Diana asked them if she could join them. Rocos, Everett, and Mercury initially hesitated because they were concerned about what could happen if the press found out the then-future queen of England was partying at a gay bar. Mercury gave in and reportedly said, “Go on, let the girl have some fun,” and dressed her up in an army jacket, aviator sunglasses, and a leather cap (the clothes Everett had planned to wear out that night). They were able to sneak her into the club, and nobody noticed it was her.
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Welche Zielgruppe ist Rich Royal Casino ideal?
Nach meiner intensiven Nutzung würde ich Rich Royal Casino vor allem Casino-Fans aus Österreich ans Herz legen, die besonderen Wert auf eine breite, qualitätsvolle Spielauswahl von führenden Anbietern setzen. Auch wer ein überragendes Live-Casino-Erlebnis sucht, ist hier gut aufgehoben. Die benutzerfreundliche, mobilfreundliche Plattform arbeitet ohne Komplikationen. Die durchschaubaren Bonusbedingungen und die Palette an in Österreich gängigen Zahlungsmethoden runden das Bild ab. Spieler, die nach speziellen lokalen Zahlungsmitteln oder einer besonderen österreichischen Glücksspiellizenz suchen, sollten die Angebote aber gründlich mit ihren eigenen Prioritäten abgleichen. Es ist ein gediegenes, kurzweiliges und sicheres Casino für den breiten Markt.
Angebote und Promotionen: Fair und transparent?
Begrüßungsboni sind häufig ein Minenfeld voller versteckter Klauseln. Bei meiner Analyse der Aktionen von Rich Royal Casino habe ich vor allem auf die Umsatzanforderungen (WR) und die Spielgewichte geachtet. Der Einstiegsbonus ist ansprechend, aber nicht übertrieben hoch. Das sehe ich als positives Signal für Langfristigkeit. Die Umsatzanforderungen bewegen sich im standardmäßigen Rahmen der Glücksspielbranche und sind deutlich kommuniziert. Mir haben imponiert die regelmäßigen Reload-Boni, Gratisdreh-Aktionen und das klare VIP-Programm. Hier empfand ich mich als aktiver Gamer dauerhaft geschätzt, nicht nur als Neukunde. Klarheit ist hier entscheidend, und die entscheidenden Konditionen sind gut einsehbar.
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Die Abwicklung von Zahlungen ist ein heikles Feld. Rich Royal Casino präsentiert Optionen an, die in Österreich populär und seriös sind. Aus meiner Erfahrung sind das:
Herkömmliche Banküberweisung
Kreditkarten (Visa, Mastercard)
E-Wallets wie Skrill und Neteller
Konkrete, in der DACH-Region beliebte Optionen
FAQ
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Welche Arten von Zahlungsmethoden existieren österreichischen Spielern zur Verfügung?
Spieler aus Österreich haben die Möglichkeit auf bekannte und gängige Methoden zurückgreifen. Dazu gehören klassische Banküberweisungen, Kreditkarten wie Visa und Mastercard sowie populäre E-Wallets wie Skrill und Neteller. Die Auswahl ist pragmatisch auf den mitteleuropäischen Markt ausgerichtet. Einzahlungen sind üblicherweise sofort nutzbar. Die Dauer einer Auszahlung variiert je nach Methode, in der Regel zwischen 24 Stunden (E-Wallets) und wenigen Bankarbeitstagen.
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Auf welche Weise erreiche ich den Kundenservice und wird Deutsch angeboten?
Der Support ist in mehreren Sprachen verfügbar und bietet selbstverständlich Deutsch. Die wesentlichen Kontaktmöglichkeiten sind der 24/7 verfügbare Live-Chat auf der Website für schnelle Hilfe und die E-Mail-Kommunikation. In meinen Tests zeigten sich die Mitarbeiter stets freundlich, kompetent und bemüht, Anliegen auf Deutsch rasch und zufriedenstellend zu klären.
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Cut to a seedy alley behind a Chinese restaurant in Rome: A dozen mobsters menace a slight young man who suddenly pulls out a pair of nunchucks. He swings the traditional stick-and-chain weapons and makes quick work of his enemies, who fall one by one, groaning in pain.
The comedic, legendary action scene is from the 1972 film “The Way of the Dragon,” written, directed and starring Bruce Lee. The martial arts star was a trailblazer, allowing Asian Americans to see themselves represented in a strong, positive light on-screen.
And now he has secured a place in California history, becoming the first Chinese American in state history to have a day designated in his honor.
Lee was born in 1940 in San Francisco. His mother was of European descent and his father was a Cantonese opera star who was on tour in the city, affording his son birthright citizenship.
Lee grew up in Hong Kong, where he followed his father’s path as a performer, acting in more than a dozen films as a child and studying the close-quarters southern Chinese martial art Wing Chun.
On May 17, 1959, an 18-year-old Lee returned to San Francisco and eventually made his way to Hollywood. He went on to influence an industry that was at the time bereft of Asian American talent, and helped to popularize the genre of martial arts films and ignite Western interest in Hong Kong action cinema.
In recognition of his contributions, state Assemblymember Matt Haney (D-San Francisco) introduced a bill designating May 17 as “Bruce Lee Day” in California. The bill, signed into law Tuesday by Gov. Gavin Newsom, encourages schools and communities to honor Lee’s life and cultural impact.
Haney has described Lee as a “symbol of pride, resilience and possibility for generations who rarely saw themselves reflected with strength and dignity.”
Lee, who saw himself not only as an actor but also as a poet and philosopher, encountered repeated barriers. Up for the main role in the 1970s television series “Kung Fu,” for example, he was rejected in favor of white actor David Carradine.
In 2020, filmmaker Bao Nguyen sought to show how Lee dispelled anti-Asian sentiment and long-held stereotypes of emasculated Asian men in his ESPN documentary “Be Water.”
“The Asian male was the face of the enemy to many Americans,” Nguyen told The Times in 2020. “It was this vicious cycle of society reflecting media and culture, and media and culture reflecting society. There had to be some kind of intervention there and Bruce, in a way, was that intervention. He was the hero that we hadn’t seen before.”
Lee learned much about the systemic oppression that Black Americans faced from his first student, Jesse Glover, who had been a victim of police brutality.
And scholars have pointed out that, although his films had far-from-perfect politics, they touched on themes of fighting oppression. The 1971 movie “The Big Boss” showed Lee battling alongside laborers. “Fist of Fury” saw him opposing Japanese colonialism and discrimination.
Lee died young in 1973, at age 32 — before he was able to witness the full extent of his stardom. He died just one month before the release of “Enter the Dragon,” which was a box-office sensation and is considered a masterpiece of martial arts filmmaking.
X-Men ’97 Season 2 set the stage for one of the team’s most powerful villains, Onslaught, to make his debut. This series has already featured a few major antagonists from X-Men lore against the titular team of mutants, including Bastion and Mr. Sinister.
Near the end of X-Men ’97 Season 2, Episode 3, Professor X uses his telepathic powers to go inside the mind of General Logos, one of Pharaoh Rama-Tut’s key advisors. While searching for the information he needs, he is thrown into a desert landscape and looks out to see a massive red planet in the distance.
Marvel Animation
This planet emulates the look of Magneto’s maroon helmet, with a massive crater on one side that resembles the opening in the helmet where Magneto’s eyes and mouth are visible.
Marvel Animation
Even more so, this opening looks similar to the one on the helmet worn by the powerful mutant villain Onslaught. In the comics, Onslaught is a powerful psionic entity born from the inner hatred, resentment, and malignance from both sides of the mutant battle when Professor X and Magneto’s minds momentarily merge.
Marvel Animation, Marvel Comics
This entity wears a costume similar to Magneto’s but far more intimidating, with massive purple shoulder armor and jagged gauntlets that protrude from his wrists.
Marvel Comics.
While this character is not confirmed yet for an appearance in X-Men ’97, the visual of the red planet in Logos’ mind seems to heavily tease this next step for Magneto.
X-Men ’97 continues the story initially told in the animated X-Men: The Animated Series from the 1990s. Season 2 starts with the mutant teams split across two timelines, both tied closely to the rise of the supervillain Apocalypse. The first three episodes of X-Men ’97 Season 2 are streaming on Disney+, and new episodes debut at 12 a.m. PT/3 a.m. ET on Wednesdays.
How Onslaught Storyline Is Teased in X-Men ’97
Marvel Animation
The end of X-Men ’97 Season 1 sets up Onslaught’s potential arrival in Season 2 in a way similar to how the story unfolded in the comics. Notably, in Episode 9, Magneto rips the adamantium from Wolverine’s skeleton during the battle against the X-Men, marking the beginning of this descent into madness. Additionally, Charles seemed to be on his way to wiping Magneto’s mind completely, as he did in the comics, which directly ties into Onslaught’s arrival.
This all comes into play in the 1993 Fatal Attractions storyline from Marvel Comics, in which the X-Men confront Magneto after he threatens the Earth with a global EMP. This was depicted in Season 1, Episode 8 of X-Men ’97 after Magneto escaped custody, when he blacked out the entire planet in one of his most notable displays of power and anger in the show thus far.
Marvel Animation
Additionally, in the comics, Bishop and Forge play roles in this story by forming a new team of X-Men to save the OG members. Bishop saved the mutants from Xavier after he was corrupted by Onslaught, knowing their future through his time-traveling ability.
The early stages of this story seem to be coming to fruition early in Season 2, with both characters coming to the aid of the X-Men as they monitor everything happening with En Sabah Nur and try to stop him from becoming Apocalypse.
Back when Warner Bros bet everything on the Suicide Squad, from producing a second movie and pushing out an ill-conceived live-service video game based on them, the studio even gave the team an anime series called Suicide Squad Isekai. However, not to be outdone by his former henchwoman, the Clown Prince of Crime will be getting his own anime series solving Batman’s murder.
At this year’s Annecy Animation Showcase, DC Studios and Warner Bros Animation announced that Sola Entertainment and Yasuhiro Aoki, previously collaborating with them on The Lord of the Rings: The War of the Rohirrim, will produce and direct a new anime series called Joker: Laugh Riot.
DC Studios
According to the official synopsis for the series, “Joker launches a ruthless crusade through Gotham’s underworld to find [Batman’s] killer,” until he’s sent into an existential crisis when he realizes “his violent quest for answers pushes him closer towards vigilante than villain.”
“When Batman is murdered, the Joker launches a ruthless crusade through Gotham’s underworld to find the killer who took away his greatest adversary. But as his violent quest for answers pushes him closer towards vigilante than villain, Joker is forced to confront the truth that without Batman, he doesn’t know who he is.”
Whether Batman’s murder turns out to be a fakeout or not, the premise of the Dark Knight dying and his allies and enemies reconciling with his passing isn’t actually new. It’s been explored countless times in the comics, cartoons, and more, with Joker, not always, a focal point.
5 Stories Where Batman Dies
“The Man Who Killed Batman”
In one of the most acclaimed episodes of Batman: The Animated Series, “The Man Who Killed Batman,” a nobody crook named Sidney Debris seemingly kills Batman by accident during a scuffle that ends in a deadly explosion. Hailed by the criminal underworld for doing what no one else could, the infamy quickly becomes deadly for the wannabe criminal.
Warner Bros Animation
Skeptical that his archenemy was truly gone, Joker stages a robbery with Sidney to draw Batman out. When he’s a no-show, Joker accepts the sad reality, telling Harley, “Without Batman, crime has no punchline.” He even holds a mock funeral for the Caped Crusader, bemoaning throughout how he wasn’t the one to snuff him out, ending with him attempting to throw Sidney into a vat of acid.
Warner Bros Animation
Of course, Sidney was saved by Batman, who survived the explosion and merely stayed in hiding so Sidney could unwittingly lead him to mobster boss Rupert Thorne. While it was a fakeout, the episode was a perfect microcosm of the premise, showing how Gotham and its criminal underworld, specifically Joker, would react to Batman’s sudden and untimely death.
Gotham Knights (Video Game)
Taking its title from writer Devin Grayson’s Batman: Gotham Knights comics, this action role-playing game, which does not take place in the Arkham universe, begins with the Caped Crusader’s death after blowing himself up along with Ra’s al Ghul. In the aftermath of Batman’s demise, he enlists Nightwing, Barbara Gordon’s Batgirl, Red Hood, and Tim Drake’s Robin from beyond the grave to protect Gotham and finish his investigation into the Court of Owls.
Warner Bros. Games
The team also has to grapple with multiple criminal turf wars plaguing the city in Batman’s absence, as well as the League of Shadows, led now by Talia al Ghul. Strangely, Joker gets barely a passing reference in this game beyond Harley Quinn appearing, despite his obsession with Batman and the fact that two of his greatest victims, Jason Todd and Barbara Gordon, are among the core cast.
Warner Bros. Games
It could be a chance for Joker: Laugh Riot to rectify this missed opportunity, and the anime series could actually show how he would interact with Batman’s closest allies after the hero’s death. They might have to be the ones to rein in his “ruthless crusade through Gotham’s underworld” despite their common goal of finding Batman’s killer.
“Going Sane”
In one of the most famous examples of this premise, “Going Sane” by writer J.M. DeMatteis in Batman: Legends of the Dark Knight #65-68 explores what the Joker does with his life after he’s believed to have killed Batman with one of his deathtraps. As the title suggests, without Batman to occupy his mind, Joker’s insanity leaves him, unknowingly becoming Joseph Kerr. He gets a job and even marries a kind and innocent woman named Rebecca.
Batman: Legends of the Dark Knight (1989) #65
Joseph struggles with memories of the carnage and violence he inflicted as Joker, not recognizing it as his own actions, but thanks to Rebecca, he manages to cope and have a happy life for himself. Sadly, when he finally learns that Batman survived, Joseph has a breakdown, telling Rebecca he loves her before disappearing into the woods and falling into the river, only to reemerge as the Joker and back to his old ways.
Batman: Legends of the Dark Knight (1989) #68
The last line of the plot synopsis for Joker: Laugh Riot really stands out, with so many stories about Batman’s absence reducing Joker to an empty shell. It happened in The Dark Knight Returns, briefly in Scott Snyder’s run on Detective Comics, and he even ends up working at the DMV to fill the void in Gary Whitta & Greg Miller’s story “Kill the Batman” in The Joker 80th Anniversary issue.
Gotham Knights (TV Series)
In an amazing coincidence, CW’sGotham Knights had absolutely nothing to do with the video game of the same name, despite also drawing inspiration from Grayson’s spin-off comic and revolving around the death of Batman and a conspiracy involving the Court of Owls. But instead of staring at his closest allies, it focused on Bruce Wayne’s original adopted son, Turner Hayes, and some of his enemies or so-to-be enemies’ children solving his murder.
CW
As expected by many Batman fans, the series was canceled after only one season. While it’s regarded as an unmitigated failure, it’s sometimes good to see how bad it can get. After all, Joker: Laugh Riot has an extremely low bar to clear not to be the worst execution of this premise, and it also has an easy shot at being a far better murder mystery, too.
Grant Morrison’s Batman
At the end of Grant Morrison’s Final Crisis event, Batman made an exception to his one rule and killed Darkseid to save the universe, who incinerated him in return with his Omega Beams. While it was quickly revealed that Batman was actually scattered throughout time, the rest of the world believed him to be dead, including Dick Grayson.
Final Crisis (2008) #6
Bruce Wayne left the mantle of Batman to Dick Grayson, who reluctantly but eventually dons the cowl. Bruce’s recently introduced son, Damian, also becomes Robin for the first time alongside Grayson’s Batman as they continue fighting crime across Gotham in Grant Morrison’s Batman and Robin.
Batman and Robin (2009) #1
Joker: Laugh Riot could address who the next Batman will be and the supervillain’s impression of them, which could be fun. During Grant Morrison’s run, Joker had manipulated both Grayson and Damian, using them as pawns against the villain Doctor Hurt, since he didn’t see him as a worthy enough adversary for Batman. Perhaps Joker will use Batman’s wards the same way to find the killer.
There are plenty more stories about Batman’s death, but these are among the most well-known (for better or worse). Perhaps it’s expecting too much from Joker: Laugh Riot, but the anime series has the chance to delve into multiple facets of this premise, with plenty of stories to draw on for inspiration.
One of Ubisoft’s most underrated games, Watch Dogs 2, is on a super steep sale on Steam right now. So steep, in fact, that it seems to have inspired a new crop of folks to trawl through the technocratic world of digitized San Francisco to put an end to the surveillance state at a time when we’re all under some sort of surveillance IRL.
Over on the game’s Steam store page, you can pick Watch Dogs 2 for just $2.50 until Thursday, July 9. That’s a 95% discount for a game that normally retails for $50. And that’s just the base game! If you wanted to grab the DLC–which includes new cars, co-op adventures, outfits, weapons, world missions, and more–then you can snatch up either the Deluxe Edition for $3 or the Gold Edition for $4. Really, no matter how you look at it, this is a steal for the game.
Likely as a result of this nearly five-finger discount for a game that launched in November 2016, Watch Dogs 2’s player count has soared. According to player tracker SteamDB, over 10,000 people are playing it right now, and it saw a 24-hour peak of over 16,000 people. These numbers are steadily encroaching on Watch Dogs 2’s all-time concurrent high of 18,138 players. That’s impressive for a nine-year-old game.
The game’s surging popularity also makes a lot of sense considering the themes it tackles. As the Oakland-native Marcus Holloway, you get racially profiled and wrongfully accused of a high-tech robbery. This incident causes Marcus, an up-and-coming hacker, to join the hacker group DedSec–an Anonymous-esque collective hellbent on dismantling the technocracy ruling Ubisoft’s San Francisco Bay Area. Through a series of hijinks, all meant to raise DedSec’s clout, you confront the billionaires and the technology that’s making life hell for the digital city’s population. It’s a riveting narrative with a protagonist that’s very Black and very fun.
There are a lot of debates around whether we’re in a surveillance state at the moment. However, given the rampant use of AI, the overreliance on systems that all communicate with one another–think of smart homes–and the infrastructure that makes all of this technology run, it’s not hard to conclude that someone could be surveilling you. A cyberattack can occur in which a hacker gains access to, say, your webcam to watch you, making your “private” home much less so. In any event, it makes for good gameplay opportunities
In GameSpot’s Watch Dogs 2 review, we awarded the game an 8/10, calling it an “effortless mix of covert and action-oriented gameplay [with] a likeable cast that knows how to have fun in their own way.” That’s exactly what you get when you play Watch Dogs 2, which is one of those games that’s hard to put down despite some conflicting narrative decisions.
Now’s a great time to pick it up, especially if you hate the government surveilling you.
Traditional grading systems tend to organize work around tools. You stack effects, build node graphs, layer LUTs, and route images through increasingly complicated correction structures. Those systems can be powerful, but they also become fragile as you move along in your editorial. Sometimes sequences change, and you have new shots that entirely change a scene’s structure. Temporary grades become permanent by accident, and the structure that initially made sense slowly turns into something difficult to maintain.
