Audiochuck Taps Imperative’s Jason Hoch to Launch Podcast Network – The Hollywood Reporter

Audiochuck, the media company behind Ashley Flowers’ hit podcast Crime Junkie, has brought on Jason Hoch to lead a newly formed podcast network focused on premium audio programming across multiple genres.

Hoch was most recently the president of podcasts for Imperative Entertainment (Triangle of Sadness, Killers of the Flower Moon), where he launched 23 original series; top projects included Boomtown, a co-production with the Texas Monthly that is set to be adapted by Yellowstone creator Tyler Sheridan under the name Land Man, and Elizabeth the First, a 10-episode series about Elizabeth Taylor narrated by Katy Perry. Prior to Imperative, Hoch was the chief content officer at HowStuffWorks.

At Audiochuck, Hoch will serve as the CEO and chief creative officer of the WAVLAND network. He will serve as a producer on upcoming projects for WAVLAND, the first of which are targeting to be released before the end of the year. Hoch will report up to Audiochuck CEO Kevin Mills.

“I’m so excited to be joining Ashley and her impeccable team at Audiochuck,” Hoch said in a statement. “This is an incredible opportunity to deliver non-fiction documentary, drama and true crime stories at scale with some amazing creators. Taking the road less traveled has always been a hallmark of my career, and I intend to travel the country with our team to tell these stories like never before.”

As part of Audiochuck’s ongoing deal with SiriusXM, the satellite radio giant’s SXM Media will handle global ad sales rights to all shows produced for the WAVLAND network.

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March 31, 2023

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Audiochuck, the media company behind Ashley Flowers’

Video

Call 2020 Election for Biden

Rupert Murdoch was eager to make a call and effectively — and emphatically — declare Joe Biden the winner of the 2020 presidential race as vote counting continued three days after election day, internal Fox News emails show.

The Fox News Decision Desk played a pivotal role in the turn of events that was 2020 Election Night, calling the state of Arizona for Biden many hours before any other media outlet.

But it was Murdoch who encouraged Fox News leadership to pull the cattle brand from the fire and call things for Biden on Nov. 6, with several states still counting votes, emails made public Friday by Dominion Voting Systems in its $1.6 billion defamation case against the network show.

“It would be great if we call it for Biden as soon as he gets over, say, 35,000 ahead in Pennsylvania,” Murdoch wrote. “Whenver we do it it will all be over. Regardless of Arizona.”

The News Corp chairman followed up 20 minutes later with another email to Fox News CEO Suzanne Scott, amending his direction.

“Second thoughts,” Murdoch wrote. “Maybe 50,000 in Pennsylvania and ‘subject to litigation.’”

Fired Fox News Producer Says She Was Told Maria Bartiromo Could ‘Go Wild’ on Show: ‘There Will Be No Fact-Checking Today’

Murdoch went on to note Wall Street Journal editorial page chief Paul Gigot didn’t think it mattered with regards to Donald Trump’s approach, as the “Big Lie” was already well underway.

“Gigot thinks it won’t change Trump,” Murdoch’s email said. “But he’s got to get some real evidence.

“Fact that Rudy advising really bad!” Murdoch added, referring to Trump’s former personal lawyer, Rudy Giuliani.

The next day Fox News joined most other major news outlets to call the race for Biden after the results of Pennsylvania mirrored Murdoch’s urging.

See screenshots of the emails as filed in the Dominion case below.

The emails illustrate Fox News’ path from before the election, when it seemingly sought to accurately reflect and highlight the results of the 2020 election in a timely manner, to the aftermath of the election, when the network’s ratings began to take a hit as Trump-supporting viewers began to tune out.

Five days later, an email Scott sent to a group of Fox News leadership staffers reflected the change. That message, seen below, was also filed Friday by Dominion.

“Americans distrust for the media and big tech and certainly now polling connects directly to their distrust and questions around the integrity and transparency of the voting process,” Scott wrote. “This is why there is so much intense anger over our AZ call. A trust has been broken and it’s our jobs to help them through this to the other side with strong reporting, investigative pieces and certainly speaking to the audience with respect is critical.”

The emails were made public the same day a judge ordered the case to trial after Fox News’ motion for a summary judgment dismissal was rejected. The trail was set for mid-April.

“We are gratified by the Court’s thorough ruling soundly rejecting all of Fox’s arguments and defenses and finding as a matter of law that their statements about Dominion are false. We look forward to going to trial,” a spokesperson for Dominion said in a statement.

Fox News said in a statement that the case continued to be about freedom-of-speech considerations.

“This case is and always has been about the First Amendment protections of the media’s absolute right to cover the news,” the statement said “Fox will continue to fiercely advocate for the rights of free speech and a free press as we move into the next phase of these proceedings.” (A Dominion spokesperson in turn said: “The Court has rejected Fox’s First Amendment ‘newsworthy allegation’ defense and held that Dominion’s lawsuit is consistent with the First Amendment.”)

Fox News’ ‘The Five’ Warns ‘Country’s Not Going to Stand’ for Trump Indictment: ‘People Better Be Careful’ (Video)

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March 31, 2023

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Rupert Murdoch was eager to make a

Entertaintment

Boygenius: The Record Album Review

“With You Without Them” is a kitchen hymn sung under soft morning light; it is a song about history, inheritance, and in that spirit carries on with the swooning folk harmonies last heard on the EP’s closer, “Ketchum, ID.” Dacus, Baker, and Bridgers express gratitude to the preceding generations who shaped the people they love—their father, their father’s mother—and ask to take part in this lineage, sharing storylines until they and their intimates become a kind of family too. “Give me everything you’ve got/I’ll take what I can get,” the trio sings a capella, then reciprocates the request: “I’ll give everything I’ve got/Please take what I can give.” The first four tracks of The Record were written independently, and “With You Without Them” is so evidently by Dacus, a ditty she’d sing while washing dishes; it shares a bloodline with her Historian cut “Pillar of Truth.” Here and elsewhere, her voice provides a warm and sturdy foundation, cradling the others’ like a well-loved rocking chair.

Being a touring musician might mean only a brief layover at home, and so the next song drags you out the front door into the Sprinter, Converse laces untied. Led by Baker, the rabble-rousing idealist who was railing against George W. Bush as a 10-year-old, “$20” is a madcap adventure that invokes the spirit of a famous Vietnam protest photo as it tells a story of youthful recklessness. The Tennessee singer taps into her past as a hardcore frontwoman, fulfilling her wish for More Sick Riffs; she also activates a combustive, daredevil streak in her bandmates, who ditch the refined patience of their EP to scream like hell. Later on, the three trade verses on the headbanging “Satanist,” in which they play adrift kids scrounging for shady ecstasy and trying on renegade poses. “Will you be an anarchist with me?/Sleep in cars and kill the bourgeoisie,” Bridgers sings—then a minute later unleashes wails that sound both like the victim trapped in a burning building and the fire engine racing to the rescue.

Banter flies while Baker is at the wheel, and at other parts of the ride, it’s like the passengers have lapsed quietly into their own thoughts. Guided by the cashmere fog of Bridgers’ voice, “Revolution 0” and “Emily I’m Sorry” exist less within the Boygenius milieu than the rippling, snow-lined headspace of Punisher; the other band members seem only to enter in the form of graceful backing harmonies. Bridgers alludes to real-life incidents whose details remain obscured, former lovers who occupy an uncertain position in her life. The backdrop to the hushed, crumbling apologia “Emily I’m Sorry” seems to be a defamation lawsuit that strained an already-fraught relationship; Bridgers’ mind wanders to apocryphal wastelands, to Montreal, as she entreats the person she loves to forgive her for going astray. “I’m 27 and I don’t know who I am,” she confesses.

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“With You Without Them” is a kitchen

Movies

The Official Trailer For "The Black Demon" Just Dropped, And I'm Shaking

I might never swim in the ocean again.

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March 31, 2023

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I might never swim in the ocean

‘Stonewalling’ review: ‘Stonewalling’ – Los Angeles Times

“Stonewalling” begins with a celebration, an idyllic outdoor gathering of young Chinese men and women who’ve been taking English classes in preparation for exciting travels and new opportunities abroad. The year is 2019, and the mood is optimistic, the food and wine abundant. Their teacher stands and, in fluent if slightly faltering English, offers them some airy words of encouragement: “Don’t over-engineer your life. … Sometimes life’s about ‘go with the flow.’ Don’t overthink it. Live at the moment.” By the end of this toughly observed, brutally honest movie, that speech — and this entire dumb evening, with its patio string lights, matcha cakes and banal chitchat — will seem like purest fantasy.

Seated at the table, and so quiet and unobtrusive that it takes a moment to register her as the movie’s principal character, is a pretty 20-year-old college student named Lynn (Yao Honggui). She’s there with her boyfriend, Zhang (Liu Long), a polished go-getter with big dreams: They’ll learn English, and Lynn will work as a flight attendant until they’ve saved enough to move to the U.K. In the meantime, they’re living at a hotel in the city of Changsha and getting by through odd modeling gigs. Yet as her boyfriend condescendingly natters on and on and posts his pics on TikTok, Lynn looks vaguely ill at ease, not entirely with the program, and not just because of the persistent pain in her breast.

The source of that pain is revealed in due course: Lynn is pregnant. In one of the plot’s sharpest formulations, she finds this out only after being screened for a sketchy egg donor program, during which she observes firsthand — though likely not for the first time — how easily and systematically women’s bodies are subjugated to the whims of a demanding marketplace. And so it is with Lynn: Pregnancy may disqualify her for the donor program and disrupt her plans, but it also presents her with something of an opportunity. Rather than procure an abortion, as Zhang wants her to, she could give birth and, through an adoption arrangement whose parameters are continually being renegotiated throughout, settle her mother’s outstanding debts.

Yao Honggui’s Lynn finds work modeling gowns in the movie “Stonewalling.”

(KimStim)

Running a generous but unwasted, entirely absorbing 147 minutes, “Stonewalling” is the third collaboration between the husband-and-wife filmmakers Huang Ji and Ryuji Otsuka, who live in Japan but who make downbeat portraits of privation and hardship in contemporary China. (Huang is Chinese; Otsuka is Japanese.) Their latest work completes a kind of thematic trilogy with their earlier “Egg and Stone” (2012) and “The Foolish Bird” (2017), in which the gifted Yao also played isolated young women in difficult, increasingly desperate circumstances. Movie by movie, she and the filmmakers pull back the veil on a world whose cruel logic is dictated by economic necessity and where women bear the brunt of that cost at every turn.

So Lynn takes a break from college and her boyfriend and moves back in with her parents, who have a cramped apartment and run an adjoining pharmacy-clinic. (Her parents are played by Huang’s real-life parents, Huang Xiaoxiong and Xiao Zilong; the home we see on-screen is theirs.) The shift from Changsha’s gleaming high-rises and luxurious shops and offices to Lynn’s smaller suburban hometown provides a visual jolt, though crucially, wherever she is, Lynn seems to take up barely any space. Nearly every scene is composed as a single-take master shot, observing the characters and their interactions at something of a remove, and showing us how physically and spiritually dwarfed they are by their environs. (Otsuka shot the movie himself; the fluid, restrained cutting is by Liao Ching-sung, known for his work with the Taiwanese master Hou Hsiao-hsien.)

And so you’ll spy people wandering in and out of the frame behind Lynn when she goes for a walk or retreats to an open courtyard to make a phone call. At other times you might scan the faces in a crowded room where Lynn’s mother learns to hawk skin-care products in hopes of making a few extra yuan. (Someone is always selling or learning to sell something in “Stonewalling,” whether it’s Lynn waxing breathlessly poetic about the merits of children’s toothpaste or her mom renegotiating the terms of the baby’s adoption.)

Two women share a seat on public transport.

When the movie goes in for an infrequent closeup — a shot of ultrasound gel being smeared on Lynn’s belly or of Lynn’s face as she puts on a surgical mask in the immediate wake of the COVID-19 outbreak — the intimacy is startling, and instructive. For the camera to lavish attention on a single soul suddenly feels like an indulgence, a rare privileging of the individual over the collective. The same formal restraint characterizes the filmmakers’ use of music (composed by Ng Chor Guan), which fades up at only the briefest instances and has the effect of enfolding the characters in a gentle but fleeting embrace.

These isolated moments pass quickly and are all the more devastating for it. “Stonewalling” doesn’t sentimentalize or squeeze tears for Lynn, who, for all her meekness, naivete and often-foolish decisions, is tough enough to have long ago waived her right to self-pity. She works hard through her pregnancy, taking on dubious and demeaning jobs, exhausting herself to an unhealthy degree and trying, at one point, to break up a violent fight between her unhappily married parents. She absorbs every tragic indignity with the utmost calm, whether it’s a woman’s coldly appraising glance or a man’s tidy valuation of the life growing inside her.

Acceptance, however, doesn’t mean ignorance. Toward the end of “Stonewalling,” Lynn meets with Zhang and gives him money, paying him back the small sum that he had earlier complained about spending on her now-canceled English classes. He refuses the money, ashamed (finally) of his behavior, but she keeps holding it out to him with a persistence that feels like a rebuke. It’s the quietly defiant gesture of someone inured to the transactional nature of her relationships and who’s also figured out, at long last, precisely what she’s worth.

‘Stonewalling’

In Mandarin with English subtitles
Not rated
Running time: 2 hours, 27 minutes
Playing: Laemmle Glendale

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March 31, 2023

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“Stonewalling” begins with a celebration, an

New Marvel Secret Invasion Trailer Gets Imminent Release Date

MCU

Disney+ Announces New Trailer for Marvel’s Next MCU Show

After an uptick in news pertaining to Marvel Studios’ next Disney+ series, Secret Invasion, fans learned when the Samuel L. Jackson-led show will get its next trailer.

Phase 5 of the MCU will get its first new Disney+ show with Secret Invasion, which will be the first streaming series from Marvel Studios since 2022’s She-Hulk: Attorney at Law.

Fans were recently spoiled with news about this epic series thanks to an in-depth report from Vanity Fair, which finally revealed Emilia Clarke‘s mysterious character while also sharing new looks at a number of the show’s biggest stars.

And with reports also teasing when the show is set to arrive on Disney+ in the midst of numerous delays to other parts of the MCU, anticipation is quickly rising to see the Skrull Invasion takes its place in the MCU narrative.

MCU’s New Secret Invasion Trailer Confirmed

Marvel

Disney+ Marvel Studios announced in a new TV spot that they will bring the second full trailer for Secret Invasion on Sunday, April 2, during the MLB game between the Philadelphia Phillies and the Texas Rangers from ESPN’s Sunday Night Baseball presentation.

The game starts at 7:00pm ET; it’s currently unknown what exact time the trailer will air during the game.

Shared by Twitter user @KrustyAiden, this spot showed only a couple of quick shots from the show, one of which showed Samuel L. Jackson in his return as Nick Fury.

This marks the first trailer for the series since the one that premiered during the 2022 D23 Fan Expo in September.

What Will New Secret Invasion Trailer Show?

Fans only got a small tease of what’s on the way in Secret Invasion during the first trailer, which showed off a first look at Emilia Clarke’s G’iah while teasing the mystery and suspense that Nick Fury and Talos are thrown into on Earth.

And with a new look at this show’s villains having just come to the public, it’s clear that this new trailer will divulge more new details about the plot and characters of what may be Marvel Studios’ biggest Disney+ show to date.

With rumors pointing to potential ties to Agents of SHIELD and the intrigue of who may be revealed as a Skrull, Secret Invasion could have some incredibly major ramifications for where the MCU goes in future entries.

And as fans and critics express concerns about Marvel Studios’ direction with Phase 5, the hope is that this new entry can get the franchise back on track with some high praise and thrilling new plot details.

Secret Invasion will release on Disney+ on June 21.

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March 31, 2023

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DCU

James Gunn’s Justice League Reboot Movie Storyline Teased by New Rumor

With fans avidly waiting for information on a new Justice League film, the rumored story for DC Studios co-CEO James Gunn‘s first huge team-up movie in the DCU might have just come to light.

