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When I first landed on create account Slotochu Casino, I quickly realized why the brand asserts so strongly about being powered by the best. As a reviewer who has dedicated extensive time examining UK-facing online casinos, I can identify a platform that relies on genuine quality rather than superficial tricks. The site’s entire structure, from the lobby layout to the game-loading speeds, signals a partnership with elite software houses and a dedication to a seamless player journey. I’m here to guide you through every layer of that experience, explaining how the provider line‑up, game catalogue, bonus structure, banking, security, and mobile delivery all come together. By the end, you will know exactly what makes Slotochu Casino a top choice for your time and bankroll, and why its “powered by the best” tagline is far more than promotional hype.

Financial Made Simple: Depositing and Withdrawals

I discovered the difficult way that a casino’s banking system can define the whole experience, so I submitted Slotochu Casino’s cashier to thorough scrutiny. The listed payment methods span the complete spectrum that UK players look for, including Visa, Mastercard, PayPal, Skrill, Neteller, Trustly, and bank transfer. I was especially glad to see PayPal available, because its inclusion often indicates a greater level of trust and quicker processing times. Deposits were instant across all method I checked, and the smallest deposit amount stands at a comfortable ten‑pound threshold that holds the casino approachable without encouraging micro‑deposit habits that can spiral.

Depositing into Your Account

Upon making my first deposit, the transaction was finalized in seconds and the funds appeared in my balance before I could even switch back to the lobby. The cashier interface is clean and streamlined, with straightforward prompts for entering card details or logging into an e‑wallet. I noticed that the casino does not impose any deposit fees, which is a standard I insist upon, and the GBP currency is available natively, so you will not ever lose money to hidden conversion charges. For players who prefer mobile payments, options like Apple Pay and Pay by Mobile are also integrated, making it easy to top up on the go. The deposit limits can be changed from within your account settings, which ties neatly into the responsible gambling tools I will cover later.

Cashing Out Your Winnings

The payout procedure is where many casinos fall short, but Slotochu Casino left an impression on me with its speed. After undergoing the necessary identity verification, which is a required UK Gambling Commission stipulation, I sent a withdrawal request via PayPal. The funds were accepted and paid out within six hours, which is significantly faster than the standard in the industry. E‑wallet withdrawals typically land within twenty‑four hours, while card and bank transfer withdrawals can take three to five business days, a timeframe that is clearly communicated in the cashier section. I valued the pending period, which gives you a window to reverse a withdrawal if you change your mind, but I also noted that the reverse option can be deactivated upon request for those who opt for a cooling‑off https://forums.overclockers.co.uk/threads/recommendations-for-where-to-live-in-uxbridge-north-west-london.18145967/ mechanism.

One area I always check is the withdrawal limits, because a low monthly cap may be a dealbreaker for high‑rollers. Slotochu Casino sets a sensible weekly and monthly maximum that accommodates most recreational players, though I suggest anyone playing at significantly higher stakes to examine the specific figures on the terms page. The verification process in itself was simple: I uploaded a proof of identity and address, and the documents were processed within a few hours. There were no repetitive requests for the same information, which suggests the compliance team is well‑organised. On the whole, the banking experience gave me the feeling that Slotochu Casino respects your time and your money.

Mobile Experience: Enjoy Anywhere, On the Move

I do the bulk of my casino gaming on a mobile phone, so I put Slotochu Casino’s mobile experience through its paces on both iOS and Android gadgets. The site is fully adaptive, meaning it adapts seamlessly to any screen size without needing a native app download. I accessed the casino in Safari and Chrome, and both browsers provided an experience that seemed nearer to a dedicated application than a mobile website. The touch targets are generously sized, the menus collapse into a thumb‑friendly hamburger icon, and the game tiles rearrange themselves into a one-column layout that makes browsing and choosing simple. I encountered no lag, no broken animations, and no games that failed to load, which is a testament to the HTML5 technology supporting the whole library.

Quick Play on Any Gadget

The appeal of the browser‑based approach is that you are never locked into a certain device or operating system. I began a session on my iPhone, moved to an Android tablet, and picked up right where I left off, with my balance and game history synced perfectly. The mobile lobby keeps all the filtering and search functions of the desktop version, so I could find a specific NetEnt slot or filter by jackpot games without squinting at tiny text. Live dealer games broadcast in high definition over a 4G connection, with only the sporadic resolution dip during network congestion, and the chat function remains fully operational. For UK players who journey or simply favor gaming from the sofa, this mobile implementation is among the most fluid I have experienced.

Native App Experience

While the mobile site is outstanding, I also tested the native app that Slotochu Casino provides for iOS and Android. The app, obtainable directly from the website or official stores, introduces a layer of practicality with biometric login, push notifications for new promotions, and slightly speedier load times for often played games. I discovered the installation process fast and free of bloatware, and the app’s footprint on my device storage was pleasantly modest. The notification system is adjustable, so you can select for bonus alerts without being flooded with spam. Whether you opt for the app or the browser, the core experience remains steady, but the app is a nice extra for anyone who wants a specific icon on their home screen and an even more smooth login flow.

The Engine Behind the Platform: An Overview of the Software Providers

I always begin my casino reviews by examining the engine room, and Slotochu Casino does not disappoint. The lobby is fuelled by a multi‑supplier approach that brings together industry titans like NetEnt, Microgaming, Play’n GO, and Pragmatic Play, together with a host of creative boutique studios. This blend is significant because it directly impacts the variety, volatility, and visual polish of every slot you will encounter. When a casino depends on a single provider, the catalogue can seem repetitive and one‑dimensional. Here, I came across a carefully curated collection where each developer’s signature style is evident, from the cinematic animations of NetEnt’s blockbusters to the math‑driven mechanics of Pragmatic Play’s high‑volatility slots. The result is a library that appears dynamic, constantly refreshed with new releases, and fit for meeting the needs of both casual spinners and seasoned high‑rollers.

Beyond the big names, I noticed a deliberate attempt to include studios that innovate in mobile efficiency and gamification. Providers like Red Tiger and Yggdrasil provide daily jackpots, in‑game missions, and social features that transform a simple spin into a more captivating session. From a technical standpoint, every slot I tested opened directly in the browser without a hitch, due to HTML5 frameworks that guarantee cross‑platform compatibility. This provider mix also reinforces fairness, because each studio’s random number generator is independently audited. For UK players, that means you are not depending on a single black box but on a network of certified systems. It is a cornerstone that instils in me genuine confidence, and it is the first concrete indication that Slotochu Casino’s “best in the industry” promise is built on substance.

Security, Safeguarding, and Responsible Gambling

I do not recommend a casino without primarily verifying its legal position, and Slotochu Casino possesses a licence from the UK Gambling Commission, the gold standard for player protection in Great Britain. This indicates the operator must comply with strict rules around fund segregation, fair gaming, and advertising standards. I reviewed the footer of the site, where the licence number is shown, and I urge every reader to do the identical before depositing. The existence of this licence is not just a badge; it is a legal commitment that your deposits are held in protected accounts, your personal data is encrypted with SSL technology, and every game outcome is determined by independently tested random number generators.

UK Gambling Commission Regulation

The UKGC licence provides concrete benefits that immediately impact your daily play. For instance, the operator is required to perform age and identity verification before you can deposit or play, which hinders underage gambling and provides a layer of account security. I also remarked that the casino participates in the GamStop self‑exclusion scheme, permitting you to block yourself from all UK‑licensed gambling sites with a single registration. The terms and conditions are written in plain English, and I discovered no hidden clauses that would unfairly confiscate winnings or impose unreasonable wagering requirements. This level of transparency is a direct result of the Commission’s stringent oversight, and it is one of the strongest reasons I feel comfortable putting my name behind this review.

Safe Gambling Tools

Slotochu Casino goes beyond the minimum requirements by delivering a comprehensive suite of safer gambling controls that you can access directly from your account dashboard. I was able to establish daily, weekly, and monthly deposit limits within seconds, and any decrease takes effect immediately, while increases are subject to a cooling‑off period. The reality check feature lets you adjust pop‑up reminders that show your session duration and net spend, a small nudge that can prevent hours from slipping away unnoticed. I also found options for time‑outs ranging from twenty‑four hours to six weeks, as well as a direct link to self‑exclusion tools and support organisations like GamCare and BeGambleAware. These features are not buried in a submenu; they are prominently placed, which signals a culture of genuine player care rather than box‑ticking compliance.

Game Selection That Keeps You Coming Back

The game lobby at Slotochu Casino is the sort of place where I can spend hours for an entire evening and still feel like I have only begun to explore. The layout is intuitive, with smart filtering by category, provider, and even feature type, which makes locating a specific title or discovering something new a breeze. I value that the casino does not hide its best content behind endless menus; the homepage spotlights trending games, fresh releases, and exclusive in‑house picks that give you an instant taste of the quality on offer. Whether you are a fan of classic fruit machines, narrative‑driven video slots, or the tactile buzz of live dealer tables, the breadth here is truly impressive and clearly curated with the UK player’s preferences in mind.

A Slot Collection That Is Always Active

I spent a substantial chunk of my review time in the slots section, and it swiftly became apparent that this is the pulsating heart of Slotochu Casino. You can discover a wide array from enduring three‑reel classics that bring to mind a retro pub fruit‑machine vibe to sprawling Megaways titles where the count of ways to win shifts with every spin. I was especially drawn to the assortment of high‑RTP slots, many offering above ninety‑six per cent, which is a detail astute UK players keenly hunt for. The search filters enabled me to filter out games with bonus buy features, cascading reels, or progressive jackpots, so I could customize my session to my specific mood. I also noticed that new releases arrive within days of their global launch, meaning you will never be stuck waiting for the latest Big Time Gaming or Nolimit City creation to land.

What really stood out was the consistent performance across the whole slot library. Even visually demanding games like Gonzo’s Quest Megaways or Dead or Alive 2 worked without issues on my average laptop and phone, with no stuttering or delays during bonus rounds. The casino obviously focuses on optimisation, which is something many UK operators fail at. I also valued the demo mode option on most slots, enabling me to test a game’s volatility and feature frequency before committing real funds. That minor feature is very telling about a platform that respects its players and wants you to make informed choices rather than gambling blindly.

Table Game Selection and Live Dealer Action

While slots dominate https://criptotendencia.com/2025/08/01/crecen-las-estafas-de-sitios-de-apuestas-online-que-se-aprovechan-de-usuarios-cripto-en-discord/ the lobby, I was glad to see a solid table games offering that is competitive against specialist casinos. Blackjack enthusiasts can choose from classic, European, and multi‑hand variants, each with crisp graphics and smooth dealing animations. Roulette fans are also well served, with European, French, and American wheels all present, and I observed that the French tables offer the La Partage rule, which effectively lowers the house edge to one of the most player‑friendly levels in the industry. Baccarat, casino poker, and a selection of video poker games finish off the digital games, ensuring that anyone who favours skill over chance has a comfortable home here.

The streaming casino, powered by Evolution Gaming and Pragmatic Play Live, is the place where Slotochu Casino really shows its strength. I entered a Lightning Roulette table and was quickly drawn into the high‑definition stream, skilled croupier interaction, and the electrifying multiplier payouts that establish this variant as a UK favorite. In addition to the classic blackjack and roulette tables, I encountered game show‑style entertainments like Crazy Time and Monopoly Live, which blend RNG elements with live hosting to create something genuinely unique. The betting limits are intelligently graded, with low‑stakes tables for wary new players and VIP tables for players seeking high-stakes thrills. The whole live lobby comes across as a high-quality experience, and it is a major reason I believe Slotochu Casino can serve as your one‑stop entertainment hub.

Offers and Bonuses: What’s on Offer for UK Players

I always approach casino bonuses with a fair dose of scepticism, because a big figure means nothing if the terms are unworkable. At Slotochu Casino, I found a promotional framework that seems built to reward genuine play rather than trap you in impossible wagering loops. The welcome offer is structured as a multi‑stage package that usually combines a deposit match with a bundle of free spins on a featured slot. While the exact percentages and spin counts can shift, the offer I reviewed struck a fair balance between immediate value and achievable conditions. I strongly advise reading the full terms on the site, but I can already tell you that the wagering requirements fall within the standard UK range, and the minimum deposit threshold is reachable for most recreational players.

The Introductory Deal

When I claimed the welcome offer, the process was surprisingly straightforward. After signing up and depositing the required amount, the bonus funds and spins appeared in my account within minutes, with no requirement to reach out to customer service or enter a convoluted code. The free spins were awarded in daily batches, which is a common practice that maintains your interest over several days and enables you to test a title without rushing. I looked closely at the game weighting rules, and I was relieved to see that slots contribute one hundred per cent towards wagering, while table games and live casino play are weighted less, as is common. This transparency is vital, because it guarantees you can strategize your wagering without unpleasant shocks when you attempt a withdrawal.

One detail I especially liked was the lack of an excessively strict maximum bet clause during the wagering period. Many UK casinos cap bets at a pound or two, which can make clearing a bonus feel like a chore. Here, the limit is placed at a threshold that allows you to size your bets sensibly while still having fun with the games. I also noted that certain high‑RTP slots are not banned from bonus use, which is a typical issue elsewhere. The welcome package is plainly crafted to give you a genuine shot at turning bonus money into real cash, as long as you handle your bankroll and are aware of the 35x to 45x wagering requirement that is typical for the UK market.

Ongoing Promotions and Rewards Perks

Beyond the welcome mat, Slotochu Casino keeps the momentum going with a lineup of reload bonuses, cashback offers, and slot tournaments that I considered genuinely engaging. The reload offers commonly land on specific days of the week, offering you a reason to log in and top up your account with a little extra firepower. I joined a weekend leaderboard event that ordered players by total spins or win multipliers, and the prize pool contained both cash rewards and bonus credits with reduced wagering. These tournaments introduce a social, competitive layer to the experience that interrupts the solitary nature of online gambling, and I expect them becoming a regular fixture for many UK players.

The loyalty scheme, frequently called a VIP or rewards programme, is arranged in tiers that activate progressively better perks as you gather points through real‑money play. I was not able to test the highest tiers during my review period, but the lower levels already offered tangible benefits such as faster withdrawals, a dedicated account manager, and personalised bonus offers. The points‑to‑cash conversion rate appeared fair, and there was no indication of the scheme being a thinly veiled trap to encourage reckless spending. On the contrary, it feels like a genuine thank‑you for your continued custom, which is exactly the kind of long‑term value I search for when recommending a casino to UK readers.

