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Dual Duel Com – Practical Guidance for Online Casino and Betting

What Is Dual Duel Com?

When you type dual duel com into a search engine, the first thing you’ll see is a brand that mixes classic casino games with modern sports‑betting features. It’s not just another generic gambling portal; the platform tries to position itself as a “dual” experience – you can flip between slots, table games, and live dealer tables, then jump straight into a sportsbook without leaving the site.

The site’s design is built around quick navigation, which helps beginners who are still learning the ropes. You’ll notice a clear menu, large call‑to‑action buttons, and a live chat icon that stays visible on every page. That level of accessibility is a big part of why the name “dual duel” sticks in people’s minds – you’re constantly in a duel between two types of gambling, but the platform makes the switch feel seamless.

Getting Started – Registration and Verification

First‑time players need to create an account. The registration form on dual duel com asks for the usual email, password, and date of birth. After you submit, you’ll receive a verification email that contains a link you must click within 24 hours; otherwise the account is flagged as inactive.

Once the email is confirmed, the platform will request a few identity documents to comply with KYC (Know Your Customer) regulations. A scanned passport or driver’s licence, plus a utility bill for address proof, usually does the trick. The verification usually finishes within a few hours, but during peak times it can stretch to a day. Until it’s cleared, withdrawal limits stay low, which is a safety measure to protect both you and the casino.

Bonus Landscape – Welcome Packages and Wagering Requirements

Bonuses are the main lure for most players, and dual duel com offers a tiered welcome package that can be broken down in the table below. Each tier comes with a different maximum bonus amount and a specific wagering requirement that you’ll need to meet before you can cash out.

Tier Deposit Match Max Bonus Wagering Requirement Min Deposit
Level 1 100 % $200 30× bonus $20
Level 2 75 % $150 35× bonus $10
Level 3 50 % $100 40× bonus $5

When you claim a bonus, the wagering amount is calculated on the bonus value only, not on the combined deposit + bonus total. That makes the math a bit easier for beginners who worry about “hidden” requirements. Remember to check the expiration date – most bonuses must be wagered within 30 days, otherwise they vanish.

Payment Methods, Deposits and Withdrawal Speed

Depositing funds on dual duel com is straightforward. The site accepts the most common payment options, and most of them are processed instantly, allowing you to start playing within seconds of confirming the transaction.

  • Visa / MasterCard – instant credit‑card processing
  • Bank Transfer – 1‑2 business days
  • e‑Wallets (Skrill, Neteller) – instant
  • Prepaid cards (Paysafecard) – instant

Withdrawals are a bit more cautious. The platform usually requires you to use the same method you deposited with, which helps prevent fraud. E‑wallet withdrawals are the fastest, often arriving within a few hours, while bank transfers can take up to three business days. The minimum withdrawal amount is $20, and there’s a small $5 fee for bank‑transfer payouts.

Mobile Experience – App and Browser Play

If you prefer gaming on the go, dual duel com offers both a downloadable app for iOS and Android and a fully responsive web version. The app packs the same game library, live dealer streams, and sportsbook interface as the desktop site, but it’s optimized for touch navigation and low‑latency streaming.

Even if you don’t want to install anything, the browser version automatically adjusts to your screen size. You’ll still get access to the same deposit methods, bonus offers, and live chat support. For many users, the mobile app’s push notifications are handy for alerts about new promotions or upcoming sports events.

Live Casino and Sports Betting Options

The “dual” part of the brand truly shines when you explore its live casino and sports betting sections. The live casino streams real dealers from studios in Malta and the Philippines, offering classic tables like Blackjack, Roulette, and Baccarat. The video quality can be set to 720p or 1080p, depending on your bandwidth.

On the sportsbook side, you’ll find a typical range of markets – football, basketball, tennis, and e‑sports. The odds are competitive, and the platform supports in‑play betting with near‑real‑time updates. If you’re a beginner, the “quick bet” feature lets you place a wager with just a few taps, which is useful when the action is moving fast.

Security, Licensing and Responsible Gambling

Security is a major concern for any online gambler, and dual duel com takes it seriously. The site runs on SSL encryption (256‑bit) to protect your data during transmission. It also employs two‑factor authentication (2FA) for account logins if you enable it in the settings.

The platform holds a license from the Malta Gaming Authority (MGA), a respected regulator in the industry. This means the casino must adhere to strict fairness testing, regular audits, and responsible‑gambling policies. You’ll find tools to set deposit limits, self‑exclude, or even close your account permanently if you feel you need a break.

Customer Support – When You Need Help

Good support can make or break the user experience. dual duel com offers 24/7 live chat, email support, and a comprehensive FAQ section. The live chat usually answers within a minute, and the agents are trained to handle everything from bonus queries to payment disputes.

If you prefer written communication, the support email response time is typically under 12 hours. The FAQ covers the most common topics – how to claim a bonus, how to verify your identity, and how to set betting limits – so you can often find an answer without contacting a real person.

Quick Decision Guide – Should You Choose Dual Duel Com?

Summing up, the platform offers a solid mix of casino games, live dealer action, and a sports‑betting engine, all wrapped in a user‑friendly interface. The welcome bonus is generous, the payment options are varied, and the mobile experience is smooth. Security measures and licensing from MGA add a layer of trust that many newer sites lack.

If those points line up with what you’re looking for, give it a try. For a quick sign‑up, just follow the link below and start the registration process – it’s the same route you’d take for many other online gambling sites, but the “dual duel” twist might keep you entertained longer.

crash duel india

Dual Duel Com

Guide complet de l’application Premier Bet Côte d’Ivoire

Qu’est‑ce que Premier Bet et pourquoi c’est populaire en Côte d’Ivoire

Premier Bet est une plateforme de jeux en ligne qui combine casino, paris sportifs et jeux en direct. Elle a gagné une place importante sur le marché ivoirien grâce à une offre adaptée aux joueurs francophones et à des promotions souvent plus généreuses que chez la concurrence. L’application mobile, disponible sur Android et iOS, permet de parier depuis n’importe où, même avec une connexion 3G. En Côte d’Ivoire, la pratique du sport‑betting est très répandue, et Premier Bet s’appuie sur cette culture pour proposer des cotes attractives et des paris en temps réel.

Le nom « Premier » n’est pas anodin : il veut signifier que l’on offre le « premier » choix en termes de bonus, de vitesse de paiement et de sécurité. Les opérateurs locaux apprécient aussi le fait que le site possède une licence reconnue, ce qui rassure sur la légalité du jeu. Enfin, l’interface de l’application est traduite en français, ce qui élimine les barrières de langue pour les utilisateurs ivoiriens.

Comment télécharger et installer l’application Premier Bet sur votre mobile

Le téléchargement se fait en deux étapes simples. D’abord, rendez‑vous sur le site officiel depuis le navigateur de votre smartphone et cliquez sur le bouton « Télécharger l’app ». Un fichier .apk sera proposé aux utilisateurs Android, tandis que les iPhone devront passer par l’App Store après avoir recherché « Premier Bet ». L’installation ne nécessite aucune permission spéciale ; le système vous demandera simplement d’autoriser les sources inconnues pour Android.

Prérequis système

  • Android : version 5.0 ou supérieure, espace libre d’environ 50 Mo.
  • iOS : iOS 12 ou plus récent, espace libre de 100 Mo.
  • Connexion internet stable (Wi‑Fi ou 4G) pour la mise à jour initiale.

Une fois l’application installée, lancez‑la et créez votre compte en suivant les instructions. Vous serez invité à accepter les conditions générales, à choisir un nom d’utilisateur et à définir un mot de passe sécurisé.

Inscription et vérification d’identité : étapes détaillées

L’inscription se fait en moins de cinq minutes. Après avoir rempli vos informations personnelles (nom, prénom, adresse e‑mail, numéro de téléphone), vous devez choisir un nom d’utilisateur unique. Il est recommandé d’utiliser un mot de passe composé d’au moins huit caractères, incluant chiffres et lettres, pour éviter les tentatives de piratage.

La vérification d’identité, ou KYC (Know Your Customer), est obligatoire avant de pouvoir effectuer un retrait. Vous devrez télécharger une copie de votre carte d’identité nationale ou de votre passeport, ainsi qu’une facture de service public récente pour confirmer votre adresse. Le processus de validation prend généralement entre 15 minutes et 24 heures, selon le volume de demandes.

Les bonus de bienvenue et les promotions à ne pas manquer

Premier Bet propose un ensemble de bonus conçus pour attirer les nouveaux joueurs et les inciter à explorer à la fois le casino et le sportsbook. Le « Welcome Bonus » du casino offre jusqu’à 150 % de bonus sur le premier dépôt, tandis que les parieurs sportifs peuvent profiter d’un pari gratuit de 10 € après leur premier pari réel.

Promotion Bonus offert Exigence de mise (wagering) Dépôt minimum Validité
Welcome Casino 150 % jusqu’à 200 € 30× le bonus 10 € 30 jours
Pari gratuit Sport 10 € 10× le pari gratuit 20 € 7 jours
Reload Bonus 20 % jusqu’à 50 € 20× le bonus 15 € 14 jours

Il est crucial de lire les petites lignes : certaines promotions excluent les jeux à faible retour au joueur (RTP), et les exigences de mise peuvent varier selon le type de jeu. Gardez également un œil sur les offres « Cashback », où vous récupérez un pourcentage de vos pertes nettes chaque semaine.

Méthodes de paiement et vitesse de retrait

Premier Bet accepte une gamme variée de méthodes de paiement, allant des cartes bancaires classiques aux porte‑monnaie électroniques populaires en Côte d’Ivoire. Les dépôts sont généralement instantanés, tandis que les retraits peuvent prendre plus de temps en fonction du mode choisi.

Options de dépôt courantes

  • Visa / Mastercard
  • Ecobank Mobile Money
  • Orange Money
  • PayPal (disponible pour les utilisateurs européens)
  • Virement bancaire local

Délais de retrait

Méthode Délais moyens Frais éventuels
Carte bancaire 1–3 jours ouvrés Aucun
Mobile Money Instantané à 24 h Frais de 1 %
Virement bancaire 3–5 jours ouvrés 2 €

Pour les joueurs qui souhaitent une liquidité rapide, le Mobile Money reste la meilleure option, car il combine rapidité et coût minime. N’oubliez pas de vérifier que le nom du compte bancaire ou du portefeuille électronique correspond exactement à celui enregistré lors de la vérification KYC, sous peine de refus de retrait.

Sécurité, licences et jeu responsable

Premier Bet fonctionne sous licence de la Malta Gaming Authority (MGA) et est également enregistré auprès de la Commission Nationale des Jeux (CNJ) en Côte d’Ivoire. Cette double agrégation garantit que les jeux sont régulièrement audités pour assurer l’équité et la transparence.

En matière de sécurité, le site utilise le chiffrement SSL 256 bits pour protéger toutes les communications. Les mots de passe sont stockés sous forme de hashage salé, rendant toute tentative de piratage très difficile. De plus, l’application propose une fonction d’authentification à deux facteurs (2FA) pour les utilisateurs qui souhaitent renforcer la protection de leur compte.

Initiatives de jeu responsable

  • Limite de dépôt quotidien, hebdomadaire ou mensuel configurable par le joueur.
  • Option d’auto‑exclusion pendant 24 h, 7 jours ou 30 jours.
  • Accès à une ligne d’assistance spécialisée en addiction au jeu.

L’interface de l’application sépare clairement la section « Sportsbook » du « Casino Live ». Dans le sportsbook, les cotes sont actualisées en temps réel, surtout pour le football africain, les compétitions européennes et les sports de combat. Les paris en direct permettent de placer des mises pendant le déroulement d’un match, avec des options comme le prochain buteur ou le résultat du prochain set.

Le casino live, quant à lui, propose des tables de blackjack, roulette et baccarat avec des croupiers réels, diffusées en haute définition. Les joueurs peuvent interagir via le chat, recevoir des conseils et même demander une partie privée pour un groupe d’amis. L’expérience est optimisée pour les réseaux mobiles, avec un débit adaptatif qui réduit la latence même sur une connexion 3G.

Support client : comment obtenir de l’aide rapidement

Le service client est joignable 24 h/24 et 7 j/7 via plusieurs canaux. Le chat en direct, intégré directement dans l’application, est souvent le moyen le plus rapide pour résoudre une question de dépôt ou de bonus. Pour les requêtes plus complexes, un formulaire de contact par e‑mail est disponible, avec un délai de réponse généralement inférieur à 12 heures.

Un numéro de téléphone local est aussi fourni aux joueurs ivoiriens, ce qui permet d’obtenir une assistance en français sans passer par un centre d’appel international. Le support propose également une FAQ exhaustive qui couvre les thèmes courants comme la vérification d’identité ou les problèmes de connexion.

FAQ rapides sur Premier Bet Côte d’Ivoire

Quel est le dépôt minimum pour profiter du bonus de bienvenue ?

Le dépôt minimum est de 10 €, ce qui déclenche le Welcome Bonus de 150 % jusqu’à 200 €.

Le site accepte‑t‑il les joueurs en dehors de la Côte d’Ivoire ?

Oui, mais les bonus et les méthodes de paiement varient selon la localisation. Les joueurs ivoiriens bénéficient d’options Mobile Money spécifiques.

Comment puis‑je limiter mes mises pour jouer de façon responsable ?

L’application propose des réglages de limites de dépôt et d’auto‑exclusion directement dans les paramètres du compte. Il suffit d’activer la fonction « jeu responsable » pour définir vos propres plafonds.

Pour plus d’informations sur les meilleures stratégies d’utilisation de l’application, consultez le guide complet disponible sur le site principal aviator premier bet mali.

Guide complet de

New Avengers: Doomsday merch offered the best look yet at Doomstadt Tower, a major location for Robert Downey Jr.’s Doctor Doom. Marvel Studios is finally treating audiences to a true depiction of Victor von Doom, complete with his Latverian heritage and regality on Earth-828. If the MCU’s Doctor Doom is anything like the comics, Victor was born to a Romani family in Latveria, lost his parents at a young age, traveled the world to master sorcery and science, and later returned home to seize power and install himself as absolute monarch.

Marvel Studios unveiled a slew of new Avengers: Doomsday promo art that features new looks at Robert Downey Jr.’s Doctor Doom and the first sneak peek at Doomstadt Tower, the Phase 6 supervillain’s Latverian headquarters. The skyscraper has a tall, imposing structure with a colorful, circular mosaic window.

Marvel Studios

Funko also unveiled the first look at “Lord Doom” wearing the villain’s third costume in Bitty Pop! scale with a replica of Doomstadt Tower, confirming the official name for Victor von Doom’s Latverian residence. These figures come from Funko’s Concept Series, meaning that they are inspired by early concept art and may not appear in the final movie, although it seems Doomstadt Tower will. 

Avengers Doomsday, Doomstadt Tower and Lord Doom Funko.
Funko

Doctor Doom stands imposingly in front of Doomstadt Tower in other promo art that incorporates members of the Avengers, X-Men, and Fantastic Four. That will only bolster theories that Doomsday‘s final battle will take place in Latveria, with Doom making his final stand and likely claiming victory atop his tower. 

Doctor Doom, Avengers Doomsday superheroes, Doomstadt Tower.
Marvel Studios

Comic readers will be well aware that Doomstadt is the capital city of Latveria, the Eastern European country where Doom was born and now rules. In Marvel Comics, Doom renamed the country’s capital city of Hassenstadt to Doomstadt to honor his late mother, and he seized power and became an absolute monarch.

Avengers Doomsday, Doomstadt Tower, Doctor Doom, and superheroes art.
Marvel Studios

The green and yellow-lit mosaic across the front of the building indicates that Doomstadt Tower is the site of Doctor Doom’s throne room. One has to imagine that Doom does much of his scheming and thinking from his top-floor throne, so there’s no telling what else is going on in Doomstadt Tower.

Avengers Doomsday, Doctor Doom sitting on throne.
Marvel Studios

Doomsday‘s marketing already revealed several looks at Doomstadt Tower’s sprawling, regal interior and the green and yellow light that shines through the mosaic window. The throne room is also home to a stunning mural that depicts Doom’s late family ascending to the heavens, with their deaths placed to be a major instigator in the villain’s feud with Chris Evans’ Steve Rogers.

Avengers Doomsday, Doctor Doom family mural.
Marvel Studios

Classically, Doctor Doom resides in Castle Doom, a medieval-style castle just outside the Latverian capital. It’s unclear whether Doomstadt Tower is an attempt to modernize the Eastern European monarch’s home for the MCU, or if this is only Doom’s city residence while his castle home exists elsewhere.

Avengers Doomsday, Doomstadt Tower vs Castle Doom.
Marvel Studios

Many will be relieved to see that the connections between the MCU’s Doctor Doom and Iron Man won’t extend to Doomstadt Tower, as it has virtually nothing in common with Stark Tower or Avengers Tower beyond being a tall skyscraper.

Avengers Doomsday, Doomstadt Tower vs Stark Tower.
Marvel Studios

In a way, Doomstadt Tower has more in common with the Baxter Building from The Fantastic Four: First Steps, both of which are located on Earth-828. As Doctor Doom and Reed Richards are reportedly “friendly” in this universe, the Baxter Building may even have inspired Doomstadt Tower, or vice versa.

Avengers Doomsday, Doomstadt Tower vs Baxter Building.
Marvel Studios

How Doomstadt Tower Could Fit Into Avengers: Doomsday

Avengers: Doomsday will depict the collapse of the Multiverse due to Incursions, with the story expected to span Earth-616, Earth-10005, and Earth-828. It seems likely that the final Earth’s standing will be the MCU and The Fantastic Four universes, perfectly setting up Doom to make his final stand at Doomstadt Tower.

Unlike Thanos, Victor von Doom won’t have legions of Chitauri and Outriders to keep his superhero adversaries busy; he will likely utilize Doom Bots instead, alongside his Latverian Witches and, of course, his own magical might. Still, the resulting clash is bound to be magnificent, especially if part of the final fight ultimately takes place in that gorgeous light of Doom’s throne room.

Fans have been hankering to see Latveria within the MCU for many years now, so they can only hope that Doomsday explores the nation in enough detail. As Doctor Doom is expected to be the main character of Avengers 5, and audiences are just meeting him for the first time, there is a strong chance the movie will include flashbacks to his earlier life in Latveria, including how he became its leader. 

Many have speculated that Avengers: Secret Wars will soft-reboot the MCU into a cohesive universe, merging Earth-616 and Earth-828 into a single world. It will be interesting to see whether that finally turns Doom and Latveria into a recurring player in the resulting world, or if he and his nation are a one-and-done.

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Ben Affleck has worn many hats over the course of his nearly thirty-year career. The multi-hyphenate entertainer serves as the director, producer, co-writer, and lead actor of the upcoming Netflix film Animals. But while Affleck has plenty of experience shaping films behind and in front of the camera, completing the political crime thriller’s script was more of a communal effort than some might expect, with crucial parts of the movie coming together only after the final cast was assembled.

After a couple of production setbacks and recasting its main roles (Matt Damon and Jennifer Garner were once set to lead the film), Animals entered production with Kerry Washington, Gillian Anderson, Steven Yeun, Adriana Paz, and Luis Gerardo Méndez starring alongside Affleck. Washington portrays Abigail, the wife of Los Angeles mayoral candidate Mark Kimball, played by Affleck. Their strained marriage forms much of the film’s emotional core after their son is kidnapped, putting them in a ransom situation where long-held secrets that could destroy their lives are forced out into the open.

