita los permisos necesarios para que la app opere bien, como el acceso al almacenamiento para guardar datos temporales de juego. El acceso mediante navegador móvil suprime por completo estos pasos técnicos: basta con introducir la dirección web e iniciar sesión. Para quienes prefieren la rapidez sobre la integración profunda con el sistema operativo, esto constituye una ventaja inmediata.

La forma en que los usuarios españoles

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Още в момента щом навлезете в профила си, получавате възможност до мощен набор от функции за отговорен хазарт, които целенасочено настроени към изискванията на българската аудитория. Имате възможност да настроите на ден, на седмица или на месец ограничения за внасяния, залагания и загубени суми, като промените, който правят ограниченията по-ограничителни, стават в ефект мигновено, докато увеличаването им изисква 24-часов интервал на чакане, за да се изключат необмислени избори. Също така се осигурява и часовник за реално време, който ще ви информира прекараното период в платформата и ви напомня да си организирате отдих. За залагащи, които усещат необходимост от по-сериозен самоконтрол, сме за вас интегрирали възможност за самоблокиране – имате възможност да ограничите акаунта си за интервал от 24 часа до няколко месечни периода, а при нужда и безсрочно. Платформата прилагаме всякакви насоки на българските институции за отговорно залагане и целенасочено стимулираме употребата на посочените функции като елемент от умереното залагане.

Двуфакторна автентикация и допълнителни защитни нива

Двуфакторната автентикация (2FA) е сред най- най-действените начини да защитите акаунта си, дори ако някой открие паролата ви. Ние горещо препоръчваме включването ѝ при първия достъп. Системата предлага създаване на комбинации чрез приложения като Google Authenticator или Authy, които генерират шестцифрени числа, променящи се на на всеки 30 секунди. Щом поставите вярно имейл и парола, ще сте попитани да въведете и този активен код, което прави невъзможно навлизането без реален контакт до вашето мобилно устройство. За българските потребители, които често използват обществени Wi-Fi мрежи, това е много ценна защита. Ако предпочитате физически ключ за безопасност, поддържаме и FIDO U2F стандарта – малки USB или NFC устройства, които предоставят по-високо степен на безопасност без нужда от батерии.

Освен доброволната 2FA, ние автоматично използваме допълнителни защитни нива във фонов режим. Всеки път, когато влезете от ново устройство или браузър, софтуерът проверява параметри като IP адрес, геолокация и поведенчески характеристики. Ако се установи голямо различие с обичайния ви профил – например достъп от друга държава – незабавно изпращаме имейл уведомление с подробности и временно ограничаваме чувствителните функции като тегления, докато не потвърдите, че това сте вие. Този механизъм е напълно пасивен за вас и не изисква инсталация на допълнителен софтуер. Също така съхраняваме криптирани записи на сесиите, за да можете да проверите кога и откъде е осъществен достъп до акаунта ви. При съмнение можете да прекратите всички активни сесии с едно натискане на бутон от настройките, което незабавно изключва всеки нежелан потребител.

Удостоверяване на личност и документиране за българския клиенти

Верификацията на идентичност, наричана като KYC (Know Your Customer), е необходима процедура за всеки потребители, което гарантира, че сайтът съответства на българските и европейските регулации за пране на пари и подпомагане на тероризъм. Когато стигнете конкретен праг на депозиране или преди първо теглене, ще бъдете помолени да поставите в акаунта си цветно копие на документ за идентичност – лична карта, паспорт или шофьорска книжка, издадени в Република България. Трябва също и доказателство за адрес, което може да бъде наскоро комунално плащане, банково извлечение или официална кореспонденция от държавна институция. Ние приемаме единствено ясни сканирани изображения, на които личните данни и адресът се виждат отчетливо, като при нужда можем да ви помолим за селфи с документа, за да потвърдим, че вие сте неговият действителен притежател.

Стъпката на удостоверяване е автоматизиран и обикновено отнема от няколко минути до 24 часа, в зависимост от натоварването на системата и качеството на изпратените файлове. След като веднъж профилът ви бъде удостоверен, бъдещите тегления ще се обработват значително по-бързо, тъй като няма да има нужда от повторна проверка за същите данни. За българските потребители е важно да знаят, че документите се съхраняват в криптиран вид на сървъри, разположени в Европейския съюз, и са достъпни само за оторизирания персонал по сигурността. Ние никога не споделяме тези данни с трети страни, освен ако не сме законово задължени от компетентните български органи. Ако документите ви бъдат отхвърлени поради изтекъл срок или нечетливост, ще получите ясна обратна връзка с конкретните причини и стъпки за корекция, за да можете да изпълните изискванията без излишни забавяния.

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Налични методи за потвърждение при вход

Ние осигуряваме няколко варианта за влизане, за да адаптираме на множеството предпочитания на българските потребители. Класическият метод е комбинацията от регистриран имейл адрес и зададена от вас парола. Това предполага да знаете данните си, но пък осигурява максимално ниво на контрол, тъй като единствено вие задавате сложността на паролата. За тези, които избират по-бърз достъп достъп, сме добавили начин за вход чрез мобилен номер. След като веднъж прикачите удостоверен телефонен номер към акаунта си, можете да взимате едноразови кодове чрез SMS, които са работещи само за няколко минути. Това е изключително удобно, когато не сте пред собствения си компютър и не желаете да запазвате пароли на чуждо устройство. Също така предлагаме и биометрични методи методи на работещи мобилни приложения – пръстов идентификатор отпечатък и лицево разпознаване, при които не се изисква да въвеждате нито един символ.

За пълния списък от възможности, които можете да използвате при вход в NV Casino, обърнете внимание внимание на следните точки:

  • Мейл и парола – стандартен и напълно контролиран от вас метод; работещ с всички устройства и без изискване от допълнителен софтуер.
  • Мобилен номер номер и SMS код – бърз вход чрез едноразова парола, изпратена на потвърдения ви български номер.
  • Биометричен метод достъп – пръстов отпечатък или лицева идентификация разпознаване чрез официалното мобилно приложение на NV Casino (предлагано за Android и iOS).
  • Социален вход вход – асоцииране с профил в Google или Facebook след първо оторизиране; данните от социалната мрежа не се предават за други цели.

Регистрационен процес и първи вход

Регистрирането в NV Casino е специално улеснено, за да стартирате игрите максимално бързо, но без да пропускаме основните проверки. В първия етап е необходимо да дадете действащ имейл адрес и да зададете безопасна парола, след което да удостоверите, че имате навършени 18 години и приемате условията ни. Веднага пращаме линк за активация, който е валиден 24 часа – това гарантира, че имейл адресът действително е на вас. Следващата стъпка е въвеждане на основни лични данни: име, презиме и фамилия, дата на раждане, gender и местожителство в България. Информацията се сравнява с документите ви за самоличност, поради което е много важно да бъдат точни още от самото начало. Ако съществуват несъответствия, верификацията по-късно може да се забави, а това ще отложи изплащанията ви. За играчи от България сме предоставили меню напълно на български език, а регистрационната форма е адаптирана към местните изисквания за идентификация.

След като попълните данните, системата ще ви подкани да зададете предпочитана валута – български левове са изцяло поддържани, което спестява такси за конвертиране. След завършване на регистрацията вече можете да влезете в профила си с имейл адреса и паролата. Първият вход е и моментът, в който дава възможност да допълните профила си, като добавите телефон и изберете лимити за отговорна игра. Тези параметри не са задължителни за всички стъпки, но ние настоятелно съветваме да ги активирате веднага, за да държите всичко под контрол върху разходите и продължителността, прекарано в игра. Ако играете от телефон, входът е проектиран да съхрани потребителското ви име, но не и паролата, което съхранява удобството без отстъпка със безопасността. Ето как от първия момент профилът ви е готов за лесна игра, но и изцяло защитен според най-високите стандарти в индустрията.

Често задавани въпроси

Как да сменя паролата си от настройките на профила?

След като влезете в акаунта си, от менюто с настройки изберете раздел „Сигурност“. Там ще видите поле за текуща парола и две полета за нова парола – така системата предпазва, че няма печатна грешка. Новата парола трябва да покрива на критериите за сложност, които сме описали по-горе. Преди да одобрите промяната, ще получавате имейл известие, което ви уведомява за действието; ако не сте го поискали вие, незабавно се свържете с поддръжката. Препоръчваме да сменяте паролата си на всеки шест месеца и никога да не прилагате една и съща комбинация в различни сайтове. След успешна промяна всички активни сесии на други устройства автоматично се преустановяват, за да се избегне неоторизиран достъп със старата парола. Действието отнема по-малко от минута и значително повишава защитата ви, без да нарушава на игровото ви изживяване.

Има ли начин да вляза с български телефонен номер без имейл?

