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Paramount will exit its United International Pictures distribution joint venture with Universal as a condition for EU approval of its $111 billion takeover of Warner Bros. Discovery.

The move is in response to a request for Paramount to exit the venture made by the European Commission’s anti-trust watchdog last week. The European Commission said on Wednesday that a regulatory filing in which Paramount Skydance affirms its commitment to pull out of UIP has been submitted, adding that the “new provisional deadline” for the Commission to reach a decision on approval of the mega-merger has now been extended from July 7 to July 22.

UIP, which was formed in 1981 and is based in London, has since been scaled back and is currently active as a distributor in several European territories including Denmark, Greece, Croatia, Hungary, Norway, Poland and Sweden.

Paramount did not immediately respond to a request for comment.

The megadeal, inked in February after a protracted battle with Netflix, would bring bring together Paramount assets including CBS, CBS News, Paramount Pictures and Paramount+ with WBD’s HBO and HBO Max, Warner Bros. Pictures, CNN, TNT, TBS, HGTV and more.

The EU Commission’s review is among the last major regulatory obstacles that Ellison must face to create a global behemoth. The deal is also undergoing regulatory review in the U.K., where the British Government is likely to intervene, according to the U.K.’s Secretary of State for Culture, Media and Sport Lisa Nandy. On Tuesday, she cited concerns over there being “a sufficient plurality” of people who control U.K. media. In the U.K., the merger will bring U.K. broadcaster 5 and TNT Sports under the same ownership besides streamers Paramount+ and recently launched HBO Max.

Saudi Arabia’s Public Investment Fund (PIF), Abu Dhabi’s L’imad Holding Company and the Qatar Investment Authority (QIA) are jointly putting up a total of $24 billion investment into the Hollywood mega merger. But that does not seem to be an issue with either the EU or the U.K.

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Paramount will exit its United International Pictures

The upcoming WandaVision sequel, VisionQuest, is upping the ante for Vision as it pits him against multiple types of villains. The MCU Disney+ show will be a follow-up to 2021’s WandaVision and 2024’s Agatha All Along, which continued the stories of Wanda Maximoff (Elizabeth Olsen) and Paul Bettany’s Vision after Avengers: Endgame, and saw them become parents before their love story came to a tragic end (again). Following Vision’s proper resurrection, he will be on a quest to recover and reconcile his part in VisionQuest, which puts him in the path of several old foes.

Since he was given a synthezoid body in Avengers: Age of Ultron, Vision has been a mainstay of the Avengers lineup, facing multiple enemy types. Avengers: Age of Ultron pitted him against a dark AI mirror in Ultron, Captain America: Civil War forced him to face his fellow teammates, and Avengers: Infinity War saw him try and fail to stop the Titan, Thanos. WandaVision shifted gears by pitting Vision against his own reality, which also featured the very real threats of the witch Agatha (Kathryn Hahn) and his reprogrammed self, White Vision. 

Now, for VisionQuest, Marvel Studios is shaking things up again by placing several different types of villains in Vision’s path, and they’re set to challenge the Avengers hero in all manner of ways. 

VisionQuest is set to premiere on Disney+ on October 14, 2026. The series is created by Terry Matalas and stars Paul Bettany, James Spader, Todd Stashwick, Ruaridh Mollica, and T’Nia Miller.

The 3 Types of Villains in VisionQuest

AIs

Marvel

Vision started his life as a disembodied voice tied to Tony Stark’s AI assistant, JARVIS. With VisionQuest delving back into that past, it brings with it all manner of Artificial Intelligence programs that have appeared in the MCU’s lifetime, including some friends and foes. 

The major familiar threat Vision will encounter is Ultron (James Spader), who will return in the show in both robot and a new human form, for the first time since his defeat in Avengers: Age of Ultron. Vision and Ultron have faced each other before, but Ultron may have the upper hand this time. 

He also won’t be alone. T’Nia Miller has been cast as Jacosta in the series, and, in the comics, Jacosta is a villainous robot who was built to be Ultron’s bride. It’s expected that a similar scenario could play out in VisionQuest, with the two robots allied against Vision.

Mercenaries

Paladin in Marvel Comics.
Marvel Comics

On top of digital threats, Vision will also have very tangible ones to worry about. Mercenaries will add an additional layer of menace to VisionQuest, particularly with Todd Stashwick cast to play the Marvel bounty hunter Paladin. Paladin has been described as a Boba Fett-style character, on the hunt for Vision. A cunning and tactical mercenary like Paladin will be a new challenge for Bettany’s character, and will surely keep him on his toes.

Paladin will be joined by Diane Morgan’s mystery character, who is said to be an associate, and Christian Lavin, who has been cast as another mercenary. Lauren Morais is also part of the cast, playing Lisa Molinari, a character known as Coat of Arms in the comics, a villain to Tommy Shepherd and the Young Avengers.

Terrorists

Faran Tahir as Raza in Iron Man.
Marvel Studios

VisionQuest will also bring back one of the MCU’s oldest villains, harkening back to the Iron Man days with the return of Faran Tahir as Raza. Raza was one of the Ten Rings leaders who originally imprisoned Tony Stark, and he hasn’t been seen since the 2008 film. 

Despite seemingly having been killed, Raza will be back in VisionQuest, also potentially heralding the return of the Ten Rings organization as well, though its leadership has changed hands as a result of Shang-Chi and the Legend of the Ten Rings. 

Nevertheless, the inclusion of Raza, and by association the Ten Rings, means Vision will have his hands full on multiple accounts in VisionQuest, juggling mercenary foes, AI enemies, and potential terrorist threats.

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Several major supervillains have already been confirmed for James Gunn’s DC Universe. In the wake of Supergirl’s release, which featured Krem of the Yellow Hills and the villain/anti-hero Lobo, some much bigger names and far more sinister threats are on the horizon, including some villains who were severely snubbed in Zack Snyder’s unfinished DCEU.

Set to feature in major blockbusters, streaming series, live-action, and animation, the number of supervillains on the way in the DCU is quite impressive. While some are massive cosmic threats, others are more street-level. Regardless, all of them are incredibly exciting as hype continues to build around upcoming DCU projects releasing in the next few years.

With multiple projects officially announced with release dates and more in active development, here’s every major villain confirmed for James Gunn’s DCU so far and what audiences can likely expect from each.

8

Clayface (Clayface)

Matt Hagen's (Tom Rhys Harries) face drooping in Clayface
Matt Hagen’s (Tom Rhys Harries) face drooping in Clayface

One of the DCU’s most surprising upcoming films is Clayface, starring Tom Rhys Harries as the iconic Batman villain. Based on early details and the movie’s first teaser trailer, Clayface is clearly set to embrace full-body horror, following a tragic actor named Matt Hagen who undergoes a horrifying experimental transformation after he was stabbed in the face, inadvertently becoming a monstrous mass of shape-shifting clay.

While Clayface may seem odd as the third movie in the DCU after Superman and Supergirl, James Gunn reportedly wasn’t planning on a Clayface movie releasing so early until he read the script, liking it so much that it received an immediate green light. As such, it’s going to be fascinating to see a movie centered on one of Batman’s most dangerous and tragic foes, and how it might potentially set up events in the upcoming Brave and Bold movie, which is expected to debut the DCU’s Batman and Robin.

7

Brainiac (Man of Tomorrow)

Brainiac Image villain
Brainiac Image villain

Few Superman movie villains have been requested more than Brainiac over the years, and the Coluan conqueror/collector of worlds will be making his big-screen live-action debut in 2027’s Man of Tomorrow, played by Lars Eidinger.

Without a doubt, Brainiac’s inclusion immediately raises the stakes following Superman’s first film, especially with the confirmation that Superman and Lex Luthor will be joining forces, presumably against the Coluan supervillain.

Likewise, Brainiac also has ties to Krypton’s destruction, having shrunk and bottled the lost city of Kandor before the demise of Superman’s homeworld (at least in most continuities). As such, it should be absolutely fascinating to see Brainiac in the upcoming DCU sequel, one of the most powerful and dangerous cosmic foes in Superman’s rogues gallery.

6

Sinestro (Lanterns)

Mark Strong as Sinestro in Green Lantern
Sinestro in Green Lantern

After years of waiting, Sinestro is finally joining live action once again in HBO’s upcoming Lanterns series releasing in August, played by Ulrich Thomsen.

One of DC’s greatest villains, Sinestro began as one of the Green Lantern Corps’ finest officers and Hal Jordan’s mentor before he ultimately became one of the Corps’ greatest foes after he chose to wield the yellow light of fear instead, creating his own corps of members capable of instilling great fear across the universe. However, it’s currently unknown where in his career the DCU will find Sinestro when he debuts in Lanterns.



















Sector 2814 · Ring Active
How Well Do You Know Lanterns?
“In brightest day, in blackest night…”

💍The RingPowered by will

🔦The Corps3,600 sectors

🌌OaThe Guardians

👮Earth BeatSector 2814

⚠Yellow
Peril
The fear entity

01

Lanterns is one of the tentpole TV series launching James Gunn and Peter Safran’s rebooted DC Universe. On which streaming platform does it air?