Gunn and his partner, Peter Safran, announced the first part of their Chapter 1: Gods and Monsters slate in January, highlighting some of DC’s classic solo characters along with heroes that haven’t been seen on this scale before.

But what wasn’t included in this slate was any kind of Justice League movie, even while fans got hints at the previous take on the team through cameos and discussions about Zack Snyder’s Justice League.

Rumor Hints at New DCU Justice League Movie

DC Comics

Scooper KC Walsh shared a rumor on Twitter that he heard about DC Studios co-CEO James Gunn’s Chapter 1: Gods and Monsters slate.

Walsh revealed multiple concepts that Gunn is reportedly developing for the first chapter, including the mention of “Justice League: New Frontier.”

Whether this is what the Justice League’s next movie will revolve around or if The New Frontier comic book storyline will simply inform the storytelling of Gunn’s overarching narrative remains to be seen.

In late February, Gunn shared an image of a hardcover of Darwyn Cooke’s DC: The New Frontier, spurring speculation that this story would influence the DCU’s entire Chapter 1 slate.

Will New Frontier Be Used for Justice League Movie?

The New Frontier storyline features the Justice League teaming up to fight The Centre, an ancient horror who decides to wipe out humanity after seeing Earth’s capacity for violence and war. Bringing in classic Justice League characters like the Martian Manhunter, Wonder Woman, and the Flash, this plot provides a vast look at the overarching DC Universe and gives the Justice League the scale and drama in which they thrive so often.

Should this be the story Gunn is planning, it would provide a look at the Justice League that hasn’t been seen in live-action before, the last of which utilized the efforts of both Steppenwolf and Darkseid as they looked to destroy Earth.

For the time being, a number of heroes still have to be introduced in Chapter 1 before the New Frontier movie becomes a reality, with only projects like Superman: Legacy and The Bold and the Brave confirmed for this slate.

But with fans anxious to see a new DC team-up effort after so many disappointments with the DC Extended Universe, Gunn will have a huge task on his plate to make sure the Justice League is done the right way.

Chapter 1: Gods and Monsters will begin in 2025 with Creature Commandos on HBO Max and Superman: Legacy in theaters.

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March 31, 2023

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Comics

Check Out This Great Deal On The Dead Space Remake

The Dead Space remake just launched in January, but that hasn’t stopped Best Buy and Amazon from offering the game at a big discount. Head over to either storefront, and you’ll find the incredible remake for just $55, down from its usual $70. Both the PS5 and Xbox Series X versions are discounted to this price. Amazon’s promotion is even sweeter because Dead Space is part of the retailer’s buy one, get one 50% off promotion that spans across games (including select new releases), books, electronics, and more. So make sure you check out the full catalog of eligible items to get an even better deal.

This is one of the lowest prices we’ve seen for Dead Space since launch–making it a great time to check out the horrifying action game. Newcomers will be treated to the definitive way to experience Isaac’s haunting adventure, while Dead Space veterans will find this to be a massive upgrade over the original that’s more than worth the $55 investment.

While graphics are the most notable difference between this remake and the original, it also benefits from no loading screens, reworked dialogue, updated mechanics, a redesigned map, and side missions to keep you busy while exploring the Ishimura.

Our Dead Space review gave the game an impressive 9/10, praising just about everything the reworked title has to offer.

“Newcomers and hardcore Dead Space fans will get the most out of the experience, but this is now the quintessential way to play one of the survival horror genre’s best,” wrote critic Richard Wakeling. “The remake’s overhauled visuals are phenomenal across the board, bringing the Ishimura’s suffocatingly grim bowels to life with a disgusting sheen.”

Dead Space Remake Video Review

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March 31, 2023

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‘Killers Of The Flower Moon’ Release Date Ser; Scorsese, DiCaprio, De Niro – Deadline

Festivals

Martin Scorsese’s ‘Killers Of The Flower Moon’ Confirmed For Cannes – Deadline

The Cannes Film Festival confirmed this morning that Martin Scorsese’s Killers of the Flower Moon will get its world premiere on the Croisette on Saturday, May 20, in the Grand Théâtre Lumière.

One of this year’s most anticipated movies, the Apple charge long has been considered a likely Cannes contender (we first broke news last summer that this was the likely route for the film, followed by a theatrical run). The pic will play in Official Selection, but it’s not clear yet whether it will play in Competition — that will become clear at the festival’s press conference in mid-April.

Treading the red carpet will be Scorsese, Leonardo DiCaprio, Robert De Niro, Lily Gladstone, Jesse Plemons, Cara Jade Myers, JaNae Collins, Jillian Dion, Tantoo Cardinal, and more.

Based on David Grann’s best-selling book and written for the screen by Eric Roth and Scorsese, Killers of the Flower Moon is set in 1920s Oklahoma and depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the “Reign of Terror.”

An Apple Original Film, Killers will first be released exclusively in theaters, in partnership with Paramount Pictures, limited on Friday, October 6, and wide on Friday, October 20, in the U.S. The French release is set for October 18. It then will stream globally on Apple TV+. As we reported this week, the film will need to respect France’s strict chronology rules.

Producers are Scorsese, Dan Friedkin, Bradley Thomas and Daniel Lupi, with DiCaprio, Rick Yorn, Adam Somner, Marianne Bower, Lisa Frechette, John Atwood, Shea Kammer and Niels Juul serving as executive producers.

Director Scorsese was awarded the Palme d’Or in 1976 for Taxi Driver, which was presented in Competition. He subsequently came back to the Official Selection on a regular basis and won the Best Director Award for After Hours, 10 years after the success of Taxi Driver. In 1998, he was the President of the Jury that presented the Palme d’Or to Greek director Theo Angelopoulos for Eternity and a Day.

Among other movies expected to play at this year’s Cannes Film Festival are Disney’s Indiana Jones And The Dial of Destiny and Wes Anderson’s Asteroid City. Here and here are some other buzzy movies we hear could be in the mix. The lineup is expected to be revealed on April 13 in Paris, though the festival has not confirmed that date.

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March 31, 2023

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The Cannes Film Festival confirmed this morning

Film

The Monster Channel is hosting an “April Ghoul’s Day” marathon tomorrow!

By MICHAEL GINGOLD

The streamer is celebrating its 13th “anniver-scary” with this block of hosted genre flicks.

Tomorrow, April 1, from 8 p.m.-3 a.m. EST, The Monster Channel will present six independent creature features from prolific filmmaker Dustin William Ferguson. The titles are DEMON PREDATOR, THE CREEPS, BIG F*CKING SNAKE (accompanied by the short SPACE GOBLINS), BOOK OF CREATURES, BEYOND THE GATES OF HELL and ZOMBIE FLESH EATERS 5. Each one will be hosted by one of the channel’s roster of fright personalities: Juke Suha, Doc Dread, Roxsy Tyler, Halloween Jack, Octavian Hallow and Hack from HACK’S HORROR SHOW; there will also be shorts, trailers, retro TV commercials and weird channel IDs mixed in.

“It made sense to celebrate with a marathon since that’s how we started,” says Joe Sena, president of Monster Channel parent company Fourth Castle Micromedia. “We had a weekend-long streaming movie marathon with hosts at a convention in 2010, and it was so popular we kept the programming running. Thirteen years later, in 2023, we’re upgrading our entire Channel and producing several anniversary events–what better way to start the celebration than the way we started?”

The oldest streaming 24/7 horror channel, The Monster Channel can be viewed from mobile and desktop browsers here. You can also access it via Roku: Go to your account, search “The Monster Channel”, select it and then enter code CX9QHP.

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March 31, 2023

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By MICHAEL GINGOLD The streamer is celebrating its

‘Beef’ Stars Steven Yeun, Young Mazino Tease Rage-Fueled Action Scene

Several cast members of Netflix’s “Beef,” including stars Steven Yeun and Young Mazino, teased some of the “gross” scenes they filmed for the dark comedy while walking the carpet at Thursday night’s premiere.

According to the official synopsis, the series follows what happens when “a road rage incident between two strangers — a failing contractor and an unfulfilled entrepreneur — sparks a feud that brings out their darkest impulses.” What comes after that, the cast teases, is a slew of action scenes including car races and a stairwell chase that takes Mazino, Yeun and David Chao up several flights.

Mazino shared that he thought his co-star Chao vomited while shooting, though he was too far up the stairs to see. “That was one of those moments where you just black out and hope that it’s over, and then it’s over,” Mazino told Variety. “So, it was fun shooting that.”

But Yeun clarified that Chao did not, in fact, throw up. “He was scripted to throw up, so he was in the pocket,” Yeun said, adding, “we had some gross moments.”

“I think the action scenes were kind of hard in the sense that all these people are desperately out of shape,” Yeun continued. “So we were doing crazy things while also being desperately out of shape. That stair day was shitty.”

For director Jake Schreier, one of his favorite episodes is Episode 9 because it “just has a ton of action and goes to some pretty crazy places.”

Aside from the chance to film the stars throwing bottles and cans at one another from inside cars, he also enjoyed the challenge of putting “a different lens on what’s expected within the show.”

Yeun and Schreier will reunite next for presumably more action with “Beef” creator Lee Sung Jin on Marvel’s upcoming “Thunderbolts” film. The movie is expected to begin shooting in June and is scheduled for release on July 26, 2024. Yeun’s role in the film remains unknown.

“Beef” will debut on Netflix April 6.

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March 31, 2023

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Several cast members of Netflix’s “Beef,” including

Tarik Myers Hazel Cagalitan 90 Day Fiance standing together outside of house

What to Watch

Are Tarik Myers & Hazel Cagalitan Still Together?

90 Day Fiancé‘s Tarik Myers and Hazel Cagalitan have an on-again-off-again dynamic, which is why it’s time to provide an update about their relationship. The couple debuted on 90 Day Fiancé: Before the 90 Days season 2, where it was revealed that the pair had met online. They dated for a few months before Tarik flew to Hazel’s native country, the Philippines, to propose. The couple’s relationship transitioned over to 90DF season 8, where they did their best to plan a wedding, and keep their relationship afloat. Throughout their time together, drama followed Tarik and Hazel, making it tough for them to stay together.

SCREENRANT VIDEO OF THE DAYSCROLL TO CONTINUE WITH CONTENT

By the end of 90 Day Fiancé season 8, the two had wed, but their problems didn’t stop there. As the couple tried to get custody of Hazel’s son, and bring him to the US from the Philippines, their marriage started crumbling. There was tension between Tarik and Hazel, especially when allegations that Tarik was abusive surfaced. While Hazel has confirmed that Tarik never physically abused her, their relationship was strained, and the couple reportedly broke up. They got back together within a few months. Things weren’t going well, but Tarik and Hazel continued to appear in 90DF franchise content until late 2021.

90 Day Fiancé’s Tarik & Hazel Implied That They Broke Up In 2021

While Tarik and Hazel may have gotten back together in late 2021, it seemed clear that they’d broken up for good. Tarik posted on his Instagram story, informing his followers that Hazel was no longer living with him, and would be returning to the Philippines. This sparked rumors that the couple was getting a divorce. He seemed to say that they were no longer together, but in light of previous theatrics, some viewers were certain that he wasn’t telling the whole truth. Tarik’s breakup announcement was short-lived, and by the end of 2021, he and Hazel had apparently reconciled.

90 Day Fiancé’s Tarik & Hazel Currently Appear To Be Together

As of 2023, it seems like Tarik and Hazel are still together. However, that hasn’t been confirmed by either party. After posting about spending New Year’s Eve 2022 together, the two went quiet on social media. Hazel still posts occasionally, and although it’s unclear where she is (or what she is up to in her social posts), she does include Tarik in her posts from time to time. For example, she posted to honor his birthday in January 2023. While the couple has been through some tough times, it seems like they’ve finally settled into their life together, and are committed to making things work.

90 Day Fiancé can be incredibly helpful to some relationships, but put tremendous pressure on others. While filming the show makes it easier for some pairs to figure out ways to be together amidst immigration issues, it can be tough to air relationship problems publicly. This is because the whole world watches ups and down unfold onscreen. For Tarik and Hazel, it seems like taking a break from the 90 Day Fiancé franchise has been a good thing.

Sources: Tarik Myers/Instagram, Hazel Villaroya Myers/Instagram

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March 31, 2023

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90 Day Fiancé's Tarik Myers and Hazel

Awards

The Academy Has Created a Production and Technology Branch

The Academy of Motion Picture Arts and Sciences including stunt coordinators in the new Production and Technology Branch is especially notable, given the recent push for there to be an Oscar for stunts.

With the 2023 Oscars now firmly in the rearview mirror, Academy of Motion Picture Arts and Sciences has announced the creation of a new Production and Technology Branch. Meant to represent those working in key technical and production positions in all phases of filmmaking, from pre- to post-production, the branch already comprises around 400 individuals who were previously classified as Members-at-Large.

Job titles that fall under the Production and Technology Branch include chief technology officers, senior department heads in technology and creative services, and preservation and restoration specialists, as well as credited production roles, including stunt coordinators, script supervisors, choreographers, music supervisors, colorists, line producers, and associate producers.

One Academy member said to IndieWire, “The purpose of the new branch is to have different people with various backgrounds to be a part of the Academy, not just the classic arts but the science heavy and tech inclusive group that have distinguished themselves in their separate fields.” They added, “It is a more specific branch definition for members at large and more inclusive. For example, colorists, script supervisors, stunt coordinators that don’t have a branch definition will now have one. Also, new members don’t have to be in the specific branches to be admitted into the Academy.”

In order to qualify to for an invitation to the Production and Technology Branch, a candidate must have been actively engaged for the past eight years in the theatrical motion picture arts and sciences in a key creative or technical position.

If production is their profession, the candidate must also have credited roles on at least eight theatrical feature films which, in the opinion of the executive committee, reflect the high standards of the Academy. If they boast a position that is head of an aspect of production or film technology, they must have served it for five consecutive years to qualify for an Academy invitation.

A candidate could also have made scientific and/or technological contributions which produced leading creative tools and/or systems for the crafts involved in the creation of the theatrical motion picture experience, or have received an Academy Scientific and Technical Award, or have had direct involvement in the last eight years, not solely in an administrative position, in the preservation and/or restoration of legacy and current content of the moving image and/or recorded sound, or finally, have, in the judgment of the Production and Technology Executive Committee, achieved unique distinction, earned special merit, or made an outstanding contribution to the arts or sciences of motion pictures in the above described areas.

With the establishment of the Production and Technology Branch, the Academy now has 18 branches total meant to represent all facets of the film industry. As of right now, only one branch member from Production and Technology will be elected to the Board of Governors for the 2023-2024 fiscal year, with the hopes that that person will help broaden the Academy’s perspective in board discussions.

The creation of the branch shows signs that the Academy is game to continue advancing with the industry to ensure that new voices and professions are represented and how changes to its governance structure can best support this evolution.

The last time the Academy established a new branch, it was the Casting Directors branch in 2013, right on the heels of the “Casting By” documentary that made a case for there to be an Oscar for casting. The inclusion of stunt coordinators in this new Production and Technology Branch is especially notable, since in recent years there has also been a prominent movement to establish an Oscar for stunt performers. With the Academy continuing to make changes, the Academy looks well on its way to at least talking about establishing some of those awards Oscar fans have been asking for.

Additional reporting by Bill Desowitz and Anne Thompson.

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Composer Bobby Krlic On Creating the Score & Why 90s Alt Rock Was the Right Sound For This Series | Beef Red Carpet 2023

‘Beef’ composer Bobby Krlic talks about his thought process creating the score and why 90s alt bands were the right sound for this series.

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Docs

ICYMI: From Microbudgets to Most Recent—Looking at Trey Edward Shults’ Great Expectations

Each year, the Film Independent Spirit Awards gives the John Cassavetes Award to the year’s best feature made for under $1,000,000 ($500,000 prior to 2021). In this column, film critic David Bax compares and contrasts past Cassavetes winners with their most recent work.

***

Trey Edward Shults has made three feature films so far and, technically, only one of them (2017’s It Comes at Night) is a horror movie. But from the opening shot of 2015’s Krisha (which won him the John Cassavetes Award at the 31st Film Independent Spirit Awards in February of 2016)—a close-up of a woman’s face, stricken with an emotion we can’t quite place yet and accompanied by rumbling, ominous music—it’s clear that Shults will be exercising a talent for unnerving us, no matter what genre he may be working in.