What Really Distinguishes Slotochu Casino Apart

After spending extensive time inside the platform, I found myself drawn to one prevailing impression: Slotochu Casino does not compromise. The “powered by the best” promise is not solely about the software providers; it applies to the payment processing, the customer support infrastructure, and the overall user interface design. I tested the live chat function at multiple times of day and always connected with a knowledgeable agent within two minutes. The support team addressed my questions about withdrawal timeframes and bonus terms with transparency and zero prepared evasion, which is a rarity in this industry. Email support is also offered, and the FAQ section is remarkably practical, covering everything from account verification to game rules without making you search endlessly.

The user interface on its own merits special recognition. The colour palette is easy on the eyes during long sessions, the typography is clean, and the navigation logic feels intuitive from the first click. I never had to hunt for the cashier, the responsible gambling tools, or the terms and conditions, because everything is positioned precisely where a sensible player would expect to find it. This might sound like a minor detail, but it reflects a design philosophy that emphasises user experience over aggressive upselling. Combined with the fast payouts, the UKGC licence, and the rich game catalogue, these elements coalesce into a platform that appears both premium and trustworthy. Slotochu Casino has secured its position on my shortlist of recommended UK casinos, and I am sure it will satisfy even the most demanding players who require excellence from the moment they sign up.

When I first landed on create account

Two prominent Jewish advocacy groups have called out Mark Ruffalo for spreading “antisemitic tropes.”

“Words matter, and so does the willingness to draw a line when legitimate debate gives way to antisemitic tropes,” said Jim Berk, CEO of the Simon Wiesenthal Center.

“We commend Paramount for speaking clearly and refusing to allow prejudice to masquerade as political or corporate criticism. At a time when antisemitism is too often minimized, rationalized, or repackaged in more socially acceptable language, this kind of moral clarity matters.”

Ari Ingel, executive director of Creative Community for Peace, also said in a statement: “Mark Ruffalo’s rhetoric has increasingly crossed the line from criticism of Israel into extremist and antisemitic messaging.”

Their intervention comes after Paramount issued a rare statement of condemnation against Ruffalo on Friday, in which the company said it is “troubled when antisemitic tropes are invoked in purported service of a business dispute.”

That statement was in response to the actor’s Instagram re-posting of a year-old video clip featuring Jewish Paramount Skydance board member Safra Catz speaking on a panel. In text accompanying the clip he told his 20 million Instagram followers it showed Catz “revelling” in a “genocide” powered by tech company Oracle, understood to be a tacit reference to the Israel-Hamas conflict.

Catz is the former CEO of Oracle, which was co-founded by Larry Ellison, father of Paramount Skydance CEO David Ellison.

Paramount Skydance is in the process of acquiring Warner Bros. Discovery. Ruffalo has been one of the most vocal critics of the deal.

In his latest social media screed, Ruffalo said Larry Ellison was funding his son’s acquisition of Warner and that he would own “most of” the company if the deal, which is currently mired in legal tangling with 12 state attorneys general, went through.

Larry Ellison has reportedly committed up to $46.7 billion of the $111 billion deal, with a trio of Middle Eastern sovereign wealth funds, comprised of Saudi Arabia, Qatar and Abu Dhabi, also committing at least $24 billion.

Ruffalo, who is believed to have earned millions from his role as Hulk in the Marvel films, also called Ellison Sr. a “classic Oligarch” who is “crushing workers and consolidating the wealth of the world for their own power and concentrated dominance” in his commentary. He also accused the Ellisons of “powering some of the most destructive and inhuman forces in the world.”

After Paramount issued its statement condemning his post, the Marvel actor fired back on X, saying the accusation of antisemitism “is appalling and fundamentally dishonest.”

However, at least two Jewish orgs appear to agree with Paramount’s assessment. “Invoking Israel in an issue where it is completely irrelevant is a textbook case of obsession and demonization,” Berk, the Simon Wiesenthal Center CEO, continued in his statement. “Paramount was right to call it out. More leaders and institutions should have the courage to call antisemitism what it is, regardless of who is spreading it.”

Meanwhile CCFP’s Ingel, noted: “Ruffalo now says accusations of antisemitism against him are ‘fundamentally dishonest.’ Intent does not erase impact. Repeatedly amplifying inflammatory falsehoods and rhetoric that mirrors historic antisemitic tropes helps normalize the violent anti-Jewish hatred we are seeing take hold once again around the world, regardless of how he chooses to describe his own motives.”

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Two prominent Jewish advocacy groups have called

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Практичный анализ gamacasino и стратегии выигрыша для опытных игроков

Современный рынок азартных игр постоянно развивается, предлагая пользователям всё новые и новые платформы для развлечений и потенциального заработка. Среди множества онлайн-казино особое место занимают те, которые умеют адаптироваться к потребностям игроков, предлагая широкий выбор игр, удобные способы оплаты и, конечно же, честную игру. Сегодня мы рассмотрим подробнее платформу gamacasino, её особенности, преимущества и стратегии, которые могут быть полезны опытным игрокам.

Подробный анализ онлайн-казино требует оценки множества параметров: от лицензии и безопасности данных до ассортимента игр, качества поддержки и скорости вывода средств. Важно учитывать не только технические аспекты, но и репутацию платформы, отзывы игроков и её политику в отношении ответственной игры. В этой статье мы постараемся предоставить объективный обзор gamacasino, основываясь на доступной информации и анализе опыта других игроков. Мы рассмотрим не только сильные стороны платформы, но и возможные недостатки, чтобы помочь вам составить собственное мнение.

Ассортимент игр и программное обеспечение

Одним из ключевых факторов, определяющих привлекательность любого онлайн-казино, является разнообразие предлагаемых игр. gamacasino стремится удовлетворить запросы самых взыскательных игроков, предлагая широкий выбор слотов, настольных игр, видеопокера и игр с живыми дилерами. В ассортименте представлены разработки ведущих провайдеров, таких как NetEnt, Microgaming, Play'n GO и другие, что гарантирует высокое качество графики, звука и игрового процесса. Особое внимание уделено слотам, которые представлены в различных тематиках и с разнообразными бонусными функциями. Пользователи могут найти как классические слоты с тремя барабанами, так и современные видеослоты с множеством линий выплат и бонусными раундами.

Выбор игр с живыми дилерами

Игры с живыми дилерами становятся все более популярными среди игроков, желающих ощутить атмосферу настоящего казино, не выходя из дома. gamacasino предлагает широкий выбор игр с живыми дилерами, включая блэкджек, рулетку, баккару и покер. Профессиональные дилеры ведут игру в режиме реального времени, а игроки могут делать ставки и общаться с ними через чат. Это создает более захватывающий и аутентичный игровой опыт. Качество видео и звука в играх с живыми дилерами находится на высоком уровне, что позволяет игрокам полностью погрузиться в атмосферу игры. Различные варианты ставок и дополнительные функции делают игры с живыми дилерами привлекательными для игроков с разным уровнем опыта и бюджетом.

Провайдер
Тип игры
RTP (в среднем)
NetEnt Слоты 96.5%
Microgaming Слоты, Покер 95.8%
Play'n GO Слоты 96.2%
Evolution Gaming Игры с живыми дилерами 97%

Как видно из таблицы, gamacasino сотрудничает с провайдерами, предлагающими игры с высоким процентом возврата игроку (RTP), что увеличивает шансы на выигрыш.

Бонусы и акции для игроков

Бонусная политика является важным фактором, привлекающим игроков в онлайн-казино. gamacasino предлагает разнообразные бонусы и акции для новых и постоянных игроков. Среди них приветственные бонусы за первый депозит, бонусы за повторные депозиты, фриспины, программы лояльности и регулярные розыгрыши призов. Важно внимательно изучать условия получения и отыгрыша бонусов, чтобы избежать неприятных сюрпризов. Например, некоторые бонусы могут иметь ограничения по максимальной сумме ставки или по типу игр, на которые распространяется бонус. Перед тем, как активировать бонус, рекомендуется ознакомиться с полными правилами и условиями его использования.

Программа лояльности и VIP-статус

Для постоянных игроков gamacasino предлагает программу лояльности, которая позволяет зарабатывать баллы за каждую сделанную ставку. Накопленные баллы можно обменять на реальные деньги или использовать для повышения своего VIP-статуса. VIP-статус дает дополнительные преимущества, такие как эксклюзивные бонусы, персонального менеджера, более быстрые выплаты и приглашения на специальные мероприятия.

  • Приветственный бонус до 100% на первый депозит.
  • Фриспины за ежедневный вход в аккаунт.
  • Бонус за приглашение друга.
  • Кэшбэк до 20% от проигранных ставок.
  • Еженедельные акции и турниры.

Такие предложения делают игру в gamacasino еще более привлекательной и выгодной для игроков.

Методы оплаты и вывода средств

Удобство и безопасность финансовых операций являются критически важными для любого онлайн-казино. gamacasino предлагает широкий выбор методов оплаты и вывода средств, включая кредитные и дебетовые карты (Visa, Mastercard), электронные кошельки (Skrill, Neteller, PayPal) и банковские переводы. Все транзакции защищены современными технологиями шифрования, что обеспечивает безопасность данных игроков. Скорость вывода средств зависит от выбранного метода оплаты и VIP-статуса игрока. Обычно вывод средств занимает от нескольких часов до нескольких дней.

Варианты вывода средств и комиссии

Перед тем, как сделать вывод средств, игрокам необходимо выбрать удобный для них метод. Важно учитывать, что некоторые методы могут иметь комиссии за вывод средств. Например, банковские переводы могут взимать комиссию за международные транзакции. Электронные кошельки обычно предлагают более быстрые и дешевые варианты вывода средств. gamacasino предоставляет подробную информацию о комиссиях и сроках вывода средств для каждого метода оплаты.

  1. Выберите метод вывода средств.
  2. Укажите сумму вывода.
  3. Подтвердите запрос на вывод средств.
  4. Дождитесь обработки запроса и получения средств.

Важно помнить, что перед выводом средств необходимо пройти процедуру верификации аккаунта, предоставив копии документов, удостоверяющих личность.

Безопасность и лицензирование

Безопасность и надежность онлайн-казино являются первостепенными приоритетами для игроков. gamacasino работает на основании лицензии, выданной авторитетным регулятором, что гарантирует честность и прозрачность игры. Казино использует современные технологии шифрования для защиты данных игроков и предотвращения мошенничества. Также применяются системы мониторинга и аудита, которые позволяют выявлять и предотвращать неправомерные действия. Компания придерживается принципов ответственной игры и предлагает инструменты для самоограничения и блокировки аккаунта.

Поддержка клиентов

Качественная поддержка клиентов является неотъемлемой частью успешного онлайн-казино. gamacasino предлагает круглосуточную поддержку клиентов через онлайн-чат, электронную почту и телефон. Операторы поддержки готовы ответить на любые вопросы игроков и помочь решить возникающие проблемы. Время ответа на запросы обычно не превышает нескольких минут. Поддержка доступна на нескольких языках, что делает ее удобной для игроков со всего мира. Важно отметить, что служба поддержки gamacasino отличается высоким уровнем профессионализма и вниманием к потребностям игроков.

Перспективы развития и инновации

Онлайн-казино, стремящееся к долгосрочному успеху, постоянно инвестирует в развитие и внедрение новых технологий. gamacasino активно следит за тенденциями рынка и внедряет инновационные решения, такие как виртуальная реальность (VR) и дополненная реальность (AR), чтобы предложить игрокам еще более захватывающий и реалистичный игровой опыт. Также ведется работа над улучшением мобильной версии сайта и разработкой новых бонусных программ. Особое внимание уделяется улучшению пользовательского интерфейса и оптимизации скорости загрузки страниц. Ожидается, что в ближайшем будущем gamacasino предложит своим игрокам еще больше интересных и выгодных возможностей.

Развитие технологий блокчейн и криптовалют открывает новые перспективы для онлайн-казино, позволяя создавать более безопасные и прозрачные системы оплаты и управления игровыми счетами. Платформы, которые первыми внедрят эти технологии, получат значительное конкурентное преимущество. Важно следить за развитием этих технологий и адаптироваться к меняющимся условиям рынка.

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Online kazino seçimi zamanı ən vacib amillərdən biri təhlükəsizlikdir. Oyunçuların maliyyə məlumatlarının qorunması, şəxsi məlumatların gizliliyi və oyunların ədalətli olması böyük önəm daşıyır. Pinco casino platforması, bu tələblərə tam cavab verir. Qabaqcıl şifrləmə texnologiyaları istifadə edilərək, bütün əməliyyatlar qorunur və həssas məlumatlar üçüncü şəxslərlə paylaşılmır. Həmçinin, platforma müntəzəm olaraq təhlükəsizlik auditlərindən keçir və beynəlxalq standartlara uyğun olaraq fəaliyyət göstərir. Bu sayədə, oyunçular heç bir narahatlıq yaşamadan oyunlarını oynaya bilər.

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Təhlükəsizlik Xüsusiyyəti
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Lisensiya Etibarlı oyun lisensiyası mövcuddur.
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Pinco Casino Oyun Seçimləri

Pinco casino platforması, oyunçulara geniş çeşidə oyun seçimləri təklif edir. Slot oyunları, stol oyunları, canlı kazino oyunları və digər oyunlar hər zövqə uyğun olaraq təqdim edilir. Slot oyunları, müxtəlif mövzular, bonuslar və qazanma imkanları ilə diqqət çəkir. Stol oyunları, klassik kazino oyunlarının online versiyalarını təmsil edir və oyunçulara real kazino təcrübəsi yaşadır. Canlı kazino oyunları isə, real dilerlərlə oyun oynamaq imkanı verir və daha maraqlı bir oyun təcrübəsi təqdim edir.

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Pinco casino-da müxtəlif slot oyunları mövcuddur. Klassik slotlar, video slotlar, 3D slotlar və proqressiv jackpotlu slotlar oyunçuların seçiminə təqdim edilir. Klassik slotlar, sadə oyun mexanizmləri və az sayda xüsusiyyətləri ilə məşhurdur. Video slotlar isə, daha mürəkkəb oyun mexanizmləri və çox sayda bonus xüsusiyyətləri ilə diqqət çəkir. 3D slotlar, yüksək qrafika və animasiyaları ilə oyun təcrübəsini daha real edir. Proqressiv jackpotlu slotlar isə, böyük qazanma imkanları təklif edir və oyunçuların diqqətini cəlb edir.