In an exclusive interview with MovieWeb, Washington explained that the scenes and relationships in the film were shaped significantly after the Scandal actress joined the cast, noting that every actor made contributions to the script.

“Honestly, everybody was so collaborative. Like Ben, really, we had a rehearsal process where we all worked together on the script, and there’s not a single actor in it who hasn’t contributed.”

Ben Affleck and Kerry Washington in Animals
Ben Affleck and Kerry Washington in Animals
Netflix

The two-time Tony Award nominee went on to reveal that two of her co-stars essentially wrote their own scenes after being given the necessary story beats, comparing the experience to working on a theater production.

“I mean, Luis and Adriana, they wrote their scenes completely. You know, you guided them on what’s going to happen here, but they wrote those scenes. The scene with Steven and I, the three of us workshopped that scene together. There was a lot of magic that was discovered in the rehearsal process, which is so … old-school theater process. It’s so fun and so wonderful.”

Affleck agreed, stressing that every aspect of Mark and Abigail’s marriage was influenced by what Washington brought to the character, referring to his lead actress as a “co-director.”

“But there was nothing that wasn’t about that marriage in relation – not a line, not a moment, not an idea – that wasn’t related to what Kerry brought to it, and me going, ‘How does that work?’ You know what I mean? And just finding more stuff, and like, I really had, like, co-writers and really … with Kerry, a co-director on this … That’s the truth.”

Kerry Washington in Animals Netflix

Washington reframes Affleck’s take as “us working together,” but also explained that his open collaboration process allowed the actors to mine Animals’ themes of marriage, honesty, vulnerability, and authenticity between two characters who have avoided being honest with each other.

“It’s only when they feel like they’re losing everything – their house, their kid, their everything – that they begin to think it might be okay to be fully honest with this person, you know?”

Adriana Paz agreed that Affleck’s approach was beneficial to the acting process, noting that the Argo actor gave the cast control over their characters’ lines.

“Before getting there … we were reading the script, and we were like, ‘This does not feel natural,’ or ‘This is not something that we [would] say.’ Ben Affleck told us from the beginning, ‘You are able to change everything you want.'”

She went on to explain that the actors getting the opportunity to rehearse inside the house they later filmed in helped them build the relationships between the characters, calling the rehearsal process “so enjoyable” and telling MovieWeb that she “didn’t want the movie to end.”

The screenplay, officially co-written by Affleck, Connor McIntyre, and Billy Ray, seems like a prime example of a director trusting his actors’ input and experiences rather than dictating to them. The trust Affleck placed in his cast, along with the extensive script rewrites, could elevate Animals above the standard kidnapping thriller.


animals-poster.jpg


Release Date

October 9, 2026

Runtime

106 minutes


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Ben Affleck has worn many hats over

Hideo Kojima has no shortage of ideas left. The problem, as he puts it, is increasingly whether he has enough time to make all of them.

Speaking on the Koji10 Podcast, Kojima reflected on reaching his 40th year in the games industry and how that has changed the way he approaches projects like Physint, his upcoming espionage game.

“I don’t know how much time I have left,” Kojima said. “I’m much older than you all. So I make each one as though it could be my last.”

It is not the first time Kojima has spoken this way recently.

When he turned 63 in August, he wrote that the number of things he “has to do” and “wants to do” continues to grow, while the amount of time available to actually do them keeps shrinking. He said that reality has forced him to repeatedly reassess how he spends his time, despite his desire to keep making more games.

Physint carries a lot of sentimental value for Hideo Kojima. Kojima entered the industry in 1986, making 2026 his 40th year as a game creator, while Kojima Productions is also celebrating its 10th anniversary. He has described Physint as something of a culmination of that career.

When Sony pulled out of Physint, he still wanted to preserve the project, partly because of how much personal importance he had attached to it and partly because of the roughly 200 employees at Kojima Productions depending on that work.

Physint has since found a new publishing partner in Xbox and remains in development. Bill Skarsgård has been confirmed as its lead, although Kojima says performance filming has not yet begun and the game is still relatively early in production.

With Physint he promises that it will be something brand new and “I want plenty of new ideas and a different kind of spy action,” the director said. “It’s quite different.”

Despite all of this, Kojima is not slowing down. He is still juggling Physint, OD, and Death Stranding projects while continuing to talk about ideas beyond them.

Despite his games sometimes drawing people’s ire and criticisms for their out-of-the-box, being geared towards a specific type of audience or just because of his fanbase, the gaming world will lose a legend the day Kojima-san retires.

Physint is still only in early-production with the motion captures not even started yet, and OD, which must release first, still doesn’t have a release date. Regardless of when Hideo Kojima retires, we will still get to experience at least 2 more of his passion projects.

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redeem Cocobet Casino new player bonus promotion

Any dedicated gambler ultimately encounters the same question: ought I to enter the VIP programme at Cocobet Casino, and if I do, what are the ways to sidestep the common traps? VIP tiers offer faster withdrawals, personal account managers and exclusive bonuses, but they also carry wagering conditions, activity targets and tier-reset rules that may eliminate your status should you fail to pay attention cocobetscasino.com. The best approach to determine is to examine the mechanics in detail, measure them with what you actually play, and track your own spend against the published requirements. This article walks through the concrete steps you need to take before you accept any invitation, and the red lines you should never overstep once you are inside the programme.

Steer clear of Chasing Status at the Expense of Bankroll

The biggest VIP mistake is raising bet size solely to hit the next turnover target. If your normal stake on a given slot is £2 and you suddenly move to £8 to accelerate progress, your variance rises dramatically. A single bad session can erase a month of careful cashback accumulation. Instead, work out the exact additional turnover you need, divide it by the number of days remaining in the review window, and spread the increase evenly. A modest daily uplift is far less likely to produce a damaging downswing.

regulated birthday bonus promotion

Establish a Monthly Loss Limit Inside the VIP Programme

Even with cashback and reload bonuses, the house edge remains. Choose in advance what percentage of your monthly disposable income you are willing to risk, then programme that figure as a hard stop in your Cocobet account settings. Once the limit is reached, the system blocks further deposits until the next calendar month. The block cannot be overridden by customer support, which removes the temptation to chase losses in the final days of a quarter.

Watch the Tier-Reset Clock

VIP status at Cocobet is evaluated every calendar quarter. If your turnover in the review period goes beneath the minimum for your current tier, you move down one level. The drop is final until you re-qualify. The only way to avoid surprises is to set a quarterly reminder on your phone for the last day of March, June, September and December. On that day, check the VIP dashboard; it reveals both your current turnover and the exact figure required to hold the tier. If you are within 10 % of the target, consider a single larger deposit and play-through session before midnight.

Plan Holidays Around Review Dates

Many players reserve two-week holidays without noticing they coincide with a quarter-end. Two weeks of zero activity can be adequate to prompt a tier drop if you were hovering near the threshold. Either schedule holidays immediately after a successful review or coordinate for a trusted friend to place a small, low-risk bet on your account once a week while you are away. The latter option requires written permission from Cocobet’s compliance team and a completed power-of-attorney form; start the paperwork at least ten days before departure.

Ultimate Checklist Before You Take VIP Status

  • Verify your current 30-day turnover figure with live chat.
  • Save and scan the full VIP terms PDF for excluded games and maximum stakes.
  • Schedule calendar reminders for each quarter-end review date.
  • Select one instant payment method for all VIP-related deposits.
  • Resolve in advance whether you will switch to slots to clear wagering requirements.
  • Set up a monthly loss limit inside your account settings.
  • Try a small withdrawal on mobile before travelling.

Oversee Wagering Requirements on VIP Bonuses

Every VIP bonus has its own play-through target. The current schedule at Cocobet is 20× for match bonuses and 3× for cashback. The important detail is that only bets placed on slots contribute fully; table games contribute 10 % and video poker 5 %. If you prefer blackjack, a £1,000 bonus effectively becomes a £100 bonus in turnover terms. Determine in advance whether you are willing to switch to slots for the duration of the wagering period or whether you would rather decline the bonus and keep your preferred game mix intact.

Top Bet Rules During Bonus Play

While any bonus is active, the maximum stake per spin or hand is £5. Surpassing this limit, even once, voids the entire bonus and any winnings derived from it. The rule is enforced automatically by the game server, so manual correction is impossible. If you normally play £10 spins on high-volatility titles, either finish the bonus on a lower-denomination slot or decline the offer. The same £5 cap applies to live-dealer games, which is why many VIP players complete their wagering on the slot floor before returning to the tables.

Review the Mobile Functionality for VIP Perks

All VIP options at Cocobet are present inside the mobile browser and the native iOS and Android apps. The only restriction is that live chat with your account manager is text-only on mobile; voice calls are desktop-only. If you travel frequently, test the withdrawal process on your phone before you leave home. Some UK banking apps require a second confirmation step that can break if you are on hotel Wi-Fi. A effective test withdrawal of £10 now avoids a larger delay later.

Compare Cocobet’s VIP Structure Alongside A Couple of Different UK-Licensed Sites

Before you commit long-term effort, place Cocobet’s terms alongside those of a pair of other UKGC-licensed operators you currently use. Look at 3 numbers: the cashback percentage at the maximum tier, the top stake permitted during bonus play, and the amount of days you have to clear wagering. If Cocobet’s highest stake is lower than the alternative site, you might opt to hold your high-stake play elsewhere and employ Cocobet solely for volume-building on low-stake slots. The comparison needs fifteen minutes and may spare hundreds of pounds in mismatched expectations.

Keep Records for Taxation and Self-Exclusion

UK players are not charged tax on gambling winnings, yet HMRC may still require records if you declare gambling as a business activity. Extract a full transaction history every quarter and save the CSV files in a dated folder. The same records are helpful if you ever choose to self-exclude. When you enable self-exclusion through GamStop, Cocobet is notified automatically, but your VIP status and any pending bonuses are locked rather than cancelled. Understanding the exact balance at the moment of exclusion makes re-entry easier if you later opt to return.

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Know the Entry Requirements Before You Confirm

Cocobet Casino does not disclose a set spend limit for VIP entry. Instead, the platform tracks your overall real-money wager across all game types during a moving 30-day span. When your action passes an internal threshold, the VIP team issues an offer. The first rule is thus to check the current criteria rather than speculate. Log into your profile, open the promotions section and locate the VIP area; if nothing displays, open live chat and ask the staff for the latest turnover level. Note the figure they share you, then monitor your own gaming on the account-history page for the following month. If you are still below the band after four weeks, you understand you must either to boost volume or accept that VIP is not just within reach.

Choose the Correct Payment Option for Tier Progress

Not all deposit method adds equally to VIP turnover. Debit card deposits and e-wallets such as Skrill and Neteller are counted at 100 % of face value. Cryptocurrency deposits are also included entirely, but the GBP value is taken at the moment the blockchain transaction is settled, not at the moment you press “deposit”. If Bitcoin drops 4 % between your click and network confirmation, your recorded turnover drops by the same percentage. Bank transfers are permitted yet commonly take two to three working days to show up, which can move you past the end of the 30-day review window. If you are approaching a tier boundary, opt for an instant method.

Payout Speed and How It Affects Cash Flow

Once you hit Gold tier, Cocobet guarantees 24-hour processing for all verified accounts. In practice the average time from request to arrival in a UK bank account is closer to 18 hours on weekdays and 36 hours at weekends. Faster processing is important because you can reinvest the same bankroll more often, increasing the absolute reddit.com amount of cashback you earn. Maintain a separate current account that you employ only for casino activity; this makes it easier to reconcile statements and diminishes the chance that a large incoming transfer is marked by your bank as unusual.

Utilize Your Account Manager Effectively

Premium members are assigned a dedicated account manager. The manager can approve one-off deposit matches, remove certain wagering requirements and expedite withdrawal requests. The key is to reach out to them with a specific request rather than a vague complaint. Instead of “my withdrawal is slow”, write “I have a verified Gold account, withdrawal request #38492 for £1,250 was submitted 19 hours ago; can you escalate to the finance team?” The more precise the ticket, the faster the response. Keep a short log of every conversation, including the agent’s name and the ticket number; this log becomes useful if a later dispute arises.

Ask for Personalised Reload Offers

Account managers can sometimes create reload bonuses that are not advertised on the public promotions page. The usual pattern is a 50 % match up to £200 with 15× wagering, available once per calendar month. These offers do not appear automatically; you must ask. Send a short message on the first Monday of each month and ask whether any personalised reload is available. If the answer is no, ask again on the 15th; inventory changes throughout the month.

Examine the Full Terms, Not Only the Welcome Email

The welcome email you get after acceptance will highlight headline perks such as cashback percentages and birthday gifts. Those numbers are correct, but they exist inside a longer document that covers expiry dates, maximum bet sizes during bonus play and the method used to calculate turnover. Retrieve the PDF attached to the email and search for the phrases “maximum stake”, “excluded games” and “tier review date”. At Cocobet the excluded-games list includes several high-volatility slots and every live-dealer game except blackjack and baccarat. If you mainly play roulette or crash titles, your turnover may not count toward the next tier even though you are depositing regularly. Knowing this before you start prevents the disappointment of stalled progress.

Check the Cashback Calculation Method

Cashback at Cocobet is paid on net losses, not on deposits. The percentage rises with tier: 5 % at Bronze, 10 % at Silver, 15 % at Gold. However, the cashback itself arrives as a bonus with a 3× wagering requirement. If you receive £200 cashback, you must place £600 in qualifying bets before withdrawal. The clock starts at midnight on the day the cashback is credited and runs for 14 days. If you miss the window, the bonus and any winnings linked to it are removed. Set a phone reminder for day 12 so you have a two-day buffer.

Track Your Own Net-Loss Figure Weekly

Every Sunday evening, download the previous seven days of transaction history from your Cocobet account. Subtract total withdrawals from total deposits, then multiply the result by the cashback rate that matches your current tier. The number you obtain is the cashback you can expect the following Monday. Contrasting this figure against the bonus amount that actually lands tells you whether the internal calculation matches your records. Any discrepancy should be raised with your account manager the same day; the longer you wait, the harder it becomes to reconstruct the numbers.

Typical Questions Concerning Cocobet’s VIP Programme

How much time is needed to get an invitation?

The system assesses turnover every Sunday night. If you pass the internal threshold, the invitation email is sent the following Monday before 10 a.m. UK time. If you have not gotten anything after four consecutive weeks of activity above the figure your account manager stated, inquire again; occasional delays in the automated flag happen.

May I reject a VIP bonus without losing tier status?

Absolutely. Simply disregard the bonus code when it appears in your inbox. Your tier and cashback rate are unaffected. The only consequence is that you pass up that particular promotional offer.

What occurs to my cashback if I self-exclude?

Any pending cashback is added to your account balance but cannot be withdrawn until the self-exclusion period ends. The wagering clock on that cashback is paused for the duration of the exclusion and restarts when you return.

Are cryptocurrency transactions considered the same as fiat?

Correct, provided the deposit is made through the official crypto channels listed in the cashier. Peer-to-peer transfers or third-party exchanges are not counted as turnover and will not advance your tier.

Any dedicated gambler ultimately encounters the same

If you’re looking for a fun, swirly lens to bring unique looks to your next shot, look no further than the vertiginous, stretched optical warp of this new Joseph Petzval Métamorphose 35 f/1.8 lens from Lomography.

About as unique as they come, this new signature Art lens expands on the Petzval look with a new swirly, immersive optical warp effect. Let’s check it out.


The Lomography Joseph Petzval Métamorphose 35 f/1.8 Lens

Designed to be available for a range of full-frame mirrorless camera systems, including Sony E, Nikon Z, and Canon RF mounts, this new Lomography Joseph Petzval Métamorphose 35 f/1.8 Lens aims to bring the best of both worlds, as it will feature a swirly look that is expanded upon with an immersive, stretched optical warp.

Developed to make the most of the company’s signature focus-coupled bokeh control technology, this latest Petzval collab will allow shooters to be able to explore seven levels of bokeh with a dedicated stopless bokeh control ring.

The lens is also uniquely optimized for videography, with follow-focus compatibility and the aforementioned focus-coupled tech, which should help shooters unlock more precision and stylized control.

Price and Availability

Credit: Lomography

While it may not be the lens for every shot or shoot, this Lomography Joseph Petzval Métamorphose 35 f/1.8 Lens offers unique looks and fun opportunities for DPs or solo shooters looking to add diversity and creativity to their bags.

If you’d like to find out more about this new Lomography Joseph Petzval Métamorphose 35 f/1.8 Lens, here are the specs and price points from the company’s website.

  • Focal Length: 35 mm
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  • Closest Focusing Distance: 0.35 m
  • Lens Focusing: Manual Focusing Ring
  • Available Apertures: f/1.8
  • Filter Thread: 67 mm
  • Lens Material: Multi–Coated Glass
  • Lens Body Material: Anodized Aluminum
  • Lens Family: Joseph Petzval Focus-Coupled
  • SKU: metamorphose

Price: $649

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If you’re looking for a fun, swirly

What do you do after you’ve won the top honor in your craft? For “Anora” star — and eventual Best Actress winner — Mikey Madison, the answer was both obvious and tricky. She wanted to do something different. For an actress whose biggest role to date hinged on big emotions, that meant finding a role that was more restrained, more internal, more pragmatic.

In Aaron Sorkin’s “The Social Reckoning” — a follow-up feature to David Fincher’s “The Social Network,” which Sorkin himself wrote — that role wasn’t just on offer, it was at the very center of the film. Oh, and she’s based on a real person, yet another challenge for Madison. In the film, Madison plays Frances Haugen, a former Facebook engineer-turned-whistleblower who facilitated the 2021 leak of Meta internal documents containing the social platform’s secrets, many of them about the nefarious nature of its almighty algorithm. (She works alongside WSJ reporter Jeff Horwitz, played by Jeremy Allen White.)

As Madison explains, picking her first post-Oscar gig definitely stressed her out, but her desire to grow her career and range (a la Cate Blanchett and Isabelle Huppert) helped push her to take on the project. “Star Wars” it is not, but working with Sorkin seems to have sparked something in Madison (even if she did go off-script a bit and read Haugen’s own memoir to prep for the role).

The following interview has been edited and condensed for clarity and length.

IndieWire: In the film, Frances is guided by her sense of morals in the face of really impossible circumstances. Why was that aspect of the character appealing to you?

Mikey Madison: I think it’s just incredibly rare in this day and age — and also very comforting — to know that there is someone who is willing to go on the line for the greater good of people that she doesn’t even know. She sacrificed so much fora beautiful cause. I’ve gotten into this pocket of playing these very morally gray characters, which I also really love and those are some of my favorite characters to play, but I had never played someone quite like this.

There was something very pure and compelling about her deep moral integrity. There wasn’t anything self-serving about it. My character is based off of the real Frances Haugen, and these are all real things that the real Frances did. And I was like, wow, that’s interesting, I’ve never done anything like that before.

Jeff Horwitz (Jeremy Allen White) and Frances Haugen (Mikey Madison) in Columbia Pictures’ THE SOCIAL RECKONING.
‘The Social Reckoning’Leah Gallo

As an audience member, I would get frustrated when Frances was having conversations with Jeff about how much she believes in Facebook and its mission and how she thinks it can be such a force for good, but then she’s showing him proof of all the horrible things the company was doing. But, as you said, that’s real life, it’s not always going to be black and white: “They’re bad and I think that they’re doing bad things.” Did you feel any of those frustrations?

There’s a line in the film where she says something like, “Some people are awkward, some people feel like their best self veiled behind a computer screen,” and she’s talking about herself. I think ultimately what she craves most in life is intimacy and connection, and I think that’s why she really believed in what she thought Facebook was supposed to be originally, which was just connecting people and in its true, purest, earliest form. That’s what she wanted and that’s what she wanted to give people too.