In more ways than one, Krisha (a terrific film in its own right) serves as an introduction to what Shults will offer in the future. His camera—sometimes floaty and lingering, sometimes urgent and probing—is never just a passive observer. As with his less conventional aspect ratio choices (Krisha is mostly in 1.33:1), the near-constant Steadicam might be distancing in its self-consciousness to those not willing to submit themselves to Shults’ vision.

All this interplay between chaos and control, though, is integral to what Shults is trying to uncover. Namely, Krisha and his later work could be seen as an argument that the term “dysfunctional family” is a lazy misnomer. Every family has its own way of functioning, its own rules and enforcers, its own modes of operation. It’s those for whom the rules don’t work that appear to not function, who suffer the consequences of not fitting in.

Krisha, an expansion of Shults’ short film of the same title from the year before, is an engaging, moving and sympathetic portrait of a woman trying to work her way back into her family’s good graces, trying to play by their rules. But it’s also simply a promising calling card for the young artist. The Cassavetes Award doesn’t necessarily go to a first-time feature director but it did so here with good reason, helping to solidify the impression that Shults is a timely and vital filmmaker, both as a stylist and as a humanist.

After Krisha, Shults moved on to It Comes at Night. It’s a comparatively moodier affair, even if its concept is miles higher than Krisha’s simple Thanksgiving dinner premise. This time we have two families whose inter- and interpersonal relationships are tested by the end of the world and the horrors that follow.

So, in some ways, 2019’s Waves could be seen as a return to form. We do see some of the same cast; Bill Wise, the sardonic bother-in-law and unwilling Thanksgiving host from Krisha, shows up here as a high school wrestling coach while Krisha Fairchild herself (Shults’ aunt in real life) has a hyper-brief cameo as an English teacher. And, even though Waves takes place in Florida and Krisha is set in Texas, the upper middle class suburban homes that take center stage in both films are so remarkably similar in their layout that I did a bit of a double take. Yet, despite returning to a more here-and-now domestic setting, this comparatively gargantuan effort (coming in at nearly 45 minutes longer than It Comes at Night) actually continues Shults’ expanding ambitions.

For one thing, his camera is somehow even more dynamic, especially in the opening section, which introduce us to the life of star high school athlete/heartthrob Tyler (Kelvin Harrison, Jr., returning from It Comes at Night) with a series of wide-angle scenelets staged and edited at such a breakneck pace that they bring to mind the “you better buckle in” feeling of Moulin Rouge!’s opening fifteen minutes. The aspect ratio shifts ostentatiously throughout and the loud, heavy, almost wall-to-wall popular music is used to emulate the desperate abandon of youth in the same way as in Andrea Arnold’s American Honey.

Waves may not have the apocalypse waiting outside the door, bearing down on the characters the way It Comes at Night does. But Shults adds additional stressors to Tyler’s life, wearing him thinner and closer to the breaking point just like his wrestling matches are doing to his damaged shoulder muscles. The main such stressor is race. Tyler is a member of a well-to-do Black family (Sterling K. Brown as father Ronald; Renée Elise Goldsberry as mother Catherine; Taylor Russell as sister Emily) in a largely white neighborhood and school. For the most part, racial tension is only acknowledged out loud within the family but the exceptions to this rule—like a shouted n-word from an unknown woman on the street—make it clear that plenty of others are thinking about it too.

Kelvin Harrison Jr. and Taylor Russell in ‘Waves’

That leads directly to Shults’ pet theme, the pressure of expectations. Ronald pushes his son to overcome the white world’s expectations of him. That makes Waves more overt in its political ambitions than Krisha but the earlier movie is also about parental demands, both those pushed by parents (in a meta touch, Shults himself plays Krisha’s estranged son and the recipient of her well-meaning but misapplied influence) and those pushed on parents (Krisha offers to cook Thanksgiving dinner, a traditionally domestic role for an iconoclastic free spirit, in order to coax acceptance out of her son).

Neither of these two films could be called lighthearted, but Waves goes to darker places (let’s just say at least everyone survives Krisha) and yet, it’s ultimately the more hopeful of the two. Its final hour shifts perspective, mournfully but hopefully focusing on Emily instead of Tyler and suggesting that one way to find peace within your family is to first establish a peaceful place outside of it.

Other nominees: Shults’ competition for the Cassavetes Award was Jennifer Phang, who followed up her science fiction drama Advantageous with a robust and ongoing career directing prestige genre TV, most recently helming two episodes of Apple TV+’s Foundation; Charles Poekel, who was nominated for Christmas, Again, which remains his only feature though he has continued to work as a documentary cinematographer on films such as the National Lampoon doc Drunk Stoned Brilliant Dead; Takeshi Fukunaga, who was nominated for Out of My Hand and whose subsequent film, Ainu Mosir, had a virtual US release in November of 2020; and, finally, Benny and Josh Safdie, were nominated for their second fiction feature, Heaven Knows What, and went on to direct Good Time (nominated for five Spirit Awards) and Uncut Gems (nominated for five; won three).

[Note: this blog originally ran in January of 2021. Special thanks to author David Bax.]

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Tornado caught on camera moving across Little Rock, Arkansas

Nearly 70,000 people are without power in Arkansas, which is in a state of emergency.

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Neil Diamond Reacts To Parkinson’s Diagnosis In New Interview – Hollywood Life

Neil Diamond Pop Star Here At Piano 1974.
Neil Diamond Pop Star Here At Piano 1974. — Image Credit: Larry Marano/Shutterstock

Neil Diamond, one of pop music's great iconoclasts, stands outside his West Hollywood office talking about his latest compilation of songs, "Hot August Night II," . The album, a two-record set, released 15 years after "Hot August Night" was recorded in Los Angeles' Greek Theater
Neil Diamond 1988, West Hollywood, USA — Image Credit: Larry Marano/Shutterstock

Neil Diamond is coming to terms with his Parkinson’s diagnosis. The change, he told CBS Sunday Morning during an interview that will air this weekend, happened for him in the past “few weeks.” “But somehow, a calm has moved in, and the hurricane of my life, and things have gotten very quiet, as quiet as this recording studio,” he told Anthony Mason in a clip, per PEOPLE. “And I like it. I find that I like myself better. I’m easier on people. I’m easier on myself. And the beat goes on, and it will go on long after I’m gone.”

Legendary singer-songwriter Neil Diamond opens up to Anthony Mason about coming to terms with his Parkinson’s diagnosis, his career, and the Broadway show based on his life of @beautifulnoise this “Sunday Morning.” pic.twitter.com/zmi7v5YYrk

— CBS Sunday Morning ? (@CBSSunday) March 31, 2023

The “Forever In Blue Jeans” singer, 82, also revealed that he’s still connecting with his fans, though the disease has made it difficult. “I’m still doing it,” he said. “And I don’t like it. But … this is me, this is what I have to accept. And I’m willing to do it. And, OK, so this is the hand that God’s given me, and I have to make the best of it, and so I am. I am.”

Elsewhere in the interview, Anthony asked the dad of four what part was hardest about watching himself played onstage in A Beautiful Noise: The Neil Diamond Musical. “It was all pretty hard,” he said. “I was a little embarrassed. I was flattered and I was scared.”

Neil Diamond — Larry Marano/Shutterstock

Mason then asked what the star was scared of. “Being found out is the scariest thing you can hope, because we all have a façade,” Neil replied. “And the truth be known to all of ’em. I’m not some big star. I’m just me.”

Back in 2012, when the “Sweet Caroline” singer was still in his 70’s, the singer commented on how far he’d come in his career. “I seriously never thought my career would take me into my 70s,” he told Parade at the time. He added that he “definitely” didn’t feel his age. “I definitely don’t feel like I’m 71,” he said. “I feel like I did when I was between 30 and 40. The body ages. The mind doesn’t.”

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March 31, 2023

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Hisense ULED X TV with NBA logos in background on aqua banner

Tech

Hisense’s super-bright 85-inch QLED TV is ready to take on OLED TVs

TV maker Hisense held an event in NYC this week to announce its new partnership with the National Basketball Association. Along with the NBA sponsorship news, the event gave the company a chance to announce that they are now the number two TV brand in North America based on unit share according to data supplied by the Circana retail tracking service.

Hisense has made great strides in the North American TV market over the past few years, heightening its visibility with a lineup of affordable QLED sets. Last year’s U8H series, the first model with mini-LED backlighting to arrive from the company, impressed us with its high brightness and rich contrast, earning a spot on our list of the best 4K TVs and best 120 Hz TVs for PS5 and Xbox Series X/S.

Mini-LED in general has given QLED tech a shot in the arm, with top new Mini-LED backlit TVs like the Samsung QN95C starting to rival the best OLED TVs when it comes to performance aspects like shadow detail and black uniformity. As it previously announced at CES, Hisense will offer four series of mini-LED TVs in 2023, starting with the budget U6K line and topping out with the flagship limited edition UX series.

As part of its NBA partnership, Hisense will sponsor X-Factor Moments, a weekly series of game highlights from the 2023 postseason on the NBA’s social media channels. The NBA League Pass live game subscription service will also be available in the NBA TV app on Hisense smart TVs.

ULED X: The Official Television of the NBA

While the sponsorship arrangement extends to all Hisense TVs and appliances, the flagship ULED X model has been designated as The Official Television of the NBA.

The limited edition ULED X, which will only be available in an 85-inch screen size, boasts impressive specs. Its backlight consists of over 20,000 mini-LEDs that are controlled by 5,000-plus local dimming zones. Peak brightness is 2,500 nits, according to Hisense, with a claimed two times higher contrast range than OLED TVs. The ULED X also features a built-in 4.1.2 Dolby Atmos and DTS:X speaker system powered by 80 watts.

The other new mini-LED models in the Hisense lineup are the U8K, U7K, and U6K series. These are all available in 55-, 65-, 75-, and 85-inch screen sizes and have a peak brightness spec ranging from 600 nits on U6K series up to 1,500 nits on the U8K series. Both the U8K and U7K also have 144Hz-capable panels, making them a good choice for gaming, while all models feature a built-in ATSC 3.0 digital TV tuner.

Hisense’s L9H laser TV ultra short throw projector comes with 100 and 120-inch screen options. (Image credit: Future)

L9H Laser TV ultra short throw projector

Hisense’s top ultra short throw projector for 2023 is the L9H. This comes paired with either a 100- or 120-inch ambient light rejecting screen and uses an RGB laser light engine that’s capable of 107% BT.2020 color space coverage. Dolby Vision high dynamic range is supported by the L9H and it runs the Google TV smart interface for streaming and voice control.

Other features of the L9H include a built-in 40-watt Dolby Atmos sound system and an ATSC 3.0 tuner for viewing next-gen digital TV broadcasts.

Hisense was also showing its L5H ultra short throw projector at the event, a step-down model that uses a blue laser light source with reduced BT.2020 color space coverage.

Hisense USA CEO David Gold announcing the brand's NBA sponsorship next to ULED X TV

Hisense USA CEO David Gold announcing the brand’s NBA sponsorship. (Image credit: Future)

TVs and sports: a winning combination

There’s no surprise in Hisense becoming the official partner of the NBA, because the high visibility that sports sponsorship nets a brand literally brings it into the living room of millions of viewers. That’s why TCL, Hisense’s main competitor in the budget TV space, is the official partner of NFL football, and OLED TV maker LG is an official partner of NCAA basketball.

For Hisense to compete with TCL it needs to expose its brand to as many eyeballs as possible. And while this sponsorship should do precisely that, the upside to Hisense’s competition with TCL for consumers is that the company’s TVs are seeing year-over-year picture quality improvements, while their prices remain affordable.

Hisense hasn’t yet announced specific pricing for its new TVs, all of which should arrive around June. At that time, we’ll see just how good they look when we get the new U8K model in for review.

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Oscars Academy Adds Production and Technology Branch

The Academy of Motion Picture Arts and Sciences has added a new branch, the Production and Technology Branch, AMPAS announced on Friday afternoon.

The Production and Technology Branch will be the first new branch added to the Academy since the Casting Directors Branch was created in 2013. It will bring the total number of AMPAS branches to 18.

While the other 17 Academy branches are each represented by three members on the Academy’s Board of Governors, the Production and Technology Branch will initially be represented by a single governor, bringing the total number of governors to 55.

While the conversation in recent years has centered on the creation of a new Oscar for casting, which has its own branch, and stunt work, which does not, the Production and Technology Branch was created to broaden the board’s discussion of a changing industry.

Its members, according to the Academy press release, will include “chief technology officers, senior department heads in technology and creative services, and preservation and restoration specialists. In addition, credited production roles, including stunt coordinators, script supervisors, choreographers, music supervisors, colorists, line producers and associate producers will be a part of the branch.”

The first governor of the new branch will be chosed during board elections this summer.

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Entertaintment

Personalized Marketing Is the Key to a Company’s Success

It sounds like a joke the world is playing on marketers: Deliver targeted, personalized experiences at scale.

Sure, let’s mass produce individuality. Let’s build a factory that cranks out nothing but unique experiences that can’t be replicated. Totally plausible, right?

That’s the conundrum Adweek’s Europe brand editor Rebecca Stewart posed to a panel at Adweek’s New Consumer event: How do you make individual consumers feel special across a broad spectrum? It isn’t easy, but it works. According to data from McKinsey, investing in personalization can increase sales for retailers by 2% and boost customer satisfaction by as much as 20%.

“The customer is at the core of our brands,” said Christine Alemany, CMO of i2c Inc., which helps banks, financial technology companies and cryptocurrency firms improve their customer experience. “You have to engage, you have to listen [and] you have to adapt quickly as their needs and expectations change.”

Human nature basically reduces consumers to a childlike state: They want what they want when they want it and how they want it. Tiana Conley, vp of global strategy for Mars Wrigley, said that even she’s looking for the right message at the right time. And that form of consumer need has only amplified as linear TV’s power has faded and media has fragmented.

“For far too long, our industry has operated by the Golden Rule, instead of by the Platinum Rule,” Conley said. “We’ve given consumers what we want them to have instead of what they want to have.”

Building a foundation

It also helps to have a brand that already caters to unique, creative individuals. Aïda Moudachirou Rebois, svp and global CMO for MAC Cosmetics, notes that her company has more than 7,000 products available because it’s been cultivating a diverse consumer base for decades. Almost 40 years old, the MAC brand launched its Viva Glam initiative 30 years ago to raise nearly $500 million for communities affected by HIV and AIDS.

Last year, Viva Glam partnered with the Keith Haring Foundation and honored the legacy of its renowned namesake pop artist, who died of AIDS-related complications just a year after starting the fund. It sold MAC lipstick with Keith Haring’s art on it but also sold out of the NFT of said lipstick created for consumers who didn’t want to buy the product itself.

“We saw that the consumer was completely connected to being charitable in any form that suits them,” Rebois said. “It’s the personalization of the experience of ‘Yes, we want to give back,’ but there’s many ways of giving back.”

March 31, 2023

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It sounds like a joke the world

Movies

Tom Holland, Zendaya Land In Mumbai; Priyanka Chopra To Attend Parineeti Chopra’s Rumoured Wedding?

Last Updated: March 31, 2023, 22:53 IST

Tom Holland, Zendaya, Priyanka Chopra Jonas, Nick Jonas arrive in Mumbai.

From Tom Holland and Zendaya in Mumbai to IPL 2023 kicking off with Arijit Singh’s performance, here are the biggest headlines of the day.

International stars Tom Holland and Zendaya are in India. The Spider-Man: No Way Home stars were spotted exiting the Mumbai airport on Friday afternoon. The Marvel Cinematic Universe stars were seen escorted out of the private airport in Mumbai to their car. The couple is speculated to be in India for Nita Ambani’s cultural centre launch.

