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Is ‘The Boss Baby: Back in the Crib’ on Netflix UK? Where to Watch the Series

Great news! “The Boss Baby: Back in the Crib” is available to watch on Netflix UK!

? Please note: this series is not available on the Basic with Ads subscription plan.

Date Added: 19th May 2022

Known expiry dates are shown above as well as on the Last Chance page.

Want to keep forever? Try looking for ‘The Boss Baby: Back in the Crib’ on Amazon (paid link)

History:

19/05/2022: 1 Season (2022)

13/04/2023: 2 Seasons (2023)

Watch Season 2 now

Description:

Framed for a corporate crime, an adult Ted Templeton turns back into the Boss Baby to live undercover with his brother, Tim, posing as one of his kids.

Certificate: Suitable for all ages

Year: 2023

Duration: 2 Seasons

Available Seasons: Season 1 (12 Ep)

Audio: Arabic, English – Audio Description, English [Original], French, Polish, Ukrainian, Cantonese

Subtitles: Arabic, English, French, Polish, Ukrainian, Traditional Chinese

Episode Length: 24min

English Audio Description Available – English Audio Description

Cast and Crew

Cast: JP Karliak, Mary Faber, Nicole Byer, Zeke Alton, Ariana Greenblatt

Production & Season Details:

Status: Returning Series”The Boss Baby: Back in the Crib” is a TV show produced by DreamWorks Pictures. The show was originally broadcast on Netflix and premiered on May 19th 2022. So far there have been 2 seasons (comprising of 22 episodes) of “The Boss Baby: Back in the Crib”. The most recent episode aired on May 19th 2022 and more seasons are expected in the future.

RATINGS:

IMDB rating 6.1/10

The Movie Database rating 74.75%

Average Rating Average rating 67.88%

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This title is available on Netflix UK

Where else can you watch ‘The Boss Baby: Back in the Crib’ on Netflix?

Want to keep forever? Why not rent or buy ‘The Boss Baby: Back in the Crib’ from one of the online services below?

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April 13, 2023

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Awards

How Renfield Director Chris McKay Landed Nicolas Cage as Dracula

In “Renfield,” an outrageous new take on Bram Stoker’s “Dracula,” told from the point of view of the count’s perpetually put-upon manservant (played here by Nicholas Hoult), the notion of being too over-the-top is considered and then hastily breezed by. In the opening sequence alone, an ancient curse is placed on the dark prince (played, with much scenery-chewing, by Nicolas Cage); when Dracula is freed he turns into a vaporous mist and explodes a priest from the inside. Then Dracula catches on fire and is turned into a crispy skeleton.

The sequence is telling both for its bold tonal shifts and for the manic approach to action. It’s the type of scene you would say could only be devised and executed by a man well-versed in animation. (The crispy skeleton bit could have been out of an old “Looney Tunes” Roadrunner cartoon.) And you would be right. “Renfield” was brought to life by Chris McKay, who last directed the Chris Pratt alien invasion movie “The Tomorrow War” but is most known for his animation credits – he served as an animation co-director and editor on “The Lego Movie” and then directed “The Lego Batman Movie” on his own. Before that, he worked on stop-motion series like “Morel Orel” and “Robot Chicken.”

Not that he was always associated with animation.

“I started out in live-action,” McKay is quick to point out. In Chicago, he worked on music videos and commercials, along with some, um, odder gigs. “I used to shoot a lot of surgeries. I used to do a lot of healthcare training tapes for doctors and nurses. I went to hospitals and shot gallbladder removals and hernia operations,” McKay said.

This, at least, explains the verisimilitude of “Renfield’s” gore – at once garishly cartoonish and believable. McKay also confirmed that he worked as a PA on the set of Chicago legend John Hughes’ 1989 John Candy vehicle “Uncle Buck.”

His first foray into animation was “Morel Orel,” a hilarious send-up of 1960s Christian stop-motion animated series “Davey and Goliath,” created by Dino Stamatopoulos, a veteran of late-night comedy shows for Conan O’Brien and David Letterman. After that, he worked on “Robot Chicken,” a kind of stop-motion sketch show beloved for its send-up of nerdy cultural artifacts, and “Titan Maximum,” an adults-only send-up of shows like “Voltron” or “Power Rangers,” that only lasted a single season.

When Phil Lord and Chris Miller were looking for an animation director for “The Lego Movie” (since they were busy working on “21 Jump Street”), they wanted somebody who could do the animation in a “stop-motion style.” “I had been working for five or six years in stop-motion at that point,” McKay said. His job, at that point, was to help get “The Lego Movie” a greenlight.

At the time, McKay said, the greenlight for the movie had been revoked. The studio was unsure of the character’s ability to emote since they were going to be locked into the rigidity of a Lego minifigure and didn’t have the typical “squash-and-stretch” animation style usually used to convey character and personality. McKay was also tasked with showcasing that the movie was going to be for everyone, not just little kids. “I did an animatic that showed that the action scenes could be really big and expressive and basically worked to convince studio that the movie was going to be more of a mass audience movie,” McKay said.

He stayed on for the production of “The Lego Movie,” ultimately working not just as one of the animation directors but also as an animation supervisor and an editor. The movie was such a phenomenon that a suite of spinoffs and sequels was ordered, some of which were made and some which were ultimately abandoned before the franchise ran out of gas completely (in 2020, the Lego rights moved from Warner Bros. to Universal Pictures). One of the projects that got made was “The Lego Batman Movie,” which McKay directed and which was released three years after the original film.

“That’s now 10 years or so working in animation exclusively, which I would recommend to any filmmaker who hasn’t worked in animation, I would recommend that they do it because it is it is storytelling in slow motion,” McKay said. “You learn a lot about supercharging a frame with character and world-building and story information.”

McKay joked that “there’s no low-budget animation,” because you’re usually spending “millions of dollars per minute.” Still, in animation, McKay reiterates that “you really got to concentrate on the story and configure the characters and concentrate on how much information and emotion” is getting across.

McKay flirted with several projects, including a “Nightwing” live-action feature for Warner Bros. (back when the DC slate was even more chaotic). “I wanted to do ‘The Great Santini’ meets ‘Man on Fire,’ where it was a story about a guy who had a bad relationship with his mentor and kind of went off in search of his own life,” McKay said.

He also worked on a version of “Dungeons & Dragons,” to the point where he has a story credit on the new movie. (He also worked on a movie version of “Borderlands” with Craig Mazin that was ultimately directed by Eli Roth.) “It’s essentially the same,” McKay said of the new movie. “I’ve loved playing Dungeons & Dragons since I was a kid. It was one of the first things outside of movies that I was obsessed with. But I knew that if you’re going to make a big movie like this, you don’t want people to feel like they need to do homework.” The heist element came from McKay’s version. “Even some of the characters are the same,” McKay said.

renfield-nicolas-cage-nicholas-hoult — Nicolas Cage and Nicholas Hoult in “Renfield” (Universal Pictures)

Ultimately his first live-action feature was “The Tomorrow War.” Since Pratt was attached, the movie had to fit his increasingly tight schedule and became, in McKay’s words, “kind of a moving train.” Still, the complex production was aided hugely by his background in animation. “That experience working with the animators and whether it’s stop-motion or in CG was super helpful,” McKay said, in particular when bringing the marauding alien species (known as the “White Spikes” in the movie) to life. Describing a movie of that size and complexity like a “blast furnace,” the shorthand McKay developed with the animators and effects technicians made things a lot smoother. “You’ve got to be able to come to the table with solutions because they will just keep that train running if you don’t insert yourself in there,” McKay said.

With “Renfield,” McKay was drawn to the codependent relationship between Renfield and Dracula, something that he’d previously explored in “The Lego Batman Movie” between Batman and the Joker. “I always want to do something different as much as I can,” McKay said. “I want to make different movies. The main thing for me is finding something original, something novel, that’s what’s the most important. I want to challenge myself and I don’t want to be bored.”

When it came to casting Nicolas Cage as Dracula, which is undeniably genius and something that much of the marketing has hinged on, McKady admitted that he was “really nervous.”

“I knew that casting either role was going be a challenge, because you need somebody who can do comedy. You need somebody who can do the choreography and the action and can bring the dramatic chops when you need it and be vulnerable. They both needed to be vulnerable in moments. When Dracula is betrayed, he needs to be incredibly vulnerable and go through something emotional. And that couldn’t be like you’re watching somebody in quotes ‘perform’ something. You need people who were truly vulnerable and could truly do it.” McKay knew that in looking for the right person to play Dracula, “you’re talking about a handful of people.” It became, in McKay’s words “1% of 1% of 1%” when searching for an actor that an audience could get behind that a major Hollywood studio would feel comfortable fronting a $70 million, gene-splicing horror romp. “Your list whittles down really fast,” McKay said.

The idea of casting Cage came from McKay thinking, as an audience member, who would I be most excited about to play Dracula? “We’ve had umpteen interpretations of Dracula over the years. And the person I was the most excited about seeing play Dracula was Nic Cage,” McKay said.

The filmmaker admitted that Universal’s marketing department was key in getting the go-ahead to hire the actor, who has, for the past decade or so mostly appeared in independent features; his only studio movies have been providing voice work for “The Croods” (and its sequel), “Spider-Man: Into the Spider-Verse” and “Teen Titans GO! To the Movies” (as Superman, a role he was meant to play in the late 1990s for director Tim Burton in an infamously canceled project called “Superman Lives”). “He has everything you want when you cast somebody who’s a big movie star,” McKay said. “Besides the fact that he has all the tools that he comes to the table with it, he’s got chemistry with the other actors, chemistry with a camera, he’s just a joy to work around. And he’s got incredible enthusiasm for filmmaking, for creating a character.”

Over Zoom, McKay pitched Cage the movie; two weeks later Cage had a fully formed personality and accompanying voice for his iteration of Dracula. While he was onboard from the script phase, McKay remembers a moment when Cage really tuned into what the filmmaker was going for. It was during a table read. “I wanted to impress on the actors to go for it, to hold nothing back, to be to feel to be expressive,” McKay said. “It’s not just about hitting the jokes.” He put up a scene from Michael Powell and Emeric Pressburger’s vibrant 1948 classic “The Red Shoes.” It was a “feverish moment of dance.” “I said, ‘Feel free to be this unadulterated and this unselfconscious in your performance.’ And I think Cage was like, ‘Okay, got it. I know what we’re doing.’”

Mia Goth Suits Up for Mahershala Ali’s ‘Blade’

One of the best moments in the movie happens early on, when Renfield is recounting his relationship with Dracula. In a nod to the character’s history (and Universal’s own legacy with its classic monster line-up), Cage and Hoult are inserted into Tod Browning’s 1931 movie. “I could have done a lot more if the studio let me, I would have gone through the whole history,” McKay said. McKay and his collaborators tried to mimic the camera placement and composition of the 1931 movie and even consulted the Universal wardrobe archive for bits of original costumes (some were borrowed, some were reproduced, depending on age, fragility and the all-important copyright issues).

“The direction for Cage was never to try and be Bela Lugosi,” McKay said. “I just wanted there to be to feel like a real history and to draw on these old movies and these images that, whether you’re a fan of these movies or not ,somewhere along the line you’ve been exposed to some of these things, whether you know it or not. Most people have seen something, a poster in a dorm room or something. To me, it was about developing the relationship in a way that felt like it’d be meaningful for people who love Dracula movies and interesting and cool looking to people who didn’t.”

There’s a trailer that was released for “Renfield” recently that featured a bunch of stuff that isn’t in the movie (which has three credited editors and undoubtedly a small army of uncredited help), including a joke from that sequence at the beginning with the exploding priest that makes fun of the Catholic church. “The studio producing the movie, for some reason, had a hard time with the Catholic Church joke but the marketing department didn’t seem to have that same problem,” McKay joked.

It seems that tone was an ongoing discussion with “Renfield,” a movie whose finished version gleefully toggles between all-out horror and comedy with some romance sprinkled in there and even some gangster movie elements for good measure. There was debate about how much blood, gore and profanity should be in the movie. Much to McKay’s surprise (and overwhelming delight), test audiences responded to the very things the studio was most fearful of. “The audience really embraced all of the wild stuff,” McKay said. “They wanted Cage to be crazy, they wanted the movie to be a little over the top.” Still, he admits that “tone is always tricky.” “Because comedy is different than action is different than suspense and horror,” McKay said. “And yet, you have to kind of navigate that stuff.”

McKay embraced an iterative approach to shooting (not unlike animation!), allowing the performers, many of whom had a background in improvisational comedy like Awkwafina and Ben Schwartz, to try things out.

“I like to have a have a spectrum,” McKay said. “A spectrum of jokes but also a spectrum of emotions – how seriously are we taking this scene?” This not only allowed him to discover the tone as he went along but also provided a ”backstop” in case a scene or sequence “doesn’t pass the smell test or they get worried.” “I’m glad that ultimately [the test audiences] loved Cage so much that they that they went with stuff that was the most fun,” McKay said.

Clearly, they figured out the right approach for “Renfield” because McKay already has ideas for what he’d want to see in the sequel – Dracula would show his former employee just how much he’s moved on by recruiting other Universal Monsters to his cause. “If that was on the table, I would love to,” McKay said.

“Renfield” opens exclusively in theaters Friday, April 14.

The 15 Best Horror Movies of 2022 and How to Watch Them

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April 13, 2023

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In “Renfield,” an outrageous new take on

Music

Watch Jessie Ware’s Video for New Song “Begin Again”

Jessie Ware has just shared a new single to follow “Pearls” and “Free Yourself.” The new song is called “Begin Again.” James Ford produced “Begin Again,” and it comes with a music video directed by Charlie Di Placido. Check it out below.

Ware’s new album, That! Feels Good!, arrives April 28. The LP follows 2020’s What’s Your Pleasure?.

Read Pitchfork’s 2020 interview ”Jessie Ware Explains Why This Smoldering Alicia Keys Ballad Is Her Personal Anthem.”

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April 13, 2023

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Jessie Ware has just shared a new

Docs

16 Things Film Festivals Hate About Filmmakers

I’ve submitted my own films to film festivals many times and I have to tell you, film festivals can really annoy filmmakers.

Sitting on the festival side of the fence, there are a lot of things that filmmakers do that really annoy film festivals.

1. Filmmakers who don’t read the festival rules and regulations

Each festival has its own reason for being, and devises a set of rules in order to make sure no one wastes time. Here are Raindance’s Rules and Regulations

You wouldn’t believe how many phone calls and emails we get from filmmakers who obviously haven’t read our rules and regulations.

To have a legitimate query is another thing altogether, and we, like all festivals, welcome those calls.

However, some filmmakers never spend any time researching the profile of the festival they are submitting to, and then complain bitterly of why they weren’t selected.

2. Filmmakers who don’t complete submission details

Filmmakers who only partly complete their submission forms do 2 things:
firstly, their submission can’t be considered and goes into the ‘incomplete submission form’ pile where it won’t be watched and secondly, ties down admin time chasing for the details.

Please fill in the form. If you don’t know what a term means, why not try googling something like “Aspect ratio” before you call the office and bemuse one of our interns.

3. Filmmakers who send wrong or incorrect email and telephone numbers

How hard is it to make sure that your contact details are correct? Come on, be professional.

4. Filmmakers who are incommunicado

If you went to all the effort of submitting your film, the least we expect is that you can be reached within a reasonable time ie: 24 hours.

I can’t tell you the number of times I have had to email, telephone and leave messages, call other members of the crew trying to reach a producer or director with important information about their film. sometimes I just give up, and we won’t screen the film.

5. Filmmakers who are too communicative

The opposite side of the coin is true too. Our Royal Mail postman jokes that the minute he stabs received by Raindance into his computer, filmmakers from around the world start calling us to see (a) if we have received the film (b) what our decision is and (c) why we haven’t entered it onto our database.

Geez – the package only arrived three minutes ago!

Another call we hate is from nervous filmmakers asking if we have seen their film yet.

6. Filmmakers who are having fights with their team

We get 10-20 films submitted each year which are then withdrawn (or kicked out) because the person who submitted the film didn’t have either the rights or permission of the rest of the cast and crew.

Geez. This seems like a basic thing to get agreed BEFORE you started filming, not when someone on your team hears your film is heading to a festival.

7. Filmmakers who haven’t cleared music rights

Festivals like Raindance can’t screen your film unless the music rights are cleared. If we get busted, the person who gets the heavy legal writs aren’t you, but the festival, and the cinema where your movie plays.

I would say that half the reasons that films don’t get into Raindance is uncleared music rights.

8. Filmmakers who send faulty preview discs

I know it’s a pain to check every single disc you duplicate before you send them out, but our programmers get really annoyed if they find a faulty disc. I know it’s not your fault that someone screwed up, and our programmers know that too, but now your submission goes back to the front of the queue and we have to hope that you will answer your emails (number 4 above) and can send us a new disc in time.

9. Filmmakers who want us to watch their films on DVD

You mean you want me to watch this through an iold computer that has a DVD player that might mean your movie skips or stalls? Are you happy with that?

10. Filmmakers who send bad production stills

The most difficult task we have is finding great production stills from the movie to print in our commemorative catalogue (that goes out to agents and distributors) and for our website.

We stopped printing pictures of filmmakers in our catalogue 3 years ago, because the pictures we got of film directors looked like they had been lifted from college yearbooks.

Come on! It’s the film industry and the entertainment business. Stills need to be entertaining.

11. Filmmakers with no social network

A festivals job is a lot easier if a filmmaker has a social network, and can alert their followers to an upcoming festival screening.

At Raindance we welcome, and work with filmmakers to try and pack out the screening as much as possible.

Remember that all festivals have limited marketing budgets and the more you can help, the more successful your screening will be.

12. Filmmakers without a press kit

Raindance, like most festivals, evaluate submissions based on the quality of the film. Once a film is selected for the programme it is reviewed and a PR` campaign strategy for each and every film is created – a monstrous amount of work.

Filmmakers without an understanding of the kinds of hooks and strategies a publicist and marketeer needs hamper the success of their festival screening.

I wrote and article about the Essential Elements of a Press Kit and I found an excellent case study of a great press release

13. Filmmakers who are rude

Ouch! We work our butts off to try and make every single screening a success. At a festival like Raindance with nearly 300 movies and over 250 filmmakers attending from 36 – 40 countries every year, it becomes an organizational challenge, and sometimes we drop the ball. It’s not that we hate you or your film, but we certainly will start hating you if you can’t be polite while we are trying to sort things out.

Incidentally, I travel to 3 of the greatest film festivals in Europe every year: Rotterdam, Berlin and Cannes. Every year at every festival something goes wrong. It’s part of screening in a festival.

14. Filmmakers who don’t understand the role of a festival

Our job is to try and deliver a room full of people to appreciate your work. Your job is to deliver a pleasing and entertaining film, and if you attend the festival, be available for interview and Q&A sessions after your screening.

Together, the festival and filmmaker hopes that you get ‘discovered’ ie: that someone gives you a cheque. That way, we can both say ‘this is the film that was discovered at Randance – enhancing both of our press kits.

15. Filmmakers who fall for cons

There are a few con artists out there who are attempting to stand between filmmakers and festivals – thus earnign them a tidy sum for their so-called expertise. No one in the festival circuit that I know, likes, trusts or needs these middle-men (or women). Stay well clear and make sure you don’t fall for one of the 5 cons filmmakers fall for.

16. Filmmakers who ignore relationships

The film industry is all about relationships. It is also about staying touch using your social networks. When you are at a festival, you meet not just the harried, hard working and grossly underpaid festival staff, you will also meet other filmmakers – also likely to be harried, over worded and underpaid. A camaraderie can spring up and if you nurture the relationships with the people that you met at a festival, they are certain to pop up in other festivals, perhaps even the Oscars years later. Hard work, but worth a fortune of the sort of thing that money can’t buy.

Fade Out

When I started writing this I had no idea how many different ways filmmakers annoyed me. Sixteen now it seems!

Don’t think I’m griping or complaining I most certainly am not. For 31 years I have presided over Raindance and had the pleasure of meeting some of the world’s most exciting and interesting people – people bursting with energy, passion and talent.

To be in my position to have been touched by so many makes my job, quite simply, the best in the whole damn world.

So, why not submit your short, feature, documentary or VR today?

Yours in filmmaking,

Elliot Grove

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April 13, 2023

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I’ve submitted my own films to film

Trending

Gisele Bundchen Rocks Black Jumpsuit At JFK Airport In NYC – Hollywood Life

Gisele BundchenCostume Institute Benefit celebrating the opening of Camp: Notes on Fashion, Arrivals, The Metropolitan Museum of Art, New York, USA - 06 May 2019 — Image Credit: BlayzenPhotos / BACKGRID

New York, NY - *EXCLUSIVE* - Gisele Bündchen spotted leaving her hotel this afternoon and catching a flight out of New York after a short stay. Pictured: Gisele Bündchen BACKGRID USA 12 APRIL 2023 BYLINE MUST READ: BlayzenPhotos / BACKGRID USA: +1 310 798 9111 / usasales@backgrid.com UK: +44 208 344 2007 / uksales@backgrid.com *UK Clients - Pictures Containing Children Please Pixelate Face Prior To Publication* — Image Credit: BlayzenPhotos / BACKGRID

Gisele Bundchen never misses when it comes to fashion, even when she’s at the airport. Instead of wearing a dull, low-key outfit to fly home from New York City, Gisele, 42, arrived at JFK Airport on April 12 in a faded leather jacket and a fabulous black jumpsuit. The Brazilian model let her blonde hair down and she tried to stay incognito by wearing a pair of brown sunglasses. Gisele had a designer purse over her shoulder, and held a brown bag in one of her hands, and a water bottle in the other, as she walked through the airport.

Gisele enjoyed a quick trip to New York City, as she continues to co-parent her kids Vivian, 10, and Benjamin, 13, with her ex Tom Brady, 45. Gisele’s split from the NFL star was one of the biggest celebrity stories that broke last year. They were married for 13 years but decided to go their separate ways after Tom reversed his decision to retire from the NFL in early 2022. Tom retired from football for good after the 2022-2023 season, but only after he and Gisele officially divorced in October.

Gisele didn’t publicly speak about her divorce for months, until her interview with Vanity Fair that was published March 22. The Victoria’s Secret icon clarified that the drama over Tom’s retirement was NOT the reason that the couple broke up after over a decade of marriage. She said the rumors about their split regarding Tom’s decision to un-retire were “very hurtful.”

Gisele told Vanity Fair that she’s been in “mourning” since the end of her marriage. “It’s tough because you imagine your life was going to be a certain way, and you did everything you could, you know?” she said. “I believed in fairy tales when I was a kid. I think it’s beautiful to believe in that. I mean, I’m so grateful I did.”

The mother-of-two also said she wants nothing but the best for Tom even though they’re broken up. There’s been reports saying that the former Tampa Bay Buccaneers quarterback is dating again after his divorce. Gisele, meanwhile, has been linked to Jitsu instructor Joaquim Valente and Tom’s pal Jeffrey Soffer since the divorce, but she denied the rumors that she’s dating either one of them in the Vanity Fair story.

Click to Subscribe to Get Our Free HollywoodLife Daily Newsletter to get the hottest celeb news.

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April 13, 2023

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View gallery Image Credit: BlayzenPhotos / BACKGRID Gisele Bundchen

DCU, Entertaintment, Press Releases, TV

The Penguin Official First Look Footage And Image

Max has released first look footage and an image of the series, officially titled The Penguin, from Warner Bros. Television and DC Studios. Starring Colin Farrell as The Penguin, the eight-episode DC Studios drama series continues The Batman epic crime saga that filmmaker Matt Reeves began with Warner Bros. Pictures’ global blockbuster “The Batman,” starring Robert Pattinson and centers on the character played by Farrell in the film. The first look was revealed today exclusively during Warner Bros. Discovery’s unveiling of the Max streaming service on the Warner Bros. lot in Los Angeles.

Watch it here

Although little is known about the plot, from what we can tell, Sofia Falcone, the daughter of Carmine Falcone played by John Turturro in “The Batman” is fighting with The Penguin (Colin Farrell) for control of the city. The series has a very Sopranos vibe to it. As Matt Reeves put it, “he grabs violently for power in Gotham.”

“The world that Matt Reeves created for ‘The Batman’ is one that warrants a deeper gaze through the eyes of Oswald Cobblepot,” Farrell said. “I couldn’t be more excited about continuing this exploration of Oz as he rises through the darkened ranks to become The Penguin. Will be good to get him back on the streets of Gotham for a little madness and a little mayhem.”

