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Tom Sandoval’s girlfriend Victoria Lee Robinson was arrested after the two had an altercation that involved her father being pushed into a lit fire pit.
Sandoval, known for the cheating “Scandoval” that erupted on the reality television series “Vanderpump Rules,” filed a restraining order against the model and her father J. Will Robinson (who goes by Will) over a June 3 incident that was partially caught on video. He was granted a temporary restraining order and a subsequent hearing was set for July 16.
According to court documents obtained by The Times, the altercation involving Sandoval, Victoria Robinson and J. Will Robinson happened in the early morning hours after the couple returned home from a night out at a bar. Sandoval claimed in the petition that since the two became a couple in February 2024, Victoria Lee Robinson has been violent and attacked him physically, as well as changing the passwords on his phone and social media and tracking him using Airtags.
“The most recent physical incident occurred on June 3 when [she] punched my face and injured my neck and ear. During this same incident, Mr. Robinson, grabbed me and punched an approximately 12-inch hole in the door of my spare bedroom where I was barricading myself,” reads the petition.
In a video, obtained by TMZ, that captured part of the June 3 incident, Victoria Robinson and Will Robinson are seen sitting next to a lit fire pit on the patio when Sandoval and Will Robinson begin arguing. Sandoval is heard yelling at Will Robinson before he asks Victoria Robinson if she is recording and approaches her. Will Robinson stands and wraps his arms around Sandoval, seemingly to get him to back away from Victoria Robinson, and Sandoval turns and pushes Will Robinson, who falls backward into the lit fire pit.
After Will Robinson gets back up, he rushes after Sandoval into the home while Victoria Robinson screams for the men to stop.
According to the petition, the fight escalated, and Will Robinson phoned the police while Sandoval hid inside a spare bedroom. When police arrived, the petition claims that they initially put Sandoval in handcuffs, but after reviewing footage, Victoria Robinson was arrested for intimate partner battery with physical violence.
Robinson bonded out and was released the same day. The Los Angeles Police Department was not able to confirm the reason for Victoria Robinson’s arrest.
Representatives for Sandoval did not immediately respond to The Times’ request for comment. Victoria Robinson could not be reached for comment.
According to the petition, both Victoria Robinson and her father have lived in the Los Angeles rental home with Sandoval. According to the filing, the reality star hopped between hotels and friends’ houses after the June 3 incident.
Will Robinson told TMZ, “The DA did not file the case for a reason. I lifted Tom off of my daughter because he was overpowering and twisting her arm and trying to take her phone aggressively after yelling at us in a very aggressive and threatening manner.”
“This is my daughter’s home and we just want Tom as far away from us as possible and to keep his lies and drunken abuse away,” Robinson said.
Tom Sandoval’s girlfriend Victoria Lee Robinson
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Analizując rynek kasyn online w Polsce, często
The X-Men are back in the news as a new season arrives.
Also, Spider-Man is even more popular than we all thought.
Image: Disney
I’ll explain in MarvelBlog News.
Image: Disney
The X-Men should be on your mind this week as the second season arrives.
Three episodes will debut on July 1st. I’ll save you the calendar check; it’s this Wednesday.
Image: Disney
When we last left the X-Men, they were not in ’97. Well, some of them were.
Others had been thrown through time to various spots, all of which involve Apocalypse in some way.
Image: Marvel
Yes, the S-tier X-Men villain will play a huge factor in this season’s proceedings.
As a fan of the original cartoon, I’m all for this plan. “The name’s Cable. Remember it.”
Photo: IMDb
Those words have resonated in my head for nearly 30 years now.
The Cable vs. Apocalypse matchup was mythic, and I presume he’ll play a factor now.
Source: Hasbro/Marvel
How remains up for debate, as season two of X-Men ’97 can go a lot of ways.
As a reminder, Apocalypse is eternal, which makes him the perfect foe this season.
Source: Marvel/Hasbro
With the X-Men living in different eras of the same timeline, he’s everywhere.
The Mutants will meet Young Apocalypse, Current Apocalypse, and Future Apocalypse.
Source: Hasbro/Marvel
This whole plot is interesting, especially if you’re familiar with the current comics.
Some of the most respected Mutants have been running a Mutant community.
Source: Hasbro/Marvel
Apocalypse, supervillain of the ages, somehow wound up one of the leaders.
Let’s just say that season two of X-Men ’97 isn’t going that way.
Image: Disney
Apocalypse will combat Wolverine, Cyclops, and Jean Grey in all timelines.
That’s a tantalizing proposition, made even better by this trailer:
Okay, I’m not even sure that qualifies as a trailer. It’s great, though.
Image: Disney
Magneto appears to fight Apocalypse in solo combat at the end of the clip!
These are the things comic book fans covet from the series.
Image: Marvel
As a reminder, season one of X-Men ’97 experienced a great deal of tumult.
None of the behind-the-scenes drama impacted the quality of the show, though.
Image: Marvel
The main writer for season one turned out to be *ahem* chaotic by nature.
Disney got tired of the drama and terminated the person running the show.
Image: Marvel
By this point, the individual had already written season two.
All this happened in March of 2024, which was 27 months ago.
Image: Marvel
As such, we have no idea how much of those stories made their way into the season.
The terminated employee indicated that they wouldn’t get credit for their work.
Image: Marvel
That’s not the same thing as the show not using the scripts/storylines, though.
Given how omnipresent this person is on social media, I’m pretty sure we’ll find out, though.
Image: Marvel
As soon as the first three episodes air, I fully expect a diatribe about what was used.
More importantly, I anticipate hypercriticism over unwelcome changes to the plot.
Image: Marvel
This inside baseball drama adds intrigue to what already looks like a great season.
So, we’ve got plenty of reasons to watch X-Men ’97 and then check social media.
Image: Marvel
Grab your popcorn. It may be like a Bravo reality series live reunion episode.
Photo: Marvel
I’m only going to discuss two topics this week, one of which wasn’t the original plan.
On Friday, Deadline published a report about Spider-Man: Brand New Day.
Photo: Marvel
Specifically, the article listed how many people have watched the trailer thus far.
I dunno what you would consider a big number, but I’m pretty sure I’m about to top that.

The latest Spider-Man film has gained the second-largest number of views ever.
After just one week, fans have viewed the Brand New Day trailer 590 million times.
Photo: Marvel
Whenever I discuss the Nielsen Streaming ratings, I mention total minutes watched as a metric.
Friends, that single trailer earned nearly 1.2 billion viewer minutes.
Photo: Marvel
For the week in question, it was bigger than Bluey, the top streaming program for two and a half years.
The voracious demand for new Spider-Man footage strongly suggests a blockbuster hit.
Photo: Marvel
Trailer views don’t always directly correlate to box office success, but come on!
Now, we have data to back up that thought process anyway.

Deadline also reports that early ticket sales for Brand New Day are off the charts.
In fact, they’re the best of any film over the past five years!
Photo: Marvel
You may be wondering which 2021 title surpassed it, and the answer is obvious.
It’s Spider-Man: No Way Home. Brand New Day isn’t quite at that level yet.
Photo: Disney
However, we’re still a month from release, which gives it plenty of time to catch up.
In case you’ve forgotten, No Way Home earned $1.9 billion at the box office.
Photo: Marvel
If Brand New Day is even in the ballpark of that, it’ll be the number one film of 2026.
Last month, I indicated that I thought it and Toy Story 5 would fight it out for the summer title.
Photo: Marvel
Thus far, that prediction appears accurate, with Toy Story 5 also soaring at the box office.
Still, for Spider-Man to win the year, it would need to hold off one other titan.
Source: Marvel
Remember that Avengers: Doomsday arrives in December. It could be a threat, too.

DC Studios shared a new look at several animated series set to be released over the next few years. DC is pushing ahead with a few separate sub-stories and plot threads across the greater comic book franchise, including but not limited to the main DCU timeline, under DC Studios co-CEOs James Gunn and Peter Safran. While many of these projects are live-action movies and TV shows, animation also plays a big role in the broader DC world.
Warner Bros (WB) Animation and DC Studios hung a massive banner at the 2026 Annecy International Animation Film Festival, currently being held in Annecy, France. This banner highlights 10 animated properties being developed under the two major studios.
In early 2026, James Gunn confirmed a third animated show in the DCU canon, Mister Miracle. Set in the world of DC’s New Gods, this story centers on super-powered escape artist Scot Free, who is called back to his homeworld after conflict breaks out between it and the home of Big Barda, his one true love and wife.
While story and release details are still being kept under wraps, this show will introduce the DCU’s take on the iconic villain Darkseid for the first time.

My Adventures with Superman is one of DC Animation’s biggest series of the last few years, having premiered on Adult Swim and HBO Max in July 2023. This series features The Boys star Jack Quaid as Superman, showing his origin as a hero and the early days of his relationship with Lois Lane and Jimmy Olsen.
Season 3 began airing in mid-June, introducing a host of exciting new Superman variants that Clark will interact with throughout the season.

The Annecy poster also features three major characters from DC Studios’ Creature Commandos, the first official release in James Gunn’s DCU. The series has been renewed for a second season, and it will feature a new version of Task Force M on an undisclosed mission under Amanda Waller and Rick Flag.
The characters from this series featured on the poster are Sean Gunn’s G.I. Robot, Indira Varma’s The Bride, and David Harbour’s Frankenstein. Season 1 is streaming on HBO Max, and Season 2 is in development but does not have a release timeframe.

Amid looks at multiple DC series, Warner Bros. included a look at a non-DC property: a new Adult Swim series titled Get Jiro! This show will be an animated adaptation of the late Anthony Bourdain and Joel Rose’s dystopian graphic novel, set in a near-future Los Angeles and featuring celebrity chefs acting as violent warlords.
The series will be led by Chicago Med star Brian Tee, and it will also feature Titus Welliver, Alison Pill, and Justin Kirk. It is set to arrive later this year.

Acting as a spin-off from the 2023 Merry Little Batman movie on Prime Video, Bat-Fam delivered a family-friendly take on the hero and his classic team of supporting heroes in November 2025. This series highlights how the Bat family operates, largely focusing on Bruce Wayne, Damian Wayne, and Alfred Pennyworth as they look over Gotham and strengthen their family bonds.
As of writing, there are no indications that the show will be renewed for a second season.

Developed in the same vein as My Adventures with Superman (which is in its third season), DC Animation will take the same approach with the Green Lantern character in My Adventures with Green Lantern. Introduced in My Adventures with Superman Season 2, Episode 3, this spin-off will focus on Jessica Cruz’s high school years as she is chosen by the Power Ring to be its champion and take on scary alien foes.
Moana star Auli’i Cravalho is confirmed to voice the leading heroine.

Following a long two-year wait, Batman: Caped Crusader will be back for its second season starting on July 31. Ahead of its release on Amazon Prime Video, Annecy highlighted this show’s take on Batman (played by Hamish Linklater), who operates in the 1940s and 1960s for this version of the titular hero’s adventures.
The first look at Caped Crusader Season 2 arrived in June, confirming a gender-swapped version of the villainous Mad Hatter for a role in these new episodes.

Previously seen in multiple Teen Titans-based series, the alien heroine Starfire will get her own animated solo series titled Starfire! under James Gunn. The series is designed as a family-friendly origin story that follows the princess after she finds an ancient spaceship on Tamaran and uses it to explore outer space and escape her home world.
The story will pit Starfire alongside Crush (a space biker), the plant-loving Fern, and Princess Amethyst of Gem World, as she encounters new intergalactic creatures and challenges.

A trio of images teased new versions of classic DC heroes in the upcoming DC Super Powers animated series. This show will be set at the Alliance School for heroes, following a group of young student versions of classic DC heroes as they train under the school’s principal, Martian Manhunter.

Heroes like Lightning, Flash, Plastic Man, Aquagirl, Green Lantern, Terra, and more are expected to be featured in this series.

The Annecy banner spotlighted a trio of these heroes: Lightning, Plastic Man, and a female Flash.