I think she did actually believe in the company, but she was seeing things that were happening and she wasn’t being listened to. She was, in the beginning, trying to help the company she was working with, not hurt it, and she says that multiple times. But I think that there’s a turning point at which she realizes there’s no going back from this, she needs to make a serious change if she wants things to get better and she does. I don’t know if I would say it was frustrating, it was definitely an internal conflict that my character was having within herself, like a battle.

What research was most useful for you to really get into Frances’ head?

When I read the script for the first time, I had heard about the Facebook Files and I heard about there being a whistleblower, but I didn’t know who Frances was. I looked her up and I very quickly saw there are a lot of very big, glaring differences between us. She’s blonde, she has blue eyes, and she’s a bit older. I was like, “OK, I’m prepared for this to be a big transformation. I’ve never done that before, but let’s do it.” When I met Aaron, he very adamantly did not want me to do that, and it took me a while to wrap my head around that and the idea of it. I wanted to support Aaron’s vision in the best way that I could, and that’s really one of my biggest jobs as an actress.

Obviously, I fell in love with the character on the page and it was very much a character that I built from the ground up, purely from Aaron’s script. In terms of any research I did, there was so much about the world of tech and social media that I didn’t have any relationship to, and I was like, let me try and go piece by piece and understand this the best that I can.

I did read her memoir because … I wanted to try to understand what that might have been like for her in that internal struggle. So I did read her memoir and Aaron was like, “Ugh.” [Laughs] What was most important for me is that I try and tell her story with as much integrity and love as possible. Aaron and I really wanted to do that. I hope that she also feels that we did that, and I think she does.

NEW YORK, NEW YORK - OCTOBER 04: (L-R) Frances Haugen and Mikey Madison attend the Social Reckoning world premiere at Regal Union Square on October 04, 2026 in New York City.  (Photo by Sean Zanni/Getty Images for Sony Pictures Entertainment)
Frances Haugen and Mikey Madison attend ‘The Social Reckoning’ world premiere at Regal Union Square on October 04, 2026 in New York CityGetty Images for Sony Pictures E

Has she seen the film?

She has seen the film, yes. I think that she’s overall quite happy with it. I think what really is most important to her is, she really doesn’t have any vanity. You know what I mean? So she really just wanted the story to be told. I think she wanted people to know what was happening more behind the scenes and in depth and open up the conversation hopefully for more change to possibly happen, and she really has swung open those doors.

What was exciting for you about taking on the precision of an Aaron Sorkin-penned screenplay? What was maybe a little nerve-wracking?

He has an incredibly singular voice and a specific vision, which I really respect the originality of something like that. People refer to his Sorkin-isms, which is pretty incredible and iconic in a lot of ways. As an actor to try and meld my interpretation of the character with his, at times I felt like I was fighting against my instinct a lot. But I also feel like because Frances is a character who is not comfortable existing in herself in present face-to-face like this, it only helped. It added a quality of uncomfortability that I think was a blessing for the character.

But yes, every period, every comma, every space in between each sentence is intentional and was not something that I’m used to in any way. But it was also a good exercise for me as an actor to try and interpret his dialogue. I joke that Aaron has this internal stopwatch in his head and after a handful of takes, he’d be like, “We’re picking up steam,” or like, “Oh, we’re cooking with gas.” There’s so much information and it’s so dense. To work at the speed at which Aaron’s brain works is not normal for most people.

And you also have all this tech jargon. In the film, Frances gets frustrated with Jeff because he doesn’t speak tech, and she’s constantly having to explain things to him in a way she’s not used to.

Jeremy’s character also represents the audience in a lot of ways. The audience doesn’t really know what we’re talking about, and so I think some questions get to be answered, but we’re not serving it on a silver platter. Aaron, one of the things I really respect about him and his work is, he knows the audience is intelligent and he’s not reminding them of the story and what’s happening.

What is your relationship with the first film?

I think I was 11 when it came out, so I did not see it then. It probably would’ve gone right over my head! I was watching animated movies and “iCarly.” [Laughs] Since becoming interested in film, I’ve seen it a handful of times and it’s just so damn good. I’m such a huge fan of David Fincher. That screenplay specifically was just very masterful. I found it really interesting that Aaron had the guts to tell another story, but tell it from his lens. And I was really happy to be a part of that, and yeah.

Director/Writer Aaron Sorkin and Mikey Madison on the set of Columbia Pictures' THE SOCIAL RECKONING.
On the set of ‘The Social Reckoning’Leah Gallo

This is your big first film since winning the Oscar for “Anora,” what was it about this film that made you want to do it? For awhile, there was rumors that you were going to do a “Star Wars” movie instead.

I was thinking about that a lot: “What do I want to do next?” It was stressing me out a bit. Mostly, I just want to do work that has a lot of heart. I want to work with interesting people. I want to tell a story with a lot of integrity. I want to do something very different from anything I’ve done before. That could only be healthy for me as an actress.

Ultimately, my biggest goal in life and my biggest dream is to just continue working forever. I look at Cate Blanchett and Isabelle Huppert, and I’m deeply moved by the careers and the filmography that they’ve created over multiple decades. That’s my dream. So I wasn’t focused on, what’s the next thing going to be and what’s it going to say? It was more just, what do I feel compelled to do? And this just happened to be the next one.

It was a character that I found to be quite unorthodox. When I read it, I was like, this almost seems like a role that a man would play. It’s a character with a lot of emotional restraint, a lot. This is not an outwardly emotional character. She’s very nuanced, very specific. She’s very pragmatic. She is not emotional. I’ve played a lot of characters, which I love, who are very bombastic and emotionally volatile. This was something so refined and restrained in a way where I was like, I think it would be a challenge for me as an actress to play with restraint in that way. I wonder if people will understand it, but I also feel like it’s something I need to just try and do.

'Anora'
‘Anora’Neon

There’s a scene at the end, where Frances celebrates something by pumping her fist. We see the backstory of that in the film, involving an NBA game, but it made me think of “The Breakfast Club.” Did you think of “The Breakfast Club” when you were doing this?

No, I didn’t! Like I said, Frances is so refined and restrained, the way that she walks and moves through the world, she’s quite uncomfortable. That scene you’re referring to when she witnesses someone have such outward emotion, she’s like, “Wait, people live like this?” And so she has this, “Fuck yeah, I did it,” heroic moment where she recognizes it and does her version of it.

There’s a part that’s heartwarming. So emotional and cringey, and she is cringey, the character is, and just nerdy and weird. Also, I love a callback like that too, and I think Aaron does it in a very satisfying way. I love that moment. But no, I wasn’t thinking about “The Breakfast Club,” but I love that movie. And I loved Molly Ringwald when I was becoming interested in acting and she was a huge inspiration to me.

Sony will release “The Social Reckoning” in theaters on Friday, October 9.

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What do you do after you’ve won

The best Amazon Prime Day clothing deals of 2026 have just landed, just in time to pull your fall capsule wardrobe together. “But Glamour,” you ask, “didn’t Prime Day already happen this year?” It sure did, way back in June. However, Amazon’s big fall sale, known as Prime Big Deal Days, will bring thousands of similar deals through October 6 and 7—and plenty of them have already arrived. Think of it as Prime Day’s (and Black Friday’s) little sister.

You’ll be able to find pretty much anything you’re currently missing on sale, from investment buys like wool coats to little necessities like no-show socks. But trust me when I say that this is the time to buy all the fall trends you’ve been eyeing. Now’s your best shot at snagging funnel-neck jackets, ballerina sneakers, and chocolate brown everything at the lowest prices I’ve seen all season.

Going it alone can be intimidating, to say the least, so I’ve pulled together an edit of the very best Prime Day clothing deals to shop while they’re live and in stock. Let’s go shopping, shall we?

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Tankaneo Polka-Dot Cropped Jacket

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The best Amazon Prime Day clothing deals

Netflix subscription is required to watch on Netflix

 

Great news! “All American” is available to watch on Netflix USA!

 

Date Added: 28th March 2019

Want to keep forever? Try looking for ‘All American’ on Amazon (paid link)

History:

   03/28/2019: 1 Season (2019)

   03/17/2020: 2 Seasons (2019)

   07/27/2021: 3 Seasons (2021)

   05/31/2022: 4 Seasons (2021)

   05/23/2023: 5 Seasons (2022)

   07/23/2024: 6 Seasons (2024)

   05/13/2025: 7 Seasons (2025)

   11/23/2025: 0m (2025)

   10/06/2026: 8 Seasons (2026)

 

Watch Season 8 now

 

Synopsis:

Culture clashes and brewing rivalries test a teen football player from South Los Angeles when he’s recruited to the Beverly Hills High School team.

 

Certificate: TV-14
Parents strongly cautioned. May not be suitable for ages under 14.

 

Year: 2026

Duration: 8 Seasons

Available Seasons: Season 1 (16 Ep), Season 2 (16 Ep), Season 3 (19 Ep), Season 4 (20 Ep), Season 5 (20 Ep), Season 6 (15 Ep), Season 7 (13 Ep)

 

Cast and Crew

Cast: Daniel Ezra, Taye Diggs, Samantha Logan, Bre-Z, Greta Onieogou, Monet Mazur, Michael Evans Behling, Cody Christian, Karimah Westbrook, Jalyn Hall, Jordan Belfi, Briana Lane, Hunter Clowdus

 

Production & Season Details:

Status: Ended”All American” is a TV show produced by Berlanti Productions, Warner Bros. Television and CBS Studios. The show was originally broadcast on The CW (United States) and premiered on October 10th 2018. “All American” ended after 8 seasons and a total of 132 episodes. The final episode aired on September 28th 2026.

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RATINGS:

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Average Rating

LISTS:

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DISCUSS ON…:
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Available on Netflix USA!

Netflix subscription is required to watch on Netflix

Where else can you watch ‘All American’ on Netflix?


Want to keep forever? Why not rent or buy ‘All American’ from one of the online services below?


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Oh, how television has changed. TV‘s biggest night, the Emmys, are leaving broadcast TV and will now air on Amazon Prime Video for the next six years, the Television Academy announced on Tuesday, October 6.

The shift to Amazon will begin in 2027, and the show will be available on Prime Video for free worldwide, even though Prime Video is a subscription service. It makes it the first permanent home for the Emmys in years, as the show has historically operated under what’s called the “Wheel Deal,” rotating between CBS, NBC, Fox, and ABC each year. The 2026 ceremony aired on NBC, hosted by Mariska Hargitay.

It’s a major shift for the awards show, which has seen ratings dwindle, including a 10 percent drop this year compared to 2025, with just 6.8 million viewers. But it also follows in the footsteps of the Oscars jumping to YouTube after long airing on ABC.

“Television has never been more global, and the Emmys should be a celebration that the world can share,” said Cris Abrego, chair of the Television Academy. “Now Prime Video audiences in more than 200 countries will be able to experience the Emmys live with no subscription required. Our broadcast partners have been tremendous stewards of the Emmys for many years, helping to build them into the cultural institution they are today. Having a dedicated home with Prime Video allows us to build on that legacy with unprecedented global reach and a broader commitment to the Television Academy and our mission throughout the year. Amazon shares our deep respect for the history of the Emmys and brings the investment, innovation and scale to help us shape their next chapter.”

“For nearly eight decades the Emmys have recognized the best storytelling and talent in television, and we’re honored that Prime Video will be trusted as the global home for this celebration over the next six years,” said Mike Hopkins, head of Prime Video and Amazon MGM Studios. “Streaming the Emmys free on Prime Video is another way we’re delivering the best in entertainment to our customers worldwide, and we look forward to collaborating with the Television Academy on this iconic event.”

The shift for the Emmys also follows a recent major change at the Television Academy. The TV Academy and NATAS recently merged, bringing together two rival bodies that had a frosty relationship for years and ultimately bringing the Primetime Emmys and the Daytime Emmys under one roof.

For Amazon Prime Video, this adds to the Thursday Night Football deal with the NFL, which also airs for free with ads, and Amazon has also made other concerts available on streaming behind the paywall.

Though past Amazon shows like “Fleabag” and “The Marvelous Mrs. Maisel” have been strong Emmy contenders, this year the streamer did not have a nomination among the three major categories of Outstanding Comedy, Drama, or Limited Series.

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Oh, how television has changed. TV‘s biggest

🔥 Juega ▶️

Estrategias brillantes y suerte en plinko para multiplicar tus ganancias potenciales rápidamente

El juego de azar conocido como plinko ha capturado la atención de muchos por su simplicidad y potencial de recompensa. Se trata de un juego donde un disco o bola se deja caer desde la parte superior de un tablero lleno de clavijas, y su trayectoria es completamente impredecible. Cada rebote altera su curso, y el objetivo es, por supuesto, que caiga en una de las ranuras inferiores, cada una con un valor monetario diferente. La emoción reside en la aleatoriedad del resultado y la esperanza de conseguir un premio significativo, aunque existe el riesgo de obtener un valor bajo.

La popularidad de este juego reside en su fácil comprensión y atractivo visual. No requiere habilidades especiales ni estrategias complejas, lo que lo hace accesible a cualquier persona. Sin embargo, aunque el azar es el principal determinante, existen ciertos enfoques y consideraciones que pueden aumentar las probabilidades de obtener un mejor resultado. A través de la comprensión de la física básica involucrada, la observación de patrones y la gestión estratégica de las partidas, los jugadores pueden influir en su suerte de manera sutil pero efectiva. La clave está en maximizar las oportunidades y minimizar los riesgos inherentes al juego.

Comprendiendo la Dinámica del Plinko: El Papel del Azar y la Física

La naturaleza fundamental del juego plinko es la aleatoriedad. Cada rebote de la bola en las clavijas es virtualmente impredecible, y las pequeñas variaciones en el ángulo de lanzamiento pueden tener un impacto significativo en el resultado final. A pesar de esta aparente aleatoriedad, las leyes de la física juegan un papel crucial. La gravedad es la fuerza principal que tira de la bola hacia abajo, mientras que las clavijas actúan como puntos de reflexión, cambiando la dirección de su movimiento. Cuanto más densamente pobladas estén las clavijas, más impredecible será la trayectoria, ya que hay más oportunidades para que la bola cambie de dirección. La energía cinética de la bola también es un factor importante, ya que influye en la fuerza de los rebotes y en la distancia que la bola recorre entre cada impacto.

Analizando las Trayectorias Probables

Aunque es imposible predecir con certeza la trayectoria de la bola, se pueden analizar las probabilidades generales. Las ranuras centrales suelen tener una mayor probabilidad de ser alcanzadas, ya que requieren menos desviaciones extremas de la trayectoria inicial. Sin embargo, estas ranuras a menudo ofrecen premios menores. Las ranuras laterales, por otro lado, ofrecen premios más altos, pero requieren una combinación de suerte y una trayectoria más precisa. Observar las primeras etapas de la caída de la bola puede dar pistas sobre su posible destino, aunque siempre existe la posibilidad de un rebote inesperado. Entender estos patrones probabilísticos puede ayudar a los jugadores a tomar decisiones más informadas sobre dónde lanzar la bola.

Ranura
Valor
Probabilidad Estimada
Izquierda 100x Apuesta 5%
Centro Izquierda 50x Apuesta 15%
Centro 20x Apuesta 30%
Centro Derecha 50x Apuesta 15%
Derecha 100x Apuesta 5%
Otros 1x-10x Apuesta 30%

Esta tabla ilustra una distribución típica de valores y probabilidades en un juego de plinko. Es importante recordar que estas probabilidades son estimaciones y pueden variar de un juego a otro. La verdadera emoción del juego reside en la incertidumbre y la esperanza de desafiar las probabilidades.

Estrategias para la Selección de la Posición Inicial

La elección de la posición inicial es crucial en el juego de plinko. Si bien el azar sigue siendo dominante, una selección cuidadosa puede aumentar las probabilidades de obtener un premio decente. Evitar las posiciones extremas, que tienen una mayor probabilidad de caer en ranuras de bajo valor, es una táctica común. En cambio, apuntar a posiciones ligeramente desplazadas del centro puede proporcionar un equilibrio entre la probabilidad de alcanzar ranuras de valor moderado y la posibilidad de llegar a las ranuras más lucrativas en los extremos. La experimentación con diferentes posiciones iniciales también puede revelar patrones y tendencias específicas del tablero en particular. Cada tablero de plinko puede tener ligeras variaciones en la disposición de las clavijas, lo que afecta la trayectoria de la bola.

Consideraciones sobre el Diseño del Tablero

El diseño del tablero de plinko juega un papel fundamental en las probabilidades de cada ranura. La densidad y la disposición de las clavijas influyen en la dirección de la bola. Un tablero con clavijas más densamente agrupadas en una zona específica tenderá a desviar la bola en esa dirección. Observar la distribución de las clavijas puede ayudar a identificar zonas donde es más probable que la bola se desvíe hacia ranuras específicas. Además, la altura del tablero y el ángulo de inclinación también afectan la velocidad y la trayectoria de la bola. Un tablero más alto y con mayor inclinación puede resultar en una trayectoria más rápida y menos predecible.

  • Analizar la densidad de las clavijas en diferentes secciones del tablero.
  • Observar la altura y el ángulo de inclinación del tablero.
  • Experimentar con diferentes posiciones iniciales para identificar tendencias.
  • Considerar la distribución de los valores de las ranuras inferiores.
  • Gestionar el presupuesto y evitar apuestas excesivas.

Estos puntos son cruciales para mejorar las posibilidades de éxito, aunque cabe destacar que no hay garantías. La suerte sigue siendo un factor fundamental.

Gestión del Riesgo y Presupuesto

Jugar a plinko, como cualquier juego de azar, conlleva un riesgo financiero. Es esencial establecer un presupuesto claro antes de empezar a jugar y ceñirse a él rigurosamente. Evitar la tentación de perseguir las pérdidas es crucial, ya que esto puede conducir a un ciclo de apuestas cada vez mayores y, en última instancia, a pérdidas significativas. Establecer límites de pérdidas y ganancias también puede ayudar a mantener el control y evitar decisiones impulsivas. Considerar cada apuesta como un costo de entretenimiento, en lugar de una inversión, puede ayudar a mantener una perspectiva realista y evitar la frustración.

Variando la Estrategia de Apuestas

Existen diferentes estrategias de apuestas que se pueden emplear en plinko. Algunos jugadores prefieren apostar pequeñas cantidades en varias posiciones iniciales para aumentar sus posibilidades de obtener un premio. Otros optan por apostar cantidades más grandes en una sola posición, con la esperanza de obtener un premio mayor. La estrategia óptima dependerá de la tolerancia al riesgo del jugador y de sus objetivos. Es importante recordar que no existe una estrategia infalible y que el azar siempre juega un papel importante. Ajustar la estrategia de apuestas según los resultados obtenidos también puede ser beneficioso. Si una posición inicial particular produce consistentemente resultados negativos, es posible que sea prudente evitarla en el futuro.

  1. Establecer un presupuesto claro antes de comenzar a jugar.
  2. Definir límites de pérdidas y ganancias.
  3. Evitar perseguir las pérdidas.
  4. Considerar cada apuesta como un costo de entretenimiento.
  5. Ajustar la estrategia de apuestas según los resultados.

Estos pasos ayudarán a gestionar el riesgo de forma más efectiva y a disfrutar del juego de forma responsable.