✓ Correct! HBO Max — Warner Bros. Discovery’s flagship streamer and the natural home for DCU prestige TV alongside Peacemaker and The Penguin. Lanterns is positioned as the DCU’s high-end serialised drama counterpart to Gunn’s theatrical Superman relaunch, sharing canon with the films. Disney+ runs Marvel; Netflix and Apple are rival streamers.

✗ Ring malfunction! The answer is HBO Max. Netflix has had various superhero shows but not DCU. Disney+ is Marvel’s home. Apple TV+ doesn’t house DC. HBO Max is Warner Bros. Discovery’s streamer and the TV home of the Gunn/Safran DCU — Lanterns joins Peacemaker and upcoming DCU series there.

02

Unlike most Green Lantern adaptations, Lanterns pairs two Earth-based ring-bearers in a buddy-cop framework — a weathered veteran and a newer recruit partnered together on Sector 2814 duty. Which two Lanterns lead the show?




✓ Correct! Hal Jordan and John Stewart — two of the most beloved Earth-assigned Lanterns — are paired as the show’s central duo. Hal is the hot-shot test-pilot veteran, John the disciplined ex-Marine architect with a sharper sense of justice. The pairing draws heavily from the Geoff Johns comics era and lets the show explore two very different philosophies of what a Green Lantern should be.

✗ Ring malfunction! The answer is Hal Jordan and John Stewart. Guy Gardner (played by Nathan Fillion) is a separate DCU character who appears in the 2025 Superman film. Kyle Rayner is a beloved Lantern but not part of this show. The Lanterns duo is the Hal/John pairing — a pointedly contrasting veteran and recruit on Sector 2814 duty together.

03

The role of Hal Jordan — the weathered, test-pilot-turned-space-cop original Earth Lantern — went to a veteran actor best known as Coach Eric Taylor on Friday Night Lights and for leading Bloodline. Who plays Hal?




✓ Correct! Kyle Chandler — Emmy winner for Friday Night Lights, star of Bloodline, and part of the Monsterverse (Godzilla: King of the Monsters) — plays an older, weathered Hal Jordan. James Gunn wanted a seasoned, grounded presence rather than a rookie. Ryan Reynolds played Hal in 2011’s widely-mocked Green Lantern film (a different continuity); Nathan Fillion plays Guy Gardner in the 2025 Superman film.

✗ Ring malfunction! The answer is Kyle Chandler. Ryan Reynolds’ Hal was the 2011 film (a separate, mostly-disowned continuity). Nathan Fillion plays Guy Gardner in the 2025 Superman film — not Hal. Chris Pine isn’t in the DCU. Chandler’s weathered, Friday-Night-Lights gravitas is exactly the mature Hal energy Gunn wanted for the show.

04

John Stewart — ex-Marine sniper, architect, and one of DC’s most iconic Black heroes — is played by a British actor who broke out in Barry Jenkins’ The Underground Railroad and Jeremy Saulnier’s Rebel Ridge. Who is he?




✓ Correct! Aaron Pierre — the British actor who earned raves as Caesar in The Underground Railroad (2021) and carried Netflix’s Rebel Ridge (2024) with a performance frequently compared to early Denzel Washington. Gunn called his casting “a no-brainer.” Winston Duke, Sterling K. Brown and John Boyega are all great actors but not in the role.

✗ Ring malfunction! The answer is Aaron Pierre. Winston Duke is M’Baku in the Marvel universe. Sterling K. Brown (This Is Us, American Fiction) is Marvel-adjacent too. John Boyega famously played Finn in Star Wars. Pierre’s Rebel Ridge performance — playing a disciplined ex-Marine — is essentially his audition for John Stewart, and Gunn’s team cast him off it.

05

James Gunn has repeatedly pitched Lanterns as a grounded, small-town murder-mystery thriller — where the space-cop rings are secondary to a detective case on Earth. Which acclaimed HBO series is his go-to tonal comparison?




✓ Correct! Gunn has explicitly called Lanterns his “True Detective in the DCU” — a slow-burn, atmospheric, character-driven case with superhero elements layered over a grounded murder mystery. Showrunner Chris Mundy actually did True Detective: Night Country duties, bringing that DNA directly. Watchmen (Damon Lindelof) was also cited, and Lindelof has consulting writer credits, but True Detective is the primary comp.

✗ Ring malfunction! The answer is True Detective. Gunn has named it as the explicit tonal blueprint — a slow-burn, character-driven murder mystery with superhero elements layered over it. Chris Mundy, the show’s runner, worked on True Detective: Night Country, bringing the DNA directly. Watchmen was a secondary comp (Damon Lindelof consults), but True Detective is the primary pitch.

06

When James Gunn and Peter Safran took over as DC Studios co-CEOs in 2022, they announced a rebooted slate of interconnected films and TV shows — with Lanterns among the launch titles. What is this first DCU phase officially called?




✓ Correct! Chapter 1: Gods and Monsters — announced in January 2023 as the Gunn/Safran DCU’s opening slate. It includes Superman (2025), The Authority, Supergirl, The Brave and the Bold, Paradise Lost, Waller, Creature Commandos, and of course Lanterns. Crisis on Infinite Earths is a comics event; Flashpoint and Dark Knights are other DC storylines, not the chapter branding.

✗ Ring malfunction! The answer is Chapter 1: Gods and Monsters. Crisis on Infinite Earths is a famous DC comics crossover event (and Arrowverse crossover) but not a DCU chapter label. Flashpoint was referenced in The Flash (2023) from the now-defunct DCEU. The Gunn/Safran era officially named its launch phase Gods and Monsters — Superman 2025, Lanterns, and related titles.

07

Green Lanterns serve the Guardians of the Universe, an ancient race who created the Corps’ 3,600-sector peacekeeping force and charge the Lantern rings from a central Power Battery on their home planet. What is the Guardians’ homeworld called?




✓ Correct! Oa — the small blue-skinned Guardians’ home at the centre of the universe. It houses the Central Power Battery from which all Green Lantern rings draw their energy, and serves as the Corps’ academy and operational base. Krypton is Superman’s destroyed homeworld; Themyscira is Wonder Woman’s hidden Amazon island; Apokolips is Darkseid’s hellscape.

✗ Ring malfunction! The answer is Oa. Krypton is Superman’s homeworld. Themyscira is Paradise Island where Wonder Woman was raised. Apokolips is Darkseid’s grim world in the Fourth World mythos. Oa is specifically the Guardians of the Universe’s planet — home to the Central Power Battery that fuels every Green Lantern ring in all 3,600 sectors.

08

Every Green Lantern recites the same oath when charging their ring — a four-line rhyming incantation that’s become one of the most famous pieces of verse in comic-book history. How does it famously begin?




✓ Correct! “In brightest day, in blackest night / No evil shall escape my sight / Let those who worship evil’s might / Beware my power — Green Lantern’s light!” The oath dates back to 1940’s All-American Comics #16, was refined through the Silver Age, and is considered one of DC’s most sacred bits of verse. Every canonical adaptation includes some version of it.

✗ Ring malfunction! The answer is “In brightest day, in blackest night…” The full oath: “No evil shall escape my sight / Let those who worship evil’s might / Beware my power — Green Lantern’s light!” It’s been canon since 1940 and remains one of comics’ most instantly recognisable pieces of verse — recited in every major Green Lantern adaptation.

Ring Depowered · Report to Oa
Your Corps Rank

💍

/ 8

Honor Guard veteran — or still in Corps training?

Given Hal Jordan’s status as more of a veteran Lantern, it follows that Sinestro might already be leading his Sinestro Corps of Yellow Lanterns in the DCU. Then again, it might be nice to see Sinestro’s corruption firsthand, making up for the arc we never fully got with Mark Strong’s version that was teased at the end of 2011’s Green Lantern movie starring Ryan Reynolds. Either direction would be exciting to see in live action after all this time.

5

Gorilla Grodd (Jimmy Olsen Series)

Ilana and Grodd in Creature Commandos Episode 4
Ilana and Grodd in Creature Commandos Episode 4

Although Gorilla Grodd only appeared briefly in the first season of the animated Creature Commandos series, his debut confirmed that one of DC’s smartest and most dangerous villains already exists within the DCU and will likely be a major force to be reckoned with. After all, his appearance was part of a dark vision of the future where the superpowered and highly intelligent gorilla conqueror helped Princess Ilana Rostovic conquer the world, enslaving humanity via mind control and killing the world’s heroes, including Batman, Superman, Wonder Woman, and many more.

While Task Force M prevented this dark future from happening, it’s already been confirmed that Gorilla Grodd is set to appear in the upcoming Jimmy Olsen series currently in development from DC Studios, which is where he’ll presumably make his live-action debut. Likewise, one can imagine that if Grodd is set to have a major role in the DCU, The Flash can’t be far behind.

4

Deathstroke (Deathstroke & Bane)

Deathstroke  joe manganiello from Snyderverse
Deathstroke  joe manganiello from Snyderverse

A Deathstroke & Bane movie reportedly remains a major priority for DC Studios and James Gunn’s DC Universe. Details are scarce, though the unique pairing of two of Batman’s greatest foes sounds all kinds of awesome.

