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Rick Astley has filed a lawsuit against Yung Gravy over the rapper’s 2022 single “Betty (Get Money).” The song interpolates Astley’s 1987 hit “Never Gonna Give You Up,” and, in the lawsuit, Astley claims that Gravy impersonated his voice without the correct legal authorization. Astley is suing the 26-year-old musician and his collaborators for violating his right of publicity, false endorsement, unfair competition, and more.

“In an effort to capitalize off the immense popularity and goodwill of Mr. Astley, Defendants conspired to include a deliberate and nearly indistinguishable imitation of Mr. Astley’s voice throughout the song,” the lawsuit reads. “The imitation of Mr. Astley’s voice was so successful the public believed it was actually Mr. Astley singing and/or a direct sample.”

The lawsuit, which was filed on Thursday (January 26) in a Los Angeles court, suggests that Yung Gravy and his collaborators had the right to use the underlying musical composition, but not Astley’s voice, meaning they could interpolate the ’80s hit but not sample it. Gravy worked with the producer Popnick to recreate Astley’s voice as closely as possible, which Astley’s team claims constitutes “unauthorized, intentional, theft of his voice for commercial purposes.”

In the complaint, Astley’s lawyers cite the famous 1988 legal battle between the actress Bette Midler and Ford Motor Co., which notably hired a voice actor to impersonate Midler after the company was unable to hire her for a series of commercials. The attorneys argue:

To be clear, again, as the “Bette Midler” court found, more than 30 years ago, in one of the most famous cases in the music business, a license to use the original underlying musical composition does not authorize the stealing of the artist’s voice in the original recording. To use the artist’s voice, the creators of a new recording need a license to copy the actual sounds of the voice from the sound recording, a so-called “sample” license of the actual sounds of the voice from the sound recording. As stated, Defendants absolutely knew that to be the case, as Gravy said he tried but failed for years to obtain a sound recording sample license. So, instead, they resorted to theft of Mr. Astley’s voice without a license and without agreement.

Astley is represented by Richard S. Busch, the lawyer who helped the family of Marvin Gaye win a landmark copyright infringement case against Robin Thicke, Pharrell, and T.I. over the song “Blurred Lines.” In a statement shared with Pitchfork, Busch said:

Mr. Astley owns his voice. California law is clear since the Bette Midler case more than 30 years ago that nobody has the right to imitate or use it in a new sound recording without his permission, or pass it off as if he did approve the use. We set out the facts here in great detail in the Complaint, and also set out what the Defendants admitted to themselves. We look forward to now litigating the case on behalf of Mr. Astley.

Pitchfork has also reached out to representatives for Yung Gravy for comment.

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Rick Astley has filed a lawsuit against

Author and journalist Abby Ellin reflects on the legacy of Groucho Marx—acknowledging his brilliance, shortcomings and influence on a new generation of female comedians.


Groucho Marx was, above all else, an entertainer.

Groucho Marx and his wife, Eden. Courtesy of Marx Brothers, Inc.

He sang. He told stories. He wore ridiculous hats and even worse, toupées. It’s impossible not to appreciate his verbal gymnastics and facility with language. He could express an entire megillah with a simple eyeroll.

When Groucho Marx passed away in 1977, a cancellation meant ending a subscription to the Sears catalog. But it’s a different world today. While there’s no more catalog, canceling has taken on a completely new meaning. And so it’s hard not to wonder how the cigar-chomping, bushy-browed, mustachioed Marx would fare today. Would he be forced to amend his language and behavior, and tamper his proclivity for women young enough to be his granddaughters?

They’re good questions. Because let’s face it: Brilliant though he may have been, Groucho was notorious for breaking boundaries and insulting people, in character, certainly, and in real life as well. He had three wives; the older he got, the younger they got. During his 11 seasons as host of the comedy quiz series “You Bet Your Life,” he flirted and ogled and double-entendred his way around comely young female contestants in tight-fitting sweater sets. The joke, of course, was that he was a harmless old codger, an impish prankster just having fun.

But as his late daughter, Miriam Marx Allen, the oldest of his three children, said in the 1991 documentary “The One The Only Groucho,” “He liked to pal around with women, but he was sexist.”

Steve Stoliar, who worked for the comic from 1974 until Groucho’s death three years later, corroborates this. “He married women he could dominate,” said Stoliar, author of “Raised Eyebrows: My Years Inside Groucho’s House.”

Groucho’s characters thrived on insults, especially against women. One of his frequent foils was Margaret Dumont, his straight woman in seven Marx Brothers films, including “Animal Crackers,” “A Night at the Opera” and “Duck Soup.”

A sample exchange:

Groucho (as Rufus T. Firefly): Not that I care, but where is your husband?

Dumont (as Mrs. Teasdale): Why, he’s dead.

Rufus T. Firefly: I bet he’s just using that as an excuse.

Audiences ate it up, though not everyone finds it funny today. “His misogyny is relentless and thoroughgoing, and it’s very hard to tolerate,” Lee Siegel, author of “Groucho Marx: The Comedy of Existence,” told NPR.

But the reality is that this was simply the way the comedy world was at the time. “Groucho was structured by the world he lived in as are we,” said film critic Brandon Judell, a lecturer in the Department of Theatre and Speech at The City College of New York.

Before the 50s, stand-up comedy was the purview of men.

Mother-in-law jokes were di rigueur; women—fat women, thin women, ugly women, gorgeous women, women who could whip up a tuna casserole in five minutes and women who burned water—were fair game. (Even animated characters got in on it: Bugs Bunny, impersonating Groucho, tricks Elmer Fudd in a satirical game show called “You Beat Your Wife.”)

It wasn’t until a 37-year-old mother of five who looked like she’d collided with a clown and a lightning bolt debuted “The Homely Friendmaker” that the comedic plates shifted. Her name was Phyllis Diller, and her way into the comic scene was to poke fun at herself. “I once wore a peekaboo blouse. People would peek and then they’d boo.” No man needed to insult her; she beat them all to the punch.

10 years later, Joan Rivers appeared in pearls, a dainty black sheath and a bouffant. But while she looked more refined than Diller, she lobbed as many barbs at herself: “I have no sex appeal. If my husband didn’t toss and turn, we’d never have had the kid.” (She was equally brutal to Elizabeth Taylor: “She’s the only woman to stand in front of a microwave oven and scream, ‘Hurry!’”)

Female comedians have clearly evolved.

As comedian Wendy Liebman pointed out, “Groucho’s lascivious humor towards women, which objectified and belittled us, is evidence of the evolution of equality.”

Today’s female comics are owning their sexuality, chronicling life’s absurdities and commanding center stage. Like Sarah Silverman, who jokes about performing a sexual act and and thinking, “Oh my God—I’m turning into my mother!”

Or Amy Schumer, whose mother is “always saying really smart things . . . like, you probably heard this one, ‘Why buy the cow when the milk has HPV?’ Wish I’d listened to that one.”

Or Chelsea Handler, who notes that women who sleep with men on the first date “probably don’t want to see them again, either.”

Groucho most likely would have attempted to test out that theory. But he also would have appreciated them. As Stoliar notes, he worshipped clever. A dirty laugh, to him, was a cheap laugh.

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Up-and-coming female comics credit Groucho Marx with helping their own humor.

Comedian and screenwriter Zarna Garg acknowledges that aspects to his comedy would probably be considered “anti-feminist” and a form of “toxic masculinity.” But she also believes that he would have (perhaps grudgingly) adapted with the times.

“Groucho’s comedy is so foundational to American comedy that you could dig him up and stick him on a stage right now and he’d still be fresh,” said Garg, who came to the U.S. from India at as a teenager.

It’s because of Groucho that she decided to wear a bindi as her signature feature. “For him, it was the eyebrows and the cigar,” she said. “I learned that as a comic having one identifying trait is valuable.”

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Where to start with Groucho Marx (and why you should)

And the joke always, always came first.

It’s worth nothing that when Groucho won an honorary Oscar in 1974, not long after suffering a stroke, he made sure to thank Margaret Dumont and his mother, Minnie: “Without her we never would have been anything.”

Let us hope that no one ever tries to boycott the boychick. As Gina Barreca, an English professor at the University of Connecticut and author of the best-selling “They Used to Call Me Snow White But I Drifted,” puts it:

“There’s simply an artistry that comes through. Groucho Marx is part of the canon. Everyone’s trying to dismantle it, but if you’re going to know what you’re going to do next, you have to know what comes before you.”

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Author and journalist Abby Ellin reflects on

Russia is now engaged in ‘a war against Nato and the West’, the European Union’s defence chief said yesterday as Canada became the 12th country to commit tanks to Ukraine.

Stefano Sannino, the secretary general of the EU’s external action service, suggested Vladimir Putin had moved beyond his initial ‘special military operation’ and was ‘moving the war into a different stage’.

Mr Sannino was speaking as Canada became the latest country to pledge tanks and Poland said it would give an additional 60 to the 14 it has already committed to the war effort.

Spain and Norway are expected to announce how many Leopard 2s they will send to Ukraine in the coming days.

Russia test launches the feared Sarmat ‘Satan 2’ missile in April last year, as the nuclear threat remains high

The Kremlin test launches an 'unstoppable' nuclear Zircon hypersonic missile from the Admiral Gorshkov

The Kremlin test launches an ‘unstoppable’ nuclear Zircon hypersonic missile from the Admiral Gorshkov

Stefano Sannino (pictured), the secretary general of the EU’s external action service, suggested Vladimir Putin was ‘moving the war into a different stage’

Stefano Sannino (pictured), the secretary general of the EU’s external action service, suggested Vladimir Putin was ‘moving the war into a different stage’

Belgium announced a new package of military aid, promising cash, missiles, machineguns and armoured vehicles, but had to admit it has no main battle tanks to match the offers from its Nato allies.

Ukraine is also seeking Western fourth-generation fighter jets such as the US F-16, although this remains an unlikely prospect.

Mr Sannino said Ukraine’s allies had been forced to increase and upgrade their military support to Kyiv in response to Moscow shifting the focus of the war to the West.

Addressing reporters in Tokyo, he said: ‘I think that this latest development in terms of armed supply is just an evolution of the situation and of the way Russia has started moving the war into a different stage.’

Putin (pictured yesterday) has stepped up attempts to break through Ukraine's defences with heavy fighting in the east of the country

Putin (pictured yesterday) has stepped up attempts to break through Ukraine’s defences with heavy fighting in the east of the country

The spectre of nuclear war looms over the world after the West supplied state-of-the-art tanks to Ukraine to the fury of Vladimir Putin

The spectre of nuclear war looms over the world after the West supplied state-of-the-art tanks to Ukraine to the fury of Vladimir Putin

He added that Russia was making ‘indiscriminate attacks’ on civilians and cities. The country was desperate to gain momentum on the battlefields of eastern Ukraine before the Western tank squadrons arrive.

In the past 48 hours, Moscow’s forces have been attempting to break through Ukraine’s frontlines in the Donbas region. From Thursday night into yesterday morning Russia also subjected Ukrainian cities to more bomb attacks.

Some 47 of the 59 missiles were intercepted but 11 people are understood to have been killed in explosions caused by the Russian ordnance which penetrated Ukraine’s air defence systems. Russia also launched 37 air strikes.

In response to the provision of Western tanks to Ukraine, Russia accused US President Joe Biden of ‘pumping weapons’ into the country when he could be instigating a ceasefire.

Kremlin spokesman Dmitry Peskov also said the promised delivery of Western tanks to Ukraine was evidence of the growing ‘direct involvement’ of the United States and Europe in the war. Western allies have committed around 150 tanks. Peskov said: ‘There are constant statements from European capitals and Washington DC that the sending of various weapons systems to Ukraine, including tanks, in no way signifies the involvement of these countries or the [Nato] alliance in hostilities in Ukraine.

After weeks of dithering, Germany finally agreed to supply Ukraine with Leopard 2 tanks (pictured)

After weeks of dithering, Germany finally agreed to supply Ukraine with Leopard 2 tanks (pictured)

Shell-shocked residents in Hlevakha, near Kyiv, remove debris from a house of their neighbour damaged by a Russian military strike on January 26

Local residents remove debris from a house of their neighbour damaged by a Russian military strike, amid Russia’s attack on Ukraine

A woman takes photos with her mobile phone next to ruined houses following Russian missile attacks

A woman takes photos with her mobile phone next to ruined houses following Russian missile attacks

‘We categorically disagree with this, and in Moscow everything [they’re doing] is seen as a direct involvement. We see that this is growing.’ North Korea also condemned the decision by the US to supply Ukraine with tanks, saying Washington was escalating a sinister ‘proxy war’ aimed at destroying Moscow.

Meanwhile Hungary, which is a Nato member and EU state, suggested Western countries have ‘drifted’ into becoming active participants in the conflict.

Prime minister Viktor Orban, who has been widely condemned for alleged attempts to reduce democratic freedoms in Hungary, said the West should pursue ‘a ceasefire and peace talks’ rather than arming Ukraine.

He added: ‘It started with the Germans saying they were willing to send helmets but they would not send lethal aid, since that represented participation in the conflict.

A German-made Leopard tank is pictured on exercises in Canada, and will soon be deployed to the battlefield

A German-made Leopard tank is pictured on exercises in Canada, and will soon be deployed to the battlefield

Ukrainian soldiers are seen at their mortar position on the Donbass frontline yesterday

Ukrainian soldiers are seen at their mortar position on the Donbass frontline yesterday

‘Now we’re at battle tanks and there are discussions about planes.’ Hungary has refused to send weapons to Ukraine and has boosted the Kremlin’s coffers by purchasing Russian gas, oil and nuclear fuel.

Asked if Hungary would get more involved, Mr Orban said: ‘This is out of the question as long as I am prime minister.

‘But the others [other European countries] have already been swept away. If you send weapons no matter what you say, you are in the war.’

It comes as Ukraine is to set up drone assault companies within its armed forces in a joint venture with billionaire Elon Musk’s satellite communications company.

Kyiv announced yesterday it had signed off on a deal with Starlink satellite communications, which is operated by Mr Musk’s SpaceX organisation.

Ukraine wants to develop a futuristic army of drones to conduct attacks behind Russian lines. In a statement on its Facebook page yesterday, Starlink said ‘the most professional [Ukrainian] servicemen’ have been chosen to lead the assault companies which will be equipped with uncrewed aerial vehicles and explosives.

Starlink added: ‘We are doing everything to provide soldiers with modern technologies.’

Unmanned aircraft have already played a crucial role on both sides since Russia launched a full-scale invasion of Ukraine in February last year.

Moscow has used hundreds of Iranian-made ‘suicide drones’ to attack Ukrainian cities, while Kyiv’s forces have used drones to drop small explosives on Russian forces and to monitor their movements.

Ukrainian soldiers are seen riding on a T-72 Soviet-era tank, used widely in the ongoing conflict, in the Donetsk region, January 20

Ukrainian soldiers are seen riding on a T-72 Soviet-era tank, used widely in the ongoing conflict, in the Donetsk region, January 20

An APC drives threw retaken town Lyman in Donetsk region yesterday at a key moment in the war

An APC drives threw retaken town Lyman in Donetsk region yesterday at a key moment in the war

Zelensky’s poignant Holocaust tribute

By Mail Foreign Service

Volodymyr Zelensky marked International Holocaust Memorial Day yesterday with the message: ‘We know and remember that indifference kills along with hatred.’

Ukraine’s president, who is from a Jewish family, has been urging the West to supply Ukraine with more weapons for its war against Russia and has warned against any waning in support. He said: ‘Indifference and hatred are always capable of creating evil together only.

‘That is why it is so important that everyone who values life should show determination when it comes to saving those whom hatred seeks to destroy.’

Mr Zelensky made the address at the Babyn Yar memorial near Kyiv where he also laid candles. Some 900,000 Ukrainians were murdered by the Nazis from 1941 to 1944.

Novak Djokovic’s father watched his son go through to the Australian Open final from his hotel room after sparking global outrage. Srdjan Djokovic, 62, had posed with a Russian flag with Vladimir Putin’s face on it.

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Russia is now engaged in ‘a war




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Image Credit: Steven Bergman/AFF-USA.COM / MEGA / Gregory Pace/Shutterstock

Another Real Housewives reunion, another drama! During the taping of The Real Housewives of Miami Season 5 reunion, Bravo host Andy Cohen, 54, posted a video of him saying sorry to Larsa Pippen, 48, on Jan. 26. “We’re still shooting, and I didn’t have screaming at Larsa on my bingo card today,” he said via his Instagram Story. Immediately, the 48-year-old could be heard asking if Andy was going to apologize. “Are you going to apologize?”, she asked, to which the host replied, “I’m sorry Larsa.”

After he said he was sorry, someone off-camera asked why he was apologizing. “For screaming at her,” he began. “I don’t like screaming at women. I said it on the break, I don’t want to scream at women. Anyway, sorry.” After a fan re-posted the video to Instagram, many of the show’s viewers took to the comments to react to Andy’s post. “I’m glad that Andy yelled at Larsa she be too full of herself sometimes,” one fan wrote, while another added, “I don’t like Larsa but Andy is a little too comfortable screaming at women.”

Amid the apology, many of the fans also reacted to the seating arrangement at the reunion. “The #RHOM Reunion seating chart is here! Nicole [Martin] first chair! Kiki at reunion!”, the fan account captioned the photo. While they looked at the seating chart, one fan noted their opinion on who deserved to be closest to Andy. “Nicole and Lisa [Hochstein] deserved those first seats,” they penned, while another added, “I’m here for Nicole’s seat!!” Despite this, some were not pleased to see Guerdy Abraira sitting at the end of everyone else. “Justice for guerdy!!!”, the separate admirer wrote.

andy and larsa
Andy Cohen is an executive at Bravo, while Larsa Pippen stars on the ‘RHOM’. (Steven Bergman/AFF-USA.COM / MEGA / Gregory Pace/Shutterstock)

Prior to the bit of drama with Andy and Lisa, the 54-year-old took to his Instagram Story on Thursday to show off his reunion outfit. For the day of filming Andy rocked a dapper navy blue suit complete with a white button-up and black tie. “Good day for a reunion! #RHOM”, he captioned the mirror selfie. In the fan re-post, many reacted to Andy’s post with compliments on the show. “Best cast ever !!!!!!! Best show on Peacock,” one fan wrote, while another said, “Don’t want this season to end.”

The RHOM has been on since 2011 and currently stars Lisa, Larsa, Guerdy, Alexia Nepola, Dr. Nicole Martin and Julia Lemigova. Marysol Patton and Adriana de Moura also joined the show as “friends of the cast”, per US Weekly. Following the taping of the reunion, it was also reported that Larsa had unfollowed Nicole and Adriana, per Housewives Room. The Season 5 reunion is set to premiere on Peacock in the coming weeks, following the Dec. 8, 2022 finale.

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View gallery Image Credit: Steven Bergman/AFF-USA.COM / MEGA

Comedian Larry Wilmore will host this year’s Podcast Academy Awards, known as the Ambies.

