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Oh, there is plenty to celebrate in the Gordon Ramsay universe.


It was a milestone hour for the series with MasterChef Season 13 Episode 9, which served as the 250th episode of this long-running series, and no one can say they didn’t celebrate it in style.


One of the best (and maybe worst for some of our home cooks) ways of commemorating the occasion is with cake; there were so many different cakes to choose from here.


But not only was it the 250th episode of the series, but we got the exciting news that Masterchef is renewed for another season! And with that, heading into the hour would be a good time unless your favorite contestant went home.


Let ‘Em Bake Cake


We already caught a glimpse of the sparkler 250 cake situation with the judges celebrating during our Masterchef sneak peek.


But nothing topped seeing the smorgasbord of cases from every region looking positively delicious on the stands.


The downside to this display was that they didn’t delve a bit into the history of the cakes and which regions are known for which cakes.


Some are self-explanatory, like a Boston Creme Pie cake or Key Lime Pie (which isn’t a cake, so what gives?), but which region is known for Banana Split cake?


Who has dibs on Red Velvet and German Chocolate? What the hell is a Marionberry cake? Inquiring minds want to know these things!


Giving the contestants cakes to bake was the most fitting for the occasion and the most challenging task they’ve had all season. With 90 minutes to not only bake a cake, they had to figure out all the proper ingredients but also replicate the sample cake.


Who has those types of piping skills? It felt like sabotage right out of the gate!


But there were no complaints here as this girl has a sweet tooth, and watching the contestants create masterpieces and utter failures that I wanted to absolutely devour made for a great hour!


Kennedy’s Competitive Streak Rages On


After winning the challenge during Masterchef Season 13 Episode 8, Kennedy had the honor of assigning a cake to everyone, and she was as strategic as it gets.


She showed the Northeast a little mercy since Nina and Brynn were the only ones remaining, giving them Red Velvet and German Chocolate Cake.


And, naturally, she looked out for the West as best as she could, directing all her energy to the South, who hadn’t lost anyone yet, and the Midwest.


And that was a smart move, as they are the ones to beat these days.


Her precision was on point, focusing on Wayne and Kyle, as they’ve been the frontrunners of the bunch.


Giving Wayne that 9-Layer cake was an act of violence! The only thing better than her setting him up for failure like that was that he could pull it off!


Kennedy is one to be reckoned with, which showed by her choices. It wouldn’t be surprising if she ended up in the final two at this rate.


Sugar Rush!


The cake choices were interesting as some were incredibly easy and traditional, while others were a complex mess.


Jennifer, our Real Housewife of Masterchef, has been going strong in this competition and probably could’ve gotten something more challenging.


She’s one of the few bakers out of the bunch, and we know she can get her Bree Van De Camp on when she wants to, so she did well during this one.


She got a Banana Split cake, which I did not think was popular, but what do I know? The execution was impressive as it was nearly a replica of the one they provided.


Keeping up with our complaints about people falling into the background, it looked like Charles got a coconut cake, a personal fave, but we didn’t spend any time with him, so it was hard to tell whether it was good or bad.


Sadly, I couldn’t even tell you what Reagan had as we barely got to see her or her cake. And the same goes for Sav, who at least appeared to know what she was doing.


Honestly, nearly the entire South had fantastic cakes. The only crummy one was Kendal with the Boston Creme Pie. But it’s unsurprising since he’s clarified that baking isn’t his thing.


Lizzie got a Marionberry cake, which was also something I was unfamiliar with, while Kyle got a Lemon Meyer cake.


And MD got a Key Lime Pie, while Kolby got an Apple Stack cake that definitely looked like something I’d be adding to my “To Try” list.


Although we barely saw James, he apparently made an Ooey Gooey Butter cake, which sounds scrumptious.


There were more than a few interesting options; the pity is that we didn’t get to see more of them.


Cake Kings and Queens


The frontrunners for this one knocked it out of the park well.


First, we had Brynn. She had one of the easiest cakes there with red velvet, but the girl nailed this challenge.


Her red velvet cake was so close to the example one that it was almost hard to tell them apart!


The judges praised it as airy and moist, but the consensus was that it needed more filling. When they cut into it, you could barely see that yummy cream cheese frosting separating the layers, so there was a definite balance issue.


Kolby got to shine again since he charmed us with the story of cooking with his grandfather during the Southern auditions.


His Apple Stack cake was pure excellence. It could’ve easily gone to hell if he didn’t get the cook on the apples right.


Everything relied on the cake being structurally sound, and there was no way to hide any flaws if he didn’t pull it off. Fortunately, he excelled at this challenge, and his cake was as close as one could get to the original.


They even said it was his best performance of the season, and you could tell Joe was impressed with the cook on those apples.


Shockingly, Kennedy hoped to put a target on Wayne and somehow landed himself in the top three with Nine Layer Smith Island cake.


Is Wayne the Culinary Batman of the competition? Goodness!


Even though it wasn’t a perfect replica of the cake they gave him, given how challenging it was and that he managed to nail every component of it even when the time was running out, and it didn’t seem possible, they had to give him his due.


And it was delicious too. Aarón was definitely right about Wayne having nine lives.


Lizzie pulling it off was a surprise because she struggled with uneven cakes in the oven and got frazzled a few times while putting her cake together.


