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The Peabody Awards announced Thursday that Issa Rae and Lily Tomlin will receive honorary awards at the June 11 ceremony, which will be held in Los Angeles for the first time in Peabody’s 83-year history. Shrinking star Jessica Williams will host the event at the Beverly Wilshire Hotel, the first in-person ceremony since 2019.

Rae will receive the Trailblazer Award, which “recognizes visionaries that are impacting our culture and affecting social change through their innovative storytelling.” The Black Lady Sketch Show and Rap Sh!t producer previously won a Peabody in 2017 for HBO’s Insecure, which Rae created with Larry Wilmore.

Tomlin will be honored with the Peabody’s Career Achievement Award, “reserved for individuals whose work and commitment to broadcasting and streaming media have left an indelible mark on the field and in American culture.” She won two Peabody Awards in 1996 for the documentary The Celluloid Closet, for which she provided narration, and the television special Edith Ann’s Christmas (Just Say Noël), in which Tomlin played the precocious 5-year-old character that she first originated on Rowan & Martin’s Laugh-In in 1968. Tomlin joins Carol Burnett, Rita Moreno, Cicely Tyson, Dan Rather and Sam Pollard as recent winners of the career achievement honor.

“Beyond our annual awards recognizing the most compelling stories, Peabody is dedicated to recognizing individuals that inspire and delight us,” Jeffrey Jones, executive director of Peabody, said in a statement. “Lily Tomlin has made so many people laugh over the decades with her remarkable talent, and Issa Rae has proven herself a profound entertainment storyteller, performer and force for good. We’re thrilled to recognize Issa and Lily for not only their extraordinary contributions to storytelling, but also for their important role and place for women in comedy and entertainment.”

Of host Williams, Jones added, “Since breaking onto the scene with her hysterical segments on The Daily Show, Jessica’s wit, wisdom, and powerful performances have established her as not only a comedic force, but also one of the great young actresses working today. We relish pretty much every moment Jessica appears on the screen and we are so thrilled that she will be hosting our first awards ceremony to take place in Los Angeles.”

The nominees for the Peabody Awards’ arts and entertainment categories were announced April 13, while documentary and news nominees were announced April 11. PBS led the total nominees with 13, followed by HBO/Max with six, Apple TV+ with four, Disney+ and FX with three each, and ABC, Channel 4, Netflix and Vice receiving two each.

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The Peabody Awards announced Thursday that Issa

Of all the unofficial holidays derived from an apocryphal bit police code, 4/20 is by far the most enduring. And just as “420” has gradually become entrenched as stoner shorthand for marijuana, the date April 20 has become an opportunity not just for college kids looking to indulge in a little extralegal fun, but also for drug law reformers and other advocacy groups to stump for a more reasonable national attitude toward America’s big green weed of choice.

And as marijuana laws have shifted over the years—from outright prohibition, to limited medicinal usage, to tightly regulated recreational use within certain states—marijuana themed movies have likewise evolved. Once upon a time, the only movies that even touched the subject of pot were hysterical propaganda pieces like Reefer Madness. Then, from the 1960s onward, weed became a popular (and hip) subject of broad comedy—in everything from Animal House to Annie Hall to Friday.

In recent years, though, stoner movies have gotten more thoughtful, nuanced and even, yes, serious—especially as it’s started to become big business, with even bigger stakes. So regardless of whether you’re completely toasted or a total teetotaler, here are five indies we love—including (why not?) a few comedies—about marijuana and marijuana lovers.

 

WOODSHOCK (2017)

Writers & Directors: Kate & Laura Mulleavy

Producers: Michael Costigan, Ken Kao, Ben LeClair, Pilou Asbæk

Starring: Kirsten Dunst, Joe Cole, Pilou Asbæk

Where You Can Watch: Kanopy, Fubo TV, Showtime

Why We Love It: The directorial debut of Rodarte fashion label founders Kate and Laura Mulleavy, Woodshock is the dreamlike tale of Kirsten Dunst’s grief-stricken Theresa, an employee at a northern California cannabis dispensary who, as the film begins, uses a joint laced with rare poison to help her terminally-ill mother commit suicide. Thereafter, Theresa is haunted by her own fantasies of self-extermination, despite the efforts of friends, coworkers and boyfriend to try and shake her from her funk. The result is an enigmatic visual experience rooted far more in tone and atmosphere than plot—full of sultry neon lights and hallucinatory overlapping images. More than any other film on this list, Woodshock conjures the sensation of actually being high—not that we would know, Mom.