The awards show will take place March 7 in Las Vegas at the International Theater, with the ceremony and awards pre-show being livestreamed on Twitch beginning at 4:30 p.m. PT.

Wilmore is currently the host of Black on the Air, a show on The Ringer Podcast Network that has featured guests like Kerry Washington, Sheryl Lee Ralph, Regina Hall, B.J. Novak, Wanda Sykes and Judd Apatow, among others. He is the co-creator of Insecure, with Issa Rae, and Grown-ish, with Kenya Barris.

“Larry’s prolific body of work and unique humor spans the stage, screen and podcasting. To say that we are lucky to have him host this year’s Ambies is an understatement,” said Donald Albright, chairperson of The Podcast Academy and CEO of Tenderfoot TV. “He’s an icon in his own right. We cannot wait to see — and hear — what he will bring to the ceremony.”

At the 2022 Ambie Awards, the podcast 9/12 (Pineapple Street Studios, Amazon Music and Wondery) took home the top prize for podcast of the year. Other winners included Rosamund Pike for her performance in QCode’s Edith and former NPR host Sam Sanders for his work as a host on It’s Been a Minute. The ceremony was hosted at the Mayan Theater in Los Angeles.

The Hollywood Reporter is a sponsor of The Podcast Academy alongside Wondery, Sonoro, Audible, The Podcast Show, Stitcher, PRX, Tenderfoot TV, Castbox, Loeb & Loeb and Paramount.

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Comedian Larry Wilmore will host this year’s

”Upcoming programming changes likely to make matters worse,“ an insider tells TheWrap

Boy, the hits keep on coming for CNN’s semi-new CEO Chris Licht — and we don’t mean the network’s lineup.

CNN just notched its lowest ratings in 9 years across all its day parts for the week of Jan. 16 through January 22, 2023, according to Nielsen averaging just 444,000 viewers in primetime, 93,000 in the all-important demo and 417,000 in viewers and 80,000 in the demo for total day. It’s the first time since May 2014 that the network failed to reach 450,000 viewers.

Become a member to read more.

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It’s five years since Theresa May, then the United Kingdom’s first prime minister of the Brexit era, coined the term “citizen of nowhere” to denigrate residents of the country who identified themselves more globally. Those three words swiftly became a media catchphrase to encapsulate the Conservative government’s apparent hostility toward immigrants; liberal-minded multinationals adopted the […]

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It’s five years since Theresa May, then

CNN Political Commentator Van Jones became emotional on Friday while discussing the appalling footage of the assault of Tyre Nichols by police in Memphis. The video, Jones said, was “brutal, inhumane, unacceptable, unjustifiable,” and “as bad as people say.”

But it also exposed a lack of humanity and utter cowardice by the police who beat and eventually murdered Nichols. “Even if you couldn’t see it, you could hear the inhumanity here,” he said.

We will not show the full video of the assault, but it’s important to know that Nichols, a 29-year-old FedEx worker, was followed home by police officers the evening of Jan. 7 and pulled over for what they claimed was ‘reckless driving’ less than 50 yards from his residence. Of course, the Memphis police chief has since said that camera footage from other locations in the area doesn’t support that claim and that nothing appears to have justified the stop.

Police were immediately aggressive and violent with Nichols, actions local authorities say were “unexplainable,” and eventually they brutalized and beat him mercilessly for several minutes. He died from his injuries 3 days later. Police released the video on Friday night in an effort to mitigate possible protests. All officers have been arrested and charged with murder.

Lemon discussed the footage on Friday, saying “The voices are so telling. Tyre’s voice the first time you hear him. He’s calm. He’s trying to calm the police down. He’s saying ‘all right, all right. All right.’ He goes from a voice of reason, and calm. And they are so brutal toward him that he runs”.

“The next time you hear him he’s gone from calm to panic. Ma ma, ma, ma, screaming for his mother. He’s 100 yards from his house, hoping that somebody can help him. And then, he goes from a voice of calm, to panic, to agony, to completely incoherent, unable to form a word. You watch this deterioration of a human being. If you couldn’t see it, you could hear it. You could hear it,” Jones continued.

“And then the cops voices. Profane. ‘I hope they stop his ass.’ Unbelievable level of viciousness, and then the only sympathy is for themselves because they’re so busy pepper spraying him that pepper spraying each other. Look at the reaction of the police to the pepper spray on themselves. They can’t take, stand the burning, the sensation, the [pepper spray] in their eyes. They need help from each other, and yet still, the beading is continuing for someone else, and no aid to someone else who got the full force of the pepper spray. And so even if you didn’t see these images, just the voice of Tyree. You can tell he was the only calm person at the beginning. And at the end he can’t even form a word,” Jones added.

“This is disgusting. It’s despicable. inhumane. It is shocking. It’s as bad as people said. But even if you couldn’t see it, you could hear the inhumanity here,” Jones concluded.

The commentary, which Jones posted on Twitter, does not include footage of the violence Jones described. But it does include very limited excerpts of the video, and subsequently we’ve put it at the bottom of this page so you can avoid seeing it if you prefer.

In a separate clip from the same episode of his CNN show, Jones spoke with fellow CNN personality Don Lemon about the use of tear gas and how what the cops who murdered Nichols did was a form of torture. That video has no footage of the attack, and you can watch it immediately below:

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CNN Political Commentator Van Jones became emotional

Glass Onion: A Knives Out Mystery was the most streamed program for the week of December 26, according to Nielsen’s streaming Top 10 list.

The Oscar-nominated mystery thriller jumped +30% from its opening weekend to bring in 2.9 billion viewing minutes, making it the most-streamed movie in a measurement week since Nielsen began tracking streaming content. It now holds two of the top 10 spots for most-streamed movies in a week.

Prime Video’s Jack Ryan and Netflix’s Wednesday both stayed consistent, coming in at No. 2 and No. 3 overall, respectively, and both drew nearly 1.7 billion viewing minutes, despite dropping -9% and -7%, respectively, from last week.

Yellowstone on Peacock rocketed +84% for its first billion-minute week (1.042 billion). The Best Man: The Final Chapters made the Top 10 list for a second week in a row, attracting 735 million minutes viewed.

Top 10 Streaming Programs

Rank Program Platform Minutes Viewed
(Millions)
# of Episodes
1. Glass Onion: A Knives Out Mystery Netflix 2,886 1
2. Tom Clancy’s Jack Ryan Prime Video 1,665 24
3. Wednesday Netflix 1,660 8
4. Emily in Paris Netflix 1,354 30
5. Yellowstone Peacock 1,042 39
6. The Recruit (2022) Netflix 953 8
7. Cocomelon Netflix 932 18
8. The Witcher: Blood Origin Netflix 912 4
9. Matilda The Musical (2022) Netflix 839 1
10. Treason (2022) Netflix 790 5

Top 10 Streaming Original Programs

Rank Program Platform Minutes Viewed
(Millions)
# of Episodes
1. Tom Clancy’s Jack Ryan Prime Video 1,665 24
2. Wednesday Netflix 1,660 8
3. Emily in Paris Netflix 1,354 30
4. The Recruit (2022) Netflix 953 8
5. The Witcher: Blood Origin Netflix 912 4
6. Treason (2022) Netflix 790 5
7. The Best Man: The Final Chapters Peacock 735 8
8. Alice in Borderland Netflix 458 11
9. I Am A Killer Netflix 456 32
10. The Crown Netflix 413 50

Top 10 Streaming Acquired Programs

Rank Program Platform Minutes Viewed
(Millions)
# of Episodes
1. Yellowstone Peacock 1,042 39
2. Cocomelon Netflix 932 18
3. NCIS Netflix 753 339
4. Bluey Disney+ 741 114
5. The Big Bang Theory HBO Max 656 265
6. Friends HBO Max 651 235
7. Gilmore Girls Netflix 650 153
8. Grey’s Anatomy Netflix 649 396
9. Criminal Minds Hulu 629 328
10. The White Lotus HBO Max 573 13

Top 10 Streaming Movies

Rank Program Platform Minutes Viewed
(Millions)
1. Glass Onion: A Knives Out Mystery Netflix 2,886
2. Matilda The Musical (2022) Netflix 839
3. Strange World Disney+ 753
4. The Invitation Netflix 664
5. Trolls Netflix 501
6. Avatar Disney+ 442
7. White Noise (2022) Netflix 414
8. Bullet Train (2022) Netflix 409
9. Encanto Disney+ 390
10. Black Adam HBO Max 333

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Glass Onion: A Knives Out Mystery was

Whether you’re a fan of fine video games or an admirer of the James Bond movies, the re-release of Goldeneye 007 is a cause for celebration. Thanks to returning developer Rare ,an old gaming tradition is back in the spotlight for the modern world, courtesy of ports available through XBox Game Pass and Nintendo Switch Online + Expansion Pack.

And yet, there are four more missed opportunities waiting to be fulfilled, marking this joyous occasion a a good start. 00-gamers, it’s time to talk about where things should go from here as we wait for IO Interactive’s Project 007 game to usher in the next epoch of James Bond video games. 

(Image credit: Rare Ltd. /Danjaq. LLC and MGM)

Rare’s New Goldeneye 007 Port Isn’t Available For Standalone Purchase

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Whether you're a fan of fine video

Lina’s verité film documents the fracturing of a nation and a friend group following the Arab Spring.

It’s been thirteen years since the Syrian Civil War began, fracturing the region and contributing to the devastating global migration and refugee crisis. The Arab Spring of 2011 was an initially hopeful time for Syrians, filled with dynamic, peaceful protests against the corrupt regime of President Bashar al-Assad. When Syrian journalist Lina (who goes by this alias to protect her security) started documenting what was then still called a “revolution,” she and her friends believed that it wouldn’t last long. And when state forces began attacking and jailing protesters, they still thought it couldn’t get any worse. 

In “5 Seasons of Revolution,” Lina documents the terrifying real-time transition from peaceful revolution to all-out civil war.  Filmed between 2011-2015, the footage is rough and impressionistic, often making it difficult to get your bearings. Sometimes Lina records from the inside of her bag, her hand partially covering the lens so as not to be detected by the police. Her material is unpolished and incomplete, far from the kind of war reporting you might get from a news segment or a more traditional documentary. Instead, it’s largely made up of shaky footage like this, as well as segments featuring Lina and her friends sitting around, watching the news and smoking cigarettes, waiting to hear if someone they know will be released from prison. 

It’s a deeply personal depiction of life during wartime, in large part due to Lina’s everpresent voiceover narration. Her diaristic recollections give a loose shape to this otherwise abstract film, as she looks back in a kind of dazed awe at how she navigated this perilous time in her life. She divides this time into five “seasons,” each representing a more brutal shift in the government’s response to the revolution, as well as more subtle fluctuations occurring within her personal sphere. 

As the film opens, Lina lovingly introduces her friends one by one — each one more optimistic, opinionated and energized against Assad than the next. They come together to form a secret activist group to help organize protests and strikes, and wipe people’s computers if they’re thrown in prison. This lively spirit stands in sharp contrast to their attitudes by film’s end, when each member is severely worn down by the war — and one is no longer alive to fight against it. 

As Assad’s crackdown against any form of dissent becomes increasingly brutal, Lina takes on multiple aliases to protect herself depending on where she is. Among journalists, she’s “Maya.” Among activists, “Maiss.” Among filmmakers, she’s “Layla.” And “Lina” remains her apolitical upper-class persona, which she assumes whenever she faces authorities at checkpoints, protests, or the prison where she spends 44 days.

Lina’s friends develop their own differing responses to the increasing violence. Some, like her provocative friend Rina, become emboldened to wave a red banner emblazoned with the words “Stop the Killing” in front of the parliament building in Damascus, starting a national movement of Syrians doing the same. She’s taken to prison — though not arrested, she suspects, to keep the media from getting involved. 

But Susu begins to distance herself from riskier actions like these, becoming disillusioned with the movement and, to a certain degree, Lina. “I don’t believe in this film,” she tells her one day. Susu’s face is obscured with deepfake technology to protect her identity, further dissociating her from the events that took place. 

Lina does not try to make sense of what happened, nor to give context to her audience by offering them a timeline of events. In fact, we’re dropped into the narrative without much pretense, almost as if this could be happening anywhere, to anyone. This technique is as effective as it is unsettling. The audience is able to witness the often banal realities of war — not the frantic, action-filled scenes we might imagine, but the waiting, the uncertainty, and the confusion. A film made by a woman living through the Syrian Civil War is far different from one made by an outsider — she’s not here temporarily. She has no choice but to go on with her life. 

The footage has an eerie sense of calm due to Lina’s soft, steady narration. She, like most of her friends, was forced to leave the country in 2015, and time has given her even more distance from the events that took place. As we’re caught up in the coverage of the Russian invasion of Ukraine, the film serves as a reminder of how there’s always a personal aspect of war that exists outside the explosive media cycles. It’s one that’s not as riveting as we may want, but perhaps its specificity offers a fuller and more realistic picture of a conflict. 

Grade: B

“5 Seasons of the Revolution” premiered at the 2023 Sundance Film Festival. It is currently seeking U.S. distribution.

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A day before TOMORROW X TOGETHER unleashed their new The Name Chapter: Temptation EP and officially kickstarted a new musical era, the K-pop boy band met with reporters both in-person in Korea and virtually around the world via a global media showcase on Jan. 26. In the hourlong press conference that included the first look at TXT’s new single, music video and stage performance, youngest member HUENINGKAI shared the group’s bold plan to “work hard to make 2023 the year of TXT.” With their most robust music output in months—not to mention the group’s highest amount of album pre-orders ever hinting at a high Billboard 200 debut—The Name Chapter: Temptation has already set TXT in motion to make that dream a reality.

With six entries on the Billboard 200 (the most of any K-pop group other than their BIGHIT MUSIC labelmates BTS), TOMORROW X TOGETHER have shown how their stylized storytelling targeted for their Generation Z is consistently connecting. But the quintet share that Temptation EP was particularly intentional for including the group’s own stories. The group said HYBE founder Bang Shi-Hyuk (who contributed to two of the EP’s five tracks, including the new single “Sugar Rush Ride”) encouraged them to take a heavier hand on certain songs this time to bring their own stories and lyrics. Not only do SOOBIN, YEONJUN, BEOMGYU, TAEHYUN and HUENINGKAI all boast writing credits, YEONJUN crafted melodies for one of the standout b-side tracks “Happy Fools,” marking his first melody contribution for a TXT album. “It made me so proud,” the 23-year-old remarked, “It was rewarding. It inspired me to write even more.”

With a slew of new genres explored, a significant crossover collaboration alongside Coi Leray and some of their career-best lyrics, The Name Chapter: Temptation is starting an excellent year and new music chapter for TOMORROW X TOGETHER. Read on for Billboard‘s ranking of the new tracks.

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A day before TOMORROW X TOGETHER unleashed

January 17, 2023 · 12:01 PM

NAVALNY
Anti-authoritarian Russian opposition leader Alexei Navalny recovers in Berlin after nearly being poisoned to death with the nerve agent Novichok. He makes shocking discoveries about his assassination attempt and bravely decides to return home – whatever the consequences. World Premiered in the 2022 Sundance Film Festival’s US Documentary Competition section, where it won Festival Favorite and the Audience Award: US Documentary.

Director:
Daniel Roher

Producers:
Odessa Rae, Diane Becker, Melanie Miller, Shane Boris

Festival Section:
Encore Special Screenings

More Info:
Check out the Sundance website for more details, including screening info, by clicking on the film title above.

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January 17, 2023 · 12:01 PM NAVALNYAnti-authoritarian Russian

The London Knights and Ottawa 67’s have played 135 minutes of regulation and overtime hockey against each other in the 2022-23 season.

They have scored two goals.

Combined.

But the level of entertainment in two Knights shootout victories has been off the charts.

London edged Ottawa 2-1 in a shootout on Friday night at TD Place in Ottawa, Ont.

The Knights edged the 67’s 1-0 in another shootout on Dec. 9 in London, Ont.

Ruslan Gazizov scored the game-winner in the fourth round but saves made by Knights rookie goaltender Zach Bowen in the shootout and in regulation earned him first star honours playing in his hometown.

Bowen grew up just outside Ottawa, Ont., in Kanata, and made 28 stops in the first 65 minutes of the game.

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He made a game-saving stop in the third round of the shootout on 67’s sniper Vinzenz Rohrer in Rohrer’s return to the lineup from injury. London forward Ryan Winterton then scored to extend the shootout and Bowen then made a save on Will Gerrior to open the door for Gazizov’s finish.

The only shot to beat Bowen during the game was a rebound off a Brady Stonehouse shot that went right to Matthew Mayich at 4:58 of the third period. That tied the game 1-1.

The Knights had led from the 5:30 mark of the first period.

Denver Barkey won seven of the eight faceoffs he took in the opening period. He won back-to-back draws to Alec Leonard in the Ottawa zone and twice Leonard got a hard shot off. The first time it was stopped and held by 67’s goalie Max Donoso. On the second shot Leonard went post and in to give that London a 1-0 lead.

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London almost won the game twice before the shootout even happened.

Barkey fed a pass to Brody Crane with 14.7 seconds left in the third period and then with seconds ticking down to zero in overtime Easton Cowan fought his way to the net and got a shot away that Max Donoso of the 67’s saved.

Ottawa outshot London 28-25.

The win improved the Knights road record to 15-4.

Bowen has now won nine consecutive games.

Read more:

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Levin leading the way at U20s

London Knights and St. Thomas Stars forward Mike Levin is playing for Israel at the Division III World Junior Hockey Championship and he is a big reason why Israel might find themselves moving up a division after the tournament is over.

Through two games, Levin has five goals and three assists for eight points. He has scored two short-handed goals and has been a finisher for a team that has the early lead atop their group. Israel defeated South Africa 16-1 and then Bulgaria 8-0. They will finish their round-robin schedule against Turkey on Jan. 29.

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Levin was born in Tel Aviv, Israel and moved to Toronto with his family in 2012.

Read more:

Michael Simpson shuts out Knights as London starts road trip

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Former NFL player Jessie Lemonier dead at 25

Pride night in Ottawa, Ont.

The Ottawa 67’s hosted Pride Night as they took on the London Knights. The 67’s wore jerseys designed by Mio Linzie who has created pieces of art that have been used in the National Hockey League, the Premier Hockey Federation and now the OHL. Linzie stated at www.ottawa67s.com that the flower-like look to the logo is meant to have meaning.

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“It’s not stuck in a box. It can be out and explore, it’s a metaphor for the queer community. I wanted it to feel like that,” said Linzie.

Read more:

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London will finish their three-game road trip in Kingston, Ont., on Saturday night.

The Knights and Frontenacs have not played each other in a game since Feb. 15, 2020. Kingston is the only team London has not played to this point in 2022-23.

Coverage will start at 6:30 on 980 CFPL, at www.980cfpl.ca and on the Radioplayer Canada app.

 

&copy 2023 Global News, a division of Corus Entertainment Inc.