But her Marionberry was visually lovely and apparently tasted pretty damn good, too.


When you factor in the complexity of the cake, the taste, and the perfect execution, Kolby more than deserved to take home that win.


And it was hilarious how excited Kendal was about it because he definitely would’ve gone home, which brings us to the cake disasters.


Dessert Disasters


It sucked that because there were only two contestants left in the Northeast, Nina automatically had to be at the bottom with her German Chocolate Cake.


You could tell she was out of her element more, even though she looked badass mixing everything up by hand instead of with a mixer like some Culinary version of Rosie the Riveter. Her arms are insane!


The cake looked close enough to the original, but the issue seemed to be that it was too wet on the inside. Joe even compared it to oatmeal.


Nina said she often overcorrects to keep her cakes from being too dry, but oof. Mushy German Chocolate Cake somehow makes a girl think of that scene from Matilda.


Sadly, despite having one of the easiest desserts and being a dessert queen, MD’s Key Lime Pie was weak. For whatever reason, she couldn’t cool it in time, and it basically fell apart from there.


It genuinely sucks that MD was finally pushed to the forefront, and it was like this, but at least she made it another week.


Because poor King Kyle bit the bullet this time around.


He was out of his element with that Lemon Meyer cake, which showed in every capacity.


Baking is an exact science. You can’t freestyle it the same way you can with regular cooking, and Kyle’s laissez-faire cooking style clashed horribly with the technical structured baking necessary for that cake.


He was doomed.


It definitely looked like someone asked a seven-year-old to model the cake out of Play-Doh from memory.


He used cream cheese when he shouldn’t have after his filling fell apart, he barely managed to frost it or put any of the finish touches on it, and it was just a hot yellow mess.


It’s sad to see Kyle go. He was one of the best in the competition and one of the most consistent too.


A cake being the end of him is the worst. But the gentle giant was grateful for the experience and for setting a positive example for his son.


So back to the Midwest, he goes!


Over to you, Masterchef Fanatics. Do you think the right person went home? Hit the comments.


For more food-related content, follow our sister site, Food Fanatic.

Jasmine Blu is a senior staff writer for TV Fanatic. She is an insomniac who spends late nights and early mornings binge-watching way too many shows and binge-drinking way too much tea. Her eclectic taste makes her an unpredictable viewer with an appreciation for complex characters, diverse representation, dynamic duos, compelling stories, and guilty pleasures. You’ll definitely find her obsessively live-tweeting, waxing poetic, and chatting up fellow Fanatics and readers. Follow her on Twitter.

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Oh, there is plenty to celebrate in

Every day on a film set is a new adventure. Like if your romantic leads suddenly decide they hate each other. Or the set floods. Or the number of pages needing to be shot out in one day seemingly exceeds the number of known stars in the universe. Other times these adventures are much happier. A child actor reveals a hidden talent for drone photography. You work with a legendary actor. You get to watch the Berlin Philharmonic perform from Lydia Tarr’s proprietary vantage point. According to a wide-ranging cross-section of our Film Independent Fellows, all these moments, plus a whole lot more, constitute their “best day ever” on set.

Kicking off at the Spirit Awards this past February, Film Independent has been using 2023 to celebrate the 30th anniversary of its Artist Development programs–incredible industry incubators like the Fi Producing Lag, Screenwriting Lab, Documentary Lab, Fast Track, Episodic Lab, Global Media Makers, Grants & Awards and many more, all of which are made possible by Film Independent’s Members and supporters. Which, hey: we’re smack-dab in the middle of our annual matching campaign, if you’re feeling generous–and want to double your impact!

Of course, 30 years of Artist Development also means the accumulated wisdom and collective experiences of three decades’ worth of Film Independent Fellows, which is why we’ve been canvassing our stellar roster of cohorts–past and present–to ask some of the most important questions related to their lives and careers, part of a new series we’re calling (until Steve Harvey sues us) Survey Says. We received so many replies that we’re going to follow-up with Part Two later on, but here’s what some of our favorite Fellows had to say…

 

What was your best day–ever–on set?

Lena Dunham at Verie Solanas in ‘American Horror Story’, directed by Rachel Goldberg

Working with Brad Pitt and being pressed for time by his agent. He noticed and sidebarred me to say, “Take the time you need to do it right.” It was very rewarding to have been seen and heard by such an A-list celebrity. It was also an amazing experience to see him be so mindful. (Peter Maestry, Fast Track, Producing Lab)

Some of my best days on set were working with Lena Dunham, as Valerie Solanas, and the rest of Valerie’s coven on American Horror Story. It was my first episode of TV, and there was so much love and support. And on the days with the coven, there was so much female power, and it felt joyous and freeing and wonderful. (Rachel Goldberg, Project Involve, Screenwriting Lab)

My best day on set was probably my hardest day. It was a night shoot on the last day of shooting. Our shot list was large and we were running out of time. I was the assistant director and there was a lot of pressure to get everything before we wrapped production, but it wasn’t looking possible and everyone was getting stressed. This was after eleven smooth shooting days where we didn’t have any major issues. When we weren’t able to get everything, it felt terrible and was a big letdown. After a few days, we found the time and money to do a few days of pickups. Getting some rest and then planning these additional shots were instrumental to improving what we had and made a huge difference in how the film turned out–and getting into Sundance. It taught me to try your hardest, but not to give up, even when it seems like all is lost, and keep pushing until you get what you need. (Anil Baral, Fast Track, Producing Lab)

