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It is right to say that Sydney Sweeney and HBO are a match made in heaven. Whether it was Euphoria or The White Lotus, there has been nothing but praise for Sweeney. Her fans have seen the potential she has and what she can bring to the table. An extraordinary narrative has unfolded for Sweeney alongside a co-star that has a captivating storyline. 

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Josh Hamilton, popular for movies like American Horror Story and Madam Secretary, is starring with Sweeney in the upcoming movie ‘Reality’. As the world of independent films is suffering tough competition from algorithm-based movies, Hamilton has nothing but praise for the upcoming HBO release. 

An algorithm-free approach: Josh Hamilton praises ‘Reality’ director

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Hamilton has nothing but love and respect for Reality’s director, Tina Satter. Hamilton told IndieWire during the film’s red carpet premiere how Satter stayed true to the spirit of storytelling with the movie. He described how she just had a transcript with which she decided to deliver a story that makes a ‘statement’ and ‘creates art’. “There’s not millions of dollars going into developing and trying to figure out what people want and the algorithm of how to get the most viewers”, shared Hamilton. He also added that to have the movie on HBO was never the plan, but that just happened even when they had an algorithm-free approach. 

What caught Hamilton’s attention is that the movie does not follow the algorithm approach and is a raw Indie film in that aspect. He described that in the case of Indie movies, there is always practicality as you are short on funds and budget. This is, in turn, beneficial as actors are always focused and their ‘energy’ is just high up.

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What is Sydney Sweeney’s ‘Reality’ about?

Written and directed by Satter, the movie Reality talks about the real life of the NSA Whistleblower Reality Winner (played by Sydney Sweeney). Winner leaked how Russia rigged the 2016 presidential elections that followed FBI interrogations. Satter, being a New York theater artist, first wrote a script for a play named ‘Is This A Room’, based on the real FBI interrogation of Winner, which was later adapted for the movie. 

via Imago

Ever since the trailer of the movie came out, Sweeney fans were in awe. In a Q&A panel at the movie’s premiere, Sweeney described that she was ‘blown away’ when she was told that the dialogues were from the real FBI interrogation. Knowing so, she decided to ‘delve deeper’ into the character’s psyche. Director Satter also shared that the movie is inspired by Reality Winner, who has changed the course of American history. 

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‘Reality’ is set to release on HBO on May 29. What do you think about Hamilton’s views? Let us know in the comments.

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It is right to say that Sydney

CANNES, FRANCE A cowboy named Silva (Pedro Pascal) rides into the dusty American desert town of Bitter Creek. He has romantic old business to attend to and also some dangerous new business.

It’s the start of “Strange Way of Life,” a new movie by Spanish auteur Pedro Almodóvar, which is having its world premiere at the Cannes Film Festival.

Love is in jeopardy up on the big screen, in this film and others screening here until May 27. The mating dance and its consequences are far more extreme than in the boy-meets-girl formula of Hollywood rom-coms.

Silva’s old business is Jake (Ethan Hawke), his former partner in mayhem — they were guns for hire — and also in the bedroom. For two glorious months 25 years ago, they were a passionate couple before a disagreement about their future tore them apart.

“To our reunion,” says Jake, now the town’s sheriff, as he lifts a toast to Silva, adding, “to whatever you like.”

It’s the “whatever you like” part that makes “Strange Way of Life” interesting. Before the credits roll on this 31-minute queer western, Almodóvar’s short, sharp answer to “Brokeback Mountain,” a film he almost made, lovemaking will happen, but so will gunshots fired in anger.

There’s a similar fraught pairing in “Jeanne du Barry,” a period romance by French actor/director Maïwenn that opened the fest on Tuesday.

The fact-based story stars Maïwenn as the title “harlot,” an uninhibited and sexually aware commoner who stole the heart of French King Louis XV, played by Johnny Depp, as he stole hers, in the waning years of the 18th century and the king’s reign.

Their unorthodox union scandalized opulent Versailles, a kingdom within a country where appearances and behaviour count for everything and transgressions lead to social exile or worse.

After being summoned to the bed of the randy monarch, Jeanne is given strict instructions how to proceed, among them the warning, “Whatever you do, don’t look the King in the eyes.”

She promptly ignores the edict, to the delight of the king, and to the fury of his many shocked courtiers and appalled four daughters.

“I may not know what love is,” Jeanne says, “but I know what this is.”

If you know your French history, this is risky behaviour indeed — and there’s been much talk at Cannes about Maïwenn’s choice of American actor Depp to play the French King, especially given Depp’s litigious breakup with Amber Heard, his former wife.

Maïwenn told a press conference she considered having a French actor play Louis XV, but ultimately the choice came down to personal chemistry: “I wanted to feel strongly about the actor, particularly as I would be hugging and kissing him later on.”

There’s a strange kind of three-way relationship happening in “May December,” a film by Todd Haynes that is among the 21 competing for the Palme d’Or.

There's a strange kind of three-way relationship happening in "May December." Julianne Moore, right, and Natalie Portman star as women whose personal and professional lives intersect in unforeseen ways.

Julianne Moore and Natalie Portman star as women whose personal and professional lives intersect in unforeseen ways. Julianne is Gracie, whose marriage to the considerably younger Joe (Charles Melton of TV’s “Riverdale”) sparked tabloid headlines 20 years ago.

About to enter the empty-nest phase of their successful union, they accept a request by an actor, Portman’s Elizabeth, to move in with them to study them close up. Elizabeth is planning to play Grace in a film about the couple’s past, but the close quarters and unearthing of secrets and grievances make for an increasingly tense situation for all three.

With all the complications of these films it’s almost a relief that Monia Chokri’s “The Nature of Love (Simple comme Sylvain),” one of three Canadian features premiering at Cannes ’23, is only about a garden-variety affair — or so it seems at first.

In “The Nature of Love (Simple comme Sylvain),” Sophia (Magalie Lépine-Blondeau) doesn’t count how hard she will fall for blue-collar Sylvain (Pierre-Yves Cardinal), whose idea of devotion proves to be more complicated than he lets on.

“Love should be simple,” declares Laurentians home renovator Sylvain (Pierre-Yves Cardinal) to his new swoon Sophia (Magalie Lépine Blondeau), a professor at a Montreal university.

Fair enough, although Sophia teaches a course on the philosophy of love and she’s adept at analyzing its many contours. Simplicity is the opposite of how she approaches romance.

She’s been married for 10 years to Xavier (Francis-William Rhéaume), a fellow intellectual who is fond of saying things like “humanity is a parasite” in dinner-table discussions with their friends.

What Sophia doesn’t count on is how hard she will fall for blue-collar Sylvain, whose idea of devotion proves to be more complicated than he lets on. At one point, a dog collar and leash enter the picture as Sophia struggles to convince Sylvain of her loyalty to him, all while her carefully controlled life begins to shatter.

If there’s one constant in these films and others at Cannes ’23, it’s that love and romance are unpredictable and potentially explosive.

Such is the nature of filmmaking, as actor Hawke observed in the Q&A session with Almodóvar following the premiere Wednesday of “Strange Way of Life” in the Debussy Theatre. (Pedro Pascal didn’t make the trek to Cannes; he’s reportedly preparing for a major role in Ridley Scott’s planned sequel to “Gladiator,” the Best Picture Oscar winner for 2000.)

Hawke said the very act of taking out a camera to capture a performance means “there’s some kind of love that’s happening” because of the intimacy of the medium.

“To me, it’s kind of always about love, in some capacity … it makes the world spin around.”

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CANNES, FRANCE A cowboy named Silva (Pedro

“To Wong Foo The Musical,” based on 1995 film “To Wong Foo, Thanks for Everything! Julie Newmar,” will have its world premiere at the Hope Mill Theatre in Manchester, U.K.

The film, which is now considered a cult classic, starred Patrick Swayze, Wesley Snipes, John Leguizamo, Stockard Channing, Robin Williams and Ru Paul.

The musical has a book and direction by original film screenplay writer Douglas Carter Beane, with music and lyrics by Lewis Flinn, casting by Sarah Leung and artwork by Feast Creative.

Beginning in 1990s New York, the musical tells the story of three drag queens, Vida, Noxeema and Chichi, who embark on a trip across America to attend the drag queen of the year finals in Hollywood. When their car breaks down in Middle America, their lives, as well as those in the town, are turned upside down.

The casting and full creative team will be revealed in due course.

Beane said, “When I wrote this story back in the 1990’s, it was always a theater show in my mind, and fortunately for me, Steven Spielberg and Beeban Kidron thought it would make a great movie. But, for me it was always the ambition to bring it to the stage and I’m so happy its finally happening. Although the musical continues to be an homage to drag, ’90s New York and the amazing individuals who made it such a vibrant place to be, it is even more politically relevant today than ever before as censorship and condemnation of drag is unfortunately on the rise in the United States. I hope this show connects with new audiences as it did way back then… come along for the ride.”

“To Wong Foo The Musical” is produced by Hope Mill Theatre.

Artistic director of Hope Mill Theatre, Joseph Houston, said, “’To Wong Foo, Thanks for Everything! Julie Newmar’ really brought drag to a mainstream audience in a massive way and as a queer piece of movie history, was truly ground-breaking. To be working so closely with Doug and having him direct is also a huge honor. ‘To Wong Foo’ as a piece of work has always been destined to be told on stage and as a musical. Those that know and love the film can expect all of those brilliant one liners, supported by a score that is a little bit club, a little bit country, a little bit musical theatre, but a whole lot of attitude. And for those experiencing the show for the first time, welcome to the drag-fantasy-musical-extravaganza, that is ‘To Wong Foo’”

The production will open at Hope Mill Theatre on Oct. 21 for a limited nine-week run.

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“To Wong Foo The Musical,” based on

Marvel Studios just made a historic choice with a director on its upcoming Disney+ series Daredevil: Born Again, which brings back Charlie Cox’s fan-favorite hero.

The project is one of the most anticipated for many MCU fans. Not only will it bring back the titular hero himself, but there’ll also be more of Vincent D’Onofrio’s Kingpin and Jon Bernthal’s Punisher.

The Disney+ show is already a historic piece of Marvel Studios’ slate, seeing as it will have 18 episodes in its first season—double the length of the longest MCU streaming series to date. Born Again is even planning on production spanning 11 months or longer.

Now, it’ll another history-making element of the project is announced.

Daredevil Makes Historic Actor-Director Choice

Clark Johnson

A new report from Deadline revealed that Clark Johnson will join Marvel Studios’ Daredevil: Born Again in a special multi-faceted role.

Johnson will both direct two episodes of the show’s first 18-installment season and play a new character set to recur throughout the show. In usual Marvel fashion, details about his role aren’t known.

However, the outlet stated they believe his character is named Cherry.

This is the first time in MCU history that a Marvel Studios Disney+ show has cast one of its own directors in a non-cameo role. However, Marvel Studios has previously worked with the same talent both behind and in front of the camera.

Iron Man and Iron Man 2‘s Jon Favreau directed those two films while also bringing to life Happy Hogan, who has been seen throughout the MCU over the years.

James Gunn is known to cameo in his own projects, and She-Hulk: Attorney at Law writer Jessica Gao got her own cameo in the show’s finale. 

Clark Johnson Does Double Duty on Daredevil

It’s clear that Marvel Studios is confident in Clark Johnson’s talent for them to have chosen to utilize him as both a director and actor.

While details on Johnson’s characters aren’t known, he does look like the type to possibly be a reporter or someone else that Matt Murdock might know in his lawyer life.

The name “Cherry” only matches up to one Marvel Comics character, and it’s a wife to a Tracksuit Mafia member—so almost certainly not what’s going on here.

Johnson will join a large swatch of new faces. Chief among them will be Michael Gandolfini, who is rumored to be playing either a younger version of Wilson Fisk or the iconic villain’s son.

Additionally, Sandrine Holt will be joining the party as a recast Vanessa Fisk after Ayelet Zurer previously portrayed the character in the original Netflix series.

Daredevil: Born Again is expected to hit Disney+ at some point in 2024.

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What is happening on Yellowjackets? That is usually a great question that we often ask about this mysterious show full of secrets and twists with a dash of cannibalism. But this time that question is more of a “WTH” in a bad way because episode eight is baffling, to say the least. A couple of weeks ago, our own Ro Rusak predicted that the playing cards used by the wilderness crew could become a way to draw lots and determine fates for cannibalism purposes. And now we know that Ro was right. Let’s get into how Yellowjackets used playing cards for a deadly drawing that took a twist and ended with the death of Javi. 

Yellowjackets Playing Card Queen of Hearts could be key to cannibalism
Showtime

Yellowjackets Draws Lots with Playing Cards and Nearly Kills a Key Player

In this episode, Lottie is barely alive upstairs while the others are hallucinating and such. Lottie tells Misty to let the others know that they can “make use of her” if she dies but they reject that immediately. Mari says that the wilderness will not let her die and Tai reminds them that they need to find a way to stay alive. They make the choice to draw playing cards and determine which one of them will be hunted down. The unlucky card is the Queen of Hearts, which Natalie draws.

Shauna can’t bring herself to kill Natalie in cold blood and it leads to the crew chasing Natalie in a very feral manner through the wilderness. Javi tries to help Natalie by guiding her to his hideout but things go awry when the ice beneath him cracks. He falls in and Natalie tries to help him at first, but realizes that if she does the group will still kill her. They watch him drown, convincing themselves that the wilderness chose him as a sacrifice. 

Well, where do I begin? Let’s start with the choice to use the cards. Yes, we know that Lottie is a spiritual leader for many of them, but desiring to kill a random person in good health over someone on the brink of death is a wild choice. It suggests that Lottie’s life has more value in this place than anyone else’s life, which simply isn’t true, especially when it comes to Natalie. Killing your best hunter who is a vital reason why you are still breathing makes no sense considering there are others who are far less useful.

Javi from Yellowjackets stands in a dimly lit cabin
Kailey Schwerman/SHOWTIME

The concept of using the cards makes sense in terms of fairness and how they have used them to dish out chores. However, it seems this story suggesting that other forces are at play would have made it less their choice and more of fate. Allowing the powers that be to “blow” the cards their way would indicate that the wilderness really did want them to draw lots for survival. Even still, the chances of someone in this small group pulling the chosen card from what appears to be a full deck seems very slim. Why not have the exact number of cards needed? What happens if no one pulls the card? Do you just keep going? I don’t wanna know the answers because I have no desire to play this game. 

Javi’s Death on Yellowjackets and What it Means for the Group

There’s also the conundrum of Javi and how he dies in Yellowjackets. We aren’t sure what’s coming next but it is not clear why they brought him back only to truly kill him off. Coach Ben does discover his hideout thanks to Javi’s drawings, so he did have some usefulness. But they could have easily found it during their own explorations.

His death feels exceptionally cruel than Jackie’s snowy demise. While they bear partial responsibility for her death by banishing her outside, they did not witness her death in real-time. The Yellowjackets crew watched Javi die, purposely not saving him to survive. This will certainly cause a major rift between Travis and the group once again (especially Natalie), even if they collectively lie about his death. Van says that the wilderness chose Javi… but did it? Or did the ice simply crack because that’s what happens on a frozen lake? 

Yellowjackets crew including Javi, Natalie, Mari, and Shauna sit in the cabin
Kailey Schwerman/SHOWTIME

Yellowjackets season two is nearing its end and things are getting increasingly more grim in the wilderness. Who will die next? How can Natalie (or anyone) trust anyone around them ever again? We will have to wait and see.

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What is happening on Yellowjackets?

Fast X was planned as the end of the main Fast & Furious series, and then that ending became a two-parter, and now Fast X has potentially ballooned into a trilogy. That evolving plan clearly had a big impact on Fast X’s own conclusion, or lack thereof–it ends on a couple enormous cliffhangers.

Warning: This article will be filled with major spoilers for Fast X.

Fast X is split into four main storylines for all but the first five minutes or so. Dom goes to Brazil to figure out what the deal is with new baddie Dante. Letty (Michelle Rodriguez) is locked in a blacksite prison and has to team up with Cipher (Charlize Theron) to escape. Jakob (John Cena) goes on a road trip with Dom’s son Brian. Roman, Tej, Han and Ramsay (Tyrese Gibson, Ludacris, Sung Kang and Nathalie Emmanuel) spin their wheels while they wait for the movie to have some purpose for them to exist. Or to not exist?

Fast X ending explained

By the time the credits roll on Fast X, Jakob and Little Brian manage to meet up with Dom. Through a series of fun action movie contrivances, Little Brian ends up in Dante’s car, and Jakob sacrifices himself (and his “cannon car” that’s loaded with explosive ordinance) to clear out a bunch of enemies so Dom can make a move on Dante. Dom catches up to him, and Little Brian leaps from Dante’s car to Dom’s while the two do donuts around each other in the middle of a highway in an impossibly dramatic feat that no one could have anticipated. Dom and Little Brian drive off into the sunset.

Or so it seems, until about 30 seconds later, when Dante traps them on a dam and claims that this, actually, was his real plan. It’s at this exact moment that Roman, Tej, Han and Ramsay fly over the dam in a jet for reasons that aren’t clear–and Dante has Ames, the new boss of the Agency, shoot them down with a rocket, and the plane crashes and explodes, apparently with these four franchise mainstays inside.

Meanwhile, Dante has two gas-hauling big rigs on either end of the dam drive directly at Dom’s car. Dom, naturally, puts the pedal to the metal and drives off the front of the dam as the trucks explode behind him–a climactic money shot that they put in the trailers for the movie.

Dom and Little Brian survive, but then Dante reveals his last trick: blowing up the dam itself, while Dom and Little Brian stand at its base. Cut to black.

That’s cliffhanger number one.

So who’s actually dead at the end of Fast X?

If you ask me, Tej, Roman, Han and Ramsay are clearly not dead–it would be impressively terrible to kill them for no reason during a scene in which they had no apparent chance of actually contributing. Jakob, on the other hand, actually seems to be gone. Then again, we’ve seen characters survive being blown up in a car explosion before, so never say never.

The question for the next two years will be about how our heroes are going to wriggle out of this mess. My guess is that it’ll turn out that those four were doing some kind of misdirection with the plane, and they’ll be integral in saving Dom and Little Brian in an Ocean’s 11-style “Actually, they already did the heist ten minutes ago” kind of twist, because their presence during this part doesn’t currently make any sense.

Fast X’s other cliffhanger: Gal Gadot is back

Somehow, the movie wasn’t over after that. Instead, we caught back up with Letty and Cipher, who hadn’t been on screen for what felt like half the movie. They get out of their blacksite prison in Antarctica, and out in the wilds they encounter a submarine emerging from the ice that’s apparently there to pick them up, calling back to the nuclear sub that Cipher tried to steal in F8. The submarine hatch opens, and out steps Gisele (Gal Gadot), who we thought died four movies ago. Cut to black (again).

It’s hard to know what to make of this scene. Does Gisele work for Cipher now? If so, does that mean Cipher is not really evil? Does she secretly have Elena alive and hidden someplace too?

The answer to each of those questions is mostly like “no.” A better bet is that, like Han, Gisele is working for the Agency–and Brie Larson’s Little Miss Nobody in particular. In F9, they brought back Han by claiming he’d been on a secret mission for Mister Nobody, and so the easiest explanation here is that Gisele will get the same new story. Which would mean that while everyone thought Han and Gisele were dead, they were actually together doing secret government stuff for the Agency.

That said, Cipher remains an odd wild card by the end of Fast X. She was once set up as the ultimate big bad of this series, but it looks like Dante is now filling that role. Could Cipher join the #family? Never say never.

Fast X mid-credits scene explained: Can you smell what Agent Hobbs is cooking?

There’s one bonus scene that comes mid-way through the credits. We see a man in full Call of Duty-style tactical gear, his face covered, moving through a big, creepy and obviously nefarious room that is quite reminiscent of when Dom found Dante’s “vision board” earlier in the film. A phone rings, just like in that earlier scene, and the man picks up. It’s Dante, and he gives this man the same “you were responsible for my father’s death and now I’m coming for you” threat he gave everybody else.

The man then pulls off his helmet and mask, revealing Dwayne “The Rock” Johnson. He calls Dante a “sumbitch,” and we cut to black one final time. Agent Hobbs is officially back.

