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FIFA World Cup: Who Was the Child Singing With Katy Perry?

Katy Perry’s performance at the USA vs. Paraguay match for the 2026 FIFA World Cup sparked chatter online. Not because the pop star’s performance was bad, but because she had an unexpected co-star during the number.

That’s right, the singer took to the World Cup stage at SoFi Stadium Friday night, where she was joined by 10-year-old Tius Luka. The young Norwegian singer, who was dressed in a navy tracksuit with red and white stripes, sang the opening and closing lines of Perry’s 2024 song, “Wonder,” which first debuted on her seventh studio album, “143.”

So, why was Luka included in the Friday performance? Keep reading for all the details.

Who is Tius Luka?

As Perry explained in a video uploaded to Instagram, Luka was the inspiration behind her song “Wonder,” which is why she included him as part of her World Cup performance.

“That little voice you’re listening to right now is Tius,” she wrote on Thursday. “Tius recorded his part on ‘Wonder’ when he was 5 years old in 2021. I heard his vocal in 2023 and was inspired to write the verses for ‘Wonder’ and added it to my [seventh] album.”

She continued: “Tius is 10 now and flew all the way to L.A. from Norway to sing this song with me on Friday at the World Cup.”

The video appeared to be from Perry and Luka’s rehearsal on Thursday, as the two singers are seen walking out on the field in full costume together.

You can see the post here.

Where can I watch Katy Perry and Tius Luka’s performance?

Perry and Luka performed the song “Wonder” live ahead of the FIFA World Cup match between USA vs. Paraguay. The soccer game was broadcasted across FOX and Telemundo, who are the official U.S. broadcast rights holders for the World Cup.

However, FIFA already uploaded the pre-game performance on YouTube, which you will find here. You can also find the performance in the X video below.

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June 12, 2026

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Katy Perry’s performance at the USA vs.

Video

Hermès’ Nadège Vanhée Shows Her Most Glamorous Collection Yet

In Bel Air, Hermès women’s designer Nadège Vanhée shows her most glamorous collection yet, putting the French maison in the red carpet running. Zegna turns the Malibu Pier into a men’s runway. H. Lorenzo’s new guard fashion flagship bows on Robertson and “Fashioning Chinese Women” opens at the Los Angeles County Museum of Art.

Hermès Fall 2026 Chapter Two collection presented in Bel Air on June 04, 2026. Source: Hermès

Hermès Goes Hollywood Glam

Julia Louis-Dreyfus cozied up to Melinda French Gates in the front row, Natasha Lyonne slid in at the very last minute and Miley Cyrus shimmied in her seat to the finale song “Bette Davis Eyes.”

There was star power aplenty at the Hermès Fall 2026 “Chapter Two” show in Bel Air last week. Both off the runway and on it too, with women’s artistic director Nadège Vanhée showing her most glamorous collection to date, and one that felt very L.A.

The hilltop location just above the Hotel Bel-Air made for some logistical headaches. But the cinematic golden-hour vantage point made up for the long wait for golf carts and shuttles.

Natasha Lyonne at the Hermès Fall 2026 Chapter Two collection show. Source: Getty

The event had been in the works for a year, and the show’s pavilion structure was built over the course of a month. Bathed in golden-hour yellow paint, or jaune flave, the set ushered in a softer vision of Hermès ready-to-wear.

Since 2024, the brand has been taking its women’s RTW collection on the road, stopping in New York, Shanghai and now L.A., with each destination informing the designer’s work.

For this chapter, Vanhée zeroed in on the dress, specifically a gorgeous strapless duchesse satin design that seemed destined for the red carpet. Signaling a new direction for the leather-centric house, the dress came in several colors, including rouge tango, modeled by Karen Elson. All were styled with super-chic matching satin evening boots, which feel like a trend in the making.

The propositions for glam nights continued with fluid gowns in velvet or scattered with starry embroidery, jewel-tone silk coats and suiting.

Hermès Fall 2026 Chapter Two collection show. Source: Getty

Meanwhile, the elements of practice and performance inherent to Hollywood came through as Vanhée drew inspiration from the world of dance, touching on rehearsal wear with side-tie silhouettes and groovy sparkly-knit jumpsuits with flared legs. (Groovy and Hermès are two words I never thought would meet.)

The house’s signature leather was reimagined with a lighter touch, as buttery blousons layered over sensual velvet dresses, for example, while Western-detailed, boxy zip-front jackets with matching shorts felt very L.A. rock ’n’ roll.

Hermès Fall 2026 Chapter Two collection show. Source: Hermès

The event underscored the reality that the U.S., even with all its troubles, is a key market for luxury brands navigating the industry slowdown, though it should be said that Hermès is already doing much better than most. The show followed L.A. destination presentations from Dior at the Los Angeles County Museum of Art and Gucci and Louis Vuitton in New York in the last few weeks.

The U.S., specifically L.A., is also the celebrity-fashion power center, of course, and the night’s lineup of dressier looks made it clear that Hermès is getting more serious about Hollywood dressing.

Several celebrities have been priming the pump, with director Chloé Zhao wearing a Spring 2026 Hermès bodycon dress at Cannes last month, actor Toheeb Jimoh choosing a sleek pinstriped Spring 2026 Hermès men’s suit for a screening of “Sheep in the Box” at Cannes, and Cyrus donning a glossy black Hermès coat at the iHeartRadio Music Awards back in March.

Adding to the celebrity dressing potential, there’s already a lot of anticipation for what’s next in Hermès menswear with British designer Grace Wales Bonner taking the reins–and making history as the first Black woman to lead a major European fashion house. Her first show will be in January 2027.

Ermenegildo Zegna Spring/Summer 2027 runway show at Malibu Pier June 05, 2026 in Malibu, California. Source: Getty

Zegna Does Malibu Without the Clichés

Ermenegildo Zegna turned the Malibu Pier into a runway on Friday night, bringing a taste of the Med to the Pacific with its Spring 2027 show.

Silver-haired style setter Stellan Skarsgård, Oscar-winning composer Ludwig Göransson, Rami Malek, Mahershala Ali, Paul Dano and many more from the Hollywood set took their seats in beach chairs for the parade of luxe leisurewear from Italian designer Alessandro Sartori.

Stellan Skarsgård attends the Ermenegildo Zegna show at Malibu Pier. Source: Getty

The Italian art of villeggiatura, or escaping — truly escaping — to the seaside for the summer season, was Sartori’s starting point for what he does best: a relaxed but refined lineup, one that would be right at home at Nobu just down the PCH.

Soft tailoring and stripes were the foundations of the collection. Shirt jackets, safari jackets, duster coats and beachy cardigans were casually layered over shorts, while terry-cloth pullovers and color-blocked windbreakers offered more overt nautical references. Blazers with adjustable belts and shirts with interchangeable collars underscored the functional aspect of the clothes.

Ermenegildo Zegna Spring/Summer 2027. Source: Getty

The palette was surf-and-sand, and ease was the prevailing mood, but never at the expense of elegance. Instead, the designer explored how summer dressing can look spontaneous and polished at the same time, taking on coastal L.A. without falling into palm-tree and surfboard clichés.

“I wanted to express a Zegna take on summer,” Sartori said. “Our vision of leisure dressing is rooted in a cultivated attitude and a discerning gaze that is profoundly Italian, yet open to the world.”

H. Lorenzo’s New Guard Flagship

Fashion’s new guard is alive and well at the new H. Lorenzo flagship on Beverly Boulevard. The 9,000-square-foot, gallery-like space is a garden of edgy delights from hard-to-find and up-and-coming global and L.A. brands. There’s Paris-based enfants terribles Matières Fécales, who created Sarah Paulson’s memorable “One Percent” Met Gala gown; London-based goth designer Dilara Findikoglu, who recently collaborated with Khy after Kylie Jenner’s stylist discovered the designer here; and Paly Hollywood, whose art-to-wear pieces are co-designed by James Franco.

One of L.A.’s formative fashion boutiques, H. Lorenzo was a Sunset Boulevard institution for 42 years. It was founded by Lorenzo Hadar, who helped bring cutting-edge European and Japanese clothing to L.A. in the 1980s — literally — beginning with a “cash-and-carry” model that saw him bringing Yohji Yamamoto, Issey Miyake and Comme des Garçons pieces back in his suitcase to sell to customers.

The store’s reputation grew, attracting a who’s who of celebrities over the decades, from James Brown and Michael Jackson to Tupac Shakur, Drake, Cardi B and Justin Bieber. It also became a go-to destination for stylists and costume designers looking for the newest looks, including Ruth E. Carter and Euphoria costume designer Natasha Newman-Thomas.

Now, Lorenzo’s son Mac Hadar is heading the business day to day, and the store has relocated to Beverly and Robertson boulevards. “We wanted to inject new energy into the company and just evolve,” Mac said on a busy Wednesday afternoon at the store, as shoppers rolled in for Paly hoodies and Sekrit Saints leather jackets, trying things on and pronouncing them “fire” and “cool as f–k.”

“We try to add at least a 15 to 20 percent new brand mix to our roster every season … and be one step ahead of the curve,” said Mac, who also merchandises H. Lorenzo’s archive store on Santa Fe Avenue in downtown L.A., curating 40 years of vintage so it feels relevant to the moment.

The flagship was designed in collaboration with Italian architect Oliviero Arch Baldini, who has created all the H. Lorenzo stores. It’s minimal, but packs a punch.

“We love the racking system in this space. It feels like there is a lot of metal, but with the clothing on it, it almost floats,” said Mac, explaining that the front of the store is intended to be a rotating design installation, starting with a Japanese curation of custom tatami tables, hand-painted fans, pottery and other objets d’art, all of which are for sale.

On the racks and shelves, shoppers can find Elena Velez’s wasteland-cool sweats, Chopova Lowena’s punky princess skirts, Kapitol’s cult-favorite Japanese-Americana workwear jackets, Doublet’s moss-embroidered jeans, Stephen Jones’ haute hats, Maison Margiela’s tabi shoes and Ashley Williams’ surreal paper roll bracelets.

Mac is also envisioning the new, larger space as a community space—and it already has been, hosting the kickoff for an exclusive collaboration with Ann Demeulemeester last month. “We wanted to introduce the space before it was open,” Mac said. “And we’re planning on doing things like movie screenings and activations that bring people together in ways beyond just a clothing drop with a DJ.”

H. Lorenzo, 8801 Beverly Boulevard, West Hollywood, CA 90048

Dress (qipao), China, 1939–40, Los Angeles County Museum of Art, Costume Council Acquisition Fund, mannequin head by Jason Wu. Source: Museum Associates/LACMA

Rare Exhibition of Chinese Fashion Opening at LACMA

Opening June 14 at the Los Angeles County Museum of Art, “Fashioning Chinese Women: Empire to Modernity” is a rare showcase of Chinese fashion in the U.S., dazzling with textiles and embroidery so exquisite they have to be seen IRL, as well as stories of cross-cultural influence and trailblazing 3D-printed mannequins created by designer Jason Wu to represent Chinese physiques, hairstyles and skin tones.

The exhibition is also rare in that it is largely based on a single collection donated to the museum by Berkeley-based Chinese American artist Chere Lai Mah, who spent more than four decades preserving garments belonging to her mother, mother-in-law and other relatives who traveled regularly between Fresno, Calif., and Hong Kong to buy their clothing.

Manchu-style informal dress and shoes, China, late Qing dynasty (1644–1911), c. 1900. Source: Museum Associates/LACMA

Augmented with pieces from the museum’s permanent collection, “Fashioning Chinese Women” includes 70 garments tracing the evolution of Chinese dress within China, from the loose, densely embroidered and decorated robes of the late Qing dynasty (1644–1911) to the sleek qipaos of Republican Shanghai (1912–1949) and the globally influential cheongsams of postwar Hong Kong.

The show touches on how political reforms brought narrower silhouettes, while global trade and imported materials led to textile innovations, including Art Deco-inspired machine lace and devoré velvets.

Dress (qipao), China, Shanghai, c. 1933 Sincere Co. Ltd.; dress (qipao) and jacket, China, Shanghai, early 1930s; dress (qipao), China, 1939–40. Source: Museum Associates/LACMA

The exhibition explores the rise of the qipao as a symbol of modern Chinese fashion during the mid-20th century, when tailors refined the silhouette using Western dressmaking techniques. Among the highlights are two 1949 versions sewn by Susan Mah herself, made from whimsical mid-century California rayon fabrics that reflect her dual Chinese American identity, and three bold, colorful, 1960s-era graphic knee-length cheongsam shift dresses from the fashionable wardrobe of socialite Aileen Chiang Pei, stepmother of architect I. M. Pei.

The show also touches on historical figures who shaped how Chinese dress was perceived and copied abroad, including Anna May Wong, the Hollywood actress who brought Chinese glamour to the silver screen and into the public consciousness in the 1920s, and the stylish First Lady of the Republic of China, Madame Chiang Kai-shek, who wore a modernized qipao on her 1943 goodwill tour to America and helped raise the visibility of Chinese Americans, including speaking to a capacity crowd at the Hollywood Bowl.

“Fashioning Chinese Women: Empire to Modernity,” June 14–Oct. 12, Los Angeles County Museum of Art, 5905 Wilshire Blvd., Los Angeles, CA 90036.

Dress (cheongsam), Hong Kong, early to mid-1960s. Source: Museum Associates/LACMA

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June 12, 2026

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In Bel Air, Hermès women’s designer Nadège Vanhée

Entertaintment

Matt Cornett on Finding His Version of Sam in ’Every Year After’

Matt Cornett couldn’t wait to bring viewers to Barry’s Bay.

The 27-year-old actor stars as Sam Florek in Prime Video’s latest romance adaptation, Every Year After. The series, based on Carley Fortune’s beloved book Every Summer After, explores first love, all-consuming heartbreak, regret and second chances — all set in a quaint Canadian lake town. Naturally, for Cornett, it was a no-brainer.

“The second I read the book I thought, ‘There’s nothing about this that I could ever possibly say no to,’” Cornett tells The Hollywood Reporter on a recent Zoom.

For the actor, who started in Disney’s High School Musical television series, Every Year After is the chance for his romantic leading man moment. “I look at Ryan Gosling and just love everything that man does,” says Cornett. “This is my Ryan Gosling moment.”

Below, the actor digs into Every Year After, working with Fortune and the show’s writers Amy B. Harris and Leila Gerstein, and how he used fan edits to help him find Sam.

How are you feeling about everything with the show?

I feel really good and really excited. I’ve seen all eight episodes, and I’m so proud and so happy with them. There’s so many emotions and memories tied up with this show in my brain and my heart. I’m just really excited for the world to see it. This has been our baby, and it’s now time to let our baby go travel the world without us.

Matt Cornett in ‘Every Year After.’

Justine Yeung/Prime Video

One thing you mentioned last year when we spoke was that you were trying to grow out of teen roles and move into a new spot. I think you can certainly do that with this movie. Why did this feel like your next move?

What was so exciting about this role, in this world, is it’s the first time that I’ve played the romantic lead. I look at Ryan Gosling and just love everything that man does, so I [decided] this is my Ryan Gosling moment. This story is just so beautiful and so good. The second I read the book, I thought, “There’s nothing about this that I could ever possibly say no to.” What’s so fun and challenging as an actor is playing multiple ages. I play 15, 16, 17, 18 and 28. I play five different ages in this. That was a challenge, and it made me change the way that I prepped every single thing that I have done for the past however long of my career. I now had to shift that and create a new system for this show.

Overall, the character in the story was just so sweet and beautiful. The book is so incredible. Doing a book adaptation is so fun. There’s so much nervousness and a sense of pressure that comes along with that, but also excitement to have creative liberty with these characters that already are so beloved.

Something you touched upon is the adaptation part. BookTok has definitely changed the way people consume books. It’s also grown fanbases quite a bit. Were you nervous about getting it right?

Totally. Anytime you have a preexisting IP or a preexisting character that people are so in love with, rightfully so. I mean, Carley’s story is so incredible. Anytime you have that, there’s going to be pressure to create it perfectly. I think what’s so great is me and Michael Bradway, who plays Charlie, and Sadie Soverall, who plays Percy, we all had that conversation along with Amy Harris, our showrunner, about how important it was to be as accurate to the book as possible.

As a fan of books and movies and TV, anytime there’s a project that’s being remade or reimagined, or a live-action version of something that I already loved comes out, I want that new version to be as accurate to the old thing as possible. When things change, it starts to become a different story and sometimes it’s hard for people to wrap their heads around, especially when it’s something that so many people say that this is their favorite book. If it’s your favorite book, you want to see your favorite book come to life. You don’t want to see a different version of your favorite book. It was fun to navigate.

What about the pressure for Sam in particular?

There was a lot of pressure of hoping I get Sam right because I feel like I know Sam really well. I know there are people that know Sam better than me, just because of how well they know this story, and they know these characters. It’s fun, and it’s nerve-wracking and exciting. I just hope that every bit of who Sam and Percy and Charlie are as people is what we captured in the show. It’s important that people know it was very important to us. Obviously, there are certain things in the show that we have to change just to make it expandable for TV, but overall it was really important to be true to the book.

Sadie Soverall and Matt Cornett in ‘Every Year After.’

Cate Cameron/Prime Video

Did you work with Carley at all?

I remember the day I met Carley. Me and Michael had talked about this, and we were so nervous to meet her. One of our producers texted us the night before and was like, “Hey, Carley’s going to be on set tomorrow.” Carley was involved to a pretty good degree behind the scenes — and I know she was working on other things at the time, so she wasn’t able to be on set every single day. But she was definitely around. I remember the first day that we found out she was going to be on set and me and Michael were like, “Oh my God, we’re going to meet Carley.” It was this nerve-wracking moment of really hoping that she feels like I capture Sam and feels the way I’m playing Sam is correct.

What happened when you ended up meeting?

I was so nervous. I walked up, gave her a hug and said, “It’s so lovely to meet you.” She’s like, “I’m so happy to finally meet you. I feel like I know you because I’ve seen your face in all these auditions.” I remember just talking with her and being so excited. I think she even said that she was nervous to meet us because she felt like she was meeting these characters that she created for the first time. I remember her saying that she felt like all of us captured, in her heart, who Sam, Charlie and Percy were. That gave us such a boost of confidence going into shooting because that was so early into the filming process. It gave us such a boost to really feel like we can dive into these characters knowing that we have the stamp of approval from Carley Fortune.

For this book in particular, how familiar were you with it before?

Not at all. I didn’t grow up a big book reader. I wish I did. The idea of sitting down with a good book is the most perfect picture in my mind. I’m just so nonstop that it’s so hard for me to sit down, [to] make my body sit still and read. Going into auditioning, I didn’t even know that this was based on a book. They didn’t tell us until very late in the audition process that it was based on the book. It was under a code name, different characters, different everything. Then in the final audition process, when I did my final chemistry read with Sadie, they were like, “So, this is based on a book called Every Summer After.”

After that, I read the book and I did a little bit of research, not a ton. When I booked the show, that’s when I wanted to read the book. The day after I booked the show, I had a day off of work. I drove to a bookstore about 45 minutes away, and I was like, “OK, let me find this. I wonder if they have it.” I walk in and the first table is summer romance, and it’s like all of Carley Fortune’s books. I realized this is a really big book. That was the first moment where I knew what I was getting myself into. It was really fun, and the second I read the book, I was in love with it.

Michael Bradway and Matt Cornett in ‘Every Year After.’

Cate Cameron/Prime Video

Hudson Williams told me when he was finding his version of Shane in Heated Rivalry that he’d look through fan conversations or forums online. I’m curious if you ever dug into that side? How tuned in were you with this character online?

Well, I obviously wanted to capture what the fans love so much about Sam because I think there’s so much about Sam that makes him likable and makes him such a fun character. Those were things that were definitely important to me. That’s hilarious about Hudson. I did not go read fan forums, though; I think that’s a great idea just to see how people conceive Sam.

I’ve heard it a few times now.

I did go and watch TikTok edits of Every Summer After [though]. People make these edits of who they feel is good and the vibe of Sam, and all these things. I did go watch a few of those just to get Sam’s vibe from the audience, but I didn’t dive too deep into that. I wanted to use the book as our Bible in a sense for the show. Then talking with Carley and with Amy Harris, our showrunner. So many conversations with so many people. Me and Sadie sat down and talked about Percy and Sam’s relationship a lot and where they’re at. It was a bit of both [for me]. It was a bit of creating this version of Sam that I want to create for myself, but also using the book and using the edits that I had seen fans make of Sam to create a perfect concoction of fan-Sam and Matt-Sam.

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June 12, 2026

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Matt Cornett couldn’t wait to bring viewers

Movies

Blake Lively Awarded Legal Fees in Ruling After Justin Baldoni Settlement

A federal judge granted Blake Lively a partial victory on Friday in a legal motion that followed her settlement with Justin Baldoni’s production company, granting her attorneys fees but denying her request for additional financial penalties.

Last month, Ms. Lively settled her retaliation claims that stemmed from the making of the 2024 movie “It Ends With Us,” as both sides were gearing up for a contentious and high-profile trial in Federal District Court in Manhattan. She received no financial compensation as part of the settlement, but the agreement allowed her to pursue a payout through a different legal avenue.

Citing Mr. Baldoni’s unsuccessful defamation lawsuit against her last year, lawyers for Ms. Lively sought to leverage a two-year-old California law adopted to prevent the weaponization of defamation suits to intimidate those who make harassment complaints. Ms. Lively had claimed she had been the target of a retaliatory online campaign, run by Mr. Baldoni and his associates, after complaining of sexual harassment on the set of the movie.

Lawyers for Mr. Baldoni denied that Ms. Lively was entitled to receive fees under that law, and have long argued that she had twisted innocuous interactions into harassment allegations in an effort to assert control over the making of the movie.

The fees granted by Judge Liman are for her lawyers’s efforts to defend against the defamation suit that Mr. Baldoni and his associates filed against Ms. Lively, which accused the actress of lying about her experiences on the set. That suit was dismissed about five months after it was filed, while Ms. Lively’s own retaliation case proceeded for another 11 months.

In a 47-page order, Judge Liman found that Ms. Lively’s case did fulfill the criteria of the law, which requires that the accuser made sexual misconduct complaints “without malice.”

Judge Liman wrote that in responding to the actress’s request for fees, Mr. Baldoni and his associates had provided no evidence that Ms. Lively had made her accusations with malice.

“Allegations are insufficient on their own to demonstrate that statements were in fact made with malice,” the judge wrote. “That determination requires some evidence.”

Ms. Lively was hoping that the judge would order treble damages — meaning any figure would be tripled — and punitive damages, which are listed as possible penalties in the California law. But the judge found that through the particular legal procedure that Ms. Lively was following, she could only ask for fees, not damages.

Michael J. Gottlieb and Esra Hudson, lawyers for Ms. Lively, said the decision made clear that she had made her claims in good faith, and that their client was pleased that the decision would now serve as an example of how the California law creates “a path for survivors to hold accountable those who weaponize online attacks and retaliatory lawsuits to intimidate and silence survivors.”

The statement also suggested that Ms. Lively may pursue damages through a different procedural mechanism. Asked for clarification, a spokeswoman said that Ms. Lively is “legally entitled to seek further damages” at the “time and place of her choosing.”

Bryan Freedman, a lawyer for Mr. Baldoni and his company, said in a statement that “Ms. Lively was only awarded limited attorney fees for a single claim as part of a case that lasted only a matter of months, nothing more.”

Framing the overall outcome of the case as a victory, he added: “We would not hesitate to stand up for the truth again.”

The judge’s decision may be the beginning of the end for one of the most talked about Hollywood legal disputes in the years after the #MeToo movement. The legal battle has lasted a year and a half and contained more than 1,000 legal filings. In their settlement agreement, both sides agreed not to appeal Judge Liman’s ruling on the request for fees.

But it is likely that there will be legal wrangling over the attorney fees that Ms. Lively is owed — a process that is often subject to objections from the other side over whether the figure requested is reasonable.

The judge’s ruling suggested there was work ahead. “The Court makes no findings or holdings at this juncture with respect to the appropriate measure of fees for the subject of this motion,” he wrote.

At the time that Ms. Lively sought a dismissal of Mr. Baldoni’s defamation lawsuit, she had seven lawyers signed onto her filings. The team included Mr. Gottlieb, a high-profile attorney whose clients have included Drake and the owner of the Washington pizzeria targeted by “Pizzagate” conspiracy theorists.

After the settlement was announced last month, there was a short-lived projection of harmony between the two sides. In a joint statement, the parties said, “We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard.”

Soon after, both sides started framing the outcome as a win. Lawyers for Mr. Baldoni’s production company framed the remaining issue as procedural and low stakes. Lawyers for Ms. Lively presented it as an opportunity where any payout was secondary to a mission of deploying a relatively untested law intended to protect sexual misconduct accusers.

Ms. Lively first sued Mr. Baldoni in late 2024, alleging that after she came forward with accounts of sexual harassment on the set, she became the target of a public relations campaign to seed and amplify negative content about her online.

She said in the suit that during the making of the movie, Mr. Baldoni — who was both her co-star and director — inappropriately commented on her appearance, discussed his personal sex life and announced on set that she had never seen pornography. Lawyers for Mr. Baldoni said that the encounters amounted to awkward comments or discussions appropriate for filming a movie about a romantic and sexual relationship.

Judge Liman dismissed Ms. Lively’s sexual harassment complaints based on procedural grounds that included whether she could be considered an employee under the law. But he allowed retaliation claims against companies associated with Mr. Baldoni to proceed to trial.

After those claims were settled, the fees and damages that Ms. Lively sought related to alleged reputational damages and lost jobs and business opportunities stemming from the January 2025 defamation lawsuit. The suit, her lawyers say, “stoked the flames of public sentiment” against her.

Lawyers for Mr. Baldoni and his associates have said they had every right to defend themselves — first through what they have described as a standard public relations effort and then through what they called their “constitutional right” to bring grievances in court. When Judge Liman dismissed the defamation claims, he found that Ms. Lively’s accusations were protected because she had made them in a legal filing.

Judge Liman’s ruling is one of the first judicial efforts to apply a law that, even in California, the state where it was enacted, has had few use cases. Mr. Baldoni’s lawyers noted the scant precedent, and argued that the federal judge should not wade into new territory before allowing California courts to hash out important legal questions.

“That is a reason to tread cautiously, not to avoid treading at all,” Judge Liman wrote in his order. “Indeed, this Court lacks the authority to abstain from addressing issues squarely presented to it simply because those issues are difficult or novel.”

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June 12, 2026

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A federal judge granted Blake Lively a

DGA’s board throws support behind tentative contract with major studios

The Directors Guild of America’s national board on Friday unanimously recommended its membership vote in favor of a four-year contract with the major studios that would increase wages, boost contributions to its health plan and establish guardrails surrounding AI technology.

“We entered this negotiation with three main priorities: secure our Health Plan, protect jobs, and ensure that our members remain secure as AI continues to impact our industry,” DGA President Christopher Nolan said in a statement. “We succeeded in these areas and gained in many others.”

Under the proposed contract, major studios would increase their contributions to the DGA’s health plan by 24.4% over four years, the largest since the plan was founded. In return, the DGA would recommend changes to its plan’s trustees including “modest” increases to the eligibility threshold and annual premiums, the DGA said on Friday.

The contract also increases minimum salaries for most jobs by 2.5% in the first year and up 3% for each of the following years in the agreement. Directors of network non-prime time strip dramatic programs will see their minimum salaries increase 2.5% for each year under the agreement.

The union, which represents more than 19,500 directors and members of directorial teams in areas such as film, commercials and news, said the agreement helps the union’s push for a federal production incentive. Hollywood creatives believe such a benefit could prevent U.S. entertainment jobs from moving overseas where production costs can be significantly lower. The proposed agreement secures a commitment that most senior management at the major studios represented by the Alliance of Motion Picture and Television Producers “would engage in meaningful advocacy for a federal production incentive above and beyond the ongoing lobbying efforts of the Motion Picture Association,” according to the DGA.

The contract also adds more guardrails to AI technology, including treating footage created by artificial intelligence as the same as footage shot by a camera, meaning it will still be under the director’s control, according to the DGA. Major studios will also be required to notify the DGA if an employer decides to license a director’s work to train a generative AI system to create new work, the union said. The agreement also establishes an employer-funded program to enhance directors’ AI skills.

“With these gains, a four-year Agreement was both appropriate and necessary to provide stability and potential for growth at a moment when the industry has been experiencing contraction,” Nolan said in a note to members on Friday.

DGA and AMPTP reached the tentative contract earlier this week. At that time, AMPTP said “we appreciate the hard work and commitment of our guild partners in achieving a fair deal that helps advance a stable and successful entertainment industry.”

DGA members will have until June 25 at 5 p.m. to vote on the plan. If approved, the contract would go into effect July 1 and run through June 30, 2030.

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June 12, 2026

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The Directors Guild of America’s national

Entertaintment

Complimentary Spins Bonus Code Now at WinAirlines Casino in New Zealand

How to choose best slot games online at all casino site?

If you are a player in New Zealand hunting for a great free spins deal, you’re in luck. casino winairlines reload bonus has a fresh bonus code active right now, and it is designed just for Kiwis. I’ve taken this offer for a spin personally, so I can demonstrate to you exactly how to claim it, where to redeem it, and how to maximize it. This is your ticket to try some outstanding slot games without spending your own money first, all on a site that’s tailored for New Zealand players. Let’s begin and turn those free spins into real fun.

Prepared for Departure? Claim Your Spins Today!

Your free spins are waiting on the tarmac. This WinAirlines Casino bonus is a solid chance for any New Zealand player to try a well-rounded online casino with no initial deposit. The claim process is simple, the games are solid, and the site works smoothly with NZD and local banks. I hope you take this code, sign up, and enjoy the ride. Just remember to check the terms, utilize those responsible gaming options, and focus on having a good time. WinAirlines is prepared for your arrival. Go ahead, claim your spins and discover where they lead you.

Grasping Wagering Requirements

This is the critical bit. Wagering requirements tell you how much you must wager before you can claim any winnings from your bonus. Suppose you win $10 from your free spins and the requirement is 30x. You’d be required to place $300 worth of bets on eligible games before that $10 becomes withdrawable cash. WinAirlines sets out these rules clearly in their terms and conditions, and you should read them. Their requirements are frequently quite fair. Bear in mind that slots usually count 100% toward these requirements, but table games like blackjack might count for less, or not at all. Understanding this helps you play smart and transform bonus cash into real money.