For More: Tom Holland and Zendaya Land In Mumbai, Spider-Man No Way Home Stars Spotted at Airport; See Pics

Actress Priyanka Chopra landed in Mumbai on Friday afternoon with Nick Jonas and their daughter Malti. The actress’s spotting at the Kalina airport instantly sparked rumours of her meeting cousin Parineeti Chopra’s rumoured boyfriend, AAP member Raghav Chadha. For a few days now, Parineeti and Raghav are making headlines for their rumoured relationship.

For More: Priyanka Chopra Is in Mumbai for Cousin Parineeti Chopra’s Rumoured Wedding With Raghav Chadha?

Naga Chaitanya, who was previously married to Samantha Ruth Prabhu, has been making headlines for his alleged romance with Sobhita Dhulipala. Chaitanya and Samantha Ruth Prabhu announced their separation in October 2021. According to Hyderabad Times, Chaitanya and Sobhita have been dating for “at least six months now”.

For More: Naga Chaitanya’s Affair Began 1 Year After Divorce from Samantha; Dating Sobhita for 6 Months?

The IPL 2023 kicked off with a bang on Friday, March 31. But before Hardik Pandya and MS Dhoni’s teams clashed on the field, IPL 2023 hosted a grand opening ceremony and the first person to perform was Arijit Singh. The sensational singer brought the house down with his performance on Kesariya, Pathaan, and Dance Da Bhooth. The singer joined his team of musicians to give the crowd at the stadium and the audience watching at home a concert-like experience.

For More: IPL 2023: Arijit Singh Performs Kesariya, Pathaan to Packed Crowd at GT vs CSK Match; Watch

Actor Chiranjeevi took to Twitter and revealed he was among the few lucky people to have held the Oscar trophy. On Friday afternoon, he took to Twitter and revealed he hosted a special gathering of people to honour the lyricist of Naatu Naatu, Chadrabose. The lyricist attended the party with his Academy Award which he won for Best Original Song at the Oscars 2023.

For More: Chiranjeevi Holds Oscar Trophy, Hugs Naatu Naatu Lyricist Chandrabose In Heartwarming Viral Pics

Read all the Latest Movies News here

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Aditi Giri, Senior Sub-Editor at News18. She is a Bollywood and Biryani enthusiast. She loves talking to your favourite BTown celebrities, and brings …Read More

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March 31, 2023

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Last Updated: March 31, 2023, 22:53 ISTTom

Stormy Daniels Postpones ‘Piers Morgan Uncensored’ Interview

Stormy Daniels has pushed her interview with Piers Morgan due to “security issues,” Morgan revealed on Friday.

“UPDATE: Unfortunately, Stormy Daniels has had to suddenly postpone our interview tonight due to some security issues that have arisen. Hope she’s OK,” Morgan wrote on Twitter announcing the news.

Details for when the interview (which was originally slated to air on “Piers Morgan Uncensored” Friday night) will be rescheduled have yet to be released. Reps for Morgan have not yet responded to Variety’s request for comment.

The exclusive interview was meant to come just one day after a New York Grand Jury voted to indict former President Donald Trump for his role in allegedly paying hush money to Daniels in 2016. As previously reported, the exact charges remain unknown.

At the time, a spokesperson for Manhattan District Attorney Alvin L. Bragg shared the news with a statement reading: “This evening we contacted Mr. Trump’s attorney to coordinate his surrender to the Manhattan D.A.’s Office for arraignment on a Supreme Court indictment, which remains under seal. Guidance will be provided when the arraignment date is selected.”

Though he’s denied any wrongdoing in the investigation, the indictment makes Trump the first US President to receive criminal charges. The investigation fell just before his try for a second term in the 2024 election.

Daniels responded to Thursday’s indictment news on social media saying, “Thank you to everyone for your support and love! I have so many messages coming in that I can’t respond…also don’t want to spill my champagne ? #Teamstormy merch/autograph orders are pouring in, too! Thank you for that as well but allow a few extra days for shipment.”

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MCU

Shang-Chi 2 Star Reveals What to Expect In Sequel

Simu Liu (Shang-Chi) teased what fans can expect from the sequel to 2021’s Shang-Chi and the Legend of the Ten Rings.

While Shang-Chi 2 is not on the MCU‘s official slate of upcoming Multiverse Saga projects, the sequel was confirmed and will be directed by Destin Daniel Cretton, who helmed the first Shang-Chi film as well.

The director will also take on the fifth Avengers film, Avengers: The Kang Dynasty, which will hit theaters on May 2, 2025.

As for the characters introduced in Shang-Chi, none have appeared since the 2021 movie. However, the film’s inclusion of established characters like Wong and Abomination has been further explored in projects such as She-Hulk: Attorney at Law.

Now, however, some new information came to light about expectations for the highly anticipated sequel, straight from the star himself.

Liu Teases ‘Amazing Action’ & More in Shang-Chi Sequel

Marvel

In an interview with Collider, Simu Liu hinted at what fans can expect from the upcoming Shang-Chi and the Legend of the Ten Rings sequel.

The actor discussed the pressure relief he is experiencing, as he is no longer “essentially crafting this character, every single day” while under a massive production budget like he was for the first one. He explained that “generally, you’re under the most pressure when something is unproven:”

“Generally, you’re under the most pressure when something is unproven. There’s really high stakes. I remember shooting the first movie and feeling like, ‘Okay, we’re essentially crafting this character, every single day.’ The stakes could not be higher because it was a 100 bajillion dollar movie budget. I feel like those are the circumstances under which the pressure would be the highest.”

Liu then talked about the positive emotions he feels “returning to [a] world that we’ve spent so much time ideating on and thinking about:”

“Going into a sequel feels exciting. It doesn’t necessarily feel like there’s a pressure to perform or a pressure to exceed. It feels like we’ve established a world and there’s just something really nostalgic and exciting about returning to that world that we’ve spent so much time ideating on and thinking about.”

Liu explained that the sequel will “revisit some things, but also show the viewer new things.” He highlighted specifically “the amazing action that we were celebrated for on the first movie” that fans should expect to return in Shang-Chi 2, along with new developments for the titular character.

“And then, we’re getting to revisit some things, but also show the viewer new things. We’ll deliver all of the amazing action that we were celebrated for on the first movie, but then also hopefully explore new sides of Shaun’s character and the characters around him.”

He finished, teasing “That is, of course, if we can still afford Michelle Yeoh:”

“That is, of course, if we can still afford Michelle Yeoh. She’s on top of the world and just the queen of everything.”

What Will Shang-Chi 2 Be About?

With these hints from Simu Liu, fans can begin to speculate on what these “new sides of Shaun’s character and the characters around him” will be.

The ending of the first film set up Xu Xialing (Meng’er Zhang) as re-forming the 10 Rings, teasing that they “will return” in a post-credits scene. Perhaps this new direction for the character will be explored more fully in the sequel.

Additionally, for Shang-Chi himself, fans know that he and Katy (Awkwafina) were brought into talks with some key Avengers and allies, so maybe the new sides fans can expect will involve Shang-Chi getting used to his new team and new expectations.

There is no known release date for Shang-Chi 2, but its predecessor, Shang-Chi and the Legend of the Ten Rings, is currently streaming on Disney+.

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March 31, 2023

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Better Call Saul Teaser: How Jimmy McGill Became Saul Goodman

DCU

Bob Odenkirk Reveals How He Was Cast as Saul Goodman in Breaking Bad

It’s undeniable at this point that Bob Odenkirk was the perfecting casting choice to play Saul Goodman, the conniving attorney from Breaking Bad who serves as the personal attorney for meth makers Walter White (Bryan Cranston) and Jesse Pinkman (Aaron Paul). When the character was first introduced in the second season of Breaking Bad, he instantly became a hit with viewers, resulting in the show’s writer’s keeping him around for the rest of the series. He’d go on to have his own spinoff series in Better Call Saul, which wrapped after six seasons last year.

In a new video posted online by WIRED, Odenkirk answers some of the internet’s most burning questions about him and his career. The question of his casting in Breaking Bad came up, at which point Odenkirk divulged the story behind how he came to join the hit AMC series. He says it basically comes down to having Gilligan and Breaking Bad writer Peter Gould recognizing him as perfect for the role based on his work on the sketch comedy series Mr. Show with Bob and David. While Odenkirk admits he questioned the casting at first, he notes how Gilligan is someone who always knows what he’s doing.

“Vince Gilligan and Peter Gould, who wrote the character of Saul Goodman into the first script that he was in in Breaking Bad, were both fans of Mr. Show, and both thought I was the guy to play the part. I don’t know why. Vince Gilligan is the smartest guy in the room. But, he pretends not to be. He’s got this performance that he does. You could call it the ‘aw, shucks’ guy. He secretly knows that he’s working really, really hard, and he’s also smart as sh*t. So, he listens to people, very, very politely. He’s never, ever rude. And then he does what he’s gonna do, and it’s the right thing every damn time.”

Bob Odenkirk’s Scheduling Issues Created Mike Ehrmantraut

AMC

Odenkirk’s Better Call Saul co-star Rhea Seehorn recently spoke about how there was a scheduling conflict when he joined the show that created the need for a new character to be written. That character turned out to be Mike Ehrmantraut, played by Jonathan Banks. Odenkirk further spoke about this story in the new WIRED interview as well, confirming the scheduling issues and noting how very grateful he is to have had that spot on How I Met Your Mother, know it resulted in all the work he’s done with Banks on both of the TV shows.

“The final four episodes of the second season… I was only in three of them, because I had to do How I Met Your Mother, and because I had to do How I Met Your Mother, they had to invent another character to pull that plot along. And they invented Mike Ehrmantraut. So, thank God I was on How I Met Your Mother, ’cause they could invent Mike, and then me and Jon Banks could do Better Call Saul.”

You can watch the full video below.

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March 31, 2023

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It's undeniable at this point that Bob

Comics

Sega Went Sicko Mode and Finally Killed Sonic The Hedgehog

We’re all used to April Fools Day pranks, and gaming developers love to get in on the joke. However, this year Sega finally did the unthinkable; they murdered the blue blur Sonic in cold blood. No, this isn’t a joke, it’s real, and those heroes finally did it. The Murder of Sonic The Hedgehog is a real game you can play right now.

Sega Went Sicko Mode and Finally Killed Sonic The Hedgehog

The Murder of Sonic The Hedgehog is free to play on Steam. Join Sonic and the gang as they celebrate Amy Rose’s birthday on the Mirage Express. When a simple murder mystery party goes south, it’s up to you and the crew to hunt down Sonic The Hedghog’s killer. You don’t have to; Sonic can stay dead if we want.

This visual novel features all of the Sonic cast, from Tails to the weird green alligator man I still refuse to learn the name of.

You might be wondering if this is canon, and at the bottom of the Steam description, it states,

“You know what they say: everything is canon*.

*This is not a Sonic Team title, but we strongly believe in the power of headcanon!”

We like to believe here at Prima that this is, in fact, canon, but that’s up to you and how you want to interpret things. While not an official Sonic Team game, this murder mystery is still published and developed by Sega, meaning that someone over there had to bravely pitch the death of the beloved hedgehog alongside making it a playable game for fans to experience.

Whoever did this, if you’re reading it, you are our hero. Thank you for your service. If you haven’t been sold on this once-in-a-lifetime opportunity, you should also know that Knuckles wears a cowboy hat in this game. This is almost as good as the time they put Sonic in Two Point Hospital because Sonic Fans have always been sick.

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March 31, 2023

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We’re all used to April Fools Day

Festivals

Exploring the Historical Genre in Movies and TV (Definition & Examples)

Crack open the books and dig into the historical genre in movies and TV.

For centuries, humans have been fascinated by history, seeking to understand the past and the people who inhabited it. This fascination has manifested itself in various forms of art, including literature, paintings, and movies. In recent years, historical movies and TV shows have become increasingly popular, captivating audiences with their vivid depictions of the past.

The historical genre in movies and TV takes viewers on a journey through time, exploring the people, places, and events that have shaped our world. From ancient civilizations to modern conflicts, historical dramas bring the past to life, offering a glimpse into the lives of those who came before us.

But why are we so drawn to historical movies and TV shows?

Perhaps it is our innate curiosity about the past, or maybe it is our desire to connect with the struggles and triumphs of our ancestors. Whatever the reason, the historical genre has proven to be a powerful tool for storytelling, captivating audiences and sparking discussions about our shared history.

In this article, we will explore the historical genre in movies and TV by examining its evolution over the years and the impact it has had on our culture. We will delve into the themes and motifs that are common in historical dramas, and discuss the challenges and opportunities that come with bringing history to life on the screen.

Let‘s take a look at the past

’12 Years a Slave’Credit: Fox Searchlight Pictures

Digging Into The Historical Genre in Movies and TV

The historical genre serves as an important tool for exploring the past and understanding how it has shaped the world we live in today. By engaging with historical stories, we can gain new insights into our shared history, and connect with the people and events that have shaped our world.

Historical Genre Definition

The historical genre refers to a type of storytelling that is set in a specific period of time in the past, typically focusing on real people, events, and places. This genre encompasses a wide range of media, including movies, TV shows, novels, and plays, among others.

The goal of the historical genre is to provide a glimpse into the past, bringing historical figures and events to life for modern audiences. Historical stories can educate viewers about the social, cultural, and political context of the time period while shedding light on the challenges and triumphs of historical figures.

The historical genre can be distinguished from other genres by its emphasis on historical accuracy and authenticity. To achieve this, writers and filmmakers often conduct extensive research into the time period, drawing on primary sources such as letters, diaries, and historical records to create a vivid and accurate portrayal of the past.

Breaking down the historical genre in TV and film — ‘The Green Knight’Credit: A24

What Are Some Tropes of the Historical Genre?

The historical genre is characterized by a number of recurring tropes and motifs that have become familiar to audiences over the years. Here are a few examples:

The Epic Battle Scene: Whether it’s the Battle of Thermopylae in 300 or the storming of the Normandy beaches in Saving Private Ryan, historical dramas often feature large-scale battle scenes that depict the heroism and sacrifice of soldiers in times of war.
The Royal Court: Many historical dramas are set in royal or aristocratic circles, offering a glimpse into the intrigues and power struggles of the ruling elite. From Game of Thrones to The Crown, these shows often feature lavish costumes and sets that bring the past to life.
The Plucky Underdog: Whether it’s a lone soldier fighting against overwhelming odds or a group of rebels taking on an oppressive regime, the historical genre often features stories of ordinary people rising up against injustice and tyranny.
The Timeless Love Story: From Romeo+Juliet to Titanic, historical dramas often feature romantic storylines that transcend time and place. These stories offer a window into the social norms and expectations of the past and often explore themes of class, race, and gender.
The Biopic: Many historical dramas are based on the lives of real people, offering a glimpse into the personal and political struggles of historical figures. From Lincoln to The Theory of Everything, these films and TV shows often feature actors who undergo dramatic transformations to portray real-life characters.
The Time Traveler: Whether it’s a character who travels through time or a modern-day perspective on historical events, the historical genre often explores the contrast between the past and present. Shows like Outlander and Timeless use time travel as a device to explore historical events and people.

These are just a few examples of the tropes that are commonly found in the historical genre. While they may be familiar to audiences, they are also a reminder of the enduring appeal of stories set in the past, and the power of the human experience across time and space.

Why Does The Historical Genre Examples in Movies and TV Matter?

Historical dramas can educate and inform audiences about important events and people from the past. By portraying historical figures and events in an engaging and accessible way, these stories can spark interest in history and inspire viewers to learn more about the context and significance of these events.

They can provide a platform for underrepresented voices and perspectives. By exploring the experiences of people from marginalized communities, historical dramas can shed light on stories that have been overlooked or ignored in traditional historical narratives. They can serve as a powerful tool for empathy and understanding. By depicting the struggles and triumphs of historical figures, these stories can help viewers connect with their shared humanity and develop a deeper understanding of the human experience across time and space.

Finally, historical dramas can offer a unique form of entertainment and storytelling. By transporting viewers to a different time and place, these stories can captivate audiences and offer a new perspective on familiar themes and motifs.

