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A firefighter died while fighting a wildfire near the City of Revelstoke, according to the British Columbia General Employees Union (BCGEU).

The union has identified the firefighter as Devyn Gale.

“Our hearts and thoughts go out to Devyn’s family and community, both at home and in the BC Wildfire Service,” a statement online reads.

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Premier David Eby issuing a statement late Thursday following news of the tragedy.

“We are deeply saddened to hear about the tragic incident involving a BC Wildfire Service firefighter, Eby said in a statement to Global News.

“On behalf of all British Columbians, we extend our condolences to the family, friends and colleagues of this crew member.”

Eby added this loss comes at an already challenging time.

“Day in and day out during wildfire season, our firefighting crews go to heroic lengths to keep people and communities in B.C. safe, Eby shared.

“This tragedy serves as a heartbreaking reminder that they are often putting their lives on the line to do so.”

The BCGEU says it will ensure a thorough WorkSafeBC investigation is conducted and Devyn’s colleagues have access to all necessary counselling and supports.

No word from officials on the exact wildfire Gale was fighting at the time of the tragedy.


Click to play video: 'Man dies while hiking in West Vancouver'


Man dies while hiking in West Vancouver


Global News has reached out to the BC Wildfire Service for comment.

&copy 2023 Global News, a division of Corus Entertainment Inc.

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French billionaire Francois-Henri Pinault is in final talks to buy a majority stake in CAA in a $7 billion deal, according to an unconfirmed Bloomberg News report.

Pinault, who is married to Mexican actress Salma Hayek, is the CEO of luxury fashion group Kering and president of its parent holding Groupe Artémis.

According to Bloomberg, talks are at an advanced stage but a deal is not a certainty at this stage.

News of the potential deal broke just hours after actors’ union SAG-AFTRA announced its members would be going on strike as of midnight in L.A., after talks with studios and streaming services had failed.

The negotiations also come just one year after CAA closed its $750 million acquisition of ICM Partners to create a mega agency. At the time, the combined value for the merged agencies was estimated at around $5 billion.

Pinault’s Kering Group is one of the largest luxury goods conglomerates in the world alongside compatriot rival LVMH (Moët Hennessy Louis Vuitton). 

Luxury brands under its umbrella include Gucci, Saint Laurent, Balenciaga, Alexander McQueen, Brioni and Bottega Veneta.

Under its Kering Foundation, it has strong connections with cinema, organizing the Women in Motion initiative at the Cannes Film Festival since 2015.

Elsewhere, in the group, the Saint Laurent label, launched a production banner this year.

Headed by the brand’s creative director Anthony Vaccarello, its first productions included Pedro Almodóvar’s Cannes 2023 short Strange Way of Life and projects with David Cronenberg and Paolo Sorrentino are also in the works.

Alongside Kering, other assets of parent holding company Groupe Artémis include sports equipment manufacturer Puma, auction house Christie’s, French news magazine Le Point, Breizh Café chain and the Stade Rennais F.C Ligue 1 soccer team, which wears a kit designed by Balenciaga.

Deadline has contacted CAA and Kering for comment.

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French billionaire Francois-Henri Pinault is in final

When you go to a movie called “The Modelizer,” you tend to assume certain things about your protagonist: that he’ll be a smooth-talking pricelessly well-dressed cad, one who values women too much for certain assets (their looks) and not enough for others (everything else), and that the film will be engineered to give him a comeuppance. All that is true of “The Modelizer.”

What you don’t expect is that the movie, in this case, is going to take all that sexist-swinger-as-master-of-the-universe stuff and put it on steroids. “The Modelizer” is set in Hong Kong, which the movie keeps reminding us is the most expensive city in the world. The hero, Shawn Koo (Byron Mann), is the scion of an outrageously wealthy Chinese real-estate family; they own one-third of the property in the city. Shawn, who sees each of his parents once a month and serves as their company’s managing director (basically a show title, since they control everything), lives a life of carefree jet-set hedonism, dating a different fashion model every week.

Shawn is handsome and charming, but his defining quality is his sleek fortysomething-yet-boyish floppy-haired metrosexual impeccability. We can see that he might be a catch under any circumstances, but the real reason he has so many women to choose from is that Hong Kong, as the film portrays it, is now the sort of glitzy brand mecca to which fashion models flock as if they were aspiring starlets arriving in Los Angeles in the ’40s. Yet most of them don’t have much money, and Hong Kong — say it again — is the most expensive city in the world. (We’re told that a 350-square-foot shoebox apartment costs $8,000 a month in U.S. currency.) So in order to survive, most of the models need to hook up with what the film calls a V.I.P. — a very interested person. In other words, a sugar daddy.

As one of the models explains, “They’re using us. We’re using them.” But what “The Modelizer” presents, and what Shawn, in his richie-rich horndog eagerness, embraces, is an indentured star system where the young women who’ve arrived from Moscow or Stockholm or São Paulo to be models are basically asked to prostitute themselves to survive. This is a sleazy, wretched racket, yet the film is nearly as blithe about it as Shawn is. He knows that he’s buying his girlfriends, but that’s how he grew up, and to him it’s normal. The film presents this as simply the way things are among a certain rarefied sliver of the Hong Kong elite.

If “The Modelizer” showcased all this with a bit of texture, so that we could take it seriously as drama, or if it were an exuberant romantic comedy, like “Crazy Rich Asians” meets “Pretty Woman,” the film might have gotten away with it. But as directed by Keoni Waxman, from a script by the lead actor, Byron Mann (maybe that’s why he spends so much time addressing the audience in winking commentaries), “The Modelizer” feels like a sketchbook version of the movie it could, or should, have been. The film’s attitude toward the demimonde of Hong Kong sugar daddies and the models who pretend to love them boils down to a cheeky and rather thoughtless shrug.

Mann, a good actor, has a clear idea of how he’s going to play Shawn: as an aging party boy who knows all the angles yet has remained weirdly naïve, sealed into his libidinous bubble of crazy rich privilege. He’s got a girlfriend (Dominika Kachlik) who wants to marry him (the feeling is not mutual), as well as a different cover-girl paramour every night, and he acts as if this were all his by divine right. At the nightclub he owns, he celebrates his birthday once a week, guzzling champagne until 4:00 a.m. And, of course, his “success” with women is guaranteed, since he holds all the financial cards. That he’s natty and intelligent and executes all this without a hint of self-awareness is supposed to be somehow beguiling. Yet “The Modelizer,” in its too thinly textured way, falls victim to the imitative fallacy. It’s not just Shawn who’s a modelizer. The movie is modelizing too.

“I’ve never not closed a model with the Maldives,” says Shawn, describing both his favorite getaway spot and his modus operandi. But the woman he’s trying this out on, a model from Brazil named Camila (Rayssa Bratillieri), is having none of it. Shawn is under pressure from several places. His father, the veteran tycoon modelizer Wellington (Kenneth Tsang), who at first seems an ancient creep out of “Boogie Nights” (but turns out to have a heart as gold as his bank account), and his mother, Beatrice (Julia Nickson), the dynastic matriarch who puts up with all of it, are trying to close a giant merger and want Shawn to settle down, because the optics of his lifestyle threaten to scuttle the deal. In addition, he has given shares in a building he owns to Alina (Hana Hrzic), one of his conquests, with no intention of paying her off — but now she wants the money, which she calculates to be $130 million. (She has brought her Russian-mafia-thug brother over to Hong Kong to get it.)

Then there’s Camila, who, in a word, is nice. She’s a simple girl from Brazil (she’s trying to purchase a house for her parents) who doesn’t have it in her vocabulary to be bought. Is it true love between them? Will Shawn change his ways? You know the answers to those questions, but only because you know that the movie requires those answers. Not because there’s anything so organically romantic in how Shawn and Camila connect. “The Modelizer” has the temerity to conclude with a Shawn-running-through-the-airport scene, as if it had suddenly turned into a rom-com from 30 years ago. But the movie should have heeded its own message, which is that you can’t buy love. Guess what? You can’t buy an ending with feeling either.

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When you go to a movie called

Geraldo Rivera has spent the last few weeks dishing about his exit from Fox News at the end of June, and it was no different on Thursday night when he dropped in on Chris Cuomo’s NewsNation primetime show.

Rivera repeated some of the statements he’s made before about his former Fox News colleagues — for instance, his “Toxic” relationship with someone on “The Five.” But during the chat he also revealed a difficult relationship with the Network long before he quit.

So he tells it, long before events that led Fox News to fire Tucker Carlson, it was so protective of the primetime star that in 2021, after Rivera criticized Carlson for pushing lies about the Jan. 6 attack, Fox News suspended him and also forbade him from talking to the media again without the network’s permission.

“When Tucker Carlson came up with his bizarre notion that January 6 was an inside job, that it was a federal informants who were causing trouble, that it wasn’t the insurrection that the rest of us saw, I said that that was a bunch of BS. I called BS on it,” Rivera told Cuomo.

“I got a call as soon as that was published in The Washington Post from Fox executives, who said ‘you’re suspended. You’re not supposed to speak to the press unless you clear it with us,’ which of course is, you know, catch 22 Because they never clear it,” Rivera continued.

Rivera also called out Fox News for what he suggested is its role allowing Tucker Carlson and other network personalities to promote those lies about Jan. 6.

“So, I wanted to speak out on that because I was very offended by it. Everyone knows that it was Donald Trump inciting an insurrection. He inspired those people. He directed those people, he encouraged those people, he sicced those people on the capital of the United States, he stabbed the Constitution in the back. And I think that for FOX to pretend that, you know, there was an honest debate about Jan. 6, or the 2020 election, I think, was obscene,” Rivera said. “And I think it needed to be said.”

Rivera went on to say that he believes “what happened with Donald Trump disqualifies him from ever holding the presidency. I think Chris Christie, among others would be a terrific President of the United States. I think that Donald Trump by doing what he did, by not only denying the election, but then inspiring and unleashing that insurrection, and then encouraging this division in the country, has disqualified himself. And if I have any air left to make my point clear, it will be to that effect—that Donald Trump does not deserve should not be ever again considered for the presidency of the United States.”

Watch Rivera’s comments below:

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Geraldo Rivera has spent the last few

About The Author

Andrew Jeffrey joined Realscreen in 2021 as its news editor. Here, he helps to oversee assignment, reporting and editing for Realscreen’s daily newsletter. Prior to his work covering documentary and non-fiction film and TV, he worked as a reporter and associate producer for CBC Edmonton, and as a reporter for The Star Calgary, where he covered daily news on beats such as local and provincial politics, health care and harm reduction, sports and education. His work has appeared in other Canadian news outlets such as TVO, the Edmonton Journal and Avenue Magazine.

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Kiccha Sudeep will reportedly play himself in the movie.

Kiccha Sudeep has a cameo in the film, reports say.

Bigg Boss Kannada fame actor Rajeev Hanu is all geared up for the release of his film, Usire Usire. What makes the film even more special is that Sandalwood superstar Kiccha Sudeep is a part of it. Recently, Usire Usire’s teaser was unveiled. According to reports, Kiccha Sudeep has a cameo in the film. He is reportedly going to play himself and will be seen in the climax scene with Rajeev Hanu. Usire Usire is directed by CM Vijay.

Kiccha Sudeep is doing this film to show support to his friend Rajeev. The teaser of Usire Usire was released on July 11. On YouTube, it was posted on the channel A2 Music. It has garnered 1.1 million views and 9,600 likes so far. According to the information given in the caption, “The teaser offers a glimpse into the world of Usire Usire and leaves you craving for more. Brace yourself for a rollercoaster of emotions as love, friendship, and sacrifices take centre stage in this riveting tale.”

According to CM Vijay, a climax can make or break a film, so they have written an “unprecedented” climax for this project. He shared in an interview with The Times of India, “Sudeep will be a part of it. He has a global fanbase, and we have made his role keeping this in mind. We want to show him in his real-life avatar.” He gives more information on the climax, saying that an incident happened in Bengaluru years ago which “caused ripples across the globe”, so the makers decided to blend that into the climax where Sudeep comes in. Speaking more on the importance of climax, CM Vijay said, “No matter how good the content, the audience will always take the movie home if they are impressed with the climax. We are working towards creating such an impact.”

The film’s release date is not announced yet.

Usire Usire is being produced by Pradeep Yadav under the Gombe banner. The cast also includes Shrijitha Nayaki, Tara, Suchendra Prasad, Rajesh Nataranga, Ali, Brahmanandam, Sadhukoila, Devraj, Manju Pavagada and Shiva. The music for the film is composed by Vivek Chakraborty.

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Kiccha Sudeep will reportedly play himself in

Some of Marvel’s biggest stars, like Florence Pugh and Simu Liu, shared their reactions to the Screen Actors Guild (SAG-AFTRA) strike announcement. 

After being unable to come to an agreement with the studios, SAG-AFTRA leadership announced that as of midnight on July 14, the union and its members were going on strike. 

The actors join the Writers Guild of America in the first dual strike in Hollywood since 1960, and the first instance of SAG-AFTRA job action since 1980. 

This means that production on any SAG-AFTRA project (including anything within the MCU) will be halted until a new contract can be agreed upon.

Marvel Actors React to Actors’ Strike

In the wake of the SAG-AFTRA strike announcement, a number of Marvel stars offered up their honest thoughts. 

On the red carpet of the Oppenheimer premiere in London, Yelena Belova actress Florence Pugh told Entertainment Tonight, “It’s a very tense day” but she is happy to be standing with her fellow actors is “a wonderful feeling:”

“They’re already affecting me. I mean they’ve affected the whole of Hollywood. It’s been going on for awhile whether it be writer, directors, actors. You know, its something that affects the entire industry. And it’s something that everybody needs to be taking seriously. In terms of what it feels like today, yeah, it’s a very tense day. But the fact that I’m here and the fact that I get to be with everyone is a wonderful feeling.”

Leading into the strike announcement Simu Liu told reporters (via NowThis News), “It’s important to all of us to stand in solidarity with our union” and that he hopes both sides can “come to a wonderful understanding:”

“It’s important to all of us to stand in solidarity with our union. I think it’s important. Our union is the entity that fights for our rights and fights for the on-set rights of everybody. We live in a rapidly changing landscape, and it’s important to show that solidarity. And if, and when we do strike, I mean obviously I mean I hope not. We hope that everyone’s able to come to a wonderful understanding. But it and when we do, they will have my full support.”

In a strongly worded tweet, Agents of SHIELD star Clark Gregg riffed on the turn of phrase “F*** around and find out,” saying that “I feel like we are moving from the great f-ing Around into the finding of out” with the hashtag “PayYourArtists.”

Gregg also shared his reaction to Disney CEO’s comments about the strike and the studio’s content output, with a simple “Bro…”

He followed this up with “In perpetuity. JFC,” replying to SAG’s claim the studios were asking the union to agree to background actors being able to be paid for one day’s work to have their likeness captured by AI and used in perpetuity for no additional compensation.

The Avengers star also called upon California Governor Gavin Newsom for his support:

 “We need your support Gavin Newsom”

Don Cheadle, who can be seen now in the ongoing Secret Invasion Disney+ series, shared his response online, adding “to promote work…” to a list of activities actors have to refrain from during the strike.

Guardians of the Galaxy star Sean Gunn replied to the same list, remarking that “PROMOTION or PUBLICITY SERVICES” was missing:

“This tweet isn’t just confusing, it’s deliberately misleading. They left out the heading that SAG members can’t do those things for PROMOTION or PUBLICITY SERVICES.”

Julian Hilliard, who starred in 2021’s WandaVision as Billy Maximoff, returned to his Twitter account, sharing a brief “Back on, only to say…let’s go” with a flexing emoji.

Eternals star Kumail Nanjiani posted a similar message of support, posting an image that said, “SAG-AFTRA on strike!”

Thor director Kenneth Branagh weighed in in an interview with Deadline, calling this a “critical time in [the] industry:”

“I hope, as everybody does, that it solves itself quickly. But it’s such a critical time in our industry. The implications of what’s happening with that agreement go way beyond the membership of SAG-AFTRA. It’s an existential moment in in our industry.”

He continued, hoping that the strike “motivates people to [get] back [to] that table and talking:”

“And I think it is not a surprise that its a difficult thing to thrash out. I do think everybody’s trying to get a fair deal. But I’m in solidarity with SAG. I’ve been a member for over 33 years. I think they’re doing the best they can. And I think it’s the way to go. Yes, we know everything’s affected. I hope that it’s going to be something that motivates people to be back at that table and talking.”

Another MCU director to chime in was Doctor Strange filmmaker Scott Derrickson. Derrickson tweeted, opining that “unions are the greatest thing this country has ever produced” and showing his support for both the writers and the actors: 

“In my opinion, unions are the greatest thing this country has ever produced.”

And Doctor Strange writer C. Robert Cargill posted a GIF from his Marvel film of Benedict Cumberbatch’s Stephen Strange uttering the line “I’ve come to bargain” with a tag for the Alliance of Motion Picture and Television Producers (AMPTP).

What Does the Actors’ Strike Means for Marvel?

Of course, the most immediate result of the SAG-AFTRA strike when it comes to the MCU is those super-powered projects that are currently filming. 

While development on anything within the franchise has had to stop because of the writers’ strike, a few Marvel Studios titles could move ahead with filming albeit without the presence of writers on set. 

A pair of these (Wonder Man and Daredevil: Born Again were shut down early), but the other two (Deadpool 3 and Captain America: Brave New World) will have to shutter production as the actors head to the picket lines. 

Given the ongoing writers’ strike, delays to the MCU slate felt inevitable. The actors going on strike all but guarantee them. 

Another aspect where Marvel Studios is about to look a whole lot different will come with the promotion of any of its titles.

Depending on how long the strike goes, it could mean no press interviews or promotional tours for the likes of The Marvels, Loki Season 2, and Echo. 

No matter what happens, Marvel Studios and Hollywood as a whole is about to look quite a bit different. 

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James Gunn is breaking down why there will be a variety of characters in Clark Kent’s life in Superman: Legacy. As the DCEU is coming to an end in 2023, a new DC Universe is on the horizon, with DC Studios actively working on several TV shows and movies that will be part of a fresh interconnected franchise. Superman: Legacy will be the true beginning of the DC Universe, with Gunn set to direct the highly anticipated reboot. Filming is currently expected to begin in early 2024 as Superman: Legacy is in pre-production.


