Categories
Widget Image
Trending
Recent Posts
Monday, Oct 19th, 2026
HomeStandard Blog Whole Post (Page 861)




View gallery




Image Credit: BACKGRID

The season 3 finale of The Kardashians ended with the beginning of a New Year, which brought sad news to the Kardashian family. “Really sadly, Tristan [Thompson]’s mom passed away suddenly,” Khloe Kardashian shared. “Ever since then, it’s been really, really hard and tough.” Tristan’s mom, Andrea, died in Toronto after suffering a heart attack in Jan. 2023. She was just 53 years old.

Footage showed Tristan, Khloe, Kim Kardashian and Kris Jenner aboard Kim’s private plane, which they took to fly to Toronto after hearing the news. “Before we take off, I think we always take for granted saying, ‘I love you’ or how much you appreciate your loved ones,” Tristan admitted. “Thank you guys, so much, from the bottom of my heart, really. For you to take time for my family means a lot.”

khloe kardashian tristna thompson
Khloe and Tristan out with their daughter True. (BACKGRID)

In a confessional, Khloe recalled finding out about Andrea’s passing. “Tristan called me and I didn’t really understand what he was saying,” she shared. “He was just screaming on the phone, trying to tell me that she’s gone, but I had no idea who he was talking about. I was really close to Andrea. We spoke every single day.” In addition to Tristan, Andrea left behind three other sons, including 16-year-old Amari, who is “severely disabled.”

Andrea was Amari’s “sole caretaker” when she was alive, and Tristan became his legal guardian after Andrea’s death. In addition to getting Andrea’s affairs in order, the family was also traveling to Toronto to bring Amari back to California with them. After takeoff, the episode then picked up six days later, after they had returned home.

“Isn’t God just funny?” Kim asked Khloe. “You were so ready to have your year of being free, and now Tristan had to move in with you and his brother had to move in with you. His roof caved in!? What are the chances.” At that time, Tristan had recently bought a home near Khloe and the pair’s two children. “He’s been doing construction [on the house],” Khloe revealed. “He was able to live there during the renovations, but we had crazy weather for California — extreme rain — and Tristan’s roof caved in on his home and caused flooding. So Tristan and Amari are staying at my house now until his home gets fixed.”

Despite the living situation, though, Khloe insisted that the two were not back together. “I know it’s hard for everyone to believe,” she admitted. “I love, love, love Andrea and I love Tristan and I love Amari. This is what family does. Tristan is the father of my kids. I lost my dad and my dad was a fairytale parent, but I still can’t wrap my head around losing my mom. I know how close Tristan and his mom are and it’s just heartbreaking. Then to be left with the responsibility of another person…it’s just a lot. I think this is just what family does what s**** hits the fan. All you have is your family, and Tristan is family.”

Khloe said that she believes God has a plan for everything, and in this case, it meant that Tristan wasn’t meant to be alone while he grieved. “I’m grateful that I’m strong enough and brave enough to be a support system for someone else that has no other support system right now,” she said. “You don’t have to treat me right for me to treat you right.”

Khloe also filled Kris and Kim in on Amari, who was having “more seizures than usual” as he adjusted to his new life. Tristan then entered the room with his and Khloe’s son, Tatum Thompson. He thanked them again for all of their help, and Kris got emotional as she verbalized what Tristan and his family are going through.

“Your mom had a lot on her plate and to be able to be Amari’s sole caregiver…that really affected me so much,” she admitted, through tears. “That just broke my heart. Amari doesn’t know what’s going on, and all of a sudden [he’s] stripped form the caretaker [he’]s had his whole life. I just feel so lost for him.”

Tristan vowed to be a good parental figure for his brother now that Andrea was gone, though. “The one thing she always wanted was to make sure Amari’s good,” he said. “So here we are, making sure Amari’s good. Take it one day at a time and just be thankful every day.”

Source link

View gallery Image Credit: BACKGRID The season 3 finale

“Entertainment Tonight” is undergoing layoffs with the entertainment news show cutting less than 10% of its staff, Variety has learned.

A staff-wide Zoom was held on Wednesday afternoon where employees learned of a “small restructuring of staff,” sources close to the show tell Variety. “Entertainment Tonight” has rid much of its digital programming over the past few months, so the layoffs are described as “right-sizing” of staffing needs and “nothing more,” per an individual familiar with the situation. Less than 20 employees were laid off, but this individual says the show is not facing a “mass layoff” by any means and still has a large staff.

A spokesperson for “Entertainment Tonight” declined to comment.

Some staff members from “Entertainment Tonight” took to social media to share news on Wednesday that they had been laid off.

The head of graphics and post-production supervisor were among those laid off, in addition to producers, digital writers and the photo team, Variety hears. Two ET correspondents’ contracts were not renewed.

“Entertainment Tonight” is hosted by Kevin Frazier and Nischelle Turner, who will continue to host the show. “ET” is the longest-running syndicated newsmagazine on television, having aired for over 40 years.

Source link

“Entertainment Tonight” is undergoing layoffs with the

Longtime “Days of Our Lives” icon Peter Reckell spoke out on Wednesday about the accusations of workplace misconduct against the show’s longtime co-executive producer, Albert Alarr.

“We have learned disturbing news about the environment at [‘Days of Our Lives’],” Reckell wrote on Twitter. “It’s shocking to all who care deeply about the show, it’s [sic] legacy, and the audience who love it so much. With quick resolution, I hope to see a return to its past values of family and respect for all.”

Reckell first joined the soap in 1983, playing Bo Brady, wayward son of the Brady family who returns to the show’s fiction city of Salem after several years away. Alongside co-star Kristian Alfonso, who portrayed Bo’s love interest, Hope, he starred in the show’s defining romantic storyline during the 1980s. He left the show in 1987 but returned in 1990, remaining until 2012.

He returned to the show for 2 years starting in 2015, and against in 2022, where he remains a current cast member.

According to Deadline, Albert Alarr was the subject of a 9-week misconduct investigation. Among other things, Alarr was accused of gender discrimination, targeting women in the show’s recent layoffs disproportionately.

Former cast member Lisa Rinna also spoke out on Wednesday, calling the working environment she experienced when she returned to the show for a week in 2018 “disgusting.”

Source link

Longtime “Days of Our Lives” icon Peter

Kylie Jenner finally admitted to having breast augmentation surgery in the Season 3 finale of The Kardashians.

The 25-year-old had insisted that she had never had major surgery before, insisting earlier this season that she only had, ‘fillers.’

But while speaking with her BFF Anastasia “Stassie” Karanikolaou on the new episode, she admitted to getting her breasts done…though she does regret it.

‘Also, you know I got my breasts done before Stormi. Within six months of like having Stormi, not thinking I would like have a child when I was 20, like they were still healing,’ Kylie admitted.

She added, ‘I had beautiful breasts, like natural tits, just gorgeous, like perfect size, perfect everything, and I just wished, obviously, I never got them done to begin with.’  

Kylie admits: Kylie Jenner finally admitted to having breast augmentation surgery in the Season 3 finale of The Kardashians

Kylie insists: The 25-year-old had insisted that she had never had major surgery before, insisting earlier this season that she only had, 'fillers'

Kylie insists: The 25-year-old had insisted that she had never had major surgery before, insisting earlier this season that she only had, ‘fillers’

BFF: But while speaking with her BFF Anastasia "Stassie" Karanikolaou on the new episode, she admitted to getting her breasts done...though she does regret it

BFF: But while speaking with her BFF Anastasia “Stassie” Karanikolaou on the new episode, she admitted to getting her breasts done…though she does regret it

Six months: 'Also, you know I got my breasts done before Stormi. Within six months of like having Stormi, not thinking I would like have a child when I was 20, like they were still healing,' Kylie admitted

Six months: ‘Also, you know I got my breasts done before Stormi. Within six months of like having Stormi, not thinking I would like have a child when I was 20, like they were still healing,’ Kylie admitted

Gorgeous: She added, 'I had beautiful breasts, like natural tits, just gorgeous, like perfect size, perfect everything, and I just wished, obviously, I never got them done to begin with'

Gorgeous: She added, ‘I had beautiful breasts, like natural tits, just gorgeous, like perfect size, perfect everything, and I just wished, obviously, I never got them done to begin with’

‘I would recommend anyone who was thinking about it to wait until after you have children,’ she added, before adding her new reservations about plastic surgery, now that she’s a mother.

‘But yeah obviously I have a daughter too. I would be heartbroken if she wanted to get her body done at 19,’ Kylie admitted. 

‘I mean, she’s the most beautiful thing ever. I want to be like the best mom and the best example for her and I just I wish I could like be her and do it all differently, because I wouldn’t touch anything,’ Kylie admitted

‘If only we could reverse time,’ Stassie says, as their drinks are brought in, as Stassie says, ‘Cheers to being confident… and to us… because we’re dating,’ as they both look into the camera and laugh.

This admission comes after multiple times that Jenner denied claims that she had her breasts done.

There was speculation Kylie had gotten her breasts done in 2015 when she was just 18, though she denied it on her app.

‘I wanted to make a change. But no, people — I haven’t gotten breast implants! Everyone is obsessed with that,’ she said. 

‘Truth is, as I’ve gotten older, I’ve gained 15 pounds and my body has changed. I’ve definitely filled out,’ she added.

Then in 2016 she seemed to blame her period for a snap where she looked more voluptuous than usual, tweeting, ‘TMI but it’s that time of the month LOL.’

Recommend: 'I would recommend anyone who was thinking about it to wait until after you have children,' she added, before adding her new reservations about plastic surgery, now that she's a mother

Recommend: ‘I would recommend anyone who was thinking about it to wait until after you have children,’ she added, before adding her new reservations about plastic surgery, now that she’s a mother

Heartbroken: 'But yeah obviously I have a daughter too. I would be heartbroken if she wanted to get her body done at 19,' Kylie admitted

Heartbroken: ‘But yeah obviously I have a daughter too. I would be heartbroken if she wanted to get her body done at 19,’ Kylie admitted

Most beautiful: 'I mean, she’s the most beautiful thing ever. I want to be like the best mom and the best example for her and I just I wish I could like be her and do it all differently, because I wouldn’t touch anything,' Kylie admitted

Most beautiful: ‘I mean, she’s the most beautiful thing ever. I want to be like the best mom and the best example for her and I just I wish I could like be her and do it all differently, because I wouldn’t touch anything,’ Kylie admitted

Stassie: ‘If only we could reverse time,’ Stassie says, as their drinks are brought in, as Stassie says, ‘Cheers to being confident… and to us… because we’re dating,’ as they both look into the camera and laugh

Stassie: ‘If only we could reverse time,’ Stassie says, as their drinks are brought in, as Stassie says, ‘Cheers to being confident… and to us… because we’re dating,’ as they both look into the camera and laugh

Fans also speculated that she got a boob job when she shared a photo of her chest in June 2017 with the word ‘Finally’ written over one of her breasts, though she never said she gotten a boob job. 

Then in 2018, after Stormi was born, she acknowledged her body was different though she never said she had surgery.

‘My boobs are definitely three times the size, which bothers me. I have stretch marks on my boobs,’ she said in a comment.

‘My stomach isn’t the same, my waist isn’t the same, my butt’s bigger, my thighs [are] bigger,’ she added.

Source link

Kylie Jenner finally admitted to having breast

Marvel Studios might have disappointed fans by not holding a big panel at San Diego Comic-Con (SDCC) 2023, but the company still had some interesting stuff to say.

This year was a strange one for SDCC. Not only did Marvel Studios skip out on the convention, but so did most big studios.

Thankfully, there was still plenty of fun to be had at the event—despite not having many big panels to get hyped about.

Here’s a list of the best that Marvel themselves offered up.

The Top Five Best MCU Reveals at SDCC

5.) Collectible MCU Pins

Marvel Studios revealed a handful of pins that San Diego Comic-Con attendees would be able to pick up during the show.

This included new emoji-styled pins of Iron Man Mark I and Tony Stark from Iron Man, Lil’ Steve Rogers from Captain America: The First Avenger, Baby Groot and Yondu from Guardians of the Galaxy, Loki from Thor: Ragnarok, Steve Rogers from Avengers: Infinity War, Black Widow, Bro Thor, and Captain America from Avengers: Endgame, Classic Loki from Loki, Ted (aka Man-Thing) from Werewolf by Night, and MODOK from Ant-Man and The Wasp: Quantumania.

Marvel

To top it all off, they even made a special vinyl figure of KEVIN from She-Hulk: Attorney at Law.

KEVIN, Marvel, SDCC
Marvel

4.) The Marvels SDCC Poster

A new poster, illustrated by Marvel Studios Director of Visual Development Andy Park, was revealed and given out at the convention for the upcoming film, The Marvels.

The illustration sees the titular trio in their brand-new costumes, ready to take on the universe.

The Marvels
Marvel

3.) Previewing The Marvels 

Marvel Studios brought the new costumes for The Marvels to its booth on the show floor at SDCC 2023, which allowed attendees to see all the new outfits up close and personal.

Per usual, they’re all amazingly designed. Kamala’s suit feels very distinct from her original outfit (which she hopefully still has), and Monica Rambeau’s costume immediately grabs one’s attention.

The outfit that sticks out the most is Carol Danvers’ suit, which is actually her second new look in The Marvels. But why does she get those special duds?

When talking about the upcoming sequel, Marvel Studios Director of Visual Development Andy Park teased that he couldn’t spoil why Carol’s new look is in the film, but that fans will need to watch the movie to find out.

The Marvels, SDCC
Marvel

2.) A Glimpse into Loki Season 2

Along with The Marvels costumes, Marvel Studios also brought some new looks from Loki Season 2.

This included a crazy (space?) suit that Owen Wilson’s Mobius will wear, a new TVA uniform, a fly new look for Tom Hiddleston’s titular hero, and Sylvie’s Season 2 look.

Loki Season 2, SDCC
Marvel

For those who dig the new Loki looks, Hot Topic just revealed a line of clothing inspired by them.

Loki
Marvel

Marvel held a panel titled ‘Designing the X-Men’, where they showed off the first finished footage from the highly anticipated X-Men ’97.

The teaser showcased the team interrogating Dr. Trask, Cyclops in action, a pregnant Jean Grey, new team members Archangel & Bishop, and more.

To make things even better, Marvel officially confirmed that Season 2 is still in development at the studio.

X-Men '97
Marvel

Will Marvel Studios Attend Comic-Con Next Year?

Hopefully, Marvel Studios’ time off from the convention scene is just a one-time affair, and they’ll be back to blow fans away next summer.

The world is dying to know what the new slate is going to look like for the MCU after recent delays and those that are seemingly yet to happen. The company set a high bar last year with its presentation, and many would be sad not to be able to look forward to something on that scale again anytime soon.

By this time next summer hits, Marvel Studios should have plenty to show —especially if their slate is delayed further. Audiences can look forward to footage from Deadpool 3, Captain America: Brave New World, Thunderbolts, Blade, Fantastic Four, and more.

Marvel is setting itself up for a showcase unlike any other. They’ll even have D23 next year as well.

Perhaps this extra year will give them time to finalize and tease their mutant plans.

Source link

WARNING: This article contains SPOILERS for My Adventures With Superman episode 4.


Summary

  • My Adventures With Superman’s Lois Lane did something that most versions of Lois Lane from Superman movies and TV shows never did.
  • Most Superman adaptations have a problem with Lois not realizing Clark is Superman, but My Adventures With Superman breaks this trope.
  • It will be interesting to see how Lois finding out Clark’s secret in My Adventures With Superman affects their relationship, as she asked him not to keep secrets from her.

My Adventures With Superman’s Lois Lane just did something that most versions of the character in Superman movies and TV shows never did. DC’s My Adventures With Superman is a fresh take on Superman’s origin story, focusing on the life of Clark Kent (Jack Quaid) at the Daily Planet, and his interactions with Lois Lane (Alice Lee) and Jimmy Olsen (Ishmel Sahid). Despite the Clark Kent aspect, My Adventures With Superman never stops being a Superman show, and it subverts some classic Superman tropes.

Following Lois Lane’s interview with Superman in episode 3, DC’s new Superman show continued to highlight Lois’ investigation of this mysterious new hero. My Adventures With Superman episode 4 also progressed Lois and Clark’s relationship, with the characters sharing some important moments. However, Clark and Lois’ first date was followed by a major Lois Lane cliffhanger ahead of My Adventures With Superman episode 5.


My Adventures With Superman’s Lois Lane Figured Out Clark’s Secret Identity

My Adventures With Superman’s Lois Lane, who is still an intern at the Daily Planet and has only recently started her journalist career, discovered Clark Kent’s secret identity. This happened in My Adventures With Superman episode 4’s ending scene, during which Lois concluded that Clark Kent is Superman. Lois was already investigating Metropolis’ new hero since episode 2, and now she was close to finding a connection between Superman and strange events that had happened in Kansas years ago. Lois realized that Clark sabotaged her investigation about this mysterious child from Kansas, which prompted her to reorganize her entire Superman research. Lois then realized that Clark had to be Superman.

Considering that My Adventures With Superman’s Clark and Lois dynamic has been one of the highlights of the show, it is curious that Lois already discovered Superman’s identity. However, giventhat My Adventures With Superman will have 10 episodes, Lois finding out Clark’s secret in episode 4 works. It is also refreshing to see Lois Lane, who is always described as a great journalist, find out that Clark is Superman by herself. It will be interesting to see how My Adventures With Superman’s Lois finding out that Clark is Superman will affect their relationship, as Lois asked Clark not to keep secrets from her.