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The London Knights and Ottawa 67’s have

Real talk. Riverdale’s Camila Mendes opened up about recovering from her eating disorder — and how her body image issues were exacerbated when she landed a lead role on the hit CW series. 

“I would watch every episode and be like, ‘Oh my God, my stomach there.’ I was like, so insecure, and it really fueled my eating disorder,’ Mendes, 28, said during the Thursday, January 26, episode of the “Going Mental With Eileen Kelly” podcast. “I had one at various points in my life. A little bit in high school toward the end of senior year and then it came back in college. And then it came back season 1 of Riverdale. And it was because, like, when you’re in your early 20’s your body is fluctuating. My body hadn’t settled Ito itself yet. And I was like, looking at myself, picking myself apart. My stomach, my arms, my chin — anything — I would obsess over.”

The Do Revenge star, who has portrayed Veronica Lodge on the teen drama since the show premiered in 2017, explained that her off-camera struggles often got in the way of her job during the filming of season 1, saying, “It really f—ks with your process and your ability to emote and be authentic.” 

Mendes admitted she was “really afraid of eating carbs” at the time, and “would avoid [them] for a long period of time. Then I would binge and eat a bunch and then purge.”

She explained that it was a “terrible cycle,” adding that she began seeing a nutritionist to overcome her fear of certain foods. “She [the nutritionist] helped me overcome that by reintroducing bread into my life to be, like, ‘See, it’s not going to kill you.’”

Mendes has often gotten candid about her struggles with body image over the years. In February 2018, the Virginia native revealed she was done with dieting after realizing that “being thin” had become “more important than being healthy.”

“I recently went to a naturopath for the first time in my life. I told her about my anxiety around food and my obsession with dieting,” she wrote via Instagram at the time. “She phrased a pivotal question in such a way that struck a chord with me: what other things could you be thinking about if you didn’t spend all your time thinking about your diet? I suddenly remembered all the activities I love that used to occupy my time.”

The Palm Springs actress shared that maintaining a small frame had begun to “consume” her to the point where there was no room left to focus on any other “concerns.” 

“Somehow I had stripped myself of all the pastimes that brought me joy, and all that was left of me was my anxiety around food,” she continued. “My passion for education, cinema, music, etc. — all the interests that used to occupy my mind — had been eaten away by my desire to be thin, and it made me miserable.” 

The previous year, Mendes detailed how other women in her family had struggled with eating disorders in the same way she had. 

“Growing up, I watched my big sister suffer from one for many years, and I’ve experienced periods in my life when I’ve suffered symptoms as well,” she said, noting that she was joining Project Heal — which  provides grant funding for people with eating disorders who can’t afford treatment — to “help break the stigma associated with eating disorders.”

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Real talk. Riverdale’s Camila Mendes opened up

Less than a week before the Galaxy Unpacked 2023 event, new images have emerged for Samsung’s upcoming laptop line: the Galaxy Book 3; more specifically the Pro, 360, Pro 360, and Ultra models.

Keep in mind that these are leaked renders from MySmartPrice (opens in new tab) so it’s possible the final products will look a bit different. If these images are to be believed, the new devices won’t look all that different to the previous Galaxy Book 2 line – Samsung isn’t reinventing the wheel design-wise. Plus, all three will come with the same basic ports like a microSD card slot and headphone jack. The more important changes, it seems, will happen under the hood. 

The Galaxy Book 3 Pro will reportedly launch in two screen sizes, a 14-inch and 16-inch option, both of which might boast a 3K resolution AMOLED display. According to the leaks, customers can also choose between two processors – either a 13th Gen Intel Core i5-1340P or Core i7-1360P CPU. 

Batteries will also differ depending on the model’s size. The 14-inch version may come with a 63W/hr (watt hour) battery while the 16-inch might sport a larger 76W/hr one.  Rounding out the hardware, the Galaxy Book 3 Pro duo will come with 16GB DDR5 RAM, up to 1TB SSD, and an Iris XE GPU.

360 models

Meanwhile, the Galaxy Book 3 360 will have the ability to transform from a laptop to a tablet, hence the name. Leaks from earlier in the month (opens in new tab) show that this model could possibly launch with one screen size, 15 inches. That will make it a bit bigger than the Galaxy Book 2 360 laptop. Very little about this model is known other than it’ll come equipped with a 13th Gen Intel Evo i7 CPU and a stylus; speculated to be the S Pen. The Galaxy Book 3 Pro 360 will also launch with the same accessory.

Speaking of which, the Book 3 Pro 360 may share similarities with its more rigid counterpart. For starters, it’s rumored to come in the same 14-inch and 16-inch screen sizes while also sporting a Super AMOLED display at 3K resolution. According to the leaks, that resolution comes out to 2880×1800 pixels, which means an aspect ratio of 16:10. 

It’s not yet confirmed if the Book 3 Pro will have this same pixel amount, but it’s probably a safe bet to say that it will. The Pro 360 “will be available in two processor options” –  a 13th Gen Intel Evo i5 1340p and i7-1360 integrated with an Iris Xe GPU. Next to that chipset will be up to 16GB LPDDR5 RAM and up to 1 TB SSD for storage. 

The Galaxy Book 3 Pro 360 is also getting Dolby Atmos support for high-quality audio. It’s unknown at this time if the other laptops will get this feature. 

Galaxy Book 3 Ultra

Information on the Galaxy Book 3 Ultra (opens in new tab) leaked earlier on January 21, and it certainly lives up to its namesake. This model will reportedly launch with a 13th Gen Intel Core i9-13900H CPU and the rumored NVIDIA RTX 4070 graphics card whose existence is a mystery. The Book 3 Ultra is slated to have a 16-inch, 3K AMOLED screen (2880×1880 pixels).

Take everything mentioned here with a grain of salt as things could change at the last minute, especially with the Galaxy Book 3 Ultra. Images and rumors of the RTX 4070 GPU are circulating on the internet, but there’s nothing official coming from NVIDIA.

Information on the base Galaxy Book 3 model somehow hasn’t leaked, but we’re not going to wait for too long to learn more. Samsung Unpacked 2023 is set for February 1. Be sure to check out TechRadar’s coverage of the event to stay up to date on what gets revealed.

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Less than a week before the Galaxy

The Deadline Studio at Sundance Film Festival runs January 20-23 at Hotel Park City, where the cast and creatives behind the best and buzziest titles in this year’s lineup sit down with Deadline’s festival team to discuss their movies and the paths they took to get to Park City.

YOUNG. WILD. FREE.
Section: Next
Director: Thembi L. Banks
Screenwriter: Juel Taylor, Tony Rettenmeir
Logline: Being a teenager is rough, and Brandon (Algee Smith) is no different. Between struggling in school, caring for his two younger siblings, and having just been let go from his job, Brandon often uses his art as an escape from the confines of his subdued day-to-day life. Enter Cassidy (Sierra Capri), a bedazzled bad girl dripping in confidence, freedom, and danger. Lured in by her whimsy, Brandon teams up with Cassidy, seamlessly slipping into the role of Clyde to her Bonnie as they make their way down an increasingly perilous path.
Panelists: Banks, Smith, Capri, Sanaa Lathan
Sales Agent: Confluential Films
Premiered: January 22, Library Center Theater
Key Quote: On inspiration for her wild gal Cassidy, Capri tells us, “I have a few girlfriends, but one in particular, she’s very wild, she does whatever she wants. She acts before thinking. One particular story that actually inspired me to use her as an inspiration for the character: We were in New Orleans and a moving ambulance was going down the street, and she jumped on the moving ambulance and she’s like ‘Sierra, come with me, come on.’ I’m like omigod, you’re Cassidy the person I’m going to play for the next few weeks.”

The 2023 Sundance Film Festival takes place from January 19-29. Follow Deadline’s complete coverage of the deals and the doings in Park City here.

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The Deadline Studio at Sundance Film Festival

Four years ago this month, Nikole Hannah-Jones, the Pulitzer Prize-winning journalist behind The 1619 Project, first pitched the idea for the long-form journalism initiative to her editor at The New York Times Magazine. Since then, the original essay project has been adapted into a podcast, a book and now a six-part docuseries on Hulu in partnership with Disney, ABC and Onyx Collective.

“It’s been so amazing because usually you publish something and then you’re done with it, you don’t ever get a chance to refine it, to expand it,” Hannah-Jones told The Hollywood Reporter at the series’ Los Angeles premiere on Thursday night. “Every iteration of the project, I learned something more, about the history and about myself.”

Kathleen Lingo, an executive producer on the show and editorial director of film and television for The New York Times, said that she immediately knew the project was primed for the screen. “My role at the Times is to produce documentaries based on our journalism; when I first saw the 1619 magazine sitting at home on a Sunday morning, I immediately thought, ‘This is perfect to lend itself to turning into a documentary,’” Lingo remembered. “Because of the chapterized format, and each essay being on such a specific topic, it was really rich for translation into the documentary form.”

Added Hannah-Jones of the onscreen adaptation, “It’s much more accessible. You’re reaching a completely different audience, and you’re expanding who can engage with the information in the project. That’s really important to me, ensuring that the people that we are writing about and writing for can access it.”

Director Roger Ross Williams, the first African American director to win an Academy Award (for his short film Music by Prudence in 2009) told THR that though adapting a dense essay to a visual format was a challenge, using personal narrative was the key.

“When I first read The 1619 Project, I was transformed because I didn’t know my own history as a Black American, I didn’t quite understand all the systemic things that were in place,” he said. “Once I listened to the podcast, I realized that the secret of transforming this was Nikole Hannah-Jones and her personal story, and the way she used her experience as a Black American to tell the story. So I was like, ‘Nikole is going to be our guide through the series.’”

“The argument of The 1619 Project is that slavery is foundational to the United States … I want us to be honest about what this country was built upon,” Hannah-Jones said during a post-screening conversation moderated by executive producer Oprah Winfrey. “But I also want us to understand … that the legacy of slavery is shaping our society, whether we acknowledge it or not, and it’s not just hurting Black folks. I just want us to be liberated by the knowledge of what we were built upon.”

Hannah-Jones and Winfrey, who were joined in the Q&A by Williams and executive producer Shoshana Guy, spoke about creating the six episodes — titled “Democracy,” “Race,” “Music,” “Capitalism,” “Fear,” and “Justice” — which Hannah-Jones said were chosen because they are “core pillars of American identity.”

“It was important to thread a current story throughout each episode because we have to show how much has not changed … that the struggles of Black Americans from the legacy of slavery still exist today and to show those and weave that throughout the hour. You don’t want to just get a history lesson, we want to actually see how it affects our lives,” Williams said. “Every single episode is not about the past, but it’s about the present. Voter suppression, police violence, the brutal nature of capitalism — all of that is what we are experiencing now.”

According to Guy, working on a project rooted in education allowed for deep learning about the extent of Black contributions to American society throughout the process, and having Hannah-Jones at the helm was an added bonus. “Journalism is the record, right? There’s a reason why we say on the record and off the record as journalists, because we’re creating a record, and I can think of no person that I would rather create a record with then Nikole Hannah-Jones,” Guy continued. “The partnership has just been phenomenal and to be able to work for a Black woman who’s in charge of a project, who created a project, who dreamed a project and who has your back 100 percent all the time, is a form of liberation.”

The first two episodes of The 1619 Project are now streaming on Hulu, with the following installments dropping in pairs on Thursdays.

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Four years ago this month, Nikole Hannah-Jones,

Jennifer Lopez and Josh Duhamel romantic-action comedy has the tantalizing flavours of a standard Hollywood light-hearted flick sautéed with banal humour, mushy one-liners, an over-the-top premise, lucid characters and some genuinely slick action sequences that adds some charm to the otherwise austere story.

Shotgun Wedding is the perfect kind of film tailor-made for you to sit and consume with yourself or with friends on an uneventful weekend night. Even though it lacks originality, Shotgun Wedding aptly pays homage to the zany sans iconic comedies of the early 2000s and the mid 2010s like Jerry Maguire, Mr and Mrs Smith, The Princess Bride and the likes of it.

The Jason Moore directorial follows a pretty straightforward storyline. Tom (played by Josh Duhamel) and Darcy (played by Jennifer Lopez) are one happy couple who are about to get married in the most extravagant of ways. While the eccentric families of both convene at a spectacular tropical island in the Philippines for a memorable destination wedding, the leading couple in some or the other way encounter a series of bizarre circumstances. For instance, they are joined by an unexpected guest, Darcy’s ex- lover Sean(played by Lenny Kravitz) who is there at the behest of Darcy’s rich father.

The evening goes well for the friends and family (with some comic hiccup of course) and the night rolls along. Only then we get to notice how unprepared the soon-to-be bride and groom are in the context of their forthcoming marriage. But the actual story unfurls the next day when Tom and Darcy get into a squabble over something petty and their guests waiting at the wedding venue get raided by some rogue pirates. The couple are then faced with the challenge of rescuing all the hostages while trying to negotiate their feelings for each other in the process. Will they end up together by the end of the film?

Shotgun Wedding adheres to the age-old formula of the classic rom-com tropes but with the added vagary of streamlined action thrown into the equation. It has everything that you would expect from a decent laid-back watch such as wafer-thin character sketches derived right from the overused repository of characters. For example, an unimpressed and condescending m other who downplays her daughter’s choice, a hot and foxy sister that resonates with JLo, a dumb but charming token male character just to balance the charts and some other characters we’ve probably seen before in countless other films. The lack of imagination becomes even more glaring when the ‘so-called’ plot twists don’t appeal to you because you had probably predicted them.

But in its defense, Shotgun Wedding feels like a tub of ice-cream that you want to dig in more and more since it colludes with your sub-conscious pursuits for guilty pleasures. Perhaps it’s the whimsical and illogical developments that fascinate us. Or the rush of dopamine and the feeling of familiarity when we see Josh and Darcy arguing in the midst of a life-threatening situation and yet selflessly asserting their love for one another. Their palpable chemistry is bound to leave you gushing with undying hope and expectations. With some hit and miss jokes scattered here and there, some dorky and some heartfelt moments of companionship shared between our protagonists and the dollops of cringe bleeding out of the screenplay, Shotgun Wedding is fairly entertaining and enjoyable given that you don’t scrutinize every small detail pertaining to the illogicality of the treatment. It’s an easy and unexacting film to keep pace with and it should be watched with that context in mind.

Baring the comedy and romantic parts, Shotgun Wedding surprisingly makes for a brilliant action film, if that was the standalone genre the film-maker had exclusively gone after. The film has an abundance of neatly choreographed stunts, the high-octane sequences majorly towards the climax involving a chopper hovering over the ocean and a paragliding mid-air tussle, the blazing gunfights and grenade hurling tricks and some scenes with hand-to-hand combat is certainly enthralling. Jennifer Lopez as Darcy is convincingly good for most of the parts except when she is trying too hard to act cutesy and adorable. That’s when her whole character turns annoying and unbelievable. It sort of wanes the consistency of her on-screen synthesis with Josh Duhamel. Meanwhile, Josh is pretty much likeable and has great comic timing.

Jennifer Coolidge is brilliant but lacks proper screen-time. Sonia Bragais is equally impressive. Lenny Kravitz was a pleasant surprise after nine long years and he still knows his craft. Some other good performances consisted of Cheech Marin, D’Arcy Carden, Selena Tan, Desmin Borges and Alex Mallari Jr. Pinar Toprak’s music is the cherry on the cake.

If you want to unwind this weekend and you want something light-hearted and funny to take you out from your weekday blues then Shotgun Wedding will be an apt film for you.

Shotgun Wedding is now streaming on Lionsgate Play.

Read all the Latest Movies News here

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Jennifer Lopez and Josh Duhamel romantic-action comedy

We will update all our Oscar predictions throughout the season, so keep checking IndieWire for the latest news from the 2023 Oscar race. The nomination round of voting will take place from January 12 to January 17, 2023, with the official Oscar nominations announced on January 24, 2023. The final voting is between March 2 and 7, 2023. Finally, the 95th Oscars telecast will be broadcast on Sunday, March 12 and air live on ABC at 8:00 p.m. ET/ 5:00 p.m. PT.

See our initial thoughts for what to expect at the 95th Academy Awards here.

The State of the Race

“All Quiet on the Western Front,” “Black Panther: Wakanda Forever,” “Elvis,” “The Batman,” and “The Whale” were nominated for the Best Makeup and Hairstyling Oscar on Tuesday. All but “All Quiet on the Western Front” were also nominated for the 10th MUAHS Guild Awards (to be held February 11 at the Beverly Hilton).

Shortlisted omissions also nominated for the MUAHS Awards included “Amsterdam,” “Babylon,” “Blonde.” Among the other no-shows were “Crimes of the Future” and “Emancipation.”

Now it becomes a race between “The Whale” and “Elvis,” bolstered by Best Actor nominations for Brendan Fraser and Austin Butler, with the late surging “All Quiet on the Western Front” becoming the wild card, thanks to its Oscar momentum — tying “Elvis” for crafts leader with six noms apiece.

Looking at the MUAHS Awards, “Elvis” scored the most nominations with three (tied with “The Batman”) for period makeup and hairstyling and special makeup effects, with “The Whale” earning its nomination for special makeup effects.

In transforming Butler into the King of Rock, Shane Thomas (hair and makeup designer), two-time Oscar winner Mark Coulier (prosthetics designer), and Jason Baird (prosthetics supervisor) did a slight progression from the ’50s through the ’70s. The key was getting the iconic pompadour right: Although they colored the actor’s hair for the early ’50s, wigs were used for subsequent eras, going higher and higher. Facial prosthetics were applied and became more chiseled as Presley got older and his jawline hardened. Dreamy eyelashes and eye makeup completed the look.

The most innovative work, though, occurred in Darren Aronofsky’s “The Whale,” which is why it’s the frontrunner. Fraser was transformed into the 600-pound English teacher through the first-time use of all-digital prosthetic makeup for a major feature, pioneered by prosthetic makeup designer Adrien Morot. This pushed Fraser’s weight to the severest extreme without covering his face and obfuscating his emotional range of expression.

“All Quiet” makeup and hair designer Heike Merker immersed herself in the fine details of applying mud and blood to Paul (Felix Kammerer) and his fellow soldiers on the rain-soaked battlefield. She helped convey their journey into becoming sludge-caked, weary, demoralized soldiers. This entailed an assortment of wigs and lots of facial hair, and keeping track of the evolution of the war makeup and hair (especially since scenes were not shot in order).

However, the most unrecognizable work can be found in “The Batman,” courtesy of prosthetic makeup artist Michael Marino, who provided a total transformation for Colin Farrell as low-level gangster Oz/Penguin, without being inhibited at all in delivering his funny, volatile performance.

While “Wakanda Forever” failed to match the historic craft nominations of “Black Panther,” it broke through in makeup and hairstyling for Oscar-winning makeup artist Joel Harlow and hairstylist Camille Friend. They accomplished two tasks with Ryan Coogler’s sequel: The first was expanding the Wakandan looks based on various African cultures (especially for Angela Bassett’s Oscar-nominated Queen Ramonda — a first acting nom for Marvel), and the second was developing looks for the underwater Talokans based on Mesoamerican tribes and cultures (particularly their worship of the sun and moon).