When Johnson was one of the main cast members of this series, he had a well publicized feud with Vin Diesel that led to him exiting the main series for his Hobbs & Shaw spinoff with Jason Statham. But Hobbs & Shaw is over for now as far as anybody knows, and Johnson is now coming off the massive debacle that was Black Adam.

With Fast & Furious being the biggest franchise left that he’s associated with, it follows that Johnson would come back now, during this little downturn for him. And considering how Dom has barely any scenes with any of his fellow long-term cast members in Fast X, Johnson may not even have to resolve his beef with Diesel to make it work. They could just, you know, both be in the next two movies without ever actually seeing or speaking to each other.

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Twitter and Reddit are ablaze after the reveal of a new tool that is said to help writers create at the speed of AI.

I love technology. While I studied English Literature during my undergrad and received a Masters’s in screenwriting, I have always been drawn to our collective ability to create incredible tools and machines. Every week I dig deep into the technological innovations we create. I follow several machinists who share their processes, technology, and fabrication techniques. 

I even dabbled in coding before my brain melted and decided it was best appreciated from afar. And that’s just the tip of the iceberg of my love of tech. 

I say this because I don’t want what comes next to be the words of an “angry writer.” 

Because I’m not angry, I just feel a sense of dread. 

First, we have to talk about why the writers on Twitter and Reddit are lighting their torches.

The Sudowrite Story Engine

I will start with praise because, in all honestly, this is an incredible tool that is leveraging AI to support my writing ability. It’s a tool that I think I’ve always wanted. 

Sudowrite is an AI application that uses several variants of GPT-3 (created by OpenAI) to help writers overcome writer’s block, write faster, and refine their work to what they really want it to be. 

With the newly released Story Engine, Sudowrite founder James You has created a tool that now lets writers create an entire novel in mere days. From a simple idea to a complete first draft. Prose and all. Here’s a video of Yu explaining the application and workflow:

I can’t tell you how many times I’ve had my story worked out but have been stuck on plot. There have been equally as many times where the opposite has been true. On occasion, I also get stuck on creating compelling characters.

With Story Engine, I can have AI support me in generating not only my synopsis but also my story beats, characters, and even my chapters, all from my own ideas and brainstorming sessions. Even though I’m a feature film screenwriter, this is a tool that will let me get to writing instead of breaking apart the myriad of ideas that cloud my creative inspiration. 

It could even help me rewrite those pesky action blocks, as the Sudowrite website claims—“You could rewrite the same sentence 100 times… or you could make the computer do it.”

So, why is my heart sinking in my chest right now?

Putting the Cart Before the Horse

In high school, I spent hours ignoring my classes just to write stories in my notebook. I dissected the poetry of Henry Wadsworth Longfellow and the stories of King Arthur in their original Old English while in my undergrad. While getting my Masters at UCLA, I hammered into my brain the countless different story structures and rules for making a good story. It was my Rocky training montage. 

I’m saying this not to toot my own horn but to give readers an understanding of what writers go through to gain the tools necessary to write a compelling story.

Even after reading the comments from Twitter and Reddit (which we’ll get to below), I was excited to see Story Engine at work. Remember, I love technology. But the more Yu explained the application and the workflow, the more I realized the issues of this new tech. 

You get prose from your ideas. Credit: Sudowrite

Story Engine’s biggest features are the generation of story ideas and beats, characters and characters descriptions, and even essential plot points supported by story structure and rules. But for a writer to get all these things on the page, the one question a writer must ask is…Why?

Why is a story beat important? What is it exploring about your theme and your genre? Why is a character given a name? How is it important to the story? How and why does the story support the plot? All of these building blocks are essential to creating the moments, characters, beats, and interactions of your story. Without the why, all you have is just text without meaning. 

And the reason we read, watch, and listen to stories, is to uncover that meaning. Either for our own enjoyment or for the exploration of themes that may help us grow. 

With Story Engine, I’m not seeing any of that. While it is a fantastic tool for generating characters and plot points, they aren’t built upon a solid foundation. They are devoid of the reason why they should exist. 

Sure, writers can fill in the gaps later, but you can’t create a compelling story idea and then give it meaning. It is a linear process that requires the latter to come first. We must have a horse to pull the cart along the writing journey, but from what I see with Story Engine, we have a super nice cart and no horse in sight.

Writer or Co-Writer?

Yu calls the Story Engine a “highly collaborative interface.” You give the AI your ideas, and it spits our prose based on your idea. Then you can rewrite and make it better. Because believe me, even with the tech where it is now, you will have to rewrite. The output you receive is vague at best. 

But here is a question—are you now the writer? Or are you the co-writer? Are you even that?

With Story Engine, you can generate a full draft without ever writing a word of prose. You did none of the writing. Sure, you can rewrite it to “make it your own,” but that just feels like I’m an editor.

Sudowrite Story Engine
The end result was not crafted by a writer.Credit: Sudowrite

The brilliance of writing comes from the exploration of writing every word, and in writing, be it novels or screenwriting, every word is crucial. If you have even a single word that isn’t in service of the story, it shouldn’t be there. 

With Story Engine, none of those words are in service to the story. They are AI-generated fillers from the ideas you gave. If I wrote a novel with Story Engine and didn’t rewrite every single word to suit my story, I’d just feel like a co-writer at best and a reader at worst.

But how is Story Engine generating this prose? 

Twitter and Reddit 

This is where we get into the scandal of it al. AI tools that generate images and text is “trained” on data sets. If you want a picture of something, you would need to use an AI that has been fed countless images and descriptions of those images. 

It would then utilize its training to recreate an image to suit your prompt. If you want a bear riding a tricycle, you’re going to get it, but someone would have already had to create the bear and the tricycle.

The same goes for text. Sudowrite claims that the application is guessing the next word after being trained on a mind-numbing selection of prose.

This training is where things get muddy. According to a Twitter post by author SD Simper (and the accompanying Reddit post), the underlying technology that makes Story Engine work has been utilizing the work of countless writers to train its AI language model. 

 

 

According to the Sudowrite FAQ, the application utilizes “OpenAI trained GPT-3 on: (1) a version of the CommonCrawl dataset, filtered based on similarity to high-quality reference corpora, (2) an expanded version of the Webtext dataset, (3) two internet-based book corpora, and (4) English-language Wikipedia.” 

The team at Sudowrite then “pairs GPT-3 with a variety of proprietary narrative model-based and algorithmic pre- and post-processing to enable AI writing features not available anywhere else.”

Cool, huh? Well, here’s the problem, all that work that the AI was trained on was done by someone else. 

I will admit that my understanding of the fundamental architecture for this tech is a bit beyond me at the moment but whatever Story Engine is outputting has been built on the backs of hard-working writers who have spent hours discovering a way to write compelling stories. 

This is why we got Twitter comments like:

There is a whole conversation to be had about copyright when it comes to AI. But some of the above data sets aren’t protected under copyright, right? They are created for the enjoyment of others under licenses that make them accessible to all. Legally, everything with AI might be crystal clear. However, as history has taught us, not everything that was once legal (or still is) is right. 

Praise, Fear, and Hate

No one wants to be replaced. I think I feel the same thing that coal miners do when wind and solar farms became an affordable solution for power. Or when a combine could do the same work that dozens of farmhands could do. 

Writing may seem like “not a real job.” Something whimsical that only rich people with loads of time are able to do or even appreciate. But telling stories is a fundamental core of what makes us human and what connects us. It’s even older than agriculture.

But just like solar panels and combines, AI is here to stay. It’s a technology that is crucial to our growth and will forever change humanity.

This is why I can’t help but praise a tool like Story Engine. I can already see it being able to comfort the busy part of my brain and help me craft my ideas into a story. But I don’t think it should.

Our very own Jason Hellerman, a WGA screenwriter with produced filmed under his belt, says it best. “Part of the glory of writing is the pain of figuring it out yourself. The thing is, no computer is ever going to be able to replicate your point of view or perspective. It hasn’t lived your life or the lives of the characters you’ve created. Breaking a story is supposed to be hard because the best stories in film, TV, and novels are ones that connect to the soul. The ones that pull out of us exactly what it means to have a human experience. Using AI to replicate that is neutering the very reason most of us write. And it’s bastardizing that connection, chalking it up to plot points instead of what it really is: magic.”

I am the writer I am today because I’ve spent the past 23 years learning, writing, and struggling to perfect my craft. While Story Engine can help me be a better writer, it can only do so because of the time I have already invested. 

If we were to flash forward another 23 years and Sudowrite’s Story Engine had been a raging success for all that time, what kind of writers would we have? Another writer had a great perspective on it as well.

 

 

Anything worth doing is going to be hard. The reason that the craft of writing and storytelling is still so compelling, even after thousands of years from when it started, is because it was hard. 

We can’t make it easy. Then it just won’t be worth doing anymore. No pain, no gain, right?

But what do you think? Is this the tool you’ve been waiting for? Let us know in the comments!     

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Twitter and Reddit are ablaze after

Ashley Park, Stephanie Hsu and ‘Joy Ride’ Cast on Dating and Their Raunchy Road-Trip Comedy (Exclusive) | Entertainment Tonight
































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Welcome to the weekend edition of What’s On. Here are the big things happening on TV from Friday, May 19, to Sunday, May 21. All times are Eastern. [Note: The weekly What’s On will publish on Sundays.]


1. The Good Place creator and Shea Serrano roll out Primo

Primo | All New Series | Coming May 19

Amazon Freevee, Friday, 12:01 a.m.: Created by author and journalist Shea Serrano, Primo is his sweet, semi-autobiographical comedy that’s co-produced by Mike Schur (The Good Place, Parks And Recreation). It centers on 16-year-old Rafa (Ignacio Diaz-Silverio), who balances college aspirations and a hectic home life, which includes dealing with his single mom and five uncles. All eight episodes will drop on the same day. Here’s a bit from The A.V. Club’s review:

Serrano has carefully built a wry love letter to his upbringing, turning what surely felt like nagging family obligations into sitcom-ready plots and concocting a comfort watch that puts a Mexican-American family front and center along the way. 


2. Well, here’s a remake of White Men Can’t Jump

White Men Can’t Jump | Official Trailer | 20th Century Studios

Hulu, Friday, 12:01 a.m.: Based on the 1992 film of the same name, White Men Can’t Jump is written by Black-ish’s Kenya Barris. Sinqua Walls and Jack Harlow take over from Wesley Snipes and Woody Harrelson in this remake as two men playing basketball who, against all odds, find they have more in common than they think. The cast includes Teyana Taylor, Laura Harrier, and Vince Staples, and the film also features one of Lance Reddick’s final onscreen performances.


3. It’s time to feel envious, thanks to Selling Sunset

Selling Sunset: Season 6 | Official Trailer | Netflix

Netflix, Friday, 3:01 a.m.: Who doesn’t love to watch from afar as the realtors of Selling Sunset engage in top-notch drama while selling affluent homes across Los Angeles? Netflix’s reality series is back for a sixth season, with even more relationship chaos for those working at the Oppenheim Group.


4. HBO drops the Cold War thriller Spy/Master

Spy/Master | Official Trailer | HBO Max

HBO Max, Friday, 3:01 a.m.: The multilingual espionage thriller Spy/Master covers a week in the life of Victor Godeanu (Alec Secăreanu), the right-hand man and advisor to Romanian dictator Nicolae Ceaușescu (Claudio Bleont). Oh, he’s also a secret agent for the KGB who is on a mission to escape before his cover is blown.


5. Showtime adds to its espionage slate with Ghosts Of Beirut

Ghosts of Beirut Official Trailer | SHOWTIME

Showtime, Sunday, 10 p.m.: It’s apparently a spy weekend, what with Ghosts Of Beirut joining Spy/Master on the list of series premieres. Showtime’s thriller is a four-part limited series about 21-year-old Mughniyeh, a.k.a. The Ghost, an elusive Lebanese terrorist who evaded the CIA and Mossad for two decades. The show is told from American, Israeli, and Lebanese perspectives, and is based on extensive interviews with prominent officials.


6. Indian dramedy Kathal debuts

Kathal | Official Trailer | Sanya Malhotra, Rajpal Yadav, Vijay Raaz | Netflix India

Netflix, Friday, 3:01 a.m.: In the Hindi-language satirical dramedy Kathal, Mahima (Sanya Malhotra) is a young cop eager to prove herself in her small village. Despite knowing how ridiculous it is, she takes up the bizarre case of a local politician’s missing jackfruit trees. Her investigation, though, takes unexpected turns, and soon she’s uncovering truths no one was meant to discover.

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Welcome to the weekend edition of What’s

Picture. Inception (2010) – Warner Bros. Pictures

We’re past the halfway point of May, and we’re looking ahead to the start of June where at least 9 great movies are currently listed to leave the library.

If you’re looking for a full list of movies and TV shows, we’re keeping track of what’s leaving Netflix in June 2023.

Please Note: All of the movies below have been selected from the Netflix US library, and may not be available to stream in your country.

Article Continues Below…


Inception (2010)

inception best movies to watch on netflix before they leave at the end of may 2023

In between making one of the greatest superhero trilogies of all time, Christopher Nolan rubbed his film-making hands together and squeezed out Inception, one of the most iconic films released in the 21st century.

A great story, with even more impressive special and practical effects, it’s time to revisit Inception before it leaves the Netflix library.

Leaving Netflix: June 2nd, 2023


Flushed Away (2006)

flushed away best movies to watch on netflix before they leave at the end of may 2023

The 2000s was an exceptionally busy decade for Dreamworks, releasing movies such as Shrek, Madagascar, Kung Fu Panda, and Megamind, not to mention an added splash of charm from Hugh Jackman aka Wolverine as pampered and privileged Kensington rat Rudy in Flushed Away.

Leaving Netflix: June 1st, 2023


Galaxy Quest (1999)

Director: Dean Parisot
Genre: Comedy, Sci-Fi | Runtime: 102 Minutes
Cast: Tim Allen, Sigourney Weaver, Alan Rickman, Tony Shalhoub, Sam Rockwell
Leaving Netflix: June 1st, 2023

galaxy quest best movies to watch on netflix before they leave at the end of may 2023

There are few spoof films that are enjoyable as Galaxy Quest. Unafraid to not take itself seriously, it takes everything absurd and fun about classic sci-fi shows such as Star Trek, and turns it into a hilarious adventure.


Burlesque (2010)

burlesque best movies to watch on netflix before they leave at the end of may 2023

One major takeaway after watching Burlesque is trying to figure out how someone as small as Christina Aguilera can house a voice as powerful as hers. With an extremely talented cast featuring the academy award, and Grammy-winning Cher, and Frozen’s Kristen Bell, any musical fans out there shouldn’t be sleeping on Burlesque.

Leaving Netflix: June 1st, 2023


Rango (2011)

rango best movies to watch on netflix before they leave at the end of may 2023

A star-studded cast led by Johny Depp saw Rango awarded the Best Animated Feature of 2011 at the 84th Academy Awards, beating two strong contenders from Dreamworks in the process, Kung Fu Panda 2 and Puss in Boots.

Leaving Netflix: June 2nd, 2023


The Founder (2016)

There aren’t many people in this world who haven’t sampled a Maccies at least once in their life, however, there aren’t many people who know just how the giant fast-food brand became one of the largest business empires in the world. The Founder, with a great performance from Michael Keaton, offers an extremely intriguing insight into just how Ray Kroc swindled the Mcdonald’s name away from “Mac” and “Dick” aka Maurice and Richard McDonald, the original McDonalds founders.

Leaving Netflix: June 1st, 2023

the founder best movies to watch on netflix before they leave at the end of may 2023

Leaving Netflix: June 2nd, 2023


The Quick and the Dead (1995)

the quick and the dead best movies to watch on netflix before they leave at the end of may 2023

It took a number of years, but some retrospective thinking has seen one of the biggest bombs at the box office in 1995 be given the respect it deserves as one of the most underrated movies of Sam Raimi’s career. With a fantastic cast, incredible score, and great cinematography, make sure to give The Quick and the Dead a watch on Netflix before it leaves.

Leaving Netflix: June 2nd, 2023


Hachi: A Dog’s Tale

hachi a dogs tale best movies to watch on netflix before they leave at the end of may 2023

Not for the faint of heart, you better bring some tissues before watching Hachi, as it’ll leave you in an absolute wreck of emotions. Hachi will leave you as an even bigger wreck when you learn it’s based on a true story.

Leaving Netflix: June 1st, 2023


A Silent Voice

a silent voice best movies to watch on netflix before they leave at the end of may 2023

We’re pushing the limits of “End of May” with A Silent Voice, however, considering just how incredible the story is, we simply can’t leave it off the list. Another tear-jerker, the slice-of-life anime delves into some seriously heavy subjects such as bullying, suicide, and mental health, while also driving home the importance of forgiveness, love, and friendship.

Leaving Netflix: June 4th, 2023


Which movies will you be sad to see leave Netflix? Let us know in the comments below!

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Picture. Inception (2010) – Warner Bros. Pictures We’re

The Tony Awards will move forward with an unscripted, televised broadcast on CBS, The Hollywood Reporter has learned.

Ariana DeBose is still expected to helm the ceremony in some capacity and productions are expected to perform musical numbers during the ceremony, according to sources.

The Tony Awards Management Committee asked the WGA for a waiver last week, and received a denial. The committee appealed to the Writers Guild once again Monday for a way to move the ceremony forward.

The WGA said late Monday that the union would not grant the June 11 ceremony a waiver or exception, but would not picket the event.

This decision was made after Tony Awards Productions told the union they would make changes to the show “to conform with specific requests from the WGA,” the guild said in a statement.

“Responsibility for having to make changes to the format of the 2023 Tony Awards rests squarely on the shoulders of Paramount/CBS and their allies,” the statement said. “They continue to refuse to negotiate a fair contract for the writers represented by the WGA.

“As they have stood by us, we stand with our fellow workers on Broadway who are impacted by our strike,” the statement continued.

The Hollywood Reporter previously reported that a script for the ceremony had already been completed before the writers strike began.

Lin-Manuel Miranda had been tapped to write a number for the Tony Awards but stopped writing in solidarity with the Writers Guild of America strike, according to sources familiar with the matter.

He had started writing shortly before the WGA strike began on May 2.

Miranda is not a WGA member but was spotted handing out donuts to WGA members on the picket lines in New York last week. Miranda has worked across stage and screen, including starring in and creating Hamilton, with other credits directing the film Tick, Tick … Boom and composing the score for Moana and Encanto, among other projects.

Miranda wrote additional lyrics for the musical New York, New York, which is up for best musical at this year’s Tony Awards.

A Washington Heights resident who embodied his love for the neighborhood with the musical In the Heights, Miranda has also been a big supporter of the United Palace, where the Tonys has been scheduled to be held, and regularly hosts free, community film screenings there, with the cost co-supported by the Miranda Family Fund.

Miranda has previously written for the Tony Awards, including writing the up-to-minute closing rap number during the show for 2011 host Neil Patrick Harris.

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The Tony Awards will move forward with

In the second part of the experiment, involving 450 new subjects, the researchers gave each participant 72 descriptions of emotional songs, which expressed feelings including “contempt,” “narcissism,” “inspiration” and “lustfulness.” For comparison, they also gave participants prompts that described a conversational interaction in which someone expressed their feelings. (For example: “An acquaintance is talking to you about their week and expresses feelings of wistfulness.”) On the whole, the emotions that subjects felt were deeply rooted to “what music is all about” were also those that made people feel more connected to one another in conversation: love, joy, loneliness, sadness, ecstasy, calmness, sorrow.

Mario Attie-Picker, a philosopher at Loyola University Chicago who helped lead the research, found the results compelling. After considering the data, he proposed a relatively simple idea: Maybe we listen to music not for an emotional reaction — many subjects reported that sad music, albeit artistic, was not particularly enjoyable — but for the sense of connection to others. Applied to the paradox of sad music: Our love of the music is not a direct appreciation of sadness, it’s an appreciation of connection. Dr. Knobe and Dr. Venkatesan were quickly on board.