The Historical Genre Examples in Movies

The historical genre in movies has a long and rich tradition, with countless films that have explored important events and people from the past. Here are a few examples of historical movies that have had a significant impact on the genre:

Schindler’s List (1993) – This film tells the story of Oskar Schindler, a German industrialist who saved the lives of over a thousand Jewish refugees during the Holocaust. It is considered one of the greatest historical dramas of all time, and won seven Academy Awards, including Best Picture.
Titanic (1997) – This epic romance set aboard the ill-fated Titanic is one of the highest-grossing films of all time. Although the central love story is fictional, the film accurately depicts the sinking of the Titanic in 1912, and offers a glimpse into the social hierarchies of the era.
Gladiator (2000) – Set in ancient Rome, this film follows the story of Maximus, a general who becomes a gladiator and seeks revenge against the corrupt emperor who murdered his family. The film won five Academy Awards, including Best Picture, and helped revive interest in historical epics.
Lincoln (2012) – Directed by Steven Spielberg and starring Daniel Day-Lewis as President Abraham Lincoln, this film depicts the political maneuvering behind the passage of the 13th Amendment to the U.S. Constitution, which abolished slavery. The film was praised for its historical accuracy and won two Academy Awards.
The King’s Speech (2010) – This biographical drama tells the story of King George VI of Britain, who struggles with a stutter as he prepares to give a crucial radio address during World War II. The film won four Academy Awards, including Best Picture, and helped revive interest in historical dramas set in the early 20th century.

These films are just a few examples of the many historical dramas that have captivated audiences and helped shape the genre over the years.

The Historical Genre Examples in TV

The historical genre has become increasingly popular in TV shows over the past few decades, with many critically acclaimed series exploring important events and figures from the past. Here are a few examples of historical TV shows that have had a significant impact on the genre:

Game of Thrones (2011-2019): Although set in a fictional world, this epic fantasy series draws heavily on historical events and themes, including medieval Europe and the War of the Roses. The show won numerous awards and became a cultural phenomenon during its eight-season run.
The Crown (2016-present): This acclaimed Netflix series follows the reign of Queen Elizabeth II of the United Kingdom, exploring the political and personal challenges she faced during her long reign. The show has been praised for its historical accuracy and attention to detail, and has won numerous awards.
Mad Men (2007-2015): Although not strictly a historical drama, this series set in the advertising world of the 1960s offers a vivid portrait of the social and cultural changes of the era. The show won numerous awards, including four consecutive Emmy Awards for Outstanding Drama Series.
Vikings (2013-2020): This action-packed series follows the adventures of legendary Norse hero Ragnar Lothbrok and his family, and offers a vivid portrayal of Viking culture and history. The show was praised for its attention to historical detail and won a loyal fanbase during its six-season run.
Chernobyl (2019): This HBO miniseries dramatizes the events surrounding the Chernobyl disaster in 1986, offering a sobering portrait of the human cost of the worst nuclear accident in history. The show won critical acclaim and numerous awards, including ten Primetime Emmy Awards.

These TV shows are just a few examples of the many historical dramas that have captivated audiences and helped shape the genre in recent years. With the rise of streaming services and the continued popularity of historical stories, it seems likely that this trend will continue for some time to come.

Summing Up the Historical Genre Examples in Movies and TV

The historical genre in movies and TV is a rich and fascinating area of storytelling that continues to captivate audiences worldwide. Whether exploring the ancient world or delving into recent history, these dramas offer a window into the past, illuminating the struggles and triumphs of those who have come before us.

While the historical genre can present unique challenges for filmmakers and TV producers, the rewards are immense. From the critical acclaim and awards that come with a well-executed historical drama, to the impact these stories can have on our understanding of the past, the historical genre remains an important and vibrant aspect of modern media.

As we continue to explore the past through the lens of the historical genre, it is important to remember that these stories are not merely entertainment. They are a reflection of our collective history, reminding us of the struggles and triumphs that have shaped our world. By engaging with these stories, we can gain a deeper understanding of ourselves and the world around us, and connect with our shared humanity across time and space.

So, whether you are a casual viewer or a dedicated fan, we hope this exploration of the historical genre in movies and TV has deepened your appreciation for this rich and complex area of storytelling. From ancient civilizations to modern conflicts, the historical genre offers something for everyone, inviting us to explore the past and discover new insights about ourselves and our world.

Let me know what you think in the comments.

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March 31, 2023

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Crack open the books and dig

Film

‘I Definitely Abused My Own Self’

Florence Pugh realized she’d taken method acting a little too far when she left the set of Ari Aster’s 2019 film Midsommar and began struggling with feelings of “immense guilt.”

The actress opened up about the experience this week on Ed Gamble and James Acaster’s Off Menu podcast

Florence Pugh looks back on Midsommar

“I’d never played someone that was in that much pain before, and I would put myself in really shitty situations that maybe other actors don’t need to do but I would just be imagining the worst things,” Pugh says on the Off Menu podcast

“Each day the content would be getting more weird and harder to do. I was putting things in my head that were getting worse and more bleak. I think by the end I probably, most definitely abused my own self in order to get that performance.”

Midsommar follows Pugh as Dani, a woman who has just experienced a horrible family tragedy, and who accepts an invitation to visit a small village in Sweden with her boyfriend and his friends. Soon after arriving, they realize that there’s something strange happening in the village — and that they might never leave.

Pugh ended up leaving the set of Midsommar three days before shooting wrapped because she had to hurry over to Boston to start filming Little Women. She described looking down at the field where Midsommar took place from the window of the plane and feeling that part of her was being left behind with her character, Dani.

Also Read: Beau Is Afraid Is ‘Like a Jewish Lord of the Rings, But He’s Just Going to His Mom’s House,’ Director Says

“I remember looking down and feeling immense guilt. I felt so guilty because I felt like I’d left here in that field in that state,” she says. “It’s so weird. I’ve never had that before… obviously, that’s probably a psychological thing where I felt immense guilt of what I’d put myself through, but I definitely felt like I’d left her there in that field to be abused, to be — she can’t fend for herself, almost like I’d created this person and then I just left her there to go and do another movie.”

Pugh does have an idea of what she thinks happened to Dani after the events of the movie, however, and it’s quite reassuring.

“I always thought that she survived,” Pugh says. “I don’t think she’s probably ever going to come back, because to come back from a psychotic break, you have to have deep treatment and work that obviously those people [The Hårga] don’t have… I do think she’s — in that weird, twisted horrible way — she’s in like a place that people actually want her to be there. And I do think she will be getting respect and love, in a weird way.”

She also trusts that Pelle (Vilhelm Blomgren), the Hårga man who convinces her, Christian, Josh (William Jackson Harper) and Mark (Will Poulter) to come to the village in the first place, will take care of Dani.

“I do think Pelle would look after her. I don’t think he’s going to abuse her. I don’t I do think that community appreciates her being there.”

Main Image: Florence Pugh in Midsommar. Photo credit: A24

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March 31, 2023

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Florence Pugh realized she’d taken method acting

Fantastic Four Marvel hires Avatar writer Josh Friedman

Fantastic Four logo

Photo: Marvel Studios

Josh Friedman got out of the fire and jumped straight into the frying pan. By that we mean: after working with James Cameron in Avatar: The Way Of Water, he’s signed on as a scribe for Marvel’s upcoming Fantastic Four movie, according to a new report by The Hollywood Reporter.

A Quiet Place: Part II’s Millicent Simmonds thinks she’d be a goner if aliens attacked

Kevin Feige announced in 2019 that Fantastic Four was joining the vast and ever-expanding Marvel Cinematic Universe. The film has undergone a bunch of changes since then, including its release date, which moved from November 2024 to February 2025. Spider-Man’s Jon Watts was initially going to direct before he stepped down. WandaVision’s Matt Shakman then got the coveted gig. As for the film’s writers, Jeff Kaplan and Ian Springer came aboard in September 2022. There’s no official word on why Friedman replaced them, but THR’s story cites a possible change in tone for the F4 movie.

Friedman’s experience includes Brian De Palma’s The Black Dahlia, Steven Spielberg’s War Of The Worlds, an upcoming Star Trek movie, and a couple of Avatar sequels. He’s also worked on TV in the sci-fi genre with shows like Snowpiercer, Locke & Key, and Foundation under his belt. So it’s safe to assume Marvel wants to stick to the, er, fantasy aspect of the comics.

There’s no word yet on any casting or storyline updates, but the film will be part of Marvel’s Phase Six. While Doctor Strange: Multiverse Of Madness introduced an essential F4 character in Reed Richards, it’s TBD if John Krasinski will reprise the role in this film. In our minds, we’re all fan-casting Reed, Sue Storm, Ben Grimms, and Johnny Storm already though, right? Hopefully, Feige will have more updates by the time this year’s San Diego Comic-Con rolls around in the summer.

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Fantastic Four is set to release on February 14, 2025, although it could change at any given moment. If not, then what’s more romantic than a goddamn Marvel movie?

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March 31, 2023

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Fantastic Four logoPhoto: Marvel StudiosJosh Friedman got

What to Watch

Best Movies Leaving Hulu in April 2023

Decision-making can be difficult at times. You face so many choices in a given day that by the time you sit down on your couch to watch something, it ends up being something you’ve seen about a hundred times. It’s easy, and you don’t really have to actively choose it. Sometimes you want to watch what someone else has decided is good for you. Pressure can also help make a decision easy when you have an impending deadline that you can clearly see. Luckily, we’ve got you covered with April’s best movies leaving Hulu.

The lineup of movies this month ranges from dark and moving to gritty and action-packed. Not a happy-go-lucky kind of month, minus the rather peaceful documentary that rounds out the end of this list. Despite their exterior, several of them will hit you in the feels rather unexpectedly. So what’s up first on the chopping block? Let’s dig in.

MOVIEWEB VIDEO OF THE DAYSCROLL TO CONTINUE WITH CONTENT

Filth (Apr. 14)

Lionsgate

This is a weird movie, to be sure. If you love Trainspotting, you’ll at least like this one. It has a clever plot to it using the unreliable narrator technique. A film about Scotland by the same author, this one stars a police officer trying to make his way to chief inspector. He will win back his woman and turn his whole life around. The only problem in the way of all his hopes and dreams is that the man is a complete buffoon with a crippling sex addiction. One of those movies where you wonder if you’re even watching the good guy or just one man’s lonely trip down into madness. A smart script that ranges from hilarious irreverence to depressingly dark at a moment’s notice, this is worth the time if only to watch James McAvoy’s acting.

The Green Mile (Apr. 30)

A scene from The Green Mile — Warner Bros.

Do you feel like being sad for 2 hours? We’ve got just the movie for you. This is a movie about the lives of two death row guards as they go about their jobs. Their lives change dramatically, however, when they encounter a man by the name of John Coffey (Michael Clarke Duncan), who has been accused of the rape and murder of two young women. They soon discover, though, that he has the power to heal people and seemingly perform miracles. If you’re a fan of Shawshank Redemption, this has the same director, so you’re in for a very similar time.

Scarface (Apr. 30)

“Say goodnight to the bad guy!” This title earned the coveted X Rating, a rarity of 80’s feature films. The exclusive mark of a movie that the MPAA really hates belonging to extended porn and extreme violence. In short, a great film. This movie stars Al Pacino in perhaps his most memorable role as Tony Montana, a Cuban immigrant who comes to America and wants the world. It chronicles his rise to drug kingpin through an 80s montage, so you already know it’s a certified classic. Al Pacino, a believer in method acting, may or may not have been actually consuming as many drugs as his on-screen counterpart dedicated as he was to the role. Definitely a staple of the film, though, being one of the first real big bad-guy movies. When you think about shows like Breaking Bad, it all started right here.

Viva (Apr. 30)

Continuing on the Cuban theme, this is an interesting movie about a young man who finds great confidence in the world of drag. While he loves the work and is good at it, the wrinkle comes in when his father comes out of nowhere to express his disapproval of his chosen profession. Oddly enough, the film is directed by an Irishman despite being a Cuban film where they speak Spanish. The movie is primarily about their relationship, though, and how they start to reconnect after being estranged for so many years. If none of this interests you, the movie is also worth watching just for the cinematography. The sights and sounds of Havana are brought to life in this film in a way that you don’t often see in movies.

The Cable Guy (Apr. 30)

Carrey in The Cable Guy — Sony Pictures Releasing

Most people will remember Jim Carrey as being a funny guy with good reason. Playing Ace Ventura can have that effect on a person’s legacy. But when you’re an actor, it’s important not to get too pigeonholed into doing one thing. You can lose your mojo if you never venture out of your comfort zone. That’s what Jim Carrey decided he would do with The Cable Guy. This movie is a bit like if Jim Carrey did one of his characters, but the bit goes on too long. That is to say, the weird eccentricities aren’t funny but instead take a darker twist. Suddenly the character from Dumb and Dumber is invading your privacy and won’t go home. This kind of one-sided relationship is probably more relevant today than when it was released, as it features a lonely man just desperately trying to make a friend, but he doesn’t exactly know how. It has shades of Ingrid Goes West in this way where it features a girl who will do anything to have a friend.

Jiro Dreams of Sushi (Apr. 30)

Lastly, this documentary follows a man considered by many to be the greatest sushi chef of all time. He was the first man ever to earn three Michelin stars at his restaurant in Japan. The movie follows his life and the legacy he was trying to leave behind for his son, whom he has to eventually entrust with his life’s work. It’s quite the journey to watch a man who has spent his whole life in pursuit of perfection in food only to humbly say he still has room to improve.

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March 31, 2023

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Decision-making can be difficult at times. You

Awards

If You Expected ‘Glee,’ ‘You’re Not Reading the Room Right’ (Video)

While the “Morning Joe” team has traditionally never strayed from being hyper critical of former president Donald Trump, they weren’t quite getting out the champagne and celebrating his indictment on Friday. Perhaps surprisingly, hosts Mika Brzezinski and Joe Scarborough actually took a somber tone, emphasizing the “history of this moment,” its “potential consequences” and above all, how “perilous” today’s political climate feels.

“I think the history of this moment is the big story today. If there were viewers or people coming right now expecting to see hysteria or glee, there’s nothing to report on,” Brzezinski said at the of the segment. As for news media colleagues – especially ones on the other side of the aisle – who are raging against Trump’s indictment, she called their reports “completely baseless.”

“We don’t know what is in this indictment. So for those who are screaming and crying on the air about weaponization of the government or collusion with the Biden White House or all sorts of other things that have led to this moment that are completely baseless, it’s not responsible,” Brzezinski said. “Right now, we don’t know what is in there, but we do know that this is a really sad moment and a perilous moment in American history because of the potential consequences of a former president being indicted and what that might open the door to. But if the indictment has legitimate laws broken, then there was no other choice but to move forward, and that’s that.”

Reflecting on those potential consequences to making Trump the first-ever former president to be indicted, Scarborough chimed in.

“This is crossing the rubicon, and there’s no going back, and the consequences of this could be horrific,” he said. “You could have a prosecutor in West Texas decide to go after the next Democratic president, and then you could have a Democratic DA doing the same thing. And so yeah, that may be the rubicon that we’ve crossed.

Why Gwyneth Paltrow Risked a Very Public Ski Collision Trial – and Emerged Unscathed | Analysis

“At the same time, you also have the very American concept and those of us that still actually believe in America, love America and want to defend the rule of law in America, despite the fact that a lot of people love a former game show host who started riots and behaved abhorrently, there’s a lot of us that still believe that in this country, no man is above the law,” he continued. “And so there is a balancing act, two things can be true at once.”

Scarborough then echoed Brzezinski’s posit that their tone may take some viewers by surprise, considering how harsh they’ve been on Trump’s Republican party in the past.

“If you turned this on expecting anybody to be gleeful on this show, you’re not reading the room right,” he said. “These are very perilous times. It’s not to say that perhaps after we read the indictment, ‘Well, that makes a lot of sense.’ But there is so much at stake, so much on the line, that we should probably treat this a little differently than, let’s say, Red Sox baseball games.”

Watch the full “Morning Joe” segment in the video above.

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March 31, 2023

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While the “Morning Joe” team has traditionally

Music

New Music Friday March 31: Charlie Puth, Khalid, Bebe Rexha and More

New Music Friday March 31: Charlie Puth, Khalid, Bebe Rexha and More | Entertainment Tonight

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March 31, 2023

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Docs

This Detroit muralist paints “loud and large” love letters to her city | American Masters

Sydney G. James, photo by Lamar Landers.