Color Mode approaches the problem differently. Instead of organizing grading around effects, it organizes grading around decisions. And those decisions are called Operations.
The Power of Operations
An operation is not just a correction applied to a clip. It is a reusable image decision that understands where it belongs in the sequence and how broadly it should affect the timeline. You can move operations, duplicate them, reorganize them, and apply them across clips, groups, or entire sequences without rebuilding the grade from scratch. Instead of repeatedly fixing individual shots, Operations let you begin defining systems of behavior.
Color Mode separates those behaviors into two Operation types: Adjust and Style. Adjust Operations deal with the technical foundation of the image. Style Operations shape the aesthetic identity of the sequence. Separating those responsibilities turns out to matter a lot once timelines become large, revision-heavy, and structurally unstable.
Adjust Operations
Adjust Operations are the part of the workflow most editors already recognize instinctively. This is where exposure gets balanced, white balance gets corrected, contrast gets stabilized, and shots are normalized so they cut together naturally.
Instead of overwhelming the user with dozens of overlapping grading tools, Adjust Operations focus on the primary corrections that repeatedly determine whether footage feels technically coherent: exposure, tonal balance, contrast, highlight behavior, shadow density, and color temperature.
If every exposure correction behaves differently, then sequence-wide balancing becomes unreliable. If white balance shifts react inconsistently between shots, editors start compensating the clip manually by clip. Over time, those compensations accumulate into grading debt — layers of isolated fixes that become difficult to manage once the sequence changes.
Color Mode tries to reduce that problem by making correction behavior uniform. When an exposure adjustment behaves consistently across footage, you can apply it broadly with confidence. When a camera correction works predictably, you can assign it once to a group and trust it as new shots arrive.
Operations for Sequences, Groups, or Clips
At the sequence level, an Adjust Operation affects the entire timeline. That might mean applying a broad tonal normalization pass, adjusting highlight handling globally, or compensating for a production LUT change late in the process.
At the group level, operations apply only to subsets of footage. For editors, this maps naturally to the way productions are already mentally organized: camera groups, lighting setups, locations, scenes, interview environments, or day/night structures.
A correction for Camera B can live independently from a correction affecting an interior sequence. A scene balancing pass can coexist with a camera-specific compensation without either one overwriting the other.
At the clip level, operations become exceptions.
These are the shots that genuinely need isolated attention: an exposure drift, a difficult insert, mixed lighting contamination, or footage that simply does not conform to the broader correction structure. What’s wonderful about this is that clip-level fixes stop being the default workflow and start to be the exception.
When the system is working correctly, the majority of the sequence inherits behavior automatically from decisions made higher up the hierarchy. That changes the editor’s relationship to grading. Instead of constantly repairing continuity shot by shot, you are building a correction structure that carries continuity forward automatically.
Style Operations
This is where Color Mode separates itself most clearly from LUT-driven workflows.
A LUT is essentially a fixed transform. Once applied, editors often spend the rest of the process compensating around it. Highlights clip incorrectly, skin tones skew unexpectedly, and saturation behaves inconsistently between cameras. The look becomes difficult to adapt because the transformation itself is opaque.
Styles are built differently. Instead of applying a single baked aesthetic, Color Mode constructs looks from modular components. A contrast module might define tonal density and black behavior. A film color module might shape palette response. Another module may influence highlight rolloff, flare behavior, or color separation. The look emerges from the interaction between these modules rather than from one locked transform.
What people often describe as a “film look” is usually a combination of multiple image behaviors happening simultaneously: contrast response, shadow density, color separation, highlight softness, tonal compression, saturation rolloff, and texture behavior. Color Mode exposes those behaviors independently.
Building Looks Instead of Applying Them
The practical value of Color Mode’s modular structure is that it keeps the look open to revision as the sequence changes. You can adjust contrast without rebuilding color response, soften highlights without destroying the rest of the look, and refine saturation behavior independently from tonal shaping. The result is a workflow that behaves much more like editorial iteration, where you are no longer committing to a single irreversible transform early in the process and can continue evolving the look as the sequence evolves.
That flexibility becomes especially important during modern finishing workflows, where editorial rarely stabilizes cleanly. Directors continue adjusting scenes while additional photography arrives late. VFX shots appear incrementally, and entire tonal directions may shift after test screenings. A rigid grading structure tends to fracture under those conditions.
A modular Style system remains adaptable. You can begin with a preset look, modify the underlying modules, build a new configuration from scratch, and save that result as a reusable Style. A show look can evolve gradually instead of requiring destructive resets.
A Style can exist across the entire sequence, defining broad creative intent. It can exist at the group level, affecting only a specific scene or visual context. Or it can exist at the clip level, allowing a shot to diverge slightly while preserving the underlying aesthetic system.
Why Separating Adjust and Style Matters
That separation between Adjust and Style operations is one of the most structurally important aspects of Color Mode. Technical corrections remain independent from creative look development. That means you can continue evolving the look without destabilizing your balancing work underneath it.
Most sequences today are not stable enough for fragile grading systems. Editors are constantly working inside partially finished images. Camera LUTs, temporary grades, HDR transforms, remote review workflows, online finishing constraints, and compressed delivery schedules have collapsed the separation between editorial and grading.
Color decisions increasingly happen while the cut is still evolving. Color Mode is designed around that reality. The system works best when the structure stays simple: broad technical decisions at the sequence level, shared corrections at the group level, and minimal exceptions at the clip level. Style operations, then layer creative direction on top without interfering with the technical foundation.
Once that structure is in place, the workflow begins behaving less like a series of isolated shot repairs and more like a coherent visual system, where new shots integrate faster, corrections propagate automatically across the sequence, scene continuity remains stable, and look revisions become manageable rather than destructive.
That is ultimately the larger shift Color Mode is attempting to make. It reframes grading from a collection of disconnected clip corrections into a hierarchy of reusable editorial decisions — technical decisions, creative decisions, and propagation decisions that remain flexible even as the sequence continues changing underneath them.
This is article number six in a series on Color Mode in Premiere. If you missed any of the previous articles, start with Why Adobe Built Color Mode. In the next article, we’ll shift to The Divide and Conquer Grading Workflow, which covers how fast a full sequence grade can actually be and why this approach changes how people think about color work.
From the North Pole to the Texas oil fields, Billy Bob Thornton‘s Landman role was influenced by one of his other iconic characters.
Series creator Taylor Sheridan recently revealed that he referenced Thornton’s titular role as Willie T. Stokes in 2003’s Bad Santa when he pitched the Paramount+ series to the Oscar-winning actor.
“I said, ‘I want to make a drama with Bad Santa running an oil company,’” recalled Sheridan on The Bill Simmons Podcast. “He’s like, ‘That’s the greatest f*cking thing I’ve ever heard in my life. Yeah, let’s do it!’”
Thornton starred as conman Willie in Bad Santa, a depressed, foul-mouthed alcoholic posing as a mall Santa to pull off as holiday heist with his partner Marcus (Tony Cox), who plays his trusty elf. The pair reunited for the sequel Bad Santa 2 in 2016.
In Landman, Thornton plays abrasive crisis executive Tommy Norris, who struggles to run a West Texas oilfield following a fatal accident.
“We thought it was going to appeal to the middle of the country, that was the hope for it. We didn’t think the coasts would go for it — we certainly didn’t think it would become this huge international hit,” he said. “We had no idea; we’re humbled by that and very proud of it. We have fans in Uganda, Australia and everywhere else.”
Thornton added, “I think a lot of it, and this is just my feeling, it’s because the characters are all unabashedly who they are, and they’re just honest about everything. Taylor’s shows normally will have a vibe, and this has several — emotion and humor and drama and absurdity and danger, all those different things. I think the variety on it appeals to people.”
Jeans and a white top just got infinitely cooler, thanks to Zendaya and Dua Lipa.
New York City was a hotbed of celebrity style inspiration on July 1, with Zendaya and Anne Hathaway promoting The Odyssey on the same day Lipa was spotted leaving a recording studio post-honeymoon. All three women kept their looks relaxed and effortless, proving summer style is best when it’s not over-complicated. But while Hathaway confirmed that last year’s mesh ballet flats are still worth a spot in the rotation, both Z and Lipa dove head first into this summer’s prominent red shoe trend.
Red shoes are all over runways and street style vision boards this summer, with emphasis on tomato-colored thong sandals and vibrant retro sneakers. Zendaya and Lipa, however, opted to add extra spice to summer’s most basic uniform with a pair of bold red ballet flats. It turns out, nothing goes better with summer denim and a simple white top than a pair of these bad boys, whether you’re rocking low-slung cuffed jeans or cut-off jorts.
Here’s exactly how to style red ballet flats with your favorite jeans and white tops like Zendaya, Dua Lipa, and a few other street style experts.
Red flats with low-slung jeans and a white tank top, à la Zendaya
Zendaya seen in Tribeca on July 01, 2026 in New York City.
Aeon
On July 1, Zendaya kept everything simple but her shoes, styling yet another pair of her favored Tabi flats with low-slung relaxed denim and a basic white tank top. This time, her Tabis came in a burgundy crushed velvet we’d typically save for fall but feel far more light hearted with her cuffed blue denim and thin white tank. She barely accessorized—other than stuffing everything into a light beige carry-all with a chic beige bandana—allowing her accent shoe to do all the work.
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Pour les amateurs canadiens en ligne, un service clientèle sûr et joignable n’est pas un luxe, mais une nécessité absolue https://hopa-casino.ca/fr-ca/. Il représente le socle central de l’aventure de jeu, proposant une aide déterminante en cas de question, de dysfonctionnement technique ou de préoccupation financière. Hopa Casino, une plateforme établie sur le marché, promeut un dévouement envers le support aux joueurs. Cette évaluation approfondie analyse de près les canaux d’assistance, les temps de réponse, la qualité des résolutions apportées et l’performance globale du service client de Hopa Casino pour sa communauté canadienne. Nous évaluerons si la réalité sur le terrain est en phase avec les promesses, en examinant au crible chaque point pour offrir un aperçu complet et objectif de ce que les joueurs peuvent légitimement espérer lorsqu’ils ont besoin d’aide.
Introduction à l’Écosystème de Support de Hopa
Hopa Casino opère dans un contexte digital concurrentiel où la distinction repose généralement par la excellence du service après-vente. L’système d’aide de la plateforme est conçu pour être multicanaux, destiné à englober les préférences variées des participants, qu’ils soient habitués avec le dialogue instantané pour une résolution immédiate ou qu’ils choisissent la formalité d’un email pour des requêtes complexes. Pour le territoire canadien, cet environnement doit également tenir compte des caractéristiques locales, en particulier les fuseaux horaires et les finesses langagières dans un pays bilingue. La philosophie affichée de Hopa est de offrir un réseau de protection constant, disponible depuis la page principale du site et l’compte personnel, suggérant que l’support est une priorité intégrée à l’parcours client plutôt qu’un service annexe.
Canaux de Communication Proposés
Hopa Casino offre à ses utilisateurs canadiens plusieurs voies pour solliciter l’équipe d’assistance. Le canal le plus apparent et souvent le plus utilisé est le chat en direct, proposé comme une option 24/7 pour une aide immédiate. Ce service est accompagné par un support par email, idéal pour les documents justificatifs ou les historiques de conversation complets. Une section de FAQ (Foire Aux Questions) minutieusement élaborée sert de première ligne de défense, permettant aux joueurs de régler eux-mêmes les problèmes courants sans devoir faire la queue. Il est à noter que, contrairement de certaines plateformes, Hopa ne donne l’impression pas offrir de numéro de téléphone réservé au support général pour le Canada, une décision qui conduit naturellement les interactions vers les canaux numériques. La présence de ces canaux depuis les appareils mobiles est également un point crucial étant donné la popularité du jeu sur smartphone.
Chat en direct (Live Chat) : Accessible 24 heures sur 24 et 7 jours sur 7, directement depuis le site web et l’application mobile.
Support par email : Boîte mail réservée pour les requêtes nécessitant un suivi ou l’envoi de pièces jointes.
Centre d’Aide (FAQ) : Bibliothèque de réponses approfondie organisée par thèmes (compte, dépôts, retraits, jeux, etc.).
Réseaux sociaux : Médias comme Facebook et X (anciennement Twitter) utilisés pour les communications publiques et parfois le support.
Réactivité et Présence
La garantie d’un service 24/7/365 est un argument majeur pour tout casino en ligne fiable. Chez Hopa Casino, le chat en direct est réellement annoncé comme étant accessible à toute heure, ce qui est essentiel pour un marché comme le Canada où les habitudes de jeu s’étendent sur tout le fuseau horaire. Nos tests et les retours d’expérience obtenus indiquent que les temps d’attente pour être mis en relation avec un agent via le chat sont en règle générale raisonnables, souvent inférieurs à deux minutes pendant les heures habituelles. Pour le support email, le délai de réponse officiel est habituellement inférieur à 24 heures, un standard admissible dans l’industrie. La disponibilité pendant les périodes de pointe (soirées, week-ends) peut voir une faible augmentation des temps d’attente, mais le service reste fonctionnel. Cette constance dans la disponibilité contribue largement à un sentiment de sécurité pour le joueur.
Compétence et Standard des Agents
La vitesse de réponse est inutile sans compétence. La qualité des échanges avec les agents du support de Hopa Casino est en général appréciée. Les agents paraissent bien formés aux procédures standard du casino : vérification de compte, difficultés de connexion, interrogations sur les bonus et suivi des transactions. Ils adoptent un ton courtois et professionnel. Cependant, pour des questions techniques très pointues sur des jeux spécifiques ou des cas exceptionnellement complexes, l’agent de premier niveau peut parfois être amené à consulter un service technique, ce qui peut prolonger le temps de traitement. La capacité à fournir des réponses claires, concrètes et définitives, au lieu de réponses vagues ou toutes faites, représente un gage de qualité que Hopa tente habituellement d’atteindre, même si des différences peuvent exister selon les interlocuteurs.
Service dans les Langues Officielles du Canada
Le bilinguisme officiel est un aspect essentiel du service au Canada. Hopa Casino satisfait cette exigence en offrant l’intégralité de son site, y incluant la section d’aide et le support, en français et en anglais. Les joueurs peuvent interagir avec le service client dans la langue de leur choix. Les membres de l’équipe du chat et ceux gérant emails sont aptes de échanger efficacement dans les deux langues officielles, ce qui élimine une barrière potentielle majeure à la compréhension et à la résolution des problèmes. Cette considération portée au soin linguistique est non seulement une question de conformité aux bonnes pratiques du marché, mais aussi un symbole de respect envers la clientèle, lui offrant la possibilité de aborder de sujets parfois délicats (comme les difficultés de compte ou d’ordre financier) dans la langue officielle où elle est le plus à l’aise.
Interface du site : L’ensemble de la plateforme, y compris les menus, les termes et conditions, et le centre d’aide, est proposée en français et en anglais.
Interaction en direct : Les employés du support sont capables de échanger et de régler les problèmes dans les deux langues sans recours apparent à des outils de traduction automatique.
Documentation et communications : Les emails transactionnels, les conditions des promotions et les documents essentiels sont envoyés dans la langue choisie par l’utilisateur lors de son inscription.
Résolution de Difficultés Propres aux Joueurs Canadiens
Les joueurs canadiens affrontent des défis uniques, principalement liés aux modes de paiement et à la réglementation provinciale. Le soutien de Hopa Casino doit donc être particulièrement efficace sur des sujets comme le traitement des dépôts et retraits via Interac, Instadebit, ou les cartes de crédit canadiennes, ainsi que sur les éventuelles restrictions géographiques selon la province (Québec, Ontario régulée, etc.). Les avis montrent que les agents sont généralement bien au courant sur les méthodes de paiement locales et leurs délais. Pour les interrogations de juridiction, ils sont en mesure de rediriger vers les termes et conditions appropriés. La capacité à résoudre avec efficacité un problème de transaction, qui est souvent la source d’anxiété la plus grande pour un joueur, est un critère crucial que le support de Hopa semble de manière générale maîtriser, en guidant l’utilisateur étape par étape.
Centre de support et Ressources en Ligne
Sans avoir à contacter un humain, les joueurs sont invités à consulter le centre d’aide en ligne de Hopa. Cette bibliothèque d’articles est classée de manière logique et aborde un vaste éventail de sujets, des plus basiques (comment s’inscrire) aux plus techniques (que faire en cas de jeu gelé). La valeur de ce contenu est primordiale. Les articles sont habituellement bien rédigés, clairs et fournissent des instructions étape par étape agrémentées de captures d’écran lorsque nécessaire. Une FAQ dynamique et complète réduit considérablement la charge sur le support direct et offre aux joueurs autonomes de trouver une réponse en quelques secondes. L’efficacité de ce centre d’aide est un point fort, démontrant l’investissement de Hopa dans la prévention des problèmes plutôt que dans leur seule résolution.
Guides détaillés : Démarches complètes pour les inscriptions, les vérifications, les premiers dépôts et les demandes de retrait.
Dépannage technique : Astuces pour les problèmes de connexion, de chargement des jeux, ou d’installation de l’application.
Informations sur les bonus : Précisions claires des conditions de mise (wagering requirements), des codes promotionnels et des règles des tournois.
Sécurité et comptes : Recommandations sur la protection du compte, la définition des limites de jeu et le processus de vérification d’identité.
Forces et Domaines à Améliorer
En résumant l’analyse, le service à la clientèle de Hopa Casino montre des forces évidents. Sa disponibilité 24/7 via le tchat, son caractère bilingue réel et la niveau générale de ses supports en ligne en constituent font un service robuste et adapté au secteur canadien. La expertise des conseillers sur les questions fréquents est reposante. Toutefois, quelques domaines d’optimisation peuvent être relevés. L’manque d’un ligne téléphonique pour le service standard peut décourager une partie de la clientèle utilisatrice moins à l’confortable avec le numérique. De plus, encore que rares, des contradictions dans les renseignements fournies par différents agents ont été signalées, indiquant qu’une normalisation continue de la instruction serait avantageuse. Finalement, une fonctionnalité de “rappel d’appel” ou de “file d’attente de chat avec estimation du temps” pourrait optimiser encore l’parcours client pendant les pics d’affluence.
Résultat Final sur le Support Client de Hopa Casino
Le assistance client de Hopa Casino pour le Canada se place comme un service digne de confiance, qualifié et dans l’ensemble performant. Il satisfait aux besoins fondamentales du marché en termes de accessibilité, de langues proposées et de canaux de communication majeurs. Sa point fort réside dans la mise en place d’un FAQ exhaustif et d’un tchat réactif, constituant un ensemble qui rend possible de résoudre la plupart des soucis. Si l’absence de hotline direct et de petites différences dans la qualité des interactions des interactions représentent des points faibles, elles ne n’affectent pas la solidité générale de le service. Pour un joueur du Canada cherchant une plateforme de jeu où le support est prise au sérieux et joignable à tout instant, Hopa Casino propose un support client qui est digne de confiance et qui est considéré comme un élément clé dans le choix ce établissement de jeu en ligne. Il est un interlocuteur fiable pour une expérience ludique en ligne tranquille.