“I’m a believer already,” Dr. Eerola said when he was alerted to the study. In his own research, he has found that particularly empathetic people are more likely to be moved by unfamiliar sad music. “They’re willing to engage in this kind of fictional sadness that the music is bringing them,” he said. These people also display more significant hormonal changes in response to sad music.

But sad music is layered — it’s an onion — and this explanation prompts more questions. With whom are we connecting? The artist? Our past selves? An imaginary person? And how can sad music be “all about” anything? Doesn’t the power of art derive, in part, from its ability to transcend summary, to expand experience?

One by one, the researchers acknowledged the complexity of their subject, and the limitations of existing work. And then Dr. Attie-Picker offered a less philosophical argument for their results: “It just feels right,” he said.

Audio produced by Adrienne Hurst.

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In the second part of the experiment,

NOW ON VOD! Come see what grindhouse movies of the future look like with the post-exploitation epic Hunt Club, directed by director Elizabeth Blake-Thomas and written by David Lipper and John F. Saunders. Thirsty and miserable Cassandra (Mena Suvari) drunk drives her way to the liquor store. She stumbles into a dark alley and finds herself in a circle of rapists. Out of nowhere, Tessa (Maya Stojan) swoops in like a cobra and starts beating them up.

Flash forward to a roadside diner where Carter (Casper Van Dien) is having breakfast with his son Jackson (Will Peltz). Jackson, who is in his late teens, is nervous as his father is taking him out to a private island for his first outing with the Hunt Club. Carter reiterates how this will be a rite of manhood for Jackson and how Carter was nervous on his first hunt. Cassandra and Tessa walk in together and sit at the counter. Tessa catches Cassandra staring too long at Jackson and storms out of the diner in a fit of jealousy. Carter invites Cassandra to their table as she’s stranded and broke. Carter then invites Cassandra to join him and Jackson for the hunt and a chance at winning the big $100,000 prize.

“…the women are the prey, and the $100,000 prize is for whichever one isn’t slaughtered by sunrise.”

Out on the island, Cassandra meets the other hunters, including Teddy (Jason London), Preston (Jeremy London), Conrad (David Lipper), and Williams (Kipp Tribble). Most are rich businessmen who are on a getaway. She also meets Lexi (Jessica Belkin), who ended up on the hunt through a sugar daddy website. At dinner, Cassandra starts feeling woozy and passes out. She wakes up in a barn filled with women in chains guarded by the sinister Virgil (Mickey Rourke) and his vicious attack dogs. It turns out the women are the prey, and the $100,000 prize is for whichever one isn’t slaughtered by sunrise.

Blake-Thomas has crafted an absolutely ferocious cinematic scum opera, a juggernaut of post-exploitation fury. You would have to return to Jack Hill’s classics to find another captured woman film this captivating. As nudity is no longer a commodity, Hunt Club skips the flesh and goes straight for the jugular. This is a new breed of caged woman film that female audiences will relish. Without the skin, all of the sleaziest elements come into much sharper focus without the camera having to m********e constantly.

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NOW ON VOD! Come see what grindhouse

The G7 Leaders’ Summit kicked off on Friday in Hiroshima with Canada joining other members to announce new sanctions on Russia, as well as new funding to guard against the proliferation of nuclear weapons.

Leaders of G7 countries released a joint statement reaffirming their support for Ukraine and announcing further sanctions on Russia.

“We are renewing our commitment to provide the financial, humanitarian, military and diplomatic support Ukraine requires for as long as it takes,” the statement says.

“We are imposing further sanctions and measures to increase the costs to Russia and those who are supporting its war effort.”

Earlier on Friday, Prime Minister Justin Trudeau announced new sanctions Canada was imposing in short remarks made to media.

“Today, Canada’s announcing more than 70 new sanctions focused on people who are supporting a Russia’s illegal military action and complicit in human rights violations,” he said.

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“Canada will continue to be there to support Ukraine and support international rules based order.


Click to play video: 'Trudeau to visit South Korea ahead of G7 summit in Japan'


Trudeau to visit South Korea ahead of G7 summit in Japan


The Prime Minister’s Office says the sanctions are on “17 individuals and 18 entities linked to Russian companies that provide military technology and know-how to Russia’s armed forces, family members of listed persons, and members of the Kremlin elite.”

Sanctions will also be applied on 30 individuals and eight entities “involved in Russia’s ongoing human rights violations, including the transfer and custody of Ukrainian children in Russia.”

In addition to new sanctions, G7 nations also sent a strong message condemning Russia for its nuclear rhetoric and threats to deploy nuclear weapons in Belarus.

“Threats by Russia of nuclear weapon use, let alone any use of nuclear weapons by Russia, in the context of its aggression against Ukraine are inadmissible,” the joint statement on nuclear disarmament reads.

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Canada announced $15 million to help the international community monitor and respond to North Korean weapon of mass destruction programs.

It also announced an additional $4 million for the International Atomic Energy Agency to help verify and monitor Iran’s nuclear commitments.


Click to play video: 'Ukrainian President Zelenskyy says he will join G7 summit in May, offers peace plan to China'


Ukrainian President Zelenskyy says he will join G7 summit in May, offers peace plan to China


Earlier on Friday, Trudeau held bilateral meetings with leaders from Japan, Italy and France.

In his meeting with Italian Prime Minister Giorgia Meloni,Trudeau spoke out against the Italian government’s stance on LGBTQ rights.

“Obviously, Canada is concerned about some of the (positions) that Italy is taking in terms of LGBT rights,” Trudeau told Meloni at the start of the meeting on Friday morning.

“But I look forward to talking with you about that.”

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The comments were made at the start of the meeting, prior to media being ushered out of the room.

In March, gay rights activists denounced as homophobic moves by Meloni’s far-right-led government to limit recognition of parental rights to the biological parent only in families with same-sex parents.


Click to play video: 'U.S., Japan, committed to ‘holding Russia accountable’ for Ukraine war: Biden'


U.S., Japan, committed to ‘holding Russia accountable’ for Ukraine war: Biden


In a move that would impact hundreds of families, the government told the city of Milan to stop automatically recording both parents in same-sex couples on city registers.

It was the last major city to continue the practice that had been briefly adopted in Rome, Turin, Naples and elsewhere after Italy’s high court in 2016 made it easier for gay people to adopt a partner’s biological child.

In a readout of the meeting sent out by the Prime Minister’s Office, it says the leaders “exchanged views on the importance of protecting and defending human rights, including the rights of 2SLGBTQI+ people.”

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“Prime Minister Meloni responded that her government is following court decisions and is not deviating from previous administrations,” the summary said.

– With files from The Associated Press.

&copy 2023 The Canadian Press

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The G7 Leaders’ Summit kicked off on

‘Grey’s Anatomy’ Season 19 Finale: Ellen Pompeo Returns, But One Doctor May Not Make It Out Alive | Entertainment Tonight
































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In a congressional hearing this week, OpenAI’s chief executive, Sam Altman, appeared to be on the same page as lawmakers: It’s time to regulate A.I. But like so many other proposals to regulate tech, will it actually happen? The Times’s technology reporter Cecilia Kang helps us understand whether Congress will actually act, and what that could look like.

Then, Casey talks with Twitter’s former head of trust and safety, Yoel Roth, before and after Elon Musk took over the company.

Plus, how to moderate a social network. Hint: It’s hard.

“Hard Fork” is hosted by Kevin Roose and Casey Newton and produced by Davis Land. The show is edited by Paula Szuchman and Jen Poyant. Engineering by Alyssa Moxley and original music by Dan Powell, Elisheba Ittoop, Marion Lozano, Sophia Lanman and Rowan Niemisto. Fact-checking by Caitlin Love.

Special thanks to Paula Szuchman, Pui-Wing Tam, Nell Gallogly, Kate LoPresti and Jeffrey Miranda.

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In a congressional hearing this week, OpenAI’s

Andy Rourke, the English musician best known around the world as bassist for the groundbreaking English indie band The Smiths, died Friday morning from pancreatic cancer. He was 59.

News of Rourke’s death was made public by Johnny Marr, co-founder of The Smiths and Rourke’s friend since childhood.

“It is with deep sadness that we announce the passing of Andy Rourke after a lengthy illness with pancreatic cancer. Andy will be remembered as a kind and beautiful soul by those who knew him and as a supremely gifted musician by music fans.  We request privacy at this sad time,” Marr said in a statement Friday posted on Twitter along with a photo of Rourke from his days in The Smiths.

Born January 17, 1964, Rourke grew up in Manchester, England, befriending Marr when they were 11. He would later reveal that it was when the pair attempted to form a band as teenagers that Marr convinced him to switch from guitar to bass.

Marr formed The Smiths with singer Morrissey in 1982; following the band’s first live performance, after which they fired their original bassist, Rourke was invited to join. The foursome solidified fast, with Rourke’s signature melodic style of bass complimenting Marr’s jangle pop guitars. The Smiths established a haunting, unique sound — synthesizing influences ranging from 1960’s girl groups to funk to 1970s glam, married to a literary aesthetic — and a local cult following. Within a year they’d secured a record contract and their self-titled debut album was released in 1984.

That sound, and in particular the interplay between Marr’s guitars and Rourke’s bass playing, is exemplified by the band’s 1985 track “Barbarism Begins at Home,” from their second album “Meat is Murder.” Rourke’s funk-influenced bass grounds the song, and also stands in ironic contrast to Morrissey’s brutal lyrics, accomplishing the neat trick of turning a song about child abuse into a club friendly anthem that nevertheless doesn’t undermine the topic.

A similar effect can be heard in the band’s 1985 single “How Soon Is Now?” recorded during the same period.

But Rourke struggled with his own demons, having developed a heroin addiction that got him fired from the band for two weeks in early 1986, while The Smiths were recording their masterpiece, “The Queen Is Dead.” He was hired back and remained a member of the band until their 1987 breakup, but would struggle with the addiction for 20 years, finally cleaning up in his late 30s.

“When I was 17 or 16. I just started dabbling with drugs. You’re a young kid, and then overnight you’re in a successful band. You start getting a bunch of money and don’t know what to do. You start spending it on drugs,” Rourke told The Daily Beast in 2017.

The Smiths broke up in the summer of 1987 and Rourke, like Joyce, became something of a high profile, in-demand session musician for some of the biggest names of the day. He played with Sinead O’Connor, on a few of Morrissey’s solo songs, and with The Pretenders. Later he would play with Badly Drawn Boy, Ian Brown and various other influential artists.

Rourke and Joyce fell out with Morrissey and Marr over The Smith’s royalties in the late 1980s. It turned out that when creating the band’s contracts, Marr and Morrissey had essentially turned Rourke and Joyce into their employees. Rourke, like Joyce, only received 10% of the royalties and they began legal proceedings against their former bandmates.

Rourke, whose addiction was costing him increasingly more money, settled out of court in 1989. Joyce continued the legal battle until he prevailed in 1996. Rourke fortunately cleaned up by the end of that decade and despite their differences over money, he and Marr remained friends.

“Andy and I met as schoolboys in 1975. We were best friends, going everywhere together. When we were fifteen I moved into his house with him and his three brothers and I soon came to realise that my mate was one of those rare people that absolutely no one doesn’t like,” Marr said in part in a much longer message on his Instagram Friday.

“We maintained our friendship over the years, no matter where we were or what was happening and it is a matter of personal pride as well as sadness that the last time Andy played on stage was with me and my band at Maddison Square Garden in September 2022. It was a special moment that we shared with my family and his wife and soul mate Francesca,” Marr added.

Rourke continued to perform as both a musician and DJ, eventually moving to New York City. And while he was intensely private about his personal life, it is known that he was married at least twice, telling The Daily Beast in 2017 that he was recently divorced and that his ex-wife “left in a hurry.” Whether or not he had children has never been publicly reported.

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Andy Rourke, the English musician best known

Emily Ratajkowski looked glamorous while attending the 2023 PEN America Spring Literary Gala held at the American Museum of Natural History in New York on Thursday. 

The 31-year-old model — who’s the author of My Body, a collection of personal essays — slipped her formidable figure into a floor-length black gown, which she paired with black sandal heels.

The Vogue cover girl wore her lustrous dark tresses parted in the middle and cascading down her shoulders in a straight style, with bangs framing her face.

The mother-of-one wore dewy glam for the evening, featuring a touch of pink blush, nude lipstick on her pout, and light eyeshadow. 

The annual PEN America Literary Gala celebrates writers who ‘champion and defend freedom of expression.’ Saturday Night Live producer Lorne Michaels, 78, is among this year’s honorees, and will be awarded the Audible Literary Service Award. Many of his SNL stars came out to support him at the event, including Colin Jost, 40, who served as the night’s host.

Celebrating freedom of expression: The annual PEN America Literary Gala celebrates writers who 'champion and defend freedom of expression'

Glamorous: Emily Ratajkowski looked glamorous while attending the 2023 PEN America Spring Literary Gala held at the American Museum of Natural History in New York on Thursday

The black tie event features a cocktail reception, dinner and awards, followed by dessert and an afterparty.

The proceeds go to support PEN America’s cultural programming and advocacy work. 

Also in attendance was actor Alec Baldwin, 65, and his wife Hilaria Baldwin, 39, who made a stylish duo on the red carpet.

The Glengarry Glen Ross star — who recently became a grandfather, after his eldest daughter Ireland, 27, gave birth to daughter Holland — looked sharp in a black suit and bowtie.

The father-of-seven wore his salt and pepper hair slicked back with gel.

Meanwhile his wife was the epitome of chic in a black gown with a tiered feather fringe.

The yoga instructor wore her brunette tresses pinned back in a stylish bun. She accessorized with sparkling earrings, a gold bangle, and a number of rings.

Hilaria opted for delicate glam, wearing nude matte lipstick and a hint of blush. 

Classy: The 31-year-old model slipped her formidable figure into a floor-length black gown, which she paired with black sandal heels

Classy: The 31-year-old model slipped her formidable figure into a floor-length black gown, which she paired with black sandal heels

Stunner: The Vogue cover girl wore her lustrous dark tresses parted in the middle and cascading down her shoulders in a straight style, with bangs framing her face

Stunner: The Vogue cover girl wore her lustrous dark tresses parted in the middle and cascading down her shoulders in a straight style, with bangs framing her face

So chic: The mother-of-one wore dewy glam for the evening, featuring a touch of pink blush, nude lipstick on her pout, and light eyeshadow

So chic: The mother-of-one wore dewy glam for the evening, featuring a touch of pink blush, nude lipstick on her pout, and light eyeshadow

At one point Hilaria and Alec were pictured holding signs in support of Iranian human rights activist Narges Mohammadi, who is serving an eight-year sentence for alleged national security offenses.

Hilaria’s sign read, ‘Free Narges and all Iranian political prisoners.’ Meanwhile Alec’s read, ‘Narges stands for peace.’

Baldwin also shared an Instagram image with Narges’ husband, Tahgi Rahmani, who accepted the PEN/Barbey Freedom to Write Award on her behalf.

‘Unbelievable courage on both of their parts,’ the actor wrote in the caption of the image.

Candace Bushnell, 64, looked incredible as ever in an off-shoulder black gown with a feather trim.

The author — who is known for writing the Sex and the City newspaper column that spawned the famous HBO show and movies — added height to the look with a pair of silver heels.

The ‘original Carrie Bradshaw’ wore her blonde hair in bouncy locks

She was joined by novelist Jay McInerney, 68, on the red carpet.

Lorne Michaels looked dashing in a black suit and bowtie. He was joined by CEO of PEN America Suzanne Nossel, 53, who wowed in a strapless green dress.

Dynamic duo: Also in attendance was actor Alec Baldwin, 65, and his wife Hilaria Baldwin, 39, who made a stylish duo on the red carpet

Dynamic duo: Also in attendance was actor Alec Baldwin, 65, and his wife Hilaria Baldwin, 39, who made a stylish duo on the red carpet

PDA: Alec gave his wife a sweet kiss on the side of her head as they posed for the shutterbugs

PDA: Alec gave his wife a sweet kiss on the side of her head as they posed for the shutterbugs

Elegant: The yoga instructor was the epitome of chic in a black gown with a tiered feather fringe

Sophisticated: She wore her brunette tresses pinned back in a stylish bun

Elegant: The yoga instructor was the epitome of chic in a black gown with a tiered feather fringe

Looking sharp: The Glengarry Glen Ross star looked sharp in a black suit and bowtie

Looking sharp: The Glengarry Glen Ross star looked sharp in a black suit and bowtie

New grandpa: Baldwin recently became a grandfather, after his eldest daughter Ireland, 27, gave birth to daughter Holland

New grandpa: Baldwin recently became a grandfather, after his eldest daughter Ireland, 27, gave birth to daughter Holland 

Dapper: The father-of-seven wore his salt and pepper hair slicked back with gel

Dapper: The father-of-seven wore his salt and pepper hair slicked back with gel

Accessories: She accessorized with sparkling earrings, a gold bangle, and a number of rings

Angles: The star showed off her elegant look from a number of angles

Accessories: She accessorized with sparkling earrings, a gold bangle, and a number of rings

Delicate: Hilaria opted for delicate glam, wearing nude matte lipstick and a hint of blush

Delicate: Hilaria opted for delicate glam, wearing nude matte lipstick and a hint of blush

In support: At one point Hilaria and Alec were pictured holding signs in support of Iranian human rights activist Narges Mohammadi, who is serving an eight-year sentence for alleged national security offenses

In support: At one point Hilaria and Alec were pictured holding signs in support of Iranian human rights activist Narges Mohammadi, who is serving an eight-year sentence for alleged national security offenses

Original Carrie Bradshaw: Candace Bushnell, 64 ¿ who is known for writing the Sex and the City newspaper column that spawned the famous HBO show and movies ¿ looked incredible as ever in an off-shoulder black gown with a feather trim

Original Carrie Bradshaw: Candace Bushnell, 64 — who is known for writing the Sex and the City newspaper column that spawned the famous HBO show and movies — looked incredible as ever in an off-shoulder black gown with a feather trim

Stylish duo: She was joined by novelist Jay McInerney, 68, on the red carpet

Stylish duo: She was joined by novelist Jay McInerney, 68, on the red carpet

Edgy: Musician Michelle Zauner, 34, showed off her edgy sense of style in a white shirt dress adorned in white feathers

Edgy: Musician Michelle Zauner, 34, showed off her edgy sense of style in a white shirt dress adorned in white feathers

Effortlessly chic: Actress Candice Bergen, 77, donned a feathered black jacket over a white top

Effortlessly chic: Actress Candice Bergen, 77, donned a feathered black jacket over a white top

Lovely pair: Belgian fashion designer Diane von Furstenberg, 76, stunned in a floral print jacket and pants. Diane was joined by her husband Barry Diller, 81, who looked sharp in a black suit and yellow-tinted sunglasses

Lovely pair: Belgian fashion designer Diane von Furstenberg, 76, stunned in a floral print jacket and pants. Diane was joined by her husband Barry Diller, 81, who looked sharp in a black suit and yellow-tinted sunglasses

The host: SNL star Colin Jost, 40, will host the event. Scarlett Johansson's husband looked sharp in a black tuxedo

The host: SNL star Colin Jost, 40, will host the event. Scarlett Johansson’s husband looked sharp in a black tuxedo 

With the boss: Jost was pictured posing with his boss, Saturday Night Live honcho Lorne Michaels, 78

With the boss: Jost was pictured posing with his boss, Saturday Night Live honcho Lorne Michaels, 78

Man of the hour: The executive producer looked dashing in a black suit and bowtie. He was joined by CEO of PEN America Suzanne Nossel, 53, who wowed in a strapless green dress

Man of the hour: The executive producer looked dashing in a black suit and bowtie. He was joined by CEO of PEN America Suzanne Nossel, 53, who wowed in a strapless green dress

Honoree: Michaels is among this year's honorees, and will be awarded the Audible Literary Service Award

Honoree: Michaels is among this year’s honorees, and will be awarded the Audible Literary Service Award

Successful:  The award will be one of many for the producer. Michaels has received 21 Primetime Emmy Awards from 98 nominations, and holds the record as the most nominated individual in the award show's history

Successful:  The award will be one of many for the producer. Michaels has received 21 Primetime Emmy Awards from 98 nominations, and holds the record as the most nominated individual in the award show’s history

Comedy hour: Also in attendance were SNL comedians Fred Armisen, 56, who sported a black suit and tie

Co-star: His former co-star John Mulaney, 40, rocked a black blazer, well-fitted grey pants and a red tie

Comedy hour: Also in attendance were SNL comedians Fred Armisen, 56, who sported a black suit and tie and John Mulaney, 40, who rocked a black blazer, well-fitted grey pants and a red tie 

Menn's fashion: Mulaney accessorized with a silver watch

Menn’s fashion: Mulaney accessorized with a silver watch

Proud: Mulaney posed with Michaels who proudly held his award

Proud: Mulaney posed with Michaels who proudly held his award

Advocates: Armisen also posed with Suzanne Nossel, and like Alec and Hilaria the duo held up a sign in support of Narges, reading, 'Let Narges return to her family'

Advocates: Armisen also posed with Suzanne Nossel, and like Alec and Hilaria the duo held up a sign in support of Narges, reading, ‘Let Narges return to her family’

All together: Alec, Hilaria, and Suzanne posed with Diane Sawyer and Bergen

All together: Alec, Hilaria, and Suzanne posed with Diane Sawyer and Bergen

Dapper trio: Jost, Michaels and Mulaney posed on the red carpet

Dapper trio: Jost, Michaels and Mulaney posed on the red carpet 

Laughing it up: Mulaney was pictured laughing it up with the legendary Canadian-American television producer

Laughing it up: Mulaney was pictured laughing it up with the legendary Canadian-American television producer

Chic duo: Novelist Salman Rushdie, 75, was joined by his poet wife Rachel Eliza Griffiths, 45, who wowed in a form-fitting black dress

Chic duo: Novelist Salman Rushdie, 75, was joined by his poet wife Rachel Eliza Griffiths, 45, who wowed in a form-fitting black dress

Staying strong: Rushdie wore a black suit and glasses with the right-hand lens blacked out, after losing sight in the eye following a brutal stabbing onstage at a literary event last year

Staying strong: Rushdie wore a black suit and glasses with the right-hand lens blacked out, after losing sight in the eye following a brutal stabbing onstage at a literary event last year

Courageous: Rushdie proudly held his award during his first public appearance since the brutal attack last August

Courageous: Rushdie proudly held his award during his first public appearance since the brutal attack last August

Also in attendance were SNL comedians Fred Armisen, 56, who sported a black suit and tie and John Mulaney, 40, who rocked a black blazer, well-fitted grey pants and a red tie. 