To understand the work of Sydney G. James, the Black figurative painter and public art muralist, renowned for painting loud and large, you must first hear these words: “I want you to see me.’’

Of course, the casual eye would have to look and look again to fully decode the me embedded in James’ declaration. She is in fact paying homage to the strength of the people and the place that made her: the D, the city known to the rest of the world as Detroit.

Whether painting on canvas, board, clothing or the brick walls at mural festivals from Miami to Ghana, James is almost always channeling home. A moment in her presence and you know: “I’m from Detroit. That’s where I draw all of my inspiration from.’’ Her embodiment is often head-to-toe. Note the neon Olde English D that usually dangles from her ears in self-portraits and in real life; Sydney G. James is one with Detroit, and Detroit’s buildings are covered with the unmistakable hues of her love.

That love, unapologetically Black, sits at the center of her popularity in public art. The rich brushstrokes and lifelike details in James’ art have catapulted her into a local legend. Here are three pivotal pieces to see in Detroit.

1. A Monument to Malice

In 2020, James repurposed a brutal chapter in Detroit’s history by honoring the life of Malice Green and more than a 1,000 other Black and Brown people who lost their lives to police violence.

James’ mural, which is actually in Highland Park, a small neighboring community bordering Detroit, features a massive portrait of Green holding a seemingly unending scroll of names of people slain by police as he was in 1992, by two white Detroit police officers. James’ vision, large and stark, routinely halts traffic. The mural, created with a select team, was completed in just five days. The art, and scale, are wrenching. So is this less visible detail: James purposefully had her team begin the mural’s roll call of death starting the year she was born in 1979 through to 2020. And still, “painting all of these names, didn’t even put a dent in the many names of Black people.’’

Still of “A Monument to Malice” from “Sydney G. James: How We See Us,” directed by Juanita Anderson.

Sydney G. James’ creative career started in 2001 as a fresh-out-of-college advertising art director. In 2004, she moved a world away to work in Los Angeles as a visual artist in film and television. Until she heard home calling. From the moment she returned, James, an artist since kindergarten, found an unending rise. Museum curators and gallerists have made Black art collectors salivate over her equally large paintings and graphite drawings as well. They typically sell swiftly, increasingly in the four to five-figure price range.

James centers Detroit as a muse, not because she’s self-absorbed or impervious to the wonders of the rest of the world – she wants others to feel some of the fire that fuels and convinces her that art can indeed rebut lingering race-based hatred of her city, her people, and their often-imitated-but-rarely-duplicated creative hustle. “Our culture, our history; it’s something really special, different. We’re vibrant and strong.’’

All across Detroit, James’ public murals are towering explosions of color and community. First sketched, then painstakingly painted straight from the heart of an artist intent on shouting to the world, “We’re not going anywhere.’’

James’ passion for scale, pride of place and vibrancy lend a level of pageantry to the people she paints, as if her paint brushes were mystically dipped in the raw realities and resilience of her subjects, and by extension that of American Black culture. She pointedly interrogates and flat-out flips longstanding social tropes and Black stereotypes: “I want my art to start conversations, to spark change.’’

2. Girl with the D Earring

Sydney G. James’ 8,000 sq. ft. mural “Girl with the D Earring” (2020). Photo by Lamar Landers.

The largest James mural to-date looks out over Detroit from nine stories above one of the city’s most iconic streets, Grand Boulevard, a street made famous by the architect Albert Kahn and Motown founder Berry Gordy. While the buildings designed by Kahn and Gordy’s legendary Hitsville U.S.A recording studio continue to draw tourists to the Boulevard, it’s James’ mural that Detroiters are most proud to claim. The mural features a single subject looming, sentry-like, above the skyline.

The mural is in fact a reimagining of Dutch painter Johannes Vermeer’s famous work, “Girl with a Pearl Earring.’’ In James’ version of the painting, the “girl” is an 8,000-square-foot Black woman propped alone against a jet-black brick wall. Her gaze is that of a guardian and her hair is covered in a radiant, almost royal, flowing head-wrap. She is real, a fellow well-known artist and activist, whose life James likens to art.

This is classic Sydney G. James, boldly and slyly rebuking the cultural invisibility of Black women, her favorite muse second to Detroit. The connection, James has said of her choice to center Black women, is soul-deep.

“I once saw a woman who looked like a god sitting at a light holding a sign of need and thought to myself, ‘My God; we are even regal in our despair.’ I can still see her and often think of that thought when I look at Black women.’’

3. BLKOut Walls & Beyond

Sydney G. James in downtown Detroit, photo by Lamar Landers.

In each city that James’ either chooses to or is invited to make a new public work, her art stands out. Don’t ask her to recount how many cities and countries she’s worked in; the list is beyond her. Still, it is Detroit that consistently reflects back the impact and importance of becoming a Black woman artist. “Some people paint flowers, I don’t,’’ she says. “I paint real people, Black people, for a reason. We need to see us.’’

In 2021, James co-founded the traveling mural festival, BLKOut Walls, which started, of course, in Detroit. Over the course of seven days, the city’s North End neighborhood became a living public arts canvas. The festival is returning to Detroit this September just as James will close out her upcoming stint, beginning in April, as the first Black woman artist to have a solo exhibition in the coveted, and expansive, main gallery of the Museum of Contemporary Art Detroit.

Like many of the subjects that populate James’ paintings and murals, the exhibition will celebrate a cast of similarly dedicated Detroiters, friends and generations of family.

To see even just one of Sydney James’ artworks — the electric colors, bold lifelike and knowing gazes, on sprawling walls and canvases – is to witness an artist, much like her signature “Girl with the D” mural, enlarged with purpose.

“When the truth is in your face and it’s large and unafraid; you have to see it,’’ says James. “No matter what the world says; I want people to look at my art and see the truth of us. We’re beautiful.’’

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Sydney G. James, photo by Lamar Landers. To

AI has generated images of historical figures taking a selfie during well-known events, such as The Last Supper

Global

AI imagines how historical figures such as JESUS and Cleopatra would look if they’d taken SELFIES

No living human can imagine what it was like to sit at The Last Supper or stand in Cleopatra’s court, but AI has provided us with a look at these epic events – and from a first-person perspective.

A freelance film editor recently shared a gallery of realistic images showing historical figures snapping selfies, the result of months spent working out a formula of prompts, language and photographic elements.

Duncan Thomsen, 53, used the software Midjourney, which generates images from natural language descriptions. The images also show smiling soldiers at the Battle of Waterloo and the Battle of Agincourt, along with a grinning Napoleon.

‘The results are hilarious, and everyone I’ve shared my work with can’t believe how real the pictures really look,’ said Thomsen.

‘I’ve done Cleopatra, Queen Elizabeth I, Henry VIII, Jesus and many more.’

AI has generated images of historical figures taking a selfie during well-known events, such as The Last Supper

AI is making waves in the image industry, letting anyone create realistic content just by telling the system what they want.

Midjourney is churning out such realistic images that people are being fooled. An image of Pope Francis donning a huge white puffer jacket with a cross hanging from it has sent social media users into a frenzy.

However, artists like Thomsen are using the technology for entertainment.

Midjourney responds to prompts and commands the user sets and creates pictures by referencing billions of images online.

Thomsen said he spent months working out a formula of prompts, language and photographic elements to give photos this ‘selfie’ effect.

He said: ‘It can be a lengthy programming process because AI requires users to tell it exactly what it needs to do and requires “absolute description”.’

Thomsen added that he believes his technique could be used to teach history in schools.

‘This technology could be used in schools as a new way of teaching and engaging kids with world history – it’s like time traveling without a time machine,’ he said.

A freelance film editor used the software Midjourney, which generates images from natural language descriptions. In The Last Supper selfie, Jesus’s and some of the apostles’ eyes are misshapen, along with one man in the front who has just four fingers

Similar mistakes are spotted in Cleopatra’s selfie, where the people have either too many or too few fingers, which seems to be the downfall among AI-generated images

He added: ‘You can ask AI to be historically accurate and then it can reference anything, anywhere, everywhere – that’s the beauty of it.

‘I got an eye for image through my day job and have been fortunate to have worked with some really great people.

‘It’s allowed me to cross-reference everything I’ve worked on and explore my imagination without limits, and this is the result!’

While the images are astounding, a closer look reveals signs AI made them.

In The Last Supper selfie, Jesus’s and some of the apostles’ eyes are misshapen, along with one man in the front who has just four fingers.

The detailing in the hair as it catches the sun and shadows on the table shows just how powerful the technology is.

Similar mistakes are spotted in Cleopatra’s selfie, where people have too many or too few fingers, which seems to be the downfall among AI-generated images.

A Twitter user created a collection of images using Midjourney, capturing ‘a party that never happened with friends that do not exist.’

The images appear to be candid shots of friends at a party, but a closer look may give you nightmares.

Two of the photos suggest the women are taking pictures looking in the mirror – one of them is holding up what appears to be a camera.

And the other two snaps show candid shots of three friends smiling and looking forward.

A Twitter user created a collection of images using Midjourney, capturing ‘a party that never happened with friends that do not exist.’ The images appear to be candid shots of friends at a party, but a closer look may give you nightmares – the woman holding the camera has way too many fingers

Pictured: The Battle of Waterloo. Duncan said of the technology used for the images: ‘AI is cutting edge technology. I spent a month working out a formula of prompts, language and photographic elements to give photos this ‘selfie’ effect’

Napoleon and his troops at the Battle of Waterloo look very convincing. There are mistakes – one of the soldiers has only four fingers

A man smiling alongside Queen Elizabeth I has more teeth than the norm, along with some of the soldiers in the other selfies

The ‘mirror pics’ are a dead giveaway that AI created the images because the ‘people’ holding the camera have more than the standard five fingers on their hand.

Twitter user ‘Rural Anarchy’ posted: ‘Pretty soon, the only way to tell will be to count the fingers. 5 and it’s real, 6 it’s questionable, 7 and it’s definitely AI generated.’

The women also have too many teeth, which can be seen in Thomsen’s historical figures.

A man smiling alongside Queen Elizabeth has more teeth than the norm, along with some of the soldiers in the other selfies.

Thomsen also prompted the AI to generate an image of Neanderthals snapping a selfie inside a cave, which could be one of the most realistic shots the world has seen of the ancient species.

Midjourney has been making headlines this month.

Besides the fake stylish Pope, the AI was used to show former US President Donald Trump’s arrest in New York City.

The shocking scenes depict Trump being chased down the street by police officers while his wife Melania screams. Others show the former President in jail wearing an orange jumpsuit.

Trump was indicted Thursday by a Manhattan jury over hush money paid to porn star Stormy Daniels following their alleged affair. Trump is expected to be arrested in the coming days, but the AI-generated escape will not likely reflect what happens next week.

Duncan created an image of soldiers smiling for a camera at the Battle of Agincourt in 1415. He spent months working out a formula of prompts, language and photographic elements

Cave dweller during the Stone Age. Duncan said: ‘This technology could be used in schools as a new way of teaching and engaging kids with world history – it’s like time traveling without a time machine. You can ask AI to be historically accurate and then it can reference anything, anywhere, everywhere – that’s the beauty of it’

Midjourney has been making headlines this month. Other than the fake stylish Pope, the AI was used to show former US President Donald Trump being arrested in New York City

Dr Tim Stevens, director of the Cyber Security Research Group at King’s College London, said deepfake AI – which can create hyper-realistic images and videos of people – has the potential to undermine democratic institutions and national security. Other cybersecurity experts agree with him on this point.

Stevens said the widespread availability of these tools could be exploited by states like Russia to ‘troll’ target populations to achieve foreign policy objectives.

‘The potential is there for AIs and deepfakes to affect national security,’ he said.

He added: ‘Not at the high level of defense and interstate warfare but in the general undermining of trust in democratic institutions and the media.

‘They could be exploited by autocracies like Russia to decrease the level of trust in those institutions and organizations.’

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No living human can imagine what it

Trending

Pete Davidson Returns to Instagram After 5-Year Hiatus: Details

Pete Davidson. Kristina Bumphrey/StarPix/Shutterstock

He’s back! Pete Davidson has returned to Instagram after a five-year hiatus from the social media platform.

The Saturday Night Live alum, 29, currently isn’t following anyone and hasn’t uploaded any posts. His profile, however — which went live on Friday, March 31 — features a bio that reads, “Bupkis premieres 5/4 on @peacock,” with a picture of the comedian swimming in the ocean with his eyes closed.

Davidson initially left the app in December 2018 following his split from ex-fiancée Ariana Grande. The King of Staten Island actor proposed to the Victorious alum, 29, after just a few weeks of dating in August of that year. After the duo called off their engagement in October 2018, Grande penned the chart-topping single “Thank U, Next” which detailed Davidson and the pair’s whirlwind romance.

Following their breakup, the Set It Up star opened up about facing online haters and the negative effects it had on his health.

“I’ve been getting online bullied and in public by people for 9 months. I’ve spoken about BPD and being suicidal publicly only in the hopes that it will help bring awareness and help kids like myself who don’t want to be on this earth,” he wrote via Instagram post at the time. “I just want you guys to know. No matter how hard the internet or anyone tries to make me kill myself. I won’t.”

Pete Davidson Spotted With Costars Chase Sui Wonders and Rachel Sennott at Hockey Game Amid Emily Ratajkowski Romance white hoodie — Davidson at the ‘Meet Cute’ film premiere in New York, September 2022. AFF-USA/Shutterstock

Davidson then sparked concern for his safety when he posted a series of alarming Instagram messages, writing, “I really don’t want to be on this earth anymore. I’m doing my best to stay here for you but I actually don’t know how much longer I can last. All I’ve ever tried to do was help people. Just remember I told you so.” (Us Weekly confirmed hours later that the New York Police Department made contact with Davidson after performing a “wellness check.”)

After the Dirt star officially removed himself from social media, he further explained his reasoning behind distancing himself from online culture.

“No, there’s nothing wrong. No nothing happened. No there’s nothing cryptic about anything. I just don’t wanna be on Instagram anymore, or on any social media platform,” he shared in a statement at the time. “The Internet is an evil place and it doesn’t make me feel good. Why should I spend any time on negative energy when my real life is f—king lit. The fact that I even have to say this proves my point. I love you all and I’m sure I’ll be back at some point. Your neighborhood goon, Pete.”

While he returned to Instagram in February 2022, he deleted the app for a second time after only a week.

Davidson was diagnosed with borderline personality disorder in 2017 and hasn’t shied away from talking bout his mental health struggles over the years.

Earlier this week, the New York native got candid about how the jokes surrounding his love life took a toll on his well-being — especially while he was working on SNL.

“When it’s your own show, and I’ll be sitting in the back watching the cold open and [it’s] topical political humor or whatever in the culture, and they’re making fun of you and you gotta walk out and do a sketch next and hit your mark — the show just made fun of you, so why are they going to laugh at you? They just dogged you,” he said during an episode of the “Real Ones With Jon Berthnal” podcast, adding that it was “f—king confusing” because it’s the “nature of entertainment.”

He added: “It was a really difficult thing to do. You feel insecure. You feel like a small person.”

After his romance with Grande, Davidson made headlines for a series of relationships with various A-listers including Margaret Qualley, Kaia Gerber and Phoebe Dynevor. He began dating Kim Kardashian in October 2021 after she hosted the NBC sketch comedy show, and the pair were in a highly publicized romance for nine months before calling it quits in August 2022.

Since his split from the Kardashians star, 42, Davidson has been linked to Emily Ratajkowski and most recently, his Bodies, Bodies, Bodies costar Chase Sui Wonders.

Despite his high-profile dating repertoire, Davidson told host Jon Berthnal on Thursday he doesn’t think his love life is anything out of the ordinary — and that being in the “zeitgeist” for something that has “nothing to do with work” is a “real sh—ty feeling.”