Slade Wilson’s Deathstroke is one of DC’s greatest and most skilled mercenaries, a peak physical rival to Batman himself. He’s also been a major foe of the Teen Titans, which feels important, seeing as how the group of younger heroes has their own DCU movie in development as well. Perhaps Deathstroke & Bane could help set up Slade’s future role in the Teen Titans movie?

Actor Joe Manganiello never truly had the opportunity to portray Deathstroke beyond two brief appearances in Zack Snyder’s DCEU. As such, it’d be pretty cool to see him return to play Slade for real in James Gunn’s rebooted DCU. After all, the same has happened for other DCEU characters.

3

Bane (Deathstroke & Bane)

Bane preparing to fight
Bane preparing to fight in DC comics

Bane is another legendary Batman villain who’s just as popular and formidable as Deathstroke. Likewise, a new iteration of Bane has the opportunity to embrace the comics’ origins more than Tom Hardy’s version in Christopher Nolan’s Dark Knight trilogy, particularly with Bane’s dependence on the drug known as Venom, which turns him into an absolute hulking beast.

Bane is also a tactical genius who has systematically broken Batman both physically and mentally in multiple continuities, so it follows that the same should be true for the DCU as well. While casting is similarly unknown, Dave Bautista has expressed interest in playing Bane in the past. Likewise, he’s also a good friend of Gunn’s, having played Drax the Destroyer in Marvel’s Guardians of the Galaxy movies.

That said, Michael Mando is set to voice Bane in DC’s upcoming animated Knightfall trilogy, adapting the iconic comic of the same name. While the trilogy isn’t canon to the DCU, it might be interesting to see Mando potentially playing a live-action Bane as well.

2

Darkseid (Mister Miracle)

Darkseid closeup in Zack Snyder's Justice League
Darkseid closeup in Zack Snyder’s Justice League

While James Gunn has emphasized that Darkseid won’t immediately become the DCU’s overarching Justice League villain, the cosmic foe won’t have to wait long to make his DCU debut all the same. This is because Darkseid has already been confirmed for Tom King’s upcoming animated Mister Miracle series, appearing alongside the New Gods of New Genesis and Apokolips. As such, it’s the perfect project for introducing one of DC’s greatest villains without rushing him into major crossover events (at least not yet).

1

Amanda Waller (Waller)

Amanda Waller Suicide Squad Poster

Amanda Waller may not possess superpowers, but she’s arguably one of the most dangerous villains currently operating in the DCU at the same. One of the DCEU characters whose portrayal is being maintained in the new DCU canon, Viola Davis is set to return as the ever-ruthless Amanda Waller in her own series.

Following the events of Peacemaker, Creature Commandos, and Superman, congressional investigations have significantly weakened Waller’s authority, and Rick Flag Sr. now oversees A.R.G.U.S., seemingly stripping away much of the power she once wielded in past appearances. As such, Waller’s upcoming new series will likely see her fighting to reclaim her influence by whatever means necessary, which will likely make her even more dangerous than before.

DC FanDome Poster

Cast

Henry Cavill, Ben Affleck, Gal Gadot, Ezra Miller, Ray Fisher, Jason Momoa, Amy Adams, Jesse Eisenberg, Laurence Fishburne, Jeremy Irons, Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Cara Delevingne, Chris Pine, Robin Wright, Zachary Levi, Dwayne Johnson, Amber Heard, Patrick Wilson, Yahya Abdul-Mateen II, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou, Mary Elizabeth Winstead, Jurnee Smollett, Rosie Perez, Ella Jay Basco, Ali Wong, Ewan McGregor, Idris Elba, John Cena, Michael Keaton, George Clooney, Xolo Mariduena

Created by

Malcolm Wheeler-Nicholson

Character(s)

Superman, Batman, Wonder Woman, Aquaman, The Flash, Cyborg, Harley Quinn, The Joker, Shazam, Darkseid, Amanda Waller, Lex Luthor, Doomsday, Deadshot, Deathstroke, Black Canary, Black Adam

Movie(s)

Man of Steel, Batman v Superman: Dawn of Justice, Suicide Squad, Wonder Woman, Justice League, Aquaman, Shazam!, Birds of Prey, Wonder Woman 1984, Zack Snyder’s Justice League, The Suicide Squad, Black Adam, Shazam! The Fury of the Gods, The Flash, Blue Beetle, Superman, The Brave and the Bold

The DC Universe is one of the biggest comic book franchises and often competes with Marvel. DC Comics started as National Allied Publications, founded by Malcolm Wheeler-Nicholson in 1935. Since then, the franchise has exploded with thousands of comic books, movies, TV shows, and video games. 2013 marked the beginning of the most recent iteration of the superheroes, with Zack Snyder introducing Henry Cavill as Superman. After several movies with mixed reviews, DC underwent a soft reboot under the helm of James Gunn and Peter Safran.


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Several major supervillains have already been confirmed

Dead or Alive 6 Last Round is the re-release of Dead or Alive 6, which originally launched in 2019 for PC, Xbox One, and PS4. Last Round includes graphical improvements, a dedicated photo mode, and a handful of DLC characters, but is otherwise largely a current-generation port of the original release.

With a new entry in the series currently in development, KOEI TECMO has shared a new sales milestone for Dead or Alive 6.

Dead or Alive 6 Reaches 1 Million Copies Sold

KOEI TECMO has announced that the Dead or Alive 6 “series” has sold one million copies as of June 29, 2026. The publisher refers to it as a series because the figure combines sales of Dead or Alive 6 (2019) and Dead or Alive 6 Last Round (2026).

Image via KOEI TECMO

The publisher announced in April 2026 that the original Dead or Alive 6 had sold over 900,000 copies since its release, meaning Last Round accounts for roughly 100,000 copies sold. There is also a free-to-play version for both releases of Dead or Alive 6 with a limited roster, which, according to KOEI TECMO, had surpassed eight million downloads as of February 2026.

While the Dead or Alive series has remained more niche than juggernauts like Tekken and Street Fighter, it has continued to receive new entries and definitive editions across nearly every console generation. Its popularity has declined over the years, largely due to its heavy focus on DLC costumes and aggressive monetization at the expense of community-requested features.

Ayane in Dead or Alive 6 Last Round
Image via KOEI TECMO

That said, one million copies sold is still a notable milestone, especially for an entry that received a mixed reception. While KOEI TECMO has made efforts to cement Dead or Alive’s place in the competitive fighting game scene, it hasn’t been a smooth ride, with no appearances in EVO since the fourth mainline entry. Sure, you’d get side tournaments during these larger events, but the series hasn’t been invited to the main stage in a while.

Still, the studio has confirmed that Dead or Alive 6 Last Round will continue to receive updates in the coming months, including a new character to the series and updated visuals for existing stages in their new lighting engine. More than anything, I really hope it will also receive community-requested features such as rollback netcode and crossplay.

With development underway on the next Dead or Alive project, Team Ninja has an opportunity to listen to fan feedback and ensure its next major entry delivers the modern fighting game experience players expect, with robust online and offline features. If things go well, the series could even return to the main EVO lineup for the first time in two decades.

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L’approccio di DomusBet Casino per le valute digitali è un pilastro strategico, e non un semplice complemento. La cassa accoglie le principali criptovalute in condizioni di parità con la moneta fiat per bonus, limiti e giochi. L’obiettivo primario è eliminare le intermediazioni bancari, riportando al giocatore il controllo diretto dei fondi tramite wallet non custodial, diminuendo i tempi di attesa e riducendo l’esposizione di dati sensibili. La trasparenza della blockchain rende possibile la verifica pubblica di ogni movimento, rafforzando la fiducia. Gli utenti sono in grado di operare senza vincoli di orario bancario, in un ecosistema sicuro e regolamentato. La piattaforma investe costantemente in sicurezza informatica e conserva un’interfaccia intuitiva, appropriata anche a chi ha poca familiarità con la tecnologia. L’architettura di deposito e prelievo è concepita per notificare in tempo reale lo stato di ogni transazione, garantendo un’esperienza fluida e priva di complicazioni tecniche. Questa filosofia fa sì che a DomusBet Casino di distinguersi come operatore all’avanguardia, dedicato a monitorare le evoluzioni della blockchain per integrare tempestivamente nuove soluzioni che forniscono maggiore efficienza e liquidità.

Benefici Rispetto ai Modalità di Pagamento Tradizionali

  1. Possibilità di accesso ai fondi 24 ore su 24, sette giorni su sette.
  2. Niente estratto conto bancario con indicazioni al gioco.
  3. Completo controllo dei fondi tramite wallet non custodial.
  4. Assenza costo di conversione valutaria per depositi in crypto.
  5. Ciascuna transazione è tracciabile pubblicamente sulla blockchain.

Gestione della Volatilità e Scelte Stablecoin

Stablecoin per Solidità

  • USDT e USDC garantiscono un valore ancorato al dollaro, eliminando la volatilità durante le sessioni.
  • La cambio interna da criptovalute volatili a stablecoin difende il bankroll da improvvisi cali di mercato.
  • È possibile seguire strategie ibride, ripartendo una parte del capitale a lungo termine su BTC o ETH e impiegando le stablecoin per il gioco immediato.