Below are the nominees ranked in order of likelihood to win:

“The Whale” (A24)
“Elvis” (Warner Bros.)
“All Quiet on the Western Front” (Netflix)
“The Batman” (Warner Bros.)
“Black Panther: Wakanda Forever” (Marvel/Disney)

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We will update all our Oscar predictions

ABC News is officially parting ways with GMA3 anchors Amy Robach and T.J. Holmes.

“After several productive conversations with Amy Robach and T.J. Holmes, about different options, we all agreed it’s best for everyone that they move on from ABC News,” an ABC News spokesperson said Friday evening. “We recognize their talent and commitment over the years and are thankful for their contributions.”

The news anchors became tabloid fodder late last year after they were revealed to have been in a personal relationship. They subsequently left their respective spouses.

The decision follows an internal investigation at the company looking into whether their relationship violated company policies.

Holmes has been with ABC News since 2014 and has co-anchored GMA3 since 2020. Robach joined ABC News in 2012, and also joined GMA3 in 2020.

Reports of Holmes and Robach’s relationship surfaced in early December in the tabloids, with ABC News president Kim Godwin deciding on Dec. 5 to temporarily pull the pair off of GMA3 while the network figured out its next steps. An internal investigation followed.

“These decisions are not easy, they are not knee-jerk, but they are necessary for the brand and for our priority which, you guys know, are all of us — the people here at ABC,” Godwin told employees on a conference call at the time.

Gio Benitez and Stephanie Ramos had been hosting GMA3 since Holmes and Robach were suspended.

GMA3 began in 2018 as GMA Day, an afternoon spinoff of Good Morning America hosted by Michael Strahan and Sara Haines. It was rebranded multiple times since then, taking the format GMA3: What You Need to Know amid the COVID-19 pandemic in 2020.

Holmes and Robach are both veteran journalists, with Holmes having worked at CNN, BET and MSNBC before joining ABC, and Robach a veteran of NBC News and MSNBC.

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ABC News is officially parting ways with

HBO’s The Last of Us is going bonkers in terms of viewership. Everyone loves the new show; many will agree it’s probably the most accurate video game adaptation to date in terms of nailing the game’s tone and story.

We’ll need to watch a few more episodes to arrive at an honest conclusion. Still, we’re digging this fungus-filled adventure, so much so that we decided to jot down a list of other video games we’d love to see on the small screen.

Doom

Hollywood has given us two Doom adaptations, including a 2005 adaptation starring the Rock and Karl Urban, and both sucked. It’s time to do id Software’s iconic first-person shooter series justice. Don’t overthink this: a TV show centered on the mysterious Doomslayer and his journey to Hell and back doesn’t need to be complicated. Give the guy some guns and a few thousand demons to battle, and let the good times roll! 

Or, if a producer must get clever, give us something along The Dirty Dozen, drop a handful of violent criminals into Hell, and watch them fight their way to freedom through multiple seasons until only one remains. Of course, that’s a suggestion, but give us more than that terrible Doom: Annihilation that hit VOD in 2019.

Far Cry 3

I missed out on Far Cry 1 & 2. Still, I immediately fell in love with the third chapter within minutes of leaping into its wild world of cocaine-addicted pirates and ravenous animals. The story, while simple, would work in a TV series: a group of teens party a little too hard on a remote island and end up captives of local pirates. One of the kids, Jason, manages to escape, joins up with the local Rakyat tribe, and proceeds to locate his friends all the while evading Michael Mando’s batshit crazy Vaas Montenegro. Cue violence and destructive mayhem.

Producers could dig deeper into the series and adapt the remaining sequels as an anthology if all goes well. An entire franchise is right there, folks, just waiting to be mined. 

Red Dead Redemption

Rocksteady’s epic western saga features colorful characters and a strong enough storyline to hold viewers’ attention in the same way as Deadwood or Yellowstone. The tricky part would be figuring out how to make Red Dead stand out from other westerns. Personally, I’d love to see John Marston in live action, followed by the tragic tale of Arthur Morgan. Bonus points if the showrunner includes the infamous drinking scene from Red Dead 2 or any of the game’s hysterical fails/glitches. 

Arkham Series

With Batman seemingly up in the air at Warner Bros., new DCU chief James Gunn should pitch an Arkham Knight-themed TV show that follows Rocksteady’s famous Arkham trilogy. For those unaware, the series follows Batman’s attempts to thwart the diabolical plots of iconic villains such as Joker, Hugo Strange, Ra’s al Ghul, and Scarecrow (among others) at Arkham Asylum, Arkham City, and later Gotham. During his ordeal, Bats bumps shoulders with Catwoman, Robin, and Nightwing. He uses an incredible arsenal of vehicles, weapons, and gadgets to get the job done.

While the game functions as one big story, side missions featuring the likes of Mr. Freeze and Two-Face, work as individual episodes that ultimately connect with the larger narrative. After seeing the Caped Crusader on the big screen over the years, maybe it’s time to bring him back to the boob tube, where we can really get a good look at his rogue’s gallery.  

The Legend of Zelda

I’m surprised we haven’t seen Link in some shape or form on the big or small screen. After The Super Mario Bros. Movie trailer, I think an animated Link adventure could be done well enough to cater to the popular video game franchise’s general audiences and diehard fans. 

Admittedly, the last Zelda game I played was N64’s The Ocarina of Time way back in the late 90s, but I vividly recall my experience. With nearly 30 games to choose from, any showrunner with the cajones to tackle this vast franchise won’t long for content, and it is prime for an anthology series given that the games use multiple different Links and Zeldas from vastly different time periods in Hyrule. It doesn’t have to get all dark and brooding, either. Make Zelda in the same vein as Mario — fun and cute, but intense when the situation calls for more violence.

Grand Theft Auto

Grand Theft Auto V sold millions of copies upon its release in 2013. Clearly, there’s a built-in audience clamoring for more misadventures with Michael Townley, Trevor Philips, and Brad Snider. Why not give them what they want: an entire series worth of violence, sex, drugs, and mayhem set in the fictional city of Los Santos? Think The Sopranos, albeit in a world where everything is a tad more exaggerated, villains run rampant, and only the strong live long enough to rise to the top of the food chain. There would have to be one episode designed around a character’s plan to run along the top of a 747 — does anyone have Tom Cruise’s number?

Uncharted

Last year saw the release of Reuben Fleischer’s long-in-development Uncharted. While the film has its moments and certainly captures the feel of the popular video game series, the bizarre casting choices — ahem, Tom Holland and Mark Wahlberg? — left a lot to be desired. On top of that, the film pivots from the game’s story in favor of a prequel that explains Nathan Drake’s origins. Why? As The Last of Us series has shown, it’s possible to stick closely to the plot of a video game and still draw millions of viewers. 

In this case, any Uncharted series needs to bring back creator Amy Hennig, whose sharp writing brought Drake and Co. to vivid life in 2007. Nate could fill the void vacated by old-fashioned action heroes like Indiana Jones, people. He needs someone with the vision and wherewithal to bring him to life. I suspect a TV adaptation would better serve his sprawling adventures, where a writing team could flesh out his story in greater detail without the pressures of the worldwide box office. 

Call of Duty: Modern Warfare

Call of Duty remains one of the most enduring video game franchises of all time. Hell, for a good decade or so, it was must-purchase entertainment. Modern Warfare and Modern Warfare 2, for example, stand as two of my all-time favorite gaming experiences. I would love to see their epic stories brought to life in a globe-trotting, Jack Ryan-esque series. Introduce Soap MacTavish and his special forces unit and follow their endeavors to bring down the likes of Vladimir Makarov and Khaled Al-Asad.

Imagine a high-octane series punctuated by incredible action; rip-roaring set pieces, and explosive fun. And yes, I expect an entire episode devoted to the Overwatch mission.

Half-Life 2

It’s been nearly two decades since Half-Life 2 (and Portal, for that matter), but seeing what HBO accomplished with The Last of Us makes me believe the time is right for a TV series chronicling the adventures of Gordon Freeman. Sure, the content is akin to The Last of Us — Earth is overrun by something called the Combine — but there’s a lot more to the story than running and gunning. Imagine seeing those weird ass alien dog things brought to life? Epic storytelling at its finest, folks, and it’s right there waiting for someone with a unique vision to raise it from the dead.

Little Nightmares

Finally, Little Nightmares is another game that could make for an exciting TV series — so long as it’s done in the same creepy stop-motion style as Guillermo Del Toro’s Pinocchio. This dark, stylish nightmare would terrify as an episodic series as we follow Six through the strange world of Maw, filled with bizarre creatures presided over by the Lady. The story would need a bit more padding. Still, the nonstop weirdness would likely be enough to hold viewers’ attention through multiple seasons. 

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HBO’s The Last of Us is going bonkers in

For the first time since 2020, the Sundance Film Festival ended with an in-person awards show. Now the Audience Awards and jury winners for 2023 have been announced.

At the ceremony festival director of programming Kim Yutani had this to say “This year taught me to never forget the magic we make here on the mountain. Every single one of these films has had a standout moment and incredible energy from our audiences.”

The 2023 festival featured 111 features and 64 shorts, selected from 15,856 submissions, which were screened in Park City, Salt Lake City, and at the Sundance Resort. Over 75 of both short and feature-length works, along with many selected Indie Episodic’s, will be available for streaming via the fest’s online platform through January 29.

 

View the list of winners below:

GRAND JURY PRIZES

U.S. Grand Jury Prize: Dramatic – “A Thousand and One” (dir. A.V. Rockwell)

U.S. Grand Jury Prize: Documentary – “Going to Mars: The Nikki Giovanni Project” (dir. Joe Brewster)

World Cinema Grand Jury Prize: Dramatic – “Scrapper” (dir. Charlotte Regan)

World Cinema Grand Jury Prize: Documentary – “The Eternal Memory” (dir. Maite Alberdi)

AUDIENCE AWARDS

Audience Award: U.S. Documentary – “Beyond Utopia” (dir. Madeleine Gavin)

Audience Award: U.S. Dramatic – “The Persian Version” (dir. Maryam Keshavarz)

Audience Award: World Cinema Dramatic – “Shayda” (dir. Noora Niasari)

Audience Award: World Cinema Documentary – “20 Days in Mariupol” (dir. Mstyslav Chernov)

Audience Award: NEXT – “Kokomo City” (dir. D. Smith)

FESTIVAL FAVORITE AWARD

“Radical” (dir. Christopher Zalla)

JURY AWARDS FOR DIRECTING, SCREENWRITING & EDITING

Directing Award: U.S. Documentary Luke Lorentzen, “A Still Small Voice”

Directing Award: U.S. Dramatic – Sing J. Lee, “The Accidental Getaway Driver”

Directing Award: World Cinema Documentary – Anna Hints, “Smoke Sauna Sisterhood”

Directing Award: World Cinema Dramatic – Marija Kavtaradze, “Slow”

Waldo Salt Screenwriting Award: U.S. Dramatic – Maryam Keshavarz, “The Persian Version”

Jonathan Oppenheim Editing Award: U.S. Documentary – Daniela I. Quiroz, “Going Varsity in Mariachi”

SHORT FILM AWARDS 

Short Film Grand Jury Prize – “When You Left Me on That Boulevard” (dir. Kayla Abuda Galang)

Short Film Jury Award: U.S. Fiction – “Rest Stop” (dir. Crystal Kayiza)

Short Film Jury Award: International Fiction – “The Kidnapping of the Bride” (dir. Sophia Mocorrea)

Short Film Jury Award: Nonfiction – “Will You Look at Me” (dir. Shuli Huang)

Short Film Jury Award: Animation – “The Flying Sailor” (dir. Wendy Tilby and Amanda Forbis)

SPECIAL JURY AWARDS

World Cinema Documentary Special Jury Award for Creative Vision – “Fantastic Machine” (dir. Axel Danielson and Maximilien Van Aertryck)

World Cinema Documentary Special Jury Award for Verite Filmmaking – “Against the Tide” (dir. Sarvnik Kaur)

World Cinema Dramatic Special Jury Award for Creative Vision – “Animalia” (dir. Sofia Alaoui)

World Cinema Dramatic Special Jury Award for Cinematography – Lílis Soares, “Mami Wata”

World Cinema Dramatic Special Jury Award for Best Performance – Rosa Marchant, “When It Melts”

Short Film Special Jury Award, International: Directing – “AliEN0089” (dir. Valeria Hofmann)

Short Film Special Jury Award, U.S: Directing – “The Vacation” (dir. Jarreau Carrillo)

U.S. Documentary Special Jury Award for Clarity of Vision – “The Stroll” (dir. Kristen Lovell & Zackary Drucker)

U.S. Documentary Special Jury Award for Freedom of Expression – “Bad Press” (dir. Rebecca Landsberry-Baker & Joe Peeler)

Jury Award: Acting – Lio Mehiel, “Mutt”

Jury Award: Ensemble – “Theater Camp”, Directors: Molly Gordon, Nick Lieberman

Jury Award: Creative Vision – “Magazine Dreams”, Director: Elijah Bynum

NEXT Innovator Award presented by Adobe

“Kokomo City” (dir. D. Smith)

For the first time since 2020, the

The good news keeps continuing for HBO’s new hit show The Last of Us. HBO has just announced today that the show has been renewed for a second season! It was almost a guarantee with a 97% critic score on Rotten Tomatoes and marking HBO’s second largest debut, behind only House of the Dragon. Episode 1 has now surpassed 22 million viewers domestically, up nearly 5x from its premiere night audience. Episode 2 of the series tallied 5.7 million viewers across HBO Max and linear telecasts in the U.S. Sunday night, based on Nielsen and first party data, adding more than 1 million new viewers vs. the series premiere. This 22% jump marks the largest week two audience growth for any HBO Original Drama Series in the history of the network.

Here is the announcement made on the official The Last of Us twitter account below:

The show was also a hit on social media, with it trending #1 both in the U.S. and worldwide on Twitter during its series debut. To date, season one teasers and trailers have amassed more than 100 million views globally. Additionally, the first episode of the series’ companion podcast hit #1 on the Apple Podcast US charts across all genres within 48 hours of its release.

Courtesy of HBO/HBO Max

It is based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation platforms. Being written and executive produced by Craig Mazin (Emmy Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President). The series is a co-production with Sony Pictures Television and is executive produced by Carolyn Strauss, Evan Wells, Asad Qizilbash, Carter Swan, and Rose Lam. Production companies: PlayStation Productions, Word Games, The Mighty Mint, and Naughty Dog.

“Craig and Neil, alongside EP Carolyn Strauss, and the rest of our phenomenal cast and crew, have defined a genre with their masterful debut season of ‘The Last of Us,’” said Francesca Orsi, Executive Vice President, HBO Programming, Head of HBO Drama Series and Films. “After pulling off this unforgettable first season, I can’t wait to watch this team outshine themselves again with season two.”

Courtesy of HBO/HBO Max

“I’m humbled, honored, and frankly overwhelmed that so many people have tuned in and connected with our retelling of Joel and Ellie’s journey. The collaboration with Craig Mazin, our incredible cast & crew, and HBO exceeded my already high expectations,” said executive producer Neil Druckmann. “Now we have the absolute pleasure of being able to do it again with season two! On behalf of everyone at Naughty Dog & PlayStation, thank you!”

“I’m so grateful to Neil Druckmann and HBO for our partnership, and I’m even more grateful to the millions of people who have joined us on this journey,” said executive producer Craig Mazin. “The audience has given us the chance to continue, and as a fan of the characters and world Neil and Naughty Dog created, I couldn’t be more ready to dive back in.”

Courtesy of HBO/HBO Max

Season one takes place 20 years after modern civilization has been destroyed. Joel (Pedro Pascal), a hardened survivor, is hired to smuggle Ellie (Bella Ramsey), a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal and heartbreaking journey as they both must traverse the U.S. and depend on each other for survival.

Season one stars Pedro Pascal as Joel, Bella Ramsey as Ellie, Gabriel Luna as Tommy, Anna Torv as Tess, Nico Parker as Sarah, Murray Bartlett as Frank, Nick Offerman as Bill, Melanie Lynskey as Kathleen, Storm Reid as Riley, Merle Dandridge as Marlene, Jeffrey Pierce as Perry, Lamar Johnson as Henry, Keivonn Woodard as Sam, Graham Greene as Marlon, and Elaine Miles as Florence. Ashley Johnson and Troy Baker also star.

 

New episodes of the series debut Sundays at 9:00 p.m. ET/PT on HBO and are available to stream on HBO Max, leading up to the finale on March 12. Starting today, the first episode of The Last of Us will be made available for free on here. Fans can also tune in to The Last of Us Podcast, the series’ official companion podcast where host Troy Baker, who plays Joel in the video game, sits down with series creators Craig Mazin and Neil Druckmann for a scene-by-scene deep dive of each episode.

Stay tuned here for more cast announcements for Season 2 and more to come on this new hit series.

The good news keeps continuing for HBO's

Hollywood’s studios and labor unions have renewed the COVID-19 safety protocols with some testing requirements for workers not in the immediate film production area removed.

Part I of the COVID-19 Safety Agreement remains unchanged, continuing to require the strictest protocols be implemented on productions occurring in any metropolitan area or county with 14 or more COVID-19 hospital admissions per 100,000 people. Most major production hubs in the United States, including Los Angeles, currently have hospitalization rates below this threshold.

Most productions are currently working under Part II of the agreement, which allows for looser testing requirements on sets in areas with lower hospitalization rates. Under the new changes, pre-employment testing is no longer required for workers in zones B and C, areas of productions that are distanced from Zone A, where shooting directly takes place and actors perform in front of the camera without a mask.

Additionally, weekly testing is no longer required for employees in Zone B, though producers are required to make tests available for employees who have come into close contact with someone who tested positive for COVID-19 if so requested. The agreement also grants a bank of five additional sick days and no longer requires the COVID compliance supervisor to be physically present on set as long as a member of the compliance team is accessible at all times during shooting hours.

The COVID-19 safety protocols were introduced in September 2020 after months of discussions between SAG-AFTRA, the Directors Guild of America, Teamsters Local 399, IATSE, and the Alliance of Motion Picture and Television Producers. The unions and AMPTP regularly meet to make modifications to the protocols depending on COVID-19 infection rates and to extend the period of enforcement.

The current protocol extension will last until April 1.

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Hollywood’s studios and labor unions have renewed

MTV Documentary Films has acquired worldwide rights to “The Eternal Memory,” Maite Alberdi’s follow-up to her Oscar-nominated feature “The Mole Agent.” Sources say that the film sold for nearly $3 million.

The doc premiered at the Sundance Film Festival in January, and will have its international premiere at the Berlin Film Festival next month as part of the “Panorama” section.