Mulaney accessorized his outfit with a silver watch. 

Armisen also posed with Suzanne Nossel, and like Alec and Hilaria the duo held up a sign in support of Narges, reading, ‘Let Narges return to her family.’ 

Novelist Salman Rushdie, 75, was joined by his poet wife Rachel Eliza Griffiths, 45, who wowed in a form-fitting black dress.

Rushdie wore a black suit and glasses with the right-hand lens blacked out, after losing sight in the eye following a brutal stabbing onstage at a literary event last year.

Rushdie received a standing ovation and proudly held his award during his first public appearance since the brutal attack last August. 

Musician Michelle Zauner, 34, showed off her edgy sense of style in a white shirt dress adorned in white feathers.

She paired the outfit with a black tie and thigh-high black boots.

The songstress accessorized with a unique purse in the shape of a pearl. She wore her hair in Princess Leia-style buns.

With Diane: Baldwin shook hands with Diane Sawyer

With Diane: Baldwin shook hands with Diane Sawyer

Having a good time: The actor was pictured sharing a laugh with Mulaney

Having a good time: The actor was pictured sharing a laugh with Mulaney

Paying attention: Ratajkowski listened intently while smiling inside of the event

Paying attention: Ratajkowski listened intently while smiling inside of the event

Celebrating Lorne: SNL comedian Michael Che, 40, was seen supporting Lorne inside the event wearing a classy black suit

Celebrating Lorne: SNL comedian Michael Che, 40, was seen supporting Lorne inside the event wearing a classy black suit

Inside: Jost was pictured speaking onstage

Inside: Jost was pictured speaking onstage

Entertaining: Mulaney also entertained the crowd

Entertaining: Mulaney also entertained the crowd 

Speech: Lorne was seen giving a speech upon receiving the Audible Literary Service Award

Speech: Lorne was seen giving a speech upon receiving the Audible Literary Service Award

Standing ovation: Rushdie received a standing ovation from the crowd as he accepted an award from the literary organization

Standing ovation: Rushdie received a standing ovation from the crowd as he accepted an award from the literary organization 

Party: St. Vincent and Michelle Zauner posed up inside the event

Party: St. Vincent and Michelle Zauner posed up inside the event

Dinner: Guests were later treated to dinner

Dinner: Guests were later treated to dinner

SNL stars: Che and Jost chatted it up over plates of food at the after party

SNL stars: Che and Jost chatted it up over plates of food at the after party

Brave: Baldwin also shared an Instagram image with Narges Mohammadi's husband, Tahgi Rahmani, who accepted the PEN/Barbey Freedom to Write Award on her behalf

Brave: Baldwin also shared an Instagram image with Narges Mohammadi’s husband, Tahgi Rahmani, who accepted the PEN/Barbey Freedom to Write Award on her behalf

Belgian fashion designer Diane von Furstenberg, 76, stunned in a floral print jacket and pants.

She accessorized with a black crossbody bag and wore her brunette tresses in voluminous curls. Diane was joined by her husband Barry Diller, 81, who looked sharp in a black suit and yellow-tinted sunglasses.

Actress Candice Bergen, 77, donned a feathered black jacket over a white top. She paired her stylish look with wide-leg pants and shimmering black heels.

SNL comedian Michael Che, 40, was pictured supporting Lorne inside the event wearing a black suit. 

The award will be one of many Michaels has received throughout his career. The legendary Canadian-American television producer has received 21 Primetime Emmy Awards from 98 nominations, and holds the record as the most nominated individual in the award show’s history.

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Emily Ratajkowski looked glamorous while attending the

What is a misconception people have about the movie theater business that you’ve tried to correct but didn’t succeed?

Ticket prices. Even through all the innovations and improvements in the technology, and the sound systems and the premium screens — all the ways that we’ve improved the cinema experience over the last decade or two, it’s still the case that the average price of a ticket today on a cost-of-living basis is less than it was in the 1970s. And yet people always say movie tickets are too expensive.

What are the biggest challenges facing the theatrical exhibition business going forward?

I think the existential challenges — the pandemic, the streaming wars — are gone. I’m really the most optimistic I’ve been in 30 years about the future of the business. The biggest immediate challenge is it’s going to take a while to fix the balance sheets.

Long term, it’s still about two things: the creation and distribution of really good movies that appeal to all demographics in all different genres, with diverse casts and diverse themes, and really good operational experiences at theaters that also offer diversity and different value-based judgments. If the studio partners keep making really good movies that appeal to diverse audiences, and we keep innovating and upgrading cinema experiences, I’m very bullish on the long-term health of the industry.

Were you a movie lover before you took this job?

I like movies. But I was principally a First Amendment lover, and a First Amendment lawyer in Washington. Our members will play everything: the most radical, left-wing anarchist film, the most conservative religious film, and we get protests on both sides. To me it was always like, “Bring it on.” Movie theaters are the town halls of modern society. It’s where people go to experience something collectively, and then debate the issues of the day.

What is the thing you are going to miss the least?

I don’t know who I’m going to miss the least, the really aggressive know-it-alls in Hollywood or the really aggressive know-it-alls in Washington, D.C. A lot of these people are my really good friends, and I’ll have some lasting relationships with both creatives and studio executives, but, you know, sometimes just because you run a big studio or you’re a United States senator doesn’t mean you know everything. I will not miss that.

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What is a misconception people have about

Although one of The Batman’s best scenes is when the Dark Knight calls himself “Vengeance”, actor Robert Pattinson made the opening scene so much better. In the first act, Pattinson’s Bruce Wayne narrates from his journals about his mission, stalking the darkened alleys of Gotham and hunting criminals. This culminates in a ruthless scene where Batman faces a crowd of thugs that’s incredibly enhanced with one simple piece of improvisation.

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Having been The Batman for only two years, this early version of the Caped Crusader is far more concerned with brutally avenging his parents than actual justice or heroism. As such, this mentality is perfectly framed by the vicious beatdown of the lead thug with Batman declaring himself as “Vengeance” itself. However, the scene in question was originally tamer before Pattinson added the final two punches to the scene, both of which land after the thug’s already fallen to the ground.

Related: The Batman – Part II: News, Cast, Story, & Everything We Know


Pattinson’s The Batman Punch Change Was Genius

According to Pattinson during an interview with @KevinMcCarthyTV, the final two punches were his idea with key intention. While the “I’m Vengeance” line is iconic for the Dark Knight, Pattinson wanted to add an extra layer of dimension to his version of Batman: “I wanted to say it as the guy is losing consciousness so it goes…into his dreams…I really want his future to be really, really damaged.” While seemingly a simple addition on the surface, Pattinson’s explanation reveals the true depth of what those final punches mean as he shares the core of who he is to Gotham’s criminal element.

This change is quite genius on the part of Pattinson as it perfectly establishes his version of Batman. It also helps separate his incarnation of the Dark Knight from Bale’s or Affleck’s, who were also gritty in their own respective ways. Saying “I’m Vengeance” specifically to a semi-conscious enemy is far more terrifying and intense than saying it to a crowd of goons, frightened as they may be. Furthermore, the fact that this shot was used in the very first teaser only makes it more important as it became viewers’ very first impression of Pattinson’s Batman.

Pattinson’s Improv Fits The Batman’s Message

The Batman Poster and Robert Pattinson

The opening “Vengeance” scene in The Batman symbolizes the entire movie’s message, acting as the starting point of Bruce Wayne’s journey in the film. By the end, he realizes that he has to be more than a symbol of fear to Gotham’s criminals by becoming a symbol of hope to its innocents as well. However, the added brutality at the onset thanks to Robert Pattinson is a massively defining moment, informing his entire arc in director Matt Reeves’ version of Gotham.

Key Release Dates

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Although one of The Batman's best scenes

The 2023 Humble Games Showcase just went down, and the publisher delivered their “triple i” lineup of fresh titles alongside some updates for long-awaited titles in their lineup. The team also had some updates regarding their charity initiatives, including the announcement that the team raised a staggering $33 million for charity during the year 2022. If you missed the event, here’s a quick roundup of everything that was revealed at the 2023 Humble Games Showcase.

All Game Reveals at the 2023 Humble Games Showcase

Wizard of Legend is Getting a Sequel

Image via Dead Mage.

Wizard of Legend, the critically-acclaimed action roguelike from the team at Contingent99, is getting a follow-up title! The sequel will be helmed by Dead Mage, best known for creating Children of Morta, with the original team taking a consulting role on the game. The upcoming game promises that classic feel alongside an upgrade to 3D visuals and a four-player co-op. Wizard of Legend 2 is still fairly early in development, though more details surrounding a release date and platforms can be expected in the future.

Bossa Studios Announces New Title Lost Skies

Bossa Studios, known for games like Surgeon Simulator and I Am Fish, is delving into a new genre with Lost Skies, a co-op open-world survival crafting game for up to six players. The title sees you and your friends build up a skyship as you explore floating islands filled with all sorts of ruins of a lost age. These ruins hold valuable treasures and even greater threats. Like Wizard of Legend 2, the game is also fairly early in development but already holds a ton of promise.

#BLUD Mixes Classic Cartoon Visuals With Bloody Combat

#BLUD Combat
Image via Exit 73.

Have you ever watched some of the classic Nickelodeon cartoons and thought, “I wish there was more carnage”? If so, then #BLUD is just for you. As teenage vampire slayer Becky Brewster, you’ll balance the life of an average teenager with the duties of a skilled vampire slayer in a unique take on the 2D action RPG formula. As it stands, #BLUD will release exclusively for PC in 2024.

Bō: Path of the Teal Lotus Blends Hollow Knight and Japanese Folklore

Bo: Path of the Teal Lotus Art
Image via Squid Shock Studios.

The wait for Hollow Knight Silksong ever grows, though there won’t be a shortage of beautiful 2D action platformers any time soon. The brand-new Squid Shock Studios is debuting with an ambitious new title, mixing some of the greatest aspects of Hollow Knight with its taste of beauty and attention to detail. As Bō, you’ll master shapeshifting and brew all sorts of arcane teas to unlock your full potential, all while exploring a world full of equal parts mystery, beauty, and mythology. Bō: Path of the Teal Lotus is set to blossom on PC in 2024.

Breeze in the Clouds Sees an Adorable Corgi Fight Against Polluting Foes

Breeze in the Clouds Breeze
Image via Stormy Nights Interactive.

If you told me we were going to get a game about a corgi fighting against hostile animals that want to pollute the world, I would’ve called you crazy. Yet here we are, and dang, is it ever cute. As Breeze, you’ll control the force of weather itself as you stop your enemies from bringing the world to ruin, all while working to save your best friend Diana. Breeze in the Clouds has no confirmed release window or platform, though follow the team at Stormy Nights Interactive for more information.

Cataclismo Merges Fortress Building an RTS in a Beautifully Strategic Soup

Cataclismo Gameplay
Image via Digital Sun.

Were you a fan of either Moonlighter or The Mageseeker? Then you’ll be happy to hear that the team at Digital Sun is showing no sign of stopping, with their next game Cataclismo being one of their most ambitious yet. In Cataclismo, you’ll control your survivors as they fend off hordes of monsters while building up your fort and creating defenses toward the impending doom. All of this, while bringing a mostly ruined world back from the brink of extinction. No release window or platforms have been specified, but we’re excited nonetheless.

Stray Gods Brings Exceptional Voice Talent to Center Stage

Stray Gods Meeting
Image via Summerfall Studios.

Stray Gods: The Roleplaying Musical is quickly approaching release, though it’s ensuring that it gets its more musical aspects right. Featuring voice actresses such as Laura Bailey and Ashley Johnson, alongside being voice directed by the acclaimed Troy Baker, there’s a lot of talent going into this little indie project. It’s even being helmed by the well-known David Gaider, known for his writing work over at BioWare. Stray Gods: The Roleplaying Musical releases on PC on August 3, 2023.

Surprise! Supraland Six Inches Under Debuts on Consoles

Supraland Six Inches Under Gameplay
Image via Supra Games UG.

The sequel to the beloved Metroidvania Supraland has seen widespread acclaim on PC, though it’s not letting the momentum stop there. As of right now, you can pick up Supraland Six Inches Under on PlayStation and Xbox platforms, alongside Xbox Game Pass if you’re subscribed. If you’re a fan of interesting puzzles, some wonderfully charming situational humor, and great visuals to boot, trying this game is a must.

Related: Best Marvel Snap Decks With Deck Codes – May 2023

That’s everything that was announced at the 2023 Humble Games Showcase! What was your favorite announcement? Any games you’re itching to try already? Be sure to let us know! While you’re here, check out one of Humble Games’ other titles Carto.

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The 2023 Humble Games Showcase just went

Following its out-of-competition world premiere this evening at the Cannes Film Festival, Indiana Jones and the Dial of Destiny was treated to a five-minute standing ovation as the audience inside the festival’s Grand Théâtre Lumière.

RELATED: ‘Indiana Jones And The Dial Of Destiny’ Review: Indy’s Final Adventure Packed With Action And Nostalgia – Cannes Film Festival

The franchise’s star Harrison Ford, who has said this will be his last time playing the iconic Indiana Jones and who received an honorary Palme’ d’Or to kick off the ceremony tonight, was visibly moved by the reaction to the film, which Disney and Lucasfilm premiered ahead of its late June theatrical release around the world.

The ovation began right as the credits rolled on the pic, with the crowd standing when the lights came up. They only stopped when director James Mangold was handed a mic to address the audience.

“Merci, I just wanted to say thank you, thank you so much for having us here,” he said, noting he first appeared at Cannes with the film Heavy in Directors’ Fortnight. “One thing that was true then and true now is that this film was made by friends. … It’s hard probably for you to believe that a movie this big can be made by friends, but it was,” he added, choking up. “It was made out of love, it was made out of devotion to what came before it, and it was made with tremendous trust from all these people.”

On hand for the celebration were the film’s stars Ford, Phoebe Waller-Bridge, Mads Mikkelsen and Mangold, along with producer Kathleen Kennedy, Disney boss Bob Iger, Ford’s wife actress Calista Flockhart and more. Earlier in the evening, Ford received an honorary Palme d’Or and career tribute.

The movie, a big-ticket attraction for those on the ground here in Cannes, sees Ford reprise his role as legendary archaeologist/adventurer Indiana Jones. This fifth installment in the franchise takes place in the years depicted between Indiana Jones and the Last Crusade (1989) and Indiana Jones and the Kingdom of the Crystal Skull; the latter also world premiered in Cannes back in 2008.

RELATED: ‘Indiana Jones And The Dial Of Destiny’ Cannes Red Carpet Photos: Harrison Ford, Phoebe Waller-Bridge, More Attend World Premiere

The new story is set in 1969, but the opening sequence take audiences back to 1944, using what Mangold has called “incredible technology” to de-age Ford. Later, we find Indy having spent more than a decade teaching at New York’s Hunter College. The esteemed professor of archaeology is preparing to retire to his modest apartment where, these days, he lives alone. Things change after a surprise visit from his estranged goddaughter Helena Shaw (Waller-Bridge), who is seeking a rare artifact that her father entrusted to Indy years earlier: the infamous Archimedes Dial, a device that purportedly holds the power to locate fissures in time.

An accomplished con-artist, Helena steals the dial and swiftly departs the country to sell the artifact to the highest bidder. Left with no choice but to go after her, Indy dusts off his fedora and leather jacket for one final ride. Meanwhile, Indy’s old nemesis, Jürgen Voller (Mikkelsen), a former Nazi now working as a physicist in the U.S. space program, has his own plans for the dial, a horrifying scheme that could change the course of world history.

Boyd Holbrook, Thomas Kretschmann, Toby Jones, Antonio Banderas and John Rhys-Davies also star

RELATED: Cannes Film Festival Full Coverage

Mangold directs from a screenplay by Jez Butterworth, John-Henry Butterworth and Mangold. Kathleen Kennedy, Frank Marshall and Simon Emanuel produce, with Steven Spielberg and George Lucas serving as exec producers and John Williams returning as composer, having scored each Indy adventure since 1981’s Raiders of the Lost Ark.

Dial of Destiny starts offshore rollout June 28 and rides into North America on June 30.

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Following its out-of-competition world premiere this evening

Lisa Vanderpump Reveals She Hasn’t Had Any Contact With Raquel Leviss Post-Scandoval (Exclusive) | Entertainment Tonight
































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(Photo by: Freeform)

It’s a year of big change for the Coterie crew in the fifth season of the Good Trouble TV show on Freeform. As we all know, Nielsen ratings typically play a big role in determining whether a TV show like Good Trouble is cancelled or renewed for season six. Unfortunately, most of us do not live in Nielsen households. Because many viewers feel frustrated when their viewing habits and opinions aren’t considered, we invite you to rate all of the fifth season episodes of Good Trouble here.

A Freeform drama series, the Good Trouble TV show stars Cierra Ramirez, Tommy Martinez, Emma Hunton, Sherry Cola, Zuri Adele, Josh Pence, Bryan Craig, and Booboo Stewart. Maia Mitchell and Brooke Nevin recur. The story centers on Mariana (Ramirez) from The Fosters series and the other residents of the communal living apartment building called The Coterie in Downtown Los Angeles. These young people juggle careers, love, and the growing pains at a time in their lives when their friends are their family.

What do you think? Which season five episodes of the Good Trouble TV series do you rate as wonderful, terrible, or somewhere between? Do you think Good Trouble should be cancelled or renewed for a sixth season on Freeform?

Check out our status sheets to track new TV series pickups, renewals, and cancellations. You can find lists of cancelled shows here.

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(Photo by: Freeform) It’s a year of big

It was a great night for Disney as Indiana Jones and the Dial of Destiny had a smash debut in its world premiere Thursday evening at the Cannes Film Festival. The June 30 release received a warm five-minute standing ovation, especially for Harrison Ford in his swan song in the title role he started playing 40-plus years ago.