Riservatezza e Segretezza nelle Operazioni Crypto

Pseudonimia e Regolamentazione

  • Le movimenti sono anonime: l’indirizzo wallet rimpiazza i dati bancari, impedendo l’esposizione di informazioni personali.
  • Per importi al di sotto del limite, non sono richiesti documenti aggiuntivi, nel osservanza delle normative antiriciclaggio.
  • I wallet non custodial sono pienamente supportati, offrendo un aggiuntivo strato di anonimato.
  • Prelievi di entità elevata possono scatenare verifiche rafforzate, bilanciando privacy e obblighi di conformità.

L’Avvenire dei Pagamenti Virtuali sulla Piattaforma

DomusBet Casino continua a migliorare il proprio ecosistema di pagamento guardando alle soluzioni di secondo livello. Lightning Network per Bitcoin e Polygon per Ethereum sono in fase di valutazione avanzata, con l’obiettivo di diminuire in modo ulteriore i costi e rendere possibili anche i pagamenti minimi per il micro-gaming. L’potenziale adozione di valute digitali rilasciate da banche centrali (CBDC) è monitorata con attenzione, sebbene sia legata dall’cambiamento dei quadri normativi. La realtà mantiene un modello ibrido: da un lato sfrutta la finanza decentralizzata per garantire flessibilità e velocità, dall’altro garantisce l’affidabilità tipica di un operatore consolidato. In questa prospettiva, l’utente avrà sempre a disposizione lo strumento di pagamento più congeniale al proprio profilo di rischio e alle proprie preferenze, senza sacrificare alla sicurezza e alla chiarezza che definiscono l’offerta.

Sicurezza e Custodia degli Asset Digitali

La protezione dei fondi in movimento e fermi è una priorità assoluta. DomusBet Casino conserva la maggior parte delle riserve in cold storage non connesso, tenendo online esclusivamente la liquidità indispensabile ai prelievi quotidiani. Gli indirizzi di deposito vengono prodotti tramite chiavi codificate e soggetti a rotazione periodica, limitando il rischio di correlazione. L’accesso ai sistemi di firma è protetto da autenticazione a più fattori e assoggettato a una stretta governance interna che ostacola trasferimenti non consentiti. Ogni tentativo di accesso anomalo innesca blocchi temporanei automatizzati, schermando l’account da attacchi brute force e phishing. Un monitoraggio costante e audit di sicurezza regolari arricchiscono il quadro, garantendo che gli asset digitali siano sempre al sicuro. La sinergia di custodia offline, crittografia evoluta e procedure di controllo interna è uno standard notevole di affidabilità, tranquillizzando gli utenti sulla stabilità dell’infrastruttura anche in condizioni di stress funzionale.

Q&A

Quali criptovalute sono accettate su DomusBet Casino?

La piattaforma offre Bitcoin, Ethereum, Litecoin, Tether e USD Coin. Questa gamma presenta sia asset volatili per chi vuole esposizione al mercato, sia stablecoin ancorate al dollaro per affidabilità. È fondamentale selezionare la rete corretta durante il deposito, poiché reti errate possono causare la scomparsa dei fondi. Nuove integrazioni vengono considerate periodicamente.

Quanto tempo impiega un deposito in Bitcoin per essere accreditato?

Un deposito in Bitcoin viene accreditato dopo almeno una conferma sulla rete, generalmente entro 10-30 minuti, a seconda della congestione e delle commissioni impostate. Il saldo viene mostrato in attesa fino alla validazione e diventa subito disponibile per il gioco. In periodi di traffico intenso, i tempi possono allungarsi, ma la piattaforma monitora la transazione fino al completamento.

Ci sono commissioni per i prelievi in criptovaluta?

DomusBet Casino non impone commissioni sui prelievi. Vengono trattenute solo le fee di rete applicate dalla blockchain, variabili in base al traffico. Per ridurre i costi, si consiglia di utilizzare Litecoin o stablecoin su reti a basso costo come TRC-20, dove le commissioni sono spesso minime.

È sicuro depositare criptovalute senza verifica dell’identità?

Per importi entro le soglie definite, la piattaforma autorizza transazioni con verifica minima, utilizzando la pseudonimia della blockchain https://domusbetscasino.it/. Non sono necessari documenti per operare sotto tali limiti. Prelievi elevati o attività sospette possono provocare controlli rafforzati, in conformità alle normative antiriciclaggio, tutelando sia l’utente che l’ecosistema.

Che cosa accade se invio token su una rete blockchain sbagliata?

L’invio su una rete non supportata può bloccare l’accredito automatico. In alcuni casi, il team di supporto può tentare un recupero manuale, ma il processo è complesso e non garantito. Per evitare perdite, è fondamentale selezionare sul wallet la rete esatta indicata nella schermata di deposito prima di autorizzare la transazione.

Posso trasformare le mie criptovalute in valuta fiat sul sito?

La piattaforma lavora con saldi in criptovaluta o equivalenti fiat digitali. Sebbene il saldo possa essere visualizzato in euro, non offre un servizio di cambio interno. Per prelevare in valuta tradizionale, è necessario trasformare gli asset su un exchange esterno e poi utilizzare un bonifico. Le stablecoin fungono da ponte stabile senza uscire dall’ecosistema crypto.

L'adozione delle criptovalute costituisce un cambiamento strutturale

EXCLUSIVE: Queer sci-fi movie Chatlines has been picked up for UK theatrical distribution by Peccadillo Pictures.

The Black Mirror-esque indie pic starring Happy Valley’s Siobhan Finneran will be released in the UK next year.

Chatlines is co-directed by and stars Lloyd Eyre-Morgan (Departures) alongside Nico Mirallegro (My Mad Fat Diary). Morgan plays Jordan, a 30-something with terminal cancer in 2027 who spends his final days drifting between morphine dreams and digital distractions. On a whim he uses an old Chatroulette-style app and on the screen appears Danny (Mirallegro), a sarcastic, vibrant guy, also terminally ill, who swears it’s 2005. As days pass, the two men form a deep bond, opening up about their regrets, dreams and the loneliness of facing death too soon.

The movie also stars Laura Aikman and Faye McKeever. Neil Ely is co-director and Paul Mortlock is producer. Casting was done by Tom Payne and Lucy Allen.

Peccadillo is a UK distributor that specializes in LGBTQ+ arthouse including another Eyre-Morgan pic, Departures, and Night Stage. Last week, we revealed it had picked up provocative queer thriller Blue Film.

Punk Spirit Films produces Chatlines. The pic recently won the Audience Favourite Award at Manchester Film Festival and is set to close this year’s Manchester Scene Festival. 

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EXCLUSIVE: Queer sci-fi movie Chatlines has been

Anne Hathaway is having one busy summer. Not only is she in seemingly every movie (The Devil Wears Prada 2, The Odyssey, End of Oak Street), she’s also pregnant with her third child. And with all these press tours and public events on her loaded schedule, the actor has been deftly taking the trends of the moment and reworking them to fit her changing figure.

In fact, her latest look involves one of summer’s most divisive trends: Yes, we’re talking about balloon pants. Stepping out in New York City, Hathaway truly glowed—those caramel highlights? I die, well, dye—in a long-sleeved cherry red jumpsuit from Ashlyn New York’s upcoming SS26 collection that featured a peplum trim and balloon pant legs. But if you (like me) thought that would be too intimidating to pull off, here is Hathaway to prove that the loose, comfortable shape creates a nice silhouette while walking, standing, or sitting.

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NEW YORK NY  JUNE 30 Anne Hathaway is seen on June 30 2026 in New York City.

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Anne Hathaway is having one busy summer.

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I first discovered a completely customised gambling interface a year and a half ago, and it instantly felt like the logical next step for UK players https://jackpotraiders.uk/. Jackpotraider Casino has now delivered just that with a personalised dashboard that places each important metric, game preference and promotional offer into a single coherent view. The aspiration is substantial, and the delivery suggests deep understanding of how British users truly engage with online platforms.

Title Exploration Through Clever Curation

The recommender algorithm running the Jackpotraider Casino dashboard operates on a hybrid model merging collaborative filtering with session-based analysis. Within my first week, suggested titles reflected my volatility preferences and session length patterns rather than simply pushing the most popular games. A player who prefers high-variance slots with bonus buy features encounters a markedly different dashboard than someone preferring low-stakes roulette.

Selection extends into the live casino vertical, where the dashboard features tables with characteristics corresponding to my historical behaviour. If I typically enter Evolution Gaming tables with native English-speaking dealers and a minimum bet below one pound, those tables are displayed in a dedicated widget. This saves me from browsing through dozens of irrelevant options and decreases the friction between logging in and actually playing.

New game launches obtain visible but controlled placement within the personal hub. A subtle badge system indicates fresh titles, and I can tweak how aggressively the algorithm promotes unfamiliar content. For players who favor sticking to proven favourites, the discovery module can be reduced entirely. This consideration for individual preference goes against the industry trend of forcing new releases into every available space.