Más Allá de la Suerte: Observación y Adaptación Constante

Aunque el azar es un componente central del atractivo del plinko, la capacidad de observar y adaptarse a las particularidades de cada juego puede marcar la diferencia. Prestar atención a las primeras caídas de la bola puede revelar patrones sutiles en la distribución de las clavijas y cómo afectan a la trayectoria. Anotar las posiciones iniciales que han resultado en premios significativos puede ser útil para futuras partidas. No dudar en cambiar de estrategia si los resultados no son favorables. La flexibilidad y la capacidad de adaptación son cualidades valiosas para cualquier jugador de plinko.

El Futuro del Plinko y las Innovaciones en el Juego

El juego de plinko, aunque tradicionalmente asociado a programas de televisión, está experimentando una revitalización gracias a las plataformas de juego online y las innovaciones tecnológicas. Los juegos de plinko digitales a menudo ofrecen características adicionales, como multiplicadores de premios, bonificaciones y gráficos más atractivos. Algunos desarrolladores están incluso explorando la posibilidad de incorporar elementos de realidad virtual para crear una experiencia de juego más inmersiva. Estas innovaciones no solo mejoran el entretenimiento, sino que también ofrecen nuevas oportunidades para la aplicación de estrategias y tácticas. Además, la transparencia y la verificabilidad de los juegos de plinko online, gracias a la tecnología blockchain, están ganando popularidad, brindando mayor confianza a los jugadores.

El futuro del plinko parece prometedor, con un potencial de crecimiento impulsado por la innovación tecnológica y la creciente demanda de entretenimiento de azar online. La habilidad para analizar las nuevas dinámicas y aplicar estrategias adaptadas será clave para maximizar las posibilidades de éxito en esta versión moderna del clásico juego.

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I first saw Dolph: Unbreakable at Newport Beach Film Festival in 2025, where it blew me away just as much as it did to meet the giant Viking of a man in person there. The documentary opens by showing Lundgren’s battle with an aggressive form of kidney cancer (which I wasn’t aware of before this), and later jumps to his childhood, where he grew up with a physically abusive father. The theme of being haunted by his dad keeps coming back in the movie, just as real abuse will pop up as other issues throughout someone’s days. 

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It’s impressive learning about Dolph being a judo champion at a young age, while also being intelligent enough to be accepted into MIT (he didn’t stay long because he was already on a rocket path to stardom). Plus, the fact that he was filming Aquaman 2 along with one of the Expendables sequels, while he was physically broken down by his cancer, is astonishing. 

The way that Dolph Lundgren broke into Hollywood is fascinating as well. He started off as the boy toy/bodyguard to enigmatic actress Grace Jones before eventually being cast in the iconic role of Drago in Rocky 4 by Sylvester Stallone. It’s cool seeing both Sly and Arnold Schwarzenegger talk so glowingly about their pal and co-star Dolph, with Arnold going so far as to say that Lundgren is the “ultimate immigrant success story.” Even when Schwarzenegger is playfully asking Dolph about what his work duties were with Grace, you can tell the level of affection that these Hollywood giants have for him. 

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The 30th edition of the American French Film Festival, which runs November 3-8 at the DGA Theater Complex in L.A., has unveiled its 2026 lineup.

Highlights this year in the program include French Oscar entry Minotaur, Cristian Mungiu’s Fjord, which is Romania’s official Oscar entry and Lucas Dhont’s Coward, Belgium’s Oscar entry.

As previously announced, the festival will open with In Waves, from French-Vietnamese director Phuong Mai Nguyen. The animated feature, which features the voices of Will Sharpe and Stephanie Hsu, is set against the backdrop of California’s surfing world and is adapted from L.A. illustrator AJ Dungo’s eponymous cult 2019 graphic novel.

Further highlights in the lineup this year include All of a Sudden, Ryusuke Hamaguchi’s French-language debut which is Japan’s Academy Award entry this year, and French co-production Strawberries from director Laïla Marrakchi, which is Morocco’s official Academy Award entry.

Fjord, which won the Palme d’Or in Cannes earlier this year, stars Sebastian Stan and Renate Reinsve. The French co-production follows two evangelical parents who are suspected of child abuse and become the subject of an investigation.

Andrey Zvyagintsev’s Minotaur is a Russian-language political thriller based on the 1969 French film The Unfaithful Wife by Claude Chabrol. The film won the Grand Prix award in Cannes this year.

TAFFF is set to close on November 8 with The American Dream, written and directed by Anthony Marciano. The comedy-drama biopic is based on the true story of real life French NBA agents Bouna Ndiaye and Jérémy Medjana, who launched the careers and represented several elite French NBA players including Victor Wembanyama, Rudy Gobert and Nicolas Batum.

The festival will also feature the first U.S. screening of Antonin Baudry’s De Gaulle, the U.S. premiere of comedy All About Corinne and the North American premiere of Guillaume Canet’s psychological thriller Karma with Marion Cotillard. Stephane Brizé’s Venice title A Little Good Soldier will also screen at the fest.

The lineup this year includes 60 films and series, with 31 fiction features, 11 series, four documentaries and 14 short films, many of which are either North American or U.S. Premiere presentations. 58 will be up for The American French Film Festival Awards.

“Since 1997, the Franco-American Cultural Fund, founder of The American French Film Festival, has brought more than 1,200 French films and series into the Hollywood spotlight and given thousands of French artists, from newcomers to well-known directors, to writers, composers, actors and producers, the opportunity to present their work before their American peers in the heart of Hollywood,” said Taylor Hackford, director and former DGA president and FACF board member. “This year there will be another spectacular selection and delegation to celebrate the 30th anniversary event at the Directors Guild of American, making TAFFF the second oldest film festival in the City of Angels.”

François Truffart, exec producer and programmer of the festival said: “For 30 years, The American French Film Festival has established itself as a leading and unmissable international platform on the global circuit for promoting French films and series. Supporting filmmakers from their earliest short films to eventual Oscar recognition, creating a platform where both established and emerging talent can present their work, being the first to launch a series competition alongside feature films and consistently championing female filmmakers, are just a few of the many meaningful milestones I cherish with TAFFF.”

TAFFF deputy director Anouchka van Riel added: “This year’s selection is a cinema of resistance. Individuals stand up to systems that exist to grind them down: a corporate machine in A Little Good Soldier and Minotaur, a courtroom built by men in Women on Trial, an online mob in Forsaken and an exploitative labor chain in Strawberries. Running alongside that is a quieter thread about care, illness and what we owe one another, from the friendship forged against cancer in All of a Sudden to the love story at the heart of In Waves. Between those who fight and those who care, the lineup returns to one question: At a time when intelligence is becoming artificial, what remains human? These films answer with the things no machine has learned (yet): to refuse and to care.”

The 30th edition of The American French Film Festival takes place November 3-8, 2026.

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The 30th edition of the American French

More women are earning college degrees, chasing ambitious careers and pursuing prestigious titles at work. And at home, they’re earning another title: breadwinner.

The share of women in heterosexual marriages who make as much or more than their husbands has nearly tripled over the past five decades, according to the Pew Research Center. In 29 percent of those marriages in 2023, earnings were about equal. In 16 percent, women were the primary earner.

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More women are earning college degrees, chasing

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Avvincente sfida nel chicken road game tra pericoli stradali e punteggi da record per i giocatori più abili

Il mondo dei videogiochi arcade è sempre alla ricerca di esperienze semplici, immediate e gratificanti. Tra i titoli più popolari di questo genere, emerge con forza il chicken road game, un passatempo che, nella sua apparente semplicità, riesce a catturare l'attenzione di giocatori di tutte le età. Si tratta di un gioco in cui si controlla un pollo intento ad attraversare una strada trafficata, evitando le auto in arrivo. La meccanica è elementare, ma la sfida è tutt'altro che banale, richiedendo riflessi pronti e una buona dose di fortuna.

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Il cuore del gioco risiede nella sua meccanica di controllo incredibilmente intuitiva. Solitamente, il giocatore può controllare il pollo semplicemente toccando lo schermo, facendolo saltare o muoverlo lateralmente per schivare le auto in arrivo. La velocità delle auto aumenta progressivamente, rendendo l'attraversamento sempre più difficile e stimolante. Una delle strategie più efficaci consiste nell'osservare attentamente il flusso del traffico, individuando i momenti di maggiore sicurezza per tentare l'attraversamento. Non è sufficiente reagire alle auto più vicine; è necessario anticipare i loro movimenti e pianificare la propria traiettoria in anticipo. Più si avanza, maggiore è il punteggio, incentivando il giocatore a rischiare sempre di più per ottenere risultati migliori.

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Livello di Difficoltà
Velocità Media delle Auto
Distanza tra le Auto
Punteggio per Attraversamento
Facile Lenta Ampia 10
Medio Moderata Media 25
Difficile Alta Stretta 50

Come si può notare dalla tabella, l'aumento della difficoltà si traduce in una maggiore velocità delle auto, una minore distanza tra di esse e, naturalmente, un punteggio più elevato per ogni attraversamento riuscito. Questo sistema di progressione incoraggia i giocatori a sfidare se stessi e a migliorare costantemente le proprie abilità.

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Nonostante la semplicità del concept, il chicken road game offre diverse opportunità di personalizzazione e di adozione di stili di gioco differenti. Alcuni giocatori preferiscono un approccio prudente, attendendo il momento perfetto per attraversare la strada, mentre altri optano per una strategia più audace, rischiando di farsi investire pur di guadagnare più punti. Inoltre, molti giochi di questo tipo offrono la possibilità di sbloccare nuovi personaggi, skin o potenziamenti, aggiungendo un elemento di collezionismo e di progressione al gameplay. Questi elementi di personalizzazione rendono l'esperienza di gioco più coinvolgente e duratura, spingendo i giocatori a tornare a giocare più e più volte.

L'Influenza della Fisica e degli Effetti Visivi

La fisica del gioco e gli effetti visivi possono avere un impatto significativo sull'esperienza complessiva. Una fisica realistica, ad esempio, può rendere l'attraversamento più credibile e immersivo, mentre effetti visivi accattivanti possono rendere il gioco più piacevole da guardare. Alcuni giochi includono anche elementi di umorismo, come animazioni buffe o suoni divertenti, che contribuiscono a creare un'atmosfera più leggera e spensierata. L'attenzione ai dettagli, quindi, è fondamentale per creare un gioco di successo nel genere arcade.

  • Scegliere il momento giusto per attraversare.
  • Osservare attentamente il flusso del traffico.
  • Anticipare i movimenti delle auto.
  • Sfruttare i potenziamenti disponibili.
  • Personalizzare il proprio personaggio.

Questi punti rappresentano alcuni dei consigli fondamentali per chi si avvicina per la prima volta al chicken road game. Seguendoli, sarà possibile migliorare rapidamente le proprie abilità e raggiungere punteggi sempre più elevati.

L'Evoluzione del Genere e le Varianti Più Interessanti

Il genere del chicken road game ha subito una notevole evoluzione nel corso degli anni, dando vita a numerose varianti innovative e originali. Alcuni giochi introducono elementi di strategia più complessi, come la possibilità di influenzare il traffico o di utilizzare oggetti speciali per facilitare l'attraversamento. Altri, invece, si concentrano sull'aspetto multiplayer, consentendo ai giocatori di competere tra loro in tempo reale. Queste varianti dimostrano la versatilità del genere e la sua capacità di adattarsi alle nuove tendenze del mercato. L'introduzione di elementi nuovi e inaspettati è fondamentale per mantenere vivo l'interesse dei giocatori e per distinguersi dalla concorrenza.

L'Integrazione con la Realtà Aumentata e la Realtà Virtuale

Un'altra tendenza emergente è l'integrazione del chicken road game con tecnologie come la realtà aumentata e la realtà virtuale. Queste tecnologie offrono un'esperienza di gioco ancora più immersiva e coinvolgente, consentendo ai giocatori di sentirsi veramente parte dell'azione. Immaginate di dover attraversare una strada virtuale proiettata nel vostro salotto, schivando le auto che sembrano arrivare direttamente verso di voi! Questo tipo di esperienza può essere estremamente emozionante e divertente, aprendo nuove frontiere per il genere arcade.

  1. Analizzare il pattern del traffico.
  2. Calcolare la velocità delle auto.
  3. Prevedere i buchi nel traffico.
  4. Utilizzare i bonus con intelligenza.
  5. Mantenere la calma sotto pressione.

Seguendo questi passaggi in ordine, si potrà migliorare significativamente la propria performance nel gioco e aumentare le proprie possibilità di raggiungere il punteggio più alto possibile.

L'Impatto Culturale e il Fenomeno Sociale del chicken road game

Il successo del chicken road game non si limita al mondo dei videogiochi; esso ha avuto un impatto culturale significativo, diventando un fenomeno sociale diffuso tra i giovani e non solo. Il gioco è spesso utilizzato come metafora per descrivere situazioni di rischio o di sfida, in cui è necessario prendere decisioni rapide e coraggiose. La sua semplicità e immediatezza lo rendono un linguaggio universale, comprensibile a persone di diverse culture e background. Inoltre, il gioco è spesso condiviso sui social media, creando una comunità di giocatori appassionati che si sfidano a vicenda e condividono i propri risultati. Questo aspetto sociale contribuisce a rafforzare il legame tra i giocatori e a rendere l'esperienza di gioco ancora più gratificante.

Nuove Frontiere e Sviluppi Futuri nel Mondo dei Giochi Arcade

Il futuro del chicken road game, e più in generale del genere arcade, appare estremamente promettente. L'innovazione tecnologica continua a offrire nuove opportunità per arricchire il gameplay e per rendere l'esperienza di gioco ancora più immersiva e coinvolgente. L'intelligenza artificiale, ad esempio, potrebbe essere utilizzata per creare avversari più intelligenti e imprevedibili, o per adattare la difficoltà del gioco al livello di abilità del giocatore. La blockchain, invece, potrebbe essere utilizzata per creare sistemi di ricompensa più trasparenti e sicuri, consentendo ai giocatori di guadagnare crypto-valute o NFT giocando ai loro giochi preferiti. Queste nuove tecnologie aprono scenari interessanti e stimolanti, che potrebbero rivoluzionare il mondo dei videogiochi arcade nei prossimi anni.

L'esplorazione di nuovi modelli di business, come il play-to-earn, potrebbe incentivare ulteriormente la partecipazione dei giocatori e creare un ecosistema virtuoso in cui tutti ne traggono beneficio. L'integrazione con la realtà aumentata e la realtà virtuale, inoltre, continuerà a evolversi, offrendo esperienze di gioco sempre più realistiche e immersive. L'obiettivo finale è quello di creare giochi che siano non solo divertenti, ma anche significativi e gratificanti, in grado di coinvolgere i giocatori a livello emotivo e intellettuale.

Avvincente sfida nel chicken road game tra

On Sept. 29, a special screening of Alejandro González Iñárritu’s “Digger” was held at the David Geffen Theater on Wilshire. The screening was open to various guilds (including Academy voters), along with press and was meant as a celebratory dot on the promotional circuit. Director Iñárritu and most of the cast was there. It was supposed to be an opening salvo for the movie’s glittery awards campaign. But it ended up being a farewell stop.

During the post-screening Q&A, “Digger” star and producer Tom Cruise, sitting beside Iñárritu and fellow performers John Goodman, Sandra Hüller and Michael Stuhlbarg, called out to Mike De Luca and Pam Abdy, the (now former) film heads at Warner Bros. Pictures, who were sitting in the audience.

Beaming and pointing to the pair, Cruise said, “I want to thank Pam Abdy and Mike De Luca. When we brought it to you, you didn’t take a breath. It was like, ‘Yes, thank you.’” His appreciation felt sincere, heartfelt even.

A few moments later, Iñárritu added, “Warner Bros., I don’t know how we lied to them and how they trusted us to make this film work. Thank God you are crazy.”

It’s that “craziness” that Iñárritu called out that made Abdy and De Luca two of the most exciting executives working in Hollywood. They had great taste and were willing to take risks; their movies had personality and verve and texture. And their slate at Warner Bros. was unlike any others, full of bold originals, genre oddities and populist franchise fare, eclectic and deeply enviable. And to Cruise’s point, it’s hard to imagine any executive team besides Abdy and De Luca giving the go-head to a movie so deeply bonkers, pointedly political and formally audacious.

They never stood a chance.

Now that the David Ellison-led mega-studio Skydance is beginning to take shape, Abdy and De Luca are out. Paramount film heads Dana Goldberg and Josh Greenstein will now oversee both movie studios.

It comes at a time when “Digger,” for all of its oversized ambition and artfulness, fell flat in a disastrous inaugural weekend, capping off a dreary and flop-heavy year that feels like an inverse of 2025’s epically successful run. But as the bumper sticker once so eloquently said, shit happens.

Tom Cruise in “Digger”

***

When De Luca came to Warner Bros. Discovery, it was something of a homecoming.

He started his career writing episodes of “Freddy’s Nightmares,” a spinoff of the wildly successful “Nightmare on Elm Street” film series from New Line Cinema, which would eventually become a part of Turner Broadcasting System and, later, Warner Bros. In 1993, a year before the sale to Turner, De Luca became president and COO of New Line Cinema. Under his tenure, he encouraged filmmakers like Paul Thomas Anderson (who made breakthroughs “Boogie Nights” and “Magnolia” for New Line), David Fincher (whose “Seven” would rescue him from the reputation of “Alien 3”) and John Carpenter (De Luca wrote Carpenter’s “In the Mouth of Madness,” now considered an unsung classic). He also made hits like “Austin Powers: International Man of Mystery,” “Dumb and Dumber” and the “Lord of the Rings” films. He knew “Blade” was cool before Marvel did.

Afterwards, he did stints at DreamWorks Pictures, was a producer at Sony (where he worked on Best Picture-nominated “Moneyball” and “The Social Network” with Fincher) and, with Abdy, worked at MGM Motion Picture Group, where he was able to reunite with Anderson for “Licorice Pizza” after Focus Features balked at the budget.

Abdy began her career as Danny DeVito’s assistant at Jersey Films, his influential production company while still attending college at Emerson in Boston. She ultimately became president of Jersey Films, before becoming Executive Vice President at Paramount Pictures, President of Scott Stuber’s Bluegrass Films and President of Production at New Regency. (Throughout this period with Iñárritu on “Babel” at Paramount and “Birdman” at New Regency.)

After New Regency she was a partner and Head of Film at Makeready, an independent production company, and at MGM oversaw a starry slate that included, in addition to “Licorice Pizza” (which netted studio’s first Best Picture nomination since “Rain Man” won in 1988), Michael B. Jordan’s “Creed III,” Ridley Scott’s “House of Gucci” and Sarah Polley’s Best Picture-nominated “Women Talking.”

It should probably be noted that no other female film executive has championed female filmmakers like Abdy. At Jersey Films she co-produced Kasi Lemmons’ brilliant “The Caveman’s Valentine,” at Paramount she championed Kimberly Pierce’s “Stop-Loss” and Karyn Kusama’s underrated “Aeon Flux,” at Makeready she made Melina Matsoukas’ “Queen & Slim” and Sam Taylor-Johnson’s “ A Million Little Pieces” and partnered with Polley on “Women Talking.”

De Luca and Abdy together made perfect sense. De Luca has a reputation for being a brash bad boy, while Abdy’s career is defined by quiet determination and unflappable professionalism.

When beloved broadcast channel Turner Classic Movies looked like it was in danger of being erased in the Zaslav era, Abdy and De Luca became a part of a curatorial oversight committee, partnering with Paul Thomas Anderson, Steven Spielberg and Martin Scorsese. You think Ellison could even find TCM on the dial?