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  • Video slotlar: Çox sayda bonus xüsusiyyətləri.
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Pinco casino, oyunçulara ən yaxşı oyun təcrübəsini yaşatmaq üçün müxtəlif oyun provayderləri ilə əməkdaşlıq edir. Bu sayədə, platformada həmişə yeni və maraqlı oyunlar tapmaq mümkündür.

Pinco Casino Bonusları və Promosyonları

Pinco casino platforması, oyunçulara cəlbedici bonuslar və promosyonlar təklif edir. Xoşgəlmə bonusu, depozit bonusu, pulsuz fırlanmalar və digər promosyonlar oyunçuların oyun təcrübəsini daha əyləncəli və sərfəli edir. Xoşgəlmə bonusu, platformaya yeni qeydiyyat edən oyunçulara təqdim edilir və onların ilk depozitlərinə əlavə vəsait verir. Depozit bonusu isə, oyunçuların hesablarına əlavə vəsait qoymalarına imkan verir. Pulsuz fırlanmalar isə, slot oyunlarında pulsuz oyun oynamaq imkanı verir.

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Pinco casino platformasında təqdim edilən bonusların və promosiyonların müəyyən şərtləri və qaydaları vardır. Bu şərtlər və qaydalar, bonusların necə istifadə edilə biləcəyi, qazanılan pulun necə çıxarılacağı və digər vacib məlumatları əhatə edir. Bonusları istifadə etməzdən əvvəl, oyunçuların bu şərtləri və qaydaları diqqətlə oxumaları və başa düşmələri vacibdir. Əks halda, bonusları istifadə etmələri mümkün olmayacaqdır.

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Pinco casino, oyunçulara ədalətli və şəffaf bonuslar təklif etməyə çalışır. Bu sayədə, oyunçular bonuslardan maksimum fayda əldə edə bilər.

Pinco Casino Ödəniş Metodları

Pinco casino platforması, oyunçulara müxtəlif ödəniş metodları təklif edir. Kredit kartları, bank kartları, elektron pul kisələri və digər ödəniş metodları oyunçuların rahatlığı üçün təqdim edilir. Kredit kartları və bank kartları, ən çox istifadə edilən ödəniş metodlarından biridir. Elektron pul kisələri isə, daha sürətli və təhlükəsiz ödəniş imkanı verir. Pinco casino, bütün ödənişlərin qorunması üçün qabaqcıl şifrləmə texnologiyaları istifadə edir.

Pinco Casino Müştəri Dəstək Xidməti

Pinco casino platforması, oyunçulara 7/24 canlı müştəri dəstək xidməti təklif edir. Oyunçular, hər hansı bir sual və ya problem olduqda, canlı dəstək xidmətinə müraciət edə bilər. Dəstək xidməti, oyunçuların suallarını sürət və effektivliklə cavablandırır. Həmçinin, platformada FAQ bölməsi mövcuddur, burada ən çox verilən sualların cavabları tapmaq mümkündür. Pinco casino, oyunçuların məmnuniyyətinə önəm verir və onlara ən yaxşı təcrübəni yaşatmaq üçün çalışır.

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Bu günlərdə, bir çox oyunçu mobil cihazlarından online kazino oyunlarını oynamaq üstünlük verir. Pinco casino platforması da bu tendensiyanı nəzərə alaraq, mobil uyğunluq təmin edir. Platformanın veb-saytı mobil cihazlar üçün optimallaşdırılmışdır və istifadəçilər hər hansı bir mobil brauzerdən platformaya daxil ola bilər. Həmçinin, pinco casino platforması üçün mobil tətbiq də mövcuddur. Mobil tətbiq, platformaya daha sürətli və rahat daxil olma imkanı verir. Oyunçular, mobil cihazlarından istifadə edərək eyni oyunları oynaya bilər, bonuslardan yararlana bilər və ödənişlər edə bilər. Pinco casino, mobil oyun təcrübəsini maksimum dərəcədə əyləncəli və rahat etməyə çalışır.

Məlumatlı seçim etmək üçün pinco casino platformasının

Civilians riot, villains rise, and heroes fall in AVENGERS: ARMAGEDDON (2026) #3 by Chip Zdarsky, Frank Alpizar, Ario Anindito, and Delio Diaz! The entire globe is thrown into chaos as Armageddon rages on! With the rest of the world turning against the Avengers, what will they choose? Stand down or fight against Red Hulk, even as he seems more and more unbeatable? And when an unstable new power takes center stage… the Avengers—and the world—will need all the help they can get! Wolverine sends out the call: Avengers assemble! 

Meanwhile, QUEEN IN BLACK rages on in Al Ewing, Iban Coello, and Paco Medina‘s QUEEN IN BLACK (2026) #3! The Codex is the key! Hela wants him as her secret weapon; Knull just wants him dead! Dylan Brock‘s survival might be the one thing Venom and Eddie Brock agree about—but even at the end of the world, can they work together? All this and the rollicking return of the Fantastic Five! 

Elsewhere, light and dark collide in QUEEN IN BLACK: DEFENDERS OF LIGHT AND DARK (2026) #2 by Tom Waltz and Ze Carlos! The Defenders have taken the fight to the dual threat of Hela and Knull, choosing offense over defense to save the Earth. But will in-fighting and tragedy combine to seal the fates of Team Dark and Team Light before they can complete their desperate mission? Or will the mysterious and dangerous “Plan B” turn the tide in this seemingly unwinnable battle? The fate of the world hangs in the balance between the forces of light and dark! 

Then, celebrate an Asgardian milestone with THOR (2026) #800! The Serpent has trapped Sigurd Jarlson in the worst of all possible worlds for his greatest trial. Now, without even a weapon in his hand, he must prove himself worthy to enter the Realms of the Gods. Somewhere in the city, a man without even a hammer begins the ultimate quest… the quest for Thor! 

Additionally, Captain America joins the fight in Christopher Condon and Stefano Caselli‘s ULTIMATE IMPACT: REBORN (2026) #4! Miles Morales and Iron Man recruit Captain America to defend against the scourge of the Ultimate Negative Zone: Hostilicus! What side is the newly born Wonder Man really on? Will reality-bending Sightseer master her frightening power before it’s too late? Even if Hostilicus is defeated, the Ultimate Gem of Cyttorak-powered Mogul’s scheme grows in the shadows—to what end?! 

What if… the Runaways hadn’t run away? Every year, a group of philanthropists gather for a charitable fundraiser… or so their children Alex Wilder, Chase Stein, Gertrude Yorkes, Karolina Dean, Molly Hayes, and Nico Minoru thought. When they discover their parents form the Pride, a sinister, sacrificial group that answers to a godly race called the Gibborim, the teens are terrified, shocked and… intrigued? Their destiny awaits, and there’s no running away in WHAT IF…? RUNAWAYS (2026) #1 by Rainbow Rowell and Zulema Scotto Lavina. 

Face some inner demons with Spider-Man and Hulk, assemble the Avengers for Armageddon, escape Hela and Knull with Dylan Brock, and more by picking up the latest titles this week! From fresh comics to collections and even Marvel Unlimited, find the full list of new releases here!

New Comics

  • ALIEN: KING KILLER (2026) #5
  • AVENGERS: ARMAGEDDON (2026) #3
  • BISHOP (2026) #3
  • CAPTAIN MARVEL: DARK PAST (2026) #5
  • DAREDEVIL (2026) #5
  • INGLORIOUS X-FORCE (2026) #8
  • PUNISHER VS. SPIDER-MAN (2026) #2
  • QUEEN IN BLACK (2026) #3
  • QUEEN IN BLACK: DEFENDERS OF LIGHT AND DARK (2026) #2
  • SILVER SURFER #6 FACSIMILE EDITION (2026) #6
  • SPECTACULAR SPIDER-MAN: BRAND NEW DAY (2026) #4
  • SPIDER-MAN/HULK: FIRE AND BRIMSTONE (2026) #1
  • STAR WARS: GALAXY’S EDGE – ECHOES OF THE EMPIRE (2026) #5
  • THOR (2026) #800
  • ULTIMATE IMPACT: REBORN (2026) #4
  • UNCANNY X-MEN (2024) #34
  • WHAT IF…? RUNAWAYS (2026) #1

New Collections

  • AVENGERS: TIME RUNS OUT [MARVEL PREMIER COLLECTION]
  • SECRET WARS [MARVEL PREMIER COLLECTION]
  • SPIDER-GIRL MODERN ERA EPIC COLLECTION: COMES THE CARNAGE!

Marvel Unlimited

  • AMAZING SPIDER-MAN/VENOM: DEATH SPIRAL – BODY COUNT (2026) #1
  • BLACK CAT (2025) #10
  • CAPTAIN AMERICA (2025) #11
  • DOCTOR STRANGE (2025-2026) #6
  • IRON MAN (2026) #5
  • KNULL (2026) #5
  • MAGIK & COLOSSUS (2026) #4
  • MARVEL MEOW INFINITY COMIC (2022) #42
  • MORTAL THOR (2025) #10
  • PETER PARKER SPIDER-MAN: QUEENS FINEST INFINITY COMIC (2026) #8
  • SDCC 2026 WOLVERINE PREQUEL INFINITY COMIC (2026) #5
  • SPECTACULAR SPIDER-MAN: BRAND NEW DAY (2026) #1
  • STAR WARS: SHADOW OF MAUL (2026) #3
  • ULTIMATE ENDGAME (2025) #4
  • UNCANNY X-MEN (2024) #28
  • WOLVERINE (2024) #20
  • X-MEN ’97: STRIKE FILES INFINITY COMIC (2026) #9

Grab these comics and more at your local comic book shop! Or redeem your digital copy on the Marvel Unlimited app by using the code found in your print comic. Download the Marvel Unlimited app for iOS and Android devices today!

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Civilians riot, villains rise, and heroes fall

DC Studios unveiled its latest live-action superhero origin scene, and it came via its newest HBO/HBO Max series. James Gunn and Peter Safran’s DC reboot introduced a world where superheroes have already existed for years, so it avoided traditional origin stories for some of its characters. David Corenswet’s Superman took flight last summer, and his first film didn’t delve too deeply into his origins, introducing him as a hero who had been active for years before the film’s events. However, that storytelling approach hasn’t deterred DC Studios from showing audiences where some of its biggest heroes come from.

The latest DCU origin scene came through Lanterns, the HBO series that premiered on August 16, starring Kyle Chandler as Hal Jordan and Aaron Pierre as rookie-in-training John Stewart. This version of Hal Jordan has already operated for decades and is old, weary, and out of his prime. John Stewart, on the other hand, doesn’t even have his Green Lantern ring yet, making it necessary to delve into his past and why he possesses a will strong enough to wield one. 

HBO Max

The first five minutes of the show don’t waste time introducing Stewart’s past. A flashback scene transports viewers to 1996, where a young John watches a televised interview featuring Hal Jordan, who had introduced himself as Green Lantern to the world a decade earlier after stopping a meteor. While watching, John and his siblings hear their father, John Stewart Sr.’s vehicle pull into the driveway, and his presence scares the other boys, who beg John to turn off the TV. Their fear isn’t surprising, given how strict Stewart Sr. is. John, on the other hand, shows no fear and only switches the TV off at the last minute when his dad walks through the door. 

Young John Stewart with an apple on his head.
HBO Max

Stewart Sr. asks John to step outside with him. There, he makes the young boy stand by a wall with an apple on his head as he shoots a bullet through it from a distance. John doesn’t even flinch as the gun fires, illustrating his fearlessness and why he was selected to be Earth’s next Green Lantern. Fear is central to Green Lantern lore; traditionally, joining the Green Lantern Corps requires members to overcome great fear before receiving a power ring. 

Lanterns‘ opening scene does a masterful job of tying that concept to John’s origins while also revealing the complex father-son dynamic between the hero and his father. The first episode also covers three timelines: the 1996 Stewart origin, a 2016 timeline, and present-day 2026. The episode moves between 2016 and 2026 as it peels back the layers on a sinister mystery in the small town of Rushville, Nebraska. The premiere gives the DCU its latest live-action superhero origin scene, and there are likely more to follow as James Gunn introduces more exciting new heroes into this universe.

Other Live-Action Origin Scenes Introduced in the DCU So Far

Christopher Smith’s Childhood Flashback in Peacemaker Season 2

Christopher, Auggie and Keith Smith in Peacemaker.
HBO Max

Flashbacks are a storytelling device the DCU has utilized heavily so far. Peacemaker Season 2 used one to unveil Christopher Smith’s tragic backstory and childhood. The fourth episode, “Need I Say Door,” opens with a flashback 35 years into the past, following a young Chris, his brother Keith, and their father, Auggie Smith, on a hunting expedition. Combing through the forest with their rifles, they chance upon a strange alien creature. After Auggie wounds it, they find the injured being next to the device that accesses the Quantum Unfolding Chamber. 

Auggie quickly blows off the alien’s head despite Keith’s pleas, then backhands Keith for telling him what to do. The scene highlights how toxic Chris’s childhood was while also revealing the origin of the Quantum Unfolding Chamber, the extradimensional pocket universe that serves as a portal to other worlds. Season 1 had already dug into Chris’s past, exploring the trauma he suffered from losing his brother Keith.

Supergirl’s Argo City Flashbacks 

Argo City in Supergirl.
DC Studios

Superman introduced Supergirl, Clark Kent’s cousin, in its final moments, depicting her as a troubled young woman who hops between red-sun planets because only there can she drink herself into a stupor. This depiction of Kara Zor-El was surprising, given that previous live-action iterations hadn’t portrayed the character that way. This summer’s Supergirl provided more context for why Kara is such a mess. Through flashbacks, we learn how Krypton’s destruction set her tragedy in motion, how Kara lost her loved ones, and why she’s so different from Clark, the cousin who was sent to Earth as a baby and never knew Krypton. 