Optimizing Your Bonus: Advanced Tips and Strategies

To squeeze every drop of value from your free spins, plan. Even though you’re playing with bonus money, establish a time limit for yourself. Use your spins to really learn the chosen slot. Pay attention to how often it pays and what triggers its bonus features. When you’re fulfilling the wagering requirements, try placing smaller bets. This prolongs your playtime and provides you with a steadier shot at achieving the target. You can monitor your bonus progress in your account cashier. And always hold the main goal in sight: this is about enjoyment. Any winnings are a fantastic bonus on top of the free fun.

Top Slot Games to Use Your Free Spins On

WinAirlines packs its lobby with games from big-name studios like NetEnt, Pragmatic Play, and Play’n GO. Your free spins will usually be for one particular, popular slot. Lately, that’s often been a fan favourite like “Gonzo’s Quest” for its tumbling wins, or the adventurous “Book of Dead” with its special expanding symbols. The casino chooses games that are not only fun but packed with features, so your free spins could unlock extra rounds or big wins. My advice? Always check the bonus terms to see which game is featured, then have a quick look at its paytable. Knowing how the game works makes playing your spins that much better.

Common Questions (FAQs)

You likely still have a question or two. I’ve compiled the most frequent ones from fellow New Zealand players to sort things out before you begin. This ought to cover the basics and help you avoid any hiccups.

Main Bonus Queries

These are the broad questions about who qualifies for the offer and how it works.

Can I use the free spin bonus code if I am an current player?

This particular code is almost always for newcomers signing up for the inaugural time. But don’t worry if you’re already a member. WinAirlines hosts frequent promotions for its existing customers. The smartest move is to keep an eye on the ‘Promotions’ page on the website or subscribe for their emails. You’ll see deals like free spins, deposit matches, and cashback come through on a regular basis.

Technical and Account Questions

These deal with the practical matters, like what to do if something doesn’t go to plan.

What happens if I forget the offer code during registration?

Mistakes happen. If you forget the promo code, contact WinAirlines customer support immediately using instant chat or e-mail. Provide them with your account username and the right bonus code. If you have not made a deposit yet, they can frequently add the bonus to your membership by hand. They’re usually pretty supportive about it. Still, it’s more seamless to just type in the promo code as you register.

What Makes WinAirlines Casino Stands Out for NZ Players

As someone who tries a lot of online casinos from New Zealand, I see when one handles the local details right. WinAirlines offers more than just accept to Kiwis; it creates its service around what we require. Regarding the money you use to the way you get help, the experience feels tailored. Here are the specifics that establish it as a strong choice for players here.

NZD Transactions:
Local Payment Methods:
Secure Licensing:
Vast Game Library:
Responsive Support:

Safe and Responsible Gaming across New Zealand

Using bonuses is a benefit, but staying in control is what matters. WinAirlines provides tools to help you stay in control, like settings to limit deposits, playtime alerts, or pause. I’d encourage every player to use them. Decide on a spending limit before you log in, and always view gambling as a type of entertainment, not an income stream. Across New Zealand, we have top-notch support through bodies like the Problem Gambling Foundation. They deliver free, confidential help should you ever be concerned about your play. A positive casino experience is a secure one, and WinAirlines backs that goal.

How to Claim Your Free Spins in 4 Easy Steps

Getting your hands on this bonus is a simple process. WinAirlines has made it swift so you can get to the fun part without fuss. Here’s the clear path from visiting the site to spinning the reels on the house.

Head over to the WinAirlines Casino website and hit the ‘Sign Up’ button. You’ll need to fill in the registration form with your accurate details, which is typical for any licensed casino here.
Locate the box called ‘Bonus Code’ during sign-up. Enter the current free spins code here. Take a second to check for any typos so it works properly.
Verify your email address and finish any quick verification checks. This step is about safety and is a good sign of a dependable operator.
After your account is set, the free spins will land in your account. Go to the slots lobby, find the game named in the offer, and your bonus rounds will be ready to go.

What is the WinAirlines Free Spins Bonus Code?

Imagine the WinAirlines free spins bonus code as a unique key. You utilize it when you sign up at the casino or process your first deposit, and it releases a bundle of free spins on specific slot games. For a new player, it’s a great way to get a feel. You get to explore the casino’s games, learn how the site works, and potentially win a bit, all before you wager a dollar of your own. Just be certain you have the latest code from a trustworthy source, as these offers shift often to maintain excitement for the NZ crowd.

June 12, 2026

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If you are a player in New

MCU

Marvel Studios Officially Retcons Major Ant-Man and The Wasp: Quantumania Decision

Three years later, Marvel Studios’ next Disney+ series is retconning a major Kang reveal from Ant-Man and The Wasp: Quantumania, and it changes everything. To this day, Ant-Man and The Wasp: Quantumania goes down as one of the biggest disasters in Marvel Studios’ history. Not only did the Ant-Man threequel reportedly lose money for Disney, but it also firmly placed the MCU on a road that it would quickly decide to swerve off: the road to Kang the Conqueror.

Quantumania left off with a mid-credits stinger that Marvel Studios would quickly come to regret. After introducing two Kang Variants played by Jonathan Majors – Loki‘s He Who Remains and Ant-Man 3‘s Kang the Conqueror – the threequel’s final tease unveiled thousands more with the Council of Kangs, every last one of which carried the actor’s likeness, from Egyptian pharaohs to lizard-like aliens.

Marvel Studios

Marvel Studios couldn’t have timed that commitment any worse, as Majors was arrested that same month for assaulting his ex-girlfriend, Grace Jabbari. That would ultimately lead to the MCU powerhouse actor’s firing later that year, once he was found guilty of misdemeanor assault and harassment by a New York jury.

As the focus with Kang was on his many Variants, not just one, this could have had an easy solution for Marvel Studios. The MCU has made it clear that Variants of the same person can carry different faces, thanks to the three Peters’ team-up in Spider-Man: No Way Home or the many Gods of Mischief in Loki‘s Void.

Unfortunately, Ant-Man and The Wasp: Quantumania solidified that, in a rare exception, all of the Kang Variants look like Jonathan Majors in a bid to definitively brand him as the face of the Multiverse Saga. However, Marvel Studios is retconning that notion, as X-Men ’97 Season 2 will introduce a version of Rama-Tut, an Ancient Egyptian Kang Variant, who isn’t played by Majors.

Unconfirmed reports claimed that Star Trek: The Next Generation actor John de Lancie will voice X-Men ’97 Season 2’s Kang Variant, marking the first person to play a Kang in any medium since Majors’ introduction in 2021.

Rama-Tut in X-Men 97. — Marvel Animation

While Ant-Man 3 implied that every Kang bears Major’s face, there are ways that Marvel Studios could narratively work around that retcon. For instance, perhaps the Council of Kangs is exclusively comprised of those with his appearance, either considering themselves above others or simply existing separately.

Marvel Studios Has Opened the Floodgates to Kang All Over Again

In the midst of that uncertain window between Ant-Man 3 and Majors’ official firing, Marvel Studios faced another obstacle. Disney+ released Loki Season 2 in October 2023, which had to contend with Majors playing a key part as Victor Timely, a 19th-century scientist Variant, while he also reprised He Who Remains.

The sophomore season left off with the TVA acting as a Multiversal watchdog for Kang Variants, including one who “caused a little bit of a ruckus on a 616-adjacent realm,” referring to Ant-Man 3‘s events. That left plenty of Kang-related threads still to continue in Avengers: The Kang Dynasty, but may now be best resolved in a potential Loki Season 3 now that Doctor Doom is in the mix.

In many ways, it would be fitting if Doom were the one to tear down the Council of Kangs, establishing himself as one to be feared while also symbolically claiming the reins to Avengers 5. That would be hard to show on screen without bringing back Majors, but it could still be achieved with dialogue from someone at the TVA about all of He Who Remains’ Variants vanishing at Doom’s hands.

As Marvel Studios is unlikely to ever revive its original plan for Avengers 5, X-Men ’97 Season 2 may be the closest fans will get to The Kang Dynasty, both through Rama-Tut’s inclusion and some similar elements to its rumored storyline.

While the ship has sailed for Kang fronting an Avengers blockbuster, as that honor is reserved for a select few, X-Men ’97 proves that the door may not be completely shut on the character, and he could be seen in other, smaller-scale projects again.

That’s not to say that whoever voices Kang in X-Men ’97 must play any future Kangs, as Marvel Studios would be wise to learn from its mistakes and spread the workload going forward. But for the time being, it would be surprising if Rama-Tut’s debut in the mutant-centric animated series was more than a one-off.

Despite, of course, existing in the same Multiverse as the rest of the MCU, X-Men ’97 has so far been its own thing, avoiding the pitfalls of other projects’ narratives. For many, X-Men ’97‘s standalone nature is one of its biggest strengths, and Marvel Studios would be wise to maintain that for its many seasons to come.

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June 12, 2026

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Paramount and Warner Bros. Discovery logos

DCU

DOJ Approves $111B Paramount-Warner Bros. Merger

In wild news, the massive merger between Paramount and Warner Bros. has been approved by the DOJ without any concessions necessary to gain this regulatory approval. Although it seemed like the Netflix bid to acquire Warner Bros. has been well and truly dead, it comes as a massive shock that no major amendments were required of the proposed (nearly) $111 billion purchase. This merger creates, in essence, a super-powered studio. And while Paramount views the deal as pro-competitive—to those in the entertainment industry, it seems like a massive shifting of power. In sum, this deal allows Paramount to acquire the Warner Bros. movie studio, CNN, HBO, and other Warner Bros. Discovery properties.

Paramount/Warner Bros. Discovery

A Paramount spokesperson shared the following with Deadline about the Warner Bros. acquistion, “We are grateful for the Department of Justice’s thorough review of this transaction, as well as the work of the other agencies that have completed their reviews and provided clearance to date. This deal is pro-competitive, resulting in a stronger company better positioned to compete against dominant technology platforms in an industry increasingly defined by intense competition for audiences, talent, technology, and investment. We remain focused on completing the transaction as soon as possible and delivering its benefits to consumers, creators, and the entertainment industry as a whole.”

The DOJ noted that the merger between Paramount and Warner Bros. “is not likely to result in harm to competition or American consumers, including with respect to: (1) streaming video on demand (“SVOD”); (2) linear television; and (3) studio development, production, or distribution of films for theatrical release.”

Instagram and YouTube to Pay $3 Million in Social Media Addiction Trial

Meanwhile, state attorneys general in California, New York, and other states are considering an antitrust lawsuit, but whether that would be enough to slow or end the deal is unclear.

In all, it’s hard to know what the best options for consumers, the people who matter most to us at Nerdist, might be. But ultimately, the continued consolidation of our networks, studios, and news channels into the hands of only a few remains alarming. We want our media to reflect many voices and perspectives, not be streamlined to the will of just a handful. We’ll see what comes of this union between Paramount and Warner Bros.

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June 12, 2026

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⚡ Quick Take The DOJ has approved the merger

Entertaintment

Slotlair Casino platform – Plek waar Belgische Gokkers Zich Thuis Voelen

Voor Belgische bezoekers gaat een online casino om meer dan alleen spellen. Het dient een plek aanvoelen die onze stijl van spelen snapt, die veilig aanvoelt en waar je makkelijk binnenstapt. Onze ervaringen? Slotlair Casino stelt zich precies zo: een bekende bestemming, aangepast op wat wij nodig hebben. Met lokale betaalmethoden en een toestemming van de Kansspelcommissie zet dit casino zich volledig op gokkers uit Vlaanderen en Wallonië. We bekijken wat dit platform specifiek voor je kan betekenen.

Een Warm Welkom in een Geborgen Omgeving

De website van Slotlair Casino is direct in het Nederlands beschikbaar. Dat komt logisch. Het ontwerp is helder en je treft zonder moeite de spellen, promoties en klantenservice. Er zijn geen schreeuwerige thema’s; het geheel straalt een moderne, Europese sfeer. Die bekende interface is een weloverwogen keuze. Je kunt meteen beginnen met spelen, in plaats van eerst te moeten navigeren. Dat is juist wat ‘je thuis voelen’ betekent: direct vertrouwd zijn en geen hindernissen tegenkomen.

De aandacht voor details gaat dieper. In promoties zie je soms een toespeling naar lokale feestdagen of gebeurtenissen. Het kleurgebruik is kalm en agressieve pop-ups verschijnen niet. De site laadt snel, ook op je telefoon, wat duidt op een degelijke technische basis. Deze gebruikersvriendelijkheid is geen geluk, maar een duidelijk plan. Het maakt de site perfect voor doorgewinterde spelers en voor nieuwkomers die net hun eerste kennismaking zetten in een online casino.

Transacties op Zijn Belgisch: Snel en Bekend

Het hoort makkelijk te zijn. Voldoen met de methodes die je elke dag gebruikt, zoals. Slotlair Casino snapt dat. Stortingen en opnames regel je eenvoudig via Bancontact, de Belgische standaard. Ook PayPal, Visa, Mastercard en bankoverschrijvingen zijn beschikbaar. Stortingen worden veelal direct verwerkt. Voor opnames toepast het casino termijnen van 1 tot 3 werkdagen, wat gangbaar is in de sector. Alle transacties geschieden in euro’s, zodat je geen kosten voor wisselkoersen kwijt bent. Deze regionale aanpak voor betaalgemak bewijst dat de speler centraal staat.

We beoordeelden de opnamevoorwaarden. Het casino verzoekt om verificatie voor je eerste uitbetaling, een gebruikelijke veiligheidsstap. Na goedkeuring wordt je geld in de regel binnen enkele werkdagen overgemaakt naar je Bancontact of bankrekening. De minimumopnamedrempel is billijk. Een waardevolle tip: gebruik waar mogelijk dezelfde methode voor opname als voor storting. Deze betrouwbare en transparante geldstromen besparen een hoop frustratie. Het signaal is helder: het casino heeft zijn financiële zaken op orde en laat spelers niet langer wachten op hun winsten dan vereist is.

Mobiele Ervaring: Spelen Onderweg

Een casino van deze moderne tijd past in je broekzak. Slotlair functioneert uitstekend met een website die flexibel meegaat met elk scherm, of het betreft een smartphone of tablet. U hoeft geen app te downloaden, wat ruimte bespaart en gedoe met updates voorkomt. Alle functies van de desktop site functioneren: gokken, geld storten, opnemen en contact met support. De touch-interface is aangepast, met duidelijke knoppen en een menu dat je eenvoudig met uw duim bedient. De spellen draaien vloeiend, dankzij de HTML5-technologie die de meeste moderne slots gebruiken.

We beoordeelden de mobiele ervaring op verschillende toestellen en netwerken. Zelfs bij een matige 4G-verbinding startten de spellen en live dealer streams betrouwbaar, soms wel met een wat lagere beeldkwaliteit. De optie om te loggen via vingerafdruk of gezichtsherkenning op je toestel geeft extra gemak en veiligheid toe. Deze uitgebreide mobiele toegang betekent dat je uw favoriete spel kunt spelen als je wacht, onderweg met de trein of op de bank zit. Het casino is niet aan een vaste plek gebonden, maar wordt een soepel onderdeel van je vrije tijd.

Acties die de Beleving Verbeteren

Nieuwe spelers ontvangen bij Slotlair Casino een startbonus, vaak gespreid over de begin paar deposito’s. Zo kun je je het assortiment uitgebreid leren kennen. Vaste spelers profiteren van een loyaliteitsprogramma of wekelijks terugkerende aanbiedingen, zoals free spins of stortingsbonussen. Lees altijd de bepalingen van een bonus. Die zijn overzichtelijk vermeld en omvatten kritieke informatie zoals speelvereisten, geldigheidsperiode en welke spellen meedoen. De acties lijken niet als vallen aan. Het zijn echte extra’s om het gameplezier te verlengen, mits je doorhebt hoe ze functioneren.

Het trouwprogramma is het ontdekken waard. Gewoonlijk scoor je punten of ga je in rangen hoe meer je meer gokt. Een verhoogde status kan leiden tot een eigen accountmanager, vlottere opnames, unieke bonussen of cadeaubonnen. Zo wordt langdurige participatie op een betekenisvolle manier erkend. Ook zie je vaak een ‘Game van de Week’ actie, waarbij een bepaalde slot extra free spins verschaft. Dat zijn goede mogelijkheden om een vers spel uit te proberen. Onthoud voor ogen dat bonussen hoofdzakelijk beginbudget voor plezier zijn, geen toegangsbewijs naar verzekerde winst.

Beveiliging en Licenties: Onze Zorgeloosheid prioritair

Vlamingen wensen weten dat ze in een juist geregelde omgeving deelnemen. Slotlair Casino heeft een vergunning van de Belgische Kansspelcommissie. Dat is het fundament. Deze erkenning verzekert dat het casino beantwoordt aan harde voorschriften voor spelerbeveiliging, rechtvaardig spelverloop en verantwoord gokken. Onafhankelijke organisaties beoordelen de spellen op toeval. Eigen en geldelijke informatie worden beveiligd met SSL-encryptie. Voor spelers biedt dat gemoedsrust op. Je mag deelnemen in de wetenschap dat je binnen een wettig en veilig raamwerk handelt dat je aanspraken respecteert.

De effecten van deze erkenning zijn feitelijk zichtbaar. De noodzakelijke identiteitsverificatie wordt zorgvuldig, maar zonder tijdverlies behandeld. Het casino monitort gokgedrag en meldt zich bij signalen van riskant gedrag. Alle betalingen worden geregistreerd en geverifieerd, wat fraude lastig veroorzaakt. Deze transparante omgeving onderscheidt zich nadrukkelijk van ongereguleerde casino’s. Het is een boodschap: gokken is hier een gereguleerde vorm van vermaak, geen grijze zone. Die verantwoordelijkheid delen het casino en de speler.

Een Spelbibliotheek Vol Bekende en Nieuwe Favorieten

De spellen betekenen het hart van een casino. Slotlair biedt een aanbod dat aansluit bij wat Belgen graag spelen. Je treft er een mix van klassieke fruitautomaten, moderne video slots met uitgebreide bonussen, en een ruim assortiment tafelspellen. Samenwerkingen met ontwikkelaars als NetEnt, Play’n GO en Pragmatic Play waarborgen voor kwaliteit en eerlijk spel. Opvallend zijn de de populaire ‘Megaways’ slots en een live casino met echte dealers. Dankzij goede filters en zoekfuncties ontdek je snel een oude favoriet of een nieuw spel om te proberen. Het aanbod wordt regelmatig vernieuwd, dus er is altijd iets fris om te ontdekken.

De live casino-sectie is een belangrijke kant. Professionele dealers begeleiden er niet alleen klassiekers zoals blackjack en roulette, maar ook variaties en game shows als Monopoly Live. De streamkwaliteit is goed en de interactie verloopt vlot, wat dicht in de buurt komt van de sfeer in een echt casino. Voor liefhebbers van slots is er een diepe collectie, van spellen met frequente kleine uitbetalingen tot slots met de potentie voor een grote winst. Deze breedte garandeert ervoor dat elke type speler, van voorzichtig tot risiconemend, iets naar zijn zin krijgt.

Hulp wanneer je die nodig hebt

Uitstekende hulp is het veiligheidsnet van een online casino. Slotlair verleent ondersteuning via live chat, e-mail en een uitgebreide FAQ. Tijdens onze tests reageerde de live chat snel en hulpvaardig, met medewerkers die vragen in het Nederlands beantwoorden. De FAQ behandelt veelgestelde vragen over accounts, betalingen en bonussen uitgebreid, zodat je vaak zelf direct een antwoord vindt. Dat je op meerdere manieren, in je eigen taal, hulp kunt krijgen, verhoogt het gevoel van betrouwbaarheid. Het toont aan dat het casino achter zijn spelers staat en klaar is om te helpen bij vragen of kleine problemen.

De beschikbaarheid van de service telt. We stelden buiten de drukste uren een vraag en kregen toch binnen enkele minuten antwoord via de chat. Voor complexere zaken, zoals documentcontrole, is e-mail de aangewezen weg. Daar wordt meestal binnen een dag geantwoord. We waarderen de proactieve houding. Bij technische problemen met een spel of betalingsmethode plaatst het casino vaak een duidelijk bericht in de nieuwsfeed of op de inlogpagina. Deze open communicatie verhindert onnodig contact en toont respect voor de tijd van de speler. Het is een service die niet alleen reageert, maar ook vooruitkijkt.

Verantwoordelijk Spelen: Een Gezamenlijke Verplichting

Slotlair Casino heeft verantwoord gokken nauw, zoals de licentie van de Kansspelcommissie voorschrijft. Op de website vind je uitgebreide tools en informatie. Je kunt persoonlijk limieten aanpassen voor stortingen, verlies of speeltijd. Er is een optie voor een tijdelijk time-out of een complete zelfuitsluiting via het EPIS-systeem. Duidelijke links naar de Kansspelcommissie en hulplijnen zijn te vinden. Dit toont aan dat een veilige en gezonde spelomgeving belangrijk is. Ons advies: gebruik deze tools. Erken spelen altijd als tijdverdrijf, nooit als een methode om inkomen te verkrijgen.

De tools zijn gebruiksvriendelijk. Limieten wijzig je direct in je accountinstellingen, met een begrijpelijke uitleg over aanwezige wachttijden. Het time-out mechanisme geeft aanpasbare opties, van 24 uur tot een paar weken, om even tot rust te komen. De meest vergaande maatregel, zelfuitsluiting via EPIS, is een nationaal register. Het beperkt je toegang tot alle erkende casino’s in België. Door deze middelen duidelijk en eenvoudig aan te bieden, zorgt het casino het bespreekbaar om grenzen te aangeven. Het maakt verantwoordelijkheid tot een standaard, niet-veroordelend aspect van de spelervaring. Dat beschouwen we een gunstige zaak.

Onze evaluatie mondt uit in een eenduidige conclusie. Slotlair Casino is een sterke en geloofwaardige thuisbasis voor de Belgische speler. De kracht ligt in de combinatie tussen een paar cruciale elementen: een solide licentie van de Kansspelcommissie, handige lokale betalingen, een compleet Nederlandstalige omgeving en een rijk, actueel spelaanbod. Het platform gaat niet voor overdaad, maar gaat consistent voor praktisch gemak, transparantie en beveiliging van de speler. Wie zoekt naar een gereguleerde, vertrouwde en plezierige speelervaring die aansluit bij onze gewoontes, vindt in Slotlair een sterk adres.

June 12, 2026

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Voor Belgische bezoekers gaat een online casino

Comics

GameStop’s Rewards Program May Be Losing Its Best Feature – Report

Earlier this month, GameStop disclosed that it achieved the highest profit in the company’s history during the first quarter of its latest fiscal year. Now, GameStop appears to be taking further steps to cut costs by reportedly making significant changes to its Pro Membership rewards program.

According to Kotaku, new GameStop Pro members will no longer be able to earn Pro Points starting on July 15. Current Pro members are only getting a temporary reprieve until August 15. On that date, members will stop accruing Pro Points.

Prior to these changes, GameStop Pro members could earn roughly 2% of their total purchases in points, which they could redeem for games or other merchandise at a later date.

On Reddit, some GameStop employees are calling out the decision to take away the Pro Points and suggesting that they should collectively stop trying to upsell Pro Membership to customers. Their apparent disdain for this decision probably won’t deter GameStop from going ahead with these changes.

GameStop CEO Ryan Cohen has been in the news recently because of his intention to buy eBay even though his company lacks the resources or the full financial backing to purchase the online auction house. In response to Cohen’s plans, eBay rejected his overture and described it as neither “credible nor attractive.” Cohen could still attempt a hostile takeover by appealing directly to eBay stockholders, but he has yet to do so.

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June 12, 2026

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Earlier this month, GameStop disclosed that it

Festivals

DGA Board Approves 4-Year AMPTP Deal

The Directors Guild of America is one step closer to sealing the deal on a new four-year contract with the major film and television studios after union’s National Board of Directors unanimously voted to recommend ratification to the membership this week.

The contract now goes to the full membership for approval. That vote is expected to take place before the end of June, as the guild’s current contract expires on June 30.

Along with that announcement, DGA President Christopher Nolan revealed more details about the tentative agreement with the Alliance of Motion Picture and Television Producers in a memo to members on Friday.

“We entered this negotiation with three main priorities: secure our Health Plan, protect jobs, and ensure that our members remain secure as AI continues to impact our industry. We succeeded in these areas and gained in many others,” Nolan’s letter reads, with the prolific director adding that he believes the agreement has “both appropriate and necessary to provide stability and potential for growth at a moment when the industry has been experiencing contraction.”

That, as expected, includes changes to the guild’s health and pension plans to address the negative effects of both rising healthcare costs and Hollywood unemployment rates. Much like the WGA and SAG-AFTRA, the directors secured increases in employer contributions to the health plan as well as higher contribution caps to bolster the fund. The DGA also negotiated wages and residual increases that are similar to its sister unions.

However, there are multiple major differences to the DGA’s contract, particularly in addressing threats to employment, including artificial intelligence. The new bargaining agreement confirms “directorial authority” over footage generated by artificial intelligence to establish that it should be “treated like footage created with a camera or any other technology, and therefore remains under the Director’s control”.

Also, in addition to licensing and transparency provisions similar to those in the writers’ and actors’ contracts, the directors’ agreement also establishes an employer-funded “skills enhancement program” to teach interested members how to integrate evolving tech into their workflows.

One of the more interesting ways that the DGA sought to protect jobs for career directors was by establishing guidelines with the studios for hiring multi-hyphenates for a single project. The guild did not go into detail on how this new provision will work, but the letter to members explains that it seeks to limit “the number of episodes that can be directed by those who have no track record in directing and are already employed in other capacities on a scripted series.”

The intention, DGA sources tell Deadline, is not to shut out multi-hyphenates who have a serious desire to direct. Rather, it’s to ensure that career directors who are not multi-hyphenates still have a healthy pool of opportunity. We understand this was a particularly tough deal point to get over the finish line, but a provision of this sort was high priority for the guild during this cycle.

While the DGA can’t directly negotiate any sort of federal tax incentive, it did try to ensure that the studios have some skin in that game as well. Per the guild, the new contract includes a sideletter in which the studios commit to involving senior executives in the lobbying efforts for a federal production tax incentive. The AMPTP also agreed to issue a bulletin “explicitly prohibiting” studios and agents from excluding DGA members from directing opportunities outside the U.S. and Canada.

DGA sources say this had increasingly become an issue in recent years as more productions from U.S.-based companies moved abroad, which the guild argues violates federal labor law.

Among a host of other deal points, the new contract also establishes a new “Pilot Directed by” credit, which will appear as a separate card on every single episode of a television series.

“Our fight is far from over,” Nolan concluded in his memo on Friday. “Through continued advocacy, lobbying, organizing, and vigorous enforcement of our contracts, we will continue – as we have for 90 years – to advance our priorities, including in international jurisdiction, job protection, AI, benefits, and the long-term strength of our profession and our craft.”

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June 12, 2026

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Quick and Straightforward Registration Procedure at Wonaco Casino in Australia

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Australian players searching for a great online casino will find Wonaco gets them started fast wonacocasinoo.eu. The casino understands you want to play, not spend ages filling out forms. They’ve designed signing up swift and simple, so whether you’re in Sydney or Perth, you can be good to go in just a couple of minutes. This focus on a smooth start shows how the casino considers its players. The clear layout and simple instructions are all about your ease. Signing up is your ticket to a vast selection of pokies, live dealer games, and welcome bonuses designed for Australians.

Why Joining Wonaco Casino is Effortless

Wonaco Casino designed its sign-up to be free of hassle. The path from the homepage to your first deposit is made for speed and clarity. Some sites demand endless details right away, but Wonaco only wants the basics needed for security and checking who you are. They won’t waste your time. The form appears clean and operates smoothly on your computer or your phone, so signing up at home or away from home is just as simple. This focus for a good start doesn’t end with the form. Once you’re in, the site smoothly leads you toward your welcome bonus and the most popular games with helpful hints. This means even if you’ve never joined an online casino before, you’ll feel confident and ready to play.

Main Features of the Sign-Up Flow

Wonaco’s efficient registration comes from a few smart features working together. A bright “Sign Up” button is placed in clear view on every page, so you never wonder where to click. The form groups information logically and validates it as you type. If you mistype a digit in your phone number, it alerts you right then. This heads off the annoyance of having to fix errors later. The whole process is secured by encryption, so your personal details are safe from that very first click. This mix of clear design, smart help, and strong security creates a sign-up that is straightforward and trustworthy. It establishes the right tone for everything that comes next at Wonaco Casino.

The Mobile Advantage

If you like to play on your phone or tablet, Wonaco’s registration performs even better. The form is optimized for smaller screens. Buttons are big and easy to tap, and typing into the fields with a touch keyboard is simple. You don’t need to pinch the screen to zoom or scroll sideways, which is a common headache on other sites. This mobile-friendly thinking means signing up on an iPhone during a Melbourne train ride is just as fast as on a laptop in Brisbane. It demonstrates Wonaco knows how people play games today. Convenience and speed are key, and you shouldn’t have to wait until you’re at a desk to begin.

Making Your Opening Payment After Sign-Up

With registration and confirmation done, the ultimate step to commence gaming for actual cash at Wonaco Casino is your opening transaction. The casino offers you a variety of transaction ways Australians know and trust, making the experience habitual and easy. You can usually choose from alternatives like credit and debit cards (Visa and Mastercard), bank transfers, and popular digital wallets such as Neosurf, MiFinity, and MuchBetter. The payment section is simple to locate in the cashier section of your account. It walks you through the easy steps: pick your favorite way, input the value you want to deposit (noting any lowest sums), and adhere to the exact instructions for that payment method.

The highlight of this initial deposit is often unlocking the Welcome Bonus. Wonaco Casino usually structures its welcome deal to match a share of your opening transaction with supplementary bonus credits. You need to review the bonus agreement. Carefully note any bonus code you need to enter during the deposit to ensure you get the offer. Deposits at Wonaco are handled quickly. E-wallet transactions are often immediate, and different ways are typically rapid. This means your money, and any bonus funds, are available to use nearly instantly. This effortless move from funding to betting is the final stage of getting started quickly.