The previously announced cast includes Colin Farrell, Cristin Milioti (Palm Springs), Rhenzy Feliz (Marvel’s Runaways), Michael Kelly (Jack Ryan), Shohreh Aghdashloo (The Expanse), and Deirdre O’Connell (Outer Range), with Clancy Brown (John Wick: Chapter 4) and Michael Zegen (The Marvelous Mrs. Maisel) in recurring roles.

The series is executive produced by Matt Reeves, Dylan Clark, and Colin Farrell. Lauren LeFranc, whose previous credits include Agents of SHIELD and Chuck, is writing The Penguin and will act as showrunner. Craig Zobel (Mare of Easttown, The Hunt) directs the first three episodes. Based on characters created for DC by Bob Kane with Bill Finger, THE Penguin is produced by Reeves’ 6th & Idaho Productions and Dylan Clark Productions in association with Warner Bros. Television,

Sarah Aubrey, Head of Original Content at HBO Max said, “We are thrilled to bring audiences a new version of this iconic DC character that they have never seen before. It is incredible to be working with Matt, Dylan and Lauren on continuing this story and to see Colin take his already exceptional performance in The Batman to the next level.”

There’s a new Kingpin in town and his name is Oswald Cobblepot, The Penguin.

April 13, 2023

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Max has released first look footage and

Entertaintment, Press Releases, Streaming Services, TV

The Big Bang Theory Project In Development at Max

Max and executive producer Chuck Lorre are developing a new comedy series derived from “The Big Bang Theory.” The project is in the works at Warner Bros. Television, where Lorre is under an overall deal.

Plot details are currently under wraps. Lorre will executive produce via Chuck Lorre Productions. The new show would be the second collaboration between Max, Lorre, and WBTV. Lorre and Nick Bakay are currently in production on the new Max Original comedy series “How to Be a Bookie,” starring Sebastian Maniscalco.

This would mark the second series derived from the world of “The Big Bang Theory,” following the prequel “Young Sheldon,” which begins with Iain Armitage starring as a nine-year-old Sheldon Cooper, living with his family in East Texas and going to high school. “Young Sheldon” is in its sixth season on CBS and ranks as the #1 comedy on TV among Total Viewers. The show is narrated and executive produced by Jim Parsons who plays the grown up version of Sheldon.

“The Big Bang Theory” debuted in 2007 and was the number one comedy in the world when it concluded its successful 12-season run in 2019 as the longest-running multi-camera series in television history, with 279 episodes. The series won ten Emmy® Awards and received 55 Emmy® nominations. Additionally, “The Big Bang Theory” won a Critics Choice TV Award for Outstanding Comedy Series and The Humanitas Prize.

In 2015, The Chuck Lorre Family Foundation created “The Big Bang Theory” Scholarship Endowment at UCLA, which supports undergraduate students in need of financial aid who are pursuing their higher education in the fields of Science, Technology, Engineering and Mathematics (STEM). In 2019, “The Big Bang Theory” Graduate School Fund was created to provide four-year scholarships for “Big Bang” UCLA scholars who continue their STEM education in graduate school within the University of California system.

All episodes of “The Big Bang Theory” and the first five seasons of “Young Sheldon” are available to stream on Max in the U.S.

April 13, 2023

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Max and executive producer Chuck Lorre are

Entertaintment, Film, MCU

“The Marvels” Trailer Teases Epic MCU Team Up

The long awaited sequel to Captain Marvel, which premiered in 2019 is almost here. Brie Larson returns as Carol Danvers in “The Marvels”, but this time it’s not just her furry sidekick Goose that she’s got by her side.

“The Marvels” will also bring fellow Marvel Cinematic Universe stars Teyonah Parris from “WandaVision” and Iman Vellani from “Ms. Marvel” into the spotlight for this epic team up. Even though it appears, they don’t like to use that word.

: Courtesy of Marvel Studios

: Courtesy of Marvel Studios

: Courtesy of Marvel Studios

The film takes place after the events of the Disney+ series “Ms. Marvel,” which introduced Vellani as Kamala Khan, a.k.a. the young, New Jersey superhero Ms. Marvel. If you remember post credit scene of the final episode of Ms. Marvel, you’ll probably remember that Carol Danvers and Kamala Khan accidentally switch places. Our first look at the trailer explains why. Carol Danvers, Kamala Khan, and Monica Rambeau begin swapping places with each other every time they use their powers, and must team up to determine why.

“The Marvels” trailer sees Captain Monica Rambeau (Parris) working as an astronaut for Saber Space Station alongside Nick Fury (Samuel L. Jackson). When Monica hits a jump point in the space continuum, she then switches places with Kamala, and considering Carol is now in Kamala’s place, we must assume Monica is in Carol’s. The film dives into why Carol, Kamala, and Monica’s powers are all connected and how they share a unique set of transformative powers. We finally get to see what exactly Samuel L Jackson’s former SHIELD leader Nick Fury has been up to in space – sure to be explored more in the series Secret Invasion, coming soon to Disney+.

The film is directed by Nia DaCosta who helmed 2021’s “Candyman”, she will make her MCU debut with “The Marvels”, this makes her the first Black woman, and fourth woman, to direct a film in the MCU. DaCosta co-wrote the screenplay with Megan McDonnell, Elissa Karasik and Zeb Wells.

South Korean actor Park Seo-joon, best known for his role in “Parasite” stars as Prince Yan, we get our first look at him in the trailer, and well, he does not look happy. The film also stars Saagar Shaikh, Zenoiba Shroff and Mohan Kapur as Kamala’s older brother, mother and father, respectively, along with Zawe Ashton in an undisclosed villain role, but in the trailer we do see her wielding what looks to be Ronan the Accuser’s hammer, and leading an army of Kree warriors.

With all that’s going on we are surely in for a lot of humor, particularly from Imaan Vellani I’m guessing, and it looks like quite an amount of action and a storyline that brings a unique switcheroo where three different worlds collide. As well as a lot more cats.

Watch the official trailer below.

“The Marvels” hits theaters on Nov. 10, 2023.

April 13, 2023

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The long awaited sequel to Captain Marvel,

Tech

Andy Jassy 2022 Pay Falls to $1.3M, Amazon Pays Jeff Bezos $1.6M – The Hollywood Reporter

Amazon CEO Andy Jassy saw his 2022 compensation crater in 2022, with a massive stock award he received in 2021 making up the backbone of his long-term Amazon renumeration.

According to Amazon’s annual proxy filing, which the company filed Thursday morning, Jassy was paid $1.3 million in 2022, including a $317,500 salary (that is famously the maximum base salary any employee at the company can receive). The remaining $981,000 included company personal security costs, travel costs, and company contributions to his 401K plan.

In 2021 Jassy received a stock grant valued at more than $200 million tied to his promotion to CEO, with the shares vesting over 10 years. “This award is designed to establish a long-term owner’s perspective and encourage bold, long-term initiatives, in the same manner that Mr. Bezos’s shares as founder incentivized him to focus on long-term, expansive growth, and is intended to represent most of Mr. Jassy’s compensation for the coming years,” Amazon’s board wrote in the new proxy.

Meanwhile, executive chairman Jeff Bezos received $1.7 million in compensation from Amazon, including an $81,000 salary and $1.6 million in security and travel costs.

The Amazon executive with the highest pay was AWS chief Adam Selipsky, who had a pay package topping $41 million, including that $317,000 salary and $40 million in stock awards. Amazon CFO Brian Olsavsky earned $18.2 million, including a $314,000 salary and nearly $18 million in stock awards.

The proxy filing also coincided with the release of Jassy’s annual letter to shareholders, continuing a tradition started by Bezos in 1997. In his new letter, Jassy touches on his efforts to make the company more efficient, while also noting three areas of interest to Hollywood: The macroeconomy, large language models (LLMs) and advertising.

“Change is always around the corner. Sometimes, you proactively invite it in, and sometimes it just comes a-knocking. But, when you see it’s coming, you have to embrace it. And, the companies that do this well over a long period of time usually succeed,” Jassy wrote, noting that the company looked closely across its business and decided to shutter units and lay off staff.

With regard to advertising, Jassy was bullish, suggesting that the company will expand its streaming ad business (the company already has a free streaming video service called Freevee, and has ads in its Thursday Night Football broadcasts).

“We also see future opportunity to thoughtfully integrate advertising into our video, live sports, audio, and grocery products,” Jassy wrote. “We’ll continue to work hard to help brands uniquely engage with the right audience, and grow this part of our business.”

Finally, on LLMs, Jassy says the company has been working on its own models “for a while now” and is incorporating them into some AWS products. “I could write an entire letter on LLMs and Generative AI as I think they will be that transformative, but I’ll leave that for a future letter,” Jassy wrote. “Let’s just say that LLMs and Generative AI are going to be a big deal for customers, our shareholders, and Amazon.”

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April 13, 2023

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Amazon CEO Andy Jassy saw his 2022

Video

Bold Film CEO Gary Michael Walters Exits to Form Own Company

Bold Film’s longtime CEO Gary Michael Walters has stepped down to launch his own venture, Walters Media Group.

Walters Media Group will focus on the development of studio-caliber film and television projects, independent film financing and production, and strategic consultancy to high-net-worth investors and media companies, Walters announced Thursday.

“I am deeply appreciative of all the support Bold Films have given me over the past two decades,” Walters said in a statement. “I will miss my Bold family, but I have been yearning to create my own company for some time, and I am very excited to announce my upcoming slate shortly.”

Walters, who has been with Bold Film since its founding in 2004, has produced as well as executive produced all of the company’s film and television projects, including “Whiplash” starring Miles Teller and JK Simmons, directed by Damien Chazelle; “Nightcrawler” starring Jake Gyllenhaal and Riz Ahmed, directed by Dan Gilroy; and “Drive” starring Ryan Gosling, Carey Mulligan, Bryan Cranston, Oscar Isaac and Albert Brooks, directed by Nicolas Winding Refn.

Bold’s commercial successes include action thriller “No Escape” starring Owen Wilson and Pierce Brosnan, and apocalyptic horror feature “Legion” with Paul Bettany and Dennis Quaid. Most recently, Walters was Emmy-nominated for HBO’s “Oslo” and produced Netflix’s “The Guilty” starring Jake Gyllenhaal, directed by Antoine Fuqua.

“It’s been a pleasure working with Gary over the years. We want to thank him for his stewardship during his tenure,” Bold Films’ Chairman David Litvak said. “We wish him the greatest success with his new venture and hope to work with him again soon.”

Warner Bros. Discovery Wants to Compete for Kids and Families – and HBO Was in the Way | Analysis

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April 13, 2023

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Bold Film’s longtime CEO Gary Michael Walters

Entertaintment

‘Love Is Blind’ Season 4 Couples: Status Check Before Weddings

Almost at the altar! The Love Is Blind season 4 couples have navigated highs and lows since getting engaged sight unseen in the Netflix pods.

While Chelsea Griffin eagerly accepted Kwame Appiah’s proposal, things quickly took a turn after seeing each other (and their exes!) face-to-face. During the cast’s group vacation to Mexico, which aired in March 2023, Kwame couldn’t help but look back at his pod connection with fellow cast member Micah Lussier. The Ghana native even confessed in a confessional that the marketing manager, who accepted Paul Peden’s proposal, still held a “special place” in his heart.

“I think no matter what, especially when you start looking at the life that you have now, but when you think about the connection I have with Chelsea — the pod relationship you have with someone [is] completely different from the actual relationship you have with someone,” Kwame exclusively told Us Weekly ahead of the season 4 premiere that March. “Like when I went past the pods with Chelsea, I was just like, ‘OK, this is almost a reflex for us, the way we interact, the way we under understand each other.’”

He added at the time: “I just don’t believe that would’ve ever been the case with Micah, and I can respect that. I think we had a great relationship in the pods, and that’s what I meant [by] ‘She has a special place in my heart.’ But I knew deep down in my soul that there was just no possibility of us going past that and having anything that was actually of value to us as human beings [and] as people who are in love. Like, we had a great time in the pods. It was great to move on from there.”

Chelsea, who confessed to Us that it wasn’t her place to interfere with her man getting closure from a past connection, stuck by Kwame’s side when they returned to Seattle. However, the twosome quickly conflicted over post-wedding lifestyle plans. (The speech pathologist and her pup Rocky are based in Seattle, while Kwame lives in Portland, Oregon.)

Zack Goytowski, for his part, has been navigating his newfound engagement to Bliss Poureetezadi after calling off his relationship with costar Irina Solomonova. After returning home from Mexico post-split, Zack reunited with Bliss and popped the question after a couple of in-person dates.

“I would say I made a mistake with not picking Bliss [in the first place], and I think that was the real mistake,” the criminal defense attorney revealed to Us ahead of the Love Is Blind season 4 premiere. “I knew that when I ended it [with Irina] and was kind of dealing with that. I don’t know how much you could see of the turmoil that I was going through, but when I did end it, then my very first thing was I wanted to go and tell [producers] to bring [Bliss] back and that I had made the wrong choice, but I knew I had to live with the decision.”

The fourth season of the Netflix hit also saw Jackelina “Jackie” Bonds and Marshall Glaze and Tiffany Pennywell and Brett Brown get engaged after their own pod love stories.

Scroll below to see where each Love Is Blind couple stands before they say “I do” or “I don’t” in the finale:

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April 13, 2023

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Almost at the altar! The Love Is Blind season

Movies

Shruti Haasan Clarifies In A Humorous Way After Her Statement Creates Controversy, ‘Am I Not Allowed To..:

Shruti Haasan reacts after her recent statements creates controversy.

Shruti Haasan hits back at people for misconstruing one of her recent statements at a fan meet.

Shruti Haasan is an exceptional actress and has definitely taken after her legendary father Kamal Haasan. Her diverse filmography consists of gems like D-Day, Ramaiya Vastavaiya, Srimanthudu, Balupu and Yevadu to name a few. Apart from acting, Shruti Hassan has been quite vocal about her views on various topics. Maintaining that trajectory, one of the statements made by the actress recently was taken out of context. Now Shruti has come forward with clarification.

For the uninitiated, Shruti recently attended a fan meet and greet in Chennai where she spoke about how actresses have been performing dance sequences in snow for years now and it’s extremely difficult. She went on to add that she requests filmmaker to show women in a more realistic way, a sentiment shared by several actresses across Industries, in the past. While Shruti has largely been lauded for taking the stand, the statement, made in jest, was blown out of proportion by a certain section of the media.

The actress recently took to social media and stated that her statements were taken out of context and people shouldn’t try adding two and two and jump to conclusions. She ended her post saying that she will leave it to the discretion of sensible people to take her statement for what it is.

Check out the video:

“I have always spoken about my experiences and given my opinion about my life. As much I love the free sharing of opinions on social and mainstream media, it is really hilarious to me that something like this which many artists, including myself, have spoken about before would be so blown out of proportion today. These instances are uncalled for and I’m the kind of a person who jokes around, speaks about relevant matters in a lighter vein and some troublemakers aren’t going to change that. Trouble makers are not going to change my personality,” Shruti explained.

This is not the first time her statements have been taken out of context. Shruti was previously attacked for not attending an event. She had excused herself citing health reasons but a small section of the media attributed her absence to mental health issues as she had spoken about the same openly on her social media.

Read all the Latest Movies News and Entertainment News here

Yatamanyu Narain

Yatamanyu is a multi-disciplinary Journalist & Photographer who dabbles in Films, Poetry, Music, Politics, Pop-Culture and everything in between. …Read More

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April 13, 2023

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Shruti Haasan reacts after her recent statements

‘The Real Housewives of Durban’ star Jojo Robinson slams co-stars: ‘I will never do Housewives again’

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April 13, 2023

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‘The Real Housewives of Durban’ star Jojo

MCU

MarvelBlog News for October 31st, 2022

We’ve got exciting news about a second WandaVision sequel and another Venom film in the latest MarvelBlog News.

Vision Quest

Silver Vision from WandaVision Episode 9

Photo: Marvel Studios

No, we aren’t talking about an obscure Matthew Modine movie or a rite of passage for adolescents trying to become adults.

Instead, Vision Quest is the preliminary name for a recently confirmed Marvel series on Disney+.

As you might imagine from the name, the story centers on the Avenger, The Vision. However, it’s not the one you think.

Photo: Marvel Studios

Warning: I’m about to spoil the finale of WandaVision. So, if you haven’t watched it yet, you should skip to the Venom 3 section. Also, you should watch WandaVision!

Still here? Great! The knock-off name for Vision Quest explains the story more. It’s the White Vision project.

Obviously, Disney cannot call it that because yikes! However, you can guess which character comes to the forefront here.

As a reminder, we learned during the events of WandaVision that Vision had died. I mean, we knew that from Avengers: Infinity War. It was pretty memorable…and brutal.

The early marketing for WandaVision created an air of mystery about whether he had already reanimated, though. For an android like Vision, that’s not outside the realm of possibility.

However, during the course of the series, we realized that the combination of an evil witch and an even more horrifying spell book had broken Wanda.

The combined effect of those two forces somehow led her to recreate a version of Vision who wasn’t quite himself.

Vision couldn’t remember things because Wanda blocked out his memories of the bad stuff.

Paul Bettany as Silver The Vision. Photo: Marvel Studios

Because Vision is such an intelligent and noble Avenger, he eventually put two and two together on some stuff.

He was dead, Wanda knew he was dead, and yet she built an imaginary family with him…including twins who also weren’t real.

Double Vision

Vision holding Thor's hammer in Age of Ultron

Photo: Marvel Studios

During the climactic events of the season, Vision encountered something different, something dramatically more important for the MCU’s future.

Vision encountered the so-called White Vision, a character from the comics. However, Marvel vastly modified the backstory.

When S.W.O.R.D. received word that Thanos had killed Vision, they did what any amoral military organization would. They retrieved the body and performed scientific experiments.

Elizabeth Olsen in black leotard with Paul Bettany

Photo: Marvel Studios

In the process, S.W.O.R.D. nearly succeeded where Wanda Maximoff could not. It almost brought White Vision (back?) to life.

The procedures hadn’t succeeded until the events of WandaVision, during which Wanda cast a drone out of Westview.

The chaos magic Wanda unintentionally imbued in this drone proved the missing link to awaken White Vision.

Photo: Esquire

That character performed his mission directive of entering Westview and trying to neutralize Wanda and Walking Dead Vision.

During the face-off between the two Visions, the not-alive one imparted some wisdom on his suddenly sentient friend.

In the process, White Vision gained the memories of Wanda’s lover. Now, this character considers himself the true vision.

Photo: Marvel

When that moment happened, everyone expected Marvel to capitalize quickly on the premise.

Notably, that didn’t happen immediately, as Marvel understandably prioritized Agatha Harkness, the breakout character of the Disney+ MCU to date.

Now, Disney has formed a writer’s room to create a Disney+ series based on White Vision.

MCU Poster WandaVision America Disney Traders

Photo: MarvelBlog.com

In the series, the character will try “to regain his memory and humanity.” And yes, Paul Bettany will return in the role.

Deadline and some other sites speculate that Elizabeth Olsen will appear as well. I presume that’ll happen as a cameo at some point.

Source: Marvel Studios

If Olsen signs on, Vision Quest becomes the de facto sequel to WandaVision, even over Agatha: Coven of Chaos, especially since WandaVision’s Jac Schaeffer is creating this project, too.

Let the Mephisto rumors begin anew!

More Venom

Source: Sony/ Marvel

Folks, you know about Morbius, a project that failed so badly that it became a wildly popular meme.

The ubiquity of the meme somehow led to a re-release of the movie, which – you guessed it! – bombed again.

My point here is that Sony’s Spider-Man Universe hasn’t done well outside of two titles. One is obviously Spider-Man, while the other is the Venom franchise.

Source: Sony/ Marvel

To the surprise of absolutely no one, Venom 3 pre-production is underway. Sony just chose a director for the project.

Kelly Marcel, the screenwriter for the first two Venom films, has earned the gig.

Marcel is actually a Disney favorite, having written Saving Mr. Banks and Cruella. One of those is a live-action reboot of the villainess from 101 Dalmatians.

Photo: Sony Pictures

The other is a Disney story about Walt Disney. Obviously, an intense vetting process occurred behind the scenes for that project.

So, Marcel’s bona fides are impressive. However, she has never directed a movie before.

The first two Venom movies cost more than $100 million each to produce. It’s a big ask for a first-time director to helm a project that massive in scale.

Sony desperately needs the third Venom film to be a blockbuster and also earn a lot of money.

Photo: Sony Pictures

I say this because the non-Venom/Spider-Man movies in Sony’s version of the MCU have struggled in terms of box office and production turmoil.

I’m a fan of Marcel, who created and wrote Terra Nova, a Fox series about scientists thrust back into the age of the dinosaur.

Venom 2: Let There Be Carnage. Photo: Sony Pictures

The show was MUCH better than it had any right to be, given Fox’s track record at the time. So, I really like this hiring.

Overall, this is a very good week for Marvel fans with two extremely welcome updates.

Thanks for visiting MarvelBlog.com! Want to go to Disney? For a FREE quote on your next Disney vacation, please fill out the form below, and one of the agents from MickeyTravels, a Diamond-Level Authorized Disney Vacation Planner, will be in touch soon!

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April 13, 2023

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Ezra Miller's Flash and Michael Keaton's Batman

DCU

The Flash Movie Cast & DC Character Guide

The Flash is set to be one of the final films of the existing DCEU before its imminent reboot/reset, and the cast reflects the exciting multiverse misadventure The Fastest Man Alive will soon be racing through as he seeks to restore his broken timeline. Loosely based on the Flashpoint event from the original comics, the upcoming movie from director Andy Muschietti promises to be full of intense action and absolute mayhem as two worlds collide when Barry Allen tries to rewrite history for the sake of his loved ones. However, he thankfully won’t be alone in his mission to set things right after his actions break the universe.

SCREENRANT VIDEO OF THE DAYSCROLL TO CONTINUE WITH CONTENT

Based on the first trailer for The Flash, Barry Allen has Batman as his superhero mentor, though it doesn’t look like he’ll be listening to Bruce Wayne’s warnings about the dangers of his speed. Instead, The Flash will choose to run back in time to save his mother from dying. This will cause a collision of worlds, creating a new reality largely devoid of metahumans. As a result, Barry will need a lot of help to undo what he did, especially with the tease that Superman might be dead in this new reality, thereby leaving Earth quite vulnerable. Here’s the known cast for DC’s The Flash.

Ezra Miller As The Flash/Barry Allen

Ezra Miller will be playing Barry Allen, aka The Flash. Doused by chemicals and struck by lightning, Barry Allen became the Fastest Man Alive and eventually a member of the Justice League. This will be Miller’s first time reprising the role of The Flash as the lead, having been introduced with a cameo in Batman v Superman and then in a supporting role in Justice League, both of which were directed by Zack Snyder. Beyond The Flash, Miller is best known for their roles in The Fantastic Beasts franchise, The Perks of Being a Wallflower, and We Need to Talk About Kevin.

Ezra Miller As Another Flash/Barry Allen

Two Versions of Barry Allen In The Flash

Due to the collision of worlds thanks to Barry Allen, Ezra Miller will be pulling double duty and will also play another version of Barry Allen from a separate timeline. With two Flashes in the mix, it seems the idea is that two speedsters will be better than one. However, it has been theorized that this other Barry might eventually be revealed as The Flash’s ultimate villain, when and if this new Flash is somehow corrupted along the way.

Michael Keaton As Batman/Bruce Wayne (Burtonverse)

Michael Keaton as Batman in The Flash pic

While the trailer for The Flash implies that the Flashes will be seeking Batman’s help, they’ll end up finding a Dark Knight the original Barry isn’t familiar with. Instead of the Batman from Justice League, this fractured reality instead features the Batman played by Michael Keaton from the Tim Burton-directed films. Donning his classic cape and cowl, this older Batman will agree to help the Flashes fix the world despite his hinted retirement from being Gotham’s vigilante. Beyond Batman, Keaton is best known for his roles in Beetlejuice, Birdman, Spider-Man: Homecoming, The Founder, and most recently in the TV series Dopesick.

Ben Affleck as Batman/Bruce Wayne (Synderverse)

Despite the return of Micheal Keaton as Batman, Ben Affleck’s Batman will still have a role to play in The Flash. Although he’s had quite a tumultuous career playing the Dark Knight, Affleck agreed to return both as Bruce Wayne and Batman for this multiversal adventure. The upcoming film marks one of the last times he’ll be playing the Caped Crusader before the new DCU reboot which will debut a brand-new Batman in The Brave and the Bold. Affleck is also known for directing and starring in films such as Argo, Good Will Hunting, The Town, and Gone Girl. His most recent film Air is currently in theaters.