Наистина, след като първоначално свържете български мобилен номер с акаунта си и го потвърдите чрез код, сте в състояние да употребявате само номера като идентификатор за вход. На страницата за вход посочете опцията „Вход с телефон“ и напишете номера си с кода на държавата (+359). Ще получите SMS с еднократен код, действащ за ограничено време. Важно е да проумеете, че този метод действа само на устройства, които вече сте свързвали с профила, или след верификация на самоличността чрез допълнителен фактор, за да не се допуска неоторизирана употреба при загуба на телефона. Ако телефонният ви номер не е български, системата ще ви насочва към стандартния вход с имейл. При проблеми с доставянето на SMS кодове, проверете дали устройството ви не е в режим „Не безпокойте“ и дали има стабилен мобилен сигнал. Поддържаме всички български мобилни оператори, така че услугата е достъпна за всеки.

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Как да разбера дали акаунтът ми е напълно верифициран?

В профила ви има специален раздел „Статус на верификация“, където ще видите текущото състояние на трите основни компонента: идентичност, адрес и метод на плащане. Всеки от тях е маркиран с икона – зелена отметка показва успешно приключен етап, оранжев часовник – в процес на обработка, а червен кръст – изискват се допълнителни документи. https://www.reddit.com/r/poker/comments/1l5ngi7/quick_bonita_springs_trip_report/ Когато и трите компонента са зелени, профилът ви е напълно верифициран и можете да извършвате тегления без ограничения. В случай че даден документ бъде отхвърлен, ще получите детайлно обяснение на български език, което ви помага да разберете какво точно трябва да коригирате – например срокът на личната карта е изтекъл или снимката е размазана. Ако не виждате промяна в статуса повече от 24 часа след подаване на коректни документи, свържете се с нашата денонощна поддръжка за съдействие. Ние следим всеки случай индивидуално и винаги даваме обратна връзка с уважение към вашето време.

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Analisar o cassino fs formulário de registo Casino implica aventurar-se numa plataforma que junta casino online e apostas desportivas sob uma mesma licença, desenhada especificamente para o mercado português. Explorei cada secção durante várias sessões, do registo à navegação nos jogos, passando pelos métodos de pagamento e pelas letras pequenas dos bónus. O objetivo não se limita a descrever o que existe, mas mostrar como cada componente funciona na prática, o que realmente traz valor e onde é preciso atenção redobrada. Deixo aqui uma análise detalhada, baseada na utilização concreta da plataforma, para que possa decidir com mais informação se o FS Casino é o que procuras numa experiência de jogo online.

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Os levantamentos obedecem a política de conta encerrada: o método de saída deve coincidir com o método de depósito sempre que possível, uma prática comum para prevenir fraudes. Os prazos de processamento variam. As carteiras eletrónicas são as mais velozes, com os fundos a permanecerem disponíveis num intervalo que pode ir de poucas horas a 24 horas após a aprovação interna. As transferências bancárias e os cartões podem demorar entre 2 e 5 dias úteis. Em todos os levantamentos, a primeira etapa é a verificação manual da conta, que, uma vez finalizada, acelera os pedidos seguintes. Não há taxas cobradas pela plataforma nos levantamentos, mas o banco emissor pode aplicar os seus próprios encargos.

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Quando acedo ao FS Casino, observo uma estrutura pensada para reduzir o entrave. O topo fixo organiza as partes essenciais — casino, apostas desportivas, promoções e espaço de apoio — e o sistema de busca encontra-se sempre visível. A homepage não sobrecarrega com banners agressivos; em vez disso, evidencia os títulos em foco e os acontecimentos desportivos do instante, proporcionando o acesso rápido ao lobby integral a um clique de distância. O intervalo de carregamento é constante mesmo em conexões móveis, e a organização de menus não força a saltos supérfluos entre páginas. Esta inicial fase já demonstra um cuidado técnico que facilita a vida de quem participa com assiduidade.

O registo acompanha o processo previsto numa plataforma licenciada em Portugal: dados individuais, morada, número de contribuinte e configuração de limites de depósito logo no instante de criação da conta. A plataforma confirma a idade automaticamente e, em alguns minutos, o usuário já encontra-se dentro do meio de jogo. A validação de identidade — passo inevitável para levantamentos — é pedida antes do primeiro solicitação de retirada, um método que protege tanto o operador como o jogador. A documentação requerida é a usual: cópia do documento de identificação e comprovativo de morada recente, com análise manual que pode levar até 48 horas, mas que normalmente é concluída em menos de um dia útil.

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In “Far From the Trees,” (“Lejos de los árboles”) Meritxell Colell asks viewers to listen before they try to understand.

Premiering in Locarno’s international competition, the Spain-Italy-Peru production from Allegra Films follows Adela, a 50-year-old Mexican sound artist who travels from the Peruvian jungle to the Andes recording endangered languages. Accompanied by a guide and translator, she is continuing the work of her grandfather, a Catalan Republican exiled in Mexico. But news of her grandmother’s possible death fractures the journey, drawing Adela into childhood memories, family silences and fantastical visions.

For the director, the film began with an absence.

“‘Lejos de los árboles’ came into being in 2020 following the death of a very close family member. At the time, I knew only that I wanted to address the inability to say goodbye—the inability to view a dead body and the emotions that entails—and to link this to sound,” Colell told Variety.

She initially searched for displaced or migrant sound artists and encountered Angélica Castelló, a Mexico-born, Vienna-based composer whose grandfather had also gone into exile. 

“The film emerged from her story and those initial impulses; years later, I realized it also connected deeply with my own life – specifically, with the legacy of silence passed down by my grandparents,” Colell explained.

Rather than reconstructing her own family history directly, she created Adela: a fictional figure whose identity is formed by migration, artistic vocation and the simple fact of being often elsewhere.

“I was determined to center the film on the complexity of hybrid identities shaped by exile and migration –identities where the status of ‘foreigner’ becomes the self – and on the burden of that inheritance,” she said.

The geographical distance was crucial. Adela follows her grandfather’s footsteps while transforming his political and anthropological work into art, weaving a sound map from languages at risk of disappearing. The connection between Indigenous languages in Peru and Catalan exile was not part of the earliest drafts, but became the idea that brought the film into focus.

“Once the idea of vulnerable languages came up, everything fell into place,” said Colell. “It became clear that her work was carrying on her grandfather’s legacy, adding a new dimension to his figure.”

The grandfather became an activist-anthropologist dedicated to recovering native languages in Mexico, a calling linked to his flight from a Catalonia where Franco’s regime suppressed languages other than Castillian Spanish.

“In a way, the film is an ode to the beauty of languages, to their collective value, and to multilingualism as a viable social reality,” Colell says. “Language is a form of thought, a way of seeing and inhabiting the world. We don’t necessarily have to understand every form; we simply need to listen to them, however we can.”

That principle shapes the film itself. We hear the birds, wind, voices, music, the whirr of a grandmother’s sewing machine and a thud against a trunk of a tree.

“Sound is essential in cinema – not only on narrative and contextual levels but also on perceptual and emotional ones,” observed Colell. “That is why I was so eager to make a film featuring a sound artist as the protagonist.”

The film’s Super 16mm passages, which inhabit memories, visions and reveries, were shot without synchronized sound. The voices of Adela’s grandparents and Paula were recorded separately, leaving Castelló free to build what Colell calls “a sonic tapestry woven from a multitude of sounds.”

Castelló’s presence reshaped the film over years of residencies, meetings and debate. The director was determined, however, that Adela would firmly be fictional rather than becoming a portrait of the performer.

“It was a way to lighten the role, turn it into a game, and distance it from reality,” she said. “It was crucial for me to portray a person in her fifties who had left her home country to pursue her passion– music – and to depict a type of woman rarely seen on screen.”

“As time went on, my initial intuition upon meeting her was confirmed: She was the film.”

Producer Mayca Sanz L-Higueras began assembling the project in 2021, initially seeking a European structure that could connect with Latin America through Ibermedia. Italy’s Exit Media joined first; Peru’s Animalita Cine later came on board, while RTVE helped complete the financing.

“In Peru, the biggest challenge has been finding someone willing to commit to filming with a fiction crew – albeit a very small one – in a country completely unprepared for such a project, and with a story that required the commitment of non-professional actors whom the director had sought out, selected and worked with over time, following location scouting trips spanning three years,” said Sanz.

The shoot unfolded in five blocks over more than a year, beginning in February 2024 and ending with Teresita Sánchez’s scenes in July 2025. Colell also became a mother during production.

“At times, I worried that shooting in such fragmented stages might result in something of a Frankenstein’s monster; I’m used to filming in chronological order,” she says. “The surprise came when we started editing and saw that everything actually fit together perfectly.”