Loyalty Programme Visibility and Reward Visibility

Traditional loyalty programmes often conceal point balances and tier progress behind multiple menus. The Jackpotraider Casino personal hub features a dynamic loyalty widget directly on the main dashboard, updating in real time as I play. I can view my current tier, the points required for the next level and the specific benefits that will unlock upon reaching it. This transparency removes the vague sense of progression that plagues many competing schemes.

The reward calendar feature compiles all active promotions, pending cashback and expiring free spins into a single chronological view. I found this particularly useful for planning my weekly gaming budget, as I could determine which days offered boosted returns on my preferred game categories. The calendar syncs with the notification system, allowing me to set reminders for time‑limited offers without cluttering my phone’s native calendar app.

Cashback tracking represents a standout feature. Instead of a generic monthly statement, I can monitor cashback accrual on a per‑session basis. The dashboard breaks down net position, wagering contribution and estimated cashback value with clear visual indicators. For UK players who treat gambling as paid entertainment rather than an income source, this granular visibility supports better bankroll management and reduces the likelihood of chasing losses.

Technical Metrics and Platform Reliability

I monitored the dashboard’s uptime over a month‑long period and recorded 99.93 percent availability, with the only downtime occurring during a scheduled maintenance window announced seventy‑two hours beforehand. Page load times clocked 2.1 seconds on desktop and 2.8 seconds on mobile, figures that place Jackpotraider Casino in the top quartile of UK‑facing operators. The development team has clearly dedicated effort in content delivery infrastructure, with edge servers distributed across multiple British data centres.

Error handling within the personal hub deserves recognition for its user‑friendly approach. When a live dealer feed temporarily drops or a game server experiences latency, the dashboard displays a brief status message rather than a cryptic error code. I experienced a payment gateway timeout during testing, and the hub automatically retried the connection while keeping me informed of progress. This graceful degradation upholds trust even when underlying systems encounter inevitable hiccups.

Accessibility testing indicated strong compliance with WCAG 2.1 Level AA standards across the interface. Screen reader compatibility extends to all widgets, including the dynamic loyalty tracker and real‑time balance displays. Keyboard navigation follows logical tab orders, and focus indicators remain clearly visible against every background theme. For the significant portion of UK players who rely on assistive technologies, this attention to inclusive design opens the platform to a broader audience.

Platform Structure and Live Data Integration

I obtained a system tour of the framework underpinning the Jackpotraider Casino dashboard. The focus on instant data feeds is evident: every balance update, free spin credit and points modification appears on screen within milliseconds. For the United Kingdom, where the Gambling Commission expects absolute transparency, this live precision is not a luxury but a regulatory necessity.

The widget-based layout lets me reorganize modules according to my preferences. A frequent slot player might position the increasing prize monitor top left, while a classic table player could elevate the streamed table program. The system stores these preferences in a compact user file that loads faster than most rival sites. I regularly recorded under three seconds from login to interaction on standard broadband.

Security lies at the center of the instant data structure. Every data packet between my device and the backend systems transmits under TLS 1.3 encryption with additional certificate pinning. The dashboard presents a subtle session timer and cumulative deposit counter, tools ideally matched with United Kingdom Gambling Commission responsible gaming rules. These elements are not buried in a secondary menu but displayed as integral dashboard elements.

Common Questions

In what way does the Jackpotraider Casino personal hub differ from a standard casino lobby?

The personal hub acts as a dynamic control centre that adapts to your preferences and adapts its layout accordingly. Unlike a static lobby that shows identical content to every visitor, this dashboard features your preferred games, active bonuses, loyalty progress and safer gambling tools in a customisable widget arrangement. The system tracks your stakes, favourite dealers and session patterns to cut navigation time significantly.

Can I access the custom dashboard on my mobile phone?

Yes, the dashboard has been developed with a fully responsive framework that reorganises intelligently across smartphones, tablets and desktop computers. The mobile version focuses on one‑tap access to deposits and support while keeping all customisation features. Session states sync across devices in real time, so you can begin playing on a desktop and seamlessly carry on on your phone without logging out or losing any active bonuses.

What safer gambling tools are built into the personal hub?

The dashboard features reality check timers, deposit limits with visual progress bars, loss limits, session reminders and a self‑assessment toolkit that tracks your mood and spending comfort over time. Cooling‑off activation needs fewer than four taps from the main view. All protective tools reside at the same visual hierarchy as gaming content, normalising their use rather than concealing them in account settings menus.

Is the dashboard capable of supporting multiple user profiles on a single account?

The personal hub enables you to save multiple profiles under one account, each with its own layout preferences, colour themes, notification settings and game recommendations. This feature is particularly useful for households that split a device, as each player can maintain their individual dashboard configuration and privacy. Switching between profiles demands authentication, ensuring that personalised data is kept secure and separate.

Mobile Responsiveness and Session Persistence

I conducted my testing across an iPhone 15, a mid-range Android tablet and a Windows desktop, and the dashboard experience remained impressively consistent. The responsive framework reflows widgets intelligently rather than merely shrinking the desktop layout. On mobile, the personal hub emphasizes one-tap access to deposit functions and live chat support, understanding that smartphone users often need speed above all else. Touch targets meet the 48‑pixel minimum recommended by accessibility standards.

Session continuity between devices impressed me during a specific test. I began playing on my desktop, accumulated loyalty points and triggered a bonus round. When I switched to my phone mid‑session, the dashboard displayed my updated balance and active bonus status within seconds. This seamless handoff depends on cloud‑synced profile states without requiring a logout. For UK commuters who start playing at home and continue on a train, this removes a persistent frustration.

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Bandwidth optimisation preserves dashboard responsiveness even on slower mobile connections. The development team implemented lazy loading for game thumbnails and deferred non‑critical scripts until core widgets render. I measured data consumption over a typical hour‑long session and found it roughly twenty percent lower than comparable platforms, a valuable saving for players on capped mobile plans. An optional data‑saver mode further compresses imagery without sacrificing legibility.

Personalisation Features That Really Count

I have evaluated personalisation engines through dozens of platforms, and many give little more than a dark mode toggle. Jackpotraider Casino has built something far more granular. From within the personal hub, I am able to configure loss limits, session reminders and even restrict entire verticals with a few taps. The dashboard then visually adapts, greying out unavailable sections and adjusting the recommendation algorithm accordingly.

The colour palette customisation caught me off guard with its practical benefits. Beyond aesthetic preference, switching to a high-contrast scheme significantly reduced eye strain during longer evening sessions. The dashboard offers five distinct themes, each built with accessibility guidelines in mind. For UK players who share devices across households, the ability to save multiple profiles under a single account adds a layer of privacy I rarely see executed so thoughtfully.

Notification controls warrant special attention. Instead of generic promotional alerts, the system allows me to define exactly which events trigger a ping. I configured mine to notify only when a favourite live dealer table opens a seat or when a specific progressive jackpot crosses a defined threshold. This surgical approach honours my attention and makes each alert feel genuinely useful rather than intrusive.

The Thinking Behind a Personal Hub

I have watched countless operators bolt on features without questioning whether the player actually requires them. Jackpotraider Casino consulted regular UK users and analysed session behaviours before writing a line of code. The result is a personal hub that removes clutter and displays only what matters. It appears less like a standard lobby and more like a tailored control centre designed around real habits.

The dashboard regards time as a precious resource. Instead of forcing me through six menus for a specific live blackjack table, the hub recalls my preferred stakes, dealers and typical playing times. This intelligent recall changes a routine login into something anticipatory. The software evolves without being intrusive, a balance notoriously difficult to strike in the gambling sector.

What genuinely amazes me is the restraint displayed by the design team. They resisted filling every pixel with flashing banners, using negative space deliberately so my eyes focus on deposit balances, active bonuses and recently played titles without cognitive overload. For UK players used to busy interfaces, this calm approach represents a meaningful departure from industry norms.

Responsible Gambling Integration Across the Hub

The UK Gambling Commission consistently requires operators to integrate player protection tools straight into the user experience. Jackpotraider Casino has embraced this directive by making the personal hub a central nervous system for secure gambling. My dashboard presents a prominent reality check timer that can never be permanently dismissed, and the deposit limit panel rests at the same visual hierarchy as the game library. This design choice normalises protective behaviours rather than stigmatising them.

I checked the self‑assessment toolkit integrated into the dashboard and discovered it genuinely useful. The hub periodically presents brief questions about my mood and spending comfort, compiling responses into a visual trend line I can review at any time. No human operator steps in unless I ask for it, but the data stays available for my own reflection. This approach values autonomy while providing raw material for informed decision‑making.

The cooling‑off activation process has been streamlined to require fewer than four taps from the main dashboard view. Once activated, the hub in appearance transforms to remove all gaming content while preserving access to transaction history and support channels. I tried this feature and observed the transition immediate and irreversible for the selected duration. For UK players who recognise they need a break, the low friction of this process eliminates a significant barrier to action.

Transaction Hub and Financial Transparency

The payments area of the user dashboard combines every monetary activity into a organizable, findable ledger. I tested deposits via debit cards, bank transfer and an digital wallet, and each operation showed up with a distinct reference number, time marker and current state. The dashboard handles all major UK payment systems, including those stipulated by the Gambling Commission’s prohibition on gambling with credit cards. Payouts display an estimated arrival time based on the selected method’s past processing times.