Superman Adaptations Usually Have A Lois Lane Problem

Lois Lane in different Superman movies and shows

Most Superman adaptations have a Lois Lane problem when it comes to Clark Kent’s secret identity. While there is a charm to Lois and Clark falling in love while the former tries to learm more about Superman, this type of dynamic cannot work for too long. Having this great investigative journalist not realize that Clark Kent and Superman are the same people, even though she is always interacting with them, can be a disservice to Lois Lane. It is usually Clark who reveals himself as Superman to Lois, or at least confirms her suspicions, in most movies and shows, rather than having Lois put everything together by herself.

Related: DC’s New Superman Tackles A Major Man of Steel Complaint

This was the case for the Richard Donner Superman movies, Smallville, and Superman & Lois. In Lois & Clark: The New Adventures Of Superman, it took three seasons for Lois to realize that Clark was Superman. Perhaps the worst version of this trope comes from the DC Animated Universe timeline, during which Lois Lane never learned that Clark Kent was Superman. Man of Steel’s Lois Lane avoided that trope, although Henry Cavill’s Clark was not Superman yet when Amy Adams’ character found him. My Adventures With Superman’s Lois Lane has fortunately avoided that trope as well, figuring out Clark’s identity within four episodes.

New episodes of My Adventures With Superman releases Thursdays on Adult Swim and Fridays on Max.

Key Release Dates

Source link

WARNING: This article contains SPOILERS for My

“The Shanghai and Tokyo-based indie games publisher Gamera Games and New Taipei-based (Taiwan) indie games developer Softstar Entertainment, are today very proud and happy to announce that their classic pixel-art RPG “Yuan Sword: Mists Beyond the Mountains”, is now available for PC via Steam.” – Jonas Ek, TGG.

Source link

"The Shanghai and Tokyo-based indie games publisher

Taking a page from Apple apparently, reports have indicated that Sony’s upcoming release of their anticipated Sony a6700 camera (which packs flagship features into a compact body) will be sent out without any way to charge the camera.

Sony Alpha Rumors reports (and PetaPixel confirms) that this is indeed going to be the case for this new Sony camera, leaving any interested purchasers (or pre-orders) to contemplate the costs of purchasing charging equipment on their own — or if they might want to reconsider their investment altogether.

But why is Sony doing this? Let’s take a look at some relevant info and recent history to see what’s up, as well as explore if this changes any purchase decisions for you.


A Look at the Sony a6700

Announced earlier this month, Sony’s long anticipated update the APS-C series a6000 line promises to be an impressive hybrid video and photo camera with improved specs, elevated autofocus and new subject tracking tech powered by a dedicated AI processor.

For an audience of amateur and professional videographers, it’s pretty much everything a creator would want these days with a 26.0MP1 APS-C Exmor R back-illuminated CMOS sensor capable of video in 4K/60p oversampled from 6K in 4:2:2 10-bit and additional high frame rate recording up to 4K/120p.

Add in S-Log3 and 14+ stops of latitude plus five-axis in-body optical image stabilization (with up to five steps of compensation) and the a6700 should be a solid hit for Sony with its sub $1,500 price point. That is, until this charger news potential changes your mind.

Sony’s Road to Zero Initiative

The Sony a6700 is all of its nonchargeable glory

Credit: Sony

According to PetaPixel and others online, Sony’s decision to not include charging tools for their new a6700 camera is most likely connected to Sony’s eco-friendly initiatives and their “Road to Zero” program which has a goal of reaching a zero environmental footprint by 2030 (a goal which was recently reduced from a 2050 original target date).

We can also look to Apple who also similarly made the decision—all the way back with the iPhone 12—to no longer include wall adapters in every box as a way to reduce package waste. Plus, you know, a way to make more money from accessory purchases.

While you could note that there have been a few other cameras that didn’t ship with cables due to semiconductor issues in the past (like the Nikon Z7 for example), this might be one of the first—if not biggest brands—to adopt this new no-charger approach.

Should You Still Purchase a Sony a6700?

So, what does this mean for you and your purchase options and decisions? Let’s look at some of the basic numbers to help you out.

Out of the box, the new Sony a6700 is set to include one Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh) but no external charger or USB-c cable. According to Sony, with this battery, you should get around 95 minutes of video recording time per charge.

So, if you do want to charge your battery, the only way will be in-camera unless you happen to have a charger from a previous camera or device.

If you want to purchase a charger for your Sony battery, here will be your best options:

And if you want a USB-C cable (and don’t already have one), here are some good picks:

  • Anker PowerLine II USB-C 3.1 Gen2: $19.99
  • Anker USB-A to USB-C Cable: $17.99

This means you’re looking at around $50 to $400 of additional accessories which you should calculate for any potential purchase of the Sony a6700, a camera which is set to retail at a $1,398.00 price point.

While not a complete game-changer perhaps for most, if you were looking to keep your budget sub $1,500 you might want to see if you have any old cables or Sony battery charging options at your disposal before making a purchase.

Source link

Taking a page from Apple apparently, reports

Verushka
Jan Stinchcomb
JournalStone (July 7, 2023)
Reviewed by Nora B. Peevy

Jan Stinchcomb lives in the world of fairytales. Her stories are steeped in the old-world fairytales with a modern retelling. Her latest novel, Verushka, is about a family cursed for three generations by a witch named “Verushka.” It is up to the first daughter of the third generation to break the curse and kill the evil witch, setting her family free.

Verushka is a powerful witch who used to be human, but gave herself to the lord of the forest. This follows the old pagan character of the Greenman. He wants her to be his bride, but she refuses. She loses her virginity to him, thinking if she gives him a child, he will let her go, but he wants her; he offers a bargain, bring him a replacement and he will set her free. She looks for a replacement and curses a family for three generations to get their first-born daughter, but each time she is not successful.

This fairytale refers to Slavic folklore that the patriarchy of the church used to conform the pagans to Christian ways and to keep women powerless. The forest is a dangerous and wild place, but to pagans, it is magical. In fairytales entering the forest, you stray from the path of order and enter a forbidden, sinful world not following the rules of the church. Something terrible happens to you. The church forbids women to explore their sexuality, but this fairytale is one of transformation from childhood into womanhood. There is a powerful theme of blood in this book; her mother miscarries in the forest the night Devon first meets Verushka. She is punished for straying from the path of order to the world of the wild pagan ways. The daughter, Devon, gets her period and becomes a young woman powerful enough to defeat the witch. Her mother mentions watching the movies Carrie and The Shining as a celebration with her daughter over this transformation into womanhood; both these movies are filled with blood imagery and feature strong women, something the patriarchy of the church does not encourage because it takes away their own power. Verushka gives birth in the forest and there is a lot of blood, a symbol of a woman being punished for straying from the order of church and entering the wild pagan forest when she feeds a sprite and loses her virginity to the lord of the forest.

Throughout the story there is pagan imagery such as fire, when homes are burned to the ground, leading to pivotal transformation in characters’ lives; water when sprites save Verushka’s son from drowning and later on Elaine’s son, Jack; earth when Verushka goes to eat with the lord of the forest, when she gives birth and the placenta is mud and twigs, and when she buries her placenta in the mud, from which a tree grows; and spirit, when Devon crosses over to the Otherworld to remember what happened the night she went into the forest and met Verushka.

This fairytale is gorgeous. It is a treat for adults and reminds us of our beloved childhood tales we loved so much. It is beautiful and haunting. It is engaging and powerful. Jan Stinchcomb has revived the fairytale for adults and it will live on in our hearts.

Source link

VerushkaJan StinchcombJournalStone (July 7, 2023)Reviewed by Nora

Summary

  • Zoe Saldaña reflects on her time working on Pirates of the Caribbean: The Curse of the Black Pearl, describing it as a hard production and too big of a machine for her.
  • Saldaña clarifies that she was only asked to be part of one film, and is glad her character did not return for subsequent installments due to navigating politics and feeling lost in the franchise.
  • Despite her hesitation, Saldaña’s box office appeal and considerable talent could make her an attractive addition to any big-name franchise, including a potential return to Pirates of the Caribbean for a new role.

Zoe Saldaña reveals her thoughts about working on Pirates of the Caribbean: The Curse of the Black Pearl and why she is glad she did not return for subsequent films. Based on the Walt Disney theme park attraction of the same name, 2003’s Pirates of the Caribbean: The Curse of the Black Pearl kick-started a multi-billion dollar franchise with Johnny Depp’s Captain Jack Sparrow as the series lead. In the franchise’s first outing, Saldaña played the pirate Anamaria, former owner of the ship Jack Sparrow stole and sailed into Port Royal harbor as it sunk.

Speaking with Buzzfeed UK, Saldaña reflects on some of her most iconic roles, including her time spent sailing under Depp’s Jack Sparrow. While remaining proud of her work on the film and the quality of the final product, the actor explains that it was a “hard production” to work on and that the sheer size of it made it a difficult experience. She also clarifies whether her character was originally intended to appear in later installments. Check out her comments below:

What a great movie, it really was fun and entertaining and very well shot, very well performed. It was all around such a diverse cast as well, all ages, all walks of life. But a hard production, it was just so big. It was too big of a machine for me, and it was too out of control. So when I see what transpired on screen, I’m very proud of [it]. Though how difficult it was to get there, I don’t ever want to go back.

I was only asked to be part of one and then, you know, and then that was it. Maybe they chose to go in a different direction. If [having her character return] was certainly the goal in the beginning, it didn’t transpire by the end of the production and I’m happy it didn’t. There was just a lot of politics that you would have had to navigate, and I just felt really lost and very small in that big machine. But I’m happy for all the actors that benefited from this, because they certainly did and they went off to have amazing careers. And I followed their careers and felt really inspired, but for me, it was definitely an experience not worth repeating.


Why Zoe Saldaña Not Returning For Pirates Of The Caribbean 6 Is A Missed Opportunity

When Saldaña first appeared opposite Captain Jack Sparrow in 2003, she was still relatively early on in her career and had yet to become a household name. However, thanks to her breakout roles in both 2009’s Star Trek and Avatar, Saldaña has risen to become one of Hollywood’s most sought-after stars. Having appeared in three of the world’s highest-grossing films of all time, her box office appeal combined with her considerable talent would make her an attractive potential addition to any big-name franchise.

With Disney currently attempting to breathe fresh life back into their Pirates of the Caribbean series, perhaps attempting to court Saldaña back in a much bigger role may be exactly what the series needs. With question marks still hanging over whether Depp will return in Pirates of the Caribbean 6, having Saldaña’s Anamaria return as a new protagonist may be a way to link the series’ past with its future. Moreover, re-establishing Saldaña as a female captain of the Black Pearl could also potentially set the stage for a crossover with Margot Robbie’s own planned spinoff.

Yet from Saldaña’s comments, it would seem she would be reluctant to return to the franchise in any capacity after her time on Pirates of the Caribbean: The Curse of the Black Pearl. Perhaps Disney could still find a way to persuade her to come back, and it is likely the more established star would have a much bigger voice in the film’s daunting machinery if she did. Despite her understandable hesitation, the franchise could benefit from having Saldaña make her return.

Source: Buzzfeed UK

Source link

Summary Zoe Saldaña reflects on

“Morning Joe” covered new 2024 election polling Wednesday that indicated a majority of Republican voters believe former president Donald Trump would beat sitting President Joe Biden in a reelection campaign, despite facing a historic two –going on three, potentially four — indictments.

Ex-Republican political consultant and writer Tim Miller was on hand with cohost Willie Geist to discuss the poll’s findings — and suffice to say, he wasn’t all that surprised by what he saw.

“They think that he won last time!” Miller said.

Geist introduced the segment by overviewing the new polling out of Monmouth University that showed 69% of Republican voters say Trump is the strongest candidate to go up against Biden in 2024. Meanwhile, 31% says another candidate would be stronger.

Comparing those results to polling between the current Republican candidates gunning for the ballot, the poll showed Trump with a 54% lead, compared to Florida Gov. Ron Desantis placing at 22% and the remaining candidates pulling 5% or less.

Geist said the latter polling was “not a surprise,” but “what’s interesting if you go back to the previous Monmouth screen is that the voters are not buying the argument that Donald Trump is going to lose the general election.”

“I mean, the Republican primary voters thinks, yes, he is the guy, despite everything that’s coming down on him,” Geist said. “They really aren’t so worried about the fact that he may be indicted now for a third time with perhaps another coming in Georgia before he runs for reelection here.”

Miller cheekily credited the findings to the “alternate universe reality” that many Republican voters are living in.

“These people might not be dealing with facts, but it’s a majority of the party, overwhelming majority of the party that thinks that Joe Biden’s win in 2020 was illegitimate, thinks that he is suffering such severe mental decline, that he can’t even be president, that he’d be very easy to beat,” Miller said. “They think that there’s a Deep State conspiracy targeting former President Trump. If you believe all of these things, then it would be natural for a majority 0f the party, then, to think that Donald Trump would be well placed to beat Joe Biden — because they think that he won last time!”

Miller added that those same voters widely believe that “Joe Biden is basically incapacitated, and so in that worldview, it would make no sense to try and change horses.”

“Now, those of us in the fact-based community realize that that’s not true, but that is kind of the information universe that Republican voters are swimming in if they’re reading MAGA media, listening to MAGA podcasts, watching Newsmax, watching some of these far-right media outlets,” Miller concluded.

Watch the full “Morning Joe” segment in the video above.

Source link

“Morning Joe” covered new 2024 election polling

Jeopardy! set
Photo: Sony Pictures Television

Over the weekend, several Jeopardy! champions announced their intentions to sit out the Tournament Of Champions in support of the WGA strike. “I believe that the show’s writers are a vital part of the show, and they are justified in taking their job action to secure a fair contract for themselves and their fellow WGA members,” wrote 13-time winner Ray Lalonde on Reddit. “If the strike remains unresolved, I will not cross a picket line to play in the Tournament Of Champions.” However, it now seems like the Tournament was going to be delayed anyway. In a statement to TVLine, a Sony Pictures Television representative said they “had no intention” of moving forward with the tournament “until the strike is resolved” and that “no contestants have been contacted” regarding availability for post-season shows.

“The Jeopardy! post-season represents the pinnacle of our competition,” they said, “and it should feature our strongest players playing our toughest original material.”

While it might be a relief to the union-supporting champions of the past, new contestants will get recycled questions. “We have always been careful to honor our WGA agreements, and we would never air game material not created by WGA writers,” the representative said. “However, just as we did, led by Alex Trebek, during the 2007–2008 strike, we will deliver first-run episodes again this fall, featuring the best of our WGA written material.”

That is some impressive spin. The show is embracing the criticism against Jeopardy! and framing it as a win. Not to mention invoking the show’s late host while doing so. Ray Lalonde stated against appearing on the show because they would be using questions from striking workers. But Jeopardy! chalks that up to a misunderstanding while doubling down on the procedures contestants were offended by. The show still uses the work of writers who don’t have a fair contract, which is the point of the strike.

Last week, in a poll on the Jeopardy! subreddit, Redditors overwhelmingly voted against the show using recycled material, calling it “just a way to make money at the expense of the writers.”

Source link

Jeopardy! setPhoto: Sony Pictures TelevisionOver the weekend,

The Melbourne International Film Festival has confirmed that it will provide $202,000 (A$300,0000 of cash prizes, making it one of the world’s most generous film events.

Nearly half of the prize pool $95,000 (A$140,000) will go to the winner of its Bright Future competition for features by first- and second-time directors. Bragging rights to being the richest film competition in the country previously belonged to the smaller CinefestOZ festival in West Australia, which follows later in August.

The Melbourne festival (in cinemas Aug. 3-20) has this year added two significant prizes: the inaugural First Nations Film Creative Award in collaboration with Kearney Group, and the return of the Blackmagic Design Australian Innovation Award, worth $47,500 (A$70,000) recognizing an outstanding Australian creative within a film playing in the Melbourne 2023 program.

Winners across long-form awards categories will be announced at Melbourne’s closing night gala on Aug. 19, These will include the juried prizes and the MIFF Audience Award.

The First Nations Film Creative Award supports First Nations talent and storytelling with the recipient awarded a $13,500 (A$20,000) cash prize and $16,900 (A$25,000) worth of financial services.

The award contenders are drawn from across all film creative departments including directing, producing, screenwriting, composing, editing, cinematography, acting, production design, art direction and sound design. Nominees are: John Harvey for “Katele” (“Mudskipper”) director; Lelarnie Hatfield-Yasso, Aunty Nicky Hatfield, and Margaret Hornagold (“Generations of Men”) screenwriters; Derik Lynch and Matthew Thorne for “Marungka Tjalatjunu” (“Dipped in Black”), co-directors; Adrian Russell Wills and Gillian Moody for “Kindred,” co-directors; Tyson Mowarin and Mark Coles Smith for “Keeping Hope,” director and featured subject, respectively; Douglas Watkin for “Rebel with a Cause: Neville Bonner,” director.

The first-time prize will be selected by a jury of Australian First Nations creatives including Rachael Maza (“Radiance,” “Cosi,” “Lillian’s Story”), Tony Briggs (“The Sapphires,” “The Warriors,” “Force of Nature”) and Tiriki Onus (“Ablaze”).

Maza said: “I’m very inspired by this next generation of incredible First Nation film makers. I’d like to acknowledge MIFF and the Kearney Group in establishing this award in recognition of these artists who will be our future leading storytellers.”

“The MIFF film awards recognize and amplify the vitality of our screen industry, and those who move it forward; from the Bright Horizons competition as a space for global breakthrough, to the recognition and celebration of excellence in craft amongst individual screen practitioners, in the Blackmagic Design Australian Innovation Award and First Nations Film Award,” said Al Cossar, MIFF artistic director.