For Allegra Films, Locarno’s selection validates a leap into a more ambitious international model. For Colell, it offers a setting suited to a film that resists tidy explanations.

“I love open cinema– films that engage the viewer and connect them to their own lived experience. Cinema that pierces you and settles deep in your gut, beneath your skin, in your chest,” she says.

She hopes younger viewers will leave the screening wanting to investigate the history of exile, or to ask their own relatives what was never said.

“The film speaks to the need to listen, the importance of passing things on, and how we people act as both transmitters and receivers of memory,” said Colell. “And, in a sense, the film itself is a body of memory.”

The collaboration between director and lead allows “Far From the Trees” to examine the cost of building a life elsewhere. Adela’s strained relationship with those tasked with caring for her grandmother, raises questions about who stays, who leaves and who inherits responsibility.

“Distance is inherently complicated, yet it can also be liberating,” said Colell. “I wanted to explore this issue without judgment: to discuss the consequences of living far from family, how that shapes one’s identity, and how it affects those who take on caregiving duties.”

She recalls Castelló telling her: “I am a permanent foreigner. My home – my refuge – is sound. Music.”

“That statement encapsulates the film’s central quest,” Colell concludes. “I would love for the film itself to become that home, that refuge.”

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In “Far From the Trees,” (“Lejos de

Don’t even bother trying to pigeonhole Ecca Vandal. The genre-bending independent artist unleashes an energy on stage that could secure a place on the periodic table. It’s a creative flurry of punches fusing hip-hop with punk, jazz, electronic and a rebel’s intensity. Rock with guts and glory.

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With the release earlier this year of LOOKING FOR PEOPLE TO UNFOLLOW (via Loma Vista Recordings), her second album, Ecca Vandal has clocked up the airmiles, notched several firsts, and brought that fire to new fans around the globe.

In April, a performance at Coachella, her first-ever performance at a major U.S. festival. Others have followed, including Lollapalooza. Then, in May, a U.S. TV debut with a performance on Jimmy Kimmel Live, where Ecca Vandal and her band ripped through “Cruising to Self Soothe,” lifted from that sophomore collection.

“It was trippy,” she says of her time on Kimmel. “Still can’t really believe it but grateful for the opportunity and nice for ‘Cruising’ to have a moment like that.” Vandal gives a shout out to her live drummer Dan (Maio) and bass player/producer Richie (Buxton) “for always holding it down, being on this journey with me, and giving me the confidence to sing and scream my heart out.”

The current summer run has “been a beautiful type of chaos,” and has included support spots with Deftones, Limp Bizkit, and slots at Roskilde, Rock am Ring and Pinkpop. “The energy is insane,” she tells Billboard. “Swear I have mind blowing moments everyday, trying new foods, finding new clothes. Just wish I could explore everywhere for longer.”

Based in Melbourne, Australia, and born in South Africa of Sri Lankan heritage, Ecca Vandal dropped her self-titled debut in 2017. With her long-percolating followup LP, plaudits came from Zane Lowe, and Spotify’s international editorial team, which anointed her as one of the streaming giant’s Artists To Watch 2026. Australia’s Triple J locked-in LOOKING FOR PEOPLE TO UNFOLLOW as its feature album of the week.

The journey continues with a run of festivals across the United Kingdom and Europe. Headline dates kick off Sept. 3 in Milan, Italy, then the show heads to the United States and Canada for a month from late September. A national tour of Australia follows in November.

How should audiences prepare for the Ecca Vandal experience? “Aside from the flashing lights,” she quips, “I’d say come as you are and be prepared to lose yourself for a little while. I’ll be bringing all my energy so bring yours too. I love when a show feels like a little world that only exists for us for that hour, with everyone just collectively losing it.”

UK/EU headlines:

Sept. 3 — Italy, Milan | Santeria Toscana 31
Sept. 5 — Germany, Munich | Strom
Sept. 7 — Germany, Cologne | Luxor
Sept. 8 — Belgium, Brussels | Ancienne Belgique
Sept. 10 — Netherlands, Amsterdam | Melkweg Oz
Sept. 12 — France, Paris | La Maroquinerie
Sept. 14 — UK, Manchester | Manchester Academy 3
Sept. 15 — UK, London | Village Underground

North America headlines:

Sept. 29 — Los Angeles, CA | Teragram Ballroom
Oct. 3 — San Francisco, CA | Rickshaw Stop
Oct. 6 — Seattle, WA | Barboza
Oct. 7 — Portland, OR | Holocene
Oct. 10 — Denver, CO | Globe Hall
Oct. 15 — Toronto, ON | Longboat Hall
Oct. 17 — New York, NY | Bowery Ballroom
Oct. 21 — Boston, MA | Brighton Music Hall
Oct. 22 — Washington, DC | The Atlantis
Oct. 24 — Atlanta, GA | The Masquerade (Purgatory)

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Don’t even bother trying to pigeonhole Ecca

In MP Hayes’ short film Knifeman, soft spoken IRS Agent Horatio Hunt (John Swansiger) must suit up and become the hero “knifeman,” to save his city from a malignant sorceress Saegusa (Gina Kim). Saegusa has deployed Kaiju-like monsters to destroy the city, and knifeman is on the case. 

Back in the real world, two FBI agents are parsing through clues and documentation in an attempt to solve the case of a delusional serial killer. The killer, who calls himself Knifeman, taunts the FBI, leaving clues and threats for them. He tells them he believes everyone is a monster, and that he is the only hero who understands the threat and can save the day.

 

“… a hero suits up to save his city from an evil sorceress …”

 Knifeman is L.A. noir meets classic Tokusatsu but with a subversive theme. Like Watchmen, Knifeman explores the importance of  viewpoint when it comes to justice, and the inherent tyranny behind the concept of the superhero. Superman without the shared values of the community becomes The Homelander from The Boys. Hayes relies on comfortable tropes to tell the story. Kaiju and characters who look like Power Rangers square off. The homage is effective and entertaining, while at the same time capturing the kitchsy spirit of the originals. Narration is delivered in the booming authoritative voice of the old newsreels.

The film exhorts us repeatedly: “Do Not Look Away,” and if we can answer that call and see beyond the illusion of “good guys vs bad guys,” what will be revealed is the threat of power prioritized over justice. Thucydides documented Athenians asserting that “right, as the world goes, is only in question between equals in power, while the strong do what they can and the weak suffer what they must.” It’s a very old idea, and it’s still wrong. 

Hayes cleverly delivers a parable without being overtly political, wrapped in fantasy, and dripping with gore, but the theme is stark and urgent. However messy and unreliable justice seems, it is far and away preferable to a world ruled by powerful, narcissistic men who see themselves as the hero of their own story, rationalizing the expedience of “any means necessary,” even when those means are objectively unmistakably evil. 

 

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In MP Hayes’ short film Knifeman, soft

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God of Wins Casino shares personal data with a screened set of service providers, each constrained by a data processing agreement that establishes GDPR-compliant obligations. Payment processors obtain transaction amounts, currency details, and incomplete payment information. Game providers get a unique player identifier and session data but not full identity documents unless a specific opted-in feature demands it. Identity verification and anti-fraud services handle KYC documents against authoritative databases. Cloud hosting providers maintain encrypted data in secure data centres, with the casino retaining control of encryption keys. Customer support platforms get account identifiers and communication histories. Marketing and analytics services manage contact and interaction data only where consent has been given. International transfers may flow to countries without an adequacy decision, and the casino relies primarily on Standard Contractual Clauses. Transfer impact assessments review destination laws, and supplementary measures such as enhanced encryption or pseudonymisation are implemented where necessary. Australian players should observe that safeguards remain consistent regardless of geography.

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The God of Wins Casino affiliate programme functions within the same GDPR framework, although affiliates remain independent data controllers for their own marketing activities. The casino handles business contact details, payment information, and tax identification numbers to operate the programme. Affiliate tracking systems handle IP addresses, referral URLs, and device identifiers to credit registrations and activity accurately. Tracking cookies are implemented in line with the casino’s cookie policy and consent requirements. Contractual terms require affiliates to maintain GDPR-compliant privacy notices and obtain necessary consents before sharing personal data with the casino. Commission reporting uses anonymised or pseudonymised statistics such as clicks, registrations, first-time depositors, and net gaming revenue, so individual player identities are not disclosed to affiliates. If a specific transaction must be checked to settle a commission dispute, the casino minimises disclosure and requires a confidentiality undertaking. Affiliate data is stored for the duration of the business relationship and any legally required period, and affiliates hold the same data subject rights as players. Privacy concerns can be directed to the same data protection officer overseeing the casino’s overall compliance programme.

The General Data Protection Regulation took effect

A man who has been working to save animals from the Summerland, B.C., wildfire evacuation zone has now been told he can no longer continue his work due to breaking the rules.