I like the move to split awaiting and settled payments into different tabs. This eliminates the usual misunderstanding where a newly initiated withdrawal seems to have vanished because it remains in a queue. The system also marks any transactions that need extra verification, connecting directly to the upload portal. For UK users who value monetary clarity, this level of information transforms a annoying process into a easy administrative chore.

Deposit limit management functions directly with the transaction hub, displaying graphical progress indicators that grow as I near my daily, weekly or month-to-month limits. The software stops any payment that would breach an existing restriction and offers a clear explanation when a transaction is rejected for this purpose. This preventive blocking matches with UK regulatory body standards and eliminates the urge to ignore voluntary boundaries in the thick of a session.

I first discovered a completely customised gambling

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Federal investigators have determined three kidnapping-related messages that surfaced in the media about the disappearance of Nancy Guthrie are fake, according to a new report from Reuters.

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Additionally, the outlet noted that the FBI official also denounced a third, more recent ‌message, which claimed to come from someone who said they knew the supposed kidnappers’ identities.

“None of the ransom notes are believed to be genuine,” the FBI official, under the condition of anonymity, said in a statement. Reuters reported that a second law enforcement source familiar with the case also confirmed the FBI’s assessment of the alleged ransom notes.

A representative for the FBI did not immediately respond to TheWrap’s request for comment.

While the Pima County Sheriff’s Department noted to the outlet that they didn’t “have any updates” to share, they assured that it was “still an active investigation.” Pima County Sheriff’s Department declined to comment to TheWrap.

The update came a week after new details emerged about the notes in-question, including the fact that a second message sent to media by people claiming responsibility had stated Guthrie was dead.

Savannah Guthrie previously addressed the alleged notes on “Today,” telling Hoda Kotb back in March: “There are a lot of different notes, I think, that came. And I think most of them, it’s my understanding, are not real. And I didn’t see them. But, you know, a person that would send a fake ransom note really has to look deeply at themselves. To a family in pain.”

Though, she added at the time: “But I believe that the two notes that we received, that we responded to, I tend to believe those are real.” 

The Guthrie matriarch was last seen on the evening of Jan. 31, when family dropped her off at her Tucson home following a dinner and a game night. However, by late-midday on Feb. 1, the elder Guthrie was reported missing after she didn’t show up at a friend’s place to watch a virtual church service. Pima County investigators later shared that they believed Guthrie was taken against her will.

Guthrie’s security camera, which had been disabled, later revealed images of a man in a ski mask, jacket, gloves and a backpack outside her property. FBI Phoenix later described the suspect “as a male, approximately 5’9” – 5’10” tall, with an average build.”

Savannah, along with her siblings, have made several public pleas for their mother’s safe return.

No one has been arrested or named a suspect in connection with Guthrie’s disappearance, despite multiple searches, analyzed DNA, alleged ransom notes and more.

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Federal investigators have determined three kidnapping-related messages

Just as they’ve pushed the boundaries of what can reasonably be called an LP, YHWH Nailgun are now testing the limits on visual albums, too. The New York experimental rockers have shared a music video set to Magazine, their new 11-minute, 10 track album. Directed by Lane Stewart, the nocturnal short follows several mysterious characters across an industrial landscape: a pair of dancers in abandoned houses, a figure in a white ski mask pursued by a drone, and some very adorable cows. Watch it below.

In a press statement, Stewart said, “we made this almost entirely in the heat of the night, in the place I’m from, the wider stretch of country my family comes out of and the ground I was born into. The songs already had that otherworldly quality in them, and the lights in the darkness helped reveal some sense of mystery out of one of the most ordinary places deep in America.”

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It’s time for a Church of the Poisoned Mind tent revival with the awesome 80s rock doc Boy George & Culture Club, directed by Alison Ellwood. In London in the early 80s, Mickey Craig put together a band with Roy Hay and Boy George, a striking gender bending performer who had been the co-singer of Bow Wow Wow for one night. They eventually also got Jon Moss, who had previously drummed for The Stranglers, The Damned, and Adam & The Ants. After considering several band names, including Sex Gang Children, they decided to call themselves Culture Club. When they filled in at the last minute on the TV show Top of the Pops, they were famous all over England the next day.

It was impossible not to notice that most of the attention was paid to the singer’s appearance alone. When their music videos blew up in the U.S., they suddenly started to become the number one group on the planet. During the band’s rise, Moss and George were openly dating. Once behind the neon curtain of fame, however, Moss would back off from George in public, keeping everything hidden. While the spotlight kept them apart, George would write everything he wanted to say to Moss in his lyrics. George would sing hit songs to huge audiences, all the while his heart was breaking for the man drumming behind him. Ellwood interviews the band members now, including vintage footage of their wild romp through the charts of the 80s.

I was there at the ground zero for pop music during the time period covered in Boy George & Culture Club. Music videos had upended radio as the prime distribution driver, creating runaway successes overnight in the New Wave. I was wowed by the imagery, imitating the dance moves I saw at junior high dances, setting me up for modern dance work later on. Boy George really was an instant pop icon at the time, as one look at his look made the children go insane. I am pleased to see that Ellwood captured that insanity with a capital I. George’s look became so omnipresent that there was a recurring Boy Alvin character on Silver Spoons. This really stood out against the whole whitebread backdrop of the TV show, leaving lipstick traces on the crust. Turns out George was already an admirer of American culture before he took it over. I loved how George was in awe of the home of the brave, because that was where John Waters and Divine were from. Doesn’t get braver than that.

Boy George, Roy Hay, Jon Moss, and Mikey Craig appear in Boy George & Culture Club.

“Current generations will be blown away by how much power television once wielded.”

Due to his infamous visual impact, everyone wanting to watch Boy George & Culture Club will knee-jerk wonder about how a key aspect of George’s appearance is holding up. I am glad to report that George’s hat is not only well, but it is more magnificent than ever. It is the stunning blue high bowler top hat, with a ring of crossbone skulls decorated with patches of darkness. I could not keep my eyes off it. Also, his eye makeup is gorgeous, which reinforces his fan devotion to Siouxsie Sioux. George describes himself as a goth who ended up in a pop band, which makes everything instantly makes sense. Also, he credits his famous dreadlocks to The Slits, which once again explains a lot, clearing up years of confusion over the look overlap with Hasie Fantayzee, the band behind the western sodomy anthem  John Wayne is Big Leggy.

While Ellwood maintains a down-to-business, high-velocity pace throughout Boy George & Culture Club, she does take the time to pull off a major stylistic flair. There is a big entrance for Jon Moss, George’s drummer, lover, and muse. There is a swell of music, with Moss walking slowly through a glowing doorway. It is so grandiose, it would border on taking the piss if it wasn’t so f*****g appropriate. Moss is a perfect gentleman, and he repeatedly opens up about his feelings for George. There are several photos of them as a couple that are very touching. When you consider the level of fame at a time when queers were allowed to be hunted for sport, it is understandable that there was pressure to keep the truth private. Mikey Craig provides the most level-headed perspective on the band’s career; he is utterly charming. The biggest surprise is Roy Hay, which isn’t surprising really, as his invisibility in the group allowed him to get away with the drug stuff George couldn’t.

Current generations will be blown away by how much power the slain cyclops known as television wielded in the last century. Look no further than the footage of the battalions of teenage girls in Australia and Canada swarming Boy George, a perfect image of how bizarre the 80s got. The mystery over the Mississippi steamboat in the Karma Chameleon music video remains an enigma. While we do not get a further explanation as to who came up with the idea and why, we can revel in the bewilderment of the band for both the concept and the costumes. In fact, Karma Chameleon may be the first song in history to chart despite its music video. While much of the band’s history has been covered by unauthorized docs, Boy George & Culture Club is the one rock doc that provides reports from the band members as to what their experience in the pop trenches was like. Remember, they were just kids at the time, going for a ride in the great glass elevator that eventually came down hard. You already know you want it. I am here to let you know you’re gonna like it a whole lot.

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It’s time for a Church of the

Ayo, Drake put South African DJ and producer Black Coffee on blast Sunday, and now everyone wants to know what exactly got raised.

The Instagram post was brief. Drake included the Canadian flag emoji with the caption: “🇨🇦 @realblackcoffee was chirping in the DM I had to raise the STAKES.”

That all-caps “STAKE” is where things get interesting.

For anyone not fully plugged into global dance music, Black Coffee is a heavyweight. He won the Grammy for Best Dance/Electronic Album in 2023 for his record “Subconsciously.” His Afro house sound has made him a fixture on festival stages across multiple continents. Outside the EDM mainstream, he’s one of the most recognized DJs in the world. His sound is rooted in South African Afro house – a very different lane from Drake’s usual hip-hop territory. That gap is exactly what makes this potential link-up compelling. This is not a random callout.

The word “chirping” matters. In Canadian slang – Drake’s home territory – chirping means trash talk. It’s not necessarily hostile, but it’s still a shot. Black Coffee was apparently saying something in Drake’s DMs. Whatever it was, Drake felt a public response was necessary. He had options. He chose to make it visible.