Tuesday, June 30, 2026, ratings — New episodes: America’s Got Talent and Password.Special:The Presidential 1776 Award: Who Knows America Best.Sports: FIFA World Cup Today, 2026 FIFA World Cup, and WWE NXT. Reruns: RJ Decker, Will Trent, Georgie & Mandy’s First Marriage, and NCIS: Sydney.
NOTE: Ratings posted using Fast Affiliate Numbers.
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The percentages represent the change since the previous original episode. (Percentages aren’t given for reruns or specials.) To see past ratings for a particular show, click the show’s link. The show pages are updated with the daily final ratings when they become available. Those pages include season averages to date.
The first trailer for “Peluru Senja: The Ghost & the Gun” has arrived alongside confirmation of a nationwide Malaysian theatrical release on Aug. 28, timed to the country’s Independence Day weekend.
Local distributor MSK Cinemas will handle the rollout.
The Bahasa Malaysia-language feature is the third film from Singapore-based Indian director Anshul Tiwari, whose previous credits include “Before Life After Death” and “Bayaar.” The screenplay was written by Abhi Kumar. Producers are Debasmita Dasgupta, Tim Willrich, Bo H. Holmgreen and Mikail Chowdhury, with Jessie White of Misfit Studios serving as executive producer alongside Mohsen Ashraf of Friendly Felix Studios, Tanveer Ali, Amreen Bashir of Amra Bangladeshi and Tahmid Khan of Auras.
Set in 1948 Malaya in the volatile years that followed the end of World War II, the film traces a Malay soldier and a British soldier who are left behind after the British military withdraws. Together they must reckon with their wartime histories while protecting a village under threat from armed rebels.
Award-winning Malaysian actor Fabian Loo – known for “Rain Town” and “One Cent Thief” – leads the cast alongside Hazman Al-Idrus. They are joined by celebrated Indonesian actor Asmara Abigail (“Stone Turtle,” “Impetigore”) and U.S. actor Brett Tutor (“Monsters of Man”).
Tiwari said: “We have many World War II films but rarely are they centred on people from this region nor do we see the impact of the British withdrawal and the ensuing mess. Abhi Kumar’s screenplay offered the perfect opportunity to explore a theme that gripped me: the psychological trauma carried by war survivors.”
Production drew on talent and crew from six countries. Dasgupta, whose company is FilmsPositive, said the shoot reflected the collaborative ambition at the project’s core. “We proudly united talent and crew from Malaysia, Indonesia, Singapore, India, Bangladesh and the U.K. to bring it to life,” she said.
The film carries a further distinction as one of the first war features shot entirely in Bali. “Filming in Bali allowed us to craft a visually stunning backdrop with natural locations and we built fourteen sets to replicate 1940’s Malaysia,” said Bo H. Holmgreen, producer and CEO of Viking Sunset Studios. “Accompanying this fabulous war movie back to its cultural and historical origins is very exciting.”
“We believe ‘Peluru Senja’ has the potential to connect with audiences through its unique identity and compelling narrative. We are committed to delivering a strong theatrical release,” said Saradha Sivalingam of MSK Cinemas, who added the company was drawn by the film’s “powerful storytelling, authentic Malaysian setting and strong emotional core, combined with high production values that deserve to be experienced on the big screen.”
White offered a similar note. “This film has always been about telling a deeply human story against the backdrop of an important moment in Malaysian history, and we can’t wait to share it on the big screen,” she said.
The production made use of Malaysia’s post-production infrastructure and incorporated creative voices from across South and Southeast Asia.
“Peluru Senja: The Ghost & the Gun” opens in Malaysian cinemas nationwide on Aug. 28.
There is a longstanding question in K-pop about what actually holds a girl group together: a single breakout star, a concept strong enough to carry eight people, or something harder to manufacture. Hearts2Hearts, the SM Entertainment octet now 16 months into its career, is proof of the third option.
The group’s structure is built around what it refuses to do. Instead of one designated center, Hearts2Hearts spreads the weight, arranging vocal lines, choreography and camera time so that individual moments serve the whole. It’s a familiar pitch in K-pop marketing and a rare thing to actually pull off. What sets this group apart is that the balance holds up under scrutiny, onstage, in live vocal takes, in the self-produced content where group dynamics usually crack first.
Even the group’s most viral moment worked this way. Stella’s spoken English narration in “RUDE!” became the song’s signature and fueled a fan challenge, yet it never read as one member breaking away from the pack. It read as Hearts2Hearts. That house-leaning single, released this past February, climbed to a No. 57 peak on the Billboard Global 200, while rising to No. 5 on the Billboard Korea Hot 100. The demand followed offstage: in March, the group sold out showcases in both New York and Los Angeles. For an act barely a year past its debut, which reached No. 102 on the Billboard Global Excl. U.S. chart with “The Chase,” that is a group finding its ceiling and pushing past it.
“Lemon Tang,” the title track of the second mini album released June 22, carries that momentum into a bright, summer-coded dance-pop turn. Where “RUDE!” came from a team of Western topliners, the follow-up is a KENZIE record, penned by the SM in-house veteran whose credits run from Girls’ Generation’s “Into the New World” through two decades of the label’s girl-group canon. The chorus leans into a breezy, bossa-inflected sway, and the vocal arrangement follows the group’s usual logic: lines sung in pairs that build into all eight voices in unison. The lyric’s central image, a lemon that is sour alone and turns sweet in combination, is also a fair summary of how this group operates, name included.
That’s the thing about Hearts2Hearts. The appeal is cumulative rather than explosive: friendly without being lightweight, bright without being simple, and consistent in a genre that usually chases spectacle. In this interview with Billboard Korea, the eight members talk through the moment they first saw their name on the Billboard charts, the energy of their first sold-out U.S. stages, the roots each member brings to the team, and what they hope people understand about Hearts2Hearts by the end of this summer, in their own words.
SM Entertainment
From “The Chase” to “RUDE!,” sixteen months have already passed. How do you feel about where Hearts2Hearts stands now?
JIWOO: I think we’re still in the middle of growing and learning, but when I look at where we are now, I’m most proud that Hearts2Hearts is starting to have a distinctive color of its own. We’ve gained a lot of experience since debut, and I think we’re becoming more confident both as individuals and as a team. It makes me excited for how much more we can grow from here.
YE-ON: Like JIWOO unni said, I think we’re still growing as artists. But if I had to pick the biggest change, it would be how much more comfortable I’ve become on stage. At debut, I was focused on finding the cameras, but now I feel more confident connecting with our fans and enjoying the moment!
Hearts2Hearts arrived as SM’s first new girl group since aespa. Did that description ever feel heavy to you, or did it become a quiet source of strength?
YE-ON: Rather than feeling pressured, I think it motivated us to work even harder together so we could live up to people’s expectations. It felt more like positive encouragement that pushed us to keep practicing and improving!
When you first heard “Lemon Tang,” what made it feel like the right next chapter after “RUDE!”?
YUHA: The track carries the same confident energy as “RUDE!” while bringing a brighter and more refreshing feeling that fits the summer season. While “RUDE!” was about breaking away from expectations and doing things our own way, “Lemon Tang” shows a brighter side of us and celebrates how beautiful it feels when we’re together. That’s why it felt like the perfect next chapter.
“Baby Steps” carries the excitement of a new beginning, while “Secret Recipe” tells a story of building something together. Which track feels closest to the team’s heart right now?
JUUN: I think “Baby Steps” feels closest to where we are right now. As we begin this new chapter with “Lemon Tang,” I think the excitement and nervousness of trying something new really reflect how we feel as a team. That’s why I find myself relating to “Baby Steps” the most.
“RUDE!” reached No. 10 on Billboard’s World Digital Song Sales chart and entered the Billboard Global 200 as well. When you first saw Hearts2Hearts on an overseas chart, what went through your mind?
CARMEN: I’m so, so thankful to S2U and to everyone who has been listening to “RUDE!” I’m incredibly happy, and honestly, it still feels a little like a dream. Seeing our song on the Billboard chart was… just wow. It was such a huge moment for us! I’m truly grateful for all the love and support. Thank you so much!
STELLA: When I first saw “RUDE!” on the Billboard charts, I was really shocked and so grateful for all the fans who supported us. It really made me realize that there are so many global fans who love our music, and it inspired me to work harder for our next comeback.
Stella, your English narration became one of the signatures of “RUDE!” and even carried into the challenge. Did you expect that part to resonate with listeners in that way?
STELLA: When I first recorded the narration part in our song, I had hoped that our listeners would resonate with it. However, I didn’t expect the amount of love and attention that it would get at all. Watching our fans and listeners do the narration challenge was so much fun, and I feel incredibly grateful for all the support.
In March, you sold out showcases in both New York and Los Angeles. What felt different about the energy of the U.S. fans compared to the audiences you had met in Korea?
A-NA: All of our fans are incredibly passionate, but what stood out to me in the U.S. was how loudly everyone sang along and even danced with us. Seeing the crowd enjoy the music so freely and express themselves in that way was really new and memorable for me.
IAN: The showcase was a moment where I really got to feel the incredible energy of our fans in the U.S. Even the smallest things we did got such a big reaction. Hearing everyone sing along and seeing them jump and have fun with us really made me feel their passion.
Jiwoo, as the leader, what did the “RUDE!” season teach you about the members that you may not have fully realized before?
JIWOO: During our “RUDE!” promotions, I realized once again how strong and dependable our members are. I was really impressed by how everyone took responsibility for their own role and always gave their best. Even during difficult moments, the members were always looking out for each other first, and I was so grateful for that. It made me trust the team even more, and I felt just how reliable everyone is.
Carmen, as SM’s first Indonesian member, what kind of color do you feel your roots bring to Hearts2Hearts when the group connects with fans around the world?
CARMEN: As SM’s first Indonesian member, I’m really grateful to be able to share a part of my culture and experiences with Hearts2Hearts. Growing up with a different background has given me a broader perspective, and I think that helps our group connect naturally with fans from all around the world. I also feel happy that I can introduce Indonesia and represent many fans who dream of standing on a global stage. More than anything, I hope the warmth, sincerity, and positive energy I’ve grown up with can become one of the unique colors that make Hearts2Hearts even more special.
The name Hearts2Hearts carries the idea of connecting one heart to another. Since your debut, what has been the clearest moment when you truly felt that connection with your fans?
A-NA: One of the moments when I feel most connected to our fans is when I see them smiling and enjoying themselves while watching us perform on stage. Seeing that happiness on their faces makes me feel like our hearts are really connected.
The rookie season often passes faster than people expect. Is there something you feel Hearts2Hearts can only do now, precisely because you are still at the beginning?
IAN: I think it’s continuing to show how we’re growing. All of the members constantly give each other feedback and always want to improve, so I think people can really see that growth through our performances and activities.
By the end of the “Lemon Tang” promotions, what do you hope people will understand a little more clearly about Hearts2Hearts?
YUHA: Just like the feeling you get when you think of “Lemon Tang,” I hope thinking about Hearts2Hearts can make people smile and feel a little happier.
JUUN: Just like the lyrics of “Lemon Tang,” I hope people can feel that fresh, uplifting energy with us. I also hope our song becomes the soundtrack to everyone’s summer and helps make this season feel a little brighter and more fun.
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Adjusting the Timer: A Thorough Exploration
Adjusting Settings from the Account Dashboard
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The summer is heating up, and this month’s invitation to cool off at the movie theater comes with a complete menu of indie films – truly something for anyone (though maybe not for everyone). Dance with the hobbyhorses, match wits with 16-century samurai, or have your world rocked by a sexually adventurous boss lady, but don’t stay home and complain there’s nothing to watch.
NIGHT NURSE
When You Can Watch: June 30
Where You Can Watch: Film Independent Presents
Writer/Director: Georgia Bernstein
Cast: Cemre Paksoy, Bruce McKenzie, Eleonore Hendricks
Why We’re Excited: A dark psychological thriller set in a luxury retirement community, where a young nurse named Eleni (Cemre Paksoy, The Affair) is hired for in-home care. Her enigmatic patient, Douglas (Bruce McKenzie, House) is a life-long con artist, running a racket on his elderly neighbors. Eleni is drawn into the scheme, taken with Douglas and his magnetic confidence. As another nurse (Eleonore Hendricks, Uncut Gems) joins the game of deluding senior citizens into believing she’s their granddaughter in distress, they form a cultish throuple around Douglas’s mysteriously failing health and suburban crime spree. “I wanted the film to explore that emotional space where being needed can feel like purpose,” filmmaker Georgia Bernstein told The Film Stage, “and how that devotion can gradually become destructive.”
YOUNG WASHINGTON
When You Can Watch: July 3
Where You Can Watch: Theaters
Director: Jon Erwin
Stars: Mary-Louise Parker, William Franklyn-Miller, Ben Kingsley
Why We’re Excited: The latest blockbuster biopic takes on an intimidating figure in world history: George Washington, but not as the future president of the as-yet-unformed United States. Starring British actor William Franklyn-Miller (Dongji Rescue), we meet George as a preteen mourning the death of his father, then follow his coming of age as a wannabe Brit. Shunned by the society to which he aspires, the ambitious young colonist resolutely seeks out opportunities to distinguish himself, courting the hand of a lady (hint: not Martha) and volunteering for a dodgy mission with the Virginia militia led by Robert Dinwiddie (Spirit Award nominee Ben Kingsley, House of Sand and Fog). In contrast to the laudatory writings of Washington in his time, filmmaker Jon Erwin (I Can Only Imagine) attempts to showcase the making of a resilient leader by depicting a Washington who wavers, who lies, and who even fails – but tries again.
THEY FIGHT
When You Can Watch: July 7
Where You Can Watch: Film Independent Presents
Director: Sheldon Candis
Stars: Wendell Pierce, André Holland, Samira Wiley
Why We’re Excited: The setting for this boxing drama is Southeast Washington, DC, where Slim (Spirit Award nominee Wendell Pierce, Burning Cane) runs a youth recreation center. Fresh out of prison and eager to prove himself to the mother of his child, Walt (André Holland, Moonlight) returns to his old mentor and is given a chance to coach boxing, a sport he used to love. There he encounters neighborhood teens fighting their own trials in life: one parent’s terminal illness and another’s absenteeism. Through the medium of boxing, the underdog bunch rises to their collective challenges while Walt seeks a job and a place to live, struggling to maintain his 3-year sobriety when back pain tests his resolve. Based on a true story and a 2018 documentary with the same name.
READING LOLITA IN TEHRAN
When You Can Watch: July 10
Where You Can Watch:
Director: Eran Riklis
Stars: Golshifteh Farahani, Zar Amir Ebrahimi, Mina Kavani
Why We’re Excited: Israeli filmmaker Eran Riklis (Lemon Tree) brings to the screen 24 years of work, academic debate and resistance from Azar Nafisi’s 2003 memoir. The Iranian-American began teaching in Tehran after the 1979 revolution promised a whole new world for Iranians in the diaspora who came back home. Azar (played by Golshifteh Farahani, Paterson) teaches literature in a prestigious university, encouraging spirited discussion among her students. As strong religious views begin to take effect, the class is first segregated to women-only, then mandated to embrace conservative clothing, until Azar’s curriculum itself is protested in the street. Navigating these changes in her private life as well as her classroom, Azar fights for the freedom to embrace the uncomfortable conversations that come after reading books like Lolita.
FORBIDDEN FRUITS
When You Can Watch: July 15
Where You Can Watch: Film Independent Presents
Director: Meredith Alloway
Stars: Lili Reinhart, Jordan Duarte, Victoria Pedretti
Why We’re Excited: The girls working at this mall fashion store are more than just a clique – they’re a coven. Of witches? Perhaps. This witty dark comedy pairs a unique twist on feminist ideals with frolicsome mall set pieces: inducting a new member from the pretzel stand, sleeping with guys from the food court, and using the dressing room as a confessional (unburdening themselves to the spirit of Marilyn Monroe, of course). But more than a pop teenage girl world, this cult of femininity meets its match when they put a hex on someone – and it works. Shaken by the potential of what they’ve done, the group turns a questioning eye on its leader, Apple (Lili Reinhart, Riverdale). Is she the real toxic influence, or are they all under a spell? Executive produced by Film Independent member Randy Manis.
Why We’re Excited: Maybe some of us just learned today that hobbyhorsing is a gymnastic sport. Like, the toy horse on a stick. For Margarita (Lillian Carrier, Everything’s Gonna Be Okay) it’s the thing she loves to do, showcasing traditional equestrian moves without the benefit of a live horse. Margarita is 22 and autistic, pushed into an escalated path to self-sufficiency in the wake of a cancer diagnosis for her mom, Sandy (Gretchen Mol, Boardwalk Empire). Margarita lands a job at the Halloween store, but would rather break into her neighbor’s house to get her hands on the coveted hobbyhorse. That’s how she meets her coach (Jerod Haynes, The Greatest) and joins his competitive hobbyhorse dance team. Film Independent member Alix Madigan is a Producer.
HADESTOWN: THE MUSICAL
When You Can Watch: July 24
Where You Can Watch: Theaters
Director: Brett Sullivan
Stars: Reeve Carney, Eva Noblezada, Patrick Page
Why We’re Excited: Anaïs Mitchell’s concept album turned Grammy- and Tony-winning stage production is captured on screen and showing in theaters, exploring the Greek myths of Orpheus and Eurydice in a New Orleans jazz club. Under the direction of veteran Brett Sullivan, who has notably captured prominent musicals like Newsies and Billy Elliot for the screen, audiences get a front row seat to the doomed love stories that intertwine through music, schemes and smoke. Orpheus (Reeve Carney, House of Gucci) is young and poor, writing songs to incite the return of spring. When he falls hard for Eurydice (Eva Noblezada, Yellow Rose), she seems to return his affection. But the world is cold, and when the offer of protection and warmth comes from Hades (Patrick Page, In the Heights), Eurydice follows him underground – prompting Orpheus to go after her. Executive Produced by Film Independent member Tyler DiNapoli.
I WANT YOUR SEX
When You Can Watch: July 31
Where You Can Watch: Theaters
Director: Gregg Araki
Stars: Olivia Wilde, Cooper Hoffman, Daveed Diggs
Why We’re Excited: Spirit Award winner Gregg Araki (Mysterious Skin) offers a love letter to Gen Z in the form of this dark comedy sexploration of power on multiple levels. “Gen Z doesn’t have sex anymore,” Araki reflected in an i-D interview. “In the times we live in, people are kind of afraid to make mistakes.” The adventures commence when Elliot (Cooper Hoffman from the Spirit Award-winning The Long Walk) lands a coveted job working for Erika Tracy (Spirit Award winner Olivia Wilde, Don’t Worry Darling). Working for the provocative, demanding artist and iconic cultural figure is less than thrilling, but when she singles him out for a wild physical experience without strings, it seems like a dream come true – at first. But the consequences of Elliot’s youthful fantasy rapidly kick him into a grownup nightmare that forces him to make some decisions.