In her 2023 commencement speech for alma mater Emerson, Abdy said, “You’re about to start a brand-new chapter, one filled with hope and inspiration, with searching and discovery, with challenges and hopefully much success. It’s not always going to be a thrill ride and it won’t always be easy and sometimes it won’t make sense. Where you end up might not be the destination you initially set out for yourself.”

Eventually Abdy and De Luca left MGM, which was subsequently acquired by Amazon, and took over as co-heads of the Warner Bros. Motion Picture Group in 2022.

Together, they navigated the demands of streaming and theatrical, shifting Steven Soderbergh’s third “Magic Mike” outing (“Magic Mike’s Last Dance”) from HBO Max to a theatrical release and partnering with Apple to theatrically exhibit“F1” (which made an astounding $634 million worldwide and was nominated for Best Picture).

And their commitment to mixing franchise fare with esoteric, auteur-driven gambles was perhaps best exemplified by their 2025 slate, which included Bong Joon-ho’s bonkers “Mickey 17,” Ryan Coogler’s period vampire epic “Sinners” (Warner Bros. even facilitated returning the rights to Coogler after 25 years), Zach Cregger’s shocker “Weapons” and Anderson’s sprawling “One Battle After Another,” with more surefire hits like video game-based family movie “A Minecraft Movie” (which brought in nearly $1 billion), horror sequels “Final Destination Bloodlines” and “The Conjuring: Last Rites.”

The only thing they can’t take credit for last year was “Superman,” from writer/director James Gunn, who also co-runs DC Studios with Peter Safran, since they report directly to Zaslav.

Warner Bros.

Earlier this year, at the Academy Awards, under Abdy and De Luca, Warner Bros. tied the record for the most wins for a single studio – 11 Oscars in all, for projects that they shepherded like “One Battle After Another,” “Sinners” and “Weapons.” These were the movies that made sense to Abdy and De Luca and the ones that they believed in. They risked their reputations on them, and the risks paid off.

When Coogler accepted his trophy for Best Original Screenplay, he said, “I want to thank everybody that was involved in this movie, starting with Warner Bros. —  Mike and Pam…” Similarly, Anderson frequently cited them for protecting his vision.

They were fans of the art form and appreciative of the artists. Their slate felt less like a balanced spreadsheet meant to appease stockholders than a curated art gallery, full of works by the finest artists, each hung with precision and care. (We’ll say the more nakedly commercial stuff was in the gallery’s gift shop.)

But what comes up must come down and boy did 2026 come down.

***

No studio wants a slate that performed as abysmally as Warner Bros.’ did this year. But looking at the titles on the calendar objectively, there was no real reason to be concerned.

“Wuthering Heights” started off 2026’s slate. Emerald Fennell’s hugely anticipated adaptation of the classic novel starring Margot Robbie and Jacob Elordi had all the makings of a hit. Abdy and De Luca’s Warner Bros. had beaten Netflix for the movie by offering a smaller budget ($80 million) but a wide theatrical commitment. At $241 million worldwide it made a profit but just barely. The rest could not be same for the remainder of the slate.

“The Bride!,” originally meant for 2025, is perhaps the biggest example of Abdy and De Luca’s strategy backfiring. Maggie Gyllenhaal’s ballsy, bewildering horror-romance-period-gangster-movie was championed by Abdy (again, no studio head has supported female filmmakers quite like her) but continued tweaks and reshoots left the final product feeling wishy-washy and watered-down. It cost nearly $90 million to produce and only made $24 million worldwide.

Others, you can see why they made them. “They Will Kill You” was produced by Andy and Barbara Muschietti, who had made the “It” movies and “The Flash” for Warner Bros. It only cost $20 million to produce but didn’t even make back its production budget.

“Mortal Kombat II” was a sequel to a popular pandemic-era videogame adaptation, placed in the same weekend where “Final Destination Bloodlines” cleaned up a year before, but it only eked out $129.5 million on a budget of $80 million.

And “The End of Oak Street” was a J.J. Abrams-produced dinosaur movie with Anne Hathaway and Ewan McGregor – sounds like a slam dunk. Again, studio meddling and what we were told was apathy towards the finished movie led to it earning just $121.2 million against a budget of $90 million. (“Supergirl” was a tepid, costly follow-up to last year’s “Superman” but, again, this was not De Luca and Abdy’s boondoggle. That was pure DC Studios and David Zaslav. If any movie could have benefitted from a female filmmaker…)

Nicole Kidman and Sandra Bullock in 'Practical Magic 2'
Warner Bros.

“Practical Magic 2” also seemed like a no-brainer – a legacy sequel to a beloved 1990s original, opening at the start of spooky season and with both actresses (Nicole Kidman and Sandra Bullock) gamely making the rounds to promote it. But this will also be a money-loser; it’s currently at $96.2 million at the global box office, which would be pretty good if it didn’t cost $75 million to produce and Lord knows how much to market.

More successful was “Lee Cronin’s The Mummy,” a hip, hard-R spin on a classic monster, that made $91 million on a budget of just $22 million. And “Evil Dead Burn,” the latest film in the franchise, which made $72.3 million on a budget of $20 million. Those were both made under Richard Brenner’s New Line.

Somewhat tellingly, “Coyote vs. Acme,” a movie that WBD head David Zaslav tried to delete forever and which Abdy and De Luca did not attempt to rescue, wound up making more money than many of the projects on Warner Bros.’ 2026 slate, with more than $100 million worldwide.

And then there’s “Digger,” Iñárritu’s climate change social satire that stars an unrecognizable Cruise as a yee-hawing oil magnate who has to scramble to save the world after one of his drill sites causes a giant catastrophe. It is as big a swing as any major studio has taken, probably in the last 10 years or so, and its astronomical budget (rumored to be around $180 million) makes it more expensive than “One Battle After Another” or “Sinners.”

No matter what you think of the movie, this should be applauded.

But after receiving divisive reviews and some withering word of mouth, it pulled in just $8 million in its first weekend, an abysmal number by any stretch of the imagination but especially for Cruise’s first non-franchise movie in nearly a decade and for a project with that budget.

Under a different scenario, “Digger” would have simply been another box office disappointment. But after the year that Warner Bros. has endured, with its film leadership team in a precarious position, it served as an unfortunate swan song for Abdy and De Luca. At least the last movie that Warner Bros. released before it became just one icon on a logo plastered with a constellation of assets was a strident middle finger to the unerring greed of capitalism and the power-mad, ego-driven men actively making our lives worse.

***

There are still lingering questions, of course.

We’re curious what will happen to Clockwork, the newly formed, independently-minded division that Abdy and De Luca set up with Christian Parkes, Jason Wald and Spencer Collantes. It was meant to be a competitor to A24 and Neon, a cooler-than-WB shingle that could release mid-to-low-budget movies that were edgier and more provocative. Clockwork’s first release is a 4K restoration of Ken Russell’s banned, NC-17-rated “The Devils,” hitting theaters for a week beginning on Oct. 16. It also has “Nasty,” Mary Bronstein’s follow-up to the Oscar-nominated “If I Had Legs, I’d Kick You,” starring Rose Byrne and Jenna Ortega; Noah Baumbach’s next film; and “Ti Amo!,” an Italy-set sex comedy from “Anora” filmmaker Sean Baker.

Does an Italy-set sex comedy from Sean Baker sound like something that is on the top of Ellison’s to-do list?

There’s also Warner Bros. Pictures Animation, a new theatrical animation division. Animation has never been hotter and WB’s new animation unit has exciting projects in the works leveraging the company’s legacy IP (there is a new “Looney Tunes” feature in development, along with “Tom and Jerry” and “The Flintstones”) with new ideas and literary adaptations. The first feature from the division, run by DreamWorks alum Bill Damaschke, is “The Cat in the Hat” starring Bill Hader, coming this Thanksgiving. It’s a terrific movie and a wonderful opening salvo for the division.

But how will Warner Bros. Pictures Animation feature when Skydance/Paramount already has two animation studios – Skydance Animation and Paramount Animation, each run by a different creative team. Do they really need three? Or will there be some kind of drastic consolidation? (Skydance Animation has to stick around as an autonomous unit at least until after its deal with Netflix expires next year.)

At a recent open house for the animation division, De Luca and Abdy walked around and said hi to guests – filmmakers and journalists alike. They were proud of what they had accomplished. Rightfully so.

Wherever Abdy and De Luca land, with some rumors suggesting they could take over for Dan Lin at Netflix, their next stop will be lucky to have them. There are few executives in Hollywood as creative, as fearless and as determined as these two. Warner Bros. made some of the most exciting movies ever under their watch. And it’ll be sad to see what happens when they’re gone. But Warner Bros. is not really a studio anymore; it’s now merely a brand in a large, overstuffed portfolio.

Under the new regime, it seems downright impossible that something like “Digger” would be given the go-ahead. This is a leadership team that has leaned on dusty franchises (“Scream,” “Scary Movie,” “Paw Patrol,” a clip-show version of “Jackass”) and wait, really? originals, like Brad Pitt-lost-in-the-woods-with-a-dog movie “Heart of the Beast” and the “‘Taken’ with a rodeo cowboy” thriller “The Rescue” starring Paramount+ star Brandon Sklenar.

Whether or not you liked “Digger” (or whether or not you saw it), you have to admit that such adventurousness is probably not part of the matrix at Skydance.

It’s somewhat telling that Cruise’s next film, slated for summer 2028, is a sequel to “Days of Thunder” starring Anne Hathaway, distributed by Paramount. Skydance would never make “Digger,” but a legacy sequel to a movie that, at the time, was seen as an artistic and financial disappointment?

Start your engines.

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On Sept. 29, a special screening of

Lennon Stella knows it’s been a while since she released new music — six years to be exact. But the 27-year-old songwriter needed time to relax and unwind. Or, as she puts it, slow the hell down. “I had taken some time for the first time, really in my life,” she says. “I had been going since I was a kid. I definitely just wanted to be super intentional. The songs themselves kind of flew out, but the production, that took longer.”

The result is the enchanting Sleeping Lion, her new album out Oct. 23. It was worth the wait: the album, produced by Andy Shauf, features 12 autumnal folk gems best heard alone in your living room, with Stella delivering a raw and intimate perspective on relationships within her life. “My goal was really just to honor the songs and capture the essence of them,” she says. “Ultimately, I just wanted to make something that was very true and honest, and not let a lot of other things get in there — minds and opinions and all that.”

In the latest episode of the Rolling Stone Studio, Stella goes deep on her new album, detailing the six years it took her to get here. She also reveals the musicians who inspired it, from overlooked visionaries like Nick Drake and Connie Converse to contemporary rock stars like Geese’s Cameron Winter. Here are some highlights from the discussion.

‘Comedy Show’ Was Born From a Guitar Swap

“This one was very natural and kind of fell out,” she says of the delicate album opener, which she recently released as a single. “I actually had left my guitar a couple days prior at a different studio, and someone came to drop off my guitar that I left, and they swapped it with somebody else’s. So I had this guitar that wasn’t mine, and it actually came with the guitar part in it, and I just started playing it. I was like, ‘Oh, this sounds nice!’ And then I went a couple hours later to a session and wrote ‘Comedy Show’. So I feel like there was a nice synergy to that one. The song itself was written from a fairly low place — a heavier one for sure — a song that doesn’t really have a bow tie or a silver lining. I wasn’t feeling great. But yeah, it was a very natural one to write.”

An Original Version of the Album Was Scrapped

“I had written all the songs and I went in originally to produce them all with a band and another producer,” Stellan explains. “Everything sounded great, and we spent a long time on it, but we just got to the end and I felt like it wasn’t a hundred percent correct. And it felt silly after that much time, to put something out that didn’t feel like every fiber of my being is in this. I honestly think that somebody accidentally whispered that to me, that we could start again. And I was like, ‘Sorry, that’s a possibility?’ So I took that and I ran with it.”

It was around this time that Stella serendipitously linked up with Shauf. “I was in this very in-between period not knowing who to do it with,” she says. “I knew I wanted to keep all the same songs, but try it again and produce them in a different way. And literally in this very weird liminal space, Andy Shauf’s team reached out to mine and was like, ‘Andy’s looking to produce for other artists.’ I was like, ‘If I knew that, he would be my choice, my absolute pick of the litter.’ His records have been such a huge part of my life. So it was very magical timing, and it just made sense.”

Maria-Juliana Rojas for Rolling Stone

‘Smartest Person in the Room’ Is About a Mansplainer 

One of the album highlights is a sparkly upbeat track that Stella co-wrote with Ethan Gruska and her longtime collaborator Simon Wilcox. “That’s definitely the lighter of the bunch,” Stella explains. “It’s a mansplainy person that just likes to hear themselves talk and wants to be on the microphone all the time. And I feel like we’ve all been in the corner of that, where somebody is speaking to prove something to themselves. You’re being used in that moment. They’re not talking to you, and you’re irrelevant, and you’re actually the prop. That song was almost a lighthearted jab, but also in a very real way. There’s a lot of those around, and I think at some point it’s not fun to be around anymore. So yeah, that’s one of my favorites on the record for sure.” 

The Album Cover Was Shot in Her Bathroom

The album cover, shot by Adam Alonzo, features Stella underneath the amber glow of a lamp, standing in her bathroom. “That was a lamp that I got at the Rose Bowl [Flea Market],” she says. “I wanted to shoot all of the photos in my house. It’s going with the record, feeling warm and cozy and intimate.”

She Doesn’t Revisit Her Early YouTube Videos

Stella and her sister Maisy started out as the country duo Lennon & Stella, which landed them roles on Nashville. But they also found success in the early days of YouTube, like their cover of Robyn’s “Call Your Girlfriend,” which they performed while using plastic cups as percussion. The video went viral, and currently has 31 million views. Does Stella ever revisit these videos? “Oh, never,” she says with a laugh. “Just never. That was such a whirlwind of experience. But it also happened to be right as Nashville... I mean, that’s too long of a story to even get into, but they helped each other. That helped us get our visas to be on the show. That YouTube video was pivotal for us.” 

Maria-Juliana Rojas for Rolling Stone

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She’s Inspired by Overlooked Folk Artists

“I noticed a theme in the people that I’ve been listening to when I was making the record, and also just now,” she says. “A lot of the people that I’m drawn to are artists that didn’t get recognition at their time.” She cites Nick Drake (specifically the title track to his 1972 masterpiece Pink Moon), his mother Molly — a musician in her own right — and the mysterious singer-songwriter Connie Converse. “There’s a purity about those people that I’m really drawn to, and it really centers me,” she says. “When I listen, I feel really grounded. And honestly, it brings me to a very kid place, when I was making music for true, true, true love of it. Nobody’s hearing it, just me and a guitar.” 

She’s a Big Fan of Cameron Winter 

Stella also cites Heavy Metal, the 2024 solo debut from Geese’s Cameron Winter, as a huge inspiration. “I love, love, love that record,” she says. “That came out right before I was going in to re-record the record. And it re-inspired me. I was like, ‘Oh, this is so true and so pure and really exciting that this is being made right now.’ And then it started getting so much traction. I was like, ‘This makes sense.’ It’s a perfect record.”

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Lennon Stella knows it’s been a while

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Attention, lobservation du jeu chickenroad révèle des stratégies pour guider sa poule en toute sécurité

Le jeu vidéo «chickenroad» a rapidement gagné en popularité, attirant un large public grâce à son concept simple mais addictif. Le principe est fondamental : guider une poule à travers une route animée, esquivant le trafic automobile pour atteindre l'autre côté en toute sécurité. Ce qui semble être une tâche facile se révèle être un véritable défi de réflexes et de stratégie. La tension monte à chaque traversée, et la satisfaction d'arriver à destination intact est immense.

Au-delà de son aspect ludique, ce jeu offre une opportunité intéressante d'observer la perception du risque, la prise de décision rapide et l'importance de l'anticipation. Il met également en lumière la fragilité de la vie, même pour une simple poule courageuse! L’objectif n’est pas seulement d'atteindre l’autre côté, mais de le faire avec le plus de style et, surtout, avec le meilleur score possible en collectant des bonus et en traversant les voies les plus dangereuses.

Maîtriser l'art de la traversée : les bases du jeu

Pour exceller dans «chickenroad», il est crucial de comprendre les schémas de circulation et d'anticiper les mouvements des véhicules. Ne vous contentez pas de réagir aux dangers immédiats, essayez plutôt de prédire où les voitures vont se trouver dans les secondes à venir. Une bonne observation est donc primordiale. Analysez la vitesse des véhicules, leurs trajectoires et les intervalles entre eux. La patience est également une vertu importante : il est parfois préférable d'attendre le moment propice plutôt que de se précipiter dans le trafic.

L'importance des bonus et des power-ups

Le jeu ne se limite pas à éviter les voitures. Des bonus et des power-ups sont dispersés le long de la route, offrant des avantages temporaires tels que l'invincibilité, l'accélération ou la possibilité de ralentir le trafic. Saisir ces opportunités est essentiel pour maximiser votre score et survivre plus longtemps. Apprenez à identifier les bonus et à planifier votre route en conséquence. Certains bonus sont plus stratégiques que d'autres, et leur utilisation judicieuse peut faire la différence entre la victoire et la défaite. Certains joueurs expérimentés se concentrent sur la collecte de certains bonus spécifiques pour optimiser leur gameplay.

Bonus
Effet
Durée
Bouclier Invincibilité temporaire 5 secondes
Accélérateur Augmentation de la vitesse de la poule 3 secondes
Ralentisseur Diminution de la vitesse des véhicules 4 secondes
Aimant à pièces Attire les pièces à proximité 7 secondes

Apprendre à combiner ces bonus de manière stratégique est une clé du succès dans «chickenroad». Par exemple, utiliser l'accélérateur juste avant de traverser une voie achalandée peut vous permettre de vous faufiler entre les voitures avec plus de facilité.

Développer une stratégie de jeu efficace

Le caractère aléatoire du trafic dans «chickenroad» signifie qu'il n'existe pas de stratégie unique qui garantisse la victoire. Cependant, certains principes généraux peuvent améliorer considérablement vos chances de succès. L'un de ces principes est de se concentrer sur les intervalles entre les voitures plutôt que sur les voitures elles-mêmes. En identifiant les espaces vides dans le flux de circulation, vous pouvez planifier vos mouvements plus efficacement et éviter les collisions. Il est également utile de varier votre itinéraire pour éviter de devenir prévisible. Les voitures ont tendance à suivre des schémas, et en changeant de voie de manière inattendue, vous pouvez les prendre au dépourvu.

Adapter votre stratégie en fonction de la difficulté

La difficulté du jeu augmente progressivement à mesure que vous progressez. Au début, il est relativement facile de traverser la route. Mais à mesure que le trafic devient plus dense et que les voitures se déplacent plus rapidement, vous devrez adapter votre stratégie. Cela peut impliquer de devenir plus patient, d'utiliser les bonus de manière plus judicieuse et de prendre des risques calculés. N'ayez pas peur d'expérimenter différentes approches pour trouver celle qui vous convient le mieux. Certains joueurs préfèrent une approche prudente et méthodique, tandis que d'autres adoptent un style de jeu plus agressif et audacieux.

  • La patience est une vertu : Attendez le bon moment pour traverser.
  • L'observation est cruciale : Analysez le trafic et anticipez les mouvements.
  • Les bonus sont vos alliés : Utilisez-les stratégiquement pour maximiser votre score.
  • L'adaptation est essentielle : Ajustez votre stratégie en fonction de la difficulté.
  • La pratique rend parfait : Jouez régulièrement pour améliorer vos réflexes et votre coordination.

