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What we love: This mix-and-match workout set combines a longline racerback tank with one of our favorite pairs of Amazon leggings for tummy control. The high-neck top features a built-in bra with removable padding and a compressive fit that feels supportive during workouts, while the leggings are made from a soft, squat-proof fabric that offers gentle sculpting without feeling restrictive. Deep side pockets provide plenty of room for your phone, keys, and other essentials, making this set especially convenient for walks and runs.

“The material of the leggings is surprisingly soft and almost silky, but also squat-proof and thick enough so my underwear doesn’t show through,” Glamour contributor Elizabeth Mitchell Kadar says. “They’re tight enough to hold everything in with gentle pressure, but not so tight that I feel like my circulation is being cut off, which I really appreciate as a comfort-first kind of gal. They’re warm enough for early-morning runs, and the deep side pockets keep my phone snug so I don’t have to worry about it bouncing out.”

  • Worth noting: Top may pull up slightly
  • Material: 75% polyester, 25% spandex
  • Size range: XS–3XL
  • Colors: 15+ options

Best with Shorts: Suuksess Two-Piece Workout Set

Suuksess Two-Piece Workout Set

What we love: This matching set pairs a crisscross-back tank with high-waist biker shorts for a streamlined look that’s sporty, stylish, and cooling. The longline top features a built-in bra with removable bust padding, while the shorts have a wide elastic waistband that offers a secure fit and light tummy control. Scrunch detailing with a V-shaped back seam subtly lifts the booty.

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What we love: This mix-and-match workout set

DANCES WITH FILMS 2026 REVIEW! Director / writer David Ketterer Spencer spins a mystery through comedy into a bittersweet romantic drama in Souvenir. Old friends Kevin (Eric Berryman) and Dani (Ruby Cruz) chance upon each other unexpectedly in Manhattan. They haven’t talked in a long time, but quickly fall into an easy rhythm. They are comfortable with each other in a way that only comes from an intimate connection. They are safe and confident being candid with each other. 

Dani asks Kevin about his odd-looking wallet with a leather fox embossed on it, which Kevin says isn’t his and that he found under a bench. It turns out Dani has a flyer about that same wallet offering $10K for its return. She calls the number on the flyer, and then suggests to Kevin that they try to find the owner, but she doesn’t mention the reward. They open the wallet and go to the address on the driver’s license, which is a condo up for sale. At the condo, they meet a woman named Cordelia (Janeane Garafalo), who conscripts Kevin into helping gather information for a lawsuit. It turns out the owner of the wallet recently died, and Cordelia is suing. Dani is desperate to get the reward, while Kevin is left bewildered at her intensity.

Using the contents of the wallet as clues, they try to solve the mystery to return it (so Dani can collect the cash). Despite their effortless manner together, there is still friction. Kevin is an introverted, thoughtful academic, while Dani is brash and outspoken and will say anything to achieve a desired result. 

“… Dani asks Kevin about his wallet with a leather fox embossed on it …”

They meet Cordelia again, at an address from a note in the wallet, and she explains to Dani that the owner of the wallet knew her father, and she wants it, but she wasn’t the one offering the reward. The situation becomes complicated and contentious when Kevin finds out about the money. The events of the day twist and turn as it wears on, and Dani seems to have an endless series of secrets to reveal. Kevin learns that the owner of the wallet was a poet after he steals a book of poems from Cordelia’s apartment ,which he uses to decipher more clues. They explore the enigma of the wallet while traversing picturesque neighborhoods in New York City. 

While Dani sets the events of Souvenir in motion, it’s Kevin who completes the emotional journey for himself, Dani, the Poet, and Cordelia. Garafalo hasn’t been on screen in a while, and it’s fun to see her. She still brings powerful, straightforward, cranky charm. Berryman and Cruz give us complicated, flawed characters who find truth and beauty in the unpredictable winds of fortune. Dani is something of a manic pixie dream girl, but Cruz subverts the trope in interesting ways.

The viewer slips into a poignant rumination on the nature of memory, to a day seen through what the Death Cab for Cutie song What Sarah Said calls “a faulty camera in our mind.”Dani voices the theme when she responds to Kevin’s opinion of their day, saying, “If that’s how you want to remember it.”

Learn more at the official Souvenir website.

Souvenir screened at the 2026 Dances with Films.

 

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DANCES WITH FILMS 2026 REVIEW! Director /

EXCLUSIVE: Sean Kaufman is in negotiations to star opposite Matt Damon in the untitled event pic from filmmaking duo Daniels at Universal. Daniels, aka Daniel Kwan and Daniel Scheinert, will write and direct. Sandra Oh and Charles Melton are also on board.

Universal had no comment on the casting.

While Damon is essentially the lead of the film, sources say the younger ensemble the Daniels have been auditioning for the last several weeks will have equal footing in the film with Kaufman being the lead of that group.

Details on the project remain under wraps. Kwan, Scheinert and Jonathan Wang will produce through their company Playgrounds’ overall deal with Universal. Playgrounds’ Kwan and Wang recently produced The AI Doc: Or How I Became an Apocaloptimist from Universal’s specialty studio Focus Features. It bowed in March.

Executive VP Production Development Sara Scott and Director of Production Development Jacqueline Garell will oversee the Daniels’ new project for Universal.

The pic is set to bow on November 19, 2027.

Kaufman catapulted to global fame with his breakout role as Steven in Prime Video’s smash hit The Summer I Turned Pretty. He will return for the highly anticipated film. Most recently, he was seen in the critically acclaimed Apple TV+ sci-fi sensation For All Mankind for its thrilling fifth season and will return for the sixth and final season.

His television work also includes standout appearances on Manifest, FBI: Most Wanted, and Law & Order: SVU. He is repped by CESD Talent Agency and Untitled Entertainment.

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EXCLUSIVE: Sean Kaufman is in negotiations to


  • There’s a hidden twist with the configuration of the Steam Machine’s RAM
  • Most devices have a single 16GB stick, but some have a pair of 8GB modules
  • A single or dual configuration may not make much difference in many cases, but it can in some scenarios — and some gamers really aren’t happy about this

You may be aware that the Steam Machine has 16GB of RAM, but what you may not know is that it’s likely present as a single stick of 16GB DDR5 memory, rather than the preferable configuration of twin 8GB sticks — although you may get the latter.

Confused? I’ll come back to that wrinkle in a moment, but in the main, it seems most Steam Machines have the single 16GB loadout, which as Digital Foundry explains is due to Valve having difficultly securing 8GB sticks of memory.

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There's a hidden twist with the configuration

Kennedy Center
TRUMP’S NAME 86’D
… First Look Behind Tarp

Published



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Which ‘Toy Story’ Character Am I? Quiz

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Which 'Toy Story' Character Am I? Quiz

Walmart is one of the nation’s more prominent advertisers, but, increasingly, it’s looking to become a bigger sell of advertising as well.

The retailing giant, which offers video-advertising inventory around its stores and via its Vizio TV-manufacturing unit, said Tuesday that it intends to acquire Vibe.co, a platform that allows advertisers to buy and create digital ads. Walmart sees the purchase as one way to facilitate more business from small and medium-sized marketers who might not typically buy commercials on a national media platform.

Terms of the deal were not disclosed, but Walmart indicated the transaction was subject to a waiting period and other customary closing conditions.

“Walmart Connect is focused on making commerce media more accessible, more measurable and easier to activate for advertisers of all sizes,” said Ryan Mayward, general manager and senior vice president, Walmart Connect U.S., in a prepared statement “Vibe.co has created a purpose-built platform that simplifies streaming TV advertising, and together, we can help more businesses connect with customers across streaming environments while measuring the impact of those campaigns through Walmart’s commerce capabilities.”

Walmart is just the latest national ad seller to make new efforts to attract local and regional advertisers. Many of these marketers are looking to bolster their customer base with national commercials, or to get more deeply into video advertising to boost sales.

The new deal builds on recent partnerships Walmart has struck Magnite, Yahoo DSP, and Google DV360.

Walmart on Tuesday offered some peek at its vision for selling advertising by unveiling some of its intentions to roll out new video series to Vizio users that feature celebrity hosts and influencers talking about certain kinds of shopping occasions, such as early-summer patio and garden sales or interest in going back to school.

Following the close of the transaction, Arthur Querou and Frank Tetzlaff, co-founders of Vibe.co, will join Walmart Connect. The parties expect the transaction to close by the end of fiscal year 2027. Walmart saikd it does not expect the transaction to have any effect on recent projections tied to sales and operating income.

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Walmart is one of the nation’s more

Another superhero team will be featured in X-Men ’97 Season 2, adding one more mutant group to a lineup that already includes some of the most iconic X-Men teams. The animated series from Marvel Animation continues the story of the beloved 1990s cartoon X-Men: The Animated Series, and its first season ended with the heroes scattered across different points in time.

In recent weeks, Marvel has been rolling out promo images and trailer footage packed with familiar mutants, and the newest look confirmed one more group is along for the ride. That group is Generation X, the youthful squad of teenage mutants straight from Marvel Comics. The team appears in the newest Season 2 trailer, tucked into a quick background shot near the 1:38 mark, after first turning up in footage shown at Comic Con Revolution. Their arrival gives X-Men ’97 a sixth distinct mutant team, and it points the series toward a younger crop of heroes than its first season showcased.

Marvel Animation

In that footage, Polaris, the magnetism-wielding daughter of Magneto, can be seen using her magnetism powers to shield the kids from danger. Among these Gen X kids is Chamber, who has an orange psionic fire that rings his neck and chest. 

Chamber in X-Men '97 Season 2 alongside his comic book counterpart.
Marvel Animation/Marvel Comics

In the comics, a burst of that same power tore a hole through his torso, leaving him to speak through telepathy alone. Beside him is Hollow, a feral, near-silent girl whose skin can harden into something close to a blade. 

Red skinned mutant Hollow in animation and comics.
Marvel Animation/Marvel Comics

Interestingly, she can resist telepathy, making her a great asset to the team. Right by Hollow is Synch, the bald teen whose gift lets him copy the abilities of any mutant nearby. 

Synch with a look of fear on his face.
Marvel Animation/Marvel Comics

The most exciting member who appears in the scene is Quentin Quire, the pink-haired troublemaker better known as Kid Omega, an omega-level telepath whose “Magneto Was Right” streak made him a poster child for mutant rebellion. 

Pink haired mutant Quentin Quire also known as Kid Omega.
Marvel Animation/Marvel Comics

Behind the group, another young boy can be seen on a stretcher with his head wrapped in a bandage. This person is Wing, an obscure Xavier student from the early 2000s comics. As his name suggests, Wing’s abilities grant him the power of flight.

Wing lying on a stretcher with a bandage around his head.
Marvel Animation/Marvel Comics

The group also appeared at the beginning of the Comic Con Revolution footage, which opens on the young mutants sprinting toward the X-Mansion, the one place that always meant safety for kids like them. However, they arrive at the mansion, and it stands in ruins with the X-Men nowhere to be found. The group quickly realizes there is no one left to protect them. 

Wing puts the fear into words, lamenting that the school was the only refuge for mutant kids and that, with the X-Men gone, they have nowhere else to turn. The footage includes a few more Generation X members than the Polaris scene in the official Season 2 trailer.

Among the kids running are two more interesting faces that will get fans excited. The footage features a young Black woman with braids and an orange cap who appears to be Cipher, the invisible, intangible mutant who slipped through the Genosha battle alongside Psylocke and Alpha Flight in Season 1. 

Another, with long blue hair, seems to be Monet St. Croix, better known as Penance. She’s a longtime Generation X member with one of the more tangled backstories in the comics. She’s a formidable mutant with a vast array of powers, including an incredible Penance form that gives her hard, red, diamond skin. 

Who Is Generation X in Marvel Comics?

Generation X first appeared in 1994, the work of writer Scott Lobdell and artist Chris Bachalo during the Phalanx Covenant crossover. The team consisted of young mutants brought together at the Massachusetts Academy under two unlikely teachers, the Irish X-Man Banshee and the reformed villain Emma Frost. Their aim wasn’t to drill soldiers but to help raw teenagers control powers that scared them, the same vulnerable energy the new footage portrays.

The trailers tuck in other nods to that history. Jubilee, a fan favorite from X-Men: The Animated Series and a founding Generation X member in the comics, turns up in the fight against Apocalypse. Emma Frost also makes a brief appearance in the latter part of the footage. X-Men ’97 Season 2 premieres on Disney+ on July 1 with nine episodes, picking up after the Season 1 finale, which flung the X-Men across history.  

Other Superhero Teams Appearing in X-Men ’97 Season 2 

Generation X joins a season that already splinters mutantkind into five separate camps. Three of them operate in the present day, each with a different job. X-Factor operates as a government-sanctioned unit, the official face of mutant response now that the X-Men have vanished, with Polaris and Cyclops’s brother Havok among its ranks. 

X-Force takes the opposite approach under Cable, working in the shadows on the missions no official squad would touch. Then there’s X-Corp, a global operation pushing mutant rights and sheltering ordinary super-powered people.

The other two camps are the core X-Men themselves, broken apart by the Season 1 cliffhanger. One band landed in ancient Egypt, where Charles Xavier, Magneto, and a handful of teammates run headlong into a young En Sabah Nur, the mutant who becomes Apocalypse. 

The rest wound up in a far-future wasteland of 3960 AD, where Cyclops and Jean Grey cross paths with Clan Askani and, eventually, the teenage version of their son, Nathan. Both groups are likely to spend the season fighting to reach each other and claw a way home, leaving the present-day defense of mutantkind to Cable, Jubilee, and Sunspot.

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4

Marcos Melendez is an entertainment journalist who has been active since 2017. His past work can be read on Collider, Escapist, ScreenRant, CBR, and Full Circle Cinema. He is currently a News Editor for MovieWeb. 

One of the best video game adaptations of all time is officially back. Netflix is hard at work on a second season of its most critically acclaimed sci-fi action series, and fans can now get a sneak peek at one of the show’s new main characters.

Netflix unveiled a new look at Cyberpunk: Edgerunners Season 2 at the Annecy International Animation Film Festival. A piece of promotional art was spotted at the event, featuring a young, blonde character holding a camera. Check it out below:

More to come.


Cyberpunk Edgerunners TV Poster


Release Date

2022 – 2022

Network

Netflix

Writers

Mike Pondsmith, Yoshiki Usa, Masahiko Otsuka

  • Cast Placeholder Image

  • Cast Placeholder Image


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Hideo Kojima has shared new insight into the Death Stranding movie, while director Michael Sarnoski has revealed a key detail about it as well.

Speaking to Entertainment Weekly, Kojima said he wanted to “try a different path” with the adaptation of Death Stranding for film. That path, he said, is to make a “two-hour art movie” as opposed to re-telling the story of the games.

Kojima admitted this plan might not work.

“I don’t know if this will be successful, but that’s the goal,” he said.

The Death Stranding movie is in the works at A24, which just reached an AI-training deal with Google, and is also behind the Elden Ring film from director Alex Garland.