Recently, Gunn added not one but four new cast members for Superman: Legacy, including a new Green Lantern who will be played by Nathan Fillion. However, Gunn has been elaborating more on how all of these additional characters will balance Clark’s life out.

Over on Threads, Gunn conversed with a user named @GPSeeWald2001 about why there are a number of superheroes in Superman: Legacy. For Gunn, they “are entering a world where superheroes exist and have existed for quite a while,” which reflects one side of the Man of Steel’s life.

James Gunn On Superman Vs Clark Kent

On Instagram, @Ginger_Dude1 was a bit more critical after Anthony Carrigan was cast as Metamorpho in Superman: Legacy. However, Gunn stressed how “Superman is a man of two worlds,” reflecting on how people like Lois Lane, Jimmy Olsen, and Perry White differ from the superheroes that Clark engages with in his career.

RELATED: Every Actor Cast In Superman Legacy (So Far)


Everything James Gunn Has Revealed About Superman: Legacy’s Story

Young Superman and David Corenswet custom image

Ever since Gunn revealed that he is working on Superman: Legacy, he has been very vocal about this not being another origin story for Krypton’s last son. Instead, they will be following Clark being in his early days as Superman while still working out the ups and downs of being a Daily Planet reporter. That is one of the reasons why they cast a younger actor as the DC icon without having to retell how Clark became Superman.

With Green Lantern, Hawkgirl, Mister Terrific, and Metamorpho already existing in the DC Universe, Superman: Legacy will be taking audience members into a DC Universe that has perhaps already has a Justice League team established. Gunn has even made it crystal clear that having more heroes in Superman: Legacy is specifically to help tell Clark’s story better. That alone makes their presence nothing more than supporting roles, which is the right direction for Superman: Legacy as this is a film about him rather than setting up numerous spinoffs.

Hopefully, the next characters who will be cast for Superman: Legacy will be specifically players who are from Superman lore. With Jimmy Olsen already confirmed and Lex Luthor being rumored to appear, there will be plenty of relevant Superman characters to look forward to in the reboot. But for now, the world will have to wait and see who else gets cast in Superman: Legacy next.

Source: James Gunn/Threads & Instagram

Key Release Dates

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James Gunn is breaking down why there

The holidays have so many ideas and memories associated with them–being home with family, winter snowfall, gift giving, big meals, and watching your true love get frozen in carbonite. That last part is only the case if you let Hallmark have its way with its new Keepsake Ornament.

You could hang little tiny candy canes, stockings, and other Christmas-related symbols around your tree, but what’s the fun in that? For just $64.99, you can celebrate one of the most memorable moments in Star Wars: The Empire Strikes Back with your family. The ornament depicts the scene set in Cloud City in which Han Solo is about to be encased in carbonite. Han, Leia, Chewie, C-3PO, and of course, Darth Vader are all there. You can connect a Hallmark Keepsake Power Cord to light up the LED lights, and there’s a button on board that you can push for a synchronized sound and light show that features movement and dialogue from the movie.

Hallmark has gone hard on nerdy Keepsake Ornaments for a while now. This ornament will debut officially this weekend along with a slew of others as part of Hallmark’s Ornament Premiere. Other pieces include Mando and Grogu flying together, a whole armful of Disney’s Haunted Mansion ornaments, Snoopy and Charlie Brown, Mario in his Cat suit, a bunch of Star Wars pieces, and of course, Dorothy from Golden Girls. This Star Wars ornament and a whole bunch of others will be available starting July 15, and this one retails for $64.99 (and an extra $14.99 for that power cord, which can connect to up to seven other ornaments, so you’d better pick out six more).

The products discussed here were independently chosen by our editors.
GameSpot may get a share of the revenue if you buy anything featured on our site.

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A blazing-fast aperture for only $349 seems like a worthy price. But what are we sacrificing?

If you’ve dipped your toe into the budget cine lens world, SIRUI is a name you’ve heard of quite a bit, especially if you’ve been looking at budget anamorphic lenses for all sorts of sensors. 

Now SIRUI is tackling the night with a set of Super 35 (APS-C) lenses that have a T1.2 aperture across the board. The SIRUI Night Walker series is all about affordability and low-light sensitivity. 

So, how do they perform, and should you get one for your kit? That all depends on how many corners you’re willing to cut. 

Cinema Night Vision

The SIRUI Night Walker series is a three-lens set offering 24mm, 35mm, and 55mm. Made for APS-C/Super 35 sensors, the entire set has a T1.2 aperture, geared focus and iris rings, and similar proportions for efficiency builds. It’s even being offered in several mounts, including Sony E, Fujifilm X, Canon RF, and Micro Four Thirds.

Night Walker 24mm T1.2 w/ RED KomodoCredit: SIRUI

Each lens only weighs about 500g. They seem to be everything a cinema lens should be. Fast, versatile, and standardized. 

Each lens will cost you $349 dollars, or $309 if you get it during the IndieGoGo campaign. That’s not only dirt cheap, but an absolute steal.

So, where did SIRUI cut corners in order to get it to such a price point?

For starters, it’s definitely not in the focus mechanism design. From what we’ve seen, there is barely any focus breathing, leading to a nice focus transition from your different planes. The lenses also seem to be well built with solid metal housings and the image is super sharp even at T1.2. 

SIRUI Night Walker 35mm T1.2
SIRUI Night Walker 35mm T1.2Credit: SIRUI

But like with other offerings from the past, SIRUI lenses tend to have some difficulties when it comes to color matching, especially between the 24mm and the other two in the set. Give this video from Spencer Sakurai a watch to see the issue in action:

While the 35mm and 55mm seem to match fairly well, the 24mm lens has a pretty severe color shift. While budget creatives might not worry too much, it’s downright unusable in most professional productions. But having said that, most professional productions have the budget to rent more expensive lenses. 

Who Is This Lens For?

If you’re a cinematographer or filmmaker on a budget that is just starting out, the SIRUI Night Walker cine lenses feel like a great starting point. You’ll get the experience of working with a true cinema lens and have a blazing-fast aperture for low-light shooting. 

However, you will sacrifice some mental headspace and time in post-correcting all those color shifts. There may come a time when you probably won’t even pick up the 24mm.

It’s nice to see SIRUI offering glass at such a price point. But I would have loved to pay a little more to see the lenses match across the set.

SIRUI Night Walker 55mm T1.2
SIRUI Night Walker 55mm T1.2Credit: SIRUI

Finally, one last thing to consider is tolerances. While I haven’t had a chance to work with the more modern SIRUI offerings, the original 1.33x anamorphic lenses had some pretty glaring issues with the mounts. In the set I had, the 24mm f/2.8 1.33x anamorphic had a thicker MFT mount than the 35mm of the same line. This caused the lens to have issues with fitting on most of my cameras. Hopefully, these issues have been worked out in the Night Walker line.

If you’re willing to sacrifice color matching and deal with possible mount tolerance issues, the Night Walker series might be a great budget set for your first kit. To get the set for only $309 a lens, go support the IndieGoGo campaign and stake your claim. 

But if you’re looking for an upgrade, there might be other tools on the market that will be a better fit. Finding the right set will be up to you.     

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A blazing-fast aperture for only $349

In a press conference Thursday morning, the California Legislative Black Caucus demanded answers from Hollywood studios about the exodus of several Black female Diversity, Equity and Inclusion (DEI) executives, which the group described as “a troubling pattern.”

Watch video of the press conference here.

They were referring to a wave of sudden exits of executives that kicked off June 20 when Disney’s chief diversity officer and senior vice president Latondra Newton, left, according to Disney to pursue “other endeavors.”

Then on June 28 Netflix announced that Vernā Myers, head of inclusion strategy, will leave the role in September after five years in the job in order to focus attention on her consulting company, The Vernā Myers Company.

The next day, Warner Bros. Discovery laid off SVP of diversity, equity and inclusion Karen Horne, and the Academy of Motion Picture Arts and Science’s EVP of Impact and Inclusion Jeanell English stepped down. Horne joined WBD in March 2020, while English’s role was created by Academy CEO Bill Kramer in July 2022.

“One executive removal could be a fluke, but four more? And we’re hearing more are to come. This is a troubling pattern. A pattern that suggests diversity, equity and inclusion is no longer a priority at the highest levels of the film industry, where decisions are made and institutional change happens,” Senator Lola Smallwood-Cuevas (D-Los Angeles) said.

Smallwood-Cuevas also said it was troubling that many of the exits happened after the California legislature extended he film and TV tax credit.

“It is a slap in the face of not only women. It’s a slap in the face for people of color,” Assemblymember Mike Gipson (D-Carson), said.

Also present were Senator Lena Gonzalez (D-Long Beach), Senator Dave Min (D-Orange County), Senator Nancy Skinner (D-Berkeley), Assemblymember Ash Kalra (D-San Jose), Assemblymember Luz Rivas (D-San Fernando Valley), Assemblymember Phil Tin (D-San Francisco), and Assemblymember Tina McKinnor (D-Inglewood).

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In a press conference Thursday morning, the

Jennifer Lopez has been seen with a totally wearable new nail shape that her manicurist has dubbed “natural coffin tips.” And yet again, here we are inspired by a J.Lo nail design. 

The actor and singer is often creative when it comes to nail shapes, and this year has been no different. Just in March, she debuted ballerina nails. Now, she gives them a small but fine update with these coffin tip nails. 

It’s no secret that Jennifer Lopez loves a natural manicure. Whether it’s milky micro French nails or lipgloss nails, subtle polishes seem to be high on the star’s list. As for the nail shapes, J.Lo has long been a fan of almond-shaped nails though the shape has become more angular in recent months. For her current manicure, the base is a nude nail polish but the nail shape itself is quite different from what we’re used to seeing on her.

Over on Instagram, J.Lo posted three selfies of herself that clearly put her nails in the spotlight. And not just from her pose—you can’t miss the golden 3-D stickers, piercings, and gems that make up the nail design.

Instagram content

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Behind the look is, of course, Tom Bachik. He’s the celebrity nail artist responsible for just about every manicure the actor has. He also posted the pictures on his Instagram account and described the nail shape as “natural coffin tips.”

So what are natural coffin nails, exactly? The nail shape is a variation of ballerina nails; it’s quite angular and filed straight on the sides at the top of the nail tip. The sides become narrower and narrower towards the top of the nail. Coffin nails can be worn on both short and long nails, which is one reason why the manicure has become so popular. The less the nails narrow towards the top, the more discreet that “coffin” effect turns out to be. In the case of Jennifer Lopez her, it’s very slight—hence the name “natural coffin nails,” because it has a more natural effect. 

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Jennifer Lopez has been seen with a

Lisa Marie Presley’s death was caused by a small bowel obstruction, according to a newly-released report from the Los Angeles County Medical Examiner-Coroner’s Office.

The report states a “sequelae of a small bowel obstruction” led to Presley’s death on Jan. 13 when she experienced cardiac arrest at her home in Calabasas. The report additionally notes that Presley died while she was hospitalized and cited the manner of death as “natural.” Her final resting place is at Graceland, the Memphis home where she lived with her parents before it became a museum, next to her son Ben.

A singer, and Elvis Presley’s only child, Lisa Marie’s last public appearance was just days before her death at the Golden Globes alongside her mother, Priscilla, for the “Elvis” biopic. The family confirmed the news of Priscilla’s passing in a statement that said they were “shocked and devastated by the tragic death of their beloved Lisa Marie.”

She was honored at a memorial on Jan. 22 at Graceland by friends and family including Axl Rose, Billy Corgan and Alanis Morissette, who paid their respects with musical tributes. Lisa Marie inherited Graceland after the death of her father, grandfather and great-grandmother, and then inherited Elvis Presley’s entire estate when she turned 25. She sold 85% of the estate, which had an estimated value of $100 million when she inherited it, in 2005 to Industrial Media, but kept control of Graceland.

As a singer-songwriter, Lisa Marie released her first album, “To Whom It May Concern,” in 2003. It yielded the hit song “Lights Out” and was certified gold marking sales of more than 500,000 units. For her second album, “Now What,” she co-wrote 10 songs and included a cover of the Ramones’ “Here Today and Gone Tomorrow.” Both albums, released by Capitol Records, debuted in the top 10 of the Billboard 200.

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Lisa Marie Presley’s death was caused by

Movies and online slots? What’s not to love! Welcome to a world where Hollywood meets the thrill of casino gaming. Let’s dive into an unforgettable experience that combines the excitement of some of the greatest films with the adrenaline rush of online slots.

Ted by Blueprint Gaming: Un-Bear-Lievable Fun

Remember the mischievous, foul-mouthed bear from Seth MacFarlane’s comedy classic ‘Ted’? Blueprint Gaming brings you an online slot that allows you to relive the hilarious antics of this unconventional teddy bear. If you want to read this slot review and 100s of other new slot games please visit https://fruityslots.com/casino/

Ted online slot encapsulates the fun, raunchy spirit of the film, packed with special features and bonus rounds. Keep an eye out for Ted’s Beer Shuffle and S-Mart Free Spins, guaranteed to keep you on your toes. Spin the reels, unleash the mayhem, and get ready for an ‘un-bear-lievable’ time!

Goonies Return by Blueprint Gaming: Never Say Die!

For fans of the iconic 80’s adventure-comedy ‘The Goonies’, this online slot is a nostalgia-filled treat. Blueprint Gaming strikes again with Goonies Return, a slot game teeming with hidden treasures and mysterious bonuses just like the movie.

Aptly designed with symbols inspired by the film’s characters and narrative, this game will transport you back to the age of pirates, treasure maps, and booby traps. Keep an eye out for the One-Eyed Willy’s Bonus Boost, and you might just hit the mother lode!

Jumanji by NetEnt: A Wild Ride Awaits

Enter the jungle with Jumanji by NetEnt, an immersive slot game inspired by the 1995 fantasy-adventure film. Just like the movie, this game is all about unpredictability, filled with hidden features, bonus games, and multipliers.

Prepare for an exhilarating adventure as the drums beat and animals charge across your screen. Make sure you’re ready to face the Monkey Mayhem and the Wild Stampede! You’re not just spinning reels; you’re journeying through a wild, magical world.

Beetlejuice Megaways by SG: It’s Showtime!

Step into Tim Burton’s eccentric afterlife with the Beetlejuice Megaways slot by Scientific Games. The game encapsulates the unique, whimsical charm of the film, complete with ghostly characters, haunting music, and plenty of opportunities to win.

Beetlejuice Megaways incorporates a unique cascading reels mechanism, where winning symbols disappear, making way for new ones. Plus, don’t miss the Ghost Mystery symbol – it’s your ticket to bigger wins. With up to 248,832 ways to win, you’re in for a spooky, thrilling ride!

Terminator 2 by Microgaming: Hasta La Vista, Boredom!

Fans of action and sci-fi, gear up! Microgaming brings you the Terminator 2 slot, packed with iconic imagery from the blockbuster movie. With its futuristic design, stunning graphics, and engaging bonus features, this game will transport you straight into the battle between humans and machines.

Look out for the T-800 Vision feature – a single scatter symbol can trigger free spins. And remember, as Arnold said, “The future is not set. There is no fate but what we make for ourselves.” So, spin those reels, seize your fate, and you might just hit the jackpot!

Sausage Party by Blueprint Gaming: Taste the Adventure

Sausage Party is a 5-reel, 20-payline slot inspired by the hilarious adult animated film. Blueprint Gaming has perfectly captured the film’s humour, packaging it into an engaging slot game filled with entertaining features.

Each spin can trigger one of six mystery modifiers, including Wild in the Aisles and Frank’s Hot Dog Wilds. Trigger the bonus rounds, and you’ll be met with even more variety, with six different games, each packed with its own unique surprises and potential for high payouts.

Sausage Party the movie is quite debaucherous, and although the slot is still an 18+ experience, you can count on less of the profanities, yet plenty of innuendos.

Jurassic Park by Microgaming: Prehistoric Payouts

Get ready to journey back to the age of the dinosaurs with Microgaming’s Jurassic Park slot. This 5-reel, 243-way-to-win game transports you straight into the heart of the iconic film with stunning visuals and immersive sound effects.

The game’s main feature is the Free Spins round, where you’re randomly assigned one of five dinosaur-themed features. Each dinosaur offers its own unique benefits, such as wild reels, mystery multipliers, split wilds, wild multipliers, and running wilds. The Jurassic Park slot is as unpredictable as the park itself!

Unlike the movies, you can count on Jurassic Park Slot being a safe experience devoid of actual dinosaurs!

The Dark Knight by Playtech: Heroic Wins Await

Join Gotham’s steadfast caped crusader with Playtech’s The Dark Knight slot, a game that brings the intensity of the blockbuster film to your screen. The slot is a 6-reel game offering 50 paylines and four progressive jackpots!

Its standout feature is the Dark Knight Free Games, which can result in unlimited free spins. Plus, don’t miss the Gotham City Free Games, where you’ll find extra wild symbols and multipliers. So, gear up and help Batman maintain peace in Gotham while collecting exciting payouts!

Planet of the Apes by Microgaming: Spin for Survival

Step into a world where apes rule with Microgaming’s Planet of the Apes slot. The game stands out with its unique dual 5-reel, 20-payline setup, reflecting the film’s duelling narratives.

Each side of the reels has its own set of bonus features. The Rise Bonus feature offers cash prizes for every human and ape symbol on the screen, while the Dawn Bonus transforms ape and human symbols into the same symbol for potential wins. So prepare yourself for a thrilling ride with every spin.

The Reel Conclusion

The fusion of popular movies with the captivating world of online slots provides an experience like no other. These games are more than just spinning reels; they are portals into your favourite cinematic worlds, filled with memorable characters, gripping storylines, and of course, the chance to score some fantastic wins.

So grab your popcorn and get ready to dive into the ultimate movie-themed online slots extravaganza. Whether you’re looking for laughs, thrills, or nostalgia, the game is on. Lights, camera, spin!

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Movies and online slots? What’s not to




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Karlie Kloss is a mom of two! The 30-year-old model gave birth to her second child with her husband, Joshua Kushner, on Tuesday, July 11. Karlie announced the special news in a Thursday, July 13 post to Instagram that revealed a side view of her sleeping child’s head. “welcome to [the world],” Karlie captioned the pic. She did not reveal the gender or name of her little bundle of joy. However, the baby was wearing a blue cap, which could hint that it’s a boy.

The Victoria’s Secret Angel revealed her pregnancy news at the 2023 Met Gala on May 1. She wore a skintight black velvet dress by Loewe, making her baby bump unmistakable. She also wore matching pearls around her neck and waist, the latter of which accentuated her curves. “This is the first time I’m sharing my news,” she excitedly confirmed on the red carpet at the time.