 

GREEN IS GOLD (2016)

Writer & Director: Ryon Baxter

Producers: Ryon Baxter, Anthony Burns

Starring: Ryon Baxter, Jimmy Baxter, Derek W. Adam, Liz Claire

Where You Can Watch: Amazon Prime, Tubi, Kanopy, Pluto TV, Plex, Freevee

Why We Love It: Premiering at the 2016 LA Film Festival where it won the Audience Award, writer/director Ryon Baxter’s debut feature is a semi-autobiographical family drama set amid northern California’s booming (and at the time only quasi-legal) cannabis cultivation industry. Baxter himself plays Cameron, a temperamental young worker at a massive growing operation who’s suddenly put in charge of caring for his 13-year-old sibling, Mason—played by Baxter’s real-life sibling, Jimmy Baxter. At first Cameron tries to keep his brother away from the family business. But it doesn’t take long for the elder Baxter to start showing the younger one the (hemp, probably) ropes. The result is an intimate portrait of complicated family dynamics and an incisive look at the ins-and-outs of California’s booming pot industry.

 

HAROLD & KUMAR GO TO WHITE CASTLE (2004)

Director: Danny Leiner

Writers: Jon Hurwitz, Hayden Schlossberg

Producers: Nathan Kahane, Greg Shapiro

Starring: John Cho, Kal Penn, Neil Patrick Harris

Where You Can Watch: Pluto TV

Why We Love It: At first glance, this 2004 cult hit might seem like just another dumb stoner comedy. But the raucous road trip caper-flick—released by stalwart indie shingle New Line—is actually a low-key milestone in terms of progressive onscreen representation, starring two non-white actors as the sort of charming, funny stoner bro-heroes not typically played by actors of Asian descent. It’s also super-hilarious, following odd-couple roommates Harold (Cho) and Kumar (Penn) on an epic misadventure into the New Jersey night on a desperate quest to procure munchies from the titular fast food chain. Add to that Neil Patrick Harris in a deliriously demented supporting role as an unhinged version of himself, and you have one high-ly entertaining film (see what we did there?)

 

SUPER HIGH ME (2001)

Director: Michael Blieden

Producer: Alex Campbell

Starring: Doug Benson

Where You Can Watch: Not currently available

Why We Love It: Despite its title, venerable LA comedian Doug Benson’s feature-length Super Size Me riff isn’t really a parody of the hit 2004 Morgan Spurlock fast food exposé. Like Spurlock’s documentary, Super High Me is a surprisingly comprehensive look at an important social issue, expertly disguised as a quirky bit of stunt journalism. Here, Benson trades daily Big Macs for heaping helpings of THC, ramping up his own recreational pot use to smoke weed for a very cloudy 30 straight days in a row—this, following 30 straight days of total sober abstinence, as a control. Along the way Benson interviews fellow potheads, doctors, dispensary operators, politicians, law enforcement and medical marijuana patients, putting together a fascinating portrait of the quasi-legal no-man’s land of mid-‘aughts cannabis consumption.

 

INHERENT VICE (2001)

Writer & Director: Paul Thomas Anderson

Producers: Paul Thomas Anderson, Daniel Lupi, JoAnn Sellar

Starring: Joaquin Phoenix, Josh Brolin, Katherine Waterston

Where You Can Watch: VOD, Blu-Ray/DVD

Why We Love It: Winner of the Robert Altman Award at the 2015 Film Independent Spirit Awards, Paul Thomas Anderson’s shaggy-dog LA neo-noir detective fable stars Joaquin Phoenix as Doc Sportello—an underemployed South Bay private dick and champion pothead—who stumbles into a labyrinthine murder conspiracy involving… well, it’s sort of hard to explain. Adapted from the critically acclaimed novel by Thomas Pynchon, Anderson’s dutifully tracks his collection of oddball characters as they woozily sink into the aimless, drug-soaked decadence of the post-hippie 1970s. The results are less manic than the coked-up Boogie Nights, and far sloppier (in a good) way than the rigid There Will Be Blood. It’s like the movie itself took a few minutes to hotbox the station wagon before heading up to the projection booth—watching it high would almost be redundant.

 

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(Header: Woodshock)

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A Gores Landing, Ont., man faces firearm charges following an incident at a residence in Port Hope on Wednesday.

According to the Port Hope Police Service, officers responded to a 911 call for reports of a man pointing a handgun at the complainant’s mother and dog and two other males at a residence on Hope Street North.