Complete Guide to Setting Up Your Account

Creating your Wonaco Casino account is a clear path of four steps. You can get through it in less than three minutes. Begin by clicking the visible “Join Now” or “Sign Up” button. You’ll always find it in the upper-right corner of the website. Clicking it opens a neat registration box directly on top of the homepage. You remain looking at the engaging games, which keeps you in the mood to play. Next, you’ll see a basic form asking for necessary details. You need your email address, a safe password you choose, your country (Australia is already chosen), and your currency (AUD). Use a genuine email address you monitor often. This is crucial for verifying your account and obtaining messages from the casino.

The third step asks for personal information for identity checks. This is a routine and essential safety step for any licensed casino. It includes your full legal name, your date of birth to verify you’re old enough to gamble, and your home address. Being accurate here is critical. It makes future deposits, withdrawals, and redeeming bonuses go smoothly. Finally, you might be able to choose some preferences. This can include signing up for promotional emails and bonus offers. It’s a great way to learn about new pokies and special deals. After you go through the Terms and Conditions and verify you are over 18, click the final submit button. Your account is created right away, and you can start exploring the game lobby.

Resolving Common Registration Hiccups

Wonaco Casino’s registration is built to be easy, but minor problems can at times occur. The most common issue is entering your email address with an error or setting a password that doesn’t meet the password requirements, like being too short. The form’s real-time checking typically catches these, but it’s advisable to review before you hit submit. If your profile doesn’t get created, try the “Forgot Password” link with your email to see if an account already exists. Another common issue is choosing the wrong nation or monetary unit. Australian players must choose Australia and AUD. Selecting a different location can restrict bonuses or result in problems with payments.

You might occasionally see a alert saying your email address or username is already in use. This usually means you’ve registered earlier, maybe without recalling. In that case, utilizing the password reset option is your best choice. For any technical issues, like the sign-up page not responding or buttons not responding, clearing your browser’s cache and cookies or using a different web browser (like Chrome, Firefox, or Safari) frequently fixes it. If you’re still having issues, Wonaco’s customer support team is available through instant chat or email even before you create an account. They’re there to help new users get past any obstacle so you can begin playing.

Adjusting Your Player Profile & Preferences

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When your Wonaco Casino account is live, taking some time adjusting your player profile helps your visit more pleasant. In your account dashboard, head to the preferences section to tweak the platform to your liking. In this section, you can often set deposit restrictions. It’s a responsible gambling mechanism that lets you regulate how much you wager each day, weekly, or monthly. It’s a feature every player should consider enabling. You can also set notifications for how long you’ve been playing a session. This is also where you decide what notifications you want to get. You can choose to sign up for news, offers for new pokies, or bonus alerts by email or phone message.

Adjusting these options early gives you control of your casino session. You can in some cases choose game options too, such as hiding certain game types or marking your preferred games. This makes exploring the large game library even easier. Adding a alias or picking an avatar gives a personal touch to your account. This is fun if you take part in live dealer tables or competitions. Doing these things doesn’t simply customise your time at Wonaco Casino. It also demonstrates the platform is serious about providing every Australian player a protected, personalized, and fun environment to play.

Information You’ll Need to Provide

To keep gaming safe and obey the regulations, Wonaco Casino requires a few crucial pieces of information when you sign up. The most critical item is a functional email address that only you use. This becomes your main login and how the casino delivers to you official communications, like confirmation of bonuses and withdrawal news. Additionally, you will make a secure password. Using a mix of letters, numbers, and symbols is a wise move for keeping your account protected. Essential personal information comprise your full legal name, your current Australian home address, and your date of birth. The casino needs this to validate your age and meet Australian regulations.

You also have to provide an Australian mobile phone contact. This adds another protective layer to your account and may be used for 2FA. You might not need it during the primary sign-up, but it’s good to have your financial details or chosen e-wallet information ready for your initial deposit. All this information are gathered over safe, encrypted connections. Wonaco Casino follows strict privacy rules to secure your private information. Giving the correct details from the outset allows you to avoid delays later, particularly when you want to cash out your winnings or take a bonus offer.

Confirming Your Account for Total Access

Account verification, also known as Know Your Customer (KYC), is the last important step to unlock everything in your Wonaco Casino account. This isn’t just a Wonaco rule. It’s a common requirement for licensed Australian casinos to prevent fraud and underage gambling. Right after you register, you should confirm your email. Just follow the link the casino sends to your inbox. This easy step activates your account and is usually enough to commence playing games and making deposits. But if you want to withdraw money out, you’ll normally need to complete a more detailed identity check.

This means providing clear, colour photos or scans of a several documents. You need a photo ID, like an Australian driver’s licence or passport, to confirm who you are and your age. To prove you live where you say you do, a recent utility bill for electricity or internet, or a bank statement with your name and address, will work. Make sure the documents are current, easy to read, and show all four corners. Wonaco’s security team typically processes these checks quickly. Once you get the approval, your account is fully open. This enables easy deposits and, more importantly, fast and straightforward withdrawals. A good tip is to do verification early, so nothing disrupts your gaming later.

Standard Verification Documents

The paperwork Wonaco Casino’s verification team requires are standard. Most Australian residents can supply them easily. For confirming your identity, a clear picture of the front of your Australian driver’s licence, learner permit, or the photo page of your passport does the job. These documents are useful because they show your photo, name, date of birth, and often your signature all in one place. For address verification, documents from the last three months are best. A utility bill for water, gas, or power, an official bank or credit card statement, or a council rates notice are all fine. The document must come from a recognised company and clearly display your full name and the address you used to register.

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Sometimes, if you use a particular payment method, the casino could require a little more verification. For example, if you deposit with a credit card, they could require a picture of the card’s front with the middle numbers and CVV security code hidden. You complete the whole verification process through a safe portal on the Wonaco site. The site instructs you on what’s needed, and support can help if a document isn’t clear or gets rejected. Sending clear, valid documents on your first try is the best way to get approved fast and resume the games.

What awaits you Once You Register

The second your enrollment is processed, the whole range of Wonaco Casino’s Australian offering opens up to you. Immediate access is granted to a huge and lively games lobby. It’s filled with countless of the newest and most played pokies from renowned developers like Pragmatic Play, Evolution, and Big Time Gaming. Games are grouped into clear sections. You can check out Megaways slots, classic one-armed bandits, progressive jackpot games with massive rewards, and video slots with great graphics. In addition to pokies, there is a full live casino area. Live dealers run games such as blackjack, roulette, and baccarat in real time. It delivers the authentic casino experience directly to your screen.

Your new account also grants access to the Wonaco Casino promotions page. The Welcome Bonus is merely the first of many rewards. Regular players can expect a changing schedule of additional deposit bonuses, complimentary spin deals on new slot games, cashback deals, and exciting tournaments with prize pools. The loyalty program rewards your play. You collect points exchangeable for bonus funds, and you can climb through tiers that give you better perks. After signing up, you are now a member of a lively online casino community designed for Australian players. Every time you log in, you’ll find entertainment, winning opportunities, and a gaming experience crafted for enjoyment and ease.

June 12, 2026

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Australian players searching for a great online

Blue Film’s Kieron Moore on Movie’s Kink and Taboo Subjects

SPOILER ALERT: This story contains significant details about “Blue Film,” now available on VOD.

Kieron Moore hopes that people don’t know much about “Blue Film” before they watch the movie.

“I think it’s really good to go in as blind as you can,” the actor tells me. “That’s getting harder to do but I think we found an intelligent audience that has gate kept as much information as possible. Even when I saw it for the first time, I was like, ‘Whoa!’ I forgot what it was going to feel like.”

In other words, if you plan on watching the movie, you may want to stop reading this article now and bookmark it for later.

Moore stars as Aaron Eagle, a gay cam boy who discovers that the man who has hired him for an in-person session is Hank Grant (Reed Birney), a teacher from his childhood teacher who went to prison for sexual misconduct with one of his underage students.

What unfolds is a two-hander that is an uncomfortable, and at times utterly disturbing, look at sexual kinks and taboos.

Moore, best known for his work as a homophobic recruit in Netflix’s critically acclaimed “Boots,” was given the script for “Blue Film” by his manager. While many managers would likely urge their clients to not even consider a queer movie about pedophilia, Moore’s thought he was perfect for the part. “I had no idea what it was about, but then the script was a real page turner for me. I was like, ‘Whoa, whoa, whoa, whoa,’” Moore says. “Then I read it three times straight off. I was like, ‘This can’t be even real.’ I immediately sort of fell in love with the idea of playing him.”

A Zoom with Moore, Birney and the film’s writer-director Elliot Tuttle came next. “We had a really nice read and Reed and I were sobbing in one of the scenes,” Moore recalls. “Reed sent me this beautiful text, and then two weeks later I was in L.A. making the movie.”

He didn’t have too much time to prepare, but Moore talked to content creator friends who helped answer some of his questions. “It sort of broke down the walls for me in regards to my own sort of shame, of my of taboos. Our own exploits and endeavors are completely human, normal,” Moore says. “I think I learned that no kink is too unordinary. I think a lot of terms that are in the movie I’ve been around. I’ve been very lucky to be enveloped in queer spaces and around friends that are super sex-positive so that was never really much of a shock to me.”

He continues, “One of my friends watching the movie said, ‘How much better would the world be if we were all a bit more honest about these little parts of ourselves, the kink or shame or whatever, because we all would feel a little bit less weird and alienated. That’s what I think was my biggest takeaway.”

Despite his very convincing performance – especially the movie’s opening scene that shows his work as a cam boy – Moore says it didn’t come naturally. “I love having my clothes on. I’m a bit of a granddad,” he says, laughing. “So there was something quite liberating in that…and then once I got going, I was like, ‘If I could take 5% of that confidence with me, it’s so empowering.’ I felt really in my body, which was really beautiful. Hopefully I’ll carry that on to all the roles.”

It wouldn’t be me if I didn’t ask Moore about Netflix’s surprise cancellation of “Boots” after just one season. While many have speculated it wasn’t picked up due to political pressure from the Trump administration, the streamer’s chief Ted Sarandos told me in February that was “absolutely not” true.

“It’s an answer above my pay grade in it, but I think it would be hard to defend that it wasn’t a thought when it comes to decision making,” Moore said. “The show was really successful, and that’s all we know.”

“Blue Film” is now available to rent and buy on digital platforms.

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June 12, 2026

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SPOILER ALERT: This story contains significant details

What to Watch

Is ‘The Dilemma’ on Netflix UK? Where to Watch the Movie

Great news! “The Dilemma” is available to watch on Netflix UK!

Date Added: 12th June 2026

Known expiry dates are shown above as well as on the Last Chance page.

Want to keep forever? Try looking for ‘The Dilemma’ on Amazon (paid link)

History:

16/08/2019: Added to Netflix

16/02/2020: Removed from Netflix

12/06/2026: Streaming Again

Synopsis:

Friends and business partners Ronny and Nick are about to land a fantastic deal — then Ronny learns that Nick’s wife may be having an affair.

Age Ratings

Certificate: Suitable for ages 12 and up

BBFC Insight: Contains one use of strong language, moderate sex and sex references

Reasons: See BBFC website

Release Details

Year: 2011

Duration: 1hr 51m

Cast and Crew

Director: Ron Howard

Cast: Vince Vaughn, Kevin James, Jennifer Connelly, Winona Ryder, Channing Tatum, Amy Morton, Queen Latifah

Production & Box Office Details:

“The Dilemma” was produced by Wild West Picture Show Productions, Imagine Entertainment, Universal Pictures, Spyglass Entertainment and Brian Grazer Productions with a budget of $70m. With it’s initial release on January 13th 2011 it made approximately $67.11m at the Box Office.

Watch the trailer for “The Dilemma”

RATINGS:

IMDB rating 5.3/10

Metacritic Metacritic rating 46/100

Rotten Tomatoes Rotten Tomatoes rating 24%

The Movie Database rating 53.36%

Average Rating Average rating 44.09%

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Want to keep forever? Why not rent or buy ‘The Dilemma’ from one of the online services below?

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June 12, 2026

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John Fogerty performs onstage during the 2026 Songwriters Hall Of Fame Induction Ceremony at The New York Marriott Marquis on June 11, 2026 in New York City.

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John Fogerty Reveals Biopic in the Works, Says Script Being Written

John Fogerty is next in line for a biopic.

While attending the 55th annual Songwriters Hall of Fame on Thursday night in New York City, Fogerty spoke with The Hollywood Reporter, exclusively sharing an update on the project.

“I’m really excited about it. That’s such an honor, to get a movie made about you,” he said. “I’m thrilled and happy that this is finally going to come out. I think they’re working on it. That’s about all I can say.”

Music biopics have long been popular in Hollywood, but the genre has surged over the past decade. Audiences have seen some of music’s biggest figures portrayed onscreen, including Rami Malek as Freddie Mercury in Bohemian Rhapsody, Austin Butler as Elvis Presley in Elvis, Naomi Ackie as Whitney Houston in Whitney Houston: I Wanna Dance With Somebody, Jennifer Hudson as Aretha Franklin in Respect, Timothée Chalamet as Bob Dylan in A Complete Unknown and most recently, Jaafar Jackson as his uncle Michael Jackson in Michael.

When asked who he’d want to play him in a film about the “Centerfield” singer’s life, Fogerty quipped, “I don’t even know,” before adding, “I used to joke, ‘Oh, Brad Pitt!’

“Years ago, probably in the middle of all the dark times, I would tell people, ‘Someday they’re going to make a movie about me, but I’ll be too old to play myself.’ It’s kind of like Dorothy in The Wizard of Oz singing about someday.”

“Whoever they find that makes it work, I’ll be happy with,” he continued.

The 81-year-old added that the film’s team has “been down the road” on casting, but “I don’t think I’m allowed to say much more.” Fogerty also told THR that the script is currently being written.

On Thursday night, Fogerty was at the Songwriters Hall of Fame to accept the Johnny Mercer Award, the organization’s highest honor.

“I’m kind of overwhelmed about the whole thing,” he told THR. “You write music, write songs because you have to. I mean, you’re just compelled to do it. And the fact that Johnny Mercer has his name on it — he’s one of my favorites, a really, really great songwriter. So I have kind of a reverence about the whole thing. I’m not sure I quite understand it all, but it feels pretty good.”

As for who he was most looking forward to seeing, Fogerty gushed about being a Swiftie. The two share a connection through their battles to gain ownership of their music. Fogerty has previously spoken about being inspired by Taylor Swift’s successful re-recording strategy as he sought to reclaim control of his own catalog.

“I’d love to talk to Taylor Swift for a minute or two. I know she’s the biggest artist in the world. I think she’s probably kind of busy, but we’ve got a bit of history. Me and my family, especially my daughter Lyndsay, have been Swift fans since she was about 7,” he said.

“We listened to her every day driving to school and driving back,” he added. “Every time a record came out, we’d wait patiently, put it in the CD player in the car and talk about it.”

As it turns out, he accomplished his mission. See Fogerty and Swift, below.

John Fogerty and Taylor Swift at the 2026 Songwriters Hall of Fame Induction Ceremony.

L. Busacca/Getty Images

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June 12, 2026

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John Fogerty is next in line for

Music

L’Rain: “soulless cycle” Track Review

Taja Cheek has never shied away from the darkest corners of her mind. As L’Rain, she has long heeded her mother’s challenge to “make a way out of no way” by harnessing the full force of her emotions. In feeling out her most guilt-ridden, bloodthirsty thoughts, the multi-instrumentalist conjures unwieldy shapes and arrives at a clear-eyed perspective on the other side of turmoil. “soulless cycle,” the lead single from the forthcoming fata morgana, unravels a mental thread that comes perilously close to spiraling out completely. There’s no way to rationally unpack the circular logic of thoughts like, “I am so tired of being so tired/I’m so sorry for feeling so sorry,” so the artist pummels into them instead. As Cheek calmly recites her lyrics like negative affirmations, bending the title’s “cycle” until it sounds more like “psycho,” the music rages and recedes. It’s the heaviest track she’s ever released, leaving her voice just audible amid a crush of pulverizing drums and redlining guitars: a wall of sound that’s constantly assembling and collapsing. But as the noise clears and the song trails off into a fugue of hazy synths, it hints that L’Rain is once again on the cusp of a revelation.

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June 12, 2026

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Taja Cheek has never shied away from

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Industry Professionals Rate Goldex Casino for Canadian Players

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Canadian players encounter a saturated field when selecting an online casino https://goldexxcasino.com/en-ca/. To aid simplify the choice, we called in a group of seasoned gaming professionals to take Goldex Casino through a thorough checkup. Our panel examined everything, reviewing licenses, game variety, payment options, and customer service with a keen eye for what Canadians actually want. Their task was clear: figure out if Goldex Casino measures up as a premium choice for players from all over Canada. The full assessment is finished, and we’re ready to share an professional look at how this platform functions in Canada’s evolving online gambling market.

Our Expert Panel and Review Method

We gathered a diverse group of specialists to obtain a comprehensive and thorough review. Their collective experience in online gaming extends over decades. The team features a former compliance officer who understands Canadian provincial rules thoroughly, a veteran game reviewer with ties to major software studios, a payments security expert, a customer experience researcher, and a marketing strategist who gets the Canadian player’s mindset. Each expert specialized in specific areas, scoring them with a scoring system that places safety, game quality, and user experience front and center. View this as a formal inspection, not a casual glance. It’s designed to provide a dependable, professional judgment on Goldex Casino’s overall operation and appeal.

Mobile Gaming Efficiency and Application Review

As more users play on smartphones, mobile performance is vital. Our UX researcher examined Goldex Casino extensively on iOS and Android phones, testing both the dedicated app and the browser version. The operation was steady and trustworthy on all systems. The mobile layout is easy to navigate, making it straightforward to find games, control your bankroll, or contact support. Games loaded swiftly and ran without hiccups, with no drop in graphics quality even for complex live dealer games. Canadian players can expect a complete casino experience on their smartphone, whether they want a few spins on the go or a longer session at home.

Welcome Bonus and Promotional Value

Our marketing expert scrutinized Goldex Casino’s deals, beginning with the introductory bonus for fresh registrants from Canada. The offer typically includes a substantial matching bonus on your initial deposit plus a set of free spins. This boosts your initial balance and extends your playing time. Just as vital, the betting requirements are clear and achievable, and they are disclosed openly in the T&Cs. The benefits persist after joining through a VIP club that gives loyal members rebates, reload bonuses, and tailored promotions. This framework demonstrates Goldex is interested in keeping players happy over the long haul, not just creating an initial impact.

Support Services and Performance Review

The level of a casino’s help desk becomes obvious when you encounter a question or problem. Our support evaluator contacted Goldex’s support through multiple channels with various queries. The 24/7 live chat proved to be the most effective, with wait times typically under a minute. The agents were well-informed, polite, and handled issues effectively. Email support also delivered complete answers, typically within a few hours. The website’s FAQ section addresses a broad range of frequent questions before you need to ask. For Canadian players, having support available in both English and French is a notable benefit, providing clear communication and more attentive service.

Studio Partners and Title Assessment Evaluation

The selection of game developers matters as much as the quantity of games. Our expert highlighted that Goldex Casino selects its partners meticulously, prioritizing reputable, award-winning studios over obscure ones. This strategy means every game satisfies high benchmarks for graphics, sound, and smooth performance. Having providers like Quickspin, Yggdrasil, and Play’n GO in the lineup ensures a steady supply of new games with creative bonus rounds and storylines. By working with top developers, Goldex makes sure its gaming library is both comprehensive and premium, giving Canadian players fresh and engaging content regularly.

Payment Options: Deposits and Withdrawals for Canadian Players

The payments analyst on our team assessed Goldex Casino highly for its financial options. The casino understands the Canadian environment, so it provides a variety of local payment methods. You can deposit funds right away using Interac e-Transfer, a common and reliable choice across the country. Credit cards (VISA, Mastercard) and e-wallets like MuchBetter and ecoPayz are also offered. When it’s time to cash out, processing is swift. Payouts via e-wallet or Interac often process within 24 hours. The casino waives fees for deposits, and it provides clear timelines for processing, which makes money management easy for players in every province.

Game Library Deep Dive: Slot Machines, Table Games, and Live Dealers

Gaming Options are the primary draw, and our library specialist gave Goldex top marks. The collection includes countless titles from leading studios like NetEnt, Microgaming, Pragmatic Play, and Evolution. Slot lovers have a huge range to select from, including traditional slot machines and elaborate video slots with growing jackpots that can attain huge amounts. Lovers of table games will find a comprehensive collection of blackjack, roulette, baccarat, and poker variants, with stake levels that suit both beginners and big bettors. The highlight is the live dealer department, which replicates the excitement of a brick-and-mortar casino on your computer or mobile.

Real-Time Casino Action for Canadian Players

Our reviewer spent considerable time to Goldex’s live casino. The broadcasts, fueled mostly by Evolution and Pragmatic Play Live, appear in high quality with skilled dealers who use several tongues. Canadian users can pick from standard tables for games like Lightning Roulette and Infinite Blackjack, or enjoy fun game-show styles such as Monopoly Live and Dream Catcher. A messaging option lets you interact with the dealer and other players, adding a social element. A key finding was the dependable broadcast quality with minimal lag, thanks to powerful servers that deliver a steady performance whether you’re playing in Ontario, Alberta, or Quebec.

Final Verdict of the Specialists

Upon totaling and assessing all the points, our team reached a unified view. Goldex Casino delivers a dependable, secure, and pleasurable platform that matches the Canadian market well. It performs strongly in its selection of games from leading suppliers, its Canadian-focused payment with Interac, and its dependable mobile functionality. The international license could create some initial doubt, but the casino’s clear practices, fair play verifications, and responsible gambling options give ample certainty. For Canadian players who want a vast game collection, rapid payments, and a sophisticated interface, Goldex Casino gets a strong approval from our experts as a leading alternative in the online casino space.

Regulation, Safety, and Fair Play Audit

Our auditor focused on the fundamentals: legal standing. Goldex Casino runs on a license issued by the Curacao Gaming Control Board, an recognized international regulator. Some players might seek a local provincial license, but our expert noted that a Curacao license, when enforced properly by the casino, still offers a solid layer of player protection and oversight. On the security front, the site uses 256-bit SSL encryption for all data, which keeps personal and financial information private. For fair games, Goldex uses a certified Random Number Generator (RNG). Independent third-party auditors check this system regularly to ensure game outcomes are random. This set of measures scored well for creating a secure space where Canadian players can unwind and enjoy themselves.

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Regional Compliance and User Protection

Our expert carefully examined how Goldex deals with Canada’s diverse set of provincial laws. The platform blocks access from territories where online casino play is not legal, indicating it considers jurisdictional rules seriously. The casino’s method to responsible gambling is also apparent. Canadian account holders can configure deposit limits, session time alerts, and self-exclusion periods right away in their account settings. These tools, along with clear links to groups like the Responsible Gambling Council (RGC), highlight a genuine focus on player safety that meets Canadian expectations.

Otázky a odpovědi

Is Goldex Casino authorized and secure for gamblers in Canada?

Yes. Goldex Casino is regulated by the Curacao Gaming Control Board and follows international norms for protection and fair play. It secures data with 256-bit SSL encryption and hires independent auditors to verify its game Random Number Generators (RNGs). The platform also complies with Canadian provincial laws and delivers strong responsible gambling tools.

Which banking methods can I use as a Canadian at Goldex Casino?

Goldex Casino offers banking ways common in Canada. Many players employ Interac e-Transfer for rapid, secure transactions. You can also employ credit cards like VISA and Mastercard, or e-wallets such as MuchBetter, ecoPayz, and Jeton. Most payments have no fees and are processed instantly, while cashouts via e-wallet or Interac are often completed within 24 hours.

How good the game library for Canadian players?

The game collection is a standout feature. It features thousands of options from leading developers like NetEnt, Microgaming, and Pragmatic Play. You’ll discover a vast variety of slots, every major table game, and a high-quality live dealer area powered by Evolution. The diversity appeals to all sorts of Canadian player tastes.

Does Goldex Casino provide a welcome offer for new Canadian players?

Yes. Goldex Casino has a welcome deal for new Canadian players. It typically includes a large match reward on your first deposit along with free spins on selected slot games. Always review the terms and conditions to understand the wagering requirements before you accept the offer.

What should I do if I require help while gaming? Is customer support helpful?

Goldex Casino provides customer support round-the-clock. The quickest method is live chat, where our checks found agents answering in under a minute with valuable responses. You can also contact by email. The website’s FAQ page is a good tool for rapid solutions to common queries about accounts, offers, and withdrawals.

June 12, 2026

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Canadian players encounter a saturated field when

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‘Stop That Train’ Producers on Their Silly Disaster Spoof

This weekend, the “Drag Race” universe is expanding and getting ready to slay moviegoers with “Stop That Train.”

The disaster movie parody comes via Bleecker Street Films and World of Wonder, delivering 92 minutes of absurd silliness. Helmed by Adam Shankman and produced by World of Wonder co-founders Fenton Bailey and Randy Barbato, the film stars RuPaul as Madame President Gagwell, who tries to avert a national disaster while attempting to boost approval ratings.

When a high-speed train called the Glamazonian Express is struck by lightning and hurtles toward disaster — a threatening “stormaganza” — the president is put to the test.

Starring alongside RuPaul is a roster of former “Drag Race” contestants. Best friends Tess (Ginger Minj) and DeeDee (Jujubee) play train stewardesses who trade their dreary shifts on the Stank Rail for the glitzy Glamazonian Express. Except they encounter the A-Squad — the Glamazonian Express version of “Mean Girls” — led by Ayshleiygh (Symone), Alli (Marcia Marcia Marcia) and Amber (Brook Lynn Hytes).

The film also boasts cameos from Nicole Richie, Lisa Rinna, Raven Symone, Matt Rogers and Sarah Michelle Gellar.

“Stop That Train’s” journey to the big screen began 11 years ago with Bailey and Barbato brainstorming ideas. However, as the project germinated, the pair continued telling stories in the unscripted and documentary space. But the idea for this scripted movie was always there, and there couldn’t be a better time for a comedy that doesn’t take itself too seriously to hit movie theaters.

Bailey says, “We’re living in what seems like a real-life nightmare, and we need laughter.” There’s no shortage of laughs in the film, with a script penned by Christina Friel and Connor Wright. Bailey adds, “Laughter is activism, is resistance. If you can laugh in the face of oppression, that’s resistance, and more importantly, it’s fun. President Gagwell, she’s fun.”

While RuPaul might be best known as the host of “Drag Race,” Bailey notes that when he and Barbato met Ru in the mid-’80s, “he was making movies, ‘Starbooty.’ Randy and I always knew Ru was a movie star from the very beginning.”

Barbato adds that RuPaul, who is also a producer on the film, “was built for this. Ru is super efficient when it comes to everything, and it is amazing to watch him act. I’m sure, hundreds of years from now, people will dissect all the micro gestures and be able to pull precisely where and who they came from.”

As the film rolled into development, Shankman nixed the original idea of the film being set on board an airplane, and suggested changing the location to a train. “We can use all the stakes of what happens on an airplane and even the jokes,” Shankman said.

The comedy comes courtesy of the queens and “Drag Race” alumni who effortlessly land their jokes. Bailey doesn’t find their ability to land jokes surprising. He says, “Drag queens are actors. The moment they hit the runway, walk onto a stage, they’re playing a role.”

The film was shot on location in Los Angeles, on the same stage where “Drag Race” films. While it took 19 days to shoot, the production used up to 200 local crew members, and provided jobs for the local community. It was also independently financed.

And even though the film took 10 years, Barbato points out, “It’s not that dissimilar to the trajectory of ‘Drag Race,’ and trajectory of virtually everything World of Wonder does. It does take time, because most of the stuff we do is fiercely independent.”

“We knew we had very little, and we knew we wanted to make very much,” Barbato says. “This is an indie film in studio drag, and that really is what it is.”

As for what inspires their storytelling and projects, Bailey says, “The entire inspiration at World of Wonder really comes from our days in the East Village watching drag shows at the Pyramid with an audience. Whether it’s ‘RuPaul’s Drag Race: Vegas Revue,’ Drag Con, or seeing ‘Drag Race’ in a bar, it’s so much fun to do things with an audience. It’s not just fun — it’s healing. Laughter is medicine, chicken soup for the soul.” He says in jest, “You come out of this movie and your face hurts because you’ve been laughing so much, and that makes a nice change from being punched in the face by the news cycle.”

Barbato admits they loved working in the scripted space. “I think this film might make people feel even more comfortable about our, our secret abilities in this arena,” he says. Could they ever do horror? “I’ve got a few horror ideas,” Bailey teases.

For now, Barbato and Bailey want people to bring joy to audiences. Bailey says he hopes people will leave “happier than when they came in.”

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June 12, 2026

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This weekend, the “Drag Race” universe is

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John Travolta Opens Up About His Directorial Debut With ‘Propeller One-way Night Coach’

John Travolta made his feature directorial debut with “Propeller One-way Night Coach” in January 2025, and the behind-the-scenes look he’s now sharing makes one thing clear – this wasn’t a vanity project.

Travolta posted clips from the production on Instagram, giving followers a real look at him actively at work on set. He also flagged a conversation with Filmmaker Magazine. “Had a wonderful interview with Filmmaker Magazine where I talk about my first time directing experience,” he wrote. The full piece is available in his stories and highlights right now.

Let’s put this in context. Travolta has been one of Hollywood’s most recognizable names for over 50 years. He broke through with “Saturday Night Fever” in 1977 and became a pop-culture icon with “Grease” the following year. Then “Pulp Fiction” in 1994 – one of the most celebrated career revivals the industry has ever seen. His filmography covers nearly every genre Hollywood makes. These aren’t just movies. They’re cultural touchstones people still reference today.

But directing is a whole different thing. Actors serve the character. Directors serve the entire film. Every scene, every performance, every call on set – that’s on the director. The challenge isn’t just technical. The shift is fundamental. Actors answer to the director. Directors answer to the film itself. That’s a different kind of weight. Especially your first time out.

The clips show Travolta in the thick of it. Not watching from a chair, but actually working alongside his crew. That’s the real breakthrough moment. Not the finished product on a screen. The moment on set – the job is fully yours, and nobody else is taking that call for you.