2023 Bright Horizons Competition films :


“Ama Gloria,” dir. Marie Amachoukeli
“Animalia,” dir. Sofia Alaoui
“Banel & Adama,” dir. Ramata-Toulaye Sy
“Disco Boy,” dir. Giacomo Abbruzzese
“Earth Mama,” dir. Savanah Leaf
“How to Have Sex,” dir. Molly Manning Walker
“Inside the Yellow Cocoon Shell,” dir. Pham Thien An
“The Rooster,” dir. Mark Leonard Winter
“Shayda,” dir. Noora Niasari
“The Sweet East,” dir. Sean Price Williams
“Tótem,” dir. Lila Avilés.

Source link

The Melbourne International Film Festival has confirmed

A SAVVY renovator bought a mountain in a remote desert and transformed it into a luxury cave hotel.

TikToker @summitbigbend revealed the stunning destination in Texas, which left fans stunned.

4

A renovator has transformed a deserted mountain into a luxury cave villaCredit: summitbigbend
The cave has stunning views

4

The cave has stunning viewsCredit: summitbigbend
It is fitted out with a king bed and even has a private bathroom

4

It is fitted out with a king bed and even has a private bathroomCredit: summitbigbend

In the clip, the influencers showed viewers around the idyllic retreat.

Footage showed a cave among a rocky outcrop that was completely revamped into a magical getaway.

The mountain entry contained a lux king bed and even an en suite.

It was also decorated with modern furnishings that gave it a five-star appeal.

We couldn’t afford a house so bought a cave for £1 & made it our dream home
I built a luxury cave home after a devastating diagnosis - it changed my life

The TikToker said: “When you buy a mountain in Texas and renovate two mines into luxury caves.”

He added: “Most unique stay in Texas.”

The video has more than two million views.

Fans were gobsmacked with the incredible transformation.

“Obsessed, we were just there and wish we would have seen this place in person,” a TikTok user said.

“I want to buy a mountain,” one added.

“Some day this will be my dream,” a second remarked.

“Oh man this looks amazing,” another said.

It comes as a handyman who grew bored of living in the city moved out into the countryside and dug himself a cave.

One Brit mum is also building a luxury cave with a sauna and chandeliers after buying the land for just £11,000.

While a hermit told how he built a tiny cave home in a remote mountain after becoming sick of people hassling him.

Fans were stunned with the incredible renovation

4

Fans were stunned with the incredible renovationCredit: Tiktok/@summitbigbend

Source link

A SAVVY renovator bought a mountain in

Courtesy of MediaPunch/Shutterstock

Beyoncé’s mom, Tina Knowles, has filed for divorce from husband Richard Lawson after eight years of marriage. 

Knowles, 69, filed the legal paperwork on Wednesday, July 26, according to documents obtained by TMZ — just one day after the listed day of separation. Knowles cited irreconcilable differences as the reason for the split.

Knowles and Lawson, 76, tied the knot in 2015 in Newport, California. The twosome exchanged vows onboard a 140-foot yacht in an intimate ceremony alongside Knowles’ daughters Beyoncé and Solange. The “Formation” singer’s husband, Jay-Z, and their eldest daughter, Blue Ivy, were also in attendance. 

At the time, Lawson shared a post via Instagram that detailed the duo’s love story, claiming it began 39 years prior when they met.

“I thought you were one of the most beautiful women I had ever met. Breathtaking.!!” he wrote. “The thing that was so striking was that your beauty continued to be enhanced by your incredible heart, compassion, empathy, generosity, and philanthropy. You were pregnant with Beyonce at the time, and married, so my incredible attraction for you then, could only live in my fantasy. As we remained friends throughout the years, I took great pleasure in observing you become the ultimate mother, especially for your own daughters, but also for the way you care for and nurture women all over the world.”

He continued: “It took 32 years for my attraction for you to come full circle. It was well worth the wait. You’re a revolutionary, visionary, incredible artist, a fashion icon, a leader, a cultural beacon, a hot sexy ratchet God warrior and only second to God, You are my wife. How highly favored Am I???”

Knowles replied to the tribute in Lawson’s comments section, writing, “Thank God it worked out ❤️ PERIOD.”

Tina was previously married to Beyoncé and Solange’s father, Mathew Knowles, from 1980 to 2011. The twosome were together for over three decades before calling it quits for good in August 2011.  

“The decision to end our marriage is an amicable one. We remain friends, parents and business partners,” Tina and Mathew said in a statement to the Associated Press at the time. 

This story is still developing. 

Source link

Courtesy of MediaPunch/Shutterstock Beyoncé’s mom, Tina Knowles, has

If an advertisement autoplays for a bot on a site that’s not publicly listed or indexed by search engines, does anyone see it? According to Google, people do see the ad, which has led to a purported class action against the company that claims it overcharges advertisers for the “privilege of autoplaying their advertisements into the void.”

A suit filed against the Alphabet-owned company on Wednesday accuses the tech giant of misleading advertisers about its “TrueView” ad program by inflating metrics on its ads, which are allegedly displayed as muted, autoplaying videos and served on unlisted webpages in violation of promised standards.

TrueView is Google’s “proprietary cost-per-view, choice-based ad format that serves on YouTube, millions of apps, and across the web,” in which advertisers only pay for actual views rather than impressions. The ads ask users if they want to skip the video after 5 seconds. Google’s policies state that ads must be skippable, audible and that playing the video can’t solely be initiated by passive user scrolling.

But a recent report from analytics firm Adalytics shows that roughly 80 percent of Google’s video-ad placements on third-party sites violated its standards. It found that the alleged scheme “may have cost media buyers up to billions of digital ad dollars.” Companies that may have been misled include HBO Max, Microsoft and TikTok.

The suit claims that TrueView ads were served as autoplaying or scroll-to-play videos. “This means that rather than requiring a consumer to actually click on a video to see the advertisement, the video would effectively play on its own,” states the complaint. “This has the material effect of downgrading the value of each ‘view,’ as some of these views would not be a view at all, and certainly not an intentional view.”

Additionally, multiple ads for different advertisers were simultaneously served, according to the suit. For several of the ads, the skip button was hidden or obscured, “artificially inflating video completion rates, and by extension, the prices paid by advertisers.”

“Finally, the advertisements were served to web-crawling bots, including bots run by Google itself,” writes John Nelson, a lawyer for the class, in the complaint. “So, rather than paying for actual plays from actual potential customers, Google deceived advertisers into paying for advertisement views by Google bots itself.

The suit also says that some ads were placed on apps and sites developed in countries sanctioned by the US government, including Iran. The Adalytics report notes that advertisers are “inadvertently sending funds to Treasury sanctioned entities.”

The purported class action seeks to represent all advertisers who paid for TrueView in-stream ads. It claims breach of contract, unjust enrichment and violations of California’s unfair competition law. The named plaintiffs include Devon Holmes, who paid Google through his marketing company Sprizzy, and Deshawn Williams, who “paid Google to runs ads for his business in or about January 2022,” the complaint says.

The complaint was filed as Google fights a federal antitrust suit from the Justice Department and several states accusing the company of abusing its dominance to stifle competition in the digital advertising market. In June, Gannett sued Google for allegedly abusing an illegal monopoly over the technology that powers online advertising.

Google didn’t immediately respond to a request for comment.

Source link

If an advertisement autoplays for a bot

EXCLUSIVE: Deadline can reveal the first official trailer for Image Nation Abu Dhabi, VOX Studios and MBC Studio’s upcoming fantasy romance feature HWJN, adapted from Saudi Arabian writer Ibraheem Abbas’ eponymous cult novel.

The feature is the most ambitious production to come down the pipeline from a partnership between the three major Gulf players, launched in Cannes in 2019, to create in-house film and TV premium content for the region.

HWJN became a literary phenomenon after it was published in Saudi Arabia in 2013, with its pioneering combination of Western sci-fi tropes and Arabic folklore proving a hit with readers.

The story is a mix of fantasy and romance and centres on kind-hearted jinn HWJN, who lives among humans in modern-day Saudi Arabian port city of Jeddah.

His story unfolds as he embarks on an epic journey to reclaim his birthright, battling ancient evils to uphold the balance between his world and ours while developing an unexpected connection with Sawsan, a young medical student.

The new trailer promises a slick, high-end production that will chime with fans and wider audiences in the Gulf and MENA regions, and will also likely travel further afield.

The adaptation is directed by Iraqi Dubai-based director Yasir Al Yasiri (122, Kaboos), who also takes a producer credit under his Axx Productions banner.

The cast features a raft of rising Saudi actors, topped by Baraa Alem (The Sun of Gnosis, Route 10) , Nour Alkhadra (The Matchmaker), Nayef Althifery (Rashash) , Alanoud Saud (Blackmail Note, Boxing Girls) and Mohsen Mansour (207). 

The release of  the official trailer follows the unveiling of a teaser at the Red Sea International Film Festival (RSIFF) in December 2022.

An official release date has yet to be announced but given the film’s Jeddah-setting, the partners must surely be mulling an RSIFF launch.

Source link

EXCLUSIVE: Deadline can reveal the first official

As you scroll through this piece, take stock of the pieces you currently own and think about what’s missing, what you have too much of, and what might need replacing. The whole point of curating a fall capsule wardrobe—or any seasonal edit, really—is to mitigate the cycle of clothing fatigue and overspending and instead lean into hardworking silhouettes that work for your lifestyle; pieces you can re-wear, feel great in, and restyle with different accessories. You’ll probably get the most out of a neutral color palette, but that doesn’t mean you have to stick to black and white. Camel and earth tones add warmth to your fall outfits, which both minimalists and maximalist personal styles can appreciate. 

Whatever kind of summer style you’re embracing, below is all the inspiration you need for fall.

 A closet overhaul—or restock—adds up, so save when you shop your fall fashion capsule collection with the best Nordstrom Anniversary Sale finds, and these Free People, Anthropologie, Madewell, Nordstrom, and Saks Fifth Avenue promo codes, as well as coupons from Shopbop and Net-a-Porter.

The T-shirt

Not everyone is a “jeans and T-shirt” kind of dresser, but few can deny the appeal of a perfectly-fitted white tee. The below two are Glamour editor and reader favorites. (If you prefer a V-neck over a crewneck, check out our edit of the best V-neck tees.) 

The Black Leggings

You traded your leggings in for shorts this summer, but now they’re back. Lululemon and Alo’s styles can stand up to near-daily wear, though this 7/8 version from Athleta (with pockets!) is a close second. 

The Long-Sleeve Top 

When it’s too brisk for a T-shirt but not quite sweater weather, a basic long-sleeve top is the answer. Bonus: You can use it as a base layer later on if a turtleneck is too stuffy.

The Button-Up

Pop the collar, roll up the sleeves, wear it loose or completely buttoned-up—a stripe or white button-down shirt is an easygoing layer that adds instant polish to straight-leg jeans and slip dresses.   

The Sneaker

A comfy sneaker is one you can wear for 10,000 steps without thinking twice about it—the below two allow for that, and look cute, too.

The Minimalist Hoops

Tiny hoops are an effortless way to zhuzh up an outfit, and while gold is a classic, we’re really vibing silver right now for a more modern take. Jennifer Zeuner’s Perla earrings exist in both materials (Hailey Bieber wears the gold ones a ton), as do Mejuri’s bestselling huggies that snuggle the ear just so.

The Bodysuit

Even though you can get away with wearing a sleeveless (or short-sleeve) bodysuit in the warmer months, fall and winter are where they really shine, since they can act as both a standalone top and mid-layer underneath a knit sweater. 

The Cozy Sweatshirt

We love Lululemon’s oversized half-zip for throwing over everything (without feeling sloppy), as well as Adidas’s sweatshirt from the sell-out Sporty & Rich athleisure collab for chic sporty vibes.

The Even Cozier Sweatpant

Is it really fall without a jogger so comfy it makes going pantsless feel overrated? Absolutely not—and both Vuori and Nike have great options for your autumnal and winter capsule wardrobe.

The Jeans

Jeans are seemingly wider and baggier than ever, but to offset the roominess of it all, brands are introducing exaggerated cuffs that also fulfill another purpose: Preventing the hems from dragging in puddles of rain. Win-win. 

Citizens of Humanity Citizens of Humanity Ayla Baggy Cuffed Crop Jeans

The Slip-On Shoe

The window for wearing mules is a short one, so maximize this time with a design that’s foolproof to style. Birkenstock’s Bostom clog is an obvious choice (try the oiled leather if you’re over the suede), or opt for something sturdier from Vagabond to ground your look. 

The Cargo Pant

Cargo pants are wide-leg jeans’ cooler sibling, and you can find them at a range of price points and in different materials and colors. We love the ones from Still Here and Agolde, which admittedly are on the pricier side, but wear in beautifully.

The Sweater

You don’t need to fill your closet with ten different cardigans and cashmere sweaters; just buy one or two really good knits and wear them on repeat.  

The Go-Everywhere Tote

Back-to-school shopping, but make it for adults.

The Crossbody Bag 

Fanny packs and unobtrusive crossbody bags are great when you’re rushing out the door and need something a little more sophisticated that a canvas tote. Cos‘ leather crossbody is giving quiet luxury without the price tag, while Advene, an emerging accessories brand with a growing A-list following, recently released the “Duet,” a convertible shoulder-to-crossbody bag that comes in three buttery-soft leathers.

The Shoulder Bag 

We’ve seen some really good fashion launches this summer—especially in the accessories department—but two really stuck with us as timeless additions: Gucci’s mini shoulder bag for Young Rich Wife energy and Manu Atelier’s zipped cylinder bag, which looks like a vintage eBay find in the best way. 

The Blazer 

Linen blazers are one of those summer carryovers you can wear well into the initial few weeks of the fall season; for the latter half, consider a leather jacket or woven plaid blazer for warmth and versatility.

The Statement Jacket 

Jackets tend to sell out really fast once the weather turns, so now’s your best bet at grabbing one you really want. Totême’s outerwear is elegant, well-made, and worth the splurge. If you’re really thinking fall jacket, luxury retailers are deep into summer sale mode, which means you can find cold-weather gems like this Shoreditch Ski Club puffer—you love to hear it—for almost 50% off.  

The Fall Wedding Guest Dress

Something for when the occasion calls, so you don’t find yourself freaking out in a dimly lit changing room at the eleventh hour. 

The Weatherproof Boot

Let this be the year your shoes don’t get unexpectedly soaked in the rain. Hunter makes one of the most popular Chelsea boots in the game, and Everlane has a cute one for under $100.

The Heeled Bootie

Equal parts practical and chic, a heeled leather bootie (with a low enough heel you can actually walk in) is ideal for punching up a work or going-out look.

The Loafer

Want to put Allison Bornstein’s wrong shoe theory to the test? Try pairing a sharp loafer with a moody floral dress or denim skirt. 

The Mesh Flat

If there’s one summer fashion trend we’re set on transitioning to fall, it’s mesh flats—blueberry milk pedicure optional—and Le Monde Beryl and Dear Frances have mid-priced styles that aren’t fully sold-out (and with enough support to actually walk in). 

The Ballerina

For the classic dressers among us, there’s no going wrong with a simple ballet flat.

The Sweater Dress

Unless they’re moody floral prints, too-colorful dresses just don’t hit the same way this time of year. A knit one, on the other hand, delivers the same ease as your favorite summer midis, just in a cozier material. 

The Trouser

When styled with relaxed pieces for contrast, trousers prove their worth by making you look both put together and completely relaxed.

The Statement Necklace

Accessories that wear themselves.

The Belt

The unassuming accessory to tie your fall wardrobe together. 

The Transitional Extras 

Subtle wardrobe tweaks can also help you make that mental switch from summer to fall. If you’re in the market, we love La Californienne’s Apple Watch-compatible leather bands, which come in a rainbow of colorways, as well as String Ting’s charming phone straps to suit the mood. 

Source link

As you scroll through this piece, take

Deol’s remarks came during the trailer release of his film Gadar 2 which is slated to hit theatres on August 11.

The actor’s statement comes as two cross-border “love” stories of Seema Haider and Anju recently caught the attention of both India and Pakistan

Actor and BJP MP from Punjab’s Gurdaspur Sunny Deol on Wednesday blamed the “political game” for the hatred between India and Pakistan.

Deol’s remarks came during the trailer release of his film Gadar 2 which is slated to hit theatres on August 11.

“There is love on both sides (India-Pakistan). It is the political game that creates all this hatred. And you will see the same in this film as well that the people do not want us to fight with each other,” he said.

The actor’s statement comes as two cross-border “love” stories recently caught the attention of both India and Pakistan. A Pakistani woman, Seema Haider, entered India illegally with her four children to marry an Indian who she met on PUBG mobile game. In a similar case, an Indian woman, a mother of two children, went to Pakistan and married a local who she met on Facebook.

The trailer of Gadar 2 was launched in Mumbai at a special press conference with Sunny Deol and Ameesha Patel attending it.

Gadar 2 Trailer: Sunny Deol’s Tara Singh Returns To Pakistan and This Time For His Son

The trailer revealed that Sunny and Ameesha are returning as Tara Singh and Tara Singh. The couple is in a happy marriage, with their son Charan Jeet Singh, who is played by the same child artist Utkarsh Sharma. However, in a turn of events, Charan Jeet lands in Pakistan and is tortured. This time, Tara will return to Pakistan to save his son. The promo promises action, drama and the iconic screams by Tara Singh. The trailer also hints at a nod to the famous handpump scene.