There noticeably to witness the French love and affection was none other than Disney boss Bob Iger, attending his first Cannes festival (believe it or not) and even taking his own photos during the ovation for the movie. At the Carlton Beach afterparty, I told him Deadline had just been the first to post its review, a rave (from our colleague Stephanie Bunbury) and you could see the absolute relief on his face. “You have made me very happy to hear that,” he told me, and he meant it. All this came on the same day Disney took another shot at Florida Gov. Ron DeSantis by announcing the cancellation of a plan to move several thousand California employees to Florida. The Cannes respite must have been nice.

Calista Flockhart and Harrison Ford on the red carpet

Later at the afterparty, Iger interrupted my conversation with co-star Phoebe Waller-Bridge to offer his own praise for her sterling performance in a movie I would say is right up there with Steven Spielberg’s best in the series starting with 1981’s Raiders of the Lost Ark as well as Indiana Jones and the Last Crusade, which co-starred Sean Connery as Indy’s dad. James Mangold told over directing chores on this one with the blessing of executive producers Spielberg and George Lucas, and he did a great job.

RELATED: ‘Indiana Jones And The Dial Of Destiny’ Cannes Red Carpet Photos: Harrison Ford, Phoebe Waller-Bridge, More Attend World Premiere

After the movie, Mangold told the Grand Lumiere crowd it was like having a family making this film, and that was echoed by many at the party who felt the same way, including Waller-Bridge. Mangold also told me he was deep in preparation for his Bob Dylan biopic for Disney’s Searchlight Pictures starring Timothée Chalamet as Dylan, and reminded that the young star will be doing his own singing. Elle Fanning is in it, and he added that Benedict Cumberbatch has been cast as iconic folk singer Pete Seeger. “Searchlight has really been providing a home for me,” Mangold said. Clearly excited about the new project and the reception for his Indy movie, he noted ironically to the audience that the only other time he was at Cannes was for his early indie film Heavy in Directors’ Fortnight at the start of his career.

James Mangold

Producers Frank Marshall and Lucasfilm head Kathy Kennedy were beaming, reminding me that they actually met and fell in love during the filming of Raiders of the Lost Ark and have been together ever since. I asked Marshall about that spectacular New York subway horse-riding chase Ford does, and he said it was all shot in Glasgow, Scotland, where they built some of the set but found the perfect location, noting it turned out they had the same planning designer of Manhattan as Glasgow, so it all was kismet in that way. Wait until you see this action scene, one of the best in the entire series.

RELATED: Cannes Palme D’Or Ahead Of ‘Indiana Jones And The Dial Of Destiny’ Premiere: “I’m Honored, But I Got A Movie You Gotta See”

Finally I got a chance to talk to the man of the hour, Harrison Ford, who was still at the party as I was leaving well past 1 a.m. (!) and having a great time with wife Calista Flockhart. She told me she couldn’t believe Cannes Film Festival artistic director Thierry Fremaux introduced her to the audience, and even before her husband (!) Ford received a special Golden Palme from the festival as a “surprise” before the film rolled. He clearly was choked up by the gesture. “I wouldn’t wish this on anyone,” he joked about the emotion of the moment. “It is like you are going to die and you see your life passing before your eyes. This was my life,” he said to the crowd after clips of his career rolled by.

At 80, Ford is still the ultimate movie star and this final turn as Indy is a beautiful elegy with lots of nostalgia and surprises attached. The festival put together a killer tribute reel that began with a Gallic touch as a young Ford explained how he was supposed to get the starring role in French iconic director Jacques Demy’s Los Angeles-set 1969 drama The Model Shop with Anouk Aimee. But cast instead was Gary Lockwood, an actor hot off co-starring in Kubrick’s 2001: A Space Odyssey, “I never saw it, but I heard it was good,” Ford told me after I said I saw a special screening of the film with Lockwood in attendance just a few years ago at the Aero in Santa Monica.

Things worked out for Ford in end anyway, you might say. He is busier than ever with not just a huge summer movie awaiting in Indiana Jones and the Dial of Destiny, but two TV series — 1923 and Shrinking — that have put him in the Emmy conversation. “They are all good, so I am happy,” he said.

This night was a great way to get the 76th edition of this festival really off on a high.

Harrison Ford with the Cannes Film Festival’s Iris Knobloch

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It was a great night for Disney

Is Miley Cyrus’s chart-topping single “Flowers” about her relationship with ex-husband Liam Hemsworth? A gentlewoman never tells! However, in her cover interview with British Vogue, the 30-year-old pop star did reveal that the song originally had a very different message.  

By now you’ve probably heard “Flowers” a thousand times since its release in January, but just in case, here’s a refresher on the chorus lyrics. 

I can buy myself flowers
Write my name in the sand
Talk to myself for hours
Say things you don’t understand
I can take myself dancing
And I can hold my own hand
Yeah, I can love me better than you can

Empowering, right?! But it wasn’t always. In fact, it used to be really, really sad.  

“I wrote it in a really different way,” Cyrus said. “The chorus was originally: ‘I can buy myself flowers, write my name in the sand, but I can’t love me better than you can.’ It used to be more, like, 1950s. The saddest song. Like: ‘Sure, I can be my own lover, but you’re so much better.’” 

In the end, she decided she’d rather win than wallow. “The song is a little fake it till you make it,” she added. “Which I’m a big fan of.”

Elsewhere in the interview Cyrus rebuffed the idea that her album Endless Summer Vacation is some kind of diary meant to be interpreted literally, or that her music videos and album rollout are littered with clues about her past.

“I never need to be a master at the craft of tricking an audience,” she said. “It will set itself on fire all by itself.” 

She may never admit it, but some of the conclusions drawn by her fans seemed a little too on the nose to be purely coincidental. Releasing Endless Summer Vacation on Hemsworth’s birthday was an accident? Mmm-kay. Then there’s the lyric “Built a home and watched it burn,” which appears to directly reference the former couple’s Malibu home that was destroyed the Wolsey fire in 2018. 

Other theories are a little more outlandish. It’s difficult to prove, for example, that her lyrical references to Bruno Mars’s “When I Was Your Man” in “Flowers” were because Hemsworth had allegedly dedicated the song to her at one point. Or that Cyrus wears Hemsworth’s old tuxedo jacket in the accompanying music video. (“She has no time for any of this,” writes British Vogue‘s Giles Hattersley.)

Cyrus doesn’t owe her fans an explanation, and she’s made it clear she’s not giving one any time soon. She’s too busy bein’ Miley. 


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Is Miley Cyrus's chart-topping single “Flowers” about

TRIBECA FILM FESTIVAL 2023 REVIEW! It is not often that David Blaine could be a running joke in a film, in real life maybe, but not in a short film. However, writer-director Dave Solomon’s Brenda & Billy (and the Pothos Plant) not only makes the illusionist a running joke but also attempts to bring back a woman to life after a brutal murder. Sounds interesting already, doesn’t it?

The comedic thriller centers on a brother and sister duo, the Brenda (Sarah Stiles) and Billy (Santino Fontana) of the title. The estranged siblings need to cover up the murder of their mother. After Brenda viciously beats her mother, she calls in Billy, hoping he can do some magic and bring their deceased parent back to life. Ostensibly, Brenda just wants to avoid going to jail. But, obviously, magic can only do so much. Or can it? Billy might be able to pull some strings.

Brenda & Billy (and the Pothos Plant) is hilarious from start to finish. The plot is just so out there that you can’t help but laugh. That is if you have a dark sense of humor. Right off the jump, the explanation of how Brenda murdered her mother and why is ridiculous. Just as you think the outlandishness ends, it gets worse (or better) when Brenda expects Billy to use his magic to bring their mother back to life.

 

“…Brenda expects Billy to use his magic to bring their mother back to life.”

The cast is perfect. Stiles and Fontana play off each other like true siblings with a love/hate relationship. Although their characters are complete opposites, Brenda and Billy are both mentally unstable enough that they are believable as belonging to the same family, especially once you see how their mother is. This is not only a superb cast but great writing that truly understands these characters.

One unsung hero is the practical effects — a dying art in the industry. The special effects are all basic effects of blood shooting out of necks, projectile vomit, and sickly-looking makeup. They are the film’s backbone, and I was glad to see them done practically and quite well.

Brenda & Billy (and the Pothos Plant) is just a fun and bat-crazy short film that will have you laughing from beginning to end.

Brenda & Billy (and the Pothos Plant) will screen at the 2023 Tribeca Film Festival.

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TRIBECA FILM FESTIVAL 2023 REVIEW! It is

JADE Jagger will appear in court today with her toyboy boyfriend after they were arrested following a drunken clash with police.

The daughter of legendary rocker Mick and Anthony Hinkson, 31, have spent two nights in the cells after a restaurant row escalated.

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Jade Jagger will be hauled in front of a judge in Ibiza todayCredit: Rex
The ex-model and her toyboy boyfriend Anthony Hinkson have spent two nights in the cells

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The ex-model and her toyboy boyfriend Anthony Hinkson have spent two nights in the cellsCredit: MJ-Pictures.com

They were due to be driven in a police van for the short journey from Ibiza’s National Police HQ to an island courthouse for the hearing.

The pair were formally questioned by detectives on Thursday in wake of the boozy bust-up, but have not yet been charged with any crime.

Police arrested them on suspicion of committing “atentado contra la autoridad”, which covers offences ranging from resisting arrest to assaulting an officer.

Jade and Hinkson could face up to four years behind bars as well as hefty fines if they are found guilty.

This rocker's kid looks just like his dad - can you guess who?
Jagger seen cheering on Arsenal - but fans are all laughing at his X-rated cap

It will now be up to an investigating judge to decide what sort of charge the police accusations against Jade and her lover merit.

The pair were allegedly booted out of La Oliva restaurant on Wednesday night “for causing trouble” after Hinkson insulted staff for refusing to serve him more drinks.

Video later emerged of him being tackled to the ground by seven officers while topless in the old town of the party island Ibiza.

Cops then became the target as Anthony and Jade, who became a grandmother in 2014, allegedly hurled abuse at them.

Hinkson is understood to have pushed and shoved the cops as Jade allegedly shouted “stupid police” and waded in.

Sources claim she “hurled herself at a police officer, pushing him and insulting him” before squaring up to other cops and allegedly scratching one.

Police on the island confirmed early this morning: “The detainees arrested on Wednesday night will go to court today.”

Before his arrest, Hinkson was seen acting “erratically” and berating a passersby, before apparently buying a designer dress for €2,100 (£1,800) as a gift for a waitress.

A witness claimed he was “behaving very oddly” as he bought the gold sleeveless outfit.

They added: “He was bothering girls who were in the shop and making comments to a girl who was working there.

“He was not really making much sense. He was saying, ‘Give me the f*****g dress.’ He was really rude.

“Then he took it back to the restaurant and tried to give it to the waitress. His behaviour was so erratic that the restaurant manager decided to call the police.”

Neither Jade or her boyfriend have been charged with any crime under Spanish law, as is normal in Spain where formal charges are only laid shortly before trial.

It was not immediately clear this morning if the case will be dealt with by way of a speedy trial.

The other most likely option would be for the judge to release the jewellery designer and Hinkson on bail following a behind-closed-door court quiz, pending an ongoing criminal investigation.

f that occurs, the judge could attach conditions to the release that might include a ban on leaving Ibiza and the obligation to sign on at court every month or fortnight.

Jade shared a social media post of her posing on a sun lounger at the island’s swanky Nobu Hotel last week.

She wrote: “Spring back to Ibiza with a little glamour.”

The mother of three, whose mum is Sir Mick’s ex-wife Bianca Jagger, split from her husband of nine years, DJ Adrian Fillary, in 2021.

The jewellery designer allegedly hurled blows and insults at police

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The jewellery designer allegedly hurled blows and insults at policeCredit: Reuters

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JADE Jagger will appear in court today

It’s time for your daily dose of Quordle hints – now with added Daily Sequence answers! 

Yes, that’s right: the makers of Quordle have a new game, which sees you complete four Wordle puzzles consecutively. The twist is that the letters you’ve already used on the first game are repeated on the second and so on. 

It’s good fun, but also difficult – so if you already find yourself searching for Wordle hints, you’ll probably need some for Quordle and the Daily Sequence too. 

I’m a Quordle and Wordle fanatic who’s been playing since December 2021, so I can definitely help you solve Quordle today and improve your game for tomorrow. Read on for my Quordle hints to game #480 and the answers to the Daily Sequence. 

SPOILER WARNING: Information about Quordle today is below, so don’t read on if you don’t want to know the answers. 

Your Quordle expert

Your Quordle expert

Marc McLaren

Marc is TechRadar’s UK Editor in Chief and has been playing Wordle and Quordle for more than a year. He’s authored dozens of articles on the game for TechRadar and its sister site Tom’s Guide, including a detailed analysis of the most common letters in every position. His Wordle streak recently reached the 500 mark and he’ll be inconsolable if he loses it. Yes, he takes it all too seriously. 

Quordle today (game #480) – hint #1 – Vowels

How many different vowels are in Quordle today?

• The number of different vowels in Quordle today is 4*.

* Note that by vowel we mean the five standard vowels (A, E, I, O, U), not Y (which is sometimes counted as a vowel too). 

Quordle today (game #480) – hint #2 – total vowels

What is the total number of vowels in Quordle today?

• The total number of vowels across today’s Quordle answers is 8.

Quordle today (game #480) – hint #3 – repeated letters

Do any of today’s Quordle answers contain repeated letters?

• The number of Quordle answers containing a repeated letter today is 2.

Quordle today (game #480) – hint #4 – total letters

How many different letters are used in Quordle today?

• The total number of different letters used in Quordle today is 13.

Quordle today (game #480) – hint #5 – uncommon letters

Do the letters Q, Z, X or J appear in Quordle today?

• Yes. One of Q, Z, X or J appears among today’s Quordle answers.

Quordle today (game #480) – hint #6 – starting letters (1)

Do any of today’s Quordle puzzles start with the same letter?

• The number of today’s Quordle answers starting with the same letter is 0.

If you just want to know the answers at this stage, simply scroll down. If you’re not ready yet then here’s one more clue to make things a lot easier:

Quordle today (game #480) – hint #7 – starting letters (2)

What letters do today’s Quordle answers start with?

• A

• M

• T

• W

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON’T WANT TO SEE THEM.

Quordle today (game #480) – the answers

Quordle answers for game 480 on a yellow background

(Image credit: Merriam-Webster)

The answers to today’s Quordle, game #480, are…

How did you do today? Send me an email and let me know.


Daily Sequence today (game #480) – the answers

Quordle Daily Sequences answers for game 480 on a yellow background

(Image credit: Merriam-Webster)

The answers to today’s Quordle Daily Sequence, game #480, are…


Quordle answers: The past 20

  • Quordle #479, Thursday 18 May: ENNUI, SPRIG, LATER, SLUNK
  • Quordle #478, Wednesday 17 May: SKIMP, GLEAN, PAYEE, BRAVO
  • Quordle #477, Tuesday 16 May: HARRY, COLON, SHEAR, LARVA
  • Quordle #476, Monday 15 May: ULCER, APNEA, CANDY, ADULT
  • Quordle #475, Sunday 14 May: CLONE, SKUNK, SWEPT, SASSY
  • Quordle #474, Saturday 13 May: TRACT, PREEN, BUDGE, SNARE
  • Quordle #473, Friday 12 May: HONEY, CYNIC, DAUNT, CHIRP
  • Quordle #472, Thursday 11 May: CRYPT, DUNCE, WHEEL, NOBLE
  • Quordle #471, Wednesday 10 May: PRINT, VICAR, GAFFE, PLAIT
  • Quordle #470, Tuesday 9 May: PROSE, MUNCH, PIVOT, CONDO
  • Quordle #469, Monday 8 May: PUSHY, GRIPE, BLOAT, ASSET
  • Quordle #468, Sunday 7 May: TOOTH, SKULK, BRISK, SLOSH
  • Quordle #467, Saturday 6 May: SCALD, TABBY, STYLE, TEASE
  • Quordle #466, Friday 5 May: LIMBO, REVUE, TOTEM, ELBOW
  • Quordle #465, Thursday 4 May: BALER, SCORN, FETID, PASTE
  • Quordle #464, Wednesday 3 May: GODLY, LAGER, STEEL, GROWL
  • Quordle #463, Tuesday 2 May: CROSS, MOULT, STAIN, TATTY
  • Quordle #462, Monday 1 May: ETHIC, ALIKE, BIRTH, SLAIN
  • Quordle #461, Sunday 30 April: STOUT, GROUT, RALPH, RIGOR
  • Quordle #460, Saturday 29 April: SCOUR, BLUSH, WHINE, ELIDE

Quordle FAQs: Everything you need to know

What is Quordle?

Where Wordle challenges you to guess a new five-letter word each day, Quordle presents you with four puzzles to solve. And rather than complete them in turn, you do so simultaneously. You get nine guesses, rather than the six for Wordle, but the rules are otherwise very similar. 

It’s played online via the Quordle website (opens in new tab) and you can also get to it via the Merriam-Webster site (opens in new tab), after the dictionary purchased Quordle last year. 

As with Wordle, the answers are the same for every player each day, meaning that you’re competing against the rest of the world. And also as with Wordle, the puzzle resets at midnight so you have a fresh challenge each day.

The website also includes a practice mode – which I definitely recommend using before attempting the game proper! – and there are daily stats including a streak count. You also get Quordle Achievements – specific badges for winning a game in a certain number of turns, playing lots of times, or guessing particularly hard words.

Oh, and it’s difficult. Really difficult.

What are the Quordle rules?

The rules of Quordle are almost identical to those of Wordle.

1. Letters that are in the answer and in the right place turn green.

2. Letters that are in the answer but in the wrong place turn yellow. 

3. Letters that are not in the answer turn gray…

4. …BUT the word you guess appears in all quadrants of the puzzle at the same time, so an A could turn green in one square, yellow in another and gray in the final two. 

5. Answers are never plural.

6. Letters can appear more than once. So if your guess includes two of one letter, they may both turn yellow, both turn green, or one could be yellow and the other green.

7. Each guess must be a valid word in Quordle’s dictionary. You can’t guess ABCDE, for instance.

8. You do not have to include correct letters in subsequent guesses and there is no equivalent of Wordle’s Hard mode.

9. You have nine guesses to find the Quordle answers.

10. You must complete the daily Quordle before midnight in your timezone.

What is a good Quordle strategy?

Quordle needs to be approached in a different way to Wordle. With four puzzles to solve in nine guesses, you can’t blindly throw letters at it and expect to win – you’ll stand a far better chance if you think strategically.

That’s the case in Wordle too, of course, but it’s even more important in Quordle.

There are two key things to remember. 

1. Use several starting words

Firstly, you won’t want just a single starting word, but almost certainly two or three starting words. 

The first of these should probably be one of the best Wordle starting words, because the same things that make them work well will apply here too. But after that, you should select another word or possibly two that use up lots more of the most common consonants and that include any remaining vowels.

For instance, I currently use STARE > DOILY > PUNCH. Between them, these three words use 15 of the 26 letters in the alphabet including all five vowels, Y, and nine of the most common consonants (S, T, R, D, L, P, N, C and H). There are plenty of other options – you might want to get an M, B, F or G in there instead of the H, maybe – but something like that should do the trick.

If all goes well, that will give you a good lead on what one or sometimes two of the answers might be. If not, well good luck!

2. Narrow things down

Secondly, if you’re faced with a word where the answer might easily be one of several options – for instance -ATCH, where it could be MATCH, BATCH, LATCH, CATCH, WATCH, HATCH or PATCH – you’ll definitely want to guess a word that would narrow down those options. 

In Wordle, you can instead try several of those in succession and hope one is right, assuming you have enough guesses left. It’s risky, but will sometimes work. Plus, it’s the only option in Hard mode. But in Quordle, this will almost certainly result in a failure – you simply don’t have enough guesses.

In the scenario above, CLAMP would be a great guess, as it could point the way to four of the seven words in one go.