Sarnoski, who earned acclaim for directing the movie Pig starring Nicolas Cage and later made A Quiet Place: Day One, told The Hollywood Reporter that Death Stranding is his next project. Sarnoski, who is also writing the script, said he’s still working on the script, but he’s confirmed it’s the next movie he’ll direct “for sure.”

Sarnoski’s latest project was The Death of Robin Hood, which stars Hugh Jackman as Robin Hood and released on June 19.

The Death Stranding movie doesn’t have a cast, release date, or any other concrete information yet. However, Sarnoski previously talked about how the film will feature characters not seen in the game, but with the overall aim of “keeping it honest to the game.”

Kojima himself was approached to direct the Death Stranding movie, but he declined. Kojima won’t be “involved too much” because if he were, he said he would “start saying a lot of things.”

Kojima is also working on a new game for Xbox called OD, and a new screenshot was shared in the Entertainment Weekly story linked above.

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Hideo Kojima has shared new insight into

After living out their teenage years on one of television’s most popular shows of the time, Danielle Fishel, Will Friedle, and Rider Strong reunited to launch a podcast that revisited their experiences in the spotlight and the making of the iconic show, Boy Meets World. What the trio didn’t anticipate when they premiered their first episode of “Pod Meets World” in 2022 was the virality that awaited them.

As the podcast became increasingly popular in a storm of ’90s nostalgia, Fishel, Friedle, and Strong set out on a live podcast tour across the nation. During an early show in New York, Chris Levitus and Zane Rubin—friends of the trio and filmmakers—chased them around before and after their show, recording the way fans reacted and the unique chemistry between the three. “As soon as we shot them all walking down the street together, and saw people reacting to them, we knew we had a movie,” said Levitus.


From then on, the two embarked on the national podcast tour with the group, capturing over 350 hours of footage over two years on tour. With massive amounts of tour material, and an additional 150 episodes of Boy Meets World and 600 episodes of “Pod Meets World,” Levitus and Rubin looked to Premiere to seamlessly manage and assemble the abundance of material into an 84-minute feature. For this, Levitus and Rubin relied heavily on Text-Based Editing to pinpoint specific moments in the trio’s whirlwind story, saving countless hours of manual sifting.

Levitus (director/editor/DP) and Rubin (director/DP) gave us a behind-the-scenes look into the making of this film—discover more below.

Chris, tell us what this documentary is about, and what made you want to get involved?

Chris Levitus: Rider (Strong) and I met on a little indie I directed way back in 2007. Since then, we’ve collaborated on short films, music videos, and feature scripts. The one thing we never discussed was ‘Boy Meets World.” So, when he had the idea for the podcast, Zane and I were really curious how he was going to respond to something that he’s kept at such a distance for so long.

Then the podcast blew up—Rider, Will, and Danielle mounted a live, nationwide tour, and they found themselves in scenarios none of them expected to be in. We knew we had to make something more of this tour and show the engaging relationships between the three of them.

Chris, what did your conversations with Zane look like to align on the creative vision for the project? What did your collaboration look like throughout production and post?

CL: When we got back to LA, we put together a teaser so everyone could see the potential of the project. Our editorial inspiration was the work of Kirk Baxter & Angus Wall. Their cutting style in both features and music videos has been so influential and informed the rhythm we were trying to achieve with “Doc Meets World.”

We shot whenever we could over the course of a few years, but it wasn’t until last July that we started cutting the footage every day. We brought in Jason Makiaris as an assistant editor, and he had a lot of work to do, and helped us out in the long run, because we were originally editing with proxies that were made internally by our FX3. Maybe it wasn’t the “right” way to go about the workflow, but we were learning as we went.

What Adobe tools did you use on this project, and why did you choose them?

CL: We shot about 350 hours of footage; there are over 150 episodes of Boy Meets World and 600 episodes of Pod Meets World, all of which we had on our primary drive. The Text-Based Editing tool was really handy when it came to sifting through all that material.

Tell us about a favorite scene or moment from this project, and why it stands out to you.

Zane Rubin: There is a scene in the film where Rider, Will, and Danielle are having lunch in Rider’s backyard. They are debating where the line is between someone pushing you into deeper artistic discovery vs. emotional abuse. I think this scene makes both arguments so well and leaves it up to the audience to decide what they believe is right and wrong. As a filmmaker, anytime you can engage your viewer in a deep and meaningful way, it feels like a success.

CL: Balancing two sides of an argument was a structural device we tried to employ whenever we could. As Danielle says, “There are two sides to every story.” We went to a convention celebrating 90s culture and captured the enthusiasm of thousands of fans, as well as the economics of this machine that is being fueled by nostalgia.

When you see it from Danielle, Will, and Rider’s perspective, it’s a demanding job that streaks past in a colorful blur. We contrast their perspective by focusing on moments with individual fans, many of whom are having a deeply emotional, singular experience.

Who is your creative inspiration?

ZR: I have so many! Today I will say, Mike White. I was rewatching Enlightened last night and was blown away again. That show, like all his work, is so effortlessly funny while simultaneously making me want to cry.

CL: Ondi Timoner’s Dig! is the most exciting movie ever made. The idea of being on the road with a cadre of charismatic people is similar, and to me, is an inherently cinematic conceit. We were also inspired by Grant Gee’s Meeting People Is Easy—it’s a wonderfully impressionistic vision of 90s success and melancholy.

What advice do you have for aspiring filmmakers or content creators?

ZR: Don’t spend a lot of money on your first (or second or third) short film. Write something that you can do with your friends in a location you have access to. Then just do it.

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After living out their teenage years on

Toy Story 6?

Toy Story 5 is proving that the franchise has never run out of steam. The newest sequel to the banner Pixar film set a series record with a $312 million opening at the global box office. So, it stands to reason that Disney would not be ready to put the franchise back in its box. But is Tom Hanks down to return for a Toy Story 6? According to Variety, he tells Entertainment Weekly, “If you’re gonna do another Toy Story, it better be worthwhile. It better be great. You better be examining some theme that is not just dragging it out because people like the title. I mean, it is a huge corporate business without a doubt, I’m not gonna discount that. But unless it’s good, new, fresh, there’s no reason to do it at all.”

Disneys new plaything

The newest Toy Story sees our favorite childhood characters try to keep up with a modern age with advanced technology. Life always imitates art, as Hanks also finds himself at odds with technology’s capabilities of duplicating his voice. The star has thought about the fact that even if he doesn’t return to do Woody’s voice, Disney is fully capable of using AI to reproduce his pipes for future projects. He explained,

Time is undefeated. The question would be whether or not we could cobble together some version of me. Every word we have ever recorded in time in Toy Story is on digital media somewhere, so they could put together anything they would want.”

Both Hanks and his co-star Tim Allen have said that this notion is “a scary thought” when appearing on The Adam Buxton Podcast. Hanks has already had a big brush with deepfake technology with his time-themed Robert Zemeckis film Here. Hanks expounded on actors’ new ability to be timeless in movies,

The first time we did a movie that had a huge amount of our own data locked in a computer — literally what we looked like — was a movie called The Polar Express. We saw this coming, we saw that there was going to be this ability to take zeros and ones from inside a computer and turn it into a face and a character. That has only grown a billion-fold since then and we see it everywhere.”

Hanks added,

Anybody can now recreate themselves at any age they are by way of AI or deep fake technology. I could be hit by a bus tomorrow and that’s it, but performances can go on and on and on and on. Outside the understanding of AI and deepfake, there’ll be nothing to tell you that it’s not me and me alone. And it’s going to have some degree of lifelike quality. That’s certainly an artistic challenge but it’s also a legal one.”

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Si vous comptez parmi un fervent de jeux en ligne au Canada, vous avez sans doute remarqué un changement majeur : les tables de jeux en direct séduisent de plus en plus de monde. Ce format, qui allie le confort du numérique à l’authenticité d’un vrai casino, change la donne. Instant Casino est l’une des figures clés de ce mouvement. Il offre aux Canadiens un accès direct à des croupiers professionnels et à une atmosphère immersive, le tout depuis leur canapé. Dans cet article, nous allons examiner cette expérience, son fonctionnement et ce qu’elle vous apporte, à vous, joueur canadien en quête de sensations réelles.

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L’industrie canadienne du jeu virtuel n’a jamais manqué de dynamisme. Mais l’arrivée des jeux en direct a tout simplement créé une nouvelle tendance. Cette croissance s’explique par une demande claire : les joueurs désirent plus de transparence et d’interaction sociale, même à distance. Des plateformes comme Instant Casino répondent à cette demande en diffusant des parties en direct depuis des studios aménagés ou de vrais casinos. La conformité dépend de votre province, mais ces sites travaillent avec des licences solides, offrant un cadre protégé. Résultat ? L’ambiance vibrante d’un casino de Montréal ou de Vancouver peut désormais s’inviter sur votre écran.

Cette transformation a été rendue possible par des connexions internet fiables et des appareils mobiles performants. Les opérateurs utilisent maintenant des caméras haute définition et plusieurs angles de vue. Ils enregistrent chaque détail, de la roue qui tourne aux cartes qui glissent sur le tapis. Pour vous, joueur, cela accroît la confiance. Chaque geste du croupier est visible, en temps réel. Cette traçabilité absolue, ajoutée à la possibilité de discuter avec le croupier et les autres participants, gomme presque la frontière entre le jeu en ligne et le jeu physique. C’est exactement ce que attend une clientèle canadienne avertie.

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Pour un joueur canadien qui débute, découvrir l’univers des jeux en direct sur Instant Casino est facile. Démarrez par une inscription rapide. Il faudra fournir quelques données de base pour vérifier votre identité et votre âge, comme le requiert la réglementation. Une fois votre compte créé, alimentez-le via une méthode de paiement sécurisée comme Interac. Après, allez dans le lobby « Jeux en Direct ». Les jeux y sont répartis par type et par niveau de mise, ce qui simplifie la recherche.

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Instant Casino a construit son offre de jeux en direct en se basant sur les classiques, en y intégrant des variations modernes. En parcourant leur catalogue, certains titres se démarquent clairement auprès des joueurs canadiens. Le blackjack en direct demeure indétrônable, avec des variantes comme le Blackjack Infinite ou le Speed Blackjack, idéaux pour les amateurs de rythme soutenu. La roulette, sous ses formes européenne, américaine et française, présente un spectacle visuel captivant et des options de mise variées.

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Mais la plateforme va plus loin avec des jeux d’ambiance uniques. Le Dream Catcher et les autres jeux de roue apportent une touche de légèreté et la promesse de gains rapides. Pour une expérience de casino plus complète, les tables de baccara et de poker trois cartes (Prime Three Card Poker) rencontrent aussi un franc succès. Voici un aperçu des catégories les plus populaires :

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Participer en direct ne repose pas que de la chance. Une approche réfléchie transforme souvent le déroulement d’une session. La première chose à faire est de connaître les règles et les probabilités de base de votre jeu. Au blackjack, utiliser un tableau de stratégie de base diminue l’avantage de la maison. À la roulette, les paris extérieurs (rouge/noir, pair/impair) proposent de meilleures chances de gain, même si les gains sont plus faibles. La gestion de votre bankroll est tout aussi essentielle. Établissez une limite de pertes et une limite de gains avant de commencer, et suivez-les.

L’environnement en direct présente des possibilités d’observation particulières. Analysez le style du croupier et le rythme du jeu. Certains joueurs relèvent les résultats passés à la roulette, même si chaque tour est séparé, pour détecter des tendances subjectives. Enfin, profitez de l’aspect social pour rendre l’expérience enrichissante. Mais ne autorisez pas les conversations ou l’émulation du groupe influencer vos décisions de mise. Le contrôle de soi constitue la meilleure stratégie.

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Dans le monde des jeux en ligne, la fiabilité est fondamentale. En analysant Instant Casino, deux éléments retiennent l’attention : la licence et la transparence. La plateforme opère sous l’contrôle d’une licence reconnue, comme celle de Malta Gaming Authority ou de Kahnawake. Cela garantit le maintien de normes strictes pour les fournisseurs qui ciblent le Canada. Vos avoirs sont isolés des fonds opérationnels de l’entreprise, et les méthodes sont vérifiées régulièrement.

Pour les jeux en direct, l’transparence est manifeste car tout est visible. Elle est aussi soutenue par une infrastructure de qualité. Les studios associés sont homologués par des institutions autonomes comme eCOGRA. Les donneurs sont des experts formés, et le flux vidéo est verrouillé, à l’abri de toute altération. Pratiquement, vous pouvez jouer l’esprit paisible. Les transactions sont chiffrées avec des protocoles SSL de niveau bancaire, et les retraits d’argent sont traités rapidement. Opter pour Instant Casino, c’est choisir pour un environnement où le plaisir s’accorde avec une intégrité totale.

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Pour attirer et garder les joueurs canadiens, Instant Casino présente des offres promotionnelles adaptées. Ces bonus sont élaborés pour améliorer l’expérience de jeu en direct, même s’ils sont souvent soumis à des conditions de mise précises. L’offre de bienvenue peut contenir un bonus de correspondance sur le premier dépôt, utilisable en partie sur les tables en direct. Examinez toujours les termes et conditions, surtout pour appréhender le pourcentage de contribution de chaque jeu aux exigences de mise.

Après l’accueil, les joueurs réguliers ont accès à d’autres bénéfices. Il peut s’agir de programmes de cashback, de tournois hebdomadaires sur les jeux en direct avec des prix promis, ou d’offres « Croupier du mois » qui soulignent des tables déterminées. Pour tirer le meilleur parti de ces promotions, voici quelques recommandations :

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Η διαδικασία είναι εύκολη και κατανοητή. Μετά την πρώτη επιτυχημένη συναλλαγή με μια νέα τρόπο, το Unibet Casino θα ρωτήσει εάν ο χρήστης επιθυμεί να την αποθηκεύσει για μελλοντική χρήση. Ο χρήστης έχει πλήρη έλεγχο και μπορεί να διαλέξει «Ναι» ή «Όχι». Αν επιλεγεί η αποθήκευση, τα κρυπτογραφημένα στοιχεία αποθηκεύονται με ασφάλεια στις βάσεις δεδομένων της πλατφόρμας.

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This week on Hulu, we’re getting the premiere of the final season of FX’s The Bear. Want to get caught up on reality TV? More seasons of 90 Day Fiance and Naked and Afraid are also hitting the service at the end of the week.

Here’s what’s new this week.

June 25

  • FX’s The Bear: Complete Fifth and Final Season
  • Fugitives Caught on Tape: Complete Season 2
  • The First 48 Presents Critical Minutes: Complete Season 2
  • Where Pretty Girls Die (2025)

June 26

  • CMA Fest presented by SoFi
  • Americana (2023)
  • Queens of the Dead (2025)

June 27

  • Alex vs America: Complete Season 5
  • Baylen Out Loud: Complete Season 2
  • Izzy Does It: Complete Season 1
  • Naked and Afraid: Complete Season 12 & 14
  • 90 Day Fiance: Complete Season 8
  • Tournament of Champions: Complete Season 7

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This week on Hulu, we’re getting the

As usual, this year’s Karlovy Vary International Film Festival, the 60th (July 3-11, 2026), will lure a raft of cinema greats to the storied Czech Republic vacation spa, including Dustin Hoffman, Juliette Binoche, and Jeffrey Wright. The festival is key in the year’s film circuit, nestled between Cannes and Venice.