A new version of Superman’s classic canine companion, Krypto the Super-Dog, soared into action on the Annecy poster. Considering he has a different design from the version of Krypto in Krypto Saves the Day! shorts on HBO Max, this is likely from the untitled new Krypto show, details for which are scarce.
Some speculate that this could be a new project from animator C.H. Greenblatt, known for creating Cartoon Network’s Chowder.
Xbox has denied claims that the PlayStation 5 version of Grand Theft Auto 6 is outselling the Xbox Series X/S version by a ratio of 8 to 1.
A post recently shared on social media by IGN claimed that the PS5 version of the game was selling eight times more copies than the Xbox Series X/S version, based on the site’s own affiliate link data.
The post claims that “the IGN community has pre-ordered GTA 6 on PS5 8x more often than on Xbox,” with accompanying text reading: “Through IGN Finds’ and commerce affiliate linking program, the data is showing that PlayStation is outperforming Xbox by a rate of 8-to-1.”
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PlayStation started rebranding its console dashboards and mobile app this week to mark the opening of pre-orders for Grand Theft Auto 6, and also has a marketing partnership in place with Rockstar where Sony is declaring the game “plays best on PS5”.
Pre-orders for the highly anticipated Grand Theft Auto 6 opened on Thursday. Rockstar has confirmed that while a physical version of the game will launch in November, it won’t include a disc and will instead be shipped as a code in a box.
Industry analysts have told VGC this week that the decision to release Grand Theft Auto VI without a disc is unlikely to have a significant impact on the game’s sales and is indicative of an industry that has slowly been moving towards digital-only.
The Game Business’s Chris Dring told VGC that, in his opinion, the decision is one that entirely benefits Rockstar and will see the game selling in large numbers regardless, despite the negative impact it will have on retailers.
“The decision will understandably upset some players, and potentially impact less digital-savvy consumers,” he said. “But in truth, for the majority of people, it won’t make much of a difference.
“It will make it easier for Rockstar to keep working on the game right up until launch, without the need to have something ready for duplication and distribution. It will also prevent pre-owned and second-hand sales, and reduce the likelihood of the game leaking ahead of release.”
Xbox has denied claims that the PlayStation
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I’ve reviewed countless online casinos over the
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I am always in awe of Tony Scott’s 1986 jaunt through the skies. You can get lost in the roaring adrenaline of the jet engines and the sun-drenched, high-contrast cinematography.
But this is a movie with deep feelings as well.
Now, I think we all remember the volleyball scene and the technical marvel of the aerial dogfights. But today, I want to talk about the movie’s emotional climax.
That’s right, I want to dig into an unlikely friendship that becomes the core of the film and shows a mutual respect that can elevate above a rivalry.
Let’s dive in.
– YouTubewww.youtube.com
Top Gun is a movie about male bravado as a metaphor for America. Can we put all that swagger behind us when the world calls for us to work together to defeat an enemy that needs us to crack and break in order to exploit our weaknesses?
At the core of this move are Iceman and Maverick, two guys kinda cut from the same cloth emotionally, who are trying to figure out whether they hate each other or not.
These are guys who are all fighting for the same side, but whose machismo gets in the way of them getting along. It’s all about competition, and every man for himself.
But the main lesson here is that in the air, you need someone watching your back.
On one side, you have Pete “Maverick” Mitchell (Tom Cruise). What can we say about him? He’s reckless and driven entirely by emotion and dangerous instinct.
On the other hand, you have Tom “Iceman” Kazansky (Val Kilmer). That guy is tall, handsome, and likes to do things by the book.
Both of them want to be the top airman of their class.
Stakrs get real when they go to war, and they see fellow classmates dying for something bigger than both their egos. These are real-world warzones with real-world consequences.
Their dynamic is defined by sharp confrontations and classic character-archetype friction. But it all culminates on the flight deck after the film’s final, lethal dogfight.
Facing down actual enemy bogeys, the two are forced to rely on one another and not to let their egos take over.
Maverick saves Iceman’s life, and once they’re back on solid ground, Iceman cuts through the noise of the celebrating crowd to deliver his final verdict:
Iceman: “You can be my wingman anytime.”
Maverick: “Bullshit. You can be mine.”
– YouTubewww.youtube.com
The whole movie is about trust and accountability. When you are flying a multi-million dollar jet at Mach 2, your belongings belong to the person flying next to you.
Getting that onto the page is what makes this screenplay pop, and what gives both Cruise and Kilmer something to grab onto while they fight in earlier scenes. They know there’s a natural culmination coming.
When you look at how to write a scene that resolves a major narrative arc, you have to look closely at the subtext.
Throughout the script, the word “wingman” is established as the ultimate metric of professional and personal respect.
This movie is going to be about the power of two, not of just one. So how do you arrange for both guys to meet at one place? Well, you start with them apart and then design scenes and stakes, then keep pushing them together.
When Iceman calls Maverick his wingman, it’s an admission that his worldview has fundamentally shifted. And even when Maverick retorts, it’s with a smile, signaling the same shift in his persona.
The underlying mutual respect gives us an ending we can believe in.
This is a great movie to watch for writers who want to study how to write tight, efficient dialogue during major character turning points.
We got a plant and payoff with the wingan idea, and then clear arcs that actually subvert archetypes and lean into a catharsis for these guys.
Here are a few things I wanted to highlight for my writer pals:
Top Gun became part of the cultural lexicon and also made a huge imprint on Hollywood. It’s no wonder years later its sequel saved theatrical exhibition and reminded us of the power of cinema.
Well, none of that could have been possible without this original movie finding its heart and giving us a line that completes two great arcs.
Let me know your thoughts on this iconic exchange in the comments below!
Sometimes, you just need the warmth of
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Because Australia-focused casinos work in a legal grey area, we put additional emphasis on certification, encryption, and safe gambling features. Honeybetz Casino maintains a acknowledged overseas licence and publishes its licence document in the footer; the licence document is simple to check and the operator has a clean track record with no unresolved player complaints. Our connection used 256-bit TLS encryption, and the confidentiality agreement explicitly states that client details is not passed on with third-party marketers in Australia. Player protection features include betting restrictions, playtime reminders, and self-exclusion that can be activated without speaking to staff; the voluntary ban feature is instant and irreversible, showing genuine commitment. We verified the licence number through the regulator’s official database, establishing it is active. While domestic ACMA lists block illegal providers, Honeybetz falls outside that scope, but its compliance posture surpasses the lowest standard. The bottom section also features references to external gambling help organisations. The absence of integration with Australia’s federal player exclusion list is the key weakness, though that continues as an industry-wide reality for foreign operators.
The sign-up offer is the headline act, but we looked at what occurs after the first few deposits to see if the rewards last. Honeybetz runs a layered VIP scheme that gives comp points for play with comp points convertible to bonus credits. Moving from the starting rank to the second tier unlocked better exchange ratios, expedited cashouts, and a personal VIP host who emailed within 24 hours. Recurring deposit offers on Mondays and Fridays, along with tailored competition entries for slots and live dealer races, maintain the excitement. The rewards store lets players convert points into bonus funds, free spins, or merchandise, and the exchange requirements felt achievable within a two weeks of moderate play. A ‘Game of the Week’ promotion doubles comp point earn on a rotating title, adding variety. This ecosystem ensures the enhanced welcome offer serves not as a one-off sweetener but as an introduction into a long-term benefits system.
Honeybetz’s redesigned sign-up offer is a strategic upgrade beyond the advertised figures, backed by a multi-deposit structure that rewards patience and trying different game types. We reviewed all the deposit levels, tested banking in AUD, and stress-checked mobile performance on domestic connections. The terms and conditions backs up the advertising rather than undermining it, with playthrough requirements of 35x, cashback based on total losses, and no hidden currency conversion fees. For Australian players weary of meaningless offers and restrictive cashout policies, this redesign flips the script by focusing on clarity, pacing, and a VIP scheme that takes over from the intro offer. From the immediate bonus funds to the daily spin drops and the tiered rewards, the complete package feels engineered to keep players active without predatory traps. The platform feels built for long sessions and practical budgets, not just a registration-day snapshot. In a crowded offshore market, this consistent structure gives Honeybetz a genuine edge that knowledgeable Australian gamblers will enjoy.
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Although John Early dons a wig and fake boobs for Maddie’s Secret, he doesn’t consider his titular role to be drag.
The writer, director and star of the Magnolia Pictures comedy, which is now in theaters, admitted he’s “not strong enough” to attempt proper drag, despite playing a woman in his directorial debut.
“When I’m asked about if I classify this as drag, I don’t think I do,” he explained to Queerty. “I love drag—I worship drag! I’ve done drag once, in a bar setting, and I was awful at it. It’s a different skill, and I’m not strong enough!”
Early noted that while drag calls for exaggerated gender performance, the character of Maddie Ralph is “humble and small” in comparison.
And while it was “hot and heavy” under the layers of Maddie’s physical appearance, Early found it easy slipping into character.
John Early in ‘Maddie’s Secret’ (2025) (Magnolia Pictures/Courtesy Everett Collection)
In Maddie’s Secret, Early plays food influencer Maddie, who finds online stardom while working for a trendy company, only for the mounting pressures of her newfound success to reawaken a secret from her troubled past.
The ensemble cast also includes Kate Berlant, Eric Rahill, Kristen Johnston, Claudia O’Doherty, Conner O’Malley, Vanessa Bayer and Chris Bauer.
Although John Early dons a wig and
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SPOILER ALERT: This story includes key storylines and details about “I Will Find You,” now streaming on Netflix.
Sam Worthington has his wife to thank for his role in one of Netflix’s most successful series, “I Will Find You.”
The show, the latest adaptation from novelist Harlan Coben, sees Worthington as David Burroughs, a man convicted and sent to prison for brutally beating his young son Matthew to death. After spending five years behind bars, David’s sister-in-law Rachel – a Boston Globe reporter played by Britt Lower – helps him escape to prove that he’s not only innocent, but that his son is still alive. Rounding out the cast are Milo Ventimiglia as Rachel’s wildly wealthy ex-boyfriend Hayden and Madeline Stowe as his seemingly sinister mother. Logan Browning and Chi McBride play FBI agents on the hunt for David.
“My wife’s a Harlan fan, and she was the one who said, ‘You got to take that call,’” Worthington recalls about first being approached by producers for the project. “I said, ‘Why?’ And she goes, ‘Because you don’t do stuff that I like to watch, and I’d like to watch this.’ So that’s where it started, to be honest. It was her instinct.”
As with any Coben series, there are more twists and turns than one can count. I was hooked immediately and binged all eight episodes over one weekend.
“We got early copies of it,” Worthington said. “My wife and my 11-year-old son binged exactly like you did. They didn’t stop.”
Netflix announced that “I Will Find You” was viewed 24 million times in its first four days, making it the streamer’s biggest series debut of 2026. “Harlan said to me, ‘If you work that out, say there’s three people in a household, that’s like 60 million people,’” Worthington says. “I thought that was pretty incredible.”
David Burroughs is a man of few words. His mission is to find his son, and he’ll do whatever it takes to make that happen. In other words, David becomes an action hero of sorts. However, Worthington sees things a little differently. He told Coben and producers to cut many of his lines. “Give the exposition to others, and allow David to be the emotion, to feel the story through David,” Worthington says. “In a weird way, it’s less heroic than I think is in the book than they – the producers and Harlan — first thought because I always wanted Britt’s character, Rachel, to be the hero, and allow David to be the damsel in distress. I think they found that a very odd approach because they were after a more heroic leading kind of character, but I just thought that was a different way into this genre, and it allowed me to not get overtaken by the pulp, and the dramatic turns that it takes.”
Worthington was willing to do most of his own stunt work, but he wasn’t allowed because of his “Avatar” commitments. “There was a lot I couldn’t do because of my Disney ‘Avatar’ contract,” he says. “They said, ‘You’re not allowed to do this.’ I said, ‘Why not? I’m keen. I’m ready. I can do this.’ They were like, ‘James Cameron won’t let you.’”
As “I Will Find You” unfolds, David and Rachel become closer. At some points, there are hints of a romance brewing. The finale includes a shot of the two holding hands. “She’s his sister-in-law, so I always found that very odd,” Worthington says of viewers shipping the duo. “I think we probably pushed back on any big romantic kiss because of that reasoning. I think it would have become a telenovela rather than a melodrama. It might have been too much. But in the end, I like that there is this simple gesture because the story is about hope.”
Hayden is eventually revealed as Matthew’s kidnapper. He’s so desperate to keep Matthew as his son that he’s even willing to kill anyone who gets in his way, including a detective whom he violently murders with a rock and his mother, who he fatally shoots. “The series does start off quite naturalistic, and then it becomes operatic,” Worthington says. “By the time you get to Hayden killing his mom and killing a detective from another country, we know we’re in another genre.”
As for a second season, Worthington jokes it could include Matthew needing a lot of therapy, not only because of the kidnapping trauma, but also because he has to transition from a very pampered, monied life to working-class Boston. Worthington laughs, “You took that kid from this rich big house — is the kid gonna have any resentment towards David?”
SPOILER ALERT: This story includes key storylines