Animal rescuer Kazimir Nowlin has been working since Friday to get animals and livestock to safety and away from the danger of the massive Bald Range fire.

“I was fixing a stable in Falkland to get a stallion that we had rescued off the reserve there, we’d finished that up, and then we heard about the Summerland fire starting up, so we just jumped in our vehicles,” he said about Friday evening when the Bald Range wildfire sparked.

“As soon as we got here, we had four horses evacuated right where the fire was. We brought them out to Oliver, jumped back in, we grabbed three or four more horses, grabbed them, took them up to OK Falls, I believe.”

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Carolyn Dobler, a rancher from Stonewall Ranch, said Nowlin and his team rescued all of his animals.

“I finally got everybody here in one place last night, and went home and had a good cry and was so grateful,” she told Global News.


Click to play video: 'Many jump in to help transport livestock from those fleeing Big Range Wildfire near Summerland'


Many jump in to help transport livestock from those fleeing Big Range Wildfire near Summerland


Nowlin said they continued to rescue animals where they were needed, but then they were told they needed permits to go into the evacuated areas.

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Get daily Canada news delivered to your inbox so you’ll never miss the day’s top stories.

He said he was told to join up with the Animal Lifeline Emergency Response Team (ALERT), who help rescue and evacuate animals and livestock during disasters.

However, he said he was told on Tuesday night that he could no longer work with ALERT as he was violating their rules of filming the animals and homes inside evacuation zones and posting the content on social media.

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“Where is the counselling? Where is the support? Where is all of that?” Daryl Meyers with ALERT said.

“If someone is sitting at home and sees it on social media, and they have a complete and utter breakdown, meltdown.”

The president of the regional ALERT said that is why protocols are in place and Nowlin broke the rules by going into so-called Red Zones and recording video.

“He went rogue on us,” Meyers said.

“We had a complaint from the RCMP, and the RCMP asked us to have him stand down

“If we break the rules, we’ll get kicked out, and the last thing people need is for us to get kicked out.”

Nowlin said he is now moving on.

“It was disheartening because, I mean, we were doing what needed to be done, which they refuse to do,” he said.

“The leadership here — and I want to express, I am not against ALERT; I fully respect and love what they do — the leadership here is not any good. The leadership here is refusing to take horses that we can take out and put into a sanctuary that’s all set up for them, but she’s telling people that we’re not prepared to do that, and that is absolute crap.”

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Nowlin said he applied for his own permit on Saturday, but he has not yet received a call.

He said there is too much red tape.

&copy 2026 Global News, a division of Corus Entertainment Inc.

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A man who has been working to

KSI posted a scoreline to Instagram on Sunday, and for millions of England supporters, those six characters landed like a gut punch. England 1 – 2 Argentina.

The YouTube star, boxer, and musician – real name Olajide Olatunji – left it at that. Two flag emojis and the #fifaworldcup2026 hashtag. The result needed no narration.

This matchup carries weight.

England were eliminated from the 2026 FIFA World Cup on July 20, falling 1-2 to Argentina in the knockout round. For Three Lions supporters, losing to this particular opponent always stings in a way other results don’t. The history between these two nations in tournament football runs deep, and Sunday added another chapter.

Argentina came into this tournament as defending champions from Qatar 2022. They kept their 2026 campaign alive. England did not.

KSI is one of the most recognizable voices in British entertainment. He built his name on YouTube. He then crossed into professional boxing and chart music, and his following came with him at every step. His Instagram sits north of 24 million followers. His audience turns to him for the big moments in UK sport. Sunday was one of them.

The post drew more than 256,000 likes. For a result this emotionally charged, that number signals how much the moment hit home with his following.

KSI has been here for big England moments before. He’s vocal about football, and his comment sections during tournaments become a gathering place for fans processing the results in real time. Sunday’s result gave them plenty to sit with.

The 2026 FIFA World Cup is co-hosted across the United States, Canada, and Mexico. England entered with genuine momentum. The squad was considered one of the stronger ones the country had put together in years. The early stages backed that up. Supporters let themselves believe.

Argentina had other ideas. A knockout-stage defeat at a World Cup is merciless. There’s no second leg, no aggregate goal. You lose, you go home.

KSI knows something about high-stakes moments from a different arena. His boxing career took him from YouTube novelty fights to some of the most-watched bouts on the planet. He knows what it feels like to absorb a tough result in front of a massive audience. That probably explains why a bare scoreline felt like the right move here.

The post carried no interpretation. Argentina 2, England 1. That was the whole story.

The replies came in waves. England supporters were gutted. Argentina fans celebrated loudly. A handful of comments arrived in Spanish. Neutrals weighed in on where England went wrong. The thread became its own cross-cultural flashpoint over ninety minutes of football.

KSI hasn’t added anything since.

Sometimes the scoreline does the job on its own.

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Jennifer Stone, an alum of Disney Channel’s “Wizards of Waverly Place” and current nurse, shared she auditioned for HBO Max’s “The Pitt,” but had a physical reaction to the script.

During a Monday appearance on the “CHEERS! with Avery” podcast, the former Disney Channel star reflected on almost landing a part on the Noah Wyle-led medical drama, confessing she used to work on her lines while at her nursing job.

“I auditioned for one of like the series regulars for ‘The Pitt’ when that first came out,” Stone recalled. “At the end of the pilot episode, the Noah Wyle character, he’s having like COVID flashbacks. As I often do, I was reading the script and like, working on lines while we were waiting for a patient to get admitted or something like that. Kind of in those brief little, you know, pockets of time that you have. So I was working on the lines and reading the script at work and it got to those last few pages and … I started having a panic attack.”

She added: “Even, like, just hearing about that, I started having like the heavy breathing and I started having to do like the, ‘Okay this is the floor. That’s a table.’ I started having to like talk myself down ’cause it’s still back there you, know?”

Elsewhere in the interview, Stone confessed that she has a “hard time” watching “The Pitt” as “it’s too close to home a little bit.” Though, she admitted that she’s a big fan of “Grey’s Anatomy,” adding, “Like, the first two seasons, I played on repeat during nursing school because it also helped me get the lingo down, right? Because it is a different language.”

“There is more of a fantasy aspect to that show than there is on something like ‘The Pitt,’” she explained on her preference for “Grey’s” over “The Pitt.” “And more of an entertainment value.”

Nonetheless, Stone applauded “The Pitt” for sparking conversations between healthcare workers and their loved ones.

Watch Stone’s commentary above.

While Stone currently works as a registered nurse in the emergency room, she rose to fame starring opposite Selena Gomez on “Wizards of Waverly Place” between 2007 and 2012. She later reprised her role of Harper Finkle in the final season of the sequel series, titled “Wizards Beyond Waverly Place.”

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Jennifer Stone, an alum of Disney Channel’s

Since her breakout in the 1990s, Linda Cardellini has never stopped. Her filmography includes such iconic shows as ER, Bloodline, Mad Men, Dead to Me and feature films like the Oscar-winning Green Book and Brokeback Mountain, along with joining the Marvel Universe as Laura Barton, Hawkeye’s wife in the Avengers movies, and opposite Will Ferrell in the Daddy’s Home movies. She also scored in the surprise horror hit The Curse of La Llorona and so much more.

She joins me for this week’s episode of my Deadline video series The Actor’s Side, where we talk about her current Emmy nomination as Outstanding Supporting Actress in a Limited Series, Anthology, or Television Movie for HBO’s DTF St Louis. It is her third Emmy nom following one for her guest-star role in Mad Men as Sylvia, love interest of Don Draper, and for her Netflix series Dead to Me opposite Christina Applegate. But she tells me the roles she gets the most recognition from are not ones you may realize. People still come up to her recognizing her from 1999’s short-lived but now cult hit series Freaks and Geeks, and as Velma Dinkley in the live-action Scooby-Doo movies, although she assures us she will not be in the upcoming reboot.

We talk about all the above including those sex scenes with Jason Bateman in DTF and a detailed description of how they were shot — on the first day as well! And then there is working in that umpire outfit that we also get the 411 on. We also talk about her upcoming projects including Peacock’s Crystal Lake in which she plays Pam Voorhees, mother of masked serial killer Jason in this Friday the 13th prequel series hitting in October, and the upcoming psychological horror film They Know in which she stars opposite Bill Hader who is making his feature directorial debut with it.

And just what was the very first television show Cardellini ever appeared on in 1994? Hint: the series is still running but she wasn’t acting on it.

To watch our conversation and to get the “actor’s side” of things from Linda Cardellini, watch the video above.

Join me every Monday and Thursday this season for a new episode of Behind the Lens, and each Wednesday for a new edition of The Actor’s Side.