KVIFF 60 will open with the Argentinian-Spanish documentary “The Match.” Directed by Juan Cabral and Santiago Franco, the film chronicles the memorable 1986 Football World Cup match between Argentina and England. “One of the most captivating movies at this year’s Cannes proves that certain iconic moments from sports history can touch the very essence of human existence,” says KVIFF’s Artistic Director Karel Och.

This anniversary edition of the festival will conclude with a screening of Noah Segan’s melancholy crime drama “The Only Living Pickpocket in New York” (October 16, Sony Pictures Classics), which broke out at Sundance. The film stars John Turturro as an old-school pickpocket who finds himself in a dangerous race against time through city streets.

At the opening ceremony the Crystal Globe for Outstanding Artistic Contribution to World Cinema will be presented to renowned method actor, seven-time Oscar nominee, and two-time Oscar-winner Dustin Hoffman (“Rain Man,” “Kramer vs. Kramer”).

TUNER, from left: Dustin Hoffman, director Daniel Roher, on set, 2025. ph: Alan Markfield /© Black Bear Pictures /Courtesy Everett Collection
‘Tuner’Courtesy Everett Collection

This summer, Hoffman is starring opposite Leo Woodall in “Tuner” (Metascore: 75), which was directed by Academy Award-winning director Daniel Roher and debuted at the 2025 Telluride Film Festival. Hoffman’s upcoming memoir “Look at Me” will be published November 10 by Simon & Schuster imprint Simon Six. Also screening at KVIFF is Hoffman’s breakthrough film “The Graduate,” directed by Mike Nichols.

And on closing night, the Crystal Globe for Outstanding Artistic Contribution to World Cinema will be presented to the Oscar (“The English Patient”), César (“Three Colours: Blue”), and European film Award (“Les Amants du Pont Neuf”) winner Juliette Binoche. Her Hollywood (and English-language) breakthrough came with 1988’s “The Unbearable Lightness of Being,” directed by Philip Kaufman.

2JD8A95 JULIETTE BINOCHE, THREE COLOURS: BLUE, 1993
‘Three Colours: Blue’Alamy Stock Photo

In 2019, the European Film Academy honored her with its Achievement in World Cinema Award. The 2023 food romance “The Taste of Things” by director Tran Anh Hung, won a Best Director award at Cannes and was France’s submission for the Oscars. In March 2024, Juliette Binoche was elected president of the European Film Academy, making her only the second woman in history to hold that post.

Another actor accepting a prize this year, the President’s Award, is Jeffrey Wright, winner of the Tony, Emmy, and the Golden Globe awards for “Angels in America: Perestroika.” He also earned an Oscar Best Actor nomination for “American Fiction.” Also earning the President’s Award are two American multi-taskers: director, screenwriter, and actress Maggie Gyllenhaal (“The Bride!”) and the actor, director, screenwriter, and author Jesse Eisenberg, who won Oscar nominations for “A Real Pain” and “The Social Network.”

The Crystal Globe for Outstanding Artistic Contribution to World Cinema will go to world-renowned cinematographer Robert Richardson, winner of three Academy Awards (Martin Scorsese’s “Hugo” and “The Aviator,” and Oliver Stone’s “JFK”), and recipient of seven additional Oscar nominations. While at the festival, Richardson and director Jana Hojdová will present the documentary portrait “Robert Richardson: The White Devil.”

Aside from his notable collaborations with Scorsese and Stone, since 2003, Richardson has worked closely with Quentin Tarantino, with whom he shot “Kill Bill 1” (2003), “Kill Bill 2” (2004), “Inglourious Basterds” (2009), “Django Unchained” (2012), “The Hateful Eight” (2015), and “Once Upon a Time in Hollywood” (2019).

Robert Richardson has been a member of the American Society of Cinematographers since 1992, which honored him with its Lifetime Achievement Award in 2019.

Character actor Harvey Keitel enjoys KVIFF and returns for his third time. At the festival’s 39th edition in 2004, Keitel accepted a Crystal Globe for Outstanding Artistic Contribution to World Cinema. Eleven years later, he returned to Karlovy Vary to introduce Paolo Sorrentino’s “Youth,” in which he played one of the main roles. The film won the Právo Audience Award, which Keitel accepted in person. Over the decades Keitel has worked with many top directors in Hollywood, including Martin Scorsese, Quentin Tarantino, Wes Anderson, Ridley Scott, Jane Campion, and Abel Ferrara, among others.

The festival will present “Mean Streets,” the screening of which will be attended by the actor in person.

This year’s annual set of KVIFF film trailers includes Keitel and Stellan Skarsgård. The short were directed by the long-term creative mind behind the festival trailers, Ivan Zachariáš. The trailer with Skarsgård will premiere at the opening ceremony of KVIFF 60.

As previously announced, the program will include the Crystal Globe and Proxima competitions, and Special Screenings: Classics, Future Frames: Generation NEXT of European Cinema, and the special edition of Out of the Past. The popular Horizons overview section is buttressed by the showcase of experimental films gathered under the Imagina section, and a selection of genre or “midnight” films in the Afterhours section. The festival will present more than 130 feature-length fiction and documentary films.

Horizons will feature 55 new films from the current festival season including Cannes, from the Palme d’Or-winning “Fjord” directed by Cristian Mungiu, to the latest works by Oscar-winning filmmakers Pawel Pawlikowski (“Fatherland”) and Ryûsuke Hamaguchi (“All of a Sudden”). From Berlinale, audiences can look forward to the Golden Bear winner “Yellow Letters,” and a biopic about legendary jazz pianist Bill Evans.

Cristian Mungiu's Fjord
‘Fjord’Neon

For the thirteenth time, Imagina will screen approximately twenty short and feature-length experimental films. The former Midnight Screenings section is again called Afterhours. These genre films include the Cannes feminist slasher “Teenage Sex and Death at Camp Miasma,” the energetic mockumentary about cultural icon Charli XCX, “The Moment,” and the South Korean zombie film “Colony.”

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As usual, this year’s Karlovy Vary International

The bloodthirsty social media hip-hop tabloid ecosystem and the nature of the attention economy have turned the trials and tribulations of rappers into reality TV, but it hit another level in the last few weeks as the genre erupted into a spree of stupid violence. In one case, Pooh Shiesty, stuck in a go-nowhere contract with Gucci Mane’s 1017 Records, allegedly came up with a plan that had to have been workshopped with Highest 2 Lowest’s Yung Felon: kidnap Gucci in Dallas and force him to sign over the rights at gunpoint. The incident put Pooh back in jail and left Gucci trying to preserve his tough-guy image with “Crash Dummy,” an embarrassingly corny recap of the event: “I thought it was a business meeting, but it was a set-up.” Then, in Florida, a brawl broke out between the crews of Lil Tjay and Offset, supposedly over a gambling debt, which ended with Offset hospitalized with a bullet wound and Tjay doing a surreal post-jail interview that felt like a Real Housewives confessional. 

The fuzziest incident of them all was an alleged chain-jacking attempt in Houston involving NBA YoungBoy’s top goon Ben 10 and Rap-A-Lot Records heir J. Prince Jr. pressing Detroit punchline whiz Allstar JR. That, too, exploded into bloody violence when JR, allegedly in self-defense, shot Ben 10, who has been in the hospital in critical condition ever since. The story has turned JR into not just one of the hottest rappers on the internet this week, but a sort of overnight cult anti-hero. And in true Detroit rapper fashion, he’s been feeding the beast with headline-grabbing hijinks: A celebratory IG post, a trolling dance challenge replicating the motions of a body bleeding out on the ground, and, of course, a diss track titled “Mob Untied.” 

Rappers have been using scrapes with violence and death as promotional material forever. Who doesn’t remember the days when 50 Cent getting shot nine times was the rallying cry for his mainstream takeover? But just because it’s always been a thing doesn’t mean we should be comfortable with it, and as society has become desensitized to violence—from genocide to rap beef—it feels harder to find the people asking, Should it be this way? instead of saying, It’s just the way it is, stop being a prude. I suppose that could be an intentional result of the almighty algorithms profiting off all of the death, because a lot of the heads I talk to in real life agree that this shit is fucked up and social media is making us think it should be normal. That’s not to say that “Mob Untied” isn’t a good diss track; it’s got a wicked Topside beat and JR has one of the slickest tongues in the Midwest, especially when he’s got a target in sight: “How is you a kingpin, yo’ daddy run the show?” I’m glad JR is still around to talk his shit. But that isn’t the point. It’s depressing that a breaking news post on TMZ or No Jumper is worth more than any song. 

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The bloodthirsty social media hip-hop tabloid ecosystem

It is not everyone who can say Jane Fonda stars in their feature directorial debut, an honor Katie Camosy boasts in “Gaslit.” The documentary follows the iconic actor and activist as she takes a road trip through the oil and gas fields of the Southern U.S., visiting communities most affected by the air and water pollution produced by the refineries that have taken over these towns. 

Speaking with Variety ahead of screening the film at the Raindance Film Festival, Camosy says the first seed of inspiration for the film came through her decade-long work with the leading environmentally-focused network Greenpeace. The director joined the organization back in 2015 as a video producer, going on to collaborate with Fonda for their “Fire Drill Friday” series. In 2022, the duo took a trip to Texas to learn about liquefied natural gas, with their findings leading Camosy to believe there was a clear story to tell about what was happening in the region. 

“Gaslit” became the first feature-length film produced by Greenpeace USA, with the director praising the organization for supporting the documentary “while also not trying to dictate what it is or isn’t.” “That freedom allowed us to showcase people from all ends of the political spectrum,” she adds.

Talking about the advantages of having Greenpeace’s backing for the film, Camosy highlights the network’s wealth of archival footage and expertise. “Greenpeace spent a lot of time in Texas and Louisiana in the 1980s and 1990s, and you’ll see footage from that time period in ‘Gaslit,’” she says. “There were so many incredible moments of discovery. I remember when our editor, Laura Franco Velasco, found archival footage of Herbert from Mossville, someone we’d already interviewed in the present day, which showed him with the cattle he talks about losing. This kind of footage proved invaluable.”

As for getting Fonda on board, Camosy says the two have “always collaborated well,” but the relationship developed with “Gaslit.” “We spent countless hours in pre-production, pouring over research and shaping the narrative through the communities we’d visit. Jane did so much research on her own and always came to meetings with new questions and ideas. Our collaboration continued on set and during the edit. I could tell how much it mattered to her that we tell this story properly and do right by the people in the film.”

“It’s pretty wild to direct an icon like Jane Fonda in my feature debut, but Jane didn’t mind,” adds the director. “For her, it’s all about the work and getting the best result. I can’t think of a better mentor.”

Asked about the level of visibility a name like Fonda’s brings to a film, Camosy says having someone of “Jane’s stature” in “Gaslit” “means a lot more people will see it than would have otherwise.” “Jane actually acknowledges this at the beginning of the film when she explains that her celebrity affords her a spotlight, and she is using it to shine a light on the people and issues in ‘Gaslit.’”

Other major names such as “Nashville” star Connie Britton and singer Maggie Rogers are featured in the film, an idea that came from Fonda herself. “They’re friends of hers, and Connie’s involvement made sense because of her history with Texas filming the ‘Friday Night Lights’ TV series and movie,” adds Camosy. “Connie loves Texas and was shocked at how it’s changed over the years. Maggie was also eager to see the region for herself and meet people like Jo Banner of Wallace, Louisiana, who’s fighting back against the oil and gas industry to protect her community.”

Camosy reiterates “climate stories are human stories” and that we are undergoing a moment when “most of us are distrustful of billion-dollar industries, especially when our health and livelihood are at stake.” “Fossil fuels are inherently connected to stories of war and to new technologies, and we’re seeing a lot of people become fed up with data centers and volatile energy costs.”

Two decades ago, Camosy spent months in London capturing the underground music scene at the English capital for what she hoped would be her first feature documentary. How does she feel presenting her long-gestating directorial debut in the city after all this time? “Quite emotional,” she says. “I’ve learned so much in these 20 years, but in many ways I feel like the same filmmaker who’s trying to document specific people in a specific place during a specific time.”

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It is not everyone who can say

Tennis Canada plans to build a new centre-court stadium with a retractable roof in Montreal as part of a major modernization of its facilities at Jarry Park, saying the project is necessary to keep pace with rising standards on the professional tours.

The organization made the announcement Tuesday after conducting a year-long feasibility study examining options for the long-term future of the National Bank Open in Montreal.

The proposed project would include increasing the venue’s capacity to approximately 15,000 seats — the aging IGA Stadium holds 11,991 — while adding up to four practice courts and a match court, according to National Bank Open tournament director Valérie Tétreault.

“It was a very important step,” Tétreault said in an interview. “We’re feeling like we’re really falling behind and that’s what we’re also told by both the ATP and the WTA. So that puts, of course, extra pressure on us.”

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Tétreault said the study considered three scenarios: renovating the existing IGA Stadium, building a new stadium within Jarry Park or relocating the tournament site elsewhere in the city. The last possibility was quickly ruled out due to cost, she said, while the difference between the other two was “negligible.”

The next steps include determining the construction timeline, estimated costs and how the project will be funded, Tennis Canada said. The organization added that it has already begun discussions with all three levels of government about potential funding.

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“Conversations are going well, we’re feeling like everybody is recognizing the importance of the event in terms of the economic impact it creates, but also in terms of the sporting, the social impact it creates,” Tétreault said. “We’re feeling like everybody is mobilized and engaged and wants to help us find a solution.

“Tennis Canada is willing, of course, to participate in the financing model that we’ll put in place for the project. But we will need the help also of the three levels of government.”

Tennis Canada is targeting the site of an existing baseball field west of the practice courts for the new venue, allowing the tournament to continue at its current facility during construction. The stadium would be a three-season venue, with winterized facilities surrounding a non-winterized court.

The need for a roof over centre court has been a recurring topic for years, with rainy weather often derailing match schedules at the National Bank Open, held annually in late July and early August.

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Tétreault has also stated that Montreal’s facilities sit “pretty much at the bottom of the list” among 1000-level tournaments, one tier below the four Grand Slams.

The Cincinnati Open — which takes place immediately after the National Bank Open — is one of several top-tier events that have made significant investments in recent years, undergoing a US$260-million redevelopment before the 2025 tournament.


Montreal’s centre court, meanwhile, last underwent major renovations in 1996 and the venue’s south end dates back to 1969, a remnant from the Montreal Expos’ Jarry Park baseball stadium.

Tétreault said Toronto, which alternates the men’s and women’s tournaments with Montreal each year, faces less pressure to modernize because Sobeys Stadium was built in 2004 and rain has historically been less disruptive there.

The ATP and WTA haven’t issued an ultimatum to keep the tournament in Montreal, Tétreault said, but both tours have requested an action plan outlining how the facilities will be modernized.

“They want to be reassured in a way that this is something that is a priority for us, that we’re looking at it and that we’re looking for solutions,” she said. “Even this year in the planning of the 2026 tournament, it’s the first time that I am asked to do monthly check-ins with the ATP.