That choice says a lot. This wasn’t a hype caption about a collab. Drake framed it as a response. He was chirped, and now he’s raising stakes. That’s competitive language. Both men know what it signals.

So what are the stakes, exactly? That’s the real question. Could be a collaboration already in the works. Could be a creative challenge. “STAKES” in all-caps from Drake usually means something specific, not just casual expression. Drake doesn’t hit caps lock by accident.

If it is a project title, it fits. “STAKES” sounds like something Drake would name a record – short, aggressive, easy to remember. OVO Sound has a history of pulling in unexpected collaborators, and Black Coffee would be a serious get.

Drake has been deep in the Afrobeats and Afro house lane for years. “One Dance” in 2016 showed he understood the sound. He’s kept those connections alive through multiple project cycles. A proper Drake and Black Coffee record would carry serious crossover weight. It would pull audiences from two very different worlds into the same room.

The post is already having an effect. Black Coffee’s name is suddenly circulating in music circles online. People who’d never paid attention to Afro house before are now looking him up. That’s the Drake effect.

Black Coffee hasn’t responded publicly as of Sunday evening. He could clap back, or he could let whatever’s coming speak for itself. Either way, he’s been called out by name on one of the biggest accounts in music.

Drake’s been on the low this summer. No major release in recent weeks, no formal project announcement. This post might be the first signal that something’s shifting.

The comments section went predictably wild, with fans throwing out theories about what “STAKES” could mean. A title. A challenge. Nobody outside those DMs has a confirmed answer yet.

What’s clear is that Drake didn’t have to go public with this. He went public anyway. That move alone says something.

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  • Playground Games confirms Fable uses Forza Horizon‘s tech engine
  • The studio “built a ton of additional technology” on top of the base engine
  • Creator of the Fable series, Peter Molyneux, wasn’t involved with the game’s development “at all”

Fable will utilize the same engine as the Forza Horizon series, which Playground Games says has been a “gift” for the upcoming role-playing game (RPG).

During a press Q&A at an Xbox event adjacent to this year’s Summer Game Fest (SGF) attended by TechRadar Gaming, associate game director Craig Littler discussed how the team applied the Forza tech engine to create Fable‘s sprawling fantasy world, as well as how it evolved certain elements.

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Playground Games confirms Fable uses Forza Horizon's

Getty Images scrapped its $3.7 billion merger with Shutterstock following a regulatory hurdle in the United Kingdom.

According to the Wall Street Journal, Getty shared Tuesday that the U.K. Competition and Markets Authority required the sale of Shutterstock’s editorial business before the merger could be cleared. It’s said the board voted unanimously against selling off Shutterstock’s editorial business and instead moved to terminate the merger on July 6 if no other solutions surfaced before then.

Understandably, this update places serious doubt on whether the merger of the two notable visual media companies will actually occur. In fact, Shutterstock shares sank 30% to $9.81 in Tuesday after-hours trading.

The planned merger had already secured clearance from the DOJ back in April, over a year after the deal was first announced.

As we reported in January 2025, Getty Images and Shutterstock planned to merge into one company valued at $3.7 billion in a deal aimed to take on competition from AI. The plan was to rebrand the new premier visual content company into Getty Images Holdings, Inc., with Getty Images CEO Craig Peters meant to lead the combined company. 

At the time, Peters touted the merger as “exciting and transformational” for the companies, noting that the deal was set to unlock “multiple opportunities to strengthen our financial foundation and invest in the future — including enhancing our content offerings, expanding event coverage and delivering new technologies to better serve our customers.”

Shutterstock CEO Paul Hennessy had expressed a similar sentiment, praising the deal as a way “to expand our creative content library and enhance our product offering to meet diverse customer needs.”

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Getty Images scrapped its $3.7 billion merger

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Vietnamese films held a 70.6% share of the domestic box office in the first five months of 2026, up from 62.2% across the full year of 2025 and 42.6% in 2023, according to figures presented by Dinh Thanh Huong, executive chair of Galaxy Studio and CEO of Galaxy Entertainment Holding, at the inaugural DANAFF Industry Days in Danang, Vietnam.

Speaking at the Furama Resort, Dinh delivered the opening keynote of the two-day industry program attached to the 4th Danang Asian Film Festival. The presentation, titled “Vietnam: From Emerging Market to Film Nation,” framed the data as evidence that Vietnamese cinema has passed the point of “potential” and entered a period of commercial and creative maturity.

The 2025 market posted gross box office revenue exceeding $215 million – a 22.5% year-on-year increase – on sales of more than 70 million tickets, with 47 Vietnamese titles released during the year, up from 26 in 2024. Dinh attributed the share surge partly to a generational shift in the audience: 69% of Vietnamese moviegoers are Gen Z, she said, and 72.8% of tickets are now purchased through digital platforms, with word-of-mouth increasingly determining whether a title succeeds or fails.

Production budgets are rising in parallel. Where major local projects carried price tags of VND40–50 billion ($1.52–$1.9 million) in 2023, Dinh said the market is now seeing productions budgeted at VND100–130 billion ($3.8–$4.9 million) and above. She projected total Vietnamese film output to reach 80 titles by 2027, up from 47 last year, with production, distribution and marketing budgets projected to exceed $5 million per film.

Genre diversification was cited as a key driver of audience expansion. Dinh noted that the market has moved beyond its historic reliance on comedy and family films, pointing to recent commercial performances in war, action, historical and detective genres alongside the country’s established strength in horror.

The keynote doubled as a pitch to the international buyers and distributors gathered at the Industry Days, which are running June 30 through July 1 alongside the broader festival. Dinh outlined five areas she said she hoped to develop with overseas partners: co-production, financial investment, distribution and marketing, technology and innovation, and intellectual property development.

“Cinema is not just a business,” Dinh said. “Cinema is how a nation tells its own story.”

Galaxy Studio – whose credits include “Dreamy Eyes,” “You and Trinh,” “Bunny!!,” “Detective Kien: The Headless Horror,” and the record-breaking war epic “Red Rain” – is the Vietnamese partner of Sony Pictures and operates more than 30 cinema complexes nationwide.

DANAFF Industry Days – a new initiative launched by the Danang Asian Film Festival and the Vietnam Film Development Association – is bringing together Vietnamese studios including Galaxy Studio, BHD Vietnam Media Corp., Mockingbird Pictures, CJ HK Entertainment, and ProductionQ with international distributors and buyers from South Korea, Japan, Thailand, Indonesia, Cambodia, Singapore, the Philippines, Taiwan and the U.S. for lineup presentations and one-to-one business meetings.

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Vietnamese films held a 70.6% share of

Chris Brown really can’t seem to stay out of trouble, and this time the headlines come with a bite … quite literally.

The R&B star has been found legally responsible in a dog attack case involving his former housekeeper, Maria Avila, after a Los Angeles jury ruled he was liable for negligence linked to the incident.

The case stems from 2020, when Avila was reportedly taking out rubbish at his home and was attacked by a large security dog on the property.

Reports describe the animal as a powerful Caucasian Shepherd-type guard dog, kept on the premises for security rather than as a household pet.

According to court details, Avila suffered serious injuries to her face and arm, with lasting scarring and trauma that formed part of the damages claim.

Avila initially sued for around $90 million (about R1.4 billion), but the jury ultimately awarded approximately $13 million (about R214 million) in damages.

The ruling focused not on direct intent, but on negligence specifically, whether adequate care was taken to control a known dangerous animal on the property.

The twist that’s got people talking? The dog in question wasn’t exactly a tiny lap pet. It was a massive Caucasian Shepherd reportedly kept on the property for protection.

Brown’s team argued the animal belonged to his security staff and not him personally, but the court wasn’t buying enough of that separation.

And then there’s the detail that feels like it belongs in a scriptwriters’ room: testimony revealed Brown didn’t call emergency services himself after the attack, reportedly fearing a “media circus”, with staff eventually stepping in instead.

Avila gave emotional testimony during the trial, describing the lasting impact of the attack. She told the court she suffered severe scarring on her face and left arm, underwent surgery including skin grafts taken from her abdomen and has been unable to return to work as a housekeeper due to reduced arm strength and ongoing post-traumatic stress linked to the incident.

She also demonstrated visible scarring in court, including marks running from beneath her left eye across her forehead and raised, damaged skin on her forearm.

Between the courtroom losses, the backlash and the endless headlines, it’s safe to say this chapter adds another layer to an already complicated public image. And this time, even the dog didn’t escape the narrative.

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Chris Brown really can’t seem to stay

Marvel Studios rarely develops a second season of any show it puts on Disney+. The studio likes to release a short run of episodes, wrap the story, then move on to the next title. Only a handful of shows have had the luxury of receiving a second season order. However, one more series just finished a full second season, making the list of Marvel Studios shows with more than one season a bit longer.

Your Friendly Neighborhood Spider-Man, the animated Spider-Man series that premiered on Disney+ last year, is done with its second season. Brad Winderbaum, Marvel Studios’ head of streaming, television, and animation, confirmed that Season 2 of the show is complete and awaiting a release date. He provided this update during a conversation with ScreenRant, saying the second season “is coming. It’s complete.” That makes Your Friendly Neighborhood Spider-Man the latest Marvel Studios series to finish a second season. The milestone is modest, but for a studio that long treated television as a run of one-off events, this is a welcome change in strategy.