He’s spent decades working alongside some of the most respected directors in Hollywood. All of that time watching from the actor’s side had to shape his approach on “Propeller One-way Night Coach.” You don’t log that kind of time on major sets without absorbing something real about the craft.

The Filmmaker Magazine sit-down sounds like a genuine debrief. Filmmaker Magazine is an industry publication for working directors and film professionals. First-time directors tend to give honest interviews. The experience is still fresh enough to talk about with real specifics – what was hard, what clicked, what surprised him. Travolta describing it as his “first time directing experience” without any extra polish is a good sign.

“Propeller One-way Night Coach” doesn’t have a confirmed wide release date yet. But attention is already building. Major Hollywood names stepping into the director’s chair for the first time always draw interest – and Travolta isn’t just any Hollywood name. He’s one of those rare performers whose career has genuinely shaped popular culture across multiple decades. People are going to want to see what he made.

What stands out about how he’s handling this is the transparency. He’s not pushing a polished narrative about a director who had it all figured out from the start. He shared real footage from the set and pointed people to a candid interview. He’s owning the fact that this was genuinely new territory. At his level, that kind of openness is rare. It’s the mark of someone who’s proud of the actual work – not just the headline that comes with it.

The full Filmmaker Magazine feature is available in his Instagram highlights now.

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June 12, 2026

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DOJ Antitrust Division Approves Paramount-Warner Bros. Discovery Merger

David Ellison’s Paramount Skydance has reportedly cleared a big regulatory hurdle in advancing toward completing its $111 billion merger with Warner Bros. Discovery.

The Justice Department‘s Antitrust Division has approved the deal, as first reported by Politico. The agency is giving the green light to the Paramount-WBD tie-up without requiring “any divestitures, behavioral remedies or concessions,” according to the report.

After an extensive review, “DOJ officials determined the transaction did not pose a threat to competition and declined to challenge it,” Politico reported, citing anonymous sources.

Reps for Paramount and the DOJ did not immediately respond to requests for comment. The DOJ Antitrust Division approval of the Paramount-Warner Bros. pact is expected to be officially announced Friday.

There’s been major backlash in the industry to the megadeal, which would bring bring together Paramount assets including CBS, CBS News, Paramount Pictures and Paramount+ with WBD’s HBO and HBO Max, Warner Bros. Pictures, CNN, TNT, TBS, HGTV and more. Paramount execs have said they anticipate achieving more than $6 billion in cost savings through the merger — indicating big layoffs would ensue.

To date, more than 5,500 filmmakers, actors and other Hollywood professionals have signed an open letter opposing the deal, arguing that it would eliminate jobs, raise prices and reduce competition. Organizers of the BlockTheMerger.com open letter include the Writers Guild of America (WGA), while the Teamsters had urged the DOJ to block the Paramount-WBD deal unless Paramount agreed to “substantial and enforceable safeguards” against job cuts and committed to supporting increased U.S. production.

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June 12, 2026

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David Ellison’s Paramount Skydance has reportedly cleared

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Molly McNearney Interview: Career, Kimmel & More

It has been an eventful year over at Jimmy Kimmel Live! and that is an understatement. Of course, the talk-show host was embroiled in a conflict over some content in his monologue, which led to his being taken off the air by a couple of station groups, with ABC pausing production before public pressure (and Disney+ cancellations) led to his reinstatement.

Since then, he has been stronger than ever, and now with the demise of Stephen Colbert’s CBS show, it appears ratings are increasing and JKL! may be the key beneficiary as new late-night audiences are discovering him. The show also just won a prestigious Peabody Award, and Emmy buzz is as strong as ever.

Right in the thick of it all, a steady hand if ever there was one, is his head writer and executive producer Molly McNearney, who also happens to be married to the star. She joined the show in 2004 as a writers assistant, became co-head writer in 2008, and later added EP and sole head writer. She has been married to the longest-running host in late-night since 2013, and won an Emmy for producing the 2024 Oscar show, the fourth time Kimmel had hosted the Academy Awards and the first in decades the broadcast had won the Variety Special Emmy.

McNearney joins me for this edition of my Deadline video series Behind the Lens to talk about all the drama going on with the show, late-night in general (“It is a scary time for late-night and a scary time for comedy,” she says), how she keeps the show on track despite all the tumult, Donald Trump’s incessant drumbeat to get her husband fired, the importance of not caving to government pressure, why political content is key to the monologue, what a typical day is like in terms of getting the show on air, her favorite JKL moments, balancing career and home life, and if Jimmy has a retirement date in mind.

Also, we discuss why the Matt Damon gag may be the longest continuing joke in TV history – and how Damon got on board for it all.

To watch our conversation and go “behind the lens”‘” with Molly McNearney, watch the video above.

Join me every Monday and Friday this season for a new episode of Behind the Lens and every Tuesday and Thursday for a new The Actor’s Side.

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June 12, 2026

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Adam Keen Launches Agenda Collective Full-Service PR Firm

Amazon MGM Studios alum Adam Keen has launched Agenda Collective, a full-service entertainment public relations firm, with offices in Los Angeles and New York City.

With a roster of studios including studios, filmmakers, showrunners, writers, producers, authors, sales companies and production entities, Agenda’s focus is aimed at delivering “immediate, high-impact support across film, television, corporate and awards campaigns.

“We built Agenda Collective with intention,” said Keen. “After decades inside studios and global organizations, I wanted to create something collaborative, personal and driven by impact. Taking the time to build the right team across both coasts was essential to that vision.”

Keen is joined on Agenda’s leadership team by Vice Presidents Emily Teichner (Amazon MGM Studios, Strategy PR), Natalie Petozzi (Ginsberg/Libby, Entertainment One) and Kevin McAlpine (Amazon MGM Studios, ID PR, Focus Features, Ginsberg/Libby).

The team has recently worked with A24, Artists Equity, Amazon MGM Studios, CBS, Focus Features, IFC, Lionsgate, Mattel Studios, Neon, Roku, Searchlight Pictures, UltraBoom Media, Wavelength, STX Entertainment and WME, on projects including Backrooms, Hokum, Obsession, 56 Days, Jury Duty Presents: Company Retreat, Over Your Dead Body, Ready or Not 2: Here I Come, The Reunion: Laguna Beach and John Candy: I Like Me.

Keen’s three decades of experience include senior roles at Amazon MGM Studios, Warner Bros. Pictures, MGM and United Artists, as well as independent ventures like Overture Films. He has worked on such projects as Crazy Rich Asians, Road House, Air, Gravity, The Conjuring, The Tomorrow War, Coming 2 America and Red, White & Royal Blue, plus titles in the DC, Harry Potter, LEGO and James Bond franchises.

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June 12, 2026

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Amazon MGM Studios alum Adam Keen has

Entertaintment

Funkcje rozważnej gry w kasynie Spinit ocenione w Polsce

To ciekawe, jak potrzeba wprowadzenia strategii odpowiedzialnych za grę staje się coraz bardziej widoczna w naszym społeczeństwie. W kasynie Spinit Kasyno w Polsce widzimy szereg instrumentów zaprojektowanych w celu promowania bezpieczniejszych gier. Funkcje te, od wyznaczania limitów finansowych po motywowanie do przerw, odgrywają kluczową rolę we wspieraniu graczy. Zrozumienie, jak te elementy ze sobą współdziałają, może dać ważne perspektywy dotyczące ochrony i komfortu graczy. Zbadajmy szczegółom i ich wpływowi na nasze decyzje w grach.

Weryfikacja rzeczywistości: wspieranie zdrowych nawyków hazardowych

Poruszając się po świecie gier online, bardzo ważne jest, aby być świadomym ze ważności weryfikacji rzeczywistości w wspieraniu zdrowych nawyków hazardowych. Sprawdzenia te pełnią istotną rolę sygnałów, pomagając nam utrzymać świadomość hazardu i zapobiegać nadmiernej gry. Wyznaczając systematyczne przerwy na analizę naszej gry, możemy analizować poświęcony czas i wydane pieniądze, dbając o to, aby hazard pozostał formą rozrywki, a nie niebezpiecznym uzależnieniem.

Weryfikacja rzeczywistości umożliwia nam rozwijać lepsze nawyki, wspierać odpowiedzialne zachowania i wspierać pozytywne zdrowie emocjonalne. Ich wdrożenie z serwisami takimi jak Spinit Casino zachęca graczy do uzyskania kontroli nad swoimi decyzjami w grach, przypominając nam o potrzebie oceny równowagi i uczestnictwa bez poczucia zażenowania.

W końcu instrumenty te ulepszają nasze ogólne doświadczenia z gry, pozwalając nam cieszyć się czasem, jednocześnie mając świadomość swoich limitów. Zrozumienie realizmu wyposaża nas w informacje pozwalającą podejmować świadome decyzje, co pozwala na długoterminowe podejście do gier online.

Samowykluczenie: robienie sobie przerwy, gdy jest to konieczne

Dużo graczy może być na rozdrożu w swojej grze, gdzie potrzeba przerwy jest widoczna. Samowykluczenie to efektywna strategia dla osób, które czują się przytłoczone. To silny sposób na przywrócenie kontroli i postawienie na pierwszym miejscu swojego pozytywnego samopoczucia. Może być to istotny moment do zastanowienia i oceny.

Podnosi samoocenę
Zachęca do odpowiedzialność
Pobudza społeczność do wsparcia

Powiadomienia o długości sesji: Bądź na bieżąco z czasem trwania rozgrywki

W kasynie Spinit niezwykle ważne jest, abyśmy byli świadomi czasu trwania rozgrywki, ponieważ może to znacząco oddziaływać na nasze całkowite doświadczenia z gry. Przypomnienia o czasie trwania sesji pomagają nam utrzymać równowagę, promując odpowiedzialne praktyki gry. Rozumiejąc znaczenie kontrolowania czasu, możemy cieszyć się ulubionymi grami, dbając jednocześnie o to, aby nasze dobre samopoczucie było najważniejsze.

Znaczenie świadomości czasu

Zrozumienie wagi kontrolowania czasu w grach jest istotne dla rozsądnego i zbalansowanego użytkowania kasyna Spinit. Rozwijając wnikliwe poczucie zarządzania czasem, zapewniamy, że nasza gra będzie satysfakcjonująca i nie stanie się przytłaczająca. Oto parę istotnych aspektów do przemyślenia:

Zrozumienie, czas trwania gry, może pomóc nam dokonywać świadomych wyborów.
Regularne odpoczynki mogą polepszyć nasze ogólne wrażenia z gry i samopoczucie.

Ustalenie limitów czasowych może wspomóc nam utrzymać kontrolę i zminimalizować możliwe problemy.

Razem możemy koncentrować się na świadomym spędzaniu czasu, udoskonalając nasze przyzwyczajenia związane z grami, aby uzyskiwać z nich długotrwałą satysfakcję. Stawiając na pierwszym miejscu te praktyki, pozwalamy sobie na odpowiedzialne uczestnictwo, skupiając się na radości, równocześnie troszcząc się o to, aby nasze sesje gry były wyważone i zadowalające.

Cechy powiadomień

Jedną z kluczowych funkcji, które poprawiają nasze wrażenia z gry w Spinit Casino, są powiadomienia o długości sesji, które odgrywają ważną rolę w utrzymaniu naszej czujności czasu trwania gry. Te powiadomienia ulepszają otoczenie gry, powiadamiając nas o dojściu do wybranego granicy czasu sesji, co ostatecznie wspiera bardziej zdrowe przyzwyczajenia związane z grą. Efektywność tych przypomnień w znacznym stopniu zależy od ich częstotliwości; dostawanie przypomnień w stałych interwałach umożliwia nam na nowo wyregulować naszą koncentrację i ocenić nasze decyzje dotyczące gry. Dbając o jasność naszej aktywności, uzyskujemy większą kontrolę i podejmujemy świadome decyzje dotyczące spędzanego czasu. Korzystając z tych powiadomień, nie tylko zwiększamy radość z gry, ale także wzmacniamy bardziej odpowiedzialne nastawienie do gry w Spinit Casino.

Odpowiedzialne działania gry

Powiadomienia o długości sesji nie tylko poprawiają standard rozgrywki, ale także wpisują się w odpowiedzialne działania gry, które wszyscy powinniśmy zastosować. Wspierając nam zachować świadomość czasu spędzonego na grze, powiadomienia te odgrywają istotną rolę w zapobieganiu uzależnieniu od gier losowych. Są one istotne środek edukacji użytkowników, zwracając uwagę na znaczenie umiarkowania.

Motywowanie do samopoznania

Promowanie dobrych nawyków

Umożliwianie podejmowania świadomych wyborów

Zasady postępowania odpowiedzialnej gry: zaangażowanie w ochronę graczy

Zrozumienie rozmaitych dostępnych środków wsparcia jest istotnym elementem propagowania pewniejszego środowiska hazardowego. W Spinit Casino robimy wszystko co w naszej mocy, aby implementować politykę odpowiedzialnej gry, która kładzie nacisk na zaangażowanie graczy i środki bezpieczeństwa. Kreując środowisko, w którym gracze mogą dokonywać rozważne decyzje, możemy poprawić ogólną odpowiedzialność w grach.

Rozbudowane sterowanie kontem gracza
Możliwość dostępu do opcji samowykluczenia
Cykliczne kampanie wzmacniające świadomość zdrowia psychicznego

Te zasady to nie tylko formalności; odzwierciedlają one nasze poświęcenie w bezpieczeństwo graczy. Zachęcamy użytkowników do korzystania z dostępnych narzędzi, zabiegając o to, by granie było źródłem rozrywki, a nie stresu. Dzięki stałej ocenie naszych strategii przystosowujemy się do zmieniających się potrzeb, potęgując nasze zaangażowanie w odpowiedzialne granie.

Wierzymy, że w ten sposób możemy wykreować bardziej zdrową atmosferę gry, propagując zarówno przyjemność, jak i odpowiedzialność wśród naszych graczy.

Limity strat: minimalizowanie możliwych strat

Jeśli chodzi o rozważną grę, ustalenie osobistych limitów strat jest istotne dla utrzymania kontroli nad naszymi czynnościami związanymi z zakładami. Śledząc nasze straty, możemy dokonywać bardziej świadome decyzje i wspierać lepsze podejście do gry. Przyjrzyjmy się, jak te limity strat mogą pomóc nam wszystkim bawić się odpowiedzialnie, ciesząc się jednocześnie wrażeniami kasyna Spinit.

Określanie limitów strat osobistych

Wielu graczy uważa, że określenie limitów strat osobistych może być kluczowym narzędziem w podtrzymaniu zrównoważonego podejścia do gier. Ustanawiając te limity, nie tylko zabezpieczamy nasz budżet osobisty, ale także wzmacniamy świadomość gry. Ograniczając potencjalne straty, świadomie stosujemy samoregulację, co przyczynia się do zdrowszego doświadczenia z gry. Należy ustalić limit strat, który reprezentuje nasze możliwości finansowe i cele w grze. To przemyślane działanie może przeciwdziałać znacznemu obciążeniu finansowemu i sprzyjać podejmowania bardziej strategicznych decyzji. Wdrożenie limitów strat wspiera dyscyplinę i umożliwia nam cieszyć się grą jako zabawą, a nie ryzykownym przedsięwzięciem. Na koniec chodzi o wykorzystanie naszych umiejętności i świadomości, aby upewnić się, że granie będzie przyjemne i nieszkodliwe dla otoczenia.

Monitorowanie aktywności bukmacherskiej

Chociaż wyznaczanie limitów strat osobistych jest ważnym elementem odpowiedzialnej gry, aktywne monitorowanie naszych działań bukmacherskich jest kolejnym krokiem. Wykorzystując skuteczną analitykę zakładów i obserwację aktywności, zyskujemy wgląd w nasze zachowania, co umożliwia nam efektywniej kierować ryzykiem. Oto kilka kluczowych korzyści, nad którymi trzeba rozważyć:

Rozpoznawanie wzorców
Świadomość behawioralna
Podejmowanie świadomych decyzji

Zachęcanie do odpowiedzialnej zabawy

Jak możemy zagwarantować, że nasze wrażenia z gry pozostaną satysfakcjonujące i dostosowane do naszych możliwości finansowych? Ustanawiając limity strat, możemy skutecznie kontrolować potencjalnymi stratami, równocześnie podnosząc ogólną satysfakcję z gry. Limity te umożliwiają nam określić specyficzne progi, wspierając rozsądne granie i zmniejszając ryzyko nadmiernych wydatków. Ponadto, szkolenie graczy odgrywa istotną rolę, ponieważ wyposaża nas w informacje pozwalającą dokonywać świadomych wyborów dotyczące naszej działalności w grach. Udział w inicjatywach społecznych może dodatkowo podnosić świadomość i zachęcać graczy do odpowiedzialnych zachowań. Wspólnie możemy kształtować kulturę odpowiedzialności, gwarantując, że nasze praktyki w grach są zgodne z naszymi możliwościami finansowymi. Ostatecznie, wdrożenie tych metod nie tylko ulepsza nasze przeżycia, ale także wzmacnia nasze zaangażowanie w odpowiedzialną grę.

Dostęp do zasobów wsparcia: Pomoc w przypadku problemów z hazardem

Dojście do zasobów wsparcia jest kluczowy dla osób borykających się z problemem hazardu i musimy zrozumieć różne dostępne opcje. Po pierwsze, ważne jest, aby być świadomym z dostępności infolinii wsparcia, które dostarczają szybką i poufną pomoc. Obsługą infolinii prowadzą przeszkoleni specjaliści, którzy dostarczają porady, wsparcie i zasoby osobom szukającym pomocy.

Co więcej wiele osób może zyskać z usług doradczych skrojonych do potrzeb osób uzależnionych od hazardu. Usługi te zwykle oferują osobiste lub kolektywne sesje terapeutyczne, zorientowane na zajęcie się zarówno emocjonalnych, jak i zachowawczych aspektów uzależnienia od hazardu. W Polsce liczne organizacje zapewniają fachowe programy, przez co bez trudu osiągalne wsparcie jest na wyciągnięcie ręki – trzeba tylko telefon lub wizyta.

Pojęcie tych zasobów umożliwia jednostkom sprostać swoim wyzwaniom i zacząć początkowe kroki w kierunku wyzdrowienia. Podtrzymując kulturę wiedzy i współczucia, możemy wesprzeć potrzebującym odnaleźć wsparcie, które jest istotne w przezwyciężeniu problemu z hazardem.

Limity depozytów: ustalanie granic finansowych

Zdając sobie sprawę z znaczenia zachowania kontroli nad naszą aktywnością w grach, określenie limitów depozytów jest jednym z najbardziej praktycznych kroków, jakie gracze mogą zrobić, aby wyznaczyć granice finansowe. Proaktywnie określając, ile jesteśmy skłonni wydać, nie tylko dbamy o swoją kondycję finansową, ale także poprawiamy ogólne wrażenia z gry. Takie podejście pozwala na lepsze zarządzanie budżetem, wspierając nam unikać impulsywnych decyzji, które mogą doprowadzić do żalu.

Zanurzając się w gry, kluczowe staje się rozważenie nad naszymi celami i limitami finansowymi. Określając limity depozytów, tworzymy strukturę, która pozwala nam cieszyć się grą w sposób odpowiedzialny – dając możliwość nam delektować się czasem przeznaczonym w kasynie Spinit bez zagrożenia naszej stabilności finansowej. Postrzegajmy te limity nie jako restrykcje, ale jako ważny element odpowiedzialnego nastawienia do gier. W ten sposób gwarantujemy, że nasza radość pozostanie ekscytująca i trwała.

Omówienie odpowiedzialnej gry w kasynie Spinit

W Spinit Casino rozumiemy, że choć hazard może być emocjonującym i satysfakcjonującym doświadczeniem, potrzebuje również odpowiedzialnego nastawienia, aby zapewnić, że pozostanie ono satysfakcjonujące. Zrozumienie potencjalnych zagrożeń związanych z uzależnieniem od hazardu jest kluczowe, a my troszczymy się o ochronę graczy na każdym kroku. Nasze strategia łączy w sobie materiały edukacyjne, które uświadamiają graczom samoświadomość i wagę stawiania osobistych limitów.

Naszym celem jest stworzenie otoczenia, w którym gracze są swobodnie, identyfikując momenty, w których granie może stać się problematyczne. Motywując do otwartych dyskusji na temat nawyków związanych z hazardem, pomagamy zredukować ryzyko nałogu.

Ponadto proponujemy graczom różnorodne narzędzia i materiały do monitorowania rozgrywki, zapewniając im kontrolę. Ponieważ priorytetowo traktujemy ochronę otoczenia gry, wierzymy, że dzięki naszemu pomocy i odpowiednim strategiom możemy zagwarantować wszystkim graczom trwałe i przyjemne wrażenia z gry.

June 12, 2026

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To ciekawe, jak potrzeba wprowadzenia strategii

Movies

Justin Baldoni Has To Pay Blake Lively’s Legal Fees

“My clients got blindsided by a Pulitzer-prize winning journalist and was threatened by one of the most famous movie stars, who tried to rip away their life’s work and pristine reputations. Not only were we successful in exposing the truth of their actions, but by the consistent dissemination of facts and evidence, we made sure that justice prevailed.

Ms. Lively was only awarded limited attorney fees for a single claim as part of a case that lasted only a matter of months, nothing more.

Throughout this process, innocent people had their reputations unfairly tarnished. There was no sexual harassment. There was no retaliation. There was no smear campaign. The court recognized it, the record reflects it, and we have maintained it from the very beginning. We would not hesitate to stand up for the truth again.”

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June 12, 2026

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"My clients got blindsided by

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Security Checkpoint Gonzo’s Quest Slot Airport Procedure i Sverige

Tänk dig att du planerar en flygresa https://gonzosquestcasino.se/. Innan du går ombord passerar du en säkerhetskontroll. Det är en rutin som gör resan tryggare. Fundera på samma sätt när du ska spela Gonzo’s Quest. Det här klassiska spelet från NetEnt kräver en noggrann genomgång innan du startar. Den här guiden tjänar som din privata säkerhetsgenomgång. Vi genomgår spelets funktioner, dess bonusar och hur du spelar taktiskt. Vi diskuterar RTP, ansvarsfullt spelande och hur du maximerar nöjet. Sätt dig ner och spänn säkerhetsbältet. Vi är redo för avfärd.

Varför en “Säkerhetskontroll” för ett Casinospel?

Varför egentligen skulle ett casinospel vara i behov av en säkerhetskontroll? Idén är simpel. När du flyger flygplan säkerställer du att du har resepass, flygbiljett och att ditt resväska är håller sig inom viktgränsen. Det är förberedelse. För Gonzo’s Quest rör det sig om att undersöka spelets villkor innan du riskerar pengar. Det handlar inte om att vara rädd, utan om att vara redo. Genom att studera spelreglerna och förstå hur spelet arbetar minimerar du chansen för missräkningar. Du omvandlas till en insiktsfull spelare som tar genomtänkta beslut. För ett spel som Gonzo’s Quest, med sina snabba vinstrader och speciella spelmekanismer, är den här aktuella förståelsen avgörande. Du kommer gilla spelet mycket ytterligare.

Gonzo Quest: En Snabb Genomgång av Spelens Huvuddel

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Låt oss inleda med baserna. Gonzo’s Quest från NetEnt förändrade slotsvärlden när det lanserades 2011. Spelets stora innovation kallas Avalanche. I detta spel kretsar inga hjul. Istället kommer symboler ner från ovan som stenblock. När symbolerna skapar en vinst försvinner de. Nya symboler faller ner på de öppna platserna. Det kan framkalla flera vinster i följd från ett enda spel. Spelet har 5 hjul och 20 bestämda vinstlinjer. Du följer conquistadoren Gonzo på hans spaning efter den guldfärgade staden Eldorado. Varje vinst i en följd ger en högre multiplikator, upp till 5x i det normala spelet. Grafik och ljud skapar en stämning av äventyr som få spel har lyckats matcha.

Själva Berömda Avalanche-funktionen

Avalanche är spelets motor. Så här går det till: Du trycker på start. Symboler kommer ner. Uppstår en vinnande kombination, fryser dessa symboler med en smäll. Nya symboler störtar ner från ovanifrån. Det kan starta en ny vinst. Så kan det hålla på. Multiplikatorn växer med varje etapp i kedjan. Första vinsten ger 1x, den andra 2x, den tredje i ordningen 3x och den fjärde i ordningen 5x. Intrycket är mer som att testa Tetris eller ett pusselspel än ett konventionellt slotspel. Det ger en häftigt och oväntad dynamik.

Free Fall Bonusrundan

Free Fall-bonusen är där de högsta vinsterna finns. Du startar den genom att uppnå tre eller fler Free Fall-symboler (ett stenansikte med guld) på en spelande vinstlinje. Då får du 10 gratisspinn. Under dessa spins blir multiplikatorerna starkare. De startar på 3x, ökar till 6x, efter det 9x och till sist 15x för fjärde i ordningen och alla efterföljande vinstkedjor i samma följd. Nervositeten växer på riktigt här. När symbolerna startar att falla och multiplikatorn stiger kan summan hoppa kraftigt.

Bonusfunktioner och Dessas Trygghetsmarginal

Bonusegenskaper är som sidovägar på en resa. De är häftiga, men det är smart att titta på kartan innan. I Gonzo’s Quest är Free Fall-bonusen det största lockbetet. Kom ihåg att den bara aktiveras om symbolerna placeras på en aktiv linje, från vänstra sidan till höger. Det är en viktig detalj som en hel del förbiser. Under bonusen är multiplikatorerna som nämnt mycket större. Spelets spelet har inte några omsättningskrav på dessa utbetalningar. Men om du nyttjar en välkomsterbjudande från casinot är det en ny berättelse. Då måste du studera de unika villkoren för den kampanjen. Genomspelningskraven kan vara höga. Spelets inbyggda bonusar är skäliga, men en yttre bonus behöver separat genomgång.

Vanliga Fallgropar att Akta sig för på Er Resa

På väg mot Eldorado fanns det fällor. Så är det här också. Den typiska fällan heter “chasing losses”. Du försöker vinna tillbaka det du förlorat genom att spela snabbt eller högre. Det slutar nästan alltid med att du förlorar mer. En annan fälla är att tro på upphettade eller kalla maskiner. Varje spel med Gonzo’s Quest är helt oberoende. En slumpgenerator styr var symbolerna hamnar. Efter tio förluster i rad är chansen för vinst exakt lika stor, eller liten, som tidigare. Undvik också att spela utan avslutsplan. Bestäm i förväg när du ska sluta om du vinner en viss summa, eller om du når din förlustgräns. Slutligen, låt inte ett bonuserbjudande lura dig att spela mer än du tänkt.

Ansvarskänsla och Styrning: Att Fastställa Begränsningar

Detta är den viktigaste kontrollen av alla. Den gäller dig. Att sätta gränser indikerar att du är en klok spelare, inte svag. Innan du startar, bestäm en maxförlust. Det rör sig om den mängd du kan tänka dig att förlora utan att det känns. Använd sedan funktionerna. Samtliga svenska casinon tillhandahåller maxbelopp, förlustbegränsningar och alternativ att blockera spelet en tid. Aktivera en timer på mobilen om du känner för det. Upplever du att det inte är underhållande längre? Att du försöker återvinna förluster? Därför är det tid att sluta. Stäng av direkt. Syftet med spel ska alltid vara att trivas, inte att åtgärda ekonomiska problem.

Budgetplanering: Ha en särskild summa som är avsatt för nöjen. Blanda ej ihop den med hyresavgift eller matpengar.
Tidsstyrning: Klockan går fort när man spelar. Planera in en taktisk paus efter en stund för att reflektera.
Känslostyrning: Delta aldrig när du är irriterad, sorgsen eller har druckit för mycket. I så fall är ditt omdömesförmåga sämre.
Kunskap är styrka: Denna guiden är ett steg framåt. Mer du har kunskap, mindre dumma beslut fattar du.

Stegvis Säkerhetsgenomgång Inför Ni Spelar

Nu tar vi noggrant igenom din förberedelse. Att ignorera detta är som att glömma biljetten hemma. Du fastnar. Till att börja med, se till att du spelar på ett ansedda casino med svensk licens. Det är din mest avgörande säkerhetsåtgärd. Undersök sedan spelets specifikationer. Gonzo’s Quest har en RTP på 95,97%. Volatiliteten är medelhög. Besluta sedan en budget för spel. Använd de verktyg för spelgränser som casinot erbjuder. Slutligen, spela spelet gratis först. De flesta casinon har ett demonstrationsläge. Där kan få erfarenhet utan att satsa en krona.

Kontrollera casinots licens: Sök efter loggan från Spelinspektionen. Den ska vara synlig tydligt på sidan.
Kontrollera spelets RTP & Volatilitet: 95.97% RTP, mellanhög volatilitet.
Sätt en fast budget (förlustgräns): Bestäm detta belopp i förväg. Notera det på en lapp om det behövs.
Utnyttja ansvarsfulla spelverktyg: Sätt insättningsgränser, förlustgränser och notiser om speltid.
Prova i demo-läge: Förstå hur Avalanche upplevs och hur bonusen startas. Inga risker.

Begripa RTP, Volatilitet och House Edge

De här termerna är din tekniska manual. RTP står för återbetalningsgrad. 95,97% indikerar att spelet teoretiskt sett betalar tillbaka 95,97 kronor per hundra satsade kronor över miljontals spel. Det är ett långsiktigt genomsnitt. Det lovar inget för din specifika session. Volatilitet beskriver vinsttakten. Medelhög volatilitet skapar en mix. Du erhåller återkommande småvinster som håller spelet igång, och då och då kommer en kraftigare vinst eller en bonusrunda. “House Edge” är spelhusets fördel. Det är det som RTP inte omfattar, alltså omkring 4,03%. När du förstår detta skapar du rimliga förväntningar. Spelet är tidsfördriv, inte ett sätt att tjäna pengar.

Optimera Er Upplevelse: Strategiska Tips

Slots är slump, men ditt sätt att spela behöver inte vara det. Börja alltid med minsta insats om du är ny. Då får du se hur Avalanche fungerar utan att förlora pengar. När du spelar för riktigt, bestäm en insatsnivå som upplevs bekväm. En jämn insats gör att din budget räcker längre och ger fler chanser till bonusrundor. Inrikta dig på upplevelsen. Uppskattar du om ljudet när symboler exploderar? Gillar du av animationen när Gonzo hoppar av glädje? Det är där nöjet ligger. När Free Fall-bonusen kommer, gläd av åkturen. De kraftiga multiplikatorerna är spännande i sig. Satsa för stunden, inte bara för slutsiffran på kontot.