In an over-a-minute-long clip, the teaser featured a truck driving amid a mountainous desert region. It transitions to a simmering unrest in Lahore under the guise of ‘Crush India Movement’. The teaser also hinted that the story of the movie will be based in 1971. There is a fleeting shot of Sunny Deol in a black turban hurling a tonga wheel in the air. The teaser ends with a snippet of the song ‘Udd Ja Kaale’ by Arijit Singh. The caption read, “Tara Singh is back!”

Source link

Deol’s remarks came during the trailer release

Tributes honoring singer-songwriter Sinéad O’Connor poured in Wednesday from all corners, following news of the Irish artist’s death. Celebrities from across the entertainment world and political figures praised O’Connor’s musical talent and her knack for calling out injustices.

“Really sorry to hear of the passing of Sinéad O’Connor,” tweeted Leo Varadkar, Ireland’s taoiseach, or prime minister. “Her music was loved around the world and her talent was unmatched and beyond compare. Condolences to her family, her friends and all who loved her music.”

Irish mixed martial artist Conor McGregor recalled the relationship he had with the vocalist, who sang the intro song for the fighter’s entrance at UFC 189 in 2015.

“The world has lost an artist with the voice of an Angel,” McGregor wrote. “Ireland has lost an iconic voice and one of our absolute finest, by a long shot. And I have lost a friend. Sinéad’s music will live on and continue to inspire!”

“I hope Sinéad O’Connor finds the peace she’s been seeking,” country singer Margo Price tweeted. “I’ll never forget watching her rip up a photograph of Pope on SNL in an act of protest against sex abuse in the Catholic Church and thinking, what a badass. Way ahead of her time and gone too soon.”

Singer-songwriter Jason Isbell shared his condolences, writing, “I hope there’s peace for Sinéad at last.”

“Respect to Sinead….. She stood for something… Unlike most people…. Rest Easy,” rapper Ice-T tweeted.

Musician Melissa Etheridge remembered a personal interaction she had with O’Connor.

“This is such a tragedy. What a loss. She was haunted all her life. What a talent,” she recounted. “I remember my first Grammy show meeting this small shy Irish girl.”

“That insanely beautiful voice that could carry all the emotions in one line. Her bravery. Sinéad was so loved by so many of us but she was also not treated well at all,” penned Irish actor Sharon Horgan. “I’m just feeling so angry about how she was treated. But over all just heart breakingly sad for her and her family.”

The world was rocked Wednesday by the news of the O’Connor’s death. She was 56.

The singer rose to prominence with her version of Prince’s “Nothing Compares 2 U” and made international headlines when she unexpectedly shredded a picture of then-Pope John Paul II on “Saturday Night Live” in 1992.

“It is with great sadness that we announce the passing of our beloved Sinéad. Her family and friends are devastated and have requested privacy at this very difficult time,” a family statement said. No cause of death was given.

Born Dec. 8, 1966, in the Dublin suburb of Glenageary, O’Connor was the third of five children. She became an international sensation after the release of her 1990 album, “I Do Not Want What I Haven’t Got.” Her cover of Prince’s “Nothing Compares 2 U” was her first No. 1 hit, and she was nominated for four Grammy Awards in 1991.

Also paying tribute on social media were Diane Warren, Billy Corgan, Michael Stipe, Perfume Genius and Sky Ferreira. See more tributes below.

Times staff writer Nardine Saad contributed to this report.

Source link

Tributes honoring singer-songwriter Sinéad O’Connor poured

Are your Spidey-senses tingling? They should be given the brand new mouse ears now available at Launch Depot at Tomorrowland in the Magic Kingdom. The new Spider-Man ears are cute and colorful and are perfect for all you Marvel fans visiting the parks. 

The ears feature Spider-Man’s traditional red, blue, and black colorway. 

The ears feature some of the details from Spidey’s shirt.  You can see the red webbing as well as the blue fabric. 

The red web design continues with a fluffy bow at the center. 

Also decorating the center of the bow is an enamel Spider-Man emblem. 

The headband of the ears is red with a black velour lining for a comfy fit. 

The back of the Spider-Man ears features a two-tone blue web design. 

As you can see the Spider-Man ears are an official Marvel-branded product!

The ears retail for $34.99. 

Again we found these beauties at the Launch Depot in Tomorrowland at the Magic Kingdom. 

Here’s a video we took of the ears to give you a closer look at all of those fantastic details: 

Readers are encouraged to follow MickeyBlog for further Walt Disney World news and updates. We’ll be coming to you LIVE! from the theme parks each and every week. 

Have you heard the news? MickeyTravels just earned the incredible distinction of being a Diamond Earmarked Agency!

Whether it’s a visit to the theme parks, a Disney cruise, a stay at Aulani in Hawaii, or the trip of a lifetime with Adventures by Disney, I can’t wait to help you plan your vacation utilizing all of our incredible concierge-level services. This injdjdjdcludes discount monitoring, itinerary planning, flexible booking, and more.  Best of all my services are 100% FREE!

Find out more or get your FREE no-obligation quote at mroden@mickeytravels.com at 1.800.801.4025 or via Facebook

Source link

Are your Spidey-senses

Director Andy Muschietti has revealed the tragic reason behind Michael Keaton’s Batman walking away from the cape and cowl in The Flash. And it’s pretty dark. Discussing the DC outing in a new behind-the-scenes featurette released courtesy of Warner Bros. Entertainment, Muschietti explains that Keaton’s Dark Knight decided to retire from being a superhero after killing a criminal in front of their child and thus going against his code and mirroring the event that led him to become Batman in the first place.


“I always said something should happen to Bruce Wayne to want to stop being Batman, and my idea was, he did something that goes against his code and killed a criminal in front of [the criminal’s] child—not knowingly, but he still did it.”

Muschietti continues, revealing that the reason for Batman’s retirement needed to be heavy enough to make someone as obsessed as Bruce Wayne walk away from the fight. Surely we can all agree, reflecting his own childhood trauma would do just that.

“Which is an exact mirroring situation of what happened to him when his parents were killed in front of him [next to] Monarch Theaters, and that created the monster that Batman is.”

For whatever reason, this is never mentioned in the movie itself, with Keaton instead simply saying that Gotham no longer needed Batman. So, we can add this to the ever-growing list of crucial story information that comes after the fact. An unfortunate trend of some modern blockbusters.

“He just couldn’t cope with it and that’s why he decided to shut off his other side – The Batman. He hasn’t been able to forgive himself and now the way we find him [in The Flash] is an evolution of that.”

RELATED: 5 Reasons Why Micheal Keaton is Still the Best Batman


The Flash Deleted Scene Explores the Reason for Batman’s Retirement

Warner Bros. Pictures

As well as these details from Muschietti, a deleted scene from The Flash has also now been released (via The Flash Film News) and finds the two versions of Barry Allen discussing Batman’s retirement and the painful situation that caused it.

Worlds collide in The Flash when the superhero uses his superpowers to travel back in time to change the events of the past. However, when his attempt to save his family inadvertently alters the future, he becomes trapped in a reality in which General Zod has returned, threatening annihilation. With no other superheroes to turn to, the Flash looks to coax a very different Batman out of retirement and rescue an imprisoned Kryptonian — albeit not the one he’s looking for.

Directed by Andy Muschietti from a screenplay by Christina Hodson and starring Ezra Miller as Barry Allen aka The Flash alongside Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue, Ben Affleck, and Michael Keaton, The Flash finally landed in theaters last month after years of setbacks. Met with mixed reviews, The Flash has struggled at the box office, grossing $268 million worldwide against a budget of $200–220 million. However, this does not include marketing costs, meaning that The Flash is now considered one of the biggest box-office bombs of all time.

Source link

Director Andy Muschietti has revealed the tragic

Meta just had its best quarter since 2021, even as it continues to lose massive amounts of money on the metaverse. In fact, the company said it expects to lose even more money on its efforts in the year to come.

Reality Labs, the Meta division overseeing its virtual and augmented reality projects, lost $3.7 billion during the second quarter of 2023 and generated just $276 million in revenue, according to the company’s latest earnings report. And the company, once again, said it expects its metaverse spending to accelerate. CFO Susan Li said that Meta is expecting Reality Labs’ losses to “increase meaningfully” compared with last year, when it lost more than $13 billion on the efforts.

Meta CEO Mark Zuckerberg tried to downplay the significance of the losses. “We remain fully committed to the metaverse vision,” he said during the company’s earnings call. When pressed for more details on the company’s metaverse spending, he pointed to the upcoming Quest 3 headset, which he said would launch at Meta’s Connect event in September. “This is going to be the biggest headset that we’ve released since 2020,” he said. “There are just a lot of expenses related to bring that to market.”

Aside from the metaverse, it was an otherwise a strong quarter for Meta, which reported $32 billion in revenue, an 11 percent increase from last year. Zuckerberg touted Reels, which are now drawing 200 billion views a day across Facebook and Instagram, thanks to the company’s renewed emphasis on AI-driven recommendations. He also highlighted the recent launch of Threads and the company’s Llama 2 large language model.

Though early analytics data has suggested Threads engagement has declined substantially since its launch, Zuckerberg said the company is “seeing more people coming back daily than I’d expected” and that he sees a path for the app to eventually reach “hundreds of millions” of users.

Meta also confirmed that the bulk of its layoffs, which resulted in the company shedding more than since last fall, have been “substantially completed.” Zuckerberg previously dubbed 2023 as Meta’s as he cut staff and attempted to streamline the company’s management structure. Zuckerberg pointed to Threads’ launch, which he said was overseen by a relatively small team, as proof that “cultural changes” at Meta are working.

Zuckerberg didn’t, however, offer a timeline of when he thought the company’s metaverse spending might start to pay off. “This is a very long term bet,” he said, “You know, on a deep level, I understand the discomfort that a lot of investors have with it. And look, I mean, I can’t guarantee you that I’m gonna be right about this bet —I do think that this is the direction that the world is going in.”

Source link

Meta just had its best quarter since

Actor and director Kassem Istanbouli has been awarded by UNESCO with the 2023 Sharjah Award for Arab Culture and Arts, recognizing his prominent contribution to Arab culture.

The international committee of experts in the fields of culture and arts has chosen the work of Kassem Istanbouli, founder of the Lebanese National Theatre, from many nominations for his contribution to the creation of an independent culture and arts net in Lebanon, including the restoration of abandoned cinemas in South and North of Lebanon, the organization of international cinema, theater, and music festivals, the implementation of workshops for children and the youngers, and the creation of international bridges promoting the exchange of artistic experiences and dialogue, promoting the dissemination of Arab artistic experiences and culture in the world.

 

Sharjah Award for Arab Culture and Arts was created in 1998 by the initiative of Sheikh Dr.Sultan bin Muhammad Al-Quasimi to celebrate Arab creators and intellectuals, and this 2023 award will be its 19th edition.

 

 

Source link

Actor and director Kassem Istanbouli has

Mission: Impossible – Dead Reckoning director Christopher McQuarrie wanted to include a digitally de-aged Julia Roberts.

Don’t worry, Julia Roberts didn’t make a blink-and-you’ll-miss-it cameo in Mission: Impossible – Dead Reckoning Part One, but there was a time when director Christopher McQuarrie was considering including her. Not only that, but she would have been digitally de-aged for the scene in question.

Mission: Impossible – Dead Reckoning Part One included a few flashbacks to Ethan Hunt’s (Tom Cruise) life before he joined the IMF. I won’t elaborate further, but they involve a woman named Marie. While speaking on Empire’s Spoiler Special Podcast (via /Film), Christopher McQuarrie discussed how he wound up considering Julia Roberts for the role.

“I said, ‘OK, if I were doing this sequence, it would be Tom in, say, 1989. It would be Tony Scott’s ‘Mission: Impossible.’ That’s who would have been directing the movie before Brian De Palma, you know, in that era,” McQuarrie explained. “We looked at ‘Days of Thunder’ and we looked at the style of it, and we started thinking what would it look like if Tony Scott had shot this, and who would it have been? I looked back at who was the ingenue, who was the breakout star in 1989? And right around then was ‘Mystic Pizza.’ And I was like, ‘Oh my God. Julia Roberts, a then-pre-“Pretty Woman” Julia Roberts, as this young woman.’“

Getting Julia Roberts to agree to appear in Mission: Impossible – Dead Reckoning Part One for what would have amounted to a cameo would have been a tall order, but throw in some pricey digital de-aging for all of the actors, and the budget just couldn’t take it.

“The only way I could have seen doing the sequence justice [using de-aging] was to somehow convince Julia Roberts to come in and be this small role at the beginning of this story,” McQuarrie said. “And of course, as you’re conceptually going through it, you’re like, ‘Now all anybody’s going to be doing is thinking about the de-aging of Julia Roberts, and Esai, and Tom, and Henry Czerny.’ And then I got the bill for de-aging those people before their salaries were even factored into it. And if you put two of them in a shot together, or three of them in a shot together, it would have been as expensive as the train by the time we were done. It was so … the force multiplier of — and the way we shoot scenes, and the fluidity, and the camera movement. And of course, that wouldn’t be the style of the movie in 1989. That wouldn’t make sense if you were shooting an ’89 ‘Mission’ like a 2023 ‘Mission.’“

Christopher McQuarrie has previously spoken of digitally de-aging Tom Cruise for the Dead Reckoning flashback scene, and why he ultimately decided against it. You can check out a review of Mission: Impossible – Dead Reckoning Part One from our own Chris Bumbray right here, and be sure to let us know what you thought of the film as well.

Source link

Mission: Impossible – Dead Reckoning director Christopher


It was business as usual this past weekend at the Los Angeles Area Emmy Awards, as local newscasts and programs from the likes of Telemundo’s KVEA and public broadcaster KCET were recognized. But that’s an exception to this year’s Emmy scramble. As the WGA and SAG-AFTRA strikes potentially spill into the fall, it’s still unclear how or when the Primetime Emmys — or the Daytime Emmys, which have been on hold since June — will take place.

As this year’s broadcast partner, Fox ultimately must decide when the 75th Primetime Emmys will actually air. And the feeling inside the network is that it should be January. As we’ve previously reported, the TV Academy would prefer an earlier date, like November, and I have to agree there. January feels too far in the distance, and it would also put it in the middle of film and guild awards season — which includes more recent eligibility windows.

Should the Emmys wind up in January 2024, it would have to navigate a calendar that already includes the Golden Globes (still without a TV partner, but that’s a different topic for another day) on Jan. 7 and the Critics Choice Awards on Jan. 14. And that’s where things get confusing: Because the current Emmy eligibility window is June 1, 2022, to May 31, 2023, whereas those other awards shows’ window would be Jan. 1 to Dec. 31, 2023, you might be recognizing different seasons of the same show at the same time.

In other words, the cast of Hulu’s “Only Murders in the Building” might be celebrating the show’s Season 3 at the Globes and the Critics Choice Awards … and then attending an Emmy ceremony the next week to recognize the show’s Season 2. And “The Bear” star Jeremy Allen White might win a Globe for Season 2 of “The Bear,” and then a few weeks later win an Emmy for Season 1 of “The Bear.” I worry about how stale the wins might feel at that point, especially for the series and episodes that aired way back in summer or fall 2022. (Of course, given that there seems to be no end date to these strikes anytime soon, perhaps January is now the safer option.)

At the very least, it was good to see the TV Academy keep the Phase 2 FYC and voting window locked in August. Yes, it will make our jobs in the press harder as we cover an Emmy campaign with no access to the nominated stars. But we found a way to get creative during the COVID-19 pandemic, when access was also limited, and we’ll figure it out again. More importantly, keeping the calendar the same prevents any complaints that a time shift might unfairly benefit some nominees and damage the chances for other hopefuls.

I do feel for both TV academies as they continue to play the wait-and-see game. Over at the National Academy of Television Arts & Sciences in New York, where they’ve been sitting on Daytime Emmy winner results for several months, the clock is ticking. The Daytime Emmys should have taken place in June, and as the strikes continue, the postponement is coming up against other awards that NATAS administers, including the News & Doc Emmys (September) and the new Children’s & Family Emmys (December). And as the year draws to a close, NATAS is having to prepare for next year’s Daytime Emmys … before this year’s ceremony even takes place.

NATAS CEO Adam Sharp says he had hoped to move the Daytime Emmys to October, but that window is closing fast: “Even if the white smoke comes up tomorrow that all things are resolved, it will take some period of time to secure a new space, reconfigure the set for that space and do everything to actually pull it off. We think there is still some window there in the mid fall. But it’s narrowing. And it’s concerning.”

Source link

It was business as usual this past

Warning: This article contains spoilers for Barbie


Chances are, even if you haven’t gotten around to watching Barbie yet, you’ve heard about Ryan Gosling‘s cover of Matchbox Twenty’s Push. Gosling’s rendition of the song (which you can hear below), occurs at an important point in the movie, as Gosling’s broken down Ken decides a change is needed in Barbie Land. Sitting around a campfire, Ken strums his guitar and serenades Margot Robbie’s Barbie.

While the film has given the 1996 song plenty of recent buzz, Matchbox Twenty frontman Rob Thomas assumed he’d be the “butt of the joke” when approached about the song being featured in the film. He recently told USA Today:

“I want to preface this by saying that I thought it was hilarious. But in ‘Bring It On,’ (Kirsten Dunst’s character) has this douchey boyfriend. And there’s a scene where he was in his dorm room with a Matchbox Twenty poster in the background. There was a whole period during the ‘90s where the more successful we got, the bigger target we were. We were an easy takedown. When I got the call for ‘Barbie,’ they told me, ‘Ken’s by the fireside, he’s playing the song and it’s his favorite band.’ So I did this thinking I’d be the butt of the joke, and I was fine with that. I’m pretty thick-skinned. But Julie Greenwald (from Atlantic Records) came to the Hollywood Bowl a month or two ago. She had just seen the movie and was like, ‘You come out of it loving Ken and loving Push.’ And I was like, ‘Aww. Alright, really good!'”