De plus, il est important de se rappeler que «chickenroad» est un jeu qui repose sur la répétition et l'apprentissage. Plus vous jouerez, plus vous développerez votre instinct et votre capacité à prendre des décisions rapides et éclairées. Ne vous découragez pas par les échecs, considérez-les comme des opportunités d'apprendre et de vous améliorer.

Les différents modes de jeu et leurs spécificités

Bien que le concept de base de «chickenroad» reste le même, de nombreux modes de jeu différents sont souvent proposés, chacun avec ses propres défis et récompenses. Certains modes peuvent introduire des obstacles supplémentaires, tels que des trains ou des obstacles naturels. D'autres peuvent modifier les règles du jeu, par exemple en vous obligeant à collecter un certain nombre de pièces avant de pouvoir atteindre la fin de la route. En comprenant les spécificités de chaque mode de jeu, vous pouvez adapter votre stratégie en conséquence et maximiser vos chances de succès.

Le mode défi : un test ultime de vos compétences

Le mode défi est généralement le mode de jeu le plus difficile, réservé aux joueurs expérimentés qui maîtrisent parfaitement les mécanismes du jeu. Il peut inclure des objectifs particulièrement exigeants, tels que traverser la route sans utiliser de bonus ou atteindre un score élevé en un temps limité. Relever ces défis nécessite une concentration intense, des réflexes rapides et une planification stratégique minutieuse. C'est le mode idéal pour mettre vos compétences à l'épreuve et prouver votre valeur en tant que maître de la traversée.

  1. Familiarisez-vous avec les contrôles du jeu.
  2. Observez attentivement le trafic et anticipez les mouvements des véhicules.
  3. Utilisez les bonus de manière stratégique pour maximiser votre score.
  4. Adaptez votre stratégie en fonction de la difficulté et du mode de jeu.
  5. Pratiquez régulièrement pour améliorer vos réflexes et votre coordination.

Le mode défi est une véritable épreuve de patience et de persévérance, mais la satisfaction de le réussir est d'autant plus grande. Il vous pousse à dépasser vos limites et à vous perfectionner en tant que joueur.

L'impact psychologique du jeu : stress, concentration et récompense

«chickenroad» est un jeu qui peut être étonnamment stressant, en particulier lorsque le trafic est dense et que le danger est omniprésent. La pression de devoir réagir rapidement et de prendre des décisions en une fraction de seconde peut provoquer une montée d'adrénaline. Cependant, ce stress peut également être positif, en stimulant la concentration et en améliorant les réflexes. La satisfaction de réussir à traverser la route en toute sécurité et d'atteindre un score élevé procure une sensation de récompense et de fierté. C’est un cercle vertueux : le stress motive, la concentration améliore les performances, et la récompense renforce le plaisir de jouer.

Au-delà du jeu : les parallèles avec la vie réelle

Bien que «chickenroad» soit un simple jeu vidéo, il peut également être interprété comme une métaphore de la vie réelle. La route animée représente les obstacles et les défis que nous rencontrons quotidiennement, tandis que la poule représente nous-mêmes. Comme la poule, nous devons naviguer dans un environnement complexe et imprévisible, en évitant les dangers et en saisissant les opportunités pour atteindre nos objectifs. Le jeu nous apprend l'importance de la prudence, de la patience, de l'anticipation et de la prise de décision rapide. Il nous rappelle également que le succès nécessite souvent de prendre des risques calculés et de surmonter nos peurs. Le concept de relativisation du danger peut aussi être transposé à des situations réelles, nous aidant à évaluer les risques et à agir en conséquence. Le jeu «chickenroad» est donc bien plus qu’un simple divertissement ; c’est une source d’apprentissage et de réflexion sur notre propre vie.

Attention, lobservation du jeu chickenroad révèle des

News movies bollywood ‘He Wrote About Abba In A Quiver Full Of Arrows’: Soha Ali Khan Remembers Jeffrey Archer

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Soha Ali Khan paid tribute to Jeffrey Archer following his death, remembering the late author’s friendship with her father Mansoor Ali Khan Pataudi from their Oxford days.

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Jeffrey Archer Passes Away: Soha Ali Khan Recalls His Friendship With Her Father Mansoor Ali Khan Pataudi

Jeffrey Archer Passes Away: Soha Ali Khan Recalls His Friendship With Her Father Mansoor Ali Khan Pataudi

British author and politician Jeffrey Archer passed away on October 5, 2026, aged 86. Following his death, tributes poured in from across the world, with people from different walks of life remembering the celebrated author. Bollywood actress Soha Ali Khan also paid tribute to Jeffrey Archer while remembering his longstanding connection with her family. Taking to social media, Soha recalled that Archer had been a friend of her father, former Indian cricket captain Mansoor Ali Khan Pataudi, since their days at Oxford.

Soha Ali Khan Pays Tribute To Jeffrey Archer

“Jeffrey Archer was a friend of my father’s from their Oxford days,” Soha wrote in her Instagram stories.

She also recalled how Archer wrote about her father, Mansoor Ali Khan Pataudi, in his 1980 book ‘A Quiver Full of Arrows’, which is a collection of 12 short stories. She further remembered the author’s tribute to Pataudi following his death.

Soha Ali Khan’s Instagram story

“He wrote about Abba in A Quiver Full of Arrows, wrote so beautifully about him after he passed,” she wrote.

Mansoor Ali Khan Pataudi, fondly known as Tiger Pataudi, died in 2011 at the age of 70.

Jeffrey Archer’s Connection With The Pataudi Family

Soha Ali Khan also recalled another occasion when Jeffrey Archer honoured her father’s memory. Years after Tiger Pataudi’s death, the author took on the role of auctioneer at an evening hosted by Soha and her family in memory of the former cricketer.

“And years later held the auctioneer’s hammer at an evening we hosted in Abba’s memory,” Soha wrote. Remembering the author and their family’s connection with him, Soha concluded her tribute with a simple message: “May he rest in peace.”

Soha also shared a lovely throwback picture showing her family posing with Jeffrey Archer. The photo included Soha, Archer, Saif Ali Khan, Kareena Kapoor Khan, Sharmila Tagore and Saba Pataudi.

Jeffrey Archer’s Death

The British novelist and former Conservative politician died “suddenly and peacefully” at his home on October 5, 2026, aged 86, according to his publisher HarperCollins. His death came just a day before the global release of Adam & Eve, the 31st and final novel of a career that saw him sell more than 300 million books worldwide.

Over a career spanning several decades, he wrote numerous bestselling novels.

Some of his most famous books include Kane and Abel, Not a Penny More, Not a Penny Less, A Matter of Honour, The Prodigal Daughter, As the Crow Flies and The Clifton Chronicles series.

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South African singer Elaine has sparked debate on social media following her appearance at Kota Festival, held at the johannesburg Expo Career in Nasrec  on Saturday, 3 October 2026, with her outfit drawing mixed reactions from fans and critics.

The singer’s very short mini skirt became a talking point on X, where some users questioned her fashion choice while others expressed disappointment with the look.

One user suggested that the outfit did not match the image they associated with the singer, writing: “Afowethu, not Elaine. Her music has aura.”

The user added: “The total opposite of what is depicted here.”

Expressing mixed feelings about the look, the user continued: “I’m also disappointed with how she is dressed but at the same time, if she decided to rock up in a bikini it wouldn’t be as bizarre as it is. Did she have to wear the mini skirt though?”

Another user, KHxdi_Supa, was more critical, suggesting that revealing outfits could be used to attract attention when music fails to sell.

“If music doesn’t sell, sex will. You know this very well wena Londie,” the user wrote.

Elsewhere, another user, posting under the name An African Proverb, reacted with humour, writing: “Me and my friend are on 2 different versions of Twitter. He’s saying South Africa is dead and I’m saying look at Elaine wtf is going on? Uthi Home Affairs did something and I’m laughing because look at Elaine.”

A further reaction came from a user identified as Chaotic, who questioned the singer’s musical direction, writing: “Wagcina uphelelaphi wena nomculo?”

The comments reflect the range of reactions to Elaine’s outfit, with some users criticising the look and others expressing disbelief at the singer’s styling.

The debate also highlights how female musicians’ clothing choices can become a major talking point, sometimes competing with discussions about their music and performances.

While opinions remain divided, the conversation surrounding Elaine’s Kota Fest appearance shows how quickly a celebrity’s fashion choice can capture attention online.

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South African singer Elaine has sparked debate

“We know that there is a large audience of readers who are looking to experience comics digitally, and there is no richer library than Marvel Comics,” said David Abdo, General Manager, Marvel Comics and Franchise. “We’re excited to partner with WEBTOON, industry leaders in the space, to create a new app that can continue to grow and evolve with the way readers discover and experience comics.”

Fans can explore what catches their eye through a dynamic cover-scroll interface that makes thousands of comics browsable at a glance or turn to personalized recommendations tailored to their reading history and interests. Character and creator pages let fans follow journeys across arcs and storylines, and Pull List surfaces new issues from followed series, characters, and creators the moment they’re available. Fans can also browse Upcoming Releases to see what’s coming soon and add titles to their Pull List ahead of release, and enjoy updated smart panels for a better reading experience.

“The Marvel Comics app represents a new chapter in helping fans connect with the stories they love,” said Yongsoo Kim, President of WEBTOON Entertainment. “By combining WEBTOON’s expertise in building digital comics platforms with Marvel’s unparalleled storytelling legacy, we’re making it easier for longtime fans and new readers alike to explore Marvel’s universe and discover their next favorite story.”

The Marvel Comics app will offer two subscription tiers. The Base tier is $9.99/month (plus tax) or $69.99/year (plus tax) and provides access to the full Marvel Comics digital library, with the latest issues available as soon as 3 months after their print release. For fans who want the latest issues sooner, the Ultimate tier gives access to new comics as soon as 30 days after their print release in addition to the full library. Ultimate will be available for $12.49/month (plus tax) or $99.99/year (plus tax).

Fans can pre-register now at marvel.webtoon.com and claim a limited-time founding member price of $59.99 (plus tax) for their first year of Ultimate Annual.

Pre-order: $59.99 + tax for year one, charged today. Subscription starts when you redeem your code after service launch, then auto-renews at $99.99 + tax/year until canceled. 18+. Subject to the Founders Offer Terms of Use.

Subscribe for a limited-time Founding Member price available online now and at the Marvel Comics App Booth at New York Comic Con!

The Marvel Comics App at New York Comic Con

The new Marvel Comics app will make its New York Comic Con debut October 8–11 at the Marvel Comics app booth (#2435), where fans can get an early look at the beta version of the app, learn more about the upcoming service, and pre-register ahead of the app’s launch November 16.

NYCC attendees will also have the opportunity to claim the limited-time founding member price on-site. The first 2,000 fans to claim the offer will receive a limited-edition Marvel Comics print ID card, available exclusively at NYCC.

MemberID Card available at booth #2435 while supplies last; limit one per person. Card designs are subject to availability and may vary.

FAQ: The Marvel Comics App and Marvel Unlimited

What’s happening to Marvel Unlimited? 

Marvel Unlimited will sunset as of 12/7/2026.  Marvel’s licensee WEBTOON is operating a brand-new Marvel digital comics app called “Marvel Comics powered by WEBTOON.”

When the Marvel Comics app launches on 11/16/2026, Marvel Unlimited members will be able to import their existing Marvel Unlimited library and reading history to the Marvel Comics app. More details on this process will be shared as launch approaches.

Will I be able to access my digital comic collection and reading history via the Marvel Comics app?  

Yes! Your existing Marvel Unlimited library, reading progress, redeemed comics and saved issues can all be transferred over to the Marvel Comics app. To ensure your digital comic collection is accessible via the Marvel Comics app, you will need to create an account with WEBTOON.  Please import your Marvel Unlimited library with the Marvel Comics app prior to 12/7/2026 to be able to validate it migrated successfully from the Marvel Unlimited app.

Will I be refunded for the remainder of my Marvel Unlimited subscription?   

Yes – all active Marvel Unlimited subscriptions will be eligible for an automated, prorated refund for the remainder of their unused subscription term on or around 11/16/2026. Please allow 3-5 business days from this date for your subscription refund to be reflected on your chosen payment method. 

Need assistance regarding your refund? For subscriptions made through Marvel.com, please contact Marvel Customer Support at help.marvel.com or by phone at 1-844-362-7835 by 12/31/2026. (Hours of Operation: Monday-Friday 8:30 a.m. to 5:30 p.m. CT). 

For subscriptions purchased directly through Google or Apple, please contact your respective app store for further assistance. 

Note: Marvel cannot assist with billing inquiries where you have signed up through a third party and Marvel is not responsible to you for any charges you incur where you have not cancelled them in accordance with those third-party processes. 

When is the last day I can access Marvel Unlimited? 

  • As of 10/5/2026, we will no longer be accepting new sign-ups.

  • As of 12/7/2026, the Marvel Unlimited app will stop having new content added and you will no longer be able to read comics via the app. Members will still be able to browse their library until 12/21/2026 to ensure importing to the Marvel Comics app has been completed successfully.

  • The Marvel Unlimited app will be removed and sunset as of 12/28/2026.

Existing members as of 10/5 will have their library access continue for Marvel Unlimited – free of charge – until 12/7/2026, with opportunity for Marvel Unlimited subscribers to import their libraries to the Marvel Comics app following the launch on 11/16. 

For more information on the sunset timeline and how this impacts your Marvel Unlimited membership, please check out the rest of our FAQs and commonly asked questions: marvel.com/unlimited-sunset.

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“We know that there is a large

Lanterns just dropped its season one finale, and we believe it largely stuck the landing. The series, which was a grounded take on the Green Lantern comics mythology, won over critics and audiences alike. In fact, the series has averaged around 19 million viewers per episode, which is huge. Now, series co-creator Damon Lindelof, known for Watchmen, The Leftovers, and Lost, has revealed to Collider (via IGN) that there are “writers who are working on ideating on Season 2.” It seems, however, that neither Lindelof nor Tom King will have any involvement with a potential season 2.

I can only tell you that everybody in the Season 1 room, inclusive of the writers who are working on ideating on Season 2, felt like even though we knew that it was going to be emotionally devastating and/or disappointing and maybe even frustrating, that the worst possible schmuck-baity thing that we could do is show you a pilot where Hal Jordan was definitively dead, and then try to walk it back and say, ‘Oh, he was a clone’ or ‘He’s only mostly dead’ in the Princess Bride vernacular.

HBO Max/DC Studios

Having said all that, Lindelof is keenly aware that in the comics, Hal Jordan has been dead before. Lindelof said, “I do not know anything about the creative (for season 2). And I wouldn’t want to hamstring those writers in any way for what future storytelling mechanisms they could indulge in. Knowing what the comics have done with Parallax — and Hal, I think, has died at least three or four times over the course of the canon, and celebrating everything that Kyle did in his performance to get the audience to fall in love with Hal.”

Nerdist’s Take: Even if Hal Jordan Remains Dead, Lanterns Season 2 Needs to Figure Out How to Utilize Kyle Chandler

Even if Hal is DEAD dead, we think Kyle Chandler is such a huge part of the appeal for the series, it would be criminal not to utilize him somehow. We definitely think there’s a way to bring the Halogram back, despite whatever Sinestro said in the season one finale. And, after all, this show is called Lanterns, plural. Unless this is about to be a John Stewart/Guy Gardner team-up show, Hal will need to be a part of it. Or they may introduce another Green Lantern to co-star with Aaron Pierre. We’ll have to wait and see, but we certainly hope HBO Max doesn’t drag its feet in greenlighting season 2. What deserves a greenlight more than the show about dudes whose power is green light? Come on, HBO, it’s a sign.

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Quick Take Lanterns co-creator Damon Lindelof admitted he

Modern Warfare 4 is bringing DMZ back with more ways to choose how each deployment plays out. GameSpot’s overview says players can pick mission types with different risk levels, connecting those choices to a broader progression loop rather than making extraction the only goal.

That shift gives squads a clearer decision before they infil: take on a more demanding objective for a potentially greater payoff, or choose a lower-risk route and focus on getting out. The available overview confirms the return, a map, and expanded progression systems, but does not spell out exact rewards or mission-specific risk values.

A more deliberate DMZ loop

DMZ is presented as an evolution of Call of Duty’s extraction mode, with player choice doing more work across a run. Mission selection and progression are linked: deployments can serve a purpose beyond collecting loot and surviving long enough to extract, giving players another reason to weigh the objective against the danger.

The available GameSpot summary does not name the mission types or give a progression cap, so those specifics should not be assumed. What it does establish is the broad change: players get a variety of mission options with different levels of risk, alongside more substantial progression and choice.

That structure should feel familiar to anyone who enjoys planning a run around more than the gear they might bring home. It also puts the long-term loop in sharper focus: choosing what to attempt becomes part of how players shape their progress, rather than a decision made only after landing on the map.

Mission choices and deployment options

Activision’s official DMZ guide, published on the PlayStation Blog, adds detail on the deployment choices. It describes three options for heading into Hajin, each offering a different way to approach the map:

Deployment option What it offers
Story Missions Narrative objectives that can be selected and replayed for rewards.
Dynamic Operations Operations that award DMZ Cash and XP, with a Supply Drop for the squad on completion.
Free Roam A mission-free deployment for exploring Hajin.

The options give squads room to pursue structured objectives or take a less directed run. That flexibility supports the central promise of the return: deployments can be shaped around the kind of risk and activity a team wants, rather than funneling every match into the same extraction routine.

The FOB ties progression to preparation

The PlayStation Blog guide also describes the Forward Operating Base as DMZ’s command center for progression, gear, and deployment planning. It says the FOB can grow to include more than a dozen Stations as players complete Operations in Hajin, making the base part of the progression loop rather than just a menu between matches.

Preparation and deployment therefore feed into each other: players head into Hajin to complete objectives and collect resources, then return to a base that can expand alongside their progress. The guide also notes that Hajin has area-based Threat Levels, with noisy play bringing a stronger enemy response in some areas. That gives squads another reason to think about how they approach an objective before committing.

Modern Warfare 4 is scheduled to launch on October 23, according to the official PlayStation Blog guide. For DMZ, the meaningful change is the broader set of choices around each run: mission selection, risk, and progression are being framed as connected parts of the experience.

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Modern Warfare 4 is bringing DMZ back

Next Generation Collective has teamed with The Kids Mental Health Foundation on an initiative to help young people in entertainment, music and the creator economy navigate growing up in the public eye. The initiative was launched Tuesday at Hollywood & Mind’s inaugural summit at iHeartMedia in New York City.

Designed for young people, families and the professionals who support them, Next Generation Collective brings together clinical mental health expertise, entertainment industry leadership and lived experience to provide practical, expert-informed guidance on mental health, boundaries, pressure and the realities of working on set, performing, creating content and building a public profile at a young age. It will also serve as an additional resource for studios, productions, agencies, managers and platforms supporting young talent.

Founded by Lilah Kojoori, a longtime children’s entertainment communications executive, the Collective draws on her more than 20 years working with young performers and their families to provide additional guidance, trusted resources and a stronger community of support.

Next Generation Collective’s Founding Advisory Board includes talent and family members who bring firsthand experience of life in the public eye: Angel Carter Conrad (children’s mental health advocate), Logan Henderson (actor and singer), Isabela Merced (actress and singer), Kel Mitchell (actor), Soleil Moon Frye (actress and filmmaker), Carmela Wallace (mother of Juice WRLD and founder of Live Free 999), Hudson Yang (actor) Breanna Yde (actress and singer) and Artists for Artists. Additional members will be announced.