Testa i demo-läge: Lägg fem minuter på att se hur spelet flödar. Inget på spel.
Delta inom era gränser: En ökad insats gör inte bonusen mer sannolik. Den gör bara varje spel dyrare.
Uppskatta små vinster: Varje liten Avalanche-kedja är en del av spelets charm. Applaudera den.
Vara medveten om automatik: Autospin är praktiskt, men riskabel. Sätt ett maxantal på 50 spins eller en förlustgräns för funktionen.

FAQ

Gäller Gonzo’s Quest en trygg spelupplevelse?

Javisst. NetEnt är branschens mest pålitliga speltillverkare. De tillämpar en certifierad slumpgenerator som garanterar att alla spelresultat är helt slumpartat och opartiskt. RTP på 95,97% är offentligt och reviderat. Din skydd hänger också på att du använder ett casino med svensk licens. I så fall är dina insättningar och personuppgifter säkrade av svensk lag.

Vilken är den främsta skillnaden mellan Avalanche och standard snurrande hjul?

Olikheten är i grund och botten. På ett vanligt slotsspel spinner hjulen och avslutas. På Gonzo’s Quest faller symboler och kan bilda flera vinstlägen i rad. Det skapar en helt unik känsla. Det upplevs mer engagerande och snabbare. Chansen att öka en insats flera gånger i ett spel är också bättre.

Går det att påverka sannolikheten att starta Free Fall-bonusen?

Nej, det går inte. Precis som varje symbolnedfall är slumpartat, är förekomsten av Free Fall-symbolerna lika slumpmässig. Varken metod eller insatsnivå gör att de kommer oftare. Det unika du kan göra är att hantera din bankrulle så att du har chans att spela tillräckligt många spel. Ju fler spel, ju fler möjligheter – men inget löfte.

Hur påverkar medelhög volatilitet för min spelupplevelse?

Det betyder en bra balans. Du kommer inte att få vänta oändligt länge på en vinst. Små och medelstora vinster dyker upp med jämna mellanrum. Samtidigt finns potentialen för en större utbetalning när bonusrundan kommer. Det är ett mellanting mellan de tråkigare låga volatila spelen och de nervkittlande höga volatila spelen där vinsterna kan utebli länge.

Existerar det ett optimalt sätt att välja min insats i Gonzo’s Quest?

Idealiskt för att vinna? Nej. Spelet är slump. Idealiskt för att ha roligt och få speltid? Ja. Välj en insats som låter dig göra minst 100-200 spel med din budget. Med en budget på 200 kronor blir det 1-2 kronor per spel. Då får du en lång session och många chanser att erfara spelets funktioner. Det är bättre än att sätta 20 kronor och vara klar på tio spel.

Vilka åtgärder ska jag vidta om jag känner att jag tappar kontrollen över mitt spelande?

Avbryt. Omedelbart. Logga ut från casinot. Alla svenska casinon har ett verktyg som heter Spelpaus. Där kan du stänga av ditt konto i tre, sex eller tolv månader. Det är enkelt och omedelbart. Du kan också använda verktygen för insättningsgränser och sätta dem till noll. Prata med någon du litar på. Ring Stödlinjen på 020-81 91 00. Att söka hjälp är det starkaste du kan göra.

Efter att ha genomgått den här kontrollen är du väl rustad. Du behärskar spelets regler. Du har skapat en plan för din budget och din tid. Du är medveten om vilka fällor du bör undvika. Nu handlar det bara om att njuta. Gonzo’s Quest är ett av de mest spännande slotspegen som utvecklats. Med din nya kunskap i fickan kan du slappna av och koncentrera dig på själva äventyret. Låt symbolerna dunsa. Hoppas att Gonzo hittar fram till sitt guld. Och glöm inte att det viktigaste är att ha kul på resan.

June 12, 2026

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Tänk dig att du planerar en flygresa

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Mijn eigen Eerlijke Recensie Na Verlies en Winst bij Elite Casino in België

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De huidige Belgische online gokmarkt is een terrein van nauwe regelgeving, Kansspelcommissie-licenties en een veelheid aan keuzes die de doorsnee speler snel kunnen overstelpen. Elite Casino stelt zich voor als een geavanceerd platform dat specifiek inspeelt op de behoeften van de Belgische gebruiker, met de garantie van een vloeiende ervaring die zowel het regelgevende kader eerbiedigt als een premium spelgevoel biedt. Deze recensie is het uitkomst van een grondige, analytische duik in het platform, waarbij de tester zowel winst- als verliesreeksen heeft ervaren om de ware aard van de gameplay, de geldelijke processen en de gebruikerservaring te begrijpen. Van de allereerste storting tot de laatste uitbetaling werd elk detail zorgvuldig geëvalueerd. Het doel is niet om een marketingverhaal te presenteren, maar om een ontnuchterend, objectief beeld te schetsen van wat een speler in België concreet kan hopen van Elite Casino, zonder de hype die vaak rond gokplatforms bestaat.

Stortings- en Opnamebeleid onder de Aandacht

In België is het financiële verkeer van online casino’s aan banden gelegd door een noodzakelijke verbinding aan een bankrekening, en Elite Casino voert deze regel uit met een haast bureaucratische nauwkeurigheid. Storten kan via Bancontact, een bankoverschrijving of de digitale portemonnee Payconiq by Bancontact, maar opvallend is de afwezigheid van kredietkaarten, wat volledig in lijn is met de Belgische wetgeving die gokken op krediet sinds 2023 verder heeft aan banden gelegd. De tester prees de onmiddellijke verwerking van Bancontact-stortingen; het geld stond letterlijk binnen tien seconden op het speelaccount, een naadloze transactie-ervaring die leidde aan het gevoel van een professioneel platform. De minimumstorting van tien euro is marktconform, maar de maximumstorting is, conform de licentie, gerelateerd aan het persoonlijke speellimiet dat de gebruiker bij registratie moet instellen.

Het opnameproces is waar Elite Casino zich onderscheidt van de gemiddelde concurrent, maar niet zonder kanttekeningen. Uitbetalingen worden verwerkt via dezelfde methode als de storting, een normaal anti-witwasprotocol. De eerste opname van €600 werd ingediend op een dinsdagochtend en stond de volgende dag om 14:00 uur op de bankrekening, een verwerkingstijd van net geen 30 uur. De tweede opname, een kleiner bedrag van €150, werd echter opgehouden door een automatische verificatievlag. De klantenservice vroeg om een bewijs van inkomsten, een vereiste die wettelijk is toegestaan in België maar die voor de nietsvermoedende speler als schokkend kan overkomen. Het proces werd na 72 uur uiteindelijk opgelost, maar de communicatie hierover had proactiever gekund. De transactiegeschiedenis in het spelersaccount is kristalhelder en exporteerbaar naar PDF, een mogelijkheid die strikte budgetbeheerders zullen op prijs stellen.

Klantenondersteuning en Verantwoord Gokken

De klantenondersteuning werd op verschillende ogenblikken getest via de live chat en eenmaal via e-mail. De live chat, bereikbaar in het Nederlands, Frans en Engels, bracht de tester consequent binnen dertig seconden met een medewerker. De gedane vragen liepen uiteen van technische issues met een vastgelopen slot tot complexere vragen over de wettelijke basis van de inkomstenverificatie. De medewerkers toonden een opmerkelijk gedegen kennis van de Belgische kansspelwetgeving, een zeldzaamheid in een industrie waar support vaak wordt uitbesteed aan externe callcenters met enkel scripts. De toon was zakelijk en pragmatisch, hoewel de tester opmerkte dat de antwoorden soms te juridisch geformuleerd waren, wat voor de gemiddelde speler intimiderend kan overkomen. De e-mailrespons kwam binnen zes uur, een acceptabele termijn, en omvatte een gedetailleerde uitleg met links naar de relevante wetsartikelen.

Het luik verantwoord spelen verdient een aparte vermelding vanwege de grondige integratie in het platform. Bij registratie worden niet alleen de standaard speellimieten ingesteld, maar wordt de gebruiker ook genoodzaakt een realistische zelfevaluatie in te vullen. De tester onderzocht de mogelijkheden tot zelfuitsluiting en ontdekte dat Elite Casino direct gekoppeld is aan het EPIS-systeem (Excluded Persons Information System) van de Kansspelcommissie, wat impliceert dat een zelfuitsluiting onmiddellijk over alle Belgische vergunde casino’s wordt doorgevoerd. De reality-check pop-ups, die elke 60 minuten verschijnen, kunnen niet worden uitgezet, wat sommige ervaren spelers als betuttelend zullen ervaren maar wat onmiskenbaar in lijn is met de wettelijke zorgplicht. De pauzeknop, die een afkoelperiode van 24 uur tot 6 weken instelt, opereerde feilloos en blokkeerde ook alle marketingcommunicatie, een aspect dat de tester als respectvol en correct beoordeelde.

Technische Stabiliteit en Mobiele Beleving

Tijdens de complete testperiode van twee weken, waar meer dan twintig uur actief gespeeld, constateerde de tester slechts twee technische incidenten. Het ene betrof een live blackjack-tafel die gedurende een hand stokte; de verbinding werd echter binnen dertig seconden hersteld en de hand werd correct hervat zonder wegvallen van inzet. Het andere incident was een crash van een NetEnt-slot bij het openen op een verouderde iPhone, wat meer aan het toestel dan aan het platform te wijten was. De consistentie van de streams bij live spellen is opmerkelijk omdat Belgische internetproviders soms bandbreedteproblemen kunnen hebben met buitenlandse servers, maar Elite Casino lijkt gebruik te maken van een Content Delivery Network dat de latentie minimaliseert. De tester stelde vast een gemiddelde laadtijd van 1,8 seconden voor slots en 3,2 seconden voor het opstarten van een live stream, waarden die in de bovenste regionen van de industrie liggen.

De mobiele ervaring behoeft extra lof omdat Elite Casino heeft geopteerd voor een responsieve website in plaats van een native app, een optie die zowel voor- als nadelen heeft. Het pluspunt is dat de gebruiker geen updates hoeft te downloaden en dat het platform onmiddellijk werkt op elk toestel met een moderne browser, inclusief tablets en Chromebooks. De tester bekeek de site op een Android-telefoon, een iPad en een Windows-laptop en merkte een consistente visuele ervaring met intuïtief herschaalde knoppen. Het nadeel is dat de notificatiefunctionaliteit zich beperkt tot e-mails, waardoor spelers geen pushmeldingen ontvangen voor live-events of promoties, wat opnieuw aansluit bij het terughoudende karakter van het platform. De touch-bediening van het virtuele blackjack was nauwkeurig en de kaarten antwoordden zonder vertraging op veegbewegingen, wat cruciaal is om frustratie tijdens snelle tafelsessies te voorkomen.

Aanbod en Aanbieders

De ruggengraat van elke casinoreview is de evaluatie van het spellenaanbod, en Elite Casino plaatst zich hier doordacht door te richten op kwalitatief boven kwantiteit. De tester telde iets meer dan zeshonderd spellen, een getal dat bewust lager ligt dan bij sites die een volledige bibliotheek proberen. Het aanbod is echter gebaseerd rond de grootheden in de sector: Evolution Gaming domineert de live casino-sectie, terwijl NetEnt, Play ‘n GO en Pragmatic Play de belangrijkste motoren zijn achter de slotcollectie. Voor de Belgische markt, waar veel internationale casino’s problemen hebben met het bieden van een stabiel aanbod door de ingewikkelde licentievereisten per provider, komt over deze samenstelling consistent en juridisch degelijk aan. De afwezigheid van obscure, niet-gelicentieerde softwarehuizen wordt hier als een belangrijk gunstig punt genoteerd, omdat het meteen het gevaar op gemanipuleerde Random Number Generators verwijdert.

Tijdens de tests werd speciale aandacht gericht aan de live tafels, waar Evolution Gaming zijn reputatie waarmaakt. De streams waren in haarscherpe HD-kwaliteit zonder haperingen, en de dealers spraken vakkundig Engels, met een één tafel waar een Franstalige dealer aanwezig was, wat voor de Waalse gemeenschap een fijne meevaller kan zijn. De limieten bij het live blackjack startten al vanaf 5 euro, wat een toegankelijk beginpunt biedt voor casual spelers, terwijl de VIP-tafels inzetten tot duizend euro per hand toelieten. De tester constateerde op dat de proportie tussen low-stakes en high-stakes tafels goed uitgebalanceerd was, waardoor het platform niet alleen op grote spelers richt. De gokkastafdeling biedt de klassieke Belgische favorieten zoals Book of Dead en Starburst, maar mist een aantal nieuwere releases die bij overige providers al beschikbaar waren, wat verwijst op een voorzichtig maar degelijk releasebeleid.

De Waarheid van Winstruns en Verliesseries

Het meest verhelderende deel van deze analyse had betrekking op de praktijkproef waarbij de tester opzettelijk wisselde tussen games met een hoge mate van en geringe volatiliteit om de Return to Player (RTP) in een praktijkgerichte setting te bestuderen. Over een tijdsspanne van twee weken tijd, met een totale inzet som van €2.000 verdeeld over slots en live tafels, werd een genuanceerd perspectief duidelijk. Op de slots, vooral bij Gonzo’s Quest en Reactoonz, waren er de betalingspatronen wat men statistisch gezien mag aannemen: langdurige droge fases werden afgewisseld met abrupte, matige winsten die amper de volledige verliezen inhaalden. De tester ervoer een opmerkelijk hevige verliesserie van 150 spins op een medium-volatility slot met geen significante uitkering, een situatie dat het hart van elke gokker test maar dat behoort tot de gebruikelijke statistische variantie valt voor spellen met een RTP van ongeveer 96 procent.

Bij het live blackjack, waar de house edge in theorie lager is, was de ervaring onregelmatiger en psychisch vragender. De tester nam waar hoe een beginnende winstrun van €350 binnen een uur volledig wegsmolt door een aantal ongelukkige dealer-21’s op ogenblikken waarop de basistactiek een forse inzet voorschreef. Het belangrijkste inzicht in dit geval was dat Elite Casino niet ongebruikelijke patronen vertoonde die op manipulatie konden duiden; de dealer trok natuurlijkekaarten en de software reageerde met geen vertraging. Er werd een bescheiden nettowinst gerealiseerd op de live roulette door een terughoudende inzetstrategie op de buitenstekansen, maar deze werd direct in de schaduw gesteld door de hogehouse edge op de zijlijnen, wat de noodzaak van discipline beklemtoont. Het platform toont geen bedrieglijke “bijna-win”-animaties die het gokgedrag zouden kunnen versterken, wat vanuit een ethisch perspectief gunstig werd beoordeeld.

De eerste Eerste en het Aanmeldingsproces

Het inschrijvingsproces bij Elite Casino is meteen een weerspiegeling van de Belgische wettelijke eisen, een element dat vaak wordt gezien als een obstakel maar in de praktijk een veiligheidsmaatregel is. De tester werd geconfronteerd met een noodzakelijk identiteitsverificatieproces via Itsme of een manuele upload van een identiteitskaart, gecombineerd met een recent bewijs van adres dat niet verouderd mag zijn dan drie maanden. Deze stap, hoewel administratief belastend, werd opvallend rap verwerkt. Binnen twintig minuten na het overhandigen van de documenten was het account volledig gecontroleerd en klaar voor een storting, wat beduidend efficiënter was dan bij talrijke concurrenten waar dit proces dagen kan aanslepen. De interface van het inschrijfformulier is overzichtelijk en vraagt systematisch om de wettelijk verplichte informatie zoals rijksregisternummer, geboortedatum en verblijfsadres, zonder onnodig uit te weiden naar niet-relevante marketingvragen die vaak als storend worden ondervonden.

Eenmaal aangemeld valt de visuele soberheid van het platform op. Elite Casino opteert voor een donker, ingetogen kleurenpalet zonder de schreeuwerige banners en pop-ups die vele andere online casino’s typeren. De menubalk aan de bovenkant leidt de gebruiker logisch naar de onderdelen Live Casino, Slots, Tafels en Promoties. Opvallend is de afwezigheid van een overweldigend aantal keuzes op het startscherm; er is duidelijk curatie toegepast. Voor een Belgische speler die gewend is aan de knipperende lichten van fysieke speelhallen, voelt deze benadering volwassen en rustgevend. De laadtijden van de pagina’s, getest op een standaard breedbandverbinding in Vlaanderen, waren constant onder de twee seconden, inclusief de zwaardere live dealer-spellen. De mobiele ervaring via de browser was eveneens vloeiend, zonder dat een aparte app nodig was, wat het platform laagdrempelig houdt en opslagruimte op het toestel spaart.

Vergelijkingsanalyse met Alternatieve Belgische Operators

Wanneer Elite Casino vergeleken met overige officiële Belgische aanbieders onder meer Circus, Ladbrokes of Unibox wordt vergeleken, springen enkele fundamentele onderscheidingen te bespeuren die de positionering van het merk duiden. Waar Circus inzet op een hybride aanpak met fysieke speelhallen en een omvangrijk sportboek, en Unibox een uitgestrekt internationaal assortiment ambieert, opteert Elite Casino voor een smallere, diepere toespitsing op het pure casinospel. De tester merkte op dat de normale inzetlimieten bij Elite Casino enigszins hoger uitkomen dan bij de meeste concurrenten, wat duidt op een doelgroep die gaat naar het midden- tot hogere segment van recreatieve spelers. Het afwezigheid van een sportweddenschap-sectie kan voor de Belgische speler die ook regelmatig op de Jupiler Pro League wedt een doorslaggevend nadeel vormen, maar voor de fan van een ongestoorde casino-ervaring is het een voordeel die distractie minimaliseert.

De doorzichtigheid van de voorwaarden en de vlotheid van de uitbetalingen zetten Elite Casino in de top drie van de geteste Belgische platforms. Terwijl sommige concurrenten nog steeds vindingrijk omspringen met de bepaling van “verwerkingstijd”, hanteert Elite Casino het reglementaire maximum van 24 uur maar verbreekt het dit consequent door snellere verwerking. De tester noteerde ook dat de klantenservice van Elite Casino beduidend beter functioneert dan die van grotere, meer commerciële aanbieders waar de wachttijden kunnen toenemen tot meer dan tien minuten. Het slechtste punt in de vergelijking is de betrekkelijke onbekendheid van het merk en het gebrek aan een grote community van gebruikersrecensies, wat nieuwe spelers kan ontmoedigen die rekenen op maatschappelijke bewijskracht. Deze anonimiteit is echter gedeeltelijk een gevolg van de Belgische reclamebeperkingen en behoeft niets te vertellen over de operationele kwaliteit, maar het is een aspect die de tester meegeeft als een objectieve vaststelling die elke mogelijke gebruiker zelf moet beoordelen.

Bonuscondities en Reclame-ethiek

De wetgevende macht in België heeft bonussen in online casino’s sinds 2023 aan een strikt keurslijf gebonden, en Elite Casino bewandelt dit terrein met een gepaste terughoudendheid die de tester als fris ervoer. De welkomstbonus, een stortingsbonus tot een bescheiden bedrag, is gekoppeld aan rondspeelvoorwaarden die duidelijk en eerlijk worden gecommuniceerd. Geen onduidelijke overzichten, geen verborgen clausules over uitgesloten spellen; de voorwaarden zijn in begrijpelijk juridisch Nederlands opgesteld. De tester schatte dat de daadwerkelijke waarde van de bonus na het doorlopen van de inzetvereisten, rekening houdend met de bijdragepercentages van slots en live spellen, beduidend lager was dan de aangeboden waarde, maar dat is een wiskundige realiteit die geen enkel bonussysteem kan verhullen. Het gemis van agressieve reload-bonussen en free spins-stormen draagt bij aan de indruk van een platform dat gericht is op duurzame relaties in plaats van impulsieve stortingen.

In de testperiode ontving de tester twee gepersonaliseerde promotiemails die beide exact voldeden aan de Belgische regelgeving: de onderwerpregel bevatte geen misleidende winstbeloften, de afzender was duidelijk geïdentificeerd en de opt-out link werkte onmiddellijk. Elite Casino maakt geen gebruik van gamification-elementen zoals uitdagingen, levels of progressiebalken die de grens met videogames doen vervagen, een bewuste keuze die de scheiding tussen entertainment en gokken duidelijk houdt. De loyaliteitsprogramma’s, die in andere jurisdicties vaak bezaaid zijn met psychologische trucs, zijn hier teruggebracht tot een sober cashback-systeem dat wekelijks automatisch wordt uitgekeerd zonder dat de speler acties hoeft te ondernemen. Deze strategie plaatst Elite Casino in een ethisch segment dat de tester omschrijft als “een casino dat zich gedraagt als een bank in plaats van als een pretpark”, een omschrijving die naargelang de persoonlijke voorkeur van de speler een compliment of een minpunt kan zijn maar die objectief gezien de veiligste keuze is.

Veelgestelde vragen

Is het Elite Casino helemaal legaal in België?

Elite Casino functioneert met een officiële vergunning van de Belgische Kansspelcommissie, wat betekent dat het platform voldoet aan alle landelijke wetgeving rond kansspelen. De vergunning garandeert dat de spellen rechtvaardig verlopen, dat de persoonlijke gegevens van spelers degelijk wordt nagekeken, en dat het casino daadwerkelijk deelneemt aan het EPIS-systeem voor zelfuitsluiting. Elke speler kan het vergunningsnummer onderaan de website nagaan in de openbare databank van de Kansspelcommissie. Spelen bij een onvergunde aanbieder is in België strafbaar voor zowel de uitbater als de speler.

Hoe lang een uitbetaling bij Elite Casino?

De verwerkingstijd van uitbetalingen is afhankelijk van de controle status van het account en het opnamebedrag. Bij een volledig geverifieerd account worden de meeste opnames binnen 24 tot 48 uur verwerkt en uitbetaald via de oorspronkelijke stortingsmethode. Bij grote bedragen of eerste opnames kan het platform een inkomstenonderzoek starten, wat de periode met maximaal 72 uur kan verlengen. Dit is een wettelijke verplichting in België en geen vertragingstechniek van het casino zelf.

Kan ik ik Elite Casino spellen op mijn smartphone spelen?

Ja, Elite Casino is geoptimaliseerd voor mobiel toegang via een responsieve website die werkt op alle moderne browsers van iOS- en Android-toestellen. Er is geen app nodig; spelers navigeren simpelweg naar de website en melden zich aan. De interface schaalt zichzelf het schermformaat aan, waardoor knoppen groot genoeg worden gehouden voor touch-bediening. Alle live dealer spellen van Evolution Gaming en het volledige slotaanbod zijn mobiel te spelen. De tester ondervond geen kwaliteitsverlies in vergelijking met de desktopversie.

Wat voor stortingsmethoden gebruikt Elite Casino?

Elite Casino biedt de in België meest populaire betaalmethoden: Bancontact, Payconiq by Bancontact en klassieke bankoverschrijving. Kredietkaarten worden categorisch niet geaccepteerd, conform de Belgische wet die gokken op krediet verbiedt. E-wallets zoals PayPal of Skrill zijn eveneens niet aanwezig, deels door de wettelijke vereiste van directe bankkoppeling en deels door het beleid van de Kansspelcommissie. Stortingen via Bancontact worden direct verwerkt en zijn onmiddellijk beschikbaar. Het platform berekent geen eigen transactiekosten aan.

Zijn de bonussen de moeite om te overwegen?

De promoties bij Elite Casino zijn bescheiden en beantwoorden strikt aan de Belgische wetgeving die agressieve promoties verbiedt. De onthaalbonus heeft redelijke rondspeelvoorwaarden die open worden gecommuniceerd zonder verborgen clausules. De werkelijke waarde na het doorlopen van de wagering is kleiner dan de officiële waarde, wat rekenkundig inherent is aan elk bonusmodel. Deelnemers die op zoek zijn naar indrukwekkende bonuspakketten zullen teleurgesteld zijn, maar wie belang hecht aan heldere, uitvoerbare voorwaarden zonder misleidende praktijken, treft hier een verantwoord aanbod. Geldteruggave wordt iedere week automatisch verstrekt.

Wat moet ik doen als ik een gokprobleem heb of vrees?

Elite Casino biedt directe toegang tot het EPIS-systeem van de Kansspelcommissie van België, waarmee spelers zichzelf kunnen blokkeren van alle vergunde casino’s in het land. Op het online casino zelf kunnen spelers onmiddellijk een reality check configureren, stortingslimieten veranderen en een kortdurende pauze van 24 uur tot zes weken inschakelen. De klantenservice is geoefend om aanwijzingen van schadelijk speelgedrag te identificeren en kan doorsturen naar gespecialiseerde hulporganisaties zoals de Druglijn of Gokhulp België, die anonieme en kosteloze ondersteuning bieden.

June 12, 2026

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De huidige Belgische online gokmarkt is een

Jason Bateman on 5 Emmy Noms, a ‘Game Night’ Sequel and AI

Jason Bateman is living dangerously.

The actor-director enters this Emmy cycle with a problem most performers would envy: two acclaimed limited series, two wildly different roles and a directing-producing resume that keeps expanding even as he approaches the age when peers start thinking about slowing down. “Our tolerance for taking on more actually grows even as we start to approach the age when we’re supposed to [slow down],” Bateman says. “You gain so much knowledge through your experience that you just want to have the fortunate position of having a job that asks all of those things you’ve learned.”

He’s just landed in Los Angeles this morning and looks as relaxed as his public persona has looked across 40 years in the business — that run began as a child actor on the classic series “Little House on the Prairie” and made him, at the time, the youngest director ever to earn a DGA card. Three weeks from now, he starts shooting his first feature since “The Family Fang” (2015), a film titled “Cackling of the Dodos,” with Sam Rockwell and Woody Harrelson. But first, he gets to enjoy some of the awards spotlight.

It’s the “Ozark” playbook again with Netflix’s thriller “Black Rabbit,” in which Bateman stars opposite Jude Law. He serves as an executive producer through his production company Aggregate Films, and helmed the first two episodes, one of which has already landed him a DGA nomination this past winter. But playing the chaotic Vince in the show was a deliberate swing. “I’ve kind of been playing the Jake part for a while, and [I thought] playing the Vince part would be fun,” he shares. “I got a take on what a heartbreaking screwup this guy is.” After knocking it out of the park, he pivoted somewhere unexpected.

Jason Bateman and Harbour in “DTF St. Louis”

HBO

The HBO Max miniseries “DTF St. Louis” is Steven Conrad’s twisty whodunit built around a love triangle, with Bateman as smiling weatherman Clark Forrest alongside David Harbour’s Floyd Smernitch and Linda Cardellini’s Carol. Bateman shaped Clark from the page up, recasting a vain TV personality as a wide-eyed innocent who reads Floyd as a big brother. “It could lend to the mislead of, oh, [Clark] definitely killed him because he’s obsessed with him,” Bateman says. “He’s this sweet guy that you’re not used to seeing, because in our cynical world, we just misinterpret that.”

Bateman is competing in the lead actor category for “Rabbit” and supporting for “DTF,” plus EP credits on both. Producer noms for both would place him among only a handful of double-producer nominees in Emmy history. He already holds noms from the Actor Awards, formerly SAG, and a DGA mention for helming the episode, “The Black Rabbits.” Yet his 14 career noms (which he doesn’t track), and a lone directing win barely register. “This stuff does matter to me, but luckily not enough to know numbers,” he chuckles.

And while the moment is about his TV work, there is also an important question to address: a “Game Night” sequel. Bateman developed the 2018 hit, then handed directing duties to writers John Francis Daley and Jonathan Goldstein, and he wouldn’t mind reuniting the band. “I think if John and Jonathan wanted to write one, I’ll bet you [Warner Bros.’] Mike [De Luca] and Pam [Abdy] will be up for it, and I certainly would be there as an actor,” he says, calling studio ensemble comedies “the best jobs.”

Asked about AI, Bateman defers to a famous friend, “smart folks like my buddy Ben Affleck,” adding, “I’m looking forward to next time he and I talk to pick his brain about it, because he’s put in the time.” What he wants most is the hardest trick in the business, which is the lane Steven Spielberg and Christopher Nolan occupy: big tentpole studio projects. “If I were to dream as high as possible, it would be to Trojan horse a really fine piece of artistry into one of those huge pieces of studio business.”

An (arrested) development worth keeping an eye on.

Emmy nomination voting runs through June 22.

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June 12, 2026

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Jason Bateman is living dangerously. The actor-director enters

MCU

Disney Announces 2 Marvel Stars Will Team-Up For Pixar’s Next Movie

Disney has lifted the lid on its next Pixar film after Toy Story 5, and it’s confirmed to feature two Marvel stars. In March 2027, the studio will release Gatto, a feline-focused tale with a revolutionary new art style for Pixar. Gatto has been kept in the shadows for months, but the first teaser has revealed some of the characters in the new animated film, along with the voices behind them.

The first teaser for Gatto confirms the Pixar film’s Italian setting, with the action taking place in the iconic canals of Venice. The film also leans heavily on Italian mob iconography, with the teaser using a rendition of The Godfather’s theme and following an interrogation scene in the Venetian underground.

Pixar confirmed with its release of the Gatto trailer that Mark Ruffalo will voice the black cat, Nero, and he’ll be joined by fellow MCU star Laurence Fishburne as the cat mob boss, Rocco. In the trailer, Nero and Rocco team up to interrogate another cat about the missing tuna, with Rocco acting as an intimidating, ruthless interrogator while Nero is distracted by the dangling light above. Eventually, the interrogation dissolves into chaos as all three cats are taken in by the swinging light.

Pixar

This teaser is the first news of any cast in Gatto, and the fact that it will feature not just one, but two, Marvel stars is exciting – particularly as they’ve never crossed paths in the MCU before.

Ruffalo is well known for playing one of the core Avengers, Bruce Banner, aka the Hulk, and is still frequently involved in the MCU, with his next appearance coming this summer in Spider-Man: Brand New Day.

Fishburne is known for many roles, including Morpheus in The Matrix franchise, but he also had a turn in the Marvel universe, playing Dr. Bill Foster in Ant-Man and The Wasp, and returned to voice variations of him in What If…?. Ruffalo has also had voice roles in What If…? but the two actors never featured in the same episodes.