“This is the most important night in fashion, of course, and I’m honestly surprised I could keep it a secret this long,” Karlie gushed further during her chat with Entertainment Tonight on the New York City red carpet. She added that she was able to hide the secret for so long thanks to “big winter coats”.

The Prada model kept relatively quiet about her pregnancy following the big reveal, but did share a handful of bump shots on her Instagram. Karlie last shared a photo of her pregnant belly at the end of June. The image showed the athleisurewear-clad star kneeling and cradling her bump at sunset. See the dreamy image below.

Karlie and Josh, 37, welcomed a son named Levi Joseph in March 2021. A year later, she raved about motherhood. “The moment he was placed on my arms — I literally cry at commercials now, so I might cry right now — I just had this moment of, ‘Now, every woman who has a child, every parent, goes through this,’” she recalled on the TODAY show in April 2022.

Karlie Kloss pregnant
Karlie Kloss cradles her bump at the 76th Annual Cannes Film Festival in May 2023 (Photo: Daniele Cifalà/NurPhoto/Shutterstock)

She called Levi her “mini me” in the caption of a June 7 Instagram post that showed her playing some tunes for her son. As she played “Mary Had a Little Lamb” on the piano, Levi sat on her lap and answered, “Yeah!” after she asked him if she knew the song she was playing. Too cute!

Josh and Karlie tied the knot in New York in 2018 after six years of dating. They celebrated 11 years together in total on June 8.

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View gallery Image Credit: Daniele Cifalà/NurPhoto/Shutterstock Karlie Kloss is

Karlie Kloss and Joshua Kushner have welcomed their second child, with the couple taking to social media to announce the news.

Kushner posted a photo of the newborn’s face to Instagram on Thursday, with the caption revealing that the baby was born Tuesday. He did not share the child’s name.

Plenty of notable figures shared support in the comment section, including Kate Hudson, who wrote “Welcome!!!” and added numerous raised-hands emojis. Kim Kardashian posted “Congrats!!!!” while Gwyneth Paltrow shared a heart emoji.

Kloss, whose credits include previously serving as host for Project Runway and appearing in Zoolander 2, tied the knot with Kushner in October 2018 at a wedding ceremony in upstate New York. They welcomed their son Levi in March 2021.

Kushner is the founder of the venture capital firm Thrive Capital and minority owner of the NBA’s Memphis Grizzlies. His older brother is Jared Kushner, who is married to Ivanka Trump and served as senior advisor to former President Donald Trump.

Kloss confirmed the pregnancy while the pair walked the red carpet at the 2023 Met Gala in May. When asked at the time why she chose to reveal the news at the event, the model told Entertainment Tonight, “This is the most important night in fashion, of course, and I’m honestly surprised I could keep it a secret this long.”

Kloss and Kushner’s relationship was the focus of a video clip that went viral in early 2020. After contestants were tasked with designing an outfit for Kloss, judge Brandon Maxwell told one contestant that he couldn’t envision the model wearing his dress. This led the contestant to pointedly quip, “Not even to dinner with the Kushners?”

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Karlie Kloss and Joshua Kushner have welcomed

Netflix has released the official trailer for The Witcher Season 3 Volume 2, which gives us an action-packed look at Henry Cavill in his final three episodes as Geralt of Rivia.

As previously reported, Cavill will not return for The Witcher‘s fourth season. His role has been recast with Liam Hemsworth.

In Season 3’s final episodes, as monarchs, mages, and beasts of the Continent compete to capture her, Geralt (Cavill) takes Ciri (Freya Allan) into hiding, determined to protect his newly-reunited family against those who threaten to destroy it. Entrusted with Ciri’s magical training, Yennefer (Anya Chalotra) leads them to the protected fortress of Aretuza, where they hope to uncover more about the girl’s untapped powers; instead, they discover they’ve landed in a battlefield of political corruption, dark magic, and treachery. They must fight back, put everything on the line – or risk losing each other forever.

In the trailer, Geralt tells Ciri and Yennefer, “We didn’t come this far just to abandon each other.” Jaskier confirms that Geralt will defend Ciri at all costs, saying “The war brewing outside is nothing compared to what Geralt will do to protect his daughter.” In the final scene, we see Cavill’s Geralt face down in the water, with his voiceover saying “There’s no coming back from this.”

Lauren Schmidt Hissrich serves as showrunner and executive producer. The Witcher also is executive produced by Steve Gaub, Matt O’Toole, Mike Ostrowski, Javier Grillo-Marxuach, Platige Films (Tomek Baginski and Jarek Sawko) and Hivemind Content (Jason Brown and Sean Daniel).

Watch the trailer above.

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Netflix has released the official trailer for

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The stage was different, and so was the tone. But the voice was unmistakable.

Fran Drescher, the owner of a distinctly nasal, Queens-inflected accent, made her name in Hollywood for her starring role in the sitcom “The Nanny.” On Thursday, she appeared before dozens of cameras as the president of the actors’ union that voted unanimously earlier in the day to go on strike, delivering a fiery argument depicting the stakes of the decision.

“The eyes of the world and particularly the eyes of labor are upon us,” Ms. Drescher said. “What happens to us is important. What’s happening to us is happening across all fields of labor.”

She shook her fists in indignation. “I am shocked by the way the people that we have been in business with are treating us!” she continued. “It is disgusting. Shame on them!”

Ms. Drescher is the latest in a long line of familiar faces — Ronald Reagan, Patty Duke and Charlton Heston among them — to run SAG-AFTRA, the union that represents tens of thousands of screen actors. But it amounts to a surprising plot twist in her long career.

As the Thursday news conference made clear, she is now a leading face of a resurgent labor movement nationally. How she handles it in the coming weeks, and possibly, months could help determine the fate of 160,000 actors.

The actors’ strike, which will go into effect on Friday, marks a crisis point for Hollywood, which has already been rocked in recent years by the pandemic and sweeping technological shifts with the rise of streaming and the steady decline of cable television and box office returns. Hollywood writers have been on strike for months, and with actors now joining them — the first time since 1960 that both are on strike at the same time — the industry will essentially grind to a halt.

Ms. Drescher, 65, has spent decades acting in Hollywood, both in television and film. Since her starring role on “The Nanny” in the 1990s, by far her most prominent role, she has appeared sporadically in television and feature films. She most recently starred in a short-lived sitcom for NBC called “Indebted,” which lasted 12 episodes before it was canceled in 2020.

She has long expressed concerns about corporate greed, captioning photos with slogans like “STOP CAPITALIST GREED NOW.” It was enough for New York Magazine to put a headline on a 2017 blog post, “Your New Favorite Anti-Capitalist Icon Is Fran Drescher.”

A few years later, in 2021, Ms. Drescher won election to the guild presidency in a deeply contested race versus the actor Matthew Modine. They represented different factions: Ms. Drescher for the establishment Unite for Strength Party, and Mr. Modine for an upstart group, Membership First.

The race become so bitter that Mr. Modine accused Ms. Drescher of spreading falsehoods about him and reportedly said, “I’m ashamed of Fran Drescher, I’m disappointed. But she’ll be judged by the people in the world after she’s gone, or by whatever God she worships.”

Unlike the screenwriters, who have gone on strike many times over the decades and historically been unified, actors have been known more for their intramural squabbling. Hollywood had been bracing for a writers strike since the beginning of the year — but few senior executives and producers were prepared for the actors to have the resolve to go through with it.

When Ms. Drescher came into power she vowed to bring the union together and to bring an end to the “dysfunctional division in this union.”

When the actors agreed to a strike authorization, it was with 97.9 percent of the vote — a stunning figure that even eclipsed the writers’ significant strike authorization. Last month, Membership First, the opposition party, endorsed Ms. Drescher’s re-election bid.

Still, some of her public statements and actions in recent weeks have confounded many actors.

In late June, days before the actors’ contract was set to expire, Ms. Drescher and the union’s lead negotiator, Duncan Crabtree-Ireland, released a video that struck many viewers as surprisingly upbeat given the high stakes of the negotiations.

“I just want to assure you that we are having extremely productive negotiations that are laser-focused on all the crucial issues that you told us are most important to you,” she said, wearing a military jacket. “We are standing strong, and we’re going to achieve a seminal deal!”

Just days later, more than 1,000 actors, including Meryl Streep and Jennifer Lawrence, signed a letter expressing concerns to union leadership that they were not taking into account their willingness to strike. “We hope that, on our behalf, you will meet that moment and not miss it,” the letter said.

Ms. Drescher — curiously, given her position — added her signature to the letter.

On Monday, days before the actors’ contract was set to expire, Ms. Drescher drew attention on another front: She was attending a couture Dolce & Gabbana fashion show in Puglia, Italy, where she posed for photos with Kim Kardashian. To her 362 million Instagram followers, Ms. Kardashian said of Ms. Drescher: “To my fashion icon! Always on my mood board! I seriously love this woman!”

The backlash was quick and swift. The “General Hospital” actress Nancy Lee Grahn questioned if the photo was a joke. “I’m hoping this is not true. It can’t be. No one could be this stupid,” she wrote on Twitter.

In a statement, a spokeswoman for the actors’ union said that Ms. Drescher was working as a “brand ambassador” for Dolce and Gabbana, and that the commitment was “fully known to the negotiating committee.” Mr. Crabtree-Ireland called criticism of Ms. Drescher’s appearance at the fashion show “outrageous” and “despicable.”

Ms. Drescher addressed the issue at the news conference on Thursday. “It was absolute work,” she said, adding that she continued to communicate with negotiators from abroad. “I was in hair and makeup three hours a day, walking in heels on cobblestones. Doing things like that, which is work. Not fun.”

While Mr. Crabtree-Ireland spoke at the news conference from a teleprompter, Ms. Drescher spoke off the cuff.

“Wake up and smell the coffee,” she said of the studios. “We demand respect! You cannot exist without us!”

“They stand on the wrong side of history at this very moment,” she continued, pointing her finger forcefully toward the camera banks. “We stand in solidarity in unprecedented unity. Our union, our sister unions, and the unions around the world, are standing by us.”

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The stage was different, and so was

During the late 1980s, when I was still living in New York, I used to pal around with a group of writers known as the Unbearables. The name came from a story one member had written, riffing on the title of Milan Kundera’s 1984 novel “The Unbearable Lightness of Being.” This is not to say that Kundera, the Czech novelist and essayist who died on Tuesday in Paris at the age of 94, was a particular influence on our collective — although I, for one, was a devoted reader — but rather to illustrate the position he held at the time in the constellation of literature.

In short, Kundera was everywhere. His 1979 novel, “The Book of Laughter and Forgetting,” had been reviewed by John Updike in the New York Times Book Review, accompanied by an interview with Philip Roth. “The Unbearable Lightness of Being” had been adapted for the screen by Philip Kaufman, with Uma Thurman, Daniel Day-Lewis and Juliette Binoche. Both books, in conjunction with Kundera’s other work, challenged preconceptions about the novel, interweaving asides and digressions, philosophy and autobiography. “A novel,” he told Roth, “is a long piece of synthetic prose based on play with invented characters. These are the only limits.”

Let’s stick with that definition for a moment because it’s so revealing, especially the phrase “based on play.” Once a jazz pianist — this became a source of income after Kundera was expelled from the Czech Communist Party in 1970 and stripped of his job teaching at Prague’s Academy of Fine Arts — he had an intuitive understanding of improvisation, which was a driver of his fiction. He also recognized the subversive power of humor not only to critique but also to undermine totalitarian regimes.

His first novel, “The Joke” — published in 1967 during a period of loosening that culminated with the short-lived Prague Spring — represents a vivid case in point. Taking place in the 1950s, it features a character named Ludwik, who sends a satirical postcard to a woman: “Optimism is the opium of the people!” it announces. “A healthy atmosphere stinks of stupidity! Long live Trotsky!” The joke (or one of them, at any rate) is that the authorities can’t see the humor for what it is.

For Kundera, the book was unexpectedly prescient. After the Soviets put an end to the Prague Spring, “The Joke” was banned as antisocialist. This set in motion the events that led to his eventual decision, in 1975, to go into exile, first in Rennes, France, and then in Paris. His Czech citizenship was revoked in 1979, and not reinstated for 40 years.

Humor was only one of the weapons in Kundera’s literary arsenal; he was particularly adept at using sexual politics as a lens through which to challenge the hypocrisies of the state. In “The Unbearable Lightness of Being,” a surgeon named Tomas becomes a window washer after speaking out against the government and has a number of assignations, which the author uses as a metaphor of sorts for the dynamics of authoritarian power. Even the structure of his novels — “The Book of Laughter and Forgetting,” for instance, unfolds in seven largely disconnected sections — functions as a critique of official narrative, operating in a landscape where truth is a matter of opinion if it is anything at all. “What seemed to be political fanaticism,” he writes there, “was only an excuse, a parable, a manifesto of fidelity, a coded plaint of love.”

Here is the reason Kundera became so visible once his work was readily available in the West: Many of us, myself included, had never seen anything like it before. He blurred the lines between politics and eros, mind and body; each book, it seemed, exploded a different set of hierarchies. The effect was dizzying, exhilarating. It made me want to read and write in unimagined ways.

In that sense, he revolutionized us all.

That’s not to say there weren’t issues. In 2008, Kundera was accused by a Czech publication of having denounced a defector while a student in 1950; he denied the claim. The erotic aspect of his work often exposed a discomforting misogyny. At the same time, I want to argue, his essential message — his legacy, if you will — was one of liberation, in terms of form and style as much as sex or politics.

“I often hear it said,” he wrote in 1985, “that the novel has exhausted all its possibilities. I have the opposite impression: during its 400-year history, the novel has missed many of its possibilities; it has left many great opportunities unexplored, many paths forgotten, calls unheard.” He was critiquing naturalism; instead, he wanted to frame a counter-history, to move beyond the realistic fiction of Samuel Richardson or Dostoevsky toward the more amorphous whimsy of Denis Diderot or Laurence Sterne, whose 18th century mashup “Tristram Shandy” Kundera admired, characterizing it — approvingly — as “unserious throughout.”

By calling such a book unserious, Kundera was actually saying just the opposite. He was arguing in favor of its openness, its refusal to traffic in standard pieties. “It does not,” he elaborated, “make us believe in anything: not in the truth of its characters, nor in the truth of its author, nor in the truth of the novel as a literary genre. Everything is called into question, everything exposed to doubt; everything is entertainment (entertainment without shame).”

Everything is called into question, everything exposed to doubt. Could there be a more cogent statement of aesthetics in a world, now as much as in the Cold War era, built on a foundation of lies? In Kundera’s formulation of the novel, anything was possible, if only because nothing was compulsory. We were free to play — not only free but also required. The state was just another fiction: a cruel one, perhaps, but a fiction all the same. This, he believed, was the essential lesson taught by history.

Or, as he explained to Roth in 1980: “If someone had told me as a boy: one day you will see your nation vanish from the world, I would have considered it nonsense, something I couldn’t possibly imagine. A man knows he is mortal, but he takes it for granted that his nation possesses a kind of eternal life. But after the Russian invasion of 1968, every Czech was faced with the thought that his nation could be quietly erased from Europe. … And the sudden realization that such a possibility exists is enough to change one’s whole sense of life.”

Ulin is a former books editor and book critic of the Times.

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During the late 1980s, when I

Marketing for The Marvels is ramping up as a new batch of Funko Pops! highlight the sequel’s main characters. 

The promotional drive for Captain Marvel 2 has been minimal ever since its first trailer debuted online in April. 

Despite that, first looks at official merchandise have slowly made their way online, revealing the best look at the costumes of the sequel’s main trio.

Funko Reveals 6 New Figures for Captain Marvel 2 

Funko released the first batch of Captain Marvel 2 vinyl figures, showcasing new looks at the sequel’s MCU characters.

The six Funko Pops! show Captain Marvel, Monica Rambeau as Photon, Ms. Marvel, Dar-Benn, Nick Fury, and Prince Yan: 

The first look at Captain Marvel’s new costume and Goose’s baby Flerkens were also part of the reveal:

Based on the recently-unveiled vinyl figures, the main trio’s designs resemble their respective costumes in the image below:

Marvel Studios

Park Seo-Joon’s character in The Marvels is confirmed to be Prince Yan, Carol Danvers’ husband from the comics. The fact that he is part of the movie’s Funko lineup suggests that his character is important to the plot:

Park Seo-Joon as Prince Yan
Marvel Studios

Zawe Ashton’s Dar-Benn, Captain Marvel 2‘s main villain, is also part of the Funko lineup:

Dar-Benn
Marvel Studios

Why Captain Marvel 2’s Next Trailer Could Premiere Soon

This latest reveal from Funko suggests that new footage from The Marvels will likely premiere soon as Marvel Studios is set to take the sequel’s marketing to another level. 

Based on the designs, the fact that Funko already revealed Captain Marvel’s new (and presumably final) costume and the fresh look at Goose and her baby Flerkens in The Marvels may indicate that they are part of the movie’s next trailer. 

At this point, it is unknown when the next trailer of The Marvels will make its way online. It’s possible that it could arrive this month or in August as it approaches its November premiere date. 

While fans are waiting for new footage, Marvel Studios provided them with a preview of the sequel’s score and three shows to watch before its release. 

The Marvels is set to premiere in theaters on November 10.

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Review: Knight Terrors: Green Lantern #1
[Editor’s Note: This review may contain spoilers]

Writers: Jeremy Adams and Alex Segura
Art: Eduardo Pansica & Julio Ferreira and Mario Foccillo
Colors: Luis Guerrero and Prasad Rao
Letters: Dave Sharpe

 

Reviewed by: Matthew B. Lloyd

 

Summary

Insomnia strikes against Hal Jordan and the Emerald Gladiator must face his greatest fears…or at least his most obvious fears.  

Positives

Strangely, the biggest positive for Knight Terrors: Green Lantern #1 is how seamlessly it flows from last month’s Green Lantern #2.  Jeremy Adams set it up very well as things felt very organic at the end of the issue.  In that sense, this could simply be Green Lantern #3 and it would feel like Adams’ story was just continuing.  It will be interesting to see how this Knight Terrors interlude ends and gets back to the same spot at the end of issue #2.  