My best day on set was earlier this year, when for the first time I starred in one of my productions. I had first written this TV concept over 12 years prior to the shoot and had gathered around me the most like-minded, fun-loving people for this comedy we were shooting. It was such great energy! (Yolanda Keabetswe Mogatusi, Global Media Makers)

My best day on set is any day on set when the whole production is humming harmoniously and joyfully. (Li Lu, Screenwriting Lab)

My best day on set was also my first real day on set. For the production of my first short film, Airplanes, I confidently transported my cast, crew and a 35mm Panavision camera kit to a Pennsylvania carnival. However, the gravity of the event hit me just as filming was about to begin. The idea of a group of newbie filmmakers managing a complex shoot amidst a live carnival had seemed straightforward until the actual execution. Overwhelmed, I threw up! Nevertheless, the film turned out great, with the usual challenges navigated along the way. It’s one of those situations where, had I known then what I know now, I would’ve been too intimidated to even attempt such a project. Sometimes, inexperience can be a blessing in disguise! (Jen Heck, Documentary Lab)

The end of day when no one got injured on a night shoot with rain, guns, moving car, rain and kids. (Cherryl Espinoza, Project Involve)

I’m an editor. I don’t go on set, lol. (Mengyao Zhang, Project Involve)

‘Before You Know It’ (2013, dir. PJ Raval)

My best day on set was when I got to work with two of my heroes–Andrea Bang from Kim’s Convenience and Keiko Agena from Gilmore Girls. We all connected as people, I learned so much from observing how they work as performers. It was something I’ll never forget. (Jess Dang, Fast Track)

There are so many memories and so many different experiences. It’s difficult for me to say what my best day on a set was. But one of the most magical moments I remember was when I was sitting on a camera crane right behind the head of Sir Simon Rattle conducting the Berlin Philharmonic Orchestra, playing “La Mer” by Debussy. It is a position that normally only the conductor can have, I got goosebumps from experiencing the magic of music like never before in that moment. (Matthias Grunsky, Grants & Awards recipient)

Working in documentary and non-fiction I can’t say we necessarily have “best days” but we certainly do have “unexpected days.” For my documentary Before You Know It, which is a portrait of three gay senior men, I had the pleasure of filming and marching along a community of seniors in the NYC Pride parade the day after NY legalized same-sex marriage. As you can imagine, the level of excitement and celebrations were infectious! (PJ Raval, Documentary Lab, Fast Track)

My best day on set was actually a result of the worst of circumstances. I was helping out on a shoot and when I arrived at call time, IATSE was there with picket signs. Hours later, everyone was called back to set and within the first 30 minutes the two leads, who were supposed to be love interests, got into a big fight. Not to mention we’re shooting outside in below 40-degree weather and it’s an overnight shoot. Most of the crew was huddled up at crafty–a very small and dirty motel room–to stay warm. To pass the time and to keep our sanity, we all started singing “Yams” by Masego. (Brian Grigsby, Project Involve, Fiscal Sponsorship)

I will never forget my first day filming for Ahead of the Curve, surrounded by an entirely female crew. It was a literal dream come true. (Jen Rainin, Documentary Lab)

My best day on set was shooting my latest short, Yes, Daddy. We had choreographed the blocking so specifically because of the intimate nature of the scene and had shot video storyboards to make sure it cut together. So by the time we were on set, we were so relaxed that we finished early. You can never prep too much! (GG Hawkins, Episodic Lab)

Discovering that my child actor could expertly pilot a complex drone shot over the ocean… with me swimming in it! (Jonathan Wysocki, Fast Track, Project Involve)

Shooting 17 scenes in Boyle Heights in 12 hours with the late, great Clarence Williams III on my first feature film, The Blue Hour. It was the best day because of the simpatico Clarence and I shared for the character of Ridley that he played. I took my grandmother’s weaving wisdom to heart: tailor the clothes to fit the person, not the person into the clothes. Tailoring the character on the page to fit Clarence’s personal life experience elevated the performance to a level I could never imagine, that did not exist on the page. One look in Clarence’s eyes was worth several novels. That day, I felt the power of what cinema truly is in my bones.  In Clarence’s silent gravity, the whole breadth of life was evoked. Eternally grateful to the gods for that day that stays with me every day. An image truly is worth a thousand words. (Eric Nazarian, Project Involve)

Jeremy Strong and Fairuza Balk in ‘Humboldt County’ (2008, dir. Darren Grodsky & Danny Jacobs)

The best day on set was when I held my two-year-old son while directing a scene. (Dominique Jossie, Global Media Makers)

This is cheesy, but every day I get to direct is my best day on set. I’m more prepared every time and I have the opportunity to discover something new. (Sara Seligman, Fast Track)

When we were directing our first feature, Humboldt County, starring Jeremy Strong in his first film/TV role. There was a scene that we were intent on being “more beautiful” than anything we had shot in the film up to that point. But frankly, we had no idea how to make that happen. On the day, the sun was our filmmaking partner as it cast incredible light on directly half of Jeremy’s face at a critical moment. The movie gods shined down on us that day–literally. (Danny Jacobs, Directing Lab, Screenwriting Lab)