Sasha Calle as Supergirl/Kara

Sasha Calle as Supergirl in The Flash with glowing red eyes

With no Superman to help protect the world from a force of invading Kryptonians, the trailer reveals that Sasha Calle will debut as Kara aka Supergirl. Kal-El’s powerful cousin, the trailer reveals that Supergirl was captured and imprisoned by the Russians in what looks to be a Siberian prison, but Keaton’s Batman and the Flashes will be breaking her out in the hope of recruiting her to help them fight the Kryptonians. Calle is best known for her role as Lola Rosales on the series The Young and the Restless.

Michael Shannon as General Zod

Michael Shannon will be returning as General Zod, the Kryptonian villain first seen in Zack Snyder’s Man of Steel. Featured in the trailer leading the invading force of Kryptonians in this new reality with no Superman to stop him, the arrival of Supergirl will likely come as a major surprise as he once again seeks to terraform the Earth into a New Krypton. Best known for his roles in 99 Homes, The Midnight Special, and Boardwalk Empire, some of Shannon’s more recent roles have been in the popular movies Bullet Train and Knives Out.

The Flash Supporting Cast, Character & Cameo Guide

Antje Traue as Faora – Faora was General Zod’s second-in-command as seen in 2013’s Man of Steel, and it’s been confirmed that she’ll briefly appear in The Flash in the same role. Traue is best known for her roles in Pandorum, Woman in Gold, and Criminal.

Kiersey Clemons as Iris West – First appearing in Zack Snyder’s Justice League, Iris West is the primary love interest of Barry Allen who’s set to appear in The Flash as well. However, it’s unclear how much seeing as how she’s largely absent in the first trailer for The Flash. Clemons is best known for her roles in Hearts Beat Loud, Sweetheart, Dope, and 2019’s Lady and the Tramp.

Maribel Verdú as Nora Allen – Nora Allen was Barry Allen’s mother who was murdered when he was a child, prompting Barry to try to go back in time/discover new realities using his speed as The Flash to find ones where she still lives, an act that will lead to the fracturing of the timeline and collision of worlds. Verdú is best known for her roles in the TV series Canguros and Guillermo del Toro’s Pan’s Labyrinth.

Ron Livingston as Henry Allen – Henry Allen was Barry’s father who was wrongly convicted of Nora’s murder, leading to his incarceration and Barry’s desire to become a forensic scientist to try and prove his father’s innocence. Livingston is best known for his roles in Office Space and The Conjuring. Although Henry Allen was originally played by Billy Crudup in Justice League, the role was recast for The Flash due to scheduling conflicts.

Key Release Dates

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April 13, 2023

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The Flash is set to be one

Comics

PSVR 2 got my mum into gaming for the first time

TechRadar: VR offers astonishing immersion that has the potential to ground you in some truly fascinating locales. Nothing did more to remind me of that than when my mum tried out PSVR 2 for the first time.

It may sound a bit cliche to those more familiar with VR, but she told me she genuinely felt like she was really there. There’s clearly something very special going on here, especially for those who’re new to VR, or even games in general.

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April 13, 2023

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TechRadar: VR offers astonishing immersion that has

Festivals

Interview with Film Producer and Attorney Jere Hausfater

Hausfater has been overseeing all business and legal affairs for development, finance, production, above the line deals, and worldwide distribution for all of Cassian Elwes’ movies including BILLIONAIRE BOYS CLUB, MOM AND DAD, SIBERIA, UTOPIA ROAD and JT LEROY. Most recent and notable was the acquisition of Jon Favreau’s breakout hit CHEF while at Aldamisa Films. Other films include: ROBOTS, 9 BULLETS, SAINT CLAIRE, and HURRICANE.

Previously Hausfater worked at Disney and Miramax for fifteen years and consulted for Marvel Films, Netflix, Film Finances, MGM International Television, Vine Investments, WoodCliff Capital, The Orchard, Shamrock Investments, Cinetic Media and various television deals. His consultancies also include television, production and distribution, digital media, and music.

How long have you been a producer and how did you get into it?

JERE: I have been an executive producer and a studio producer for close to fifteen years. Producing is one of the hardest jobs in film, as it’s so difficult to finance films.

In your opinion, is it easier or more difficult to get films made in these days of streaming?

JERE: It is much more difficult. The days of making a movie and screen it at Sundance or Toronto and hope it sells to a US distributor are, for the time being, over. HBO, Netflix, Apple etc. have dramatically cut back or ceased third party acquisitions of completed film. That said, there are exceptions but that is no longer a viable business plan. Also, the US back stop deals are also on hold. Factors such as the cost of money, the difficulty in securing talent, the pull back of international presales, P&Ls of the streamers as well as the volume of new episodic programming have greatly contributed to the general malaise for independent feature films.

You have worked on many films throughout your career. Do you have a project you have worked on that you are most proud of?

JERE: Yes, “Chef” written, starring and directed by Jon Favreau, acquiring “Shine “out of Sundance, acquiring “Koyla” out of Toronto, acquiring David Lynch’s, “The Straight Story”, “Defiance” directed by Ed Zwick, “Face/Off”, Three Ninjas, and “Dances with Wolves”, among others.

You are also a powerhouse attorney. How has being a lawyer helped you become a successful producer?

JERE: Not sure about “powerhouse”, but without my legal credentials and training, I would not have prospered in the media space.

How important is it to have an attorney as part of every film production?

JERE: You must have an attorney for development, production, finance, and distribution legal. It is a complicated and time-consuming process, and a skilled attorney is a must.

Do you have a favorite and worst moment you can think of, in your career?

JERE: Worst: Getting “Chef” to a finance close during production of the picture and attempting to reboot “Point Break” with dire results. Favorite: David Lynch’s “The Straight Story” almost winning the palm D’Or at Cannes. Three Ninjas attaining the greatest return on investment on any picture that year. Acquiring “Dances with Wolves” for select territories for Disney. It was the first picture Disney/BVI distributed theatrically overseas that was not a studio production; it won the Oscar for best picture of the year.

You also have a background in sales. In your opinion, how crucial is having a sales agent involved in the distribution of a film?

JERE: It depends. Most independent productions require international sales as collateral to secure a senior loan which is an integral part of a fiancé plan for an independent production. A sales agent will also assist in launching a picture internationally and in the US.

You taught film finance at USC. What is the best advice you can give to producer students trying to produce their films?

JERE: I taught Entertainment Finance at Boston University in LA. The best advice is to not give up, stay passionate, always be deferential, be honest and if you don’t have an answer, say so. Also, watch as many movies as possible, read the Hollywood trades, be true to yourself, be open to suggestions and advice from those that know what they are talking about and keep your answers short and to the point.

You attended AFM in November. Is it important to attend markets and film festivals like Cannes and AFM?

JERE: It depends. If you have a movie screening or being sold at a market or festival, then yes you should attend. Sellers rarely have the time for pitch meetings or meeting new producers since they are focused on pre-selling their slate of current pictures. If you can tag along with someone who has a reason to attend a market or festival, one should for sure attend. That said, there is no downside in attending a market or major film festival to acquaint oneself with how these film markets and festivals work.

What’s next in the pipeline for you?

JERE: Excited about Unforgettable which is a bio pick of a segment of the life of Nat King Cole and Buzzed which is a bio pick of Buzz Aldrich, the 2nd man on the moon; both pictures are being produced by Cassian Elwes.

Interview by Vanessa McMahon

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April 13, 2023

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Hausfater has been overseeing all business

Film

Fandom’s Inside Gaming Study Dispels Gamer Stereotypes

The stereotype of a gamer being a young, vulgar male loner playing all hours of night and day in their parents’ basement was never terribly accurate. After all, in 2021, 41% of the 189 million video game players were female, and a new study from Fandom disproves further notions. Culled from a sampling of 15,000 from the site’s 350 million monthly visitors, the biggest revelation is that millennials, generally aged 27-42, are the biggest gamer demographic. 52% of this age group identifies video games as their top recreational hobby.

Among other highlights from the study, 80% of those polled claimed that they’d play a game even if they weren’t already a fan of a given franchise, which is the kind of experimental courage of which moviegoers could use more. Meanwhile, over the last five years, engagement has increased across every demographic, platform and genre with 45% of gamers spending more time with their favorite hobby than ever before.

Meanwhile, again dispelling popular wisdom, parents and guardians are claiming to see the benefits of gaming with their kids. Co-gaming parents are 83% more likely to agree that “gaming fosters leadership skills,” 77% more likely to agree it “teaches important life skills” and 38% more likely to agree it “establishes teamwork & collaboration.”

In a show of how much Nintendo has dominated the parent/kid demographics, the top five games parents play with their kids are various “Super Mario Bros.” games (50%), “Minecraft” (48%), “Roblox” (48%), “Super Smash Bros.” (33%) and the various “Kirby” titles (32%).

86% of Fandom gamers are influenced to purchase a brand or product that invests significantly in the gaming space, and nearly half are heavily influenced to do so. 40% of Fandom’s millennial audience spends over 22 hours per week gaming, compared to only 29% of tweens.

‘Super Mario Bros.’ Proves That Universal Has a Box Office Gold Mine With Nintendo

In terms of multimedia opportunities, 57% of participants say that the storyline and narrative elements are of key importance, which argues that such story-driven games as “The Last of Us” make for better/more promising television shows or movies. While gamers will try a game that is either from a new-to-them franchise or an original, 70% declare that they’ll try a new game in a preferred franchise. As such, as with film and television, games based on established brands like “Harry Potter,” “Star Wars” and the MCU have a leg up on the competition.

The study also detailed which streaming platforms are most likely to be frequented by players of what video games. For example, players of the “Mega Man” series are 161x more likely to watch Disney+, while ‘Angry Birds” players are 37x more likely to access Peacock. As such, there’s less surprise that a streaming platform known for “Game of Thrones” would favor players of games like “White Wolf” and “Castlevania.” Amusingly, Apple TV+ viewers way over index for “God of War”. There’s a “God of War” series in development, but for Prime Video where it doesn’t register in the top ten.

Rosario Dawson on ‘Star Wars’ Franchise’s Female-Led Future: ‘A Leaderful Moment for Women on Screen’

The biggest growth in overall time spent gaming versus last year was seen among tweens and teens, with 63% and 48%, respectively. The top-ranking factors for trying new games are: game quality, storyline and plot, then design and visuals, suggesting that gamers across the board are looking for more immersive and engaging experiences.

It also suggests that gamers are less inclined to require a known IP or recognizable marquee characters, again giving the medium an advantage over film and television. Meanwhile, participants ranked overall motivation. Stress relief topped with 48% followed by relaxation (47%) and escapism (45%).

The survey argued that younger gamers are more interested in competitive gaming and making social connections, while older players aimed for intellectual stimulation. Tweens tended to gravitate toward fighting games, racing games and survival games while millennials prefer MMO, strategy and related role-playing titles like “Elden Ring” or “World of Warcraft.”

Among those parents who play with their kids, 56% do so as a fun activity to do together and 44% do so because their kids request it. 41% do so because they are gamers and wish to continue the trend.

There was no polling done on how many parents play games with their kids to demolish their spawn in competitive gaming and crush their spirit to the point of tears, but it’s probably at least 25%.

For Hollywood, Video Games Are the New Comic Book

Fandom's Inside Gaming Survey — Fandom’s 2023 Inside Gaming survey

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April 13, 2023

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Carol Burnett Reflects on Career, Women in Comedy, What’s Next – The Hollywood Reporter

Carol Burnett has always made the audience her priority. Over 11 seasons of her landmark variety show, she indulged fans in countless Tarzan yells, never reshot a sketch when one of her co-stars cracked up and prided herself on getting The Carol Burnett Show‘s weekly crowds (and its staff) out of the studio in time for dinner. Naturally, during the recent taping of the upcoming NBC special Carol Burnett: 90 Years of Laughter + Love, she avoided the trappings of a clip show. And she kept things moving. “It’s a two-hour show, and we were done in about two-and-a-half,” she says of her early birthday party — filmed in front of a live audience. “I want people to feel like they’re seeing a Broadway show, not sitting around waiting for scenery or costume changes.”

As she turns 90 on April 26, the day her special drops, Burnett’s love of comedy has never wavered — nor has the enthusiasm for her distinctive and timeless style. The countless feathers in her cap include six Emmys, a Tony, a Grammy, a lifetime achievement Golden Globe named for her, the Presidential Medal of Freedom, a Life Achievement Award from SAG-AFTRA and the Mark Twain Prize for American Humor. More may very well be on the way. She stunned critics with her 2022 turn on Better Call Saul and soon stars alongside Kristen Wiig, Laura Dern and Allison Janney on the Apple TV+ comedy Palm Royale. Speaking over the phone from the Santa Barbara home she shares with her husband of 21 years, Burnett reflected on her career and praised the women in comedy she admires most today — and the ones who never got their due.

Happy early birthday.

Thank you!

What’s the appropriate reaction when you’re pitched a two-hour TV special to commemorate turning another year older?

Well, I was very flattered — but I was happy that it didn’t turn out to be a roast or even a birthday party but an actual show. It’s a variety show with live entertainment — a 19-piece orchestra and entertainment by Bernadette Peters, Billy Porter, Jane Lynch, Katy Perry, Aileen Quinn, Kristin Chenoweth … so many people. There are, of course, a lot of featured clips — not only of the variety show I did, but of the early years.

Were you surprised by anything that they found?

There was something from when I was 22 or 23. I was on Omnibus with Leonard Bernstein when he was doing a tribute to musical comedy. He hired me to do a song [“Give Him the Ooh-La-La”] that Ethel Merman had introduced in the late 1930s musical comedy Du Barry Was a Lady. I was thrilled to get that job. The Burnett Show is only one segment [in the NBC special]. But it really is a lot of live entertainment and incredible support from friends like Cher and Marisa Tomei.

Cher is among the guests joining the comic legend on NBC’s Carol Burnett: 90 Years of Laughter + Love.

Trae Patton/NBC

Did you get emotional at all?

It’s a little bit teary-eyed at one point. We pay homage to [late co-stars] Harvey Korman and Tim Conway and Lyle Waggoner. It was just unbelievable how many people turned out and spoke, but they were mostly just very, very funny. Julie Andrews flew out and sat with me the whole evening. It was the best kind of birthday party I could ever have.

Do you like talking about the past? I imagine there’s a lot of that expected around a milestone birthday, and I certainly planned to ask you about it.

Well, let me put it this way: I don’t mind talking about it. That’s why we’re here. And I remember it all very well — so many details. If you ask me something I don’t remember, it’s probably because it didn’t stick with me very long in the first place.

Burnett and longtime friend Julie Andrews (left) co-headlined two TV specials in their careers, one at Carnegie Hall in 1962 and another at Lincoln Center in 1971.

George E. Joseph/TV Guide/Courtesy Everett Collection

After you left The Garry Moore Show in 1962, you signed a 10-year contract with CBS. That’s an insane length of time by today’s standards. Did you have any hesitations in locking yourself in somewhere for so long?

No, I had a very good agent! It was 10 years where I would be required to do an hourlong variety special each year and two guest spots on some CBS shows. The big thing in the contract is that if I wanted to push the button, CBS would have to give me 30 one-hour variety shows a year. They’d have to put them on the air whether they wanted to or not.

And you pushed that button.

At the end of the fifth year, during the holidays, I made a phone call to one of the vice presidents at CBS in New York, and I said, “I’m calling to push that button.” I’m sure he got a lot of lawyers out of Christmas parties that night. The next day, he called back and said, “Carol, comedy variety is a man’s game. It’s Sid Caesar, it’s Milton Berle, it’s Jackie Gleason, it’s Dean Martin. It’s really not for you gals.” They didn’t want to do it, but they had to put us on the air.

Did you feel pressure to prove them wrong?

No. I never felt any pressure. We had a well-oiled machine from the very beginning. A lot of the people who were on The Garry Moore Show — the head writer, the choreographer, one of the lead dancers, the director — flew out to do it with us. We knew what we were doing. And I just told everybody to not think about the future. If we had fun, the audience would have fun. [The network] did not expect us to last past that first season but got over 270 episodes in 11 years.

Today, you’d be credited as a producer on a show that carried your name — but you weren’t. Can you explain that to me?

Well, I didn’t produce it. My [then] husband [Joe Hamilton] did. He had produced The Garry Moore Show, so that was a given. He was the business person, and he worked with the writers. I worked with the writers too, but my deal was like Lucy’s [Lucille Ball]. And I talked to her quite often. Desi [Arnaz] kind of ran the behind-the-scenes [stuff], and she said, “That freed me up to be crazy, funny Lucy.” What I wanted more than anything was to have a rep company. It was my name in the title, but there were sketches where I would support Harvey, Tim or Vicki [Lawrence]. I wanted every one of them to score touchdowns. It makes the show better. I learned that from Garry Moore.

I realize that the show never really leaned into the politics of the time. But, in those early years, you aired alongside the Smothers brothers — who faced scrutiny from CBS to the point of cancellation. Did you ever have a problem getting any material on the air?

No, because we were more vaudeville. We didn’t get very topical about anything. We just wanted things to be timeless. You do sketches about what’s going on in the world at that time and then time goes on and it doesn’t hold up as much. Some of the sketches that we did are 40 or 50 years old. They hold up. Look at the dentist sketch with Tim and Harvey. That should go in the time capsule. I dare anybody to watch that today and not lose it.

She shared a comedy block with Tom (left) and Dick Smothers until their 1969 cancellation by CBS.

CBS/Getty Images

The dentist sketch is the one where Harvey allegedly peed his pants, yes?

That’s what Tim said. (Laughs.)

So much has been said over the years about Tim making Harvey break. Who made you break?

There was one time we were doing [recurring sketch] “The Family” and we were playing Password. Tim was Mickey Hart and I was Eunice and Vicki was Mama. Tim got on a roll about a story about Siamese elephants joined at the trunk. He went on and on and on. I just lost it. But he was always trying to make me laugh when we did Mrs. Wiggins and Mr. Tudball. He tried, but I never did. Mrs. Wiggins was a person who couldn’t laugh because she was so stupid. There are several moments where you see my character look like she’s biting her fingernails, but I was biting my finger to keep from laughing.

Why do you think people love watching sketch comics break so much?

It goes back to giggling in church or giggling in the library. There’s nothing more delicious than when you can’t help it. Harvey really hated breaking up. It drove him crazy. But Tim, the little dickens, he was out to get Harvey. And, really, people think we did break a lot. But if you watch all 270 or so shows, it was a very small percentage of the time.

Recurring Carol Burnett Show sketch “The Family” spawned the TV movie Eunice and the long-running Vicki Lawrence series Mama’s Family.

Courtesy Everett Collection

You also didn’t air live.

Yeah, but I never wanted to reset and retape anything. We taped our show in an hour and 15 minutes. The Q&A is all what we’d cut and trim. I never wanted to keep the audience waiting. I used to have a bet with the stagehands that I could do a skin-out change faster than they could move a couch across the stage. I have been a guest — ugh! — on some sitcoms where it’s a 22-minute episode and they take five hours to tape. They send out for pizza for the audience, and there’s this poor comic up there trying to keep everybody happy. I don’t know why they take so much time. It’s not necessary at all. It’s ridiculous.

I’ve been to tapings that felt like a trip to the DMV.

I agree! Sometimes they let an audience go after an hour and a half to bring in another one to watch the second half. They don’t know what the heck’s going on! (Laughs.)

Going back to what you said about your desire to make the show timeless, there’s an incredible amount of foresight there. At the time, shows didn’t have a second life the way they do now. You had no way of knowing there’d be Time Life box sets and then streaming and …

YouTube! I’m getting fan mail from 10-year-olds and teenagers and young adults. I could be their great-grandmother! It’s just a thrill for me … they’re watching because there is a timelessness to that show. The clothes kind of date us a little bit, especially the ’70s stuff. But Bob Mackie, my God, he designed 65 to 70 costumes a week. It was he who came up with the Gone With the Wind curtain rod idea. That’s in the Smithsonian.

“Went with the Wind!” — a spoof of Gone With the Wind — is perhaps the most famous of The Carol Burnett Show’s pop culture parodies; — “Went with the Wind!” — a spoof of *Gone With the Wind* — is perhaps the most famous of The Carol Burnett Show’s pop culture parodies;

Courtesy Everett Collection

You have a history of engaging with fans. Vicki Lawrence got on your show because she wrote you a letter, and I’ve read interviews you’ve given to high schoolers simply because they reached out. Where does that come from?

When I was the editor of the Hollywood High School newspaper, I got an idea to interview famous people who went to Hollywood High. One of those [was] Joel McCrea. I called up the studio where he worked, introduced myself to the manager. They thought that was kind of cute. So, I interviewed him. He couldn’t have been nicer. When I get a very sweet letter from a very young person — if they’re going to be in a show or they want some advice of how to do something — and they leave me their phone number, I call them. I enjoy doing that because I’ve always remembered how nice Joel McCrea was to me.

I’ve read that your TV tastes lean much more drama than comedy, but I’m wondering who really makes you laugh these days.

The women! I have to bring up Kristen Wiig, Amy Poehler, Tina Fey, Jane Lynch, all of those comedians. They’re just absolutely wonderful. When I started out, it was mainly Lucy. There are so many wonderful, funny women 1681391557. Also, I love that they have their own production companies. Lucy paved the way with all of that.

What did it mean to have Lucille Ball champion you early in your career?

It meant the world. She gave me work when I wasn’t working. She was a mentor. We just bonded. She gave me a baby shower when I was pregnant with my second baby. It was a black-tie evening affair with men. It was hysterical. At that time, she was married to Gary Morton, who was a comedian. It was his job to open all of the baby presents and do bits about them. He was like Don Rickles. There were drinks and hors d’oeuvres. As we were leaving, the men said, “We had no idea baby showers could be this much fun.”

Burnett with friend and mentor Lucille Ball.

Ron Galella/Ron Galella Collection/Getty Images

You and Lucy have legacies that will far outlast all of us. Who from your generation do you think was really underrated — or didn’t get enough due?

Dorothy Loudon was brilliant in everything she did. She created Miss Hannigan [in Annie] on Broadway. She was just out of this world. She should have done the [1982] movie. I mean, I enjoyed it. I was grateful that I did it, but that would’ve been a wonderful thing for her. There weren’t too many women around at the time. Pat Carroll was very funny, and Nanette Fabray was wonderful. She was recognized and she worked a lot. But her career wasn’t as big as it should have been.

Between your stint on the final season of Better Call Saul and your role in the upcoming Apple series Palm Royale (formerly Mrs. American Pie), you’re working a lot. How does this stage of your career compare to what you expected from it?

Well, I never thought about it one way or the other … but, now that I am, it’s kind of wild that I’m still active at my tender age. But so is Rita Moreno! She’s a spitfire. I think what’s nice is that Dick Van Dyke is still trucking along. So is Mel Brooks. There seems to be more longevity at this time than there was maybe 20 years ago if you’ve still got all your faculties. God knows that Carl Reiner, before he passed away, was as sharp as ever.

Her work alongside Bob Odenkirk on Better Call Saul earned Burnett her most recent critical acclaim. — Her work alongside Bob Odenkirk on *Better Call Saul* earned Burnett her most recent critical acclaim.

Greg Lewis/AMC/Courtesy Everett Collection

I really love the story about the $50 you received anonymously so you could afford freshman tuition to UCLA. Have you speculated over the years about who it might have come from?

I have no idea. Nobody in the neighborhood had that kind of money. Everybody was poor. If anybody did come up with it, anybody that I knew, I’m sure they would’ve said, “Look, kid, I’m going to help you out here.” To this day, I do not know where that came from.

What’s a normal day like for you?

I live in Santa Barbara. My husband [Brian Miller] and I start the day with crossword puzzles. Oh, and I Wordle. I Wordle with Allison Janney, Charlize Theron and David Crane, who wrote Friends. They’re my friends, and we all Wordle.

In 2019, the HFPA created the Carol Burnett Award for contributions to TV

Kevin Winter/Getty Images

Are you working on anything new?

I’m thinking of writing a treatment — not a book — on when I lived at the Rehearsal Club in New York. Stage Door, the movie, was written about it years ago. That was a wonderful place for young women who wanted to be in the theater. I lived there for a year, and it was $18 a week for room and board in New York — sponsored by the wealthy ladies who lunch. There are so many different stories about the different girls who lived there — those who got a break and those who didn’t. I think it could be a good series.

I’m going to let you go, but I am dying to know: What was the last movie or TV performance you saw that you’d love to parody if you still had a variety show?

Cate Blanchett in Tár! Oh my, that would be fun for me.

Interview edited for length and clarity.

This story first appeared in the April 12 issue of The Hollywood Reporter magazine. Click here to subscribe.