“This was never necessarily the case before, but they want to know how we’re progressing with the work that we’re doing to modernize our facility.”

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Tétreault also noted that the National Bank Open does not meet the standard number of practice courts and requires ATP approval to use extra courts at nearby Complexe sportif Claude-Robillard.

Tennis Canada signed a 30-year agreement with the ATP and WTA in 2022 as part of negotiations surrounding the tournament’s expansion into a 12-day event, but Tétreault said organizers still need to meet evolving standards set by the professional tours.

“Right now they are seeing a gap, of course, because we know that we’re not necessarily meeting certain standards,” she said.

&copy 2026 The Canadian Press

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Tennis Canada plans to build a new

Miten nettikasinoiden käyttöliittymä vaikuttaa pelaamiseen?

Toisin kuin perinteiset kasinot, nettikasinot tarjoavat mahdollisuuden pelata missä ja milloin tahansa https://lataamo-kasino.fi/. Voit nauttia rahapeleistä älypuhelimellasi tai tietokoneellasi, mikä tekee pelaamisesta entistä mukavampaa. Tämä vapauttaa sinut aikarajoista ja antaa mahdollisuuden pelata silloin, kun sinulle parhaiten sopii.

Pelaaminen nettikasinoilla voi olla sekä jännittävää että palkitsevaa, mutta on tärkeää pelata vastuullisesti. Aseta itsellesi rajat ja pidä taukoja pelaamisen aikana. Monet kasinot tarjoavat työkaluja vastuullisen pelaamisen tueksi, kuten talletus- ja aikarajoja. Näin voit varmistaa, että pelaaminen pysyy hauskana ja hallittuna.

Mobiilipelaaminen on saavuttanut suuren suosion, ja useimmat parhaista nettikasinoista tarjoavat optimoituja verkkosivustoja ja sovelluksia. Tämä tarkoittaa, että voit nauttia suosikkikasinopeliesi pelaamisesta vaikka liikkeellä ollessasi. Mobiilipelaaminen tuo joustavuutta ja helppoutta pelaamiseen.

Nettikasinoiden turvallisuus: Viimeisimmät päivitykset

Suomalaiset pelaajat saavat nauttia erityisesti paikallisista ja räätälöidyistä kasinoista, jotka tarjoavat sisällön heidän kielellään. Tämä ei ainoastaan paranna pelikokemusta, vaan myös helpottaa ongelmatilanteissa avun saamista. Paikalliset kasinot ymmärtävät pelaajien tarpeet ja toiveet.

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Verkkopelaamisen kasvun myötä on syntynyt monia kilpailukykyisiä nettikasinoita. Pelaajat voivat valita laajasta valikoimasta vaihtoehtoja, mikä tarkoittaa, että heillä on enemmän mahdollisuuksia löytää juuri omat mieltymyksensä täyttävä kasino.

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Luotettava ja turvallinen peliympäristö on Lataamo Casinon ydin. Pelaajat voivat nauttia suosikkipeleistään ilman pelkoa tietoturvaongelmista. Lataamo Casino on investoinut turvallisuuteen ja varmistaa, että pelaajien tiedot pysyvät aina suojattuina. Tämä lisää pelaajien luottamusta ja tekee pelaamisesta entistä nautinnollisempaa.

Turvallisuus ja luotettavuus ovat asioita, joihin Lataamo Casino panostaa erityisesti. Pelaajat voivat luottaa siihen, että heidän tiedot ovat suojattu ja että kasino on sitoutunut tarjoamaan reilua peliä.

Luotettava Lataamo Casino tarjoaa pelaajilleen monia etuja. Erityisesti sen nopea asiakaspalvelu erottuu edukseen. Pelaajat voivat saada apua nopeasti, mikä parantaa heidän pelikokemustaan. Hyvän asiakaspalvelun ansiosta pelaajat tuntevat olonsa arvostetuksi ja voivat nauttia pelaamisesta ilman huolia.

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Miksi nettikasinoiden sääntely on tarpeellista?

Ymmärrä, että jokaisella nettikasinolla on omat ehtonsa ja käytäntönsä. Ennen kuin rekisteröidyt, lue huolellisesti käyttöehdot ja bonusehdot. Tietämyksesi avulla voit välttää yllätyksiä ja nauttia pelaamisesta turvallisesti.

Ennen nettikasinon valitsemista on suositeltavaa lukea muiden pelaajien arvosteluja. Tämä antaa sinulle käsityksen siitä, miten kasino toimii ja mitä voit odottaa pelikokemukseltasi.

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Miten nettikasinot pitävät pelaajat kiinnostuneina?

Kasinopelien pelaamisessa on äärimmäisen tärkeää tuntea omat rajat. Aseta itsellesi selkeät budjetit ja aikarajat ennen pelaamisen aloittamista. Tämä auttaa sinua hallitsemaan pelaamista ja nauttimaan siitä ilman ylimääräistä stressiä. Tietoisuus omista rajoistasi tekee pelaamisesta turvallisempaa ja hauskempaa.

Verkkopeleissä on mahdollista pelata ystävien kanssa ja jakaa kokemuksia yhdessä. Monet kasinot tarjoavat sosiaalisia elementtejä, kuten chat-toimintoja, jotka tekevät pelaamisesta yhteisöllisempää. Tämä tuo lisäjännitystä ja hauskuutta pelikokemukseen.

Rahapelaaminen verkossa on yleistynyt erityisesti suomalaisten keskuudessa. Nettikasinot tarjoavat mahdollisuuden pelata mukavasti kotoa käsin, ja monet niistä tukevat myös suomenkielistä asiakaspalvelua. Tämä tekee pelaamisesta entistä sujuvampaa ja miellyttävämpää.

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Vastuullinen pelaaminen ja nuoret: haasteet ja ratkaisut

Verkkopelaaminen voi olla erittäin jännittävää, mutta on tärkeää muistaa, että voittaminen ei ole taattua. Aloita pelaaminen mukauttamalla odotuksiasi ja pidä mielessä, että jokainen peli on uusi mahdollisuus.

Verrattuna perinteisiin pelimuotoihin, nettikasinoilla on enemmän vaihtoehtoja ja joustavuutta. Pelaajat voivat pelata silloin, kun heille parhaiten sopii, mikä voi olla sekä etu että haitta. On tärkeää löytää balanssi.

Mikäli tunnet, että pelaaminen alkaa vaikuttaa elämääsi negatiivisesti, älä epäröi hakea apua. On monia resursseja ja asiantuntevia tahoja, jotka voivat auttaa sinua palauttamaan hallinnan.

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Verkkopelaaminen on erinomainen tapa viettää aikaa ystävien kanssa, jopa etänä. Monilla nettikasinoilla on sosiaalisia pelejä, joissa voit pelata yhdessä muiden pelaajien kanssa.

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Miten nettikasinoiden käyttöliittymä vaikuttaa pelaamiseen? Toisin kuin perinteiset

Bryan Adams posted a short film on Instagram this week, made by filmmaker Katarína Orešanská to document the first night of his Bare Bones show in Poland.

The collaboration says something about how Adams approaches this kind of work. He credited Orešanská by name in the caption – “A little film from Katarína Orešanská of our first night in Poland with the Bare Bones show” – along with a white heart, a skull emoji, and the hashtag #bryanadamsbarebones. Orešanská is a Slovak filmmaker. Her involvement means the footage carries a distinct creative perspective behind it. This isn’t a phone clip. It’s a short film.

The Bare Bones name does a lot of work on its own. Adams has been writing and performing for more than forty years. His catalog includes some of the most durable songs in rock. “Summer of ’69” still gets radio play decades after its release. “Everything I Do (I Do It For You),” from the 1991 Robin Hood: Prince of Thieves soundtrack, spent sixteen weeks at number one in the UK. These are songs that hold up. They don’t need much help from production. The Bare Bones format is built around that reality.

There’s something worth sitting with in the stripped-back approach, especially at this point in a long career. The pressure to add more – more production, more spectacle – is always present. Choosing to remove things instead takes a different kind of confidence. It puts the focus entirely on the songs and the room they get played in.

Poland was where the Bare Bones show first appeared in this run. Orešanská’s film is how that specific night gets preserved. A filmmaker’s record of a particular evening, not a promo clip.

Adams has thought carefully about visual documentation for a long time. He’s a working photographer with published books of portraiture and travel work. His interest in image-making goes well beyond album covers. That background explains the instinct to bring Orešanská into the process. He understands what it means to put a skilled eye behind a camera and let that perspective shape what gets recorded.

The white heart and skull in the caption aren’t accidental. They echo the show’s name – something unguarded, stripped of anything extra. The hashtag #bryanadamsbarebones gives the whole run a consistent identity. Anyone following the tour can use it to find everything connected to these dates in one place.

Poland was the beginning. Orešanská’s film is where that beginning lives.

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Oprah Winfrey turned her Cannes Lions appearance into a call for creators to use their platforms for good, talking with festival chair Phil Thomas about philanthropy, legacy and her improbable path from rural Mississippi to becoming one of the most powerful self-made figures in media.

Inside the Lumière Theatre, where she received the festival’s LionHeart Award, Winfrey used the stage to meditate on purpose and responsibility before an audience of advertising, media and creator-economy figures. She also reflected on the school she built in South Africa, her friendship with Maya Angelou, her childhood in Mississippi and her memorable interview with the late Whitney Houston on “The Oprah Winfrey Show.”

“We did the whole, ‘Hey girl, how you doing?’ greeting thing and then I stopped the cameras and I went behind stage and I said, ‘So tell me, what do you want to happen here? And I’m gonna tell you what I want to happen here,’” Winfrey said. ” And that was one of the most powerful interviews.”

She said Houston later returned to the show to perform and had relapsed in her addiction. “I had such trust from ‘The Oprah Show’ audience … I think it was [Houston’s] last show with us, and she had gone back on drugs,” Winfrey said. “The first interview I did with her when we’d gone behind stage and I asked her about her intention, she was clean, but the day she came to my show then to perform in front of the audience, she was not, and she fell off of the stage.”

Winfrey said she knew the moment could have been devastating if it became public. “I knew that if that story got out … she would be destroyed by that,” Winfrey said. “And so even though the audience was there and the audience had cameras, I begged them not to put those pictures out because it would ruin her life, and they did not. That would not happen today, I can tell you that,” Winfrey added. Houston died on February 2012 at the age of 48 after an accidental drowning.

Elsewhere in the conversation, Winfrey appealed to creators’ sense of responsibility and emphasized that influence carries obligations.

“What you’re doing is not just making money and creating influence for yourself … it’s the subsidiary thing that happens from living,” she said. “But you have a bigger calling in life … Your bigger job here on the planet is to be the best human being you can be, not the best creator, not the best talk show host, not the best podcaster, but how are you evolving into what creation intended for you to be?”

Much of the conversation centered on the origins of her philanthropy and the personal experiences that shaped it. Asked how she decides who to help and how to help them, Winfrey traced the impulse back to her own childhood, recalling a Christmas when her family had nothing and nuns arrived at the house with gifts.

“It wasn’t the gift, it was the fact that they showed up,” Winfrey said. “They showed up and they let a 12-year-old girl know that I mattered.” The desire to give other children the same sense of being seen drove her decision to launch the Oprah Winfrey Leadership Academy for Girls in South Africa.

“So whatever disadvantages you’ve had in your life, the reason you had those disadvantages is not because the universe or the life force is trying to punish you, it’s because it’s trying to grow you to the next level,” Winfrey said. “It’s trying to teach you. So whenever challenges come in your life, and I’ve said this over the years to all my audiences, the challenge isn’t there to just mess with your mind, to mess you up, the challenge is there to say, ‘What is this here to teach me so I can grow to the next level?’”

She said her own background made the work in South Africa feel intensely personal. “I was a poor girl in Kosciusko, Mississippi, on a dirt road, no running water, no electricity,” she said. “I found girls who were in villages, same circumstances, and so it felt like I was literally mirroring my own life, giving an opportunity to kids who come from the same thing.”

Winfrey said the school had changed the trajectory of its students’ lives, citing a recent survey conducted by the University of Cape Town. “What they said about what we have done at this school is that we have interrupted poverty,” she said. “And we have done that. Because that was my intention. My intention was to change the trajectory of their lives.”

Winfrey also recalled a lesson from Maya Angelou, who challenged her when Winfrey told her the school would be her greatest legacy.

“She said, ‘Baby, listen to this. Your legacy is not your name on a building,’” Winfrey said. “’Your legacy may be those girls who go on and do things in their lives. But your legacy is the same as mine and everybody else’s. Your legacy is not one thing, your legacy is every life you touch.’”

She ended the session on an emotional note, talking about the improbability of her own story.

“Nobody expected anything would come from a Black girl born out of wedlock in Mississippi in 1954, and they only had sex one time! Thank goodness they did,” she told the crowd, sparking laugher.

“It doesn’t matter how you got here, the fact that you are here is such a miracle,” she continued.

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Oprah Winfrey turned her Cannes Lions appearance

Dustin Hoffman and Juliette Binoche will receive the Crystal Globe for Outstanding Artistic Contribution to World Cinema at the 60th Karlovy Vary International Film Festival, KVIFF organizers announced on Tuesday morning.

The Crystal Globe is the festival’s highest honor, with recent recipients of the award including Michael Caine, Geoffrey Rush, Russell Crowe and Stellan Skarsgård. Hoffman will receive his award at the KVIFF opening ceremony on July 3, while Binoche will receive hers at the closing ceremony on July 11.

The festival will screen Hoffman’s 1968 breakout film, “The Graduate,” and Binoche’s “Certified Copy” (2010), “Three Colors: Blue” (1993) and “In-I in Motion” (2025).

Karlovy Vary also announced that cinematographer Robert Richardson (“Platoon,” “The Aviator,” “Hugo,” “Once Upon a Time in Hollywood”) will receive a Crystal Globe, and that actor Jeffrey Wright (“Basquiat,” “American Fiction”) will receive the President’s Award. The festival will screen Jana Hojdová’s documentary “Robert Richardson: The White Devil,” as well as the film “Basquiat,” which Wright  first came to Karlovy Vary to present at the 32nd KVIFF in 1997.

Special guests at this year’s festival will include Harvey Keitel, who will attend a special screening of Martin Scorsese’s “Mean Streets”; and the Bacon-Sedgwick family – Kevin Bacon and Kyra Sedgwick, plus their son Travis Bacon and daughter Sosie Bacon – to screen “Family Movie,” a horror comedy co-directed by Kevin Bacon and Kyra Sedgwick and starring their children.

KVIFF also announced that this year’s opening-night film will be the documentary “The Match,” a documentary about a 1986 World Cup football match between Argentina and England, while the closing-night film will be Noah Segan’s “The Only Living Pickpocket in New York,” a Sundance drama starring John Turturro as a longtime pickpocket who inadvertently steals a valuable flash drive.

The opening-night ceremony and film will be followed by an outdoor musical program created by DJ and producer NobodyListen, mixing electronica, rap, alternative and pop music to the accompaniment of an audiovisual show.

Previously, the festival announced that it would give special awards to Maggie Gyllenhaal and Jesse Eisenberg.