The film was produced by Alberdi, Juan De Dios Larraín, Pablo Larraín and Rocío Jadue. It is executive produced by Marcela Santibañez, Daniela Sandoval, Nicholas Hooper, Julie Goldman, Christopher Clements, Chandra Jessee and Rebecca Lichtenfeld.

MTV Documentary Films was set up in 2019 by legendary HBO Documentary Films boss Sheila Nevins, and Paramount Global executives Liza Burnett Fefferman and Nina L. Diaz. Nevins was at HBO for 38 years and won 34 Emmys in that period. Her credits include “Citizenfour,” “Going Clear: Scientology and the Prison of Belief” and “Paradise Lost.”

In “The Eternal Memory,” Augusto and Paulina have been together and in love for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease, and his wife has since become his caretaker. As one of Chile’s most prominent cultural commentators and television presenters, Augusto is no stranger to building an archive of memory, having been responsible for that herculean task following the Pinochet dictatorship and its systematic erasure of collective consciousness.

But now, he turns that work to his own life, trying to hold on to his identity with the help of his partner. Day by day, the couple faces this challenge head-on, adapting to the disruptions brought on by Augusto’s disease while relying on the affection and sense of humor shared between them.

Alberdi said: “I am so happy that ‘The Eternal Memory’ has found its home at MTV Documentary Films, which in recent years, has believed in the artistic innovation of documentaries and has released documentaries that I greatly admire. Working with Sheila Nevins is an honor, and I admire what she has built in the documentary industry.”

Nevins added: “The gift of love that lasts is revealed in ‘The Eternal Memory.’ One cannot be cynical in Maite’s verité film – a remarkable achievement that allows us to observe what remains as memory fades. We reconsider the value of a long life lived and consider in our own lives the eternal reach of comfort and caring to an otherwise merciless end.”

Nina L. Diaz and Liza Burnett Fefferman, co-heads of MTV Documentary Films, said: “An extraordinary and sublime love story, we simply couldn’t take our eyes off the screen. ‘The Eternal Memory’ left us so deeply moved and devoted to Augusto and Pauli – we can’t stop thinking/talking and marveling about the beautiful work Maite has done and how elated we are to bring this film out into the world.”

“The Eternal Memory” is a Micromundo and Fabula production. Submarine and United Talent Agency Independent Film Group brokered the deal with MTV Documentary Films on behalf of the filmmakers. UTA also represents Alberdi.

VIP+ Analysis: Clues for Specialty Films in Buzzy Sundance Buys

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MTV Documentary Films has acquired worldwide rights

The city of Memphis plans to release video Friday showing Tyre Nichols being tased, pepper-sprayed, beaten and restrained for three minutes by police officers in a case that is being closely watched across the country.

The video will be released after 4 p.m. Pacific time, Shelby County Dist. Atty. Steven Mulroy said Thursday.

Here is what we know about the beating, which put Nichols in the hospital, where he ultimately died:

What happened in the police encounter?

Nichols was pulled over Jan. 7 and arrested on suspicion of reckless driving, according to Memphis police. Nichols’ families’ attorneys say they believe he was stopped for driving the wrong way on a one-way street.

Officers and Nichols were just 100 yards from the home of Nichols’ parents during the encounter, according to Jennifer McGuffin, the chief spokesperson for Romanucci & Blandon, the law firm representing the family.

When officers approached Nichols’ car, a confrontation occurred, and Nichols ran off, police said.

Attorney Antonio Romanucci — who has seen portions of the police body-camera video — said Nichols asked why he was being pulled over during the initial stop. Officers quickly used pepper spray on him, and he fled from his car, Romanucci said.

The police officers pursued Nichols, and another, more violent, confrontation took place, leading to Nichols’ arrest and subsequent hospitalization, police said.

Romanucci said that although only five police officers were charged, there were more police on scene. He estimated 10 to 12 officers were in the video. Nichols can be heard in the video screaming, “What did I do?” and calling for his mother, he said.

What happened to the officers?

All five were fired less than two weeks after the encounter with Nichols.

On Thursday, the officers — Tadarrius Bean, Demetrius Haley, Emmitt Martin III, Desmond Mills Jr. and Justin Smith, all of whom are Black — were each charged with one count of second-degree murder, two counts of official misconduct, one count of official oppression, one count of aggravated assault while acting in concert, and two counts of aggravated kidnapping in the death of Nichols.

The five were part of the Memphis Police Department’s Scorpion Unit, a 40-person team dedicated to fighting violent crime in hot spots in the city. “Scorpion” stands for Street Crimes Operation to Restore Peace in Our Neighborhoods.

The unit identifies high-crime areas using data and then sends teams to those locations. It was not immediately clear why Scorpion officers were the ones who pulled Nichols over. But the unit has come under fire from activists who say it has not brought down crime and mostly targets low-income residents.

What do we know about Nichols?

Nichols, a California native and father of a 4-year-old son, grew up in Sacramento and had recently moved to Memphis to work for FedEx. He loved to skateboard and practiced photography, according to family.

Nichols’ aunt, Kandi Green, said in an interview with The Times that he had a bright smile and warm personality.

“He just had one of those spirits, one of those personalities that would draw you to him,” Green said. “He was a sweetheart. Every time you seen him, he had a smile on his face. … Never had a criminal record. Never been in any type of trouble. All-around good kid.”

Asked about the charges against the officers, she added: “I’m excited. It shows that justice is being served. It doesn’t matter the color of the officers. The fact is, the officers did what they did, and it was unnecessary.”

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The city of Memphis plans to release

Sydney Sweeney’s Go-To Laneige Hyaluronic Serum is On Sale Now to Help Combat Dry Skin This Winter | Entertainment Tonight
































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Written by Kenya Barris and Jonah Hill, “You People” takes a look at what happens when two very different families — one Black and one white — come together. Hill and Lauren London play a new couple whose relatives find themselves examining modern love and family dynamics amidst clashing cultures, societal expectations and generational differences.

“You People” also marks Barris’ directorial debut.

When Does “You People” Come Out?

“You People” was released in select theaters on Jan. 20, 2023.

Is “You People” Streaming?

“You People” will begin streaming Jan. 27 on Netflix.

Who Is in the “You People” Cast?

Jonah Hill plays Ezra Cohen and Lauren London plays Amira Mohammed, his girlfriend.

Julia Louis-Dreyfus and David Duchovny play Ezra’s parents Shelley and Arnold.

Nia Long and Eddie Murphy play Amira’s parents, Akbar and Fatima Mohammed.

Sam Jay, Elliott Gould, Travis Bennett, Molly Gordon, Rhea Perlman, Deon Cole, Andrea Savage, Mike Epps, Emily Arlook, Alani La La Anthony, and Bryan Greenberg also star.

Watch the “You People” Trailer

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Written by Kenya Barris and Jonah Hill,

Avery Jones, better known by the stage name Kota the Friend, returned to his former “stomping grounds” in the latest episode of “Live From My Den,” fondly reflecting on how growing up in Clinton Hill, Brooklyn bore heavy influence on his songwriting process.

The New York native explained how two of his greatest musical mentors — Biggie Smalls and Jay-Z —lived just blocks away from his childhood home. When Kota started producing his own music, he began drawing inspiration from his favorite artists to mold his signature lo-fi, hip-hop sound.

“I studied Jay-Z and his lyricism. And I studied Biggie and his wit. And I studied Bob Dylan,” Kota said. “[Dylan] writes it in a way that you understand. It’s simple enough, but it’s complex enough where you can say it without saying it. And these artists taught me writing. They taught me how to say my words in a way that the audience can feel it.”

To the extent of his more recent discography, Kota credits musicians like Jay-Z, The Notorious B.I.G. and Bob Dylan with having a pervasive effect on the music he produces: “If you listen to my music now, you can hear those notes,” he said.

The “Colorado” singer’s latest album, “Lyrics to GO, Vol. 4” debuted Jan. 18 and features 10 tracks. But the 30-year-old rapper isn’t planning to slow down production anytime soon; he revealed he’s already completed another project, which is set to release in the early months of 2023. Kota also said he hopes to create an album with a “similar vibe” to his song “Red Lights,” which he produced alongside frequent collaborator Hello O’shay. The 2022 single came to fruition after Kota spontaneously began sampling beats on an Instagram Live.

“I’m not trying to make an album full of songs that sound like ‘Red Lights,’” Kota clarified. “I’m just trying to make a whole bunch of songs that I enjoy creating… It’s a very free process right now, and I’m loving it. And that’s exactly how ‘Red Lights’ happened.”

Just a year after the release of Kota’s introspective album “Memo,” the songwriter said he’s currently focused on keeping his music light-hearted and experimenting with new genres — a notable shift from his prior rap discography, which he described as “really close and spiritual.”

“I remember the first time I made something that was similar to a house song, I was scared to perform it because I didn’t know how that is going to transfer over to a live stage. I’m used to doing raps,” Kota said. “But when you start singing and getting into that groovy house, it’s just different. And really, it’s just practice. You have to practice. And you see how the crowd reacts and everything, and it works at some point. But it just takes practice.”

Watch the full episode above.

This season of Live from My Den is made possible by Hard Rock and in partnership with Fujifilm X Series US.

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Avery Jones, better known by the stage

EXCLUSIVE: Nicole Kidman is back at HBO with another high-profile limited series based on a novel, The Perfect Nanny. Kidman and Pen15 co-creator and co-lead Maya Erskine are set to star in the project, which HBO landed in a very competitive situation. Erskine is the creator and writer of the limited series, based on the book of the same name by Leïla Slimani. Legendary Entertainment is the co-studio with HBO.

In The Perfect Nanny, a seemingly perfect nanny goes to work for a couple with two young children, but her helpful personality eventually deteriorates into something sinister.

Kidman and Per Saari executive produce for Kidman’s Blossom Films; Erskine also executive produces alongside Pascal Caucheteux for Why Not Productions, and Philippe Godeau for Pan-Européenne.

Kidman previously starred and executive produced HBO’s Big Little Lies, which originated as a limited series and earned her an acting and producing Emmy award, and The Undoing.

The actor, who also is an Oscar, Golden Globe and SAG Award winner, will next be seen in Lulu Wang’s drama series Expats for Amazon Prime, which Kidman stars in and executive produces. She also stars in the Netflix romantic comedy A Family Affair opposite Zac Efron and Joey King, set for a Nov 2023 release. She is currently in production on Lioness, a Paramount+ original series she executive produces and appears in opposite Zoe Saldana. Kidman will also star in and executive produce Amazon Studios thriller Holland, Michigan, set to start production in 2023.

Erskine is a co-creator, co-lead and executive producer of Hulu’s Emmy-nominated comedy series, Pen15, which ran for two seasons. She is currently filming the Prime Video’s high-profile Mr. and Mrs. Smith series reboot, playing the co-lead opposite Donald Glover.

The Perfect Nanny, which was inspired by the gruesome 2012 Krim children murder, was originally published by Gallimard in France in 2016, with translation rights sold in a bidding war in 40 territories, making it an international bestseller. The novel, which has been praised for its exploration of race and class divisions against the background of every parent’s worst fear, the death of their children, was awarded France’s highest literary prize, the Prix Goncourt. Its 2018 American edition made The New York Times Book Review’s 10 Best Books of the Year list. In the UK, The Perfect Nanny, titled Lullaby, won Debut of the Year at the British Book Awards 2019.

Kidman is repped by CAA, Media Talent Group and Jackoway Tyerman. Erskine is repped by Gersh, Mosaic, and lawyer Melissa Fox. Slimani is repped by Frédérique Massart of Gallimard.

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EXCLUSIVE: Nicole Kidman is back at HBO

Last Updated: January 27, 2023, 23:33 IST

Anil Kapoor enters the house, calls Priyanka Chahar Choudhary day manager and Shiv Thakare night manager.

Bigg Boss 16’s Weekend Ka Vaar episode saw host Farah Khan welcoming Anil Kapoor into the house. He plays a task and dubs Priyanka Choudhary day manager and calls Shiv Thakare the night manager.

Farah Khan takes over the hosting duties from Salman Khan for the week. The filmmaker seems super excited to take over the duties and she also extended Republic Day greetings to the fans. Farah welcomes Mika Singh who has been visiting the show’s many seasons as guest. The singer enters the house to lighten up the inmates’ mood and also makes them groove to his tunes. He also plays a fun task with the contestants in which contestants choose their enemies and give them shock, through a watch. We also see Anil Kapoor entering the house for the promotions of his show The Night Manager.

Archana Gautam gives shock to Shalin Bhanot. Sumbul chooses Priyanka Chahar Choudhary, and reasons that she led downs the other person. She also says that the Udaariyaan actress often taunts Sumbul for shedding tears. At the same time, Mika Singh song with a guitar. Next, Mika calls MC Stan, who points out Archana. The rapper says that she ‘flies’ a lot. Mika then asks Archana to sing a song while she receives shock from the watch. The actress sings Lag Ja Gale, and then declines to sing as she gets shocked by the watch. Next, Shiv also targets Archana. When Shalin is called on the stage, he names Priyanka Chahar Choudhary for blowing things out of proportion, at the same time, Shalin sings Chura Liya Hai Tumne while Priyanka shouts while getting shocked by watch. Next, we see Mika Singh wishing everyone the best and bid adeiu to the inmates.

Next, we see Farah Khan entering the house and meeting the housemates. Next, we see Anil Kapoor making a smashing entry for promoting his show ‘The Night Manager’ also starring Aditya Roy Kapoor. Anil Kapoor then complements MC Stan for his language. He even learns his lingo and repeats after the rapper, and leaves everyone in splits. Anil even calls MC Stan ‘Dhakkan’ and teaches Majnu Bhai’s dialogue ‘ Jab bhi main brush utha ta hu, gun nahi utha ta.” and he nails it.

Next, Anil calls Shalin Bhanot to enact himself, and Farah laughs out loud. Next, we see Anil Kapoor talking to Archana Gautam and he asks her to create Shayari for him. She blushes a lot post which the Nayak actor calls him ‘Archu.’ As she closes her eyes to recite to say the shayari, Anil Kapoor comes close to her and hugs her from the back. She gets extremely delighted after meeting him, Anil also gifts her a portrait of a rose. Next, he invites Sumbul to dance, and she leaves everyone stunned as she grooves to Besharam Rang.

Anil Kapoor then plays a task with housemates, and asks housemates to give the tag of a manager to housemates. Archana gives the tag to Shiv and says that he manages his mandali. Priyanka also takes Shiv Thakare’s name and calls him a manager. Shalin names Priyanka. MC Stan takes Priyanka’s name for managing Tina. Sumbul points out Priyanka and says Archana is being managed by her. Shiv chooses Priyanka. Nimrit too targets the Udaariyaan actress. In the end, Anil Kapoor calls Shiv Thakare day manager and Priyanaka night manager. He then bids farewell to the contestants.

Read all the Latest Movies News here

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Last Updated: January 27, 2023, 23:33 ISTAnil

SPOILER WARNING: From this point on, there will be spoilers regarding storylines in Teen Wolf: The Movie.

When fans learned that Stiles Stilinski would not return to Beacon Hills, viewers worried about how Teen Wolf: The Movie would pan out. While Allison Argent’s resurrection was certainly enough to draw attention to the project, given Allison’s tragic death in season three, did the revival film deliver a solid return?

While Teen Wolf: The Movie behaves just like any other series episode in terms of story and crazy adventures, where the revival falls apart is its wish to return to the days of season 3B rather than address the fallout from the show’s series finale, or tell a completely new story.

Granted, it makes sense that if Teen Wolf: The Movie wanted to center one of its most significant plot points around Allison’s resurrection, it brought back the Nogitsune and the Oni, the villains responsible for her death. However, Stiles and Kira’s absences are even more noticeable due to the Nogitsune’s return, even if Stiles is only referenced a handful of times and Kira never at all.

Leaving out two of the most prominent characters with a direct connection to the returning villain also leaves plenty of confusion about the returning characters with a history with the Nogitsune. For example, Scott and Lydia, who had a vast history with the Nogitsune, would likely have been far more concerned given its previous possession of Stiles.

In the series finale, Dylan O’Brien reprises Void Stiles when the Anuk-Ite tries to get in Scott’s head to acknowledge the Nogitsune’s possession of Stiles as one of Scott’s greatest fears. Even Stilinski, Derek, and Melissa had some background recalling the Nogitsune’s possession.

But, the film takes pleasure in having the characters remind each other of things of massive significance, which they should remember even if it has been years. Why do Melissa, Argent, and Peter need to directly specify what the Nemeton is? It seems more for the audience’s benefit and exposition since the characters should remember these events and facts about their past.

The movie also seems to forget that Liam and Mason, who barely blink an eye at the Nogitsune and Oni, were not present in season 3B when that storyline took place, even if they heard stories about it.

Yet, none of that seems to matter. Even Liam’s appearance in the movie is basically a glorified cameo more than a substantial part, even with how important he was in the show.

Liam and Mason’s friendship does not get the screen time it needs, and it is noticeable that the film is missing the easy and fun camaraderie from the Scott and Stiles friendship.

Teen Wolf: The Movie should have devoted more time to explaining the aftermath of the series finale, considering how the show’s final moments found the McCall Pack dealing with the war against Monroe and a growing number of supernatural hunters.

Instead, the movie skips over that and any acknowledgment that such a brewing war happened at all. Rather than tell that story, Teen Wolf: The Movie is a bigger excuse to focus on Scott and Allison’s relationship and introduce Derek’s teenage son, Eli.

Somehow, Eli is considered more critical than Liam, with far more screen time, as a member of the Hale family who has yet to embrace his werewolf side. His character even gains a complete arc compared to long-time series regular Lydia Martin, whose big reveal that she may or may not have had a dangerous premonition about Stiles never gets a sense of closure.

Lydia’s explanation seems to be more of an excuse to give an answer about Stiles’ absence than a sense of how things would have played out for them. Stiles’ absence from Beacon Hills never gets a definite answer, either.

While Jackson’s return shows that he and Lydia continued to stay friends over time, his involvement does not amount to anything other than giving Lydia someone to bounce off of. However, Jackson’s relationship with Ethan gets a reference as well.

The revival even skips over an explanation for Scott and Malia’s failed romance and why both seem slightly awkward when they see each other.

Malia does not get a full definitive story arc ending either, and the film does not even end on a similar open-ended conclusion that the original series delivered.

Teen Wolf: The Movie relies on the Nogitsune as its central villain without the chaos and emotional depth that made season 3B so important to fans.

While the film throws in plenty of easter eggs toward the show, it is not enough to justify the direction the story chose or the bizarre plot twist the movie throws in later.

Although it may be fun to see the McCall Pack back together, Teen Wolf: The Movie does not quite hold the charisma and heart of the show.

Teen Wolf: The Movie is available to stream on Paramount+.

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SPOILER WARNING: From this point on,

Some of the best movies and TV shows trace back to a stellar book or novel series, and that continues to be the norm in Hollywood. There has been a slew of popular movies in recent years that have their source material in books, and 2023 is no exception. And with the year just starting, there are so many books that are getting the on-screen treatment in the months and the following year to follow which means there’s time to read the stories before seeing them on screen.