Eduardo Pansica does a nice job delivering on the visuals as he delves a little into the horror and gives Hal some terrified looks as he faces down his … “fears.”  Knight Terrors: Green Lantern #1 also contains a Sinestro story that appears to pick up from his surprise appearance in Green Lantern #1.  Sinestro also appears to be affected by Insomnia’s attack and he has his own fears.  There’s some real irony here as Sinestro is known for operating in fear.  At its core this back up seems to he more interesting than the lead story due to this irony and that there’s a lot more potential for revelatory storytelling with Sinestro.  Readers know a lot about Hal Jordan including the biggest obstacles he’s faced in his life.

Negatives

And that’s sort of the biggest problem with Knight Terrors: Green Lantern #1.  We know the traumatic issues in Hal’s life are the death of his father, keeping his job at Ferris Air, conflict with the Guardians and his turn into Parallax.  It’s no surprise they show up here, but they are just sort of glanced over.  Parallax seems to be set up for a major conflict in next month’s Knight Terrors: Green Lantern #2, so there’s a chance for more development there.  

The death of Hal’s father has been done to death in previous stories as well has having to confront his past as Parallax.  I’m not sure all of these are really fears, though, especially, since Hal is supposed to be able to overcome great fear.  This doesn’t seem like a premise that should be that hard for Hal to deal with.  This contributes to a lack of stakes for the issue.  Part of that is also that Hal doesn’t understand what’s going on and that there are stakes as outlined in other Knight Terrors books.  Additionally, a reader who’s not buying those other Knight Terrors books doesn’t really understand the stakes either.  It’s no fault of the creative team on this issue, but this is a feeling that pervades this event. 

Negatives Cont’d

If this was a Justice League story arc that wasn’t interrupting almost every title, I think it would play better.  It could be an interesting and good JL story (maybe JL and JL Dark story), but it doesn’t seem to add anything to the crossover titles.  I wouldn’t even consider these “fears” of Hal to be fear.  They are mostly past trauma that he’s already dealt with.  When it comes to conflict with the Guardians, I don’t even think that’s fearful or traumatic for Hal.  I think he relishes confronting them.  Isn’t that sort of in line with his characterization of challenging authority?  And since he can create his own ring, the Guardians can’t even take that from him.  One “fear” does have some potential- inability to hold a job.

Does Hal truly fear not being able to keep a day job?  He’s had a number throughout his existence, test pilot, toy salesman,  Air Force pilot, and truck driver.  It’s touched on really quickly, but is this something Hal actually fears and hasn’t dealt with?  There’s story to be mined here.  It may not happen in this two-parter because it’s not sexy or sensational, but it would be a different angle to explore as part of Hal’s character.

Verdict

Knight Terrors: Green Lantern #1 is ok.  It’s limited due to the scope of the event and that it’s not really clear what’s going on unless one is reading the entire event, or at least the introductory issue.  The event may bring you to all the tie-ins, but this issue won’t get you excited about the event.  Adams does his best to connect it to the main Green Lantern book, but it clearly veers off from Green Lantern #2.  The lack of stakes doesn’t help, nor does “fear” being the plot point since that’s what Green Lanterns overcome easily and regularly.  It’s Tuesday, right?

 

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268 Review: Knight Terrors: Green Lantern #1[Editor’s Note: This

EA released a much-needed official trailer for FC 24 and more this week. We have just under a month before the new Premier League campaign kicks off and now following the announcement of the release date for September 29, we have just over two months before the virtual football kickoff.

Before the big reveal video, all we got was a logo and color scheme change. Following the official announcement trailer and reveal of the Ultimate Edition cover, fans appeared to be left more disappointed than impressed and the hope is that the gameplay trailer held more promise and reignites their spirits for the coming of EA Sports FC 24.

FC 24 Ultimate Edition Cover (Screenshot via Prima Games)

Fans React to EA’s FC 24 Ultimate Edition Cover

The fans’ negative reaction was solely based on the Ultimate Edition cover’s artwork. This season, EA chose to go with a full squad, involving a mixture of legends, men, and women players, instead of having a single player dub the cover.

A great gesture, no doubt. However, fans were left perplexed by the graphics of some of the players’ faces, wondering why a face scan was not used for some of them. A fair question considering some players can easily be identified because of their uncanny resemblance to the real-life pro, while others look like a base copy of another player from another player, from FIFA 98.

Fans are quite pessimistic about FC 24, going as far as calling the game “EAFC24: compensation edition.” Cold, to say the least. Another Twitter user commented that it looked like PS2 graphics. And honestly, it doesn’t get any better in the replies.

Some of the Best Reactions From Fans on Twitter:

Donkie looks rather disappointed. We all know why and most of us agree with him. Enso’s tan looks paid for on the cover while he looks like he needs the sun in West London while playing for Chelsea.

Related: What Is UFL? New Soccer Game Explained

Some more burns. Some of these burns need some immediate attention. Calling it Roblox and asking if it’s the mobile version was just next level.

While Chelsea pumps rainbows EA’s way, Chelsea fans want to know what happened to their record-breaking signing. These next couple of replies had me rolling on the floor in stitches, I’m not going to lie.

Pirlo has the look of all of us that’s seen the Ultimate Edition artwork. We are as flabbergasted as he is. I saved the best for last. If this was a reply I received, I’d leave my job with immediate effect.

FC24_Fans_reactions_2
There is no coming back from this for EA Sports FC (Screenshot via Prima Games)

Safe to say, the public had a field day with what’s supposed to be the most advanced and biggest sports game to date. EA will be hoping the gameplay trailer saved them some face. 

Read more on what was picked up in EA’s official announcement trailer for FC 24 that dropped at the beginning of the week and read: What We Learned From EA’s Official FC 24 Announcement Trailer

About the Author

Ashley Anthony

Ashley has been writing content for the web for seven years and counting. He has recently entered the realm of video game journalism with Prima Games but is no novice to gaming. While there is time to kick back and relax, Ashley’s trying to hit the winning run in on MLB, score a last-minute goal in FIFA or is busy killing a sinister boss in some RPG title.

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EA released a much-needed official trailer for

As SAG-AFTRA prepares to hit the picket lines Friday, other unions, guilds and groups are weighing in with messages of solidarity with the actors in their looming battle with the studios. Read some snippets here, and see their full statements below.

The Writers Guild, whose strike is in its 73rd day, said in a statement: “We stand solidly behind our union siblings in SAG-AFTRA as they begin their work stoppage. The last time both of our unions struck at the same time, actors and writers won landmark provisions that we all continue to benefit from today – residuals and pension and health funds.”

Said the Directors Guild, which made a tentative agreement with the AMPTP on June 3 and its members ratified the contract on June 23: “We are proud to stand with actors and writers in their fight to win agreements that address their unique and important concerns, just as they supported us in our negotiations.”

RELATED: Teamsters, IATSE, Writers Guild & DGA Express Solidarity With SAG-AFTRA

The Teamsters’ language was a tad more colorful. Its reaction reads in part: “Greedy studios have brought this strike on themselves. These multibillion-dollar corporations — including Amazon, Netflix, Disney, and Apple — are only successful because of the hard work of union members.”

Here are the full statements of solidarity from other unions and groups. We will update this post as other reactions come in:

WGA Negotiating Committee, WGAW Board of Directors and WGAE Council

The AMPTP has proven unwilling to meet the justifiable demands of actors and writers at the bargaining table in 2023.  

We stand solidly behind our union siblings in SAG-AFTRA as they begin their work stoppage. The last time both of our unions struck at the same time, actors and writers won landmark provisions that we all continue to benefit from today – residuals and pension and health funds. 

SAG-AFTRA has supported the WGA from the start of our negotiations, joining our picket lines and rallies across the country every day writers have been on strike.  

We pledge to fully support SAG-AFTRA as they strike to get the contract they deserve. 

We will be back to you when there is anything of significance to report. Until then, we look forward to seeing you and our SAG-AFTRA union siblings out on the picket lines. 

In solidarity with SAG-AFTRA

DGA

“The Directors Guild of America is extremely disappointed that the AMPTP did not fairly and reasonably address the important issues raised by SAG-AFTRA in negotiations. During this critical and difficult time for our industry, the Directors Guild strongly supports the actors who will be on strike beginning tomorrow. We are proud to stand with actors and writers in their fight to win agreements that address their unique and important concerns, just as they supported us in our negotiations. And together, we are all in a shared fight for a vibrant, sustainable industry that fairly values all of our unique contributions.”

Teamsters General President Sean M. O’Brien and Motion Picture Division Director Lindsay Dougherty

“The Teamsters stand with SAG-AFTRA members in their fight for a fair contract.

“More than 180,000 SAG-AFTRA and WGA members are now on strike, demanding to be compensated and respected for their labor.

“Greedy studios have brought this strike on themselves. These multibillion-dollar corporations—including Amazon, Netflix, Disney, and Apple—are only successful because of the hard work of union members.

“Workers in this industry are united. They are demanding to be paid their fair share of the wealth they generate for the studios. Teamsters are proud to stand with them in this fight and will continue honoring picket lines.”

Jennifer Dorning, President of the Department for Professional Employees, AFL-CIO

“DPE and our coalition of professionals stand with SAG-AFTRA members going on strike. SAG-AFTRA members help bring to life TV shows, films, and other content that produce billions in profits for hugely successful studios. Performers, like all professionals, must be able to pursue family-supporting careers as their industry evolves with new technologies. DPE calls on the AMPTP to negotiate a contract that provides SAG-AFTRA members with a fair return on their work.

Solidarity with SAG-AFTRA members who join Writers Guild members in holding the line for a fair contract!”

Women in Film

“WIF stands in solidarity with SAG-AFTRA and their members as they seek equitable compensation, sustainable working conditions, protection from generative AI, and access to affordable health care.”

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As SAG-AFTRA prepares to hit the picket

Sometimes, when you’re looking to be entertained, only a thriller will cut it. If you ever find yourself feeling like life is getting inexplicably dark, and morality is becoming more ambiguous, immersing yourself in a tense world of serial killers, drug dealers, and crooked sleazebags of all kinds is a pretty great form of escapism. The genre is broad enough to encompass a wide variety of tropes, so you could probably watch thrillers forever and never get bored.

Netflix’s thriller offerings are surprisingly well-rounded, offering a good mix of undisputed classics from the likes of Quentin Tarantino and Steven Soderbergh as well as newer indie flicks that you may have missed. Whether you’re looking to revisit an old favorite, fill an embarrassing gap in your movie knowledge, or find something new and cutting edge that will blow your mind, the genre always has something for you. Keep reading for 10 of our favorite thrillers streaming on Netflix in July 2023.

10. “Piercing”

Nicolas Pesce’s intense BDSM thriller opens with a man struggling to resist the urge to stab his own baby with an icepick, and things only ramp up from there. Christopher Abbott stars as a deranged man who tries to quell his violent urges by murdering a prostitute (Mia Wasikowska), only to find out that she is just as demented as he is. His attempt to lure her into a hotel room and kill her turns into a diabolical showdown that has to be seen to be believed. —CZ

9. “Extremely Wicked, Shockingly Evil and Vile”

Extremely Wicked, Shockingly Evil and Vile
“Extremely Wicked, Shockingly Evil and Vile”Netflix

At first glance, the casting of Zac Efron as Ted Bundy seemed like an indulgence of all of the worst parts of mainstream true crime culture. As America’s fascination with serial killers continued to skyrocket, bringing in a former Disney star to play a brutal serial killer could have been a shameless attempt to cash in on the trend. But Efron delivers an excellent performance in a nuanced film that does nothing to glamorize the murderer, choosing instead to break down the cult of personality surrounding Bundy at every turn. —CZ

8. “Traffic”

TRAFFIC, Michael Douglas, 2000. ph: Bob Marshak / © USA Films / courtesy Everett Collection
“Traffic”©USA Films/Courtesy Everett Collection

An adaptation of British serial drama “Traffik,” Steven Soderbergh’s first film of the 21st century focuses on the illegal drug trade from a variety of angles, including Mexican traffickers pedaling narcotics, American politicians attempting to crack down on drug use, and the users and buyers in both countries. Featuring an ensemble cast of stars — including Michael Douglas, Don Cheadle, Benicio del Toro, Dennis Quaid, Catherine Zeta-Jones, Luis Guzmán, and James Brolin — its a suspenseful, epic film, and one of the most ambitious of Soderbergh’s career. The Academy agreed, granting it four Oscars, including Best Director for Soderbergh and Best Supporting Actor for del Toro. —WC

7. “Emily the Criminal”

Emily the Criminal, Aubrey Plaza
“Emily the Criminal” screenshot

A nasty crime thriller about how economic uncertainty can push people to desperate extremes, “Emily the Criminal” stars Aubrey Plaza as the titular Emily, a former art student whose college debt and former felony charge prevents her from escaping the drudgeries of service work. When a coworker connects her to a credit card fraud ring, Emily leaps at the opportunity to make some fast cash, and under the tutelage of organizer Youcef (Theo Rossi), she quickly becomes a natural at this very unsavory line of work. The screenplay is occasionally a bit silly, but John Patton Ford’s feature directorial debut shows great promise, and Plaza’s charismatic performance as an ordinary woman with a surprising capacity for violence and crime is damn near flawless. —WC

6. “The Hateful Eight”

THE HATEFUL EIGHT, from left: Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh (background), 2015. ph: Andrew Cooper / © The Weinstein Company / courtesy Everett Collection
“The Hateful Eight”©Weinstein Company/Courtesy Everett Coll / Everett Collection

Probably Quentin Tarantino’s most divisive film, “The Hateful Eight” polarized critics when it premiered in 2015, with critics alternatively praising or deriding its script and stage-like setup. But even Tarantino’s worst films are worth watching, and this one remains a fascinating and ambitious work. Set almost entirely in one cabin, the film focuses on a group of eight strangers stranded with one another during a blizzard in post-Civil War Wyoming. All of the characters have their secrets and agendas that raise suspicions throughout the night, and they’re played by a uniformly terrific cast, including Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Walton Goggins, Demián Bichir, Tim Roth, Michael Madsen and Bruce Dern. If you don’t think the original, nearly three-hour cut of the film works, you can check out the an extended four-episode limited series version, also available on Netflix. —WC

5. “Donnie Brasco”

DONNIE BRASCO, from left: Johnny Depp, Al Pacino, 1997. © Sony Pictures/Courtesy Everett Collection
“Donnie Brasco”©Sony Pictures/Courtesy Everett Collection

It is a testament to Al Pacino’s storied career that “Donnie Brasco” does not top the list of the best crime movies he appeared in. This Mafia drama stars Johnny Depp as an FBI agent who goes undercover in the Bonanno crime family and develops a close relationship with an aging hitman played by Pacino. The film does an excellent job of illustrating the way undercover agents blur the line between business and personal relationships, avoiding crime drama cliches while maintaining suspense at every turn. —CZ

4. “Gerald’s Game”

"Gerald's Game"
“Gerald’s Game”Netflix

Stephen King’s chilling tale of bondage sex gone wrong was long thought to be unfilmable, due to so much of the novel “Gerald’s Game” taking place inside the mind of a woman who is chained to her bed. But “The Haunting of Hill House” creator Mike Flanagan found a way, turning the story into a chilling two-hander starring Carla Gugino and Bruce Greenwood that remains faithful to the novel while still thrilling viewers. —CZ

3. “Prisoners”

Paul Dano in Prisoners
“Prisoners”Everett

Before he became the king of hard sci-fi with “Arrival” and “Dune,” Denis Villeneuve made his mark with a series of gritty psychological thrillers. One of his best is 2013’s “Prisoners,” a pitch black dark crime drama about the abduction of two young girls in a small Pennsylvania town. As the police officer in charge — Jake Gyllenhaal as Detective Loki, one of his signature weirdo characters — struggles to find a lead, the victim’s father Keller (Hugh Jackman) goes on a rampage against a troubled young man (Paul Dano) initially taken as a suspect. Villeneuve expertly builds suspense as Loki’s investigation hits dead end after dead end, and Keller commit horrific acts in his quest for vengeance for his children. —WC

2. “Nocturnal Animals”

“Nocturnal Animals”Merrick Morton/Focus Features

After establishing himself as a talented filmmaker with the LGBT drama “A Single Man,” legendary fashion designer Tom Ford chose a very different direction for his second film. “Nocturnal Animals” stars Jake Gyllenhaal and Amy Adams as a divorced couple whose lives intersect again when he writes a novel that borrows from the darkest aspects of their relationship. The film utilizes a unique storytelling device, alternating between the real world and the world of the novel, with Gyllenhaal playing both the author and the story’s protagonist. The film is just as visually stunning as “A Single Man,” with Adams and Gyllenhaal both delivering excellent performances that help drive the film toward its thrilling conclusion. —CZ

1. “Reservoir Dogs”

RESERVOIR DOGS, Steve Buscemi, Harvey Keitel, 1992
“Reservoir Dogs”©Miramax/courtesy Everett / Everett Collection

One of the most iconic movies of the ’90s, “Reservoir Dogs” caused an immediate stir when it debuted at 1992’s Sundance Film Festival, with many critics panning its violence and profanity. But the film also attracted many admirers, and remains one of Tarantino’s most universally beloved works. Starring an ensemble cast that includes Harvey Keitel, Tim Roth, Steve Buscemi, and Michael Madsen, the clever heist film skips the heist — a jewelry store robbery carried out by a group of professional thieves that fails miserably — entirely, instead cutting between the weeks leading up to the job as the crew gets recruited and the immediate fallout as they stand off with the police while trying to determine which member ratted them out. Featuring the beginnings of Tarantino’s trademark style, uniformly fantastic performances from the cast, and a script that’s simultaneously funny and tragic, “Reservoir Dogs” packs in some of the best thrills you can find in any movie. —WC

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Sometimes, when you’re looking to be entertained,

“The. Fucking. Nanny.”  That’s how Writers Guild of America West board member Liz Alper effectively summed up how members of the striking union felt about SAG-AFTRA president Fran Drescher’s impassioned comments Thursday afternoon after the guild formally announced plans to strike after contract talks with the studios and streamers broke down after four weeks of negotiations.

SAG-AFTRA national executive director Duncan Crabtree-Ireland, who joined Drescher at the podium at SAG’s Miracle Mile headquarters, said the national board “unanimously voted to issue a strike order” Thursday morning. The 160,000-member performers union will join the 11,000-plus members of the WGA on the picket lines starting Friday, marking the first dual strike in Hollywood in more than six decades.