The 60th Karlovy Vary International Film Festival will run from July 3-11 in the spa town located west of Prague in the Czech Republic.

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Dustin Hoffman and Juliette Binoche will receive

We set out to discover if Rodeoslotcasino really merges entertainment with honest, transparent play. So we put in the effort: signed up for an actual account, deposited cash, tried cashing out, grilled support, and confirmed the licensing. Our goal was clear — find out if this place offers players a safe, fun experience without compromising on fairness.

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We made deposits with Interac, Visa, and a crypto option — all easy. The banking area features more than a dozen methods, such as Skrill, Neteller, ACH transfers, and voucher payments. Minimum deposits start at €10, so small players are welcome, while high limits manage bigger bankrolls.

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Self-exclusion can be initiated right from account settings, no support ticket needed. We attempted a one-week exclusion; the system denied login instantly and halted promo emails. Reactivating after the exclusion period required a cooling-off phase and support verification — that’s a reliable safeguard.

Links to Gambling Therapy and a self-assessment test appear prominently in the footer. The platform’s overall tone emphasizes entertainment, not profit-chasing, and we observed zero questionable advertising. Footer links led to real third-party resources, not affiliate pages.

Account history exports enable you to check net deposits and session lengths over custom date ranges. We downloaded a CSV file and confirmed the numbers. That kind of transparency helps players make level-headed choices. The responsible gaming tools seem baked into the platform, not bolted on for compliance.

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The cowboy motif greets you from the start. Amber and brown tones create a old-fashioned saloon atmosphere that doesn’t cross into gimmick territory. Navigation is intuitive, and the promos page or game selection area is just a couple of clicks away. Everything took less than two seconds to load, so the user interface code is clean.

Sign-up kept things simple but didn’t overlook compliance. We were registered in less than three minutes after providing basic data, then got a quick peek at the demo. The casino presented KYC requirements clearly from the start. No hidden fine print. The whole process felt transparent, and a verification email with the verification link was sent instantly.

Mobile compatibility gained praise right away. The design adjusted seamlessly on a 6.1-inch device without a single misaligned element or clashing button. The aesthetic was consistent, and the search function was quick. The platform prioritizes usability without losing its character — that’s a rare combination. Every interactive element passed touch-target checks.

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We contacted live chat at three different times at different hours. Mean wait was 40 seconds, with one 90-second surge during the evening. Agents used fluent English and fielded complex bonus term questions without passing us around. Their system retrieved full chat history, so we never had to repeat ourselves.

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There’s no phone support, which might annoy players who like a voice chat. Still, the live chat speed and short email turnaround compensate. Support operates 16/7, and while around-the-clock would be better, the current coverage fits most playing schedules.

Mobile Experience and UI

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Live dealer games in landscape mode filled the screen completely, with a collapsible chat panel. Video resolution adapted automatically depending on connection speed — a intelligent feature for mobile data users. Battery usage across a one-hour session amounted to only 12%, meaning the battery optimization is highly efficient and ahead of many competitors.

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Stellan Skarsgård is back to add star power to Karlovy Vary cinema screens. The Swedish star, who was nominated for an Oscar for his role in Norwegian filmmaker Joachim Trier’s international Oscar-winning Sentimental Value, was one of the celebrities gracing the Czech spa town with his presence during the 2025 edition of its big film festival, where he was honored with the KVIFF Crystal Globe Award for his “outstanding artistic contribution to world cinema.”

Also in the Czech spa town, the actor reflected on his life, career and working with the likes of Lars von Trier and Ingmar Bergman during a recording of The Hollywood Reporter’s Awards Chatter podcast in front of a packed house.

Now, he stars in the black-and-white trailer for the 2026 edition of the Karlovy Vary International Film Festival (KVIFF), the event’s double anniversary of its 60th edition in its 80th year of existence, which runs July 3-11.

|Our extraordinary collection of original festival trailers has been expanded to include a micro-story featuring last year’s recipient of a Crystal Globe for Outstanding Artistic Contribution to World Cinema, actor Stellan Skarsgård,” the fest said, without disclosing further details about the trailer.

What is clear, however, is that Skarsgård has joined a who’s who of stars from Hollywood and beyond in starring in the typically irreverent and offbeat trailers that don’t take themselves, the celebrities and the award statuette too seriously. Johnny Depp, Mel Gibson, Helen Mirren, Benicio del Toro, Harvey Keitel, Milos Forman, Danny DeVito, Casey Affleck, Andy Garcia and John Malkovich are among the big names who have starred in trailers for KVIFF over the years.

Ivan Zachariás, the long-time creator of KVIFF trailers, recently traveled to Sweden to work on the 2026 version with Skarsgård.

And KVIFF on Tuesday released a first-look image of the star, which you can see in this post, from the trailer, which will premiere on the opening night of this year’s fest.

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Stellan Skarsgård is back to add star

Hollywood is having its best summer since the Covid-19 pandemic threatened to permanently alter moviegoing habits, with “Toy Story 5” extending the hot streak over the weekend.

The Disney-Pixar sequel was on pace to sell an estimated $312 million in tickets worldwide from Thursday through Sunday, according to Rentrak, which compiles box office data. Directed and written by Andrew Stanton and McKenna Harris, it was expected to generate $160 million in ticket sales in North America, giving it not only the biggest domestic opening of the summer so far, but the biggest of the year.

The strong No. 1 opening reflected Disney and Pixar’s deft stewardship of the 31-year-old “Toy Story” series. While not a record for the franchise when adjusting for inflation — “Toy Story 3” made about $171 million in today’s dollars on its domestic opening weekend in 2010 — it is rare for a fifth installment to perform at this level. Few animated franchises even make it to a fifth film.

“Toy Story 5” cost an estimated $250 million to make and easily another $100 million to market. Overall, reviews were sensational.

Hollywood’s summer season, which runs from May 1 to Labor Day, has historically accounted for 40 percent of annual ticket sales. So far this season, moviegoers in North America have spent about $1.85 billion on tickets, a 16 percent increase from the same period a year ago, according to Rentrak. Hollywood’s summer hasn’t gotten off to this strong of a start since 2019, when ticket sales for the same stretch totaled $1.87 billion.

For an industry struggling to maintain its relevance in the face of sweeping changes in consumer behavior and technology, any improvement matters. Only a few years ago, when the pandemic forced many theaters to close for long periods, it was an open question whether moviegoing would survive at all.

“To be only 1 percent behind the summer of 2019 is remarkable,” said Paul Dergarabedian, Rentrak’s chief analyst of marketplace trends. “The Gen Z audience — which many people thought would be lost to small screens, especially after the pandemic — has really come out in particular this summer.” Rentrak defines Generation Z as people born from 1997 to 2012, making them about 14 to 29 today.

The mix of movies matters, of course. For the first time in years, Hollywood has started to recapture the breadth that once made the summer box office a reliable engine. The pandemic and the 2023 entertainment industry strikes, which left gaps and bottlenecks in the release calendar, are no longer distorting the flow of movies to theaters.

Hollywood started its summer with a comedy, “The Devil Wears Prada 2,” which has collected a formidable $680 worldwide and is still playing. Next came the horror films “Obsession” and “Backrooms,” each with more than $300 million. A politically incorrect horror comedy, “Scary Movie,” has so far delivered a healthy $202 million. Steven Spielberg’s “Disclosure Day,” a science fiction mystery aimed at older moviegoers, has chipped in another $160 million since its release on June 12.

“Michael,” the Michael Jackson biopic, also swelled Hollywood’s summer coffers. It arrived on April 24, but has sold $715 million in tickets worldwide since May 1 and $960 million since its debut. And while a misfire by the standards of the “Star Wars” franchise, “Star Wars: The Mandalorian and Grogu” added another $172 million.

Several would-be behemoths are still to come. They include “Minions & Monsters” from Illumination on July 1, “The Odyssey” from Christopher Nolan on July 17 and “Spider-Man: Brand New Day” from Sony Pictures on July 31.

Less-certain bets include “Supergirl,” which arrives from Warner Bros. on Friday. Movies centered on lesser-known superheroes have not fared well in recent years. Disney’s live-action “Moana,” which arrives July 10 and stars Dwayne Johnson, is another question mark. Mr. Johnson, a highly bankable star in the 2010s, has cooled as a box office force.

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Hollywood is having its best summer since

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Salasana on tilisi ensimmäinen ja monesti keskeisin lukko. Felicebet kehottaa luomaan vahvan, ainutlaatuisen salasanan, jota et sovella millään muussa palvelussa. Hyvä salasana on pitkä. Se pitää sisällään niin suuria kuin pieniä kirjaimia, numeroita ja erikoislukuja. Käytännön vinkkinä on soveltaa muistiapua tai useiden arvaamattomien sanojen sekoitusta, jota on vaivatonta muistaa mutta haastava arvata. Esimerkiksi “SuomiVoittaaJääkiekonMM2024!” on huomattavasti suojatumpi kuin pelkkä “salasana123”. Salasanaa ei pidä jakaa kenenkään kanssa. On lisäksi hyvä tapa vaihtaa sitä säännöllisesti, vaikkapa neljän kuukauden välein.

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Kaikki käytettävissä olevat maksutavat, kuten luottokortit, e-lompakot (Neteller, Skrill) ja pankkisiirrot, ovat tunnustettuja ja luotettuja palveluntarjoajia. He seuraavat omia tiukkoja turvallisuusstandardejaan. Esimerkiksi suomalaisille käytetty Trustly soveltaa pankkitason suojauksia. Se toimittaa tiedot suoraan pankkisi ja kasinon välillä. Felicebet ei näe täydellisiä pankkitietojasi. Tämä monikerroksinen lähestymistapa varmistaa, että taloudelliset tietosi ovat suojattuina useilla tasoilla. Suojaus tulee yhteyden salauksesta, turvallisista maksuyhdyskäytävistä ja itse maksutapapalveluiden tiukoista todennusmenetelmistä.

Henkilötietojen Käsittelytapa ja Yksityisyydensuoja

Felicebet soveltaa ankarita tietosuojakäytäntöjä ja EU:n yleistä tietosuoja-asetusta (GDPR). Tämä ulottuu myös Suomea. Kerätyt henkilötiedot, kuten nimi, osoite ja syntymäaika, käytetään vain asiakkaan tunnistamiseen, tilin hallintaan ja lain vaatimiin tarkoituksiin. Näitä tarkoituksia ovat esimerkiksi verotustietojen raportointi. Tietoja ei myydä kolmansille osapuolille mainontaa varten. Kasinolla on yksiselitteinen tietosuojakäytäntö. Siinä kerrotaan tarkasti, miten tietojasi käsitellään, kenen kanssa niitä jaetaan (esim. maksupalveluntarjoajat) ja kuinka kauan ne säilytetään.

Sinulla on oikeus tarkastaa, oikaista ja poistaa tietojasi. Voit myös rajoittaa niiden käsittelyä tietyissä tilanteissa. Käytännössä tämä tarkoittaa, että voit ottaa yhteyttä asiakastukeen ja pyytää kopion kaikista sinusta tallennetuista tiedoista. Felicebet on velvollinen poistamaan nämä tiedot pyynnöstäsi, mikäli laki ei edellytä niiden säilyttämistä. Lain edellyttämiä tarkoituksia ovat esimerkiksi rahanpesun estotoimenpiteet. Tämä avoimella ja lakisääteinen lähestymistapa turvaa, että henkilötietojasi kohdellaan huolellisesti. Sinulla on täysi valvonta niiden yli. Tietosuojakäytäntö on nopeasti luettavissa kasinon sivustolla ymmärrettävällä kielellä.

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Turvallisuusketju on yhtä vahva kuin heikoin lenkkinsä. Siksi Felicebet valitsee kumppaninsa erittäin tarkasti. Kasino tekee yhteistyötä vain maailmanlaajuisesti tunnettujen ja viranomaisten hyväksymien maksupalveluiden kanssa. Nämä palveluntarjoajat, kuten Neteller, Skrill, Trustly ja useat luotettavat pankit, käyttävät omia kehittyneitä turvajärjestelmiään. Järjestelmiin kuuluvat esimerkiksi biometrinen tunnistus ja reaaliaikainen petosvalvonta.

Kun teet maksutapahtuman, tietosi suojataan näiden palveluiden vahvalla infrastruktuurilla. Se antaa ylimääräisen suojakerroksen Felicebetin omien järjestelmien päälle. Jos käytät kuten e-lompakkoa, varsinaiset pankkitietosi eivät ikinä joudu Felicebetille. Ne säilyvät maksupalvelun suojatuissa järjestelmissä. Tämä vähentää tietomurtojen riskiä merkittävästi. Jokainen yhteistyökumppani on tarkastettu heidän turvallisuusstandardiensa, maineensa ja lupauksiensa perusteella. Tämä varmistaa, että koko taloudellisen ekosysteemin turvataso säilyy korkeana jokaisessa maksun vaiheessa.

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Asiakastilin suojauksen lisäksi

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Ammattimainen asiakastuki on olennainen osa suojattua kokemusta. Felicebetin tukitiimi on tavoitettavissa useilla kielillä, suomen kielellä mukaan lukien. He neuvovat kaikissa turvallisuuteen liittyvissä kysymyksissä. Jos havaitset tililläsi epätavallista toimintaa tai sinulle tulee epäilys tilisi turvallisuudesta, ota välittömästi yhteyttä asiakastukeen. He voivat auttaa tilanteen selvittämisessä, tilin jäädyttämisessä tarvittaessa ja opastaa seuraavissa vaiheissa.

Tukitiimi on myös merkittävänä tietolähteenä. He voivat selittää perusteellisesti, miten tiettyjä turvatoimia käytetään. He opastavat myös, jos olet unohtanut salasanasi ja haluat palauttaa pääsyn turvallisesti. Heidän kauttaan voit tehdä muutoksia vastuullisen pelaamisen työkaluihisi tai vahvistaa tietojasi. Nopeatempoinen ja pätevä reaktio voi ehkäistä mahdollisia vahinkoja. Tämä muodostaa tukitiimistä korvaamattoman osan turvallisuusketjua. Asiakastukeen voi saada yleensä yhteyttä monilla kanavilla. Nopeatempoisin tapa on live-chat. Vaihtoehtoina ovat myös sähköposti ja puhelin. Apu on saavutettavissa silloin, kun sitä eniten tarvitaan.

Usein Kysytyt Kysymykset

Käyttääkö Felicebet SSL-salausta?

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Miten voin parantaa Felicebet-tilini turvallisuutta?

Paras mahdollinen yksittäinen toimenpide suositellaan otettavaksi käyttöön kaksivaiheinen tunnistautuminen (2FA) tilin asetusten kautta. Käytä lisäksi vahvaa ja yksilöllistä salasanaa. Älä käytä samaa salasanaa muissa palveluissa, äläkä jaa sitä kenellekään. Huolehdi, että tilisi sähköpostiosoite on suojattu kunnolla. Suojaa se vahvalla salasanalla ja tarvittaessa 2FA:lla. Säännöllinen salasananvaihto on hyvä pieni lisävarotoimi.