Related: Barbie: Will We Get a Ken Spinoff?


Rob Thomas is a Greta Gerwig Fan

IFC Films

It also didn’t hurt Barbie director Greta Gerwig’s chances of featuring Push in the film that Thomas is a fan of hers:

“…Greta Gerwig has been one of my crushes forever, to the point where I was on a plane one time and I called my wife, like, ‘Baby, Greta Gerwig just came on the plane, oh my God.’ So just the fact that it didn’t diminish my crush of Greta, that’s even better,” he said.

Push was released while Thomas, who is now 51, was in his early 20s. When the song was released, it was met with protests from feminist groups who thought the lyrics alluded to physical abuse against women. While there’s been plenty of speculation about the actual meaning behind the song, Thomas shared that it was about emotional manipulation at the hands of an ex. Despite the controversy, the song topped music charts throughout the US. One of the song’s fans just happened to be Gerwig.

“Growing up, I loved that song,” Gerwig told USA TODAY. “I was like, ‘’This is my rock ‘n’ roll, Dad. Enjoy The Who, but these are my guys.’ And it wasn’t until college that I actually thought, ‘What is that song about?’ Just thinking about 13-year-old me singing along and really meaning it, I was like, ‘That is so interesting.’ I looked it up and, in a way, (Thomas) was playing a character. It’s almost like a story song.”

In spreading even more love, Thomas recently dedicated Push to Gosling while on tour with Matchbox Twenty for their album Where The Light Goes.

Source link

Warning: This article contains spoilers for Barbie Chances

One of the leaders of the Writers Guild of America’s 2023 negotiations is calling on studios and streamers to return to the bargaining table and to “envision a solution” to the labor standoff that has brought scripted film and TV production in the U.S. to a standstill.

In an over 17-minute video message addressed in part to writers and in part to major entertainment companies, sent to WGA members on Wednesday, negotiating committee co-chair Chris Keyser (Julia) insisted that writers are not the companies’ “enemies” but “your partners and your greatest asset.” He added, addressing companies, “by accident or design, and it doesn’t really matter anymore, the business you are running no longer works for those who work for you. What is the point in continuing to deny that? Why deny it when everyone else in the business, to a person, tells you it’s true? Do you think it’s a coincidence that two unions are on strike against you for the first time since Eisenhower was President?”

He added, “If you want instead to invest in something that will reap you fortunes, I have a tip. And if you are visionaries, envision a solution, not a stalemate. Because this isn’t a war we’re in, it’s a negotiation. It’s just a negotiation. There is no face-saving here for either side because there is no winner or loser. It’s just a deal. And when you come to remember that again, we will be here, as we have been here all along.”

The Hollywood Reporter has reached out to the Alliance of Motion Picture and Television Producers, which bargains on behalf of studios and streamers, for comment.

Earlier in the video, the union leader played up the fierce competition between the companies that comprise the AMPTP. “As they face the future, their interests and business models could not be more different, from Disney to Sony to Netflix to Amazon,” Keyser said. “We root for their success, all of them. They root for each other’s failure.”

Keyser — known among writers for particularly rousing speeches during the 2023 strike — described the studios as being in “what increasingly seems like a mutual suicide pact,” given that amid simultaneous writers’ and performers’ strikes, “the 2023-24 broadcast season and the 2024-25 movie schedule and its streaming shows disappear, melt away, week by week.”

Pointedly, he said that “either together or separately, as their divergent interests might suggest, they [Hollywood companies] will come back to us,” suggesting that members of the AMPTP might break off and form their own deals with the union. Keyser also cited Netflix co-CEO Ted Sarandos’ recent comments that he grew up in a union family, with a unionized electrician father and a July 11 Deadline story that reported a studio executive as saying “The endgame [of the WGA strike] is to allow things to drag on until union members start losing their apartments and losing their houses.”

Keyser said, “Since we know they come from union families themselves, and since they denied that even in Hollywood, you have got to be kidding me, [the] ugliness of threatening to starve us out and leave us homeless, which we assume they understand also means making our children become homeless, they will come back to us. Although I will say they took a long time to deny that statement, longer than I would have had it been ascribed to me.”

Now around 13 weeks into the writers’ ongoing strike, the WGA and the AMPTP have not yet returned to the bargaining table to begin hashing out their differences. WGA leaders have repeatedly said that they believe it is up to the AMPTP to make the first move.

Keyser argued that the WGA’s leverage is “increasing every day” at this juncture in the strike. He acknowledged how difficult the strike has been for members and encouraged them to stay resolved: “These companies understand the cruelty of what they’re doing. it’s their plan: starve us, just a little,” he said, calling it “societally accepted economic torture.”

His argued that while companies are fighting for a “dollar,” “we are fighting for survival.” He continued, “We are fighting for our home. Writing is where we live, and we will defend that home with the bravery and stamina and ferocity that you will come to understand someday. Which is why you cannot break us. You cannot outlast us.”

Source link

One of the leaders of the Writers

Venus has only been in retrograde for three days and the love-driven planet is already tearing things apart. On Tuesday, it was announced via People that musicians Rosalía and Rauw Alejandro have ended their relationship, and subsequently their engagement, after more than three years together.

Alejandro confirmed the separation on his Instagram a day later, describing his relationship with Rosalía as the “most real love story that God has let me live,” and denying cheating claims made on social media.

“Yes, a few months ago Rosi and I ended our engagement,” he said. “Thousands of problems can exist to cause a breakup, but in our case, it wasn’t due to third parties or infidelity.”

Representatives for Rosalía declined to comment, while representatives for Alejandro did not immediately respond to Rolling Stone’s request for comment.

In the time since their relationship first came to light, the couple had become something of a mood board for romance goals. They managed to maintain their privacy while offering carefully curated peeks into their private life on their own terms. For example, the announcement of their engagement came by way of a music video for “Beso,” one of three songs that appeared on their collaborative EP, fittingly titled RR.

The project, released in March, marked the first time Rosalía and Alejandro fully made music together as performers. They had previously appeared on each other’s work as credited producers and songwriters.

“There’s people that love drama, and we’re not like that. There’s a bunch of pop stars where it’s like the whole telenovela, and I hate that shit. I really hate that shit. We’re real stuff. We’ve been together for a while,” Alejandro told Rolling Stone in his cover interview last year. The plan was to keep their relationship a secret for as long as they plausibly could, but they decided to rip the bandaid off after paparazzi photographed them holding hands outside of a restaurant in West Hollywood.

“We saw all the paparazzi, and I was like ‘Yo. What are we gonna do?’ And she told me, ‘You know what? I’m tired of this shit.’ And I was like, ‘Fuck it, let’s do it,’” he added. “It felt right, so we went down, holding hands at the restaurant. What do you want me to say? Yeah, we’re together.”

Trending

Despite what may happen in their relationship, Alejandro and Rosalía are permanently linked in ink — unless either of them decide to have their respective tattoos removed. Rosalía has it easier in the sense that the tattoo on the bottom of her foot, which reads “RR” in the style of the Rolls Royce logo, could pass as her own initial. Alejandro can’t say the same about the less discreet tattoo he has across his stomach that reads “Rosalía” in capital letters.

This story was updated on July 26 at 6:30 p.m. ET to include Alejandro’s statement.

Source link

Venus has only been in retrograde

The Portland Festival of Cinema, Animation and Technology (PFCAT) has revealed its 2023 schedule. The festival, which celebrates the best of film and digital media from around the world, will take place at the Oregon Museum of Science and Industry (OMSI) on August 3rd – 6th.

The festival will screen 119 films from 22 countries, with most of them being World or Regional Premieres. The complete schedule of screenings and special events can be found at www.pdxfestofcinema.com, and tickets are now available at https://tickets.omsi.edu/events. All festival screenings before 5 pm are appropriate for families with content designed to appeal to both children and adults. Individual screenings are $10 adults, $9 seniors, and $8 youth, with $2 off for OMSI members. All-access passes are $40 adults, $38 seniors, and $35 youth, with $3 off for OMSI members.

The 2023 festival includes a line-up with 68 animated projects, including stop-motion, rotoscope, and hand-drawn animation, as well as a range of features, documentaries, sci-fi shorts, and projects that feature a focus on VFX and the use of cutting-edge technology.

Guard Dog – special screening and talk with legendary twice Oscar-nominated director and animator Bill Plympton

Among the highlights of the upcoming 2023 festival are a special screening and talk with legendary twice Oscar-nominated director and animator Bill Plympton, who will showcase a retrospective of his past work as well as clips from his newest animated feature film, “Slide.” After the screening and presentation, there will be a Q&A session and reception. Tickets to the Bill Plympton night are $25 and include a free sketch.

Feature screenings include:

-Animated Feature Quantum Cowboys directed by Geoff Marslett starring David Arquette and Lily Gladstone. (Oregon Premiere)

-Psychological Thriller Cognitive directed by Evan Richards starring Rachel Fleisher, Charles Fleischer and Diana Darrin (West Coast Premiere)

-Stop-Motion Animated Feature Return to Kellogg directed by Emmy Award Winner Carolyn Gair (US Premiere)

-Sci-Fi Feature Film Alice in Cyberland directed by Fabricio Bittar (US Premiere)

-Animated Feature Film Titina directed by Kajsa Naess (Pacific Northwest Premiere)

-Comedic Feature A Pretty Good Movie directed by Leif Erik Gandervoot starring Leif Erik Gantvoort and Lea Thompson (Pacific Northwest Premiere)

Animated Feature, Quantum Cowboys

Formerly titled the International Festival of Cinema and Technology, the Portland Festival of Cinema, Animation and Technology is currently in its 11th year. This rebranding reflects both the festival’s selection of Portland as its new home and the festival’s shift to focus strongly on animation.

Portland Festival of Cinema, Animation & Technology presents visionary and diverse works from filmmakers and animators. In 2022, the festival rebranded from its previous name, The International Festival of Cinema and Technology. Past festivals include more than 30 events in eight U.S. cities and three Australian cities, as well as numerous events in Toronto, Paris, Sydney, and more. The festival also held events in 17 different venues, including the CN Tower Maple Leaf Theater, the Canadian Broadcast Centre, Fox Studios in Sydney, and Centre National des Industries et Techniques in Paris. More information can be found at www.pdxfestofcinema.com.

Header Image: Echo

Source link

The Portland Festival of Cinema, Animation and

Ferocious storms have hammered Europe in recent days with Italy being hit by an ‘apocalyptic’ supercell and a deadly 135mph tornado tearing through Switzerland – while wildfires continue to rage in southern holiday hotspots.

The tornado struck the Swiss city of La Chaux-de-Fonds on Monday, killing at least one person and injuring 15 others. 

Footage emerged today showing relative calm before a ferocious squall barrelled through, tearing up trees and sending debris flying.

Similar vicious winds have damaged cities from Berlin to Milan and across to Romania’s Oradea, killing several people and leaving a trail of destruction.

Italy’s Udine region, 60 miles to the north-east of Venice, experienced the rare supercell phenomenon on Tuesday, with a cyclone hundreds of feet wide looming over the town of Codroipo and with flashes of lightning emanating from inside.

Further south on Italy’s Almalfi coast, unusually powerful waves crashed up against a beach, sending people running from the shore and rocking yachts on the water.

As powerful wind and huge hail battered swathes of the continent’s northern regions, wildfires were burning in at least nine countries as millions living in southern Europe continued to experience extreme heat.

SWITZERLAND: This is the moment daylight disappeared in seconds as a ferocious 135mph tornado tore through Switzerland destroying everything in its path – as wild weather extremes continued to hammer Europe

ITALY: The Udine region, 60 miles to the north-east of Venice, experienced a rare supercell phenomenon on Tuesday, with a cyclone hundreds of feet wide looming over the town of Codroipo, with flashes of lightning emanating from inside (pictured)

ITALY: The Udine region, 60 miles to the north-east of Venice, experienced a rare supercell phenomenon on Tuesday, with a cyclone hundreds of feet wide looming over the town of Codroipo, with flashes of lightning emanating from inside (pictured)

GREECE: A firefighting plane makes a water drop as a wildfire burns in the village of Gennadi, on the island of Rhodes, July 25

GREECE: A firefighting plane makes a water drop as a wildfire burns in the village of Gennadi, on the island of Rhodes, July 25

GERMANY: Cars are seen crushed under a fallen branch in Berlin, July 24

GERMANY: Cars are seen crushed under a fallen branch in Berlin, July 24

ROMANIA: Debris is seen flying off a roof from footage captured inside a car

ROMANIA: Debris is seen flying off a roof from footage captured inside a car

ROMANIA: Debris is seen flying off a roof from footage captured inside a car

A map shows the temperature difference between north and south Europe, with dark red denoting hotter temperatures

A map shows the temperature difference between north and south Europe, with dark red denoting hotter temperatures

A map showing the fire danger forecast across Europe for July 26, with red representing danger and extreme danger

A map showing the fire danger forecast across Europe for July 26, with red representing danger and extreme danger

In Portugal, locals and firefighters scrambled to put out a fire at a natural park near a beach resort, while in Croatia fires set off old landmines near the historic city of Dubrovnik.

Italy‘s southern island of Sicily has also been devastated by wildfires that have killed three elderly people, its regional president said today, with footage from the country’s roads showing scenes of people driving to safety down fire-flanked roads.

Meanwhile, blazes continue to wreak havoc in Greece with efforts to contain them yesterday resulting in the deaths of two pilots.

SWITZERLAND 

Monday’s tornado ‘unfortunately caused the death of one person in their 50s following the toppling of a construction crane’, Neuchatel police said. 

The storm passed through quickly but the strong winds caused significant damage.

Vehicles were damaged or destroyed, roofs were torn off, street furniture was blown away and trees were uprooted.

Footage showed a cloud rolling in over the lush, green Swiss countryside. As the fog enveloped the settlement, the winds suddenly picked up, causing trees to almost topple over and hail to fall.

Officials said a wind speed of 135 miles per hour was recorded on Monday ‘under a storm cell which suddenly strengthened when arriving in the region’.

Neuchatel police urged people not to expose themselves to risks such as falling tiles or trees, and warned further storms were likely.

SWITZERLAND: Fog is seen rolling in over a Swiss town as a storm arrives suddenly

SWITZERLAND: Fog is seen rolling in over a Swiss town as a storm arrives suddenly

As cars, buildings and trees are enveloped in fog, the wind suddenly picks up

As cars, buildings and trees are enveloped in fog, the wind suddenly picks up

Trees are seen being blown around in the strong winds in the storm in Switzerland

Trees are seen being blown around in the strong winds in the storm in Switzerland

Police officers and firefighters work next to a fallen crane after a violent storm swept through the city of La Chaux-de-Fonds, July 24

Police officers and firefighters work next to a fallen crane after a violent storm swept through the city of La Chaux-de-Fonds, July 24

An uprooted tree is seen in Le Cret-du-Locle near La Chaux-de-Fonds, western Switzerland on July 24 after a violent storm swept through

An uprooted tree is seen in Le Cret-du-Locle near La Chaux-de-Fonds, western Switzerland on July 24 after a violent storm swept through

Fallen trees and branches lay on the street following a storm in La Chaux-de-Fonds, Switzerland July 24

A view of damages following a storm in La Chaux-de-Fonds, Switzerland July 24

A view of damages following a storm in La Chaux-de-Fonds, Switzerland July 24

ITALY

Meanwhile in Sicily, the charred bodies of a couple in their 70s were found in their burnt-out home on the outskirts of Palermo, the regional capital.

Another woman in her late 80s died in the Palermo province after an ambulance was unable to reach her home due to fires.

In a message on Facebook, Sicilian President Renato Schifani said ‘scorching heat and unprecedented devastating fires’ had turned Tuesday into ‘one of the most difficult days in decades’.

SICILY: Residents look at flames burning in Capaci, near Palermo, in Sicily, southern Italy, Wednesday, July 26

SICILY: Residents look at flames burning in Capaci, near Palermo, in Sicily, southern Italy, Wednesday, July 26

A man tries to extinguish a wildfire in the Sicilian village of Altofonte, near Palermo, Sicily

A man tries to extinguish a wildfire in the Sicilian village of Altofonte, near Palermo, Sicily

Italian civil protection personnel burn out fires in Capaci, near Palermo in Sicily

Italian civil protection personnel burn out fires in Capaci, near Palermo in Sicily

The convent of Santa Maria di Gesu, where the relics of San Benedetto il Moro are kept, is damaged by fire in Palermo, Italy, July 25

The convent of Santa Maria di Gesu, where the relics of San Benedetto il Moro are kept, is damaged by fire in Palermo, Italy, July 25

Flames are seen through the window of a vehicle driving in Sicily

Flames are seen through the window of a vehicle driving in Sicily

Flames are seen on the side of a road through the window of a vehicle driving in Sicily

Italian firefighters said they battled nearly 1,400 fires between Sunday and Tuesday, including 650 in Sicily and 390 in Calabria, the southern mainland region where a bedridden 98-year-old man was killed as fire consumed his home.

Fires were still burning on the hills around Palermo on Wednesday, with Canadair planes back in operation to try to douse the flames.

Large areas of the Mediterranean have been sweltering under an intense summer heatwave on Tuesday, causing deadly blazes across the region.