Laurence Fishburne as Bill Foster in Ant-Man and The Wasp. — Marvel Studios

Pixar describes Ruffalo’s character, Nero, as a “scrappy black cat,” while Fishburne’s Rocco is said to be a “ruthless mob boss cat.” The trailer also provided a brief synopsis of the story, revealing that Nero is “[questioning] whether he’s lived the right lives” and is “indebted to Rocco.”

In ‘Gatto’, after years of maneuvering the canal-ridden, superstitious city of Venice, Italy, Nero begins to question whether he’s lived the right lives. Indebted to Rocco, the local feline mob boss, Nero finds himself in a quandary and is forced to forge a truly unexpected friendship that may finally lead him to his purpose—unless Venice gets the better of him first.

Gatto is directed by Enrico Casarosa (Luca) and will be Pixar’s next film after this summer’s Toy Story 5, as well as its latest original. The movie will be released in theaters on March 5, 2027.

Pixar’s New Film Features A Major Marvel Duo

The inclusion of Ruffalo and Fishburne in the cast of Gatto is significant for several reasons, including that it’s the first time either actor has appeared in the voice cast of a Pixar movie. The Disney studio has recently expanded its voice cast, including Meryl Streep and Dave Franco, for this year’s Hoppers. Gatto will now do the same by recruiting more top talent for its original feature, and particularly two actors with a Marvel pedigree.

Ruffalo and Fishburne never had the chance to share the screen in the MCU, and it seems unlikely they ever will, seeing as Fishburne’s Bill Foster is canonically in hiding after the events of Ant-Man and The Wasp, and it doesn’t seem like Marvel has intentions of bringing him back (although his protege, Ava Starr, is featured in Avengers: Doomsday).

The relationship between Nero and Rocco will seemingly be very important throughout Gatto, which gives Ruffalo and Fishburne an interesting dynamic to play with for their first movie together. Nero appears to be playing a henchman to Rocco in the teaser and is described as “indebted” to him. While they seem to be united in the Gatto teaser, Rocco seems like he may be the secret villain of the film, and could be especially antagonistic to Nero if he is looking for a way out of his debts.

The casting of such iconic actors in the parts of these new cat characters should help Gatto make a strong splash when it debuts in 2027, and will hopefully make it stand out as a new Pixar original.

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June 12, 2026

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DCU

The Batman 2 Confirms Fate Of Major DC Villain & It’s A Game Changer For The Dark Knight

The upcoming DC film The Batman Part II has officially revealed the fate of a major villain, and it should have a huge effect on the Dark Knight’s story. Though we’re still over a year away from the October 1, 2027 release date of The Batman Part II, some members of the creative team have already revealed key details about the long-awaited return of Robert Pattinson’s Bruce Wayne. Those details include reveals about some of Gotham’s biggest villains.

Most notably, The Batman Part II will reportedly heavily feature Harvey Dent, aka Two-Face, and his family. Sebastian Stan is reportedly set to play Harvey in the cast of The Batman Part II, while Scarlett Johansson will play his wife and Charles Dance will play his father. Clearly, the film is going to dive deep into Harvey’s role as the district attorney for Gotham and his corruption into the villainous Two-Face.

While Harvey Dent and his family are seemingly going to be the main focus of The Batman Part II, other classic Batman villains are also set to appear in the sequel. The Batman Part II reportedly won’t feature the Joker, but crime families featured in the first film and in The Penguin, like the Falcones, will presumably be returning. Most importantly, Colin Farrell’s Oz Cobblepot is also set to reprise his role as the Penguin, and some new details about his return paint a very promising picture.

The Penguin Is Returning For The Batman Part II, But Only Briefly

During an interview with Screen Rant, Colin Farrell revealed that Oz Cobblepot will only be in two scenes of The Batman Part II. That’s a major step down from the Penguin’s previous screen time in The Batman and a major demotion from his rise to criminal infamy in his self-titled HBO series The Penguin. Evidently, The Batman Part II is putting even more focus on the Dent family than the first film put onto the Riddler.

Sure. Yeah, the whole thing. We haven’t gone to that place yet where somebody arrives with a titanium briefcase chain to their wrist and seven pages of only my scenes. I got to read from the first to last page and it’s really magnificent. I just think Matt Reeves is brilliant and he wrote, not only tonally, a really kind of dark and at times terrifying piece, and not only psychologically weighty and nuanced, but really feeling. It’s a really… There’s moments in it. It’s full of feeling. I just think he wrote kind of a contemporary genre masterpiece, really. I’m only in two scenes, which is great because it means I can enjoy the rest of the film.

Honestly, man, it’s so good. I’m so excited about it. I’m so excited for Matt and Dylan and Robert and the whole team.

Based on Farrell’s comments, it seems that the Penguin will be depicted much the same way in The Batman Part II as he was in the first film. In The Batman, Cobblepot acts as a supporting character and an unwilling informant for both Batman and Jim Gordon’s investigation into the Riddler. Presumably, he’ll be taking on the same role as Batman and Gordon investigate a new mystery surrounding Harvey Dent and other potential characters.

It should also be interesting to see how The Batman Part II handles the events of The Penguin miniseries. In that show, Cobblepot dethroned Sofia Falcone and became the kingpin of crime in Gotham. He’s not just some informant Batman can toss around anymore, he’s a major power player in the city’s underworld. Given his limited role, however, it seems Batman won’t be gunning for his criminal empire as much as running parallel to some of the Penguin’s dealings.

The Penguin’s Limited Role In The Batman Part II Is A Great Sign For Gotham

Cristin Milioti and Colin Farrell in The Penguin stood looking off-screen

Colin Farrell’s portrayal of the Penguin was a fan-favorite part of The Batman, so his smaller role in the sequel seems like a disappointing update at face value. After all, very few people wanted less of Cobblepot, especially after the award-winning story he helmed in The Penguin and him finally coming into his element as a major villain. While it will be disappointing to miss out on some scenes of him, the Penguin’s reduced role is actually a great sign.

By bringing the Penguin back but in a more reduced capacity, The Batman Part II is solving a problem every Batman movie has had with the hero’s rogues’ gallery. In the comics, Batman’s villains are supposed to be facets of Gotham City and problems that never really get solved. Batman keeps beating them down, and they keep getting back up to escape Arkham Asylum and terrorize the city once again. They add flavor to Gotham and make the entire city feel alive.

Batman movies, however, don’t feature this side of his villains. From Tim Burton’s Batman in 1989 to the Dark Knight trilogy and even The Batman, characters like the Joker, the Riddler, Ra’s al Ghul, and Mister Freeze get defeated and either die or are packed neatly into prison, never to be heard from again in sequels. The closest a live-action Batman movie has gotten to the enduring nature of the villains is Cillian Murphy’s Scarecrow, who has cameos in The Dark Knight and The Dark Knight Rises.

Killing off villains or indefinitely imprisoning them allows sequels to be a lot more concise and focus on a new villain, but it also robs Batman’s rogues’ gallery of one of their core aspects. Batman’s villains constantly return to challenge his no-kill rule and make him consider whether he’s really doing what’s best for Gotham by having such a strict moral code. If they don’t return, Batman never has to reckon with his moral framework, and the movies lose out on a lot of tension and character development.

The Batman Part 2 Will Repeat A Winning Quality From Robert Pattinson’s First Movie

The Batman Part II is building its cast with more fantastic actors, and it’s repeating a characteristic that worked well for the first film.

Aside from the thematic implications of not bringing villains back between movies, there’s also an entertainment angle to consider. It’s, frankly, quite fun to see returning villains in new Batman stories. Knowing that Arkham is constantly letting inmates escape, that villains like the Riddler and the Joker are constantly terrorizing Gotham, adds a lot to the flavor and world-building of Gotham. It’s somewhat ridiculous, but so is a billionaire dressing up as a bat to fight crime. By bringing the Penguin back, even just for two scenes, The Batman Part II is letting itself be a bit fun and a bit more comic-accurate than other Batman movies.

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June 12, 2026

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The upcoming DC film The Batman Part

Comics

CAPCOM Responds to Onimusha Way of the Sword’s Demo Difficulty Criticism

With the announcement of Onimusha: Way of the Sword’s release date, CAPCOM released a demo across all platforms to give players a taste of the upcoming title ahead of its September launch. While impressions have been largely positive, many players, myself included, felt that the demo was a bit too easy.

The Onimusha team has already confirmed that it is listening to player feedback online and has now responded to one of the most common criticisms of Way of the Sword’s demo: its relatively low difficulty and lack of challenge.

CAPCOM Addresses Onimusha: Way of the Sword’s Lower Difficulty

Akihito Kadowaki, producer of Onimusha: Way of the Sword, took to the official Onimusha account on X (formerly Twitter) to address feedback regarding the demo’s difficulty.

Thanks to everyone who has played the Onimusha: Way of the Sword demo so far!

Here’s a short message from Producer Kadowaki regarding the difficulty that some players have expressed. pic.twitter.com/x2cmrysJnj

— Onimusha ▶️ Demo Out Now (@OnimushaGame) June 8, 2026

He reassured fans that the demo represents an early section of the main campaign. Musashi was also equipped with several late-game skills because the team wanted players to experience a wider range of his combat abilities. According to Kadowaki, the full release will feature bosses and enemies that actually put up a fight.

Here’s a transcript of his short video:

Hello, everyone! I’m Producer Kadowaki. Thank you so much for playing the demo for Onimusha: Way of the Sword! We’ve heard the feedback that the demo felt too easy for some people. First, the demo is just a slice of the early part of the story. Also, we really wanted you to enjoy a variety of Musashi’s actions. So we intentionally equipped him with some late game skills. Because of that, some players might have felt a lack of challenge. Rest assured, in the final game, the bosses and the regular Genma will put up a tougher fight. Please look forward to the challenge in the full game.

This explanation makes a lot of sense. Musashi feels pretty overpowered in the demo, allowing you to get through most encounters by simply mashing the attack button, outside of the boss fight.

I’ve completed the demo several times now, and if you approach it with the intention of experimenting with its swordplay mechanics, there’s actually a surprising amount of depth on display. Most players simply didn’t engage with those systems because the demo never really pushed them to.

The way enemies react to each other and the environment is one of the best parts of the combat design, and there are a lot of neat details to appreciate the more you dive deep into its reaction-based approach to encounters.

CAPCOM also confirmed that the demo has been downloaded over a million times, a big milestone for the upcoming release.

🎉 Onimusha: Way of the Sword Demo has reached 1 million downloads!

We’re delighted that so many of you have already had the chance to try out the game. We’ve also been reading the many comments and pieces of feedback you’ve sent us, which have been a great source of… pic.twitter.com/a5ovYKQ4Wt

— Onimusha ▶️ Demo Out Now (@OnimushaGame) June 9, 2026

If you haven’t tried out the title yourself, you can download the demo from the links below:

Onimusha Way of the Sword Release Date

Onimusha: Way of the Sword launches on PC, Xbox Series S|X, and PS5 on September 25, 2026.

Onimusha has never been a franchise known for extreme difficulty like Ninja Gaiden or more recent titles such as Sekiro. However, the series has always emphasized positioning, quick reactions, and a methodical approach to combat encounters. I’m confident that the final release will feel more in line with previous entries when it comes to its overall challenge.

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June 12, 2026

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Festivals

Jimmi Simpson Joins Elisabeth Moss in Hulu Drama ‘Conviction’

Jimmi Simpson has joined the upcoming Hulu drama series “Conviction,” Variety has learned exclusively.

Simpson will star alongside previously announced lead Elisabeth Moss and fellow cast members Sebastian De Souza and Adam Godley. The show is based on the Jack Jordan novel of the same name and was greenlit at the streamer in February.

The logline for “Conviction” states, “Criminal Defense Attorney Neve Harper (Moss), a confident lawyer, finally has her shot at a career-making case: a high-profile murder where the husband is accused of killing his wife by setting their home on fire. But when a mysterious stranger begins blackmailing Neve, she is forced to compromise every legal, moral, and ethical obligation to gain an acquittal – or else risk her dark secrets being exposed.”

Exact details on Simpson’s character are being kept under wraps.

Simpson previously starred in the HBO series “Westworld,” for which he earned an Emmy nomination for outstanding guest actor in a drama in 2018. He also appeared in the critically-acclaimed “USS Callister” episode of “Black Mirror,” with Simpson reprising his role in the recent followup episode “USS Callister: Into Infinity.” His other TV credits include “It’s Always Sunny in Philadelphia,” “House of Cards,” and “Pachinko,” while his film credits include “Breaking News in Yuba County,” “Audrey’s Children,” and “Zodiac.”

He is repped by Cognitive Artists, CAA, attorney Bruce Gellman, and Gingham PR.

David Shore is adapting “Conviction” for the small screen and will also serve as showrunner and executive producer. Moss is also executive producing under her Love & Squalor Pictures banner in addition to starring. Warren Littlefield, who worked with Moss and Hulu on both “The Handmaid’s Tale” and “The Testaments,” will executive produce for The Littlefield Co.

Shore is executive producing under his Shore Z Productions banner along with Erin Gunn. Jordan is also an executive producer, as are Ann Johnson and Lisa Harrison of The Littlefield Co. Bert Salke executive produces via Co-Lab21 along with Lindsey McManus of Love & Squalor. 20th Television is the studio. Both Shore and Littlefield are currently under overall deals with 20th TV, while Jordan has a multi-year development deal there as well.

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June 12, 2026

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Jimmi Simpson has joined the upcoming Hulu

Film

‘The Boys’ Season 5 Score and Sound Teams — Interview

When the Amazon series “The Boys” premiered in 2019, it won a devoted fan base with its bold and irreverent take on the superhero genre. Under showrunner Eric Kripke‘s guidance, the story of vigilantes taking on “supes” (people with superpowers who use them for nefarious rather than heroic purposes) satirized both contemporary politics and comic book conventions, often with graphic gore, extreme vulgarity, and a deeply cynical point of view.

Yet “The Boys” also has a sincere side, with Kripke balancing the show’s more outrageous elements with moments of genuine moral conflict and pathos (much as he did on his hit show “Supernatural”). The emotions that have always been bubbling underneath the surface came to the forefront in the show’s fifth and final season, in which Kripke and his collaborators found poignant, affecting — and occasionally gross and hilarious — ways of saying goodbye to the outcast characters audiences had come to know and love.

STRANGER THINGS: SEASON 5. (L to R) Natalia Dyer as Nancy Wheeler and Charlie Heaton as Jonathan Byers in Stranger Things: Season 5. Cr. COURTESY OF NETFLIX © 2025

For composers Christopher Lennertz and Matt Bowen, the emotional depth of the final season came as a bit of a surprise. “We knew it was the last season, but I wasn’t really prepared for how much emotional music was going to be in the season, especially the last two episodes,” Lennertz told IndieWire. “We were saying goodbye to multiple main characters in single episodes, so there was a lot more orchestra.” In a way, the finale brought the music full circle back to what it was like in the first season.

“We had quite a bit of music in the first season that was more legit superhero music,” Lennertz said. “The audience didn’t know the Supes were assholes yet. So the music didn’t necessarily have the grit and violence and out-of-tune stuff that started to come later. As things got crazier with our heroes and the Supes, things became more dissonant. The beginning of the show had this dichotomy between good and bad, then it was all ugly, and then it took this turn into the emotion of saying goodbye to characters that all of us have grown to love and connect to.”

“We’re just responding to how the show is evolving,” Bowen added. “In the beginning, there’s a lot of swagger and winking, and then it gets darker and darker. Then we come to this finale where the writing and performing and the edit were all very cinematic, and we got to respond to that with music that was very cinematic relative to where we had been in our universe.”

One musical highlight of Season 5 was “Raise Him Up,” a song written by Lennertz and actor Daveed Diggs, who joined “The Boys” this season as corrupt religious supe “O Father.” “I was in London working on a movie, and I saw that Daveed Diggs had been cast in the show,” Lennertz said. “I didn’t even know what part, but I immediately texted Eric, ‘If Daveed is in this show and we don’t have him sing, we should all be fired.’” Over six months passed, and then Kripke emailed Lennertz with the news: he needed a song for Oh Father to sing announcing that main bad guy, Homelander (Anthony Starr), is God.

Lennertz and Diggs got to work, and their first version was, in Lennertz’s words, “a total whiff. We had this Travis Scott/Childish Gambino-like swagger rap thing. And Kripke was like, ‘Absolutely not. He’s an old-fashioned soulful Southern preacher.’” Looking to gospel and rhythm and blues music for inspiration, Lennertz and Diggs landed on the rousing, catchy tune that ended up anchoring one of the most memorable set pieces of the entire series.

Throughout the series, Lennertz and Bowen were concerned with finding a musical language for the characters, and often tried to find corollaries in their instrumentation for the actors’ gestures and expressions. “In Season 4, there was a whole other set of facial tics for Homelander because he was grappling with the idea of mortality,” Bowen said. Initially, the composers used a violin cadenza theme they had created for Homelander earlier in the series — one designed to provide a musical “inner monologue” — but Kripke rejected it.

“He said, ‘We’re in a different part of his brain now,’” Bowen said. “So we created a scratchy, out-of-control cello thing that was all distorted.” Lennertz added that the cello sound was associated with Homeland’s discovery that he had gray pubic hairs — pointing once again to the show’s tendency to undercut moments of utmost seriousness (at least for the characters) with juvenile humor. That tonal high-wire act extended throughout the series beyond the music and into the work of the entire post-production sound team.

“It was really an evolution that started in Season 1, figuring out how far we could go,” supervising sound editor Wade Barnett said. From the beginning, the sound team wanted their work to express character just as the music did. “We were very specific about whose punches sound a certain way, whether they have powers or through their story arc, and adjusted the mix and editorial.” Initially, Barnett expected Kripke or Amazon to push back against the extremity of the blood and gore sounds, but he found the reaction was the opposite.

“We were expecting Eric to say to pull it back, but he was saying to go further,” Barnett said. “It evolved over the years until we got it dialed in.” According to re-recording mixer Alexandra Fehrman, each punch is often made up of over 40 different samples shaped by another re-recording mixer on the show, Rich Weingart. “It’s a real ballet between us,” Weingart said. “Alexandra establishes a benchmark with her dialogue and music, then I go through and tweak it so you hear every painful aspect of every punch — not only their powers, but the results of their powers.”

Karl Urban (Billy Butcher) — ‘The Boys’Jasper Savage/Prime

Between music, effects, and dialogue, Weingart said the show is “a 10-gallon hat, but we get 20 gallons of material.” That means constant choices about where to emphasize music, where to emphasize sound design, and where to trust that silence is a more effective dramatic choice than cacophony. “There are moments where we fill the sonic space, and then we have to peel it back and make it a quieter moment,” Fehrman said. “Does it need sound design, or is it actually more tense if we left it silent? Then we have to make sure that the space really feels empty with the reverb on the dialogue and other ways to do that.”

According to Bowen, something similar often happens with the music, especially when it comes to comic moments. “There’s a lot of just getting out of the way,” Bowen said. “The last thing [Kripke] needs or wants is for us to actually comment. It’s more about getting to that comedic moment and letting the actors take it away.” Often, the laughs on the show are generated by a delicate interplay between the music and the sound design.

“Basically, we tell the joke and [the sound team] does the punchline,” Lennertz said, noting that the music will sometimes build and then stop just in time for a sound effect — or cut to silence — that lands the joke. “It’s one of those things where you almost feel guilty that it’s that simple, but it works every single time.” Lennertz added that figuring out that timing is key to the emotional moments as well.

“Eric’s very regimented in terms of when he wants the audience to feel things, and he was really holding back [on using one of Lennertz and Bowen’s most unabashedly earnest and melodic cues]. He said, ‘Not yet, not yet. This is the point where we really need to start sobbing.’ And he was right.”

The biggest challenge for many of the artisans who worked on “The Boys” was getting the job done on time and on budget while dealing with the complicated emotions the final episodes elicited. “We have to keep moving,” Fehrman said. “We have a schedule, and we want to make sure that every moment is spent making the show sound better. But I kept stopping and saying, ‘Man, this is the last episode. This is crazy.’ I’ve been on other shows for this long, but it doesn’t quite feel the same. It was a really satisfying ending for me from a viewing perspective, but it was hard to get through from a mix perspective.”

All five seasons of “The Boys” are currently streaming on Amazon Video.

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June 12, 2026

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When the Amazon series “The Boys” premiered

TCA Awards 2026 nominees: Widow’s Bay, Industry, Heated Rivalry

Widow’s Bay, Apple TV’s horror comedy, premiered less than two months ago, but has already (and rightfully) earned top honors at the 42nd Television Critics Association Awards. Katie Dippold’s series bagged five nods—hopefully, Emmy voters are taking note, too. Not to be left behind, HBO’s Industry and the Canadian series Heated Rivalry also have five nominations apiece, including for HR‘s lead pair and Industry stars Myha’la, Marisa Abela, and Ken Leung.

Nominees were chosen among shows that aired between June 1, 2025, and May 31, 2026. Others made the cut include previous winners like Hacks and The Pitt, as well as new shows Margo’s Got Money Troubles and The Lowdown. This year, TCA also expanded its categories to add awards for animation and international series, the latter to recognize shows produced outside the U.S. where the predominant language spoken isn’t English.

As in the past, the nominees were selected by a voting body of over 220 television journalists. (Two members of The A.V. Club‘s staff are also TCA members.) The winners will be announced later this summer, but until then, check out the full nomination list below:

The Comeback, HBO Max
Hacks, HBO Max
Heated Rivalry, Crave/HBO Max
Industry, HBO Max
The Late Show With Stephen Colbert, CBS
The Pitt, HBO Max (2025 Winner)
Pluribus, Apple TV
Shrinking, Apple TV
Widow’s Bay, Apple TV

Abbott Elementary, ABC (2022 Winner)
The Comeback, HBO Max
The Fall And Rise Of Reggie Dinkins, NBC
Hacks, HBO Max (2024 Winner)
The Lowdown, FX
Margo’s Got Money Troubles, Apple TV
Shrinking, Apple TV
Widow’s Bay, Apple TV

The Gilded Age, HBO Max
Heated Rivalry, Crave/HBO Max
Industry, HBO Max
A Knight Of The Seven Kingdoms, HBO Max
Paradise, Hulu
The Pitt, HBO Max (2025 Winner)
Pluribus, Apple TV
Task, HBO Max

Outstanding Achievement in Movies, Miniseries or Specials

All Her Fault, Peacock
The Beast In Me, Netflix
Beef, Netflix (2023 Winner)
Death By Lightning, Netflix
DTF St. Louis, HBO Max
Half Man, HBO Max
Lord Of The Flies, Netflix
Love Story: John F. Kennedy Jr. & Carolyn Bessette, FX

Outstanding New Program

Alien: Earth, FX
The Fall And Rise Of Reggie Dinkins, NBC
Heated Rivalry, Crave/HBO Max
A Knight Of The Seven Kingdoms, HBO Max
The Lowdown, FX
Margo’s Got Money Troubles, Apple TV
Pluribus, Apple TV
Widow’s Bay, Apple TV

Individual Achievement in Drama

Marisa Abela, Industry
Sterling K. Brown, Paradise
David Harbour, DTF St. Louis
Katherine LaNasa, The Pitt
Ken Leung, Industry
Myha’la, Industry
Rhea Seehorn, Pluribus
Connor Storrie, Heated Rivalry
Hudson Williams, Heated Rivalry
Noah Wyle, The Pitt (2025 Winner)

Individual Achievement in Comedy

Hannah Einbinder, Hacks
Elle Fanning, Margo’s Got Money Troubles
Harrison Ford, Shrinking
Lisa Kudrow, The Comeback
Kate O’Flynn, Widow’s Bay
Matthew Rhys, Widow’s Bay
Jean Smart, Hacks (2021, 2024 Winner)
Tim Robinson, The Chair Company

Outstanding Achievement in News and Information

60 Minutes, CBS (2012 Winner)
The American Revolution, PBS
CBS This Morning, CBS
Disneyland Handcrafted, Disney+
Frontline, PBS(Eight-time Winner in Category)
Have I Got News For You, CNN
Marty, Life Is Short, Netflix
Mr. Scorsese, Apple TV

Outstanding Achievement in Variety, Talk or Sketch

The Daily Show, Comedy Central
Jimmy Kimmel Live!, ABC
Last Week Tonight With John Oliver, HBO Max (2018, 2019, 2021 Winner)
Late Night Wth Seth Meyers, NBC
The Late Show With Stephen Colbert, CBS
The Muppet Show: Sabrina Carpenter, Disney+
Saturday Night Live, NBC

Outstanding Achievement in Reality

Couples Therapy, Showtime/Paramount+ (2021 Winner)
Finding Mr. Christmas, Hallmark
The Great British Baking Show, Netflix
Love On The Spectrum, Netflix
RuPaul’s Drag Race, MTV (2014 Winner)
Survivor, CBS
Top Chef, Bravo
The Traitors, Peacock (2024, 2025 Winner)

Outstanding Achievement in Family Programming

Disney Twisted-Wonderland: The Animation, Disney+
Electric Bloom, Disney+/Disney Channel
Percy Jackson And The Olympians, Disney+/Hulu
Phineas and Ferb, Disney+/Disney Channel
Stranger Things: Tales from ‘85, Netflix
Vampirina: Teenage Vampire, Disney+/Disney Channel
Wizards Beyond Waverly Place, Disney+/Disney Channel
WondLa, Apple TV

Outstanding Achievement in Children’s Programming

Carl the Collector, PBS KIDS
The First Snow Of Fraggle Rock, Apple TV
Mickey Mouse Clubhouse+, Disney+/Disney Jr.
Phoebe & Jay, PBS KIDS
Snoopy Presents: A Summer Musical, Apple TV
Sofia The First: Royal Magic, Disney+/Disney Jr.
Weather Hunters, PBS KIDS
The Wonderfully Weird World Of Gumball, Hulu

Outstanding Achievement in Animation – New Category

Bob’s Burgers, Fox
Haunted Hotel, Netflix
Invincible, Prime Video
King of the Hill, Hulu
Long Story Short, Netflix
The Simpsons, Fox
South Park, Comedy Central
Star Wars: Maul – Shadow Lord, Disney+
Women Wearing Shoulder Pads, Adult Swim

Outstanding International Series – New Category

The Boyfriend, Netflix
Crime Scene Zero, Netflix
Drops Of God, Apple TV
The House Of The Spirits, Prime Video
Last Samurai Standing, Netflix
Squid Game, Netflix

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June 12, 2026

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Widow’s Bay, Apple TV’s horror comedy, premiered

What to Watch

Netflix’s New FIFA World Cup Game Is A Major Letdown

FIFA is an organization that has spent years tearing down its sense of shame. The transparency with which the governing body of football has been a willing participant in sportswashing campaigns from dictatorial nations, gouged fans of the game for money, and sought to kiss up to the Trump administration has brought bile to the mouths of fans around the world. Meanwhile, FIFA has been hubristically clinging to the appearance of a beloved organization working hard for those who watch and play the game. Somehow, all of FIFA’s hubris, disregard for the sport, and focus on brand partnerships are epitomized in their football simulator released through Netflix.

The journey that led to FIFA World Cup: Launch Edition is fraught with self-sabotage. In the video game industry, the name FIFA was attached to EA Sports’ yearly offering that dominated the sports simulator industry and topped sales charts for all consoles on a regular basis. Some of EA’s light-gambling practices and incremental yearly alterations to the games meant they weren’t always seen as prestigious, but they had landed on a formula and a marketing approach that brought in an audience and offered enough variety for different types of players.

However, in 2023, EA announced that they were moving away from the FIFA branding due to the governing body taking a reported $1 billion every four years to license its name. In response, FIFA promised its own football simulator, which would rival what is now EA FC.

FIFA World Cup: Launch Edition is a competitor to EA FC in the same way that a sandwich I made from leftovers in my fridge is a competitor to McDonald’s. Not only does this game lack the quality of a AAA game, but it also lacks the fun spirit of a video game that would bring casual audiences in at all.

Picture Credit: Netflix

The most immediate and glaring problem with Launch Edition is the graphics and presentation. The menus are dull, and the actual games themselves feel like an oversaturated blend of generally football-like colors that just about amalgamate into a football pitch. Its messiness and unpleasantness come from an attempt to emulate a realistic football sim like EA FC but without the budget, time, or hardware to achieve it. Football fans would be familiar with great mobile games from the past, like New Star Soccer and Score Hero, games with very crude graphics that were forgivable due to the unique perspective of the games and the fact that the biggest sporting body on the planet didn’t have its name attached. Those games made fun gameplay loops out of their limited resources. Launch Edition just ended up as a worse version of EA FC.

Launch Edition’s messy graphics aren’t too intrusive on the gameplay because it moves much too slowly for you to not understand what’s going on. There is no opportunity for quick passes and all the players seem to sprint at the same leisurely pace. This means that there is very little room for variation in play styles. Once you find the way to win, you simply repeat that in every game, no matter what. This is exemplified in the lack of formations available in the game; only eight ways of setting up the teams exist.

Even less variation is available in the game’s controls. Launch Edition requires two screens to play: one is your TV or laptop, the other is your phone, which uses the Netflix Controller app. You’re given an analog cursor for your left thumb and a touch-sensitive square for your right. The limitations of this control scheme are already obvious. Spriting, passing and shooting are easy enough to pull off, if you really get into the game you can pull off the odd cross, lob and skill move (you seemingly have no control over which), but all of it feels unintuitive and unresponsive.

Picture Credit: Netflix

Having the freedom of a touch screen is at odds with how limiting Launch Edition actually plays. If you want to pass, you tap the screen. This automatically sends the ball to a predetermined highlighted player. But if you want to pass to a player that the game doesn’t select for you, you have to physically dribble over to them until the game recognizes them as the best option. That is just one way in which the controls are laborious.

Even small details of the game are incredibly frustrating. The commentary on the matches is weirdly out of step with what’s happening in the game in a way you wouldn’t expect from a FIFA game 20 years ago. It’s a small detail, but it cheapens the experience to receive the ball in midfield and have the comms screaming as if you’re through on goal.

The one mechanic that makes Launch Edition even resemble a video game is an upgrade system where, using coins earned by completing challenges in each match, you can boost a specific player’s stats. However, the actual gameplay isn’t deep enough for any of these changes to make a significant difference in the actual gameplay. All of your actions feel decided for you, so what help is boosting a player’s short pass stat?