My best day on set was the last day of filming our feature, Late Bloomers. We were in the Rockaways, trying to make it pass for Northern California. Along with capturing some magical moments on screen that day, there was a general joyful energy being put forth by the crew and producers, who had all worked so hard to make this film happen. At lunch, a bunch of us ran to the beach and jumped in the ocean (and still got back in time). One of the only things I felt like I could be helpful with on set, as a writer and associate producer, was to make people feel welcome, valued and safe. It was a very personal movie and it made me so happy to see people finally celebrating their own personal work and journeys within the two months we had all grown together to become a weird family. (Anna Greenfield, Screenwriting Lab)

Filming my first restorative justice circle. (Cassidy Friedman, Documentary Lab, Fast Track)

Being on a Snoop Dogg music video at Elysian Park. The production was more like a family hangout, BBQing, DJing  and partying with Ice Cube, DJ QUIK, Too $hort, E-40 and many more West Coast Hip-Hop icons. (Benjamin Quinones, Project Involve)

We faced historic floods while filming 7 Prisoners in Brazil. The majority of the crew got flooded off set one day. Everyone was OK but only a handful of the crew could bypass the floods and make it to set safely. We pulled through, doubled up positions, and made our day regardless—even without G&E or lights. That is true solidarity. (Alexandre Moratto, Fast Track, Screenwriting Lab, Grants & Awards recipient)

The first day directing my feature film. After spending months putting together the pieces the moment when the camera was beginning to record was finally unfolding. It was a stressful, chaotic day. It was pure magic. (George Gomez, Project Involve)

Film Independent promotes unique independent voices, providing a wide variety of resources to help filmmakers create and advance new work. Learn more online and become a Member of Film Independent today.

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Akriti Bhatia, a labour rights activist, calls the Act “significant” as it focusses on registering gig workers, which is the first step towards bringing them under a social security net. “It also makes data transparent, including financial transactions of apps, and this can dissuade platforms from indulging in unfair practices – like deleting a rider’s data or charging arbitrary fines,” she adds.

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Akriti Bhatia, a labour rights activist, calls

A+E Networks has tapped Elaine Frontain Bryant and Eli Lehrer to take on expanded roles for the network.

In the new roles, Frontain Bryant will become executive vice president and head of programming genres for A&E, Lifetime and LMN as she’ll be taking on oversight of all of Lifetime and LMN programming in addition to her current role overseeing original programming for the flagship A&E brand. She takes over in the wake of Amy Winter’s exit. The former Lifetime EVP and head of programming announced her departure via memo on Wednesday.

Lehrer will step into the role of executive vice president and head of The History Channel Programming as he adds A+E Networks’ music services division to his current role overseeing programming for The History Channel genres and music services.

In another move, Lifetime executive vice president of scripted content Tanya Lopez will be transitioning into a production deal with A+E Networks, where she will continue to package and produce Lifetime Original Movies.

“Elaine and Eli are proven leaders with unapparelled track records of developing hit franchises
and first-in-class content that resonates with viewers and drives the success of our industryleading brands. Both executives possess a unique mix of creative prowess, deep relationships in the creative community and an exceptional understanding of the type of content viewers crave. I’m confident Elaine and Eli will continue to elevate these storied brands and drive our future success,” said Rob Sharenow, A+E Networks’ president of programming in a statement. “Lifetime is fortunate to have Tanya continuing to produce original movies for the brand that she has been instrumental in building through the years.”

Frontain Bryant and Lehrer will continue to report to Sharenow.

“Lifetime has an enviable legacy of powerful storytelling for women and I’m honored to be trusted with spearheading content for one of the most iconic brands in entertainment,” said Frontain Bryant. “I look forward to working with the incredibly talented Lifetime and LMN programming teams to create new, buzzworthy programming that resonates with our passionate fan base and brings in new audiences. Together with the A&E team and our partners at History, A+E Networks is poised to continue as a leader in quality original programming.”

“I look forward to continuing to grow the premium HISTORY brand while working to streamline A+E’s music services businesses to better position the company for the future growth,” said Lehrer. “I continue to be proud of the success of the History team and look forward to working across the company to drive our music services division.”

Before stepping into her current role, Frontain Bryant was previously senior vice president of programming and development at The History Channel. Prior to that, she served as senior vice president of non-fiction and alternative programming for A&E. Earlier in her career, Frontain Bryant served as vice
president of creative development and production at Magna Global Entertainment.

Since 2017, Lehrer has occupied the EVP and head of programming for The History Channel. He joined the History Channel after leaving his post as the executive vice president of MTV2 where he headed up creative and business operations at the channel. He also served as senior vice president and head
of non-fiction programming at Lifetime and was head of development at Bravo prior to that.

Lopez joined Lifetime 2007 and has been responsible for developing and overseeing all feature and original movies, limited series and movie acquisitions for the network. She made the transition from ICM, where she was a television packaging agent from 1987 to 2006. She also served as VP of drama series at CBS prior to that. Lopez began her career at William Morris.

Read Winter’s memo to staff in full below.