“Young people in entertainment often grow up in the public eye, and they deserve real support along the way,” said Kojoori. “With The Kids Mental Health Foundation’s clinical expertise, Hollywood & Mind’s reach across the industry and an advisory board that has lived this life firsthand, our hope is to give young talent and their families guidance and resources to navigate the industry while prioritizing their wellbeing.”

The Kids Mental Health Foundation will provide clinical guidance and insights to align the Collective’s work with evidence-informed mental health educational resources.

“We are excited that the Collective is beginning their work by first learning from the community they want to support” notes Dr Ariana Hoet, Executive Clinical Director of The Kids Mental Health Foundation and a pediatric psychologist at Nationwide Children’s Hospital. “There are so many directions this important work can take shape and it’s wonderful that it’s being launched in such a thoughtful way.”

Hollywood & Mind, founded by veteran entertainment journalist Cathy Applefeld Olson, will connect the Collective with talent, executives, advocates and wellness professionals, partner on programming and uplift the work of the Collective at its events.

“Supporting the wellbeing of those who work in entertainment is at the heart of Hollywood & Mind’s mission. We’re thrilled to be a founding partner of Next Generation Collective, where we can provide young people and their support teams with the resources and community they need to thrive both personally and professionally,” said Cathy Applefeld Olson, founder and CEO of Hollywood & Mind.

Beginning in 2027, Next Generation Collective will work with its Founding Advisory Board and partners to develop expert-informed resources, education and support for young people, their families and the studios, productions, agencies, managers and platforms that shape their professional environments.
Additional programming and partnership opportunities will be announced in the coming months.

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Next Generation Collective has teamed with The

The best Prime Day handbag deals are officially here, with the two-day sale kicking off today, October 6. It’s a great time to shop some of fall’s biggest bag trends for less, with discounts on designer labels like Tory Burch, Coach, and Marc Jacobs, along with more affordable finds from celeb-favorite JW Pei, Madewell, and Kate Spade. We’re seeing deals on slouchy suede work purses, chic sculptural bags that are wedding-guest-ready, and under-$100 finds that look far more expensive. Below, take a look at the handbag deals (and clothing sales) worth shopping today, and check back through tomorrow, October 7, as we’ll be updating this story with new Amazon Prime Day discounts as they drop.

Our top picks for Prime Day handbag deals, at a glance

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The best Prime Day handbag deals are

To coincide with ADWEEK’s latest cover story on Starbucks’ CEO Brian Niccol—plus additional features on the coffee chain’s merchandise lines, exclusive interviews with its chief brand officer, and a clear-eyed look at the burgeoning caffeine competitive set—we’ve gathered our recent Starbucks coverage in one handy place.

Cast your mind back to Niccol’s appointment in 2024, the latest CMO-CEO success story (or dig deeper into the archives to Niccol’s tenure at Taco Bell in 2015). Fast-forward to this year, and refresh yourself on how Starbucks approached the Super Bowl without buying an in-game spot. And, apologies, but any sweet cravings will be exacerbated by our story on the coffee chain’s revival of the iconic Unicorn Frappuccino this August.

Get a refill and enjoy.

From the latest issue:

Brian Niccol Reveals the Next Era of Starbucks

Rebecca Stewart interviews the CEO about his turnaround strategy and the tests that lie ahead.

Inside Starbucks’ Marketing Machine with Global Chief Brand Officer Tressie Lieberman

Rebecca also speaks with chief brand officer Tressie Lieberman about how the cafe chain works with agencies, a PSL for every season, and more.

Beyond Coffee: The Starbucks Merchandise Collabs Building New Brand Love

starbucks peanuts collab

Brittaney Kiefer writes how Starbucks is just as well-known for its viral collections that sell out quickly as it is for its coffee.

Caffeine Gold Rush: The Competition for Coffee Fans Has Never Been Hotter

To coincide with ADWEEK’s latest cover story

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Skrill 3 000 € 1 500 € 30–60 minuuttia
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Date Added: 2nd May 2023

Known expiry dates are shown above as well as on the Last Chance page.

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History:

   02/05/2023: 18 Episodes (2023)

   06/11/2024: 2 Seasons (2024)

   06/10/2026: 3 Seasons (2024)

 

New Episodes coming on Tuesday

 

Synopsis:

Singles 35 and over from various backgrounds live together and rebuild a house for another chance at love. Will they find “the one,” or leave alone?

 

Age Ratings

Certificate: Suitable for ages 12 and up

 

Release Details

Year: 2024

Duration: 3 Seasons

Available Seasons: Season 1 (18 Ep), Season 2 (20 Ep)

 

Cast and Crew

Cast: Atsushi Tamura, Becky

 

Production & Season Details:

Status: Returning Series”Love Village” is a TV show produced by En Network. The show was originally broadcast on Netflix and premiered on May 2nd 2023. So far there have been 3 seasons (comprising of 46 episodes) of “Love Village”. The most recent episode aired on December 3rd 2024 and more seasons are expected in the future.

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Slayyyter wants you to know that, per her private alt account @WRSTGRLINAMRICA, “today is important.” Now we know why: After a poster campaign teasing a sequel to Wor$t Girl in America, the pop provocateur has officially announced Wor$t Man in America. It’s out December 4 on Records/Columbia.

In recent months, Slayyyter has fed the rumor mill regarding her next chapter by conjuring a pair of reinterpretations from her own catalog. The first, “Brand New Chanel$,” riffed on her late-entry electroclash classic “Beat Up Chanel$,” before last month’s “Crank 2” gave a similar treatment to her breakout song “Crank.” Both tracks appear on the upcoming record.

Read Walden Green’s profile Saint Slayyyter.

Wor$t Man in America
01 Brand New Chanel$
02 Crank 2
03 $$$
04 Nekromantik!
05 I Think He’s Got a Girl
06 Hey Boyyy
07 Parking Lot
08 Perfect Woman
09 *Hymn*

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Moviegoers will be thrilled to hear that the 2026 fall movie season brings with it a fantastic sequel to “The Social Network.” But I’m not talking about “The Social Reckoning” — Aaron Sorkin’s follow-up to “The Social Network” (out this Friday), which continues the saga of Facebook founder Mark Zuckerberg by hanging the yoke of blame on him for everything that’s wrong with social media. No the real sequel to “The Social Network” is “Artificial,” Luca Guadagnino’s sprawling, enthralling, brain-spinning drama about the creation of artificial intelligence. (It had its world premiere tonight at the New York Film Festival.)

“Artificial” is a brilliant but playful docudrama, meticulously true to history, that focuses on the founders of OpenAI, notably its CEO Sam Altman (Andrew Garfield). But the tale it tells is much larger than that. “Artificial” goes back to the earliest days of AI and shows you how the technology was invented, how it was developed, how it was dreamed. That turns out to be a story unlike any other, because the very nature of artificial intelligence — technology that’s as intelligent and searching as the human mind, or maybe smarter — is that even the people who invented it don’t quite know what it is or what it will do. They have an idea of its potential, but they can’t predict it — they can only let it loose and see what it’s capable of, which will probably be more than anyone bargained for. And by then, it will be impossible to put the genie back in the bottle.

“Artificial” is about how humanity invented a genie, and maybe a very dark one. Like “The Social Network,” the film shows us a digital “aha” moment that takes on an unexpected life of its own, though in this case two things about the technology are clear from the start: It will change the way we live, and it’s therefore worth a trillion zillion dollars. So this is a dawn-of-a-new-world story, as well as a backstabbing corporate business story, and also a horror movie, in which AI emerges from the lab as a sinister serpent, and the dramatic question is: Who’s going to control it, and how? Most of all, “Artificial” is a human story that shows us what it looks like when people are suddenly in charge of a force they devised that may be much more powerful than they are.

It’s been a long time since I saw a film that attained this next-level feeling of topical charge. A lot of people will go into “Artificial,” as I did, not knowing all that much about AI and feeling as if it’s a frosty and abstract frontier. Yet as you watch the film, AI comes alive as a subject. It becomes real — you touch what it is, what it means, what the stakes are. The result is a movie that’s at once inspiring and deeply chilling, and when it’s over you’re in a different place. And that is what a ripped-from-the-headlines movie should do. It shouldn’t merely be a dramatization of what we already know but, rather, a future-shock referendum on our lives and our values and maybe our souls. “Artificial” does that thing.

The screenplay, by Simon Rich, is pitched at a high-wire level of tech-geek patter, to the point that you may not follow every line. Yet that’s part of the film’s exhilaration — it keeps you on the edge of your brain — and it’s also what gives it the ring of authenticity. This is exactly how these dudes think, and how they talk. (Most of them are dudes, though not all.) The film opens in Toronto in 2003, where Ilya Sutskever (Yura Borisov), a 17-year-old graduate of the University of Toronto, walks into the classroom of Prof. Geoffrey Hinton (Mark Rylance), a British-Canadian computer scientist who’s been trying to work up a model of artificial intelligence. Ilya is looking for work as an assistant, and the professor, with his dandyish nerd arrogance, tells him to look at a paper he’s written and come back in a few days. Minutes later, Ilya returns, having looked deeper into the material than the professor has, and he’s scrawling an equation on the blackboard that Hinton says “took him five years to learn.”

Ilya, you see, is a stone-cold genius. He’s like the Einstein of AI, with an ability to see models of it rotating in his head. He’s also a Russian émigré who speaks in an accent as thick as borscht and gazes out at the world with a stunted glower of beetle-browed sincerity that makes it look like it’s never occurred to him in this life to tell a joke or even to laugh. This is a personality of complete tech-geek maximalism. Yet playing this driven, earnest, possibly on-the-spectrum visionary of the computer age, Yora Borisov, the bald co-star of “Anora” (he sports short dark hair here, gathered in unkempt tufts and clumps), gives what may be the performance of the year. His Ilya can seem hard to warm up to at first, but he’s an authentic human being, who we begin to form an attachment to, especially when he starts to warn about the dangers of AI. What draws us to him is that he’s the key inventor of the brave new world, and also the only one who completely gets it. Borisov shades that with grace notes of tragedy.

By 2012, Ilya and Hinton have comes up with an AI model that’s developed enough to place in an auction. Within five seconds, there’s a bid on the table for $20 million, and the two decide to sell their knowledge to Google. They will set up a lab there, working independently, and have their research funded. This works for a while, but John (Chris O’Dowd), the Google executive in charge, doesn’t really get where they’re going with AI. He’s not onboard with the vision of it. Sam Altman, a rising star of Silicon Valley, is.

Gaudagnino’s last stab at zeitgeist topicality, “After the Hunt,” turned out to be a mixed bag, but in “Artificial” he’s at the top of his game, working with the impish human factor that was there in “Challengers,” his slyly exhilarating tennis-triangle movie. Guadagnino stages the film as an eclectic jamboree of brainstorming sessions and office showdowns and bro parties, and he gives it all a dramatic hotfoot with the scenes that include Elon Musk, played by Ike Barinholtz in an irresistible showbiz turn that lands just this side of caricature. His Elon is the god of the geeks and knows it. Dressed in black, holding his body at skewed “rock star” angles, his mouth turned down into a grimace of power, he’s the one who can make things happen. Guadagnino stages a group dinner, in which Ilya gets to know Altman and his pals (this is where it’s first revealed that Altman is gay), and Musk crashes in like the lord of the frat house. His bluster is easy to mock, but he’s quicker than anyone in the room, and he goes in with Altman on backing OpenAI.

As it turns out, Elon is too quick for his own good. He wants the AI models advanced, faster and faster, so that they can kill the competition. But with AI it’s not going to work like that. That’s why he opts out, and Altman takes over as sole CEO. There’s a way that the film catches the audience up in the booster spirit of early AI, when everyone is convinced that it’s going to be a powerful force for good. It will solve world hunger and teach the immune system how to beat cancer cells. The technology will achieve critical mass when it becomes AGI (artificial general intelligence), which means that it’s now teaching itself how to think. This first happens when AI plays — and wins — a video game with one of the OpenAI geeks, and the super-slow-motion beer-spraying party celebration that follows is bravura filmmaking, expressing how the lust for computers to take over our world has become nearly sexual. The film’s musical score, by Damon Albarn of Blur, has a haunting Bowie-like party-on-the-abyss shimmer.

At OpenAI, the bro slogan, led by Ilya, is “Feel the AGI,” which is a kind of Peter Pan mantra. It means: The technology will come to life — literally — if you believe in it. But the moment where Ilya learns that AI has become so smart that it can tell a joke, and lie…at that point, you feel the world shift. The documentary “The AI Doc: Or How I Became an Apocaloptimist” captured many of the same issues, but to see the monster actually rise up before your eyes, to the point that its creators are terrified, gives “Artificial” an ominous power.

The movie takes us deep into the tech world and its ultimate paradox: the way our tech reality, which can seem so coldly factual, is actually shaped by personality. The performances sizzle, from Cooper Hoffman’s Adam Sandler-on-Adderall turn as the OpenAI super-geek Greg Brockman to Monica Barbaro as the ambiguously tranquil Mira Murati, who becomes the company’s chief technology officer, to Rylance’s delectably refined professor to Jason Schwartzman as an ex-academic screw-loose hippie who has foreseen all the dangers of AI. The conversation he has on a San Francisco bench with Ilya is the film’s equivalent of Donald Sutherland’s great scene in “JFK,” and it leaves a chill hanging in the air.

And then there is Sam Altman. Garfield plays him as a corporate seducer, and he does it by seducing the audience, making Altman winsome in his enthusiasm, a softly charismatic player who believes in the right things. And he really does…until he doesn’t. The central conflict in “Artificial” is this: The development of technology moves so quickly that for your company to succeed, to thrive, or simply to survive, you’ve got to win. You’ve got to be first. And that puts the emphasis on speed. But Ilya, cognizant of the profound dangers of AI, says that the new technology must be developed in tandem with an appreciation for how threatening it is. The trick is that it has to be developed through interaction with humanity…because it literally evolves by doing that. So…easy does it. Test it all out.

But that doesn’t chime with the business plan. As the film goes on, Garfield’s performance grows more layered and duplicitous in a nearly subliminal way, as we start to pick up on the priorities lurking just beneath Sam’s silky manners. He wants to advance the tech — which is what tech bros are supposed to do. But AI isn’t like other tech. Throwing safety to the winds could be throwing civilization into the trash.

Is that what’s happening now? The power of “Artificial” is that it so ominously captures the ambiguous place we’re now in with AI — on the cusp of a revolution, with warnings in place, yet no one is there to regulate it. (Obviously, that should be the U.S. government, but under the current leader we barely have one.) Garfield’s Altman becomes the seducer-as-betrayer, but the film is about something much bigger than his being the “bad guy.” In “Artificial,” everyone goes along with Altman, even after he’s fired from OpenAI, because he convinces them that if they don’t go along, the only other options are worse. The film is about the victory of greed, but also about something as sinister as “Invasion of the Body Snatchers.” What’s been snatched away is our desire to guide our own destiny, and maybe even be who we are. At the end of “Artificial,” we’ve handed that away all too eagerly, ceding our power to the ghost in the machine.

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The Curator independently decides what topics and products we feature. When you purchase an item through our links, we may earn a commission. Promotions and products are subject to availability and retailer terms.

Sure, it’s nice to pick up something jazzy on a sale day, but have you noticed that the things worth buying during a big sale are almost never the fun ones, but the items you’ve been meaning to replace or upgrade because they’re usually on a fantastic sale? Amazon Prime Big Deal Days runs October 6 and 7. From the Dyson V15 Detect Plus Cordless Vacuum and Sunbeam King Sized Heating Pad to the Philips Sonicare Cordless Power Flosser 3000, these are the deals to shop now before time runs out.

Don’t have Amazon Prime yet? Sign up today or start a free trial to shop exclusive Prime deals and take advantage of perks like fast, free delivery, Prime Video, Amazon Music Prime and more.

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Check out our Amazon Storefront for even more deals on products worth buying throughout Prime Big Deal Days.

 

The big-ticket item you’ve been waiting to go on sale

I hear this from my audience all the time: I need a new vacuum. And then nobody buys one, because a good one costs four figures and you’re always waiting for it to go on sale. And I get that!

 

I have this vacuum, and it is amazing. I’d put it first on any deals list because it’s a purchase that will entirely change the vacuuming game for you and you’ll be excited about vacuuming even if you’re not ‘that person’. The laser head lights up the floor in front of you and shows you just how dirty the floor you thought was clean really is. It’s got up to 60 minutes of runtime on a charge, plus interchangeable tools for the spaces you normally skip.

 

The bathroom upgrade your dentist keeps ‘reminding’ you about

Your dentist hands you a free toothbrush on the way out, and we all know what they actually want you using. But you want to buy an electric brush on sale, not at the front desk while you’re paying. And flossing… be honest. Do you floss for the three days before your cleaning and call it a year? After a real talking-to from my dentist, I am a daily floss convert, but it took some serious scare tactics. My gums are definitely in better shape and part of my routine has included using a water flosser as well.

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Both Philips Sonicare pieces are on sale. The DiamondClean 9000 is a great investment, and Philips rates it at up to 1000% more plaque removal and 100% more stain removal.

 

The Cordless Power Flosser 3000 uses its Quad Stream head, which Philips says clears up to 99% of plaque from below the gum line which is the part a brush simply cannot reach. If you’ve never used a water flosser, it’s like taking a shower for your mouth, and it feels unbelievable.

 

The home office upgrade that’ll lower your blood pressure

Very little raises your blood pressure like a printer that won’t print. You need it urgently, and the only time anyone needs a printer, there’s no doubt it’ll be out of ink, offline, or showing an error message you have no clue how to resolve.

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It’s the boring kind of thrill we all need: a printer that actually prints, scans, copies, and prints both sides without you flipping anything, and is compact enough that it isn’t hogging the entire desk. It ships with four starter ink cartridges, and it’s eligible for a free six-month extended warranty. At half price, it‘s a pretty great find for this sale day.

 

More Amazon Prime Big Deal Day home deals:

Canadian Down & Feather Co. All Season Duvet – $155.34

DREO Space Heater – $58.49

Ninja BlendBOSS Personal Blender – $149.99

 


Pair it with the Brother P-touch PT-N10 label maker. I’ve said this before, and I’ll say it again: a label maker is a seriously helpful tool to have at home and has made a big difference in keeping my space more organized and functional.

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Car care products that go the distance

The automotive aisle is confusing for most people, and that’s fair. But knowing which few things to buy makes a huge difference in how fast a car cleans up and how good it looks when you’re done.

 

These two live in my own cleaning kit. Chemical Guys V.R.P. is for vinyl, rubber, and plastic. What’s great is that it brings the finish back to everything that’s gone chalky and grey, and it dries to the touch instead of leaving a greasy film.

 

Chemical Guys Lightning Fast is a carpet and upholstery stain extractor made for fabric, upholstery, car seats, door panels, and mats. Spray, agitate, wipe (no hard scrubbing to lift set-in stains!), and say goodbye to dirt, grease, or grime.

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The quickest way to warm up this fall or soothe sore muscles

It’s October. The house is cold, the annual thermostat argument has started, and everybody has a different idea of what’s seasonally appropriate. This leads to stolen blankets, and somebody’s feet are always freezing. Add to that sore muscles from workouts, shoveling, or a first day back on the ski hill (coming soon!), and the case makes itself.

 

12 by 24 inches and super plush and cozy–the large size means it’s big enough to cover a major muscle group without repositioning it every five minutes. You can also place it in a bed to warm the sheets before you climb in, or wrap it around your feet during a movie.