“I’m in my 20’s and I’ve dated people. And for some reason, that’s very crazy and interesting to people. I don’t think it’s interesting,” he explained. “I’ve been in show business for, like, half my life almost — for 14 or 15 years and on a national TV show. In 12 years I’ve dated 10 people. I don’t think that’s that crazy, but to some people, that’s very interesting. That became all anyone would talk about.”

He continued: “I’m not, like, flexing, you know what I mean? And these people that I’ve dated, I met them at work. I wasn’t in anyone’s DMs, no one was in mine. I worked at one of the five Hollywood epicenters of where you meet people and that’s how it happened.”

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Pete Davidson. Kristina Bumphrey/StarPix/Shutterstock He’s back! Pete

Tech

KTLA News Director Peter Saiers Out After 2 Years

KTLA news director Pete Saiers is out at the Nexstar-owned station after two years.

In his farewell note Saiers wrote to staffers, “I thank everyone for the privilege of having been part of this talented and dedicated team. Take care of each other. And take care of the loyal audience.”

The abrupt exit comes six months after the poorly handled departure of weekend co-anchors Lynette Romero and Mark Mester: Romero left suddenly for rival Los Angeles station KNBC in October. When Mester criticized management on-air for not allowing Romero to make a farewell video, he was suspended and later fired.

A Nextstar executive confirmed the news Friday to TheWrap. Deadline first reported Saiers’ exit from KTLA.

Saiers started at KTLA in April 2021. He was previously news director at Seattle NBC station KING and prior to that, worked at KPIX in San Francisco.

“Peter is a content guy, a visionary and a collaborative leader,” KTLA VP and general manager Janene Drafs said when Saiers was brought on board. “He knows how to connect with audiences and meet them where they are going, in addition to understanding where they’ve been. Best of all, he’s a longtime viewer and fan of KTLA, someone who understands our brand and promises to bring energy and passion as he joins our amazing team. He’s a native Californian with family in the Los Angeles area, and we look forward to him joining the team at KTLA.”

Saiers, who has been a reporter, producer and a managing editor at various stations, also helped create the original TV series “Facing Race,” which focused on race and social justice in the Pacific Northwest.

KTLA Viewers Angry Over Abrupt Exits of Weekend Anchors Mark Mester and Lynette Romero: It ‘Was a D— Move’

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KTLA news director Pete Saiers is out

Video

Is the New Teyana Taylor Movie Streaming?

Set in mid-90s New York City, “A Thousand and One” dives into the life and struggles of Inez (Teyana Taylor), a Black woman from Harlem who kidnaps her 6-year-old son, Terry (Josiah Cross, Aaron Kingsley and Aven Courtney), from the foster care system. As the two grow up together in an everchanging NYC, the mother-son duo reclaims their identity and their sense of home.

“A Thousand and One” highlights several societal issues, including racially-motivated policies like stop-and-frisk, zoning laws, gentrification, and the country’s botched foster care system, while hitting on the heartwarming themes of family and community.

The film, which took home the U.S. Grand Jury Prize at the 2023 Sundance Film Festival, is A.V. Rockwell’s feature film directorial debut. In 2019, Rockwell was listed on Filmmaker Magazine’s “25 New Faces of Independent Film after writing and directing her short “Feathers.”

The film will be produced by Lena Waithe and her Hillman Grad Productions, along with Sight Unseen and Makeready. Focus Features will distribute the movie.

Here’s everything you need to know about “A Thousand and One.”

When Does “A Thousand and One” Come Out?

“A Thousand and One” comes out in theaters on Friday, March 31.

Is “A Thousand and One” Streaming or In Theaters?

“A Thousand and One” opens in theaters on March 31.

There is no word on which platform it will stream on following it’s theatrical release.

What Is “A Thousand and One” About?

“A Thousand and One” is centered on the story of the determined and free-spirited Inez, who kidnaps her 6-year-old son from New York City’s foster care system in 1994. Together, and while their city goes through governmental, legislative and political changes that impact their lives, they’re determined to reclaim their sense of home and identity.

Who Is in the “A Thousand and One“ Cast?

The film stars Teyana Taylor, William Catlett, Josiah Cross, Aaron Kingsley, Aven Courtney Adetola, Terri Abney and Amelia Workman.

Who Wrote and Directed “A Thousand and One”?

“A Thousand and One” was written and directed by A.V. Rockwell.

Watch the Trailer

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March 31, 2023

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Set in mid-90s New York City, “A

Entertaintment

Lala, Scheana Claim Raquel Showed ‘No Remorse’ at ‘Pump Rules’ Reunion

Why so serious? Lala Kent and Scheana Shay shared new details of how Raquel Leviss allegedly behaved at the Vanderpump Rules season 10 reunion.

“The fact that she had not a single tear, no remorse. She sat at the reunion and did not shed one tear,” the 37-year-old “Scheananigans” podcast host said on the Friday, March 31, episode of her Dear Media show.

Lala, 32, responded: “No, I know. She actually smiled. It was scary. It was like watching the Joker.”

Lala Kent, Scheana Shay, Raquel Leviss Shea Flynn/imageSPACE/Shutterstock; MediaPunch/Shutterstock; Image Press Agency/NurPhoto/Shutterstock

“I could not believe that,” Scheana replied, claiming that Raquel, 28, had a similar temperament the night they got physical after the “Good As Gold” singer learned about the SURver’s affair with Tom Sandoval. “That’s how she was that night. It was like, ‘Oops, I slept with him for seven months. My bad.’”

Us Weekly confirmed on March 3 that Sandoval, 40, and Ariana Madix ended their nine-year relationship after she learned that he cheated with Raquel. Shortly after the news made headlines, Raquel filed a restraining order against Scheana and alleged in court documents that her costar punched her in the early hours of March 2. Scheana, for her part, denied giving Raquel a black eye and spoke candidly about the fight for the first time on Friday’s podcast, which was released two days after Us confirmed on Wednesday, March 29, that the order was dismissed.

“No, I did not punch her. … We’ve established I can’t really form a fist with these nails,” Scheana told Lala. “There’s barkers and there’s biters in this group. And that night, I was a biter. I had no words because nothing was getting through to her. When she touched me, I was just so enraged. I was just like, ‘Get off me! Get out of my space.’ I just needed her away from me in that moment.”

A source previously told Us that the season 10 reunion — which was attended by Sandoval, Raquel, Scheana, Lala, Ariana, James Kennedy, Katie Maloney, Tom Schwartz and Lisa Vanderpump — was “out of control.”

Lala and Scheana Claim Raquel Showed ‘No Remorse’ at 'Pump Rules' Reunion — Scheana Shay, Ariana Madix, Raquel Leviss and Lala Kent Todd Williamson/JanuaryImages/Shutterstock

“Lala Kent and James Kennedy went crazy,” the source said. “James took on Tom Sandoval while Lala took on Raquel Leviss and they both just lit them on fire and burned them alive with their shade. Lala and James literally screamed at Raquel and Tom for hours.”

After former costar Jax Taylor teased there were “near brawls” at the March 23 taping, Lala confirmed security had to step in to prevent a fight.

“I’m not gonna say who it was. I will say Andy [Cohen] got involved. He could hardly control it, so security got involved. I won’t say who was trying to brawl or whatever, but it was very heated the entire day,” the Give Them Lala author said via Amazon Live on on Tuesday, March 28. “I, like, completely blacked out. I can’t even tell you what happened. It was the most intense day and I won’t even lie, when I left, I felt disgusted. I felt sick. … I definitely saged myself.”

Season 10 of Vanderpump Rules is currently airing on Bravo Wednesdays at 9 p.m. ET. The network has yet to announce when the reunion will premiere.

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March 31, 2023

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Why so serious? Lala Kent and Scheana

Movies

Movies Whose Endings Fans Would Rewrite

“I would rewrite the film to end basically right after his dad dies.”

—ashdjas

Context: Shang-Chi’s father, Wenwu, was the main antagonist of the movie. In the last quarter of the movie, Shang-Chi overpowers Wenwu during their battle, and Wenwu, realising the chaos he had caused in his crusade, gives up his immortality and power by transferring his ten rings to Shang-Chi.

Wenwu is then killed by the dark monster he released during his conquest, but Shang-Chi defeats this monster as well. The movie doesn’t end there, but ends with Shang-Chi and his best friend, Katy, returning to their hometown bar and getting scouted by a few heroes from other MCU movies.

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March 31, 2023

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"I would rewrite the film

Final curtain call for Smile 90.4FM’s Bobby Brown and Lindy Lehto’s breakfast show?

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March 31, 2023

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Final curtain call for Smile 90.4FM’s Bobby

MCU

Marvel Announces 7-Hour Movie Marathon for Guardians of the Galaxy 3

While Guardians of the Galaxy Vol. 3‘s release is imminent, a special new marathon announced by Marvel should give fans a chance to relive the cosmic team’s MCU journey before the threequel.

The anticipation surrounding Guardians of the Galaxy Vol. 3 is high, especially after director James Gunn hinted that a major death is in the cards. Still, the exact plot details of the movie are unknown, but it is expected to heavily focus on Rocket Racoon’s origin.

Alongside franchise mainstays like Chris Pratt’s Peter Quill and Zoe Saldana’s Gamora, Vol. 3 will also introduce MCU newcomers with the likes of Will Poulter’s Adam Warlock and Chukwudi Iwuji’s High Evolutionary joining the massive ensemble.

To make sure fans are ready for the epic conclusion to the Guardians trilogy, Marvel has put together a special event for fans.

Marvel Unveils Special MCU Marathon for Guardians 3

Marvel

As listed by Fandango, Marvel and IMAX have announced a marathon screening of all three Guardians of the Galaxy movies that will be held in select U.S. theaters on Wednesday, May 3.

The event, dubbed “The IMAX Guardians of the Galaxy Marathon,” will include a screening of Guardians of the Galaxy and Guardians of the Galaxy Vol. 2, and the event will then conclude with an early showing of Guardians of the Galaxy Vol. 3.

The marathon will last almost 7 hours, with the exact runtime of all three movies clocking in at 6 hours and 48 minutes.

Fans who will attend the exclusive IMAX screening will all receive a commemorative poster and lanyard.

Last July, Marvel held a similar lengthy marathon for Thor: Love and Thunder, with select theaters hosting an 8-hour movie marathon by Marvel Studios titled “Marvel G.O.A.T Marathon: Greatest of All Thor.”

The End for Star-Lord’s Guardians?

Marvel’s upcoming 7-hour marathon for Guardians of the Galaxy allows fans to fully relive the adventures of the titular MCU team before their emotional and (potentially) final adventure on the big screen.

In fact, several cast members already teased their MCU retirement in previous interviews.

Chris Pratt, who portrays Star-Lord, reflected on his desire to “put a lot of effort into experiencing the moment” and to take it in properly amid rumors of his MCU departure. Meanwhile, Dave Bautista openly confirmed his Marvel retirement, noting that it will be “the last version of [their] Guardians of the Galaxy” in the MCU.

Gamora actress Zoe Saldana also described the whole experience of making the film as “bittersweet” and “nostalgic,” indicating that it will be the team’s swan song.

In addition to director James Gunn’s hints about a major death, Guardians Vol. 3 is shaping up to be an emotional affair full of twists and turns.

Guardians of the Galaxy Vol. 3 is set to premiere in theaters on May 5.

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March 31, 2023

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DCU

E3 Is Finally Officially Canceled

Recently, IGN confirmed some news that many of us have seen coming for some time. Despite announcing an in-person return in June of last year, the Entertainment Software Association has officially canceled E3 2023. And now, the official E3 accounts have confirmed this news.

The last E3, or Electronic Entertainment Expo, took place in 2019. Then, of course, COVID-19 prevented them from occurring in the following years. E3 intended to return in person this year, with an event slated in Los Angeles in June. However, in recent history, big gaming companies such as Nintendo, PlayStation, XBox, and Ubisoft revealed they would not attend. This, of course, caused a swirl of rumors that E3 would not take place as planned.

ReedPop

IGN shares that the Entertainment Software Association sent an email to its members noting that the 2023 event “simply did not garner the sustained interest necessary to execute it in a way that would showcase the size, strength, and impact of our industry.” As of what we can discern, neither the email nor the official announcement shared whether E3 would seek to return in the future.

And so, E3, once one of the central events of the video game industry, has been canceled.

Originally published on March 30, 2023.

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March 31, 2023

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Recently, IGN confirmed some

Comics

Review: The Last Worker | Destructoid

The Last Worker tells a riveting story right up until the endings make a messy, disappointing landing. Good thing delivering boxes is fun.

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March 31, 2023

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The Last Worker tells a riveting story

Festivals

20th Anniversary CUFF Lineup Announced

The 2023 program has just dropped. This will be the biggest celebration of film CUFF has ever hosted

The Calgary Underground Film Festival has announced the full lineup of films playing the 20th Festival, taking place from April 20-30, 2023 at Globe Cinema. This year’s festival is the largest in the organization’s 20-year history, showing 42 feature films and 38 shorts, over 11 days.

“The community, our fans, and the small businesses that have helped grow and support CUFF for 20 years are what makes the heart of the festival beat. This is what has allowed us to develop into what we are now: an internationally recognized festival dedicated to showcasing hidden gems, quirky stories, character portraits, and artists,” said CUFF Co-Founder, Festival Director & Lead Programmer Brenda Lieberman.

“For our 20th Festival, we are going to put on the most fun, vibrant event we’ve ever hosted, and we are counting on our filmmakers, alumni, festival friends, and as many audience members as possible, to come to celebrate with us. The reason we do this is for the city, and our local fans.”

Highlights of the 2023 program include:

Opening Night Film ONYX THE FORTUITOUS AND THE TALISMAN OF SOULS, the Canadian premiere of the Sundance 2023 selected horror comedy featuring terrifying monsters and dark and silly laughs, which is a creative and joyful celebration of weirdos of all kinds. Tickets to the 7pm screening Thursday, April 20 include an After Party at The Derrick, and a DJ set from CJSW Station Manager Adam Kamis.
Eight Alberta films, including the horror-thriller INFLUENCER from Calgary’s Kurtis David Harder, three episodes of the true crime docuseries THUNDER: THE LIFE & DEATH OF ARTURO GATTI about the death of the Montreal boxer from Calgary director Guillaume Carlier, and six Alberta-made shorts.
A live script reading of the upcoming feature film NOW, I AM A BEAR, the feature directorial debut of Calgary screenwriter and CUFF alumnus Jason Filiatrault, which was developed as part of the 2021 TIFF Writers’ Studio.
The first CUFF “Indie Game Bash” on Friday, April 21 where participants compete in a tournament, playing the new indie arcade games TowerFall Ascension and Samurai Gunn 2 on the big screen.
The return of CUFF favourites like: THE SATURDAY MORNING ALL-YOU-CAN-EAT-CEREAL CARTOON PARTY!, featuring three hours of retro cartoons plus an unlimited sugary cereal bar, a new edition of the live comedy event the FOUND FOOTAGE FESTIVAL, and the return of the 48-Hour Movie Making Challenge in collaboration with NUTV.
A retrospective of CUFF alumnus Anders Thomas Jensen (ADAM’S APPLES, THE GREEN BUTCHERS) with live virtual Q&A.
On Wednesday, April 19, the day before the festival officially starts, CUFF will host Calgary’s flagship National Canadian Film Day event, a free screening of the documentary COMIC BOOK CONFIDENTIAL, which is celebrating its 35th Anniversary this year, with director Ron Mann in attendance.
Other program highlights include LITTLE RICHARD: I AM EVERYTHING (a documentary about the rock ‘n’ roll icon who shaped the world of music), BLACKBERRY (a Canadian narrative feature telling the story of the Blackberry / RIM starring Jay Baruchel), SISU (a highly-anticipated B-movie about an ex-soldier set in Finland, from CUFF alumni Jalmari Helander), SQUARING THE CIRCLE (THE STORY OF HIPGNOSIS) (a documentary about the art studio behind many iconic album covers marking the first documentary feature by Anton Corbijn), and POLARIS (a Canadian/Yukon success story featuring local Calgary actress Dinah Gaston).
In addition to 42 features, 38 short films will screen as part of three shorts packages, and will show before select features.
45+ filmmakers, actors, creators and industry will be in attendance, to represent their films, and take part in panels which are free and open to the public.