SCREENRANT VIDEO OF THE DAY

From classic adventure novels to contemporary romantic comedies, all sorts of stories are on their way to the screen in the form of Netflix, Peacock, and even traditional movie theaters. Some old and some new, these are the latest adaptations that bookworms and cinephiles should look out for.


The Last Thing He Told Me By Laura Dave – 2023

Published in 2021, fans of thrillers devoured The Last Thing He Told Me over the year following its release. The popularity of the novel caught the interest of Reese Witherspoon, who ended up snapping up the screen rights with her production company Hello Sunshine. The novel is being adapted for a limited series on Apple TV+ with Jennifer Garner in the lead role, which is sure to bring a lot of eyeballs to the series.

RELATED: 10 Young Adult Series That Should Be Adapted Into Movies

The story itself follows a woman and her daughter who reevaluate what they know about their family life when her husband suddenly disappears. She finds herself wondering if she ever really knew him at all.

Wolf Pack By Edo van Belkom – January 26, 2023

The four teens of the Paramount Plus series Wolf Pack stand together in the woods

When Wolf Pack was first announced for Paramount Plus, the announcement coincided with the news of a Teen Wolf movie sequel to MTV’s television series. As a result, the assumption was made by a lot of fans and the media that Wolf Pack was a spinoff of the popular series. That, however, is not the case. Instead, it’s inspired by a 2004 novel from Canadian author Edo van Belkom.

The novel follows a group of teens with shape shifting abilities in California. It’s a supernatural coming-of-age story that sees the teens wonder how far they can push themselves before they turn to the dark side when they have to save themselves from being experimented on by scientists. The series is said to be tied to stories surrounding California wildfires, so just how close the show will be to the source material remains to be seen. Wolf Pack will, however, feature the genre queen Sarah Michelle Gellar, and has been developed for television by Teen Wolf show runner Jeff Davis.

Lockwood & Company Series By Jonathan Stroud – January 27, 2023

Three of the teens in Lockwood and Company holding swords while they look behind them in a Netflix promotional image

A five book young adult series, Lockwood & Co. features a supernatural premise: teens have psychic abilities that allow them to hunt ghosts. In fact, in this world, it’s only young people who have the ability to see spirits, so there’s fierce competition among teens for work.

Netflix picked up the concept for a new series, which will drop on the streamer on January 27, 2023. This is the project that actually saw Ruby Stokes leave Netflix’s successful Bridgerton adaptation. The role of younger Bridgerton Francesca was recast when she landed one of the leads in Lockwood. Netflix likely expects to see similar success with it as they have with the Enola Holmes movies.

The Cabin At The End Of The World By Paul Tremblay – February 3, 2023

Knock at the Cabin with Dave Bautista

There hasn’t been much acknowledgment of the fact that M. Night Shyamalan’s upcoming thriller Knock At The Cabin is actually inspired by a novel. In the book, a vacation to a remote cabin turns into a terrifying time for a family when their daughter befriends a stranger and the family is taken hostage after their meeting.

The movie stars Dave Bautista and Jonathan Groff and has been sparking interest in horror fans since the first trailer released. It’s a more psychological thriller though as it asks the question of whether a family chooses to save themselves from a bad situation or make the ultimate sacrifice to help the rest of the world.

Daisy Jones & The Six By Taylor Jenkins Reid – March 3, 2023

The band mugs for the camera in Daisy Jones and the Six

When a popular band breaks up, everyone wants to know why. What happened to cause the group to go their separate ways? Daisy Jones & The Six asks that very question as it chronicles just what happens to a popular 1970s rock group in a fictional account of a familiar story.

RELATED: The Best Movies About Fictional Musicians

Developed by Amazon Prime, the show is set to have a stellar cast with Sam Claflin, Suki Waterhouse, and Riley Keough as lead singer Daisy Jones. Reid’s novels have been popular for streamers lately as Malibu Rising is also in development at Hulu and The Seven Husbands Of Evelyn Hugo is also in development at Netflix.

Are You There God? It’s Me, Margaret By Judy Blume – April 28, 2023

Margaret and her best friend in a drug store in Are You There God? Its Me, Margaret

Judy Blume is one of the most popular children and young adult authors in the 1970s. And yet, she hasn’t had one of her stories aimed at children adapted for the screen until this year. First published in 1970, Blume’s young adult novel Are You There God? It’s Me, Margaret is hitting the big screen.

Abby Ryder Fortson (who Marvel fans will know as Scott Lang’s daughter in the Ant-Man movies) will play the title role of Margaret Simon, a 6th grader who has just moved to a new state with her family. The story follows Margaret as she begins to question her religion since her parents are of two different faiths. The movie is being distributed by Lionsgate and, after a few delays, is set to hit theaters on April 28.

American Prometheus: The Triumph And Tragedy Of J. Robert Oppenheimer By Kai Bird And Martin J. Sherwin – July 21, 2023

A nuclear explosion in Oppenheimer

While most of the stories being adapted for the screen right now come from novels as their source material, Oppenheimer comes from a nonfiction account instead. Christopher Nolan is bringing the story of the father of the atomic bomb to the screen, but he’s using a 700+ page nonfiction book as his starting part.

Cillian Murphy takes on the titular role for Nolan, and the movie itself is filled with an impressive supporting cast. With Nolan at the helm, and Murphy in the lead, there’s also Emily Blunt, Matt Damon, Robert Downey Jr., and Florence Pugh. There’s already early awards show talk for the cast.

The Ballad Of Songbirds & Snakes By Suzanne Collins – November 17, 2023

Lucy and Snow together in the grass in The Ballad of Songbirds and Snakes

There’s no question that the Hunger Games franchise has become a hugely successful one. Beyond the movies themselves, the original books have fascinated teens and adults alike with their take on the trajectory of society. The social commentary surrounding a society that has teenagers fight for the sacrifices made by the previous generation is just as relevant today as it was when the Hunger Games was first published.

RELATED: 10 Darkest Hunger Games Fan Theories

Suzanne Collins, understanding that there’s more story to tell since her original stories focused on a single chapter in the world she created, wrote a prequel novel which was fairly immediately optioned for the screen. The novel will focus on the villain of her original trilogy, Coriolanus Snow, in what are only the 10th Hunger Games. While he’s not the character most fans might have been clamoring to learn more about, his story will help flesh out the expansive world already fresh in fans’ minds.

Red, White, And Royal Blue By Casey McQuiston – 2023

Book cover of Red, White, And Royal Blue By Casey McQuiston

Red, White, and Royal Blue by Casey McQuiston was first published in May 2019 and became an overnight sensation. It debuted on the New York Times Bestseller List in June and continued to take off from there, winning several fan-voted book awards like 2019’s Goodreads Choice Awards for Best Romance and Best Debut.

Prior to the release of the novel, Amazon Studios won the film rights in a highly competitive option. The movie which is set to release sometime this year is being produced by Berlanti Productions with Matthew Lopez being tasked with bringing the epic love story between the First Son of the United States and the Prince of Wales to screen.

The Kiss Quotient By Helen Hoang – 2023

The book cover to The Kiss Quotient By Helen Hoang

First published in June 2018, The Kiss Quotient by Helen Hoang became a hit earning Hoang her first New York Times Best Seller title. The book centers on Stella Lane, an autistic econometrician who is tired of being bad at love. To get better at intimacy and relationships, Stella hires Michael, a professional escort, who is tasked with fake dating her to show her relationships aren’t as scary as they seem.

Lionsgate quickly acquired the movie rights to the book and put the story into development. Savion Einstein has been tapped to write the adaptation with fans hoping they’ll see this steamy romance on the big screen sometime next year.

NEXT: 10 Best Romantic Movies Based On Books

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Some of the best movies and TV

To say most “Teen Wolf ” fans are disappointed with the movie, is an understatement. It seems as though the highly anticipated film, although entertaining, has upset a lot of fans because of its plot. There were two main aspects of the movie in particular that have fans enraged at the show’s creator and movie’s executive producer, Jeff Davis. Here’s how fans have reacted to “Teen Wolf: The Movie”.

For some fans, it’s the entire plot of the film they seem to take issue with.

Well when you put it like that….

You cant help but agree with the fact that this movie basically swaps out one main character for another.

 

Before its release, there was a leak that the show’s favorite couple Stiles and Lydia had broken up, and this had fans of the original series in a panicked state. Now, after having watched the film things are much worse. In the movie it is revealed that Lydia has left Stiles in order to protect him from a vision she had of his death. After years of character and relationship development on “Teen Wolf” and finally seeing the two get together in season 6, this was one of the biggest let downs in the movie.

Neither do I.

No, they really did not.

It was already clear who was not going to be in the “Teen Wolf” movie, and sadly that includes fan favorite Stiles Stilinski played by Dylan O’Brien and Kira Yukimura played by Arden Cho. We also didnt get to see Isaac played by Daniel Sharman and Braedan played by Meagan Tandy.

They definitely were missed.

Some fans were half expecting Dylan O’Brien to show up right at the very end, but although there were cameos in this movie, O’Brien was not one of them.

The most painful part of the “Teen Wolf” movie that understandably fans are irate and heartbroken about, is the fact that beloved character Derek Hale played by Tyler Hoechlin was killed off at the end of the movie, as Davis wanted to add a big death scene to the movie.

In season 1 we find out that the Hale family had burned in a house fire set by Kate Argent, so to have things come full circle with Derek going up in flames as well was a pretty bold move.

There are some pretty mixed emotions about the movie, some fans seem to have enjoyed it, while others are more happy about certain parts in particular, and others of course are heartbroken and angry which is a bad combination.

This was something that almost everyone couldn’t help but feel happy to see. When Allison died in season 3, we never imagined we would get a moment like this, but here we are, Scott and Allison planning a future together after 15 years.

When Allison was killed in season 3, Lydia couldn’t make it to her best friend on time, and she had to hear her die, this time she got to save her, which makes this moment so satisfying.

I think it’s pretty safe to say that everyone fell in love with Eli Hale, Derek’s son in the “Teen Wolf” movie.

Thanks to the emotional distress this movie has inflicted, some fans are choosing to wipe clean the events of the “Teen Wolf movie” and pretend as though things ended with season 6.

That was a great ending though.

The official synopsis for the movie reads A terrifying new evil has emerged in Beacon Hills calling for the return of Alpha Werewolf Scott McCall (Tyler Posey), to once again reunite the Banshees, Were-coyotes, Hellhounds, Kitsunes, and other shapeshifters of the night. With new allies and trusted friends like Derek Hale (Tyler Hoechlin), Lydia Martin (Holland Roden), Jackson Whittemore (Colton Haynes), Malia Tate (Shelley Hennig), and the return of a long lost love, Allison Argent (Crystal Reed), Scott and his pack just might stand a chance.”

Watch the trailer here:

 

Read my Review of “Teen Wolf: The Movie” here and see for yourself if its a stream or a miss. “Teen Wolf: The Movie” is now streaming on Paramount+

To say most "Teen Wolf " fans

Kazuo Ishiguro, the guest on this episode of The Hollywood Reporter’s Awards Chatter podcast, is one of the world’s greatest living novelists — and a newly Oscar-nominated screenwriter, as well, for his adaptation of Akira Kurosawa’s 1952 film Ikiru into the script for Oliver Hermanus’ 2022 film Living.

A Japanese-born Brit, Ishiguro has written eight novels over the last 41 years which have collectively sold more than 2.5 million copies in the U.S alone, most notably 1989’s The Remains of the Day, which was awarded the prestigious Booker Prize, and 2005’s Never Let Me Go, which Time chose as one of the 100 greatest English-language novels since 1923 and the Los Angeles Times described as “probably, thus far, the most important English-language novel of the new century.” (Both were adapted, by others, into highly acclaimed films.)

In recognition of Ishiguro’s collective body of work, he was chosen as the recipient of the Nobel Prize in Literature in 2017 — just a year after one of his heroes, Bob Dylan, was tapped for the same honor — making him only its 29th recipient for work in the English language. His Nobel citation declared that he, “in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world.” The New York Times has called him “a blue-chip literary stock,” “one of the most acclaimed and influential British writers of his generation” and “a writer who takes enormous gambles, then uses his superior gifts to manage the risk as tightly as possible,” while heralding “his pared-down, Pinteresque prose, his masterful narrative control [and] his virtuosic use of understatement and elision.” And the Los Angeles Times has described him as “that rarest of creatures — a literary craftsman who also sells books,” while asserting that “few writers who’ve ever lived have been able to create moods of transience, loss and existential self-doubt as Ishiguro has.”

A contemporary of Martin Amis, Ian McEwan and Salman Rushdie who is the favorite working writer of many of his peers, including Haruki Murakami, Ishiguro was also the recipient of the Order of the British Empire in 1990, the French Order of Arts and Letters in 1998, the Library Lion Medal from the New York Public Library in 2014 and a British knighthood for services to literature in 2018.

Over the course of this episode, the 68-year-old reflects on his journeys from Japan to England and from songwriting to fiction writing; what inspired his best known novels, and why he thinks he has often written characters who deceive themselves and repress their emotions, from the butler Stevens in The Remains of the Day through bureaucrat Williams in Living; why he was so impacted by Ikiru as a boy and so excited to adapt it as a man and why he now says he’s “as proud of this as anything I’ve ever done”; plus much more.

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Kazuo Ishiguro, the guest on this episode

Netflix has announced the renewal of its brand new series “The Recruit” starring Noah Centineo for a second season.

The series hails from Entertainment One (eOne). From Creator, Showrunner and Executive Producer Alexi Hawley, as told Tudum.com: “I’m thrilled to dive back into the fun, funny, action-packed world of The Recruit. Seeing how invested our audience became in the show’s adventurous take on the spy world and Noah’s turn as Owen has been incredibly rewarding, and I can’t wait to turn it all up to “11” in Season Two.”

Centineo will return as Executive Producer and reprise his role as Owen Hendricks. “I know I speak for our entire cast and executive team at eOne and Netflix when I say that we are thrilled to be returning to The Recruit for a second season. I’m looking forward to seeing what Alexi Hawley has in store for us all.”

Hawley will return as Showrunner with Hypnotic’s Doug Liman, Gene Klein and David Bartis; Adam Ciralsky (P3 Media) and Charlie Ebersol also returning as Executive Producers.

The Recruit debuted on December 16, 2022 and spent five weeks on the Netflix TV Global Top 10 (English), reaching the Top 10 in 88 countries.

The series centers around Owen Hendricks (Centineo), a young CIA lawyer whose first week on the job turns upside down when he discovers a threatening letter by former asset Max Meladze (Laura Haddock), who plans to expose the agency unless they exonerate her of a serious crime. Owen quickly becomes entangled in a dangerous and often absurd world of power politics and mischievous players, as he travels the world in hopes of completing his assignment and making a mark at the CIA. The series also starred Fivel Stewart, Vondie Curtis Hall, Kristian Bruun, Aarti Mann, Colton Dunn and Daniel Quincy Annoh.

Watch the trailer for season 1 here:

Season 2 will pick up from last season’s cliffhanger ending that found Owen and Max captured with their lives endangered.

Netflix has announced the renewal of its

Taylor Swift in “Lavender Haze”
Screenshot: Taylor Swift/YouTube

In the “Anti-Hero” music video, Taylor Swift poked fun at her fans for looking for Easter eggs everywhere (and at herself for leaving them). In the “Bejeweled” video, she crammed every scene full of them. The new “Lavender Haze” video falls somewhere in the middle, mostly existing behind a purple smokescreen in one of her most seductive visuals yet.

“The Lavender Haze video is out now. There is lots of lavender. There is lots of haze. There is my incredible costar [Laith Ashley] who I absolutely adored working with,” Swift shared on social media at the time of the video’s release. “This was the first video I wrote out of the 3 that have been released, and this one really helped me conceptualize the world and mood of Midnights, like a sultry sleepless 70’s fever dream. Hope you like it.”

Taylor Swift – Lavender Haze (Official Music Video)

The video is characterized by some classic Swiftian heavy-handed visual metaphor (a literal gray cloud hangs over her head while she sings how her lover doesn’t “really read into my melancholia”). She puffs a cloud of lavender smoke in the shape of a clock striking midnight; she bathes alluringly in a lavender pool; she enjoys her cosmic love bubble while partygoers gossip and dance around her.

A certain subset of fans will point out, quite fairly, that lavender has had a longtime association with queerness, though aside from her trans co-star, this video has far fewer nods to the LGBTQ+ community than the bonanza that was “You Need To Calm Down.” (Swift previously said she lifted the term “lavender haze” from Mad Men.) Other fans are on the watch for signs pointing to Speak Now (Taylor’s Version) being Swift’s next release. The koi fish gliding through space, for instance, may point to a guitar she played on the Speak Now tour, and even the color purple has an association with her third album.

More than anything else, this video’s Easter eggs refer back to the Midnights album itself. There’s an incense stick for “Maroon” and a vinyl record emblazoned with “Mastermind” (the constellations on the cover correspond with Sagittarius and Pisces, apparently the star signs of Swift and her longtime boyfriend Joe Alwyn). The weather report may be a subtle reference to “Midnight Rain,” while the video’s love interest appears as the TV meteorologist recalls the lyric “Karma is the guy on the screen coming straight home to me” from “Karma.”

It’s the continuation of Swift’s work becoming a closed loop wherein everything is a reference to itself. Though for an artist whose visuals tend towards romance and whimsy, “sultry” is indeed a departure from the norm. Perhaps a new evolution of Taylor Swift is on the horizon.

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Taylor Swift in “Lavender Haze”Screenshot: Taylor Swift/YouTubeIn

Agnes was 11 when she was pushed onto an old cattle cart bound for Auschwitz with 87 other Jews, the chained door sliding shut behind them.

Over a traumatic four days, this little girl watched many of the Jews die in front of her from dehydration and was unable to move away from them as they were all cramped so tightly together in the dark cart.

‘The thing that was worse than the dead people was the few who went mad, they’d flail their arms around, shout and scream,’ Agnes Kaposi, now 90, tells MailOnline as the world marks Holocaust Memorial Day today. 

The smell was horrific in the small cart – they were forced to use an oil drum as a toilet and Agnes recalls them using her grandmother’s ladle to empty it through a small gap in the sliding door of the train.

Agnes and her family had no idea that their train from a Hungarian ghetto was bound for Auschwitz – or that it was diverted away to Strasshof transit camp in Austria at the last minute in a move that would end up saving their lives.