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2 arrested after drugs, loaded handgun seized at Peterborough residence: police

Police determined the suspect had been consuming alcohol with the complainant and friends at the residence, when an argument broke out over clothes the accused was wearing.

It’s alleged the man pulled out a black handgun and pointed it at the complainant and other male, police say. He then pointed it at the complainant’s mother and dog.

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The suspect fled on foot into a wooded area at the end of Howard Street when informed police had been called

Police, including officers from the Cobourg Police Service, Northumberland OPP and Durham Regional Police, were called to assist in the search of suspect. A canine unit and helicopter were also deployed but the suspect was not found.

A short time later police located the suspect leaving the area in a vehicle and were able to arrest him without incident. A firearm has not yet been located and officers are spending Thursday searching the area.

The 23-year-old Gores Landing man was arrested and charged with three counts of careless use of a firearm, and one count each of careless use of a firearm, possession of a weapon for a dangerous purpose and carrying a concealed weapon.

He was held in custody and is scheduled to appear in court in Cobourg for a bail hearing on Thursday.

&copy 2023 Global News, a division of Corus Entertainment Inc.

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While Sean Lowe and his wife, Catherine Giudici, loved Bullmastiff puppy Gus, they ultimately needed to rehome the canine for the safety of their family.

“Y’all know how much I loved that dog and he was such a great dog. Great with the kids, well-trained and he was so full of love. However, he showed a couple instances of resource guarding in the past when he snapped at/bit Mia,” the former Bachelor, 39, wrote via his Instagram Stories on Wednesday, April 19, referring to his youngest child, 3. “We did everything in our power to keep it from happening again but one night several weeks ago, [our son] Samuel bent down to pet Gus, and Gus bit him on the side of the head.”

Lowe and Guidici, 36, initially met on season 17 of The Bachelor, which ended with the former graphic designer earning her man’s final rose when they got engaged. The pair, who wed in 2014, went on to welcome sons Samuel, 7, and Isaiah, 5, and daughter Mia. Their Texas-based brood grew again in April 2022 when the married couple adopted Gus.

Courtesy of Sean Lowe/Instagram

“Well, Mia had a nice 2-year run, but that run is now over. Please say hello to my new favorite child, Gus,” Lowe quipped via Instagram at the time while introducing the pup.

While Samuel, Isaiah and Mia forged special bonds with the family pet, Lowe and Giudici knew rehoming was the best solution after Samuel was bitten earlier this year. (The Bachelorette alum chalked up Gus’ behavior to “temporary lapses in judgment.”)

“The result was a trip to the E.R. and a staple in the head,” Lowe added in his Wednesday upload. “So, as much as I love that dog, I have to put my kids first. But [Gus is] in a great home and we’ll get to still see him occasionally. [By the way], I died a little on the inside.”

The former collegiate football player further explained that his kids had “fully healed” from the incidents. “[Samuel is] doing great,” he added on Wednesday. “He misses his dog, too. And so do his brother and sister.”

Gus has since found a “great” new home with Lowe and Giudici’s dog trainer.

“He gets to go to work everyday and be around other dogs. She texted me the other day and said this [one] pug hates all dogs except for Gus. Must be the close resemblance,” the former ABC personality jokingly wrote via his Stories, before noting it will be “a while” before he adopted another pooch. “It’d feel like I was cheating on Gus if we got one anytime soon.”

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While Sean Lowe and his wife, Catherine

BuzzFeed is shutting down BuzzFeed News because it is not able to turn a profit, according to a memo CEO Jonah Peretti sent to company staff Thursday. The digital publisher is laying off 15% of its employees, or about 180 people, across BuzzFeed News and other divisions.

Going forward, BuzzFeed will concentrate its news efforts in a single profitable news organization — HuffPost, which it acquired from Verizon in 2020, per Peretti’s memo. The company’s flagship BuzzFeed.com site will remain in place.

“While layoffs are occurring across nearly every division, we’ve determined that the company can no longer continue to fund BuzzFeed News as a standalone organization,” Peretti wrote.

BuzzFeed News first launched in 2011 under then-editor in chief Ben Smith. In the memo, Peretti said, “I made the decision to overinvest in BuzzFeed News because I love their work and mission so much. This made me slow to accept that the big platforms wouldn’t provide the distribution or financial support required to support premium, free journalism purpose-built for social media.”

HuffPost is “a brand that is profitable with a highly engaged, loyal audience that is less dependent on social platforms,” than BuzzFeed News, according to Peretti.