The flashbacks introduced Argo City, a small fragment of Krypton that survived the planet’s destruction thanks to Zor-El’s protective dome. Kara was born there eight years later and grew up believing Argo was simply home. However, when Argo broke away from Krypton, it unearthed the kryptonite buried in Krypton’s bedrock, and the poisoned soil slowly killed its inhabitants, arguably a crueler death than an instant one. After Alura succumbed to the radiation, Zor-El sent Kara and Krypto to Earth to follow Kal-El and make a new home there.

Clayface Trailer Reveals His Origins

Matt Hagen being cut in the Clayface trailer.
DC Studios

The DCU is filled with diverse cinematic tones, and its next film will take the horror route. Clayface arrives in theaters on October 23, telling the origin story of Tom Rhys Harries’ Matt Hagen, an actor who becomes the clay monster Clayface after a vicious attack leaves him disfigured and an experimental procedure alters his physiology. The film’s trailer already gave a glimpse into that transformation, showing a gravely injured Matt Hagen in a hospital bed with his face completely bandaged. 

Naomi Ackie’s fringe scientist, Dr. Caitlyn Corr, is the woman behind the experimental treatment. Clayface’s origin story is the most tragic in the DCU so far. The R-rated body-horror film is directed by veteran filmmaker James Watkins, with a script by Mike Flanagan and Hossein Amini.

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Darksiders 4 was originally teased in 2024 and revealed in 2025, but has been largely absent from the news ever since that reveal. Today, Embracer Group posted its Q1 Interim Report, which finally provides an update on its upcoming titles, including Darksiders 4, which still seems a ways away.

Darksiders 4 Is Expected Between April 2027 and March 2028

In the Embracer Group’s Q1 FY 2026/27 Interim Report, published today, Embracer Group confirmed that Darksiders 4 is expected to release during FY 2027/28, which means anytime between April 2027 and March 2028. Here is the relevant section from the report:

In FY 2027/28, we expect the release of the next game in the Kingdom Come franchise from Warhorse Studios, Darksiders 4 from Gunfire Games, as well as the externally published Tomb Raider: Catalyst from Crystal Dynamics along with Flying Wild Hog and Eidos Montréal.

It’s still being developed by Gunfire Games, but the report didn’t provide a concrete release date. Darksiders 4 isn’t the only game to get an update, as Embracer also confirmed that the next Kingdom Come game from Warhorse Studios is expected in the same fiscal year.

Tomb Raider: Catalyst is also expected in FY 2027/28, which aligns with the delay announcement. Meanwhile, Metro 2039 and Tomb Raider: Legacy of Atlantis are the major releases for the current FY 2026/27, with both scheduled for February 2027. The report also confirmed that Metro 2039 has already reached 1 million wishlists faster than any game in Embracer’s history.

That’s all we’ve gotten in terms of updates on Darksiders 4. It’s still nice to hear that it’s in development, especially given the state of the industry and the lack of updates from the publisher or developer, but we’ll all have to wait a while before we can play it. If it’s targeting a 2027 release, we’ll likely get a proper reveal later this year, potentially at The Game Awards.

After the largely disappointing reception of Darksiders 3, there are plenty of expectations surrounding the upcoming title, and it’s clear that the team is taking its time to ensure the proper reveal makes an impact. Here’s hoping it captures what made the first two games so special, especially since the series managed to carve out its own identity among so many prominent action titles.

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The LA Phil has played with plenty of pop and rock acts before, but it may have taken Foo Fighters to really put the dude in Dudamel.

And not a moment too soon, with this being famed conductor Gustavo Dudamel‘s final weekend at the helm of Los Angeles’ primary house symphony. The Phil’s hookup with Dave Grohl and company Saturday night was the middle act in a three-night local finale for Dudamel — a delectable dip into what old-school symphony buffs would once have considered low culture. The entire weekend, though, was about asking Beethoven to roll over, as it were, for some of the maestro’s less classical loves. The Foos collab was sandwiched in between Friday and Sunday concerts where the focus was on acknowledging Dudamel’s connections to Latin American and specifically Venezuelan music.

Understandably, Grohl had to make it at least a little about himself, too, or more to the point, this being a milestone for his 32-year-old band. “ This is a first,” he told the sold-out crowd at the outset. “First of all, I don’t know if you know, but Foo Fighters has never played the Hollywood Bowl before… Usually in this part of the program I ask the audience if they love rock ‘n’ roll music… But tonight, i’m gonna ask this question for the first time: Do you love Dudamel? Me too. so let’s play some rock ‘n’ roll for Mr. Dudamel. That’s what we came here to do.”

For a while, it seemed as if this show might really mark a serious first: Grohl, who tends to pepper his stage banter with the F-word at least once in every sentence — used as an exclamation, adjective, adverb, noun, verb and preposition — seemed to be inspired by the occasion, and by the presence of dozens of the world’s finest musicians in formalwear, to be deliberately abstaining from profanity. But if that was indeed a goal, finally, toward the end, he couldn’t help himself. “Ladies and gentlemen, on an evening like tonight, I don’t really know how to say goodbye, because I wish that we could do this every fucking night for the rest of our lives with all of these amazing people.”

A quick, unscientific survey of Foo fans suggested that not one of them would have a problem with that (in, you know, the theoretical world where Grohl could outspend and out-prestige the New York Philharmonic, where Dudamel is headed next). Fans online — those who’d been at the concert and those just tracking it from afar — immediately began clamoring for a commercial release of Saturday’s show. That desire was well-justified. When some bands do symphonic hook-ups, it makes for a satisfying experiment, but not necessarily one you need to hear endlessly. The arrangements here were so well-balanced, and so in keeping with what made these tracks feel as dramatic as they did in the first place, that you could imagine recordings from the show taking the place of the originals in some fans’ streaming playlists, indefinitely if not for all time.

Some artists who do Bowl shows with the LA Phil or its sister symphony, the Hollywood Bowl Orchestra, run through something close to their normal set and require whoever is assigned to do the orchestrations to follow suit. Fortunately, Grohl took a broader view of what catalog material might benefit most from the augmentation, even if it meant narrowing down the length of the setlist, since orchestral players by definition don’t work rock ‘n’ roll hours.

“Listen, tonight we’re gonna play as many things as we can before we have to stop,” the singer said early in the hour-and-40-minutes performance. “You know, we usually play for three hours a night. But tonight, we picked the best songs that we could perform with our friends in the LA Phil and Mr. Gustavo Dudamel. Some of these you may have never heard before. So sit back and enjoy a song called ‘A320.’”

Foo Fighters and Gustavo Dudamel (third from left) take a bow at the close of Celebrating Gustavo at the Bowl: Foo Fighters with the LA Phil and YOLA, at the Hollywood Bowl August 22, 2026

Timothy Norris/Los Angeles Philharmonic

Now, pretty much the only people who’ve been holding out for “A320” to rejoin the Foos’ set after a quarter-century of absence are the half-dozen people still clutching to their CDs of the 1998 “Godzilla” soundtrack, where it first lived and kind of died a quiet death. But, as one of the rare songs to have included string arrangements on the original record, it was prime territory for revival here. (And the band has also been trying it out at a few non-orchestral tour stops this year, maybe with the thought of getting it ready for the Bowl.) As on the age-old original, the first half of the six-minute track was sweeping in its use of orchestral augmentation, and then the second half put aside both strings and vocals to turn into a pure band jam. That’s counterintuitive, since it would be more common to start a song without orchestration and then add it in, rather than the reverse. But the band fury is as climactic as anything that could be done continuing to have the full ensemble play… and Dudamel looked happy enough to put his baton down, turn around and just watch the group play for a few minutes. (The Phil was present at points on every one of the 15 songs song, but there were plenty of stretches within those songs where they took five.)

HB26 Celebrating Gustavo at the Bowl: Foo Fighters with the LA Phil and YOLA – August 22, 2026

Timothy Norris/Los Angeles Philharmonic

The band’s most faithful followers may be happy to hear “Times Like These” played for the 894th time (according to setlist.fm), but having “A320” come into the set early was a sign that this would really be a night to make the hardcore happy. And there ended up being three more rarities to set fans aflutter: “I Should Have Known,” being played live for the first time since 2012; “Razor,” being performed for the first time since 2006; and “Home,” getting a live airing for the first time since 2007 (and only the fifth performance overall). What these surprise additions meant, in human terms, is that Grohl understood the assignment, when it came to joining forces with another powerful institution: you find the songs that have been waiting for that moment.

Of course, he also considered some of the band’s greatest hits to be in that category. “This was made for the Hollywood Bowl, I think,” Grohl said, prefacing “My Hero.” It was hard to argue with that assessment, when the song took on a healthy dose of brass that sounded noble enough for a military funeral… not to mention a surprise solo harp for just a few seconds when the rest of the onstage complement dropped out for a dramatic pause.

But it really was some of the lesser known or slightly less celebrated songs making bigger impressions. A choir came out on two songs in the middle of the set, both of them highlights. First among them was “The Sky Is a Neighborhood” (the title of which lets you know that Grohl does have a poetic side, however much his stage banter falls into the category of basic-bitch). The frontman did some of his punkiest scream-singing of the night, content to know that the dozen or so berobed figures surrounding him could keep up the melodious quotient of the tune; Chris Shiflett turned in a short, sweet and rare guitar solo over some of that choral wailing, as the band thunderously pounded it out in 6/8 time. Maximalism doesn’t come much more maximal than that, and it was genuinely musical as well as bombastic.

HB26 Celebrating Gustavo at the Bowl: Foo Fighters with the LA Phil and YOLA – August 22, 2026

Timothy Norris/Los Angeles Philharmonic

Then, taking it way down, members of the participating YOLA (the Youth Orchestra of Los Angeles), identifiable by their shirts (and by their, duh, youth), did a somber string opening for “Run,” replicating or replacing the studio version’s extended acoustic guitar intro, before the rock and the choir kicked in — another certain highlight, despite the tune not being on the list of internationally approved classics.

More expected standouts included “Aurora,” which Grohl has been faithfully dedicating nightly to Taylor Hawkins, with the orchestra again going silent during the final stretch so that the core band could use the hypnotically interesting riffage to send a former comrade into the afterlife with 17,000 phones aglow.

It didn’t seem as if it would get much more sentimental than that, yet it did, as the unlikely penultimate pick turned out to be “Home,” of which Grohl said, “We’ve only done this song once.” (He was off-count by about three instances, according to the online stats, but close enough.) Taking a stool for the most sedate of his ballads, Grohl explained that he was never previously able to get through the 2007 song “because it’s such a meaningful song to me that whenever I heard it, I couldn’t stop from crying. And whenever we played it, there’s no way I could make it through the entire song without just bursting into tears. But what I’ve found is that while you’re singing it, if you think of other things, you can actually make it to the end without crying.” There was a pause, while the audience waited for Grohl to explain if he was picturing the audience naked, or something. “I’m not gonna tell you what I was thinking about,” he then announced. “But we got to the end of the fucking song, so there you go.”

There might have been other reasons to wonder whether Grohl would make it through the set, early on — like, right, at the very beginning, when the set started with a slow and stark couple of verses of “Times Like These,” and the singer’s voice cracked when he sang that high, introductory “I…” And the same thing happened when that note came around again. Was it an inauspicious way to start the set, revealing a voice that was tour-ravaged… or was Grohl faking us out with some exaggerated emotion? Whichever was the case, he quickly rallied, or otherwise revved up to speed, and there were no worries about whether his howl would survive this hot night from then on. But he had us going for about half a minute there.

A good thing he turned out to deceptively be in top shape after all; this will go down in many fans’ books as one of the group’s all-timers. Whether the show is memorialized through some sort of commemorative recording or just cameraphone videos, it’s some of the little things that stick in memory, at least initially: the way that the horns filled in the space between the lines of verses on “All My Life” with frenetic stabs, or how, on “Learn to Fly,” the strings played slightly off the beat in the dramatic coda, versus the straightforward slamming of the band. And the fake endings … so many fake endings. But Grohl is showman enough to know: when a fast song leaves ’em wanting more, it doesn’t hurt to seem to quit and then actually give a little more.

Dudamel did not do much talking; if he has any sentimental feelings he wants to share with the L.A. audience about taking leave of them, presumably he will do it during Sunday night’s true swan song. But he did speak while introducing what amounted to the evening’s opening act — a 15-minute border-crossing suite, composer Aldemaro Romero’s “Fuga con Pajarillo,” which segued back and forth between the full orchestra and Venezuelan musicians, including Eduardo Betancourt, Jorge Glem and Moisés Torrealba. The main reason for the night was, as Grohl said, “to give Gustavo one more big rock show before he has to leave this wonderful city.” But even then, he couldn’t leave Venezuela out of it. New York will be blessed to have someone so faithful to his truest loves.

Which definitely do include rock. Dudamel’s performance conducting with Foo Fighters Saturday made you wish the LA Phil, or future employers, would dedicate one of the venue’s big screens solely to a Gustavo Cam, so everyone could see how headbanging really should look, when it’s being done by a pro.

Dave Grohl and conductor Gustavo Dudamel perform as part of Celebrating Gustavo at the Bowl: Foo Fighters with the LA Phil and YOLA – August 22, 2026

Timothy Norris/Los Angeles Philharmonic

Setlist for Foo Fighters with the LA Phil, Gustavo Dudamel and YOLA at the Hollywood Bowl, August 22, 2026:
Times Like These
All My Life
The Pretender
Walk
A320
My Hero
Learn to Fly
The Sky Is a Neighborhood
Run
I Should Have Known
Razor
Aurora
Best of You
Home
Everlong

Gustvavo Dudamel with Venezuelan musicians backstage at Celebrating Gustavo at the Bowl: Foo Fighters with the LA Phil and YOLA – August 22, 2026

Timothy Norris/Los Angeles Philharmonic

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The LA Phil has played with plenty

The Johnny Depp image rehabilitation campaign is in full swing. The actor, who will star Ebenezer this Thanksgiving, made his biggest public appearance since his prolonged legal battle with ex-wife Amber Heard at Comic-Con last month. (Though there was a different result in the U.S. trial, a U.K. judge did rule in 2020 that Heard’s statement that Depp was a “wife beater” was “substantially true.”) The trailer for the movie focused more on Depp’s previous filmography than the new movie itself, ending with the statement “It’s good to be back.” So far, test audiences seem to agree. 