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Since her breakout in the 1990s, Linda

top Spinboss Casino casino offer

Trying to pin down an online casino that pairs a decent welcome offer with a rewards programme that actually keeps going can be akin to chasing a jackpot of its own. Spinboss Casino arrives in the UK market with a clear focus on getting that balance right, viewing the bonus structure as a core part of the experience rather than a shiny afterthought. The brand allocates its welcome package across your first few deposits, offering newcomers a structured introduction instead of one lump sum that evaporates after a handful of spins. Once you move past the initial deposit, a calendar of reload bonuses, free spin drops, and loyalty perks is there to keep things interesting for returning players. The game library runs into thousands of slots, table games, and live dealer options from well-known software studios, so bonus funds have real use across a wide catalogue. Payment methods are designed for what UK players actually use, with Visa, Mastercard, PayPal, and bank transfer all supported, and processing times that won’t test your patience. Here’s everything you need to know about Spinboss Casino, from how the bonuses actually work, to banking, licensing, mobile play, and game selection.

Payment Methods, Withdrawal Speeds, and What UK Players Should Expect

Spinboss Casino supports a banking system that fits UK banking habits, prioritizing speed, security, and familiarity first. Debit card deposits via Visa and Mastercard are supported everywhere and are processed immediately, with no extra fees charged by the casino. PayPal is the primary e-wallet option, providing an extra layer of separation between your bank account and gambling transactions, which many UK players favour for budgeting and privacy. Other e-wallet services like Skrill and Neteller could be accessible, along with prepaid voucher systems such as Paysafecard for those who prefer to deposit without sharing card details online. Bank transfers are supported but are usually reserved for larger withdrawals rather than deposits, given the slower processing times inherent to the method. The minimum deposit threshold is typically set at £10 or £20, which aligns with industry norms and responsible gambling guidelines that limit micro-depositing loops.

Withdrawal processing times vary by method and by how quickly you finalize verification https://spinbosscasinos.eu/. E-wallet withdrawals are generally the fastest, often processed within 24 hours once the casino confirms the request, while debit card withdrawals can take between one and three business days to show up in a bank account. The casino imposes a pending period on all withdrawal requests, typically 24 to 48 hours, during which you can cancel the transaction and return the funds to your player account for continued play. This pending period is standard across UK-licensed casinos and serves as both a security measure and a responsible gambling tool. Players who find it annoying can often reduce or remove it by completing full account verification early. Verification means submitting proof of identity, address, and sometimes payment method ownership, and completing this before your first withdrawal request prevents delays later. Spinboss Casino waives withdrawal fees, but check that your chosen payment provider does not charge its own charges on incoming transfers.

Game Offering That Includes Slots, Tables, and Live Dealer Action

The game library at Spinboss Casino is built to serve the entire spectrum of player tastes, from slot enthusiasts to seasoned strategists. Slots form the main category, with titles sourced from a combination of established studios like NetEnt, Play’n GO, and Pragmatic Play alongside newer developers pushing fresh mechanics. You’ll come across classic three-reel fruit machines, feature-rich video slots with cascading reels and expanding wilds, and progressive slots where prize pools grow into six and seven figures. The search and filter tools on the platform let you to sort by provider, volatility, or theme, which assists narrow down a library that can in other cases feel overwhelming. Demo play is offered on most slots for players who want to test mechanics and bonus features before risking real funds, a practical feature that aligns well with responsible gambling principles. The slot catalogue gets refreshed regularly, with new releases arriving on a special section within days of their global launch.

Table games and live dealer options complement the slot-heavy catalogue. Digital table games feature various types of blackjack, roulette, baccarat, and casino poker, each with adjustable bet limits that accommodate low-stakes players and high rollers alike. The live dealer section, typically powered by Evolution Gaming or a like-minded developer, streams real-time games from professional studios with human dealers, delivering an experience that closely resembles a land-based casino floor. Live blackjack tables often offer side bets like Perfect Pairs and 21+3, while live roulette offers speed variants and immersive camera angles. Game show-style titles such as Crazy Time or Monopoly Live may also show up in the live lobby, blending RNG elements with live hosting for a hybrid format that has grown quickly in popularity. One thing to keep in mind if you’re using bonus funds: live dealer games frequently count at a lower rate toward wagering requirements, sometimes as low as 10% or even zero, so check the contribution tables before sitting down at a live table.

The way the Welcome Bonus Package Develops Across Deposits

Spinboss Casino’s welcome offer is a several deposit package, not a single upfront match, so how you handle your first week on the platform counts. As with most UK-facing casinos of this type, the bonus funds and free spins are distributed across the first three or four deposits, each with its own match percentage, maximum cap, and list of qualifying slots. The first deposit usually gets the highest match percentage, often 100% up to a set amount, plus a batch of free spins that are given over several days. That staggered release stops you from burning through the whole bonus in one sitting and nudges you to explore different game categories. The second and third deposits often provide lower match percentages—50% or 25%—but sometimes come with higher caps, so bigger deposits can still get you a decent chunk of bonus cash. Each deposit comes with its own wagering requirements, so check the terms for each one separately. Slots, table games, and live dealer titles qualify at different rates, and that can shift how quickly you clear the playthrough. Knowing how the package works before you deposit helps you decide whether to claim the whole thing or just the tiers that fit your budget and playing style.

Free spins included in the welcome package hardly ever arrive all at once. A common approach is to credit a portion instantly after you deposit and then release additional spins in daily increments, often connected to specific featured slots. These featured games are usually popular high-volatility titles or new releases the casino wants to highlight, and the spins themselves carry a fixed value, like £0.10 per spin. Winnings from free spins are almost always given as bonus funds rather than withdrawable cash, so they carry the same wagering requirements as the deposit match portion. Monitor expiry windows for both the spins and the resulting bonus funds; a 24-hour or 72-hour activation window is typical, and unused spins can vanish if you don’t claim them promptly. The welcome package is designed to give a new player extended playtime across their first week, but it rewards those who read the fine print and plan their deposits around the release schedule rather than rushing in with a single large deposit on day one.

Licensing, Safety, and Player Protection Foundations

Spinboss Casino functions under a licence provided by the UK Gambling Commission, the most rigorous regulatory body in the online gambling industry. This licence imposes binding obligations on the operator regarding fair gaming, transparent terms, segregation of player funds, and solid anti-money laundering procedures. For you as a player, this signifies the games on the platform use independently tested random number generators, bonus terms are not changed retroactively, and a formal complaints procedure exists with escalation to an independent adjudicator if disputes cannot be resolved directly. The UKGC also demands that operators display clear information about gambling risks and provide accessible tools for players to manage their behaviour. The casino’s registration number ought to be visible in the website footer, and you can verify its validity on the Commission’s public register at any time, a step cautious newcomers are urged to take before depositing.

Data security adheres to industry best practices, with SSL encryption securing all information transmitted between your device and the casino’s servers. Payment details are managed through PCI-compliant gateways, so the casino itself doesn’t store full card numbers or sensitive financial data in a way that could be exposed in a breach. The responsible gambling toolkit contains several practical features you can turn on from your account dashboard. These tools are advertised during registration and stay accessible throughout your time on the platform:

  1. Deposit limits that can be established on a daily, weekly, or monthly basis to control spending before it happens.
  2. Reality checks that break play at chosen intervals to show session duration and total spend.
  3. Cooling-off periods that temporarily suspend account access without permanent closure.
  4. Self-exclusion through the casino directly and via the GAMSTOP national scheme, which blocks access to all UK-licensed gambling sites for a chosen period.

These features reflect the UK regulatory emphasis on player protection as a non-negotiable baseline, not an optional extra. The combination of UKGC licensing and PayPal support forms a dual layer of accountability that smaller or offshore operators are unable to match, showing both convenience and credibility to UK players evaluating where to open an account.

Continuous Promotions and VIP Rewards That Maintain the Reels Rotating

After the welcome package concludes, Spinboss Casino transitions to a calendar of recurring promotions that compensate regular play without pushing you to redeposit constantly. Weekly reload bonuses are a standard, usually popping up on specific days like midweek or weekend slots, and they often reflect the structure of the welcome tiers with a match percentage up to a fixed cap. These reloads may come with free spin bundles on newly released slots or seasonal games tied to holidays and sporting events. The casino also hosts leaderboard tournaments where players compete based on spin volume or win multipliers, with prizes varying from bonus credit to physical rewards like tech gadgets or holiday vouchers. These tournaments add a competitive edge that straight slot play lacks, and they often have low entry thresholds, so casual players can join without committing large bankrolls. The best way to maximise these promotions is to opt into communications, because many reload offers and tournament invitations come via email or SMS rather than being listed upfront on the promotions page.