“They’ve recognized, as writers have, that the studios have broken the business and are calling the studios to account,” one showrunner told The Hollywood Reporter following the SAG-AFTRA news conference. “We don’t point out how much money these CEOs make to shame them — though they should be ashamed. We point it out to demonstrate that these companies clearly have money. They just don’t want to give it to writers or actors.”

The SAG-AFTRA strike order came after talks between the performers union and the Alliance of Motion Picture and Television Producers — which represents studios and streamers — ended July 12 without a new contract. The initial three-year pact was extended from its June 30 expiration and, according to Drescher, the AMPTP “wasted” those additional 12 days. “They stayed locked behind closed doors and canceled our meetings with them,” the former star of The Nanny said from the podium. 

“Fran was amazing. The system has been too unfair to too many for too long and I think it needs to be remade more fair for everyone,” said another showrunner with multiple shows on the air. The actors strike, which will see newly minted Emmy nominees immediately halt all campaigning and could delay the September ceremony, comes the same day that Disney CEO Bob Iger sparked furor among some SAG-AFTRA and WGA members during an appearance on CNBC in which he said both guilds’ demands were “not realistic.”

“Dude demands $45 million a year plus a golden parachute in case he fucks it all up — and we’re the ones being unrealistic? If studios making $30 billion in profit every year are really struggling, take a pay cut, Bob,” wrote David Slack, a former member of the WGA’s negotiating committee. “Then #PayYourWriters.”

One showrunner with business at Disney joked that Iger was “stealing the crown” from David Zaslav as the marquee studio villain. “He must owe Zaslav a favor,” said the showrunner. (Zaslav, the CEO of Warner Bros. Discovery, has become one of the union members’ go-to studio villains after a string of decisions that rankled creatives including announced cuts at Turner Classic Movies and disappearing content from streaming service Max, among other moves designed as part of a multi-billion-dollar cost savings push following the merger of the two companies.)

“Lest any rich, conservative AMPTP corporate types think us wacky, liberal artist types are being unreasonable, the president of SAG during the previous actors strike was…(checks notes): *Ronald Reagan.*” How I Met Your Mother co-creator Craig Thomas wrote.

Out on the picket lines, many WGA members huddled around cell phones streaming the SAG-AFTRA news conference and cheered Drescher on as passers-by honked in support. Outside the Disney lot in Burbank those remaining close to the 2 p.m. strike wrap time pitched movies about Drescher and other labor leaders including WGA West chief negotiator Ellen Stutzman and Lindsay Dougherty, the Teamsters leader who represents more than 6,500 below-the-line industry employees in L.A. “So proud of her!” said one WGA picketer in front of Disney’s Burbank headquarters, where temperatures topped 90 degrees.

SAG-AFTRA members will join the WGA on the picket lines starting Friday. During the strike, performers will be barred from acting services as well as publicity, including conventions, festivals, FYC events, premieres, junkets, interviews and the use of social media to promote a studio-based film or TV series.

Summed up strike captain Caroline Renard: “A strike is meant to be disruptive & inconvenient. We’re not playing patty cake on the playground. No Venice, no TIFF, no press tours, no red carpets, no shows, filming, etc for the foreseeable future. If the studios think they can do this without writers & actors, then let them.”

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“The. Fucking. Nanny.”  That’s how Writers Guild


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Please note that the views and opinions expressed in this article are those of the authors and do not necessarily reflect the official policy or position of SpoilerTV.


Hollywood, the epicenter of the global film and television industry, is no stranger to labor strikes. Over the years, these strikes have caused significant economic disruption, leading to layoffs at many studios and bringing financial hardship to thousands of industry workers. The current situation, with both writers and actors on strike, has the potential to create a ripple effect that could reshape the industry in profound ways.

A Look Back at History

Historically, Hollywood writer strikes have had far-reaching implications, causing significant disruption to the industry and beyond. Some strikes have lasted more than 100 days, halting the production of most movies and many popular TV shows. The impact of these strikes extends beyond the immediate industry, affecting the local economy and causing significant financial strain.

Writers have gone on strike more than any other group in Hollywood, with six strikes since 1960. The first strike, in 1960, was a Writers Guild walkout that lasted nearly five months. This set a precedent for future strikes, demonstrating the power of collective action in the face of industry-wide issues.

The 1988 and 2007–8 Writers Guild strikes had a significant impact not only on television but also on major films. Movies like ‘Transformers: Revenge of the Fallen,’ and ‘Quantum of Solace’ were affected by these strikes, highlighting the wide-ranging impact of these events.

The last Hollywood writers strike, in 2007 and 2008, cost writers and other workers an estimated $772 million, while knock-on effects did further damage to the broader economy. The strike also led to changes in labor standards, with streaming platforms shortening TV seasons and hiring fewer writers for each episode.

The current situation has the potential to create similar, if not more severe, disruptions. For instance, a potential strike has wide-ranging implications for the industry and local economy overall, with the cost to the local economy potentially reaching $3 billion if the strike drags on for three months.

These strikes not only disrupt the immediate production of films and TV shows but also have a ripple effect on the broader industry and economy. From hairdressers and camerapeople to caterers, workers across the industry are poised to lose work as productions shut down. This highlights the interconnected nature of the industry and the wide-ranging impacts of such strikes.

The Financial Toll

The financial implications of prolonged strikes in Hollywood are indeed severe. The last writers strike dealt a blow to California’s struggling finances to the tune of $772 million in lost wages for writers and production workers. The financial impacts have already begun to reverberate across nearly every facet of the Southern California economy, from dry cleaners to caterers, all feeling the pinch as the industry grinds to a halt.

If the strike continues, it threatens roughly $81 billion in direct wages from 800,000 jobs in the film and TV industry. This includes not only the wages of the writers and actors directly involved in the strike but also the wages of countless other workers in the industry, from camera operators to makeup artists.

The 2007 writers strike resulted in losses to California’s economy estimated at around $2.1 billion overall, with nearly 38,000 jobs lost. This strike lasted for 100 days and contributed to 37,700 job cuts. If the current strike drags on for three months, it could cost the local economy $3 billion.

The impact of the strike extends beyond the film and TV industry. Local businesses that rely on the industry, such as restaurants and dry-cleaning businesses, are also feeling the effects of the strike. These businesses often cater to industry workers, and the strike has led to a significant decrease in their customer base.

The Writers Guild of America strike isn’t just affecting Hollywood. It’s also creating ripple effects across California’s economy and other states. The film and TV industry is a significant contributor to the economies of these states, and the strike is causing widespread economic disruption.

The Impact on Stakeholders

The strikes in Hollywood significantly affect film and TV marketing plans as well as the schedules of actors, writers, and production companies. A walkout by actors would stop all production of film and scripted television shows in the United States, except for independent productions. This has the potential to disrupt the viewing schedules of millions of viewers worldwide, leading to a possible shift in viewer preferences and habits.

The strikes have already caused restructuring, layoffs, and show cancellations at Hollywood studios. Production companies, foreseeing the possibility of a strike, accelerated production of films and television episodes in an effort to stockpile enough material to weather the strike. However, the longer the strike continues, the more these stockpiles will dwindle, leading to potential gaps in programming and disruptions to the release schedules of films and TV shows.

The impact of the strikes also extends to the advertising industry. Advertisers are having to rejigger their ad spend due to the uncertainty surrounding TV and streaming schedules. While some advertisers have stated they are unlikely to hold back future spending on TV or streaming because of the strike, the situation remains fluid and could change if the strike drags on.

The strikes also have the potential to affect major events in the film and TV industry. For instance, the unavailability of movie stars for promotional events and premieres could impact the marketing and success of upcoming films. This could also affect events like Comic-Con, where stars often appear to promote their projects.

For viewers, the impact of the strike may not be immediately noticeable, depending on their viewing habits. However, as the strike continues and the stockpiled content is used up, viewers may start to see changes in the programming available to them. This could lead to shifts in viewing habits, with viewers potentially turning to other forms of entertainment or content from other regions not affected by the strike.

Changes in Industry Standards and Practices

The strikes could potentially lead to significant changes in Hollywood industry standards and practices. The industry-wide shift from streaming growth at any cost to trying to remain profitable during an economic downturn has contributed to the current situation. If the strike is prolonged, studios may try to exit deals with some writers by exercising “force majeure” provisions in contracts, leading to a potential reshaping of contractual norms within the industry.

Historically, Hollywood has faced labor strife nearly every time a new technology has disrupted how filmmakers, creatives, and other industry employees have been paid and their work distributed. Since 1936, the industry’s unions have gone on strike some 20 times fighting for fair and adequate compensation in the face of challenges arising out of unregulated technological advancements such as kinescope recordings, television, cable, videocassettes, DVDs, and now the internet.

The rapid shift to streaming, while creating an unprecedented swell in content, has significantly eroded pay and working conditions, causing what many view as an existential threat to their livelihoods. The dominance of streaming has toppled the traditional payment model when broadcast networks led the way. Even if the SAG-AFTRA negotiators came back with a 20% increase in streaming residuals, the fees from that form of distribution would still be far from how the old model used to pay.

Another new technology, artificial intelligence (AI), has added another layer of trepidation to the current negotiations. AI represents a “really radical technological change, that has the potential to alter the relationship between writers and actors in the motion picture and streaming industries.” AI could potentially be used to create new episodes of shows, reducing the need for a full writers’ room and posing a threat to writers’ jobs. Actors express similar fears about AI, with concerns about being asked to give up their rights to their likenesses and voices to be used with AI as a matter of routine.

The current labor conflict is also fueled by a resurgence of union activism in Hollywood and other sectors, creating a greater level of solidarity among guilds than in the past. From the first days of the writers’ strike, actors, directors, and others joined the picket lines. Most crew members also have refused to cross picket lines as the WGA targeted individual productions, forcing them to shut down.

A Shift in Entertainment Preferences

The strikes could potentially lead to a shift in the entertainment industry, with viewers possibly turning to other forms of entertainment. However, the specific forms of entertainment that might benefit from this shift are not explicitly mentioned in the sources. This could potentially open up opportunities for other forms of entertainment to gain a larger share of the market.

In the event of a prolonged strike, viewers might turn to video games, which have seen a surge in popularity and sales during past Hollywood strikes. According to NBC News, sales of games alone hit $1.3 billion in November during a previous strike, up 62 percent from the previous year. The gaming industry is not directly affected by the writers’ strike, so while there won’t be much new content on television, video games could continue to provide fresh entertainment for consumers.

Books and audiobooks could also see a boost in sales as people look for alternative forms of entertainment. With the production of new TV shows and movies halted, people might turn to reading as a form of entertainment. This could lead to an increase in book sales, particularly in genres that are popular in film and television, such as mystery, science fiction, and fantasy.

Podcasts could also benefit from the strike. As a form of entertainment that is not directly affected by the strike, podcasts could see an increase in listenership. This could be particularly true for podcasts that offer serialized storytelling, similar to a TV show. Podcasts offer a wide range of content, from true crime to comedy to educational content, providing an alternative for consumers looking for new content.

Additionally, other forms of digital entertainment, such as YouTube videos, could see an increase in viewership. With the production of new TV shows and movies halted, viewers might turn to YouTube for entertainment. This could lead to an increase in views for popular YouTube channels, as well as an opportunity for new channels to gain a following.

In conclusion, the ongoing strikes in Hollywood could have far-reaching implications that reshape the industry in profound ways. The actual outcomes may vary depending on a variety of factors, including the duration of the strikes and the responses from the various stakeholders involved. As the situation unfolds, it will be crucial to keep a close eye on these developments and their potential impacts on the global entertainment landscape.

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Nominations voting is from January 11-16, 2024, with official Oscar nominations announced January 23, 2024. Final voting is February 22-27, 2024. And finally, the 96th Oscars telecast will be broadcast on Sunday, March 10 and air live on ABC at 8:00 p.m. ET/ 5:00 p.m. PT. We update predictions through awards season, so keep checking IndieWire for all our 2024 Oscar picks.

The State of the Race

Half of the Best Original Screenplay winners from the past decade premiered at a festival that occurs during the first six months of the year, so film-goers are probably more informed than they think when faced with predicting which of this year’s scripts could win the Oscar.

Looking at what played at Sundance, which often sets the tone for what to expect of the year’s arthouse releases, Celine Song’s “Past Lives” was an instant hit that has only been strengthened by a successful platform release going into the summer. And it serves as an example of how well the festival did spotlighting female writer-directors this year, with A.V. Rockwell winning the Grand Jury Prize for her affecting feature debut “A Thousand and One,” Maryam Keshavarz’s dramedy “The Persian Version” winning both the Audience Award and the Waldo Salt Screenwriting Award, and Chloe Dumont’s provocative thriller “Fair Play” being the first big acquisition out of Sundance 2023. The films were acquired by A24, Focus Features, Sony Pictures Classics, and Netflix, respectively, which all earned Screenplay Oscar nominations this year, with A24 in particular winning this category for “Everything Everywhere All at Once.”

Speaking of the Best Picture winner helmed by Daniel Kwan and Daniel Scheinert, its SXSW premiere last year cemented the Texas film festival as an alternative destination for launching awards fare early in the year. Ben Affleck’s “Air” hopes to continue that momentum, with the filmmaker, himself a Best Original Screenplay winner, producing and advocating for Alex Convery’s script about the origin of Michael Jordan’s historic deal with Nike, found on the 2021 Black List.

In terms of Oscar favorite auteurs stepping back into the original screenplay race, the main candidate most audiences have seen so far is Wes Anderson’s “Asteroid City,” co-conceived with frequent collaborator Roman Coppola, and considered by many to be a return to form for the three-time nominee, last recognized for his “The Grand Budapest Hotel” screenplay in 2015. The film premiered at Cannes this year alongside fellow major contenders “Anatomy of a Fall,” which won the Palme D’Or and was written by director Justine Triet and Arthur Harari, and “May December,” a new Todd Haynes film written by Samy Burch and Alex Mechani.

Some of the known quantities set to be released later this year are “Rustin,” written by Oscar winner Dustin Lance Black and Alex Mechanik, “Saltburn” from recent Oscar-winning writer-director Emerald Fennell, “Drive-Away Dolls” written and directed by four-time Oscar winner Ethan Coen and his wife Tricia Cooke (an ACE Award-nominated editor), and finally “Maestro” from Oscar-winning screenwriter Josh Singer and nine-time nominee Bradley Cooper.

More prospective nominees are sure to appear soon though, as fall festivals announce their film lineups.

Contenders are listed in alphabetical order below. No actor will be deemed a frontrunner until I have seen the film.

Frontrunners:
Wes Anderson and Roman Coppola (“Asteroid City”)
Alex Convery (“Air”)
Chloe Dumont (“Fair Play”)
A.V. Rockwell (“A Thousand and One”)
Celine Song (“Past Lives”)

Contenders:
Dustin Lance Black and Julian Breece (“Rustin”)
Samy Burch and Alex Mechanik (“May December”)
Ethan Coen and Tricia Cooke (“Drive-Away Dolls”)
Bradley Cooper and Josh Singer (“Maestro”)
Sean Durkin (“The Iron Claw”)
Emerald Fennell (“Saltburn”)
Arthur Harari and Justine Triet (“Anatomy of a Fall”)
David Hemingson (“The Holdovers”)
Justin Kuritzkes (“Challengers”)
David Scarpa (“Napoleon”)

Long Shots:
Zach Baylin, Frank E. Flowers, and Terence Winter (“Bob Marley: One Love”)
Cherry Chevapravatdumrong, Teresa Hsiao, and Adele Lim (“Joy Ride”)
Gareth Edwards and Chris Weitz (“The Creator”)
John Hoberg, Brenda Hsueh, Kat Likkel, and Peter Sohn (“Elemental”)
Maryam Keshavarz (“The Persian Version”)
Angus MacLachlan (“A Little Prayer”)
Jon Raymond and Kelly Reichardt (“Showing Up”)
Stefani Robinson (“Chevalier”)
Alice Rohrwacher (“La Chimera”)
Takuma Takasaki and Wim Wenders (“Perfect Days”)

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Nominations voting is from January 11-16, 2024,

This week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:

  • The unfortunate incident between the pop queen Britney Spears and soon-to-be N.B.A. rookie sensation Victor Wembanyama

  • Taylor Swift’s rerecording of her 2010 album “Speak Now,” an altered lyric and ongoing fan chatter about her songs’ true targets

  • The new No. 1 album from Lil Uzi Vert, “Pink Tape”

  • The latest Wes Anderson film, “Asteroid City”

  • New songs from NewJeans and Rylo Rodriguez

  • Snack of the week

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It’s good to know that Ben Platt and Molly Gordon’s failed childhood romance didn’t keep them from remaining life-long friends. The actors star in “Theater Camp,” a mockumentary about a performing arts summer camp co-directed by Gordon and Nick Lieberman. Said romance bloomed when Platt and Gordon were just 7 years old.

“I gave her this charm bracelet as I-guess-we’re-going-to-date-now,” Platt remembers during an appearance on this week’s “Just for Variety” podcast. “She freaked out and told her mom, ‘I’m not ready,’ so I gave it to a different girl. Instead, I gave Molly a picture frame with a picture of me and Molly in it because I was like, ‘Here’s a friendship thing.’ Then she was devastated.”

Joining Platt on the podcast was his “Theater Camp” co-star and husband-to-be Noah Galvin. “Theater Camp,” based on a 2020 short of the same name, was written by the couple as well as Gordon and Lieberman.

The film, which also includes Ayo Ediberi, Amy Sedaris, Jimmy Tatro, Alan Kim, Patti Harrison and Caroline Aaron, is often compared to Christopher Guest films. “It’s our wildest dreams,” Platt says, adding, “’Waiting for Guffman’ was such a huge inspiration… Also just part of the reason we wanted to make the film in the first place is to have a place to collect our community of funny, talented friends, and give them a place to play, and give them autonomy and create this little collective of our own.”

Galvin says, “We were just the right people for the job. We all came from the world of youth theater. We all love it so much, and it’s so near and dear to our heart, so much so that I think we were the right people to also skewer it, and make fun of it.”

The two, who announced their engagement on Instagram in November after Platt proposed to Galvin, couldn’t actually separate their work from their personal lives. “On this movie, Molly, Ben, Nick, and I all lived in a house together about 12 minutes from the camp,” Galvin says. “I think on a movie like this when you have 19 days, limited funds, limited everything, so much goose poop on the ground, a lot of mosquitoes, a lake filled with E. coli, there’s no real way to leave that space…without bringing it home with you. While I think in a lot of other cases that could be unhealthy. I think it really served the piece, and it made it feel that much more like camp.”