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Whoever came up with the phrase “familiarity breeds contempt” obviously had never watched Somebody Somewhere.

The HBO series, whose second season premiered in April, brings together friends and creative collaborators with decades of combined personal and professional connections. As evidenced by a recent Deadline FYC House + HBO Max screening and panel series event (held before the WGA strike), the show’s prevailing emotion is pretty much the mirror opposite of contempt.

“It is all joyful and so much fun and so gratifying,” said Mary Catherine Garrison, who plays Tricia. “There’s so much love on the set.” Bridget Everett, who plays the lead role of Sam and is an executive producer, noted that she and Garrison were roommates for 10 years. The two of them, along with Murray Hill, who plays Fred, were active in New York’s downtown theater/cabaret/comedy scene starting in the 2000s. Jeff Hiller, who plays Joel, was less a part of that scene but said he immediately fell in with his castmates and the show’s cast and crew after the pilot was shot in 2019. As far as his favorite part of making the show, he said, “I can’t believe I’m going to say making friends!” Everett recalled being “in the downtown world, we were sort of kickin’ around together. Now, we’re all doing something together that gives everyone a chance to shine, and that’s really special to me.”

Given those vibes, moderator Amy Sedaris struck the appropriate tone by throwing objectivity out the window from the start. “It’s my favorite show!” the actor and writer — who also has many of those downtown connections — raved after the lights came up. The event at New York’s Crosby Hotel followed a screening of the opening episodes of Season 2.

After declaring her passion for the series, Sedaris laid out her plans for the panel. “I’m going to tell you why I love it and then you’re going to tell me why you love it.” Reading from “little notes I jotted down,” Sedaris identified qualities like the show’s emotional depth; its treatment of church and community; casting and realistic dialogue.

Creators Hannah Bos and Paul Thureen also had close ties as they came up in the industry. “Hannah and I met in college and then we were roommates together for eight years,” Thureen said. “We worked in the same restaurant and we would come home and watch Strangers with Candy,” a Comedy Central series starring Sedaris, Stephen Colbert, Paul Dinello and Mitch Rouse. Sedaris said making the show was “like being out in the woods with your friends, and the goal was just to make each other laugh.”

Thureen said a similar bond helped the creative team and cast chart nuanced and emotional territory, finding new layers and applying the kind of brush strokes that don’t often survive the demands of commercial episodic storytelling. The show’s central plot of Sam living in a small town in Kansas and coping with the death of her sister while nurturing dreams of expressing herself through song offers endless possibilities to explore.

“To be able to have queer people of faith and farmers existing together, and to get to work on it with people who care about every single detail has been amazing,” Thureen said. Garrison praised the way the show “treats religion and faith. I like how respectful it is toward everyone. … It’s a joy to act in something where every single person you interact with, there’s so much to it, potentially.”

Bos said the familiar atmosphere onset pays dividends with the comedic moments. When cast members make each other laugh, she said, “they often laugh in the zone of their character, so we get to keep that” in the final cut.

Diversity and inclusion are also organic to the series. Hill said having “somebody like me onscreen” means that “representation is finally starting to mean almost everybody.” Having a character like Fred onscreen says to the audience in a politically fraught time that “people like me, queer people, trans people, we’re everywhere. We’re in big cities, we’re in little cities. … We’re not going anywhere. We’ve always been here.”

All in all, Bos added, it has been “pretty dreamy” to have HBO not only permit the show’s lived-in aesthetic but embrace it. Thureen agreed. “How is this on TV and how is this on HBO?” he said he has found himself wondering. Everett said when the classic HBO pneumonic comes on before the start of the show, with its sound of static and screen filling with snow, “Sometimes I rewind it.” She said with a laugh, “I think when we’re done making it and I’ll say, ‘You were on HBO, bitch!’”

Click on the video above to watch the conversation.

To watch more videos from the Deadline FYC House + HBO Max event series, click here.

Paul Thureen, Hannah Bos, Murray Hill, Mary Catherine Garrison, and Bridget Everett at the Deadline FYC House + HBO Max event for Somebody Somewhere

Mark Mann for Deadline

Bridget Everett, Amy Sedaris, Hannah Bos, and Paul Thureen at the Deadline FYC House + HBO Max event.

Mark Mann for Deadline

Bridget Everett

Mark Mann for Deadline

Amy Sedaris

Mark Mann for Deadline

Murray Hill

Mark Mann for Deadline

Paul Thureen

Mark Mann for Deadline

Hannah Bos

Mark Mann for Deadline

Mary Catherine Garrison

Mark Mann for Deadline

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Whoever came up with the phrase “familiarity

The 2023 Cannes Film Festival is well underway in Cannes, France, and the red carpet has already delivered plenty of spellbinding style moments. Elle Fanning, Viola Davis, and Gemma Chan have all touched down for the affair. 

Another star who’s in town? Katie Holmes, who attended Kering’s Women in Motion Talk event on Wednesday, May 16. The event was more casual than the megawatt red-carpet premieres the festival is known for, but the actor still provided plenty of outfit inspiration with her casual-cool ensemble. Holmes sported a lime green T-shirt with a breezy yellow button-up and palazzo pants to match. But it was her choice of shoes that are the real focal point. 

Photo: Getty Images

Photo: Getty Images

Katie Holmes opted out of the traditional Cannes sky-high heels in favor of Le Monde Beryl’s blue satin knotted kitten heel mules, which retail for $515 USD. They feature a 35mm heel—barely there. While the stylish star has worn towering heels before (like when she repeatedly wore Bottega Veneta’s padded heels), Holmes has proven to be a fan of more grounded footwear styles: She’s worn block-heel Mary Janes, Chloé clogs, and Acne Studios loafers, among others. She’s a New Yorker, after all. Her shoe wardrobe is built around practicality for walking around the city. It goes to show that you don’t need skyscraper stilettos to look dressy. Team Kitten Heel!

This article first appeared on Vogue. 


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The 2023 Cannes Film Festival is well

During a sunny afternoon in Los Angeles, Ludacris sat at his dining room table, appreciating the view from his Hollywood Hills home.

Over the last several months, the rapper and actor has been in constant motion, and moments like these are rare.

He’s on tour opening for Janet Jackson, with the pair recently selling out back-to-back nights at Madison Square Garden. He went on to play three straight nights of arena shows along the East Coast. Sandwiched between performances, he has to attend press events and TV talk shows to promote “Fast X,” which was released in theaters across the U.S. and North America this week.

But right now, Ludacris is talking about what helps him get his eight hours of sleep at the end of it all.

“That right there is what helps me end my day,” said Ludacris, whose real name is Chris Bridges, during a Zoom interview, turning the camera toward his infinity swimming pool framing an idyllic angle on L.A. “The elements.”

Ludacris then launched into a brief lesson about “earthing” or grounding, the therapeutic practice of allowing one’s skin and body to come in contact with the ground or water. He says it balances his “negative ions and positive ions.” He lamented how in today’s world, people seldom take time to go to parks for picnics and just sit in the grass.

“I live by it,” Ludacris said. “I can feel it. I can feel myself start to get balanced out whenever I’m near water, or in water, or when I’m in the sunshine.”

Although Ludacris, whose family home is in Atlanta, is technically in L.A. for business, it’s unlike any other work trip he’s been on. On Tuesday, while talking with The Times, Ludacris was preparing to receive his star Thursday on the Hollywood Walk of Fame.

The moment had the Grammy-winning multi-hyphenate reflective and appreciative, even of the things right in front of him, like his multimillion-dollar view. And for now, one of the busiest performers in entertainment has put his ceaseless work ethic — the thing that got him here — on pause.

The guest list at his ceremony on Thursday afternoon reflected his tirelessness: He sat next to some of his hip-hop influences, including LL Cool J and Queen Latifah. His “Fast & Furious” family, Vin Diesel, Tyrese, Michelle Rodriguez and Jordana Brewster, lined the front row. Nearby was his actual family, mother Roberta Shields, wife Eudoxie Mbouguiengue and his four daughters. His eldest, Karma Bridges, told her dad she would miss the ceremony to speak at her school, Spelman College, only to surprise him at the ceremony.

“I’m just gonna say, I’m happy I’ve got these sunglasses on right now,” Ludacris said into the microphone, referring to his tears after Karma gave a speech.

Throughout his talk, Ludacris went through a long list of thank-yous, including to the late actor Paul Walker and late director John Singleton, who cast him in “2 Fast 2 Furious” in 2003. At the end of his list, Ludacris turned to the two people “who have been on this journey with me since Day 1”: his longtime managers, Chaka Zulu and Zulu’s brother, Jeff Dixon. In 1998, Ludacris and the pair the co-founded their independent music label, Disturbing Tha Peace Records, which put out the initial Ludacris albums.

“It just occurred to me today, since my father passed away a while ago, that all the success and everything that I’m doing today, besides my mama, y’all helped —,” he said, choking up. “Y’all helped raise me, man.”

Ludacris’ father, Wayne Bridges, died in 2007, shortly after the rapper dedicated his rap album Grammy to him. Ludacris called Zulu and Dixon the “father I never had.” The moment on Thursday drew a standing ovation from the guests as Ludacris paused for 15 seconds and looked down at the podium. Some members of the crowd yelled out, “Real men cry!” and “We love you!”

Tyrese, left, Michelle Rodriguez, Ludacris and Jordana Brewster.

(Chris Pizzello / Associated Press)

Before Ludacris’ speech, LL Cool J had kicked things off as the first speaker. When Ludacris was in the fourth grade, he memorized every word to LL Cool J’s 1987 song “I’m Bad.” He credited LL as “the person who made me want to start music.” Diesel followed him up with an intimate speech, referring to Ludacris as his children’s “favorite uncle.”

Fans who were crammed behind a metal barrier watched and cheered, occasionally calling out some of the rapper’s lyrics, “Get out the way! Get out the way! Move b—.”

At the end of the ceremony, officials uncovered the coral-pink terrazzo star with “Ludacris” etched in brass. In front of several rows of media cameras, Ludacris danced atop his star, stomping, twirling and stretching out his arms as if to fly.

Instead of a music symbol, a brass motion picture symbol was emblazoned on the star beneath his name. After all, it was the seemingly endless success of the “Fast and Furious” franchise and its latest installation, “Fast X,” that enveloped the ceremony and this moment in Ludacris’ career.

Ludacris credits the franchise’s staying power to its ability to reinvent itself, even if that just means bigger and better car chases and fights. As technology has advanced over the life of the franchise, raising the stakes in each movie, his character Tej has also grown.

Audiences first saw Tej in 2003’s “2 Fast 2 Furious” as a car mechanic known for his deep connections to the underground racing scene. Throughout his six other appearances in the franchise, Tej has become a master engineer, tuning up cars with advanced weaponry, and an expert hacker, alongside Nathalie Emmanuel’s character Ramsey. Even so, “Fast X” is widely seen as the beginning of the end for the franchise, which promises two more films.

For Ludacris, such an end would allow more time for his first love, music.

“After all of the ‘Fast’ craziness and me getting this Hollywood Walk of Fame … I will have some time to truly devote to putting some more music out,” Ludacris said. He promised that once he has the time, he would start putting together his 11th studio album. It would be his first since 2015, when he dropped “Ludaversal.”

Such a gap between albums, he said, is exactly what he needed to find himself as a songwriter again. “After you have nine, 10 albums, that’s why you take a break, because art imitates life and you truly have to be able to live some life so that you could come back with the best art,” Ludacris said. “It can’t be manufactured, bro, it has to be real.”

Ludacris’ most recent musical effort was a feature on the Afrobeats single “Cinderella Girl” by Nigerian rapper Blaqbonez. The content of his verse is in line with the womanizing aspect of the Ludacris persona of old and manages to glide effortlessly along with the dark and sensuous beat.

“I’ve been hearing Afrobeats in my house over the past 10 years because that’s all my wife plays,” Ludacris said. “They’re fans of me just as much as I’m fans of them.”

Since gaining dual citizenship in Gabon in 2020 — his wife was born and raised in the West African nation — Ludacris has been spending time on that continent, including trips to Ghana and Nigeria, where he has collaborated with other artists. He had previously traveled there while touring his various albums.

Despite his expanding taste, Ludacris said he’s still able to connect with his earlier output while on the road for Jackson’s Together Again tour. Fans at each stop continue to demand more music, he said, but his hits from the 2000s are what draws them to the shows.

“When you go out there and people are singing these songs word for word, I mean, there’s no better feeling in the world,” Ludacris said. “You writing something and creating something from absolutely nothing … putting it out to the universe, and then going to see people in-person, and them reciting those lyrics back to you, as if they’re the ones that wrote them — you don’t get tired of it, man.”

His classics such as “Act a Fool,” “Area Codes,” “Money Maker,” “How Low,” “Move B—” and “My Chick Bad” are embedded in hip-hop culture and part of the soundtrack of a generation. His music continues to see circulation on the radio and at clubs, and gain millions of streams.

“That’s the world telling you that you got a hit,” he said.

Even while engrossed in the daily demands of touring, it’s a big picture that he tries to remind himself of, much like his moment at the Walk of Fame.

“This is a moment for me to stand still and cherish the moment, which I don’t really do as much,” Ludacris said of his Hollywood star. “Because I’m so competitive — I’m always thinking about what’s next.”

Although Ludacris’ visit to L.A. was temporary, he’s no tourist. He flies here four to five times a year. He bought his Hollywood Hills mansion in 2014 for $4.8 million after selling his West L.A. condo. And he has his memorable L.A. spots: His favorite food spot (Koi on La Cienega Boulevard), favorite place to grab a drink (the Lobby at the Hollywood Roosevelt hotel) and his least favorite freeway (It’s a coin toss between the 101 and 405, but ultimately the latter because of his frequent trips to and from LAX).

That’s where he went after the star ceremony, to catch a flight back to the East Coast so he could perform in Allentown, Pa., the same night.

It’s the first of three straight nights of performances, including a doubleheader in Boston, where he will follow up his arena show with another at a nightclub. Then, after a three-day break from performing, he is scheduled to fly to Toronto to do it all over again.

After standing still for just a minute, Ludacris is back at work.

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During a sunny afternoon in Los

Following Moon Knight‘s first season on Disney+, a new report teased that one character is in for a return to the MCU before too long.

Even considering the success Moon Knight saw during its debut in March 2022, its future still remains uncertain as a second season has yet to be confirmed.

Reports have noted that star Oscar Isaac only signed on to play Marc Spector/Steven Grant for one season although he’s noted that he “[loves] playing him” and hopes to get the chance “to visit him again.”

Arthur Harrow star Ethan Hawke also said that he was unsure if he’ll be back for more MCU stories after Season 1, although there are plenty of other important heroes and villains who could pop up elsewhere in Marvel’s adventures.

One Moon Knight Character Teased to Return

Marvel

Deadline reported on Moon Knight star May Calamawy joining the cast of the upcoming Gladiator sequel.

The outlet noted how her breakout role came in Moon Knight while also sharing that Marvel expects to have big plans for Calamawy’s Layla El-Faouly moving forward.

This also comes after Marvel Comics introduced Layla’s version of the Scarlet Scarab to the page for the first time.

When Will Moon Knight’s Scarlet Scarab Return?

Layla’s introduction as the Scarlet Scarab marked a milestone moment during Moon Knight‘s final episode, giving the MCU a new take on the hero from the comics with some notable changes in play for the small screen.

Considering how widely she’s been promoted in both Moon Knight marketing material and through her new run in the comics as an original character from the MCU, it’s no shock to hear that Marvel has big plans for May Calamawy’s character in the near future.

As for where she could return, there’s still no word on when Moon Knight Season 2 will go into development, although she would unquestionably be in play for a return there as her relationships with Marc Spector and the Goddess Taweret develop.

It’s also tough to look at other franchises in which she could have a crossover moment, with the easiest choice being in one of the next couple of Avengers movies as the story is being developed right now.

But looking at how impactful this character is for Calamawy herself, she’ll be prepared to take the Scarlet Scarab wherever the journey goes next as her legacy evolves.

Moon Knight Season 1 is available to stream on Disney+.

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“Dark Spaces: Wildfire”

Writer: Scott Snyder
Artist: Hayden Sherman
Color Artist: Ronda Pattison
Letterer: AndWorld Design
Reviewed by Steve J. Ray
Published by IDW – ISBN 9781684059614
Available from Penguin Random House

Summary

Legendary writer Scott Snyder presents DARK SPACES – a thrilling new anthology series exploring our deepest fears of the unknown, beginning in the smoldering hills of California in DARK SPACES: WILDFIRE!”

Six weeks into the slow burn of the historic Arroyo Fire, a crew of women from an inmate firefighting program are risking everything on the frontlines, when their newest recruit – a white-collar convict with a deep network of shady dealers – discovers they’re mere miles from her crooked former associate’s abandoned mansion. When she proposes a plan to abandon their duties and hunt for riches under cover of smoke and ash, the team must decide if they’re ready to jeopardize their one sure path back to normalcy for a shot at a score that would truly change their lives…but is this a flicker of fortune, or a deadly trap?

Scott Snyder and breakout artist Hayden Sherman craft an unforgettable heist for a new age in Dark Spaces: Wildfire, a collection of the five-issue debut of Scott Snyder’s Dark Spaces anthology!

Positives

This five-issue mini-series from the end of 2022 features one of the best stories I’ve read this year. It was created by one of the best (and nicest) writers on the planet, along with an art team that has pulled together to create something so fresh and original, that it’s left me craving more.

I’ve had the distinct privilege of interviewing Scott Snyder twice, most recently at the 2022 Thought Bubble convention. He is a man who loves his craft, his fans, and the comic book business as a whole. While he’s primarily known for writing dark fantasy, horror, and a few stories about a certain Caped Crusader, Dark Spaces: Wildfire is unlike any Scott Snyder story I’ve read before. First of all, there are no monsters, no aliens, and no super-powered, spandex-clad, musclebound heroes in sight. What we do have is five women who feel, act, and speak like real, honest-to-goodness human beings. It’s wonderful.

I’m also a huge fan of Hayden Sherman, having fallen in love with their work on the sublime sci-fi series, Wasted Space. When I heard that this new story would be a collaboration between Hayden and Scott I knew I’d be getting a brilliantly written tale that would also look fantastic. What I wasn’t expecting was that the art in Wildfire is also unlike any Hayden Sherman art I’ve seen before. Once again, we’re getting work from an artist that I hugely admire, but it’s also new, fresh, and nothing like what I’d seen from them previously.

Throw in some gorgeous color work by Ronda (TMNT!) Pattison and letters by industry giant, AndWorld Design, and what we get is a cinematic crime thriller, featuring some of the best characters ever.

Picture five inmates, a team of women fighting fires. They’re prisoners working for next to nothing, putting their lives on the line, and trying to make a difference, when an opportunity arises that could change their fates forever. This story has a ton of action, brilliant dialogue, and a cast of characters to rival a Hollywood blockbuster. These women are brave, loyal, and heroic, but some of them have pasts and secrets which come back to burn them all… quite literally. This is a story about camaraderie, crime, and a fight for survival.

Negatives

The one problem I have with this collected edition is that it was so good that I devoured it all in one sitting. This does the story an injustice. I really wish I’d known about this series earlier and read it as it came out, episodically. While that’s not usually how I like to read comics, (I frequently wait until a mini-series ends before I read it) I do know that, because the individual chapters all contain some of the best cliffhangers ever, reading this series monthly would’ve been torture. However, the twists, the payoff, and the character development work better when they have a chance to sink in.

Please, don’t misunderstand me, though, I strongly urge everyone out there to buy this collection. What I will ask you to do though, is not to read it all in one sitting as I did. This will be hard, because it’s a real page-turner, but the effect will be a lot better if you try to just read a chapter a day.

Verdict

Dark Spaces: Wildfire is a fantastic piece of work. I fell in love with these characters and would love to read more about them. Yes, this story is completely self-contained, and you don’t need to read anything before or after it, although I’m sure you’ll want to. There’s scope for a follow-up too, and I’d love to meet all these ladies again. That’s the sign of a story well told.

This book has a brilliant premise, solid characters, and gorgeous art, and it will stand up to multiple re-reads. In fact, it’s so good that I’d like a movie adaptation and a sequel, please.