Over three years ago, I had the incredible opportunity to take the helm at Lifetime, one of the most compelling brands in our industry comprised of the best people in the business. These three years have been among the most rewarding in my career. I am so proud of the work we have done together, making hundreds of hours of entertaining programming for our audiences while also using our platforms to empower women and support communities. Lifetime is truly one of the most cherished brands in media, and it has been an honor to lead this team.

This summer, I have taken some time to think about my personal goals. After much reflection, I have decided to embark on a new path, combining my passion for the creative aspects of entertainment with the business side of our industry. While the media landscape is changing constantly, there are so many opportunities to build and lead businesses that develop world-class content, and I look forward to my next chapter.

I know that the amazing team at Lifetime will continue to find new ways to deliver high caliber entertainment that our audiences love, and I will always be the biggest fan of the brand and this extraordinary group of people.

I am grateful to Paul and the entire leadership team. I have made so many friends here at A+E Networks, and though I will miss collaborating on a daily basis with all of you, I look forward to cheering you all on as you continue to excel.

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A+E Networks has tapped Elaine Frontain Bryant

There’s an app for snooping on your friends, family and colleagues to find out about their fancy dinners, the people they are dating and the parties they are attending that you weren’t invited to.

It’s not a social networking app like Facebook or Snapchat. It’s Venmo, the app that became popular more than a decade ago by enabling people to send mobile payments to one another and to post those transactions, often in the form of cute emojis, on a public timeline.

The snooping works the other way around, too. Even if you seldom use Venmo today, the app is most likely leaking sensitive information about you to the general public.

How do I know? I’m embarrassed to admit it, but I recently discovered that my contacts list, which includes the names of people in my phone book, was published on Venmo for anyone using the app to see.

That’s because more than a decade ago, Venmo made people’s contact lists visible to its users. It created an option to hide the address book only two years ago, long after I had stopped using the app.

Venmo is a strong example of how even as social norms shift on the ways we use technology, the companies and their apps don’t change much. Venmo was founded in 2009 as a music start-up that let users buy songs from bands through a text message. By the time eBay acquired it in 2013, it had become a mobile wallet service that was trendy among younger people who were gung-ho about sharing information about themselves online.

At the time, social networking was novel, and posting your thoughts, movements and achievements for everyone to know about was cutting edge, not sinister. Since then, we have learned the hard way that sharing such seemingly innocuous information can be hazardous. Stalkers, employers or data brokers can use the data to study our whereabouts and activities to target us.

But Venmo remains an app with a strong social networking element, one of many in a generation of apps that are now nearly 15 years old. And if you have apps and internet accounts from then that are on autopilot, it’s best to revisit them periodically to check their settings so that you can safeguard your privacy. If you no longer find value in the service, the safest bet may be to delete the account.

Before we get into that, let’s dive into why Venmo remains a privacy concern and what to do to protect your data.

In the early 2010s, as smartphones became popular, Venmo rode the coattails of companies like Facebook and Twitter, which brought the concept of a public timeline into the mainstream. Similar to those networks, Venmo allowed people to publicly post to a feed, in its case details of payment transactions, including the dollar amount, time, date and a description, such as a pizza or taxicab emoji.

At the time, Braintree, the payments company that bought Venmo in 2012 before it was purchased by eBay, said Venmo had created “rave-worthy experiences” to simplify mobile payments between smartphone users. (Venmo is now owned by PayPal, which was spun off from eBay in 2015.)

Venmo has made some changes over the years to protects its users’ privacy. In 2021, it disabled its global feed, a stream where users could see Venmo transactions among strangers.

But critics say the app still falls short. Today, you can see transactions among people who are not your friends if you visit their profiles.

Venmo is still set by default to publicly share when you receive or make a payment. There’s an option to make the transaction private, but if you use the app quickly and don’t notice the setting, you could unknowingly broadcast the payments between you and others.

“It’s not just that I went out to pizza with this person,” said Gennie Gebhart, a managing director at the Electronic Frontier Foundation, a digital rights nonprofit. “It’s a pattern of who you live with, interact with and do business with, and how it changes over time.”

Last month, The Guardian discovered through a Venmo feed that an aide for Justice Clarence Thomas was taking payments from lawyers who have had business with the Supreme Court, a potential conflict of interest. The aide has since hidden his Venmo activity from public view.

While the idea of posting pizza and beer emojis and dollar amounts could sound like a fun way to tell others that you are out and about, there may eventually be consequences. Those transactions could be used to study your movements or, in the case of Justice Thomas, inadvertently disclose relationships.

In 2017, Hang Do Thi Duc, a data researcher who was at the Mozilla Foundation, published Public by Default, an interactive graphic summarizing the intimate details scraped from 208 million Venmo transactions. The graphic homed in on the daily lives of several Venmo users, including a cannabis dealer, a food cart vendor and a married couple splitting bills and paying off a loan together.

Venmo said in a statement that it had worked to change its privacy measures for customers and that privacy settings could be controlled within its app. “The privacy and safety of all Venmo users is always a top priority,” the company said.

To prevent your day-to-day life from being broadcast on Venmo, make sure to change the settings. Inside the app, click on the Me tab, tap the settings icon and select Privacy. Under default privacy settings, select Private. Then, under the “More” section in Privacy, click “Past Transactions” and make sure to set that to “Change All to Private.”