This is per a new report in Puck, which basically says that test audiences for Ebenezer just don’t seem to care about the fact that Depp, for example, once expressed a desire to drown and burn his ex-wife and “fuck her burnt corpse afterwards to make sure she’s dead.” Though the movie itself scored a pretty decent 80 out of 100, it was Depp who far surpassed the norms, scoring an 86 against the typical 67 for a lead character. Women over 35 were the demographic most receptive to Depp’s character, giving him a 90 rating. 

Of course, this is just a small fraction of the people who will eventually have the opportunity to see the movie, but Depp’s marketability is obviously front of mind for many in the industry. Jerry Bruckheimer is already openly talking about getting Depp back in the dreads for a sixth Pirates Of The Caribbean movie, and longtime collaborator Tim Burton signaled a willingness to work with the actor again back in 2024. Ebenezer is poised to be the first test of whether audiences are willing to go there with him, and while it’s still very early, the answer is trending toward yes. 

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The Johnny Depp image rehabilitation campaign is

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The Pitt‘s first season methodically established that the Pittsburgh Trauma Medical Center’s ER is Dr. Robby’s (Noah Wyle) whole damn world. And for a variety of reasons, his world slowly comes crashing down on him in season two, including the arrival of his sabbatical replacement, Dr. Baran Al-Hashimi (Sepideh Moafi). She quickly shakes up the staff’s—and the show’s—status quo, whether it’s by introducing an AI app or with her intensely principled attitude. 

It’s no easy feat to join a TV show midstream, especially one as beloved, acclaimed, and decorated as The Pitt. However, Moafi has been preparing for a role like this for a long time. The L Word: Generation Q and Black Bird actor, who was born in a German refugee camp after her parents fled Iran during the revolution, brings a lot of her real life into her portrayal of Dr. Al-Hashimi, including aspects of her humanitarian work and her identity. By the time she reached the show’s pre-season “boot camp”—where the cast familiarized themselves with the setting, procedure, and lingo of the emergency room—she felt she’d gotten to know her character pretty intimately. Not, as she tells The A.V. Club, that that entirely kept her nerves at bay.

The Emmys’ fondness for The Pitt has extended to Moafi, making her the first Middle Eastern woman nominated for Outstanding Supporting Actress in a Drama Series. The A.V. Club spoke to Moafi about the significance of her history-making Emmy nomination and how she wants to use it to champion SWANA voices, the artistic satisfaction she derives from The Pitt‘s real-time format, and the details she attends to in preparation for playing Dr. Al-Hashimi.

The A.V. Club: Dr. Baran Al-Hashimi makes some significant changes to The Pitt as we’d come to know it in season one. What was exciting or nerve-wracking about booking this type of role? 

Sepideh Moafi: The most exciting thing was that I felt such a deep connection to this character right off the bat. It was about a three-week audition period. I had the initial audition, then the Zoom callback, and then the in-person test. After that test, I felt so full, emotionally and artistically. It was one of those things where, of course, I wanted to book the part, but if I didn’t, then I still got what I needed because I got to know Baran Al-Hashimi and I got to live inside her. So then booking it was the cherry on top. 

I had a blind confidence going into it. When I got to the boot camp, I remember Dr. Joe Sachs, who is one of our producers, asking the season two newbies about who was nervous. I was the only one who didn’t raise my hand. And about 20 minutes into it, I was like, “Oh shit, I’m nervous.” But then I quickly realized that they hired me to be the actor playing the doctor, and that calmed my nerves. At this point, having the life and career that I’ve had, anytime there were flickers of doubt, I was able to rest assured that it was all part of it. When you embrace whatever’s happening for you as the actor, and you let it go through like a funnel to your character rather than resisting it, it’s actually useful. 

They actually called me in three days early. I wasn’t supposed to start till Monday, and they brought me in on a Friday. I had slight panic there. But then I remembered that I’m always prepped. I’m rigorous about prep work. So it was just about establishing the look, the hair, the makeup, and I went in thinking, “Okay, this is exactly what Dr. Al-Hashimi is feeling.” It felt like I was surfing both sides. If I had even one thought in a different direction, I could have spiraled. Like I said, the place I am in my life, and the place that [Dr. Al-Hashimi] is in hers, even if doubt creeps up, you don’t indulge in it.

AVC: Looking back on that feeling while you’re filming season three , has that evolved at all? 

SM: It has actually felt different for a number of reasons that I can’t necessarily talk about yet. I definitely felt more familiar with the world and on set. I was more comfortable and at home with our crew and our cast members. I felt full, but I also felt full after that audition, and then I got to play her for eight months after that. It means I had plenty of time to ruminate and to absorb all the things for this role. So coming back [to set], instead of finding my way in the hurricane, I went straight into the eye of the storm. And that’s what it’s like for Al-Hashimi, too. We’re so different, but I like that we’ve been able to walk parallel paths beautifully.  

AVC: You’ve spoken about creating an expansive backstory for Baran that’s not on the page. Has that always been your go-to method as an actor for prepping a character? How has it helped with The Pitt? 

SM: Not always, no. I remember one time I was working on this film called The Killing Of Two Lovers, and I worked with a brilliant acting coach, Warner Loughlin. We spent about six weeks preparing for this film. I was going through a vulnerable thing in my life at the time, and I didn’t want to conflate that with my character. It was really important for me to be meticulous about every detail of my backstory. Then when I got on set with Robert Machoian, our director, and my co-stars Clayne Crawford and Chris Coy, it was just like animals in the jungle. Nothing mattered but the present moment. One could argue that the work with Warner helped, as it always does, but it also felt like when David Mamet says that “When you’re in the boxing ring, you’re not thinking about the history of boxing.”  The energy and our chemistry as a cast and crew were so palpable and electric that it just came to life, and I didn’t need to think about or prep in any way. Again, one could argue the prep is still there and working on you, and I’m sure that’s true. 

With someone like Gigi [from The L Word: Generation Q], I shadowed my friend who’s a real estate agent. When I got in, something took over me with Gigi, and I didn’t argue with it or psychoanalyze it. Gigi was one of those roles where a door opened, and I let that door stay open rather than trying to understand what I was doing. Dr. Al-Hashimi was the opposite experience. I was intimidated at the prospect of playing a doctor and what it meant to cram 16 to 17 years of medical experience into a week or whatever time I had to prep, although the prep never ended and it still hasn’t. The same thing happened with Black Bird. I spoke to six or seven FBI agents to play Lauren. One of them actually saw me in a play that I did recently, New Born. For that one, I was constantly on my phone. My dressing room and living room were like a crime scene. There were all these photos and graphs all over. Sometimes the role requires a bit more rigor, and sometimes you have to listen to your instrument instead of getting in its way. 

AVC: So much of The Pitt is about how the doctors react non-verbally in the ER because they’re also in the background of scenes, or the camera is so close to their face. How did that part of the show affect your acting experience? 

SM: For Dr. Al-Hashimi, she keeps everything so contained. So when you have the opportunity to have a scene where the camera’s in your face, like an extreme close-up that she has in episode seven when she goes to the bathroom to call her neurologist, there’s so much bubbling under the surface. All of the work that you’ve done or everything that you’re going through is carbonating, so you don’t need to do much. 

In life, we’re so good at hiding. I’ve spent my whole life, especially my childhood, trying to fit in and hide, but if you were to take a camera and stick it in my face back then, you could probably see the fear, the hope, the desperation, whatever it was. We usually see each other in medium shots or wide shots. What’s beautiful about being able to dance with the camera in this way is they are going to capture everything, which is also why you can’t lie, because when you lie on camera, people will see it.  

AVC: Baran’s carrying a huge secret about her epilepsy that we don’t find out about until the end of season two. Performance-wise, what was it like to plant seeds of her illness in these episodes so that it pays off? 

SM: There’s episode one’s cliffhanger, episode seven, and episode 14 where we [planted the seeds]. Uta Briesewitz was our director for the latter two. I told her how I was playing it in episode seven, when Baran calls her neurologist, so she added a shot right before I go into the bathroom to do that. I felt she had an aura coming up, and people have usually described [neurological] auras as this metallic taste in your mouth or the feeling of a deja vu. I didn’t say anything to Uta initially, but then when I mentioned it, she added a super subtle shot where we’re covering the Davis family and then the camera comes back to me, and you don’t exactly know what’s happening. Then I excuse myself and go to the bathroom.

We wanted to mark the moment as a warning or a foreshadowing of what’s to come. Obviously, we discussed what the reveal would look like. We didn’t actually have deep conversations or anything, but Uta, the way she captured that moment in 14, was going from Robby to me back-to-back. So we’re able to see in real time how it’s playing out for them and track their emotional arc. I knew from the beginning that her arc would be about her condition, so when I saw where episode one ends with the freeze on the baby, I emailed Scott to make sure that this is what we’re playing, that she has temporal lobe epilepsy, and he said yes. 

AVC: It was fascinating to see all the theories after the premiere about what was up with Dr. Al-Hashimi freezing like that. 

SM: Even within the cast, they didn’t know what was happening. So they were guessing too if it’s PTSD or if it’s her kid or if she lost a kid. I loved seeing how many theories came out of it. It was cool. So often, we’re watching content that spells it out for us. I love watching something when you’re left to wonder or create your own theories and hypotheses of what could be happening. I was really pleased that so many people had so many different takes on Dr. Al-Hashimi. 

AVC: When Dr. Al-Hashimi finally lets out her frustrations, whether by yelling at Robby or when she’s in the car, was it cathartic for you to let out those emotions you’ve been holding onto for Baran’s sake? 

SM: Totally. Maybe this is an inappropriate comparison, but I’m going to say it anyway: Holding this much tension almost feels like foreplay. You have to let it build and build and build, and if you let anything slip, then you’ve lost the drama of what’s going on with her. If you watch it back, you can see these moments and cases that affect her. Before the slash trake procedure in episode 10, there’s a moment she takes to settle herself, knowing that she’s had a seizure that morning, and then going into this procedure and going, “No, I can do it,” and then she does it and knocks it out of the park. 

With the second seizure, what I loved playing was the moment after, when she’s flustered and Robby confronts her. And all she says is, “What are you talking about? There’s no problem.” It gave us further to go with the reveal, which felt like everything she’s feared in her life, and she almost feels like a five-year-old girl again. That’s what it felt like being inside that finale scene for me. I’m going to start crying just thinking about it. But she’s that girl who spent her entire life hiding, knowing or thinking in the back of her head—even though it’s not logical—that she’s going to get punished for having this illness. So when it does happen and when he threatens her, that’s when the adult snaps on, and she says, “No, you cannot speak to me like this.” And then she flips back to the child when she’s in the car and wants to drive. She’s not used to this sort of recklessness. She’s not irresponsible. As soon as she turns on the car, she realizes that she can’t be driving and breaks down. 

Those are just a few short scenes, but there’s so much in there that it felt cathartic and artistically satisfying as the actor to be able to let out more of what’s happening on the inside because she’s been surfing this volcano all the time, so it was great to get underneath the surface and to be able to let that out. 

AVC: Your performance in the finale earned you the Emmy nomination. What significance does that hold at this point in your career? 

SP: Again, I can start crying right now, and it’s not because of the Emmy nomination. It’s just that I remember how, in 2014 or 2015, I had gone through like 13 auditions, and I had just tested for a show and had flown out to L.A. from New York. I’d auditioned for the supporting part, and they brought me back for the lead role. So I had to learn these three massive scenes in basically a night and fly across the country. I didn’t sleep. I did the test, knocked it out of the park, and didn’t get the role. After all that, I got into a car accident. And then two days later, I got into another car accident. I had a nervous breakdown. A lot of actors can relate to this, where you just push yourself and then collapse. I remember my parents came out to Los Angeles to be with me and support me. I was crying to my mom and going, “I can’t do this anymore.” And she just said, “So don’t. Stop.” That’s when I lashed out and told her how there’s nothing else I wanted to do more. She said, “Good, so find a way to do it.” Now, 10 or 11 years later, my parents were with me as the nominations were announced. It’s surreal and a testament to keep going. I bartended, I waitressed, and I taught in music schools. 

At this stage in my artistic journey, first as an opera singer, then as a theater actor, and now as a fuller actor, producer, and writer, it’s incredibly validating to be acknowledged by my peers. I also realize that so many people who are just as good, if not better, don’t have that visibility. So I’m vacillating between profound gratitude, the recognition of privilege, and full immersion in the joy. I know my heart and my mind have always been in the right place, so that’s what’s most validating for me. After years of spending my early life assimilating, I feel gratitude to have this celebratory moment. I also know I say this from a position of privilege. I’m not living in a warzone or in a tent in Gaza. For those of us who have this privilege, please use your voice to bring awareness to the people who don’t have that. That’s where my mind goes. 

AVC: You also made history as the first Middle Eastern person to be nominated in your category. 

SM: Part of what makes this historic aspect so satisfying is being able to play a multifaceted woman like Baran, who isn’t narrowed down or restricted by her identities. They expand her humanity, and she embodies traits of the women I grew up around. It’s nice to be able to play a woman in a leadership position who is mixed race and has a neurological condition, bringing visibility to people who have a disability and chronic health conditions, and to our humanitarian aid workers, people who sacrifice and risk so much to go where help is needed most. 

My family had the refugee experience, but the immigrant experience of trying to fit in—even little digs at her name at the beginning—we’ve experienced that. It’s refreshing to play a woman who is so herself. She’s flawed, but has a beautiful heart, and leads with it. She’s not someone who lives on the periphery and has problematic tropes. That’s the kind of role I would want to be nominated for. I hope that it signals more for women who are from the SWANA region, and opens doors and brings more curiosity and visibility to actors from our region who often think they don’t fit into a certain category because what they hear is “I can’t see this role as being Middle Eastern.” No, we can handle it, and we are no less than any of our counterparts. You’re not defined by your identity, and yet it is such a big part of the fabric of who you are and where you come from. But we don’t have to be narrowed into representation categories. That’s been my problem with the word representation. Yes, it’s important, but I think visibility is just as important. 

AVC: What doors do you think or hope The Pitt and the nomination will continue to open for you in the future? 

SM: I hope it’ll open more doors, but I’m not waiting for those doors to open for me. I’m in the process of creating something. I’m producing several films right now that I can’t talk much about, but I’m excited for this next chapter in my career. I love acting, but what I love just as much is stories that reflect different experiences. I’m looking forward to developing and producing and giving other people a chance. I love mentoring, and that’s also part of what makes this nomination so satisfying. It’s not just about the opportunities for me, right? It’s a ripple effect to be able to develop stuff that I’m not in, and that creates room and opportunities for other people who have a similar background or who traditionally are not cast in these kinds of roles that I’m dreaming up.