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4 action-packed Jason Statham films are among the new titles coming to Paramount+ this week.
Action enthusiasts are in for a binge marathon this week with Expendables 1-4 releasing on Paramount+ on July 1. The Expendables franchise throws a brotherhood of elite mercenaries into a high-octane action saga.
Over four films, the crew, originally led by Barney Ross (Sylvester Stallone) and Lee Christmas (Jason Statham), takes on near-impossible global ops, facing off against brutal dictators, corrupt CIA agents, and international terrorists to stop world-ending threats. Beyond the core crew, the cast keeps rotating, blending action icons with new blood in every installment.
Another standout is the Dutton Ranch Season 1 Finale, a Paramount+ Original Series streaming on July 3. The Yellowstone sequel series Dutton Ranch tracks Beth Dutton, played by Kelly Reilly, and Cole Hauser’s Rip Wheeler as they trade Montana for South Texas. There, their lives become entangled with the Jackson family’s 10 Petal Ranch dynasty. The season finale, episode 9 titled “El Padrino,” wraps the first chapter of their fresh start.
Meanwhile, for Independence Day, Paramount+ brings “The Great American Block Party 250.” It is a three-hour live CBS primetime concert event honoring America’s 250th birthday. Airing nationwide on July 4, 2026, the event will feature exclusive performances and events from coast to coast, ending with a record-setting fireworks show in Washington, D.C.
Here are the Paramount+ releases this week, from June 29 to July 5, 2026.
4 action-packed Jason Statham films are among
As the casting process heats up to find a new 007, Famke Janssen, who starred opposite Pierce Brosnan in 1995’s GoldenEye, has recalled her nerve-wracking audition to land the part as Xenia Onatopp in the iconic James Bond franchise.
“I became one of three, maybe four, finalists, and I was flown to London for a screen test with Pierce Brosnan. I remember being so nervous because I’d never done a screen test in my life, and this was a Russian character with an accent,” Janssen, 61, explained during a masterclass conversation with Vanity Fair’s John Ross during the Mediterrane Film Festival in Malta last week. She landed the audition as she had been filming a role in Clive Barker’s Lord of Illusions for Bond studio MGM, and studio executives had been impressed with her dailies. “I didn’t sleep the whole night. … I just sort of surrendered, and everything [my acting coach Harold Guskin] taught me, I took with me. And the rest is history.”
Janssen with Vanity Fair’s John Ross at Malta’s Mediterrane Film Festival on June 25, 2026, as a clip from Martin Campbell’s GoldenEye plays on the big screen.
Courtesy of Mediterrane Film Festival
It was a pivotal moment for the franchise as Brosnan was stepping into the lead role for what would be his first of four 007 installments, and the first Bond film following a six-year hiatus. Brosnan took over from Timothy Dalton (and paved the way for Daniel Craig). It was also a coup, to say the least, for Janssen, a Dutch talent who started her career as a model before moving to New York to study creative writing and literature at Columbia University. Prior to landing the Bond gig, she had done only a handful of bit parts in films and TV shows, including Fathers & Sons (her breakout role), Melrose Place and Star Trek: The Next Generation.
“I grew up watching Bond movies because my dad was a very big fan of them,” continued Janssen, who was born in Amstelveen, Netherlands. “So I had seen what they were, but I also was very aware of how women were portrayed in that genre. As a Dutch woman coming out of a family of very strong women with female empowerment being something that was very [important to me], it’s really kind of colored my life in every way. I put so much pressure on myself in this role because I thought, I don’t want to be one of those women. That’s not how I want to start my career. I wanted it to be a launching pad for a career that has longevity where I can do different things. So, I worked hard.”
Speaking of, Ross asked Janssen about the steamy bathhouse scene during which Xenia and Bond face off in an encounter that is both flirty and ferocious.
“From the moment I got the part, I thought just thought, ‘I’m going for broke. I don’t care. I am going to give it my all and work as hard as I can on making sure this character is going to be as memorable as possible.’ So I threw myself into it,” she explained, adding that her fearlessness came as a bit of a surprise considering how she grew up “as a very, very shy” kid who would often run and hide under a bed when guests came over to visit. “That scene was very difficult but also very liberating.”
And also very painful.
“I did break my ribs during that scene, by the way,” she revealed. “The walls were padded, and Pierce was meant to throw me against the wall. I told him, ‘Pierce, it’s so hard to act out this pain so just throw me against the wall.’ He said, ‘No, no, no. I don’t want to hurt you.’ I said, ‘Don’t worry about it, the walls are padded.’ Famous last words.”
Brosnan then threw Janssen up against the wall, she says, at which point she sustained broken ribs, though it wasn’t until months later that she realized the extent of the injury. “I couldn’t speak at that point. They had to stop filming for a moment because they didn’t know what was going on. I couldn’t breathe. I couldn’t do anything. I didn’t learn, by the way, until I came back to New York — we shot for six months — that I had broke a rib. We just continued filming. They didn’t know.”
Janssen said that filmmakers had hired a “pseudo psychic person” to work on her body, and the specialist wasn’t able to determine that she had broken ribs but did have a vision of a particular filmmaker she would eventually work with.
“She predicted that I was going to work with Woody Allen, which is so crazy. She said, ‘I can see Woody Allen smiling at you,’ and then probably within a year or two, I worked with him,” said the veteran star who landed a role opposite Kenneth Branagh in the auteur’s 1998 film Celebrity.
Back to Bond. Janssen said joining the franchise also delivered a steep learning curve. “You learn very quickly from day one that there is a publicity machine behind a Bond movie that is like no other franchise, not even like the X-Men,” said the actress, who went on to play Jean Grey in that blockbuster franchise. “Over all these years, they know how to promote something. On our first week of filming — I hadn’t even been on set yet — they had a press conference for 800 [journalists] like a junket with round tables. It was with the British press and they’re notorious. I love you all but they are notoriously difficult. Right away, I was, like, ‘Oh my God, this is it. This is what we’re going to be dealing with.’ [I was playing] such a specific character who was a foreigner and I was being catapulted into this big machine. There was a whole stigma about it.”
Janssen said it was tough navigating “stigma to stigma” as a model-turned-actress-turned-Bond girl.
“I was, like, on my God, what am I doing to myself and my career? I kept having to climb out of every box I was being put in. After [GoldenEye] came out, it really put me in the spotlight in a way that I had never experienced, and it gave me visibility and choices,” she said, though she was very choosy. “I turned down everything that had a gun, that had a ‘this,’ that had a ‘that.’ I waited until this one project came along called City of Industry with Harvey Keitel, and that was the one I liked because it was down and out.”

Janssen and Ross on stage inside the festival hub in Valletta during Malta’s Mediterrane Film Festival presented by the Malta Film Commission.
Courtesy of Mediterrane Film Festival

Janssen speaks inside the festival hub in Valletta during Malta’s Mediterrane Film Festival presented by the Malta Film Commission.
Courtesy of Mediterrane Film Festival/Shutterstock
As the casting process heats up to
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DANCES WITH FILMS 2026 REVIEW! Some battles find you whether you’re looking for one or not. In Doug Bremner’s The Goose That Laid the Golden Egg, that battle belongs to a university psychiatrist who gets pulled into a fight against one of the world’s most powerful pharmaceutical companies — one determined to protect a billion-dollar acne drug with dark side effects.
In a story inspired by true events, Dr. Jack Forteo (Andy Evans) is a respected brain scientist and psychiatrist who is one day approached by a New Jersey nurse, Amanda Bellaconda (Hannah Fierman), who traveled a great distance in hopes of an impromptu meeting with Dr. Forteo. She believes her teenage son, Jacob (Cade Gass), killed himself as a result of using a revolutionary acne medicine, Carinaderm, made by the Renzon Pharmaceutical Company.
She thinks that Jack’s expertise in brain imaging and depression can prove that Carinaderm is behind an epidemic of teen suicide. Sympathetic but skeptical, Jack doubts that kind of research would ever get funded. They find a workaround: Amanda raises the money — as a donation to the university — from other bereaved parents who lost children to Carinaderm. Jack is still unsure because Renzon is one of the university’s largest donors, and he does not want to be involved in any legal proceedings. Pressure comes from the other direction when Amanda’s Texas attorney, Red Leghorn (David de Vries), and his co-counsel, Ryan Singh (Shaan Sharma), fly in to make the final case on behalf of grieving families.
Jack agrees to the test, scanning Carinaderm patients’ brains and interviewing them one by one. His research reveals that the medicine affects the brain’s frontal lobe, which regulates emotion. As the results confirm everything Amanda believes about the side effects of the drug, pressure to discontinue the research or get Jack fired starts to mount. He is being attacked both publicly and privately, and it’s beginning to take its toll on his family and his mental health.

“She believes her teenage son…killed himself as a result of using a revolutionary acne medicine, Carinaderm, made by the Renzon Pharmaceutical Company.”
Writer, director, and producer Doug Bremner didn’t have to look far for the story behind The Goose That Laid the Golden Egg. A practicing psychiatrist and professor at Emory University in Atlanta, Bremner conducted a brain imaging study on acne patients treated with Accutane. The results are dramatized in this film. The billion-dollar pharmaceutical industry, as he quickly learned, did not take kindly to any threat, large or small, against their “golden eggs.” Bremner had been quietly writing books and screenplays about his experience for fifteen years before the cameras rolled. When it came time to make the movie, he kept it local, drawing on Atlanta’s large pool of talent, and he is finally getting his story out to the public.
The Goose That Laid the Golden Egg is, at its core, a biographical drama, as it simply lays out the facts and the human emotions behind the story’s events. Jack is the through line, following his journey from a reluctant university researcher to a consumer liability advocate. That said, this is a decidedly low-budget indie. Don’t walk in expecting an expensive John Grisham adaptation. What you get instead is a modest production that profiles a courageous man and walks you through the events of a court case. The “seedy backroom” scenes, where Renzon’s lawyers and executives scheme against Jack, provide exceptional villainous moments.
Andy Evans carries the film’s emotional weight as Dr. Jack, showing us what this fight ultimately costs Jack professionally and personally. He misses his daughter’s school play. His wife suspects his relationship with Amanda is becoming something more. He’s a man getting squeezed from every direction, and Evans bears that weight without overplaying it. It’s also hard not to get pulled into the larger story of parents who lost their children, the billion-dollar machine trying to sweep it under the rug.
Stories like this are precisely the whole point of independent film: they go where the studios won’t, since the studios are often sponsored by these big pharmaceutical companies. And whatever its budget limitations, The Goose That Laid the Golden Egg feels authentic from start to finish. The locations and sets work. The story is real. That counts for a lot.
The Goose That Laid the Golden Egg screened at the 2026 Dances with Films.
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Valery Fabrikant, who shot four people dead at Concordia University in 1992, died in a Quebec prison on Saturday.
Correctional Service Canada put out a news release on Sunday stating he had died of apparent natural causes at the age of 86.
Fabrikant had been serving a life sentence since June 8, 1993.
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On Aug. 24, 1992, Fabrikant, a former professor of mechanical engineering at Concordia University in Montreal, opened fire in the university’s engineering department building, killing four professors and wounding a secretary.
Fabrikant was facing dismissal before he committed his crime and accused his colleagues of stealing his work.
He died at Archambault Institution, a medium- and minimum-security prison in Sainte-Anne-des-Plaines, Que., in the Laurentians.
In 2020, the Canadian Parole Board denied Fabrikant’s request for release, saying he would pose an undue risk to society. In its decision, the parole board noted that after Fabrikant still did not acknowledge that he had targeted innocent people after 28 years behind bars.
© 2026 The Canadian Press
By Staff The Canadian Press Posted June 28, 2026
Jamie Lee Curtis wrote the foreword for an activism guide at the center of “The Art of Saving Democracy,” a new kit from People For the American Way. The kit combines original artwork and practical civic tools into a single physical package.
Curtis announced her involvement on Instagram by reposting from @tinypricksproject. That account has used art to engage with American politics for years.
The kit draws on work from 20 American artists. The roster includes Roy Lichtenstein, Shepard Fairey, Carrie Mae Weems, Vincent Valdez, and Deborah Kass. These names span several decades of American visual art. Some, like Shepard Fairey, have a long history of work designed for public spaces and political contexts. The full package includes 50 postcards, five mini posters, and four sheets of stickers. It also comes with 30 conversation starters.
The how-to guide is the most distinctive part. It walks through three civic skills: writing an opinion piece, presenting an argument to elected officials, and taking collective action. These are concrete and procedural. That’s a different contribution than a fundraising post or a signed letter. Structuring civic participation as a skill to be learned, rather than an identity to be performed, is a meaningful choice.
People For the American Way was founded by Norman Lear. Lear built his career producing television shows like “All in the Family” and “The Jeffersons.” He started the organization to fight bigotry and support creative expression. It has been active for more than four decades. All royalties from the kit go directly to People For the American Way.
The kit’s language is direct about its goals. The announcement Curtis reposted put it plainly: “Whether you’re taking to the streets or taking up a pen, The Art of Saving Democracy can help you be more effective when you express yourself, champion our shared rights and freedoms, and resist hate and authoritarianism.” People For the American Way has never positioned itself as a politically neutral organization. The honest question: does a kit like this reach new participants, or does it mainly serve people already engaged?
That’s the more useful question to sit with. Curtis has been publicly vocal on civic issues before. Writing a foreword is a more substantive act than attaching one’s name to a cause. A foreword makes an argument. It commits the writer to a position on the page.
The physical format also reflects a specific theory of participation. The postcards are sized for voter outreach campaigns. The mini posters are made for store windows and community bulletin boards. The stickers are designed for public visibility. These are objects built for shared spaces rather than private feeds.
People For the American Way is presenting this as a transfer of institutional knowledge. The goal is to translate forty years of advocacy experience into something a first-time activist can pick up and use. The how-to sections on opinion writing and lobbying are the clearest expression of that goal.
Curtis’s role is discrete: she wrote the foreword. The kit is the larger project. Both are worth understanding on their own terms.
Renny Harlin has returned to Malta. The veteran filmmaker touched down on the island last week to attend the Mediterrane Film Festival, which screened his latest film, the shark thriller Deep Water, starring Aaron Eckhart and Ben Kingsley. But it was his 1995 action flick Cutthroat Island that originally brought the Finnish auteur to Malta, host of many blockbuster Hollywood productions, including the Gladiator and Jurassic Park franchises.
And he was stoked to be back. “Malta is the best-kept secret,” Harlin told Collider’s Steven Weintraub during a masterclass conversation on directing held inside the festival hub in Valletta last week. “People don’t realize how incredible this place is.”
The duo covered Harlin’s career from start to finish, ending their chat with a look ahead at Harlin’s next release, The Beast, starring Samuel L. Jackson and Joel Kinnaman, due for release in October. Penned by Umair Aleem, the film casts Jackson as a U.S. president who becomes trapped inside his heavily armored presidential limousine, aka ”the Beast,” during a coordinated coup by a hostile militia. To survive, the president must uncover the vehicle’s top-secret offensive capabilities and fight his way back to safety and his country.
Harlin and Steven Weintraub of Collider share the stage at Mediterrane Film Festival on June 26.
Courtesy of Mediterrane Film Festival
“It’s a really unusual movie and quite a brilliant script,” Harlin told Weintraub and a capacity crowd, adding that the film opens with the “biggest action scene you’ve ever seen” straight when the lights hit the screen. “[The audience realizes] that we are in a world summit like a G7 meeting with all the world leaders, and there’s been a humongous terrorist attack. It’s never really explained who the terrorists are or what nationality they are or anything like that, but there’s been an attempt on the lives of several presidents. They have to get Sam Jackson into the Beast, which is his safe, bulletproof, explosion-proof vehicle and get him the hell out of there before he’s killed. And one thing leads to another.”
The film marks a fourth collaboration between Harlin and Jackson, who previously worked together on 1996’s The Long Kiss Goodnight, 1999’s Deep Blue Sea and 2007’s Cleaner. In The Beast, Jackson’s character is joined by a “badly wounded” Secret Service agent, played by Kinnaman. “It’s the story of these two guys in a car trying to survive, and I dare to say that it’s a very exciting movie, a very action-packed movie and a very unusual movie that has a very beautiful, happy ending,” said the filmmaker.
He also hopes it delivers a beautiful boost to Kinnaman’s career. “I’d like to think that this movie is really going to make Joel’s career,” said Harlin of the veteran actor whose long list of credits includes For All Mankind, Silent Night, House of Cards, Altered Carbon, The Suicide Squad, Hanna and the recent Imperfect Women. “People are going to be stunned when they see his performance.”
They may have a similar reaction to seeing the inimitable Beast vehicle, which Harlin clearly had fun experimenting with.
“It’s indestructible,” he explained. “No matter what missiles they send its way, they can’t destroy the car. They just keep going, and then it has some weapons that we’ll never know [about]. I don’t think anybody can prove whether it has these weapons or not, but this one does. … The president has never done anything but smoked a cigar in the back of the car so he doesn’t know how any of these things work. There’s all these computer panels and weapons and things that he’s trying to figure out how to work them and he can’t get in touch with the headquarters and he’s all alone there, so it just becomes this incredible survival story. This is my fourth movie with Sam, and the relationship between him and Joel Kinnaman is exceptional.”