Venmo has made the contacts list, which can be generated from your smartphone’s address book or your Facebook friends list, viewable to any other user on the app.

That can make a lot of information public. In 2021, my colleague Ryan Mac, who was then at BuzzFeed News, used Venmo to discover President Biden’s account and personal contacts list. Mr. Biden later deleted his Venmo account.

On a personal level, a public address book can reveal a new romantic partner to an ex. For professionals, it could expose a doctor’s patients, a journalist’s sources or a salesperson’s clients.

To hide your contacts list from public view, visit the privacy settings, click on Friends List and select Private. Also, toggle off the option for “appear in other users’ friends lists.”

All tech companies change their data-sharing features and settings over time. So take a moment to scroll through your phone and review the settings inside apps you haven’t used in a while to see if there’s something you missed.

Ms. Do Thi Duc, who is now a graphics editor at The New York Times, said she wasn’t surprised that Venmo was still making headlines, because the app relied on people’s public oversharing as a marketing mechanism. She said she deleted her Venmo account when conducting her research on the company.

After writing this column, I did the same.

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There’s an app for snooping on your

The new season of Untold may very well be the show’s best yet. Premiering Tuesday mornings on Netflix, Volume 3 of the gripping docuseries centers on four fascinating stories: the rise of YouTuber turned boxer Jake Paul (Untold: Jake Paul the Problem Child), the life and career of former Texas A&M quarterback Johnny Manziel (Untold: Johnny Football), a look at one of sports’ most notorious steroid scandals (Untold: Hall of Shame), and Untold: Swamp Kings, a four-episode docuseries about Urban Meyer, Tim Tebow, and the 2005 to 2010 Florida Gators. Untold: Jake Paul the Problem Child is now streaming, with the final three installments debuting August 8 (Manziel), August 15 (Hall of Shame), and August 22 (Swamp Kings) on Netflix.

Photo: Netflix

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By Josh Sorokach The new season of Untold may

Last Updated: August 09, 2023, 22:31 IST

Ranveer Singh’s Don 3 teaser out; Vijay Deverakonda and Samantha drop Kushi trailer

From Ranveer Singh unveiling his first look in Don 3, to Samantha Ruth Prabhu and Vijay Deverakonda’s Kushi trailer being out, here are the biggest headlines of the day.

Farhan Akhtar has finally spilled the beans – Shah Rukh Khan won’t be making a comeback as Don in the third part of the franchise. The director, who rocked the Bollywood with Don (2006) and Don 2 (2011), hinted at a fresh face taking over the Don mantle as she revealed the logo on social media on Tuesday. Now, the suave first look of Ranveer Singh as Don, is out.

For More : Don 3: Ranveer Singh Replaces Shah Rukh Khan, Farhan Akhtar Drops Teaser to Reveal First Look

Vijay Deverakonda and Samantha Ruth Prabhu will soon be seen sharing the screen space together in the much-awaited Kushi. The anticipation for the trailer of ‘Kushi’ has constantly been on the rise ever since the release of its soulful melodies. And having said that, the makers recently dropped the film’s trailer, which was no less than a warm hug to fans and viewers.

For More: Kushi Trailer: Samantha, Vijay Deverakonda Promise To Bring Intense Romance on Screen; Watch

About 10 years ago, at an award show, Shah Rukh Khan jokingly asked Neil Nitin Mukesh why he had three first names and no surname. While answering the question, Neil asked Shah Rukh to “shut up”, stating that his question was insulting to the actor. The video often does rounds on social media, and Neil recently spoke about it in an interview.

For More : Neil Nitin Mukesh Recalls Asking Shah Rukh Khan To ‘Shut Up’ At Award Show, Says ‘He Gave Me…’

This coming weekend, moviegoers have a wide variety of films to choose from. Four big films are hitting the big screens – Gadar 2, OMG 2, Jailer, and Bhola Shankar. While the Hindi speaking markets feel Sunny Deol’s Gadar 2 will take the lead, Rajnikanth’s Jailer will rule the box office down south.

For More : Jailer Dominates Box Office with 9 Lakh Tickets, Gadar 2 With 3 Lakh Tickets, OMG 2 Sells Out 45K Tickets

Kannada actor Vijay Raghavendra was in tears as he attended the last rites of his wife, Spandana Vijay Raghavendra on Wednesday, August 9. In videos surfacing online, the Kannada star couldn’t hold back his tears as he met mourners at the funeral. He was even seen breaking down when KGF star Yash hugged him. In a viral video, Yash was seen holding on to Vijay as he cried.

For More: Kannada Actor Vijay Raghavendra Inconsolable At Wife Spandana’s Funeral; KGF Star Yash Hugs Him

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Last Updated: August 09, 2023, 22:31 ISTRanveer

Mark Ronson roasted Bill Maher on social media over his response to “Barbie,” for which Ronson served as music producer and oversaw the film’s original soundtrack. Maher slammed “Barbie” as “man-hating” and “preachy” and criticized the scene in which Barbie (Margot Robbie) confronts the Mattel board of executives, which is depicted as 12 men in the film.