Agnes was 11 when she was pushed onto an old cattle cart bound for Auschwitz with 87 other Jews, the chained door sliding shut behind them. Over a traumatic four days, this little girl watched many of the Jews die in front of her from dehydration and was unable to move away from them as they were all cramped so tightly together in the dark cart

'The thing that was worse than the dead people was the few who went mad, they'd flail their arms around, shout and scream,' Agnes Kaposi, now 90, tells MailOnline as the world marks Holocaust Memorial Day today

‘The thing that was worse than the dead people was the few who went mad, they’d flail their arms around, shout and scream,’ Agnes Kaposi, now 90, tells MailOnline as the world marks Holocaust Memorial Day today

The smell was horrific in the small cart - they were forced to use an oil drum as a toilet and Agnes recalls them using her grandmother's ladle to empty it through a small gap in the sliding door of the train. Pictured: A train wagon that would have been like the one Agnes and her family travelled in

The smell was horrific in the small cart – they were forced to use an oil drum as a toilet and Agnes recalls them using her grandmother’s ladle to empty it through a small gap in the sliding door of the train. Pictured: A train wagon that would have been like the one Agnes and her family travelled in 

In the year that followed, they were forced to work as a slave labourer at a farm and then later a factory manufacturing anti-aircraft guns for the Nazis before returning to Strasshof. 

When Soviet soldiers finally liberated their transit camp, the initial joy of finally being free was quickly replaced with terror. 

The Russian soldiers brought a fresh horror as they dragged the Jewish women away and raped them. Agnes says her grandmother hid her every night so the soldiers wouldn’t rape her.

‘The women would be taken away by the soldiers and came back bruised,’ Agnes says. ‘I didn’t understand what had happened because I was 12, but I now know they raped scores of Jewish women there.’

Across the border in Hungary, Tomi Komoly spent his early childhood hiding from German soldiers and living in a ‘safe house’ set up by an embassy with his mother and 35 other people. 

Tomi and his mother escaped from the ‘safe house’ as German soldiers closed in on them and fled to a protestant family’s home in the suburbs of Budapest. Tomi, now 86, recalls spending weeks hiding in the family’s cellar in the winter of 1944.

‘We could only come up late at night when nobody would see us,’ Tomi tells MailOnline. ‘If any of the neighbours got hold of the idea that we were there, they would report us and we would be taken away. It was tough. 

‘First of all, it was cold and secondly, it was cold. We didn’t see daylight for a while.’ 

Tomi, whose father was arrested by the Nazis and never seen again, says the Holocaust was ‘devastating’ for his family. He says he ‘lost his childhood’ as he was never able to play with children his age.

‘I only knew knew one male member of the family who survived the war on both my mother’s and on my father’s side. Everyone else perished,’ Tomi says.

Across the border in Hungary, Tomi Komoly (pictured as a young boy top left with his family) spent his early childhood hiding from German soldiers and living in a 'safe house' set up by an embassy with his mother and 35 other people

Across the border in Hungary, Tomi Komoly (pictured as a young boy top left with his family) spent his early childhood hiding from German soldiers and living in a ‘safe house’ set up by an embassy with his mother and 35 other people

Tomi, whose father was arrested by the Nazis and never seen again, says the Holocaust was 'devastating' for his family

Tomi, whose father was arrested by the Nazis and never seen again, says the Holocaust was ‘devastating’ for his family

In Slovakia, Uri Winterstein was a month old when his parents put him in the care of a non-Jewish woman as they realised it was impossible to keep him quiet when they went into hiding. 

Uri’s sister and parents were captured by the Nazis and deported to Terezin concentration camp in what is today the Czech Republic – and when the Russian army was approaching Bratislava the woman who was caring for Uri gave him to a local peasant woman who was unable to properly care for him.

Uri, now 79 and living in Chiswick, England, with his wife, said when his family found him after being freed from Terezin camp nearly two years later, he could not speak or walk.

‘I couldn’t walk at all, I didn’t speak a single word and the only thing I ate was a roll dipped in coffee,’ Uri says. ‘But the bottom line is, this woman risked her life in looking after me.’

Uri, whose first word was ‘coffee’, learned later that nine of his close family members, including his aunt and uncle and his nine-year-old cousin Miriam, were killed in Auschwitz concentration camp. Many of them were sent to the gas chambers immediately after arriving there.

In Slovakia, Uri Winterstein (pictured with his parents and sister after the war) was a month old when his parents put him in the care of a non-Jewish woman as they realised it was impossible to keep him quiet when they went into hiding

In Slovakia, Uri Winterstein (pictured with his parents and sister after the war) was a month old when his parents put him in the care of a non-Jewish woman as they realised it was impossible to keep him quiet when they went into hiding

Uri (pictured), now 79 and living in Chiswick, England, with his wife, said when his family found him after being freed from Terezin camp nearly two years later, he could not speak or walk

Uri (pictured), now 79 and living in Chiswick, England, with his wife, said when his family found him after being freed from Terezin camp nearly two years later, he could not speak or walk

Agnes, Tomi and Uri are telling their stories of survival – and the horrors they witnessed and endured – as the world marks International Holocaust Remembrance Day and honours the six million Jews who were murdered by the Nazis. 

The survivors, who teach children across the UK about Holocaust through the Holocaust Educational Trust’s Outreach Programme, have warned that the same horrors could happen again.

‘I am speaking about the past, but I’m really speaking to you about the future. This is what happens in a society if it allows its prejudices to harden and the hatred and extreme ideologies to flourish,’ Uri, whose family fled to Brazil after the war, says. 

‘We are not born with knowledge. Each generation has to learn anew. Genocide doesn’t happen in a day. It starts with language where a certain group in society are called vermin. That’s the start of a potentially slippery slope.’ 

Tomi and Agnes say that that the prejudices against Jews continued after their families returned to their homes in Hungary. Hungarian soldiers had fought alongside the Nazis and for years before the Holocaust, Jews had faced anti-semitic laws.

‘We were all aware, even as children, that the Hungarian people were deeply in everything that happened to us,’ Tomi says. ‘So you wouldn’t talk to anyone about being Jewish.’

Tomi says he didn’t tell anyone he was Jewish for 20 years. He only began speaking about his past when he moved to England to live with his wife in 1966.

When Agnes returned to Budapest with her family, after walking for a month from Strasshof transit camp in Austria, on 1 May, 1945, she was not met with joy.

Instead, Hungarian soldiers told them: ‘Couldn’t you have stayed where you were? Hitler should have finished the job instead of you coming here to spoil the air.’ 

Agnes was also bullied at school by the students and one teacher, a Nazi, would ruin the young girl’s artwork and make her do it again and again. 

Uri, whose first word was 'coffee', learned later that nine of his close family members, including his aunt and uncle and his nine-year-old cousin Miriam, were killed in Auschwitz concentration camp. Pictured: Children are imprisoned in Auschwitz

Uri, whose first word was ‘coffee’, learned later that nine of his close family members, including his aunt and uncle and his nine-year-old cousin Miriam, were killed in Auschwitz concentration camp. Pictured: Children are imprisoned in Auschwitz 

Agnes later learned that 27 men in her family had been killed fighting as forced labourers for the Hungarian army. She says she only survived the Holocaust because the train she was on, which was bound for Auschwitz, was diverted to the Strasshof transit camp.

‘It means that every time I look at my grandchildren, I am aware of their miraculous existence. Never mind me, but if I wouldn’t be here, they wouldn’t be here and they are an absolute wonderful bunch of five.

‘And how good is it for the world that they are here and the tragedy it would have been if they wouldn’t have existed. These young, talented people wouldn’t exist.’

On their return, Agnes, Tomi and Uri’s family’s rarely spoke about what happened to them.

‘Everyone tried to push what had happened out of their minds,’ Tomi says. He recalls going to a family gathering and his mother telling him that if he saw a woman with numbers on her arm, he was not allowed – under any circumstances – to ask her what it was about.’

Uri says his parents and sister rarely spoke of what happened to them in Terezin concentration camp. He remembers being eight-years-old when his mother told him a little about what happened to the family. ‘But then there was silence,’ he says.

His sister only told him about a ‘magical puppet show’ at the camp. Uri learned later that this puppet show was put on as a charade to fool an international Red Cross Committee that was visiting. The Nazis used Terezina as a ‘show camp’ for the outside world to try and hide the horrors they were committing against millions of people.

Uri says his parents and sister rarely spoke of what happened to them in Terezin concentration camp (pictured together)

Uri says his parents and sister rarely spoke of what happened to them in Terezin concentration camp (pictured together) 

Uri says that now, 78 years after Auschwitz was liberated, he worries about the rise in hate speech.

‘It felt like our world was getting better and yet suddenly, in the last few years, it has felt like it’s slipped away again. 

‘In America there’s the Trump movement and these movements thrive on hate. People saw his rhetoric as permission to show and act on their prejudices,’ Uri says, point to the Capitol Hill riots.

‘People thought, the President of the United States can talk like that to people, why can’t I?’ 

He adds: ‘We need to talk about the need for tolerance. The things we share in common are so much greater than the things that separate us. But prejudice has a way of concentrating on that difference and making it much bigger.’

Karen Pollock, Chief Executive of the Holocaust Educational Trust, says it’s incredibly important for Holocaust survivors to continue to share their experiences.

Pollok tells MailOnline: ‘On Holocaust Memorial Day we also pay tribute to the incredible survivors, many of whom still share their testimony day in and day out to ensure that future generations never forget the horrors of the past. 

‘This year, tens of thousands of people from across the country will hear from a survivor as part of their commemorations. 

‘In hearing a witness, they will become a witness, invested with a powerful responsibility to share what they have learnt and to speak out against the antisemitism and hatred that allowed the Holocaust to happen.’

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Agnes was 11 when she was pushed

DATES

Project Brazen and PRX released their new podcast, “The Sound: Mystery of Havana Syndrome Podcast” with international journalist, Nicky Woolf, on Jan. 23. The eight part investigative narrative podcast will peek behind the curtain, and uncover the unsettling global medical mystery affecting American diplomats and spies. “The Sound” will transport listeners to Havana, Cuba in December 2016, when a U.S. official went to the embassy medical center with a debilitating illness, that would later impact dozens of U.S. and Canadian diplomats. Audiences will listen as Woolf discovers various theories and learn how U.S. agencies neglected to try to uncover the cause of the modern medical mystery. The podcast is a collaboration between Woolf, Project Brazen and PRX.

Lava for Good Podcasts premiered its first season of its latest podcast, “The War on Drugs,” on Wednesday, Jan. 25 — kicking off with the release of the first two episodes. The new podcast, hosted by Clayton English and Greg Glod, will feature 10 episodes examining the true cost of the failed “War on Drugs.” The first episode features English and Glod with guest Johann Hari, to discuss how the head of the Federal Bureau of Narcotics, Harry Anslinger became the “mastermind” behind the War on Drugs. The premiere season will also include diverse subject matter experts who will unveil how the War on Drugs exacerbated addiction, fueled over-incarceration and interfered with economic progress. Produced and directed by C13 Originals and Jon Meacham’s Shining City Audio podcast studio.

Cadence13 has teamed up with investigative filmmaker Jeremy Corbell and investigative journalist George Knapp to launch the “Weaponized” podcast. “Weaponized” premiered on Jan. 24 — available everywhere podcasts are available, and on Corbell’s YouTube channel. The new series will release new episodes on Tuesdays, and each week the hosts will discuss UFOs, the paranormal, cutting-edge science, conspiracies and cover-ups. The weekly series will feature government whistleblowers, spies, scientists, celebrities and military officials. The premiere season will break news, share never-before-seen footage, unveil previously-suppressed documents, original recordings, and hard evidence related to this phenomenon. Produced by Corbell, Knapp, Cadence13 Studios and Dark Horse Entertainment. 

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DATES Project Brazen and PRX released their new

“When a movie is really bad, it’s so much worse,” Kendrick said of realizing “how the sausage gets made.”

Anna Kendrick had to get acclimated to learning how the sausage gets made in Hollywood.

The Oscar-nominated actress said while on the First We Feast series “Hot Ones” that movies were “kind of ruined” for her as an audience member after first starting out in the film industry. Kendrick made her film debut in 2003 and went on to star in “Twilight,” “Scott Pilgrim vs. The World,” and “Pitch Perfect,” while landing an Oscar nomination for “Up in the Air.”

“I think that when you start making movies, there’s a period where they’re kind of ruined for you, because you’re just thinking of behind-the-scenes and how the sausage gets made of it all,” Kendrick said. “And now, I feel like it’s just sort of second nature that’s a running script in the back of my head.”

The “A Simple Favor” star continued, “So when a movie is really bad, it’s so much worse, because I can see like, ‘Why that choice? It would have been so easy to do this or whatever.’ And when it’s good, the running script is not just like, ‘I’m immersed and it’s great.’ There’s a running thing in the background like, ‘Oh my god, every department just nailed it.’ I kind of get this bonus appreciation for all these people who came together and made this thing.

“Alice, Darling” actress-producer Kendrick recently told IndieWire that she was warned about being typecast early in her career.

“Somebody said something to me right after ‘Up in the Air’ came out that was like, ‘Everything you’re about to get offered is going to be the exact performance you just gave.’ Because for an industry that’s supposedly so creative, people have very short memories and they want to take the easy route a lot,” Kendrick said. “So you’ll basically be offered a bunch of things that are exactly the same thing you just did, and then you’ll finally do something different and you’ll just get offered that thing.”

Kendrick continued, “And that person was like, ‘I happen to know that happens to everyone, including Meryl Streep, so it has nothing to do with you. It’s just that people only think about the last thing they remember you from, and it’s going to be an uphill battle your whole career,’” she said. “I really think it was a gift to hear that at the beginning of my career because I just sort of expected that and I don’t take it very personally. I just go, ‘Oh, this is going to be the thing I’m swimming against my whole career, even a decade from now.’”

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"When a movie is really bad, it's

Nadine Dorries, a polarizing former culture secretary for Britain, is set to host a new Friday night talk show on conservative channel TalkTV.

Debuting on Feb. 3, Dorries, who is still a member of parliament (MP), will kick off her show with an exclusive one-on-one interview with former prime minister Boris Johnson, who resigned last July after a string of scandals.

Dorries was an ardent supporter of Johnson’s, and stuck by his side when most of the PM’s former ministers had condemned his actions around “partygate” — a series of parties held at Downing Street during Britain’s lockdowns.

The weekly, hour-long show will be called “Friday Night with Nadine,” and is billed as an “irreverent look at the week’s news and a lively mix of topical chat with guests from the world of politics, culture and sport.”

Dorries’ time as culture secretary was fraught with a series of gaffes. In 2021, in a government select committee hearing, Dorries — who had supported the bid to privatize “It’s a Sin” broadcaster Channel 4 — appeared not to know how the U.K. broadcaster is funded, stating that it was “in receipt of public money,” when in fact Channel 4 is publicly owned but funded by advertising.

The politician is also known in the U.K. for a controversial 12-day stint on ITV’s reality juggernaut “I’m a Celebrity…Get Me Out of Here!” in 2012.

Dorries said: “As someone who’s never been afraid to speak their mind, I’m delighted to be joining the team at TalkTV for ‘Friday Night with Nadine,’ where I’ll be putting my 23-year political career and experiences at the despatch box to good use. Boris Johnson continues to dominate so much of the political narrative since his departure from No.10. Now’s the time to find out what he really thinks about a whole range of pressing issues.”

Richard Wallace, head of TV for News Broadcasting, added: “Nadine has a unique voice in British politics and will bring that unique voice to our air. She has had a seat at the top table of British politics during extraordinary times; knows all the key players and has true insight into how the corridors of power actually work. And, as a former nurse, she’s one of very few politicians to have held down a proper job and worried about paying the bills, so our audience will relish her take.”

Backed by Rupert Murdoch’s News UK, TalkTV launched in April 2022 as a “bold new voice in news, current affairs, debate and opinion.” The channel’s presenters include Piers Morgan, Jeremy Kyle, Vanessa Feltz, Sharon Osbourne, Tom Newton Dunn and Julia Hartley Brewer.

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Nadine Dorries, a polarizing former culture secretary

Maybe it was because of the hybrid nature of this year’s Sundance Film Festival, which wraps up Sunday, that I was drawn to movies featuring dual personalities and secret lives.

For the third year running, the annual independent film showcase in Utah had its offerings available online to journalists everywhere and, beginning in its second half, to public audiences in the U.S. But the post-pandemic fest also returned to in-person screenings at the Park City ski town that Sundance founder Robert Redford turned into a film lover’s destination.

FOMO was my constant companion as I screened the festival’s diverse offerings in the comfort of the Moon Cave Cinema, the name I give my basement home theatre. I didn’t miss Park City’s snowy, slushy streets, but I did yearn to be back among my fellow film buffs at Sundance.

I felt of two minds, as do many of the protagonists in my personal Top 10 list of Sundance favourites:

Eileen

There are shades of Patricia Highsmith novels and Hitchcock films in this icy suspenser by William Oldroyd (“Lady Macbeth”), set in 1960s Massachusetts in a town where the penitentiary is the most exciting place. Thomasin McKenzie’s meek title character toils there as a secretary, trying to forget her awful home life caring for her alcoholic and emotionally abusive father (Shea Whigham). Enter Anne Hathaway’s blond Rebecca, a Harvard-trained psychologist with agency, attitude and possibly an agenda. She befriends Eileen, who is eager for attention and Rebecca’s approval. Here’s where things start to get really interesting. McKenzie and Hathaway are superb as women subverting the prison of expectations — especially the viewer’s.

Rye Lane

The cool thing about Raine Allen Miller’s South London charmer is how it sends up rom-com tropes — would you believe a meet-cute in adjoining unisex toilet stalls? — while also celebrating them. There are affectionate nods to such date movie favourites as “Love Actually” and “Bridget Jones,” including an amusing star cameo. Yet the best thing about “Rye Lane” is the delightful pairing of David Jonsson and Vivian Oparah, whose random-encounter characters Dom and Yas go together like rye and ginger as they set out to right the wrongs of their previous relationships. The film is alive to the sights and sounds of London, which becomes a character unto itself. Bonus: the best rom-com karaoke scene ever.

The Longest Goodbye

For those of us who aren’t rocket scientists, it’s easy to assume that the biggest hurdle to sending people to Mars is vehicle propulsion. Ido Mizrahy’s riveting documentary, a Canada/Israel co-production, suggests the real issue is isolation: How will humans handle being locked inside a van-sized spacecraft, cut off from family and friends, for a three-year return journey? We meet Al Holland, a NASA psychologist tasked with solving loneliness. He employs coping techniques he contributed to the 2010 effort to rescue 33 Chilean miners, who were trapped underground for 69 days. We learn that future Mars travellers, as soon as a decade from now, might be put into hibernation before space travel and/or have AI companions to fly with.

In "The Longest Goodbye," Ido Mizrahy shows how the biggest hurdle to getting people to Mars isn't rocket propulsion but rather human isolation. Cady Coleman is shown.

Fair Play

A stronger term than “sharks” is needed for the corporate and courtship savagery in Chloe Domont’s arresting feature debut. Phoebe Dynevor and Alden Ehrenreich are brilliant as lovers and co-workers willing to slash Cupid’s throat for career advancement. It all starts sweetly enough: Dynevor’s Emily and Ehrenreich’s Luke, aflame with ardour and lust, decide to get secretly engaged, despite the no-office-romances rule of the cutthroat New York trust fund they both work at. Then Emily gets a promotion that Luke thought he deserved — she actually becomes his boss — and their ruse of platonic collegiality starts to unravel. British character actor Eddie Marsan viciously ups the ante as the fund’s overlord.