Harlin and Weintraub share the stage.
Courtesy of Mediterrane Film Festival

Harlin and producer wife Johanna Kokkila at Malta’s Mediterrane Film Festival on June 26.
Renny Harlin has returned to Malta. The
Booted “Love Island USA” star Alannah Keyser apologized for her past use of the N-word in a TikTok video late Saturday, telling fans that does not “support racism” and “that word is just not in my vocabulary anymore.”
“I’m coming on here to address some things that have been circulating online,” Keyser said. “I do want to begin by addressing the video of me singing along to a Roddy Ricch song that contains a racial slur. I’m sorry to whoever has seen that video and has been offended by it, that was never my intention. The video is from six years ago, and that word is just not in my vocabulary anymore.”
Keyser, a Casa Amor arrival who was paired up with original cast mate Zach Georgiou, was fired from the eighth season of “Love Island USA” on Thursday after the video of her saying the racial slur resurfaced online.
Watch the apology video below:
“I do want to say directly that I do not support racism or discrimination of any kind, and I never have,” she continued. “When I first found out that these things were going around online, it really broke my heart, and I couldn’t do anything about it. But this has definitely been a learning lesson for me, and it sucks that I didn’t get a chance to really show my personality and who I am.”
Keyser is far from the first instance a contestant has been removed during their time on “Love Island USA”: Yulissa Escobar was removed after appearing in just the Season 7 premiere while Cierra Ortega left the villa well into the season after racist posts resurfaced. It happened again this season after the Season 8 cast was revealed and videos surfaced of Vasana Montgomery using a racial slur, though she was removed prior to premiere and she shared a public apology.
While the show’s repeated instances of racist remarks surfacing during a season’s rollout has raised questions about Peacock’s vetting process, the video and posts were only shared publicly after her appearance on the show and were not accessible during the vetting process, according to an individual with knowledge.
The video and social media posts see Keyser using a racial slur, with the video featuring her singing along to a song that included the slur and in the posts using a variation of the slur.
Once the posts surfaced, viewers connected the dots with her behavior during the introductory heart rate challenge that kicked off Casa Amor, during which Keyser limited her physical interactions with the Black men in the cast.
Booted “Love Island USA” star Alannah Keyser
Toy Story 5 continued to soar at the box office, while Supergirl experienced some turbulence in its weekend debut with $38 million domestically and $68 million globally.
Pixar‘s latest installment in its Oscar-winning animated franchise unboxed $70 million in North America in its sophomore frame to retain the top spot. It dropped 56 percent after last weekend’s strong start, when it notched 2026’s biggest domestic opening thus far with $160 million. With returning voice stars Tom Hanks and Tim Allen, Toy Story 5 now holds a domestic sum of $297.2 million and $585 million globally as the sequel from filmmaker Andrew Stanton and co-director Kenna Harris continues to draw crowds and families.
Ahead of its release, Warner Bros.‘ Supergirl had been eyeing a start of around $50 million before coming down to earth a bit over the weekend. Milly Alcock leads director Craig Gillespie’s superhero feature that marks the second big-screen project for the planned slate from DC Studios bosses James Gunn and Peter Safran, arriving a year after Superman picked up $618 million globally. Supergirl received a B- CinemaScore from audiences, whereas Superman scored an A-.
Supergirl centers on Kara Zor-El, the cousin of the Man of Steel, as she encounters Jason Momoa’s Lobo and other DC staples. It carries a budget of $170 million, making it less of a lift than Superman’s $225 million sum. Up next for DC Studios is this October’s body horror title Clayface, starring Tom Rhys Harries in the lead role, while Superman follow-up Man of Tomorrow flies into theaters next July.
Reviews for Supergirl were mixed, with The Hollywood Reporter’s chief film critic David Rooney deeming it an “uninspired slog,” although praising “Milly Alcock’s hard-edged performance making her an appealingly punky protagonist.”
Also debuting this weekend in wide release was Paramount‘s Jackass: Best and Last, with the latest installment in the gross-out comedy franchise heading for a fourth-place finish. Director Jeff Tremaine’s fifth and supposedly final feature in the ribald Johnny Knoxville-led series picked up $8.4 million domestically for a global cume of $10.3 million. While previous franchise entry Jackass: Forever opened with $23.1 million in February 2022, the new one has the benefit of a budget of just $10 million.
Jackass fans appear pleased with the celebration that combines a look back at classic stunts alongside an array of new footage. Best and Last nabbed an A- CinemaScore, which the franchise had not received since the original Jackass: The Movie back in 2002.
In its seventh weekend, Focus Features’ horror movie Obsession placed No. 3 with $9.8 million domestically. With a decline of just 27 percent, director Curry Barker’s film has collected $233.9 million in North America and $370.1 million worldwide for its strong run.
Rounding out the top five is Universal’s Disclosure Day, starring Emily Blunt and Josh O’Connor. The Steven Spielberg-helmed UFO movie beamed up $8.1 million, declining 54 percent for a domestic cume of $94.3 million and $193.6 million global tally.
A24 released director Olivia Wilde’s relationship comedy The Invite on seven screens this weekend following its Sundance premiere. With a cast that includes Wilde, Seth Rogen, Penélope Cruz and Edward Norton, the Annapurna-produced movie opened to $379,104, averaging $54,158 per screen.
Toy Story 5′s strong start helped Disney to cross the $3 billion mark at the global box office on Thursday, becoming the first studio to achieve the feat in 2026. Disney’s previous releases this year include Star Wars: The Mandalorian and Grogu, The Devil Wears Prada 2 and Hoppers, with its live-action Moana on the horizon for next month.
Additionally, Scary Movie from Paramount and Miramax crossed $100 million at the domestic box office on Thursday, becoming the first R-rated comedy to hit the milestone since 2017’s Girls Trip.
This story was first published on June 27 at 10:50 a.m.
Toy Story 5 continued to soar at
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A few times early in “Supergirl,” its heroine looks like a mess — a beautifully styled and scrupulously photographed one, true, but a wreck nevertheless. She likes to party hard, this chick, and will slam down drinks as heedlessly as any bro on a bender before crawling into bed alone on her artfully groovy, dishabille spaceship. When she finally wakes, she’s trying to swat away her frisky dog, Krypto, and protect her eyes from the morning light with mod, oversized Jackie O-style shades. There’s a reason that she drinks heavily, or so the movie insists, even as it keeps squeezing more comedy than pathos out of her intemperance.
However intentional, the metaphoric resonance of this opener is pretty funny, and feels very much on point. Like Supergirl — who goes by Kara and is played by the winning Milly Alcock — faithful moviegoers have been caught up in a seemingly interminable cycle of indulgent excess and morning-after regret. That’s at least one way to describe what it’s been like to have watched the numbingly similar superhero stories that have flooded cinemas for decades. Because, while some of these entertainments offer indisputably pleasurable highs, all this bingeing has been unhealthy for the mainstream film industry. It’s been a drag and, to judge from this movie, it has put a strain on those making new superhero flicks.
The strain shows in different ways in “Supergirl,” which is derivative if altogether watchable, largely on account of its star. It’s the latest addition to the so-called DC Universe, which includes movies focused on superheroes from DC Comics, including the big guy himself: Superman. Created by Jerry Siegel and Joe Shuster, Superman fell to earth and hit the page in 1938, and his cousin, Supergirl, followed around two decades later. In the years since, she made the rounds on the big screen and off, re-emerging in her current incarnation in James Gunn’s “Superman” (2025). She made an impression, though she was upstaged by Krypto, an irrepressible agent of chaos, which Gunn based on his own rescue.
The new movie, written by Ana Nogueira and directed by Craig Gillespie, announces its tone almost at once with a tight shot of Krypto urinating on a newspaper photo of Superman (David Corenswet). It’s a brief, ostentatiously silly moment that announces that this isn’t another Superman movie even if, of course, it is, because the Man of Steel will always be the headliner. The filmmakers are clearly trying to put a bit of distance between these superheroes by playing it light and irreverent. That they’re sullying DC’s marquee attraction — one that Gunn and company have redefined as a sweetly cornball, old-fashioned hero — is definitely a choice. That they haven’t done Supergirl any real favors in doing so is another.
The problem isn’t that Supergirl has to win the audience over; many viewers will be in the tank for the character out of habit, loyalty or just inclination. The issue is that the filmmakers expend too much effort trying to establish Supergirl as not-Superman. He’s the straight arrow, she’s the naughty one, and so on. That isn’t a dilemma; it’s a recipe out of a screenwriting manual. If she were, say, chatting up her fellow barflies about gender oppression, that would distinguish her from her super-brethren. For the most part, though, Supergirl is just another young, alienated extraterrestrial grappling with some eternal existential hurdles, some seriously far out. She’s naturally appealing, and Alcock makes her all the more so.
Things settle down once the story kicks in. It’s familiar, painless and hinges on a girl, Ruthye (Eve Ridley), who’s out for vengeance. She’s chasing a pack of thugs led by Krem (a lustily showboating Matthias Schoenaerts), whose facial studs suggest that he was trying to bedazzle a motorcycle jacket but missed. He and his crew swooped down on Ruthye’s family on Holzherr, a planet that — to judge from her fast moves and formal speech — is north of Westeros. That’s the home of Arya Stark, the wee avenger from HBO’s “Game of Thrones” series whom Ruthye evokes. It’s a small Warner Bros. world, after all (HBO is owned by Warner Bros. Discovery): Alcock was in HBO’s “House of the Dragon,” a “Thrones” prequel.
By the time a visibly entertained Jason Momoa — another “Game of Thrones” alum — shows up on a tricked-out motorcycle looking like a pumped, wayward member of the band Kiss, it’s hard not to wonder how far the corporate synergy will go. Far, very far, because once all the parts are in place and Supergirl and Ruthye are bonded, they’re fighting shoulder to shoulder in an adventure that owes a conspicuous debt to George Miller’s “Furiosa” films (yet more Warner Bros. releases). That this movie never matches the brilliance of Miller’s goes without saying, despite the heavy-metal clanging. That Alcock manages to rise above the fray with a performance that never feels like borrowed goods is at once a surprise and a gift.
Supergirl
Rated PG-13 for mild peril and mass casualties. Running time: 1 hour 47 minutes. In theaters.
A few times early in “Supergirl,” its
Former “Love Island USA” star Alannah Keyser issued an apology to TikTok on Saturday after being kicked off the Peacock reality show for using the n-word in a resurfaced video.
The video shows Keyser rapping along to Roddy Ricch’s 2019 track “The Box” and singing the lyrics with the n-word.
“I’m coming on here to address some things that have been circulating online,” Keyser said. “I do want to begin by addressing the video of me singing along to a Roddy Ricch song that contains a racial slur. I’m sorry to whoever has seen that video and has been offended by it, that was never my intention. The video is from six years ago, and that word is just not in my vocabulary anymore.”
She added, “I do want to say directly that I do not support racism or discrimination of any kind, and I never have. When I first found out that these things were going around online, it really broke my heart, and I couldn’t do anything about it. But this has definitely been a learning lesson for me, and it sucks that I didn’t get a chance to really show my personality and who I am.”
Keyser is the second “Love Island USA” Season 8 contestant to get the boot for saying the n-word. In late May, Vasana Montgomery was fired in the days leading up to the Season 8 premiere after two videos of her using the slur went viral. In last year’s Season 7, two contestants, Yulissa Escobar and Cierra Ortega, were also caught using racial slurs and had to exit the Villa.
Former “Love Island USA” star Alannah Keyser
Sequels are still all the rage in Hollywood as the major studios work to build new franchises and rejuvenate old ones. 2026 alone has over a dozen different film sequels on the schedule, with everyone from Mario to the Mandalorian getting their time on the big screen, and that list only gets longer when looking ahead to 2027.
Next year will herald the return of major IPs from Disney, Marvel Studios, and DC, not to mention more legacy sequels and successors to breakout box-office hits.
Ice Age: Boiling Point is the sixth installment in the Ice Age franchise, but the first since Disney acquired 20th Century Fox and its subsidiaries. The new prehistoric animated film is set for release on February 5, 2027, and follows favorite characters like Manny, Ellie, Sid, and Diego as they enter a mysterious new world and face fiery threats to their frozen world. Teasers have also confirmed the return of Scrat and his adorable new companion, Baby Scrat.

Paramount Pictures’ video game adaptation franchise continues in 2027 with Sonic the Hedgehog 4.
Due for release on March 19, 2027, Sonic 4 continues the story of the lightning-fast blue Hedgehog, Sonic, and his friends Tails and Knuckles. Joining the action in the fourth film is Kristen Bell as the voice of Amy Rose, a pink hammer-wielding hedgehog who was teased at the end of Sonic the Hedgehog 3, and will team up with Sonic and his friends to face a new threat in the form of Metal Sonic.

The next chapter of the Monsterverse will be unveiled on March 26, 2027, as Godzilla x Kong: Supernova debuts in cinemas. The new monster-mash-up features the return of Dan Stevens as Trapper, with new cast members Kaitlyn Dever, Jack O’Connell, Alycia Debnam-Carey, Matthew Modine, and Delroy Lindo joining the action.
Everyone is waiting to see what kind of cataclysmic threat Godzilla and King Kong will face next, with the most recent movie seeing them team up against the Skar King and Shimo.

A legacy sequel making its debut 40 years after the original is Spaceballs: The New One. The Star Wars parody film features Mel Brooks, Rick Moranis, Bill Pullman, George Wyner, and Daphne Zuniga reprising their roles, with Keke Palmer and Lewis Pullman joining the cast.
Spaceballs: The New One will continue the style and humor of the first movie, with a script written by Brooks, Josh Gad, and Dan Hernandez, and a release date set for April 23, 2027.

Mel Gibson returns with two sequels to his biblical drama, The Passion of the Christ, titled The Resurrection of the Christ, a two-part story releasing March 26 and May 7, 2027. The movies will follow the resurrection of Jesus Christ and the events surrounding his return. The cast includes Jaakko Ohtonen as Jesus, and Mariela Garriga as Mary Magdalene.