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Onko Felicebet henkilötietojani EU:n tietosuoja-asetuksen mukaisesti?

Kyllä, ehdottomasti. Felicebet noudattaa täysimääräisesti EU:n tietosuoja-asetusta (GDPR). Tästä seuraa, että henkilötietojasi käsitellään lain mukaisesti, oikeutetusti ja läpinäkyvästi. Sinulla on mahdollisuus nähdä, oikaista ja poistaa tietojasi. Sinulla on oikeus tietää, miten tietojasi käytetään. Yksityisyytesi asetetaan etusijalle. Tietoja ei luovuteta kolmansille osapuolille ilman lakisääteistä syytä.

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Toimi ripeästi. Ota pikaisesti yhteyttä Felicebetin tukitiimiin, kun huomaat epätavallista toimintaa käyttäjätililläsi. Poikkeavaa toimintaa ovat mahdollisesti esimerkiksi tuntemattomat kotiutukset. Tukihenkilöstö kykenee estämään oman tilisi ehkäistäkseen lisätoimia ja aloittaa tutkinnan. Suosittelemme myöskin muuttamaan salasanasi pikaisesti ja varmistamaan, onko kaksivaiheinen vahvistus aktiivinen. Nopea puuttuminen on tärkeää mahdollisten vahinkojen minimoimisessa.

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Todellakin on. Felicebetillä on kattava valikoima vastuullisen pelaamisen työkaluja. Näitä ovat talletusrajoitukset, tappiorajat, peliaikarajat ja istuntoajan muistutukset. Voit lisäksi aktivoida itsellesi haluamasi pituisen lepoajan tai pyytää tilin pysyvää sulkemista. Nämä välineet löytyvät helposti käyttäjätilin asetuksista. Ne toimivat olennainen osa turvallista pelaamiskokemusta ja auttavat pitämään pelit hallinnassa.

Felicebet Casino on kehittänyt turvallisuutensa usealla eri osa-alueella. Se yhdistää nykyaikaisen teknologian, tiukan sääntelyn ja käytännölliset asiakastyökalut. Suomen pelaajalle tämä tarjoaa vankan suojan. Sen turvin kykenet keskittyä viihteeseen ja pelin nautintoon. Tilin luomisesta rahatapahtumiin ja henkilötietojen käsittelyyn jokainen vaihe on suunniteltu suojaus mielessä. Lopulta Felicebetin turvallisuusratkaisut tuottavat rauhallisen mielen. Se on ainutlaatuinen osa miellyttävää ja vastuullista verkkopelaamisen kokemusta Suomessa.

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If there is one thing South Africans know how to do, it is to produce a drama so messy that you swear you’ll only watch one episode, and suddenly the sun is coming up.

Netflix’s “The Polygamist” has had Mzansi talking non-stop since its release and, it seems the obsession has officially gone global.

Hollywood stars Sherri Shepherd and Taraji P. Henson have joined the growing list of viewers who simply cannot look away.

Shepherd took to Instagram and confessed that the series had completely reeled her in.

“Can we talk about #ThePolygamist on Netflix … I thought Crazy Rich Asians was something, but these Crazy Rich Africans are on a whole ‘nother level!!! I can’t turn it off!” she wrote.

Sis wasn’t just watching. She was conducting a full investigation into the drama unfolding on screen.

But the excitement from Hollywood is about far more than celebrity commentary and viral Instagram posts.

It is a reminder that African stories deserve the same global spotlight that audiences have historically reserved for productions from the United States, Europe and Asia.

And when someone like Henson is singing a show’s praises, people pay attention.

This is an actress who has spent decades building one of Hollywood’s most respected careers.

From her Oscar-nominated performance in “The Curious Case of Benjamin Button” to becoming a television powerhouse as Cookie Lyon in “Empire”, Henson knows a thing or two about compelling storytelling.

Because Cookie does not scare easily. That woman has survived betrayal, prison, family drama and a husband, Lucious Lyon, played by Terrence Howard – who was doing the absolute most in “Empire”.

So if she is watching a show about Jonasi Gomora and saying “GIRL YOU AIN’T SEEN SHIT YET”, then clearly Jonasi is out here collecting women like trophies and collecting drama like it’s a side hustle.

For years, there has been a tired assumption that African stories are somehow too niche for international audiences. Meanwhile, viewers around the world have been proving the opposite.

They are not looking for stories that are watered down or reshaped to fit a Western mould. They want authenticity.

They want characters who feel real. They want drama that keeps them texting their friends at midnight because they simply have to discuss what just happened.

Yes, the setting is uniquely African. Yes, the cultural dynamics are specific to this part of the world.

But beneath the designer wardrobes, family feuds and shocking betrayals are themes that resonate everywhere. Money. Power. Ambition. Love. Deception. The consequences of bad decisions.

The series recently climbed to become Netflix’s third most-watched show globally while reaching the number one spot in countries across Africa, Europe, Asia and the Caribbean.

Those numbers are not just a win for one production. They are a win for African creatives, writers, producers and actors who have long known that our stories are worthy of international attention.

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If there is one thing South Africans

Marvel Studios is reverting to an old strategy with the release of VisionQuest this Fall. Since Disney+ became the second home for MCU content, Marvel Studios has released dozens of original superhero series, both live-action and animated. Some of these Marvel streaming shows have followed the binge model, while others have gone weekly, and among those weekly releases, there hasn’t been all that much consistency in release dates.

When VisionQuest arrives on Disney+ on October 14, 2026, it will return to a release strategy Marvel Studios hasn’t used since 2023. With October 14 falling on a Wednesday, this means VisionQuest will herald the return of Wednesday weekly Marvel releases on Disney+. This changes the most recent strategy, which saw Daredevil: Born Again, seasons 1 and 2 (in 2025 and 2026) come out on Tuesdays. 

Marvel Studios’ other most recent live-action shows, Ironheart and Wonder Man, also followed the Tuesday release pattern, suggesting that Tuesdays were now the release date for MCU content. But with VisionQuest returning to Wednesday release drops, it’s reverting to a long-held strategy.

Marvel Television

When Marvel Television launched its Disney+ streaming strategy with WandaVision in 2021, it began releasing new episodes on Fridays. The next Marvel streaming show, The Falcon and the Winter Soldier, followed suit, before Marvel Studios implemented the swap to Wednesday morning releases. Every MCU Disney+ show, including Loki, Hawkeye, Moon Knight, Ms. Marvel, and more, followed the Wednesday strategy, right up until Secret Invasion in 2023. 

The release strategy shifted again for Loki Season 2, which released weekly on Thursdays, and several other MCU shows became scattered on the calendar. Echo was a binge release on a Tuesday. What If…? Season 3 premiered on a Sunday. Then, some semblance of structure came with Daredevil: Born Again in 2025, which started the Tuesday release trend. This has continued into 2026 with the release of Daredevil: Born Again Season 2, but for its next live-action show, Marvel is bringing back Wednesdays. 

Notably, VisionQuest isn’t the only Marvel Studios release commandeering Wednesdays in 2026, with X-Men ’97 Season 2 also following the pattern, starting with its first episode on Wednesday, July 1. 

VisionQuest is the third installment in the Disney+ trilogy that began with WandaVision and continued in Agatha All Along. The Marvel TV show follows Paul Bettany’s Vision on a quest to rediscover himself, with James Spader, Todd Stashwick, and T’Nia Miller also starring.

Will VisionQuest’s Release Day Change Be a Success for Marvel?

Paul Bettany as Vision.
Marvel Studios

Marvel Studios has yet to announce the release dates for any further TV shows beyond VisionQuest and X-Men ’97 Season 2, so it’s unclear whether this Wednesday release date trend will continue moving forward or be shifted up again for any of Marvel’s 2027 TV releases.

The change from Tuesday to Wednesday isn’t all that significant for the MCU, particularly given how all over the place past Marvel Disney+ releases have been on the weekly calendar. A return to Wednesdays will bring VisionQuest in line with the second WandaVision trilogy show, Agatha All Along, which also released on Wednesdays and saw decent viewership growth from week to week. Marvel may want to try to recapture this again with VisionQuest and also cement some unity around its WandaVision trilogy.

Fall is also a busy season for television, so cementing a place on the calendar early for VisionQuest is in Marvel’s best interests. Right now, the only other major TV shows competing with VisionQuest on Wednesdays is Prime Video’s The Terminal List, an action thriller starring MCU alum Chris Pratt that will debut one week after VisionQuest’s first episode and may target the same demographic. 

Several weeks later, on Wednesday,  November 11, Prime Video will also release its major fantasy blockbuster series The Lord of the Rings: The Rings of Power Season 3. This is the first time that The Rings of Power has been released on Wednesdays instead of Thursdays, so it could give VisionQuest stiff competition mid-way through its season as the MCU and Lord of the Rings franchises go head to head (a year ahead of their big 2027 rivalry). 

At this point, however, VisionQuest will have released at least five episodes and may have established an audience base, putting it in a strong position to retain eyeballs against its rivals on Prime Video. 

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This year has been a great year for movies. From horror stunners like Obsession to nerdy favorites like The Mandalorian and Grogu, 2026 has covered a wide scope of genres—and it’s only halfway over! At Nerdist, we hold movies near and very dear, and so we have compiled a list of our favorites, in no particular order. Here are the best movies of 2026 so far.

Project Hail Mary

Amazon MGM Studios

Project Hail Mary kicked off the year with a feel-good space drama. It offered a little bit of everything. The deep emotions of an astronaut lost alone in deep space, complemented by star Ryan Gosling’s quippy humor and—who could forget—a lovable alien creature, Rocky.

This movie knew when to be serious, and it definitely knew when to be funny. It was heartwarming, too, exploring complex relationships between humans as well as humans and aliens, and the meaning and significance of sacrifice.

PROJECT HAIL MARY Made Me Romantic About Movies (Review)

Hokum

A horrifying face in the teaser for Hokum.
NEON

Switching gears entirely, supernatural horror film Hokum will have you chilled to your core. Adam Scott of Severance and Parks and Rec stars as Ohm Bauman, an author who decides to spread his parents’ ashes where they took their honeymoon. He finds himself in a haunted hotel in Ireland where he must face the evil trapped there.

Hokum was created by Damian McCarthy, an Irish filmmaker. He drew inspiration from Gaelic myth, where he got the cailleach concept. In mythology, a cailleach is a mythical “hag” with power over the landscape. While not an inherently evil being in myth, she certainly felt evil in this movie. Bauman faces the witch herself alongside visions from the past.

HOKUM Is a Delightfully Chilly Haunted Hotel Flick (Review)

Is God Is

Two girls, one with facial scars and another with a scarred arm, sit together on the hood of a car.
Orion Pictures

Is God Is was an emotionally moving tale of twin sisters on a journey to kill their abusive father. Aleshea Harris’ directorial debut, based on her off-Broadway stage play of the same name, is a thriller, a dark comedy, and a revenge film rolled into one. It also explores the tensions within a cycle of abuse.

The two girls suffered life-changing first-degree burns at their father’s hands when they were children. Despite its characters’ traumatic backstory, the movie manages to be darkly comedic.

IS GOD IS: A Cathartic and Brutal Exploration of Black Girl Rage (Review)

The Devil Wears Prada 2

the devil wears prada 2 teaser trailer andy and miranda
20th Century Studios

Picking up where the first installment of Andy’s story left off 20 years ago, The Devil Wears Prada 2 was a glorious return to Runway magazine. Meryl Streep, Stanley Tucci, and, of course, Anne Hathaway graced our theater screens once again. Despite two decades passing, we could be convinced the second movie had been filmed the day after the first—the stars appeared almost identical to their 2006 counterparts.

The story follows Andy and Miranda, both down on their luck. It deals with the realistic struggles of print magazines in moving to digital, clickbait-heavy formats. It also discusses the looming threat of A.I. taking over the journalism field (gulp). Amidst these heavier issues, the characters navigate the complex reality of their careers, their relationships with each other, and their own personal flaws.

THE DEVIL WEARS PRADA 2 Is 2026’s Most Important Movie—Here’s Why It Matters (Review)

Backrooms

The eponymous neon-lit hallways and odd rooms that make up The Backrooms.
Kane Pixels

After his YouTube series The Backrooms gained immense traction, a creator known as Kane Pixels found himself directing a feature-length psychological horror based on the story he had been developing for years.

He created his YouTube series in a found-footage style, exploring a liminal, empty mass of endless hallways. The landscape resembles an abandoned department store, with fluorescent ceiling lights to boot. Parsons’ first episode was a “short film” published in 2022, and the story developed from there as he continued making videos for three years. You can read more about the internet “creepypasta” that inspired his work here.

The movie is set in the same location as his shorts and follows researchers as they investigate the realm of “the backrooms.” Getting lost in the hallways is scary enough, but when it turns out some sort of entity is there with them, the scientists have to fight for their lives.

The 8 Scariest Levels of the BACKROOMS

Obsession

Focus Features/Universal Pictures

2026 truly is a year of good horror, with Obsession being another box office smash. It has also had its moment on the internet, with stills of star Inde Navarrette’s intense frown going viral, alongside her other facially uncanny moments.

More is disturbing about this movie than just the “be careful what you wish for” trope. In some ways, it is about the world of romance we live in today, the idealization of being in a relationship or being loved. Having a partner who has no personality outside of loving you may, in fact, be more terrifying than the natural character flaws that being an individual, an independent person, would bring.

The underlying messages of the movie are what take it from scary to horror.

OBSESSION Is a Classic Story with an Uncanny Horror Twist (Review)

The Mandalorian and Grogu

The Mandalorian and Grogu cameos
Lucasfilm

For the Star Wars nerds out there, your favorite world has never stopped expanding. The Mandalorian show has been wildly popular in the years since it began its run. And now the creators have taken a more cinematic direction with The Mandalorian and Grogu.

The two-hour long feature film actually replaced the show’s fourth season. Director Jon Favreau mentioned that writing for season four was underway in 2023 but, in a statement to SFX Magazine, said they trashed those scripts entirely to write the feature film.

The episodes would have been aiming to continue where season 3 had left off and set up the Ahsoka show. However, the movie took a different direction, something that would be appealing to the audience whether they had watched the previous content or not.

“As long as you understand the archetypes of this hardened warrior with their vulnerable young apprentice, you’ll know these characters well, even if you’ve never seen the show,” Favreau said. “But there’s still a lot of Star Wars in there.”

Masters of the Universe

Based on the 1980s animated show, He-Man and The Masters of The Universe, this nostalgic movie did the series justice. He-Man, played by Nicholas Galitzine, is your average Joe working in an office cubicle and yearning for the day he can return to Eternia. Luckily, he does—it would have been boring otherwise—and along the way encounters Skeletor, the classic villain, along with other characters from the series.

masters of the universe he-man
Amazon MGM

This is the second time He-Man has been adapted in live-action. In 1987, the first adaptation was made, featuring an oddly shiny blonde man and a tacky skeleton mask. On the surface, not much changed, but this film is a step up.