Platt goes so far as to describe the project as “our first child together.”

Being the musical queens that they are, I also had Platt and Galvin weigh in on a number of Broadway-themed questions.

While they were reluctant to name their least favorite show, Platt eventually conceded: “I once saw a strange tour of ‘Grease’ I didn’t totally love. It wasn’t even really a national tour. It was a regional sitdown in San Francisco… of an interesting bare bones ‘Grease,’ and the material didn’t really hold up that well.”

If their wedding had to be a Broadway themed, Galvin’s top choice is “The Secret Garden.” But then Platt said, “Although you don’t want it to be super lush, so maybe that’s wrong.”

“Theater Camp” is in theaters July 14.

Listen to the full interview with Platt and Galvin above. You can also find “Just for Variety” wherever you download your favorite podcasts.

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It’s good to know that Ben Platt

Another searing 47C heatwave is already heading for Europe, forecasters have warned – even as the continent remains on red alert and in the grips of a deadly weather system from the Sahara desert.

British tourists across the Mediterranean have been warned of the life-threatening effects of the sweltering heat after an anticyclone system called Cerberus expanded northwards.

But as Cerberus exhausts itself, Italian weather forecasters are now predicting that another heatwave – named ‘Charon’, after Hades’ ferryman – will push temperatures back up to 43C in Rome and as high as 47C in Sardinia next week.

Land temperatures – how hot the ground is to touch – in Spain reached upwards of 60C in parts of southern Spain on Thursday, with the European Space Agency warning next week could break continental records. 

And in Athens today, rescue workers had to transport tourists from the Acropolis citadel to ambulances today as temperatures soared. It follows reports of the death of a 44-year-old street painter in Lodi, Italy and the tragic drowning of two children in Manfredonia on Tuesday, both believed to be seeking relief from the heat.

Cerberus – named after Hades’ three-headed dog in Greek mythology – will see temperatures rise to above 45C in Spain, Italy, Greece and Turkey by the end of next week. The Italian islands of Sardinia and Sicily are set to bear the brunt of the unforgiving heat, with the BBC claiming temperatures could reach 48.8C. 

Meanwhile in Britain, temperatures are expected to cool through to the weekend. Cerberus is not expected to have any effect on the UK, and the Met Office does not anticipate a heatwave will reach the UK this summer.

Land surface temperatures – how hot the ground is – reached excesses of 60C today in parts of Andalucia and western Spain

Rescue workers transport a visitor from the archaeological site of Acropolis to an ambulance on July 13, 2023, as Greece hits high temperatures

Rescue workers transport a visitor from the archaeological site of Acropolis to an ambulance on July 13, 2023, as Greece hits high temperatures

Cerberus - named after Hades' three-headed dog in Greek mythology - will see temperatures rise to above 45C in Spain , Italy , Greece and Turkey by the end of next week

Cerberus – named after Hades’ three-headed dog in Greek mythology – will see temperatures rise to above 45C in Spain , Italy , Greece and Turkey by the end of next week 

Greece's national weather service EMY on July 10, 2023, said a six-day heatwave would grip Greece starting July 12

Greece’s national weather service EMY on July 10, 2023, said a six-day heatwave would grip Greece starting July 12

Tourists come Acrop-per in the heat as Hellenic Red Cross workers distribute bottles of water to visitors in Athens on July 13, 2023

Tourists come Acrop-per in the heat as Hellenic Red Cross workers distribute bottles of water to visitors in Athens on July 13, 2023

epa10743503 A man tries to protect himself from the hot sun amid high temperatures in Athens, Greece, 13 July 2023. Extremely high temperatures with a potentially serious impact on health are forecast in the Greek capital, Athens, and the cities of Thessaloniki and Larissa over the next few days

epa10743503 A man tries to protect himself from the hot sun amid high temperatures in Athens, Greece, 13 July 2023. Extremely high temperatures with a potentially serious impact on health are forecast in the Greek capital, Athens, and the cities of Thessaloniki and Larissa over the next few days

Health ministry officials have issued red alert warnings for ten major cities in Italy, including Florence and Rome. A red alert warning means that the heat is so intense that it poses a health risk to the whole population – not just vulnerable groups like the elderly and very young children. 

On Tuesday, the unrelenting heatwave – set to last for two weeks – claimed its first life after a 44-year-old road sign worker collapsed due to the heat in the Italian city of Lodi, southeast Milan, as temperatures soared to above 40C. The man, who has not been named, later died in hospital. 

‘We are facing an unbearable heatwave,’ Italian politician Nicola Fratoianni said. ‘Dying from the heat is unthinkable – we should be taking measures to avoid tragedies like this in the hottest hours of the day.’ 

Italian authorities have now urged people not to drink alcohol or travel unnecessarily to reduce risk.

British tourists have been struggling with the unrelenting heat this week, with some holidaymakers fainting in Rome as temperatures soared above 40C. 

And the unforgiving heat is set to intensify in the coming days. In the northeastern Spanish city of Zaragoza, temperatures will soar to 46C on Tuesday. 

In Greece and Turkey – popular tourist hotspots for Britons – temperatures are set to rise to a sweltering 45C tomorrow and are unlikely to drop below 40C in many areas for the next week. 

Greece’s national weather service EMY on July 10 said a six-day heatwave would grip Greece starting July 12. 

Temperatures are also expected to reach 42C on Saturday in Cyprus.

But Italy is bearing the brunt of the heatwave, with Sicily and Sardinia set to see 48.8C temperatures, according to the BBC. In Rome, temperatures are set to soar to 41C next week.

A group of people and children play and cool off in the public fountains of Madrid Rio Park on Wednesday in Madrid, Spain

A group of people and children play and cool off in the public fountains of Madrid Rio Park on Wednesday in Madrid, Spain

People cool off in the Barcaccia fountain in Rome, Italy, amid a sweltering heat wave on Wednesday

People cool off in the Barcaccia fountain in Rome, Italy, amid a sweltering heat wave on Wednesday

People sit on the Baby plage on the bank of the Geneva lake, in Geneva, Switzerland, on 11 July

People sit on the Baby plage on the bank of the Geneva lake, in Geneva, Switzerland, on 11 July 

A cyclist cools himself at a fountain in central Athens, Greece, on Wednesday

A cyclist cools himself at a fountain in central Athens, Greece, on Wednesday 

Pictured: A heat map showing soaring temperatures in Europe for Friday 14 July

Pictured: A heat map showing soaring temperatures in Europe for Friday 14 July 

Carlo Cacciamani, head of Italy’s national meteorological and climatology agency, said the unusually hot weather hitting the country is because the Cerberus anticyclone has pushed out a colder weather system from the Azores which usually influences summer weather in Italy. 

‘This is happening more frequently and means we see temperatures around 40C instead of the normal 30-31C,’ Cacciamani told The Times. 

In Greece, authorities banned access to nature reserves and forests to reduce the risk of wildfires, while municipalities were opening air-conditioned areas in public buildings for people to shelter from the heat.

Sun shades will also be installed in Athens at the Acropolis amid reports of tourists fainting at the popular World Heritage Site. 

The Red Cross will also be on site handing out free water to visitors after crowds sweltered in the heat as they queued up to visit the Parthenon, part of the ancient citadel known as the Acropolis.

Union representatives for staff working at the site have argued they should be paid more for working in the sweltering conditions, as Greece’s culture minister, Linda Mendoni, vowed to introduce special precautionary measures to protect tourists. 

Tourists brought hats and umbrellas as they entered the ancient Acropolis in Athens today after the Greek government has announced emergency measures over the heat wave this week

Tourists brought hats and umbrellas as they entered the ancient Acropolis in Athens today after the Greek government has announced emergency measures over the heat wave this week

A woman cools off in the public fountains of Madrid Rio Park on Wednesday in Madrid, Spain

A woman cools off in the public fountains of Madrid Rio Park on Wednesday in Madrid, Spain

Scientists have relentlessly warned of the damaging effects of climate change. As well as withering crops, melting glaciers and raising the risk of wildfires, higher-than-normal temperatures also cause health problems ranging from heatstroke and dehydration to cardiovascular stress.

Why is the Cerberus anticyclone causing temperatures to soar in Europe? 

An anticyclone named Cerberus is causing temperatures to exceed 40C across much of the Mediterranean this week.

The anticyclone – a high pressure weather system – began in the Sahara desert before expanding into Morocco, Algeria and Tunisia. 

Cerberus then expanded northwards towards southern Europe where it is bringing sweltering temperatures.

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‘How many more summers will we have to go through before we begin to convince ourselves of the fact that the rise in temperatures may not be a sporadic extraordinary event at all, but rather an irreversible process that has in fact already begun,’ Italian immunologist Mauro Minelli told the Leggo newspaper. 

The Red Cross has urged people to check on the most vulnerable during the high temperatures, such as children and older people. 

It also called on people to stay hydrated and to watch for signs of heatstroke, which can include vomiting and fainting.

Meanwhile, Greece’s agriculture ministry issued restrictions on the transportation and working hours of animals such as horses and donkeys offering rides in tourist areas during the heat wave. 

Working animals won’t be allowed to work between noon and 5pm on days where temperatures are between 35-39C in the shade, while they won’t be allowed to work at any time of the day when temperatures exceed that range.

Scientists have said climate change combined with the emergence this year of the El Nino weather pattern, which warms the surface waters in the eastern and central Pacific Ocean, have fuelled record-breaking temperatures. 

‘The world just had the hottest week on record, according to preliminary data,’ the WMO said in a statement, after climate change and the early stages of the El Nino weather pattern drove the warmest June on record. 

This year has already seen a drought in Spain and fierce heatwaves in China as well the United States.

Other tourists on the Acropopolis in Athens made sure to stay hydrates during the heat wave

Other tourists on the Acropopolis in Athens made sure to stay hydrates during the heat wave

A tourist takes a selfie as a couple sit under an umbrella in front of the five century BC Erechteion temple at the Acropolis hill during a heat wave, in Athens, Greece, today

A tourist takes a selfie as a couple sit under an umbrella in front of the five century BC Erechteion temple at the Acropolis hill during a heat wave, in Athens, Greece, today

Temperatures are breaking records both on land and in the oceans, with ‘potentially devastating impacts on ecosystems and the environment’, the WMO said.

‘We are in uncharted territory and we can expect more records to fall as El Nino develops further and these impacts will extend into 2024,’ said Christopher Hewitt, WMO Director of Climate Services. ‘This is worrying news for the planet.’

El Nino is a naturally occurring pattern that drives increased heat worldwide, as well as drought in some parts of the world and heavy rains elsewhere. 

Europe is fastest warming continent on planet, experts say

Europe’s climate monitoring service Copernicus has revealed that last week was likely to be the hottest since records began in 1940. 

And scientists at Copernicus have warned that Europe has been warming twice as much as the global average since the 1980s, with far-reaching impacts on the continent’s ecosystems and socio-economic fabric. 

Last summer was marked by extreme heat, drought and wildfires across Europe – and the rate at which glaciers melted was ‘unprecedented’, Copernicus said in its report. 

European countries – including Britain, France, Italy, Portugal and Spain – saw their warmest summer on record last year.  

And worryingly Europe was around 2.3C above the pre-industrial average used as a baseline for the Paris Agreement on climate change last year.

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UN secretary-general Antonio Guterres has said ‘the situation we are witnessing now is the demonstration that climate change is out of control’.

Research published on Monday found that more than 61,000 people died due to the heat during Europe’s record-breaking summer last year.

The majority of deaths were in people over the age of 80 and about 63 percent of those who died due to the heat were women, according to the research published in the journal Nature Medicine.

The world has warmed an average of nearly 1.2C since the mid-1800s, unleashing extreme weather including more intense heatwaves, more severe droughts and storms made fiercer by rising seas.

Oceans absorb most of the heat generated by planet-warming gases, causing heatwaves that harm aquatic life, altering weather patterns and disrupting crucial planet-regulating systems.

In June, global sea surface temperatures hit unprecedented levels. Antarctic sea ice reached its lowest extent for the month since satellite observations began, at 17 per cent below average, breaking the previous June record by a substantial margin.

While sea surface temperatures normally recede relatively quickly from annual peaks, this year they stayed high, with scientists warning that this underscores an underappreciated but grave impact of climate change.

‘If the oceans are warming considerably, that has a knock-on effect on the atmosphere, on sea ice and ice worldwide,’ said Michael Sparrow, chief of World Climate Research Programme at the WMO.

‘There’s a lot of concerns from the scientific community and a lot of catch-up from the scientific community trying to understand the incredible changes that we’re seeing at the moment.’

El Nino is a naturally occurring pattern that drives increased heat worldwide, as well as drought in some parts of the world and heavy rains elsewhere.

But Mr Sparrow said its effects would likely be felt more acutely later in the year. ‘El Nino hasn’t really got going yet,’ he said.

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Another searing 47C heatwave is already heading

Sarah Ferguson recalled a sweet moment with Queen Elizabeth II’s corgis during a recent walk amid the duchess’ breast cancer recovery.

“I took all the seven doggies yesterday to where the queen would have walked them,” the Duchess of York, 63, said on the Wednesday, July 12, episode of her “Tea Talks With the Duchess and Sarah” podcast. “I was chatting to them saying, ‘Now where do we go?’ And they were showing me the way.”

After undergoing single mastectomy surgery, Ferguson wasn’t “as mobile” as she was in the past. The pups — who were the late queen’s beloved pets — were itching to go on a walk and were used to being taken on the walks constantly by others. So once her doctor had cleared her for light activity, she took the dogs out on the sentimental stroll.

“There was a little woodland walk that was made especially for the queen and [it was] just so special,” she recalled. “It was actually very wonderful to have a moment to really remember [her] because this time last year the queen would have been going to Balmoral [Castle] and we would have walked exactly where we walked yesterday together. And then the queen would have said, ‘See you up in Scotland.’”

Ferguson noted that she found the outside adventure “moving.” Following the walk, she and her ex-husband Prince Andrew — whom she cohabitates with at the Royal Lodge in Windsor — sat down in the garden to reflect on the loss of his mother. Elizabeth — who was also the mother of King Charles III, Princess Anne and Prince Edward — died in September 2022 at age 96.


Sarah Ferguson
Maria Laura Antonelli/Shutterstock

“We sat quietly under some really beautiful trees and I asked him if he was alright without his mom and dad,” she said. “He said, ‘It’s lonely’ and he thinks about [them] a lot. People process grief in their own way.”

Nine months after the loss of her mother-in-law, Ferguson went through her own scary health battle. She learned about her breast cancer diagnosis after a routine mammogram screening.

Sarah Ferguson Recalls Taking the Royal Corgis on the ‘Special’ Path Queen Elizabeth II Used to Do

Queen Elizabeth II walking one of her corgis.
David Hartley/Shutterstock

“She was advised she needed to undergo surgery, which has taken place successfully,” a representative for the duchess told Us Weekly in June. “The Duchess is receiving the best medical care and her doctors have told her that the prognosis is good. She is now recuperating with her family. The Duchess wants to express her immense gratitude to all the medical staff who have supported her in recent days.”

After news broke of her diagnosis, Sarah encouraged everyone to get a screening on a June episode of her podcast.

“It’s very important that I speak about it,” she explained. “I am telling people out there because I want every single person that is listening to this podcast to go get checked. Go get screened and go do it.”

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Sarah Ferguson recalled a sweet moment with

The cryptocurrency industry secured an early victory in its court battle with U.S. regulators when a federal judge ruled on Thursday that the sale on public exchanges of a digital asset called XRP complied with securities laws.

For years, the Securities and Exchange Commission has argued that digital assets constitute securities, like stocks and bonds traded on Wall Street, and should be subject to the same strict regulations. Last month, the S.E.C. sued two of the largest crypto exchanges, Coinbase and Binance, accusing them of marketing unregistered securities to the public.

But the ruling on Thursday in a case involving the crypto company Ripple may complicate that argument and provide fodder for the crypto industry to defend itself in court.

The S.E.C. sued Ripple in December 2020, accusing the firm of violating securities laws in one of the first major legal fights involving cryptocurrencies. In the 34-page ruling on Thursday, Judge Analisa Torres of the U.S. District Court for the Southern District of New York said that Ripple did not break the law when the cryptocurrency it created, XRP, was sold on public exchanges.

The ruling was not a complete victory for the industry. Judge Torres also found that Ripple had violated securities law when it sold XRP to institutional investors, like sophisticated hedge funds.

A spokesman for the S.E.C. said in a statement that the agency was reviewing the decision. “We are pleased that the court found that XRP tokens were offered and sold by Ripple as investment contracts in violation of the securities laws in certain circumstances,” the statement said.

A representative for Ripple did not immediately respond to a request for comment.

Ripple was founded in 2012 by a group of developers including Chris Larsen, who has long been ranked among the richest crypto executives in the world. The firm’s mission was to make international payments easier using the XRP token.

Over the years, the token became one of the most valuable cryptocurrencies on the market, and Ripple developed a loyal online following. But the S.E.C.’s lawsuit cast a pall over the company.

A resolution in the case had been widely anticipated in the crypto industry, and prominent executives celebrated Judge Torres’ ruling as an important victory.

“A huge win today,” Ripple’s chief legal officer, Stuart Alderoty, wrote on Twitter. “Sales on exchanges are not securities.”

Tyler Winklevoss, one of the founders of the Gemini exchange, tweeted, “Adios Gary,” a reference to Gary Gensler, the S.E.C. chair who has spearheaded the government’s crackdown on the crypto industry.

But the Ripple ruling does not mean that the crypto industry will win its other cases. In the lawsuits against Binance and Coinbase, the S.E.C. argued that a wide slate of cryptocurrencies constitute securities. Judges in those cases will have to make separate determinations about whether the sale of those digital assets broke the law.

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The cryptocurrency industry secured an early victory

“We grew up on hard R-Rated comedies and were often the butt of the joke,” said “Joy Ride” star Stephanie Hsu. “It’s never been us at the forefront, telling our story and making fun of ourselves.”

The latest comedy blockbuster, “Joy Ride,” from director and co-writer Adele Lim, stars Ashley Park as Audrey, a high-powered attorney who travels to China on business and ends up searching for her birth mother. Joining her on the trip are friends Lolo (Sherry Cola), Deadeye (Sabrina Wu) and Kat (Stephanie Hsu).