Why We’re Excited: We love a good murder mystery, and this looks like a great one – set in a Japanese castle 500 years ago (the Warring States period). It’s a game of cat and mouse with the titular samurai – Lord Murashige Araki (Masahiro Motoki, Departures) – keeping his prisoner alive for consultations about a series of unexplained deaths in the castle while under siege by a warlord named Oda. As a war strategist, Kanbei Kuroda (Masaki Suda, Cloud) offers insight while he is kept chained in the castle dungeon. Based on Honobu Yonezawa’s 2021 novel, the two match wits to uncover the truth while attempting to pursue their own distinct ambitions, and Lord Araki’s departure from samurai culture (keeping Kuroda alive rather than immediately beheading him) sets the stage for an unpredictable relationship.
PROGRAMMER’S PICK: SELEGNA SOL
When You Can Watch: July 1
Where You Can Watch: Film Independent Presents
Director: Anouk Moyaux
Why We’re Excited: From Film Independent Lead Programmer Jenn Wilson–
Selegna Sol is the debut feature of French director, Anouk Moyaux. It premiered at Cinéma du Réel in 2025 and had its US Premiere in the 2026 Los Angeles Festival of Movies. The film centers on a Mexican immigrant named Gibran who has lived and worked in the US long enough to finally be invited to become a US citizen. Even though he loves hanging out with his friends, he hates that he has to spend most of his life working to cover just basic living expenses in the US. Ultimately, he feels like returning to Tecate, Mexico, where he was born, might be a better lifestyle for him. The contemplation of work/life balance and how, for the most part, no one really has an appropriate amount of time for themselves is a concern that’s felt heavily here, but the film also does spend a lot of time with Gibran and his friends and emphasizes that it’s still possible to find joy in the shared moments we have with others and the small things in life. The film is beautifully shot in 16mm and has a terrific observational style, a loving ode to locales in Boyle Heights and Los Angeles’ East side.
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Film Independent Fellow or Member
Film Independent Presents Screening, Q&A
Microbudget
Filmmaker or Lead Characters of Color
Film Independent Spirit Award Winner or Nominee
Female Filmmaker
LGBT Filmmaker or Lead LGBT Characters
First-time Filmmaker
LA Film Festival Winner or Nominee
For over 40 years, Film Independent has helped filmmakers get their projects made and seen. The nonprofit organization’s core mission is to champion creative independence in visual storytelling in all its forms, and to foster a culture of inclusion. We support a global community of artists and audiences who embody diversity, innovation, curiosity and uniqueness of vision. To support our mission with a donation, click here.
A Calgary man facing five charges of attempted murder in Lethbridge, Alta., will not return to court for another month.
It all stems from an incident in October 2025 when police allege a driver intentionally drove his vehicle into a group of people, striking three: a 77-year-old woman, a 77-year-old man and a 46-year-old man. Police say the driver also narrowly missed two others before fleeing the scene.
Following the hit and run, officers said the same vehicle then collided with an unrelated vehicle in the area of Mayor Magrath Drive South, again fleeing the scene.
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Police say the driver later entered a convenience store on Bluefox Boulevard North and attempted to purchase several items. When his card declined, he threatened staff and stole the goods, according to police.
The driver was arrested later in the evening when officers located the vehicle along Riverbottom Road North, near Softball Valley.
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Christopher David Hegg, who was 47 at the time, was charged with five counts of attempted murder, three counts of assault with a weapon, three counts of dangerous operation of a vehicle causing bodily harm and one count each of dangerous operation of a vehicle, uttering threats and theft under $5,000.
Earlier this year, it was determined that Hegg would be fit to stand trial.
On Thursday, Hegg’s lawyer appeared in a Lethbridge courtroom, but owing to the defence and the Crown requiring more time, the case was adjourned until Aug. 6.
Le secteur des casinos en ligne au Canada est à la fois passionnant et encadré par une réglementation rigoureuse, ce qui pousse inévitablement les joueurs à se poser deux questions primordiales : ce site est-il légal et puis-je y jouer en toute sécurité ? Pour les joueurs canadiens curieux de découvrir Glorion Téléphone Casino, ces questions sont primordiales. La bonne nouvelle, c’est que la légalité et la sécurité sont au premier plan des préoccupations des opérateurs sérieux, et Glorion Casino semble avoir bâti sa réputation sur ces fondations. Cet article se propose de plonger en profondeur dans l’écosystème de Glorion Casino, en vérifiant rigoureusement son cadre légal, les licences qui l’encadrent, les mesures de sécurité de pointe qu’il emploie et son engagement envers le jeu responsable. Nous allons disséquer tout ce qui fait de ce casino un environnement de confiance, où le plaisir du jeu va de pair avec la tranquillité d’esprit. Préparez-vous à une analyse complète et sécurisante !
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Jodie Foster was discussing great movies and how Hollywood has changed in a talk this week, and she brought up Apple’s “F1” as an example of how machines may be altering creativity. During a Tuesday talk called “Who Owns the Future of Hollywood” with former Sony Pictures CEO Michael Lynton at the Aspen Festival of Ideas, Foster proposed smilingly that the Brad Pitt racing movie seemed like it could have been made by AI.
“I don’t say this disparagingly — how could I? This movie went on to make millions of dollars. But I look at a movie like ‘F1’ and I’m like, ‘F1’ was made by AI,” she said with a laugh at the Colorado event. “Wasn’t it? I mean, the structure was exactly the structure that you would learn in school. The actors say the lines exactly the way it would be written if a computer was writing exactly what would be the right thing for that time. And they were able to dominate the technology to make something big and beautiful and potentially where a lot of the information comes from other places.”
“F1” has grossed $634 million worldwide and was nominated for four Oscars including best picture, winning for best sound.
Several panels at the annual festival discussed the advent of AI and its effect on society, and Lynton asked Foster what she thought the effects of the technology would be.
“AI is one more giant step forward into changing the industry,” Foster said after detailing the changes to the movie business brought by CGI and digital technology.
“The big question is, is it going to replace actors and writers?” asked Lynton. “We do replace people,” Foster replied, explaining how studios save money on crowd scenes by replicating background actors. “We’re getting rid of a lot of jobs and hopefully, things like unions will be able to come in and say, you can use my actor 20 times, but you’re going to pay him 20 times. And I think that’s fair.”
Foster said for “small helpful things” like previz (pre-visualization of movie scenes ahead of production), AI tools can be useful. “What we all would love is that filmmakers would be able to dominate AI, and never lose sight of that.” She gave an example of a dream-like sequence aided by AI in her most recent movie “My Private Life” that she thought was successful, even though the images “made no sense.”
“If we are able to dominate AI consistently over time, we will be able to make things that reflect us, and we can make things better,” she said.
Variety has reached out for comment to Foster, Apple and “F1” screenwriter Ehren Kruger.
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Renny Harlin has a hard and fast rule for winning over actors on his movie sets: Preparation, preparation, preparation.
The veteran filmmaker sat for a masterclass conversation last week at Malta’s Mediterrane Film Festival in Valletta, during which he opened up on the creative process he’s leaned on to make nearly four dozen films over five decades while working with some of the biggest movie stars on the planet, from Bruce Willis and Samuel L. Jackson to Sylvester Stallone and Val Kilmer.
“It’s all about preparation. Preparation costs nothing,” Harlin told moderator Steven Weintraub of Collider. But for Harlin, his prep goes beyond scripts and storyboards. He said he also learns how to do the grueling stunts his films require. “Whether I’m doing Cliffhanger in the mountains, Die Hard 2 in airplanes or Deep Blue Sea in water tanks, I learned how to mountain climb, I learned how to scuba dive, I learned how airplanes worked. Even for Cliffhanger, I learned how to fly a helicopter. For me, the preparation is the most valuable way to spend your time and that’s where you really make yourself ready.”
It had an added bonus of allowing him to win over some of the “toughest actors in the business, and I’ve worked with some really experienced and hard-nosed actors,” Harlin said. “That’s the way I won them over, whether it was Sylvester Stallone or Bruce Willis or Samuel Jackson or Sir Ben Kingsley and so on. Or, Val Kilmer, who had a reputation for not being the easiest.”
“But I’ve always managed to win them over by the fact that when I show up for the movie, I’m prepared and they can ask me any question about anything and I know exactly how these things are done technically and how they work,” Harlin continued. “I tell them exactly what equipment they need, how they need to use it, and I win their trust. It’s not a secret, but many actors are insecure because they put themselves out there. They go in front of the camera in front of the world and they expose themselves and many actors are also extremely intelligent. And if they feel that they know the movie and their character better than the director, then they tend to take over because they feel that their responsibility to protect themselves is to take control. That’s when you get those horror stories where actors run all over the directors and the whole thing ends up in chaos.”
He avoided chaos once while working with Kilmer on 2004’s Mindhunters, co-starring LL Cool J and Christian Slater.
“Bless his soul. We became good friends,” Harlin said of the legendary star who passed away at age 65 in 2025. “Val was famous for testing directors always because he was a Mensa member, a highly, highly intelligent man and very talented. His style was to test the director early enough [in the project] to see who was the smartest guy in the room. I think he was quite insecure also and felt that if he doesn’t feel like he can respect the director, then he has to take over because otherwise it’s going to be a disaster.”
Harlin then recalled a tense moment on Mindhunters, which followed a group of FBI trainees who are taken to a remote island for simulation training. Once there, they realize that they are being hunted by a serial killer. Kilmer played an FBI instructor named Jake Harris.
“We had shot one scene for one day already and everything went fine,” Harlin recalled. “Then it was the second day of the same sequence and I’m ready to say ‘action.’ [Val was] studying the script and he has [a pair of glasses] on and he’s looking at the script. The first assistant director said, ‘OK, we’re ready to go, everybody please take your places.’ Val goes to his mark and camera is ready to roll. He puts his script away, and he still has his glasses on. I said, ‘Hey, Val, just take the glasses off. We are ready to go.’ He looks at me and says, ‘No.’ I’m like, ‘What do you mean no?’ He says, ‘Well, I thought about my character last night and he’s really quite a studious type. I think it was a mistake that I didn’t have the glasses yesterday. So I got these glasses this morning and I’m going to wear them from now on.’”
Harlin was quick to say that they had already shot half of the scene with Kilmer not wearing glasses, so for continuity’s sake, he couldn’t all of a sudden be wearing spectacles. To which Kilmer replied, “‘Well, I guess then we have to reshoot what we shot yesterday, but I’m going to wear glasses from now on.’”
Harlin wasn’t having it. “I just went right to his face in front of everybody — cameras are ready to roll and the whole cast is there — and I looked him in the eyes and I said, ‘Val, take off the fucking glasses now.’ It was a test and he looked at me really seriously while everyone was on pins and needles, wondering if it was going to be a physical fight or what would happen. He took the glasses off and flashed that Iceman smile from Top Gun, and said, ‘It was worth trying.’”
Harlin and moderator Weintraub of Collider share the stage during a masterclass conversation at Malta’s Mediterrane Film Festival on June 26, 2026.Harlin and producer wife, Johanna Kokkila, pose together following his masterclass conversation at Malta’s Mediterrane Film Festival on June 26, 2026.
Moritz Borman, the producer of Oscar-nominated films such as “The Quiet American” and “Under the Volcano” as well a frequent collaborator of Oliver Stone, died Wednesday in Munich. He was 71.
Borman’s death of natural causes was confirmed by his longtime producing partners Eric Kopeloff and Philip Schulz-Deyle.
The German-born Borman produced more than 25 feature films over the course of his career, ranging from political thrillers to literary adaptations to action blockbusters. Borman got his break working with director John Huston on 1984’s “Under the Volcano,” an adaptation of Malcolm Lowry’s acclaimed novel about an alcoholic British diplomat who is mourning his dead wife. It drew rave reviews and earned an Oscar nomination for Albert Finney’s lead performance as well as for its score. He would also produce “The Quiet American,” a 2002 film version of a Graham Greene novel about a love triangle that develops between a British journalist, an American spy and a young Vietnamese woman at the end of the First Indochina War. It earned a best actor Oscar nomination for Michael Caine and co-starred Brendan Fraser.
With Stone, Borman produced the historical epic “Alexander,” the 9/11 drama “World Trade Center,” the drug cartel thriller “Savages,” the George W. Bush biopic “W.,” and “Snowden,” a look at CIA whistleblower Edward Snowden.
Other credits include “Terminator 3: Rise of the Machines” and “Terminator Salvation,” as well as “Playmobil: The Movie” and the Harrison Ford submarine thriller “K-19: The Widowmaker.” Borman’s final film as a producer is an upcoming legal drama from director John Lee Hancock that stars Jonathan Bailey, Lakeith Stanfield and Laura Dern.
“As both a producer and entrepreneur, Moritz helped shape the landscape of independent filmmaking, building creative and financial bridges between Europe and Hollywood,” Kopeloff and Schulz-Deyle said in a statement. “He will be remembered not only for his achievements, but also for his generosity, optimism, integrity, and unwavering passion for cinema.”
“His legacy will endure through the films he made, the filmmakers he inspired, and the lasting impact he had on our industry,” they added.
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There are basically two ways to look at Minions: either with total contempt over these cravenly lucrative commercial products that are dumbing kids down, or with mindless glee, surrendering to the little yellow dudes. Buckling up for “Minions & Monsters,” the third film of the wildly successful “Despicable Me” spinoff franchise, it is far easier to go with glee.
After all, Minions are ultimately no great evil. Kids will always be inundated with lowbrow entertainment, and if you ask parents of toddlers, they’re likely happy enough to have a reliable distraction on hand.
And what the Minions have done — what ultimately is the source of any ire and is also the very reason for their bankability — is totally embody what no other mass children’s programming has before, at least as effectively. Namely, they mimic the true essence of a kid’s sensibility: The art of hyperactivity. The gibberish talk, the tweaking physicality, the love for bumbling slapstick — it’s a kindergarten classroom with an eight-figure budget.
All the more surprising, then, that this third installment, directed by Pierre Coffin (who also voices the Minions), is far and away the best of the bunch. But it also breaks away from comparison altogether, ushering the franchise, for better or worse, into a new era of ubiquity.
In a decade and a half, the Minions iconography has become so total, their appeal so simple, that they fit somewhat seamlessly into any setting or story. Like any fictional property that has become an ingrained cultural symbol, this latest is not so much the third Minions movie, as it is the latest Minions adventure.
The franchise had already leaned into this anthology-like approach in the previous two films: The Minions Take London in the first one, the Minions in the Hippie Era in the second. But tonally and structurally, “Minions & Monsters” is the one to truly realize (or exploit) the narrative freedom of its world domination. Here, it’s Minions in Prehistoric Times, but also Minions Take Hollywood, and also Minions Take On Aliens.
The result is shaggy and meandering, but also surprisingly uncynical, while allowing room for more real jokes and imagination. The movie introduces a new set of characters — goodbye Kevin, Bob and Stuart, hello Henry and James (an intended irony naming Minion protagonists after one of the seminal novelists of the English language?) — and takes us through a tour of the Minions’ early days. Then they land in Hollywood, unwittingly become movie stars, are run out of town, try to make their own feature, conjure monsters and meet an alien.
It’s a lot, but the film punches things up with enough gags that don’t simply resort to the Minions’ trademark gibberish-and-mishap humor. And even as it dips into about a dozen different worlds, it rarely feels haphazard nor frenetically diversionary. The kids will be sucked in, but the parents might even join the babble, too.
I’m an analyst who often reviews casino platforms for Canadian players. When I decided to test Shuffle Casino’s mobile login, I wasn’t just checking a box. I aimed to see if the interface felt responsive or unwieldy on a phone, how credentials were protected, and whether anyone designing it actually understood what players in Canada require when they launch a session from a café or a bus. The answer caught me off guard. The login is more than a form; it’s a subtle demonstration of what mobile-first design should be.
Permissions and Access Management in Canada
Privacy compliance in Canada goes beyond mere talk, so I checked exactly what Shuffle Casino’s login demanded from my phone. The platform sought location access only when I started login, and it refrained from background GPS polling active after I terminated the session. That limited permission model suits what privacy-savvy users in provinces like British Columbia and Quebec anticipate.
Session persistence requires careful balance. I observed the mobile Shuffle Casino login kept me signed in for a reasonable stretch, but it closed idle sessions after a period of inactivity. When I came back to my phone after a long pause, I re-authenticated quickly with biometrics. This setup prevents unauthorized access if the device is lost, a essential safeguard for Canadian players who travel via public transit daily.
Cookies and local storage management also drew my notice. The login flow set only essential cookies, and I could clear them without disrupting the core functionality. I tried a scenario where I wiped my browser data mid-session, and the platform directed me to a fresh login page with a clear explanation. That clarity around data handling gave me the sense respected as a Canadian user who is mindful of digital footprints.
Typical Login Errors on Mobile and How I Solved Them
Even the most seamless mobile screen can act up, so I poked Shuffle Casino’s login on purpose to see how it reacted. The most common issue I triggered was a mistyped password. Rather than a generic error, the message identified the problem without revealing whether the email even existed. That vague but helpful feedback thwarts brute-force guessing while carefully encouraging a real Canadian user to fix the mistake.
Connectivity problems from moving between Wi-Fi and cellular data sometimes provoked timeout messages. The Shuffle Casino login page handled them by keeping my entered fields and showing a retry button. I never had to re-enter my full email and password after a network glitch, which avoided a lot of frustration when I was on the GO Train navigating weak signal zones. That small consideration makes a difference when you’re switching between towers.
A more challenging hiccup came from overzealous ad-blocking VPN extensions running in the background https://shufflecasino-ca.ca/login/. Since Shuffle Casino needs to confirm my location inside a permitted Canadian province, the VPN hid my real IP and displayed a geo-restriction warning. I disabled the VPN and the problem resolved instantly. The login page even provided a helpful hint clarifying that location services were needed. That kind of forward-thinking guidance eliminates pointless support tickets.
Account lockouts from too many wrong attempts are a fact, and I examined them meticulously. After six incorrect password tries, the system suspended login attempts for that device and delivered a time-sensitive recovery link to my email. The lockout timer was balanced, and the recovery email had clear, mobile-friendly reset instructions. I perceived protected, not penalized, and that’s just the approach a responsible casino for Canadian players should strive for.
2FA on a Tiny Screen
Enabling two-factor authentication on Shuffle Casino added a strong layer of security, and I wanted to see if that additional step would harm the mobile flow. I chose for app-based TOTP codes through a third-party authenticator, and the setup process showed a QR code that covered my phone screen exactly for easy scanning. The mobile layout positioned itself so I could scan the code without switching devices, a attentive detail I hardly ever encounter.
When I signed in with 2FA active, the interface prompted for the one-time code in a dedicated overlay that avoided a full page reload. I could copy the code from my authenticator app’s notification and insert it in, and the field accepted it instantly. For speed-hungry Canadian players, this smooth TOTP integration ensures you get strong protection with only a few of extra seconds added to the Shuffle Casino login routine.