I played Launch Edition with my Xbox controller sitting right next to me and I couldn’t help but think “why am I not just playing the actual thing?” Launch Edition wouldn’t feel like such a disaster if it didn’t openly invite comparisons to EA FC, not only by using the FIFA license, but by trying to be a realistic football simulator. Without the budget to add any depth, you end up with a bunch of systems that haven’t already been done better on the game you probably already have.

Nobody interested in football video games is playing Launch Edition without already owning EA FC. By this time in the season, it has already been discounted heavily numerous times and been added to streaming services like Xbox Game Pass, PS Plus, and Amazon Luna. Right now, the game costs £20 on the Xbox store. The game being on Netflix doesn’t make it more accessible to the target audience.

Picture Credit: Netflix

Launch Edition is a misguided attempt at a AAA title when it would have been far more beloved as an emulation of the classic mobile games fans of football actually enjoy. It was clearly made with limited resources, and the developers were clearly not given enough support for their passion and ideas to come through. If FIFA is truly committed to becoming a beloved institution again, to upholding the integrity of the sport, to providing the best possible experience to fans and players, and to providing a true competitor in the football sim genre, then the solution is a simple one – care more.

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June 12, 2026

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FIFA is an organization that has spent

Entertaintment

Jogador diário do Mafia Casino compartilha impressões honestas de Portugal.

The 5 Most Popular Online Casino Games for Real Money - BR Softech

Visualize-se entrando nos salões agitados do Mafia Casino, onde a agitação se mistura ao tilintar das fichas. Você sente a antecipação no ar enquanto outros jogadores compartilham vislumbres coniventes. Cada ida mostra novas chances e táticas, balanceando a excitação do jogo com a experiência da experiência. O que faz com que jogadores como você voltem semana após semana? A resposta está na combinação única de costume e jogos atuais que forma sua jornada.

A Excitação das Apostas: Uma Jornada Pessoal

Ainda que você jamais tenha estado em um cassino, a excitação das apostas pode ser difícil de resistir. Imagine a adrenalina ao fazer sua primeira aposta, não apenas em um jogo, mas em seus pressentimentos e percepção. Cada decisão desperta uma centelha de interesse dentro de você, ampliando os limites do que você considera possível. A excitação não se resume a vencer ou perder; é uma viagem de autoconhecimento. Você aprende a administrar riscos e a apreciar a imprevisibilidade de cada resultado. As apostas se transformam uma lona em branco para a inovação, onde o raciocínio tático e a criatividade se entrelaçam. Abraçar essa excitação pode transformar sua perspectiva, mostrando novas oportunidades e vivências que você nem imaginava existir. Imersa neste universo eletrizante e permita que ele transforme sua consciência.

Caça-níqueis: Um Mundo de Possibilidades

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Ao se aproximar de uma slot machine, você adentra em um mundo repleto de dinâmicas de jogo emocionantes que mantêm a experiência sempre nova e excitante. Com a chance de conquistar jackpots enormes e desfrutar de recompensas significativas, cada giro pode mudar o seu dia. Ademais, ter certas táticas na sleeve pode realmente melhorar sua experiência e aumentar suas chances de ganhar.

Dinâmicas de jogo empolgantes

Ao explorar o vibrante universo das máquinas caça-níqueis, você descobrirá rapidamente uma infinidade de dinâmicas de jogo que elevam a vivência a um nível superior. De bobinas em cascata a símbolos wild expansíveis, cada rotação proporciona uma perspectiva inédita e deixa você na expectância. Desfrute os giros grátis e as sessões de bônus, que injetam emoção e possibilidades em cada sessão de jogo. A adição de gráficos temáticos e músicas imersivas eleva o engajamento, convertendo um simples giro em uma aventura. Funcionalidades inovadoras, como jogos multinível, acrescentam níveis de estratégia, convidando você a refletir mais enquanto joga. A cada novo lançamento, os desenvolvedores ultrapassam limites, assegurando que sua vivência com caça-níqueis não seja apenas divertida, mas também uma aventura empolgante e repleta de possibilidades.

Prêmios e Remunerações

Se você procura a emoção de grandes vitórias, os jackpots e pagamentos das máquinas caça-níqueis representam um mundo de oportunidades aguardando exploração. Com a tecnologia em constante evolução, os caça-níqueis modernos proporcionam recursos atraentes, como jackpots progressivos e multiplicadores que podem aumentar seus ganhos. Imagine apertar o botão de girar e ver seu saldo aumentar enquanto a adrenalina aumenta; é emocionante! Cada jogo apresenta temas e rodadas de bônus exclusivos, garantindo que a inovação continue a manter os jogadores engajados. Além disso, a introdução de moedas digitais e pagamentos instantâneos significa que esses ganhos podem ser obtidos mais rapidamente do que nunca. Ao abraçar esses avanços, você pode entrar em um ecossistema vibrante de recompensas, transformando sua experiência de jogo. Então, esteja pronto para imergir neste mundo emocionante e ver aonde sua sorte o conduzirá!

Estratégias para o Sucesso

Para aumentar suas chances de sucesso nas máquinas caça-níqueis, é crucial desenvolver uma abordagem estratégica que vá além da mera sorte. Comece escolhendo máquinas com percentuais de pagamento mais altos; isso pode afetar significativamente seu retorno ao longo do tempo. Não procure reaver as perdas; defina um orçamento e aprenda quando parar, garantindo que sua experiência continue agradável. Adote a inovação testando novos jogos com recursos exclusivos que podem proporcionar novas vantagens e uma jogabilidade dinâmica. Use os bônus com sabedoria e pense em jogar fora dos horários de pico para um ambiente mais tranquilo. Por fim, mude suas apostas para achar um equilíbrio entre maximizar os ganhos e preservar seu saldo. Com essas estratégias, você pode descobrir o mundo das máquinas caça-níqueis, convertendo-as de meros jogos de azar em oportunidades de sucesso.

Navegando pelos Jogos de Tabuleiro e Estratégias

Ao adentrar na ambiente vibrante do Mafia Casino, a variedade de jogos de tabuleiro pode soar um pouco assustadora à primeira vista, mas dominar algumas táticas fundamentais pode melhorar sua vivência. Inicie com o blackjack, onde o uso de guias de estratégia pode melhorar muito suas chances. Invista valores menores até se estar à vontade, permitindo que você avalie a dinâmica da mesa sem comprometer muito.

Ao jogar roleta, escolha por apostas de fora como vermelho/preto ou ímpar/par para reduzir o risco. Lembre-se de que a vantagem da casa varia entre as roletas americana e da Europa, então decida com sabedoria.

Por último, não se esqueça de praticar estratégias de poker em jogos de apostas pequenas, pois melhorar suas competências contra diferentes oponentes é crucial. Ao unir tática com percepção, você se sentirá mais no comando e aproveitará ainda mais a excitação.

Explorando a atmosfera dinâmica

Ao adentrar no Mafia Casino, o clima vibrante de imediato captura sua foco, envolvendo você na emoção. É impossível não se perceber acolhido pelas animadas interações sociais ao redor, enquanto outros jogadores compartilham sua entusiasmo pelos jogos. Essa ambiente dinâmica faz com que cada ida não seja apenas sobre jogos de azar, mas também sobre se conectar com outras indivíduos.

Ambiente de cassino vigoroso

A atmosfera vibrante do Mafia Casino pulsa com energia, imersando você em um redemoinho de emoção e antecipação. Luzes brilhantes piscando ritmicamente e a emoção de acionar as máquinas caça-níqueis geram um encanto inegável. Enquanto você caminha pela multidão entusiasmada, o ar vibra com gargalhadas e palmas, ecoando um senso coletivo de esperança e possibilidades. Você pode perceber a excitação correndo enquanto os crupiês misturam as cartas com maestria, exibindo destreza e talento. Cada esquina oferece uma nova aventura, desde games eletrônicos até jogos de mesa clássicos, satisfazendo ao anseio de novidade de cada jogador. O clima é empolgante, fazendo impossível não se envolver. No Mafia Casino, cada instante parece repleto de potencial, convidando você a descobrir mais uma oportunidade de sorte e emoção.

Abraçar a conexão social

Ao imergir na atmosfera dinâmica do Mafia Casino, você será envolvido por um senso de companheirismo. Aqui, cada conexão gera empolgação, com jogadores trocando táticas e histórias. Você logo perceberá que não se trata apenas de jogos, mas sim de vivências compartilhadas. Você se encontrará iniciando conversas com outros jogadores, percebendo a vibração da cooperação e da competição amigável. A equipe receptiva contribui para essa vibração vibrante, garantindo que cada ida seja personalizada. Seja na mesa de pôquer ou na roleta, você será parte de uma comunidade que prospera com base na conexão e no apoio recíproco. Essa mistura singular de interação social cria um ambiente revolucionário, transformando cada experiência de jogo a uma experiência inesquecível que o fará desejar retornar sempre.

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Há algo particularmente encantador na experiência social do Mafia Casino https://mafiacasinoo.net/pt-pt/. Ao entrar, você se sente como se fosse adentrando um universo dinâmico de companheirismo e emoção. Interagindo com outros jogadores, você compartilha risadas, estratégias e uma esperança comum de vitória. O ar vibra com a emoção, à medida que cada lançamento de dados ou reviravolta de carta une as indivíduos, conectando desconhecidos de maneiras que você nunca pensou. Com uma clientela diversificada e um toque internacional, o cassino promove relações espontâneas, enriquecendo sua experiência de aposta. Você pode até encontrar tradições locais enquanto jogadores de diferentes origens trocam histórias. Nesse ambiente vibrante, cada interação pode motivar criatividade, convertendo jogos rotineiros em uma experiência inesquecível que transcende a mera disputa.

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Como o vibrante ambiente dos jogos de sorte em Portugal influencia a sua vivência como participante? É uma autêntica mistura de tradição e modernidade que satisfaz todos os seus anseios. O contexto legal apoia plataformas online inovadoras, aumentando a acessibilidade e a diversidade. Descobrirá de tudo, desde jogos locais únicos a tecnologia de vanguarda em experiências de jogo.

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June 12, 2026

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Visualize-se entrando nos salões agitados do

Awards

‘Heated Rivalry’, ‘Industry’ & ‘Widow’s Bay’ Lead 2026 TCA Awards Noms

Gay ice hockey romance series Heated Rivalry, corporate drama Industry and horror comedy Widow’s Bay lead the 42nd Annual TCA Awards nominations with five each, the Television Critics Association announced Friday.

They’re followed by Hacks, The Pitt and Pluribus with 4 each and The Comeback, Margo’s Got Money Troubles and Shrinking with 3 each.

The 2026 TCA Awards honor standout series and stars from the 2025-2026 television season. Winners will be announced later this summer across TCA’s social media.

TCA also announced it is expanding its categories to 14 with the additions of Outstanding Achievement in Animation—recognizing the best in new or returning animated series—and Outstanding Achievement in International Series, recognizing the best overall series produced by a country outside the United States where the predominant language spoken on screen is not English.

The Simpsons, South Park, and Invincible are among the nominees for the Outstanding Achievement in Animation award, and Outstanding International Series nominees include Squid Game, The Boyfriend and The House of the Spirits.

In late-night, John Oliver, Jimmy Kimmel, and Seth Meyers will face of in the Outstanding Achievement in Variety, Talk, or Sketch category.

Below is the list of 2026 Television Critics Association nominees.

Program of the Year

“The Comeback” — HBO Max
“Hacks” — HBO Max
“Heated Rivalry” — Crave/HBO Max
“Industry” — HBO Max
“The Late Show with Stephen Colbert” — CBS
“The Pitt” — HBO Max (2025 Winner)
“Pluribus” — Apple TV
“Shrinking” — Apple TV
“Widow’s Bay” — Apple TV

Outstanding Achievement in Comedy

“Abbott Elementary” — ABC (2022 Winner)

“The Comeback” — HBO Max
“The Fall and Rise of Reggie Dinkins” — NBC
“Hacks” — HBO Max (2024 Winner)
“The Lowdown” — FX
“Margo’s Got Money Troubles” — Apple TV
“Shrinking” — Apple TV
“Widow’s Bay” — Apple TV

Outstanding Achievement in Drama

“The Gilded Age” — HBO Max
“Heated Rivalry” — Crave/HBO Max
“Industry” — HBO Max
“A Knight of the Seven Kingdoms” — HBO Max
“Paradise” — Hulu
“The Pitt” — HBO Max (2025 Winner)
“Pluribus” — Apple TV
“Task” — HBO Max

Outstanding Achievement in Movies, Miniseries or Specials

“All Her Fault” — Peacock
“The Beast in Me” — Netflix
“Beef” — Netflix (2023 Winner)
“Death by Lightning”— Netflix
“DTF St. Louis” — HBO Max
“Half Man” — HBO Max
“Lord of the Flies”— Netflix
“Love Story: John F. Kennedy Jr. & Carolyn Bessette” — FX

Outstanding New Program

“Alien: Earth” — FX
“The Fall and Rise of Reggie Dinkins” — NBC
“Heated Rivalry” — Crave/HBO Max
“A Knight of the Seven Kingdoms” — HBO Max
“The Lowdown” — FX
“Margo’s Got Money Troubles” — Apple TV
“Pluribus” — Apple TV
“Widow’s Bay” — Apple TV

Individual Achievement in Drama

Marisa Abela, “Industry” — HBO Max
Sterling K. Brown, “Paradise” — Hulu
David Harbour, “DTF St. Louis” — HBO Max
Katherine LaNasa, “The Pitt” — HBO Max
Ken Leung, “Industry” — HBO Max
Myha’la, “Industry” — HBO Max
Rhea Seehorn, “Pluribus” — Apple TV
Connor Storrie, “Heated Rivalry” — Crave/HBO Max
Hudson Williams, “Heated Rivalry” — Crave/HBO Max
Noah Wyle, “The Pitt” — HBO Max (2025 Winner)

Individual Achievement in Comedy

Hannah Einbinder, “Hacks” — HBO Max
Elle Fanning, “Margo’s Got Money Troubles” — Apple TV
Harrison Ford, “Shrinking” — Apple TV
Lisa Kudrow, “The Comeback” — HBO Max
Kate O’Flynn, “Widow’s Bay” — Apple TV
Matthew Rhys, “Widow’s Bay” — Apple TV
Jean Smart, “Hacks” — HBO Max (2021, 2024 Winner)
Tim Robinson, “The Chair Company” — HBO Max

Outstanding Achievement in News and Information

“60 Minutes” — CBS (2012 Winner)
“The American Revolution” — PBS
“CBS This Morning” — CBS
“Disneyland Handcrafted” — Disney+
“Frontline” — PBS (Eight-time Winner in Category)
“Have I Got News For You” — CNN
“Marty, Life Is Short” — Netflix
“Mr. Scorsese” — Apple TV

Outstanding Achievement in Variety, Talk or Sketch

“The Daily Show” — Comedy Central
“Jimmy Kimmel Live!” — ABC
“Last Week Tonight with John Oliver” — HBO Max (2018, 2019, 2021 Winner)
“Late Night with Seth Meyers” — NBC
The Late Show with Stephen Colbert” — CBS
“The Muppet Show: Sabrina Carpenter” — Disney+
“Saturday Night Live” — NBC

Outstanding Achievement in Reality

“Couples Therapy” — Showtime/Paramount+ (2021 Winner)
“Finding Mr. Christmas” — Hallmark
“The Great British Baking Show” — Netflix
“Love on the Spectrum” — Netflix
“RuPaul’s Drag Race” — MTV (2014 Winner)
“Survivor” — CBS
“Top Chef” — Bravo
“The Traitors” — Peacock (2024, 2025 Winner)

Outstanding Achievement in Family Programming

“Disney Twisted-Wonderland: The Animation” — Disney+
“Electric Bloom” — Disney+/Disney Channel
“Percy Jackson and the Olympians” — Disney+/Hulu
“Phineas and Ferb” — Disney+/Disney Channel
“Stranger Things: Tales from ‘85” — Netflix
“Vampirina: Teenage Vampire” — Disney+/Disney Channel
“Wizards Beyond Waverly Place” — Disney+/Disney Channel
“WondLa” — Apple TV

Outstanding Achievement in Children’s Programming

“Carl the Collector” — PBS KIDS
“The First Snow of Fraggle Rock” — Apple TV
“Mickey Mouse Clubhouse+” — Disney+/Disney Jr.
“Phoebe & Jay” — PBS KIDS
“Snoopy Presents: A Summer Musical” — Apple TV
“Sofia the First: Royal Magic” — Disney+/Disney Jr.
“Weather Hunters” — PBS KIDS
“The Wonderfully Weird World of Gumball” — Hulu

Outstanding Achievement in Animation – New Category

“Bob’s Burgers” — Fox
“Haunted Hotel” — Netflix
“Invincible” — Prime Video
“King of the Hill” — Hulu
“Long Story Short” — Netflix
“The Simpsons” — Fox
“South Park” — Comedy Central
“Star Wars: Maul – Shadow Lord” — Disney+
“Women Wearing Shoulder Pads” — Adult Swim

Outstanding International Series – New Category

“The Boyfriend” — Netflix
“Crime Scene Zero” — Netflix
“Drops of God” — Apple TV
“The House of the Spirits” — Prime Video
“Last Samurai Standing” — Netflix
“Squid Game” — Netflix

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June 12, 2026

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Gay ice hockey romance series Heated Rivalry,

Music

8 New Albums You Should Listen to Now: Olivia Rodrigo, Kelsey Lu, and More

When Wiki wrapped production on his new album Ancient History, the New York rapper couldn’t have known just how electric a moment in the city’s history it would be born into. But longtime Knicks fans and bandwagoners alike will appreciate this record’s dedication to the sounds of his hometown—more specifically, its parks system, a place that has brought him refuge, community, and inspiration over the years. Fellow New Yorkers Your Old Droog, duendita, and Salimata feature, and jazzy, often-introspective production from MIKE and Navy Blue builds out Wiki’s solo universe. By the end, it really does feel like New York or nowhere.

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Listen/Buy at Bandcamp

Anysia Kym & Tony Seltzer: Purity (Flips) [10K]

New Yorkers Anysia Kym and Tony Seltzer make for a dynamic duo., but they both know a bigger team can create magic. On Purity (Flips), they curate a killer lineup of producers spread far across their taste profiles, including Traxman, Loraine James, Popstar Benny, Bored Lord, Umru, Black Noi$e, and AceMo. 454 and Vayda also hop on for features, and MIKE represents for the home team with a remix credited to his alias DJ Blackpower. It’s a testament to not just Kym and Seltzer’s flexible sound, but their formidable profile in the underground.

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CFCF: L.U.V. [CFCF]

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June 12, 2026

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When Wiki wrapped production on his new

Docs

Why Australian Horror and Bloodlust Is So Unique

Seven is a useful number for horror. Seven days trapped somewhere you should never have gone. Seven bad decisions. Seven bodies.
Seven secrets nobody talks about until it is too late. And perhaps that is why Australian horror often feels so primal. It strips cinema back to instinct. Survival. Fear. Isolation. Emotional collapse.

Films like Bloodlust remind us that horror does not need giant budgets, polished superheroes, or endless exposition to leave scars on audiences. Sometimes all you need is atmosphere, instability, damaged people, and the terrifying suspicion that civilisation itself is thinner than we think.

Australian horror has always understood this better than most.

1. Australian Horror Refuses To Make Characters Comfortable

One of the first things Bloodlust does brilliantly is refuse to soften its characters for the audience. Nobody exists simply to reassure us emotionally. The people feel flawed, impulsive, psychologically unstable, sometimes selfish, sometimes reckless.

That honesty matters.

Modern mainstream horror often spends too much time making characters “relatable” in safe, market-tested ways. Australian horror tends to trust uglier emotions. Shame. Aggression. Isolation. Emotional repression.

That same rawness powers Wake in Fright, where male bravado slowly mutates into psychological collapse, and The Loved Ones, which turns suburban awkwardness into grotesque nightmare fuel.

Bloodlust belongs to that tradition of films where fear grows directly from human messiness.
Because real terror rarely arrives politely.

Playing at Raindance!
Monday 22nd June 8:50pm
Tuesday 23 June 10am
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2. The Landscape Becomes the Villain

Australian horror understands geography in a way few national cinemas do.

The roads feel endless.
The heat feels hostile.
The silence feels wrong.

In Bloodlust, the atmosphere itself feels threatening before overt horror even begins. The environment creates dread. You feel distance. Isolation. Exposure.

This is one reason Wolf Creek became such an international phenomenon. The horror is not only Mick Taylor. It is the terrifying realisation that nobody can help you because the landscape has swallowed civilisation whole.

Likewise Picnic at Hanging Rock transforms nature into something ancient and psychologically unknowable.

Australian horror repeatedly reminds us that the world itself may not care whether we survive.

3. Australian Horror Thrives On Tonal Chaos

One of the most unsettling things about Bloodlust is the way scenes shift emotionally without warning. A conversation can feel absurdly funny one moment and deeply threatening the next.

That tonal instability creates genuine tension.

Hollywood often fears emotional confusion. Australian horror embraces it. Films like Razorback and Patrick constantly move between surrealism, exploitation, satire, and psychological horror. The audience loses emotional footing.

That unpredictability becomes frightening.

Bloodlust understands this instinctively. Humour does not release tension. It increases it.
And that is very Australian.

4. Low Budgets Become Creative Advantages

One reason Australian horror remains so inventive is simple: filmmakers historically had fewer resources and therefore had to rely on atmosphere instead of spectacle.

Bloodlust succeeds because it focuses on mood, pacing, emotional discomfort, and psychological pressure rather than endless visual effects. You feel filmmakers solving problems creatively instead of throwing money at them.

The same minimalistic brilliance drives Lake Mungo, which remains one of the most disturbing ghost stories ever made despite almost no conventional horror scenes.

Likewise Relic transforms family grief and dementia into suffocating horror using emotional realism rather than blockbuster excess.

Australian horror repeatedly proves that atmosphere costs less than CGI and lasts longer in the imagination.

5. The Real Monster Is Usually Psychological

What makes Bloodlust linger is that the horror never feels entirely external. Emotional instability infects the entire film.

Australian horror is often less interested in monsters than in emotional collapse.

Grief.
Isolation.
Shame.
Addiction.
Repression.
Loneliness.

These become the true engines of horror.

The Babadook works because the creature emerges directly from grief and maternal exhaustion. The emotional wound already exists before the supernatural horror appears.

Similarly, Bloodlust allows fear to grow psychologically first. The danger spreads emotionally before it spreads physically.

That emotional honesty makes Australian horror uniquely disturbing.

6. Australian Horror Does Not Explain Everything

Modern films often panic about ambiguity. Audiences are constantly reassured with explanations, backstory, lore, and tidy endings.

Australian horror frequently refuses all of this.

Bloodlust trusts mystery. Some moments feel unresolved, emotionally fractured, or dreamlike. Instead of weakening the film, this creates residue.

Audiences keep thinking about it afterward.

That same haunting ambiguity defines Picnic at Hanging Rock, which famously refuses narrative closure, and Next of Kin, which drifts through dream logic rather than traditional plotting.

Australian horror understands something powerful:

Fear often becomes stronger when it cannot be fully explained.

7. Australian Horror Still Feels Dangerous

Perhaps this is the most important thing.

Films like Bloodlust still feel alive.

Too much modern cinema feels over-developed, over-branded, and emotionally sterilised. Every edge sanded down. Every surprise explained. Every strange instinct removed during development meetings.

Australian horror still occasionally feels like filmmakers are getting away with something.

That spirit comes directly from the Ozploitation era that produced films like Mad Max, Long Weekend, and Patrick — films driven by energy, danger, and creative recklessness rather than corporate safety.

Bloodlust carries some of that same DNA.
It is not trying to behave perfectly. It is trying to disturb you.

Playing at Raindance!
Monday 22nd June 8:50pm
Tuesday 23 June 10am
Book your ticket here

Outro

The best horror films are rarely about monsters.They are about societies revealing what they suppress.

Australian horror exposes emotional repression, environmental hostility, masculinity, isolation, grief, colonial anxiety, and psychological instability with a rawness few industries still allow.

That is why films like Bloodlust matter.
They remind filmmakers that cinema does not need to feel polished to feel powerful.
Sometimes the films that break the rules are the only films audiences remember.

And perhaps that is the greatest lesson Australian horror offers independent filmmakers everywhere:

Stop trying to look safe.
Start trying to feel dangerous.

Playing at Raindance!
Monday 22nd June 8:50pm
Tuesday 23 June 10am
Book your ticket here

Photo Credit: Bertie Watson
I founded Raindance Film Festival in 1993 because the British film industry was closed, polite, and congratulating itself while shutting new filmmakers out.
I co-founded the British Independent Film Awards in 1998 because British indie film deserved more than a shrug, a pat on the head, and a Tuesday night screening.

Raindance didn’t start as a brand. It started as a rebellion: film training without gatekeepers, a festival without permission, and a community built by filmmakers who weren’t waiting to be invited in.

Later, we took it global: Toronto, Vancouver, New York, LA, Berlin, and Brussels, because independent film doesn’t belong to one city, one class, or one accent.

I’ve produced 700+ short films and seven features, including Deadly Virtues (2014) and ALICE, which won the SXSW Grand Jury Prize (2019) not because someone “discovered” us, but because the work earned its place.

I’ve written three books used by filmmakers worldwide because too many courses taught compliance instead of survival.
In 2009, I was awarded a PhD for services to film education, ironic, given that most of my career has been about tearing down the rules that education insisted you follow.

I don’t believe in waiting for permission.I believe in making work, building systems, and forcing the industry to catch up.

Specialties: Independent Film (the real kind) · Producing · Writing · Film Education · Festivals · Breaking Broken Systems
Check out my new Substack for in depth Free Articles:

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June 12, 2026

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Seven is a useful number for horror.

Entertaintment

Duffspin Casino – Απολαύστε Ζωντανή Δράση Οποιαδήποτε Στιγμή στη χώρα μας

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June 12, 2026

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June 12, 2026

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Renowned British artist David Hockney Dies at 88 – National

David Hockney, a treasured British artist whose paintings of shimmering pools and colourful iPad drawings became icons of contemporary art, has died, his publicist said Friday. He was 88.

Over a seven-decade career, Hockney explored and reimagined classical portraiture, landscape painting and pop art, working in painting, collage, photography and digital drawing.

Hockney was born in the north of England but lived much of his life in Southern California, making its sun-drenched suburban views a major motif.

Later in life, he returned to Europe, finding renewed inspiration in the wooded hills of his native county of Yorkshire and the fields and trees of France’s Normandy region. One of the most popular and critically lauded British artists of his generation, his works sold for record prices at auction.

FILE: British artist David Hockney stands beside his painting entitled ‘Studio Interior #14’ during the launch of his new exhibition ‘Paintings and Photography’ at the Annely Juda Fine Art Gallery on May 14, 2015, in London, England.

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Historian Simon Schama said it’s no mystery why his work is so enduringly appealing.

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“His work is admired — loved is not too strong a word — by the millions who, worldwide, flock to see it because it presupposes an expectation of pleasure,” Schama wrote in an essay accompanying a 2025 Hockney exhibition in Paris.

Hockney’s publicist, Erica Bolton, said he died at his home in London on Thursday, less than a month short of his 89th birthday. She did not give a cause of death.

He is survived by his longtime partner Jean-Pierre Gonçalves de Lima; his great-nephew and studio assistant, Richard Hockney; his brothers Philip and John; and numerous nieces, nephews, great-nieces and great-nephews.

Hockney was an icon of the swinging 60s

With his trademark round glasses and bleached-blond hair, Hockney was a well-known figure in the swinging British and American art scenes of the 1960s, even before he reached the age of 30.

His paintings were just as distinctive, many of them creating a dreamlike world of patterned light bouncing off water and windows, and human forms rendered in flattened, simplified shapes in matte acrylic paint.

“I’m excited every day,” he told the Los Angeles Times in 1979. “London has lots of dreary parts but I never find anything dreary in Los Angeles.”

Hockney was born July 9, 1937, in Bradford, a large industrial city whose chief export was woollen textiles. He spent his first two decades there before going to London’s Royal College of Art. He made an impact even before his graduation, and art dealer John Kasmin took him into his stable of artists in 1961.

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British painter David Hockney poses at the Orangerie museum in Paris, on October 7, 2021, in front of his painting “A year in Normandy”, a 91-meter-long artwork painted during the lockdown in 2020.

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His artistic influences ranged widely, including Renaissance portraits, 18th-century English artist William Hogarth’s satirical drawings, 19th-century English painter J.M.W. Turner’s landscapes, Pablo Picasso’s experiments in Cubism and 20th-century American pop art.

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He shared with other pop artists an interest in the polished surface of modern life. And, like Andy Warhol with his Brillo boxes and Campbell’s soup cans, Hockney occasionally incorporated advertising labels, such as a British Typhoo Tea box used in his 1961 Tea Painting in an Illusionistic Style.

He saw success early in his career

He told The New York Times in 1964 that he enjoyed the burgeoning pop art scene in New York but wasn’t sure he was part of it.

“I’m just an ordinary artist,” he said. “I do admire American pop — in fact it seems that everything fresh-looking and vital in England these days has been coming from the U.S.”

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Nonetheless, he said in 1995 that he still considered himself “very much an artist in the English tradition.”

Hockney, who was out as a gay man long before it was common, explored erotic themes, giving youthful male bodies the same tender scrutiny that artists had been giving the female nude for centuries.

Early works like We Two Boys Together Clinging and Two Men in a Shower celebrated gay relationships when homosexuality was still illegal in Britain.

Early in his career, two of his drawings were bought for the Museum of Modern Art in New York.

“The moment I first sold pictures to earn a living, I felt rich. I’ve been rich ever since,” he told The Associated Press in 1995. “I didn’t have much money but I did what I wanted. … You are a rich man if you do the things you want to do.”

In 2018, his 1972 painting Portrait of an Artist (Pool with Two Figures) sold at a Christie’s auction for $90.3 million, at the time a record for a living artist.

While many of his best-known paintings had American scenes, he also tackled British subjects. He immortalized his parents in several portraits and his friends Ossie Clark and Celia Birtwell in Mr. and Mrs. Clark and Percy, a 1971 portrait voted one of Britain’s greatest paintings in a 2005 BBC poll.