Sicily is a major tourist destination but a fire inside a terminal building last week caused the near-total closure of its biggest airport in Catania on the east of the island. Palermo airport was also closed for a few hours on Tuesday because of a wildfire nearby.

‘I hope that tourist flows in the areas affected by the fires will not suffer losses,’ Civil Protection Minister Nello Musumeci, a Sicilian, told the La Stampa newspaper.

‘The risk … is there and it is understandable’.

The government was set to meet in Rome later Wednesday to declare a state of emergency in regions affected by natural disasters and introduce a special furlough scheme for workers most exposed to the heatwave.

While Italy’s south is battling with wildfires, the country’s northern Lombardy region saw a powerful storm accompanied by heavy hail.

This caused flooding and power outages and was blamed for the deaths of two people, including that of a 16-year-old girl at a scouts’ camp crushed by a falling tree.

Officials have reported tornadoes, while a rare supercell opened in the skies above the town of Codroipo, in the Italian province of Udine.

Pictures of the phenomenon showed what looks like a fissure in the sky underneath black clouds. Meteorologists say supercells form when hot air meets cold air, and release large amounts of energy in a short time.

Meanwhile, residents of Milan were surveying the mess after the dramatic overnight storm and winds of over 100 kilometres per hour.

‘It all happened around 4 or 5 AM (0200-0300 GMT) this morning, it was very short but very intense, it knocked down several trees … with the wind gusts they took off and broke up,’ witness Roberto Solfrizzo, 66, told Reuters.

On Italy's Amalfi coast, unusually powerful wave crashed against a pier, sending people running for safety. In the background, boats can be seen being rocked by the strong tide

On Italy’s Amalfi coast, unusually powerful wave crashed against a pier, sending people running for safety. In the background, boats can be seen being rocked by the strong tide

A man desperately tries to extinguish the flames that have started a fire with a bucket of water in the Aci Catena area 20 km from Catania on July 25

A man desperately tries to extinguish the flames that have started a fire with a bucket of water in the Aci Catena area 20 km from Catania on July 25

This picture released by the Italian firefighters shows wildfires in the region of Palermo in Sicily

This picture released by the Italian firefighters shows wildfires in the region of Palermo in Sicily

This picture released by the Italian firefighters shows wildfires in the region of Palermo in Sicily, Italy, Tuesday July 25

This picture released by the Italian firefighters shows wildfires in the region of Palermo in Sicily, Italy, Tuesday July 25

A car completely destroyed by flames in the territory of Aci Catena, Catania, July 25

A car completely destroyed by flames in the territory of Aci Catena, Catania, July 25

Firefighters desperately try to extinguish the flames that erupted in the intense heat in the Aci Catena area 20 km from Catania on July 25

Firefighters desperately try to extinguish the flames that erupted in the intense heat in the Aci Catena area 20 km from Catania on July 25

In a sign that temperatures were finally easing, only two cities – Catania in Sicily and Bari in southern Puglia – were on a government heatwave ‘red alert’ list for Wednesday, down from 17 the previous day.

CROATIA

Across the Adriatic in Croatia, dozens of firefighters battled a wildfire near the country’s picturesque southern city of Dubrovnik, authorities said on Wednesday, with water-bombing planes dispatched to help contain the blaze.

The fire near Dubrovnik was reportedly some 7.5 miles from the famed medieval city in the Zupa Dubrovacka municipality.

The blaze broke out late Monday but had not triggered any evacuations of the nearby population, according to the firefighters association.

Around 130 firefighters were working to contain the flames that had been spread by strong winds on Tuesday.

Local media reported the fire also triggered landmines to explode in the area.

During the bloody breakup of Yugoslavia in the 1990s, Dubrovnik was besieged and shelled by Serb forces, leading several areas in the city to be damaged while swathes of its outskirts are still contaminated by landmines.

The UNESCO-protected city dates back to the 7th century and features a maze of churches, palaces and fountains perched above the shimmering Adriatic.

Dubrovnik has long been a hub for tourism and a cruise ship magnet but also gained notoriety in recent years after portions of the hit HBO series ‘Game of Thrones’ was filmed in the medieval walled city.

Known as the Pearl of Adriatic, the city attracts more than a million tourists annually.

Last week, at least five people were killed after violent thunderstorms swept across Bosnia, Croatia and Slovenia following days of scorching temperatures in the Balkans.

Fires also swept across Portugal and Spain’s Gran Canaria, and several dozen firefighters were using aircraft to battle a wildfire that had broken out close to Nice international airport in southern France.

GREECE 

In Greece, officials are expecting scorching heat on Wednesday as crews continue their work to douse deadly wildfires.

GREECE: Flames and smoke rise as a wildfire burns near the village of Gennadi, on the island of Rhodes, July 25

GREECE: Flames and smoke rise as a wildfire burns near the village of Gennadi, on the island of Rhodes, July 25

A photo shows a fire as it burns vegetation into the village of Gennadi on the Greek Aegean island of Rhodes, on July 25

A photo shows a fire as it burns vegetation into the village of Gennadi on the Greek Aegean island of Rhodes, on July 25

People take photos of a firefighting helicopter filling water from a pool, in the village of Gennadi, on the island of Rhodes, Greece, July 25

People take photos of a firefighting helicopter filling water from a pool, in the village of Gennadi, on the island of Rhodes, Greece, July 25

At least 100 firefighters were working to contain the flames on Evia, Greece, where on Tuesday two pilots were killed when their water bomber aircraft crashed. Pictured: The crash site

At least 100 firefighters were working to contain the flames on Evia, Greece, where on Tuesday two pilots were killed when their water bomber aircraft crashed. Pictured: The crash site

Rescuers operate at the site where a firefighting plane crashed after a water drop as a wildfire burns in Platanistos on the island of Evia, Greece, July 25

Rescuers operate at the site where a firefighting plane crashed after a water drop as a wildfire burns in Platanistos on the island of Evia, Greece, July 25

Thousands of people have evacuated as Greek authorities struggle against flames on three major fronts, including the tourist islands of Rhodes and Corfu. 

Greece is used to summer heatwaves, but is experiencing one of the longest ones in recent years, according to experts. 

The civil protection ministry has warned of an extreme danger of fire in six of the country’s 13 regions on Wednesday.

Wildfires, which have been burning in several parts of the country for more than 10 days, were ravaging the tourist islands of Rhodes, Corfu and Evia.

At least 100 firefighters were working to contain the flames on Evia, where on Tuesday two pilots were killed when their water bomber aircraft crashed.

The body of a third victim was also found on Evia. Authorities have evacuated tens of thousands of people from fire areas in Greece, including many tourists. 

PORTUGAL 

Aided by local residents, hundreds of Portuguese firefighters scrambled on Tuesday to put out flames sweeping across a natural park near the popular holiday destination of Cascais, with strong winds complicating efforts to tackle the blaze.

The wildfire started at 5 p.m. (1600 GMT) in a mountainous area that is part of the Sintra-Cascais natural park, which covers around 56 square miles of land and is located west of the capital Lisbon.

Backed by 189 vehicles, more than 600 firefighters were brought in after the fire erupted. Water-bombing planes also battled the blaze but had to stop operating as the night set in.

At one of the villages affected by the fire, desperate local residents took matters into their own hands as they tried to protect their homes with buckets of water and hosepipes, as strong winds fanned the flames.

PORTUGAL: A fire burns a forested area in Alto do Alvide, Cascais, Portugal, July 25

PORTUGAL: A fire burns a forested area in Alto do Alvide, Cascais, Portugal, July 25

Local residents use buckets with water to try to slow down flames approaching their houses in Alcabideche, outside Lisbon. Tuesday, July 25

Local residents use buckets with water to try to slow down flames approaching their houses in Alcabideche, outside Lisbon. Tuesday, July 25

An helicopter discharges water on the flames as the fire advances in Alcabideche, outside Lisbon on Tuesday, July 25

An helicopter discharges water on the flames as the fire advances in Alcabideche, outside Lisbon on Tuesday, July 25

Firefighters battle the flames in Alto do Alvide, Cascais, July 25

Firefighters battle the flames in Alto do Alvide, Cascais, July 25

An Air Tractor, left, and a Canadair, firefighting airplanes, pass each other while working on a wildfire burning near houses in Alcabideche, outside Lisbon, Tuesday, July 25

An Air Tractor, left, and a Canadair, firefighting airplanes, pass each other while working on a wildfire burning near houses in Alcabideche, outside Lisbon, Tuesday, July 25

Smoke rises, as seen from a moving vehicle, following a wildfire in Cascais, Portugal July 25

Smoke rises, following a wildfire in Cascais, Portugal July 25

Left: Smoke rises, as seen from a moving vehicle, following a wildfire in Cascais, Portugal July 25. Right: Smoke rises, following a wildfire in Cascais, Portugal July 25

‘The fear now is that it will get to the houses,’ said 34-year-old Ines Figueiredo as smoke filled the air. ‘We try to help as much as we can with buckets (of water)… but it’s not worth much.’

Mayor of Cascais Carlos Carreiras said gusts of up to 60 kph were the biggest challenge ahead, and that a number of people had been evacuated as a precaution.

Residents used wheelchairs to help evacuate those with mobility problems.

‘They (firefighters) do what they can,’ said Miguel Medeiros, a local resident who has helped fight the flames. ‘It’s difficult for everyone.’

No houses have been damaged and no major injuries have been reported, according to authorities.

EU data shows Portugal, which has so far escaped the recent heatwave causing deaths and destruction across southern Europe, is usually one of the bloc’s worst-hit countries by wildfires.

Elsewhere in Turkey, authorities evacuated a dozen homes and a hospital as a precaution on Tuesday after a wildfire raged through a rugged forest area near the Mediterranean resort of Kemer, in Antalya province.

A hospital and a dozen homes were evacuated as a precaution in the coastal town. 

At least 10 planes, 22 helicopters and hundreds of firefighters were deployed to extinguish the fire as meteorologists warned temperatures could rise several degrees above seasonal averages. 

Five helicopters with night-vision capabilities worked through the night, the state-run Anadolu Agency reported. Authorities said residential areas were not under threat in the Kemer in the Mediterranean coastal province of Antalya. 

Another wildfire in the western province of Manisa, was brought under control a day after it burnt at least 14 homes.

Wildfires also broke out in the countryside around Syria’s Mediterranean port city, Latakia, with the authorities using army helicopters to try to put them out.

Extreme weather throughout July has caused havoc across the planet, with record temperatures in China, the U.S. and southern Europe sparking forest fires, water shortages and a rise in heat-related hospital admissions.

SPAIN: Smoke is seen rising over the mountain tops in Gran Canaria, Canary Islands, July 25

SPAIN: Smoke is seen rising over the mountain tops in Gran Canaria, Canary Islands, July 25

A wildfire rages, in the area of Pico de las Nieves, on the Canary Island of Gran Canaria, Spain July 25

A wildfire rages, in the area of Pico de las Nieves, on the Canary Island of Gran Canaria, Spain July 25

A helicopter works to extinguish a wildfire, in the area of Pico de las Nieves, on the Canary Island of Gran Canaria, Spain July 25

A helicopter works to extinguish a wildfire, in the area of Pico de las Nieves, on the Canary Island of Gran Canaria, Spain July 25

A fire burns land near houses in Valsequillo, Canary Islands, July 25

A fire burns land near houses in Valsequillo, Canary Islands, July 25

Without human-induced climate change, the events this month would have been ‘extremely rare’, according to a study by World Weather Attribution, a global team of scientists that examines the role played by climate change in extreme weather.

The heat, with temperatures topping 40 C (104 F), is well in excess of what usually attracts tourists who flock to southern European beaches.

Greek Prime Minister Kyriakos Mitsotakis said his country was one of those on the front line against climate change, with no easy solution.

‘I will state the obvious: in the face of what the entire planet is facing, especially the Mediterranean which is a climate change hot-spot, there is no magical defence mechanism, if there was we would have implemented it,’ Mitsotakis said.

Wildfires kill 34 people in Algeria

North Africa has also been hit hard by wildfires if recent days.

In Algeria, firefighters have battled blazes that have killed 34 people across the tinder-dry north, destroyed homes and coastal resorts, and turned vast forest areas into blackened wastelands.

Witnesses described fleeing walls of flames that raged ‘like a blowtorch’. TV footage showed charred cars, burned-out shops and smouldering fields.

Severe fires have raged through the mountain forests of the Kabylia region on the Mediterranean coast, fanned by winds during blistering summer heat that peaked at 48 degrees Celsius Monday.

ALGERIA: A blanked forest is seen near the coast in Algeria, July 25

ALGERIA: A blanked forest is seen near the coast in Algeria, July 25

A resident tries to extinguish a fire in the northwestern coastal town of Tabarka amidst a blistering heatwave on July 24

A resident tries to extinguish a fire in the northwestern coastal town of Tabarka amidst a blistering heatwave on July 24

An aerial view of the smoke rises from a house as teams partially controlled the wildfires in Boumerdes, Algeria on July 24

An aerial view of the smoke rises from a house as teams partially controlled the wildfires in Boumerdes, Algeria on July 24

Algeria’s President Abdelmadjid Tebboune sent his condolences to the families of those killed – among them 10 soldiers trapped by flames at Beni Ksila, in Bejaia province, according to the defence ministry.

‘I have nowhere to go now – my house and that of my son have been completely destroyed by flames,’ said a tearful elderly woman who lost her daughter-in-law and granddaughter. She spoke on TV from Ait Oussalah.

Authorities reported progress in fighting back the almost 100 fires over recent days, having mobilised more than 8,000 civil defence personnel, 500 fire trucks and multiple chartered aircraft.

Out of 97 blazes burning over three days, most had been brought under control but 11 were still raging by Tuesday afternoon, authorities said as temperatures dropped somewhat and winds eased.

The public prosecutor of Bejaia ordered an investigation into the causes of the fires and possible perpetrators.

More than 80 people, 25 of them military personnel, were injured in Bejaia, Radio Soummam reported.

Bouira and Jijel provinces were also hard-hit, but fires burned in a total of 15 provinces, leading to the evacuation of more than 1,500 people.

Northern and eastern Algeria battle forest fires every summer, but they have been exacerbated by this year’s Mediterranean heatwave.

Serious fires have also raged in recent days in neighbouring Tunisia, especially the northwestern Tabarka region.

A forest ranger works to douse hotspots in an area hit by a wildfire, in Adekar, in Bejaia province, Algeria July 25

A forest ranger works to douse hotspots in an area hit by a wildfire, in Adekar, in Bejaia province, Algeria July 25

This image grab taken from AFPTV video footage shows employees from the electricity company repairing faults in electric lines due to fires in the aftermath of wildfires in the forests of Bejaia in northern Algeria on July 25

This image grab taken from AFPTV video footage shows employees from the electricity company repairing faults in electric lines due to fires in the aftermath of wildfires in the forests of Bejaia in northern Algeria on July 25

A satellite image shows a wildfire near Lakhdaria, Algeria, July 24

A satellite image shows a wildfire near Lakhdaria, Algeria, July 24

An AFP team there witnessed significant damage and saw helicopters and Canadair water bombers in action.

More than 300 people were evacuated from the coastal village of Melloula by boat and overland.

Firefighters were still battling flames Tuesday in three areas in the northwest: Bizerte, Siliana and Beja.

In August last year, fires killed 37 people in the northeastern El Tarf region, a year after 90 died, mostly in Kabylia.

To prepare for this year’s fire season, Algerian authorities deployed observation drones and created multiple helicopter landing sites.

The government in May announced the purchase of a large water bomber aircraft and the rental of six others from South America.

Algeria also placed an order with Moscow for four water bombers, but reported that their delivery was delayed by Russia’s invasion of Ukraine.

Local media reflected anger about the latest deadly fires. The TSA news site asked, ‘in view of all these measures, why couldn’t we avoid the disaster?’

Source link

Ferocious storms have hammered Europe in recent

Megan Fox Tells Fans to ‘Calm Down’ Over Her Revealing Dress: ‘Those Are Not My Nipples’ | Entertainment Tonight
































Source link

Long before it was called Meta, Facebook was a Wall Street darling because of its breakneck growth and big profits. But the company had lost its luster with investors over the past 18 months thanks to a slump in ad sales and what some saw as self-inflicted wounds.

On Wednesday, the company appeared to regain some of its footing. Meta said its revenue for the second quarter jumped 11 percent from a year earlier, to $32 billion. Profits rose 16 percent, to $7.8 billion, fueled in part by improvements made to Meta’s advertising technology using artificial intelligence, as well as other product tweaks.

Meta’s improving finances are the second indication in two days that the online ad market, after a long slump brought on by a slowing economy, is showing signs of improvement. On Tuesday, Google’s parent company, Alphabet, also reported strong quarterly results, powered by ads for the Google search engine and renewed momentum for YouTube.

“We continue to see strong engagement across our apps, and we have the most exciting road map I’ve seen in a while,” Mark Zuckerberg, Meta’s chief executive, said in a statement. He also pointed to some of the company’s high points over the quarter, including the release of new A.I. technology and Meta’s answer to Twitter: Threads.

The results, which surpassed Wall Street’s expectations, were bolstered further by the company’s making more money from Reels, its TikTok-like video product inside Instagram, which Meta owns. More than 3.88 billion people each month had used one or more of Meta’s apps, which include Instagram, Messenger, WhatsApp and Facebook proper, in the most recent quarter, up 6 percent from a year earlier.

Analysts had expected a profit of $7.45 billion on sales of $31.1 billion, according to data compiled by FactSet. Shares of Meta rose 6 percent in after-hours trading on Wednesday.