“The lineup of films this year is just as diverse as ever, with a speckle of retro selections – many of which are celebrating milestone anniversaries – comedies, documentaries, art-house world cinema, and the latest genre films to hit the festival circuit. The stories vary, as do the budgets, and styles of films. We really love a lineup that can speak to many different audiences here, and we hope that everyone finds something to come check out,” added Lieberman.

What started as humble beginnings, showing films at local bars including The Venue, Broken City & HiFi, CUFF has grown to be Western Canada’s largest genre film festival. After three years of online and hybrid festivals, in 2023 CUFF is returning to a fully in-cinema experience.

Tickets for all films and events go on sale at 9am on Thursday, March 30. Single tickets cost $10 ($8 for members, students and seniors), with $40 5-film packs, and $139 festival passes also available.

Click here to access film materials, including high-res stills, trailers and press kits for each film.

The full film program and special screenings can be viewed at the links below, prior to going live on calgaryundergroundfilm.org on Thursday morning.
https://catalogue.zonefestival.com/?L01LPgIILMp7ssJJG
https://catalogue.zonefestival.com/?L01LPgIKDHp7ssJJL

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March 31, 2023

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The 2023 program has just dropped.

Film

Vegas Star Paula Newsome Chooses to Dive Right Into Difficult Scenes Rather Than Detatching

“CSI: Vegas” star Paula Newsome (Max) went home every night exhausted while shooting the latest episode of the CBS drama in which the remains are found of a young girl who had been missing for 40 years. Even though the child and the story itself were creations of the CBS show’s writers, the emotional toll was so palpable that Newsome came to understand why most homicide detectives call it quits after serving 10 years.

The heartbreaking story of “The Promise” began when remains of a child were found in a garbage drum on the floor of Lake Mead. The CSI team learned that the Jane Doe went missing four decades earlier – and the circumstances that led up to her disappearance as well as the lingering pain of the child’s mother were equally as tragic.

After the still-grieving mother surfaced, she and Max formed a bond, with Max promising to promise to find the culprit and give the girl a proper burial. Those scenes with Newsome and the mother (Regina Taylor) were especially powerful for the “CSI” star – and also very rewarding as an actor.

“Doing emotional work is very easy for me,” Newsome said, then stopping to rethink her comment. “I don’t want to say easy, in that it’s not hard. It’s, it’s very, um, honest. Being honest. Emotional work though…deeply felt is easier than mental work. Did I go home at the end of day? Did I go home at the end of the day exhausted? Yes. Did I go home at the end of the day feeling proud and, like, ‘woo hoo’ you know? Yeah. It’s easier because all it is is you take a deep breath and you respond. That’s when it’s the best.”

And considering the story itself, it wasn’t the slightest bit difficult to tap into what the mother must have been feeling not only all those years her daughter was missing, but also the discovery of her remains. The connection was almost instant.

“A mom and a vulnerable brown child. Now Max didn’t know it was a brown child, but she knew it was a child. It was a child. A child stuffed in a garbage can! You know?” Newsome said almost in disbelief that such atrocities do happen in real life. Max having to then ask the mother to prove her story, that the dead girl was really her daughter, made it even harder.

“This woman, she’s dealt with it, it’s atrophied over 40 years! And then she comes back and now I’m like, ‘All right. Now prove it.’ How I even let that come out in my mouth? That was hard,” Newsome said. “You know what I chose to do instead of detaching? I chose to dive right in. Because you know what? You just tell the truth. Yeah. You tell the truth.”

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The show has broadened interest in careers as real homicide detectives and crime scene investigators. But, Newsome said, those real-life professions emotionally wear people down.

“I have a dear friend who is a robbery homicide detective, and when she works a lot, she shakes,” Newsome said. “I hold her. She doesn’t even know she shook. I’d hold her, and she was like ,’Did I shake?’ and I was like, ‘Yeah.’ And when she’s away from work, the shaking goes away. They shake, because they see a lot of overwhelming stuff. They shake, and that’s the body’s way of discharging overwhelming stuff. So, of course they have 10 years. Yeah. 10 years. That’s enough.”

Newsome is abundantly grateful to do a show like “CSI: Vegas,” which was, in the beginning, “more about the science,” but has evolved and matured into a show that touches the heart as deeply as it works the brain.

“It was really more about the science and it was groundbreaking and became a worldwide phenomenon because of that,” she said. “Now this iteration, they’re choosing to bring in more both sides of the brain. It’s the more feeling side as well. And they have actors and people where that’s their strengths, who can do both sides and humor as well. And I’m excited for that.”

“CSI: Vegas” airs Thursdays 10 p.m. ET/PT on the CBS Television Network and is available to stream live and on demand on Paramount+.

‘NCIS,’ ‘Survivor’ and ‘Lingo’ Among CBS’ 9 Series Renewals for 2023

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March 31, 2023

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“CSI: Vegas” star Paula Newsome (Max) went

‘Yellowjackets’ Season 2: Inside the Survivors’ Feast on [Spoiler] and Vomiting on Set (Exclusive)

‘Yellowjackets’ Season 2: Inside the Survivors’ Feast on [Spoiler] and Vomiting on Set (Exclusive) | Entertainment Tonight

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March 31, 2023

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What to Watch

Is ‘Vaathi (Kannada)’ on Netflix? Where to Watch the Movie

Netflix subscription is required to watch on Netflix

Great news! “Vaathi (Kannada)” is available to watch on Netflix USA!

Date Added: 31st March 2023

Want to keep forever? Try looking for ‘Vaathi (Kannada)’ on Amazon (paid link)

Watch in Tamil, Telugu, Hindi, Malayalam, Kannada

Description:

When a private school teacher is assigned to a neglected public school, he must overcome personal and political strife in his fight for education.

Certificate: TV-PG
Parental Guidance suggested

Year: 2023

Duration: 2hr 14m

Audio: Kannada

Subtitles: English

Cast and Crew

Director: Venky Atluri

Cast: Dhanush, Samyuktha Menon, Samuthirakani, Tanikella Bharani, P. Sai Kumar, Aadukalam Naren, Sha Ra, Hyper Aadi

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Available on Netflix USA!

Netflix subscription is required to watch on Netflix

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Want to keep forever? Why not rent or buy ‘Vaathi (Kannada)’ from one of the online services below?

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March 31, 2023

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Awards

‘Bros’, Christina Aguilera Among Winners In Los Angeles – Deadline

TV series A League Of Their Own, What We Do In The Shadows and the film Bros were among the recipients of the 34th Annual GLAAD Media Awards at the Beverly Hilton in Los Angeles last night.

Hosted by comedian and actress Margaret Cho, the ceremony saw awards handed out in 15 of a total 33 categories, with remaining winners for select categories to be announced at GLAAD’s New York Ceremony on Saturday, May 13. Hulu, the awards’ official streaming partner, will stream the Los Angeles event on Wednesday, April 12.

Special award winners last night included Christina Aguilera, who received the Advocate for Change Award, introduced by Club Q shooting survivor, Michael Anderson; Bad Bunny, who accepted the Vanguard Award, presented by Ricky Martin; and Jeremy Pope, recipient of the Stephen F. Kolzak Award presented by Gabrielle Union.

Accepting his award, Pope said, “As we continue to build and fight in the community we know that we are targeted. Our trans brothers and sisters, our rights are at stake. And at times I find my heart wrestling with how to keep the faith. It’s rooms like this that remind me of the power of this community. How we will rise time and time again for each other. Freedom. Liberation. Intentional love and support that runs longer than the Underground Railroad my ancestors ran upon. I refuse to use my time on this earth scared or living in shame. And I ask you to do the same.”

Aguilera said, in part, “I have a big problem with injustice, particularly towards the trans community that has faced so much hardship. So I always hoped I could use my music to speak up for others who didn’t have a voice. That’s why I am so grateful to GLAAD for this award, and for the work you do to get the LGBTQ community heard.”

GLAAD presented the following awards from six categories onstage:

A League Of Their Own received the award for Outstanding New TV Series presented by Joel Kim Booster and Ts Madison
What We Do In The Shadows received the award for Outstanding Comedy Series presented by Raven-Symoné and Isis King
9-1-1 Lone Star received the award for Outstanding Drama Series presented by Sarah Michelle Gellar
Bros received the award for Outstanding Film – Wide Release presented by host Margaret Cho and Liz Jenkins, the Chair of GLAAD’s Board of Directors
Framing Agnes received the award for Outstanding Documentary presented by Vanessa Williams and Michelle Visage
Fletcher received the award for Outstanding Music Artist presented by Lance Bass and Trace Lysette

The full list of winners in Los Angeles, including those presented off-stage, is:

Outstanding New TV Series: A League of Their Own (Prime Video)
Outstanding Comedy Series: What We Do in The Shadows (FX)
Outstanding Film – Wide Release: Bros (Universal Pictures)
Outstanding Documentary: Framing Agnes (Kino Lorber)
Outstanding Film – Limited Release: The Inspection (A24)
Outstanding Music Artist: Fletcher, Girl of My Dreams (Capitol Records)
Outstanding Limited or Anthology Series: The White Lotus (HBO MAX)
Outstanding Comic Book: Poison Ivy, by G. Willow Wilson, Marcio Takara, Atagun Ilhan, Brian Level, Stefano Gaudiano, Jay Leisten, Arif Prianto, Ivan Plascencia, Hassan Otsmane-Elhaou (DC Comics)
Outstanding Original Graphic Novel/Anthology: Young Men in Love (A Wave Blue World)
Outstanding Children’s Programming: “Adoptasaurus Rex” Dino Ranch (Disney Junior)
Outstanding Magazine Overall Coverage: The Advocate
Outstanding Spanish-Language Scripted Television Series: Los Espookys (HBO)
Outstanding Spanish-Language TV Journalism: “Vico Ortiz” Primer Impacto (Univision)
Barbara Gittings Award for Excellence in LGBTQ Media: Los Angeles Blade and Washington Blade
Special Recognition: Alejandra Caraballo
Special Recognition: Drag Story Hour
Special Recognition: Rothaniel (HBO)
Special Recognition: #Letters4TransKids
Special Recognition: The Lesbian Bar Project
Special Recognition (Spanish-Language): “En Sus Palabras” (Univision)

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March 31, 2023

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TV series A League Of Their Own,

Music

Tom’s scorn drives interest in “monstrous” tote bag

The “ludicrously capacious” bag in question.

Screenshot: HBO

On the season premiere of Succession, Cousin Greg makes the enormous faux pas of bringing the wrong sort of date to Logan’s birthday party. This woman commits the grave sins of not only drying her hands on display towels, “wolfing all the canapes like a famished warthog,” and asking Logan for a selfie, but, worst of all, she mingles with the guests while carrying what Tom describes as a “ludicrously capacious bag.”

Adidas is rethinking this whole “working with Kanye West” thing

While the bag may earn the scorn of polite society, the world of plebs who watched the episode and might actually want a bag good for “[sliding] across the floor after a bank job” or carrying flat shoes for the subway seem to be very interested in the item.

As Yahoo!’s Andrea Bossi writes, searches for “Burberry tote bag” have increased by 310%, “Burberry handbag” by 180%, and “Burberry tote” by 25% since the episode aired last Sunday. (The data was pulled from Google Trends by a company called 3DLOOK.) Those searches hopefully led interested buyers to the “monstrous,” “gargantuan” Burberry Medium Title Vintage Check Two-Handle Bag (which currently goes for $2,890 at Nordstrom). According to its listing, the bag weighs 3.4 pounds and its “interior capacity” is “large,” which is perfect for packing your lunch pail.

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Author Bolu Babalola offered extra context for the bag’s inclusion in the episode, tweeting that Succession creator Jesse Armstrong told a live premiere audience that the show’s crew “interviewed a New York wealthy woman” in order to find “the most offensive bag a woman could bring” to an event like Logan’s birthday.

Even with this association, the Burberry bag remains compelling enough to inspire “a bit of a rummage” through Google to identify. Whether people are actually buying the thing isn’t known. After all, it’s one thing to look up the bag but it’s another to take it out in public and know that doing so means you’ll never get to go to the opera again.

Send Great Job, Internet tips to gji@theonion.com

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The “ludicrously capacious” bag in question.Screenshot: HBOOn

Docs

Revisiting the Iraq War in "The Army We Had"

The American soldiers who were interviewed 20 years ago for the documentary “Gunner Palace” about the war in Iraq, look back on their experiences today in “The Army We Had.” While many Americans may want to forget the war, filmmakers Petra Epperlein and Michael Tucker keep the memories of these soldiers alive.

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March 31, 2023

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The American soldiers who were interviewed 20

Global

‘Gap’ left as Salvation Army’s meal program ends, and the impact it could have – Barrie

As the Salvation Army’s Bayside Mission Meal Program ends, other social services providers are concerned about the gap it leaves in the community.

The community meal program was started in 2013 in Barrie at the request of the County of Simcoe, initially providing 60 healthy meals a day, and at its height was providing 12,000 meals per month.

“I believe it is going to leave a gap in the community, and I know that there are groups of people that are coming together to try to fill those gaps, at least in the interim, as well as look at what the effects of this could look like long term,” said Sara Peddle, the Busby Centre’s executive director.

“One of the things with community meals is that we know that people are coming to them because of the high cost of housing, so we’re concerned that without these community meals being available, they will stop paying their rent because they need to eat something, and then evictions can happen, and then we’re seeing more people come into homelessness, which is really would be really devastating.”

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Earlier this week, the Salvation Army announced that after 10 years of consultation with the county, it would end the program at the end of the month and that the funds would be dispersed among other agencies to support multiple food insecurity programs.

“As we were coming to this time of the year, engaging with the county of Simcoe and talking through what the community meal program might look like in the future with the consultation, the County of Simcoe and the Salvation Army, we decided now was the best time to end the community meal program as it has been,” said Glenn van Gulik, divisional secretary for public relations with Salvation Army Ontario.

He said over the last few months, it has seen the number of meals it was providing go down to what it was before the pandemic.

He said the hope is that instead of everyone having to come to one place, by spreading out the funding, more people will be able to get the meals where they are, whether that be a warming station or other shelter.

“We’re hoping and confident that distribution of the supports and where meals are available, more places will afford us better options for individuals who are struggling right now,” van Gulik said.

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The mission has stated it will continue to provide meals for those in its emergency shelter.

But with the program ending, other agencies have expressed concerns that the program’s end will leave a gap in service for people needing a hot meal.

“So we are concerned, for sure, that there’s going to be an increase of people that need food security and food support over the next while with this transition of these programs ending,” Peddle said.

“They’ve been a staple within the community for many years, and the Salvation Army has done an amazing job over these last however many years, and now we have people living in poverty, experiencing homelessness, precariously housed, that relied on those that meal program.”

She said Busby Centre is concerned the program’s end will lead to accessibility challenges for people not in the shelter system who are precariously housed and people who are living out on the street.

Peddle said while the emergency shelter program will receive some of the additional funds being redistributed, it will cover the rising cost of food and higher demand.

She notes with the program’s end, the centre is expecting to see more people accessing its outreach van, which provides emergency food bags and grocery bags.

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Meanwhile, the Barrie Food Bank has just launched its Spring Food Drive to help refill shelves quickly due to increased demand for service.

More than 3,900 individuals used the food bank in February, with usage up 53 per cent year over year.

Sharon Palmer, the food bank’s executive director, said the need for the service has never been greater, with more people visiting the food bank for the first time in their lives.

Palmer said that with the end of the Salvation Army’s program, the food bank is expected to see an increase in people accessing its monthly hamper program and emergency bag program for people without a fixed address.

“I expect that will see a significant increase in people coming for that emergency bag support in the next little while,” she said.

She said the food bank and other agencies are currently looking at how to fill the gap left by the end of the hot meal program.

“For those people who are homeless, that is something that I think they really value and certainly important for their health. So that’s a gap that we’re all looking for a solution to,” she said.

&copy 2023 Global News, a division of Corus Entertainment Inc.

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March 31, 2023

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As the Salvation Army’s Bayside Mission Meal

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