MASTERS OF THE UNIVERSE Is a Colorful Retro Adventure (Review)

Toy Story 5

If you thought Toy Story 4 was the end, you’ve officially been proven wrong. Despite what seem to be repeated conclusive finales to the series, fans love Toy Story enough to bring it back to the theaters a fifth time. Nostalgic characters accumulated over the first four movies return and grapple with their place in the age of the internet.

Jessie, Bullseye, and three electronic toys in Toy Story 5
Pixar

1990s toys meet electronics, and parents face criticism in this new story. A review from Indiewire points out the blatant complacency with which many parents now operate, surrendering their children to the teachings of mindless internet use. This movie calls that out and emphasizes the importance of imaginative play in childhood, and this makes it one of the best movies of 2026.

TOY STORY 5 Cements the Franchise as Cinema’s All-Time Best

Originally published on June 22, 2026 with additional reporting by Ella R. Dunn.

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⚡ Quick Take The year is already halfway over,

Dota 2 players were curious as to why Axe is always getting banned every match. While Axe is a common ban pick to some, it shouldn’t happen every game. Once is a happenstance, twice is a coincidence, thrice is a pattern.

If you hover over the “banned” Axe icon during the picking phase, it actually shows a wanted poster. Why is this? Well, there’s a reason why Axe is always banned: Valve has temporarily disabled Axe for the time being.

Small Dota 2 Patch Notes June 22, 2026

There’s a small update for Dota 2 (90.6MB to be exact), but it is so small that you would think that it could be just from a maintenance update. There are actual patch notes released by Valve, and here they are:

  • Axe has been removed from the available hero pool and can no longer be selected or assigned randomly.
    • Still available in Captain’s Mode.
  • Selecting Axe in the Heroes tab displays the Wanted Poster variant image instead of Axe’s hero model.
  • Axe cannot be used in Hero Demo mode.
    • The default demo mode enemy has been replaced with Juggernaut.
    • Can still be spawned with -createhero axe command.
  • New localization string: “DOTA_Axe_Missing” “Axe is missing and cannot participate”
  • New image file: images/events/dark_carnival/missing_axe_large.psd

With the removal of Axe and a new image file called “dark_carnival” being mentioned, it does seem like a big event is coming to Dota 2 soon. With a lot of teases recently, players have already been suspecting something is up with the 7.41d patch, showing Axe with a “Sense of Foreboding” buff if picked with Ringmaster. This is actually a reference to the Ringmaster trailer, where Ringmaster captured Axe.

While Axe may seem to be one of the heroes to headline the upcoming Dark Carnival event, Ringmaster definitely fits the theme of a “Dark Carnival” if it does ever happen.

Dota 2 players are starved for event updates, and it is about time one shows up, especially with one of the biggest esports events, The International, slowly approaching. For longtime fans or skin collectors, get your wallets ready as something big is surely brewing this year for Dota 2.

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EXCLUSIVE: Bectu, the creative industry union, has called for better pay protections for freelancers after a contemporary adaptation of Jane Austen’s Northanger Abbey collapsed, owing crew members potentially hundreds of thousands of pounds.

Deadline revealed on Monday that Northanger Abbey, a £7M ($9M) production mounted in the UK by a team of inexperienced U.S. producers, fell apart during advanced prep and has failed to deliver on its promises to pay workers what they are owed. A handful of crew are now pursuing legal action.

Northanger is the third high-profile UK indie film collapse Deadline has reported on over the past year. Simon Pegg’s Angels in the Asylum and Cara Delevingne vehicle The Climb both went down amid similarly rancorous stories of producers running into financing issues, despite having committed to crewing up. 

In a statement, Bectu head Philippa Childs said: “This kind of thing happens all too often with production companies commissioning work when they don’t have secure funding for the project in place. There are insufficient checks in place to prevent this.”

She continued: “Bectu has previously proposed a number of possible solutions to this problem, including requiring productions to deposit funds in escrow or put a completion bond in place, so that wages are covered before work starts.

“This is the kind of thing the freelance champion will hopefully take forward when appointed. Bectu will be engaging with them at the soonest opportunity to highlight this ongoing and unacceptable problem which leaves talented workers unfairly exposed.”

There are no rules in the UK around putting crew cash in an escrow account, meaning freelancers are uniquely vulnerable when films run into financing issues. This was a point made by a Northanger crew member, who told Deadline: “If you want to buy a house, you can’t just rock up and purchase a house. You have to prove who you are and provide proof of funds. If you’re coming into this country to make a film, you should prove that you can pay people.”

Northanger producers said they have remained in constructive conversation with freelancers, adding that debts will be settled once the film is remounted. They blame the film’s financier APX for the issues, while the financier blames the producers. Talks have been ongoing with potential new investors.

Led by David Alan Ruben, who made his directorial debut on the 2024 PVOD comedy Ain’t We Got Fun?!, Northanger was a modern reimagining of Austen’s novel. It was focused on a young American literature teacher named Catherine Winslet, who relocates to Bath to ghostwrite the memoirs of her eccentric idol, Mrs Daftwood. During the trip, Winslet meets a charming Brit named Edmund, who helps her live out her Jane Austen-inspired fantasies.

Yellowjackets star Sarah Desjardins was approached to play Winslet, while producers wanted Joely Richardson (Nip/Tuck) to play Mrs Daftwood, and Malcolm McDowell (A Clockwork Orange) was lined up to feature as Mr Daftwood. Jane Seymour (Live and Let Die) was also in talks about a role.

If you would like to get in contact with the author of this story, please email jkanter@deadline.com.

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EXCLUSIVE: Bectu, the creative industry union, has

Talent and brand advisory company United Talent Agency has a message for everyone at Cannes Lions 2026 and beyond: “Cultural impact can be measured.”

And it has a new tool to do so, which it unveiled on Tuesday morning at the annual Festival of Creativity, where it is having its biggest presence ever. Meet the “UTA Culture Canon” and the firm’s first-ever Culture Index.

UTA describes the index as “a first-of-its-kind measurement system that quantifies cultural significance” and is built on “public intelligence, UTA’s proprietary data and perception” to translate “what was once intangible into a clear portrait of influence today – and what it takes to gain it.”

Why should brands care? Well, research finds that consumers are “far more likely to engage, trust and buy from brands they perceive as culturally relevant,” UTA explains.

The Culture Index measures three factors and weighs their influence. The three factors are reach, resonance and relevance. “Reach gets a brand noticed,” the firm explains. “Resonance keeps it remembered. Relevance gets it bought.”

Reach gets measured via the likes of social following, engagement, press mentions, site visits, consumer sentiment, revenue and employee count. Meanwhile, resonance evaluates the year-over-year growth across all these reach metrics. And relevance is measured via “qualitative research into human perception of cultural relevance right now,” according to UTA, calling this “the most personal and decisive dimension.”

On Tuesday, the firm even shared insights into what drives relevance, citing durability, community engagement and authenticity as the top factors.

“Culture has always been a business driver. For decades – even centuries – it has influenced how time and money are spent,” says Alexander Jutkowitz, partner at UTA. “As culture continues to expand and diversify across platforms, spaces, and communities, it becomes increasingly important for brands to harness it authentically.”

UTA’s inaugural Culture Index report analyzed 10,000 brands across 44 industries and 49 “data signals” – from financial performance and social growth to qualitative consumer perception. All in all, the report features “the most data-driven portrait yet of how culture shapes commerce,” the agency says.

So, what industries are doing well on the new index? “Software and platform companies rank as the most culturally relevant industry in the inaugural report, driven in part by AI’s rapid rise,” shares UTA. “Video games follow closely behind thanks to their ability to foster community and participation.”

Behind those rank financial tech brands and broadcasting and streaming companies, which, according to UTA, are “manufacturing culture through IP, as audiences form their identities around the stories they stream.” Just behind ranks fashion & apparel, where “athleisure is blurring the line between performance and everyday life,” UTA notes.

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Talent and brand advisory company United Talent Agency has

Warning! The following contains spoilers from the 90 Day: The Last Resort Season 3 episode “Let Down Your Last Armor.” Stream the episode with an HBO Max subscription, and read at your own risk!

90 Day: The Last Resort has me at my wits’ end, but it’s not due to the couples who will ultimately split or the fact that the unlimited alcohol is once again a problem. I really am just about to come unraveled at the newest 90 Day show on the 2026 TV schedule because, quite frankly, I’m over hearing Sarper Güven attempt to crack jokes every opportunity he gets.

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Warning! The following contains spoilers from the

David Corenswet was lauded as a “real life” Superman after coming to co-star Milly Alcock’s defense at the “Supergirl” premiere in New York City on Monday.

In video footage that appeared to be from the red carpet premiere and shared on X, Corenswet, who plays Clark Kent/Superman in James Gunn’s DC Universe, is seen confronting a photographer for touching Alcock’s back without her permission. It’s unclear why the photographer touched Alcock, but it seemed to upset Corenswet, who put himself between the actress and the press line.

It didn’t take long for the clip to take off, with the original poster asking their followers: “Why tf would you put your hands on an actress at their movie premiere as a photographer?”

However, countless others were simply happy to see Corenswet’s chivalrous actions. “Protective cousin moment,” one fan wrote on X, referencing the fact that Corenswet and Alcock play cousins in the new “Supergirl” movie.

“Good on David Corenswet for stepping in,” another commented. “A photographer has no business putting their hands on an actress at a red carpet event, or anywhere else.”

A third commented, “bro’s superman in the movies & superman in real life too it seems.” A fourth fan appeared to echo this sentiment, adding beneath the post, “Ugh I love David Corenswet he really is Superman.”

And that’s just a taste of the praise for Corenswet, as the video has been viewed nearly 775,000 times with over 8,000 likes.

“Supergirl” sees Corenswet return as the Man of Steel, but it’s Alcock’s Supergirl/Kara Zor-El who is leading the new superhero movie. Per a logline for the movie, “Supergirl” follows the titular superhero as she “joins forces with an unlikely companion on an interstellar journey of vengeance and justice.” However, “an unexpected adversary strikes too close to home,” with the trailer showing her beloved dog Krypto (who became a fan favorite in Gunn’s “Superman) in dire trouble.

“Supergirl” soars into theaters on June 26.

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David Corenswet was lauded as a “real

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Ravyn Lenae is ready for the spotlight. The singer will bring her upcoming blend of R&B, pop, and new wave electronics on Blue Island to the stage this fall with a headlining tour of North America. The run begins on September 15 and lasts on through October 21, with Nourished by Time, Lexa Gates, and Q appearing at various stops as her openers. Find Lenae’s full list of tour dates, including performances at several European music festivals, below.

Blue Island, Lenae’s first album since 2024’s Bird’s Eye and its massive song “Love Me Not,” will be out on August 7 via Atlantic. Expect to hear some of that new material live during her headlining run this fall, including its lead single “Handle.”

Revisit the 2022 feature Ravyn Lenae Is Making Timeless R&B at Her Own Pace.

Ravyn Lenae: Blue Island Live 2026 Tour

Ravyn Lenae:
08-13 Copenhagen, Denmark – Syd for Solen
08-14 Gothenburg, Sweden – Way Out West
08-15 Oslo, Norway – Oya Festival
08-20 St. Poelten, Austria – Frequency Festival
08-22 Biddinghuizen, Netherlands – Lowlands Festival
08-23 Hasselt, Belgium – Pukkelpop Festival
08-25 Lausanne, Switzerland – Headline
08-26 Paris, France – Rock en Seine
08-28 London, England – All Points East
08-29 Lisbon, Portugal – Kalorma
08-30 County Laois, Ireland – Electric Picnic
09-15 Sacramento, CA – Channel 24 +
09-16 Oakland, CA – Fox Theater +
09-18 Las Vegas, NV – Brooklyn Bowl +
09-19 Salt Lake City, UT- Rockwell at The Complex +
09-20 Denver, CO – Ogden Theatre +
09-22 Minneapolis, MN – The Fillmore +
09-25 Chicago, IL – The Salt Shed +
09-26 Detroit, MI – Masonic Jack White Theatre +
09-29 Washington, D.C. – The Anthem +
09-30 Boston, MA – Roadrunner ^
10-02 New York, NY – Kings Theatre ^
10-03 Philadelphia, PA – Franklin Music Hall ^
10-05 Toronto, Ontario – HISTORY ^
10-08 Raleigh, NC – The Ritz %
10-09 Atlanta, GA – The Eastern %
10-10 Nashville, TN – Marathon Music Works %
10-11 Memphis, TN – Satellite Music Hall %
10-13 Dallas, TX – House of Blues ^
10-14 Austin, TX – Emo’s ^
10-16 Tucson, AZ – Rialto Theatre ^
10-17 Phoenix, AZ – Van Buren ^
10-21 Los Angeles, CA – The Greek Theatre ^ +

+ with Lexa Gates
^ with Nourished By Time
% with Q

Source link

Ravyn Lenae is ready for the spotlight.

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Yellow Broken Road is a romance-suspense that asks a haunting question right from the get-go: What do you do when the love of your life is fated to end in tragedy? It’s a story about two people who choose each other anyway — and what that choice costs them.

Imani (Chelsea Rose Cook) is at her mother’s party when she sees him, her soul mate, across the room. Ike (Jean Charles) locks eyes with her, and that’s it — the two will become inseparable…for better or worse. But even as the two draw together, a dark mantra plays inside her head from her mother: you will die young, you will die alone, and you will die complete.

What follows is a love story from start to finish. Ike starts as a struggling filmmaker chasing his big break, hoping his cousin will back his project after a major lawsuit settlement. The investment never comes. Then, months later, Ike confesses to Imani that he has been out of work and has been hiding it from her. What appears to be the moment they end for good breaks open into a confession of love. “I will probably hate you,” they proclaim — and then Ike gets down on one knee. Imani says yes.

Years pass. Ike’s career finally takes off, they have a child, and their life together walks the line between flourishing and falling apart. The past always has a way of resurfacing — extended family, old friendships, past loves, and the unexpected weight of unplanned parenthood, all filtered through what it means to build a successful Black family in America. All the while living that prophecy — you will die young, you will die alone, and you will die complete.

Yellow Broken Road hits hard on the themes of love, relationships, marriage, and parenting. “[It’s] about love not as an easy comfort, but as a fragile thread stretched across loss, choice, and consequence,” says writer-director Njedeh Anthony. “It is about two souls navigating a world where the past and the supernatural press against the present, shaping their every decision.”

Imani and Ike sit on a park bench at night in Yellow Broken Road, a tense silence between them.

“Years pass. Ike’s career finally takes off, they have a child, and their life together walks the line between flourishing and falling apart.”

The film is equal parts romance and a poetic commentary on love — and all with a distinctly African-American and, for that part, African context behind it. The love story between Imani and Ike feels very Shakespearean, and they almost speak in prose. They talk about love, get really deep about it, and their love is just as much an intellectual conversation as an emotional exploration. There were times when I was thinking to myself, “These two really shouldn’t get together.” I think that question is so relatable to everyone.

Consider that mantra: “You will die young, you will die alone, and you will die complete.” By the end, you realize that the film really is about that last segment: “You will die complete.” It’s an interesting question: who will you be as a person at the end of the relationship? What would the person at the beginning of that relationship think of that person themselves?