Peretti also wrote, “we will bring more innovation to clients in the form of creators, AI and cultural moments that can only happen across BuzzFeed, Complex, HuffPost, Tasty and First We Feast.” According to a BuzzFeed spokesperson, no jobs are being replaced by AI. The company recently started using AI to assist in creating some content, including quizzes, and Peretti said the technology would become “part of our core business.”

Alongside the shutdown of BuzzFeed News, chief revenue officer Edgar Hernandez and COO Christian Baesler are leaving the company. BuzzFeed president Marcela Martin will assume responsibility for all revenue functions effective immediately.

According to a BuzzFeed rep, there are ongoing discussions about the future of BuzzFeedNews.com, but all of BuzzFeed News work will be preserved and available within the BuzzFeed network. The company also is working to ensure any stories currently in the works from the BuzzFeed News team will be published and promoted on BuzzFeed properties as well.

BuzzFeed.com and HuffPost will be offering roles to a number of BuzzFeed News journalists to match areas where they’re interested in expanding coverage, the rep added.

According to an SEC filing, BuzzFeed to incur between $7 million to $11 million in charges related to the layoffs.

Read Peretti’s full memo:

Hi all,

I am writing to announce some difficult news. We are reducing our workforce by approximately 15% today across our Business, Content, Tech and Admin teams, and beginning the process of closing BuzzFeed News. Additionally, we are proposing headcount reductions in some international markets.

Impacted employees (other than those in BuzzFeed News) will receive an email from HR shortly. If you are receiving this note from me, you are not impacted by today’s changes. For BuzzFeed News, we have begun discussions with the News Guild about these actions.

As part of today’s changes, both our CRO Edgar Hernandez and COO Christian Baesler have made the decision to exit the company. I’m grateful to both of them for their passion and dedication to Complex and to BuzzFeed, Inc. Christian will be with us through the end of April, and Edgar through the end of May to help with the transition.

Marcela Martin, our President, will take on responsibility for all revenue functions effective immediately. In the US, Andrew Guendjoian is our new Head of Sales, and Ken Blom will continue in his role as Head of Revenue Operations. Globally, International Sales will move under Rich Reid, Head of International and Head of Studio, also reporting to Marcela.

I have great confidence in this revenue leadership team, and the early plans I’ve seen from them to accelerate performance from our Business Org. We will share more on their plans in the Business All Hands next week (and we are extending an invite company-wide).

The changes the Business Organization is making today are focused on reducing layers in their organization, increasing speed and effectiveness of pitches, streamlining our product mix, doubling down on creators, and beginning to bring AI enhancements to every aspect of our sales process.

While layoffs are occurring across nearly every division, we’ve determined that the company can no longer continue to fund BuzzFeed News as a standalone organization. As a result, we will engage with the News Guild about our cost reduction plans and what this will mean for the affected union members.

HuffPost and BuzzFeed Dot Com have signaled that they will open a number of select roles for members of BuzzFeed News. These roles will be aligned with those divisions’ business goals and match the skills and strengths of many of BuzzFeed News’s editors and reporters. We raised this idea with the News Guild this morning and look forward to discussing it further. Moving forward, we will have a single news brand in HuffPost, which is profitable, with a loyal direct front page audience.

I want to explain a little more about why we’ve come to these deeply painful decisions. We’ve faced more challenges than I can count in the past few years: a pandemic, a fading SPAC market that yielded less capital, a tech recession, a tough economy, a declining stock market, a decelerating digital advertising market and ongoing audience and platform shifts. Dealing with all of these obstacles at once is part of why we’ve needed to make the difficult decisions to eliminate more jobs and reduce spending.

But I also want to be clear: I could have managed these changes better as the CEO of this company and our leadership team could have performed better despite these circumstances. Our job is to adapt, change, improve, and perform despite the challenges in the world. We can and will do better.

In particular, the integration process of BuzzFeed and Complex, and the unification of our two business organizations, should have been executed faster and better. The macro environment is tough, but we had the potential to generate much more revenue than we delivered over the past 12 months.

Additionally, I made the decision to overinvest in BuzzFeed News because I love their work and mission so much. This made me slow to accept that the big platforms wouldn’t provide the distribution or financial support required to support premium, free journalism purpose-built for social media.

More broadly, I regret that I didn’t hold the company to higher standards for profitability, to give us the buffer needed to manage through economic and industry downturns and avoid painful days like today. Our mission, our impact on culture, and our audience is what matters most, but we need a stronger business to protect and sustain this important work.