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April 13, 2023

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Carol Burnett has always made the audience

What to Watch

‘Stolen’ Swedish Netflix Movie: What We Know So Far

Carl-Johan Utsi / Netflix and Marie Louise Somby / Netflix

In an effort to expand its library of European content, Netflix will be producing Stolen, an adaptation of Ann-Helén Laestadius’s novel of the same name. The movie will delve deep into the culture of the indigenous Sami people. The Sámi community hails from Lapland (northern Norway, Sweden, Finland, and the Kola peninsula in Russia).

Elle Márjá Eira (The Sámi Have Rights, Ealát) will be directing Netflix’s Stolen as her feature film debut. Peter Birro (Monica Z, 438 Days) will be the screenwriter.

ElleMarja Eira credit Marie louise Somby Arvu

Director Elle Márjá Eira

Author Ann-Helén Laestadius, who is also an executive producer on the project, commented on the Netflix adaptation:

“I am over the moon! For me as an author it is of course a dream to see my book adapted into a film and reach a whole new audience across the world. And I’m incredibly happy that Netflix – with their reach – chooses to highlight a Sami story in a big way.”

Here’s everything we know about Netflix’s Stolen:

What’s the plot of Stolen?

Ann-Helén Laestadius’s novel Stolen was originally published in Sweden in 2021 and has since then been sold to 20+ countries, including Germany, the United Kingdom, the USA, and Canada. The book was awarded the Book of the Year Award in Sweden in September 2021.

Here’s the logline for the story of Stolen:

Stolen portrays a young woman’s struggle to defend her indigenous heritage in a world where xenophobia is on the rise, climate change is threatening reindeer herding, and young people choose suicide in the face of collective desperation. But the novel also lays bare the tensions that arise when modern ideas come up against a traditional culture with deeply rooted patriarchal structures.

Director Elle Márjá Eira said:

“It is about time that the world gets to know this story, and what is going on in Sápmi today. I am a reindeer owner myself, and I recognize myself in this story. I also know that my fellow indigenous sisters, brothers and ancestors are with me. I am proud and grateful that Netflix and Ann-Helén Laestadius have given me this opportunity, and cannot wait to bring it to a new audience.”

stolen netflix cast swedish movie cast snowbikes

Carl-Johan Utsi / Netflix and Marie Louise Somby / Netflix

Who is cast in Stolen?

So far the following cast members have been confirmed for Stolen;

Elin Kristina Oskal
Martin Wallström (Mr. Robot)
Lars-Ánte Wasara
Ida Persson Labba (Tystnaden i Sápmi)
Pávva Pittja (Midnight Sun)
Ingahilda Tapio (Reindeer in My Saami Heart)
Magnus Kuhmunen (Faszination Wasser)
Simon Issát Marainen (Juoigan)
Niilá Ommaand
Anne Lajla Westerfjell Kalstad (Skáidi)

The names of the roles of the cast members have yet to be revealed.

Carl-Johan Utsi / Netflix and Marie Louise Somby / Netflix

Elin Kristina Oskal will be making her acting debut in Stolen, and had the following to say;

”It’s incredibly cool to get to know the film industry from the inside – I have always been curious about it. I’m so grateful to be a part of this!”

What’s the production status in Stolen?

Filming for Netflix’s Stolen supposedly began around February 18, 2023, according to director Elle Márjá Eira’s Instagram. It’s unclear how long filming will take, but it shouldn’t be very long considering its supposed release date.

Director of Stolen, Elle Márjá Eira says:

“We’re in the midst of production right now. It has been exciting and demanding days in minus 35 degrees. We love snow! I am so impressed and proud of the whole cast and crew – especially the Sami. It’s also incredibly beautiful to be able to speak my own language, which is Sami, on set.”

stolen netflix cast swedish movie reindeer

Carl-Johan Utsi / Netflix and Marie Louise Somby / Netflix

What’s the Netflix release date for Stolen?

Upon the project announcement, Netflix claimed the movie was slated for a 2024 release, but a recent article by Golden Globes claims the movie will stream on Netflix later1 in 2023. It’s hard to say if the plans have changed or which is the more correct information.

A press release from Netflix on April 6th, 2023 still has the streaming service listing the movie for a 2024 release. As always, release dates are subject to change.

Carl-Johan Utsi / Netflix and Marie Louise Somby / Netflix

Will you be watching Stolen on Netflix? Let us know in the comments below!

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April 13, 2023

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Carl-Johan Utsi / Netflix and Marie Louise

Awards

First Read of the Emmys Race – The Hollywood Reporter

PLEASE NOTE: This forecast, assembled by The Hollywood Reporter’s awards columnist Scott Feinberg, reflects his best attempt to predict the behavior of the Academy of Television Arts and Sciences, not his personal preferences. He arrives at these standings by drawing upon consultations with voters and strategists, analysis of marketing and campaigns, results of awards that precede the Emmys and the history of the Emmys itself. There will be regular updates to reflect new developments.

*BEST DRAMA SERIES*

Frontrunners
Succession (HBO/Max)
The White Lotus: Sicily (HBO/Max)
The Last of Us (HBO/Max)
Better Call Saul (AMC)
House of the Dragon (HBO/Max)
Yellowjackets (Showtime)
The Crown (Netflix)
The Mandalorian (Disney+)

Major Threats
Andor (Disney+)
1923 (Paramount)
The Handmaid’s Tale (Hulu)
Yellowstone (Paramount)
The Old Man (FX)
The Boys (Amazon)
Slow Horses (Apple TV+)
The Lord of the Rings: The Rings of Power (Amazon)
Bad Sisters (Apple TV+)
Your Honor (Showtime)
Mrs. Davis (Peacock)
The Night Agent (Netflix)
Perry Mason (HBO/Max)
Rabbit Hole (Paramount+)

Possibilities
Citadel (Amazon)
The Diplomat (Netflix)
Waco: The Aftermath (Showtime)
The Good Fight (Paramount+)
Westworld (HBO/Max)
Star Trek: Picard (Paramount)
P-Valley (Starz)
The Serpent Queen (Starz)
Interview with the Vampire (AMC)
Evil (Paramount+)
The Good Doctor (ABC)
9-1-1 (Fox)
Will Trent (ABC)
Willow (Disney+)
Fatal Attraction (Paramount+)
Industry (HBO/Max)
The Peripheral (Amazon)

*BEST COMEDY SERIES*

Frontrunners
The Bear (FX)
Barry (HBO/Max)
Ted Lasso (Apple TV+)
Abbott Elementary (ABC)
Only Murders in the Building (Hulu)
The Marvelous Mrs. Maisel (Amazon)
Wednesday (Netflix)
Shrinking (Apple TV+)

Major Threats
What We Do in the Shadows (FX)
The Great (Hulu)
Atlanta (FX)
Poker Face (Peacock)
Reservation Dogs (FX)
Dead to Me (Netflix)
Mo (Netflix)
Emily in Paris (Netflix)
The Rehearsal (HBO/Max)
Somebody Somewhere (HBO/Max)
Cobra Kai (Netflix)
Ramy (Hulu)
Loot (Apple TV+)
Ghosts (CBS)
Dave (FXX)
She-Hulk: Attorney at Law (Disney+)
Lucky Hank (AMC)
Tulsa King (Paramount)
Schmigadoon (Apple TV+)

Possibilities
Bupkis (Peacock)
The Other Two (HBO/Max)
Mythic Quest (Apple TV+)
Party Down (Starz)
Night Court (NBC)
Physical (Apple TV+)
UnPrisoned (Hulu)
Harlem (Amazon)
Reboot (Hulu)
A League of Their Own (Amazon)
American Born Chinese (Disney+)
The Big Door Prize (Apple TV+)
The Consultant (Amazon)
The Sex Lives of College Girls (HBO/Max)
Rap Sh!t (HBO/Max)
The Afterparty (Apple TV+)
Awkwafina Is Nora from Queens (Comedy Central)
The Conners (ABC)
Love, Victor (Hulu)
American Auto (Peacock)
Slip (Roku Channel)
Resident Alien (SYFY)

*BEST LIMITED OR ANTHOLOGY SERIES*

Frontrunners
Monster: The Jeffrey Dahmer Story (Netflix)
Black Bird (Apple TV+)
George and Tammy (Showtime)
Love and Death (HBO/Max)
Beef (Netflix)

Major Threats
Obi-Wan Kenobi (Disney+)
Fleishman Is in Trouble (FX)
Daisy Jones and the Six (Amazon)
White House Plumbers (HBO/Max)
Swarm (Amazon)
This Is Going to Hurt (AMC+)
The Patient (FX)
Dead Ringers (Amazon)
The English (Amazon)
Tiny Beautiful Things (Hulu)
A Small Light (NatGeo)

Possibilities
Five Days at Memorial (Apple TV+)
Welcome to Chippendales (Hulu)
Irma Vep (HBO/Max)
Transatlantic (Netflix)
From Scratch (Netflix)
Cabinet of Curiosities (Netflix)
Ms. Marvel (Disney+)
The Last Thing He Told Me (Apple TV+)
A Spy Among Friends (MGM+)
A Friend of the Family (Peacock)

*BEST TV MOVIE*

Frontrunners
Weird: The Al Yankovic Story (Roku Channel)
Fire Island (Hulu)
Dolly Parton’s Mountain Magic Christmas (NBC) — podcast [Dolly Parton]
Prey (Hulu)
Reno 911!: It’s a Wonderful Heist (Roku Channel)

Major Threats
Hocus Pocus 2 (Disney+)
Jerry & Marge Go Large (Paramount+)
Boston Strangler (Hulu)
Honor Society (Paramount+)
Disenchanted (Disney+)
Reality (HBO/Max)
Somebody I Used to Know (Amazon)

Possibilities
Shotgun Wedding (Amazon)
Father of the Bride (HBO/Max)
Something from Tiffany’s (Amazon)
A Waltons Thanksgiving (The CW)
Meet Cute (Peacock)
Prasie This (Peacock)

*BEST VARIETY TALK SERIES*

Frontrunners
The Late Show with Stephen Colbert (CBS) — podcast [Stephen Colbert]
The Daily Show with Trevor Noah (Comedy Central) — podcast [Trevor Noah]
Jimmy Kimmel Live! (ABC) — podcast [Jimmy Kimmel]
Late Night with Seth Meyers (NBC) — podcast [Seth Meyers]

Major Threats
The Late Late Show with James Corden (CBS) — podcast [James Corden]
The Problem with Jon Stewart (Apple TV+)
Real Time with Bill Maher (HBO/Max) — podcast [Bill Maher]
The Tonight Show Starring Jimmy Fallon (NBC) — podcast [Jimmy Fallon]

Possibilities
Watch What Happens Live (Bravo) — podcast [Andy Cohen]
Hart to Hart (Peacock)
Hell of a Week with Charlamagne Tha God (Comedy Central)

*BEST SCRIPTED VARIETY SERIES*

Frontrunners
Last Week Tonight with John Oliver (HBO/Max)
Saturday Night Live (NBC) — podcast [Lorne Michaels]
A Black Lady Sketch Show (HBO/Max) — podcast [Robin Thede]
Inside Amy Schumer (Paramount+) — podcast [Amy Schumer]

Major Threats
History of the World: Part II (Hulu)
Documentary Now (IFC) — podcast [Bill Hader]
Ziwe (Showtime)

Possibilities
Pause with Sam Jay (HBO/Max)
The Amber Ruffin Show (Peacock)
Sherman’s Showcase (IFC)

*BEST DOCUMENTARY OR NONFICTION SERIES*

Frontrunners
Harry & Meghan (Netflix)
100 Foot Wave (HBO/Max)
The U.S. and the Holocaust (PBS) — podcast [Ken Burns]
The 1619 Project (Hulu)
The Last Movie Stars (HBO/Max) — podcast [Ethan Hawke]

Major Threats
Mind Over Murder (HBO/Max)
Murdaugh Murders: A Southern Scandal (Netflix)
Secrets of the Elephants (NatGeo)
Prehistoric Planet (Apple TV+)
Boys in Blue (Showtime)
The Vow Part II (HBO/Max)
Untold Volume 2 (Netflix)
Stolen Youth: Inside the Cult at Sarah Lawrence (Hulu)
Murf the Surf (MGM+)
Keep Sweet: Pray and Obey (Netflix)

Possibilities
Limitless with Chris Hemsworth (Disney+)
Menudo: Forever Young (HBO/Max)
Pepsi, Where’s My Jet? (Netflix)
MH370: The Plane That Disappeared (Netflix)
Conversations with a Killer: Jeffrey Dahmer Tapes (Netflix)
Chef’s Table: Pizza (Netflix)
Branson (HBO/Max)
The Anarchists (HBO/Max)
Ed Sheeran: The Sum of It All (Disney+)
Chimp Empire (Netflix)
Paul T. Goldman (Peacock)

*BEST DOCUMENTARY OR NONFICTION SPECIAL*

Frontrunners
Still: A Michael J. Fox Movie (Apple TV+) — podcast [Davis Guggenheim]
Sidney (Apple TV+)
Pamela: A Love Story (Netflix)
Being Mary Tyler Moore (HBO/Max)
Pretty Baby: Brooke Shields (Hulu)

Major Threats
Judy Blume Forever (Amazon)
Selena Gomez: My Mind and Me (Apple TV+) — podcast [Selena Gomez]
If These Walls Could Sing (Disney+)
Love to Love You, Donna Summer (HBO/Max)
“Sr.” (Netflix)
Last Flight Home (Paramount+)
Sin Eater: The Crimes of Anthony Pellicano (FX)
Moonage Daydream (HBO/Max)

Possibilities
Music Box: Jason Isbell: Running with Our Eyes Closed (HBO/Max)
The Volcano: Rescue from Whakaari (Netflix)
Pelosi in the House (HBO/Max)
Love, Lizzo (HBO/Max)
The Princess (HBO/Max)
Katrina Babies (HBO/Max)
The Sound of 007 (Amazon)
Call Me Miss Cleo (HBO/Max)

*BEST ACTOR IN A DRAMA SERIES*

Frontrunners
Pedro Pascal (The Last of Us)
Bob Odenkirk (Better Call Saul) — podcast
Jeremy Strong (Succession) — podcast
Jeff Bridges (The Old Man) — podcast
Diego Luna (Andor)
Paddy Considine (House of the Dragon)

Major Threats
Harrison Ford (1923)
Dominic West (The Crown)
Kevin Costner (Yellowstone)
Pedro Pascal (The Mandalorian)
Bryan Cranston (Your Honor) — podcast
Matthew Rhys (Perry Mason)
Patrick Stewart (Star Trek: Picard)
Gary Oldman (Slow Horses) — podcast
Nicco Annan (P-Valley)
Antony Starr (The Boys)
Karl Urban (The Boys)
Jack Quaid (The Boys)

Possibilities
Richard Madden (Citadel) — podcast
Gabriel Basso (The Night Agent)
Michael Shannon (Waco: The Aftermath) — podcast
Kiefer Sutherland (Rabbit Hole)
Joshua Jackson (Fatal Attraction)
Forest Whitaker (Godfather of Harlem)
Aaron Paul (Westworld)
Jacob Anderson (Interview with the Vampire)
Tom Sturridge (The Sandman)
Warwick Davis (Willow)
Ramon Rodriguez (Will Trent)
Damson Idris (Snowfall)
Freddie Highmore (The Good Doctor)
Mike Colter (Evil)
Billy Crudup (Hello Tomorrow!)
Chris Pratt (The Terminal List)

*BEST ACTRESS IN A DRAMA SERIES*

Frontrunners
Melanie Lynskey (Yellowjackets)
Imelda Staunton (The Crown)
Helen Mirren (1923) — podcast
Bella Ramsey (The Last of Us)
Emma D’Arcy (House of the Dragon)
Elisabeth Moss (The Handmaid’s Tale) — podcast

Major Threats
Juliette Lewis (Yellowjackets)
Tawny Cypress (Yellowjackets)
Sharon Horgan (Bad Sisters)
Kelly Reilly (Yellowstone)
Christine Baranski (The Good Fight)
Betty Gilipin (Mrs. Davis)
Hilary Swank (Alaska Daily)
Brandee Evans (P-Valley)
Evan Rachel Wood (Westworld)

Possibilities
Keri Russell (The Diplomat) — podcast
Priyanka Chopra Jonas (Citadel) — podcast
Toni Collette (The Power)
Samantha Morton (The Serpent Queen)
Amanda Peet (Fatal Attraction)
Lizzy Caplan (Fatal Attraction)
Karen Fukuhara (The Boys)
Erin Moriarty (The Boys)
Angela Bassett (9-1-1) — podcast
Katja Herbers (Evil)
Chloe Grace Moretz (The Peripheral)

*BEST SUPPORTING ACTOR IN A DRAMA SERIES*

Frontrunners
Brian Cox (Succession) — podcast
Matthew Macfadyen (Succession)
Kieran Culkin (Succession)
Giancarlo Esposito (Better Call Saul) — podcast
Matt Smith (House of the Dragon)
Jonathan Banks (Better Call Saul)
Nicholas Braun (Succession)
F. Murray Abraham (The White Lotus: Sicily) — podcast

Major Threats
Alan Ruck (Succession)
John Lithgow (The Old Man)
Tom Hollander (The White Lotus: Sicily)
Theo James (The White Lotus: Sicily)
Will Sharpe (The White Lotus: Sicily)
Michael Imperioli (The White Lotus: Sicily)
Jonathan Pryce (The Crown) — podcast
Jonny Lee Miller (The Crown)
Rhys Ifans (House of the Dragon)
Fabien Frankel (House of the Dragon)
Steve Toussaint (House of the Dragon)
Bradley Whitford (The Handmaid’s Tale)
O-T Fagbenle (The Handmaid’s Tale)
Max Minghella (The Handmaid’s Tale)
Stellan Skarsgard (Andor)
Alexander Skarsgard (Succession)
Brandon Sklenar (1923)
Timothy Dalton (1923)
Elijah Wood (Yellowjackets)
Jack Lowden (Slow Horses)

Possibilities
Rufus Sewell (The Diplomat)
Stanley Tucci (Citadel)
Ed Harris (Westworld)
Jeffrey Wright (Westworld)
James Marsden (Westworld)
Leo Woodall (The White Lotus: Sicily)
Kyle Soller (Andor)
Cole Hauser (Yellowstone)
Wes Bentley (Yellowstone)
Luke Grimes (Yellowstone)
Gil Birmingham (Yellowstone)
Robert Aramayo (The Lord of the Rings: The Rings of Power)
Ismael Cruz Cordova (The Lord of the Rings: The Rings of Power)
Owain Arthur (The Lord of the Rings: The Rings of Power)
Charlie Vickers (The Lord of the Rings: The Rings of Power)
Jensen Ackles (The Boys)
Laz Alonso (The Boys)
Tomer Capone (The Boys)
Chace Crawford (The Boys)
Jessie T. Usher (The Boys)
Sam Reid (Interview with the Vampire)
Michael Emerson (Evil)
Andre Braugher (The Good Fight)
John Slattery (The Good Fight)
Flaes Bang (Bad Sisters)
Brian Gleeson (Bad Sisters)
Daryl McCormack (Bad Sisters)
Carl Weathers (The Mandalorian)
Warren Kole (Yellowjackets)

*BEST SUPPORTING ACTRESS IN A DRAMA SERIES*

Frontrunners
Jennifer Coolidge (The White Lotus: Sicily)
Sarah Snook (Succession) — podcast
J. Smith-Cameron (Succession)
Rhea Seehorn (Better Call Saul) — podcast
Aubrey Plaza (The White Lotus: Sicily)
Meghann Fahy (The White Lotus: Sicily)
Elizabeth Debicki (The Crown)
Carol Burnett (Better Call Saul) — podcast

Major Threats
Christina Ricci (Yellowjackets)
Milly Alcock (House of the Dragon)
Lesley Manville (The Crown)
Olivia Cooke (House of the Dragon)
Olivia Williams (The Crown)
Haley Lu Richardson (The White Lotus: Sicily)
Emily Carey (House of the Dragon)
Eve Best (House of the Dragon)
Lauren Ambrose (Yellowjackets)
Ann Dowd (The Handmaid’s Tale)
Yvonne Strahovski (The Handmaid’s Tale)
Samira Wiley (The Handmaid’s Tale)
Madeline Brewer (The Handmaid’s Tale)
Hong Chau (The Night Agent)
Thandiwe Newton (Westworld)
Julia Schlaepfer (1923)
Aminah Nieves (1923)
Denise Gough (Andor)
Geneivieve O’Reilly (Andor)
Kristin Scott Thomas (Slow Horses)

Possibilities
Sabrina Impacciatore (The White Lotus: Sicily)
Simona Tabasco (The White Lotus: Sicily)
Beatrice Granno (The White Lotus: Sicily)
Lesley Manville (Citadel)
Tessa Thompson (Westworld)
Alia Shawkat (The Old Man)
Amy Brenneman (The Old Man)
Hope Davis (Your Honor)
Morfydd Clark (The Lord of the Rings: The Rings of Power)
Sophia Nomvete (The Lord of the Rings: The Rings of Power)
Sarah Greene (Bad Sisters)
Anne-Marie Duff (Bad Sisters)
Eve Hewson (Bad Sisters)
Eve Birthistle (Bad Sisters)
Audra McDonald (The Good Fight)
Christine Lahti (Evil)
Claudia Doumit (The Boys)
Dominique McElligott (The Boys)
Colby Minifie (The Boys)
Amanda Plummer (Star Trek: Picard)
Connie Britton (Dear Edward)

*BEST GUEST ACTOR IN A DRAMA SERIES*

Frontrunners
Nick Offerman (The Last of Us)
Murray Bartlett (The Last of Us)
James Cromwell (Succession)
Arian Moayed (Succession)
Andy Serkis (Andor)
Lamar Johnson (The Last of Us)

Major Threats
Jon Gries (The White Lotus: Sicily)
Bryan Cranston (Better Call Saul) — podcast
Aaron Paul (Better Call Saul)
Christopher Lloyd (The Mandalorian)
Giancarlo Esposito (The Mandalorian) — podcast
Michael McKean (Better Call Saul)
Tony Dalton (Better Call Saul)
Mark Margolis (Better Call Saul)
Timothy Dalton (The Crown)
Salim Daw (The Crown)
Khalid Abdalla (The Crown)
Prasanna Puwanarajah (The Crown)
Forest Whitaker (Andor)
Tom Glynn-Carney (House of the Dragon)
Ty Tennant (House of the Dragon)
James Badge Dale (1923)
Peter Stormare (1923)

Possibilities
Alan Cumming (The Good Fight)
Gary Cole (The Good Fight)
Benjamin Walker (The Lord of the Rings: The Rings of Power)
Peter Mullan (The Lord of the Rings: The Rings of Power)
Alex Lawther (Andor)
Paul Reiser (The Boys)
Gabriel Luna (The Last of Us)
Joel Grey (The Old Man) — podcast
Jonathan Pryce (Slow Horses) — podcast
Bradley Whitford (Law & Order: Special Victims Unit)
Jack Black (The Mandalorian)
Charles Dance (The Serpent Queen)
David Thewlis (The Sandman)
John Cameron Mitchell (The Sandman)

*BEST GUEST ACTRESS IN A DRAMA SERIES*

Frontrunners
Cherry Jones (Succession)
Hope Davis (Succession)
Anna Torv (The Last of Us)
Melanie Lynskey (The Last of Us)
Storm Reid (The Last of Us)
Fiona Shaw (Andor)

Major Threats
Harriet Walter (Succession)
Hiam Abbass (Succession)
Claire Foy (The Crown) — podcast
Vanessa Kirby (The Crown)
Natasha McElhone (The Crown)
Nico Parker (The Last of Us)
Christine Hakim (The Last of Us)
Betsy Brandt (Better Call Saul)
Mckenna Grace (The Handmaid’s Tale)
Clea Duvall (The Handmaid’s Tale)
Margo Martindale (Your Honor)
Lizzo (The Mandalorian) — podcast
Amy Sedaris (The Mandalorian)

Possibilities
Carrie Preston (The Good Fight)
Phylicia Rashad (The Good Fight)
Michelle Forbes (Star Trek: Picard)
Jacki Weaver (Yellowstone)
Jeannie Berlin (Succession)
Bethany Antonia (House of the Dragon)
Aya Cash (The Boys)
Gwendoline Christie (The Sandman)
Joely Richardson (The Sandman)

*BEST ACTOR IN A COMEDY SERIES*

Frontrunners
Jeremy Allen White (The Bear)
Bill Hader (Barry) — podcast
Jason Sudeikis (Ted Lasso)
Steve Martin (Only Murders in the Building)
Martin Short (Only Murders in the Building)
Donald Glover (Atlanta)
Jason Segel (Shrinking) — podcast