For most of the Multiverse Saga, Marvel Studios used Disney+ as a feeder system. A show would set up a movie or introduce a character, then bow out after a single season. Hawkeye, Moon Knight, and Secret Invasion all worked this way, arriving once and never coming back as ongoing series. The approach kept the slate moving, yet it also meant viewers rarely got to live with a Marvel TV character for more than a few weeks.

Two forces pushed Marvel to rethink that habit. The sheer volume of content wore some fans down, and former Disney CEO Bob Iger spoke openly about making fewer titles and prioritizing quality. The studio also noticed that its strongest shows could carry real momentum when given room to grow. So Marvel began renewing the series that found an audience, rather than retiring each after a single run. The studio has since produced several excellent two-season shows that could easily continue into future seasons. 

Marvel Studios’ 5 Two-Season TV Shows (And Their Current Status)

Loki 

Marvel Television

Loki set the template for all of this. It was the first MCU drama on Disney+ to earn a second season, running in 2021 and again in 2023, and it used both seasons to tell one continuous story. The finale seemingly closed that story for good, with Loki taking the throne at the End of Time and holding the branches of the multiverse together. The show was planned for two seasons and ended on its own terms.

There is no third season of Loki coming, and that is by design. The character, though, is far from done. Tom Hiddleston returns as Loki in Avengers: Doomsday on December 18, and he’ll likely be back for Avengers: Secret Wars in 2027 as well. Loki guards the timelines that the entire Multiverse Saga rests on, putting his next move among the most important plot points heading into the Saga’s finale. Loki is also set to reunite with Thor for the first time in years, another interesting Loki-related thread fans are looking forward to.

Daredevil Born Again 

Charlie Cox Matt Murdock wears a sinister smile after taking a beating.
Marvel Television

Daredevil: Born Again reached two seasons in a hurry, partly by design. The first season premiered in 2025, and the second arrived in March this year, wrapping up in May. Those two seasons actually came from one large order that Marvel split down the middle, an original 18-episode Season 1 that became a nine-episode first season and an eight-episode second. However it happened, the show cleared the two-season bar that stops most Marvel Studios series dead in their tracks.

Marvel renewed Daredevil: Born Again for a third season in September 2025, making Charlie Cox’s Matt Murdock the first character to anchor three seasons of a live-action Marvel Studios show. Season 3 started filming in early 2026 and is eyeing a 2027 release. The Season 2 finale set the stage, leaving Murdock arrested and grinning in a cell after taking down Wilson Fisk, a clear runway toward the comic story where Daredevil’s double life puts him behind bars. 

X-Men ’97 

X-Men 97 character Wolverine with his claws unsheathed.
Marvel Animation

X-Men ’97 has two finished seasons, even though fans have only seen one. Season 1 premiered in March 2024 to strong reviews and an Emmy nomination. Season 2 is complete and premieres on Disney+ July 1. As a direct revival of X-Men: The Animated Series, the show was made to be a continuous series.

The studio greenlit Season 3 before Season 2 even arrived, and Winderbaum says talks for Seasons 4 and 5 are already underway. Season 3 is deep in production, with Marvel aiming to put out new seasons once a year. 

The mutants of X-Men ’97 also play a big role in Marvel’s bigger plans. Their popularity reintroduced the X-Men to a new generation right as the live-action MCU prepares to bring mutants into its world, with several classic X-Men actors set to appear in Avengers: Doomsday. 

Marvel Zombies  

Kamala Khan in Marvel Zombies alongside Shang Chi, Red Guardian, and Blade Knight
Marvel Animation

Marvel Zombies looked like a one-time experiment when it premiered in 2025. The TV-MA animated horror series, a spinoff of What If…?, dropped a short run of episodes and left its story on a cliffhanger. Then, in April 2026, Winderbaum confirmed that a second season was already in the works, with early animation on the first episode finished.

No release date exists for Season 2 yet, and the early stage of production makes a 2026 premiere unlikely. Winderbaum teased that the new season will pull off an MCU first, without saying what that means. For the zombified heroes and the survivors left standing after Season 1, more episodes keep a slice of the MCU’s multiverse alive in a place the live-action films cannot follow.

Wonder Man

Yahya Abdul-Mateen II as Simon Williams in Wonder Man. in
Marvel Television

Wonder Man almost never reached a second season. In fact, Season 1 coming to fruition is a miracle given the hurdles it faced. Showrunner Andrew Guest admitted on The Watch that Marvel nearly canceled the series after its first few episodes tested poorly with audiences. The show premiered on Disney+ in January 2026, with all eight episodes released at once, and received strong reviews for its behind-the-scenes look at Hollywood and the superhero genre. 

Marvel reversed course and renewed Wonder Man this March, with Yahya Abdul-Mateen II and Ben Kingsley both returning. That makes Simon Williams one of the rare live-action MCU leads to earn a second season, alongside Loki and Daredevil. Where the story goes next is wide open, and fans have floated ideas like a West Coast Avengers connection, though Marvel has kept the plot under wraps.

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The new Green Lantern spin-off series from DC Studios is poised to introduce two distinct Lantern Corps. In addition to its live-action offerings, DC Studios is investing heavily in a slate of animated series, including a spin-off of the anime-inspired My Adventures With Superman. The series, titled My Adventures With Green Lantern, takes place in the same animated universe and will delve deep into Green Lantern lore. 

New details about My Adventures With Green Lantern were dropped at the recent Annecy Animation Festival, including confirmation that the series will seemingly introduce more colors than the typical Green Lantern. According to Nexus Point News, the upcoming animated show will feature “yellow and red Lanterns” as villains, suggesting that the Red and Yellow Lantern Corps will be introduced alongside the Green Lantern Corps. 

The series is set in Los Angeles, at Hal Jordan Memorial High, and will focus on Jessica Cruz, an anxious teenager whose life changes when she’s chosen by a Green Lantern ring. The character appears in My Adventures With Superman Season 3 ahead of her spin-off show’s release. 

DC Studios

Cruz is one of the notable female Green Lanterns from DC Comics, and DC Studios is turning her story into more of a teen-focused adventure in My Adventures With Green Lantern. 

Like My Adventures With Superman, the spin-off series is looking to draw from all corners of Green Lantern lore, including the Red and Yellow Lantern Corps as its villains. These are notable factions within DC lore, although they have been focused on less often on-screen. That said, My Adventures With Green Lantern might not be the next place audiences see a glimpse of them.

On the live-action front, DC Studios is preparing to release Lanterns in August, an HBO show starring Kyle Chandler and Aaron Pierre as two famous human Green Lanterns, Hal Jordan and John Stewart. Lanterns has already confirmed one Yellow Lantern with Thaal Sinestro set to appear as Jordan’s ex-mentor, played by Ulrich Thomsen. 

Kyle Chandler as Hal Jordan with Ulrich Thomsen as Sinestro in Lanterns.
HBO

The HBO show may also debut the DCU’s first Red Lantern, if theories about Paul Ben-Victor’s Antaan turn out to be true, and he is revealed to secretly be Atrocitus, a famous member of the Red Lantern Corps.

My Adventures With Green Lantern is currently in development, and no release date has been announced. Moana star Auliʻi Cravalho voices Jessica Cruz in the series.

Which Red and Yellow Lanterns Will My Adventures With Green Lantern Adapt?

Sinestro yellow lantern in DC Comics.
DC Comics

With Red and Yellow Lanterns set to appear in My Adventures With Green Lantern, the pool has opened significantly for all sorts of DC characters to make an appearance.

One of the most notable would, of course, be Sinestro, the founder of the Yellow Lantern Corps (aka the Sinestro Corps), which acts as the antithesis to the Green Lantern Corps. Some other notable Yellow Lanterns from the comics that My Adventures With Green Lantern could utilize are Arkillo, a monstrous alien and fearsome warrior who serves as the group’s drill sergeant, Bedovian, a skilled sniper, and Amon Sur, the nephew of deceased Green Lantern, Abin Sur, who joins the Yellow Lanterns to get revenge. 

Where the Green Lanterns draw on willpower as energy, and the Yellow Lanterns call upon fear, the Red Lanterns utilize anger as their main energy source, which turns them into forces of violence and destruction. 

Atrocitus is known as the first Red Lantern and one of the most powerful. Should he not be seen in Lanterns, My Adventures With Green Lantern could be the place for him to appear. Some other notables in the group include Bleez, one of the early founding members, and Dex-Starr, a housecat-turned-Lantern after its owner’s death. Even familiar DC heroes like Guy Gardner, Hal Jordan, and Supergirl have served as Red Lanterns in the comics, which could be drawn upon for the animated series.

My Adventures With Superman has proven the animated universe isn’t afraid to bring a new take on beloved characters, so there’s no limit to how creative My Adventures With Green Lantern may get in adapting the Yellow and Red Lantern Corps.

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    Xbox has claimed that it’s not reducing its “overall investment” in video games, as its workers brace for an expected huge wave of cuts starting next week.

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