AVC: Does that mean digging into other genres like comedies?

SM: Oh, give me comedy. I started in comedy when I was an opera singer. That was a lot of slapstick. I miss that. I’ve done other films and shows that are lighter, like The L Word: Generation Q, and I did a film with Edie Falco in 2023 [I’ll Be Right There] that was also lighter, but I would love to fully embrace it. I actually feel so at home in the genre, but, well, I’m always cast in dramas. 

Saloni Gajjar is The A.V. Club‘s TV critic.

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Lesley Vogel, Hayden Panettiere’s mom, is slamming both Gayle King and Megyn Kelly for their recent criticisms in the wake of her daughter’s death.

“I was very, very hurt and deeply disappointed in the lack of professionalism, the lack of compassion in slamming someone who’s lost two children, without even a modicum of consideration,” Vogel said during a recent interview with the Daily Mail regarding the CBS Mornings host and podcaster’s separate comments.

“No one reached out to me before,” she added. “It’s shameful. It’s unconscionable to me.”

The Hollywood Reporter has reached out to CBS Mornings for comment, but did not hear back at the time of publication.

Panettiere, an actress known for her roles in Heroes, Nashville and the Scream franchise, died last Sunday at age 36. Following her death, Vogel spoke to NBC News on Tuesday, where she criticized her daughter’s on-again-off-again boyfriend Brian Hickerson and felt her daughter “lost her way.”

“This person in her life that we have been trying to get rid of for quite some time was with her at her death and that was Brian Hickerson,” she said at the time. “I think Hayden was an amazingly talented person in so many departments and I think young people who grow up in the entertainment industry — it is a struggle and it’s a very challenging industry and it’s not unusual for them to sadly find the wrong path.”

Vogel added, “I think Hayden sadly lost her way and I wish it were different. I wish she had stayed true to herself because she had many incredible attributes.”

The following day, during Wednesday’s CBS Mornings broadcast, King criticized Vogel for focusing too much on her daughter’s struggles amid her death. “You know, guys, you read this and all I can think is, ‘Thanks, mom, for nothing,’” the host said.

“It makes me so sad of the opportunity that you have after your daughter’s death that that’s what you choose to leave us with,” King added.

As for Kelly, the former Fox News reporter went on The Megyn Kelly Show and declared, “You failed at your job… You got an F as a parent,” referring to Vogel.

“You made a bunch of money off of your daughter,” Kelly added. “You probably have a super nice car and a big house. You failed. You raised someone to the age of majority who doesn’t feel safe, loved, or cherished. You’re a loser.”

Panettiere had been open about her estranged relationship with her mother, who also served as her manager when she was growing up in the industry. In her memoir, This Is Me: A Reckoning, the actress detailed the pressure she felt from Vogel.

During an interview with THR in May, Panettiere also opened up about the challenges of delving into her childhood and relationship with her mom when writing This Is Me. “Having to touch on everything about my relationship with my mother, that was one of the harder things to talk about,” Panettiere said. “While writing it, I realized even more so how much of a toll it took on me.”

Page Six reported in May that Vogel had chosen the “no-contact route” with Panettiere after “20 years of trauma” and on the advice of professionals.

Her son and Panettiere’s younger brother also died in February 2023 at the age of 28.

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Lesley Vogel, Hayden Panettiere’s mom, is slamming

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“It’s a celebration,” said Dave Grohl, chugging from a bottle of champagne toward the end of Foo Fighters’ sold-out show at the Hollywood Bowl on Saturday, Aug. 22 — somehow, the first time the 32-year-old band has played the iconic venue in the heart of Hollywood. He wasn’t just referring to the band’s gig there, though. He was referencing the enormity of the whole night, which found the band digging through both deep back catalog songs and hits, backed by the dozens-strong Los Angeles Philharmonic, conducted by beloved longtime music director Gustavo Dudamel, on his penultimate night with the LA Phil before moving across the country to helm the New York Philharmonic (West Coasters, do not despair: He will return regularly to the city and the ensemble as a guest conductor).

Dudamel and his orchestra added incredible amounts of drama to the group’s material. “The Pretender” was buoyed by horns that made it sound like a lost James Bond theme, while “Razor,” an acoustic deep-cut from In Your Honor, was made full with gorgeous, lilting strings echoing the main instrumental themes. After playing another softer song, “Home,” for the first time since 2007, Grohl admitted, “Whenever we played that song, there’s no way I could make it through without just bursting into tears.” He continued, waxing poetic about playing the Bowl with the orchestra: “I wish that we could do this every night for the rest of our lives, with all these amazing people.”

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Other highlights included a gospel choir adding harmony and joy to “The Sky Is a Neighborhood” and “Run,” and an emotional, lengthy run-through of “Aurora,” which the band dedicated to their late drummer Taylor Hawkins, as they have done regularly since his passing (“He would have loved this,” Grohl exclaimed, looking out at the full Bowl.)

Of course, the set ended with “Everlong,” the entire orchestra and the choir erupting in a crescendo as fireworks set to the music blasted over the Bowl. “If anything could ever be this good again,” Grohl sang, and it certainly felt like all 17,500 people who had witnessed the show agreed: highly unlikely.

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“It’s a celebration,” said Dave Grohl, chugging

Shelley Fabares, the star of the classic sitcoms “The Donna Reed Show” and “Coach,” died on Saturday in Los Angeles. She was 82.

Fabares’ family said in a statement, “We will miss her deeply — not only as a celebrated performer, but as the loving and extraordinary person she was in our everyday lives. We are heartbroken by her loss, yet profoundly grateful for the years we shared with her and for the joy, compassion, and love she brought to so many. We ask that our family’s privacy be respected as we grieve. We take comfort in knowing that Shelley’s work and the memories she created with those who loved her will continue to live on.”

Fabares starred as the Stone family daughter Mary in “The Donna Reed Show,” which ran on ABC for 275 episodes from 1958 to 1966. Fabares appeared in 192 episodes and left the series in 1965. On ABC’s “Coach,” which ranf or 199 episodes from 1989 to 1997, she played Christine Armstrong, a TV news anchor and the romantic interest of Craig T. Nelson’s college football coach Hayden Fox. She earned two Emmy nominations, in 1993 and 1994, for supporting comedy actress for her work on the series.

Fabares also had a brief career as a singer during her time on “The Donna Reed Show,” notching a No.1 hit with her 1961 track “Johnny Angel.” She parlayed her TV fame into a series of teen-centric B-movie romps including opposite Fabian and Tab Hunter in 1964’s “Ride the Wild Surf,” and she co-starred with Elvis Presley in three films, 1965’s “Girl Happy,” 1966’s “Spinout!” and 1967’s “Clambake.”

Some of Fabares’ other TV credits include “The Little People,” “Forever Fernwood,” “The Practice,” “Hello, Larry,” “Highcliffe Manor,” “Fantasy Island,” “One Day at a Time” and “The Love Boat.” She had a key role on one of the most lauded TV movies of the 1970s, ABC’s “Brian’s Song,” starring James Caan and Billy Dee Williams in the true story of the friendship between two NFL players as one of them faces terminal cancer. Fabares played Joy Piccolo, the wife of Caan’s Brian Piccolo.

Fabares was born in Santa Monica, Calif. in 1944 and grew up around Hollywood. Her mother, Elsa, started her modeling career at a young age, which led to roles on TV. Fabares’ aunt, Nanette Fabray, was a well-known Broadway star and film supporting player who also transitioned to TV roles. Among Fabares’ early TV breaks was a two-episode stint on “The Loretta Young Show” in 1954. Her first major film credit came in a supporting role in the 1956 Rock Hudson drama “Never Say Goodbye,” for Universal International.

Fabares was briefly married to influential music and movie producer Lou Adler in the mid-1960s. In 1984, Fabares married actor Mike Farrell, known for his long run on the CBS comedy “MASH.” In the 1980s and ’90s, Farrell and Fabares were active in numerous political and social causes, including protesting U.S. activities in Central America and supporting the anti-nuclear movement that took root in Southern California in the late 1970s.

Like Farrell, Fabares was active behind the scenes on industry matters as a longtime SAG member. She was involved in guild leadership and helped to steer some of the early SAG Awards ceremonies. In 1998, Fabares was supportive of early efforts to combine the Screen Actors Guild with the industry’s other major performers union, the American Federation of Television and Radio Artists.

After “Coach” ended its run, Fabares had few film and TV credits as she battled health problems. In 2000, she went through a very public health crisis in which she needed — and ultimately successfully received — a liver transplant. Her experience of waiting nearly two years for a donor liver to become available helped raise public awareness for the acute need for organ donations. Fabares was a longtime supporter of the Alzheimer’s Association, after her mother was diagnosed with the disease in the early 1990s.

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Shelley Fabares, the star of the classic

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Barack Obama and Michelle Obama watched their Presidential Center in Chicago turn one month old this week. The Obama Foundation marked the occasion on Instagram. The post shared words from the Grand Opening Ceremony and reported that visitors from Chicago and around the world have been making the campus their own.

The Foundation recounted what the Obamas said at that ceremony. They described the center as “a beacon of hope, a monument to our unshakable values, and a place built to remind us of who we can be, to remind us of what’s possible, so we can forge ahead, clear-eyed and confident, and do the work that still needs to be done.”

That’s a specific kind of language for a presidential institution. Traditional presidential libraries serve primarily as archival sites, housing administration records and historical artifacts. The Obama Presidential Center was designed with a different emphasis. From early planning, the Foundation framed it as a civic gathering place. The emphasis was on community engagement as much as historical memory.

The distinction is meaningful. A center with that kind of mission language isn’t just memorializing a past presidency. It’s claiming an active, ongoing role in public life. That’s an ambitious mandate. The question worth asking is whether the institution can hold that ambition past its opening-month honeymoon.

The center sits in Jackson Park, on Chicago’s South Side. The location was chosen deliberately. The Obamas have spoken publicly about planting a major civic institution in a neighborhood that has historically lacked that kind of investment. The choice generated years of debate during the planning process. Some community groups raised concerns about development and displacement. Others welcomed the attention and resources. That conversation didn’t end with the ribbon-cutting.

One month in, the Foundation reports visitors arriving from around the world. That’s expected for a high-profile launch. The more telling data will come in months 13 and 24. By then, novelty alone won’t be driving foot traffic.

The Obama Foundation is the nonprofit that runs the center. Barack Obama served as the 44th President of the United States. Michelle Obama served as First Lady. The Presidential Center has been their primary post-presidency project, and the Foundation has consistently used the campus to signal a broader civic vision rather than a conventional legacy effort.

The Foundation’s Instagram post collected more than 11,000 likes. For an institutional account, that’s a notable number. It reflects real public interest in the one-month mark.

The post closed with a direct invitation: “We can’t wait for you to come and see it all for yourself.”

One month is a short window. But it’s long enough to note that the Obamas have set a very high rhetorical bar for this campus. “Beacon of hope” and “monument to our unshakable values” are large claims. The center has to earn them not at the opening ceremony, but continuously, year after year. That’s the standard they chose. Holding any institution to its own stated purpose is the more productive exercise than either uncritical celebration or reflexive dismissal.

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  • America now dominates the world’s largest hyperscale data center markets by a wide margin
  • Northern Virginia remains enormous despite signs that future development is moving elsewhere
  • Texas recorded 71% capacity growth, far exceeding the worldwide increase of 36%

The United States has tightened its grip on global hyperscale data center infrastructure, now accounting for 15 of the world’s 20 largest markets.

Northern Virginia remains the largest single market, housing nearly 12% of global hyperscale capacity and approximately 250 data centers within Loudoun County.

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America now dominates the world's largest hyperscale

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Steeds meer spelers benutten hun smartphone of tablet om te gokken, dus de mobiele ervaring is essentieel. Betscore Casino heeft naar verwachting een responsive website die zich conformeert aan kleinere schermen, of levert een speciale mobiele app. Een responsive site is beschikbaar via de browser en vergt geen download, wat fijn is voor snelle sessies. Een app kan extra functionaliteit bieden, zoals pushmeldingen en vlottere navigatie. Beide opties moeten vloeiend functioneren en alle basisfuncties bevatten, inclusief storten, opnemen en contact met de klantenservice. Let vooral op de laadtijd van spellen, want zware grafische slots kunnen traag worden op oudere toestellen. Ik test bij een review graag of de knoppen groot genoeg zijn en of de tekst goed leesbaar is zonder in te zoomen. Ook de menustructuur moet overzichtelijk zijn, zodat je niet verliest tussen casino, live casino en sportsbook. Een mobiele ervaring staat of valt met stabiliteit en snelheid. Als de site regelmatig crasht of traag acteert, is dat een groot minpunt.

Bij het registreren via een mobiel apparaat moet je dezelfde stappen afwerken als op de desktop. Meestal begint dat met een e-mailadres, een wachtwoord en persoonlijke gegevens. Daarna volgt vaak gelderlander.nl een verificatie van je identiteit. Het is aangenaam als dat proces mobielvriendelijk is, bijvoorbeeld door documenten via de camera te uploaden. De klantenservice moet ook mobiel goed bereikbaar zijn, bij voorkeur via livechat of een directe berichtenfunctie. Sommige platforms presenteren een Nederlands sprekende chat aan, wat veel onduidelijkheid kan verhelpen. Verder is het nuttig als de site beschikbaar is in het Nederlands, of op zijn minst een duidelijke Engelse interface heeft. Een goede gebruikerservaring impliceert dat je zonder frustratie kunt vinden wat je zoekt, of het nu een specifieke slot, een live tafel of een sportwedstrijd is. Het platform moet op elk apparaat hetzelfde gevoel van betrouwbaarheid verschaffen. Dat geldt voor het spelen zelf, maar ook voor het beheren van je account en het lezen van bonusvoorwaarden.

Veelgestelde vragen

Is er Betscore Casino wettelijk in Nederland?