I also checked the backup code flow after replicating a lost authenticator. The emergency recovery page kept the same responsive design, enabling me type a static backup code from my password manager’s notes. The system then walked me through renewing 2FA without leaving the mobile interface. This self-service recovery approach lessens the anxiety that Canadian users experience when they get barred of their accounts.
Initial Thoughts of the Shuffle Casino’s Mobile Interface
Before I keyed a single character, the layout on Shuffle Casino’s login screen proclaimed mobile-first. Field labels sat right above the input boxes in sharp, legible fonts I could make out without my glasses. The whole viewport appeared uncluttered, avoiding the visual junk that afflicts login pages from offshore operators accessed on Canadian devices. That clean design immediately made the task seem lighter.
The color palette stayed in deep, muted tones that held up in bright light. I tested this while standing on a sunlit patio in Toronto. The login button had a subtle glow that drew my thumb to it without thinking. Shuffle Casino refrained from stuffing promotional banners into the authentication flow, a restraint I seldom encounter. That ensured I could log in without distractions.
One thing that struck me was how the keyboard performed. On my iPhone, the numeric keypad appeared automatically for the PIN field I’d configured in my account. On Android, the password field triggered my device’s secure input method without any fuss. Little platform-specific touches like that told me the developers had evaluated the mobile login on a range of Canadian carrier networks and devices.
Utilizing Face ID and Fingerprint to Speed Up Login
Biometric login is not a luxury anymore; for Canadian mobile casinos, it’s a practical must. I evaluated Face ID on an iPhone 15, and Shuffle Casino’s login interface promptly suggested to enable biometric access right after my first successful password sign-in. Embracing the prompt meant I could log in with just a glance next session, without any security risks.
On a Samsung Galaxy, the fingerprint option operated with the same clean simplicity. I placed my thumb on the sensor, and in a heartbeat the platform logged me in and loaded the lobby. I admire that Shuffle Casino stores biometric templates only on the device, using the native security enclave instead of transmitting sensitive biometric data. For privacy-conscious Canadians, this local processing detail offers real peace of mind.
I also checked what happens when biometrics hiccup, because the real world is messy. After a few misreads from a damp finger, the system simply fell back to the PIN entry screen without locking my account. This fallback seemed practical and forgiving, not punitive. I encourage every Canadian player to enable biometric login right away. It cuts several seconds off each session start while keeping your Shuffle Casino credentials encrypted.
The Fundamental Mobile Experience: Why Shuffle Casino Login Is Important
Signing in feels routine until you’re typing away on a phone. That’s when it becomes a stress test. The login page is the entry point; either it invites you or it turns you away. At Shuffle Casino, I could tell the mobile login was designed to reduce friction without sacrificing quality on the compliance rules Canadian regulators require. A fluid entry establishes the mood for everything that follows: loading times, account safety, your whole session.
In Canada, mobile traffic has surpassed desktop, so a awkward login screen can push loyal patrons to a competitor. I observed Shuffle Casino placed the login link prominently on its mobile home page, a high-contrast button I could tap without struggling or zooming. That particular choice showed me the brand values mobile users. The whole path from landing page to authenticated session felt quicker than I’d expected on both iOS and Android.
I’m inclined to test beyond speed. I poked at auto-fill behaviour, submitted the form wrong credentials on purpose, and observed whether the page layout stayed put when my password manager activated. Shuffle Casino’s mobile login held firm. For Canadian players who look for iGaming to perform like any polished app, that kind of dedication to mobile detail makes a big difference.
Establishing Your Shuffle Casino Account for Easy Mobile Access
Before you can enjoy that smooth login, creating an account on a phone requires some care. When I created a new test account completely through my mobile, the registration form changed to a vertical layout without a problem. Shuffle Casino required the standard info Canadian AML regulations require, but it never felt like a chore because each field was arranged logically and the keyboard focus shifted intuitively.
I zeroed in on the password creation stage. The system insisted on a strong password but didn’t make me guess which special characters were allowed; it showed inline hints in a calm, matter-of-fact tone. I activated SMS verification with a Canadian mobile number, and the one-time code landed in under ten seconds. That quick delivery showed the operator employs local telecom gateways to cut latency for Canadian users.
One feature I’d encourage every player to enable is the trusted device prompt. Right after registration, I was asked if I wanted the site to recognize my device for future logins. Ticking that box meant later Shuffle Casino login attempts from the same phone would bypass some of the heavier identity checks, while still being AML-compliant. That balance of convenience and regulatory rigor seemed to me exactly right.
Step-by-Step: Accessing Your Account from Your Smartphone or iPad
To walk through the exact steps, I first ensured I had a stable cellular connection and location services enabled to satisfy geo-compliance checks. I launched the Shuffle Casino homepage in my mobile browser and tapped the login icon tucked in the top-right corner. The page rendered almost instantly, even on a throttled 4G connection I simulated to replicate real-world conditions in rural British Columbia.
I chose my saved email from the password manager, then jumped to the password field. The form supported autofill without forcing me retype everything: a small nicety for Canadian players who use complex passwords stored in iCloud Keychain or Google Password Manager. One tap on the login button authenticated my credentials, and the server responded in a split second.
What takes place after your credentials are accepted is just as critical. I observed a brief, smooth transition animation before the lobby showed up, verifying the session was secure. There wasn’t a jarring redirect chain or a blank white screen, problems I’ve run into on other Ontario-licensed platforms. The change felt like a native app, and my balance and favourite games showed up right away, no manual refresh needed.
Popular Queries Regarding Shuffle Casino Mobile Login
Why would Shuffle Casino request my location when I log in on mobile?
Shuffle Casino needs to confirm you’re within a Canadian province that online gaming is legal before granting access. The location check represents a legal requirement tied to provincial licensing, not an optional feature. I found the permission prompt appears only at login and won’t track your movement afterward. Giving temporary location access each session maintains compliance without harming your long-term privacy on the device.
Is it possible to keep logged into my Shuffle Casino account on my phone permanently?
For security and regulatory reasons, permanent sessions are not available, but I noticed the mobile platform includes a trusted device option that reduces re-authentication hassle. If you turn on biometric login and device memory, you can get back to the lobby with a quick face scan or fingerprint tap. Sessions still expire after a long idle period, a measure I appreciate because it safeguards your balance if your phone ever gets lost.
What can I do if I forget my Shuffle Casino password while using my mobile?
The smartphone-optimized password reset link just beneath the login fields guided me through a straightforward recovery flow. I typed in my registered email, got a secure link a few seconds later, and established a new password without quitting my phone’s browser. The whole process adapted to my screen perfectly, no awkward panning or zooming. I’d suggest saving the new password in your device’s secure vault for quick future Shuffle Casino login sessions.
Can the Shuffle Casino mobile login provide passkeys or other passwordless methods?
During my testing, biometric authentication via Face ID and fingerprint acted as the primary passwordless alternative, though traditional passkey standards weren’t yet implemented. The biometric flow operates as passwordless entry after the initial setup, and it gave the rapid, secure access I hoped for. I hope future updates add full FIDO2 passkey support, which would make the Shuffle Casino login more secure for Canadian early adopters.
Can I safely use public Wi-Fi when logging into Shuffle Casino from my smartphone?
I always advise caution with public Wi-Fi, but Shuffle Casino’s login secures all data in transit from the moment you select the secure connection icon. The platform enforces HTTPS with strong cipher suites, so any intercepted packets are meaningless to eavesdroppers. If you have to use a café network, I’d advise turning on two-factor authentication first and steering clear unsecured hotspots when possible. Your cellular connection is still the safest mobile option in Canada.
Warner Records has announced a strategic partnership with veteran executive Sickamore and his “creative institute,” Three Times Louder. The imprint will continue its partnership with SoundCloud; Sickamore will continue to work alongside Travis Scott and David Stromberg at Cactus Jack Management, where he co-manages Don Toliver.
Brooklyn-bred alternative R&B artist Laila will serve as the flagship artist for the Three Times Louder/ Warner Records partnership, who launches the partnership with her new single “Miss Mango.”
Sickamore said, “Laila is the exact archetype of an artist we dreamed of when starting Three Times Louder: resourceful, fearless, and infinitely creative,” said Sickamore. “In Warner Records, we have a partner who respects her autonomy and has the infrastructure to amplify her genius without compromise. I couldn’t be more excited for this partnership.”
Warner CEO-co-chairman Aaron Bay-Schuck added, “Sickamore’s reputation as one of the culture’s most important and impactful disruptors most definitely precedes him. He has served as a trusted confidant to some of the world’s biggest superstars. Now, the same acumen and vision underscore Three Times Louder. We’re excited to team up with him and to elevate it to the next level.”
(Pictured above, L-R: Tom Corson, COO-co-chairman, Warner Records Group; Sickamore; Laila; Bay-Schuck)
+ Veteran Scottish band Snow Patrol have signed a new global recording deal with BMG, covering the release of future studio recordings.
The first release sees Snow Patrol teaming up with pop superstar Kylie on the new single “These Alarms.” scheduled for July 1. The song was originally written with Kylie specifically in mind and initially recorded for the band’s 2024 album, “The Forest,” but tgroup decided to hold the track back until they could record it with her.
In a collective statement on the deal, Snow Patrol said: “We are delighted to be working with BMG. We’ve known Alistair and his team for a long time and he and everyone at the label have always been enthusiastic supporters and champions of music and creativity. We’re excited about working together on new SP music. We can’t wait to get started.”
BMG’s Alistair Norbury added, “Snow Patrol are one of the great songwriting bands of their generation. There’s a rare consistency to their work – songs built on emotional honesty that continue to resonate around the world. At BMG, we’re focused on long-term artist partnerships, and we’re proud to work with the band as they focus on new music and enter their next creative chapter.”
In addition to the new recording agreement, BMG represents the music publishing interests of band members Gary Lightbody and Nathan Connolly.
+ Country group Restless Road have announced a partnership with Empire, led by the company’s EVP and Nashville chief Jen Way. The partnership with Empire Nashville will launch on July 10 with the new single “Forever A Go.”
The band has toured with Brett Young, Kane Brown, Tim McGraw and Cole Swindell, and performed at such festivals as the U.K.’s C2C: Country to Country Music Festival, Stagecoach and CMA Fest.
+ Ticketing powerhouse AXS has announced the appointment of Sweta Patel as Chief Marketing Officer. In this new role, Patel will oversee AXS’s global marketing organization and focus on deepening fan engagement across digital and live touchpoints, enhancing partner value and driving demand generation. Patel will be based in Los Angeles and report to CEO Bryan Perez; she joins from Roku, where she was VP, head of marketing & merchandising.
“Sweta is a proven marketing leader with deep experience building global brands, scaling high-performing teams and connecting customer insight with measurable business impact,” said Perez. “Her background across technology, entertainment and subscription platforms makes her uniquely suited to help AXS strengthen how we grow, engage and retain our global database of fans and drive revenue opportunities for our partners.”
+ Merlin, the digital music licensing partner for the world’s leading independent labels and distributors, has appointed Harmen Hemminga as VP of business development. He joins from Downtown Music, where he most recently served as VP of product & services strategy. During more than nine years with Downtown and its subsidiary FUGA, he held a variety of senior roles spanning product strategy, licensing, partnerships and strategic projects. Previously, he held roles at the Dutch entertainment company ID&T / Headliner Entertainment, and also founded the music consultancy Creative Consortium.
Merlin CEO Charlie Lexton said, “Harmen is an innovative thinker who will play an important role in helping us create, identify and pursue opportunities that create meaningful value for our members around the world. He brings industry knowhow, strong commercial instincts and a proven track record of helping independent music businesses grow and adapt in a rapidly changing market. His experience both with labels and in distribution gives him invaluable perspective on the issues and opportunities our members face.”
Tuesday, June 30:
Singer-songwriter Ashe has signed with Atlantic Records and has struck a publishing deal with Doomsday/ Universal Music Publishing Group. She will be on tour this summer supporting Benson Boone. Last year she teamed up with Finneas as the Favors, with the duo releasing their debut album “The Dream”; her most recent solo album was 2024’s “Willson.”
“I feel like I’ve been waiting my whole career for the partnership I’ve found at Atlantic. Joining the label and this team was an effortless decision,” Ashe says. “From our first meeting, I felt uniquely understood. They’re thoughtful, intentional, and genuinely care. The fact that our first meeting involved tacos, cookies, and painting pottery told me they understood me. I’m immensely grateful to begin this next chapter with people I trust so deeply.”
+ Virgin Music Group, the independent distribution and artist-services wing of Universal Music Group, has today announced its new global and regional leadership team, bringing together senior executives from both Virgin Music Group and Downtown Music, which UMG acquired earlier this year.
VMG is organized into six key regions, with regional leaders reporting to VMG Co-CEO’s JT Myers and Nat Pastor. In their respective markets, VMG’s regional and country leaders have oversight of FUGA and Downtown Artist & Label Services’ local functions, with Downtown executives taking key positions as below.
North America is led by Jacqueline Saturn as President, North America & EVP Global Artist Relations. Sarah Landy is appointed SVP, Business Development, North America, reporting to Saturn.
LATAM is led by Victor González as President, LATAM, US Latin & Spain. Brazil and Portugal are led by Cris Falcao as President. Renato Vanzella is appointed Managing Director, Brazil, reporting to Falcao.
Europe is led by Nick Roden as President, Europe. Liz Northeast is appointed as SVP & General Manager, Europe, reporting to Roden.
Asia, Middle East, Africa are led by Michael Roe as Managing Director, AMEA. Australia and New Zealand are led by Nathan McLay as Managing Director.
In other VMG moves, Tom Allen has been named as Chief Technology Officer; Christiaan Kröner has been named EVP of Global Operations; David Driessen has been named Chief Product Officer; Matt Sawin has been named EVP, Physical & Direct-to-Fan Growth; Gareth Mellor has been named as SVP, Communications & Brand Strategy, while former Downtown Artist & Label Services President Ben Patterson will lead a new premier artist-focused enterprise in collaboration with VMG.
+ Singer-songwriter-actress Meg Donnelly has signed with WME for representation in all areas.
Donnelly is known for her roles in Disney’s musical “Zombies” franchise and the ABC sitcom “American Housewife.” This past year, Donnelly starred as Satine in “Moulin Rouge! The Musical “on Broadway. Her latest EP is titled “Dying Art.”
+ Firebird has launched a music catalog acquisition platform in partnership with global investment firm Ares and global investment and advisory firm the Raine Group, with more than $750 million available.
As part of the launch, Ares funds have also invested directly into Firebird and announced Jeevan Sagoo will be joining Firebird’s Board of Directors. “We believe Firebird’s innovative platform is helping artists build longer lasting, more impactful, and more profitable careers by investing in IP,” said Jeevan Sagoo, Managing Director at Ares.
+ Electric Feel Publishing and Sony Music Publishing have partnered to sign producer London Cyr, who has collaborated with Drake, Travis Scott, Young Thug, Doja Cat, Don Toliver, and more
“I am happy and blessed to be with Electric Feel and Sony Music Publishing. I have looked up to [Electric Feel founder-CEO] Austin Rosen’s approach to the music business for a long time, and I’m excited to work alongside both teams. I believe that together we can build something really special” says Cyr, who is managed by Forge Music Group and represented by the Zia Firm.
+ Sony Music Publishing Nashville, in partnership with Ace High Music, has signed songwriter-producer-artist Chris Sligh to a worldwide publishing deal. Sligh’s songs have been recorded by Rascal Flatts, Bailey Zimmerman, Nate Smith, Josh Ross, Austin Giorgio, and Mary Kutter, among many others.
“Ace High is the publishing company we as writers dream of – attentive and challenging; cheerleaders and critics when they need to be; friends and champions,” Sligh said. “Years ago, when I came back to music, my first dream publisher was Sony. I’m proud to call Ace High and Sony Music Publishing home!”
+ Amazon Music has hired Hrishikesh Aradhye as its new Vice President of Product and Tech. He will report directly to Ryan Redington, VP of Amazon Music.
Aradhye joins from Google, where he most recently served as Senior Director of Engineering leading YouTube Music and Podcasts. Earlier in his career, Hrishi spent time at Google Research pioneering computer vision and machine learning systems for YouTube and Android.
“The music industry is going through a tectonic shift that will unlock entirely new kinds of customer experiences through AI,” said Aradhye. “From my early days in research to building products used by hundreds of millions of people, I’ve learned that the most meaningful growth happens when you put yourself at the center rather than on the sidelines.”
Before the Marvel multiverse collides in Avengers: Doomsday, Tom Holland’s Peter Parker is getting ready to swing back into action in Spider-Man: Brand New Day.
Joining Holland in the next Spider-Man adventure will be Jon Bernthal’s Punisher, Mark Ruffalo’s Bruce Banner/The Hulk, and Sadie Sink as a mystery character.
Photo: Disney
“Crime-fighting in a New York that no longer knows his name, he’s devoted himself entirely to protecting his city as a full-time Spider-Man. But as the demands on him intensify, the pressure sparks a surprising physical evolution that threatens his existence, even as a strange new pattern of crimes gives rise to one of the most powerful threats he has ever faced,” the film’s logline reads.
‘Super Fan Messi’
With just weeks to go until Spider-Man: Brand New Day hits theaters, Marvel has released a new teaser for the film featuring Lionel Messi.
Photo: Marvel
The brief clip finds Peter Parker sitting in a coffee shop when the Argentine icon walks in.
As it turns out, Messi is looking for Spider-Man.
Photo: Marvel
After Peter tells the soccer star to hold tight for a moment, Spidey appears in the shop and takes Messi on an adventure, swinging high above New York City.
Photo: Marvel
While the new clip does not provide much information about Brand New Day, it is a fun bit of cross-promotion with the 2026 FIFA World Cup.
Watch the Teaser
If you haven’t seen the new teaser, check it out now!
As always, be sure to check back with MickeyBlog. We will continue to update you on all the news surrounding the release of Spider-Man: Brand New Day.
Photo: MickeyBlog
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Cyberpunk has never really left popular culture, but most of its biggest reference points are now decades old. Blade Runner arrived in 1982, William Gibson’s Neuromancer followed in 1984, and Japanese animation gave the genre one of its most important screen landmarks near the end of that same decade. Now that landmark is returning to North American theaters.
Sony Pictures Entertainment and Crunchyroll are bringing Katsuhiro Otomo’s Akira back to U.S. and Canadian theaters in 4K and IMAX, as Collidernotes. Screenings will feature Dolby TrueHD sound, and both Japanese-subtitled and English-dubbed versions will be expected to be available. Akira started as Katsuhiro Otomo’s manga, which ran from 1982 to 1990 in Kodansha’s Young Magazine. Interestingly, the film came out in 1988, before the manga had ended, with Otomo directing his own material for the screen.
Akira drops viewers into Neo-Tokyo years after a catastrophe has remade the world, with biker gangs pushing the city toward another chaotic point. What still makes Akira stand out is how adult and uncompromising it felt, especially for Western audiences used to seeing animation treated as children’s entertainment.