The raunchy comedy sees the foursome ending up in wild scenarios including drugs, sex and a steamy hotel sequence in Shanghai. But despite the setting, Lim and the production never left Vancouver.

Park joked she would attend red carpets and be consistently asked “How was it shooting in Korea and China?” which left her speechless and politely dodging the question.

“That was our biggest challenge, shooting Vancouver as China and Korea,” explains Lim. “I’m an immigrant, I grew up in Asia. Even if we couldn’t be in the physical location, the soul of it felt authentic and genuine. We had these amazing heads of department, including our production designer Michael Norman Wong.”

Wong says, “Making ‘Joy Ride’ work in Vancouver as China, Seoul and Paris was very challenging because Vancouver doesn’t look like any of those places. It took everybody getting on board, putting our heads together and finding the right locations.” 

A key scene takes place after the friends are kicked off a train following a drug raid and left in the middle of nowhere. Cola’s Lolo character helps out when her online bestie NBA star Baron Davis picks them up and takes them to a hotel.

The Coast Hotel & Convention Centre in Langley City was the location for the film and stood in for the Shanghai hotel where Lolo, Deadeye, Audrey and Kat have their own time with members of the men’s basketball team in different areas of the hotel.

Cola says of her unexpected co-star, Baron Davis, “was such a good sport.” Cola continues, “I can’t wait for people to see Baron Davis in this film because he really is a standout for me.”

Cola divulges, “At a point, I licked his forehead. It was all over the place. I was hopping on the couch. I had bruises all over my shins that night. A lot of stuff didn’t make the cut, I’ll tell you that.”

“The Shanghai hotel, we had to be very sensitive, [because] they were still operational.” Wong says, “We made it work by building this golden metallic trifold screen to hide the reception area that still allowed customers to come in and out — and it provided a nice Asian vibe to it.”

While the team was thousands of miles from Asia, Wong worked with the production team to play up the sets that had already captured the essence of Asia. Wong revealed that Vancouver’s Sun Yat-Sen garden “is built to look like a garden in China, so quite often it’s shot as authentic China in other films.” 

“I was adamantly opposed to that in our film,” says Wong. “Someone suggested ‘Why don’t we shoot it there in the gardens as a movie set?’ That works, it has a bit of that look to it.” 

In terms of interiors, Wong reveals that Nai Nai’s home (Lori Tan Chinn), was his favorite in the film. “We’re used to seeing images of Beijing the city, we’re used to seeing Shanghai the city, but we see very little of rural China.”

“Nai Nai’s house, that is home to me,” adds Cola. The Shanghai-born actress revealed while on set, she  couldn’t believe how much “it really looked like China.” 

Lim, who had hoped to channel the essence of the various cities, said the location team’s finds and Wong’s production design made the set feel “like the soul was right.” Lim says, “They brought all of that to the screen, all that love.”

As Wong continued to bring forth the love surrounding the Asian countries, Cola remarked on “Joy Ride’s” groundbreaking premise. “What a moment for the culture and for the AAPI folks in the industry, the community and the country to see such an R-rated moment with these faces on the big screen.”

“I have been desperate to do projects before, but for me, it was almost like I’m desperate for this to be made. No matter what. I’d be so thrilled and honored to be part of it,” says Park, an actress accustomed to traveling the world to depict specific countries — most notably seen as “Emily in Paris’” Mindy at the Villefranche-sur-Mer in Nice, France.

Wu concludes, “When I really learned about the premise, I could tell it was like a really really big important moment.”

Watch the full episode of Variety’s “ Locations: Hotels on Screen” above.

For more information on how to stay at the real-life properties featured in each episode of “Hotels on Screen,” visit here.

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“We grew up on hard R-Rated comedies

As SAG-AFTRA called a history-making strike, the Alliance and Motion Picture Television Producers outlined its proposal to the union on Thursday.

The AMPTP’s talking point claims in its memo are below:

– The highest percentage increase in minimums in 35 years
– 76% increase in High Budget SVOD foreign residuals
– Substantial increases in pension and health contribution caps
– Groundbreaking AI proposal which protects performers’ digital likenesses,
including a requirement for performer’s consent for the creation and use of digital
replicas or for digital alterations of a performance.
– 58% increase in salaries for major role (guest star) performers wages on High
Budget SVOD Programs.
– Limitation of self-tape requests, including page, time and tech requirements.
Options for virtual or in-person auditions.
– 11% pay increase in year 1 for background actors, stand-ins and photo doubles,
an additional 17% increase for background actors required to do extensive
self-styling, and an additional 62% increase for stand-ins required to deliver lines
during a run-through and photo doubles required to memorize and deliver lines
on camera.
– First-time-ever fixed residuals for Stunt Coordinators on television and High
Budget SVOD programs.
– Shortened option periods for series regulars earning less than $65,000 per
episode on a half-hour series or less than $70,000 per episode on a one-hour
series.
– Dancers will now receive the on-camera rate for rehearsal days.

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As SAG-AFTRA called a history-making strike, the

20 Movie Deaths That Happened In The Last Act That Were Completely Unnecessary

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20 Movie Deaths That Happened In The

UPDATE, 11:44 am PST: Christopher Nolan confirmed before the beginning of the “Oppenheimer” screening that the cast has left in solidarity with the SAG-AFTRA strike.

PREVIOUSLY: Matt Damon has revealed that the “Oppenheimer” cast talked about their strike strategy before hitting the movie’s red carpet premiere in London on Thursday.

“We talked about it,” Damon told Variety on the carpet. “Look, if it’s called now, everyone’s going to walk obviously in solidarity … Once the strike is officially called, [we’re walking]. That’s why we moved this [red carpet] up because we know the second it’s called, we’re going home.”

Damon added: “We gave the strike authorization. We voted 98% to 2% to do that because we know our leadership has our best interest at heart.”

“It’s really about working actors,” he continued. “It’s $26,000 to qualify for health coverage and a lot of people are on the margins and residual payments are getting them across that threshold. This isn’t an academic exercise. This is real life and death stuff. Hopefully we get to a resolution quickly. No one wants a work stoppage, but we’ve got to get a fair deal.”

The London carpet for Christopher Nolan’s atomic bomb thriller kicked off just before 5 p.m. local time, with a lot of nervous publicists and marketing executives looking anxiously at their phones and watches. In the event of an early strike, sources told Variety that the entire cast planned to discreetly exit the carpet in Leicester Square.

Emily Blunt told Variety: “Obviously we stand we all of the actors and at whatever point it’s called, we’re going to be going home and standing together through it because I want everyone to get a fair deal.”

Asked whether she’ll be joining the picket line herself, the British star quipped, “Oh, I think so!” before being rushed down the line by her publicist.

Kenneth Branagh, who plays physicist Niels Bohr in the film, also spoke to Variety about his feelings on the strike.

“There are a lot of people here we did not want to disappoint, but we’re also in complete solidarity with our colleagues and what they’re doing,” he said. “I know they’ve worked diligently to achieve an agreement which is happening at a critical point in our industry. It’s important that we’re ready to be shoulder-to-shoulder with them as the situation develops.”

Nolan also spoke to Variety on the carpet about the film’s runtime.

“The runtime is two minutes shorter than ‘Avengers: Endgame,’ so we cling to that,” he said. “I said to (producer) Emma Thomas very early on that it’s going to be a three-hour film. I have to write a script that reflects that. That was our conversation with the studio. It’s a big story and needs a big talent. It’s a 180-page script and it’s a $180 million movie.”

The cast worked the carpet for the better part of an hour before wrapping around 6 p.m. for group photos. Rami Malek, who was stuck in traffic heading over to central London from a shoot, missed the red carpet entirely, but arrived at the 11th hour and hurried onto the carpet for photos.

The cast is expected to head to the BFI IMAX in Waterloo for the actual screening at 7 p.m., which is about a 15-minute drive away.

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UPDATE, 11:44 am PST: Christopher Nolan confirmed

Disney’s struggles at the box office are no secret, with Indiana Jones and the Dial of Destiny the latest Disney release to fail to live up to expectations. Amid these issues, Disney CEO Bob Iger says that the company is adjusting its release strategy.

“You pull back not just to focus, but also as part of our cost containment initiative. Spending less on what we make, and making less,” Iger said Thursday.

Bob Iger Disney Parks

Photo: PRNewsFoto/The Walt Disney Co.

A New Strategy At Disney

Iger’s statement comes as no surprise to those who have been following the company, as Disney executives have often spoken about how they felt their key franchises were stretched too thinly.

Earlier this year, as part of the company’s reorganization, Disney announced it would be slashing $3 billion from its content spending, excluding sports.

Ant-Man and the Wasp: Quantumania

On Thursday, Bob Iger pointed to Disney’s zeal to prop up its original content on streaming, as something that may have hurt its brands overall.

“Marvel is a great example of that. It had not been in the television business at any significant level, and not only did they increase their movie output, but they ended up making a number of TV series,” said Iger. “Frankly, it diluted focus and attention.”

Marvel Secret Invasion

Photo: Marvel

While Marvel has still been the most successful box-office franchise, clunkers like Ant-Man and the Wasp: Quantumania proves the studio is not the infallible entity that it once was.

Creating Cinematic Events

On the Lucasfilm front, there has not been a new Star Wars film in theaters since 2019. During this time however, the studio has released some of Disney+’s biggest shows including Andor, Obi-Wan Kenobi, and The Mandalorian.

Cara Dune The Mandalorian

Photo: Justin Lubin /Lucasfilm Ltd.

Disney brass has spoken before about their desire to turn Marvel, Star Wars, and Pixar releases into cinematic events. In order to do this, they will need to release less content, and potentially hurt their streaming.

In the end, Star Wars, Marvel, and Pixar will continue to make up the backbone of The Walt Disney Company. These franchises will just have to do so with fewer releases.

Elemental

Photo: Disney/Pixar

Thanks for visiting MickeyBlog.com! Want to go to Disney? For a FREE quote on your next Disney vacation, please fill out the form below and one of the agents from MickeyTravels, a Diamond level Authorized Disney Vacation Planner, will be in touch soon! Also, thanks for reading!

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Disney’s struggles at

Co-CEO of DC Studios, Peter Safran, has revealed that he and fellow CEO James Gunn will strive to make the DCU as accessible as possible, with the shared universe allowing for newcomers and limiting the need to binge-watch everything before seeing the latest movie of TV show. Speaking with Vanity Fair, Safran declared their hopes to “minimize” confusion felt by audiences in order to “maximize” entertainment and enjoyment.


“The good news is, if you’ve seen nothing that we’ve done before, you can watch Superman Legacy, you can watch Creature Commandos, you can watch Peacemaker season two, and you can watch Blue Beetle. All of that. We are trying to minimize audience confusion and maximize their enjoyment.”

This approach to the DCU is certainly a refreshing one, with one of the major criticisms now leveled at the MCU being that you need to watch several movies and shows to best understand the latest installment. However, this is sure to be no easy task, particularly with the first DCU outing, Superman: Legacy, now set to introduce several other major characters with the likes of Hawkgirl, Mr. Terrific, and the Green Lantern Guy Gardner set to be played by Isabela Merced, Edi Gathegi, and Nathan Fillion respectively.

RELATED: Henry Cavill & Superman Fans React to David Corenswet Casting in the DCU


The DCU Will Begin in 2025 With Superman: Legacy

DC Comics

While the likes of the upcoming DC outing Blue Beetle has been confirmed as being part of the new and (hopefully) improved DCU, the rebooted franchise will kick off proper with Superman: Legacy in 2025. “Superman: Legacy tells the story of Superman’s journey to reconcile his Kryptonian heritage with his human upbringing as Clark Kent of Smallville, Kansas,” the official synopsis reads. “He is the embodiment of truth, justice and the American way, guided by human kindness in a world that sees kindness as old-fashioned.”

Guardians of the Galaxy and The Suicide Squad director James Gunn will both write and helm Superman: Legacy, which recently found its leads in Pearl and The Politician star David Corenswet as Clark Kent/Superman and The Marvelous Mrs. Maisel’s Rachel Brosnahan as Lois Lane.

“It’s easier to take a character nobody knows, like the Guardians, or Peacemaker, and then do whatever you want with them. People in every single country in the world know the story of Superman,” Gunn said previously of rebooting Superman for the DCU, adding that it’s crucial he does something different with the comic book icon. “How can I make it different from the Superman movies that have been made so far, but also have it respect all the Superman movies that have been made so far? So it just took me some time to try to figure it out,” Gunn explained.

The Superman reboot will be the beginning of the new DCU, with projects such as Batman: The Brave and the Bold, Supergirl: Woman of Tomorrow, a Swamp Thing reboot, and a Wonder Woman prequel series titled Paradise Lost to follow as part of Chapter One: Gods and Monsters.

Superman: Legacy is scheduled for release on July 11, 2025.

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Co-CEO of DC Studios, Peter Safran, has

Jane Campion, Laura Poitras, Martin McDonagh and Mia Hansen-Løve have joined the main jury of the upcoming Venice Film Festival.

The prominent directors, most of whom are Venice regulars – Poitras last year scored the Golden Lion with documentary “All the Beauty and the Bloodshed” – will be joined by fellow jury members including Palestinian actor Saleh Bakri (“Wajib”); Chinese star Shu Qi (“The Assassin”); Italian director Gabriele Mainetti, who was at Venice last year with “Freaks Out”; and Argentinian auteur Santiago Mitre, whose “Argentina, 1985” also launched from the Lido last year.

They will join Damien Chazelle who, as previously announced, will serve as president of the Venice competition jury. 

Venice revealed its jury just hours after talks broke down without a deal between actors union SAG-AFTRA and the Alliance for Motion Picture and Television Producers (AMPTP). A strike is expected to be called on Thursday morning, Pacific time, which could have an impact on fall festival season.

The Lido on Thursday also unveiled its full jury roster across all sections.

The jury of the more cutting-edge Horizons section comprises Tunisian director Kaouther Ben Hania (“The Man Who Sold His Skin”); U.S. director and artist Kahlil Joseph, who co-directed the 2017 musical film “Lemonade” with Beyoncé; French director and screenwriter Jean-Paul Salomé, who was in Venice last year with Isabelle Huppert-starrer “La Syndacaliste”; and British film festival director and prominent industry figure Tricia Tuttle.

As previously announced, Italian director Jonas Carpignano — who is known for “Mediterranea,” “A Ciambra,” and “A Chiara” — is presiding over the Horizons jury. 

Rounding off this year’s juries is the panel assembled for the fest’s Luigi De Laurentiis – Lion of The Future – Award for best debut film. This jury is headed by Alice Diop, whose first feature “Saint Omer” won both the Venice Silver Lion Grand Jury Prize and the Lion of the Future at Venice last year.

The Lion of The Future jury comprises Moroccan actor, director and screenwriter Faouzi Bensaïdi; Argentinian director-producer Laura Citarella, whose “Trenque Lauquen” launched from Venice Horizons last year; Italian director Andrea De Sica (“Children of the Night,” “Don’t Kill Me”); and U.S. writer and director Chloe Domont, whose directorial debut “Fair Play” recently premiered at Sundance and was picked up by Netflix.

The 80th edition of the Venice Film Festival will run Aug. 30-Sept. 9.

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Jane Campion, Laura Poitras, Martin McDonagh and

Barbie is one of the most highly-anticipated movies of the summer! The film about America’s favorite plastic doll hits theaters on July 21st with Oscar-nominated actress Margot Robbie stepping into the heels of the iconic doll, while fellow Oscar-nominated actor Ryan Gosling portrays Barbie’s boyfriend Ken.

Aside from Robbie and Gosling, the film has an all-star cast that includes Issa Rae, America Ferrera, Kate McKinnon, Michael Cera, and Simu Liu. The cast has been busy doing promotional tours for the upcoming release and sharing secrets about production and having fun filming the movie, but they didn’t let the fun stop after the cameras stopped rolling.

The Barbie cast bonded during sleepovers and pink days while on set

The Barbie film has been gaining a lot of buzz as fans eagerly await to see the fun adventures of Barbie, Ken, and their friends. The making of the film was a fun experience for the cast, who became fast friends.

In an interview with People, the group revealed how they bonded when they were away from the set. Before filming started, Robbie hosted a sleepover with the other actors, according to Liu.

“Margot was so great. She had a sleepover with the Barbies before photography started, and the Kens were allowed to either visit briefly or to phone in and say hi.”

Aside from sleepovers, the cast also attended movie nights at Robbie’s house. The actress made sure her co-stars had a fun time and found a unique way for them to raise money for charity. According to Gosling, Robbie implemented pink days to help raise money for a good cause.

“Margot had this pink day once a week, where everyone had to wear something pink. And if you didn’t, you were fined. She would go around collecting the fines, and she would donate it to a charity.”

Gosling revealed that the crew also got in on the action with the pink dress code.

“What was really special was just how excited the male crew members were. At the end of the film, they all got together and, with their own money, made pink crew shirts with rainbow fringe. It was this opportunity for them to show their respect and admiration for what Margot and Greta Gerwig were creating.”

Looks like the project was a fun experience for both the cast and crew. Fans will get to see the final product when Barbie premieres in theaters nationwide on July 21, 2023.

Are you excited for the film? Keep up to date with Culturess for more Barbie news and coverage. 

  • Published on 07/11/2023 at 13:30 PM
  • Last updated at 07/11/2023 at 13:30 PM

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Barbie is one of the most

THURSDAY AM: Paramount reported $15.5M for the Wednesday opening day of Mission: Impossible – Dead Reckoning Part One, which includes previews. The studio isn’t reporting a 3 and 5-day projection as those type of forecasts can be wonky and it ultimately boils down to Friday business.

Rivals, however, are betting at this point in time that Dead Reckoning isn’t as big as the $90M tracking purported it to be. More like $47M for the 3-day and $70.5M per industry estimates right now. The worry here is if this is Indiana Jones and the Dial of Destiny all over again with a very expensive film near $300M production cost, long-running time and older dude skewing franchise falling short of expectations. There’s a chance on a five-day basis, this could still be a franchise record start: Mission: Impossible II has the best five-day opening for the Cruise series at $78.8M.

With a running time of 2 hours and 43 minutes, it’s clear that Dead Reckoning is appointment viewing for moviegoers like Avatar: The Way of Water and Black Panther: Wakanda Forever. However, it’s a fast 2 hours and 43 minutes given the awesome action set pieces in the movie.

Last night on Screen Engine/Comscore PostTrak, Dead Reckoning looked similar to Indy‘s Thursday night demos with 34% over 45, 74% over 25 and heavily male at 65%.