The loyalty framework at Spinboss Casino runs on a tiered points-based system that tracks real-money wagering across all game categories. As you gather points, you move through levels that reveal progressively better perks. The programme recognises consistency rather than high-stakes gambling, so it remains accessible to a broad range of UK players. Key benefits include:

  • Swifter withdrawal processing times, with higher tiers often seeing requests approved within hours rather than days.
  • Higher deposit limits that accommodate players who want to fund their accounts more substantially.
  • Tailored bonus offers geared to individual game preferences and playing patterns.
  • Exclusive account management at the upper tiers for priority support and customised rewards.
  • Recurring cashback on net losses, which often carries lower wagering requirements than standard deposit bonuses.

Cashback is notable because it frequently arrives with reduced playthrough conditions, or in some cases none at all if it’s goal.com structured as a rebate on net losses. Players who aim to make Spinboss Casino their primary platform should examine the loyalty terms early, since the benefits compound over time and can noticeably lower the effective cost of play.

Playing on Mobile Without Cutting Corners On Any Device

The mobile gaming experience at Spinboss Casino is delivered via a responsive web platform rather than a native app, which means you can reach the entire site through any modern mobile phone or tablet web browser without eating up device storage. The design adjusts seamlessly to varying screen sizes, rearranging navigation menus, game thumbnails, and account controls into touch-optimised layouts that function well on both iOS and Android devices. Game performance on mobile is generally excellent, because the bulk of modern slots and table games are developed in HTML5 and optimised for smaller screens from the beginning. Touch controls for turning reels, making bets, and modifying settings seem natural, and live dealer games play smoothly over both Wi-Fi and 4G/5G connections, provided the signal is stable. The mobile version maintains complete access to the cashier, promotions page, and help channels, so you don’t need to switch to a desktop to carry out important account tasks.

One useful benefit of the browser-based system is that software updates and new titles appear immediately on mobile without demanding an app store update. The drawback, which applies to all browser casinos, is that you require an working internet connection and can’t access games offline. Spinboss Casino handles the connectivity concern by improving game loading times and compressing assets where practicable, though players on metered data plans should watch live streaming data usage. The mobile platform also supports all the responsible gambling tools available on desktop, including deposit limits, session reminders, and self-exclusion options, which are reachable right from the account menu. For UK players who do most of their gaming during commutes or on the sofa, the mobile experience is not a cut-down extra, it’s a fully functional version of the desktop site, with only small layout changes to support touch navigation.

Frequently Asked Questions

What is the minimum deposit required to claim the welcome bonus at Spinboss Casino?

The lowest deposit to qualify for the welcome bonus generally stands at £10 or £20, however you should confirm the exact figure on the promotions page ahead of depositing. Deposits below this threshold will not unlock the bonus, and some payment methods like Paysafecard could be excluded from bonus eligibility altogether. Make sure to read the specific terms attached to the welcome offer, since minimum deposit amounts may differ among the first, second, and third deposit stages of a multi-stage package.

What is the withdrawal time to a UK bank account?

Withdrawal times are determined by the method you choose. E-wallet withdrawals, such as PayPal, are usually processed within 24 hours of the casino approving the request. Debit card withdrawals to Visa or Mastercard typically take one to three business days. Bank transfers could take three to five business days. All withdrawals are liable to a waiting period of 24 to 48 hours, when you are able to cancel the request. Finalizing account verification in advance helps speed this process up significantly.

Can free spin winnings be withdrawn immediately?

Free spin winnings are almost always credited as bonus funds, which means they’re subject to wagering requirements before they can be transformed to withdrawable cash. The wagering multiplier, commonly between 35x and 50x the winnings amount, must be met within a specified time window, often seven days. A maximum withdrawal cap may also apply to winnings derived from free spins, so check the bonus terms to know any ceiling on what you can cash out.

Is Spinboss Casino licensed for UK players?

Yes, Spinboss Casino operates under a licence issued by the UK Gambling Commission, the regulatory authority that governs all legal online gambling in Great Britain. This licence requires the operator to adhere to strict standards for game fairness, player fund protection, and responsible gambling practices. You can confirm the licence status by checking the UKGC public register using the licence number displayed in the casino’s website footer, giving you an independent confirmation of the operator’s regulatory standing.

Has the casino offer a no-deposit bonus for new players?

Free bonuses aren’t a typical feature at UK-licensed casinos, and Spinboss Casino generally won’t offer them as part of its regular promotional lineup. The welcome package is based around deposit matches and free spins that require a qualifying deposit. Rare no-deposit offers could be available as part of special campaigns or loyalty rewards, but you should not count on one as a assured sign-up incentive. Reviewing the promotions page frequently is the finest way to spot any special offers.

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U bent van plan als speler uit Nederland enkel geld en tijd investeren in een online casino dat daadwerkelijk betrouwbaar is. Om die reden draait het bij ons om drie fundamenten: een deugdelijke vergunning, Bethub Casino, verifieerbaar eerlijk spel en robuuste beveiliging. Op deze pagina leest u op welke manier wij dat voornemen concreet maken. De vergunningen we voeren, de manier waarop onze spellen op toeval worden geverifieerd en welke technologie jouw gegevens waarborgt. U komt erachter ook welke impact ons spelassortiment, onze bonussen en onze ondersteuning voor u inhouden.

De Vergunning van Bethub Casino en Wat Dit Voor U Betekent

Een online casino zonder een geldige vergunning is voor ons ondenkbaar. Wij opereren onder een internationale kansspelvergunning die voldoet aan de strenge eisen op het gebied van financieel toezicht, spelersbescherming en transparantie. Een onafhankelijke toezichthouder toetst continu of wij ons aan de regels houden. Voor u betekent dat zekerheid: u speelt in een omgeving waar uitbetalingen verzekerd zijn en waar uw rechten als speler wettelijk zijn vastgesteld.

De exacte licentie en het registratienummer ontdekt u altijd onderaan onze homepage. Daar staat ook welke autoriteit het toezicht uitoefent. Door die informatie openbaar te maken, tonen we dat we niets te verbergen hebben. Twijfelt u? Dan kunt u het nummer zelf controleren op de website van de betreffende kansspelautoriteit. Dat is een controle die wij ten zeerste aanmoedigen.

Een geldige vergunning houdt ons tot het aanhouden van gescheiden spelersfondsen. Uw tegoed staat op een aparte rekening, gescheiden van onze bedrijfsmiddelen. Mocht er ooit iets met ons bedrijf gebeuren, dan is uw saldo beschermd. Ook moeten wij voldoen aan anti-witwasprotocollen en identiteitscontroles. Die stappen vergen soms wat tijd, maar ze zijn essentieel om fraude en misbruik te voorkomen.

Voor Nederlandse spelers is het goed om te weten dat wij ons houden aan de relevante regelgeving die in Nederland geldt. De Kansspelautoriteit gebruikt een eigen vergunningenstelsel, maar wij accepteren alleen spelers uit markten waar wij legaal actief mogen zijn. Tijdens de registratie informeren wij u duidelijk over uw rechten en plichten. Zo weet u precies waar u aan toe bent alvorens u een eerste storting doet.

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Een vloeiend betalingsverkeer is de basis van elke casino-ervaring. Daarom bieden wij betaalmethoden die gangbaar en vertrouwd zijn in Nederland. U kunt bij ons betalen via iDEAL, creditcard, e-wallets zoals Skrill en Neteller, en bankoverschrijving. Ook prepaidkaarten en andere regionale opties kunnen beschikbaar zijn. Alle transacties vinden plaats in euro’s, zodat u geen last heeft van wisselkoersopslagen of onzichtbare valutakosten.

Stortingen worden gewoonlijk direct uitgevoerd. Zodra u de betaling afrondt, staat het saldo binnen enkele seconden op uw speelrekening. Voor opnames gebruiken wij een grondig verificatieproces dat is bepaald door onze toezichthouder. Bij een eerste uitbetaling kunnen wij verzoeken om een kopie van uw identiteitsbewijs en een adresbewijs. Zodra die documenten zijn gecontroleerd, afhandelen wij volgende opnames efficiënter.

De doorlooptijd van een uitbetaling varieert van de geselecteerde methode. E-wallets zoals Skrill en Neteller zijn meestal het snelst; na interne goedkeuring staat het bedrag vaak binnen 24 uur op uw rekening. Bij bankoverschrijvingen kan het twee tot vijf werkdagen duren voordat het geld zichtbaar is. Wij proberen ernaar alle opnameverzoeken binnen 48 uur intern te behandelen, maar drukte of aanvullende controles kunnen soms voor oponthoud zorgen.

Minimale en maximale limieten lopen uiteen per betaalmethode en worden helder weergegeven op de kassapagina. Voor spelers die graag met hogere bedragen spelen, verstrekken wij op aanvraag de mogelijkheid om limieten te aanpassen. Wij bevelen u echter altijd om binnen uw eigen grenzen te spelen. Mocht u vragen hebben over een transactie of de status van uw opname, dan kunt u die via de live chat direct aan ons voorleggen.