Please know that we exhausted many other cost saving measures to preserve as many jobs as possible. We are reducing budgets, open roles, travel and entertainment, and most other discretionary, non-revenue generating expenditures. Just as we reduced our footprint in NYC last year, we will be reducing our real estate in Los Angeles — from four buildings down to one, which saves millions in costs as well as mirrors our current hybrid state of work.

I’ve learned from these mistakes, and the team moving forward has learned from them as well. We know that the changes and improvements we are making today are necessary steps to building a better future.

Over the next couple of months, we will work together to run a more agile and focused business organization with the capacity to bring in more revenue. We will concentrate our news efforts in HuffPost, a brand that is profitable with a highly engaged, loyal audience that is less dependent on social platforms. We will empower our editorial teams at all of our brands to do the very best creative work and build an interface where that work can be packaged and brought to advertisers more effectively. And we will bring more innovation to clients in the form of creators, AI, and cultural moments that can only happen across BuzzFeed, Complex, HuffPost, Tasty and First We Feast.

It might not feel this way today, but I am confident the future of digital media is ours for the taking. Our industry is hurting and ready to be reborn. We are taking great pains today, and will begin to fight our way to a bright future.

On Monday we’ll begin to have conversations with each division about the way forward. And in the meantime, I hope you can take time for yourselves this weekend.

Thank you for supporting one another on a difficult day.

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BuzzFeed is shutting down BuzzFeed News because

Netflix has ordered a new science fiction series from “Stranger Things,” under The Duffer Brothers shingle Upside Down Productions.

“The Boroughs” will unfold in eight episodes, telling the story of a supernatural mystery. The logline for the drama series reads, “In a seemingly picturesque retirement community in the New Mexico desert, a group of unlikely heroes must band together to stop an otherworldly threat from stealing the one thing they don’t have… time.”

The series order comes from the minds of Jeffrey Addiss and Will Matthews (“The Dark Crystal: Age of Resistance”) who will serve as showrunners.

“We’re thrilled to be back at Netflix. Working alongside the Duffer Brothers (who are pretty good at making shows) and their team has been a dream come true,” Addiss and Matthews said in a statement. “They bring the perfect balance of heart and horror to our story. We can’t wait for audiences around the world to unlock the dark mystery buried beneath the sunny facade of ‘The Boroughs.’”

The Duffer Brothers and Hilary Leavitt will executive produce on behalf of Upside Down Pictures.

“We’ve been fans of Jeff and Will’s writing for a long time, and when they pitched us their idea for ‘The Boroughs,’ we immediately knew they had something very special on their hands,” The Duffer Brothers said. “While the heroes in The Boroughs have a few more years on them than the kids from Stranger Things, they are a similarly lovable bunch of misfits, and we can’t wait for you to join them on an adventure that is at turns scary, funny, and deeply touching.”

“The Boroughs” marks the latest project to come from the “Stranger Things” duo, who also recently announced their “Stranger Things” cartoon series, also headed to Netflix. The show is being developed by Flying Bark Productions with executive producer Eric Robles, set in the “Stranger Things” universe in the vein of Saturday morning cartoons of the Duffer brothers’ childhood.

Season 5 of the Duffer brothers’ Netflix tentpole “Stranger Things” will also be on the back burner with these projects. The writing room began in August 2022. Read here for everything we know about the last season.

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Netflix has ordered a new science fiction

EXCLUSIVE: In an early bid, Vertical has secured worldwide rights to Parallel, a new sci-fi thriller starring Danielle Deadwyler (Till), Aldis Hodge (One Night in Miami…) and Edwin Hodge (The Tomorrow War). The film directed by Kourosh Ahari (The Night), from a screenplay by Jonathan Keasey (Down Wind) and the Hodge brothers, is slated for release in theaters later this year.

Currently in post-production, Parallel is a remake of Lei Zheng’s award-winning Chinese film Parallel Forest that marks the first under the Hodges’ new banner, Hodge Brothers Productions. Pic tells the story of Vanessa (Deadwyler), who takes refuge at her family’s lake house to grieve after suffering the loss of her child. Accompanied by her husband, Alex (Aldis Hodge), and his brother, Martel (Edwin Hodge), Vanessa attempts to regain her sense of normalcy after the tragedy. But soon after their arrival, she experiences an aberration when she is attacked by a parallel universe’s version of herself. Faced with the reality that multiverses exist, she must reconcile the fact that these parallel gates will either hold the key to releasing her grief or trapping her forever. 