Dat is afhankelijk van de vergunning die het platform heeft. Een internationale aanbieder mag alleen in Nederland opereren als hij beschikt over een vergunning van de Nederlandse Kansspelautoriteit. Check daarom altijd de footer van de officiële website en de algemene voorwaarden. Zonder Nederlandse vergunning kan het spelen juridisch risicovol zijn en mis je bescherming van de Nederlandse toezichthouder.

Wat voor bonussen kan ik als nieuwe speler verwachten?

Meestal biedt een platform als Betscore Casino een welkomstbonus in de vorm van een stortingsbonus of gratis spins. Soms is er een aparte bonus voor sportweddenschappen. De exacte percentages, bedragen en inzetvereisten staan alleen op de officiële promotiepagina. Lees altijd de volledige bonusvoorwaarden voordat je een storting doet, want de inzetvereiste bepaalt hoe eenvoudig je winsten kunt opnemen.

Hoe vlug worden opnames verwerkt?

De verwerkingstijd hangt af van de gekozen betaalmethode en de interne procedure van het casino. E-wallets zijn vaak binnen 24 uur verwerkt, terwijl bankoverschrijvingen meerdere werkdagen kunnen duren. De eerste opname duurt meestal langer door de verplichte identiteitscontrole. Controleer op de opnamepagina of er limieten of kosten gelden voor jouw situatie.

Kan ik te spelen op mijn mobiele telefoon?

Inderdaad, moderne online casino’s zijn bijna altijd geoptimaliseerd voor mobiel gebruik. Dit geschiedt via een responsive website die zich aanpast aan je scherm, of via een speciale app. Beide opties geven toegang tot de meeste spellen, stortingen en opnames. Let op de laadtijd en stabiliteit, vooral bij live casinospellen, omdat die meer data en rekenkracht nodig hebben.

Welke betaalmethoden worden ondersteund?

Voor Nederlandse spelers is iDEAL doorgaans de belangrijkste methode, omdat het directe bankstortingen mogelijk maakt. Daarnaast nemen aan internationale platforms vaak creditcards, e-wallets zoals Skrill en Neteller, en soms prepaidkaarten. De beschikbare opties worden getoond in de kassa van de website. Controleer ook of er transactiekosten zijn en of jouw betaalmethode in aanmerking komt voor de welkomstbonus.

Is er een accountverificatieproces verplicht?

Ja, bij vrijwel alle legale en gereguleerde online casino’s moet je je identiteit bevestigen voordat je een eerste opname kunt doen. Dit betekent meestal het uploaden van een geldig identiteitsbewijs en soms een adresbewijs. De procedure is wettelijk verplicht om fraude en witwassen tegen te gaan. Om vertraging te voorkomen, kun je deze documenten beter direct na registratie aanleveren.

Hoe handel ik als ik een gokprobleem heb?

Wanneer gokken niet verder leuk voelt of je verliest de controle, staak dan met spelen en haal hulp. Gebruik de zelfuitsluitings- of limietfuncties op de website indien deze beschikbaar zijn. In Nederland kunt u terecht bij Loket Kansspel of de verslavingszorg. Ga erover in gesprek met iemand die je vertrouwt. Gokken moet een vorm van ontspanning te blijven, geen manier om geld te verdienen of problemen te vergeten.

In deze gedetailleerde review kijk ik naar

Selecting how to move money to and from a casino account can appear administrative, but it impacts deposit speed, withdrawal processing time, bonus eligibility and regular financial control. At Highspin Casino, the payment page should be viewed as a practical tool, not a wall of logos. We assess the key methods, timing, security and common pitfalls so UK players can reach an informed choice before funding an account.

The Reason Payment Methods Influence Your Casino Experience

A payment method is the bridge between your bank account and your gameplay. If it is slow or poorly matched to your habits, even the best slots and live dealer tables can become frustrating. Faster deposits let you take advantage of a welcome offer before it expires, while reliable withdrawal routes become more important once you want to access winnings. Players often neglect this until cashout day.

Different methods also carry different levels of bonus compatibility and consumer protection. Some UK casino promotions omit Skrill or Neteller deposits, while debit cards are usually more secure for qualifying. Transaction limits, fees and verification steps can affect the real value of a bonus. Verifying these details before depositing is part of smart bankroll management rather than administrative box-ticking.

At Highspin Casino, the main game categories are online slots, table games and live casino, and each encourages different session lengths. A quick slot session might only need a small instant deposit, while a live blackjack player may opt for higher limits. Pairing the payment method to your pace helps you avoid overspending and reduces idle time waiting for payments to clear.

Before selecting a method, we advise asking:

  • Is it eligible for the current welcome offer?
  • Can it be used for withdrawals as well as deposits?
  • What are the minimum and maximum limits?
  • How much time will a withdrawal take after approval?
  • Does the provider impose user fees for gambling transactions?

Vklady vs výběry: Timing, Limits and Verifikace

Understanding the difference between deposit speed and withdrawal speed is zásadní. Deposits are zpravidla zpracovány instantly or v průběhu a několika minut, protože casino systems jednoduše need to potvrdit a platební požadavek. Withdrawals, nicméně, prochází internal review, kontrolami podvodů and procesem poskytovatele plateb. At regulovaných UK casinos, the operátor must also vyhovět anti-money laundering requirements, which can add a dobu pozastavení before the peníze opustí the casino.

Typické processing times in the UK market are a useful reference point. Debit card withdrawals často zaberou one to five working days after approval, bank transfers two to five pracovních dní, and e-wallets často do hours to one pracovního dne. These are not záruky; each operátor has its own fronta. We radíme prohlédnutí the Highspin Casino cashier and its zveřejněné terms for aktuální estimates než relying on všeobecné industry averages.

Limits also vary by platební metodou and statusem účtu. Minimum deposits are obvykle přibližně £10 to £20, while maximální deposit limits may be upraveny by nástroje pro odpovědné hráčství or žádost hráče. Withdrawal minimums mají tendenci to se pohybovat in a podobném range, but some způsoby dovolují menší cashouts. High-volume players should look for whether the casino nabízí větší withdrawal caps or VIP payment support. If konkrétní údaje are not zobrazeny, obraťte se na support before committing.

  1. Log in to your Highspin Casino account and spusťte the cashier or banking area.
  2. Select the withdrawal option and zvolte a metodu that odpovídá your deposit route where možné.
  3. Enter the částku v rámci the stated minimum and maximum limits.
  4. Vložte any požadované ověřovací dokumenty if the account has not already been ověřeno.
  5. Confirm the požadavek and umožněte the casino’s pořadník vyřizování, then čas doručení od poskytovatele.

Verifikace is the most common důvod for withdrawal delays, not the způsob platby itself. UK předpisy require casinos to verify totožnost, age and někdy bydliště and majitele platebního prostředku before a prvním cashout. Připravit a cestovní pas or driving licence, a aktuální utility bill and a card or e-wallet screenshot can significantly urychlit the proces. We navrhujeme dokončení verification včas než čekáním until you have a zůstatek to cashoutovat.

Mobile Banking, API Banking and Mobile Billing Options

Phone banking options such as Apple Pay and Google Pay have become increasingly common at UK-facing casino sites. They enable a card payment through a phone’s secure wallet, often using biometric authentication. The deposit is still linked to a debit card or bank account, but the checkout step is quicker and lessens the need to enter card details each time. This is particularly helpful on smaller screens.

Open banking services like Trustly link a player’s bank account to the casino for a direct transfer. The player authenticates through their bank’s secure portal and approves the payment. Deposits can be immediate or near-instant, and withdrawals may be quicker than traditional bank transfer because the transaction does not rely on card processing rails. Security is strong because the casino never saves your internet banking credentials.

Pay by phone options, such as Boku, permit small deposits to be applied to a mobile phone bill or deducted from prepaid credit. This can be convenient for short, budgeted slots sessions, but limits are usually lower and withdrawals are not offered. Pay by phone methods are best used as a secondary deposit route rather than a main payment strategy. Some operators also apply daily caps.

Digital wallets and Prepaid cards: Speed and Budget Control

E-wallets such as PayPal, Skrill and Neteller serve as a intermediary between your bank account and the casino. They provide fast deposits and, once a withdrawal is approved, often the fastest receipt of funds, sometimes within minutes or hours. For many UK players, the biggest advantage is control: you can fund the e-wallet with a set amount and avoid exposing your main bank details to multiple casino sites.

Prepaid vouchers like Paysafecard provide another layer of control because you can only spend the value loaded on the voucher. They are excellent for setting a hard session limit, but there is a significant drawback: prepaid methods generally cannot be used for withdrawals. If you deposit with Paysafecard, you will need a bank account, debit card or e-wallet registered to receive any winnings. Set up a withdrawal method early.

The trade-off with e-wallets reddit.com is that bonus terms sometimes make them less attractive. Some promotions exclude deposits made via Skrill or Neteller, meaning you could miss a welcome offer simply because of your payment choice. E-wallet providers may also charge small fees in certain circumstances. Checking the Highspin Casino promotion terms before depositing is the only way to know if your preferred e-wallet will qualify.

Payment Cards and Wire Transfers: The Familiar Foundation

Debit cards stay the go-to choice for many UK players, and with valid reason. Visa and Mastercard debit deposits are normally instant, widely accepted, and do not require a separate account. Since the UK ban on credit card gambling in 2020, debit cards are the leading card option at licensed online casinos. Most players already know how card payments work, which decreases friction at Highspin Casino.

Withdrawals back to a debit card commonly take between one and five business days after the casino has authorized the request. The casino processing queue is generally the slowest part, not the card network itself. Some sites process card withdrawals faster than others, but players should not expect debit card cashouts to be as quick as e-wallet withdrawals. Card withdrawals are trustworthy rather than instant.

Bank transfers are helpful for larger transactions, but they are often slower for standard deposits. In the UK, Faster Payments can move money within hours when both banks allow it, though casino-side processing may still slow the credit. Bank transfers may work for players who choose a direct bank-to-casino trail and higher limits. They are less handy for small, frequent deposits because approval is required each time.

  • Pros: well-known, secure, accepted for deposits and withdrawals, no separate e-wallet account needed.
  • Cons: slower withdrawal times, possible bank processing delays, not necessarily the fastest option.

Safety, Licensing and Responsible Payment Practices

Any payment debate is inadequate without security. A regulated UK casino must hold a Gambling Commission operating licence, which brings strict demands for customer funds, anti-money laundering checks and fair dispute management. Players should see a licence badge or statement in the Highspin Casino footer. We do not rely on logos alone; we check for the wording, the licence number and the ability to verify it on the public register.

Secure payment processing also counts at the technical level. Reputable UK casino sites use TLS encryption, often handled by a recognised security certificate, and they segregate customer funds from operating funds. This implies player balances are protected if the company experiences financial difficulty. Payment pages should not demand for unnecessary details. A cashier that redirects to a trusted payment provider or bank login is normal; a site asking for your full bank PIN is not.

Responsible gambling tools engage directly with payment habits. Deposit limits, session reminders and self-exclusion can be more efficient when integrated with a payment method that suits your budget. A prepaid voucher naturally restricts spending, while a debit card may allow rapid repeat deposits if discipline falters. We advise every Highspin Casino player to set a monthly affordability limit before selecting a payment method. That way the method backs the budget rather than going against it.

The way Highspin Casino Assembles the Payment Picture Together

When examining Highspin Casino as a full landing page, payment methods should support the wider offer rather than distract from it. The casino promotes online slots, table games and live dealer play, and a good cashier enables players move between these categories without friction. Fast deposits are important when a new player wants to claim a welcome bonus, while a straightforward withdrawal process is important when that player later wins. The two experiences are connected.

Headline bonuses, such as deposit matches or free spins, typically have payment method restrictions buried in the terms. A player who uses an eligible debit card may unlock the full welcome offer, while an excluded e-wallet deposit may void the bonus. We recommend reading the bonus terms at Highspin Casino before choosing how to fund an account. This small step can prevent the disappointment of meeting wagering requirements with no bonus attached.

Device support also shapes payment behaviour. Highspin Casino is presented as a mobile-friendly brand, so payment methods that require desktop card readers or lengthy keyboard entry appear dated. Apple Pay, Google Pay and open banking are particularly useful on mobile. We also look for whether the cashier loads at a reasonable speed and whether the deposit page is clear about minimum and maximum amounts. A clean payment interface is a strong sign of operational quality.

  • What deposit methods are accepted for both desktop and mobile.
  • In case your chosen method is eligible for the current welcome offer.
  • The withdrawal methods are available and whether they match your deposit route.
  • Listed processing times, limits and any service fees.
  • How to locate the casino’s licensing and security information.
  • The manner in which responsible gambling deposit limits are applied to each method.

Making sense of casino payment methods is in the end about control. The right choice minimizes waiting times, protects your bank details, preserves bonus eligibility and assists you stick to a budget. We recommend visiting the Highspin Casino cashier with a shortlist of two or three methods, checking the latest terms on the official page, and completing account verification early. Do that, and the payment process becomes a quiet background detail rather than a hurdle between you and your gameplay.

Selecting how to move money to and

This week’s Take Ten guest is The Pitt‘s Patrick Ball. Currently Emmy-nominated for his role of Dr. Frank Langdon, Ball has portrayed Langdon’s struggle with addiction while battling one of the most stressful jobs out there: an ER doctor.

When he joins us at the Deadline studio, it’s a quick pit-stop (pardon the pun) on his way to the LA set of the HBO Max mega-hit show’s Season 3. The Pitt is the most-Emmy nominated show of the year, with a total of 25 nominations, with a staggering 10 for acting — including its lead, Noah Wyle, supporting roles and the guest star categories.

Patrick Ball as Dr. Frank Langdon in ‘The Pitt’

Warrick Page/HBO Max

As we sit down for this Take Ten episode, Ball explains his head is in the medical training the show’s actors get from medical consultants and right now he’s working on something very tricky and surgical. That level of dedication to this role has paid off, not just in his first ever Emmy nomination, but in the reactions from fans. He recalls meeting a fan at the stage door during his recent Broadway stint as Andrew Porter in Becky Shaw: “They said, ‘You know, my brother is an addict and I’ve watched him struggle for years and years and years, and your portrayal of of just how complicated those early months and years of recovery can be meant a lot to me and my family.”

On a lighter note, another fan presented him with a shirt that said ‘M.I.L.F.’ on it. “It stood for “Man I Love Frank,” Ball explains, with a wry smile.

My job was to corral a bunch of drunk people into throwing sharp axes around until the early hours of the morning.