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The Trump-affiliated account attempted to use “I Bet You Think About Me” in latest antagonistic post

The White House is once again trying to provoke Taylor Swift.

On Wednesday, the official White House TikTok account posted a new video of Donald Trump glad-handing around with Swift’s 2021 vault “I Bet You Think About Me” as the soundtrack. “We know you think about us,” read the caption, referencing the track’s lyrics. Within a few hours, the song was quietly muted and removed from the video, although it remains available in other clips and as a sound on TikTok.

It’s the latest video antagonizing the pop superstar in what has become an ongoing saga. Days before, on Aug. 8, Swift removed her song “August” from a post by the Team Trump TikTok account, Trump’s official campaign page. “I’m sure Taylor Swift is going to be super excited we used her song,” that video’s caption read. After Swift removed “August,” she also muted other songs that were featured in past videos posted by the Team Trump account last fall.

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Since Trump took office during his second term, he and his administration have been using social media as part of their communication strategy. The propaganda-like, rage-bait-style clips often lean into internet culture and use popular music to make light of Trump’s most egregious actions, like his immigration policy and foreign policy. To date, the videos that used Swift’s songs have solely focused on painting the president, and his wife, in a positive light.

Notably, Swift has not issued a statement about the song removals following in the footsteps of Bad Bunny, who recently dealt with the same issue when the White House employed his track “La Mudanza” in a particualrly tone-deaf video. A few days later, the song was muted on that sole video without comment from Bad Bunny. Since then, Trump-affiliated social media accounts have not attempted to use the Puerto Rican superstar’s music in videos again.

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The Trump-affiliated account attempted to use "I

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British rock star Rod Stewart, 81, has cancelled forthcoming US tour dates after having a heart operation, his social media announced.

A message posted on his Instagram page said the raspy-voiced rocker, known for hits such as “Da Ya Think I’m Sexy?”, has “successfully undergone a routine coronary stent procedure”.

This procedure is to widen blocked or narrowed coronary arteries by interesting a tube that allows blood to flow more freely.

He had been due to play a series of US tour dates this month including in Las Vegas.

Now, “on the advice of his doctors, he will take the next four weeks to recuperate and regain full fitness before returning to the stage,” his management said.

“Unfortunately, this means he will be unable to continue his current tour dates”.

The spiky-haired singer and songwriter, who had a string of megahits in the 1970s and 1980s, has kept up a busy touring schedule despite his age.

He wrote in 2025: “I love what I do, and I do what I love. I’m fit, have a full head of hair and can run 100 metres (330 feet) in 18 seconds.”

Stewart has recently cancelled several US shows over ill health, however, most recently on Sunday in Cincinnati, described at the time as due to “an unforeseen but minor medical procedure”.

In June, he cancelled a concert in California at the last moment after contracting laryngitis, but faced criticism for attending a World Cup match the next day.

Later in June he was seen receiving oxygen during a show in Utah and told the audience he had nearly fainted.

AFP

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British rock star Rod Stewart, 81, has


A major moment in pop culture history is unfolding before our eyes, as Lucasfilm and Marvel are teaming up for Star Wars/Marvel: Hope Assembles.

The first-ever crossover between the worlds of Star Wars and Marvel Comics, the upcoming five-issue series will see Star Wars heroes and villains transported to Earth-616.

Photo: Marvel

“Marvel and Star Wars’ histories have been intertwined for 50 years and continue to set the standard for storytelling across the world… and across the media landscape,” says Marvel Comics Editor-in-Chief Stephen Wacker. “Lifelong lovers of both Star Wars and Marvel have a lot to look forward to as we finally bring the characters together in ways fans have been dreaming about for decades!”

‘Star Wars/Marvel: Hope Assembles’

The upcoming Star Wars/Marvel: Hope Assembles story comes from writer Kevin Smith and artist David Marquez.

Photo: Marvel

“Back in the early 80’s, I had a subscription to Marvel’s Star Wars comics,” Smith said.

Photo: Marvel

“And as fun as it was to follow the continuing adventures of Luke, Leia, and Han, I always wished that Spider-Man or Doctor Doom could cross over into their cinematic saga. So when the opportunity arose to actually tell that story, nobody had to Force my hand! I’m specifically ecstatic to be writing Hope Assembles for the 50th anniversary of Star Wars! Many thanks to Marvel Comics and Lucasfilm for trusting me to fly the Falcon and the Quinjet!”

From a Galaxy Far, Far, Away to Earth-616

The series will see the events of Star Wars unfolding on Earth after a spell shatters reality.

Photo: Marvel

The Avengers, Spider-Man, and more Marvel heroes will then team up with Luke Skywalker, Princess Leia, Han Solo, and Chewbacca, while Doctor Doom and Thanos will align themselves with Darth Vader and the Galactic Empire.

“My time at Marvel has been filled with many ‘dream come true’ moments, but this Hope Assembles crossover is truly one of our proudest,” adds outgoing Marvel Comics Editor-in-Chief C.B. Cebulski.

Photo: Marvel

“It’s an idea we’ve wanted to explore since getting the Star Wars license back over a decade ago, but we knew we’d have to wait with the patience of a Jedi to make it happen. The 50th anniversary of A New Hope has finally given us the once-in-a-lifetime opportunity to bring these two universes together, in this incredible story being told by Kevin Smith and David Marquez. Getting the call with the green light from Lucasfilm was a magical moment; it was as if Han Solo himself had called to tell me, ‘You’re all clear, kid!’”

Release Date

The first issue of Star Wars/Marvel: Hope Assembles will hit shelves in January 2027, just as Star Wars begins its year-long 50th anniversary celebration.

Photo: Marvel

“On April 12, 1977, Marvel Comics introduced readers to a galaxy far, far away with Star Wars #1,” said Michael Siglain, Creative Director, Lucasfilm Publishing.

“Now, 50 years later, it’s only fitting that the Star Wars galaxy collides with the Marvel universe to celebrate the 50th anniversary of A New Hope. With Hope Assembles, Kevin Smith has written a true love letter to Star Wars, to Marvel, and to comics in general. And combined with David Marquez’s incredible art, we’ll see the heroes and villains of Star Wars team up and battle with the heroes and villains of Earth-616. Hope Assembles is exciting, unpredictable, and heartfelt. In short, it’s comics at its best, and we can’t wait for readers to experience both franchises as never before.”

We will report back as soon as we have a release date.

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DC Studios Mister Miracle showrunner Tom King confirmed that a major DCU hero will appear in the upcoming Darkseid prequel. The new adult animated series expands the DCU by placing its first clear spotlight on a classic DC superhero as the sole lead: Scott Free, a New God and the world’s greatest escape artist known as Mister Miracle. As the second canon animated series from DC Studios, Mister Miracle follows Scott and his warrior wife Big Barda as their life on Earth fractures under the weight of the war between Apokolips and New Genesis, while also laying groundwork for the expanded cosmos of the DCU. As James Gunn’s DC reboot embraces an interconnected approach that freely crosses between live-action and animation, that strategy is already delivering its first major crossover casting. 

Mister Miracle showrunner Tom King spoke with Entertainment Weekly to confirm that Nathan Fillion will reprise his role as Guy Gardner in DC Studios’ Darkseid prequel, marking the first official casting announcement for the project and another example of the DCU’s approach of expanding its universe by including familiar characters to strengthen its interconnected world-building. 

King offered high praise to Fillion’s inclusion, noting that the actor brings Guy’s unique energy to Mister Miracle: 

“We brought Nathan into Mister Miracle’s show, and doing that, it’s just so wonderful. He brings that energy to every aspect of it. And you would think it would be different tonally from [‘Lanterns’], but it blends because that’s who Guy is. He’s that guy who is over the top. We all know that guy who’s a little bit like that.”

Following his debut as Guy Gardner in 2025’s Superman, Fillion next reprised his role in Peacemaker Season 2. The actor will soon return as his DCU character in Lanterns (which premieres on HBO Max on August 16), where the brash Green Lantern is expected to clash with Aaron Pierre’s John Stewart. Fillion is also confirmed to return to the big screen in James Gunn’s Man of Tomorrow, uniting with other Justice League heroes in the fight against Brainiac. 

DC Studios

The highly anticipated reveal of who is playing Darkseid in the series is still being kept under wraps, but Mister Miracle is already making headlines due to the inclusion of notable DC characters, including the likes of Big Barda, Scott Free, Highfather, Orion, and Lightray. 

Marketing has yet to kick into high gear for Mister Miracle, but footage from the series recently made waves online after it was exclusively released at the 2026 Annecy International Animation Film Festival in France. While not publicly released, descriptions such as a comic-accurate Darkseid sitting on his throne, the show’s colorful visuals, and its “somber story” are more than enough to drum up hype. Fillion’s return as Guy Gardner is a bonus that should keep the momentum strong. 