Parallel is produced by Sean Lydiard, Jaylen Moore, Edwin Hodge, Aldis Hodge, Keasey, Elliot Michael Smith and Ann Zhang. Pic is exec produced by Richie Doyle, Raja Collins, Jovanna Burke, Deadwyler, Lei Zheng, Chengxi Li, Alex Bretow, Randall J. Bacon and Joseph Lanius, as well as Vertical’s Peter Jarowey, Rich Goldberg and Kristin Harris, and the BondIt trio of Luke Taylor, Tyler Gould and Mathew Helderman. Additional EPs include Danny R. Carmona, Alex Farnham, Charles H LaHaie, Dean Sheske, Michelle Seanez, Kris Meyer, Ron Baptiste and Ray Coleman. Vertical’s Sammi Farber served as the film’s associate producer.

The production companies behind the film include Rumble Riot Pictures and Hodge Brothers Productions. Financing was provided by Fremont Films, One Dollar Studios and BondIt Media Capital.

“We sought out a distributor who shared the same fervor for Parallel as we did as filmmakers and Vertical’s passion convinced us we had found a genuine partner who truly understood and shared our vision and dedication,” said producer Lydiard of Rumble Riot. 

Vertical Partner Peter Jarowey added that “when the opportunity to partner on Parallel presented itself, we said yes immediately. With critically acclaimed source material and an excellent screenplay adaptation coupled with The Night‘s Kourosh Ahari set as director, we knew it would be a win-win. It is the perfect fit for Vertical and we look forward to working with Aldis, Edwin and their team for years to come.”

Jarowey and SVP of Production & Development Kristin Harris negotiated the deal for Parallel on behalf of Vertical, with Rumble Riot’s Lydiard on behalf of the production. 

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EXCLUSIVE: In an early bid, Vertical has

Amitabh Bachchan and Abhishek Bachchan were snapped as they arrived at Aditya Chopra’s residence. (Photos: Viral Bhayani)

Earlier today, Shah Rukh Khan and Aamir Khan among others were also snapped arriving at Aditya Chopra’s residence.

Veteran actor Amitabh Bachchan is the latest celebrity who visited Aditya Chopra following the sudden demise of his mother, Pamela Chopra. Big B was snapped by the paparazzi as he arrived at Aditya’s residence in Mumbai. He was also accompanied by his actor-son Abhishek Bachchan.

It should be noted that Amitabh Bachchan has worked in several Yash Raj Films’ movies including Mohabbatein, Thugs of Hindostan, Bunty Aur Babli and Veer-Zaara among others. Abhishek too was a part of the Dhoom series which was released under Yash Raj Films.

Amitabh Bachchan pays his last tribute to Pamela Chopra. (Photo: Viral Bhayani)
Amitabh Bachchan snapped as he arrived at Aditya Chopra’s residence. (Photo: Viral Bhayani)
Amitabh Bachchan visits Aditya Chopra after the death of latter’s mother. (Photo: Viral Bhayani)
Amitabh Bachchan was also accompanied by Abhishek Bachchan. (Photo: Viral Bhayani)

Earlier today, Shah Rukh Khan was also snapped arriving at Aditya Chopra’s residence. He was also accompanied by his son Aryan Khan. Among others, Deepika Padukone, Ranveer Singh, Katrina Kaif, Vicky Kaushal, Kirron Kher, Karan Johar, Hrithik Roshan, Aamir Khan, Bhumi Pednekar and Shilpa Shetty also visited Aditya Chopra’s house to offer their condolences to the family.

Pamela Chopra passed away on Thursday, April 20 in Mumbai. She was 74. The family issued a statement confirming the news of her death and revealed that the last rites took place at 11 am.

“With heavy hearts, the Chopra family would like to inform that Pamela Chopra, 74, passed away this morning. Her cremation took place at 11 am today in Mumbai. We are grateful for your prayers and the family would like to request for privacy in this moment of deep sadness and reflection,” the statement read.

As per a report by Indian Express, Pamela Chopra was hospitalised for 15 days for Pneumonia. “She passed away today. She was on a ventilator in Lilavati Hospital for 15 days. She had pneumonia,” Dr. Prahlad Prabhudesai told the publication.

Read all the Latest Movies News and Entertainment News here

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Amitabh Bachchan and Abhishek Bachchan were snapped

Ray Romano’s deeply earnest, semiautobiographical dramedy, “Somewhere in Queens,” starts off with such evocative charm that it’s both a surprise and a shame when the story goes sideways at the midpoint — and never quite recovers.