An eighth Paranormal Activity film from producers Jason Wan, Oren Peli, and Jason Blum is on track for May 21, 2027. Plot details are under wraps, but the movie will be directed by Ian Tuason, who was behind 2025’s audio-focused horror Undertone.

Universal Pictures is continuing with its live-action adaptations of animated classics, following the success of How to Train Your Dragon in 2025.
The second film, which features the return of Dean DeBlois as director, and Mason Thames and Nico Parker as Hiccup and Astrid, will be a direct translation of the DreamWorks animated movie, following Hiccup and his friends as they venture outside of Berk and come across his long-lost mother, Valka (played once again by Cate Blanchett). The sequel recently wrapped filming and will be released on June 11, 2027.

One of the most anticipated Marvel movies on the slate is the third and final installment in the Spider-Verse trilogy. Sony Animation’s Spider-Man: Beyond the Spider-Verse directly continues the story of Across the Spider-Verse, in which Miles Morales is stranded in an alternate universe where his variant has become the Prowler. Meanwhile, the Spider-People are mounting a chase to find and stop Miles, while Gwen and her own team are trying to find him.
Spider-Man: Beyond the Spider-Verse already looks stunning in its previews, and audiences can watch it in all its animated glory on June 18, 2027.

After celebrating its 25th anniversary in 2026, the Shrek franchise will continue with a new sequel in 2027. Shrek 5 will be released on June 30, 2027, and picks up a few years after Shrek Forever After, with Shrek and Fiona’s children now grown. Zendaya, Marcello Hernandez, and Skyler Gisondo are attached to voice the couple’s children, Felicia, Fergus, and Farkle.

Man of Tomorrow (aka Superman 2) is perhaps the most-anticipated DC movie on the slate right now, as James Gunn’s superhero movie combines David Corenswet’s Superman with other DC heroes like Milly Alcock’s Supergirl and Lanterns‘ John Stewart, played by Aaron Pierre.
The sequel will see Superman forced to turn to his nemesis, Lex Luthor (Nicholas Hoult), to face a new threat in the form of the classic comic book villain Brainiac (Lars Eidinger).

After A Minecraft Movie proved to be a smash success at the box office, it’s no surprise the studio quickly put a sequel into production based on the popular game. A Minecraft Sequel sees Jack Black return as Steve, with Kirsten Dunst joining the second movie as Alex, on a new adventure into the Overworld.

A third A Quiet Place film is finally in production with director John Krasinski at the helm. The movie will continue the story of the Abbott family, led by Evelyn (Emily Blunt) and her two children, Regan (Millicent Simmonds) and Marcus (Noah Jupe). Cillian Murphy also reprises his role as fellow survivor, Emmett.
After discovering the sound-hunting aliens could not swim in A Quiet Place Part II, the family retreated to a small island, but even that wasn’t completely safe. A Quiet Place Part III will reportedly be the last in the trilogy, rounding out the story of the Abbotts on July 30, 2027.

2023’s animated Teenage Mutant Ninja Turtles movie, Mutant Mayhem, was a breath of fresh air for the classic comic characters, and in 2027, it will become its own franchise with the release of a sequel.
The TMNT film is currently untitled but has a release date set for August 13, 2027. The sequel will feature the same voice actors reprising their roles as the turtle brothers, Leonardo, Michaelangelo, Raphael, and Donatello, who will face off against their nemesis, the Shredder.

The Simpsons are returning to the big screen in 2027 with the long-awaited sequel to The Simpsons Movie. Set for release on September 3, 2027, The Simpsons 2 will follow the classic cartoon family on another comedic adventure, though plot details for the movie have been kept under wraps.

After a five-year wait, Robert Pattinson’s Batman will be back on October 1, 2027, in The Batman Part II. Directed once again by Matt Reeves, the new Batman flick will be set in Gotham during winter and will bring on new cast members Sebastian Stan and Scarlett Johansson, reportedly as Harvey and Gilda Dent. The Batman Part 2 will continue to carve a path as a different type of Batman film, existing outside of the canon of the new DCU.

A fourth The Mummy movie starring Brendan Fraser and Rachel Weisz is officially happening, 17 years after the last chapter. Ready Or Not directors Matt Bettinelli-Olpin and Tyler Gillett are at the helm for the legacy sequel, with the movie expected to be a direct sequel to the first two films, but likely ignoring 2008’s Tomb of the Dragon Emperor. It will be released on October 15, 2027.

A third film in Disney’s biggest animated franchise of the century is set to be released on November 24, 2027. Frozen 3 will continue the story of the princesses and sisters, Anna (Kristen Bell) and Elsa (Idina Menzel), as they continue to try to foster peace throughout the land of Arendelle. It’s still too early to tell what the plot of Frozen 3 will entail, but it will be a direct sequel to the past two films.

Everything in Marvel Studios’ Multiverse Saga has been leading to December 17, 2027, when Avengers: Secret Wars (the direct sequel to Avengers: Doomsday) will cap off the MCU’s latest film saga. The plot of Avengers: Secret Wars will become clearer once Doomsday is released in December, but an array of MCU stars, including Tom Holland (Spider-Man), Pedro Pascal (Mister Fantastic), and Florence Pugh (Yelena Belova), are gearing up for their MCU returns as production on the Avengers film aims to start this summer.

Releasing on the same day as Avengers: Secret Wars is The Housemaid sequel, The Housemaid’s Secret. The sequel is an adaptation of Freida McFadden’s second book in the series, and features Sydney Sweeney returning to her role as Millie, and Paul Feig back in the director’s chair.

The long-running Air Bud franchise, about a sports-playing golden retriever named Buddy, is returning with its 15th chapter on January 22, 2027. Air Bud Returns follows Buddy under a new owner, 12-year-old Jacob, who teams up with the local children in Fernfield, Washington, to form a basketball team.

2019’s The Curse of La Llorana is the next The Conjuring universe film to receive a sequel in The Revenge of La Llorana. The movie is steeped in Latin American folklore about the vengeful ghost La Llorona. Little is known about the movie’s plot, but it will star Monica Raymund, Jay Hernandez, and Raymond Cruz, with a release date set for April 9, 2027.

Jason Statham’s skilled assassin is returning for a sequel on January 15, 2027, in The Beekeeper 2, which brings in Nobody 2’s Timo Tjahjanto to direct. The first film saw Statham’s hitman, known as “the Beekeeper”, emerge from retirement to stop a dangerous phishing scam. Little is known about the plot of The Beekeeper 2, although Tjahhanto teased to The Direct that “the villain element is going to be so unpredictable and colorful.”