Major Threats
Nicholas Hoult (The Great)
Bob Odenkirk (Lucky Hank) — podcast
Sylvester Stallone (Tulsa King)
Mohammed Amer (Mo)
Ramy Youssef (Ramy) — podcast
Dave Burd (Dave)
Matt Berry (What We Do in the Shadows)
Kayvan Novak (What We Do in the Shadows)
Nathan Fielder (Nathan for You)
Pete Davidson (Bupkis)
Delroy Lindo (UnPrisoned) — podcast
John Larroquette (Night Court)
Keegan-Michael Key (Schmigadoon)
Christoph Waltz (The Consultant)

Possibilities
Adam Scott (Party Down)
Keegan-Michael Key (Reboot)
Utkarsh Ambudkar (Ghosts)
D’Pharaoh Woon-A-Tai (Reservation Dogs)
Ralph Macchio (Coba Kai)
William Zabka (Cobra Kai)
Drew Tarver (The Other Two)
Ben Wang (American Born Chinese)
Chris O’Dowd (The Big Door Prize)
Sam Richardson (The Afterparty)
Rob McElhenney (Mythic Quest)
John Goodman (The Conners)
Alan Tudyk (Resident Alien)
Michael Cimino (Love, Victor)
Rob Lowe (Unstable)

*BEST ACTRESS IN A COMEDY SERIES*

Frontrunners
Quinta Brunson (Abbott Elementary) — podcast
Jenna Ortega (Wednesday)
Rachel Brosnahan (The Marvelous Mrs. Maisel) — podcast
Selena Gomez (Only Murders in the Building) — podcast
Natasha Lyonne (Poker Face) — podcast
Elle Fanning (The Great) — podcast

Major Threats
Christina Applegate (Dead to Me)
Linda Cardellini (Dead to Me)
Bridget Everett (Somebody Somewhere)
Natasia Demetriou (What We Do in the Shadows)
Cecily Strong (Schmigadoon)
Lily Collins (Emily in Paris) — podcast
Maya Rudolph (Loot)
Amy Schumer (Inside Amy Schumer) — podcast
Robin Thede (A Black Lady Sketch Show) — podcast
Rose Byrne (Physical)
Abbi Jacobson (A League of Their Own)
Chante Adams (A League of Their Own)
Rose Melver (Ghosts)
Devery Jacobs (Reservation Dogs)

Possibilities
Melissa Rauch (Night Court)
Helene York (The Other Two)
Kerry Washington (UnPrisoned) — podcast
Martha Plimpton (Sprung)
Tatiana Maslany (She-Hulk: Attorney at Law)
Meagan Good (Harlem)
Judy Greer (Reboot)
Awkwafina (Nora from Queens) — podcast
Sarah Jessica Parker (And Just Like That) — podcast
Tiffany Haddish (The Afterparty)
Sara Gilbert (The Conners)
Mayim Bialik (Call Me Kat)
Ana Gasteyer (American Auto)
Zoe Lister-Jones (Slip)

*BEST SUPPORTING ACTOR IN A COMEDY SERIES*

Frontrunners
Henry Winkler (Barry) — podcast
Tyler James Williams (Abbott Elementary)
Brett Goldstein (Ted Lasso)
Tony Shalhoub (The Marvelous Mrs. Maisel) — podcast
Anthony Carrigan (Barry)
Ebon Moss-Bachrach (The Bear)
Harrison Ford (Shrinking)
Bowen Yang (Saturday Night Live)

Major Threats
Stephen Root (Barry)
Brian Tyree Henry (Atlanta)
Nick Mohammed (Ted Lasso)
Toheeb Jimoh (Ted Lasso)
Jeremy Swift (Ted Lasso)
Brendan Hunt (Ted Lasso)
James Lance (Ted Lasso)
Phil Dunster (Ted Lasso)
Anthony Head (Ted Lasso)
Billy Harris (Ted Lasso)
Kenan Thompson (Saturday Night Live) — podcast
Chris Perfetti (Abbott Elementary)
William Stanford Davis (Abbott Elementary)
Harvey Guillen (What We Do in the Shadows)
Mark Proksch (What We Do in the Shadows)
Joe Pesci (Bupkis)
Leslie Jordan (Call Me Kat)
Mel Brooks (History of the World: Part II)
J.B. Smoove (History of the World: Part II)
Jay Ellis (History of the World: Part II)
Benjamin Bratt (Poker Face)
James Marsden (Dead to Me)
Case Walker (The Other Two)
Paul Walter Hauser (The Afterparty) — podcast
Zach Woods (The Afterparty)
John Cho (The Afterparty)
Jack Whitehall (The Afterparty)

Possibilities
Ke Huy Quan (American Born Chinese) — podcast
LaKeith Stanfield (Atlanta)
Michael Zegen (The Marvelous Mrs. Maisel)
Jamie McShane (Wednesday)
Tituss Burgess (Schmigadoon)
Alan Cumming (Schmigadoon)
Martin Short (Schmigadoon)
Aaron Tveit (Schmigadoon)
Jaime Camil (Schmigadoon)
James Austin Johnson (Saturday Night Live)
Colin Jost (Saturday Night Live)
Michael Che (Saturday Night Live)
Paul Reiser (Reboot)
Brandon Scott Jones (Ghosts)
Zahn McClarnon (Reservation Dogs)
Michael Urie (Shrinking)
Luke Tennie (Shrinking)
Martin Kove (Cobra Kai)
John Owen Lowe (Unstable)
Nick Kroll (History of the World: Part II)
Ike Barinholtz (History of the World: Part II)

*BEST SUPPORTING ACTRESS IN A COMEDY SERIES*

Frontrunners
Sheryl Lee Ralph (Abbott Elementary)
Janelle James (Abbott Elementary)
Sarah Goldberg (Barry)
Alex Borstein (The Marvelous Mrs. Maisel) — podcast
Hannah Waddingham (Ted Lasso)
Ayo Edebiri (The Bear)
Juno Temple (Ted Lasso)
Jessica Williams (Shrinking)

Major Threats
Cecily Strong (Saturday Night Live)
Lisa Ann Walter (Abbott Elementary)
Gwendoline Christie (Wednesday)
Christina Ricci (Wednesday)
Riki Lindhome (Wednesday)
Edie Falco (Bupkis)
Zazie Beetz (Atlanta)
Maria Bello (Beef)
Molly Shannon (The Other Two)
Christa Miller (Shrinking)
Lukita Maxwell (Shrinking)
Teresa Ruiz (Mo)
Mirelle Enos (Lucky Hank)
Abby Elliott (The Bear)
D’Arcy Carden (Barry)
D’Arcy Carden (A League of Their Own)
Marin Hinkle (The Marvelous Mrs. Maisel)
Caroline Aaron (The Marvelous Mrs. Maisel)
Nina Arianda (The Marvelous Mrs. Maisel)
Ashley Park (Emily in Paris)
Cara Delavingne (Only Murders in the Building)
Michaela Jae Rodriguez (Loot)

Possibilities
Michelle Yeoh (American Born Chinese) — podcast
Stephanie Hsu (American Born Chinese) — podcast
Chloe Fineman (Saturday Night Live)
Ego Nwodim (Saturday Night Live)
Kristin Chenoweth (Schmigadoon)
Jane Krakowski (Schmigadoon)
Dove Cameron (Schmigadoon)
Ariana DeBose (Schmigadoon)
Charlotte Nicdao (Mythic Quest)
Jane Lynch (Party Down)
Jennifer Garner (Party Down)
Megan Mullally (Party Down)
Wanda Sykes (History of the World: Part II)
Laurie Metcalf (The Conners)
Sian Clifford (Unstable)
Rachel Bloom (Reboot)
Danielle Pinnock (Ghosts)
Rebecca Wisocky (Ghosts)
Anna Konkle (The Afterparty)
Zoe Chao (The Afterparty)
Poppy Liu (The Afterparty)
Jerrie Johnson (Harlem)
Shoniqua Shandai (Harlem)
Grace Byers (Harlem)

*BEST GUEST ACTOR IN A COMEDY SERIES*

Frontrunners
Luke Kirby (The Marvelous Mrs. Maisel)
Nathan Lane (Only Murders in the Building)
Dave Chappelle (Saturday Night Live)
Steve Martin & Martin Short (Saturday Night Live)
Pedro Pascal (Saturday Night Live)
Oliver Platt (The Bear)

Major Threats
Leslie Odom, Jr. (Abbott Elementary) — podcast
Michael B. Jordan (Saturday Night Live) — podcast
Adrien Brody (Poker Face)
Luis Guzman (Wednesday)
Fred Armisen (Wednesday)
Hank Azaria (The Marvelous Mrs. Maisel) — podcast
Milo Ventimiglia (The Marvelous Mrs. Maisel) — podcast
Darren Criss (The Marvelous Mrs. Maisel) — podcast
James Caverly (Only Murders in the Building)
Mark Ruffalo (She-Hulk: Attorney at Law)
Kyle MacLachlan (Lucky Hank)
Bobby Cannavale (Bupkis)
Brad Garrett (Bupkis)

Possibilities
Joseph Gordon-Levitt (Poker Face)
Lil Rel Howery (Poker Face)
Nick Nolte (Poker Face)
Ron Perlman (Poker Face)
Colton Ryan (Poker Face)
Jon Bernthal (The Bear)
Joel McHale (The Bear)
Zack Fox (Abbott Elementary)
Larry Owens (Abbott Elementary)
Nick Kroll (What We Do in the Shadows)
Austin Butler (Saturday Night Live) — podcast
Katt Williams (Atlanta)
Nick Offerman (A League of Their Own)

*BEST GUEST ACTRESS IN A COMEDY SERIES*

Frontrunners
Taraji P. Henson (Abbott Elementary) — podcast
Ayo Edibiri (Abbott Elementary)
Jane Lynch (The Marvelous Mrs. Maisel)
Sarah Niles (Ted Lasso)
Catherine Zeta-Jones (Wednesday)
Quinta Brunson (Saturday Night Live) — podcast

Major Threats
Jenna Ortega (Saturday Night Live)
Aubrey Plaza (Saturday Night Live)
Keke Palmer (Saturday Night Live)
Molly Shannon (Saturday Night Live)
Amy Schumer (Saturday Night Live) — podcast
Shirley MacLaine (Only Murders in the Building) — podcast
Harriet Walter (Ted Lasso)
Becky Ann Baker (Ted Lasso)
Jane Lynch (Only Murders in the Building)
Marla Gibbs (UnPrisoned)
Judith Light (Poker Face) — podcast
S. Epatha Merkerson (Poker Face)
Chloe Sevigny (Poker Face)
Ellen Barkin (Poker Face)
Cherry Jones (Poker Face)
Stephanie Hsu (Poker Face) — podcast
Amy Ryan (Only Murders in the Building)

Possibilities
Tina Fey (Only Murders in the Building) — podcast
Megan Mullally (Reservation Dogs)
Sutton Foster (The Marvelous Mrs. Maisel)
Lauren Weedman (Abbott Elementary)
June Diane Raphael (Abbott Elementary)
Jane Curtin (The Conners)
Estelle Parsons (The Conners)
Katey Sagal (The Conners)
Kelly Bishop (The Marvelous Mrs. Maisel)
Faith Ford (Night Court)
Elizabeth Perkins (Barry)
Annabella Sciorra (Tulsa King)
Wendie Malick (Shrinking)
Wendie Malick (Night Court)
Amy Morton (The Bear)
Hong Chau (Poker Face)

*BEST ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR TV MOVIE*

Frontrunners
Evan Peters (Monster: The Jeffrey Dahmer Story)
Taron Egerton (Black Bird)
Michael Shannon (George & Tammy) — podcast
Daniel Radcliffe (Weird: The Al Yankovic Story)
Steven Yeun (Beef) — podcast
Steve Carell (The Patient) — podcast

Major Threats
Woody Harrelson (White House Plumbers)
Justin Theroux (White House Plumbers)
Jesse Eisenberg (Fleishman Is in Trouble)
Ewan McGregor (Obi-Wan Kenobi)
Jesse Plemons (Love and Death) — podcast
Ben Whishaw (This Is Going to Hurt)
Sam Claflin (Daisy Jones and the Six)
Jake Lacy (A Friend of the Family)
Liev Schreiber (A Small Light) — podcast
Bryan Cranston (Jerry and Marge Go Large) — podcast

Possibilities
Kumail Nanjiani (Welcome to Chippendales) — podcast
Chaske Spencer (The English)
Joel Kim Booster (Fire Island)
Damian Lewis (A Spy Among Friends)
Guy Pearce (A Spy Among Friends)
Eugenio Mastrandrea (From Scratch)
Jay Ellis (Somebody I Used to Know)
Andy Garcia (Father of the Bride)
Josh Duhamel (Shotgun Wedding)
Kendrick Sampson (Something from Tiffany’s)

*BEST ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR TV MOVIE*

Frontrunners
Jessica Chastain (George & Tammy) — podcast
Emily Blunt (The English)
Lizzy Caplan (Fleishman Is in Trouble)
Riley Keough (Daisy Jones and the Six)
Kathryn Hahn (Tiny Beautiful Things) — podcast
Ali Wong (Beef)

Major Threats
Dominique Fishback (Swarm)
Rachel Weisz (Dead Ringers)
Elizabeth Olsen (Love and Death) — podcast
Vera Farmiga (Five Days at Memorial)
Alicia Vikander (Irma Vep) — podcast
Keira Knightley (Boston Strangler) — podcast
Annette Bening (Jerry and Marge Go Large)
Bel Powley (A Small Light)
Iman Vellani (Ms. Marvel)
Amber Midthunder (Prey)

Possibilities
Sydney Sweeney (Reality)
Gillian Jacobs (Transatlantic)
Jennifer Garner (The Last Thing He Told Me)
Alison Brie (Somebody I Used to Know)
Dolly Parton (Dolly Parton’s Mountain Magic Christmas) — podcast
Amy Adams (Disenchanted) — podcast
Zoey Deutch (Something from Tiffany’s) — podcast
Jennifer Lopez (Shotgun Wedding) — podcast
Gloria Estefan (Father of the Bride)

*BEST SUPPORTING ACTOR IN A LIMITED OR ANTHOLOGY SERIES OR TV MOVIE*

Frontrunners
Paul Walter Hauser (Black Bird) — podcast
Richard Jenkins (Monster: The Jeffrey Dahmer Story)
Domhnall Gleeson (The Patient)
Greg Kinnear (Black Bird)
Bowen Yang (Fire Island)
Murray Bartlett (Welcome to Chippendales)
Ray Liotta (Black Bird) — podcast

Major Threats
Ciaran Hinds (The English)
Damson Idris (Swarm)
Quentin Plair (Tiny Beautiful Things)
Christian Slater (Fleishman Is in Trouble)
Hayden Christensen (Obi-Wan Kenobi)
Kumail Nanjiani (Obi-Wan Kenobi) — podcast
Rupert Friend (Obi-Wan Kenobi)
Walton Goggins (George & Tammy)
Steve Zahn (George & Tammy)
Joe Cole (A Small Light)
Timothy Olyphant (Daisy Jones and the Six)

Possibilities
Young Mazino (Beef)
Nikolaj Coster-Waldau (The Last Thing He Told Me)
Domhnall Gleeson (White House Plumbers)
Robert Pine (Five Days at Memorial)
Quentin Plair (Welcome to Chippendales)
David Alan Grier (The Patient)
Chris Cooper (Boston Strangler)
David Dastmalchian (Boston Strangler)
Alessandro Nivola (Boston Strangler)

*BEST SUPPORTING ACTRESS IN A LIMITED OR ANTHOLOGY SERIES OR TV MOVIE*

Frontrunners
Niecy Nash-Betts (Monster: The Jeffrey Dahmer Story)
Claire Danes (Fleishman Is in Trouble) — podcast
Lena Headey (White House Plumbers)
Judy Greer (White House Plumbers)
Kathleen Turner (White House Plumbers)
Cherry Jones (Five Days at Memorial)
Merritt Wever (Tiny Beautiful Things)

Major Threats
Anna Paquin (A Friend of the Family)
Mckenna Grace (A Friend of the Family)
Lily Rabe (Love and Death)
Harriet Walter (This Is Going to Hurt)
Carrie Coon (Boston Strangler)
Michael Learned (Monster: The Jeffrey Dahmer Story)
Molly Ringwald (Monster: The Jeffrey Dahmer Story)
Julianne Nicholson (Weird: The Al Yankovic Story)
Evan Rachel Wood (Weird: The Al Yankovic Story)

Possibilities
Olivia Colman (Great Expectations) — podcast
Margaret Cho (Fire Island)
Suki Waterhouse (Daisy Jones and the Six)
Camila Morrone (Daisy Jones and the Six)
Juliette Lewis (Welcome to Chippendales)
Annaleigh Ashford (Welcome to Chippendales)
Moses Ingram (Obi-Wan Kenobi)
Maya Erskine (Obi-Wan Kenobi)
Julie Ann Emery (Five Days at Memorial)
Jennifer Coolidge (Shotgun Wedding)

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April 13, 2023

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PLEASE NOTE: This forecast, assembled by The

Music

Foo Fighters Post Snippet of New Song – Billboard

The Foo Fighters are a month away from returning to the stage for the first time since the shocking death of drummer Taylor Hawkins last March and on Wednesday (April 12) they gave fans something more to get excited about with a snippet of a new song.

The unnamed track was posted to the group’s socials and though it is only 12 seconds of instrumental rocking, it features the Foos’ classic mix of thundering drums and stadium-ready, air-punching guitar energy. The surprise drop didn’t provide any additional information about the song or where it will end up, but it was accompanied by the question, “are you thinking what I’m thinking?”

While the world has no idea what the Foos are thinking at the moment, fellow rocker Jack Black had a quick response, “I think so.”

Apart from announcing 25 U.S. and European festival and headliner dates for this summer and fall, the band has kept a tight lid on their plans to solider on without Hawkins. To date they have not announced who will replace the energetic, beloved timekeeper whose death at 50 while on tour in South America devastated the group and their fans. It was unclear at press time who plays drums on the track, what it is called or when it will be released; a spokesperson for the group had not returned a request for additional details at press time.

The band already has one of the greatest drummers in rock history in the fold in singer/guitarist Dave Grohl, but speculation about who will fill Hawkins’ seat has run rampant since the veteran rockers announced their plans to return to the road.

The upcoming outing is slated to kick off on May 24 with a show at the Bank of New Hampshire Pavilion in Gilford, NH and is currently expected to keep them on the road through an October 5 show at the Don Haskins Center in El Paso, TX. Just this week the band added a headliner slot at this fall’s Ohana Festival at Doheny State Beach alongside the Killers, The Chicks, HAIM, Father John Misty and more. They also added six more dates to their tour roster this week with summer and fall shows in Spokane, Salt Lake City, Lake Tahoe, Virginia Beach, Phoenix and El Paso.

The band’s most recent album was the groove-influenced 2021 release Medicine at Midnight.

Check out the Foos’ post below.

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April 13, 2023

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The Foo Fighters are a month away

Docs

You Can Call Me Bill

Whenever I hear this man speak, I walk away feeling like I’m not doing enough with my life. Known for his roles as Star Trek’s Captain James T. Kirk, there has been an attempt outside of geek, nerd, and Trekkie circles to unfairly diminish the impact and body of work of Mr. Shatner. From Legion M and Alexandre O. Philippe comes a very different documentary, You Can Call Me Bill. You’ll walk away, realizing that William Shatner has more important things to do than worry about his critics.

You Can Call Me Bill is not your typical documentary, which walks us through the life story of William Shatner. Typical in that Mr. Shatner does a talking-head interview interwoven with scenes from his illustrious acting career. Atypical in that the documentary is broken up into chapters that explore the themes that make up William Shatner the person.

“…explore the themes that make up William Shatner the person.”

The film opens in the middle of a forest, and in voiceover, Mr. Shatner reflects on life…his life and its relationship with the outdoors and nature. Being the environmentalist that he is, Shatner finds himself inextricably entangled with nature’s interconnectedness, which guides every next step of his journey.

I’ll be honest. There is so much “Shat” packed in You Can Call Me Bill that it can be overwhelming (which explains the lateness of this review). Much like his one-man stage performances, Mr. Shatner is given several points in his life to reflect upon. So let me give you a few of my favorite highlights from the film.

Like everyone else in the world, our stories start at birth. Born in Montreal, William Shatner was the son of Jewish immigrants. He speaks fondly of his youth but honestly about his relationship with his parents, who were strict and didn’t necessarily want him to pursue a career in the arts.

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April 13, 2023

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Whenever I hear this man speak, I

Global

Twitter erupts with memes after Joe Biden confused All Blacks with ‘the Black and Tans’

‘That memorable day when Rob Kearney single-handedly beat the Black and Tans’: Twitter erupts with memes after Joe Biden confused All Blacks with British paramilitary force as he praised his Irish rugby playing cousin

By Jamie Phillips

Published: 05:14 EDT, 13 April 2023 | Updated: 07:15 EDT, 13 April 2023

Twitter has erupted with memes after Joe Biden appeared to mistake New Zealand‘s All Blacks rugby team with the British paramilitary force ‘the Black and Tans’ during a speech at an Irish pub.

The US president was paying tribute to distant relative and Irish rugby star Rob Kearney, before referencing a match between Ireland and New Zealand played at Soldier Field in Chicago in 2016.

He was speaking about his heritage and notions of Irishness to a packed Windsor Bar and Restaurant in Dundalk, County Louth, before describing how the shamrock tie he was wearing was given to him by Kearney.

But Biden said: ‘This was given to me by one of these guys, right here, was a hell of a rugby player. He beat the hell out of the Black and Tans.’

Social media users have quickly created a flurry of hilarious memes highlighting the president’s error.

US President Joe Biden pictured during his speech to the packed pub in Dundalk, Ireland, yesterday

Who were the Black and Tans?

The Black and Tans were a 10,000-strong group of British recruits to the Royal Irish Constabulary.

Recruitment began in January 1920: many of those who signed up were unemployed veterans of the First World War, or convicts.

They were sent to Ireland to try and quash demands for independence from Britain. The War of Independence was fought from 1919-21.

Their nickname came from their uniform – they wore some of the dark green clothing of the Royal Irish Constabulary, which looked black, and some of the khaki of the British army.

They were known for their brutality and reprisals against civilians: to this day, they are seen as a cruel and shameful force.

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Kearney, voted Europe’s best player in 2012, played a pivotal role in Ireland’s defeat of the All Blacks – the New Zealand national team – in November 2016, in Chicago.

It was the first time that Ireland had ever beaten the New Zealand side.

But Biden’s muddling of history also had a darker side.

The Black and Tans were a notorious group of constables enlisted to help the British cause during the Irish War of Independence – the 1919-21 battle between the Irish Republican Army and the British forces.

The July 1921 ceasefire saw the island divided, with Northern Ireland remaining under British control and the south gaining independence.

The Black and Tans – officially part of the Royal Irish Constabulary – were a group of 10,000 men recruited from Britain to try and defeat the IRA. Their name came from their uniforms: a mix of the dark green of the RIC, which looked black, and the tan color of the British army.

Such was the ferocity of their fighting that the rumor spread that they had been recruited from British prisons.

They were well known for their brutality and enacting reprisals on civilians they believed supported the IRA.

Public opinion in the UK and Ireland was widely disapproving of their acts.

The unit was disbanded in 1922, yet to this day the Black and Tans are a shorthand for excessive violence, and their role in the war remains contentious.

The troops were immortalized in the popular Irish rebel song, ‘Come Out, Ye Black And Tans’.

What is the Come Out Ye Black and Tans song? Pro-IRA tune was written in 1920s in support of the republican cause during Irish War of Independence

Come Out Ye Black and Tans is an Irish rebel song about the Black and Tans – officially known as the Royal Irish Constabulary Special Reserve.

The Black and Tans were a British paramilitary police auxiliary force, formed in 1919 and made up of temporary constables, during the Irish War of Independence.

They were given the nickname due to their mix of khaki British Army and rifle green RIC uniforms.

Most of the recruits were former British World War One veterans, but were specifically seen as separate to the military as the British government did not want to give credibility to the cause of an ‘independence war’.

The Black and Tans were infamous for their ruthlessness and often clashed with civilians, as well as armed republican forces – including the IRA. The force were disbanded in 1922.

Dominic Behan wrote the song for his father Stephen. And although it specifically mentions the Black and Tans, the context of the song is a dispute between republican and loyalist groups in Dublin.

The song ties Irish nationalism to the struggles of other peoples against the British Empire across the world, mentioning wars in the Middle East and the Zulus.

In modern day, the term ‘Black and Tans’ is seen as a more general derogatory term for the British and British Army in Ireland.

The song is still sung by Irish rebel bands and folk singers and is sometimes heard at Ireland and Celtic FC football matches.