How Guy Gardner Fits in Mister Miracle’s Complex Story (Theory)

Nathan Fillion as Guy Gardner using his Green Lantern powers to flip a truck with a giant green hand in Superman
DC Studios

Guy Gardner’s inclusion in the Mister Miracle animated series makes strong narrative sense, both in comic-book history and in the tonal contrast that showrunner and co-creator Tom King already highlighted. 

In the source material that the series adapts, Guy Gardner does not appear in the specific comic run (King and Mitch Gerads’ 2017-2019 limited series), but he and Scott Free do share a deep history that the DCU can easily kickstart on-screen. 

Both Scott and Guy were members of the classic Justice League International, and the pair often clashed during their brief stint together. Guy’s over-the-top energy directly contrasted with Scott’s more elegant and world-weary persona, leading to chaos within the team’s inner circle. 

While it’s too early for the pair to become members of the Justice League in the DCU, Mister Miracle could plant seeds for their chaotic dynamic. It’s possible that Guy would serve as the link between Scott and Big Barda to the wider DCU, checking in on them or potentially recruiting them to the Justice Gang (but turning him down). 

As the war between Apokolips and New Genesis escalates, Guy Gardner could be drawn into the conflict. Given that Lanterns might be positioning John Stewart as the main Green Lantern in Man of Tomorrow, it gives Guy an excuse to participate in larger cosmic conflicts instead, leading to his eventual encounter with Scott Free and potentially even Darkseid. 

While Guy doesn’t need to drive Mister Miracle‘s plot, his value lies in the friction and familiarity he brings, serving as a reminder that this animated series remains fully embedded in DCU continuity. 

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PlayStation has announced this month’s PS Plus game catalog titles, which include Helldivers 2 and Kingdom Come: Deliverance 2 on PS5.

Joining them are Vampire Survivors (PS5, PS4), Hell is Us (PS5), Umamusume Pretty Derby: Party Dash (PS4), Two Point Museum (PS5), Metro Exodus (PS5, PS4) and Dying Light 2 (PS5, PS4).

According to Sony, Helldivers 2 will be available from later today, while Kingdom Come: Deliverance 2 and Vampire Survivors are coming on August 18. Everything else will be available on August 25.

Two retro games are also coming to the Classics Catalog on August 18 – PS2 game Onimusha: Dawn of Dreams, and PS1 game Disney’s Atlantis: The Lost Empire.

Every game in the catalog will be available for PS Plus Extra and Premium subscribers, while the two retro games are only available on the Premium tier.

Here’s August’s PlayStation Plus Game Catalog releases, according to Sony‘s announcement:

PlayStation Plus Extra and Premium – Game Catalog

Helldivers 2 | PS5

Freedom. Peace. Managed Democracy. Your Super Earth-born rights. The key pillars of our civilization are under attack from deadly alien creatures conspiring to destroy your planet and its values. Join forces with up to three friends and wreak havoc on an alien scourge threatening the safety of your home planet, Super Earth, in this multiplayer co-op shooter from Arrowhead Game Studios. Step into the boots of the Helldivers, an elite class of soldiers whose mission is to spread peace, liberty and Managed Democracy using the biggest, baddest and most explosive tools in the galaxy. They say everything is better with friends, especially when it comes to raining destruction down on the enemies of Liberty! Be warned though: for maximum challenge and collaboration, friendly fire is always on. Today’s launch into PlayStation Plus Game Catalog coincides with a huge new game update. Find out more here.

Helldivers 2 will be available later today worldwide.

Kingdom Come: Deliverance II | PS5

You are Henry of Skalitz, an ordinary man doing extraordinary things, caught in a gripping tale of revenge, betrayal and discovery. Henry will embark on an epic journey, from a humble blacksmith’s forge to the court of Kings, as he searches for purpose in this beautiful but brutal medieval world. From bustling city streets to lush forests, discover an open-world medieval Europe through this thrilling action RPG set amid the chaos of a civil war in 15th-century Bohemia.

Vampire Survivors | PS5, PS4

Hell is empty, the devils are here, and there’s no place to run or hide. All you can do is survive as long as you can until death inevitably puts an end to your struggles. Vampire Survivors is a gothic horror casual game with rogue-lite elements, where your choices can allow you to quickly snowball against the hundreds of monsters that get thrown at you. The supernatural indie phenomenon that lets you be the bullet hell!

Hell is Us | PS5

Intense melee combat meets the thrill of exploration in Hell is Us, a third-person action-adventure game with a semi-open world to explore. Drawn to an isolated country ravaged by infighting, in search of his missing parents, United Nations peacekeeper Rémi goes absent without leave to discover the secrets of his past and deal with the repercussions of a mysterious calamity. Find answers to your questions and face mysterious creatures along your journey. If war is the closest we get to hell on earth, it’s because Earth harbours the worst of demons: humankind.

Hell is Us will be available August 25 in the US, the UK and Japan.

Umamusume Pretty Derby – Party Dash | PS4

A colorful cast of pixel-art Umamusume are all in line and ready to compete in the Slapdash Grand Prix, a school festival featuring four zany events. Which team will run, shoot, and eat their way to gold and glory? Each team consists of 5 Umamusume, and a total of 4 teams have their eyes on the gold at the Slapdash Grand Prix. The Grand Prix is made up of 4 events: Hurtling Hurdles, Blazing Baskets, Dodgeball Demolition, and Gourmet Gauntlet. Select an Umamusume from your team for each event and aim for the gold, but be prepared for some wacky rules and hijinks!

Umamusume Pretty Derby – Party Dash will be available August 25 in the US, the UK and Japan.

Two Point Museum | PS5

Two Point County’s most daring adventurers have travelled to the far reaches of the known map and returned with unique artefacts to host in your museum, along with the coordinates of a new expedition location, home to an exclusive special exhibit and events! As Curator, the design and management of your expanding museum is in your hands! Send your team of partially trained Experts on Expeditions in search of rare and mostly well-preserved artefacts. When (and hopefully not if) your Experts return from their adventure, proudly display their fantastic finds in your museum.

Two Point Museum will be available August 25 in the US, the UK and Japan.

Metro Exodus | PS5, PS4

Metro Exodus is an epic, story-driven first person shooter from 4A Games that blends deadly combat and stealth with exploration and survival horror. Flee the shattered ruins and embark on an epic, continent-spanning post-apocalyptic journey in the greatest Metro adventure yet. Explore vast, non-linear levels and follow a thrilling story-line inspired by the novels of Dmitry Glukhovsky that spans an entire year through spring, summer and autumn to the depths of nuclear winter.

Metro Exodus will be available August 25 in the US, the UK and Japan.

Dying Light 2 | PS5, PS4

In Dying Light 2, survival meets action adventure as you attempt to endure a hostile, post-apocalyptic world. Rival factions across The City aren’t the only enemy – a virus has turned a vast majority of the human population into monsters. Take on the role of Aiden Caldwell, a wanderer with the power to change the fate of The City, but your exceptional abilities come at a price. Haunted by memories you cannot decipher, you set out to learn the truth – and find yourself in a combat zone. Hone your skills to defeat your enemies and make allies. Unravel the dark secrets behind those that wield power, choose sides and decide your destiny. But wherever your actions take you, there’s one thing you must do – stay human.

Dying Light 2 will be available August 25 in the US, the UK and Japan.

PlayStation Plus Premium

Onimusha: Dawn of Dreams | PS5, PS4

Step back into Feudal Japan and rise as Oni of the Ash — Soki, a strong young warrior, joins forces with his allies to take on powerful demons called Genma. With Oda Nobunaga’s demise, the Genma forces rampaging throughout Japan vanish. Toyotomi Hideyoshi takes control of the land, leading many to believe that peace has returned. On the fateful date of June 29, 1596, a strange planet with a mysterious glow appears in the sky, causing an unexpected change in Hideyoshi. Two years later, as chaos ensues, Hideyoshi embarks on a quest to gather cherry trees from the far reaches of Japan and transport them to the capital. Meanwhile, a young warrior in possession of dark power emerges. Onimusha: Dawn of Dreams originally released on PS2.

Disney’s Atlantis: The Lost Empire | PS5, PS4

Experience Disney’s Atlantis: The Lost Empire first released on the original PlayStation console, now enhanced with up-rendering, rewind, quick save, and custom video filters. Driven by the legend of Atlantis, join Milo Thatch as he leads a team of experts to unlock the secrets of The Lost Empire. Journey to uncharted depths, far below the ocean surface where hidden dangers swim, lurk and spy from every nook and cranny. What you encounter next will change things forever…