There were adult animated films before Akira, of course, but the mainstream U.S. idea of animation was still heavily shaped by children’s television, Disney features, and toy-driven cartoons. Perhaps that is why Akira became a reference point that other filmmakers kept circling. Hollywood never quite replicated its impact, but pieces of it are easy to recognize later. You can feel that in The Matrix’s anime-shaped action, Chronicle and Looper’s fear of young psychic power, and even Stranger Things, where the lab, the gifted child, and the cover-up all feel like familiar parts of the same old machine. That influence has been unusually visible outside film, too. Kanye West’s “Stronger” video made its debt to Akira hard to miss, especially in its hospital imagery and motorcycle fixation.
With all that said, it explains why Hollywood kept trying, and failing, to make a live-action Akira. Warner Bros. spent more than two decades developing the remake, with the project coming closest when Taika Waititi’s version received a May 21, 2021 release date. It never made that date, and the rights eventually reverted to Kodansha in 2025.
The live-action version is, for now, no longer Warner Bros.’ problem, while the animated film is about to remind audiences why that version was always going to be hard to justify in the first place. Akira returns to theaters on Sep. 4 in a new HDR version based on its 35mm film master. Alongside the excitement around the re-release, creator Otomo is reportedly involved in launching a new anime studio, OVAL GEAR, to carry his visual approach forward, with a new project already in the works.
Street Fighter 6 is now in its third year, with plenty of new characters available as DLC alongside detailed cosmetics to purchase. Instead of allowing players to buy these items directly, however, CAPCOM has relied on a premium currency system that often forced players to buy more currency than they required.
That has now been quietly updated, giving players the ability to buy the exact number of Fighter Coins needed for a costume, character, or most DLC types. Here are all the changes and how the conversions work now.
Fighter Coins Updated Quantities and Conversions
As of today, you will find several new, lower-value Fighter Coin bundles in the in-game store. The smallest bundle starts at 50 Fighter Coins for $1.49, while the largest remains 2,750 Fighter Coins for $49.99.
Screenshot by Prima Games
Here are all the Fighter Coin bundles currently available in Street Fighter 6 and what they convert to:
Fighter Coins
Price
50
$1.49
60
$1.99
130
$3.99
250
$4.99
300
$5.99
350
$6.99
610
$11.99
1,250
$23.99
2,750
$49.99
What the New Fighter Coin Bundles Mean for Players
DLC Characters: Individual DLC characters cost 350 Fighter Coins, which now matches the new 350 Fighter Coin ($6.99) bundle.
Outfits 3 and 4: New outfits cost 300 Fighter Coins and can be purchased with the 300 Fighter Coin ($5.99) bundle.
Outfit 2: Older costumes cost 50 Fighter Coins, matching the new 50 Fighter Coin ($1.49) bundle.
Stages and Battle Hub Designs: These cost 250 Fighter Coins, matching the 250 Fighter Coin ($4.99) bundle.
Fighter Pass: Premium access costs 250 Fighter Coins, while a 10-tier skip costs 600 Fighter Coins and a single tier skip costs 50 Fighter Coins.
Color Bundles: Costing 360 Fighter Coins, these can now be purchased by combining the new 300 and 60 Fighter Coin bundles instead of buying excess currency.
Screenshot by Prima Games
What’s Still Not Perfect
Music Packs: Several still use awkward prices, including 130, 170, 220, and 230 Fighter Coins. However, they can also be purchased with Drive Tickets, which the game regularly rewards players with.
Challenger Sounds: These still cost just 10 Fighter Coins, meaning players must purchase at least the 50 Fighter Coin bundle even if they want one sound effect.
Screenshot by Prima Games
Here’s an updated overview of how this changes things for other DLC content:
DLC Content
Fighter Coins
New Bundle Match?
Notes
DLC Characters (Years 1 to 4)
350
Yes
All individual DLC characters cost 350 FC.
Outfits 3 and 4
300
Yes
Matches the 300 FC bundle.
Legacy Costumes
50
Yes
Matches the new 50 FC bundle.
Color Bundles
360
Yes
Can be purchased with 300 + 60 FC.
Character Sounds
10
No
Still requires buying a larger coin bundle. Can also be purchased with Drive Tickets.
Music Packs
120 to 350
Partial
Some prices (130, 170, 220, 230 FC) don’t align with the new bundles. Can also be purchased with Drive Tickets.
Fighter Pass Premium
250
Yes
Matches the 250 FC bundle.
Fighter Pass 10 Tier Skip
600
Partial
Requires combining bundles.
Fighter Pass 1 Tier Skip
50
Yes
Matches the new 50 FC bundle.
In an ideal world, you would be able to purchase DLC directly without having to deal with premium currency at all and figure out conversion rates for each bundle. Still, this is a welcome change from CAPCOM, making Street Fighter 6’s Fighter Coin system far more consumer-friendly by allowing you to buy much closer to the exact amount you need for a character or outfit. I’m glad they’ve rolled this out now instead of after the release of Yasmine and other Year 4 characters.
While a new actress has taken on Elle Woods’ signature shade of blonde, Reese Witherspoon will always be synonymous with the character’s roots.
Jason Moore, who directed the first two episodes of Prime Video‘s Elle, recently explained how executive producer Witherspoon influenced the titular character in the Legally Blonde prequel series, the first season of which is now available to stream.
“They had tried to develop a Legally Blonde 3 movie for years and I think she started to ask the question, ‘How did Elle [Woods] become who she was?’” Moore told People. “Reese is such a great steward of the character and knows it so well. It’s defined a lot of her life, she would say that. And she has such a close relationship with it, that it comes very easily for her.”
After originating the character of Elle Woods in Legally Blonde (2001) and Legally Blonde 2: Red, White & Blonde (2003), Witherspoon’s three children also served as inspiration for the series.
“Reese is a mom, so she brought a lot of her like, ‘Here’s what my kids were going through and what I remember about being a young girl.’ The thing that I found amazing — that I thought might be more difficult — is how generous she was with it,” added Moore. “I think she realizes she is Elle Woods, but Elle Woods has come to represent things for a lot of people.
Lexi Minetree as Elle Woods in ‘Elle’
Jessica Brooks/Prime Video
“In all of our meetings, she wanted to hear new ideas. College Elle has all of her sh*t together, a lot of it, except she now hasn’t faced the real world of what it means to be considered successful or Harvard successful. What is it like when you’re a young person trying to figure it out?” he explained.
Created by Laura Kittrell, Elle stars Lexi Minetree as the titular future Harvard law student Elle Woods, following her struggle to fit in as a high school student in Seattle. Kittrell previously told Deadline how they kept the character “fundamentally” the same.
“I think a fundamental part of who Elle is as a character is this lightness and joy and this optimism,” she said. “So, we wanted to make sure, even if we were having her be a fish out of water, we were never taking away the core of who she is as a person.
Kittrell added, “We have her learning from Seattle, and the kinds of things that our characters care about, and how they view the world. But we never wanted to give her those lessons and take away who she fundamentally is.”
Seth Rogen appeared on “The A24 Podcast” alongside his “The Invite” director and co-star Olivia Wilde and remembered when Anne Hathaway quit “Knocked Up,” Judd Apatow’s classic 2007 comedy in which Rogen and Katherine Heigl starred as a mismatched couple having a baby together. Wilde auditioned for the female lead but didn’t get the part.
“It was Anne Hathaway who quit the movie,” Rogen said, to which Wilde asked a bit about industry lore: “Because of the crowning right? Is that real?”
“Yeah, I mean… it could have been a hundred million things. That was what I remember being told,” Rogen replied. “Crowning is a tough one. She didn’t want the crowning of the baby to be visually representative. Even though it wasn’t going to be hers… It’s obviously not real. But she didn’t even want…she felt that it was not her brand. Part of me also… we had started rehearsing the movie… maybe she was just like, ‘I don’t know if this is for me.’ I don’t know. I will take what she said at face value, which was the crowning.”
“She had a sense, and she knew it was not for her,” Rogen continued. . “And history will tell… she has been right about a lot more things than I have over the years. So I think she was probably right. [Heigl] knew what was right for her, yes. And then Heigl was great. Katie Heigl was great.”
Variety has reached out to Hathaway’s representative for comment.
“Knocked Up” opened in summer 2007 and was a critical and commercial success. The comedy grossed $219 million worldwide on a reported $25 million production budget, making it a big win for Apatow and Universal Pictures. A semi-sequel, “This Is 40,” opened in December 2012.
Watch Wilde and Rogen’s full discussion on “The A24 Podcast” in the video below.
Ein rascher Login entscheidet oft davon, ob ein Spieler dranbleibt oder das Casino wieder verlässt. Für belgische Nutzer hat Glorion Casino seinen Zugangsprozess genau unter die Lupe genommen. Wir haben diesen Login einer echten Prüfung unterzogen. Dabei ging es uns nicht nur um die bloße Geschwindigkeit. Wir haben auch geprüft, wie zuverlässig das Verfahren ist, wie es auf verschiedenen Geräten läuft und wie es sich in die strengen belgischen Vorschriften einfügt. Unsere Bewertung basiert auf eigenen Tests mit Smartphones, Tablets und Computern in verschiedenen Netzwerken. Zusätzlich haben wir technologische Beschreibungen gesichtet und Gegenüberstellungen mit anderen Betreibern durchgeführt. So bekommen wir ein wirklichkeitsnahes Bild, wie Glorion Casino Nutzer zu engagierten Spielern führt.
Die Relevanz eines schnellen Login-Prozesses
Ein zügiger Login ist keine bloße Bequemlichkeit, sondern eine grundlegende Leistung. Im Wettstreit der Online-Casinos entscheiden oft Momente über die Zufriedenheit der Spieler. Ein umständlicher Zugang frustriert und führt dazu, dass Spieler die Seite vor Ablauf verlassen. Aus der User-Forschung ist bekannt, dass Verlangsamungen von mehr als zwei Sekunden als unangenehm wahrgenommen werden und einen ungünstigen Eindruck hinterlassen. Für Glorion Casino ist ein verbesserter Login aus diesem Grund von großer Bedeutung. Spieler sollen ohne Hindernisse direkt zu ihren bevorzugten Spielen finden. Das ist in Belgien besonders wichtig, wo die Spieler eine geschickte Abstimmung mit den nationalen Kontrollinstanzen erwarten, etwa bei der Identitätskontrolle. Ein schneller Zugang demonstriert also technisches Können. Parallel dazu vermittelt er dem Nutzer, dass seine Zeit wertgeschätzt wird. Er bildet die Grundlage für eine vertrauensbasierte Beziehung. Und er schafft die Voraussetzung für alles Weitere: für Einzahlungen, Bonusangebote oder die Beteiligung an einem Live-Turnier.
Anbindung mit dem nationalen Glücksspielregulierungsrahmen
Ein herausragendes Merkmal für Belgien ist die gesetzlich vorgeschriebene Verbindung an das nationale Regulierungssystem. Glorion Casino muss die Identität über die offizielle Plattform der Glücksspielbehörde prüfen. Dieser Vorgang findet normalerweise nur einmal bei der Registrierung statt, nicht bei jedem Login. Bei Fragen oder für regelmäßige Nachprüfungen kann das System jedoch eine erneute Überprüfung starten. Unsere Einschätzung: Glorion Casino hat diese Anbindung technisch sauber gelöst. Im Alltag bleibt der Login davon unbeeinflusst, weil die Bestätigung im Hintergrund zwischengespeichert wird. Falls doch eine Interaktion nötig ist, erhält der Spieler klare Informationen und landet nicht in einer technischen Sackgasse. Diese transparente Einbindung komplexer Vorschriften in einen flüssigen Nutzerweg ist eine beachtliche Leistung. Im Hintergrund arbeitet eine API-Schnittstelle, die in Echtzeit mit den Servern der Behörde kommuniziert. Ihre Leistungsfähigkeit ist wichtig, um auch bei Stoßzeiten, etwa nach einer großen Werbeaktion, lange Wartezeiten zu vermeiden. Glorion Casino setzt hier auf redundante Verbindungen und intelligentes Zwischenspeichern der Berechtigungen. Das bewerten wir als vorbildliche Umsetzung: Die Regeln werden eingehalten, ohne dass der Spieler Nachteile hat.
Vergleich mit weiteren Casinos auf dem belgischen Markt
Im Vergleich zu anderen bedeutenden Anbietern in Belgien liegt Glorion Casino beim Login-Tempo und der Verlässlichkeit im guten Feld. Viele Mitbewerber bieten zwar analoge Grundfunktionen an. Bei Glorion fällt jedoch die durchgängig gute Leistung auf allen Gerätetypen auf. Die problemlose Integration der biometrischen Anmeldung und die zuverlässige Verbindung zum belgischen Verifikationssystem sind hier ausschlaggebende Pluspunkte. Andere Portale haben hin und wieder längere Ladezeiten nach dem Login-Klick oder aufwendigere Verfahren zur Passwortrücksetzung, die sogar einen Anruf beim Support verlangen können. Der Vorzug von Glorion Casino liegt nicht in völlig neuen Funktionen, sondern in der wohlüberlegten Ausführung und Verbesserung des gesamten Login-Vorgangs. Diese Sorgfalt für Details macht am Ende den merklichen Unterschied. Ein Beispiel: Einige Wettbewerber haben zwar auch eine App, speichern den Login-Status aber nur kurz oder implementieren die Fingerabdruck-Entsperrung schlechter zuverlässig um. Auch die technologische Dokumentation und Offenlegung der Sicherheitsmaßnahmen durch Glorion ist umfangreicher als bei vielen Wettbewerbern. Für Spieler, die Gewicht auf Informationen legen, ist das ein gewichtiges Argument.
Schutz bei Tempoverlusten
Meistens steht Absicherung im Gegensatz mit einer raschen Handhabung. Glorion Casino behebt diesen Gegensatz durch intelligenten Technologieeinsatz. Die Website nutzt im Standard eine hochwertige SSL-Verschlüsselung nach dem aktuellen TLS 1.3-Standard. Sie bewahrt die Datenübermittlung während des Logins, trotz dass der User eine Wartezeit wahrnimmt. Codes werden als verschlüsselte und gesalzte Informationen hinterlegt. Sogar im unwahrscheinlichen Fall eines Datenlecks gewährt das einen nützlichen Schirm. Zudem überwacht ein Programm die Login-Versuche auf auffälliges Verhalten. Dazu gehören viele fehlerhafte Eingaben in kurzer Dauer oder Zugriffe aus widersprüchlichen geografischen Bereichen. Das Ausschlaggebende: Diese Sicherheitskontrollen laufen gleichzeitig und maximal effizient ab. Für den normalen Nutzer bleibt alles blitzschnell, wohingegen auffällige Vorgänge selbstständig und verborgen angehalten werden. Diese Architektur beweist, dass strenge Schutz und ein rasches Erlebnis sich nicht widersprechen sollten. Speziell nutzt Glorion Casino auf Verfahren wie die nicht-synchrone Abwicklung von Sicherheitsabfragen und ein Content Delivery Network. Jenes CDN liefert nicht nur Inhalte rasch aus, sondern wehrt auch DDoS-Angriffe fern, bevor sie die Login-Server ansteuern können. Regelmäßige äußere Sicherheitskontrollen durch unabhängige Instanzen untermauern diesen Weg und erhöhen das Zutrauen.
Biometrie-basierte und Zwei-Faktor-Absicherung (2FA)
Für alle, die mehr Sicherheit sucht, findet bei Glorion Casino zusätzliche Optionen. Die Zwei-Faktor-Authentifizierung ist in den Kontoeinstellungen unter dem Menüpunkt “Sicherheit” aktivieren. Nach der normalen Passworteingabe ist dann ein zeitabhängiger Code eingegeben werden. Dieser kommt per SMS oder wird von einer App wie Google Authenticator generiert. Dieser zusätzliche Schritt dauert ein paar Sekunden, ist aber ein angemessener Preis für den deutlich besseren Schutzlevel, besonders bei Konten mit hohem Guthaben. Interessant ist die biometrische Anmeldung auf mobilen Geräten. Auf unterstützten Smartphones und Tablets können sich Spieler per Fingerabdruck oder Gesichtserkennung authentifizieren. Unsere Erfahrungen zeigt: Diese Art ist nicht nur sicher, sondern in vielen Anwendungen sogar zügiger als das Tippen eines Passworts. Sie vereint also Schutz und Geschwindigkeit auf elegante Manier. Wichtig zu wissen: Die biometrischen Daten bleiben ausschließlich auf dem Gerät des Anwenders. Sie werden niemals an die Server von Glorion Casino gesendet, was den Datenschutz verbessert. Die Aktivierung beider Methoden wird mit eindeutigen Anweisungen begleitet, sodass sie auch für technisch weniger erfahrene Spieler gut zu meistern ist.
Untersuchung des Standard-Login bei Glorion Casino
Der reguläre Login für belgische Spieler bei Glorioncasino läuft in zwei einfachen Schritten ab. Er bietet einen ausgezeichneten Kompromiss zwischen Sicherheitsaspekten und Geschwindigkeit dar. Auf der Startseite ist das Login-Feld klar positioniert in der rechten oberen Ecke angeordnet. Das entspricht genau der Erwartung der meisten Nutzer und erspart zeitraubendes Suchen. Der Spieler gibt seinen Nutzernamen oder seine E-Mail-Adresse ein, gefolgt vom Passwort. Äußerst positiv erscheint die sofortige Prüfung der Eingabedaten . Falsche Daten werden direkt markiert, ohne die Seite neu laden muss. Ein roter Rahmen oder ein kleiner Text zeigt an, was berichtigt werden muss. Nach dem Klicken auf den Login-Button beträgt die Bestätigung nur wenige Sekunden. Bei gültigen Daten gelangt der Spieler direkt in seiner privaten Spielhalle. In unseren Tests nahm der gesamte Vorgang – von der ersten Angabe bis zum vollständig geladenen Konto-Überblick – selten länger als fünf Sekunden. Diese Zuverlässigkeit ist ein Zeichen für eine stabile Backend-Infrastruktur und gut gepflegte Datenbanken. Auch bei nachgestellter hoher Auslastung waren die Ladezeiten konstant. Ein hilfreiches Detail ist die Möglichkeit, die Anmeldedaten im Browser zu ablegen. Auf persönlichen Geräten minimiert das den folgenden Besuch auf einen Klick.