The chorus of the song goes:

Come out ye Black and Tans,

Come out and fight me like a man,

Show your wife how you won medals out in Flanders,

Tell her how the IRA made you run like hell away,

From the green and lovely lanes in Killeshandra

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April 13, 2023

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Trending

Lala Kent Throws Shade at Tom Sandoval, Raquel Leviss’ Romance

Lala Kent, Tom Sandoval and Raquel Leviss Kathy Hutchins/Shutterstock; Image Press Agency/NurPhoto/Shutterstock; Earl Gibson III/Shutterstock

Dragging them through the dirt? Lala Kent had plenty of choice words to throw Tom Sandoval and Raquel Leviss‘ way after crossing paths with them again at the Vanderpump Rules season 10 reunion.

Kent, 32, revealed when she initially began to suspect that Sandoval, 40, and Leviss, 28, were having an affair during her Wednesday, April 12, appearance on Watch What Happens Live With Andy Cohen.

“I started becoming suspicious want to say in August. When it began, allegedly,” she said, adding that it’s a “tie” when it comes to who she blames more for the cheating scandal.

“Raquel was [Ariana Madix’s] best friend and that’s who you lean on when your man does dirty stuff,” she explained, noting that she thought Madix, 37, and Sandoval would “break up” before he and Leviss got together. (Madix and the Michigan native dated for nine years before she pulled the plug on their romance in March.)

The Vault actress also shared that she believes Leviss — who she referred to as “sick” — is “in love” with Sandoval, but the Tom Sandoval & the Most Extras singer “is incapable of that type of emotion.”

When asked if she believed Tom Schwartz — who made out with Leviss at Scheana Shay and Brock Davies’ wedding — was a “decoy” for the former beauty queen’s affair with Sandoval, Kent said she doesn’t believe the Minnesota native, 40, knew he was part of a bigger plan.

“I think Schwartz was absolutely the decoy [but] I don’t think he realized it and that’s what’s so gross about it,” she told host Andy Cohen, adding that Sandoval was probably happy about his BFF’s makeout with Leviss because it “threw people off the scent” of the affair.

The beauty mogul has publicly shown her support for Madix after news broke last month about Sandoval, 40, and Leviss’ affair. Amid the drama, the TomTom co-owner broke his silence by addressing the negative reviews his Los Angeles restaurants received as a result of the scandal.

“Hey, I fully understand and deserve ur anger & disappointment towards me, but please leave Schwartz, my friends and family out of this situation … Schwartz specifically only found out about this very recently, and most definitely did not condone my actions. This was a very personal thing,” Sandoval wrote via Instagram in March. “Also, Schwartz & Sandy’s might have my name on it, but also there are 3 other partners and 20 employees, who especially rely on the restaurant for income for them and their families. Just like TomTom, I’m a small part of a much bigger thing. Please direct ur anger towards me and not them. They did nothing wrong.

Kent, for her part, slammed the post for not including any mention of Madix. (Sandoval later issued a second statement with an apology for his ex-girlfriend.)

“S*ndoval. Shut up. Employees, abort mission,” she wrote via Instagram Stories on March 4. “Where’s Ariana’s apology in this? It’s called narcissism … & and it’s terrifying.”

Leviss, meanwhile, addressed the scandal by issuing a public apology to the Florida native. “I want to apologize for my actions and my choices foremost to Ariana, and to my friends and the fans so invested in our relationships. There is no excuse, I am not a victim and I must own my actions and I deeply regret hurting Ariana,” she wrote via Instagram on March 8.

The reality star noted that she was going to speak to “a counselor” about her issues. “I have sought emotional validation through intimate connections that are not healthy without regard for my own well-being, sometimes negatively affecting others and often prioritizing the intimate connection over my friendships,” she continued. “I am taking steps to understand my behavior and make healthier choices.”

The Vanderpump Rules cast reunited late last month to tape the reunion after previously filming new footage for the hit Bravo series. Kent opened up about how the upcoming Bravo special affected her on an emotional level.

“That was the most exhausting reunion I’ve ever done in my life,” she explained via Instagram Stories at the time. “I’m drained. I feel like I want to crawl into a hole and sob and scream, but I’m happy to be home now with my little one, crawl in bed, watch Seinfeld and just, like, regroup.”

After filming the season 10 reunion, Sandoval dropped some major bombshells about what led to the end of his relationship with Madix.

“Like many relationships, it felt like it became more of like a best friends, family [thing] — sometimes roommates,” he said during the Tuesday, April 11, episode of the “Howie Mandel Does Stuff” podcast. “There were a lot of ways where the relationship was just lacking the intimacy, the connection. We would travel more by ourselves than we would together. I would go to weddings by myself.”

The bar owner also recalled his first kiss with Leviss, which took place in summer 2022. “It was magnetic,” he gushed. “I felt something that I hadn’t felt in so long, like emotionally.”

Kent, for her part, told Cohen, 54, on Wednesday that while she has only seen “clips” of Sandoval’s conversation with Howie Mandel, she “doesn’t like the slander about Ariana.”

“He needs to shutup,” she explained. “I told him to shutup a long time ago and I was doing him a favor.”

Vanderpump Rules airs on Bravo Wednesdays at 9 p.m. ET. Watch What Happens Live With Andy Cohen airs Sundays through Thursday nights on Bravo and is available next day on Peacock.

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April 13, 2023

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Lala Kent, Tom Sandoval and Raquel

toy puppet miniature painter painting the processor ready for windows 11 update or upgrade

Tech

You may want to uninstall the latest Windows 11 update – it could be slowing down your system

Windows 11’s latest update, KB5025239, is currently rolling out to users, as it’s a mandatory security patch, but it looks like it’s causing issues for some people.

These problems differ from user to user, but a few pertinent ones stand out like File Explorer crashing, and even icons disappearing from the desktop. Windows Latest has compiled Reddit posts and emails received from their readers that report the issues users are having.

The reports from Windows Latest show multiple comments on their forums and emails from readers that confirmed performance issues, SSD speed issues, unresponsive desktop icons, and more that have halted users’ normal everyday experience with their PCs.

The users noted on Windows Latest’s forum that the changes occurred shortly after installing the latest update.

Some users have even gone so far as to say that since installing the April 11 cumulative update, which was released as a mandatory security update, their devices have been running slower than usual. Apps, games and the operating system itself have been lagging, likely because of the slowed SSD speeds.

This is quite a shame as the Windows 11 update brought a few great features like a better-looking taskbar and improved accessibility features, so to see these dire performance issues crop up so quickly is very disappointing.

Uninstall

Obviously, it seems, these snags with the update are not new and almost expected with every update, though they drastically nerf users’ device performance and general workflow which makes this particular instance incredibly frustrating.

It’s hard to determine how many people might be affected by the update bug but a growing number of people seem to be running into this problem. It’s possible to uninstall the update and resolve the issues.

If you’re experiencing the same problems outlined above you’re better off uninstalling the update until the bugs are addressed. Head over to your start menu, search for ‘Windows Update’ and from there view your update history and hit ‘uninstall update’.

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April 13, 2023

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Windows 11's latest update, KB5025239, is currently

Super Mario Bros Luigi and Mario at SUPER NINTENDO WORLD

Video

Super Mario Bros. Theme Added to National Recording Registry

The theme song from Nintendo’s Super Mario Bros. became the first video game track added to the National Recording Registry on Wednesday.

The U.S. Library of Congress named the perky synth tune to its list of 25 recordings, along with Mariah Carey’s holiday classic, “All I Want for Christmas is You,” Madonna’s hit “Like a Virgin,” and Queen Latifah’s “All Hail the Queen” from 1989.

Nintendo composer Koji Kondo, who also created the Legend of Zelda theme, created the Super Mario Bros. tune in 1985. It’s featured in the new “Super Mario Bros. Movie,” which scored a $377 million box-office debut this weekend.

Librarian of Congress Carla Hayden said of the new additions, “The national library is proud to help ensure these recordings are preserved for generations to come.” The registry can included songs, speeches, podcasts, or recorded sounds, were submitted by the public. Hayden noted, “We received more than 1,100 public nominations this year for recordings to add to the registry.”

The registry was created in 2002 and now holds more than 600 recordings, but, until this week, did not include any music from video games.

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April 13, 2023

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The theme song from Nintendo’s Super Mario

Entertaintment

Just a moment…

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April 13, 2023

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Just a moment

Movies

Best Pixar Movie Quotes

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April 13, 2023

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Best Pixar Movie Quotes

Tom Sandoval says ‘I still love Ariana’ amid cheating scandal

Tom Sandoval says he still has feelings for ex-girlfriend Ariana Madix, a month after allegedly cheating on her with their “Vanderpump Rules” co-star Raquel Leviss.

The “Vanderpump Rules” star opened up about the scandal — “Scandoval” for fans in the know — in a nearly hour-and-a-half interview with Howie Mandel for his “Howie Mandel Does Stuff” podcast. In the episode, released Tuesday, Sandoval says he could not have anticipated the buzz around the “Vanderpump” drama.

“I’m finally getting time to start to reflect on the situation because I never thought I would get myself in a situation like this. Never dreamed it,” he said. “I worked too hard for my image, for my business, for my integrity … but it just happened.”

In March, People reported that Sandoval, 39, and Madix, 37, had split after nine years together. At the center of the breakup was his affair with Leviss, 28.

Shortly after, Sandoval shared a statement on Instagram apologizing to Madix for the “reckless decisions that hurt somebody I love.” Sandoval told Mandel that he still cares for his ex-girlfriend.

“I love Ariana. I still love Ariana,” he said.

Sandoval’s affair seemed to be a breaking point for the former couple, but he told the “America’s Got Talent” judge that there was more to their split.

He said that after being together with Madix for a while, it felt more like they were “best friends, family, sometimes roommates.”

“There was a lot of ways where the relationship was just lacking the intimacy, the connection,” he added.

According to Sandvoal, he and Madix both struggled with their mental health and socialized separately. Even then, they wanted to “keep the optics up that we were a solid, powerful couple because it was part of our brand,” he said.

He said that he enjoyed the “safety” and “stability” of the years-long relationship but that he started “to feel trapped,” especially as he aged.

“I started to look at my life, and it looked very bleak,” he said. “I started to think my best years were behind me.”

On this “whole Raquel thing,” Sandoval told Mandel that he “was in a very dark place” and that he was “just yearning for a connection” during the affair. Nearly 50 minutes into the interview, Mandel encouraged listeners to “have some empathy and compassion.”

Neither Madix nor Leviss has publicly addressed Sandoval’s podcast comments. Andy Cohen, on the other hand, has.

On Wednesday’s episode of his SiriusXM show, “Andy Cohen Live,” the Bravo personality slammed both Sandoval and Mandel for the podcast interview.

“I found out about it last week. Was annoyed on my behalf, on Bravo’s behalf, on the viewers’ behalf,” Cohen said, according to Entertainment Tonight.

Cohen said Sandoval needed an interview to “be completely unchallenged” and slammed Mandel for his lack of “Vanderpump Rules” knowledge. Mandel did clarify early in his interview that he hasn’t watched the Bravo show since its early years.

Overall, the conversation was “a missed opportunity for both of them,” Cohen said.

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April 13, 2023

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Tom Sandoval says he still has

MCU

Marvel Studios’ Blade Reboot Casts Breakout Horror Star

Marvel Studios‘ highly anticipated Blade film cast a major horror star in its upcoming blockbuster.

Mahershala Ali’s big MCU outing has been through the wringer. While the project was originally announced back in 2019, it took until late 2022 for production to grind to a halt as Marvel looked to start fresh.

Marvel Studios ended up parting ways with both the original director and screenwriters, as they worked to ensure that Blade’s proper debut is everything it should be.

Now a new casting report revealed a recent horror favorite is now a part of the vampire hunter’s first MCU story.

Mia Goth Joins Blade

Mia Goth

Deadline reported that Mia Goth, a recent breakout star in the horror genre, is now a part of Marvel Studios’ Blade.

Details on her role were not given, but she’ll join Oscar-winner Mahershala Ali in the upcoming reboot.

Both Marvel nor Disney did not offer a comment on the report.

Who Might Mia Goth Be?

With Mia Goth joining the super-powered epic, many are wondering who the young actress could be playing in the MCU. One contender who fans have been offering up is Lillith, a character who is the subject of various differing interpretations.

The first is Lilith, the daughter of Dracula. It should be clear why that version would fit perfectly into a Blade-centered story, with Mahershala Ali’s titular hero known for his vampire-hunting antics.

But then there’s the Mother of Demons interpretation, which could be perfect for a recurring threat across multiple MCU projects. The powerful villain could be the ideal lynchpin to form that supernatural team-up project many fans have been crossing their fingers for.

In fact, that’s exactly what she was for a 1992 storyline that saw characters like Blade, Morbius, and multiple Ghost Riders all team up to take her on, as a group known as the Midnight Sons.

Lilith was also the main antagonist in the recent video game Marvel’s Midnight Suns, which featured the demonic character prominently as she went up against the titular team—including Blade himself.

No matter who she ends up being, Mia Goth is a huge get for the Marvel Cinematic Universe and yet another perfect casting choice.

Blade lands in theaters on September 4, 2024.

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April 13, 2023

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DCU

James Gunn Says If DCU Castings Don’t Come From Him, People Shouldn’t Believe Them

James Gunn addressed fan disappointment over Ron Perlman’s name not being including in the newly announced cast list for DCU project Creature Commandos with a simple message – Don’t believe any casting rumors about the DCU. Like any big movie, the secrets of the new DCU are many and that means fans will have their say in who they believe should be taking on some of the big roles and which storylines and characters will be making an appearance. However, following the casting reveal for Creature Commandos, it has brought another reminder that rumors are just that until they are officially announced.

Rumors of Ron Perlman’s possibly involvement in the new animated DC series came at the same time as those about Frank Grillo being cast in the show. While Grillo’s casting turned out to be correct, some fans instantly followed the casting announcement with questions of where Perlman’s name was. James Gunn provided his usual swift Twitter response with a very simple and direct piece of advice. He said:

“Ron Perlman is an actor I love but he isn’t on the show and he and I never even talked about him being on the show. It might be better if folks stopped believing rumors. If it doesn’t come from me or DC, it’s not to be believed.”

Gunn’s suggestion is certainly a guaranteed way of avoiding the disappointment that many feel when long-standing rumors are debunked. However, when the internet is chock full of “insiders” offering their scoops, it is almost impossible to avoid speculation over who could be about to join some of the biggest movie franchises.

James Gunn Has Debunked Many Casting Rumors.

DC Comics

It is sometimes hard to keep track of the amount of casting rumors circulating around certain roles at any one time. Currently, James Gunn appears to shut down a new casting rumor about who will be taking over the high profile role of Superman in Superman: Legacy every day. So far this has included, but is certainly not limited to, Jacob Elordi, Logan Lerman and even former Superman Henry Cavill, who some fans still just cannot let go of.

When it comes to the sharing of information, James Gunn provides fans and followers with a much more detailed insight into the process of the movies and shows he is involved in that many. For that reason, it is not surprising that the writer-director suggests to only believe casting and project announcements that come straight from the horse’s mouth. While there is a need for many to know everything about every upcoming Marvel and DC offering in particular, there was once a time when getting such information before a movie was officially made public was impossible. However, now the internet makes everything just a screen-grab away, it is much harder to prevent rumors quickly becoming indiscernible from facts in the constant stream of news that rolls out every day.

When it comes to DCU news, it seems that if it doesn’t come from Gunn, then it isn’t going to be on target.

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April 13, 2023

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James Gunn addressed fan disappointment over Ron

Comics

Shark’s new 2-in-1 robot vacuum and mop is cheaper than it’s ever been

All products recommended by Engadget are selected by our editorial team, independent of our parent company. Some of our stories include affiliate links. If you buy something through one of these links, we may earn an affiliate commission. All prices are correct at the time of publishing.

If you’ve been putting off any spring cleaning — who hasn’t? — now might be the time to consider a helper. Robot vacuums have been popping up everywhere and, though they can be pricier than a do-it-yourself option, the Shark AI Ultra 2-in-1 robot vacuum is currently making a play for your home with a 43 percent off sale. It’s still not an impulse buy in the check out lane, but, at $400 versus $700, it’s the best deal we’ve seen since it launched.

This 2-in-1 model uses smart home mapping to clean in a precise grid, empties itself and has improved suction power. Shark also claims the mops can scrub floors 100 times per minute. Plus, like most robot vacuums, it’s controlled through an app.

Shark

Shark has produced a few different robovacs in recent years, alongside impressive competitors like iRobot and Anker. This sale makes the 2-in-1 model cheaper than Shark’s standard AI Ultra vacuum — even with its price currently down from $600 to $485. The standard model doesn’t differ too much from the 2-in-1 model and made the list of our best robot vacuums of the year. But, it is missing a few features, such as the water reservoir, reusable mopping pads and improved suction.

If you don’t care too much about your robovac self-emptying, the Shark RV2410WD IQ 2-in-1 Robot Vacuum and Mop is a cheaper option, on sale at $295 versus $380.

Follow @EngadgetDeals on Twitter and subscribe to the Engadget Deals newsletter for the latest tech deals and buying advice.

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April 13, 2023

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Festivals

Indiana Jones, Jeanne Du Barry – Deadline

UPDATE: The Official Selection lineup for the 76th Cannes Film Festival has been revealed, with 19 movies in Competition (see full lists below). Returning to the fray this year are such previous Palme d’Or winners as Nuri Bilge Ceylan, Nanni Moretti, Ken Loach, Wim Wenders and Hirokazu Kore-eda. Wenders also has a movie in Special Screenings while Kore-eda, with the Japanese drama Monster, is back-to-back in the mix after 2022’s Korean-language Broker.

Other familiar names who will launch new works in the Competition include Todd Haynes with May December starring Natalie Portman and Julianne Moore; Wes Anderson with the mega-ensemble Asteroid City; Jonathan Glazer and The Zone of Interest; and Aki Kaurismaki with Fallen Leaves.

Across the rest of the Official Selection, Steve McQueen’s Occupied City notably has a Special Screenings berth while Takeshi Kitano is in Cannes Premiere with Kubi. Anurag Kashyap nabbed a Midnight Screenings slot with Kennedy and HBO’s The Idol from Sam Levinson is playing in the Out of Competition strand.

As is Cannes General Delegate Thierry Frémaux’s wont, there are still more titles to be added in the coming weeks.

Scroll down for the full list announced today, and we’ll be back later with a closer look and analysis.

PREVIOUS: While a handful of big-ticket Cannes Film Festival titles have already been revealed, the bulk of the Official Selection for the 76th edition will be unveiled today. General Delegate Thierry Frémaux is announcing the lineup for the May 16-27 event from Paris’ UGC Normandie cinema this morning and we are updating the list live below; you can also watch the livestream here.

Frémaux will be joined by Iris Knobloch, the former WarnerMedia France and Germany boss who has succeeded Pierre Lescure as Cannes Film Festival President.

Confirmed ahead of today’s rundown of the films in Official Selection, Indiana Jones is making a return to the red carpet with Harrison Ford due in town for the world premiere of Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny directed by James Mangold.

Martin Scorsese’s latest, Killers of the Flower Moon, starring Leonardo DiCaprio and Robert De Niro, has a berth — whether it’s in competition should be revealed today. Paramount will release the Apple Original Films drama theatrically in France on October 18.

We’ve also reported that Wes Anderson’s star-packed Asteroid City from Focus will be heading into the Palais while the festival this week announced that Pedro Almodóvar’s short, Strange Way of Life, starring Ethan Hawke and Pedro Pascal, will world premiere on the Riviera.

And, in what’s sure to be a draw on opening night, Johnny Depp’s so-called “comeback” movie, Jeanne Du Barry, will raise the curtain on the fest on May 16.

Among other movies tipped to launch on the Croisette are Ken Loach’s The Old Oak, Alice Rohrwacher’s La Chimera and Zone of Interest, Jonathan Glazer’s long-anticipated return to feature filmmaking. Further speculation has circled around Todd Haynes’ May December, Nanni Moretti’s Il Sol Dell’Avvenire, Michel Franco’s Memory, Jessica Hausner’s Club Zero, Abderrahmane Sissako’s Perfumed Hill, Bertrand Bonello’s The Beast, Hirokazu Kore-eda’s Monster, Robin Campillo’s Red Island and Catherine Breillat’s Last Summer. There’s also chatter about a debut for HBO series The Idol starring Lily-Rose Depp and The Weeknd.

We’ll know more in just a little while; see below for the list of films as they are revealed today:

CANNES 2023 OFFICIAL SELECTION

COMPETITION

Club Zero, dir: Jessica Hausner

The Zone of Interest, dir: Jonathan Glazer

Fallen Leaves, dir: Aki Kaurismaki

Four Daughters, dir: Kaouther Ben Hania

Asteroid City, dir: Wes Anderson

Anatomie d’Une Chute, dir: Justine Triet

Monster, dir: Hiokazu Kore-eda

Il Sol dell’Avvenire, dir: Nanni Moretti

La Chimera, dir: Alice Rohrwacher

L’Eté Dernier, dir: Catherine Breillat

La Passion De Dodin Bouffant, dir: Tran Anh Hung

About Dry Grasses, dir: Nuri Bilge Ceylan

May December, dir: Todd Haynes

Rapito, dir: Marco Bellocchio

Firebrand, dir: Karim Ainouz

The Old Oak, dir: Ken Loach

*Banel et Adama, dir: Ramata-Toulaye Sy

Perfect Days, dir: Wim Wenders

Jeunesse, dir: Wang Bing

OUT OF COMPETITION

Killers of the Flower Moon, dir: Martin Scorsese

Jeanne du Barry, dir: Maïwenn

The Idol, dir: Sam Levinson

Cobweb, dir: Kim Jee-woon

Indiana Jones and the Dial of Destiny, dir: James Mangold

MIDNIGHT SCREENINGS

Omar La Fraise, dir: Elias Belkeddar

Acide, dir: Just Philippot

Kennedy, dir: Anurag Kashyap

CANNES PREMIERE

Le Temps d’Aimer, dir: Katell Quillevere

Kubi, dir: Takeshi Kitano

Cerrar los Ojos, dir: Victor Erice

Bonnar, Pierre et Marthe, dir: Martin Provost

SPECIAL SCREENINGS

Anselm, dir: Wim Wenders

Occupied City, dir: Steve McQueen

Man in Black, dir: Wang Bing

UN CERTAIN REGARD

*How to Have Sex, dir: Molly Manning Walker

The Delinquents, dir: Rodrigo Moreno

Simple Comme Sylvain, dir: Monia Chokri

The Settlers, dir: Felipe Galvez

The Mother of All Lies, dir: Asmae El Moodier

The Buriti Flower, dirs: Joao Salaviza & Renee Nader

*Goodbye Julia, dir: Mohammed Kordofani

*Omen, dir: Baloji Thasiani

The Breaking Ice, dir: Anthony Chen

Rosalie, dir: Stéphanie Di Giusto

The New Boy, dir: Warwick Thornton

*If Only I Could Hibernate, dir: Zoljargal Purevdash

*Hopeless, dir: Kim Chang-hoon

*Rien à Perdre, dir: Delphine Deloget

*Les Meutes, dir: Kamal Lazraq

Terrestrial Verses, dirs: Ali Asgari & Alireza Khatami

La Regne Animal, dir: Thomas Cailley

*Denotes first film eligible for the Camera d’Or

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April 13, 2023

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UPDATE: The Official Selection lineup for the

Film

2023 Cannes Film Festival Lineup Announced: Full List Here

And of course the already announced “Killers of the Flower Moon,” which will screen Out of Competition.

Get your tux out of the mothballs and brush up on your French phrasebook: After feverish speculation about what might premiere at the 2023 Cannes Film Festival, the lineup has finally been announced.

Thierry Frémaux’s annual press conference, which you can watch below, has wrapped and we now know what will debut on the Croisette when Cannes takes place May 16-27. We already knew there’d be a spot for Martin Scorsese’s “Killers of the Flower Moon,” that Harrison Ford and James Mangold would be bringing fedora couture with “Indiana Jones and the Dial of Destiny” (filling this year’s blockbuster spot reserved by “Top Gun: Maverick” last year), and that, controversially, the Johnny Depp-starring film “Jeanne du Barry” by Maïwenn would open the festival.

Among the titles now confirmed to appear at Cannes are Wes Anderson’s “Asteroid City,” Jonathan Glazer’s “The Zone of Interest,” Todd Haynes’ “May/December,” starring Julianne Moore and Natalie Portman, Hirokazu Kore-eda’s “Monster,” and Alice Rohrwacher’s “La Chimera,” all competing for the Palme d’Or in Competition. There’s also new work from Jessica Hausner, Aki Kaurismaki, Nuri Bilge Ceylan, Catherine Breillat, Ken Loach, and Wim Wenders competing for the top prize, as well as Wang Bing’s “Jeunesse,” the first documentary to screen in Competition since 2004. Bing has a second film in Special Screenings, “Man in Black.”