In what Mr. Zuckerberg has called his “year of efficiency,” Meta has laid off more than 21,000 people. Mr. Zuckerberg has also tightened spending in some divisions, and flattened the hierarchy of an organization he has spent nearly two decades building.

Wall Street has appreciated the changes. Meta’s stock has more than tripled to nearly $300 a share, up from a low of $90.70 in November.

“Now that we’ve gotten through layoffs, the rest of 2023 will be about creating stability,” Mr. Zuckerberg said on a conference call with investors on Wednesday.

Threads, which was released this month, became the most rapidly downloaded app ever in less than a day. Though interest in the app had cooled in recent weeks, the positive response to it from internet users was a welcome change from the tepid consumer reaction to the virtual reality products that Mr. Zuckerberg had said were key to his company’s future.

Mr. Zuckerberg is also in a race to make advances in artificial intelligence technology. Meta had long invested in A.I. but was slow to show its technology until competitors like OpenAI and Google released A.I. chatbots. Last week, Meta released LLaMA 2, a powerful A.I. system that the company hopes developers will embrace.

Even as Meta’s revenues bounced back, the company said it planned to continue investing in the business. Meta said it expected its capital expenditures to rise in 2024, largely because of higher spending on infrastructure, such as servers and the powerful computers that undergird the company’s A.I. systems. Meta also anticipated that hiring costs would rise as the company tried to recruit more top A.I. talent, who rank among some of the highest-paid in the industry.

“Investments that we’ve made over the years in A.I. are clearly paying off,” Mr. Zuckerberg said, noting that the company’s A.I. systems have added to a 7 percent increase in time spent across the company’s platforms.

Susan Li, Meta’s chief financial officer, said A.I. helped advertisers better measure the performance of their ads, which had, in turn, increased how much money they spent on Meta’s ad products.

Instagram Reels also saw significant growth, the company said, though executives anticipate that it will take some time to make as much money from Reels as the company currently does from other products like Instagram Stories, as well as the lucrative ads in the main Instagram feed.

Mr. Zuckerberg has also reemphasized his commitment to the metaverse, the name used for virtual reality and from which the company derived its new name. The company shows no signs of slowing down spending on building the headsets running Meta’s augmented and virtual reality software, though it expects that the bet may take years to pay off. Meta’s Reality Labs division posted an operating loss of $3.7 billion for the quarter.

“I can’t guarantee you I’m going to be right about this bet,” Mr. Zuckerberg told investors on the conference call. “But I do think this is the direction the world is going in.”

“I do think we’re going to be happy that we did this,” he added.

Source link

Long before it was called Meta, Facebook

Note: This interview was conducted prior to the SAG-AFTRA strike.

Anthony Mackie was eager to enter the demolition derby-style world of “Twisted Metal.”

The Marvel actor — who stars as John Doe, an amnesiac driver transporting goods across a war-torn nation — told TheWrap that he and his team were looking for a “different type of energy” than his previous projects when he signed onto the PlayStation video game adaptation for Peacock.

“It was actually about me just being able to show a different side of myself. This business can bog you down and you lose that lighthearted side of yourself if that’s what you’re pigeonholed into,” he explained. “So my team and I would look for something that was more comedic, something that I could just run around and have fun with.”

Mackie said he played plenty of PlayStation while growing up in New Orleans. One of his first video games was “Twisted Metal.”

“I remember it just being insane, fighting and blowing stuff up. It seemed like it would be something that would make a great show,” he added.

Stephanie Beatriz stars alongside Mackie in the series as a new character named Quiet, John’s axe-wielding passenger riding shotgun.

Similar to Mackie, Beatriz was introduced to “Twisted Metal” at a young age. She recalled playing “Twisted Metal” and other video games with her friends when she was growing up outside the suburbs in Houston, Texas in the 90s.

“A lot of what our time was spent doing in middle school was hanging out, drinking too much Mountain Dew, eating pizza and playing video games,” the actress told TheWrap. “And ‘Twisted Metal’ was definitely a part of that. Those games were really coveted.”

She was immediately drawn to the Peacock show’s writing from executive producer and showrunner Michael John Smith.

“I raced through all of the scripts maybe in one day. We spoke on the phone about the tone of the series, and then he sent me all the scripts and I was ravenous to be a part of it as soon as I hit the middle of the first script. I couldn’t stop reading them,” Beatriz recalled. “It was ultimately the writing that pulled me into it and the way that he created this world and the stories of these characters and how raw and dark and gallows humor-filled it was, because that to me is the funniest stuff. There were all these other amazing things attached to it. But once I read the script, I just wanted to be a part of it so badly.”

In addition to the writing, Mackie praised the “Twisted Metal” creative team.

“It really felt like we were putting together something special,” he said.

Beatriz described the adaptation as a super high octane, aggressively fast-paced action comedy that’s a “weird mix” of “Mad Max: Fury Road” and “Looney Tunes.”

“It’s a really fun ride,” she said. “One of the things I think MJ captured so well in the arc of 10 episodes is that you do feel the thrill of the gameplay while you’re watching the show. The action, especially, propels the story forward. It’s not just action for action’s sake. It propels the story in a way that makes the episodes kind of fly by.”

“There’s a lot of beats and moments in the show that I think play really well, and I think audiences will enjoy simply getting to know these characters and the extreme reality in which they live,” Mackie added. “I think the world was brought to life so refreshingly by our writing team, and our design team did such a good job with so little to work with. I’m excited for audiences to see the world we created.”

twisted-metal-5
Joe Seanoa as Sweetooth in “Twisted Metal.” (Skip Bolen/Peacock)

Mackie also praised the work of wrestler Joe Seanoa, who plays the video game’s infamous killer clown Sweet Tooth (The character is voiced by Will Arnett).

“[Seanoa is] basically doing commedia dell’arte work. He was doing some amazing, amazing work knowing that he wasn’t voicing a character,” Mackie said. “He still learned all the lines and played with us 100% in that world physically and verbally. Stuff like that you don’t get to see on any other show. So to see that is really, really impressive and I’m excited for people to know that I fought Samoa Joe and survived.”

Beatriz called Seanoa’s performance as Sweet Tooth “horrifying, but also so funny and so deranged and so unhinged and so beautiful.”

“Because he memorized all the lines, he has a comedic timing instinct that you’ll see throughout the show. He’s really f–g funny because he threw himself into it 120%. Will Arnett’s vocal performance on top of that is just phenomenal. At certain points, I was watching it thinking like, ‘I know this is two different people, but they’ve meshed together and melded together into this hilarious monster that is just so good.’ We’re so lucky that Joe was part of this because he’s terrifying and he’s also just the sweetest, most lovely person. He’s like a family man. He’s super proud of his kids and he talks about his wife and then he puts on that mask and it’s just absolutely shudder-inducing.”

twisted-metal-10
Anthony Mackie as John Doe, Stephanie Beatriz as Quiet in “Twisted Metal.” (Skip Bolen/Peacock)

In addition to Mackie, Beatriz, Seanoa and Arnett, the series stars Thomas Haden Church, Neve Campbell, Richard Cabral, Mike Mitchell, Tahj Vaughans and Lou Beatty Jr.

Smith, Mackie, Arnett, Rhett Reese and Paul Wernick (“Deadpool,” “Zombieland”), Marc Forman (Electric Avenue), Jason Spire (Inspire Entertainment), Peter Principato (Artists First), Asad Qizilbash and Carter Swan from PlayStation Productions and Head of PlayStation Studios Hermen Hulst serve as executive producers. Sony Pictures Television, PlayStation Productions and Universal Television serve as producers.

“Twisted Metal” premieres with all 10 episodes Thursday on Peacock.

Source link

Note: This interview was conducted prior to

You’ve Got to Learn is worth it for the new “Mississippi Goddam” alone. Simone had written the song in response to the racist violence plaguing the South in the summer of 1963—the assassination of attorney and Civil Rights icon Medgar Evers in his Jackson, Mississippi, driveway, by a Ku Klux Klan member; and the 16th Street Baptist Church Bombing, where four KKK members in Birmingham, Alabama, planted a dynamite bomb that murdered four young Black girls. The ensuing furor over a Black woman singing a curse word in a song demanding equality in the era of Jim Crow resulted in radio stations breaking the vinyl singles in half and sending them back to the record label. But their anger couldn’t come close to Simone’s own, which channeled that of a nation. “We all wanted to say it,” observed the legendary activist and comedian Dick Gregory, in the 2015 documentary What Happened, Miss Simone? “She said it.”

The most popular rendition of “Mississippi Goddam,” recorded at Carnegie Hall in 1964, is a knowing bait and switch: her anger towards the murderous cruelty visited upon Black Americans is, at first, expressed mainly in words. She sings, conversationally and almost cheerily, over her bright chords and lets the tension build as the song spreads out, and then the cloudy key shift of the bridge: subjugation, despair, urgency, and finally, existential revolt. It hasn’t lost an iota of its power, but it says a lot about both the era and her Carnegie audience what makes the audience gasp in shock is Simone saying the word “goddam” aloud.

Two years after the Carnegie Hall performance, in Newport, Rhode Island, “Mississippi Goddam” was a rallying cry, and Simone decided to sideline the rousing showtune rhythm, instead swinging deep into a blues riff. In this accounting of the chaos, she swaps out Tennessee for California in the lyrics to reflect the Watts Rebellion of ’65, “sending the listener on a wave across the growing expanse of national violence,” as the professor and author Shana L. Redmond puts it in the liner notes. Simone’s delivery is especially conversational here, her voice curling at the edge of each phrase with a scratchy, exasperated depth. But even at her most powerful, she never quite betrays the measured nature of her rage, an enigmatic quality that permeated her music as well as her life. Her brilliance stemmed from both studiousness and tumult, her technical virtuosity an outlet for the personal pain she endured, whether at the violent hands of her first husband and manager, or through the struggles of her long-undiagnosed bipolar disorder.

Across seven songs and 33 minutes, it’s hard to feel like we’ve discovered a new fold, wrinkle, or tear in Nina Simone’s richly cataloged life and music. But even in its brevity, You’ve Got to Learn is a hearty document of how music can motivate a political moment and how the most crucial of these songs reverberate throughout history, particularly as history coils in on itself, repeating the same cruel pattern. Simone’s music and voice still have the ability to deliver us toward righteousness.

All products featured on Pitchfork are independently selected by our editors. However, when you buy something through our retail links, we may earn an affiliate commission.

Nina Simone: You’ve Got to Learn (Live)

Source link

You’ve Got to Learn is worth it

Bo Goldman, one of Hollywood’s most admired screenwriters, who took home Oscars for his work on “One Flew Over the Cuckoo’s Nest” (1975) and “Melvin and Howard” (1980), died on Tuesday in Helendale, Calif. He was 90.

A son-in-law, the director Todd Field, confirmed the death. He did not specify a cause.

Mr. Goldman was struggling to make a living as a writer until the director Milos Forman saw the script he had written for a project called “Shoot the Moon” — his first screenplay — and, impressed, invited him to take a crack at adapting Ken Kesey’s novel “One Flew Over the Cuckoo’s Nest” for the screen.

The resulting movie, which starred Jack Nicholson as a rebellious new patient who disrupts a psychiatric ward, came out in 1975 and was a career maker. Mr. Goldman and Lawrence Hauben, who shared screenwriting credit, won the Oscar for best screenplay adapted from other material; the movie was also named best picture and earned Oscars for Mr. Forman, Mr. Nicholson and Louise Fletcher, who played the fierce Nurse Ratched.

“Even then I hung my head,” Mr. Goldman wrote in a 1981 essay for The New York Times about the insecurities of a writer’s life. “After all, I had adapted somebody else’s work; was it really mine?”

It may not have helped that Mr. Kesey denounced the adaptation.

If that doubt had nagged him, it had certainly been dispelled when his original screenplay for “Melvin and Howard” (1980) won him his second Oscar, this time for best screenplay written directly for the screen. That movie was based on the story of Melvin Dummar, a Utah gas station owner who claimed that Howard Hughes, in a handwritten will, had left him a share of his vast fortune.

Vincent Canby, writing in The Times, called it “a satiric expression of the American Dream in the closing years of the 20th century.” The New York Film Critics Circle named it the best movie of the year and gave Mr. Goldman its best-screenplay award.

Mr. Goldman worked with the director Martin Brest on two films, “Scent of a Woman” (1992) and “Meet Joe Black” (1998).

“People call him the screenwriter’s screenwriter,” Mr. Brest said in a phone interview. “I called him the man with the X-ray ears, because he had a pitch-perfect recall of the nuances of a comment that someone made to someone 50 years prior — he could reproduce the tone, and the reason he remembered it is because the tone told the whole story.”

Mr. Goldman would draw on those memories to shape characters, as he did for “Scent of a Woman,” the story of a blind retired Army officer and the prep-school student hired to take care of him, for which he received another Oscar nomination. Al Pacino played the blind man; Mr. Goldman told The Times that he borrowed aspects of his father, one of his brothers and his Army first sergeant in writing the part.

Mr. Brest said that Mr. Goldman was an adept collaborator, not only with other screenwriters but also with directors and others involved in the moviemaking process.

“He thought of himself as a filmmaker rather than a writer,” he said. “He was part of the creation of a film.”

Mr. Brest recalled that for “Scent of a Woman,” which was based on an Italian movie, “Profumo di Donna,” he and Mr. Goldman began by just having long, meandering chats.

“Finally I said to him, ‘We’ve been talking for two weeks and having the greatest time, but shouldn’t we get to work?’” Mr. Brest recalled. “And he said that Mike Nichols told him, ‘The digressions are the work, or part of the work.’”

Sure enough, much of what they had talked about — childhood memories, people they’d known — ended up being reflected in the script.

Robert Spencer Goldman was born on Sept. 10, 1932, in New York City. His mother, Lillian (Levy) Goldman, was a millinery model, and his father, Julian, operated Julian Goldman Stores, a clothing chain that had 42 stores in 11 states at one point but was derailed by the Depression. Four months before Mr. Goldman was born, the company filed for bankruptcy.

“I was the son of this kind of displaced merchant prince,” Mr. Goldman told The Times in 1993.

Though the family fell on hard times, Mr. Goldman was able to attend Phillips Exeter Academy and then Princeton, where he earned a bachelor’s degree in 1953.

At Princeton, he participated in shows of the Princeton Triangle Club, a college theater troupe. “I learned how to write there,” he said in an oral history recorded in 2000 for the Writers Guild Foundation.

While writing for the college newspaper as Bob Goldman, a typesetter accidentally left off the second “b” in his name. Mr. Goldman liked it and later legally changed his name to Bo.

After three years in the Army — he was stationed in the Marshall Islands, where tests of nuclear bombs were being conducted — he became an assistant to Jule Styne, the composer. He also wrote introductory patter and other tidbits for live television programs.

He aspired to a playwriting career and earned a Broadway credit in 1959 as one of the lyricists for “First Impressions,” a musical based on Jane Austen’s “Pride and Prejudice” that Mr. Styne’s company produced. The show had a starry cast that included Farley Granger, Polly Bergen and Hermione Gingold, but it lasted only 92 performances.

Mr. Goldman continued working in television, including as a script editor and associate producer on the anthology series “Playhouse 90.” But success as a writer proved elusive.

He had married Mabel Rathbun Ashforth in 1954, and they eventually had six children. He credited her with keeping the family afloat in the lean years by opening a nursery school in their home and then running a food store called Loaves and Fishes in Sagaponack, N.Y., on Long Island.

He said that in this period — the late 1960s and early ’70s — he saw families of his contemporaries falling apart and was moved to write his first screenplay, “Shoot the Moon,” about a marriage in crisis because of the husband’s affair. It won many admirers — including Mr. Forman — but no producers wanted to make it because, Mr. Goldman often said, the story struck too close to home for them.

After his success with “Cuckoo’s Nest,” “The Rose” (1979) and “Melvin and Howard,” however, “Shoot the Moon” finally did get made, by the director Alan Parker in 1982. Diane Keaton and Albert Finney, as the struggling couple, were both nominated for Golden Globe Awards.

Mr. Goldman’s other screenwriting credits include “The Flamingo Kid” (1984), “Little Nikita” (1988) and “City Hall” (1996).

In 2017, when New York magazine asked working screenwriters to discuss the best screenwriters of all time, Eric Roth (“Forrest Gump”) singled out Mr. Goldman’s “audacious originality, his understanding of social mores, his ironic sense of humor, and his outright anger at being human, and all with his soft-spoken grace and eloquent simplicity.”

Mr. Goldman lived in Rockport, Maine. His wife died in 2017. A son, Jesse, died in 1981. He is survived by another son, Justin Ashforth; four daughters, Mia Goldman, Amy Goldman, Diana Rathbun and Serena Rathbun; five grandchildren; and three great-grandchildren.

Mr. Brest said Mr. Goldman was able to create memorable characters through small details.

“His remembrance of nuances, things that people don’t know they’re revealing but that reveal volumes — that was his art form,” he said.

He also said he has often repeated something Mr. Goldman once told him: “Your life,” Mr. Goldman said, “is what’s not in the obituary.”

Source link

Bo Goldman, one of Hollywood’s most admired

In August 1971, more than 100,000 football fans packed Mexico City’s Azteca Stadium for a historic tournament. Teams from England, France, Denmark, Argentina and Italy flew in for 21 days of matches alongside Mexico’s national team, while eager sponsors lined up for a piece of the action. The players, who received a hero’s welcome wherever they went, might as well have been the Rolling Stones.