This is an action-adventure/drama/heist caper like no other. Highly recommended and available right now, wherever books are sold.

Images Courtesy of IDW Publishing. Review copy courtesy of IDW, Scandal Co-Active, Penguin Random House and the creative team.

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196 “Dark Spaces: Wildfire” Writer: Scott Snyder Artist: Hayden Sherman Color

Monia Chokri’s “The Nature of Love” opens by introducing us to 40-year-old philosophy professor Sophia (Magalie Lépine Blondeau) and her husband Xavier (Francis-William Rhéaume), as they enjoy a dinner party with friends. Said friends (one of whom is played by the director) are similarly middle-class progressive types with nice homes and comfortable lives; Sophia’s job in particular allows a strand of metatextual self-commentary in an otherwise predominantly broad and sexy comedy. It is, of course, a cast-iron rule of cinema that if a film opens with a middle-class dinner party, you’re about to see somebody’s bourgeois certainties undermined, and Chokri doesn’t disappoint.

On the drive home, Sophia and Xavier gossip about their friends’ love lives. Supposedly one of the other couples has sex three or four times a week, but also fights constantly. Xavier is of the opinion that a peaceful but sexless life is preferable, which tells us everything we need to know at that point about his and Sophia’s comfortable-as-a-coma marriage, and sets the stage for her subsequent sizzling affair with rough-and-ready Sylvain (Pierre-Yves Cardinal), a smoking hot handyman hired to renovate the couple’s weekend home by the lake.

The film is impeccably cast. As Sophia, Magalie Lépine Blondeau (whom Chokri first directed ten years ago in her hugely successful short “An Extraordinary Person) is wonderful, gifted with great comic timing and a particular knack for telegraphing that sense of someone who knows they’re making a huge mistake, but are compelled to go ahead and make it anyway. That’s handy, since it is perhaps the character’s defining trait. 

But it’s hard to imagine Blondeau’s role working as well as it does without the right actor as Sylvain, the kind of guy whose compulsive sexual charm is enough, by itself, to swamp every other more cautious instinct. Luckily, Cardinal has form here, having previously sizzled in Xavier Dolan’s “Tom at the Farm,” as the burly agricultural man’s man to Dolan’s fashionable city boy. Call it screen presence, magnetism, charisma — Cardinal has it.

Another Dolan collaborator (alongside Chokri herself, who had one of her best onscreen roles in the Québecois auteur’s “Heartbeats”) having a ball here is cinematographer André Turpin: In “The Nature of Love,” the camera is an active, antic presence, fond of darting zooms that lend proceedings an ironic gloss of 1980s beer commercials, to entirely deliberate-feeling effect. Playful, purposeful occlusion of sections of a frame through strategically placed objects — car mirrors blocking faces from view, and so on — is both straightforwardly funny and a reminder of other limited perspectives. It’s a love-it-or-hate-it aesthetic that verges on OTT but lands just the right side of kitsch.

Aesthetics also play into the film’s depiction of class difference, which is often ramped up to borderline cartoonish effect, in a way that matches both the larger-than-life camerawork and the characters’ vast emotions. Wardrobe plays its part here: when Sophia first falls for Sylvain, he’s rugged in the kind of plaid shirts beloved of middle-class hipsters in the 2010s. That helps code him as acceptable for her — she’s a snob — in a way that some his later attempts at smartening up signally fail to do.

Female mid-life crises are not explored in this mode of storytelling as often their male counterpart: While the tragedy of the woman who f—s around and finds out is a mainstay of plenty of great literature and cinema, the comedic versions tend to focus on male love rats. Perhaps this is due to longstanding cultural discomfort with female infidelity: Historically, if an unfaithful woman was going to be the lead character, everything had to be treated with a certain gravity. “The Nature of Love” refreshingly centers the female adulterer’s experience, in a richly comic mode.

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Monia Chokri’s “The Nature of Love” opens

The day after Montana’s total ban of TikTok became law, 5 creators who post content on the Chinese-owned social media app have jointly filed a lawsuit seeking to prevent the ban from taking effect.

Among other things, the lawsuit argues that Montana’s government is attempting to assert powers reserved for the federal government, and that the ban is a violation of the First Amendment of the U.S. constitution.

“The Act attempts to exercise powers over national security that Montana does not have and to ban speech Montana may not suppress,” the suit says.

“Montana can no more ban its residents from viewing or posting to TikTok than it could ban the Wall Street Journal because of who owns it or the ideas it publishes,” the suit also says.

Filed by Samantha Alario, Heather DiRocco, Alice Held, Carly Ann Goddard and Dale Scout in the U.S. district court in Montana, the lawsuit names Austin Knudsen, Montana Attorney General, as defendant.

When signing the ban into law on Wednesday, Gov. Greg Gianforte said he did so, “to protect Montanans’ personal and private data from the Chinese Communist Party.”

Montana previously banned TikTok from being installed on government devices, just as the U.S. government has done for devices issued to federal employees. But the new law goes much further in ways that experts say may make it unenforceable, period.

In addition to making it a crime for app stores like Google Play and iTunes to offer TikTok in Montana, the ban says the app itself “may not operate” within Montana’s borders and threatens TikTok and parent company ByteDance with fines if they attempt to subvert it. And it even suggests individual people caught using the app in Montana might also be held liable.

Critics note however that the law doesn’t explain how it will be enforced. Monitoring individual use of the app would require a massive surveillance apparatus that doesn’t exist in Montana and might itself be subject to constitutional challenges. There is also currently no technological means by which Montana could block the app from working within the state. The ban could easily be evaded with the use of VPNs, and any tourist visiting Montana could simply ignore it.

And on top of the other noted constitutional questions, experts say the fact TikTok is singled out might qualify the new law as a bill of attainder.

It will likely be months if not years before these questions are sorted out. Meanwhile, the ban goes into effect January 1, 2024.

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The day after Montana’s total ban of

What timing having Kristen Baldwin from EW.com on this week. Literally minutes before we started recording Tuesday’s podcast, Kristen had just posted about the “Golden Bachelor” being on ABC’s fall schedule, so that definitely got the podcast started as we spoke extensively about that. Also, we discussed the WGA strike, what it means, what they’re fighting for, and how the television landscape changing is having a major effect on why the writers are fighting back. So much good TV talk with Kristen this time around as her wealth of knowledge of the TV industry always makes for a great conversation. She’s a multi-time guest on this show and will be going forward. As always if you’d like to respond to the interview, please include Kristen’s Twitter handle (@KristenGBaldwin) in your replies. Thanks again to Kristen for coming on this week.

You can listen to today’s podcast on a number of platforms, but you can also tune in by clicking the player below:


Subscribe: Apple Podcasts,RSS, Stitcher, Spotify
Music written by Jimmer Podrasky
(B’Jingo Songs/Machia Music/Bug Music BMI)

(SPOILERS) I begin by briefly talking about thoughts on Vanderpump Rules and the Golden Bachelor. Then Kristen joins me (11:08) to talk about the WGA strike, what they’re fighting for and what they’re missing out on, the Golden Bachelor, new shows coming out soon, and much, much more.

Twitter – @KristenGBaldwin

(SPOILERS) Today’s Daily Roundup covers more on the Golden Bachelor, the return of the Joe Schmo Show, Survivor, The Challenge Finale, and my first thoughts ever on Vanderpump Rules.

You can listen to that podcast on a number of platforms, but you can also tune in here:


Subscribe: Apple Podcasts,RSS, Stitcher, Spotify
Music written by Jimmer Podrasky
(B’Jingo Songs/Machia Music/Bug Music BMI)

Send all links and emails to: steve@realitysteve.com. To follow me on Twitter, it’s: www.twitter.com/RealitySteve. Instagram name is RealitySteve, or join my Reality Steve Facebook Fan Page. Talk to you tomorrow.






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Share Tweet Share Share Email What timing having Kristen Baldwin from EW.com

As TV Academy members toasted the stars of “Ted Lasso” on May 1, things were about to change dramatically in the Emmy campaign space. Apple TV+ was celebrating the opening of a “For Your Consideration” activation at Goya Studios, where it erected a massive tent to showcase its bevy of contenders.

It’s a well-appointed and pristine space, with an almost Apple Store-meets-Emmys vibe. Displays celebrating Apple TV+ shows were front and center, along with an open bar, passed bites and a theater room for screenings and panels for celebrated shows like “Ted Lasso,” “Shrinking,” “Bad Sisters,” and more.

But now here’s the problem with FYC: The writers strike has upended everything. The clouds were already forming at that “Ted Lasso” event, as the strike was called at the same moment co-creator/star Jason Sudeikis and team were celebrating the show’s Season 3 on stage. Many of the “Lasso” stars double as writers — Sudeikis, Brett Goldstein and Brendan Hunt included — so the power and importance of writers was on everyone’s minds. Sudeikis even remarked on how surreal it was to be there on stage talking about writing “Ted Lasso” just as the issues facing the town’s scribes took center stage. “Shout out to the writers,” he said. “What a day to be doing this.”

And yet, no one initially knew how much a strike would impact FYC plans. The various streamers and congloms had already shelled out millions of dollars to build elaborate activations, with not much mind to how opening these spaces in May — after the WGA’s deal with studios and producers had expired — might become a problem. And yet, these spaces had just returned to a sense of normalcy after several years of COVID-impacted pivots.

Besides Apple TV+ at Goya Studios, Amazon Studios/Prime Video launched a space it dubs “The Prime Experience” at Citizen News in Hollywood. Disney’s “FYC Fest” takes place at the DGA Theater in June. Netflix has its “FYSee” space at Red Studios. Paramount is taking over the Hollywood Athletic Club (where Amazon once held its event) for its own activation this year. NBCUniversal will be returning to The Aster in Hollywood for their Emmy showcase.

The possibility of a strike had been looming for months, but Emmy campaigning seemed to exist on another plane: It’s about celebrating programs that had already been written and produced. The WGA had not shared any guidelines prior to the strike about what would be acceptable for writers in the FYC space, leading many to assume it wouldn’t be impacted.

Turns out the WGA had kept it quiet for a reason: On May 2, as the strike commenced, it issued guidelines that made it very specific for writers: No festivals, no FYC. “You are prohibited from making these promotional appearances about your work until the strike concludes,” the guidelines stated.

“I think everyone was surprised by that,” said one awards exec. “It does feel like it does maximum damage to the studios because of the twin timing of FYC and upfronts. If writers want to get attention, now’s a good time to get attention.”

The impact was immediate. John Mulaney bowed out of his Netflix FYC panel for his standup special “Baby J,” while Jon Stewart canceled his Apple TV+ event for “The Problem with Jon Stewart.” Also at Apple, planned events for “Carpool Karaoke: The Series,” “Echo 3,” “Mythic Quest” and “Five Days at Memorial” were axed.

Other events continued, but without showrunners or a panel all together. Prime Video’s event for “Swarm” continued with star Dominique Fishback, but creator Janine Nabors bowed out. HBO Max’s FYC event for “The Other Two” kept the screening, but scrapped its Q&A. The same went for Apple TV+’s “Truth Be Told.” Apple TV+ also continued with “Bad Sisters,” but star/creator Sharon Horgan no longer attended.

For the talent continuing to show up, one insider notes, “It’s their way of honoring their showrunners. They’re not crossing a picket line to do it. They’re getting out there and talking about their showrunners and the work that they’ve done. It’s past work. I don’t know that you’d get an actor to go to an upfront. But an actor to an FYC event and campaign for their show is a different thing.”

The fast-changing and evolving Emmy FYC season is starting to echo the chaotic situation of 2020, when campaigning began as usual — before the pandemic lockdowns forced a complete shutdown and pivot by networks and studios to find other ways of campaigning. This time out, the issue isn’t health concerns — events can still continue, even if show representatives aren’t there. But this time out, non-writing talent involved are having to decide on a case-by-case basis whether they feel comfortable appearing at such events.

The Television Academy has now also released its own guidelines for outlets as they decide whether to proceed with events or scrap them. Offering “partner options during the WGA strike,” the org recommended that networks and studios with booked FYC events could either proceed as originally scheduled and contracted, continue with screening and reception only or cancel.

But if invitations have already been sent out — and that’s been the case for most of these current FYC events — the TV Academy won’t reimburse invite administration fees ($5,000) or penalty fees ($2,500). It’s still a bit of a Catch-22 for studios and networks: The TV Academy requires events to be committed and contract signed three weeks out; so, if cancellations are last minute, those fees have already been paid. “Late booking and asset penalty are still in place for events that proceed,” it noted.

Meanwhile, while there’s a question of who’s on stage, the FYC organizers are also starting to be asked the question of whether an audience will still attend as well, especially if the panel is canceled. “Is the Academy going to make it up to us if the turnout is low?” asks one exec. “That’s a lot of the questions I’m getting, is the FYC event even worth it if people aren’t going to be there? But people are still coming out.”

Indeed, never underestimate the power of free food and drink. There always has been a question of how valuable these FYC screenings and panels are as campaign platforms. Are TV Academy members really attending these events to learn more about these shows — or are they there to see celebrities and then have a nice dinner on someone else’s dime?

“I do think what we see consistently is that the biggest, most popular shows are overwhelmed with interest,” says another awards exec. “And then for other shows, we’re thoughtful about finding the right environment. Not every show is going to fill the TV Academy theater, and that’s OK.”

The big FYC events are also important for seeding social media and getting plenty of press pickup beyond who’s just in the room. Prior to the strike, several major events made huge waves: Netflix, for example, attracted more than 600 people to the Hollywood Forever cemetery for a screening of the “Wednesday” premiere episode, along with a chat (moderated by FYC favorite Yvette Nicole Brown, who also did the “Ted Lasso” one) with the series’ producers and stars Jenna Ortega, Catherine Zeta Jones, Luis Guzman and Gwendolyn Christie.

“Ghosts” FYC event: Michael Schneider from Variety, Co-EP/Co-Showrunner Joe Port, Co-EP/Co-Showrunner Joe Wiseman, Brandon Scott Jones, Rose McIver, Rebecca Wisocky, Utkarsh Ambudkar, Asher Grodman, Roman Zaragoza, Danielle Pinnock, Sheila Carrasco, Devan Chandler Long and Richie Moriarty. (Francis Specker/CBS)
CBS

CBS Studios touted its comedy standout “Ghosts” with a standing room only crowd at the Hollywood Roosevelt Hotel. And for series just dropping now, premiere parties are also doubling as FYC events — such as Netflix’s big launch for “Queen Charlotte: A Bridgerton Story.”

As for the FYC spaces, execs say there are efficiencies in by being in the same space for multiple events and being able to have permanent installations. But they also admit that it’s harder to wow attendees now, given how common such activations are.

Amazon Studios’ “The Prime Experience” (Will Tee Yang)
@willteeyang

Still, they’re still trying: Amazon’s impressive setup, for example, includes hair and makeup touchups inspired by shows like “Daisy Jones & the Six” and a blue screen room where guests can transport themselves into scenes from “Dead Ringers” or “The Boys,” in addition to the usual theatre, food and bar setups.

“All of those things can help you stand out,” says another exec. “You know, there’s so many invites that come throughout the season… The challenge is always how to make the shows standout. We love having the space as a place to congregate and to build out show-specific things that help celebrate a show.”

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As TV Academy members toasted the stars

On the luminous title track to her new album, The Greater Wings, singer-songwriter Julie Byrne tilts the well-worn language of grief. “To carry you up on greater wings” approaches weepy AM-radio-ballad territory; “To carry you up on the greater wings,” as she sings here, injects slightly more specificity, and suddenly, the wings suggest themselves.

Subtle choices like these, along with the rare power of her voice, give Byrne’s folk its mystical heft. “I drank the air to be nearer to you,” she murmurs in the opening line—another near-cliche, and another choice: Think how much stronger “nearer to you” is than “closer to you” would have been. The following lines radiate outward until we’ve reached the end of the moon and stars and touched on the meaning of existence: “Voices widen through the room/Distant galaxies move/I’m not here for nothing.” The strings pick up where Byrne leaves off, spiraling into a cavern of reverb, and the song culminates in wordless beauty and affirmation.

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On the luminous title track to her

TRIBECA FILM FESTIVAL 2023 REVIEW! A young dominatrix encounters an unexpected client in co-directors Matt Campanella and Stephanie Chloe Hepner’s Daddy Issues. Campanella also wrote and stars in the comedic short.

Our tale opens with Oliver (Campanella) pulling himself into his new persona as a dominatrix chanting, “Shut the f**k up!” A bit nervous, Oliver approaches his next client and is shocked by that person’s identity… note the title. Years of dysfunction and disappointment converge into a single moment as all hilarity ensues.

“…Oliver approaches his next client and is shocked by his identity…”

Daddy Issues gets right to the heart of the matter within its five-minute runtime. The film is essentially a comedic sketch with a set-up, twist, and punchline. Each element is executed masterfully. Admittedly, I would have liked to see that cringe dialed up to eleven and the lead-up to the punchline be more realistic to the world of S&M, but I get that it is just a matter of taste.

When you’re out there supporting your local film festival, be sure to check out Daddy Issues.

Daddy Issues will screen at the 2023 Tribeca Film Festival.

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TRIBECA FILM FESTIVAL 2023 REVIEW! A young

Rescue crews desperately tried to reach towns and villages in northern Italy still isolated by heavy rains and flooding overnight, as the death toll rose to 13 and authorities began mapping out clean-up and reconstruction plans.

The extreme weather behind this week’s disaster – a prolonged drought punctuated by 36 hours of intense rainfall, two weeks after another downpour – led to two dozen rivers and tributaries bursting their banks.

The force of water sent torrents of mud tearing through entire towns in Emilia-Romagna, flooding storefronts and basements.

Local mayors warned that some remote villages were still completely cut off because landslides had made roads impassable and phone service remained severed.

It came after Bruce Springsteen courted staunch criticism on Thursday for pressing on with his concert in the disaster-hit Italian region of Emilia-Romagna. 

An aerial view shows partially submerged cars at a flooded area following the overflowing of a river, in the center of Lugo, near Ravenna, Italy on Thursday

Bruce Springsteen performs a second concert at Estadi Olimpic Lluis Companys on April 30, 2023 in Barcelona, Spain, late last month

Bruce Springsteen performs a second concert at Estadi Olimpic Lluis Companys on April 30, 2023 in Barcelona, Spain, late last month

The landslides have prevented rescue teams from reaching residents and authorities from understanding the full scope of their needs, said Mercato Seraceno mayor Monica Rossi.

‘If it rains any more, the situation will be tragic,’ Ms Rossi warned on Sky TG24, standing on a road with a chunk missing from a landslide.

The death toll rose to 13 after more bodies were discovered on Thursday in the hard-hit province of Ravenna, state-run RAI television reported, citing the Ravenna prefecture.

Among them were a couple in their 70s found dead in their flooded apartment in Russi after their son sounded the alarm that he had lost contact with them.

By Thursday morning, some parts of the city of Faenza were still underwater, with cars submerged and basements swamped by thick, gooey mud.

One family standing on their balcony said they did not have electricity, gas or food. Other residents took shelter at a local gymnasium, where soldiers set up cots on the basketball court for new arrivals.

‘At some point they told us all to leave the area, and about one hour later we heard a loud boom,’ 29-year-old Faenza resident Claudia said on Thursday, recalling the moment early Wednesday that the nearby Lamone river burst its banks. ‘The water just flooded all over.’

More than 10,000 people fled their homes, some plucked from rooftops or balconies by rescue helicopters and others ferried out on dinghies. One family with a 20-day-old baby was rescued on Thursday morning, said Cesena mayor Enzo Lattuca.

An aerial view shows partially submerged cars at a flooded area following the overflowing of a river, in the center of Lugo, near Ravenna, Italy on Thursday

An aerial view shows partially submerged cars at a flooded area following the overflowing of a river, in the center of Lugo, near Ravenna, Italy on Thursday 

Volunteers at work on Thursday to free the houses and streets affected by the flooding of the Savio river from the mud

Volunteers at work on Thursday to free the houses and streets affected by the flooding of the Savio river from the mud

The landslides have prevented rescue teams from reaching residents and authorities from understanding the full scope of their needs, said Mercato Seraceno mayor Monica Rossim (Pictured: Volunteers at work on Thursday)

The landslides have prevented rescue teams from reaching residents and authorities from understanding the full scope of their needs, said Mercato Seraceno mayor Monica Rossim (Pictured: Volunteers at work on Thursday) 

Another packed their belongings into an inflatable pool which they floated down the thigh-high river of mud that was previously a street.