Maher noted the scene is a “Zombie Lie” because the Mattel board actually has 7 men and 5 women on it in real life, although he failed to mention the “Barbie” movie is not based on real life and is actually a satirical fantasy in which a plastic doll comes to life.

“We come to this place for magic,” Ronson wrote in response to Maher, evoking Nicole Kidman’s beloved AMC Theatres ad. “We come to AMC theaters to laugh, to cry, to care… and to furiously google ‘Mattel board configuration’ while others are trying to enjoy a fucking magnificent comedy.”

In Maher’s original post, the television personality and political commentator wrote: “OK, ‘Barbie’: I was hoping it wouldn’t be preachy, man-hating, and a #ZombieLie — alas, it was all three. What is a Zombie Lie? Something that never was true, but certain people refuse to stop saying it (tax cuts for the rich increase revenues, e.g.); OR something that used to be true but no longer is, but certain people pretend it’s still true. ‘Barbie’ is this kind of #ZombieLie.”

Maher appears to be upset with the film for not depicting the Mattel board as it really is in 2023, but, again, the film is a fantasy movie.

“I know, I know, ‘How could I know about the patriarchy, I AM a man!’ That argument is so old and so silly,” Maher continued in his post. “Of course, none of us can know exactly what others go through life, but I can see the world around me, and I can read data. The real Mattel board is a pretty close mirror of the country, where 45% of the 449 board seats filled last year in Fortune 500 companies were women. Truth is, I’m not the one who’s out of step — I’m living in the year we’re living in. Barbie is fun, I enjoyed it — but it IS a Zombie Lie.”

Maher’s complaints were not far off from many conservative figures who also condemned “Barbie.” Podcaster Matt Walsh, for instance, called the movie “the most aggressively anti-man, feminist propaganda fest ever put to film.” These criticisms previously drew ire from Marc Maron, who praised “Barbie” as a “masterpiece” and told off the men who are outraged over the movie.

“The fact that certain men took offense to the point where they, you know, tried to build a grift around it in terms of their narrative is right wing [explicative],” Maron said. “It’s so embarrassing for them. I mean, so embarrassing for them. Any dude that can’t take those hits in that movie, they’ve really got to look in their pants and decide what they’re made of. I mean, Jesus Christ, what a bunch of fucking insecure babies.”

“Barbie” is now playing in theaters nationwide from Warner Bros.

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Mark Ronson roasted Bill Maher on social

For many years, The Incredible Hulk was the forgotten entry into the MCU.

The film starred Ed Norton as Bruce Banner/The Hulk and introduced a wide-range of characters including Thunderbolt Ross, Betsy Ross, and Abomination.

The Incredible Hulk (2008)

Photo: Time

The film’s story provided a proper introduction to The Hulk, and delved more deeply into Banner’s character than any film since.

Despite being a box-office success, Marvel quickly buried The Incredible Hulk. Mark Ruffalo would assume the character from Norton beginning in 2012’s The Avengers, and outside of Thunderbolt Ross, none of the film’s other characters were mentioned again.

Liv Tyler Betty Ross

The Re-introduction of ‘Hulk’ Characters

In recent years however, things have changed. Tim Curry’s Abomination returned for both Shang-Chi and the Legend of the Ten Rings and She-Hulk. Meanwhile, Thunderbolt Ross and Betsy Ross are slated to be star in Captain America: Brave New World.

Harrison Ford Thunderbolt Ross

Harrison Ford will portray President Thunderbolt Ross. Photo Marvel

All of a sudden The Incredible Hulk feels like Marvel canon again. History, however, could have taken a very different course.

Plans For ‘The Incredible Hulk 2’

In a recent interview with Comicbook.com, The Incredible Hulk director Louis Leterrier revealed that at one point there were extensive plans in place for The Incredible Hulk 2.

Leterrier’s second Hulk film would have changed the course of the MCU and introduced various versions of Hulk into the story.

Red Hulk

Photo: ScreenGeek

“There was like Grey Hulk, Red Hulks – there was a lot of good stuff that we were planning,” he recalls.

Following The Incredible Hulk, Marvel mostly relegated Hulk to a side character. It wasn’t until She-Hulk in 2022 that Hulk’s lore was really expanded upon.

She-Hulk

Photo: Marvel/Empire

A Very Different Character

Nevertheless, Captain America: Brave New World is rumored to feature Red Hulk and the possibility of Red She-Hulk. Meanwhile, any version of Grey Hulk seems to have been sidelined for the “Smart Hulk” evolution in the MCU.

“Hulk is a complex character within the Marvel Universe,” Leterrier admitted. “You want the primeval Hulk… the rage Hulk. And then when you go Grey Hulk and Smart Hulk you lose that a little bit and you get a little bit more kiddish with it.”

The Incredible Hulk

Photo: Disney+

While a fan of what the MCU has done with Hulk, Leterrier admits that the current version of the character is a far cry from what he was planning.

“But that was the fun of where I was in my movie, with the access to consciousness and all that stuff. That was really fun. And that’s what I was aiming to do. But take my time with it. Because there’s so many characters they want it all fast [laughs]. I like She-Hulk, but then you know, yoga between Hulk and… I was like ‘Okay! yeah, we’re very far from my Hulk.’”