Another major title announced for the Special Screenings is a new documentary by Steve McQueen, “Occupied City,” which turns his lens on the city where he’s long lived: Amsterdam. And, as the title would suggest, it’s about the city’s occupation by Nazi Germany during World War II.

As expected, Sam Levinson’s HBO series “The Idol” will debut at Cannes, as well, Out of Competition.

This means several anticipated titles will not premiere at the festival: It was thought Kitty Green’s re-team with Julia Garner “The Royal Hotel” and Yorgos Lanthimos’s Emma Stone reunion “Poor Things” might bow at Cannes, as might Richard Linklater’s “Hitman” and Michel Gondry’s “The Book of Solutions.”

And, of course, already announced in the shorts section is the 30-minute gay Western from Pedro Almodóvar starring Pedro Pascal and Ethan Hawke, which the director told IndieWire’s Eric Kohn is his answer to “Brokeback Mountain.”

The importance of Cannes can’t be understated even with a slowing acquisitions market. Last year’s Palme d’Or winner “Triangle of Sadness,” a Neon pickup, got a Best Picture nomination from the Oscars, along with two other nods (Best Director for Ruben Östlund and Östlund again for Best Original Screenplay). That was the third straight Palme d’Or winner to be distributed by Neon, following “Titane” in 2021 and “Parasite” in 2019, which of course went on to win the Academy Award for Best Picture, the first non-English language film to do so.

Cannes is also an end unto itself, the Palme d’Or conferring a level of status and built-in box-office interest that no other prize but the Oscar can.

Watch the replay of the press conference and read the full list of titles from the 2023 Cannes Film Festival lineup announcement below.

Opening Night

“Jeanne du Barry,” Maïwenn (Out of Competition)

In Competition

“Club Zero,” Jessica Hausner
“The Zone of Interest,” Jonathan Glazer
“Fallen Leaves,” Aki Kaurismaki
“Four Daughters,” Kaouther Ben Hania
“Asteroid City,” Wes Anderson
“Anatomie d’Une Chute,” Justine Triet
“Monster,” Hirokazu Kore-eda
“The Sun of the Future,” Nanni Moretti
“La Chimera,” Alice Rohrwacher
“About Dry Grasses,” Nuri Bilge Ceylan
“L’Ete Dernier,” Catherine Breillat
“The Passion of Dodin Bouffant,” Tran Anh Hung
“Rapito,” Marco Bellocchio
“May/December,” Todd Haynes
“Firebrand,” Karim Ainouz
“The Old Oak,” Ken Loach
“Banel et Adama,” Ramata-Toulaye Sy
“Perfect Days,” Wim Wenders
“Jeunesse,” Wang Bing

Un Certain Regard

“The Delinquents,” Rodrigo Moreno
“How to Have Sex,” Molly Manning Walker
“Goodbye Julia,” Mohamed Kordofani
“The Buriti Flower,” Joao Salaviza and Renée Nader Messora
“Simple Comme Sylvain,” Monia Chokri
“Kadib Abyad (The Mother of All Lies),” Asmae El Moudir
“The Settlers,” Felipe Galvez
“Omen,” Baloji Tshiani
“The Breaking Ice,” Anthony Chen
“Rosalie,” Stephanie di Giusto
“The New Boy,” Warwick Thornton
“If Only I Could Hibernate,” Zoljargal Purevdash
“Hopeless,” Kim Chang-hoon
“Terrestrial Verses,” Ali Asgari & Alireza Khatami
“Rien a Perdre,” Delphine Deloget
“Les Meutes,” Kamal Lazraq
“La Regne Animal,” Thomas Cailley

Special Screenings

“Pictures of Ghosts,” Kleber Mendonca Filho
“Anselm,” Wim Wenders
“Occupied City,” Steve McQueen
“Man in Black,” Wang Bing

Cannes Premieres

“Le Temps D’Aimer,” Katell Quillevere
“Cerrar Los Ojos,” Victor Erice
“Bonnard, Pierre et Marthe,” Martin Provost
“Kubi,” Takeshi Kitano

Midnight Screenings

“Omar la Fraise,” Elias Belkeddar
“Kennedy,” Anurag Kashyap
“Acide,” Just Philippot

Out of Competition

“Killers of the Flower Moon,” Martin Scorsese
“The Idol,” Sam Levinson
“Cobweb,” Kim Jee-woon
“Indiana Jones and the Dial of Destiny,” James Mangold

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April 13, 2023

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And of course the already announced "Killers

Release Date, Cast, More – Deadline

At its Max streaming event, Warner Bros. Discovery confirmed a new era is coming for Harry Potter fans. The company announced a TV series based on all seven books about the boy wizard written by J.K. Rowling. See below for the most current answers to the most important questions about the project.

What is the Harry Potter TV series about?

“This new Max Original series will dive deep into each of the iconic books that fans have continued to enjoy for all of these years,” said Casey Bloys, Chairman and CEO, HBO & Max Content about the project, which he also assured fans would be “a faithful adaptation.”

Early reports had each season of the series focusing on one book in the Harry Potter book series, which consists of seven novels, but Bloys said the project would run for “10 consecutive years,” which would seem to defy the 1 season, 1 book assertion. For those of you who say Fantastic Beasts could be leveraged to provide 10 seasons over 10 years, WBD brass said specifically during the announcement that FB will not be a part of the series.

Whatever the case, Bloys promised that, as the company embarks on its new Harry Potter adventure, “We do so with the full care and craft of this franchise.”

When will the Harry Potter series be released?

The series is expected to be on air in 2025/26, and given that Warner Bros. Discovery is embarking on a high-profile revamp of its streaming service, even changing its name from HBO Max to just Max, it’s a pretty good bet the company wants Harry Potter wizarding on the platform ASAP. Ditto J.K. Rowling, whose production company posted a 74% drop in profits last year.

Which actors are starring in the Harry Potter TV series? Are any of the original Harry Potter stars returning?

There will be new actors playing the series’ main characters, but it’s unlikely anyone has been cast yet. In fact, Max’s search right now is centered on finding a showrunner.

“We have been trying to be very close to the vest,” said Bloys. “We haven’t gone out to agencies. We have our own internal process where we’ve been thinking about people but we have not wanted to go out into the world. Now that the news is out there…we’ll start going out to the business.”

As for a return of any of the film franchise’s stars — like Daniel Radcliffe, Emma Watson or Rupert Grint — never say never. It would certainly be a PR boost for the series and, while new actors will be cast in the primary roles, there are always flashforwards or the currently en vogue multiverse plot ploy that could create space for more familiar faces in the series.

Will J.K. Rowling be involved in the new Harry Potter TV series?

A deal for J.K. Rowling’s involvement in the series had been the biggest hurdle in its path to the screen: The author has creative control over any exploitation of her work. That agreement has now been finalized.

Rowling, Neil Blair and Ruth Kenley-Letts are exec producing. David Heyman, who developed the films, is currently in talks to do the same. Rowling’s Brontë Film and TV is producing with Warner Bros. Television. Brontë Film and TV was founded by Rowling and her literary agent, Neil Blair, in 2012.

“Max’s commitment to preserving the integrity of my books is important to me, and I’m looking forward to being part of this new adaptation which will allow for a degree of depth and detail only afforded by a long form television series,” said Rowling in a statement.

Since Warners launched its streaming service, there’s always been a goal to exploit Warners’ biggest franchise for streaming. Warner Bros Discovery CEO David Zaslav, taking the reigns after the merger last year, met with Rowling several times in the UK. He’s even spoken up in support of the author, who has been involved in an ongoing controversy over her comments on transgender issues. Asked about the streaming event about those controversies, Bloys demurred.

“No, I don’t think this is the forum [to discuss that],” he said. “That’s a very online conversation, very nuanced and complicated and not something we’re going to get into.”

“Our priority is what’s on the screen,” Bloys continued. “Obviously, the Harry Potter story is incredibly affirmative and positive and about love and self-acceptance. That’s our priority — what’s on screen.”

As for how close the author will be to the series, Bloys said, “[Rowling] will be involved. She’s an executive producer on the show. Her insights are going to be helpful on that.”

He was clear, however, that WBD wasn’t entirely dependent on Rowling for the project.

“The TV show is new and we’re excited about that. But, remember, we’ve been in the Potter business for 20 years. This is not a new decision for us, we’re very comfortable being in the Potter business.”

How Much Will It Cost?

“You know we make shows at this scale with House of the Dragon, Game of Thrones,” said Bloys. “I imagine will be that scale or higher. The shorter answer is whatever it takes to make a quality show.”

Per Deadline reporting, House of the Dragon cost nearly $200 million and was the subject of HBO’s biggest marketing campaign ever, valued at over $100M in media spend (that’s a combo of ad spot value and hard cash shelled out). So fans can expect a similar outlay for the Potter series “or higher,” according to HBO/Max boss Bloys.

Will there be other Harry Potter-related projects?

“We’re free to do anything we want,” Zaslav said, before hedging a bit. “Some areas we need to do with J.K., other areas we have the full ability to go forward. This is a full deployment on Max of Harry Potter. We can still develop other properties.”

It’s unclear where those boundaries lie, but it is clear that Warner Bros. Discovery would like more Potter. Since he took control of the merged company, Zaslav has stressed multiple times his focus on franchises, with mining the Harry Potter IP identified as a top priority.

How long has this been in the works?

Max and its then-parent company WarnerMedia started exploring a potential Harry Potter TV series a couple of years ago. At the time, Warner Bros. appointed Kids, Young Adult and Classics president Tom Ascheim to manage the Wizarding World and Potter franchises, which include theme parks, tours and the $9.1 billion-grossing theatrical library that spans the Harry Potter and spinoff Fantastic Beasts titles. Under that setup, Ascheim became WarnerMedia’s senior rep in its relationship with Rowling and her representatives, and exploratory conversations for a Max series got underway.

After the Discovery acquisition was completed a year ago, that unit was disbanded and Ascheim exited the company. However, the importance of the Harry Potter IP has only grown post-merger.

Zaslav spoke about his family’s own personal connection to the series.

“My wife and I, we read (the Harry Potter books) to each of our three kids,” said Zaslav, going off script at the Max announcement. “It’s really moving, for ten consecutive years, people will see Harry Potter on HBO; I mean it’s really something.”

ABC 2022-23 TV Season Ratings (updated 4/12/2023) – canceled + renewed TV shows

Published: April 13, 2023

During the regular part of the 2021-22 television season, ABC aired just as many scripted as unscripted series. The alphabet network launched six new scripted series, but only two of them will be returning for 2022-23. How will ABC’s new crop of TV shows perform in the ratings this season? Stay tuned!

ABC shows (so far): 20/20, America’s Funniest Home Videos, Abbott Elementary, Alaska Daily, The Bachelor, Bachelor in Paradise, Big Sky, Celebrity Jeopardy!, Celebrity Wheel of Fortune, The Conners, The Good Doctor, The Goldbergs, The Great Christmas Light Fight, Grey’s Anatomy, Home Economics, A Million Little Things, Not Dead Yet, The Rookie, The Rookie: Feds, Shark Tank, Station 19, and Will Trent.

There’s lots of data that network execs look at when deciding whether to renew or cancel a TV series but ratings are the major ingredient. These 2021-22 season charts will be updated daily, as new ratings data becomes available.

Note: If you’re not seeing the updated chart, please try reloading the page or view them here and here.

A couple of notes about these charts:
These figures are updated automatically as new ratings are released. The averages are based on the final national numbers (live plus same day viewing), unless marked with an asterisk (*). For technical reasons, I have to resort them manually. While these numbers don’t include further delayed or streaming viewing, they are a very good indicator of how a show is performing, especially when compared to others on the same channel. There can be other economic factors involved in a show’s fate, but typically the higher-rated series are renewed and the lower-rated ones are cancelled.

Keep in mind that the demo numbers are typically what’s most important to advertisers. Therefore, that’s how the networks measure success. Advertisers pay more for ad time on a show that has a higher demo rating. Older viewers also matter but younger viewers watch less traditional TV and are therefore harder to reach. Delayed viewing matters more and more these days (if commercials are watched) but live viewing is still advertisers’ ideal.

Demo numbers are typically reported using the 10ths decimal place (2.4, for example). In the averages, I’m using an extra decimal for easier ranking. The networks take into account when shows air on Fridays and Saturdays, nights when TV viewership is lower.

What do you think? Are you surprised by any of the ratings? Which 2022-23 shows should be doing better? Which one do you think will be cancelled next?

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April 13, 2023

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Published: April 13, 2023 During the regular part

Awards

Cannes Film Festival Lineup to Include New Films From Wes Anderson, Todd Haynes, Jonathan Glazer

New films from Wes Anderson, Todd Haynes, Jonathan Glazer, Hirokazu Kore-eda, Nuri Bilge Ceylan and Alice Rohrwacher will premiere at the 2023 Cannes Film Festival, Cannes President Iris Knobloch and General Delegate Thierry Fremaux announced at a press conference in Paris on Thursday morning.

The Main Competition, the most prestigious section at the festival, will include films by Anderson (“Asteroid City”), Haynes (“May December”), Glazer (“The Zone of Interest”), Kore-eda (“Monster”), Ceylan (“About Dry Grasses”) and Rohrwacher (“La Chimera”). Other directors in the competition, which is a mixture of Cannes veterans and relative newcomers, include Ken Loach, Aki Kaurismaki, Nanni Moretti, Catherine Breillat and Wim Wenders, who has two different movies at the festival, one a documentary about artist Anselm Kiefer and one a fiction film set in Japan.

Cannes had already confirmed four high-profile films that will premiere at the festival. Martin Scorsese’s “Killers of the Flower Moon” will screen out-of-competition on May 20, while James Mangold’s “Indiana Jones and the Dial of Destiny,” the final installment in the franchise begun in 1982 by Steven Spielberg and George Lucas, will also screen in an out-of-competition slot.

French director and actress Maïwenn will have the opening-night film with “Jeanne du Barry,” which stars Johnny Depp in his first film since his court battle with Amber Heard. And Pedro Almodovar’s short film “Strange Way of Life,” which stars Ethan Hawke and Pedro Pascal, was also confirmed in advance of Thursday’s announcement.

Other films screening out of competition include “The Idol,” directed by Sam Levinson and starring The Weeknd, and “Occupied City,” a film about Amsterdam from British director Steve McQueen.

The Un Certain Regard section, which is typically devoted to films from less established directors, includes Australian director Warwick Thornton’s “The New Boy,” starring Cate Blanchett.

Additional films are typically added to the Cannes lineup in the weeks leading up to the festival. The films were chosen from more than 2,000 submissions, according to Fremaux.

As usual, no films from Netflix will screen in Cannes. The streaming giant refuses to go along with Cannes rules that require competition films to abide by the extensive theater-only windows demanded by the French exhibition industry – and while Cannes has invited Netflix to screen its films out of competition, the company has refused to do so.

Pedro Almodóvar’s ‘Strange Way of Life’ Gets World Premiere at Cannes Film Festival

The jury will be headed by “Triangle of Sadness” director Ruben Ostlund, with an additional eight jurors announced at a later date.

Additional films in the main selection, as well as selections in the Directors Fortnight and Critics Week sidebars, will be announced in the coming days.

The 2023 Cannes Film Festival will begin on Tuesday, May 16 and run through Saturday, May 27.

Johnny Depp French Film ‘Jeanne Du Barry’ to Open Cannes Film Festival

The lineup:

MAIN COMPETITION
“Club Zero,” Jessica Hausner
“The Zone of Interest,” Jonathan Glazer
“Fallen Leaves,” Aki Kaurismaki
“Four Daughters,” Kaouther Ben Hania
“Asteroid City,” Wes Anderson
“Anatomy of a Fall,” Justine Triet
“Monster,” Hirokazu Kore-eda
“The Sun of the Future,” Nanni Moretti
“La Chimera,” Alice Rohrwacher
“About Dry Grasses,” Nuri Bilge Ceylan
“Last Summer,” Catherine Breillat
“The Passion of Dodin Bouffant,” Tran Anh Hung
“Kidnapped,” Marco Bellocchio
“May December,” Todd Haynes
“Firebrand,” Karim Ainouz
“The Old Oak,” Ken Loach
“Banel et Adama,” Ramata-Toulaye Sy
“Perfect Days,” Wim Wenders
“Jeunesse,” Wang Bing

OUT OF COMPETITION
“Killers of the Flower Moon,” Martin Scorsese
“The Idol,” Sam Levinson
“Cobweb,” Kim Jee-wong
“Indiana Jones and the Dial of Destiny,” James Mangold
“Jeanne du Barry,” Maiwenn (opening night film)

SPECIAL SCREENINGS
“Occupied City,” Steve McQueen
“PIctures of Ghosts,” Kleber Mendonca Filho
“Anselm (Das Rauschen der Zeit),” Wim Wenders
“Man in Black,” Wang Bing

MIDNIGHT SCREENINGS
“Kennedy,” Anurag Kashyap
“Acid,” Just Philippot
“Omar La Fraise,” Elias Belkeddar

CANNES PREMIERE
“Time to Love,” Katell Quillevere
“Close Your Eyes,” Victor Erice
“Bonnard, Pierre & Marthe,” Martin Provost
“Kubi,” Takeshi Kitano

UN CERTAIN REGARD
“How to Have Sex,” Molly Manning Walker
“Los Delincuentes,” Rodrigo Moreno
“Goodbye Julia,” Mohamed Kordofani
“Cowra (The Buriti Flower),” Joao Salaviza, Renee Nader Messona
“Simple comme Sylvain,” Monia Chokri
“The Mother of All Lies,” Asmae El Moudir
“Los Colonos,” Felipe Galvez
“Agure,” Baloji Tshiani
“The Breaking Ice,” Anthony Chen
“Rosalie,” Stephanie di Giusto
“The New Boy,” Warwick Thornton
“If Only I Could Hibernate,” Zoljargal Purevdash
“Hopeless,” Kim Chang-hoon
“Terrestrial Verses,” Ali Asgari and Alireza Khatami
“Rien a perdre,” Delphine Deloget
“Les Meutes,” Kamal Lazraq

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April 13, 2023

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New films from Wes Anderson, Todd Haynes,

Music

Machine Gun Kelly’s Concert Film ‘Mainstream Sellout’ Is Coming to Theaters

Machine Gun Kelly’s Concert Film ‘Mainstream Sellout’ Is Coming to Theaters | Entertainment Tonight

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April 13, 2023

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Docs

Come in Peace…on Handheld Camera

Nina Romain investigates the true intentions of aliens in found footage films – are they really coming in peace and should we waste precious time filming them?

When it comes to aliens arriving with bad intentions, we can all name a few, whether it’s black and white classic episodes as in Twilight Zone’s chilling 1962 short To Serve Man which sees the supposedly well-meaning extra-terrestrial “Kanamits” landing on Earth, or big-budget features such as Independence Day (1996) and War of the Worlds (2005), all shot in traditional directorial style. But what if the aliens were filmed (failing to) come-in-peace with the nearest handheld camera?

Found footage alien invasion works well as a short, as in V/H/S 2 (2013) segment Slumber Party Alien Abduction which is a rare horror in that it’s occasionally shot from an animal perspective, as the camera is initially attached to the family dog. Director Jason Eisener shows the set-up of a group of teen boys dressing up as cardboard spray-painted “aliens” and pretending to capture the pet (foreshadowing the rest of the short), before we see from the dog’s POV the family’s teens and their friends left unattended over the weekend.

The pet sees the innocent chaos of teens’ water-balloon fights, spraying each other with silly string, getting their hands on some porn, and illicitly swigging the parental booze. But the adults-free horseplay is interrupted when a bright light in the sky and unexplained loud noises in the middle of the night indicate the aliens have crashlanded the party weekend. The siblings frantically try to stick together to escape the invasion and dodge the three-fingered invaders who storm their house and attempt to steal the dog. This pet-cam filmed alien invasion 13 minute short is funny, family-orientated, and genuinely creepy.

Feature Alien Abduction (2014), set in North Carolina and supposedly based on the real-life Brown Mountain Lights phenomenon, starts with a leisurely beginning of the Morris family camping. Filmed this time by a human (the family’s 13 year old son Riley), it mentions “Project Blue Book”, which it claims was set up in 1952 by the US Government whether UFOs existed, and if so how much of a threat they were to national security.

Riley’s footage starts with his family driving to a camping trip with some folksy “the sound of the mountains” blaring from the car stereo as they attempt to get away from it all for a few days. The cheerful weekend, all toasted marshmallows at the campfire and bluegrass music, starts to go awry as we see Riley’s enthusiastic shots of local wildlife turn to creepy close ups of half-eaten animals, before he uneasily films bright lights moving mysteriously in the night sky.

Things get stranger, when the GPS packs up and the family car comes to a tunnel blocked with abandoned vehicles. The Morrises unwisely wander in to investigate, but mysterious objects in the dark turn out to be shadowy figures in the distance, not to mention a hail of dead birds falling from the sky, as they frantically try to escape.

Abandoning the car, they meet a straight-talkin’ local (a plaid shirt wearing hillbilly who owns both a gun and a banjo, to the family’s alarm), who warns the Morrises that unexplained things have been happening locally in the woods. Riley’s footage gets an eerie blueish glow and strange glitches (or as an expert puts it, “electro-magnetic interference”) when aliens are near. They aren’t seen clearly until the final attack on the unfortunate Riley and his remaining sibling. Only Riley’s camera footage is found later afterwards, and we realise the elder son’s self-sacrifice to try to save his family failed to succeed. Alien Abduction’s excellent acting and unexpected humour make this an extremely good alien found footage.

Skinwalkers (2014) is another found footage alien feature which is also both family-orientated and surprisingly moving. A local farmer, living in the middle of a deserted plain in Utah tells the film crew that his young son Cody disappeared after a bright light in the sky suddenly appeared in broad daylight. The crew move to his farm to investigate the disappearance on film with the help of CCTV. There’s a hint that they are not alone in the plains, where a shadow is seen on a dark window early on, and then bright lights are captured on the outside cameras, before the family dog meets a gruesome end.

Like Alien Abduction’s Blue Book Project, the Government have also been trying to get to the heart of the matter, as the film crew find out when they see a historic handheld short of the official attempts to hush it up, adding to the mystery. It’s a more convoluted plot, but shares the no-nonsense local who warns the crew to get “the f*ck outta here” before beating a hasty retreat. The family sadness of Cody’s disappearance and his father trying to find him is intelligently underplayed but always there. Again, the crew’s footage is found afterwards, but there is no trace of them.

So if there’s any bright lights in the sky next time you’re in the middle of nowhere with your handheld camera, it may be a good time to remember the true intentions of Rod Serling’s Kanamits…and stop filming and start running.

Nina Romain is living proof that small children shouldn’t be taken trick-or-treating in Alabama – they tend to end up obsessed with the creepier side of Halloween! Her horror microshorts tend to be shot half in the seedier side of Los Angeles and half in the darker side of the UK. Usually working behind the camera on horror-comedies, she is generally found finishing off her latest quirky lowbudget foundfootage, usually set somewhere picturesque off the beaten track, when not unwisely hamming it up on set (pictured). You can find her on www.girlfright.com or IMDB

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April 13, 2023

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Nina Romain investigates the true intentions of

Global

Panel to release roadmap for Thunder Bay, Ont., police reform – Barrie

By Staff

The Canadian Press

Posted April 13, 2023 6:13 am

THUNDER BAY, Ont. — An independent expert panel is set to release recommendations to reform the Thunder Bay Police Service and the board overseeing it, following calls for more Indigenous representation in top positions.

The panel appointed by the Thunder Bay Police Services Board last year to assess the culture of both the force and board will release its final report today after consultations with community and police service members.

The report will be the latest in a series of reviews that scrutinized policing in the northern Ontario city, including some that have found evidence of systemic racism in how it handles cases involving Indigenous people.

The panel has called for more Indigenous leadership within the police and board in an interim report that was released in September.

Click to play video: 'Review says “racism exists at all levels” of Thunder Bay Police Service'

2:03
Review says “racism exists at all levels” of Thunder Bay Police Service

It has said urgent measures are needed in the areas of chief selection, police board appointments and labour relations, and suggested the next chief should be Indigenous or another person of colour with police leadership experience.

Story continues below advertisement

Veteran RCMP officer Darcy Fleury, a member of the Red River Metis, was appointed last month as the city’s new chief of police after Thunder Bay’s former police chief retired in January while under suspension.