Although Romano may still be most widely known as a creative force behind the hit sitcom “Everybody Loves Raymond” and for his beloved turn as the series’ hangdog hero, Ray Barone, he’s proven a solid serious actor in such shows as “Men of a Certain Age,” “Parenthood” and the short-lived, underrated “Vinyl.”

Romano’s part here, as well-intentioned, Queens-dwelling, “Rocky”-quoting schlemiel Leo Russo, is a sort of enjoyably familiar hybrid of his previous roles. And, for much of the time, he brings an affecting and understated warmth to his performance — as well as to his direction. But his script, written with “Men of a Certain Age” collaborator Mark Stegemann, attempts to cover a bit too much emotional and familial terrain and, most problematically, fumbles a pivotal plot point.

Leo is currently up against three significant issues. First, his hard-nosed wife, Angela (a committed Laurie Metcalf), is a cancer survivor whose anger and fear Leo can’t seem to pierce. Then there’s the long-suffering Leo’s underappreciated work in construction, toiling away for his old-school, company-founder father, Dominic (the welcome Tony Lo Bianco), and obnoxious, foreman brother, Frank (Sebastian Maniscalco in a one-note role).

Third and most essential, though, is Leo’s protective relationship with his anxious, painfully introverted 18-year-old son, Matthew, a.k.a. Sticks (Jacob Ward), a high school basketball star nicknamed for his long legs. When Leo, Sticks’ chief supporter and cheerleader, discovers that a basketball scholarship to Philadelphia’s Drexel University is an off-the-radar prospect, he goes into overdrive to help seal the deal, despite Angela’s suspicion of the golden opportunity.

Unfortunately, this gives way to an intrusive move Leo concocts on his son’s behalf that involves Sticks’ bright and forthright new girlfriend, Dani (a luminous Sadie Stanley). What at first feels awkward and desperate becomes something far more uncomfortable as it spins out into wrecking-ball territory and subverts our cozy feelings toward Leo.

Sorry, but there had to have been a less icky and contrived way to create the requisite havoc here.

In addition, the surface-y nature of many of the film’s character dynamics creates its share of questions and voids: Sticks’ emotional issues, though discussed, go somewhat underexamined; Dominic’s general dismissal of Leo and greater belief in the inexplicably jerky Frank could have used a family history lesson; and the case of Leo’s younger, never-married sister-of-a-certain-age, Rosa (Dierdre Friel), is light on dimension. And, for as much as the affable Leo extols his relationship with the cranky Angela, it’s not always clear to see what exactly has kept them bonded all these years (starting in high school, no less).

When late-breaking reasons are floated, if not outright revealed, for some of the characters’ more dubious behaviors, it can feel like too little, too late — without the kind of catharsis or redemption that might send us out more wholly satisfied.

On the plus side, Romano offers an authentic view of Italian American New York life, something the actor-filmmaker, a Queens native, is intimately acquainted with. This includes his boisterous portrayal of Sunday family dinners, replete with heaps of pasta and meatballs, as well as the many community celebrations that regularly rope in friends and relatives (a glitzy local banquet hall named Versailles Palace is ground zero here for these events). It’s hard for scenes like these to entirely avoid seeming cliched — after all, we’ve seen them countless times — but they’re vitally staged and performed.

There’s also a nice use of music, including such fitting standards as “Buona Sera” and “Volare,” along with a sweet cover of Jim Croce’s “I Got a Name” and such classic party tunes as “The Twist,” “Limbo Rock” and “Celebration.” The tender score by Mark Orton (“The Good Girl,” “Nebraska”) is another worthy element.

The capable cast is rounded out by Jennifer Esposito as a lonely widow who turns Leo’s head (in a wedged-in, less-than-convincing story strand), Jon Manfrellotti and Danny Garcia as Leo’s mouthy pals and co-workers, and June Gable, underused as Leo’s “Mangia!”-urging mamma.

Somewhere in “Queens” lies a stronger, more unique and inspiring story about family, culture and the place we call home. It’s too bad Romano didn’t fully find it. But as is, this goodhearted if at times misguided version may suffice for its often amusing and touching moments and as a reminder of Romano’s everyman skill in front of a camera.

‘Somewhere in Queens’

Rated: R, for language and some sexual material
Running time: 1 hour, 47 minutes
Playing: In general release

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Ray Romano’s deeply earnest, semiautobiographical dramedy,

As layoffs continue to hit the Walt Disney Company, we are starting to see the loss of some of the company’s more peripheral services.