But residents in other towns, such as Castel Bolognese, started cleaning up as the waters receded, with residents shovelling out mud-filled basements and storefronts.

The drought-parched region had already estimated some 1.0 billion euros (£870 million) in losses from heavy rains earlier this month, but the regional president, Stefano Bonaccini, said the losses now reached multiple billions given the widespread damage to farmland, storefronts and infrastructure.

Italian farm lobby Coldiretti said more than 5,000 farms with greenhouses, nurseries and stables had been flooded, covering thousands of acres of vineyards, fruit groves, vegetables farms and grain fields.

It said the damage was ‘incalculable’, because not only current harvests but future ones could be affected, given the permanent damage to roots from the ‘suffocating’ mud of the run-off.

Mr Bonaccini has called for the national government to declare a state of emergency, something that is likely when the Cabinet meets next week following Premier Giorgia Meloni’s return from the Group of Seven summit in Japan. Already, the region has said it is looking to reconstruction efforts and restoration of vital infrastructure.

‘It will take gigantic work’ to recover, Mr Bonaccini told a daily briefing.

The Superior Institute for Environmental Protection and Research has identified Emilia-Romagna as one of the most at-risk Italian regions for flooding, where both territory and populations face a greater danger of ‘hazard scenarios’ than the rest of the country.

The hardest-hit eastern part of the region, sandwiched between the Apennine mountain chain and the Adriatic Sea, was first hit by intense rain earlier in May.

The second downpour tested the ability of drought-parched soil to absorb water, the institute said, adding that high sea elevations and bora winds against the coast may have contributed to the flooding of rivers and tributaries.

Pope Francis sent a telegram of condolences to the people of Emilia-Romagna, assuring them of his prayers, the Vatican said on Thursday.

Italy was not alone in coping with heavy rainfall, as parts of Slovenia, Croatia and Bosnia also reported flooding and landslides that required evacuations.

Unsettling footage shows the extent of the devastation in the popular holiday region, with streets turned into fast-moving rivers. 

Houses and cars have been ruined or entirely submerged in dozens of historic towns including Luga, Ravenna, and Cesara, as rescuers desperately try and reach families trapped within their homes.

The horrendous flooding saw Sunday’s Formula One Emilia-Romagna Grand Prix called off on Wednesday, with officials, drivers and teams united in recognition that all available services should be committed to rescue efforts.

But ‘The Boss’ Bruce Springsteen has so far refused to cancel his gig, which is set to take place tonight in the town of Ferrara roughly 30 miles from the epicentre of the catastrophe.

Up to 50,000 fans were slated to attend the concert but the widespread flooding means many are unlikely to make it.

A local councillor described Springsteen’s decision to continue with the gig as an insult to the ‘pain, desperation and difficulty’ of those affected, while Italian TV presenter Tiziana Ferrario tweeted: ‘I love Bruce Springsteen but given the victims and the towns submerged by mud, the Ferrara concert seems out of tune. 

‘Once [upon a time] you would go and shovel and help who was buried in mud rather than singing and dancing thoughtlessly in the same area.’

At least 11 people have been killed in the region – including a 60-year-old woman whose body was dragged 12 miles down a river – and there are fears the death toll will rise further as several people are missing amid the carnage.

A general view shows displaced people at the Palacattani sports centre after heavy rains caused flooding across Italy's northern Emilia Romagna region, on May 18, 2023

A general view shows displaced people at the Palacattani sports centre after heavy rains caused flooding across Italy’s northern Emilia Romagna region, on May 18, 2023

Military officers assist a person on a dinghy after heavy rains hit Italy's Emilia Romagna region, in Faenza, Italy, May 18, 2023

Military officers assist a person on a dinghy after heavy rains hit Italy’s Emilia Romagna region, in Faenza, Italy, May 18, 2023

People are rescued in Faenza, Italy, Thursday, May 18, 2023. Exceptional rains Wednesday in a drought-struck region of northern Italy swelled rivers over their banks, killing at least 11 people

People are rescued in Faenza, Italy, Thursday, May 18, 2023. Exceptional rains Wednesday in a drought-struck region of northern Italy swelled rivers over their banks, killing at least 11 people

A woman holds a pet carrier as she walks in a flooded street in the town of Lugo on May 18, 2023

A woman holds a pet carrier as she walks in a flooded street in the town of Lugo on May 18, 2023

Rescuers evacuate residents in a dinghy across a flooded street in the town of Lugo on May 18, 2023

Rescuers evacuate residents in a dinghy across a flooded street in the town of Lugo on May 18, 2023

Houses flooded during flood in Italy

Houses flooded during flood in Italy

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The ‘apocalyptic’ floods wreaking havoc across northern Italy have left entire towns submerged under water and seen roads swept away in dramatic landslides (pictured) as locals struggle to come to terms with the devastation

Pictured: Houses in the town of Cesara are submerged under water on Wednesday

Pictured: Houses in the town of Cesara are submerged under water on Wednesday 

Today, officials from the province of Ravenna said two people had been found dead, with media reports suggesting the pair were to farmers in their 70s in the small town of Russi. 

The body of a 60-year-old woman, whose husband also died in the extreme weather, was found on the beach near Cesenatico yesterday after her body had been dragged 12 miles down a river. 

Two bodies were also recovered by divers yesterday in Forli after the Montone river burst its banks. The town’s mayor said the floods are the ‘worst situation’ the town has ever experienced.

The floods have seen thousands of Italians evacuated from their now destroyed homes, and show no signs of abating.

Authorities in the city of Ravenna issued an immediate evacuation order today for three villages threatened by floods. 

Buses were being sent to help residents leave Villanova di Ravenna, Filetto and Roncalceci after the river Lamone burst its banks.

Nearly two dozen rivers and streams have flooded across the southeast of the Emilia Romagna region following downpours earlier this week, submerging entire neighbourhoods and farmland.

More than 10,000 people have been evacuated from their homes and hundreds of landslides were reported, regional officials said.

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A video shows one desperate pregnant woman being rescued from her home by firefighters in a helicopter as the water rises around the building. The rescuers carefully lowered a basket down to the woman’s home where she was helped by a firefighter before being lifted into the helicopter

People are rescued in Faenza, Italy, on Thursday after devastating floods turned streets into rivers

People are rescued in Faenza, Italy, on Thursday after devastating floods turned streets into rivers

Residents remove mud and debris after heavy rains hit Italy's Emilia Romagna region, in Faenza, Italy, on Thursday

Residents remove mud and debris after heavy rains hit Italy’s Emilia Romagna region, in Faenza, Italy, on Thursday

People are rescued in Faenza, Italy, on Thursday after deadly floods tore through the town

People are rescued in Faenza, Italy, on Thursday after deadly floods tore through the town

Damaged cars that were swept away in the floods are seen stranded in the San Rocco district

Damaged cars that were swept away in the floods are seen stranded in the San Rocco district 

An aerial view taken on May 18 shows a supermarket's flooded parking lot in the town of Cesena, after heavy rains caused flooding across Italy's northern Emilia Romagna region

An aerial view taken on May 18 shows a supermarket’s flooded parking lot in the town of Cesena, after heavy rains caused flooding across Italy’s northern Emilia Romagna region

An aerial view taken on May 18 shows a flooded street in the town of Cesena, after heavy rains caused flooding across Italy's northern Emilia Romagna region

An aerial view taken on May 18 shows a flooded street in the town of Cesena, after heavy rains caused flooding across Italy’s northern Emilia Romagna region

The streets of Cesena have been turned into mud after the nearby river burst its banks on Thursday

The streets of Cesena have been turned into mud after the nearby river burst its banks on Thursday 

Residents remove debris after heavy rains hit Italy's Emilia Romagna region, in Cesena, Italy, on Thursday

Residents remove debris after heavy rains hit Italy’s Emilia Romagna region, in Cesena, Italy, on Thursday 

An aerial view taken on Thursday shows residents clearing mud in a street of Cesena

An aerial view taken on Thursday shows residents clearing mud in a street of Cesena

A supermarket's flooded parking lot - where cars have been swept away by the water - is seen in Cesena on Thursday

A supermarket’s flooded parking lot – where cars have been swept away by the water – is seen in Cesena on Thursday

A church is flooded with water after heavy rains hit Italy's Emilia Romagna region, in Castel Bolognese, Italy, on Thursday

A church is flooded with water after heavy rains hit Italy’s Emilia Romagna region, in Castel Bolognese, Italy, on Thursday 

A panoramic view shows the Imola racetrack on Thursday after heavy rains caused flooding across Italy's northern Emilia Romagna region. The F1 race this weekend has now been cancelled

A panoramic view shows the Imola racetrack on Thursday after heavy rains caused flooding across Italy’s northern Emilia Romagna region. The F1 race this weekend has now been cancelled

The rain stopped mid-afternoon on Wednesday and meteorologists said they expected no significant rainfall on Thursday.

‘But when we have six months of rain in 36 hours, falling where there had already been record rain two weeks ago, there is no territory that can hold out,’ Stefano Bonaccini, president of the Emilia Romagna region, told La7 television channel late Wednesday.

‘We had an estimated two billion (euros) of damages two weeks ago… the ground no longer absorbs anything,’ Bonaccini said.

Two people died in the same region earlier this month after 48 hours of almost continuous rain.

Italy’s armed forces and the coastguard have joined the emergency effort, deploying helicopters to lift desperate residents from their homes and inflatable boats to reach houses surrounded on all sides by water.

As the floods receded in some areas, residents were left cleaning homes and streets thick with mud and filled with debris.

‘I’ve lived here since 1979, I’ve seen floods go by, but I’ve never seen anything like that,’ Edoardo Amadori, a resident of the city of Cesena, said on Wednesday.

Thousands of farms in the fertile agricultural area were affected, but Agriculture Minister Francesco Lollobrigida said the water would have to subside before the government could quantify the damage.

The flooding caused the cancellation of Sunday’s Formula One Emilia Romagna Grand Prix scheduled in Imola, with organisers saying they could not guarantee the safety of fans, teams and staff.

A flooded house is submerged in the water in the town of Cesena, Italy, on Thursday

A flooded house is submerged in the water in the town of Cesena, Italy, on Thursday 

Flooded buildings are submerged in the water in the town of Cesena on Thursday

Flooded buildings are submerged in the water in the town of Cesena on Thursday 

 

 

A view of a waterlogged building with debris around after heavy rains hit Italy's Emilia Romagna region, in Castel Bolognese, Italy, on Thursday

A view of a waterlogged building with debris around after heavy rains hit Italy’s Emilia Romagna region, in Castel Bolognese, Italy, on Thursday

Flooded bungalows in Cesena after heavy rains caused major flooding

Flooded bungalows in Cesena after heavy rains caused major flooding

Firefighters rescue inhabitants of the Romiti district after the flooding of the Montone river on Wednesday night

Firefighters rescue inhabitants of the Romiti district after the flooding of the Montone river on Wednesday night 

This weekend's Emilia Romagna Grand Prix has been called off due to extreme rain in Imola

This weekend’s Emilia Romagna Grand Prix has been called off due to extreme rain in Imola

A shopping centre in Cesana is flooded after the Savio river burst its banks

A shopping centre in Cesana is flooded after the Savio river burst its banks

Cars are partially submerged along a flooded street in the village of Castel Bolognese, Italy, Wednesday, May 17, 2023

Cars are partially submerged along a flooded street in the village of Castel Bolognese, Italy, Wednesday, May 17, 2023

A man awaits rescue by helicopter on the roof of his flooded house in  the town of Faenza in the northern Italian region of Emilia Romagna today

A man awaits rescue by helicopter on the roof of his flooded house in  the town of Faenza in the northern Italian region of Emilia Romagna today

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Rescue crews desperately tried to reach towns

UPDATE: The first volley back at Montana lawmakers has come from five TikTok content creators. They argue the law banning the app’s deployment is an unconstitutional violation of free speech rights.

The Montana residents filed their complaint on Wednesday in federal court in Missoula. They also argued that the state doesn’t have authority over national security issues.

EARLIER: Montana is now the first U.S. state to completely ban TikTok. Today, Republican Gov. Greg Gianforte signed a measure prohibiting downloads in the state of the popular app.

Violators face a fine of $10,000 per day for each time an entity offers the ability to download or access the TikTok platform. The penalties do not apply to individual users.

The measure will take effect on Jan. 1, 2024, but will be challenged legally. TikTok itself has not said whether it will head to court.

The governor was firm in his advocacy for a TikTok-free Montana.

“Today, Montana takes the most decisive action of any state to protect Montanans’ private data and sensitive personal information from being harvested by the Chinese Communist Party,” Gianforte said in a statement.

“We want to reassure Montanans that they can continue using TikTok to express themselves, earn a living, and find community as we continue working to defend the rights of our users inside and outside of Montana,” a TikTok spokesperson said in a statement.

The ACLU of Montana and NetChoice, a trade group that counts Google and TikTok as its members, also called the law unconstitutional.

Montana’s push is about more than stopping the dance videos, animal behaviors, and food consumption that are the staples of the app’s performances. Some officials have voiced concerns about the Chinese-owned parent company using data and subtle propaganda to curry influence.

On Wednesday, Gianforte also announced he was prohibiting the use of all social media applications tied to foreign adversaries on state equipment and for state businesses in Montana effective on June 1. That includes WeChat, whose parent company is headquartered in China; and Telegram Messenger, founded in Russia.

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UPDATE: The first volley back at Montana

Jimmy Buffett was forced to cancel his Saturday concert in Charleston, South Carolina early Thursday morning after an undisclosed medical issue hospitalized the “Margaritaville” singer. 

Buffett, 76, wrote on his Facebook page Thursday that his performance with his Coral Reefer Band would be rescheduled, with all tickets being honored when a new date is scheduled. 

“Challenges,” the Facebook post read, “make life interesting, however overcoming them is what makes life meaningful.” Following the Mark Twain quote, Buffett explained his unexpected medical delay. 

“Two days ago, I was just back from a trip to the Bahamas,” Buffett wrote. “Thawing out from the California ‘winter tour,’ and chomping at the bit to get to Charleston. I had to stop in Boston for a check-up but wound up back in the hospital to address some issues that needed immediate attention.” 

Buffett then dropped some gems like only he could. 

“Growing old is not for sissies, I promise you,” the singer continued. “I also promise you, that when I am well enough to perform, that is what I’ll be doing in the land of She-Crab soup. You all make my life more meaningful and fulfilled than I would have ever imagined as a toe headed little boy sitting on the edge of the Gulf of Mexico,” he continued. “Thank you for your prayers and thoughts, your amazing years of loyalty, and just remember, ‘NOT YET!’”

Buffett was also forced to suspend tour dates back in September for undisclosed health issues that led to another hospitalization. 

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Jimmy Buffett was forced to cancel his

The Supreme Court has declined to consider reinterpreting foundational internet law Section 230, saying it wasn’t necessary for deciding the terrorism-related case Gonzalez v. Google. The ruling came alongside a separate but related ruling in Twitter v. Taamneh, where the court concluded that Twitter had not aided and abetted terrorism.

In an unsigned opinion issued today, the court said the underlying complaints in Gonzalez were weak, regardless of Section 230’s applicability. The case involved the family of a woman killed in a terrorist attack suing Google, which the family claimed had violated the law by recommending terrorist content on YouTube. They sought to hold Google liable under anti-terrorism laws.

The court dismissed the complaint largely because of its unanimous ruling in Twitter v. Taamneh. Much like in Gonzalez, a family alleged that Twitter knowingly supported terrorists by failing to remove them from the platform before a deadly attack. In a ruling authored by Justice Clarence Thomas, however, the court declared that the claims were “insufficient to establish that these defendants aided and abetted ISIS” for the attack in question. Thomas declared that Twitter’s failure to police terrorist content failed the requirement for some “affirmative act” that involved meaningful participation in an illegal act.

“If aiding-and-abetting liability were taken too far, then ordinary merchants could become liable for any misuse of their goods and services, no matter how attenuated their relationship with the wrongdoer,” writes Thomas. That includes “those who merely deliver mail or transmit emails” becoming liable for the contents of those messages or even people witnessing a robbery becoming liable for the theft. “There are no allegations that defendants treated ISIS any differently from anyone else. Rather, defendants’ relationship with ISIS and its supporters appears to have been the same as their relationship with their billion-plus other users: arm’s length, passive, and largely indifferent.”

Thomas compared social platforms like Twitter to other older forms of communication:

“It might be that bad actors like ISIS are able to use platforms like defendants’ for illegal — and sometimes terrible — ends. But the same could be said of cell phones, email, or the internet generally. Yet, we generally do not think that internet or cell service providers incur culpability merely for providing their services to the public writ large. Nor do we think that such providers would normally be described as aiding and abetting, for example, illegal drug deals brokered over cell phones—even if the provider’s conference-call or video-call features made the sale easier.”

For Gonzalez v. Google, “the allegations underlying their secondary-liability claims are materially identical to those at issue in Twitter,” says the court. “Since we hold that the complaint in that case fails to state a claim for aiding and abetting … it appears to follow that the complaint here likewise fails to state such a claim.” Because of that, “we therefore decline to address the application of §230 to a complaint that appears to state little, if any, plausible claim for relief.”

Google’s public policy team issued a statement on Twitter about the decision. “Countless companies, scholars, creators and civil society groups who joined with us in this case will be reassured by this result. We’ll continue to safeguard free expression online, combat harmful content, and support businesses and creators who benefit from the internet,” it said.

The Gonzalez ruling is short and declines to deal with many of the specifics of the case. But the Twitter ruling does take on a key question from Gonzalez: whether recommendation algorithms constitute actively encouraging certain types of content. Thomas appears skeptical:

“To be sure, plaintiffs assert that defendants’ ‘recommendation’ algorithms go beyond passive aid and constitute active, substantial assistance. We disagree. By plaintiffs’ own telling, their claim is based on defendants’ ‘provision of the infrastructure which provides material support to ISIS.’ Viewed properly, defendants’ ‘recommendation’ algorithms are merely part of that infrastructure. All the content on their platforms is filtered through these algorithms, which allegedly sort the content by information and inputs provided by users and found in the content itself. As presented here, the algorithms appear agnostic as to the nature of the content, matching any content (including ISIS’ content) with any user who is more likely to view that content. The fact that these algorithms matched some ISIS content with some users thus does not convert defendants’ passive assistance into active abetting. Once the platform and sorting-tool algorithms were up and running, defendants at most allegedly stood back and watched; they are not alleged to have taken any further action with respect to ISIS.”

The interpretation may deal a blow to one common argument for adding special liability to social media: the claim that recommendation systems go above and beyond simply hosting content and explicitly encourage that content. This ruling’s reasoning suggests that simply recommending something on an “agnostic” basis — as opposed to, in one hypothetical from Thomas, creating a system that “consciously and selectively chose to promote content provided by a particular terrorist group” — isn’t an active form of encouragement.

The decision was praised by civil liberties activists. “We are pleased that the Court did not address or weaken Section 230, which remains an essential part of the architecture of the modern internet and will continue to enable user access to online platforms,” said Electronic Frontier Foundation civil liberties director David Greene in a statement following the ruling. “We also are pleased that the Court found that an online service cannot be liable for terrorist attacks merely because their services are generally used by terrorist organizations the same way they are used by millions of organizations around the globe.”

Supreme Court justices have indicated for some time that they wish to reexamine the liability of online platforms. But in a set of oral arguments earlier this year, justices seemed reluctant to change Section 230, questioning whether it would upend core pieces of online communication. Today’s rulings likely won’t be the final say on the legal status of internet services, though — the court has previously indicated interest in pursuing a pair of cases covering laws banning internet moderation in Texas and Florida.

Update 2PM ET: Added statement from Google.

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The Supreme Court has declined to consider