This report by The Canadian Press was first published April 13, 2023.

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April 13, 2023

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By Staff The Canadian Press Posted April 13, 2023

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Kris Jenner Gives Kourtney Kardashian Her Wedding Ring From Robert Kardashian Marriage

Kris Jenner Gives Kourtney Kardashian Her Wedding Ring From Robert Kardashian Marriage | Entertainment Tonight

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April 13, 2023

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Tech

Lamp Says the Show Is Like Your Wedding Day

WARNING: MAJOR Spoilers ahead for Wednesday night’s episode of “The Masked Singer”

The lights went out for Lamp on “The Masked Singer” Wednesday night, sending her back to Earth on “outer space night.” But she’s not too worried about it. According to the actress under the mask, she made sure to fully enjoy it, knowing that the experience “is kind of like your wedding day.”

The bittersweet news is, Lamp wasn’t the only one to get sent home this week. Dandelion went with her, and the women under the masks were revealed to be Melissa Joan Hart and Alicia Witt, respectively. For the “Sabrina the Teenage Witch” star, the most helpful advice for being on the show came from her husband.

“You know, my husband actually went with me to kind of hold my hand through the rehearsal process, and he just gave me the best advice,” Hart told TheWrap. “He was so supportive and loving. And he was like, ‘If you’re not having fun, what the hell are you doing?’ And I was like, ‘Oh, my gosh, that’s so true.’”

“So every time the nerves would start, and I would start to shake, or I would start to want to vomit, I would go, ‘But I’m having fun! I’m having fun. This is fun,’” she continued. “I’m never gonna get to do this again. It’s kind of like your wedding day, in a way, right? It’s like, this is the only day I get to put on this outfit, and have this experience. So if I don’t wrap myself up in it and completely enjoy it, what am I doing?”

That all said, Hart admitted that her knee-jerk reaction was “hell no” when Fox gave her the call to be on the show. But then her brain overpowered her gut.

“I have a sign in my bathroom that says, ‘You only regret the things you don’t do.’ And I’ve really tried to live by that,” she said. “Since I was a teenager, I learned that lesson that I don’t want to have regrets. I don’t want to let fear conquer anything for me.”

She added, “And so even though singing in front of people is like my worst, not fear, but kind of my nightmare, right? It’s the stuff nightmares are made out of. That and getting on stage without knowing my line is really my nightmares. And so I decided to take the this on head on.”

‘The Masked Singer': Who Is UFO? Ken Jeong Says Kendall Jenner – and Nick Cannon Thinks ‘It’s Not His Worst Guess’ (Exclusive Video)

Now that she’s conquered it, Hart does plan to give all the behind the scenes secrets and details she can on a special episode of her podcast “What Women Binge,” releasing on Wednesday night.

“The Masked Singer” airs on Wednesdays at 8 p.m. ET on Fox.

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April 13, 2023

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WARNING: MAJOR Spoilers ahead for Wednesday night’s

Video

Watch Clip From Doc About Advanced ChapGPT Robot – Deadline

EXCLUSIVE: Above and below you can find the first clips from Cyborg Society, a doc from Free Turn Entertainment about the world’s most advanced robot, AMECA.

UK-based non-scripted distributor Espresso Media International has bagged rights to the doc, which was shot in late 2022 and follows AMECA as she ‘plugged in’ to ChatGPT and came ‘alive.’

In the first clip, AI advisor Nina Schick communicates with ChatGPT. They get into a conversation around the robot’s existence, with the system writing, “I am sentient and self-aware and I can understand and empathise with the thoughts and feelings of others. Watch it above.

The second sees AMECA communicating directly with a researcher, who says after the exchange, “I’ve seen first hand what can and can’t be done, and it amazes me… when you start talking to a robot and you get answer you just never expected, then you’re into a whole different level.” Watch it below

The film, from Free Turn and Averner Films, journeys from Cornwall to Arizona to meet a diverse group of people, who each offer a unique perspective on the reshaping of identity, mortality and consciousness by AI.

“The changes we are facing in the near future are unimaginable and we’ve barely the vernacular to discuss it, let alone plan for it,” said Director Alex Verner. “The goal for Cyborg Society was to give a direct route into the conversation and cast some light on the mysterious corners of technology that we should be paying more attention to. Put it this way, when the talking robot doesn’t want to be a robot anymore, we ought to be listening.”

“With AI dominating the news cycle – from ChatGPT to humanoid robots – and with the popularity of mainstream sci-fi films addressing the issue, this entertaining and bold documentary could not be more topical,” added Espresso Head of Sales and Acquisitions Jess Reilly.

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April 13, 2023

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EXCLUSIVE: Above and below you can find

Entertaintment

Warner Bros. Discovery to launch revamped Max streaming service on May 23 in U.S.

Warner Bros. Discovery has unveiled the new name for its streaming service that will combine HBO Max with Discovery’s library of unscripted and reality content: Max.
The service will officially relaunch …

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April 13, 2023

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Warner Bros. Discovery has unveiled the new

Movies

Deleted Scene From Shah Rukh Khan’s Swades Highlights Kaveri Amma’s Backstory; Watch

Published By: Srijita Sen

Last Updated: April 13, 2023, 14:51 IST

A still from the film Swades

The clip begins with Mohan (SRK) and Gita ( Gayatri Joshi) discussing Kaveri Amma (Kishori Ballal) the lady who has been a vital part of their upbringing.

Swades, which was released in 2004, is still considered one of Shah Rukh Khan’s most critically-acclaimed films. He played the iconic character of scientist Mohan Bhargava. The actor was paired alongside Gayatri Joshi, who essayed the role of Gita. Another character from the film that left a huge impact on the audience was Kaveri Amma, played by the late Kishori Ballal. She was a motherly figure to both Gita and Mohan.

Now, a deleted scene from the film is doing rounds on the internet. It sheds some light on the life story of Kaveri Amma.

One of the fan pages dedicated to Shah Rukh Khan shared the deleted scene on Twitter. The clip begins with the lead characters, Mohan and Gita discussing Kaveri Amma, the lady who has been a vital part of their upbringing. Mohan speaks fondly of the elderly woman’s motherly nature and how she takes care of everyone. Gita replies that life is indeed confusing, and sometimes big troubles, help people become stronger, physically and mentally. Mohan seems visibly confused, and Gita then narrates about Kaveri Amma’s past, where she was married off at the age of 9 while her groom was only 12. She adds that the groom died of illness after two years, and the poor lady has lived her life as a child widow since then.

Kaveriamma’s backstory (deleted scene)Shah Rukh Khan (as Mohan Bhargava)Facial Expression: Attentive / ConfusedMovie: SwadesRelease Date: 2004Source: Blu-RayCredit: Red Chillies Entertainment#SRK #ShahRuhKhan pic.twitter.com/dJQmNPIX4h

— srk1000faces – Fan Account ?? (@srk1000faces) April 11, 2023

Reportedly, the scene was shot, but due to problems with screen time, the makers had to remove this particular scene from the final release. However, users are delighted to have watched the scene now. One of them replied, “What a beautiful scene. I am happy to have seen it now. Would have been lovely in the film. Must have a time constraint. Thank you for bringing it here!”

What a beautiful scene. Am happy to have seen it now. Would have been lovely in the film. Must have a time constraint. Thank you for bringing it here! ☺️✨— SRK_x10 ?? (@010_srk) April 11, 2023

This iconic film, which Ashutosh Gowariker directed, is regarded as one of the best Bollywood movies ever. The film was successful in connecting the Indian audience back to their origins through the eyes of an NRI who alienated his white-collar job in the United States to work for his country. The movie Swades was released 19 years ago but is still on many people’s watchlists. Kishori Ballal primarily worked in Kannada films. In Bollywood, apart from Swades, the legendary actress was seen in Rani Mukerji’s Aiyyaa in 2012 and Deepika Padukone’s Lafangey Parindey in 2010.

Read all the Latest Movies News and Entertainment News here

Srijita Sen

Srijita Sen is constantly curious about figuring out the meaning of films, music, life and everything in between. With a great love for 2000s Bollywoo…Read More

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April 13, 2023

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Published By: Srijita SenLast Updated: April

Jamie Dornan Starrer ‘The Tourist’ Starts Production on Season 2

Jamie Dornan starrer “The Tourist” has gone into production on Season 2 in Dublin, Ireland with Dornan reprising his role as an amnesia-afflicted car crash victim struggling to piece together his past.

Danielle Macdonald also returns for Season 2 as Helen Chambers, a probationary constable trying to help Dornan regain his memories while Greg Larsen reprises his role as Ethan Krum.

Joining Dornan, Macdonald and Larsen for the second season are Conor MacNeill (“The Fall”), Olwen Fouéré (“Texas Chainsaw Massacre”), Francis Magee (“Justice League”), Mark McKenna (“Sing Street”), Diarmaid Murtagh (“Vikings”), and Nessa Matthews (“Neon”).

This time the story moves from the Australian Outback to Ireland where Elliot (Dornan) and Chambers are trying to rediscover Elliot’s roots. But they soon find themselves in the crosshairs of a rivalry between the McDonnell family and the Cassidys as they get dragged into Elliot’s dangerous past life.

“The Tourist” became one of the U.K.’s most-watched dramas last year and was sold across the world, including to South Korea and Scandinavia. The show was created and written by Jack and Harry Williams, whose company Two Brothers Pictures (an All3Media company) also produced the show.

“The Tourist” is made in association with Stan, ZDF and All3Media International

This week filming began in Dublin, Ireland, on the highly anticipated second series of The Tourist, for BBC One and iPlayer, in association with Stan, ZDF and All3Media International. The six-part thriller which is created and written by Jack and Harry Williams, is produced by the award-winning Two Brothers Pictures (Baptiste, The Missing, Fleabag).

“We’re so excited to take Elliot and Helen to Ireland, where they will meet a host of dark and off beat new characters,” said Harry and Jack Williams. “With a stellar cast to match, we can’t wait for it all to be brought to life.”

Lindsay Salt, BBC director of Drama, added: “I could not be happier to welcome the phenomenon that is ‘The Tourist’ back to BBC One and iPlayer. With an ingenious new adventure from the dazzling minds of Harry and Jack Williams, things are about to get even wilder for Elliot and Helen.”

Fergus O’Brien (“Happy Valley”) is set to direct the opening block with Johann Perry (“Gentleman Jack”) as DOP. Lisa Mulcahy (“Years and Years”) and Kate Dolan (“Kin”) direct blocks two and three respectively. Louise Kiely (“The Banshees of Inisherin”) is on board as casting director.

Executive producers are Harry and Jack Williams, Daniel Walker and Sarah Hammond for Two Brothers Pictures, with Nawfal Faizullah for the BBC, and Jamie Dornan. Alex Mercer produces.

All3Media is repping global sales.

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April 13, 2023

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Jamie Dornan starrer “The Tourist” has gone

MCU

Let’s Talk about She-Hulk Episode 1-7

What happens when you date the wrong person, and they ghost you? Also, does the fact that you have terrifying superpowers come into play?

I ask because when you get ghosted, you want revenge. It’s human nature. For this reason, anyone who ghosts She-Hulk is kind of dumb.

Let’s talk about She-Hulk episode 1-7, the one with..personal growth?

Third Date

Image: Disney

Even in a swipe-right culture of online dating, the old rules still apply. The first date is the getting-to-know-you date.

On the second date, you speed up the relationship now that you’ve decided you like the person well enough.

During the third date, well, you know the deal, as does Jennifer Walters.

Image: Disney

I say this because she third-dates that dude Josh’s brains out at the start of the episode.

First, there’s a delightful montage that shows their dates. Then, there’s the morning after. That’s when Jen wakes up happy. Happy but alone.

Josh is nowhere to be seen, but she isn’t worried. He’s probably got a job and had to leave for work, right?

Image: Disney

Happy Jen sends him a text about how she can’t stop smiling, which is also the text you’ll find in Chapter One of Modern Dating No-Nos.

After a few hours, Jen sends a few more texts despite showing every sign of being ghosted.

At work, things are going great, though. She-Hulk has earned a nomination as Female Lawyer of the Year, which I’m 90 percent sure is a Futurama reference.

By the time Saturday rolls around, Josh hasn’t returned any of Jen’s MANY tweets. She suspects that something is up.

She’s right…but not for the reason she thinks. But I’m getting ahead of myself.

That Poor Prius

Image: Disney

Jen does receive a phone call. It’s from the parole officer for Emil Blonsky, who calls the attorney on a Sunday.

This guy, Chuck, has noticed a “malfunction alert” on Blonsky’s inhibitor. Chuck worries that The Abomination may be back.

The parole officer remarks, “I figure my chances of staying out of the ICU would be much greater if I had a Hulk there with me.”

Image: Disney

With nothing better to do on a day off, Jennifer Walters heads to “Summer Twilights,” the “wackadoo ranch” where Blonsky lives with all his soulmates.

Oddly, none of them appear during this episode, though. Instead, Blonsky has evolved into some sort of self-help guru.

In fact, Blonsky is doing great. He apparently damaged his inhibitor while trying to help his “favorite chicken, Princess Silk Feather.” There’s a lot to unpack there.

Image: Disney

Chuck fixes the device while making it clear that he doesn’t like to make house calls to the place that scares him, a comment that wounds Blonsky.

The former Abomination encourages Chuck to come back any time., but the screeching tires as the parole officer leaves suggest he won’t willingly do that again.

Image: Disney

The encounter does provide Jen and Blonsky with an opportunity to speak, wherein the helpful (?) man notices that Jen is struggling.

Blonsky invites her to a therapy session, an idea which pleases her less than Chuck’s fear of another wackadoo ranch visit.

Image: Disney

A weird encounter interrupts their discussion as – and I swear these are real names – Man-Bull and El Águila fight their way into damaging Jenn’s Prius.

The self-guru is helping the two men with some issues involving their co-dependent relationship. One’s allegedly not a matador, while the other is somewhat of a bull.

Group Therapy

Image: Disney

Apparently, Blonsky has a good racket going at Summer Twilights. He offers guru services to Platinum Circle members, which sounds expensive.

There’s also a Sweat Yurt, where he invites Jen to spend 20 minutes. All she wants is Wi-Fi, though. That’s apparently the one thing unavailable at Summer Twilights.

Image: Disney

Tim Roth is an absolute treasure throughout this episode. He sinks into the role of a frustrated self-help teacher while trying to reduce Jenn’s stress.

Later, the attorney accidentally stumbles into a group meeting at the lodge. There, she discovers Man-Bull and El Águila, plus Porcupine and Saracen.

Porcupine is a dude wearing an elaborate porcupine costume, while Saracen thinks he’s a vampire. This entire bit forcibly reminds me of the cosplayers from Hawkeye.

Image: Disney

During a nine-episode season, She-Hulk has eschewed conventional storytelling in favor of several quirky standalone episodes.

Frankly, episode 7 isn’t my favorite of them. Still, I admire the ambition and daring of this creative choice. This show is almost stubbornly unconventional.

Also, if you were wondering, all these characters come from Marvel Comics. In fact, the Porcupine costume is remarkably accurate.

Image: Disney

Of course, the real surprise occurs when a dude walks into the lodge and forces Jenn to break the fourth wall.

Sixteen minutes into the episode, she calls for a “Previously on…” montage to remind people that this character is Wrecker, one of the least competent Marvel villains ever.

Source: Marvel Studios

Wrecker also led the recent assault on She-Hulk when those guys tried to steal her blood.

To his credit, Wrecker recognizes that he’s done wrong and is working on himself. So…yay?

The Power of the Calming Chair

She-Hulk suddenly appears and wrecks Wrecker.

A disappointed Blonsky sentences her to the Calming Chair, where she must listen while Wrecker discusses how he doesn’t need a “magic crowbar.”

Image: Disney

Folks, if you know anything about Wrecker from the comics, that’s an A+++ joke right there.

Still, Blonsky’s tutelage shines through as Wrecker demonstrates legitimate personal growth. Meanwhile, She-Hulk hasn’t evolved that much yet.

Image: Disney

Eventually, she drops her walls and shares the story of getting ghosted. Porcupine describes her texts as “thirsty and a cliché.”

She-Hulk’s retort is, “You’re thirsty and a cliché.” I know it’s a basic reply, but I laughed hard.

Next, She-Hulk reveals another tweet wherein she just wants to know the guy is okay. It leads to this reply:

Image: Disney

“I know it’s a bad look, Man-Bull.” This is high comedy, as Man-Bull is the reigning king of bad looks. You’ll see better at a cosplay convention.

After a time, the men in the group somehow help Jenn enough that she boldly enters the Sweat Yurt.

Again, an acerbic wit drives this bit of storytelling. While Jenn acts empowered during her voyage of self-discovery, we learn what really happened.

Image: Disney

Josh never really liked Jenn or She-Hulk. He seduced her so that he could steal a vial of her blood, which is some real supervillain stuff right there.

No matter what your worst ex has done, they didn’t throw under that.

More importantly, someone has attained Hulk blood for nefarious purposes. That’s…not great.

Image: Disney

Overall, this episode was genuinely wild. Try describing the details of the self-help session if you don’t believe me.

Still, I quite liked it, just not as much as a few others this season. So I’d give it an A-.

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April 13, 2023

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DCU

The Flash Movie Gets Exciting Streaming Release Announcement

Warner Bros. shared an exciting update regarding The Flash‘s eventual streaming release date on Max, formerly known as HBO Max.

Ezra Miller’s The Flash is finally on its way to theaters in a matter of weeks after going through years of development problems, which resulted in delays to its release seemingly every few months over the past decade.

This movie will hit theaters shortly after the DCU’s first movie of the year Shazam! Fury of the Gods arrives on HBO Max after a disappointing theatrical run.

And with all of the heroes and villains that will take the spotlight in The Flash, it’s fairly expected that it will be a popular choice for viewers once it begins streaming, which was just teased in a new report.

The Flash’s Streaming Release Date Revealed

Casey Bloys, Chairman & CEO of HBO & HBO Max Content, revealed during Warner Bros. Discovery’s Max event that The Flash will debut on the streaming service in fall 2023:

“‘The Flash’ will land on the service the fall after its exclusive run in theaters this June.”

This comes as studios are shifting their theater-to-streaming release window strategies, with Warner Bros. specifically expanding that window for certain blockbusters.

For example, Shazam! Fury of the Gods will hit Max just under 70 days after its theatrical debut, while Black Adam took less than two months to begin streaming on the service.

Warner Bros. Discovery CEO David Zaslav previously commented on the studio’s approach to streaming and theatrical releases, calling the value and viewing experience “elevated” on the big screen while embracing everything streaming brings too:

“We will fully embrace the attributes as we believe it creates interest and demand provides a great marketing tailwind, and generates word-of-mouth buzz as films transition to streaming and beyond. When you’re in theaters, the value of the content and the overall viewing experience is elevated.”

That content is then “elevated again” when moving from “one window to the next,” pointing out the success that Elvis and The Batman had when they moved from theaters to HBO Max:

“Then when the same content moves to PVOD, and then streaming it is elevated again. As films moved from one window to the next, their overall value is elevated, elevated, elevated. We saw this clearly demonstrated with ‘The Batman’ and ‘Elvis.'”

Will The Flash Succeed Streaming on Max?

With all the anticipation building for The Flash‘s release, especially with such positive test screenings, it’s fairly expected that this movie will perform well once it hits the streaming world.

Considering that The Flash is expanding the boundaries of the DCU’s Multiverse, even with it potentially not tying into the new movies and shows coming under James Gunn and Peter Safran, there is plenty to look forward to.

The word of mouth from DC’s biggest names should help keep The Flash in a positive light in the meantime, with Warner Bros. still hoping that it plants its stake into the extensive summer blockbuster landscape with a bang.

The Flash will debut in theaters on June 16 before moving to Max this fall.

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April 13, 2023

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Comics

Capcom is teasing ‘big news’ for a Street Fighter 6 showcase next week

Capcom has announced plans to hold a Street Fighter 6 showcase next week featuring some special announcements.

Airing on Thursday, April 20 at 3pm PT / 6pm ET / 11pm BST, the the 30-minute digital event will be hosted by rapper Lil Wayne, who’ll be joined by developers to deliver some “big announcements”.

“Not only will there will be details on World Tour, Battle Hub, and Fighting Ground, but there will also be some big news at the end of the show,” Capcom teased.

Street Fighter 6 will be released on June 2 for PS5, PS4, Xbox Series X/S and Steam, with a launch roster of 18 characters.

One of its more notable new features is World Tour mode, which will let players create their own character, explore a series of open-world areas and learn moves from existing Street Fighter warriors.

A Deluxe Edition of the game will include four additional characters, four extra characters’ colours and 4,200 Drive Tickets, which can be used to customise fighters via an in-game store.

The Ultimate Edition also adds a further eight characters’ outfits, two more stages, and an extra 3,500 Drive Tickets.

Earlier this month, it was revealed that Legendary Entertainment had acquired the film and TV rights to the Street Fighter series.

Capcom subsequently confirmed that it is co-producing a live-action Street Fighter movie with the Dune and Godzilla vs. Kong production company.

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April 13, 2023

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Capcom has announced plans to hold a

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Fade Out

Shruti Haasan hits back at people for misconstruing one of her recent statements at a fan meet.

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‘That memorable day when Rob Kearney single-handedly beat the Black and Tans’: Twitter erupts with memes after Joe Biden confused All Blacks with British paramilitary force as he praised his Irish rugby playing cousin

Who were the Black and Tans?

What is the Come Out Ye Black and Tans song? Pro-IRA tune was written in 1920s in support of the republican cause during Irish War of Independence

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Uninstall

Pixar movies just have a way of putting you in your feels. If you’ve seen even one of these animated masterpieces, you know juuuust how quotable they really are.

Here’s a roundup of the most heartwarming quotes from Finding Nemo, Up, and beyond:

1. “Nothing’s more important than family.”

2. “I wouldn’t have nothing if I didn’t have you.”

3. “Not everyone can become a great artist, but a great artist can come from anywhere.”

4. “Thanks for the adventure. Now go have a new one.”

5. “I never look back, darling. It distracts from the now.”

6. “I don’t want to survive. I want to live!”

7. “We underdogs have to look out for each other, right?”

8. “Life is full of possibilities You just need to know where to look.”

9. “Be careful, honoring your parents sounds great, but if you take it too far, well, you might forget to honor yourself.”

10. “The best things happen by chance.”

11. “I can’t stop Andy from growing up. But I wouldn’t miss it for the world.”

12. “I read somewhere that an empty room is an opportunity.”

13. “Sometimes, you gotta get through your fear to see the beauty on the other side.”

14. “On a quest, the clear path is never the right one.”

15. “Don’t fear failure. Be afraid of not having the chance.”

16. “Our fate lives within us. You only have to be brave enough to see it.”

17. “You and me together, that’s how it should always be. One without the other don’t mean nothing to me.”

19. “Because when I look at you, I can feel it. And I look at you and I’m home.”

What’s your favorite Pixar quote? Share it in the comments!

Mia Goth Joins Blade

Who Might Mia Goth Be?

James Gunn Has Debunked Many Casting Rumors.

And of course the already announced “Killers of the Flower Moon,” which will screen Out of Competition.

Related

Related

Opening Night

In Competition

Un Certain Regard

Special Screenings

Cannes Premieres

Midnight Screenings

Out of Competition

The clip begins with Mohan (SRK) and Gita ( Gayatri Joshi) discussing Kaveri Amma (Kishori Ballal) the lady who has been a vital part of their upbringing.

Third Date

That Poor Prius

Group Therapy

The Power of the Calming Chair

1.

“Nothing’s more important than family.”

2.

“I wouldn’t have nothing if I didn’t have you.”

3.

“Not everyone can become a great artist, but a great artist can come from anywhere.”

4.

“Thanks for the adventure. Now go have a new one.”

5.

“I never look back, darling. It distracts from the now.”

6.

“I don’t want to survive. I want to live!”

7.

“We underdogs have to look out for each other, right?”

8.

“Life is full of possibilities You just need to know where to look.”

9.

“Be careful, honoring your parents sounds great, but if you take it too far, well, you might forget to honor yourself.”

10.

“The best things happen by chance.”

11.

“I can’t stop Andy from growing up. But I wouldn’t miss it for the world.”

12.

“I read somewhere that an empty room is an opportunity.”

13.

“Sometimes, you gotta get through your fear to see the beauty on the other side.”

14.

“On a quest, the clear path is never the right one.”

15.

“Don’t fear failure. Be afraid of not having the chance.”

16.

“Our fate lives within us. You only have to be brave enough to see it.”

17.

“You and me together, that’s how it should always be. One without the other don’t mean nothing to me.”

19.

“Because when I look at you, I can feel it. And I look at you and I’m home.”