Hilfe bei Zugangsproblemen
Selbst bei guter Vorbereitung kann es mal zu Schwierigkeiten beim Login kommen. Glorion Casino stellt dafür einen ausgeklügelten Werkzeugkasten bereit. Direkt neben dem Login-Button befindet sich der Link “Passwort vergessen?”. Er führt einen sicheren Zurücksetz-Vorgang durch. Der Spieler bekommt eine E-Mail mit einem einmaligen Link, um ein neues Passwort zu vergeben. In unseren Tests befand sich der Zugang kaum länger als zwei Minuten blockiert. Für schwierigere Fälle, wie gesperrte Konten oder wiederkehrende Fehlermeldungen, steht der Live-Chat bereit, der 24 Stunden am Tag erreichbar ist. Unsere Beobachtung: Die Mitarbeiter im Chat sind befugt, viele häufige Probleme umgehend zu beheben, ohne dass der Fall weitergeleitet werden darf. Diese Zusammenstellung aus leistungsfähigen Selbsthilfe-Tools und persönlichem Support minimiert die Ausfallzeit beträchtlich. Zudem gibt es einen umfangreichen Hilfebereich mit Artikeln und Anleitungen zu typischen Login-Themen. Dort wird erklärt, wie man Cookie-Einstellungen modifiziert oder Browser-Erweiterungen deaktiviert, die den Login beeinträchtigen könnten. Ein vorausschauender Schritt sind auch Hinweise auf anstehende Wartungsarbeiten. Sie erscheinen meist mehrere Stunden vorher auf der Website und informieren vor eventuellen kurzzeitigen Einschränkungen.
Mobile Login-Optimierung für unterwegs
Da stets mehr Spieler von unterwegs spielen, ist die mobile Leistungsfähigkeit entscheidend. Glorion Casino bietet gleichzeitig eine reaktionsfähige Website als auch eine dedizierte App an. Der Login im Mobilbrowser ist ähnlich straff wie auf dem Desktop. Die Eingabefelder für Touch sind groß genug, und die Softwaretastatur erscheint ohne Zutun, was die Tippfehler reduziert. Die Hauptstärken zeigt aber die App. Nach der ersten Installation und Anmeldung kann sie so konfiguriert werden, dass sie den Login-Status eine Weile speichert. Oder sie setzt ein, wie erwähnt, den Fingerabdruckscanner des Geräts. Regelmäßige Nutzer kommen so mit einem einzigen Tipp unverzüglich ins Casino. Diese nahtlose Integration mit der Oberfläche des Mobilgeräts setzt Maßstäbe für Bequemlichkeit. In unseren Tests auf diversen iOS- und Android-Geräten lief der Login stabil. Besonders beachtenswert ist das die Reaktion der App bei schwacher Netzverbindung. Sie reiht gescheiterte Anmeldeversuche in einer Queue und unternimmt einen erneuten Versuch selbstständig wieder, sobald die Verbindung wiederhergestellt ist, ohne dass der Nutzer sich erneut kümmern muss.
Häufig gestellte Fragen
In welcher Zeit dauert der Login bei Glorion Casino typischerweise?
Unter normalen Bedingungen und zutreffenden Zugangsdaten ist der Login in innerhalb von fünf Sekunden abgeschlossen. Das schließt ein die Prüfung der Daten und das Laden der persönlichen Übersichtsseite. Nutzer, die die biometrische Anmeldung in der App nutzt, ist in der Regel schneller innerhalb von Sekunden drin. Nur in wenigen Fällen, beispielsweise bei Netzwerkproblemen oder extrem hoher Serverauslastung, kann es etwas länger dauern.
Was muss ich tun, wenn ich mein Passwort vergessen habe?
Drücken Sie schlicht auf der Login-Seite auf “Passwort vergessen?”. Sie werden gebeten, die E-Mail-Adresse Ihres Kontos einzugeben. Wenig später erhalten Sie eine Nachricht mit einem sicheren, einmaligen Link, womit Sie ein neues Passwort erstellen können. Meist ist der komplette Vorgang in zwei Minuten erledigt. Vergessen Sie nicht, auch Ihren Spam-Ordner zu überprüfen.
Erfolgt der Login über die App zuverlässiger oder schneller?
Die App hat in allen beiden Bereichen Vorteile. Sie ist in der Regel schneller, da sie den Login speichern oder den Fingerabdruck-Sensor nutzen kann. Das Sicherheitsniveau ist gleich hoch wie auf der Website. Außerdem profitiert sie von den Schutzmechanismen Ihres mobilen Betriebssystems, etwa der Abschottung von Apps und der Geräteverschlüsselung.
Aus welchem Grund werde ich manchmal nach ergänzenden Verifikationsdaten gefragt?
Dies ist einen automatischen Sicherheitscheck. Das System antwortet so auf ungewöhnliche Login-Versuche. Das geschieht, sofern Sie sich von einem neuen Gerät, einem ungewohnten Ort oder über eine VPN-Verbindung anmelden. Befolgen Sie einfach den Anweisungen auf dem Bildschirm. Zumeist bestätigen Sie den Zugriff per E-Mail oder SMS.
Darf ich mich auf mehreren Geräten gleichzeitig anmelden?
Die Nutzungsbedingungen von Glorion Casino gestatten in der Regel nur eine aktive Sitzung pro Konto. Wenn Sie sich auf einem zweiten Gerät anmelden, wird dabei die erste Verbindung oft automatisch getrennt. Das stellt Ihrer Sicherheit und unterbindet, dass jemand anderes gleichzeitig auf Ihr Konto zugreift. Diese Praxis gilt in der Branche üblich.
Hat Auswirkungen auf die Verbindung mit dem belgischen Glücksspielkollegium die Login-Zeit?
Im täglichen Gebrauch nicht. Die verpflichtende Prüfung über das nationale System geschieht einmalig bei der Registrierung statt. Nur in Ausnahmefällen kommt es zu wiederholt. Der tägliche Login greift auf diese bereits bestätigten Informationen zu, ohne eine neue Abfrage zu starten. Die technische Einbindung läuft so optimiert im Hintergrund, dass der Spieler nichts davon merkt.
In its fifth and final season, The Bear is serving up some new partnerships, and marketers are eager to get a seat at the table.
Following The Bear’s debut as a breakout hit in 2022, the series has regularly sold out its sponsorships each year and increased revenue season after season, John Campbell, svp, entertainment and streaming solutions, Disney Advertising, told ADWEEK. The same is true for Season 5 of the FX show, which debuted on Hulu and Disney+ on June 25, and according to the executive, The Bear’s influence goes well beyond the walls of Carmy’s restaurant.
“Previously, for our freshman shows or our first year shows, brands would take a wait-and-see approach.
Hallmark’s latest Countdown to Christmas movie is, on paper, a feature-length commercial for Walt Disney World. But it also stars Richard Kind, so we’re willing to give it the benefit of the doubt.
Premiering later this year, “Holiday Ever After: A Disney World Wish Come True” casts Hallmark MVP Lacey Chabert as Lindsey, who, along with her extended family, heads to Walt Disney World to “spend a magical Christmas together,” according to the official synopsis. “But the dream of a jolly holiday gets quickly dashed when Lindsey discovers her room is next door to Philip (Travis Van Winkle, ‘The Last Ship’), a disastrous first date she recently had, who’s also there on a family trip.”
“As Lindsey and Philip’s paths cross throughout their stay, the frost starts to thaw as they learn they’re not so different from each other after all,” the logline continues. “Thanks to some Walt Disney World magic, the holiday wish Lindsey made in Cinderella Fountain just might turn their rivalry into romance.”
At one point, Lindsey’s sister — played by former “Beauty and the Beast” Broadway star Christy Carlson Romano — suggests that Philip may just be the Beast to her Belle.
Alas, Kind, who plays their father, gets nary a line in the trailer — which, frankly, feels like an injustice.
Hallmark is getting a jump start on Christmas this year
As previously reported, Hallmark Channel is marking America’s 250th birthday with the first of four new movies celebrating Christmas in July.
The annual programming event — which predates Countdown to Christmas, Hallmark’s signature holiday franchise that kicks off each October — runs through July 31, treating viewers to “a festive schedule of original movies from Christmases past to help them beat the summer heat.” Meanwhile, every Saturday this month will feature the premiere of a new holiday movie, beginning July 4 with “Christmas Under Construction,” starring Jessica Lowndes (“90210”) and Daniel Lissing (“When Calls the Heart”). A couple Christmas in July schedule can be found here.
The complete Countdown to Christmas lineup, along with a premiere date for “Holiday Ever After,” will be announced later this summer.
Earlier this year, rapper Joseph “Afroman” Foreman triumphed in a defamation lawsuit against some cops who kicked in his door and raided his home after being told that he had a “dungeon” in his basement. (Property records show no basement in the home.) Foreman had security cameras in his home, and ended up recording humorous songs mocking the cops and using the footage for music videos. The whole saga is recounted in a new profile published in Rolling Stone today, which features the point-of-view of one of the jurors, who calls the cops’ complaints “trivial” and their demands “excessive.”
The juror, just named in the piece as Missy, tells Rolling Stone, “It really seemed trivial to me that we were in there… The [Afroman] songs just seemed like the silliest little songs. The more I watched [the trial], I just couldn’t believe that [the cops] were doing this.… Their lives hadn’t really changed. They suffered some embarrassment, sure. [But] there was nothing there.”
Still, Missy says she felt bad for one of the officers: Lisa Phillips, who was the subject of the song “Licc’em Low Lisa.” The lyrics to that song are pretty crude, negatively implying that Phillips is transgender and/or lesbian; Phillips tells Rolling Stone that, because of the song, “I have found myself the subject of ongoing public attacks, false narratives, AI-generated sexual content, and degrading portrayals that have been circulated online.” Says Missy, “She was the only one that showed a lot of emotion… I was praying for her when she was on the stand and crying. I felt really bad for her.” But Foreman was unrepentant about any of it, testifying, “If they hadn’t wrongly raided my house, there would be no lawsuit, I would not know their names … there would be no songs, nothing.… They’re suing me for their mistake.”
Missy ultimately agreed. “When we found out how much money they were asking for, that was excessive,” she told the outlet. “I don’t know any cop that has a million-dollar reputation.”
To attend Taylor Swift and Travis Kelce’s wedding, do you need to know the bride and groom all too well?
That’s the big question this week as fans, media and social sets in New York, L.A. and Nashville speculate over which lucky 1,000 people landed invites to the celebrity wedding of the decade this Friday night at Madison Square Garden.
Breathless coverage has poured in over the slow news week leading up to the July Fourth holiday, when billionaire songstress Swift will wed Kansas City tight end Kelce and close her long and fruitful era as a single woman. According to reports, Thursday night will see a modest rehearsal dinner (only 400 people!). Friday, per TMZ, will include a secret official wedding ceremony somewhere in Manhattan, and later that night MSG will host a historic rager complete with a castle set and musical performances.
“A 1,000-person wedding isn’t a guest list, it’s a Rolodex,” one show business power player said warily. So, who made the cut?
For the core Hollywood crowd, bragging rights will go to the top brass at Disney. A smattering of execs got the golden ticket, multiple sources said. This includes Bob Iger, the company’s former CEO and current senior advisor; David Greenbaum, head of Disney live action films and 20th Century Studios; and Dana Walden, Disney’s president and chief creative officer. It’s not surprising, given the hefty resources Disney has invested in Swift in recent years — like spending big to acquire the streaming rights to her “The Eras Tour” concert film. Before Greenbaum’s ascent to the Disney mothership, he and Swift became close while developing her upcoming directorial debut at Searchlight Pictures. Disney will also surely spend big on an Oscar campaign this year for Swift’s original song featured in the studio’s “Toy Story 5.” Good luck to these brave souls, who will face countless questions about this event at premieres and upfronts for the rest of their lives.
Another suit who made the cut, we hear, is AMC Theatres CEO Adam Aron. Again, he’s a no brainer. Swift worked with Aron and his team directly to deliver the highest-grossing concert film of all time in 2023’s “Taylor Swift: The Eras Tour,” which grossed $267 million at the worldwide box office before moving on to Disney+. Legendary movie director Steven Spielberg has also been invited, two sources said. The “Disclosure Day” helmer helped induct Swift into the Songwriters Hall of Fame in June.
While Swift’s career has ascended heights beyond any country star’s wildest dreams, she hasn’t forgotten her roots. Miranda Lambert, Kane Brown, Little Big Town, Kelsea Ballerini and Maren Morris all made the list. Insiders also said a deep bench of music industry power could show, from C-suite names to top producers including: Universal Music Group chairman Lucian Grainge; Republic Records founders Monte and Avery Lipman; Swift’s longtime tour promoter Louie Messina; Troy Tomlinson of UMPG; and hitmakers Jack Antonoff, Max Martin, Shellback and Aaron Dessner. We doubt Scooter Braun will show, but if you see him around MSG say hi as he heads to the New Jersey Transit tunnels.
Before we get to the superstar attendees, it should be said that celebs and industry types have been in a state of giddy panic thanks to the wedding’s security protocols, nondisclosure agreements and the circus of fans and police about to descend on New York City.
Over a dozen sources who spoke to Variety said that A-listers, executives and musicians have been “flying blind” with minimal details on the wedding’s theme or dress code. Many were told to be in New York City by the morning of July 3 and await further details, three sources said. Some bold names have asked their stylists to pull evening looks from major designer showrooms with no guidance on the vibe of the event.
“We’ve had a lot of requests for talent attending,” a fashion publicist who handles VIP services for several luxury houses told Variety. “No one has said explicitly whose wedding they are attending, but we all know.”
One guest had to overpay to reserve their desired hair and makeup team for a full 24 hours surrounding the wedding, or else lose them to other high-profile people in the know.
“It’s a really fun shit show,” the guest told Variety.
Swift’s famous friends – in a previous life referred to as her “squad” – are easily identifiable and low-hanging fruit when it comes to attendance. Think the sisters Haim or Hadid, Selena Gomez, Sabrina Carpenter, Ed Sheeran, Ice Spice and so on. Beyonce and Jay-Z almost surely got invitations, though the Carters have been extremely selective about public appearances in recent years. “Bridgerton” star Phoebe Dynevor and her fiancé, actor-producer Cameron Fuller, scored invites on a grid that contains plenty of Easter eggs that any Swiftie will flip for. Take invited guest Ellen Pompeo, whose iconic “Grey’s Anatomy” character is the namesake of one of Swift’s cats (this also leads us to believe Mariska Hargitay will show, given Swift’s longtime love affair with “Law & Order: SVU”).
We also need to talk about who isn’t going. Harry Styles, a brief former love interest for the singer who is said to have inspired songs from her catalogue like “Out of the Woods,” received an invitation. Sadly, Styles is currently on tour and will not make it to MSG, sources said. His own fiancé Zoe Kravitz, however, is expected to attend. The actor-director is a longtime Swift pal and a credited songwriter on her hit “Lavender Haze.” The world will also be watching with bated breath to see if Blake Lively and Ryan Reynolds ascend the MSG stairs, as many speculate Lively and Swift fell out over the actor’s scorched-earth court battle with her “It Ends With Us” director Justin Baldoni. Swift was mercilessly dragged into court proceedings when Baldoni accused Lively of leveraging Swift to intimidate him during the shoot. Should Lively attend, perhaps it’s best to avoid any glam or styling reminiscent of Khaleesi.
Witnessing the Swift-Kelce nuptials is not without its risks. Official digital invites all contained watermarks with guest names and came bundled with NDAs. While sources would not name the dollar amount parties would be liable for if the wedding details leaked, here’s some perspective: for a simple appearance like presenting at an award show, stars like Beyonce have been known to attach $1 million in penalties to their NDAs if their attendance is revealed beforehand. And that’s for showing up at a red carpet, not for a watershed celebrity wedding that threatens to overshadow America’s 250th birthday on July 4.
There’s also a matter of optics. Shows of extravagance like these have not been met with kindness in a world torn by war, inflation, soaring gas prices and political unrest. Ask Jeff and Lauren Bezos, whose June 2025 wedding in Venice became a symbol for oligarch excess. Despite her fans’ excitement for this union, the wedding will shutter small businesses in midtown Manhattan and drain the resources of the NYPD, as a blistering heatwave threatens to buckle the city’s power grid while the World Cup plays out. What could go wrong? But Swift is savvy. On Thursday morning, she announced $26 million in charitable donations across New York City to organizations like food banks and the SPCA.
There’s no question that Friday will be an historic night, uniting the worlds of celebrity, music, sports, media and fashion in a way only this power couple could. Even though, as one guest hilariously complained, they’re missing the holiday weekend in the Hamptons.
“Who on earth is in Manhattan for the Fourth of July?” they griped. “This couldn’t have been a destination wedding?”
Ellewill be back for a second season and the second semester of her junior year in high school.
With Season 1’s arrival ahead of July 4, and Season 2 having already wrapped production ahead of the press days for the first season, the next installment could be expected sooner than viewers might think.
For everything we know about Elle’s second season so far, read on:
When does Elle Season 2 come out?
A release date has not yet been set for Season 2, but as mentioned above, production has already wrapped.
Will there be any new characters in Elle Season 2?
Yes, Maitreyi Ramakrishnan (The Boys, Never Have I Ever) has joined season two. She will portray a foil to Elle, Sam, the editor-in-chief of the school newspaper, which she also founded. These two could not be more opposites, especially when it comes to Elle’s love for Cosmopolitan and Sam’s commitment to AP Style and grammar.
Who else is in the cast of Elle Season 2?
June Diane Raphael plays Elle’s mother Eva, and Tom Everett Scott portrays her father Wyatt. Gabrielle Policano plays Elle’s new Seattle bestie Liz, Jacob Moskovitz stars as track athlete Miles, Chandler Kinney plays Elle’s previous nemesis Kimberly, and Zac Looker stars as Dustin, an advocate for justice.
Recurring cast members include Jessica Belkin, Logan Shroyer, Amy Pietz, Matt Ober, Chloe Wepper, David Burtka, Brad Harder, Kayla Maisonet, and Lisa Yamada. It’s unclear whether Danielle Chad will be back after the way things play out for her character, Shannon, in Season 1. One other character associated with Shannon will not be returning, and those who have watched will know.
James Van Der Beek’s final role before his death in Feb. 2026 occurred in season one, that of Dean Wilson.
Dean Wilson (James Van Der Beek) in ELLE
What will Elle Season 2 be about?
“We pick up in Season 2 right after Season 1 ends. So the cliffhangers that we’ve left you with in Season 1, you will not have to wait long to see how those are going to be resolved,” showrunner Laura Kittrell told Deadline.
As extreme heat threatens the stability of electrical grids across the eastern United States, big users of power have been ordered to help prevent air-conditioners from shutting down and homes from going dark.
The energy secretary, Chris Wright, this week instructed grid operators to require data centers to use their backup power supplies if they need to ease strain on electrical system. Across the United States, Mr. Wright said, backup generators that could power dozens of large data centers sit idle much of the time.
Orders to use such generators are most likely to come in 13 Mid-Atlantic States, which share a strained grid and are home to the largest concentration of data centers in the world. That region has also been subject to this week’s heat wave. The area’s primary grid manager, PJM, runs a system that stretches from Chicago to Virginia Beach and covers most of Pennsylvania, Maryland and New Jersey. PJM expects that demand for electricity on its system will hit its highest level on Thursday, exceeding a previous record set two decades ago.
“Maintaining affordable, reliable, and secure power in the PJM service territory is nonnegotiable,” Mr. Wright said.
Some energy experts are worried that extensive use of backup systems at data centers could significantly increase air pollution in residential areas. Backup generators typically run on diesel or natural gas and emit more nitrogen oxides, particulate matter and other harmful emissions than large power plants or solar and wind farms.