They were, in fact, a group of around 100 women — many of them teenagers — taking part in the first unofficial Women’s World Cup. And just as quickly as they tasted fame, it was snatched away as the tournament was all but erased from football history.

In a new documentary premiering at the Toronto Film Festival in September, the global football event known as COPA 71 will finally get its due more than half a century later, mere months after the ninth edition of the FIFA Women’s World Cup kicked off in Australia and New Zealand. The irony, of course, is that as far as FIFA is concerned, the women’s games officially launched with the 1991 World Cup in China: Football’s international governing body still doesn’t acknowledge the Mexico tournament.

“Imagine if you played in front of 100,000 people, and you’re still told, ‘No, this didn’t happen to you,’” says Rachel Ramsay, co-director of “COPA 71.” “The idea that women’s football did not progress because women didn’t want it to is a myth that’s been percolating for a long time, along with the idea that women’s football was never commercial, that women didn’t want to play and that women weren’t any good. That’s what [this film] blasts out of the water.”

Produced by “Senna’s” Victoria Gregory and directed by Ramsay and “Sachin” helmer James Erskine, “COPA 71” opens with two-time Women’s World Cup champion Brandi Chastain looking puzzled as she’s shown footage of the tournament. Later, Team USA forward Alex Morgan is equally mystified when she’s told about the 1971 games.

“They literally had no idea,” says Erskine.

COPA 71 was organized by the Italy-headquartered Federation of Independent European Female Football (FIEFF), and was set up in Mexico because it had just hosted the men’s 1970 FIFA World Cup. The existing infrastructure of the Azteca stadium and enthusiastic support of local sponsors made a women’s tournament not only appealing, but commercially savvy. Yet as the event came together, FIFA tried to prevent it from happening at all. While it did go ahead — and proved to be a smashing success — its legitimacy was undermined from the get-go, and the event failed to receive the international acclaim and attention it deserved. (FIFA was not approached to take part in the documentary beyond sharing archive of the org’s existing tournaments.)

Fast forward 50-odd years, and many of the original players are finally ready — thanks to the encouragement of Ramsay and Erskine — to tell their stories, beginning with the unbridled sexism they encountered growing up playing football, to their otherworldly experience in Mexico and finally the crushing realization upon returning home that no one gave a damn.

“COPA 71” directors Rachel Ramsay and James Erskine.

“The women were very, very generous and really wanted to share their life stories, but at the same time, they’ve been told for 50 years that this didn’t happen,” says Ramsay. “You can see that and feel that. A huge part of empowering anybody is to recognize what they’ve gone through and to say, ‘Yes, this did happen and you’re not mad.’”

Ramsay and Erskine, who previously collaborated on Prime Video series “This Is Football,” first got wind of the tournament in 2019 through a BBC Radio 4 interview with U.K. captain Carol Wilson. “I remember James calling me and just being like, ‘This is the perfect story,’” says Ramsay. “I had a quick Google, but there didn’t seem to be anything out there. But I thought, ‘Surely not. We’ve developed and researched so many stories like this; it can’t be one that we missed.’”

When the world went into lockdown, the team had the time and space to carry out a deep dive for archival material. As they located the players and secured interviews, they were able to access personal items commemorating the event that many of the women had held onto. “They kind of knew at the time that no one else was interested,” explains Ramsay.

“I remember the first time seeing some of those full-page color ads and newspaper coverage, and the photographs and stills were really mind-boggling,” adds Ramsay. “You still feel like the coverage of that tournament was bigger than some of the World Cup that we’re seeing at the moment.”

Adds Erskine: “We basically started out looking for snippets of VHS knocking around in someone’s garage and then working our way backwards.” If there were cameras in shot in the footage, that presented a new lead because someone, somewhere out there, knew something about that game. All told, it took 18 months to piece together footage from a variety of sources, including broadcast archives in Italy, France and Mexico and even Super 8 footage from audience members.

“There was no one big source that provided us with hours and hours of footage,” says Ramsay. “They’d all been chopped up, so it’s not like you have all the minutes of a match to work with. You have bits and bobs from different places.”

Backed from the beginning by U.K. documentary specialists Dogwoof, “COPA 71” was pitched at Danish documentary forum CPH:DOX in 2022 and received extensive interest from other partners. Ultimately, the team aligned itself with Will Smith and Jada Pinkett Smith’s Westbrook, which had a relationship with Serena and Venus Williams from the biopic “King Richard.” The tennis legends quickly boarded the project as executive producers, and Serena Williams — who co-owns Los Angeles football team Angel City — also lent her voice to a short segment at the beginning of the film.

“They really wanted to be championing the story and lending their voice to the chorus, to ensure that it could be as amplified as possible, into as many markets as possible,” says Erskine.

With the Women’s World Cup now almost a week in, it may be natural to wonder why the film isn’t releasing widely in order to leverage momentum around the sport. That was the original intention, says Erskine. “But our biggest realization when making the film was that the story was so much bigger, and we wanted to get it right.”

“If the film gets a bounce because the world is suddenly focused on women’s soccer via the World Cup, that’s great, but we made this film to be watched on any day of the week for the next 10, 20 or 30 years,” he adds. “We didn’t make it just to be ancillary content.”

Ramsay adds: “It’s a real boost for the film that everyone does believe that pegging it to the World Cup right now isn’t necessary for a success. That’s what people see: that it does stand on its own.”

Ultimately, every superhero has an origin story. And for the women of COPA 71, this is theirs.

“It makes it timely and continually relevant,” says Erskine. “We’re lucky to have this story at a time when these people are still with us. In five years’ time, we might be looking at a very different film.”

Source link

In August 1971, more than 100,000 football

Emilia Clarke’s MCU character just got some crazy superpowers. But is she now one of Marvel’s most powerful and what does the future hold for her?

The Game of Thrones star made her MCU debut with Secret Invasion as Talos’ grown-up Skrull daughter G’iah. Clarke has so far had nothing but praise to offer about her Marvel work, and even expressed a desire to stick around for the long run.

The Disney+ show has already shown Clarke with some superpowers on top of her Skrull shape-shifting as she was able to use Iron Man 3‘s Extremis to heal herself after Gravik tried to kill her in the Episode 3 cliffhanger.

Emilia Clarke’s G’iah Just Got Superpowers

Warning – The rest of this article contains spoilers for Secret Invasion Episode 6, “Home.”

The finale of Secret Invasion saw Emilia Clarke’s G’iah, initially disguised as Nick Fury, travel to New Skrullos to confront Gravik and stop his Super Skrull plan.

G’iah handed the Harvest over to Gravik, who put the sample through his Super Skrull machine with both of them inside, thus granting the shape-shifting pair all of the superpowers contained inside.

Marvel Studios

Obviously, a fight ensued between G’iah and Gravik (the murderer of both her parents), which included a showcase of many of these Harvest powers.

G’iah continued to utilize super-healing abilities from Iron Man 3‘s Extremis which she gained earlier in the series. One ability she used was to transform her arms into that of Drax, Korg, Hulk, and an icicle sword – from the Frost Beast.

Secret Invasion, Disney+, Emilia Clarke, Superpowers
Marvel Studios

She was even able to take advantage of the phasing powers of Ant-Man and the Wasp‘s Ghost – who will return next year in Thunderbolts – to dodge a flying car.

Secret Invasion, Disney+, Emilia Clarke, Superpowers
Marvel Studios

At some point, Gravik uses the telekinetic powers of Avengers: Infinity War‘s Ebony Maw – a member of Thanos’ Black Order – to throw a rock as G’iah, who would presumably be able to use this ability too.

Secret Invasion, Disney+, Emilia Clarke, Superpowers
Marvel Studios

While emitting the cosmic energy of Captain Marvel and flying through the skies, Clarke’s new hero grew the antenna of Mantis to brainwash Gravik to sleep.

Secret Invasion, Disney+, Emilia Clarke, Superpowers
Marvel Studios

Perhaps the craziest in her arsenal of powers comes from Captain Marvel, giving her the ability to fly and blast cosmic energy, which is what G’iah ultimately used to defeat Gravik once and for all.

Secret Invasion, Disney+, Emilia Clarke, Superpowers
Marvel Studios

Through the insane combination of superhero powers she got from the Harvest, G’iah was able to mix and match a huge arsenal of abilities to take down Gravik.

When Will Emilia Clarke’s New Superhero Appear Next?

After Secret Invasion, Emilia Clarke’s G’iah just became one of the first almost completely original superheroes in the MCU. With no confirmed appearances announced following her Disney+ debut, many will be wondering when the Game of Thrones star will show up again and just what the future holds for her.

In the final moments of Secret Invasion after her defeat of Gravik, G’iah was met in an alleyway by Olivia Colman’s MI6 leader Sonya Falsworth. The pair reached a deal that would see the British spy provide aid to the Skrulls in their war with US President Ritson, while the Skrull superhero “[uses] her” in exchange.

The agreement sets the course for G’iah to help out MI6, via the orders of Falsworth, likely by going on some of her more dangerous missions. So it appears as if the MCU futures of Clarke and Colman may be intertwined going forward, perhaps with a dynamic akin to Fury and Talos.

Secret Invasion, Disney+, Emilia Clarke, Olivia Colman
Marvel Studios

Based on her Skrull background and Captain Marvel-esque powers, The Marvels may appear to the clear destination for G’iah’s next MCU appearance. But as the movie is only four months away from its November release and there has been no suggestion of Clarke’s involvement, it seems unlikely she will appear.

It’s easy to see G’iah finding her way into the next generation of Avengers in The Kang Dynasty or Secret Wars. As one of the MCU’s new most powerful heroes, she would undoubtedly be a valuable asset against the many Kang Variants set to threaten the whole Multiverse in the Avengers blockbusters.

Long before Clarke and Teyonah Parris took on the characters, the young G’iah and Monica Rambeau formed a friendship in Captain Marvel. Perhaps that dynamic could be revisited all these years later now they both have powers – there were once rumors of Rambeau leading her own Disney+ series after all.

On the other hand, Clarke could go solo in the MCU with her own project in which she works under Falsworth and the British government. The Game of Thrones actress certainly has the star power to take on a leading role, and it would make sense for Marvel Studios to take advantage of that down the line.

Did Emilia Clarke Just Become Marvel’s Most Powerful Superhero?

Secret Invasion, Disney+, Emilia Clarke, Superpowers
Marvel Studios

When Gravik initially processed the Harvest, a full list of the 22 heroes and villains found within the sample was displayed. So, G’iah now has the superpowers of many of the MCU’s most powerful characters including Thanos, Captain Marvel, Ebony Maw, and more, which combine to make her almost unstoppable.

For now, perhaps the only caveat behind G’iah’s powers comes from her lack of experience in using them. But just looking at her fight with Gravik, the Skrull superhero seemed quickly able to interchangeably use all her new superpowers just as well as the heroes they come from.

Most would agree that Captain Marvel, Scarlet Witch, Doctor Strange, and Thor stand atop the MCU as its most powerful superheroes. And yet G’iah is now infused with the DNA of two of them, along with two dozen other characters, leaving the question of whether she is now the franchise’s most powerful hero.

The only abilities G’iah was really left lacking are magical ones, as those powers don’t come from DNA itself but rather from other sources. Based on that, one could argue that Elizabeth Olsen’s all-powerful Scarlet Witch still stands above her, but there are few others who could be argued to reach her levels of power.

The full list of confirmed characters whose powers Emilia Clarke’s G’iah can now use after Secret Invasion can be seen below:

  • Ghost 
  • Captain America
  • Corvus Glave 
  • Thanos
  • Outrider
  • Proxima Midnight
  • Captain Marvel
  • Frost Beast
  • Ebony Maw
  • Korg
  • Drax
  • Cull Obsidian
  • Mantis
  • Gamora
  • Abomination
  • Hulk
  • Black Panther
  • Chitauri
  • Valkyrie
  • Thor
  • Groot
  • Winter Soldier

Secret Invasion is streaming now on Disney+.

Source link

Superman has gone to great lengths to keep his identity as Clark Kent concealed, but his love interest Lois Lane has always been keen on revealing the Man of Steel’s greatest secret. 

Lois Lane has learned that Clark Kent is Superman in a number of ways on television and in other Man of Tomorrow media, most times by her own discovery or discernment.

Never has she figured it out as quickly as she has in My Adventures with Superman, though, as Lois Lane figures out that Clark Kent is Superman by the end of the fourth episode. 

Lois has been investigating the mysterious Superman since the show began, but she’s made little progress getting past the great lengths the Kryptonian hero has taken to hide his identity. Lois is contributing more to her investigative journalism than she realizes, though, as it’s actually her new love affair with Clark that tipped her off that Superman is hiding in plain sight. 

Lois Lane Discovers Clark Kent Is Superman 

Early in Episode 4 of My Adventures with Superman, Clark is running interference in Lois Lane’s Superman investigation because she’s already getting too close to the mysterious superhero. 

Warner Bros.

He finds a newspaper entry in one of her books that details an unknown boy in Smallville, Kansas that had been spotted flying through the air. Knowing Lois is aware that he’s from the small Kansas town and that she’d likely connect the dots, Clark impulsively tore the page out of the book and shoved the news story into his jacket pocket. 

Lois Lane working late
Warner Bros.

Later, Clark absentmindedly lends that same jacket to Lois that night and she wears it back to the Daily Planet to submit their work for the day. Before she leaves, Lois begins piecing together reported events of who she doesn’t yet realize is Clark using his superpowers before they met. 

Lois Lane in an oversized jacket
Warner Bros.

When Lois gets frustrated that she can’t identify the unknown hero, she shoves her hands into her oversized-jacket pockets only to find the missing piece she needed: Clark’s torn-out newspaper clipping of the “Flying Boy of Kansas.” 

Daily Planet bulletin board
Warner Bros.

At that moment, Lois begins to realize what this means. She remembers noticing how naturally strong Clark Kent is, and how Superman always shows up right as Clark disappears from a scene of trouble. 

The pieces fall into place, and Lois exclaims, “Clark Kent is Superman?” 

How Will Lois Lane React to Superman’s Secret? 

Being the great investigative journalist that she is, Lois Lane has figured out Superman’s alter ego on her own several times. For instance, the classic 90s show Lois and Clark: The New Adventures of Superman ended its second season by revealing that Lois uncovered the truth about the Man of Tomorrow before Clark Kent could tell her.

Another example is the long-running show Smallville which featured a younger Clark Kent, where Lois figured out Clark’s big secret before he was even called Superman. 

Lois Lane put the pieces together even more quickly in My Adventures with Superman, but many stars had to align for the aspiring reporter to learn the hero’s true identity. Ironically, it’s ultimately Clark’s new romance with Lois that gave away his lifelong secret, so it’ll be interesting to see how Lois navigates their relationship given this huge revelation. 

Speaking of romance, some fans were curious to learn why Lois was falling for Clark and not Superman. This new dynamic further confirms that the animated series is offering some fresh drama between Lois and Clark since the Man of Steel is already in hot water for keeping big secrets. 

This will also make for another fun, new layer of Lois Lane that fans haven’t seen before. In My Adventures with Superman, Lois is cunning and constantly conspiring; it wouldn’t be surprising to see her use this newfound knowledge to coax Clark into helping her write a good Superman story. 

See Lois Lane crack Clark Kent’s code in My Adventures with Superman on Max. 

Source link

Rare has delayed the launch of Sea of Thieves Season 10 until October.

The company said in a blog post and a video update (below) that it needs a couple of extra months to work on introducing new systems for the open-world multiplayer pirate game.

Season 9 launched in March and according to an FAQ on the game’s website, each season can typically be expected to last for around three months.

Notice: To display this embed please allow the use of Functional Cookies in Cookie Preferences.

Rare had been planning to launch Season 10 in August, but on Wednesday it said it had made the “difficult decision” to push Season 10’s launch to October 19.

“It’s not a decision we’ve taken lightly, and we share your disappointment that it’s something we’ve needed to do,” head of community Christina McGrath wrote.

“However, after careful consideration, we firmly believe that it’s the best thing to do for the quality of the release, the sustainability of our development process and the wellbeing of our team.”

She added: “Those of you who caught the recent episode of our podcast will have heard us discussing the challenges of implementing new systems into a game like Sea of Thieves. These types of foundational releases are challenging to make, as we have to ensure they interact with all the existing systems in the game.

“One such challenge has been the Season Ten headline feature, which we’ve already talked about as something that we’ve found tougher than anticipated to pull together – especially to the quality bar we’re striving to meet.”

While McGrath acknowledged that many players will already have reached Renown level 100 and feel like they’ve experienced all there is to do in the current season, she said she hoped other new content would be enough to keep them entertained until Season 10 arrives.

This includes a free, three-part DLC expansion based on The Secret of Monkey Island. The first chapter launched on July 20, with part two set to follow in August and part three in September.

“August and September also have a solid line-up of shenanigans, with a Gold & Glory Weekend kicking things off from August 4th-7th,” McGrath said. “Legends Week will then be returning after its inaugural event last year, with new things to do and earn for both Legends and Legends-to-be.

“A special Community Weekend with an exciting new flavour is scheduled for September too. We’ll be sharing more about these events in the coming weeks, so please stay tuned for details on what they all entail.”

McGrath also said Rare is now planning to release what would have been Season 11’s headline content during the second month of Season 10.

In March, Xbox released a 75-minute documentary to celebrate the fifth anniversary of Sea of Thieves.

Sea of Thieves: Voyage of a Lifetime was described by Xbox as an “honest and in-depth doc [which] pulls back the curtain and shows the game’s evolution in the most detailed and raw way it’s ever been discussed”.