 

More Amazon Prime Big Deal Day home deals:

Philips Perfect Care 3000 Steam – $49.99

Greenworks 48V 17 Inch Lawn Mower – $999

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Ninja FlexFlame™ Propane Grill & Outdoor Cooking System – $299.99


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Taylor Swift and her husband, Travis Kelce, stepped out in New York City to celebrate the NFL star’s 37th birthday.

On Monday, October 5, photos published by People showed the birthday boy and his bride, 36, getting out of an SUV on Mulberry Street in SoHo to dine at trendy Italian restaurant Torrisi. Swift wore a chic leather bomber jacket over a black dress with lace trim while Kelce opted for a dark cardigan sweater paired with charcoal-colored pants and leather shoes in honor of his big day.

The newlyweds picked the perfect spot for a romantic meal as acclaimed chef Mario Carbone‘s eatery prides itself on delivering “the highest levels of execution and the most spectacular ingredients with inspired creativity and a deep respect for New York City’s culinary history.” The restaurant received a prestigious Michelin Star in 2023.

Kelce is currently on a break from the Kansas City Chiefs’ jam-packed NFL schedule as his team has a bye this week. The Chiefs will return to the gridiron against the Los Angeles Chargers on Sunday, October 18, at Arrowhead Stadium.

New York City holds a very special place in Swift and Kelce’s romantic history as they tied the knot at the famed Madison Square Garden in front of a star-studded guest list on July 3. The newlyweds even announced that they were “JUST&T MARRIED” on digital billboards surrounding the “World’s Most Famous Arena” during the ceremony.

Kelce broke his silence about the nuptials while chatting to reporters at the Kansas City Chiefs’ training camp on August 12, joking that he had “a fun offseason.”

“Wedding was the best night of my life. I appreciate everybody who came out and celebrated and had fun with us,” he said during a press conference. “That’s about all I really got from that night. It was a crazy night. It was full of a lot of celebration.”

At that same press briefing, Chiefs quarterback specifically opened up about the honor of getting married at Madison Square Garden.

“MSG, man, I always told myself I’d go for a playoff game when the [New York] Knicks were rocking, and my wife went when I was stuck in minicamp,” Kelce said. “I didn’t get the opportunity to go then, so it’s kind of cool to get to live out my childhood dream of being in that venue, the mecca of all sports venues, being able to get married in there.”

Travis Kelce Reacts to Cleveland


Related: Travis Kelce Reacts to Taylor Swift’s New Song ‘Cleveland!’

Travis Kelce is all in on Taylor Swift‘s new song “Cleveland!” — and apparently, so is the entire city. “Cleveland is rocking right now,” Kelce, 36, said during the Wednesday, September 30, episode of “New Heights” while discussing the Cleveland Guardians’ path to the MLB playoffs. “Shout-out to Tay Tay for making that song.” Jason […]

Last weekend, Swift seemingly skipped the Chiefs’ road game against the Las Vegas Raiders on Sunday, October 4, at Allegiant Stadium in Paradise, Nevada. (The Chiefs prevailed in a squeaker win over the Raiders, 30 to 27.)

While Swift has easy access to a private plane, a cross-country trek seemed unlikely since she made a cameo alongside her friend Dakota Johnson on Saturday Night Live in New York City the previous night. The “Cleveland” singer popped up during Johnson’s monologue and later surprised her with a birthday cake during the “goodnights” segment to celebrate the Verity actress turning 37 on Sunday.

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Taylor Swift and her husband, Travis Kelce,

On Sunday night, John Oliver dedicated the majority of his Emmy-winning show “Last Week Tonight” to the Secret Service’s failings in recent years while declining to address the major media news of the week: David Ellison’s newly-formed Skydance Corp. swallowing up Warner Bros. Discovery — which controls Oliver’s network HBO — and merging it with Paramount Skydance to form a mega-company.

So, would his late-night compatriot Jon Stewart give his two cents on the merger during Mondays’ episode of “The Daily Show,” since it’s also a part of Skydance Corp.?

Apparently not.

Stewart dedicated the show entirely to AI, first ripping apart AI leaders’ empty promises of job creation, economic prosperity and its ability to cure cancer while admitting that there’s a 10-25% chance it will kill us all. Currently, however, AI is primarily being used for ICE and other surveillance, drone warfare targeting and potential dynamic pricing at places like McDonald’s.

“What are we getting in exchange for this 10-25% chance at extinction?” asked Stewart, adding, “Right now it’s mostly murder, surveillance and surge pricing for the McRib? What a trade! I’m getting the sense that you guys might be full of shit.”

The comedian also pushed back at President Trump allowing these AI companies to self-regulate after his recent fawning AI summit, since the Zuckerberg’s and Musk’s of the world don’t exactly have a sterling track record when it comes to playing it safe. There’s also the matter of how many jobs AI will eliminate. Though AI leaders keep repeating over and over that the technology will lead to newer, different jobs and an economic windfall for everybody, they can’t say what jobs it would create or how it will economically benefit everyday people.

“The view of our self-policing geniuses is that the new world that we are building must continue without regulation or financial limitation because it’s important work carried out by important people,” offered Stewart. “And my guess is: They’ll still have jobs when this is done… Stop lying to us! Claims of universal high income and incredible hobbies isn’t going to paper over how frightening this future can sound.”

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On Sunday night, John Oliver dedicated the

Opter pour un casino en ligne ne se résume pas à comparer des logos ou des promesses https://greenlucks.org/. La sélection de jeux conditionne la fluidité des sessions, la diversité des stratégies possibles et la capacité d’une plateforme à correspondre à différents profils de joueurs. Greenluck Casino articule son offre autour de plusieurs grandes familles, des machines à sous aux tables en direct, tout en incluant des conditions d’utilisation claires et des méthodes de paiement appropriées au marché français. Ce guide analyse les critères concrets à contrôler avant de verser : taux de redistribution, volatilité, règles des tables, exigences de mise et compatibilité mobile. On ne fait pas référence ici d’un système miracle, mais d’une manière pour comprendre une offre de casino sans se laisser abuser.

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La sérieux d’un casino s’appuie sur trois piliers : une licence accordée par une autorité compétente, le chiffrement SSL des données et l’audit autonome des générateurs de nombres aléatoires. Une licence européenne impose des règles sur la protection des fonds, la prévention du blanchiment et les litiges. Le joueur français doit contrôler que l’opérateur admet bien les joueurs de sa région et expose les conditions générales complètes. Les outils de jeu responsable complètent le dispositif : limites de dépôt, auto-exclusion temporaire, rappels de session et tests d’auto-évaluation. Greenluck Casino souligne ces informations, mais il faut toujours les examiner avant de créér un compte.

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Jeux de casino et leurs versions actuelles

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Bandits manchants : variance, RTP et fonctionnalités

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Polish film and TV luminary Darius Jabloński’s spy thriller “Fortel” and Estonia’s “Stormbird” from multi-awarded Kadri Kousaar (“Magnus,” “Mother”) feature in the lineup of Tallinn’s TV Beats Co-Financing Market, running over Nov. 16-17.

They are joined by Spain’s “When Devils Rule” from Rodrigo Susarte (“Patagonia”), and Belgium’s “The Inheritance” powered by “This is Not a Murder Mystery” producer Panenka.

Picked among 50 submissions from Eurimages member states, the 10 selected series will vie for the coveted €50,000 ($56,000) Council of Europe Series Co-Production Development Award.

TV Beats co-heads Roosa Toivonen and Petri Kemppinen

Credit: TV Beats

“Never before have we welcomed that many big names and companies,” said Petri Kemppinen, co-head of TV Beats, alongside Roosa Toivonen.

This year’s crop hails from Belgium, Czechia, Estonia, Finland, Iceland, Ireland, Lithuania, Poland, Spain, and co-production partner Canada. As underscored by Toivonen, the geographical spread mirrors TV Beats’ core which is “to act as a bridge between the Baltics, Central Eastern Europe, and the Nordics. Three territories – Czechia, Finland, and Estonia – topped the list of applications.

“Estonia is very dynamic in TV drama, and we did receive more applications than from Lithuania and Latvia,” said Toivonen who mentioned the catchy story of “Stormbird,” about a young female fugitive, under Soviet-occupied Estonia in 1949. Also from Estonia is the fast-paced YA drama “Breaking the Ice,” produced by Jevgeni Supin, who was distinguished last year with an Honorary TV Beats Producer Award.

TV Beats co-heads also pointed at the larger number of projects in early development compared to previous years, set to make their very first pitch in Tallinn. “Obviously the hefty €50,000 development award from the Council of Europe is a major draw in today’s touch times for indie producers who struggle to gather development money when commissioners and public funders are cutting back. They need co-production partners to lift their projects,” Kemppinen said.

Theme-wise, in an age of distrust and as the Baltics and CEE feel the heat from Russian threats, espionage is the beating heart of three shows (“Tanner,” “Fortel,” “The Woman Who Roared”), while oppressive regimes, systems or leaders -even disguised as devils-feature in the remaining slate, next to the ever-popular crime bets.

Next to the TV Beats Co-Financing Market slate, more than 20 other top-tier series looking for additional financing, distribution and sales, will bow at ‘TV Beats Screenings’ and ‘TV Beats Coming Soon’, to be unveiled at a later date.

The TV Beats Forum is part of the Tallinn Black Nights Film Festival’s industry platform Industry Tallinn & Baltic Event, running over Nov 9-20.

Full rundown of TV Beats Co-Financing Market lineup:

“Breaking the Ice” (“Päike mis sulatab jääd,” 6X45’, Estonia)
Young adult drama from Estonian powerhouse Zolba Productions (“Von Fock”, “My Dear Mother,” “A Girl From Tallinn”), co-penned and co-created by the seasoned Leana Jalukse (“Mother”, “Von Fock”) and German screenwriting expert Joachim Friedmann.

Beneath the polished surface of Estonia’s elite ice rinks, a Russian hockey prodigy ruled by his violent father and an Estonian figure skater groomed by a manipulative coach fall in love across a national divide. “Breaking the Ice” is not another fast-paced feel-good love story on skates,” says producer Jevgeni Supin. “Our series looks beneath the polished surface of youth sport, where abuse by parents and coaches is often disguised as pursuit for excellence. At its heart, it’s is a story about two young people who find the courage, through love, to break this cycle.”

“Fortel” (8X45’, Poland)

Credit: Apple Film Production

Legendary Polish film mogul and director Dariusz Jabłoński (“The Pleasure Principle,” “The Cop-A New Chapter”), serves as creator and showrunner of this spy thriller penned by US screenwriter Marc Grey, episodic writer of Apple TV’s International Emmy-winning show “Tehran.”

Jabłoński’s own pedigreed banner Apple Film Production is producing for commercial giant Polsat.
The core of the action is the little-known Polish town of Rzeszów close to the Ukraine border which has turned into a spy nest and arms dealing platform. The story tracks a CIA officer who sets a trap for Russian saboteurs, targeting confidential Western arms shipments while secretly searching for his missing brother, who may hold the key to the leak, says the logline.

“Fortel” is about the history we’re living through right now, in real time, two hours from my home,” Jabłoński tells Variety. “Rzeszów is a city that woke up one morning to find itself at the center of the war, with no instruction manual and no way out. I want to make a thriller that feels the way the war feels – chaotic, morally unresolved and shot through with unexpected moments of humanity, with a cast drawn from several of the countries involved. A Polish-based story that the whole world needs to see right now,” he claims.

“Happy New Year!” (“Laimingų Naujų!” 10X21’, Lithuania)

Credit: Big Drama

Created and helmed by rising talent Montis Norvaisis for his outfit Big Drama, setup with producer Lineta Lasiauskaitė. The drama turns on a young woman, victim of spike drinking at a lavish New Year’s Eve party in a remote manor. When the guests refuse to confront the crime, her best friend seeks justice herself. Norvaisis will draw from his own experience to portray a raw and authentic portrait of New Year’s Eve youth parties.

“Kalmann” (6X45’, Iceland, Finland, Estonia)
TV adaptation of Icelandic-Swiss crime author Joachim B. Schmidt’s “Kalmann” book series, penned by María Heba Þorkelsdóttir and Kristófer Dignus who directs.

Produced by Kontent’s Guðný Guðjónsdóttir and Sara Djeddou Baldursdóttir, who have attached Iceland’s main streamer Síminn and co-pro partners Snapper Films from Finland and Cuba Films from Estonia. Headlining the show is the eccentric sheriff Kalmann, who uses unique instincts to solve murders.

“’Kalmann’ sits within the internationally established Nordic crime space, but brings warmth, humor, melancholy and humanity to the genre alongside a compelling murder investigation,” says Baldursdóttir, who plans to use TV Beats to test the show’s concept, tone and international potential. Production is set to start in the fall 2027.

“Intimacy on Prescription” (“Intimita na předpis, 8X60’, Czechia)
“Can good sex save every marriage,” says the logline about the tragicomedy set in 1970s Czechoslovakia, and inspired by the real story of Stanislav Kratochvíl, a pioneer of couples sex therapy. The show, helmed by established theater and film director Jiří Havelka (“Owners”), is set in a psychiatric clinic, where couples are invited to say out loud what society, marriage and shame have taught them to hide.

“For us, ‘Intimacy’ is not only about sex, but about the courage to speak honestly about desire, fear, shame, power and the need to be seen by the person closest to you,” says producer Karolina Zalabáková, who looks forward to pitching in Tallinn this story “strongly rooted in Czech and Czechoslovak history” with “emotional themes that are universal and highly exportable.” The screenplay from head-writer Kristina Májová, co-written with Matěj Randár and Jan Smutný, is based on an original idea by Kateřina Kořínková.

“Stormbird” (“Tormilind,” 5X42’, Estonia)

Credit: Meteoriit

Historical thriller from acclaimed filmmaker Kadri Kõusaar, credited for the Cannes Un Certain Regard’s “Magnus” and Estonia’s Oscar pick “Mother.” Set in 1949, under Soviet occupied Estonia. After killing soldiers who attack her family, Lee (18), known as ‘Stormbird’, becomes a fugitive and joins the Forest Brothers band led by “Geronimo” to rescue her imprisoned brother, Uku. Hunted by the Red Army, she fights to survive, while her childhood friend Reinhardt becomes her enemy. producer Aet Laigu says “Stormbird” “is first and foremost a story about people trying to survive and forced to make impossible choices under occupation.” It’s also a unique take of a “rarely seen part of European history”, depicted through a young woman’s eyes, turning on topical themes such as freedom, resistance and identity.

“Tanner” (6X50’, Ireland, Canada)
Produced by Fíbín Films’ Bernie Hoban and Darach Ó Tuairisg, co-produced by Fraser Ash and Kevin Krikst for Canadian power-player Rhombus Media, attached to HBO’s Emmy nominated “The Sympathizer.”

The story created and penned by Keith Hodder, with Damian McCann and Sarah Gordon turns on a former Irish intelligence officer who returns home to investigate a missing teenager and uncovers a tech-powered conspiracy reaching from elite schools to the highest levels of government. Hoban says “Tanner” stands out thanks to its unique world “rarely seen before, the Irish intelligence services operating in a country whose prosperity is increasingly intertwined with some of the world’s most powerful multinational corporations, creating fascinating tensions between democracy, sovereignty and corporate influence.”” Through a uniquely Irish lens, “Tanner” tackles themes that resonate across the world while anchoring them in the journey of an unforgettable protagonist – a deeply flawed investigator whose greatest gift may also be his undoing,” she adds.

“The Inheritance” (“De Erfenis,” 6X45’, Belgium)
From fast-expanding powerhouse Panenka behind the New8 hit show “This is Not a Murder Mystery” and Series Mania 2025 Special Mention winner “Putain.” Commissioned by leading Flemish broadcaster VTM.
Created and penned by Alexandra Jans with Jan Van Dyck for producers Kato Maes, Kristoffel Mertens and Karlijn Van de Cruys. Psychological thriller set against the world of animal welfare and hunting. When Hanne, a staff member of a struggling animal rescue, unexpectedly becomes executor of a wealthy hunting family’s estate, a bitter battle over the inheritance erupts. Van de Cruys says the show will draw from its breathtaking location-Belgium’s largest national park of Limburg’s Hoge Kempen, and the personal take from Jans who has crafted the story out of her own personal experience.

“The Woman Who Roared” (4X45’, Finland)

Credit: Olga Dimenshtein/Sons of Lumière

From box-office hit habitué, actor and filmmaker Pamela Tola (“Ladies of Steel,” “Bad Apples”). Dramedy in which the recently widowed Leena (65) discovers that the Helsinki Zoo is actually an arena where international spies gather. She believes the place is linked to a top-secret nuclear weapon her late husband had hidden.

“The Woman Who Roared” offers a fresh take on the spy genre – thrilling, funny, and full of heart,” says producer Mete Sasioglu of Sons of Lumière, who will be looking for co-producers, especially from France, Eastern Europe and the Nordics in Tallinn.

“When Devils Rule” (“Los demones mandan,” 6X35’, Spain)
Darkly humorous political thriller with supernatural elements from the team behind Movistar Plus’ anticipated “Patagonia.” Atlantika Films’ Nano Arrieta-creator and producer with Claudia Ruíz — shares the writing room with Popy Blasco, Ibai Ariztegi and Bárbara Zemelman. In a world fractured by power, fear and political extremism, a group of women uncovers a demonic force operating at the highest level of society-and realizes the chaos around them may be part of a much darker design.

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Polish film and TV luminary Darius Jabloński’s

More than a year after the death of his wife, Jenisa Garland, “Grey’s Anatomy” star Isaiah Washington announced the news of her passing.

The actor posted the news on Instagram over the weekend, writing, “Yes … the rumors are true. My dear wife of 29 years collapsed suddenly on May 31, 2025 and passed away on June 9, 2025.”

Washington said his wife’s death “came as a huge shock to me and our entire family.”

“She succumbed to a massive hemorrhagic stroke and never recovered,” he continued, before adding some cautionary advice to his fans. “Listen, y’all … some headaches are not just headaches or migraines, they can be much worse and a warning sign. Get a brain scan if you can and take those headaches seriously.”

A hemorrhagic stroke is less common than an ischemic stroke, but it is more fatal and occurs when a blood vessel leaks or ruptures in the brain, according to the Mayo Clinic. Causes may include uncontrolled high blood pressure, trauma from a fall or accident, or overtreatment of blood thinners. Signs of a stroke include a sudden intense headache, confusion, trouble speaking, loss of balance, face drooping, sudden blurred vision and more.

“She has been gone 16 months now, but she left 3 incredibly amazing children behind to continue her legacy. I don’t know if this is an appropriate post, because Jenisa Washington was extremely private, but I guess I just have to be reprimanded from her on the other side.”

On Monday, Washington posted a tribute to comedian Reggie McFadden, crediting the “In Living Color” actor with introducing him to his wife more than 30 years ago. “RIP Reggie McFadden,” he wrote on Instagram. “Say hello to Jenisa Washington, because it was you who introduced me to her in 1995.”

Washington played Dr. Preston Burke on “Grey’s Anatomy” in 2005 but was nixed from the medical drama in 2007 after an on-set spat with co-star Patrick Dempsey, a.k.a. Dr. McDreamy, during which Washington reportedly referred to (then-closeted) castmate T.R. Knight, who played George O’Malley, using a homophobic slur. After reports of the behind-the-scenes beef, Knight came out as gay publicly.

Later that year, at the Golden Globes, Washington denied the incident but repeated the word in the process. He ultimately apologized and returned to “Grey’s” in 2014 for a guest spot.

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More than a year after the