Hot off the heels of The Mummy 4 is another legacy sequel, this time to the classic 80s and 90s horror franchise, Gremlins. The movies follow the mogwai creatures, who first appear as adorable furry friends but turn into chaotic monsters if any of the three rules is broken.
Gremlins 3 is set to be directed by Chris Columbus, with filming expected to begin in Summer 2027. It is scheduled for release on November 19, 2027.
There’s no one more skilled at mixing fantasy, history, and romance into the perfect TV series than South Korean filmmakers. Netflix’s Korean drama Alchemy of Souls is perfect proof of that. Blending genres and elements seems to be the prototype for both Korean cinema and music. They draw what they need from different areas and combine them into one big work of art that somehow works, despite the seeming improbability.
If you’ve enjoyed the perfect mix that is Alchemy of Souls, which wrapped its two-part run with Light and Shadow in early 2023, here are some other Korean TV series you might want to check out next. From Arthdal Chronicles to Hotel del Luna, these shows are essential viewing for any fan of the genre.
Regarded as the first Korean ancient fantasy drama, Arthdal Chronicles is set in the Bronze Age and is loosely based on the founder of the first Korean kingdom, Gojoseon. It’s set in the mythical land of Arth, where its inhabitants face power struggles and the hardships of love and unity as they try to build a new society.
We get South Korea’s favorite leads in the main roles: the incomparable Song Joong-ki and Kim Ji-won. This epic fantasy sucks you in and provides a fascinating look into Korea’s early civilization and its differing tribes. A sequel series, Arthdal Chronicles: The Sword of Aramun, followed in 2023 with Lee Joon-gi stepping into the lead, so there’s plenty here for anyone who loves historical fantasies.
Adapted from the novel of the same name, Lovers of the Red Sky is a fantasy romance historical drama starring Kim Yoo-jung and Ahn Hyo-seop as the lead romantic couple. The plot centers on the only woman painter in the fictional Dan dynasty, a figure briefly recorded in the historical texts.
Brought up as a fierce young woman with a magical painting talent, she stumbles upon an astrologer who can read stars and constellations. This is a very addictive must-see K-drama that leaves you on the edge of your seat by the end of every episode.
Inspired by the book Dongui Bogam, Mirror of the Witch, also known as Scarlet Healer, is yet another historical fantasy drama worth checking out. It follows the story of an infertile princess who meets a black magic shaman in an attempt to rid herself of the curse she’s been put under.
The mix of costumes, fantasy, and modern-day mannerisms may feel odd at first, but you’ll eventually get used to it. The storyline is different, interesting, and riveting, even if it occasionally feels like it’s written in circles. The show leaves an impression with both its plot and its superb acting.
South Koreans love their shaman plotlines, and The Moon Embracing the Sun is no different. Set against the backdrop of a traditional Korean palace, it stars Kim Soo-hyun as a fictional king in the Joseon dynasty and his poignant love with a woman shaman, played by Han Ga-in.
Per usual, political conspiracies and conflicts are included. It won Best Drama and Best Actor in the television category at the 48th Baeksang Arts Awards. Many argue the teen actors outperformed their adult counterparts, but after a watch, you’ll realize the whole show deserves its strong reviews and ratings.
Starring singer-actors Lee Seung-gi and Bae Suzy in the lead roles, Gu Family Book is a fusion of martial-arts action and historical fantasy drama. It revolves around a half-human, half-were-fox man on a desperate search for a centuries-old book that will help him become fully human.
Prepare for many tragic backstories and a lot of crying. The show is a little unconventional and doesn’t take itself seriously, quenching the thirst for many genres in one with action, comedy, fantasy, and strong male and female characters.
Based on the Chinese novel Bu Bu Jing Xin, Moon Lovers: Scarlet Heart Ryeo is a historical fantasy drama starring South Korea’s Lee Ji-eun, Lee Joon-gi, and Kang Ha-neul as the leading love triangle. It tells the story of a 21st-century woman who, during a solar eclipse, is transported back in time to the Goryeo dynasty, falls in love, and is unwillingly drawn into political conflicts.
Even if you’re not an avid K-drama lover, you’ll find the plot interesting and heart-wrenching in its complications. The show is thrilling from beginning to end and leaves you crying like a baby near the finale.
Don’t worry, we have something for the lovers of homoerotic subtext as well. Hwarang: The Poet Warrior Youth is a period drama centered on an elite group of trained warriors, called Hwarang, who discover love and friendship among themselves against the backdrop of turmoil in the Silla kingdom.
The drama is known for its star cast, including Park Seo-joon, Go A-ra, Park Hyung-sik, Choi Min-ho of Shinee, and Kim Taehyung of BTS. The series’ many strengths overpower the small flaws some people like to point out. K-dramas mostly last for one season only, and you’ll definitely be saddened that this one doesn’t have a follow-up.
Serving as a modern spin-off of the 16th-century Chinese classic Journey to the West, A Korean Odyssey is a fantasy TV series starring Lee Seung-gi, Cha Seung-won, and Oh Yeon-seo in leading roles. It revolves around Son O-gong and King Wooma, who are in constant conflict yet bond over their shared quest for light in an evil world.
The show is unlike anything you’ve ever seen before: simple, unique, and refreshing. The plot feels like a dream, and the chemistry between the two leads only enhances its appeal.
Starring Gong Yoo in the title role alongside Kim Go-eun, Lee Dong-wook, Yoo In-na, and Yook Sung-jae, Goblin quickly became a cultural phenomenon in South Korea upon release. It tells the story of an immortal goblin who has to find his one true love to help remove an invisible sword from his chest.
With its high audience rating, it became one of the highest-rated dramas in Korean cable television history. It has also become the gold standard for K-dramas thanks to its truly transcendent on-screen artistry. Throw out all your reservations and watch this one, because you certainly won’t regret it.
Last but not least is a TV series written by the Hong sisters and starring Lee Ji-eun yet again, alongside Yeo Jin-goo: Hotel del Luna. Lee plays the owner of a special hotel that caters only to ghosts, caring for them before they step into the light. Yeo plays the hotel manager as well as Lee’s love interest. It has become one of the highest-rated Korean dramas in cable television history.
The top-notch production makes it better than the average K-drama, and the styling team excels at makeup and costumes. It gets slow from time to time, but that doesn’t take away from its amazing qualities.
There are plenty of great Korean fantasy dramas out there that will appeal to fans of Alchemy of Souls, so make sure you let us know which ones you would recommend on top of our ten picks for fans of the genre.
There’s no one more skilled at mixing
Ahead of its release next month, Ubisoft has released a playable part of Assassin’s Creed Black Flag: Resynced online–playable sea shanties, that is. This is technically correct, which is the best kind of correct. Available online through various streaming platforms, the collection includes all the original shanties from the game, brand-new compositions, and the unreleased rendition of The Parting Glass by Sarah Greene. In total, that’s 57 tracks to accompany you on your next voyage.
You can listen to it through the links below, but we all know that you’re going to have “The Wellerman” on a loop:
The original Black Flag’s soundtrack required some work to completely unlock, as dozens of shanties had to be located and caught. Appearing in the game as glowing pieces of sheet music, players had to perform acrobatics to acquire each one, and once in their possession, protagonist Edward Kenway’s crew would sing them while players were sailing. You could even take these seaworthy tunes on the go with you, as an Assassin’s Creed 4: Black Flag companion app synced to the game and downloaded the tracks to your smartphone. Sadly, the app has long been discontinued.
Recorded in Montreal by a group of contemporary folk singers and musicians, the Black Flag soundtrack’s catchy collection of sailing songs predated the rise of ShantyTok on TikTok around 2021. Scottish musician Nathan Evans recorded a rendition of The Wellerman that quickly went viral, and it wasn’t long before more users began to join in with their own performances. For Black Flag, Ubisoft hired musician and professor David Gossage to produce the in-world music, which was then adjusted to fit the game’s time period.
Another interesting fact is that the singers recruited for the shanties had to dial back their singing so that they could sound like sailors, not a well-rehearsed choir.
Assassin’s Creed Black Flag: Resynced launches on July 9 for PC, PS5, and Xbox Series X|S. Preorders opened up for the game a few months back, and to kick off the marketing for the Black Flag remake, Red Bull Gaming tasked several athletes with recreating Edward Kenway’s signature leaps of faith.
$60 | Releases July 9
$70 | Releases July 9
$200 | Releases July 9
Opinions are mixed on some of the changes that the remake will introduce, but overall, it looks like fans can expect a mix of graphical overhauls and quality-of-life updates.
Ahead of its release next month, Ubisoft
More than 40 years later, Rob Lowe and friends are getting closer to reigniting St. Elmo’s Fire with a long-awaited sequel.
The 6x Golden Globe nominee, who has previously noted there’s interest in a follow-up, recently revealed that the team is “working on” a script, which they want to get just right.
“I’m trying to get it done, but I’m excited,” he said on The Kelly Clarkson Show. “I think the reason that St. Elmo’s continues to mean a lot to people is because it’s such a great snapshot of your 20s.”
Lowe added, “Everyone wants to do it. We just need to get the script right, and that’s what we’re working on.”
Back in 2024, Lowe told Entertainment Tonight that the sequel is in “very early stages” after he “met with the studio.” He noted that the documentary “only added to the excitement around” the film and a potential sequel.
NBC was previously developing a St. Elmo’s Fire series in 2019, which was set to be a modernized take on the original but never materialized.
The original Joel Schumacher film starred Lowe, Demi Moore, Andie MacDowell, Andrew McCarthy, Ally Sheedy, Mare Winningham, Judd Nelson and Emilio Estevez as a group of recent college graduates who struggle with adulthood as the venture into the world.
The cast reunited to appear in McCarthy’s 2024 documentary Brats, revisiting the cultural phenomenon known as the Brat Pack, the young actors who frequently appeared together in teen coming-of-age films of the ’80s.
More than 40 years later, Rob Lowe
Prime Video has revealed the cast of its German-language original series “Superior,” which is set in the world’s best hotel management school. Filming is underway in Bavaria and Switzerland.
The six-part drama, which combines elite surroundings, stories of young love and a murder mystery, takes viewers behind the perfectly orchestrated scenes of the luxury hotel industry. But appearances are deceptive: behind the façade, dark secrets are lurking.
Franziska Margarete Hoenisch directs a cast of up-and-coming actors and actresses, led by Zoe Fürmann as Ricca, Jonathan Kriener as Joel, Kjell Brutscheidt as Maximilian, Lukas von Horbatschewsky as Tarek, Jule Hermann as Florence, and Manal Raga a Sabit as Amina, with cinematography by Julian Krubasik. The series also features Birgit Minichmayr, Benjamin Sadler, Merlin Rose, Peter Lohmeyer and Nick Romeo Reimann.
At the exclusive Swiss Hotel Academy Walding, life seems more beautiful, grander and more glamorous than anywhere else. Between champagne, white truffle, luxurious hotel suites, and the highs and lows of first love, dreams feel within reach. But beneath the flawless surface, tensions are simmering: An explicit adult content account, forbidden affairs and a rivalry that spirals out of control send shockwaves through the world of the elite.
Ricca, in particular, must protect her secret at all costs: to secure her scholarship, she falsified a crucial detail on her résumé — and fellow student Joel threatens to uncover her dark past. Will he betray her — or can she trust him? Against all reason, Ricca falls in love with him. What she doesn’t yet realize is that Joel is also deceiving everyone. It’s only a matter of time before all secrets come to light. With deadly consequences.
“Superior,” which is a working title, is produced by Swiss production company Zodiac Pictures in collaboration with MMC Zodiac. Jessica Hefti, Lukas Hobi and Reto Schaerli serve as executive producers, with Lennart Lenzing as producer. The scripts are written by head writer Adrian Spring, who also created the series, along with Ruth Rehmet and John-Hendrik Karsten.
“Superior” is supported by the German Motion Picture Fund (GMPF) and FilmFernsehFonds (FFF).
Pictured above: Manal Raga a Sabit, Jule Hermann, Jonathan Kriener, Zoe Fürman, Kjell Brutscheidt and Lukas von Horbatschewsky
Prime Video has revealed the cast of
There are certain Hollywood brands that feel destined to get screwed with for all eternity—well-known enough to trigger that “Oh, people have heard of that” brain impulse that makes executives think there might be money in reviving them, but not so much that people actually ever go see the damn things once they’re revived. It’s hard not to see Dark Shadows—the Gothic soap opera that managed to crank out 1,200 of witchy melodrama back in the 1960s and ’70s—as falling into this particular ditch. Like, if an only-somewhat-past-their-primes Tim Burton and Johnny Depp couldn’t get this thing going again in 2012, what hope does anyone have now?
There are certain Hollywood brands that feel
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Το Big Bass Bonanza Slot προσφέρει
Ever the Imax advocate, Christopher Nolan recalled introducing Ryan Coogler to the high-res format.
The 2x Oscar winner recently noted that he assured Coogler it “wasn’t crazy” using Imax to film his 2025 film Sinners, which earned Autumn Durald Arkapaw the Academy Award for Best Cinematography.
“Ryan called me before he committed to Imax,” he told The New York Times. “I think Dunkirk was the first time I dragged him to a screening of an original-made film print of Imax. I love to show filmmakers the potential of the format.
“So he called me when he was prepping, but really I think he was sort of looking for someone to tell him it wasn’t crazy to shoot his vampire film that way. I was like, no, I’d love to see that,” added Nolan.
Nolan’s The Odyssey has become the first film to be shot entirely with Imax cameras. He previously used Imax in making Oppenheimer (2023), Tenet (2020), Dunkirk (2017), Interstellar (2014), The Dark Knight Rises (2012), Inception (2010) and The Dark Knight (2008).
Delroy Lindo, Michael B. Jordan and director Ryan Coogler on the set of ‘Sinners’ (2025) (Eli Ade/Warner Bros/Courtesy Everett Collection)
“One of the great satisfactions of my career has been being part of an evolutionary process of a [filmmaking] system,” said Nolan of The Odyssey, premiering July 17. “My excitement for having finished the film entirely in Imax is: what other filmmakers might want to do that. I just want to go see somebody else’s film when they do it this way.”
An adaptation of one of the first stories in human history, The Odyssey follows Odysseus (Matt Damon) through the incredible trials and mythical encounters he faces on his decade-long journey home to wife Penelope after the Trojan War.
The film also stars Tom Holland, Anne Hathaway, Zendaya, Lupita Nyong’o, Robert Pattinson, Charlize Theron, Jon Bernthal, Benny Safdie, John Leguizamo, Elliot Page, Himesh Patel, Bill Irwin, Samantha Morton, Jesse Garcia, Will Yun Lee, Rafi Gavron, Shiloh Fernandez, Mia Goth and more.
Ever the Imax advocate, Christopher Nolan recalled
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While looking back at the first half of 2026, The A.V. Club would be remiss in our assessment of the best it’s had to offer if we left out all the concerts, plays, and musicals that encouraged us to get out into the real world. So, here, in alphabetical order, is a collection of our favorite live events, anchored by news editor and Broadway correspondent Drew Gillis.
I was a bit of an Arca agnostic going into this set. I had listened to some of her albums and appreciated her production on albums like Yeezus and Magdalene. That all being said, I came out of her set at C2C at the Knockdown Center earlier this year an evangelist. I was left in awe of the sounds and rhythms Arca was able to make; her stage presence left me, as they say, gagged. It was a set of rhythms that in anyone else’s hands would have been nothing but noise, as she strutted across her own decks dressed almost like a dominatrix while flashes of lightning crashed on the screen behind her. I’m not always the biggest fan of electronic sets, but when they’re this well-crafted and demand this much of your attention, the experience is like nothing else. [Drew Gillis]
It felt like a stronger season for plays than musicals on Broadway this year, and, for me, Becky Shaw was the highlight of those plays. Becky Shaw at first sounds like the kind of premise that people who don’t like plays imagine what they’re all like: After the death of a family patriarch, a family grapples with their relationships to each other and how to deal with the problems of inheritance. What distinguishes Becky Shaw is how sharp and often mean (meant as a compliment!) these characters and their personalities are. The titular role, however, is not one of them, nor is she even the main character. Becky is a sweet woman who actually wants to connect with people who mostly view each other as competition. It’s Becky’s blind date with Max Garrett (played here by Alden Ehrenreich) and the fallout from it that gives the play much of its motion and drives home how damaged all of these characters are. Ehrenreich’s Tony-winning performance totally lived up to the hype; he made Max someone both pitiable and impressive, the kind of guy who draws you in even when his words are pushing you away. [DG]
While looking back at the first half
There was no measurable rain in Washington, D.C. Friday night, but even a threat of scattered showers was enough to melt Vanilla Ice‘s planned performance on the National Lawn as part of the Freedom 250 events, as the free show was called off hours before it was set to occur due to “inclement weather.”
Vanilla Ice was one of just a couple of performers originally announced for Freedom 250 concerts who stuck with it till the end, and the only demonstrably enthusiastic one, but in the end his eagerness to go on with the show was for naught.