Another thing I appreciate is that Yellow Broken Road gets into issues of race, culture, and what it means to live in America. What I appreciate about it is that the conversations are brought up and challenged but never resolved, almost forcing you to come to your own conclusion. Honestly, that’s how all politically-based conversations should be in movies, in my opinion. There is a moment when Imani’s friend wonders if it’s right to raise a child in today’s “White” America. I’m still mulling over the answer.

This movie revolves around the performances of Chelsea Rose Cook and Jean Charles as Imani and Ike. There is a lot of talking, a lot of dialogue, a lot of conversations, and it is done in a way that, as I said before, feels Shakespearean. Feels like a play where our two protagonists are just given that opportunity to lay it all out and be honest. I think that’s what attracts us most to movies like this: authenticity and honesty. This is a story for everyone, and it’s not an easy one because it’s going to make you think more than it will make you fall in love.

Yellow Broken Road screened at the 2026 Dances with Films.

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Yellow Broken Road is a romance-suspense that

Image Credit: Getty Images

Savannah Guthrie and her family have been managing a crisis for more than three months now. Her mother, Nancy Guthrie, is missing and was last seen outside of her Tucson, Arizona, home on January 31, 2026. As updates on the case emerge, Today show viewers are hoping that authorities find Nancy as soon as possible.

In a previous statement shared by Today, Savannah said, “On behalf of our family, I want to thank everyone for the thoughts, prayers and messages of support. Right now, our focus remains on the safe return of our dear mom.”

The media personality made sure to thank the authorities “for their hard work on this case” and encouraged “anyone with information to contact the Pima County Sheriff’s Department at (520) 351-4900.”

As the investigation continues months later, authorities are still reviewing surveillance footage, forensic evidence and DNA findings alongside the FBI. Below, get updates on Nancy’s whereabouts and the ongoing missing persons investigation.

How Old Is Savannah Guthrie’s Mom Nancy? Her Age

Nancy is 84 years old.

Is Nancy Guthrie Sick? What We Know About Her Health

According to Pima County Sheriff Chris Nanos, Nancy “is not in good physical health” amid her disappearance. However, Sheriff Nanos pointed out that Nancy has “no cognitive issues at all” and is “very alert, she’s of good, sound mind” during a press conference.

Has Savannah Guthrie’s Mom Nancy Guthrie Been Found Yet?

At the time of publication, Nancy has not been found yet. Sheriff Nanos said during a press conference on February 2 that the scene at Nancy’s Tucson home was “very concerning” and of “grave concern,” prompting authorities to act quickly. Law enforcement used drones, airplanes and helicopters in their search for Nancy.

The possibility of foul play has not been ruled out in Nancy’s missing persons case. “I hope we find her safe and sound, but we can’t ignore what’s in front of us,” Sheriff Nanos told reporters.

The sheriff told the public on February 2 that Nancy’s home is considered a crime scene. “She did not leave on her own, we know that,” he added.

According to the Los Angeles Times, authorities found blood inside Nancy’s home, and they believe she may have been taken in the middle of the night. Multiple outlets later reported that Nancy’s pacemaker stopped syncing with her Apple devices on February 1.

On February 3, the FBI announced its involvement in the search for Nancy alongside local law enforcement during a press conference. The next day, Savannah and her siblings posted an emotional Instagram video pleading with the kidnapper to release their mother.

On February 13, police detained three people at a Tucson residence after conducting a raid. The home is roughly two miles away from Nancy’s.

However, no one has remained in custody, and police still have not identified a suspect. One man, however, was detained following a traffic stop outside of a restaurant in Arizona. Sheriff Nanos told reporters he was their “person of interest” but was since released.

The FBI increased its reward to $100,000 for the public’s information about Nancy’s disappearance. On February 24, Savannah announced that she had increased the reward to $1 million.

In March, Nanos spoke with NBC News about Nancy’s shocking disappearance.  “We believe we know why [the kidnapper] did this and we believe that it was targeted, but we’re not 100 percent sure of that,” Nanos explained. “So it’d be silly to tell people, ‘Don’t worry about it. You’re not his target.’ You could be. Don’t think for a minute that because it happened to the Guthrie family, you’re safe. No. Keep your wits about you.”

On March 22, Savannah and her siblings released another statement asking for “renewed attention” to their mother’s case.

“It’s possible a member of this community has information that they do not even realize is significant,” the family told Arizona station KVOA – News 4 Tucson. “We hope people search their memories, especially around the key timelines of January 31 and the early morning hours of February 1, as well as the late evening of January 11. We desperately ask this community for renewed attention to our mom’s case − please consult camera footage, journal notes, text messages, observations or conversations that in retrospect may hold significance. No detail is too small. It may be the key.”

In May 2026, authorities said they were getting “closer” to solving the case as forensic evidence continued to be analyzed. Officials also confirmed that human remains discovered near Nancy’s home in spring 2026 were unrelated to the investigation.

The following month, a Mexican volunteer group received an anonymous tip that claimed Nancy was buried near the U.S.-Mexico border in Nogales. Authorities have yet to find evidence supporting the information.

On June 20, a report surfaced about another ransom note emerged, indicating that Nancy allegedly died after accidentally getting in the middle of a kidnapping plot. The note has not been verified yet.

Was a Ransom Note Involved in Nancy Guthrie’s Disappearance?

On February 3, TMZ reported that an alleged ransom note had been sent to the outlet that day, demanding millions in Bitcoin. The note further demanded that the money be sent to a specific Bitcoin address, which the outlet reported it had verified was real. TMZ forwarded the alleged ransom letter to the Pima County Sheriff’s Office.

The Pima County Sheriff’s Office told CBS News that a ransom note was sent to a local Arizona news station. It’s unclear if it contained the same details as the one TMZ obtained.

The FBI confirmed on February 5 that a ransom note delivered to multiple media outlets had a deadline that same day for 5 p.m.

“If a transfer wasn’t made, the second demand was for next Monday,” FBI Phoenix Special Agent in Charge Heith Janke said at a press conference on February 5. “I’m not going to go beyond that.”

TMZ’s Harvey Levin told Sean Hannity that the apparent ransom note the outlet received claimed that Nancy was “safe but scared” and was aware of the “demand” the perpetrators have.

Are There Any Suspects in Nancy Guthrie’s Disappearance?

No, at the time of publication, there are still no suspects. The sheriff also shut down unverified rumors about Savannah’s brother-in-law Tommaso Cioni. Authorities also clarified that all Guthrie family members were cleared in the case.

On February 10, the FBI released black-and-white surveillance footage of the suspect on Nancy’s property. The individual was wearing a mask with black gloves.

That evening, authorities pulled over a man only identified as Carlos during a traffic stop in Arizona. He was quickly released after questioning and told reporters he had no idea who the Guthrie family was.

“I hope they get the suspect because I’m not it,” he said.

The sheriff’s department announced on February 17 that the DNA found on the black gloves recovered near Nancy’s home did not match anyone in the national crime database.

On April 16, the FBI began looking at a DNA sample of a rootless hair. It’s unclear whose hair it is at the time of publication, but multiple outlets reported the supposed breakthrough. An FBI official, however, told ABC News that it was not new evidence.

“There is no new DNA evidence in the Nancy Guthrie case,” the official said. “The FBI requested this material over two months ago. The Pima County Sheriff’s Office sent it to a private lab in Florida. Eleven weeks later, that lab has now transferred an original hair sample to the FBI Laboratory for testing. We remain fully committed to this investigation.”

Is Savannah Guthrie Back on the Today Show?

Yes, Savannah officially returned to Today on April 6, 2026, after taking a roughly two-month leave of absence amid the search for her missing mother.

Savannah briefly exited a live broadcast of Today on May 6. However, she returned to the show the following morning and appeared alongside her co-hosts as usual.

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Image Credit: Getty Images Savannah Guthrie and her

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Carly Rae Jepsen is officially coming back with a new album.

The Canadian pop star announced her latest release, Day and Night, a double album, Interscope Records announced Monday. It’s set to be released on Sept. 18, with the first single, “On Wires,” slated to drop later this week.

The 24-track album is being described as her “most cohesive artist statement to date” and features 12 songs for day and 12 songs for night. “Day and Night captures a blurred, dreamlike sense of time where nights stretch into mornings and days dissolve into nights, creating a feeling of being suspended inside a moment,” a release says of the album.

The singer has been teasing the project on social media for over a week. She posted a video clip and the album’s cover earlier today on Instagram. “It’s a double album baby! You guessed it right,” one post read in part.

“Exploring and dancing through two distinctly different landscapes. Day being more open-eyed, organic and earthbound and Night being more escapist and even intense at times,” she said in another post.

Day leans more into 70s-inspired psychedelic pop, while Night is filled with synth heavy dance pop. Jepsen worked with several collaborators including Tavish Crowe, Kyle Shearer, Nate Cyphert and Cole M.G.N on the album.

Jepsen has spent the last 15 years releasing some of the most critically regarded pop music. Her breakout hit “Call Me Maybe,” initially released in Canada in 2011, blew up across the world in 2012 and earned the singer two Grammy nominations.

“On Wires” is set to be released on streaming platforms this Friday via Interscope Records. Jepsen has been announced a headliner for New York’s All Things Go music festival, which will take place on Sept. 27 and be her first live performance of the year.

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Carly Rae Jepsen is officially coming back

Jon Stewart tried to coax veteran journalists Maggie Haberman and Jonathan Swan into revealing the source behind the bombshell Situation Room account detailed in their new book, “Regime Change,” during a Monday “Daily Show” interview.

The comedian sat down with Haberman and Swan to discuss their forthcoming book, which made headlines after it was speculated that they may’ve obtained leaked audio from sensitive Situation Room meetings – including one where members of the Trump administration gathered to strategize a way to handle the Epstein files.

“You have information in here from inside the Situation Room, where they’re having a meeting to discuss the damage from the Epstein files,” Stewart said. “There’s only five people in the room? Six?”

Haberman responded by clarifying that “there were a couple of meetings that we describe in the book,” adding, “And so, there is one which was about a half a dozen people.”

Haberman did confirm that the conversations in question did involve “senior levels of the White House,” including members of the DOJ.

“So you have information. Six people are in the room,” Stewart reiterated. “Without giving away the secret, who’s the rat?”

Both Haberman and Swan laughed in response to Stewart’s grilling, with Swan even quipping that the “Daily Show” host “sound[ed] like Trump right now.”

“Tell me the rat. Who is it? [Scott] Bessent?” Stewart went on. It’s [Howard] Lutnick.”

When Stewart asked point-blank if any of this information came directly from Trump, Haberman clarified that the president “wasn’t in these meetings.”

Swan added: “They had the Epstein meetings without him because they knew he didn’t want to talk about Epstein.”

Haberman co-signed this summary, noting these high-level meetings were meant to “protect against him not wanting to discuss this and leaks.”

As Stewart asked for more details, Haberman cheekily encouraged the comedian to keep reading the book.

“I am enjoying it, but I am baffled that this administration … they are so tight knit and so loyalist, that you would be able to glean this,” Stewart said. “Did you have — was it on tape? People have suggested it might be on tape.”

Swan quickly shut down this line of questioning, sharing that they wouldn’t “speculate or talk about that.” To which Stewart responded: “I’m not asking you to speculate. I’m asking you to tell me. I’m asking you to tell me how!”

Haberman then chimed in with her own refusal, adding, “We appreciate you. We’re not going to talk about sourcing.”

“No. And I wouldn’t. And I wouldn’t ask you to,” Stewart doubled down. “What I would do is … I’m going to say a name.”

Stewart once again garnered a big laugh out of the journalists and his studio audience. He did eventually move on to other topics relating to book, including Haberman and Swan’s thoughts on the Trump administration’s current relationship with the press.

Watch the full interview above.

“The Daily Show” airs weeknights at 11 p.m. ET on Comedy Central.

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Jon Stewart tried to coax veteran journalists

Ryan O’Connell has confirmed that the adaptation based on DeuxMoi‘s novel Anon Pls is dead at HBO Max.

While appearing on Bravo’s Watch What Happens Live, the screenwriter said the series had not moved forward.

“Oh, yes, but that’s over. It didn’t move forward,” O’Connell told host Andy Cohen after being asked if he had met the anonymous blogger. “But definitely had a few sessions with Deuxmoi herself.”

In 2022, HBO Max gave a script-to-series order to Anon Pls, based on DeuxMoi’s debut novel with O’Connell and Diablo Cody attached to write. Berlanti Productions and Warner Bros. Television were attached to produce the one-hour drama series.

DeuxMoi is a pseudonymous Instagram account focused on celebrity gossip, mostly unverified, that now boasts over 2M followers. Anon Pls was written by DeuxMoi with New York Times bestselling author Jessica Goodman.

In the book, when Cricket Lopez, assistant to one of the most notorious celebrity stylists, revamps her old style Instagram account and turns it into a celebrity gossip blog on a drunken whim, she never thinks it will become anything.

When the account grows overnight and, even wilder, when she starts getting gossip from fans — juicy gossip — she has to face facts: her Instagram is now famous. She is now famous. Though no one knows that she is behind the account, its newfound success is affecting her real life.

As the account grows and becomes more and more famous, she has to wonder: is it — the fame, the insider access, the escape from real life — really worth losing everything she has?

Watch the moment in the video below.

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Ryan O’Connell has confirmed that the adaptation

Liam Payne’s 9-year-old son has inherited the late singer’s fortune.

Bear Grey Payne, the only child of Payne and British singer and former “X-Factor” judge Cheryl Cole, has been named the sole beneficiary of the former One Direction star’s estate, according to court documents reviewed by People.

Bear now has more than $29 million to his name. According to the filing, a portion of the inheritance can be accessed now, but the majority will be held in a trust for another nine years, until Bear turns 18.

During a 2019 appearance on “The Jonathan Ross Show,” Payne opened up about fatherhood and spending time with Bear after the singer and Cole had called it quits.

“He comes over to my house every so often, and we just hang out and do whatever,” Payne said of his then-2-year-old son. “I think you put pressure on yourself as a dad sometimes. It’s hard to connect with it with a 2-year-old … but they literally will laugh at anything. We put this Batman costume on him in the house, and it was a little bit slidey on the floor, and he kept falling off the sofa. And if I said ‘Whoopsie-daisy!’ and it was like the best thing ever.”

Payne, who was one-fifth of the global boy-band sensation One Direction, died Oct. 16, 2024, after falling from a balcony at the CasaSur Palermo Hotel. Officials determined the 31-year-old singer died from multiple traumas caused by the fall. He had traces of alcohol, several narcotics and a prescription antidepressant in his system when died, according to officials.

The boy-band star turned solo artist had been open about his battle with addiction and mental health and shared updates on his sobriety journey on social media.

After Payne’s death, the National Criminal and Correctional Prosecutor’s Office of Argentina charged five people for alleged involvement in the pop singer’s death, including a representative for Payne and the manager and the head of reception of the Buenos Aires hotel where the British singer fell to his death.

Another hotel employee and a waiter whom Payne met in a restaurant were charged with supplying the singer with narcotics.

Times staff writers Alexandra Del Rosario and Karen Garcia contributed to this report.

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Liam Payne’s 9-year-old son has inherited