Unlike the grids in California and Texas, PJM has been slow to add energy storage batteries that can support power systems during heat waves and cold spells. California has not had to ask residents and businesses to conserve electricity during periods of high demand for several years in large part because it has added many batteries, each of which is as large as a shipping container.
PJM has issued hot weather warning at least through Friday and told power plants to be available to operate at their maximum capacity to ensure adequate electricity during the heat wave.
Elsewhere in the East, grids were receiving less electricity from hydropower plants in Quebec, the Canadian province that has been struggling with low water levels in its reservoirs for several years.
A new transmission line that delivers hydropower to New York City from Quebec, which came online this spring and was expected to provide up to 20 percent of the city’s power needs, stopped delivering electricity to the city on Wednesday and Thursday morning, as the heat wave ratcheted up.
By Thursday afternoon, the issue had been resolved, said Lynn St-Laurent, a spokeswoman for Hydro-Québec, which provides the electricity carried on the transmission line. The breakdown had been caused by a converter station repair that had “triggered a secondary issue,” Ms. St-Laurent said.
Quebec, which borders New York State, is also experiencing extreme heat, which can increase its own power needs. And its low reservoir levels mean its hydropower plants cannot produce as much electricity as intended.
The projected peak power demand on Thursday could be the third highest ever in New York State, which is getting more than 60 percent of its electricity from oil and gas. New York City gets most of its electricity from the burning of fossil fuels because there is not enough capacity on high-powered transmission lines for it to draw power from elsewhere. The rest of the state has greater access to renewable and nuclear energy.
My first encounters with online gaming showed me to see session timeouts as a nuisance. They were just alerts that obstructed. These days, working closely with Rabbit Road Game, I see them otherwise. They’re a foundation of security and safe gambling, a tool that’s essential yet frequently overlooked. This transcends fulfilling requirements for rules. It’s about fostering a more mindful way to game. Below, I’ll lead you through configuring and employing session timeouts in Rabbit Road Game. We’ll explore the tangible advantages, like securing your account on a communal household device or assisting you with time management, all aimed at building a protected and pleasant environment for all players. Let’s consider how this straightforward feature puts you in control.
What Do We Mean By Session Timeouts and Why Do They Matter?
A session timeout is an automatic log-out. If you fail to engage with the game for a set period—no clicking, key presses, or screen taps—it securely ends your session and sends you to the login or lobby screen. It works like the auto-lock on your smartphone. For Rabbit Road Game, this feature is crucial for a couple of good reasons. It acts as a basic security guard. If you step away from your device unattended, it stops someone else from accessing your account, tampering with your progress, or taking your items. It also encourages responsible play. An automatic break can function as a useful prompt, alerting you of how long you’ve been at the screen. For families, it’s an additional layer of oversight for kids. The feature operates behind the scenes, built entirely to protect your safety and digital well-being.
Comprehending the UK Protection System for Gaming
Rabbit Road Game includes players from around the world, but we design our safety features to achieve high benchmarks, such as those underscored in the UK. The UK views player protection attentively, with a specific emphasis on age-appropriate design and encouraging healthy gaming habits. Guidelines and best practices there emphasise tools that offer control to users and parents. Session timeouts fit right into this method. They are a useful step that can assist curb excessive play by inserting natural pauses, which aligns with wider objectives for player welfare. For our team, satisfying these standards is a intentional choice. It’s our way of creating a game where safety is integrated in from the start, rendering Rabbit Road Game a trustworthy and secure setting for players everywhere who are concerned about balanced gameplay.
Using Timeouts as a Approach for Conscious Play
Protection is the primary job, but this feature has another strong purpose: it encourages more thoughtful gaming. A session timeout isn’t a penalty. It’s a integrated pause. When the game logs you out after you’ve been inactive, it forms a organic stopping point. You have to deliberately decide to log back in. That moment of choice is valuable. It lets you check in with yourself: “Do I want to keep playing, or is now a good time to stop?” For players having an eye on their gaming time, a shorter timeout brings more of these gentle checkpoints. At Rabbit Road Game, we designed this as a tool that gives you control. It enables you enjoy the game’s world while staying aware of the clock, all through a basic automated setting.
Recommended Timeout Durations for Various Scenarios
The ideal duration differs for everyone. It relies on your own routine and the venue. From what I’ve seen and heard from players, here are some sensible suggestions. For a family computer or any public space, pick a short timeout of 5-10 minutes. This protects the device quickly if you get distracted or have to leave in a hurry. For a personal device at home, 15-25 minutes provides a nice balance. It maintains security without logging you out every time you pause to grab a drink. If you’re immersed for a long, uninterrupted session on a completely private device, you could set it to 30-45 minutes. Turning the feature off completely is not recommended, as you lose that safety net. Think about where and how you usually play, then try a duration that feels both useful and secure.
How to Access and Adjust Your Timeout Settings
Setting your session timeout in Rabbit Road Game is simple, and I think every player should do it. Kick off by logging into your account and going to the main menu. Locate the “Settings” or “Account” icon—it typically looks like a gear or your profile picture. In that menu, find a tab called “Security,” “Privacy,” or “Playtime.” You’ll see the session timeout controls there. Usually, you’ll spot a dropdown menu or a slider with options from a few minutes up to an hour or so. A moderate setting, say 15 or 20 minutes, is a great place to start. Don’t forget to press “Save” or “Apply” after you choose. The new setting will work straight away. Taking two minutes on this tweak is a small task that makes a major difference to your account’s security.
Addressing Common Concerns and Inquiries
A few inquiries about timeouts come up regularly from users. First: “Will it log me out in the middle of a level?” The answer is no. Rabbit Road Game’s system is created to detect when you’re playing. Active gameplay, like controlling your character or choosing a menu selection, resets the inactivity timer. The countdown initiates after all input stops. Second: “Does it affect my game or connection?” It does not. This is a client-side safety feature. It has zero effect on game performance or your connection to our servers. Third: “Can I deactivate it completely?” While options can differ, we deliberately keep the feature active at a minimum level to satisfy our safety promises. You do have full control to pick a duration from the range we provide. My aim here is to offer you confidence that the system works smartly in the background to protect you without disrupting of your fun.
What Happens When Your Session Expires?
Being aware of what to look for when the timeout triggers aids prevent any irritation https://rabbitroaddemo.org/. In Rabbit Road Game, as your inactivity timer runs down, you’ll generally see a visual warning on screen. This might be a countdown timer or a small message. If you don’t interact, the game will safely log you out. Critically, your progress is saved automatically at regular intervals, so you will not lose any completed levels or items you’ve gathered. You’ll be redirected to the main game lobby or the login screen. To get back in, just log in again with your username and password. The whole process is efficient and secure. None of your account data is altered; the game just closes the active connection for safety. When you realize how it works, the experience appears less like an interruption and more like the useful feature it’s intended to be.
The Direct Link Between Timeouts and Account Security
Be in no doubt: your session timeout is a primary guard for your account. Signing in creates a secure session token. Step away from your device while still logged in, and that token is exposed. Anyone with physical access could seize your session, even without your password. The automatic logout cuts that connection. In Rabbit Road Game, this protects everything: your collected coins, the levels you’ve accessed, your chat history, and any profile details you’ve provided. It’s vital if you ever play on a device that other people use, like a family tablet or a laptop in the living room. Consider it an automatic sentry for your account. By configuring this, you’re embracing a straightforward, easy security practice that cuts the chance of someone else gaining access and doing damage.
Taking Control of Your Gaming Experience
The session timeout setting in Rabbit Road Game is fundamentally about giving you authority over your own safety and how you play. It’s a basic technical feature with a substantial effect. By learning about it and setting it up, you make a conscious decision to protect your account and promote a healthier gaming rhythm. Try to view it not as a constraint, but as a representation of our dedication to you as a player. Open your settings menu today. Pick a timeout that matches your life, and then play with the added assurance that comes from having another layer of protection. At Rabbit Road Game, we’re devoted to pairing great adventure with real peace of mind. This tool is a key part of how we fulfill that for our whole community.
“The View” scored its most-watched Q2 in six years, TheWrap can reveal exclusively.
ABC’s “The View” closed out the second quarter with 2.6 million total viewers, according to Nielsen figures, growing 3% from its Q2 average from a year ago. The show also improved in both female demos, with the show averaging 221,000 viewers in Q2 among women 25-54 — up 11% from last year — as well as 168,000 viewers among women 18-49 — up 14% from last year.
The show also closed out the quarter as the top daytime network talk show in several key demos. Its total viewership outpaced NBC’s “Today Third Hour,” which averaged 2 million viewers, “Today with Jenna & Sheinelle” with 1.4 million viewers and “NBC News Daily” with 1.3 million.
Likewise, the daytime talk show also finished Q2 with the highest household rating among its peers with 1.7 rating, while “Today Third Hour” averaged a 1.31 rating, “Today with Jenna & Sheinelle” averaged a rating of 0.9 and “NBC News Daily” averaged 0.9 rating.
“The View” also maintained its lead during the week of June 22, when it averaged 2.6 million total viewers and a 1.71 rating, leading “Today Third Hour,” which averaged 2.1 million viewers and a 1.3, “Today with Jenna & Sheinelle,” which scored 1.5 million viewers and a 0.89 rating, as well as “NBC News Daily,” which tallied 1.6 million viewers and 1.0 rating.
For the fourth straight week, the ABC News show boosted its ratings across the board, boosting its total viewership by 6%. As “The View” averaged 232,000 viewers in the women 25-54 demo and 167,000 viewers in the women 18-49 demo, the show saw a 15% and 12% ratings uptick, respectively.
Season to date, “The View” is up 8% among women 25-54 and up 6% among women 18-49 when compared to comparable weeks last season to reach its strongest ratings in three years, marking the only daytime talk show to grow in both key female demos.
Overall, “The View” ranks as the No. 1 daytime talk show for the ninth straight season as it averaged 2.6 million viewers and a 1.74 rating.
Elsewhere on ABC News, “20/20” scored its largest lead over NBC’s “Dateline” in total viewers during a second quarter in 11 years as it added 576,000 viewers over its competitor.
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Even “Weird Al” Yankovic has limits to parodies he finds funny. For instance, he is not amused by the internet’s “Weird A.I.” jokes. Sure, “AI” in capital letters kinda looks like “Al,” but as he told Syracuse.com on Monday, he’s “not a fan of AI.” In fact, he made it clear that you literally cannot pay him obscene amounts of money to feign interest in artificial intelligence.
When a company hawking AI-powered “business software that would increase productivity” (ever the gentleman, Yankovic refused to name-and-shame) offered him “a nice pile of money” to flog their wares in a commercial he said no.
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Well, not at first. “I said, ‘Oh well, yeah, sure, I could do that,’” Yankovic said. “And then a week before we’re supposed to shoot it, I find out, oh, this is … it’s AI. And I thought, ‘Oh no, I can’t be the poster boy for AI, forget it.’ So I felt bad about kind of pulling out at the last minute. But yeah, I’m not, I’m not down with that.”
Yankovic, whose intelligence is authentic, is currently on his ongoing Bigger & Weirder tour, whose dates extend into the fall. And while the set lists remain sufficiently weird, one thing that’s inarguable is that the tour itself is bigger, since Yankovic, age 66, scheduled 90 dates in 2026. “We did 75 shows this year, and the fans weren’t sick of us yet,” Yankovic said in a 2025 statement when announcing the trek, “so we’re just going to keep on touring until they are!”
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La experiencia social puede incluir funciones que permitan interacción entre usuarios o con operadores. Este párrafo imagina una plataforma que fomenta la participación comunitaria, con herramientas responsables para mantener el control y evitar el juego excesivo.
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Johnny Clegg’s rhythm still beats in the heart of South Africa, and a powerful new music video has arrived to prove that his legacy will never fade.
The official music video for “Great Heart” has just dropped, offering a breathtaking first glimpse into the highly anticipated “Scatterlings” project spearheaded by Jesse Clegg and fellow musician Msaki.
Originally released in 1987 by the late Johnny, the iconic hit has now been beautifully reimagined by his son, Jesse.
“Great Heart” stands out as the sole track on the album to feature both father and son.
For Jesse, the song is deeply woven into the fabric of his childhood and his final memories with his father on stage.
“When my dad did his final tour, this was the song that we performed together. I have so many wonderful memories of singing and dancing with him on stage. I’m grateful we had that experience together,” said Jesse.
Rather than trying to outdo a masterpiece, Jesse said he approached the track with deep respect, aiming to infuse it with his own modern artistry while preserving its life-affirming energy.
“I feel very connected to it. ‘Great Heart’ is such a beautiful song. It’s not something I wanted to improve on, but rather add my own artistry to it for a modern take.”
To elevate the release, the music video was filmed against the sweeping, majestic backdrop of the Drakensberg mountains, a location that perfectly mirrors the raw beauty and deep history of South Africa itself.
Taking to Instagram, Jesse wrote: “Filmed in the beautiful Drakensberg mountains, a place that reflects both the beauty and history of South Africa. It was a thrill to film this in such a special location in honour of a song that holds such a meaningful place in our culture.”
The “Scatterlings” project and festival
Serving as a soul-stirring celebration of Johnny’s contribution to our cultural DNA, the “Scatterlings” project isn’t just a standard tribute album. It is a profound reimagining of his timeless catalogue by a powerhouse line-up of South Africa’s finest musicians.
Sonic visionaries like Sjava, Sun-El Musician, Msaki, Tresor and Zolani Mahola are all coming together to breathe fresh life into songs that defined the sound and spirit of a transitioning nation.
Curated and conceptualised by Jesse alongside Msaki, this project has been a labour of love for years.
It’s a deliberate effort to introduce Johnny’s fearless spirit to a whole new generation of listeners.
“When someone you’re close to passes away, you feel the sense that you want to celebrate them and bring their voice back, bring their perspective back. I think my dad was such a unique person and had an incredible impact on South Africa that it felt so beautiful to do that through music and through a whole new generation of musicians.”
The momentum built by this emotional release will culminate in the highly anticipated Scatterlings Music Festival on August 1 at Huddle Park, where these incredible artists will bring this collective magic to the live stage.
On Thursday, July 2, Jesse and Msaki also announced that the Scatterlings Music Festival will make its debut on July 18 in London at Trafalgar Square, as part of the Mandela Day celebrations.
After completing SOC2 Type 1, Feedly has completed its SOC 2 Type 2 examination verified by A-LIGN. The audit confirms that Feedly’s controls for Security, Availability, and Confidentiality were suitably designed and meet the industry’s highest standards. For CTI teams and security organizations trusting Feedly with their intelligence workflows, this is the formal, audited proof that those controls work.
Overview
Security teams trust Feedly with their most sensitive work like tracking threat actors, monitoring vulnerabilities, and surfacing intelligence that informs real organizational decisions. That trust has always driven how we build and operate. SOC 2 Type 2 makes it auditable.
What is SOC 2 Type 2?
SOC 2 is a certification framework established by the American Institute of Certified Public Accountants (AICPA). It evaluates whether a company’s systems and controls reliably protect customer data across five trust service categories: security, availability, processing integrity, confidentiality, and privacy.
Type 2 is the harder bar. A Type 1 audit confirms that controls exist at a single point in time. Type 2 confirms that those controls operated effectively over an extended period. In our case, we were already Type 1 verified and are now verified for Type 2 by A-LIGN, the leading cybersecurity compliance auditor trusted by more than 4,000 global organizations.
What our audit covered
Our SOC 2 Type 2 report covers three trust service categories for the Feedly system:
Security: protecting the system against unauthorized access, both physical and logical
Availability: ensuring the system is available for operation and use as committed
Confidentiality: protecting information designated as confidential
The examination period ran from January 1, 2026 to March 31, 2026, and the report was issued on April 20, 2026.
Why this matters for CTI teams
The organizations using Feedly Threat Intelligence are often in industries where data security is a requirement. Financial institutions, government contractors, healthcare organizations, and critical infrastructure teams operate under strict compliance mandates. Their procurement and legal teams need documented proof that the tools in their environment meet the bar.
SOC 2 Type 2 gives your security and compliance teams something concrete: an independent, audited report that documents exactly how Feedly protects your data. It removes a friction point from the procurement process and gives internal champions a clear answer when IT or InfoSec asks “how do we know Feedly is secure?”
Security has been foundational to how we build Feedly from the start. SOC 2 Type 2 is the formal verification of that commitment, not just for our current customers, but for every security team evaluating whether Feedly belongs in their stack.
Olivier Devaux, Co Founder of Feedly
What comes next
SOC 2 Type 2 is an ongoing commitment. The certification requires annual renewal, which means our controls are continuously monitored and our practices regularly re-examined.
As Feedly grows with new integrations, new AI capabilities, new enterprise customers, SOC 2 gives us a structured way to make sure security keeps pace with every change we ship.
Access the report
If you’re a Feedly customer and need a copy of our SOC 2 Type 2 report for your security review or procurement process, reach out to your Account Executive to download the full report.
If you’re evaluating Feedly for your organization and want to know more about our security posture and features, contact our team here: sales@feedly.com
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SOC 2 Type 2 is an independent audit that confirms a company’s security controls were not only properly designed but actually operating effectively over a defined period of time. It’s issued under the AICPA’s Trust Services Criteria framework and is widely recognized as a gold standard for cloud and SaaS security compliance.
What’s the difference between SOC 2 Type 1 and Type 2?
A Type 1 report confirms that security controls exist and are designed appropriately at a single point in time. A Type 2 report goes further as it verifies that those controls operated consistently and effectively over an extended period. Type 2 is the more rigorous of the two.
Which trust service categories does Feedly’s SOC 2 cover?
Feedly’s SOC 2 Type 2 report covers three categories: Security, Availability, and Confidentiality. These address how we protect the system from unauthorized access, maintain uptime commitments, and handle confidential information.
What period does Feedly’s SOC 2 Type 2 report cover?
The examination period runs from January 1, 2026 to March 31, 2026. The report was issued on April 20, 2026.
Who conducted Feedly’s SOC 2 audit?
The audit was conducted by A-LIGN, an independent cybersecurity compliance firm trusted by more than 4,000 organizations globally and the number one issuer of SOC 2 reports.
How do I request a copy of Feedly’s SOC 2 report?
The full report is available to customers and prospects under NDA. If you’re a current customer, reach out to your account team. If you’re evaluating Feedly, contact us here and mention you’d like to review the report.
Is Feedly SOC 2 compliant for enterprise use?
Yes. Feedly’s SOC 2 Type 2 certification confirms that the Feedly Threat and Market Intelligence system meets enterprise-grade security, availability, and confidentiality standards, making it suitable for use in regulated industries including financial services, healthcare, government contracting, and critical infrastructure.
Does Feedly’s SOC 2 certification renew?
Yes. SOC 2 Type 2 is not a one-time certification, it requires ongoing audits to maintain. Feedly is committed to continuous compliance and will renew the certification annually.
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Panorama geral das ofertas do casino Azurslot
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Conclusão
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