Alden Ehrenreich and Phoebe Dynevor play lovers and corporate co-workers willing to slash Cupid's throat for career advancement in Chloe Domont's savage drama "Fair Play."

You Hurt My Feelings

Sundance veteran Nicole Holofcener (“Enough Said”) makes a welcome return to the fest with a barbed comedy about human failings and the equally human tendency not to be truthful about them. Julia Louis-Dreyfus leads a terrific ensemble cast of neurotic New Yorkers as Beth, a writer and professor whose serene life with her therapist husband Don (Tobias Menzies) is about to shatter. Beth’s recent memoir failed to sell — if only there had been more family trauma! — and she’s having trouble getting her first novel published. She’s comforted by knowing she can count on Don for unfailing support, until she overhears him mildly dissing her work. An accidental truth snowballs into a mountain of antic excuses and dodges.

Sundance veteran Nicole Holofcener makes a welcome return with "You Hurt My Feelings," a barbed comedy about human failings and the equally human tendency not to be truthful about them starring Julia Louis-Dreyfus.

Cat Person

A cautionary and viral New Yorker story about dating in #MeToo times is brought to life and made all the more creepy in this whip-smart adaptation by “Booksmart” screenwriter Susanna Fogel. Emilia Jones (“CODA”) and Nicholas Braun (TV’s “Succession”) are the younger and jaded Margot and the older and nerdy Robert. They’re a decade or more apart in age and maturity (he lives for “Star Wars” movies and toys), but they bond over texts and move on to sex, which is great for him but not for her. Margot is reluctant to bail even as her maniac radar starts to ping as the film goes a final act further than the original tale. Sure to prompt many bad-date memories and post-screening debates, “Cat Person” adroitly balances goofy and scary, with possibly the worst screen kiss ever.

Emilia Jones and Nicholas Braun star in "Cat Person," a drama by Susanna Fogel based on a notorious New Yorker short story about dating.

Magazine Dreams

Jonathan Majors as a lonely bodybuilder in Elijah Bynum’s tightly wound drama, raging against flesh and failure, summons obvious comparisons to “Taxi Driver” and “Joker.” But this is very much its own beast, jerking us into the jumbled mindscape of why a steroidal obsessive would risk serious injury or death to pursue the dream of magazine-cover flexing. Majors played a mellow cat in Sundance 2019 hit “The Last Black Man in San Francisco,” but he’s a twitching muscle of ferocity here, alternately pitiable and terrifying as he fumbles at finding love and acceptance in a world that regards him as a freak. Majors is an actor of great range; I didn’t see a better performance at Sundance ’23.

Jonathan Majors plays a bodybuilder raging against flesh and failure in Elijah Bynum's tightly wound drama "Magazine Dreams."

The Persian Version

Maryam Keshavarz’s semi-autobiographical dramedy about a large Iranian-American immigrant family pinballs across decades and countries, not always to its benefit. But there’s no denying the charm of this brood, a New York family of eight older sons and one daughter. The latter is Leila, played as an adult by Layla Mohammadi, who also serves as the film’s narrator and the director’s alter ego. She’s the frequently amusing focus as the story shifts to reveal not only why the family left Iran but also the reason for tensions between the queer-identifying Leila and her strict but resourceful mother, Shirin (Niousha Noor). The film is a colourful blur of characters and incidents that somehow resolves into a satisfying dance of life, set to the improbable soundtrack rouser “Girls Just Wanna Have Fun.”

Maryam Keshavarz's semi-autobiographical dramedy "The Persian Version" is about the dreams and foibles of a large Iranian-American immigrant family.

Infinity Pool

Toronto’s Brandon Cronenberg (“Possessor”) delivers the shivers, and more than a few WTF moments, with a vacation inferno creeper that gnaws at the mind. It’s set in a luxury resort in a fictional fascist Eastern European country (it was filmed in Croatia and Hungary), where callous rich people party behind guarded gates while the hungry poor seethe outside. A calamitous encounter between the two groups lands Alexander Skarsgard’s shallow protagonist, blocked writer James, into a nightmare sci-fi realm of clones and consequences, where money can free your chains but not your conscience. Mia Goth’s mysterious Gabi steals the show as a psychedelic seductress who knows more than she tells.

"Infinity Pool" is a horror film by Toronto's Brandon Cronenberg, son of the famous David Cronenberg. It's about rich people doing very bad things in an unnamed Eastern European resort where money will let you get away with anything.

Little Richard: I Am Everything

He taught Paul McCartney how to scream, Mick Jagger how to strut and heard Elvis Presley declare him the real King of Rock, yet 1950s pop pioneer Little Richard was ultimately overshadowed by his imitators. Lisa Cortés delivers the definitive documentary on a complicated icon, a man of bisexual passions and partners, who praised God yet couldn’t stop singing the “devil’s music” of censor-baiting songs like “Tutti Frutti” and “Good Golly Miss Molly.” He was tragically considered almost a novelty act at the time of his death at 87 in 2020, but this engaging doc goes a long way toward justifying the man’s famous boast: “I am the originator. I am the emancipator. I am the architect of rock ’n’ roll.”

He taught Paul McCartney how to scream, Mick Jagger how to strut and heard Elvis declare him the real King of Rock, yet Little Richard was overshadowed by his imitators. Lisa Cortés delivers the definitive doc on a complicated icon.

Star contributor Peter Howell is a movie critic in Toronto. Twitter: @peterhowellfilm.

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Maybe it was because of the hybrid

You can see the moment she tossed the offending heels in a TikTok video, which has been viewed more than 2 million times. As one user commented, “You know what tho she did a good job [because] we’re all talking about the Valentino show.” All press is good press and all that.

In a cheeky nod to the viral moment, Kristen McMenamy later shared a stunning backstage photo on Instagram, which she captioned, “Before the Fall.” The image earned over 15,000 likes and kudos from designer Marc Jacobs, who replied, “Be still my heart. Breathtaking.”

Another fan replied, “It was refreshing to see someone be like ‘actually no, fuck this!’ on a catwalk ?.”

The comments section pretty much agreed that McMenamy displayed “queen behavior” on the runway. As one user wrote, “Queens fall, then get back up and throw away the shoes.”


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You can see the moment she tossed

Bowfinger Int’l Pictures, run by Spanish actor-director Santiago Segura and producing partner María Luisa Gutiérrez, and Beta Fiction Spain (BFS), the Spanish affiliate of Germany’s Beta Film, have teamed up to produce “Infiltrada” (“Infiltrated”) the true story of a young Spanish policewoman who infiltrated the Basque separatist group, ETA (Euskadi Ta Askatasuna, translated as Basque Homeland and Liberty).

To be directed by Bilbao-based helmer Arantxa Echevarría, the feature film based on true events follows the 20-year old policewoman, known only by her alias Aranzazu Berradre Marín, who managed to embed herself with members of the terrorist group, even sharing living quarters with them. 

Eventually, she helped lead to the dismantling of the infamous organization that used terrorist tactics in its campaign for an independent Basque state.

Based on extensive research that included the collaboration of journalists and interviews with people who were directly involved in the operation, “Infiltrada” will depict not only the events but will also be a psychological portrait of the woman who had to cut all ties with family and friends to take on the role of her lifetime. A screenwriter has yet to be announced.

Echevarría said: “When my producers told me about Aránzazu, my mind immediately went back to the ‘90s, to that Basque Country broken open, where the last breaths of an already meaningless conflict were still adding more and more innocent victims.”

“I saw that girl, an inexperienced policewoman, undercover in a world of murderers in which a single mistake could mean death. A young woman barely 20 years old, pretending to be someone else and with almost no help from the outside world,” she continued, adding: “Eight years of her life pretending to be an ETA terrorist. Those years in which you can travel, you start having your first serious relationships, you enjoy time with your friends, eight years that she decided to put her life on pause. Scared to death and at the same time being a hero.”

“Immediately I said that of course I wanted to direct the film. To remember our recent and painful past. To give thanks to Aránzazu, in whichever hidden place she is now,” she added.

Bowfinger’s Gutiérrez remarked: “We believe that audiences deserve to know the story of this anonymous woman who received no public recognition and carried out her duty with absolute dedication and with no fear of giving up her life in all senses. She sacrificed her past and her future to accomplish the mission’s goal and contributed to the dismantling of the terrorist group ETA and moreover, to national security.”

“We would like to transmit to the audience all the contradictions that this character had to live with for the eight years that she was undercover, her fears and her reasons to keep going,” she added.

Said Mercedes Gamero, CEO of BFS: “The film will be a cinematic story, told from the polyhedral perspective of a complex woman, which is not only going to be entertaining, but will also be a portrait of an era. For these reasons, we believe it will attract the interest of a multigenerational audience willing to enjoy big, epic stories at a cinema.”

BFS was launched in May 2022 as a film distributor and film, TV producer. The company is led by Gamero and Pablo Nogueroles, widely recognized executives in the audiovisual industry. In November, BFS released its first feature film in cinemas as a distributor, “13 Exorcismos.” Directed by Jacobo Martínez, the film has been one of the fifteen highest grossing Spanish films of the year with more than 160,000 admissions. In late December, BFS released “Pray for the Devil” directed by Daniel Stamm, which has lured more than 130,000 admissions so far.

Aside from “Infiltrada”, the company is developing the feature film “Dolores,” based on the book “La Pasionaria: La vida inesperada de Dolores Ibarruri” with a screenplay by Michel Gaztambide and Alejandro Hernández. 

Moreover, the production company is developing a television series about the life of Spain’s Queen Sofía.

Gutiérrez has produced more than 35 films, many of them box office hits. These include family comedy “Father There is Only One” and “A todo tren.”

With headquarters in Madrid and the Basque Country, Bowfinger’s latest productions and co-productions include “Llegaron de noche,” directed by Imanol Uribe and “Sin ti no puedo” by Chus Gutiérrez.

Some of their upcoming releases include “Lobo Feroz” by Gustavo Hernández; “Me he hecho viral” by Jorge Coira; “Vacaciones de verano” by Segura and “El hombre del saco” by Ángel Gómez, among others.

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Bowfinger Int’l Pictures, run by Spanish actor-director

The end is near. Attack On Titan, one of the most colossal animated TV shows ever made, is reaching its final episodes this year, with a first group of them premiering in March and the rest later in the year. Eren Yeager and the Survey Corps struggle against the titans and the world that surrounds them is reaching its dramatic conclusion, and it promises to be a gut-wrenching and mind-blowing finale to one of the biggest odysseys to ever grace the silver screen.


Throughout its four seasons, the anime adaptation of Hajime Isayama’s manga has proven to be one of the most successful, critically acclaimed, and controversial anime shows in history. Over 400 million dollars in total media revenue, thousands of in-demand requests, and a loyal fandom are the results nearly a decade after its first episode. This dark fantasy about a post-apocalyptic world in which humans live behind walls to protect themselves from human-devouring (and human-like?) monsters called titans started out as a typical fantasy shonen and gradually became a complicated and mature look at the human race and its struggle to find peace and understanding. To this day, its probably one of the best cultural products to assimilate and incorporate the intricacies of human evolution and history. In honor of its final run, here’s a compilation of the story’s main characters.

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Eren Yeager

Muse Communication
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Attack on Titan‘s protagonist is a strong-willed teenager that after witnessing his mother being devoured by a titan, vows to destroy every single one of them, and decides to join the Survey Corps, a military branch in charge of exploring outside the walls and exterminating the titans. In his first ever battle, right after his graduation, Eren is swallowed by one of the monsters, but soon reappeared as one of them and begins his fight against the invaders.

Throughout the many episodes of Attack on Titan, Eren has somehow simultaneously remained much the same, and also changed radically. His desire for freedom remains, but as time has passed, his methods towards achieving his goals become somewhat distorted from his comrades. The final act of the story finds him executing what he believes will be the course of action that will guarantee him and his loved ones their great emancipation from their long-lasting struggle.

Mikasa Ackerman

Mikasa in Attack on Titan
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After her parents are killed in front of her very eyes, Mikasa is saved by Eren, whose parents then take her in as one their own. From that moment on, she felt an enormous sense of gratitude towards the Yeager family, and became extremely overprotective of Eren. Ever since witnessing such traumatic event, she lost all of her innocence and understood the world as cruel place, also causing her to become quiet and withdrawn. Taking on the role of Eren’s caretaker, she follows him into the Survey Corps, where she graduated at the top of her class, regarded as an unprecedented talent.

Armin Arlert

Armin in Attack on Titan
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Armin is Eren’s and Mikasa’s childhood friend who joins them enlisting to the Survey Corps to help humanity and fulfill his dream of seeing the world beyond the walls. Armin knew of this because of an illegal book his grandfather possessed which contained information about the world outside the walls. Initially a very shy character dealing with an inferiority complex, due to his lack of physical strength and endurance, Armin proves his worth and courage in some of the most vital moments for humanity’s survival. His powerful intellectual and analytical capacity managed to save Eren from being killed after one of his first transformations, to identify the titan shifters that infiltrated the military, and subsequently defeat them in the key battle to retake their hometown.

Jean Kirstein

Jean in Attack on Titan
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Initially set on joining the Military Police to pursue a safe life within the inner wall, after seeing his comrades die at the hands of titans, he decides to join the Survey Corps. Jean is a hot-headed person, usually clashing with Eren but at the same time finding admiration in him, he eventually becomes a commanding officer in the Survey Corps and one of the most enduring characters in the show.

Connie Springer

Connie in Attack on Titan
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Outgoing and upbeat, Connie is one of the Survey Corps more optimistic members. Like Jean, he was initially keen on joining the Military Police, but is eventually persuaded to join the Survey Corps after hearing Eren’s passion and desire for freedom. His village is later on decimated, and his mother turned into a titan, which becomes an important concern for him later on the story. He develops a strong bond with Jean and Sasha.

Sasha Blouse

Sasha in Attack on Titan
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Sasha is a skilled hunter with exceptional instincts. Obsessed with food, this causes her troubles in her early days as a cadet, leading to her being called “Potato Girl.” Though she joined the Survey Corps reluctantly, eventually becomes one of its most important members. The final season reveals more to her personality than just the show’s comedic relief, and depicts her family in a more detailed way.

Historia Reiss

Historia in Attack on Titan
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Initially Krista Lenz, in the third season her true identity is revealed to be the unlawful daughter of the real king within the walls. Historia‘s traumatic childhood made her become someone reliable always looking to please others, hoping to some day die heroically after joining the Survey Corps. Her father eventually reaches out to her again in hopes she will take over his reign from the shadows.

Levi Ackerman

Levi in Attack on Titan
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The most powerful of all humans, Levi Ackerman is the small, agile, and incredibly strong head of an elite squad within the Survey Corps. Though he seems emotionally distant and unapproachable, he has a strong respect for structure and discipline. His intervention at Eren’s trial is what makes it possible for him to not be killed by the Military Police and be made a responsibility of the Corps.

Erwin Smith

Erwin in Attack on Titan
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Erwin is the 13th commander of the Survey Corps, a gambling man set on achieving his personal mission and knowing the truth about humanity’s history. Charismatic, bold, and mysterious, Erwin becomes “humanity’s greatest hope” as his plans manage to bring humans their first victories over titans.

Hange Zoë

Hange in Attack on Titan
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Hange Survey Corps veteran and scientist in charge of studying titans. These create in her an abundant sense of fascination, which made her knowing of Eren a moment of absolute joy. Her invention of gadgets towards fighting titans managed to move humanity forward and gain substantial advantages in combat.

Floch Forster

Floch in Attack on Titan
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Part of Eren’s recruit class, Floch joins the Survey Corps in the second half of the third season. After surviving the battle at the end of said season, and knowing the truth of the world, he becomes hateful and vindictive towards outsiders. He represents the ones who did not face the same adversities as the departed Survey Corps, thus being more insensitive towards violence.

Related: Is Attack on Titan Over, and Should it Be?

Reiner Braun

Reiner in Attack on Titan
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Reiner stood out from the original cadet class as a responsible and dedicated soldier, always looking out for all of his comrades. When his true identity is revealed, it’s a such a shocker that even him, is surprised and eventually deals with the consequences of living a double life. By the final season, Reiner has changed, his ardent and powerful personality has decayed into one of someone clearly scared by war, personal demons, and guilt.

Bertolt Hoover

Bertolt in Attack on Titan
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Quiet, reserved and analytical, Bertolt Hoover is one of the best cadets of his class. After joining the Survey Corps his identity along with Reiner’s one, is revealed in the second season. Though at times doubtful and weak, by the third season he has overcome his doubts and clinched on his decision to use his power as one of the strongest characters in the show.

Annie Leonhart

Annie in Attack on Titan
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Cold-hearted and distant, Annie Leonhart always seemed to be hiding something. Raised to fight and become a soldier, superb with swords and hand-to-hand combat, Annie is one of the most lethal characters in the series. After her true identity is revealed, she crystallizes herself in order to avoid capture.

Zeke Yeager

Zeke in Attack on Titan
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The War Chief of the invading forces has one of the most complicated and heart-breaking storylines of the saga. As the first son of Grisha Yeager, and Eren’s half-brother, Zeke‘s heart is divided, and his decisions are always filled with mystery and deceit.

Porco Galliard

Porco in Attack on Titan
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Porco is a stubborn and energetic warrior, carrier of the Jaw Titan. He was set to inherit the Armored Titan, but his brother praised Reiner instead of him to save him from becoming a weapon. He makes his first appearance in the fourth season where he becomes one of the leading characters of the Marley arc.

Pieck Finger

Pieck in Attack on Titan
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Surprisingly appearing at the end of the third season as the Cart Titan, saving Zeke and Reiner from being killed, Pieck is not seen in human form until the final season. A powerful warrior with a keen eye for detail, she is always ready to protect her comrades.

Related: Attack on Titan: The Final Season Part 3: Plot, Cast, Release Date, and Everything Else We Know

Gabi Braun

Gabi in Attack on Titan
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Gabi is a young warrior candidate aspiring to inherit the Armored Titan. She is dedicated to showing the world her race are not devils, and becoming accepted by society. Her attitude and energy reflect the one of Eren at the beginning of the story.

Falco Grice

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Falco is a kind-hearted boy and warrior candidate. He constantly trifles with Gabi while having a clear crush on her. His emotional maturity and openness to understanding others marks a significant difference with the rest of characters in the show.

Grisha Yeager

Grisha in Attack on Titan
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Grisha is Eren and Zeke’s father. A human from outside the walls who held in his basement the truth of the world, unknown to the people living within the walls. Initially a man of radical notions and nationalist ideals, as his life sinks into tragedy his heart changes and becomes a merciful and dedicated man, becoming kind parent to Eren. Most of the events happening in this story are set in motion by a decision made in his childhood.

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The end is near. Attack On Titan,