The Incredible Hulk

Source: Marvel Studios

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For many years,

Summary

  • Marvel fans were thrilled during San Diego Comic-Con when the first footage of X-Men ’97 was revealed, offering glimpses of key characters and plotlines.
  • The teaser reel showed the X-Men engaging Dr. Trask in an intense interrogation and introduced new mutants Archangel and Bishop, as well as the character Sunspot.
  • X-Men ’97 executive producer Beau DeMayo and supervising producer Jake Castorena shared details about the opening episode, which features the X-Men facing off against a new Sentinel threat. The series breathes fresh life into the franchise with new storylines and returning heroes.


Marvel fans around the globe found themselves abuzz with excitement during the recent San Diego Comic-Con 2023, as the entertainment giant pulled back the curtain on X-Men ’97, the eagerly awaited animated series.

The first completed footage was revealed to a thrilled crowd of attendees, unveiling glimpses of key characters and plotlines that promise to shape the beloved mutant universe.

The teaser reel showed the X-Men engaging Dr. Trask in an intense interrogation. Simultaneously, viewers were offered a glimpse into Jean Gray’s new narrative arc as she navigates pregnancy, along with the entrance of new mutants Archangel and Bishop. The latter will join the novel character Sunspot, brought to life by Gui Adustini.

One of the most cherished characters, Cyclops, was given a moment in the spotlight. Attendees were treated to the sight of him leading the X-Men into battle with his classic call to arms, “To me, my X-Men.”

X-Men ’97 executive producer Beau DeMayo and supervising producer Jake Castorena sat down with Marvel’s Ryan Penagos to divulge some of the details about Episode 1 during SDCC.

DeMayo clarified that the unveiled footage was, in fact, from the opening episode, featuring the X-Men’s face-off against a new Sentinel threat. The mutants find themselves unexpectedly ambushed, forcing them to tap into their Danger Room training to save themselves. DeMayo stated:

We showed a clip from the first episode that shows the X-Men going off [on] a mission to confront a new Sentinel threat… And mid-mission they are unexpectedly attacked and have to use their Danger Room practice skills to save themselves.

Upon expressing his admiration for the new Cyclops moment, Penagos received a nod to DeMayo’s scriptwriting prowess from Castorena. He attributed the electrifying scene to DeMayo’s excellent script, remarking that it captured why Cyclops is indeed the leader of the X-Men.

RELATED: X-Men ’97: Storylines the New Animated Series Should Adapt


X-Men ’97: A Revived Animated Series Breathes Fresh Life into the Franchise

Fox 

Reflecting on the opportunity to showcase the series at SDCC, Castorena felt that it was a rewarding experience for both fans and the creative team. The first glimpse elicited real-time reactions, allowing the hard-working team behind the scenes to feel the pulse of their audience.

Beyond the breathtaking Episode 1 footage, what else can fans look forward to in this new animated journey?

According to Beau DeMayo, Minister Sinister will return with sinister intentions, crafting a nearly unbreakable scheme to annihilate the X-Men once and for all. A surprising twist is also in store, with Magneto stepping into a leadership role within the X-Men.

Regrettably, the release date remains a subject of speculation, with rumors suggesting a potential delay until 2024, despite initial indications of a late 2023 launch on Disney+. While the wait may be disappointing, fans can take heart in knowing that Season 2 is already in the works.

The first look into X-Men ’97 has stirred excitement among Marvel’s loyal followers. With new characters, unexpected alliances, and classic heroes returning to the fold, this animated reboot breathes fresh life into the X-Men franchise. Though the launch date is still up in the air, the anticipation only builds, as audiences await the new adventures that await the X-Men in this revived animated series.

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Summary Marvel fans were thrilled

Capcom‘s Exoprimal could get Dino Crisis content in the future if there’s enough demand for it, its director has said.

The plot of Exoprimal revolves around vortexes that have started appearing on Earth, each of which poses a danger to the planet when hordes of dinosaurs and genetically modified variants called ‘neosaurs’ come out of them.

Players control special soldiers called ‘exofighters’, and have to defeat the prehistoric enemies while also dealing with Leviathan, an AI that was originally designed to help the exofighters but has gone rogue.

Given the game’s use of dinosaurs as enemies, Siliconera asked the game’s director Takuro Hiraoka if the game could eventually see content from Capcom’s dinosaur-themed Resident Evil clone, Dino Crisis.

“Leviathan is the type of entity that will go to any means to collect a variety of useful combat data,” Hiraoka replied. “If there’s enough demand from players, Leviathan very well could make this a reality.”

Capcom has already announced that Exoprimal will be getting a series of ‘Capcom Collaboration’ content, starting with Street Fighter crossover content during the game’s second season in autumn 2023. The second Capcom Collaboration will add Moster Hunter content in season 3.

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When asked what other content he’d like to see in the game, Hiraoka replied: “I think it would be a lot of fun to have a collaboration with the Mega Man series, which I’ve been playing since my younger days. The idea of going head-to-head with monsters from the fantasy world of the Dragon’s Dogma series personally excites me as well.”

Exoprimal was released on July 14 on PS5, Xbox Series X/S, PS4, Xbox One and PC, and is available on Xbox Game Pass. Capcom says the game attracted 1 million players in its first two weeks.