Freedom 250’s post, tweeted just a little more than an hour and a half before Vanilla Ice’s concert was set to begin, did not actually mention the performer by name.
“Due to inclement weather in the area, the Freedom 250 Great American State Fair and FIFA World Cup 2026™ Fan Zone will be closed for the rest of the day — Friday, June 26, 2026,” it read. “The safety of our guests, staff, and partners remains our top priority. We are actively monitoring conditions and will provide updates as they become available. The Great American State Fair will reopen tomorrow at 10 AM.”
Some observers quickly took to speculating that the threat of low attendance was the real reason for the cancellation, since Freedom 250’s website promises that events will go on “rain or shine.” There were indeed weather issues heading into Friday evening in D.C., although how serious they were was up for debate.
“Tonight, a few evening storms— not everybody sees rain tonight,” said a weather forecaster for D.C.’s NBC4. “It’s not like widespread thunderstorms moving through; we’re really not having any concern for severe weather,” she added, predicting “scattered showers” and a possibility of lightning in the early morning hours. Weather sites show no measurable rain showed up in Washington during the evening.
Vanilla Ice had been posting earlier in the day from the site, showing a panoramic view of the massive stage and huge lawn and referring to the proceedings as “once in a lifetime.” “We’re all gonna come together and be teenagers for the night!” A typical response read: “So awesome you didn’t bow down to the woke mob. Liberals think they control people and they think people aren’t allowed to use their freedom to perform where they want. Kudos to you and Flo Rida for standing your ground.”
Earlier, the ’90s rapper had been hyping up his concert with interviews on shows including Fox News’ “The Ingraham Angle.” “Well, I can only speak for myself, and this is a huge honor for me to come here and play this event for the birthday of our country, man, that I grew up in, you know?” he said in an interview on the Fox show. “It’s called the United States, and this event is made to be united, to unite us. And that’s what this is about, you know, not the politics and everything. It’s really about an entertainer coming to entertain all the people of America for the birthday of America… I want my fans to come away from this tonight as very entertaining, once-in-a-lifetime thing. Know your history about how we got here, 250 years. And the main focus is on our military, our Army, Navy, Air Force, Marines, police, EMS, firefighters and even Space Force. I’m here to honor them and say thank you for getting us here, 250 years, in this greatest country on the planet. And I’m proud to be an American and honored to be part of this event.”
There has been no word on whether Ice’s performance might be rescheduled. Freedom 250’s X account includes no recent mention of his name.
Still scheduled: Flo Rida, the only one of the originally announced performers who has remained stubborn in not commenting at all on his participation in the controversial concert series. His show is still set to go ahead July 2, with free tickets available here.
Vanilla Ice’s appearance was originally supposed to be part of a triple bill, under the “I Love the ’90s” banner, that would have also featured Milli Vanilli, Young MC and C+C Music Factory. Young MC backed out on the day the shows were announced. Milli Vanilli’s surviving member, Fab Morvan, first said he was excited to do the show, then backtracked after nearly everyone involved announced their exits. C+C Music Factory’s Robert Williams waffled on whether he would proceed or not, and never did announce a final decision, but the group was no longer on the bill as of this week. Other artists booked for other nights, including Morris Day, Martina McBride and Bret Michaels, canceled their plans amid the initial firestorm over whether Freedom 250 is a nonpartisan or MAGA-affiliated organization.
The opening day of the Great American State Fair Thursday was marked by modest attendance as well as electrical issues that caused ice cream to melt and frequent shutdowns of the sole ride, a 100-foot Ferris wheel. Some Democratic-run states declined to participate in the fair, claiming it is partisan, though organizers ensured each of the states still had a booth, in some cases manned by businesses with an association with the state.
There was no measurable rain in Washington,
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To maximize Posido’s reward system, you don’t need to spend more money. You simply need to be a bit more aware. A little proactive effort brings rewards. The trick is to make checking for rewards part of your daily routine. I always log in, even though I only have a minute, simply to collect the login bonus. I quickly check the promotions page and my inbox for that day’s special free spin offer or updated cashback terms. I also pay attention to the timing. Some cashback offers run on a strict midnight-to-midnight clock. Knowing the schedule helps me align my play with the best offers. In the end, it’s about steady and knowledgeable participation.
Most online casinos offer a giant welcome bonus and maybe a weekly reload. Posido’s daily focus is a distinct model. A big welcome bonus is fantastic for starting strong, but it’s a one-time thing. Weekly offers are fewer and farther between. The daily model, though, delivers a steady trickle of value that keeps you engaged for the long haul. That welcome bonus offers me a hefty starting stack, but the daily rewards guarantee I always have support after it’s gone. They present a more balanced kind of value. This approach isn’t about a single, flashy spectacle. It’s about creating a reliable, rewarding daily habit. For my money, that regularity has been more beneficial over time than the occasional large bonus tied to a major deposit.
Handing out customized daily rewards to each player demands sophisticated systems working behind the scenes. As a user, I can say Posido’s system just works. They probably utilize complex player account management systems that track every bet in real-time. These systems calculate cashback, trigger login gifts, and apply free spins the instant the conditions are satisfied. Automated workflows mean there’s no waiting and no human oversights. My login bonus shows up the moment I log into my account. Their platform likely also leverages data analytics to carefully customize some offers over time, maybe suggesting slots similar to ones I’ve enjoyed before. This technology is essential because it’s unseen. It removes all the difficulty out of getting rewarded. I can just focus on playing, confident that the complicated stuff is being managed accurately and instantly somewhere.
Posido’s daily reward plan goes beyond just helping one person. It helps build a community. When everyone is logging in for their daily gift or playing the same 24-hour slot feature, it creates a shared experience. I’ve noticed this in player chats and forums, where people mention the “game of the day” or review their cashback. That daily rhythm develops a collective identity. The casino amplifies this with daily or weekly leaderboards, where you can vie for extra prizes according to your activity. It transforms solo play into a friendly group contest. This emphasis on daily engagement transforms the platform. It ceases to be just a place for transactions and turns into a lively hub where players sense they belong to a group. The rewards become more than a personal perk. They’re the bond that ties the whole player base together, cultivating loyalty to both the casino brand and the community around it.
Absolutely not. A lot of Posido Casino’s daily rewards, notably the login bonus, are yours just for opening your account. While some offers, for example cashback, rely on your previous play (which might require a deposit), there are continually rewards on offer that require no any deposit that day.
It differs by offer. Daily login bonuses and free spin promotions usually come as bonus funds, which come with wagering requirements. But some cashback deals could give back real cash. The specifics are invariably written clearly in the offer details. I consistently check before I click ‘claim’.
Posido Casino generally doesn’t use a consecutive streak model for its daily rewards. Skipping a day doesn’t punish you or reset any progress bar. Each day is a new beginning with its own set of offers. This versatile system means you can play at your own pace, without any anxiety or worry about falling behind.
The most effective way is to enable notifications from Posido, if they have them by email or SMS. Additionally, get into the habit of logging into your account daily, even if just for a moment. That enables you to grab the login bonus and check out what’s new on the promotions page. Making this quick daily check a regular practice ensures you’ll get all the value on offer.
Internet casinos commonly discuss everyday bonuses, but
BERLIN (AP) — France saw around 1,000 additional deaths last week at the height of its record-smashing heat wave, the country’s public health agency said Sunday, as Europeans elsewhere were suffering through yet another day of new temperature highs that sparked wildfires in Germany and had Berlin police using water cannons to cool down the crowds.
Temperature records were toppled in several countries on the weekend as the heat wave slowly moved toward eastern parts of the continent.
In Germany, a new nighttime temperature record was reported Sunday from Kubschütz, in eastern Saxony, where the temperature did not drop below 29.4 degrees Celsius (84.9 Fahrenheit). The nightly record came only hours after a daytime record of 41.5 C (106.7 F) in Möckern-Drewitz in Saxony-Anhalt, according to preliminary data by the German Weather Service DWD. The previous record was set a day earlier.
A new study from the World Weather Attribution, a Europe-based collaboration of scientists, reported Friday that the record-breaking heat and humidity in Europe this week would not have been possible without climate change.
The rapid study found that the heat would have been virtually impossible just five decades ago, and is 200 times more likely today than it would have been 20 years ago.
France records surge in deaths during heat wave
France saw a surge in deaths last week at the height of its record-smashing heat wave, including a sharp increase in calls to private homes, especially in the Paris region, the national public health agency said Sunday.
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There were more than 1,200 deaths on Wednesday, when France was sweltering under its hottest temperatures ever, increasing to more than 1,400 deaths on each of the two following days, Public Health France said.
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In April and May, before the heat wave, France’s rate of deaths was about 900 to 1,000 per day, it said.
The agency concluded that France experienced a total of at least 1,000 additional deaths during those three days alone, an estimate it cautioned is likely to increase as more data is collected, including for deaths at home.
The increase in deaths was sharpest in areas under red warnings of extreme heat, it said. Those warnings blanketed about three-quarters of the country at the peak of the heat wave. The agency said that 85% of the deaths involved people aged 65 and above.
Heat sparks wildfires in forests contaminated with WWII ammunition
In Gohrischheide, in eastern Germany, a fire broke out in a large forest that’s still contaminated with ammunition from World War II, which made the firefighters’ efforts to put out the flames even more dangerous and complicated.
Similarly, a major firefighting operation was underway in southwest Germany near the town of Traisen, where the heat sparked a forest fire in an area that also contained unexploded ordnance. Firefighting efforts had to be temporarily suspended after explosions took place and an ordnance disposal unit was brought in to continuously assess the situation, German news agency dpa reported.
In addition, the big cities’ fire departments were busy sending out ambulances to people suffering from heat-related illnesses. In Berlin, an additional 500 ambulance dispatches were reported on Saturday, most of them heat-related.
Berlin police uses water cannons to cool down locals and tourists
The German capital’s police found a unique way to help suffering Berliners and tourists alike. They put up two huge water cannons — usually used to disperse unruly protesters — in front of the city’s iconic Brandenburg Gate and sprayed the cool water across the cheering crowd.
The heat also continued to damage the country’s infrastructure with the concrete surface on countless highways breaking up, and a weekend warning by national rail operator Deutsche Bahn to avoid all unnecessary train travel.
In the eastern city of Leipzig, no trams will be running until early Monday morning due to heat damage to tracks and switches. The Leipzig Public Transportation Authority said that the high temperatures had caused the joint sealant for asphalt and concrete in switches and tracks to run and clump together in many places throughout the city’s network.
Greece is on alert for high fire risk, while Denmark is hit by thunderstorms
In Greece, in southeastern Europe, the country’s Civil Protection agency warned of a “very high fire risk” in five regions of the country on Sunday.
Wildfires are especially challenging in Greece, which has a dry mountainous mainland and over 100 inhabited islands, prompting authorities to introduce innovative space technology to help put them out quickly.
In Denmark, in northern Europe, which marked new temperature records on Saturday, the extreme heat was followed by heavy thunderstorms.
By Sunday morning, the country had recorded 1,156 lighting strikes, according to public broadcaster DR.
——
Leicester reported from Paris.
© 2026 The Canadian Press
BERLIN (AP) — France saw around 1,000
Giving your pet up may not be an easy choice, but several celebrities including Rachel Leviss and Jen Affleck have stood by their decision.
The Vanderpump Rules alum and her dog Graham Cracker were introduced to viewers during Leviss’ relationship with James Kennedy. Following Leviss and Kennedy’s split in 2021, Leviss initially remained Graham Cracker’s primary guardian because the pup was a gift from her parents.
Leviss’ ownership was called into question after she had an affair with costar Tom Sandoval, which ended his nearly decade-long romance with Ariana Madix. During spring 2023, Leviss checked herself into a mental health facility and some fans assumed that her dog was in her family’s possession for the 90-day stay.
In July 2023, Kennedy revealed that he was looking after Graham Cracker, who has since been renamed Hippie, after the dog was surrendered to trainers following an incident with Leviss’ mother. The trailer contacted Lisa Vanderpump who rehomed the pet with Kennedy.
Andy Cohen faced a vastly different situation with his dog Wacha, who he adopted from a kill shelter in West Virginia in 2013. Seven years later, Cohen announced that out of an abundance of caution for his son, Benjamin, Wacha found a new home.
“Numerous professionals led me to the conclusion that my home is simply not a good place for him,” Cohen wrote via Instagram in May 2020. “Keeping him here could be catastrophic for Ben and worse for Wacha.”
Cohen, who later welcomed daughter Lucy, has publicly documented his reunion with Wacha over the years.
In April 2026, Meagan Good admitted she “had to get rid of my little cat” after moving in with husband Jonathan Majors. Later that year, Jonathan Van Ness revealed that they rehomed their pet dog George because he broke their cat Liza’s jaw.
Keep scrolling for more celebrities who candidly discussed what led to them rehoming a pet:
Giving your pet up may not be
Om Malik, a technology journalist and investor whose blog, Gigaom, which he founded in 2001, established him as one of the most important voices in Silicon Valley and helped signal a shift in how the media covered the tech industry, died on Wednesday in Palo Alto, Calif. He was 59.
An announcement on his website, Om.co, said that his death, at a hospital, came “after a long health journey with his heart.”
Mr. Malik started his blog just as the dot-com bubble burst, leading to a recession that also took down many of the journalism start-ups that wrote about tech, like The Industry Standard and Inside.com. He was among the most prominent of the writers who quickly filled the gap, covering Silicon Valley with a mixture of hot scoops and sharp opinions that quickly made Gigaom a must-read.
“The Android OS leaves me feeling like one feels three hours after having Chinese food: a tad empty,” he wrote in a 2010 post that neatly summarized Google’s struggles to move beyond its roots as a search platform. “Google has to learn the art of engagement — something particularly challenging.”
By 2006, the site had 500,000 readers a month, and Technorati, a blog-tracking platform, ranked it among the 50 most influential blogs. In 2015, when Gigaom shut down, it claimed 6.4 million monthly readers.
The emergence of blogs like Gigaom and of opinionated tech writers like Mr. Malik, Kara Swisher and Jason Kottke helped define the next iteration of technology journalism, moving it away from establishment publications and toward singular voices.
Having cut his teeth as a culture and tech journalist in the 1990s for outlets like Forbes.com and Red Herring, Mr. Malik was both a believer in the power of technology as a social force and a skeptic of its tendency to evangelize about itself.
In 2003 he wrote the book “Broadbandits: Inside the $750 Billion Telecom Heist,” a fierce indictment of the broadband industry, which had grown rapidly during the late 1990s.
Long before Facebook came in for attacks from both the political left and right, he called out, during a 2013 interview with Bloomberg TV, what he said was “absolutely an air of amorality” on the part of its founder and chief executive, Mark Zuckerberg. In the same interview, he criticized the venture capitalist John Doerr for “patently trying to hijack the political process.”
Mr. Malik began his blog somewhat by accident. While still writing for Red Herring, a tech-focused business publication, he found himself writing articles about then-niche topics, like mobile internet and social media, that the magazine didn’t want. He wrote about them anyway in emails to friends, then archived the emails on a Blogger page.
“I might have found my art form, right?” he said in a 2016 interview with the Techies website. “It was not traditional journalism, it was not writing news. It was a little bit of opinion. I think my whole past was building up to me being a blogger.”
He had a rare ability to see around corners, and to pick out from the horde of new companies the ones that were going to make real change. He was an early champion of Slack, the workplace messaging service, and in 2006 he was the first blogger to write extensively about Twitter. He was not a fan.