Earlier this month came the news that Disney was cutting its metaverse division, and eliminating Marvel Entertainment.

Marvel logo

Photo: Marvel

Now, Marvel has announced that the brand’s Marvel Comics app will be shutting down.

What Was The Marvel Comics App?

The Marvel Comics app allowed users to purchase digital versions of the newest Marvel comics on the the day they were released.

Marvel digital comics

Photo: Marvel

The app, which was run by Comixology, was a way for comic book fans to pick up their favorite books, directly from Marvel.

With the loss of the app, readers will be unable to buy directly from the publisher, at least for the being.

Marvel Digital Comics

Photo: Daily Superheroes

What Happens to Previously Purchased Books?

For users who have already amassed a library of digital comics on the app, have no fear. Marvel will be transferring user’s comics to the Marvel Unlimited app.

Marvel digital comics

Photo: Marvel

“While we are disappointed fans will no longer be able to use the app starting in June, we know many readers have built up incredible digital libraries of Marvel comics on the app,” Marvel said in a statement Wednesday. “To support our loyal fans, we will be making digital comics purchases made prior to May 2 on the Marvel Comics app (operated by Comixology) available and accessible on the Marvel Unlimited app. No Marvel Unlimited subscription purchase will be required to access your previous digital comic library.”

Now What?

Readers will still be able to purchase new releases in the Marvel Comics app through May 2. At that time the purchasing feature will be shut down, although libraries will remain available until June 2.

Marvel comics

Photo: Marvel

After June 2, in order to access their libraries, users will have to create a Marvel Unlimited account. They will not however, need to purchase a subscription.

For now at least, it doesn’t look like users will be able to purchase new books through Marvel Unlimited. In their release, Marvel noted that new books can be purchased through Amazon.

Source: Marvel Comics

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As layoffs continue

Superman, The Man of Steel, The Last Son Of Krypton, The World’s Greatest Superhero, The Man of Tomorrow, and the character that started it all, is 85 this year, and he still doesn’t look a day over 30! The best part? It’s his birthday, but we get all the gifts, thanks to the new DC Shop collection.

The online store has released exclusive new merchandise, celebrating 85 years since the debut of DC’s Superman in Action Comics #1. Highlights include new items inspired by Superman: The Movie, apparel featuring Superman’s S-shield from Action Comics #1, and more.

Here’re a few links to get you started. All DC fans, will find something SUPER for their collections!

The impact that Superman has had on popular culture cannot be overstated. He was the first super-powered costumed crimefighter, and the one that started it all. Whether you’re a fan or not, love him or hate him you have to respect him. Without The Man of Steel there may be no DC Comics, or even DC Comics News for that matter!

The success of Batman, Wonder Woman, The Flash, Green Lantern, and all the other DC Superstars may not have been possible without Action Comics #1 and the debut of Superman.

This is a a superhero who’s known and loved the whole world over and one of only three fictional characters who’s had new stories created about him for over eighty consecutive years! That’s a super achievement, if ever there was one.

Are you a Super-Fan? Which amazing items from the DC Shop Collection have caught your eye? Be sure to let us know.

Images and Press Release Courtesy of DC Entertainment

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171 Superman, The Man of Steel, The Last

Enhance has announced a May 16, 2023 release date for its action-puzzle game Humanity.

The title will be released for PS5, PS4 and PC via Steam, with optional VR support on all platforms. It will also be available on day one as part of the PlayStation Plus Game Catalogue’s May line-up.

A new release date trailer, which is viewable below, recreates the Japanese PlayStation ad campaigns of the PS1 and PS2 eras.

Humanity – Launch Date Announcement

Humanity sees players controlling a Shiba Inu, a breed of hunting dog from Japan, and charged with “commanding massive, marching crowds to jump, turn, push, float, shoot, and climb their way to salvation”.

The game was announced during a PlayStation State of Play presentation in February, when a limited-time demo was also released.

“Guide the masses through levels (10 in the demo, 90-plus stages in the full game Story Mode) filled with obstacles, enemies, puzzles, and unlockable skills, or browse a wide array of user-made challenges (or build your own!) crafted via the super-easy-to-use in-game Stage Creator,” Enhance said at the time.

April’s PlayStation Plus Game Catalogue and Classics titles were released on Tuesday.

This month’s releases include Kena: Bridge of Spirits, Doom Eternal, Riders Republic, The Evil Within, Monster Boy and the Cursed Kingdom, Paradise Killer and Dishonored: Definitive Edition.