However, here’s the box office viagra that Ethan Hunt has over Indiana Jones, and hopefully this will bode well in spreading word of mouth, especially with the younger demos: Dead Reckoning has an A CinemaScore to Dial of Destiny‘s B+. That’s the second A for a Mission movie after 2018’s Fallout. The franchise counts three A- grades for Rogue Nation, Mission Impossible III and Ghost Protocol. Mission: Impossible did B+ while Mission: Impossible II got a B. It’s also one of the best reviewed Missions of all-time at 96% certified fresh to Fallout‘s 97% certified fresh. In addition, Mission‘s edge over Indy is that Cruise and the franchise are more of a draw at the overseas boxoffice than the Lucasfilm IP (which isn’t even known in certain big markets like China). Korea and Japan are expected to be big for Dead Reckoning. It’s overseas in the end that could possibly bail this very pricey Mission movie out. Indiana Jones and the Dial of Destiny opened to $130M WW, with a domestic 3-day of $60.3M. The Friday-Tuesday five day was $83.8M. Current global on the Lucasfilm franchise finale is north of $256M WW.

On social media, RelishMix spots, “Convo tone on Dead Reckoning runs positive as fans acknowledge Tom Cruise’s tireless tenacity as Hollywood’s modern daredevil, proclaiming he’s ‘hauling modern cinema on his back.’ Paired with filmmaker Christoper McQuarrie’s daring direction and newcomer Hayley Atwell, some already herald it as potentially ‘the best action movie of all time.’ This series is being elevated above competitors, notably Fast X and The Fast and Furious franchise, with fans assertively favoring its consistently epic entries —  ‘This franchise is the movie embodiment of aged fine wine.’ Even with a chorus of praise, a handful of viewers yearn for fresh elements, countering the franchise’s predictable beats. Yet, the Mission: Impossible saga continues its powerful performance, captivating its loyal audience and igniting anticipation for this new chapter.”

UPDATED WEDNESDAY PM: Mission: Impossible – Dead Reckoning Part One‘s opening day is looking like $16 million, which includes the $7M in previews.

Yes, Indiana Jones and the Dial of Destiny and Mission: Impossible – Fallout both posted first days in the $22M-$23M range, but those were Fridays. This is about the long play of the movie, and Tom Cruise fare is back-loaded. The reason why this pic is going for the five-day record is due to its length, at 2 hours and 43 minutes. It’s expected, especially with a current great Rotten Tomatoes audience score of 94%, to get to $90M, a franchise record opening, by Sunday. Again, it’s still early. These numbers could go up.

Sound of Freedom is looking at second place with $3.9M and a running total of $53.4M. That daily gross is holding steady with Monday and Tuesday. Very impressive.

UPDATE AFTER EXCLUSIVE: Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One came in at the high end of expectations with $7M in previews. Pic was booked at 3,300 locations and hikes its theater count up to 4,000-plus today including Imax and PLF.

I’m told that the fan PLF money from Monday shows isn’t included in that $7M figure. The previous chapter, Mission: Impossible – Fallout posted Thursday previews of $6M, a record for the franchise. Next to other summer comps, Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny posted $7.2M in previews.

The Rotten Tomatoes audience score out of the gate after previews is 94%.

Tom Cruise and filmmaker Christopher McQuarrie have been touring the film; the duo making stops in Toronto, Atlanta, Miami, and Washington DC, greeting fans at cinemas.

Tom Cruise and Christopher McQuarrie make a surprise appearance Tuesday at ‘Mission: Impossible – Dead Reckoning Part One’ screening at the AMC Sunset Place 24 in South Miami

Getty/Paramount

Yessica Borroto Perryman in ‘Sound of Freedom’

Everett Collection

In early estimates this morning, Angel Studio’ Jim Caviezel thriller Sound of Freedom won another weekday with $4M yesterday, beating Sony/Blumhouse/Stage 6 Films’ Insidious: The Red Door which had $3.48M. Both pics had even holds from Monday percent-wise. Sound of Freedom raises its running total to $49.7M in its eight-day run. Wow. It’s expected that the pic will post a -30% ease in weekend 2 with around $13M-$14M after a $19.6M reported 3-day last week. Red Door‘s five day run rises to $40M.

EXCLUSIVE: Paramount/Skydance’s Mission: Impossible: Dead Reckoning – Part One is looking at $6M-$7M in previews so far, which is bound to be higher than the Thursday previews of the last Mission Impossible – Fallout back in 2018 which did $6M. This is according to sources. The figures we’re seeing now could go higher or lower.

Dead Reckoning previews began at 2PM today, however, I hear there were PLF fan screenings on Monday and that handful of bucks is accounted for in the estimate.

Dead Reckoning is one of the longer films of the summer at 2 hours and 43 minutes with credits. Not as long as Oppenheimer‘s 3 hours (opening on July 21), but longer than Indiana Jones and the Dial of Destiny (2 hours and 34 minutes) and The Flash (2 hours and 24 minutes). However, the action is unlike anything any Mission Impossible or Fast and Furious movie has ever delivered before. Seriously, that Rome, Italy car chase will make you want to see the movie again. Paramount is going for a Mission:Impossible franchise five-day record here with a Wednesday start, which is smart given this sequel’s length and the limited amount of showtimes exhibitors can program. Disney did not execute a Wednesday start with Indiana Jones and the Dial of Destiny, another older dude skewing film, the studio opting for a Friday launch and seeing $60.3M over three days before July 4.

The best reviewed Mission: Impossible of all-time at 98% certified fresh on Rotten Tomatoes, Dead Reckoning is projected to have a $90M five-day stateside, $250M+ worldwide.

Last year, the decades long-awaited sequel Top Gun: Maverick posted the best box office results of Cruise’s career with $19.3M in U.S. previews, $126.7M domestic opening, and $256.4M WW start. The pic finaled at $718.7M domestic (No. 1 pic for 2023 domestic), $1.49 billion WW (No 2 global for 2023 after Avatar: The Way of Water).

Mission: Impossible – Fallout opened to $61.2M domestic, and legged out to $220.1M domestic, and $791.6M WW. Even if Mission comes up short this weekend, remember, Cruise’s movies are always backloaded at the B.O.

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THURSDAY AM: Paramount reported $15.5M for the


Luke Macfarlane is a versatile actor known for his work on TV and in film, including Brothers & Sisters, Killjoys, and Bros, as well as numerous Hallmark movies.


He chatted with TV Fanatic to discuss his career trajectory, comedic roles, and his latest project, playing Charlie, the husband of Rose Byrne’s Sylvia on Apple TV+’s Platonic.


With his charming personality and diverse range of performances, Luke Macfarlane shared insights into his journey as an actor and the joy of working with talented co-stars.


During our conversation, Mcfarlane expressed his appreciation for our kind words about his body of work, but the pleasure has been all ours.


He’s portrayed a wide array of roles, many of which lean heavily into comedy. That’s where the conversation started.


Transitioning from dramatic roles to comedy


Macfarlane shared with us the moment he knew he wanted to explore comedy more seriously. He explained that while his breakthrough on Brothers and Sisters was not comedic, the show had moments of humor.


However, he admitted feeling intimidated by comedy initially. The influence of actors like Jon Hamm, who effortlessly balanced both comedy and drama, motivated Luke to pursue comedic roles.


“I remember, very clearly, making a choice in my career being like, ‘I need to pursue…’ It was around the time that we all saw Jon Hamm be both funny and dramatic. And it was like, ‘Oh, wow, I want to do that. I think I can do that.'”


Reflecting on Memorable Comedic Performances


One of my favorite Macfarlane comedic roles was in the Hallmark movie Moriah’s Lighthouse, which afforded him the opportunity for physical humor, a challenge he took to heart.


He mentioned a conversation with Paul Campbell, praising the script and expressing gratitude for the opportunity to bring the character to life. “Paul did a really great job with the script. And I remember wondering — and I never asked him — I was like, ‘Did you want to be in this movie? Because you wrote a perfect part.'”


The role showed his depth as a comedic actor and an intuitive ability to transform mundane situations into hilarious moments. “I think that generally with comedy, the less you think about it, the funnier it’s going to be. I mean, that was truly a fish-out-of-water film-making experience.


“I was in France with a French crew that I could barely speak English to, getting over an injury. So I felt like this weird ragdoll the entire time. So it was just being in the absurdity of the film that I think really helped those scenes make sense.”


Working on Platonic with Rose Byrne and Seth Rogen


Macfarlane is enthusiastic about working alongside Rose Byrne and Seth Rogen in Platonic. “They’re both funny in such different ways, and I love that about them. It’s a bit of a sort of class in like, ‘Here are some different versions of funny.’


He praised their unique comedic styles, highlighting Rose’s low-energy, subtle approach, “Where everything requires her to almost get something done,” and Seth’s quick-witted delivery, “It just flies out of his mouth.”


He continued, “But both of their comedy is effortless. I think that is just such a joy to watch up close.”


Despite playing the straight man to their comedic characters for most of the season, Luke appreciated the dynamic and the opportunity to shine during key moments.


One such moment comes in Platonic Season 1 Episode 5 when Charlie, having difficulty adjusting to Sylvia’s reinvigorated friendship with Rogan’s Will, spends some time with him.


“We had the privilege of knowing how the whole series was going to work out because we got to read all the scripts before we filmed it, which is lovely and rare. So I knew that I was going to have my moment, and I knew that he was going to become involved.”


“So I know when I got the opportunity in Episode 5 to take Seth out and have our very cringy date together where we share a hot dog and get into all kinds of trouble, I knew that that was coming up. So I knew I also had that opportunity to shine and be a little bit sillier and funnier.”


Platonic Season 1 Episode 9 and the Joys of Improvisation


Macfarlane shared an exclusive behind-the-scenes story about filming Episode 9 of Platonic. During an intense scene, he unintentionally calls Seth Rogen by his real name instead of his character’s name, resulting in an amusing and embarrassing moment.


“It was so embarrassing, and I got red-faced because he would just look at me and be like, ‘My name is Will.’ So that was super embarrassing.”


Luke humorously confessed his admiration for Seth, considering it more of a “comedy crush.”


“Clearly, I was doing some transference there. Because Seth is many things, but he’s also pretty much always the coolest guy in the room — just a cool dude. So he definitely made me feel like I was the stick in the mud.”


From Acting with Kids to On-set Camaraderie


Macfarlane has played a father on-screen before, and we discussed the challenges and joys of working with child actors on Platonic. He noted the responsibility of coordinating scenes and ensuring everyone was on the same page.


“I always forget that when you’re working with actors, you’re kind of corralling them a little bit.


“Because you step into these scenes, and there are a lot of people and a lot of stuff going on, and you’ve got to make sure that everybody knows what the plan is. So it does feel a little bit like getting the kids into the minivan in real life.”


“Those days could be a little exhausting. I won’t lie. And that’s not because the kids weren’t great. But they’re learning a lot more on set than we are. We take it for granted now. We just know how stuff works.”


Luke appreciated the opportunity to engage with the young cast members, enjoying their unique perspectives and light-hearted conversations, which sometimes influenced his comedic performances.


“It’s also really great to just get soft brain with them. Just listen to them talk about something. You’re like, ‘Oh, wow, cool, horses.’ ‘I didn’t know that. ‘Oh, unicorns. Sure. Right. Fun.’


“And having that sort of soft brain is sometimes helpful in comedy.”


The pleasant and professional atmosphere on the Platonic set


Reflecting on the overall atmosphere during the filming of Platonic, Luke described it as a warm and enjoyable experience. “There were lots of laughs,” he said, but nothing that he would consider behind-the-scenes antics.


He emphasized the importance of working with people he genuinely liked, fostering a positive environment where professionalism prevailed.


Luke credited Platonic co-creator Nick Stoller, who also directed him in Bros, for having the vision and amassing the talented cast, creating a pleasant and funny working atmosphere.


Future aspirations and dream roles


When asked about his dream job, Luke expressed his interest in action-adventure roles, drawing inspiration from his experience on Killjoys. “I was really lucky and proud to be part of Killjoys. I loved that job on so many levels. But the thing that I really took from it was like, ‘Oh, I really like this action adventure thing.’


“I would love to play some kind of an action-adventure character. I don’t know who that is. I don’t know if it’s a funny action adventure or if it’s more of a serious thing. But I would really like to do that next.”


Given his talent and history, it seems he’s only a stone’s throw away from achieving that dream, and he got a taste of it in an upcoming independent movie called Lone Star Bull, an action-adventure he filmed in Georgia about a year ago. “It was a lot of fun. I’d like to do more of that.”


Macfarlane is really thankful for the opportunity to be bacon the screen with A-list actors.


“Rose and Seth are movie stars,” he said. “I think it’s really important to show the world that you can hang with folks like that again. Going back to my Rachel Griffiths, Sally Field, Calista Flockhart, Rob Lowe sort of hangs back in the day.”


As Macfarlane continues to explore diverse roles, it’s clear that his talent and dedication will propel him towards new heights in the industry, and we expect to see him working alongside many more A-listers along the way.

Carissa Pavlica is the managing editor and a staff writer and critic for TV Fanatic. She’s a member of the Critic’s Choice Association, enjoys mentoring writers, conversing with cats, and passionately discussing the nuances of television and film with anyone who will listen. Follow her on Twitter and email her here at TV Fanatic.

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Luke Macfarlane is a versatile actor known

The Associated Press reached a deal Thursday with ChatGPT’s parent company, OpenAI, to share access to technology developments and content, marking one of the first news-sharing partnerships between an artificial intelligence firm and a major U.S. news outlet.

While the logistical details of the partnership are still being worked out, the deal intends to explore generative AI in news products for the AP. In return, OpenAI will license part of the AP’s text archive in order to further train its artificial intelligence products.

OpenAI’s chief operating officer Brad Lightcap is hopeful that access to AP’s extensive archive “will help to improve the capabilities and usefulness of OpenAI’s systems.”

The AP has not yet implemented generative AI in its news stories, but this deal aims to change that by developing industry standards for AI use in journalism.

The news organization “firmly supports a framework that will ensure intellectual property is protected and content creators are fairly compensated for their work,” Kristin Heitmann, AP senior vice president and chief revenue officer told Axios.

“News organizations must have a seat at the table to ensure this happens, so that newsrooms large and small can leverage this technology to benefit journalism,” Heitmann continued.

Although the AP has yet to venture into generative AI exploration within news stories, the outlet was one of the first to implement automation within its content. The AP has used such technology to cover local sports and recently launched a search function that is powered by AI technology.

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The Associated Press reached a deal Thursday

TRIBUE TO TOM SIZEMORE! Tom Sizemore takes us to the seedy underbelly of boutique rehabilitation centers in Derek S. Orr’s comedy series Barbee Rehab. In the first episode, Sizemore attempts to recount his harrowing experience at Barbee Rehab to his new therapist, Dr. Janice (Janice Dickenson). Sponsored by Ma-Tel, the center is run by Barbee’s close friend, Dr. Midge (Vanessa Bednar), who uses unorthodox methods to treat her clients’ unorthodox ailments.

First, the patients are divided into three groups. The humans/collectors are patients who have a severe Barbee collection problem. As they arrive at the center, new patients are stripped of all their dolls and given one doll in return as therapy. The second group is the Barbees and Kens—patients who have taken on the personas of their favorite dolls, including Fairy Barbee (Rachel Riley), Glamour Barbee (Kristy Dennis), and Star Trek Ken (Johnny Wactor) and Barbee. The final group is the wild cards, who suffer from their miscellaneous non-occupational personals like Cat Lady or Alien (Bai Ling).

The series plays out as a series of comedy bits and sketches exploring the line between reality and fantasy. Each patient essentially withdraws from their reality into the world of Barbee and her infinite number of occupations and personalities.

“…Sizemore attempts to recount his harrowing experience at Barbee Rehab…”

The pace of Barbee Rehab is fast and furious. The skits and gags are cut together like a music video and offer an overwhelming plethora of characters—I count 18 characters, most of whom appear in that first episode. The gags are straightforward, how would each of these characters fare in a rehab center, and how would these interact with one another. The pace of the show is exhausting at times. The only moment to breathe comes during the Dr. Janice sessions as Sizemore explains his hard-to-believe encounter and, in that Janice Dickinson manner, she doesn’t believe him.

What the show needs to do is slow down. Get rid of half the characters, and find two or three stories to follow. Find the comedy in a few aspects of the rehab experience and insert your Barbee characters there. Maybe use silly humor to explore how Barbee Rehab was created.

I have only seen the pilot episode of Barbee Rehab, and maybe my concerns are addressed, but the point of a pilot is to grab an audience’s attention, walk us down the path of your story, and end in a way that forces us narratively to watch the next episode. Instead, the pilot episode is a narrative mess that couldn’t rely on the steady stream of silly jokes to carry us through to the end. Barbee Rehab is an interesting idea but plagued by bad execution.

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TRIBUE TO TOM SIZEMORE! Tom Sizemore takes

It’s a wrap on Season 2 of Bachelor in Paradise Canada and we have not one, but two happy couples leaving the lake and looking forward to a future together.

Alberta’s own Joey Kirchner met the love of his life, Tessa Tookes, and the two mutually proposed to each other — although Tookes will remind you that she “did it first,” presenting Kirchner with a friendship bracelet-style engagement ring before he got down on one knee and popped the question with an enormous rock.

And while one of the first couples to get together on the beach, Americans Austin Tinsley and Chelsea Vaughn, did not exchange rings, they left the beach happily in a relationship and Tinsley moved across the country to cohabitate with his new love.


The happy couples on the beach at “Bachelor in Paradise Canada.”


Courtesy / CityTV

Both couples are looking forward to the future, they tell Global News. Tookes and Kirchner, now living in Toronto, are planning both a trip to the East Coast provinces this summer and an engagement party this fall. South of the border, Tinsley is getting ready to meet Vaughn’s family (finally!) and the two are apartment hunting in NYC.

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Bachelor in Paradise Canada doesn’t exactly follow the American formula of looking for love — it tends to be more laid-back and far less sweaty in Ontario — but wherever the Bachelor franchise goes, drama tends to follow, and Canada was no exception.

Global News sat down with both happy couples to chat about going public with their relationships, the messiest and most entertaining castmates, the biggest surprises on the beach and how each of them knew they’d found “their person.”

(You can watch the video interview in full, top.)

&copy 2023 Global News, a division of Corus Entertainment Inc.

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