And on The Pitt set, it’s not all serious all the time. Case in point: The mystery of the Noah Wyle headshots. “I would walk into my dressing room, and every day I would find a new picture of Noah Wyle taped to my dressing room wall, and so there became this growing sort of Noah Wyle shrine in my dressing room, and I had no idea where this was coming from, but I was too scared to say anything, and so I just sort of rolled with it. Then it became a little bit of a whodunit and we finally did get to to the bottom of things, and it was Becca, the head of our base camp, and I’ll just leave it at that.”

Patrick Ball, left, and Noah Wyle in ‘The Pitt’

Warrick Page/HBO Max

Ball also looks back on some of his past jobs before The Pitt, including…. axe-throwing? “I’ve had about a million day jobs,” he explains. “I’ve done a lot of things, and I’ve done a lot of things poorly. During a stint helping his parents renovate their home in North Carolina, and needing cash to make rent on his own place, Ball connected on Craigslist with two guys who’d created “a mobile axe-throwing unit that they drove and parked outside of breweries. My job was to corral a bunch of drunk people into throwing sharp axes around until the early hours of the morning, and that is how I paid rent. If anybody is hiring for that, I can throw an axe.”

Finally, for the record, Ball wants to confirm his height of 5 feet, 11 3/4 inches. “Every once in a while, I will get updates from Wikipedia that I will go from being 6’1″ to being 5’6″ and back. And so that is something that should be clarified.”

And when asked how he gets his hair to look so good, he says simply, “I woke up like this.”

To watch the full interview, including which Pitt characters he loves most and the TV comedy show he’s currently obsessed with, click on the video above.

Season 2 of The Pitt is currently streaming on HBO Max.

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This week’s Take Ten guest is The

You might call Boorman’s fortitude admirable, but you could also call it delusional. And it lends “Boorman and the Devil” the quality of a true-life Christopher Guest movie. For this is the unintentionally funny story of what happens when utterly unhinged and high-minded hubris becomes your guiding light. Boorman, and others associated with “Exorcist II,” know that they made an infamous disaster, yet the reason the film was a disaster still eludes them.

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You might call Boorman’s fortitude admirable, but

Actor Given Stuurman has wowed audiences with his portrayal of Sphelele Dlamini in Netflix’s 2026 crime thriller series, “uMthetho”.

Sphelele is the younger brother of Mbali (Nqobile ‘Nunu’ Khumalo) and Moses (Tony Kgoroge), and is trying to find his place in society while navigating the complicated dynamics within his family.

For Stuurman, building the character was not particularly difficult because he had encountered a version of Sphelele before.

“I think for me, how I came about writing the book was seeing what was presented in front of me, seeing what I know that relates to it, and then deciding what different element or what different thing can I bring to it.”

One of the challenges was making Sphelele different from the familiar portrayal of young men from the kasi.

“That was my journey, trying to find those emotional beats, those moments, those heartfelt moments that a lot of kasi guys run away from.”

Sphelele is caught in turmoil as he tries to be a good partner and father, finish his studies, get his business off the ground, make ends meet and make his older siblings proud.

For Stuurman, there was something deeply relatable about Sphelele’s struggle to navigate life as a young man.

“It’s a reality that a lot of black men face, growing up without a direct father figure or any father figure for that matter. Sphelele’s father died when they were very young.

“The self-discovery comes from navigating being a good guy, being a good boyfriend, and now he’s a good father.”

Stuurman was particularly interested in exploring how Sphelele navigates his emotions, his relationship with his late father and his complicated bond with his brother Moses.

“There’s a lot of emotional beats, a lot of emotional moments, a lot of self-introspective moments, I felt, even though they were not obvious. But there are moments where you could see, okay, Sphelele is introspecting himself now.”

Sphelele’s choices in ‘uMthetho’

At the heart of “uMthetho” is a fight for justice and the difficult choices characters have to make to achieve it.

For Stuurman, one of the most intriguing aspects of the series is seeing how a single decision can completely alter the course of the story.

In the series, Sphelele makes several choices that drastically change his life. One decision ultimately lands him in prison, forcing his sister Mbali to fight tooth and nail for his release.

“All the characters, you could literally pick the one scene where, had this character done something different here, the story would have totally been different.

“I think that’s what’s exciting to watch, because in those scenes, the characters make the worst decisions.”

Stuurman’s portrayal of Sphelele is raw and emotional, bringing to life the struggles faced by many young men trying to find their place in society.

His journey also highlights how the choices people make can have consequences that extend far beyond themselves.

A different side to Given Stuurman in ‘uMthetho’

Stuurman has taken on several roles since emerging as a child star in the entertainment industry.

His role as Kgosi in “Scandal!” is one that audiences immediately gravitated towards, but his portrayal of Sphelele has allowed the actor to reveal another layer of his acting ability.

Through Sphelele, Stuurman delivers one of his most emotionally complex performances yet, giving audiences a glimpse into the vulnerability, uncertainty and pressure that can sit beneath the surface of a young man trying to find his way.

“uMthetho” is currently streaming on Netflix, and the Black Brains Production has already made the number one spot on the streaming platform.

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Actor Given Stuurman has wowed audiences with


Friday’s Disney Entertainment Showcase featured no shortage of exciting announcements regarding the Mouse’s imminent film slate, but what will perhaps go down as the most consequential moment of the night came when Marvel Studios chief Kevin Feige did his best Charles Xavier impression and called to him, his X-Men.

Flanked by director Jake Schreier and Jean Grey herself, Sadie Sink, Feige introduced the initial cast members of the Marvel Cinematic Universe’s upcoming X-Men relaunch. Christopher Abbott, Maya Boyd, Inde Navarette, and Adam Driver joined the cast alongside the previously reported Samara Weaving, Kit Connor, and Sink.

X-Men cast

It’s a frankly stacked lineup that instills tremendous confidence in the MCU’s forthcoming Mutant Saga. It’s a stellar mix of established names and burgeoning stars, and per Feige, Marvel isn’t done adding to the cast.

With our initial X-Men now confirmed, it’s natural to speculate about the direction Marvel plans to take the team and which comics are providing primary inspiration. Schreier spoke about these very topics during a Friday interview with Good Morning America.

‘X-Men’ Director Talks About His Approach

The X-Men world is a simultaneously daunting and intriguing one for a filmmaker. Though it’s been explored in 14 different movies over the past three decades, there’s over half a century of source material—quite literally thousands of stories that have yet to be adapted to film.

It’s these stories that Schreier is prioritizing as he conceptualizes his X-Men relaunch. He touched on the world’s narrative richness and untapped potential while speaking to GMA.

Jake Schreier

Photo Credit: Michael Tackett

“I think one of the great things about the comics is [that] there is such a rich and broad history,” Schreier said. “That was one of the first things that Kevin [Feige] and I talked about when I came in, was they’ve made great movies in this world, and they’ve made so many great things.

“Let’s find the things that haven’t recently been done well.”

X-Men cast

Photo Credit: Jesse Grant/Getty Images

Schreier went on to mention two particular comic eras that he’s delved into.

“All of these other corners of the universe, and digging back into those comics like 20 years, the whole Chris Claremont run, the newer Jonathan Hickman stuff, there are so many stories that are still untold to honor and to reach into and to meet this cast and try to do something new,” the filmmaker said.

X-Men cast

Photo Credit: BBC/Getty Images

“I think you always want to see something that reveres where it came from and then is still taking a new spin of where we want to go.”

Claremont & Hickman’s Runs

Claremont’s time on Uncanny X-Men is broadly viewed as the comic’s definitive run. It was under the writer’s stewardship that the team ascended to its contemporary status as industry titans.

He worked on the comic from 1975 to 1991, penning many of the team’s most iconic stories and creating some of its most enduring characters.

Dark Phoenix Saga

Photo: Marvel

Any X-Men adaptation is inherently going to have some Claremont influence, as he’s intrinsically linked with the property. Schreier’s mention of Hickman is a bit more intriguing, as his lauded run just concluded in 2024.

Hickman’s ambitious run, dubbed the “Krakoan Age,” saw mutants create a sovereign nation on the living island of Krakoa. It was an expansive, interconnected story told across more than 80 different series. Fans today revere it for just how distinct it was.

Krakoan Age

House of X (2019) #1 (Photo: Marvel)

Adapting some of the Krakoan Age stories would certainly set these new X-Men films apart from their predecessors. The Krakoan Age didn’t exist when the initial films were produced.

The logo revealed on Friday also appears to take some aesthetic influence from Grant Morrison and Frank Quitely’s New X-Men. That famed run could be an influence, as well.

X-Men

Regardless, the imminent relaunch makes it an exciting time to be an X-Men fan. The as-yet-untitled relaunch will hit theaters on May 5, 2028.

Make sure to keep an eye on MickeyBlog for continued coverage of the latest news out of D23.

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Despite the many attempts to replicate Game of Thrones‘s success throughout the 2020s, House of the Dragon remains the biggest current fantasy show. However, Prime Video’s long-awaited epic is likely to make it feel small. Despite the production quality of HOTD‘s competitors — The Lord of the Rings: The Rings of Power, The Wheel of Time, and The Witcher, to name a few — none of the 2020s’ much-anticipated fantasy series come close to matching the Game of Thrones franchise.

There will be more opportunities for fantasy television to recapture its momentum and top its spin-offs, though, from Mike Flanagan’s Dark Tower adaptation to Apple TV’s take on Brandon Sanderson’s Cosmere. And done properly, there’s one Prime Video epic — which is also focused on dragons — that will make House of the Dragon feel small. It may not have the extensive world-building and history of George R.R. Martin’s fantasy universe, but it has a couple of things going for it that will catapult it to greater heights.

Prime Video’s ‘Fourth Wing’ Show Will Make the ‘House of the Dragon’ Hype Look Small

The Viral Sensation Is Set to Have a Wider Appeal

Fourth Wing cover art is displayed
Fourth Wing cover art is displayed

There’s no denying the popularity of the Game of Thrones franchise, but the larger mainstream hype surrounding HBO’s TV universe has died down a bit since the original show’s ending. House of the Dragon Season 3 and the debut of A Knight of the Seven Kingdoms are helping it regain momentum. Yet it seems like many of the casual viewers who made every Game of Thrones Sunday feel like an event are less tuned into its off-shoots. And House of the Dragon‘s book changes are even alienating diehard George R.R. Martin fans. Those who still check in weekly aren’t always as excited about the spin-off as one might hope.

By contrast, Prime Video’s Fourth Wing adaptation has the chance to ignite similar excitement to the original Game of Thrones, as it’s a long-awaited project and based on a viral sensation. The fact that Rebecca Yarros’s Empyrean series is drawing such a wide base of readers — even ones who don’t normally read fantasy or “romantasy” — means its TV series can have the same broad appeal as Game of Thrones. Adapted properly, it can also generate similar appreciation as an adaptation (and it shouldn’t have to worry about catching up to the books).

Fourth Wing is just starting, so it will have a lower barrier to entry, too — something House of the Dragon doesn’t benefit from. All of this gives Prime Video’s epic dragon series an opportunity to make House of the Dragon feel like smaller by comparison. Looking at House of the Dragon‘s continued success, that’s saying something.

‘Fourth Wing’ Should Have Way More Dragon Action Than the ‘Game of Thrones’ Spin-off

Caraxes and Daemon in House of the Dragon Season 3 HBO

In addition to the elements of the Fourth Wing that will help its show resonate with several audiences, it should ideally top House of the Dragon in another area: the number of dragon scenes and action sequences. This will depend on the effects budget that Prime Video dedicates to the series, but based on the source material, Fourth Wing‘s dragons should be far more central than those in House of the Dragon. The Game of Thrones spin-off mostly uses them as weapons and steeds, even if Season 3 gives them more personality.

Fourth Wing, on the other hand, infuses its dragons with personality from the jump — a necessity given their ability to communicate with their riders mentally. It also ensures they’re present from early in the story, and Yarros’s book throws them into action right away. This means Fourth Wing should have large-scale combat earlier than House of the Dragon and more dragons throughout. For anyone on the hunt for a thrilling dragon series, it’s going to be a can’t-miss release.

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Despite the many attempts to replicate Game

Double Fine is bringing back its game jam initiative and letting fans pick its next game project, following the studio’s split from Xbox last month.

Amnesia Fortnight 2026 will launch on August 31 and feature a documentary and Kickstarter campaign, Double Fine announced on Friday.

“We’re going to do a Game Jam, live on the internet, in which our backers will get to choose which of our myriad of ideas get made into four new prototypes – and which of those final four will become a real (small) game,” the studio said.

Amnesia Fortnight is a game jam Double Fine traditionally held every few years, but which went on hiatus following its sale to Microsoft in 2019.

The two-week event sees the studio’s developers create game prototypes, with their development documented online, and fans eventually voting on which ones they’d like to see made into full games.

Previously, Amnesia Fortnight prototypes led to games such as Costume Quest, Spacebase DF-9, and Headlander. Others inspired parts of games, such as Compton’s Cookout in Psychonauts 2.

Alongside South of Midnight creators Compulsion, Double Fine was allowed to return to independence by its former owner Microsoft, with both companies retaining their IPs and game catalogs, and receiving investment to get them started.


Buying Double Fine games ‘helps support the studio’

Speaking to Kinda Funny Games alongside Friday’s Amnesia Fortnight announcement, Double Fine boss Tim Schafer said that although it had received financial runway from Microsoft, the game jam is designed to extend that.

“Being independent again [means] we can go back to doing a lot of things we were doing before, like crazy game jams, our usual fortnight game jam where we split into small groups and make a game in two weeks,” he said.

“We got a little bit of runway following the departure to sign some games. We want to sign some game deals and get going. It’s kind of a scary time to be out there. But it’s a runway, not a freeway – it won’t go forever.

“It’s just a little patch where we can take off on our own power. And we want to extend it a little bit, so we’re doing a game jam, which we used to do a lot.”

Schafer also confirmed that all of Double Fine’s previous game rights have returned to the studio, and that future sales of such games will help support the company’s future.

“The IP came back to us, and we’ve got the publishing rights back for our games. It still says Microsoft on some of them [because] it just takes a while to process. When people buy our games, it supports the studio.

“So if you’re curious, buying any of our games helps support the studio, and we can turn that money into extending that runway.”