“The annoying SMS messages from nocturnal friends is not the only thing which bothers me about this service,” he wrote, “but also the fact that texting a message (reply) to twttr ends up on their website.”
The flexibility of blogging — and its relaxation of traditional standards of journalistic ethics — allowed Mr. Malik to play roles beyond mere writer. In 2006 he founded Giga Omni Media, a media and research company, which became home to Gigaom and other blogs. He sold it in 2015. (The original Gigaom blog shut down, but Mr. Malik migrated some of its original content to Om.co, where he continued writing until earlier this month.)
He joined True Ventures, a firm that funds start-ups, in 2008, and became a full-time partner in 2014.
By the late 2010s, he had established himself as a singular figure in the tech industry: an investor, an adviser, a writer and, above all, a moral compass on issues like privacy and the power of big tech.
“I kind of joke about this, but I think Silicon Valley has become the Babylon of the 21st century,” he told Techies. “I think we have a moral responsibility now I don’t think tech ever had to think about it before.”
Om Prakesh Malik was born on Sept. 29, 1966, in New Delhi, into what he later described as a solidly middle-class Indian family. His father was an Army officer and his mother taught high-school Sanskrit.
Mr. Malik later said that he knew when he was 14 that he wanted to be a journalist. But he studied chemistry at St. Stephen’s College in New Delhi, graduating in 1986.
He worked for a variety of Indian magazines early in his career, including VP Fun, which he described as the country’s version of Tiger Beat, the bubbly teen publication.
He moved to London in 1992 and to New York the next year, with no job and just a few freelance assignments in hand. He wrote for a string of publications aimed at the American Indian community and founded Desiparty.com, an entertainment website.
Eventually he began writing about telecommunications for Forbes, and in 1997 became one of the founding staff members of Forbes.com, the magazine’s first venture into tech coverage. In 1999, he left journalism to work for an investment bank, but returned after just eight months because he found he missed writing.
He wrote for Red Herring and Business 2.0 before starting his blog just a few weeks after the Sept. 11 attacks.
Mr. Malik never married or had children. Information about his survivors was not immediately available.
In December 2007 he suffered a heart attack, an episode he revealed on his blog a week later, with his typical directness and humor.
“Friends and family have purged my apartment of smokes, scotch and all my favorite fatty foods,” he wrote. “I am even going to be drinking decaf.”
Om Malik, a technology journalist and investor
Online kasinoiden valikoima on laaja, ja ne tarjoavat erilaisia pelejä, kuten kolikkopelejä, pöytäpelejä ja live-kasinoita. Tämä tarkoittaa, että löydät varmasti mieleisesi pelin, olitpa sitten aloittelija tai kokenut pelaaja. Turvalliset ja luotettavat kasinot käyttävät uusinta teknologiaa tarjotakseen erinomaisen pelikokemuksen.
To get started with an online casino, it’s crucial to create an account. This usually involves filling out a registration form where you provide your basic information. Make sure you pick a strong password to keep your account secure and protect your winnings.
Pelaajat arvostavat nettikasinoita, jotka tarjoavat kilpailukykyisiä voittoja. Eri pelit voivat tarjota erilaisia voittokertoimia, joten kannattaa tutustua voittomahdollisuuksiin etukäteen.
Tämä online kasino erottuu edukseen tarjoamalla kilpailukykyisiä bonuksia, jotka houkuttelevat uusia pelaajia. Bonukset voivat vaihdella talletusbonuksista ilmaiskierroksiin, joten voit valita itsellesi sopivimman vaihtoehdon. Voittojen maksaminen tapahtuu nopeasti ja vaivattomasti, joten pelaajat voivat nauttia saavutuksistaan ilman pitkiä odotusaikoja.
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Jos olet kiinnostunut pelaamisesta vastuullisesti, tarkista nettikasinon tarjoamat työkalut ja resurssit. Vastuullinen pelaaminen on tärkeää, ja monet kasinot tarjoavat mahdollisuuksia rajoittaa pelaamista. Tämä voi auttaa sinua hallitsemaan pelitottumuksiasi ja nauttimaan pelaamisesta.
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| Ominaisuus | Info |
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| Voittojen maksaminen | Nopea ja turvallinen |
| Pelivalikoima | Laaja ja monipuolinen |
To get started playing, ensure that you are aware of the local laws regarding online casinos. In Finland, this means primarily engaging with state-controlled options unless choosing to play on foreign sites, which may operate in a grey area. Knowledge about the legal landscape can significantly enhance the safety and enjoyment of your gaming experience.
Mikäli haluat kokeilla uusia pelejä, valitse kasino, joka tarjoaa demo-tilan. Näin voit testata pelejä ilman taloudellista riskiä. Tämä auttaa sinua saamaan tuntumaa eri peleihin ennen varsinaista pelaamista.
Mikäli olet uusi pelaaja, kannattaa ensin kokeilla ilmaispelejä. Tämä antaa mahdollisuuden tutustua kasinoon ja sen peleihin ilman taloudellista riskiä.
Vertailu eri nettikasinoiden välillä voi paljastaa yllättäviä tarjouksia https://raketticasinos-fi.com/. Monet kasinot ovat kilpailtuja keskenään, ja ne tarjoavat ainutlaatuisia bonuksia houkutellakseen uusia asiakkaita. Hyödyntämällä tätä kilpailua voit löytää parhaat mahdolliset tarjoukset.
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Kryptovaluuttojen, kuten Bitcoinin, käyttö on kasvanut merkittävästi online kasinoilla. Tämä tarjoaa pelaajille mahdollisuuden tehdä talletuksia ja nostaa voittojaan turvallisesti ilman pankkitietojen jakamista. Lisäksi kryptovaluutat voivat tarjota alhaisempia maksuja ja nopeampaa käsittelyä.
Toisin kuin perinteiset talletustavat, e-lompakot tarjoavat usein nopeampia nostoja, mikä voi olla ratkaisevaa voittoprosessissa. Tämä tekee niistä houkuttelevan vaihtoehdon pelaajille, jotka arvostavat nopeutta ja vaivattomuutta.
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Seven-time Daytime Emmy winner Josh Griffith will step down as head writer of “The Young & The Restless,” an individual with knowledge of the situation told TheWrap. The cast and crew of the show were notified of Griffith’s plans on Friday.
CBS did not immediately respond to TheWrap’s request for comment.
Griffith’s depature will not have an immediate impact on the show as he will continue in the role for the time being. The series is on hiatus until July 6, but presumably a replacement will need to be found well before then. Griffith previously worked on “Days of Our Lives,” “As the World Turns,” and “Sunset Beach,” among others.
In fact, Griffith co-created “Sunset Beach” with “General Hospital” writer Robert Guza, Jr., in 1997. The Aaron Spelling-produced series aired on NBC until 1999.
Griffith joined “The Young and the Restless” in 2006 as a writer. He left the show in 2008, returned in 2012, and departed again for “Days of Our Lives” in 2015, where he worked as the show’s co-head writer until 2016. He went back to “The Young & The Restless” in 2018 and was promoted to head writer in 2018. He was named executive producer in 2023, a role he stepped down from in 2025.
“You’ve got to just keep that momentum going,” he told TV Insider in December of the show’s upcoming year. “It’s going to be a very exciting, suspenseful, and romantic winter and spring. It’s going to be jam-packed with intrigue, mystery, suspense, and love. We have some fun surprises up our sleeve for 2026.”
TV Insider first reported the news.
Seven-time Daytime Emmy winner Josh Griffith will
Prime Video’s Obsessed Fest fan event at nya Studios in Los Angeles was for the fangirls, and it’s evident that the streamer has begun to create its own ecosystem of romance, summer settings, book adaptations, coming of age stories and returning stars for various projects.
Overcompensating writer, star and creator Benito Skinner kicked off the lineup of panels at nya Studios in Los Angeles — which has been home to Hello Sunshine’s annual ShineAway event, previously — both with a small introduction and then as a panelist for his show, which has a second season in the works. He was joined by his costars Mary Beth Barone, Wally Baram and Owen Thiele.
“We can embrace our talent, and it is a talent of watching eight to 12 episodes in one sitting,” Skinner said in his opening remarks. “Did y’all watch Overcompensating in one sitting? Good. And you can wear a diaper if necessary, I think that’s cool. We’ve all been there.”
Later on during the “Over It, Into It”panel discussing his show, Skinner reminisced on one of his favorite scenes in season one which involves him finding out some disappointing news that allows him to come out to Carmen (Baram).
“I wrote Carmen as an ode to the women that have created safe spaces for queer people until they can relly find people like the character of George,” he said, also noting that he named her after his godmother, Carmen, who passed away in college before he could come out to her. “That day on set, I just had this feeling of, we’ve nailed something, which is a first heartbreak and a friend that’s there for you. Women have created such amazing safe spaces for queer people forever.”
The casts and showrunners of recent hit shows Off Campus, Every Year After and Maxton Hall were in attendance along with upcoming titles including Hello Sunshine’s Legally Blonde prequel Elle as well as a Jenny Han reunion of sorts for The Devil’s Mouth, which stars Gavin Casalegno (The Summer I Turned Pretty) and Lana Condor (To All The Boys I’ve Loved Before, XO Kitty). The Jeff Wadlow survival thriller, which also stars Kathryn Newton, is a co-production with Lionsgate and one of the projects not based on a book.
This comes a day after Amazon executives took a victory lap for the success of these YA shows. Peter Friedlander, Head of TV, Amazon MGM Studios said there was a halo effect from Off Campus on Every Year After. “One success begets another,” he said.
Events, meet and greets, panels and activations were divided into the three main categories of film and tv, book adaptations (with author signings) and musical experiences — plugging Amazon Music as their streaming service branch. There was also a red carpet with most of the talent in the packed lineup.
Your Fault: London star Asha Banks, whose song, “Too Busy Missing You” plays in season one of Off Campus, called the event an opportunity to “meet all of the other casts and cross pollinate and say hi in the multiverse of Prime Video” ahead of a performance of her song. Banks has A Good Girl’s Guide To Murder season three coming to Netflix sooner rather than later because they filmed the second and third season back to back, just as the Your Fault: London and Our Fault: London have been shot closely together.
Off Campus is in the thick of production on its second season, which received an early renewal ahead of the launch of season one, and Every Year After was officially renewed for a second season, which will follow Charlie’s (Michael Bradway) novel and love story, One Golden Summer. On the carpet, Matt Cornett, who plays the younger brother Sam Florek in Every Year After, expressed what he would hope to see for Charlie in a season two before the renewal news broke, calling attention to “redemption” and a “softer side” of the older Florek brother.
For those deep in the Prime Video cinematic universe, it also might be worth noting that Cornett (High School Musical: The Musical: The Series) and Gavin Casalegno, who portrays Jeremiah Fisher — another younger summer brother — in The Summer I Turned Pretty, once lived together as roommates.
Every Summer After author Carley Fortune, whose book inspired Every Year After was also present, as were Red White And Royal Blue author Casey McQuiston, The Last Sunrise author Anna Todd, Your Fault: London and Drawn Together (Enfrentados: Marfil) author Mercedes Ron, who has a first-look deal with Amazon MGM Studios, to promote their various film adaptations.
RELATED: Everything We Know About The ‘Red, White And Royal Blue’ Sequel So Far
Panels were divided into categories such as “Passport Stamped” which focused on projects like Your Fault: London, Drawn Together, The Last Sunrise and Maxton Hall, all of which had cast in attendance.
The authors participated in a “Page to Screen Panel,” and the “Dear Book Boyfriends” panel later brought out Your Fault: London star Matthew Broome and Maxton Hall star Damian Hardung once more to sit and chat with Every Year After’s Matt Cornett and Michael Bradway as well as Off Campus’ Belmont Cameli and Stephen Kalyn — who will take the reins as romantic lead from Cameli in the show’s second season.
Elle Woods herself, Lexi Minetree, represented the next project in the summer lineup, Elle season one, which arrives July 1 right before the holiday weekend. Elle has also been renewed for a second season far in advance. On the red carpet, Minetree teased working with Never Have I Ever star Maitreyi Ramakrishnan in season two, claiming the pair probably improvised the most together.
RELATED: Everything We Know About Prime Video’s ‘Legally Blonde’ Prequel Series ‘Elle’
Back to book adaptations for a moment, The Love Hypothesis film stars Lili Reinhart and Tom Bateman were also in attendance to talk their upcoming romantic comedy, which arrives on the streamer Sept. 23, and to unveil the teaser trailer.
Still another upcoming project for Prime Video that fall in the Venn diagram of YA content, book adaptations, Canadian settings and romance includes Megan Park’s (My Old Ass) Sterling Point, which takes place on a mysterious island in Canada not unlike that of Beechwood Island in We Were Liars. A teaser sneak peek scene of Ella Rubin’s Annie and Amélie Hoeferle’s Ramona.
We Were Liars, based on the bestselling novel by E. Lockhart, is currently in production on its second season, but unlike with Off Campus, the cast didn’t take a break from filming in Nova Scotia, Canada, which serves as the real life setting for Beechwood. And don’t get Beechwood Island confused for Barry’s Bay, the setting for Every Year After, also in Canada, which Prime Video has opted to return to as well. Every Year After has thus far shot in Bowen Island, British Columbia. Off Campus shoots in Vancouver, British Columbia. The Canadian connections can be found in Off Campus and Every Summer After authors, both of whom hail from the country. Overcompensating season 2 is filming in Toronto.
The streamer has some plans for projects in the vein of Obsess Fest past summertime, such as the Christopher Briney and Michelle Randolph-starring Clashing Through the Snow. Maxton Hall: The World Between Us will return for its third and final season in December 2026, as announced by Damian Hardung, who plays James M. Beaufort in the series.
While Deadline spoke to a majority of the talent present at Obsessed Fest, a carpet was held Friday night with other outlets and influencers in a less hectic setting for interviews.
Allie Hayes (Mika Abdalla) in OFF CAMPUS
To bring it all home, musically, Jennifer Lopez made a surprise appearance to perform “On the Floor,” which had a moment in season one of Off Campus with Allie Hayes (Mika Abdalla). The synergy does not end there, because JLo’s This Is Me Now: A Love Story (2024) was a Prime Video project and streams there exclusively. The Beaches, whose song “Edge of the Earth” also took off from its feature in the hockey romance show, followed with an acoustic set, though it could be argued that JLo opened for The Beaches.
Prime Video’s Obsessed Fest fan event at
Speaking to Us Weekly, creator Robert Hull admitted that he wanted to diverge from the original Harlan Coben book with the ending of I Will Find You.
He explained: “That is meant to indicate what I truly wanted to do — and this is a little different from the book. My goal was to make you want them to be together.”
Robert continued: “Whether they are or not, I think is left open because I think there’s different definitions of soulmates and I think the journey that they’ve gone on, they’re so connected.
“If that turns romantic all the better, but I just wanted people rooting for it. After that, my job’s done.”
Following its release, I Will Find You was met with a lukewarm response from critics, although many of them correctly predicted that this wouldn’t stop people from tuning in, and at the time of writing, it’s currently at the top of Netflix UK’s most-watched TV shows chart.
I Will Find You is available to stream in full now on Netflix.
Additional thumbnail credit: Netflix
Speaking to Us
Actress Eve Rasimeni has broken her silence and shared her story about the treatment on the set of the canceled “Pimville”.
Rasimeni portrayed Moghele in the SABC 2 telenovela, which was marred by a wave of controversy stemming from unresolved contractual disputes and breaches between the SABC and Bakwena Productions.
The actress shared a lengthy post across her social media platforms, with pictures of food that they were served on the set.
In her post, Rasimeni reflected on the emotional and financial impact of the production shutting down about two months earlier, claiming that hundreds of cast and crew members were left without support or payment.
Rasimeni, in her post, made several serious allegations, including:
Non-payment of cast and crew: claims that more than 300 people were left unpaid after production halted.
Abandonment by production leadership: alleges that producers Rashaka Muofhe and Brenda Muofhe failed to provide answers and left workers to “fend for ourselves.”
Threats and intimidation: alleges that cast and crew were warned to remain silent or risk being “dealt with” or blacklisted from the industry.
Rasimeni also exposed alleged unsafe and poor working conditions, with 17 people suffering from food poisoning and the devastating impact some workers faced, including eviction, reliance on antidepressants, a mild stroke, and the loss of a child.
Brenda and Rashaka did not take Rasimeni’s post lightly as she received a cease and desist from their attorneys, claiming her allegations “are false, defamatory and reckless and unsupported by credible evidence”.
Sharing the legal letter on Instagram, Rasimeni said that she would not be silenced and that the truth can never be defamatory. She also revealed that she still has not been paid.
“I experienced these things. I sat in small groups where we would cry and then tell ourselves let’s do this for the show.
“We had to speak on character names cause we were afraid of speaking your names to just anyone anymore. I feel violated by your actions, and you want to scare me with this!”
On May 25, the SABC announced that “Pimville” had been discontinued due to unresolved contractual obligations and breaches identified by Bakwena Productions.
Bakwena Productions boss Rashaka has denied allegations of mismanaging funds and claimed they are part of a malicious smear campaign targeting his reputation and business interests.
IOL
Actress Eve Rasimeni has broken her silence