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Hockney’s work went beyond drawing and painting

Like many traditional artists, he considered drawing a fundamental skill and lamented that it wasn’t taught as rigorously as it once was.

“Human beings are the most interesting things we see, so they’re the hardest to draw,” he said in a 1996 AP interview.

Hockney also embraced other media, including printmaking, photo collage and video. He contributed costume and set designs for the theatre and opera, including a celebrated production of Tristan und Isolde first staged in 1987 at the Los Angeles Opera.

FILE: Peter Wright shows his poster to artist and competition judge David Hockney during an art exhibition and competition, Kings and Queens by Children, at the National Gallery in London in January 1978.

When he took up photography, he fused genres, assembling individual photos into elaborate collages like Pearblossom Highway, 11-18th April, 1986, built up of individual views of a desert highway intersection.

“My photographer friends said it was a painting,” Hockney told the AP in 2001. “I said it’s a photograph; I used a camera.”

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Later, he began to draw on iPads, which became his favourite tool.

In the early 2000s, he looked afresh at the fields and forests of Yorkshire in a series of landscape paintings that combined bold colour with minute attention to the texture of snow on a hillside or a blossom on a hawthorn hedge.

They featured in a 2017 exhibition at Tate Britain in London that was visited by half a million people, and moved to the Pompidou Center in Paris and the Metropolitan Museum of Art in New York.

Hockney used the English landscape for inspiration in his design for a stained-glass window installed at Westminster Abbey in 2018 to celebrate the long reign of Queen Elizabeth II.

His work changed how we see the world

In 2019, he moved to Normandy, where during the 2020 coronavirus lockdown he produced joyous iPad drawings of springtime for his friends. His message — “Do remember they can’t cancel the spring” — was emblazoned in neon across the Fondation Louis Vuitton in Paris when it hosted a huge Hockney exhibition that opened in April 2025.

Curator Norman Rosenthal, who helped put together the exhibition, called Hockney “the Picasso of our times.”

“When I say that, people laugh at me, as Picasso was the archetypal artist of the 20th century,” Rosenthal told the Independent newspaper. “But David Hockney is also an incredibly popular artist whose work changes how we see things.”

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David Hockney standing in front of his “Portrait of an Artist (Pool with Two Figures)” painting at the Metropolitan Museum of Art in New York, USA, 20 November 2017.

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An unrepentant cigarette smoker who railed against government anti-smoking rules, Hockney complained when a poster for the 2025 exhibition was banned from the Paris Metro because it showed him holding a cigarette.

The announcement of his death from his publicist noted that Hockney was “a committed life-long and defiant smoker, expressing the pleasure in life it brought him. … He smoked up to the end.”

FILE: Artist David Hockney smokes a cigarette during a break from a tour of the new Nottingham Contemporary art space which is holding a major retrospective of his work on November 30, 2009 in Nottingham, England.

Photo by Christopher Furlong/Getty Images

Hockney had a minor stroke in 2012 and was increasingly deaf in later years — something he said improved his visual perception.

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“If you lose one sense, you gain other senses, and I feel I could see space clearer,” he told the AP in 2017.

He never stopped working.

“It’s my work that keeps me young,” Hockney told the Sun newspaper in 2017. “I’ve been a professional painter for 60 years. Sixty years of getting up every day and doing exactly what I want to do.”

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June 12, 2026

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David Hockney, a treasured British artist whose

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The Barbie & K-Beauty Nose: Where Is Everyone Getting Them Done? – Hollywood Life

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Your TikTok algorithm has been doing its job and you’ve seen the before-and-afters: the smooth, upturned tip. The impossibly clean bridge. The tiny, doll-perfect profile. And right alongside it, a refined, straight-bridged, softly elevated nose that looks like every idol you’ve been obsessing over since you fell down a BTS rabbit hole at 2am.

These are two of the hottest rhinoplasty trends dominating conversations in 2026 — and while they’re completely different looks, they’re pointing toward the same destination: Turkey.

The Barbie Nose: Why Everyone Wants One

Let’s start with the trend that went viral off the back of Barbie‘s record-shattering $1.4 billion box office run. Margot Robbie’s portrayal of the iconic doll sent more than just pink fashion flying off shelves — it reignited an obsession with the doll’s signature facial features. A Barbie nose, in rhinoplasty terms, is defined by a straight, narrow bridge and a slightly upturned tip. Beverly Hills facial plastic surgeon Dr. Kimberly J. Lee described it precisely in NewBeauty.

The celebrities most associated with this look? Bella Hadid tops nearly every list — even though she has been candid about the complicated feelings that come with it. In a now-famous Vogue cover story, she admitted having her nose done at 14, adding that she wishes she had kept the nose of her ancestors. It’s a reminder that even the most coveted aesthetic comes with nuance.

The K-Beauty Nose: A Different Kind of Perfect

Driven by the global explosion of K-pop and K-drama, the Korean nose aesthetic has shifted significantly over the past few years. Where earlier trends leaned toward dramatic augmentation — very high bridges, ultra-sharp tips — the current ideal reads as effortless rather than operated. Think a straight bridge that flows cleanly from forehead to tip, and a refined point (not pinched, not dramatic).

Aespa’s Winter and Karina, NewJeans’ Minji, and actors like Lee Min-ho and Song Kang are among the faces most often cited as the reference point in consultations. Korean rhinoplasty has been at the forefront of what surgeons now call “preservation rhinoplasty” — techniques that reshape the nose by conserving natural tissue rather than removing cartilage and bone. The results tend to be more stable over time, recover faster, and look genuinely natural rather than surgically constructed.

Why Is Turkey the Destination for Both?

One of the oldest criticisms of rhinoplasty is that it meant trading in your natural features for a Westernized result. Ethnic rhinoplasty is the direct answer to that problem. The real reason Turkey has become the go-to for nose aesthetics is its surgeons have become leaders in ethnic rhinoplasty in Turkey.

Whether a patient has an Asian nose with a lower radix and broader tip, a Middle Eastern nose a dorsal hump and drooping tip that needs reduction without erasing the nose’s character, or a South Asian or Hispanic nose with thick skin and a rounded tip that requires specialized grafting techniques — rhinoplasty Turkey runs between $2,500 and $7,000 all-inclusive, in internationally accredited hospitals with experienced surgical teams.

What You Actually Need to Know Before You Go Under the Knife

The most important thing surgeons say about both the Barbie nose and the K-beauty nose is something you’ll want to hear: neither one is really about looking like someone else. The best version of either trend is one customized to your own face shape, your own bone structure, and your own aesthetic goals.

The second thing worth knowing is that while the Barbie nose is stunning on the right face, some surgeons have flagged its long-term risks when taken to extremes — overly upturned tips and very narrow bridges. The trend at the highest level of surgical practice is moving toward what could be called a “Barbie-inspired” result: delicate and feminine, but preserving enough structure to last a lifetime.

Turkey, as it happens, is one of the places where that nuanced, preservation-focused philosophy is being practiced at the highest level.

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June 12, 2026

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Canadian Prime Minister Mark Carney (left) met with President Trump on May 6.

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Canada, U.S. Feuding Over Trade Talks Casts Dark Cloud Over Banff

Banff World Media Festival-goers are used to unpredictable Canadian Rockies weather, where drizzling rain can become snow showers and then balmy sunshine over a single day due to geography and elevation.

But escalating cross-border trade and political tensions between the U.S. and Canada will see Donald Trump — who has talked about annexing his northern neighbor as the 51st U.S. state and putting tariffs on non-U.S. movies — casting a dark cloud as Banff’s 47th edition kicks off this weekend. That follows in early June the federal government in Ottawa killing regulatory plans to triple a local tax on foreign, mostly U.S. streamers to get more favorable terms on a new cross-border trade deal from the U.S. president.

Canada caving to U.S. pressure followed Motion Pictures Association reps in Canada taking aim at Canada’s Online Streaming Act, a law that forces U.S. digital giants to finance Canadian media content production, the U.S. ambassador calling for its repeal and the U.S. Trade Representative branding the legislation as “discriminatory” towards U.S. companies.

Getting foreign streamers to support local content creators so Canadians could view their own films and TV shows rather than rely on Netflix and Prime Video for popular fare may have seemed a good idea among bureaucrats and regulators in Ottawa. And it was certainly applauded by local unions and guilds, indie producers and others looking for American web giants to dig deeper in their pockets to underwrite homemade content.

The Banff World Media Festival venue in the Alberta Rocky Mountains.

Adobe Stock

But it was bad politics as Canadian prime minister Mark Carney shadowboxes with Trump while attempting to renegotiate the Canada-U.S.-Mexico Agreement (CUSMA) trade deal during talks he has yet to officially join. “We thought we were negotiating an infusion of capital for Cancon (Canadian content) based on streaming and viewership and taxation, and instead it has become a trade issue at a delicate time for cross-border relations,” Catherine Warren, president of Vancouver-based FanTrust, tells The Hollywood Reporter about Trump’s latest trade war plot twist.

The Canadian government, with its choices and tradeoffs made to secure a new North American free trade deal with the U.S., has now asked taxpayers to pay an extra $600 million for homegrown media content as Canada’s TV czar reconsiders how to implement an Online Streaming Act that became law in 2023, but has yet to be enacted due to an appeals court challenge by American media giants.

Marc Miller, the federal minister for Canadian identity and culture, will be in Banff for a keynote conversation on Sunday afternoon. He’s expected to face aggrieved local creatives and producers asking why his government promised to get foreign streamers to pay into Canada’s production ecosystem to protect the country’s cultural sovereignty, only to see Trump cause a perfect storm by implicating audiovisual content in North American free trade talks.

And all because Ottawa has put ensuring special access to the U.S. market for vital exports like Canadian-made automobiles, steel and aluminum over using foreign streamer dollars to support local indie content production. “We thought we had a situation where the platforms were contributing. Now we’ve got Ottawa writing a check,” Warren, who also hosts the YouTube and Optik TV talk show Truth & Consequences: Documentary in the Age of AI, added.

The Canadian content funding crisis have been a long time coming, only for the denouement to quickly unfold ahead of Banff. In June 2025, Ottawa scrapped plans to levy a tax on digital companies like Apple, Amazon and Meta after Trump made trade talk threats over what he called a “direct and blatant attack on our Country.”

Killing Canada’s separately planned tax on U.S. tech giants had implications internationally where governments have similarly considered imposing regulation and taxes on dominant foreign streamers in their markets to fund domestic film and TV industry ambitions. That leaves ongoing tensions between Canada and the U.S. over how to capture the value of Canadian-made media content, and who will control it, overshadowing the Rocky Mountains industry retreat running June 14 to 17.

Canadian producer, director and writer Uga Carlini of Vancouver-based Towerkop Creations is headed to the annual media festival to bring partners on board for her TV series and movies in development just as Canada’s cultural objectives to support homegrown content production have morphed into major cross-border trade issue. “No one likes to be told what to do with their money. Have you ever been through a divorce?” Carlini tells THR about foreign streamers facing off with Ottawa over how they should invest in Canadian film and TV production, and where.

So, while pitching in Banff a movie titled White Bear and a midlife immigrant comedy TV series The Man Manual, among other projects on her development slate, she remains determined to make unashamedly Canadian content that resonates globally by collaborating with foreign producers, including Americans. “I’m practical. Who are my best partners and who wants to go on that journey with me? Because I need to get my story told. If it means I partner with Americans, and that’s the best for my story, which will always be Canadian and will always be branded as a Canadian story, then great. Why not?” Carlini explains.

In the face of escalating political challenges, she won’t be alone among content producers and buyers in the Canadian Rockies pursuing more collaboration across borders as American and other international producers look to their own new partnerships to offset budgetary challenges. Veteran actor-turned-producer Gerald Augur has his Calgary-based production banner, 4 Directional Studios, at work on Watcher, an indigenous true crime version of 48 Hours where a 12 year-old girl is abducted from a First Nations reserve, plunging her community into crisis.

The homegrown drama stars Colm Feore (Landman)and Augur as a Woodland Cree tracker who reluctantly partners with a former city detective, played by Jason Barbeck, to search for the young girl, only to confront Canada’s cultural and historical divides. Augur said he intends to shoot Watcher partly in Alberta, but has concerns after the province’s First Nations have become embroiled in an upcoming pro-independence referendum and oil pipeline tensions.

“Now there’s people who don’t feel safe to tell stories or bring projects here (Alberta) if it has any indigenous content because of what’s happening in the political arena,” he explained. Augur added the political fallout from Albertans being asked in an Oct. 2026 vote if they want the province to stay in Canada or if a second binding referendum on separation should be held is widening political divisions at a time when Canadian stories like Watcher aim to reduce discord and foster reconciliation.

“That’s why I got involved with Watcher, because it’s promoting unity, it’s promoting how we need to check ourselves before we wreck ourselves as human beings based on how much is being shaped by the political landscape,” he insisted. Elsewhere, energy-rich Alberta, which has hosted the Banff festival for nearly five decades, has been the beneficiary of recent oil price rises amid the ongoing U.S.-Iran war.

In March 2026, the province in its latest operating budget slashed by $35 million, to $60 million, what it had set aside to draw major studios and streamers to shoot locally based on fluctuating production levels and payouts on Alberta’s Film and Television Tax Credit in recent years. But now the western Canadian province, where the popular HBO drama The Last of Us was shot during its first season, is more assured foreign movie or TV series will tap its film tax credit while shooting locally as royalties from oil exploration and drilling once again pour into its coffers.

‘The Last of Us’ shot in Alberta, Canada.

Liane Hentscher/HBO

“Alberta has already proven it can attract large-scale productions, create jobs, and deliver real economic impact. With continued government support and a growing industry, the province is well-positioned to meet rising global demand for high-quality content. That momentum will be on full display at the Banff World Media Festival,” Dylan Pearce, an Edmonton-based indie producer and board chair at the Alberta Media Production Industries Association, told THR in a statement.

That has players in rival Canadian provinces headed to Banff also with an eye to bringing Hollywood producers to their locales in a hyper-competitive global locations business. Meghan Duffy, CEO of Winnipeg-based Black Watch Entertainment, a boutique film and TV producer with credits like the Lifetime mystery thriller I Have to Kill My Neighbor, will look to convince American producers in a tough market to tap a Manitoba film tax credit that offsets up to 65 percent of production salaries with bonuses, and with no Canadian content in projects required.

She also touts Canada’s favorable exchange rate against the U.S. dollar and a province that doubles for anywhere. “We bring to the table one of the most aggressive tax credits in the world, with a very low Canadian dollar, which helps maximize low budgets by making them look larger on screen,” Duffy argued.

The Manitoba film tax credit also applies to co-productions shot in foreign locations and where a global producer is looking to close a budgetary gap on their financing and can’t do it in their home market.
“We could film part of the show in Manitoba, or not. If they use my team for the production, we still get the full (Manitoba) tax credit anywhere in the world because it’s tied to me, Meghan Duffy,” she added.

For Jenn Kuzmyk, executive director of the Banff World Media Festival, putting on her event’s 47^th edition will be about delegates navigating unprecedented industry disruption even as her event could potentially no longer be held in Canada if Alberta separatists get their way in the fall referendum and the province secedes.

“Of course, we are always watching with interest what happens in politics, whether it be in Alberta, federally or around the world. There’s a lot to pay attention now, in terms of trade talks and everything else,” Kuzmyk said.

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June 12, 2026

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I Am Frankelda Review: Netflix Stop-Motion Movie Is Gorgeous

On a technical level, Arturo and Roy Ambriz’s “I Am Frankelda” is a stunning work of stop-motion animation. It’s inventive, unexpected and beautifully handcrafted. A prequel to the TV series “Frankelda’s Book of Spooks,” it’s the first Mexican film made entirely using stop-motion, and it’s the kind of work you could happily watch with the sound off just to marvel at the artistry on display.

However, the storytelling never matches the visuals as the plodding narrative struggles to get off the ground. It’s a movie that’s constantly telling you stakes and what the characters want but rarely letting you invest in a shared sense of wonder. Instead, you have a film that announces the connection between reality and imagination without letting the images speak for themselves.

Set in the mid-19th century in Mexico, we follow young Francisca Imelda (Habana Zoé), who seeks to be a writer despite the constant discouragement from her peers and grandmother. The stories Francisca writes feed into the realm Topus Terrenus, a land of delightful horrors that rely on the nightmares of humans. However, the young prince Herneval (Juan Pablo Monterrubio) can see his kingdom is struggling since its “nightmare-teller” Procustes (Luis Leonardo Suárez) continues to churn out mediocre hack work.

Ten years later, the fortunes of both Francisca (Mireya Mendoza) and Herneval (Arturo Mercado Jr.) haven’t improved, and he decides to enter the human world and take her to Topus Terrenus where her stories can reinvigorate the kingdom. Francisca jumps at the chance to go where her work will be appreciated, but once there, she’s belittled and marginalized by Procustes, who seeks to steal her stories and rule the kingdom for himself.

I am not surprised that Guillermo del Toro worked in an advisory capacity on the movie, and given how much the film celebrates the creative power of nightmares, it almost feels like something he made directly. But that probably speaks more to the influences on display in the film, which include not only del Toro, but also animated classics like “Monsters, Inc.” and “The Nightmare Before Christmas.”

It’s a little funny that this is coming out in the middle of summer as it feels much better suited to spooky season, but like its inspirations, there’s so much richness in the world that you don’t mind dropping in no matter the time of year. The Ambriz Brothers understand that the “nightmarish” offers plenty of avenues into creative expression, and they take full advantage of letting their imaginations run wild.

Unfortunately, the movie stutters trying to get the story where it needs to go. Jumping the narrative forward 10 years does little to deepen the stakes beyond making it OK for Francisca and Herneval to form a romance, one that never fully clicks since Herneval is Francisca’s creation. Yes, sometimes authors fall in love with their own creations, but the movie keeps stumbling over a blurred line of fiction and reality.

The central claim that an imagined world can be as real as anything is usefully conveyed by the stop-motion animation, but the movie never gets past that thesis statement to let the characters breathe. Francisca and Herneval are in love, but there’s little definition to their relationship beyond the shared goal of reinvigorating Topus Terrenus.

Instead, we get loads of palace intrigue, which is the least interesting element of the story. It would be like watching “Monsters, Inc.” and spending a huge chunk of the narrative on what Henry J. Waternoose is up to. That material can help you with your plotting, but it’s ultimately bland and tangential to what our protagonists want. Procustes, with his insecurities and duplicity, is the most interesting and relatable character in the piece whereas Francisca’s journey rarely amounts to more than “believe in yourself.” Granted, that’s a fine message for a younger audience, especially those inclined to dark, weird tales, but they also deserve something more than the one-dimensional characters on display.

The idea of Francisca taking on the nom de plume “Frankelda” doesn’t feel like a transformation as much as a straightforward progression of a young girl who writes horror fiction. That’s not enough of a catharsis to match the grandiose setting.

For parents who aren’t sure if their children are old enough to handle something like Del Toro’s “Pinocchio” but have already burned out their copies of “Nightmare Before Christmas” and “Corpse Bride,” there’s certainly nothing wrong with showing them “I Am Frankelda.” But when you see the clear inspirations at play and the breathtaking animation, you can’t help but wish the storytelling and characters were equally magnificent.

“I Am Frankelda” is now streaming on Netflix.

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June 12, 2026

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On a technical level, Arturo and Roy

Entertaintment

Ludovica Rampoldi’s ‘A Brief Affair’ Scores U.S. Distribution Deal

Italian writer-turned-director Ludovica Rampoldi’s clandestine romance “A Brief Affair” — which features a stellar local cast including Pilar Fogliati (“Madly”), Adriano Giannini (“Supersex”) and Valeria Golino (“The Morning Show”) — has scored a North American distribution deal with Philadelphia–based indie outfit Breaking Glass Pictures.

Breaking Glass, which is run by industry veterans Richard Wolff and Richard Ross, inked the deal with True Colours’ head of sales Francesca Tiberi.

Blending thriller, drama and romance tropes with an overall ironic tone, “A Brief Affair” marks the directorial debut of Rampoldi, who is a prominent Italian screenwriter. She is known for her work on Sky’s “Gomorra” series, Amazon’s “The Bad Guy” show and films such as Marco Bellochio’s “The Traitor,” Oscar winner Gabriele Salvatores’s “The Invisible Boy” and on Andrea Pallaoro’s upcoming “The Echo Chamber.”

“A Brief Affair” is the story of Lea (played by Fogliati) and Rocco (Giannini), who meet by chance in a bar and are struck by an instant attraction. A secret affair ensues, consisting of fleeting, clandestine meetings in a hotel room. However, as time passes, Lea becomes obsessed with Rocco, leading her to increasingly intrude into his life and taking the story in an unexpected and unsettling direction.

“I am truly happy to be working again with True Colours on such a witty and clever film, which I am sure will impress U.S. audiences for its brilliant and sensible approach to storytelling about love and relationships,” Breaking Glass CEO Richard Wolff said in a statement.

“A Brief Affair” is produced by Indigo Film, HT Film and RAI Cinema.

Since its market premiere at Cannes 2025, the film — which debuted at the 2025 Rome Film Festival and subsequently won several prizes in Italy — has now sold to a slew of territories including Brazil (Pandora); Greece (Rosebud.21); Germany, Austria and Switzerland (Busch Media Group); Spain (Karma); South Korea (Scene & Sound); Denmark, Finland, Norway and Sweden (Another World and Feture Film); Poland (Aurora Film); New Zealand and Australia (Palace Films); Taiwan (AvJet); Portugal (Risi Film); the Baltic countries (Estin Film); Benelux (J&J Film); Mexico and Argentina (Mirada); India and South Asia; former Yugoslavia (Zillion); and Bulgaria (Beta Film).

“I am delighted to see ‘A Brief Affair’ continue its international journey and reach audiences across so many territories, and I am particularly pleased that this journey will now include the United States,” Rampoldi said in a statement. “To see a story that is so personal connect with viewers around the world, and discover that its themes resonate across cultural and geographic boundaries, is perhaps the greatest reward I could hope for. I am sincerely grateful to our distribution partner, True Colours, for their commitment and support, and look forward to sharing ‘A Brief Affair’ with audiences in all these new markets.”

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June 12, 2026

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Italian writer-turned-director Ludovica Rampoldi’s clandestine romance “A

Movies

Rick Jackson, Georgia Governor Candidate, Is Also a Film Producer Battling the IRS

Rick Jackson, a billionaire seeking the Republican nomination for Georgia governor, has some Hollywood baggage.

Mr. Jackson, who faces a primary runoff on Tuesday, has campaigned on his promise to make Georgia more affordable and his by-the-bootstraps success as the founder of a health-care staffing company.

He has also moonlighted for years as an indie movie producer. While his low-budget movies have barely registered at the box office, several have nonetheless turned into tax windfalls, thanks to accounting maneuvers that have been the subject of three court battles with the Internal Revenue Service but that have not surfaced as an issue in the campaign.

In all, the Jackson Investment Group, the parent company of Mr. Jackson’s various ventures, has sought roughly $90 million in tax deductions from four money-losing films.

The biggest of the movies, “The Best of Enemies,” a 2019 release, starred Taraji P. Henson and Sam Rockwell. It recounts, as court filings put it, “the compelling, true story of the unlikely bond that formed between an African American civil rights activist and a Ku Klux Klan leader who worked together in the 1970s to integrate public schools in Durham, North Carolina.”

With a Rotten Tomatoes score of 51 percent, it earned an underwhelming $10 million or so, not enough to break even despite the help of state and federal tax breaks. (A.O. Scott, a New York Times critic, called it a “muddled and well-meaning big-screen attempt to find solace in the history of American racism.”)

Before the movie’s release, though, Mr. Jackson’s company donated the movie rights to Family Christian Resource Centers, a charity Mr. Jackson controls.

The company simultaneously valued the film at nearly $40 million, based on its experts’ analyses of comparable films, and claimed that amount as a tax deduction in its 2018 tax returns. The I.R.S. rejected the deduction, and the case has been in court since 2023.

His company had fought an earlier, similar case over deductions worth about $18 million for two religious-themed movies, “90 Minutes in Heaven” and “An Interview with God.”

After a 2023 trial, a federal judge reduced that amount by nearly $4 million, but otherwise sided with the company and rejected penalties the I.R.S. had sought.

“Rick isn’t going to let the I.R.S. bully him,” his campaign spokesman, Brian Robinson, said in a statement. “Rick beat the I.R.S. in 2023, the judge has thrown out the I.R.S.’s case once before, and Rick’s going to beat them again.”

His company has another ongoing case related to the 2021 film “Queen Bees,” starring Ellen Burstyn and James Caan. It made just $2.3 million at the box office, and its rights were also donated to a charity. Mr. Jackson’s company sought a $32.85 million deduction on that film, which was also rejected by the I.R.S. (The various cases also involve how bad loans made by Mr. Jackson’s company were valued.)

The I.R.S. said it does not comment on current litigation. In a filing this year in the “Best of Enemies” case, the agency said that “Rick Jackson testified that he would ‘never knowingly make a mistake.’” But, the agency asked, did his company “put forth the minimum reasonable effort to correctly determine its tax liability?”

“The answer to that question is no.”

Mr. Jackson’s company said it had hoped “The Best of Enemies” would repeat the success of the 2016 hit “Hidden Figures,” which starred Ms. Henson and told the story of three Black women who were NASA mathematicians during the space race. Lawyers have argued in their filings that the company was justified in using “Hidden Figures” as a metric when valuing “The Best of Enemies.”

But months before the rights to “Best of Enemies” were transferred to Mr. Jackson’s philanthropy, the film was having trouble finding a distributor, according to I.R.S. filings.

In February 2018, the United Talent Agency, which was shopping the movie, held a screening for potential distributors. CBS Films, Focus Films, Fox Searchlight and Sony all passed.

In March, after another distributor made what was considered a lowball offer, Rena Ronson, a United Talent executive, offered a note of caution.

“We have a film that has not generated the interest we need,” she wrote in an email cited in court filings, adding, “we don’t have a lot of leverage.”

United Talent, which is not a party to the case, declined to comment.

After a weeklong trial in January, the decision is in a judge’s hands, but it could be a while.

“It can take, give or take, a year or more for a complex case like this,” said John W. Porter, a lawyer at Baker Botts who specializes in tax cases and who is not involved in the case. He added that “the judges, as the fact finders, have a lot of leeway in determining value.”

In Tuesday’s runoff, Mr. Jackson will face Lt. Gov. Burt Jones, an election denier endorsed by President Trump. Mr. Jackson, for his part, has tried to establish his own MAGA chops, donating $1 million to a Trump-backed super PAC late last year and taking hard-line positions on topics like immigration.

Alain Delaquérière contributed research.

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June 12, 2026

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Rick Jackson, a billionaire seeking the Republican

Renowned South African artist Portchie passes away at 62

South Africa’s art community is mourning the loss of well-known artist Portchie, born Jan Hendrik Viljoen, who has died at the age of 62.

Portchie was known for his vibrant paintings filled with joy, warmth and optimism.

Over the decades, he built a career around celebrating life’s simple pleasures.

His distinctive style, characterised by bold colours, playful scenes and his trademark blue trees, made his work instantly recognisable and earned him a loyal following both locally and abroad.

A family member shared news of his passing on social media, describing him as a man whose faith, kindness, passion for life and artistic talent touched countless people.

Tributes have also since begun pouring in from friends, art collectors and admirers who remember not only the artist but the generous spirit behind the paintings.

Born in the Free State and later based in Stellenbosch, Portchie was largely self-taught. What began as a hobby in the early 1990s evolved into a remarkable artistic career spanning decades. His work appeared in galleries around the world, while thousands of paintings found homes in private and corporate collections.

Despite his success, Portchie’s art remained rooted in a simple philosophy: celebrating beauty, happiness and human connection. Whether depicting children at play, flower sellers, cyclists or countryside scenes, his paintings offered viewers a reminder to find joy in everyday moments.

Details regarding memorial arrangements have not yet been announced.

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June 12, 2026

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South Africa's art community is mourning the

MCU

MarvelBlog News for June 7th, 2026

We’re going to talk all things gaming and especially Wolverine this week.

Think of this as the MarvelBlog News state of play.

SNIKT

Photo: Polygon

Well, Destiny 2 fans, we heard you loud and clear.

Personally, I wish you’d picked a different forum than Sony’s State of Play, though.

Eurogamer

In case you missed it, Sony tried to discuss its upcoming PlayStation releases.

The livestreams didn’t go well due to the vociferous protests of Destiny fans.

Photo: Marvel

Sony recently announced that Tuesday’s update will be the last one ever.

Also, there are no plans for Destiny 3 right now, which is objectively a strange business decision.

Wolverine: Black, White, and Blood #1 Howard Chaykin Variant Cover Art. Photo: Marvel Comics

What does any of this have to do with Marvel? Well, here’s IGN explaining it.

Ostensibly, Sony wanted to highlight two games: a God of War spinoff and Wolverine.

Photo: Marvel Comics

We only care about the latter, although I have to say that the God of War looked great.

As for Wolverine, it’s Sony’s latest attempt to monetize the MCU.

Photo: Marvel Comics

The video game company previously mined Spider-Man to maximum effect.

Rather than telling yet another Spidey story, Sony’s going another way now.

#1 Jonathan Stan from All-New Wolverine #31. Photo: Marvel Comics

Insomniac Games, which previously released the Spider-Man game, has returned.

Sony owns Insomniac, which makes this a de facto first-party release for the PlayStation.

Death of Wolverine Prelude. Photo: Marvel Comics

We’d previously gotten footage from the game eight months ago in this clip:

However, that video barely whetted our whistle. State of Play proved different.

Zhilan and Wolverine. Photo: Marvel Comics

Here’s the new action video of Wolverine in its near-final state:

Before we discuss specifics, let’s get the business out of the way.

$69.99 MSRP

Marvel’s Wolverine will debut on September 15^th, 2026.

So, its release date is a little over three months from now, and preorders are already live.

WASTELANDERS- WOLVERINE #1 cover by Josemaria Casanovas WASTELANDERS- WOLVERINE #1 cover by Josemaria Casanovas

Photo: Marvel

Based on what Sony is saying, this won’t be a Marvel’s Avengers situation.

The Spider-Man games aren’t pay-to-win, and Wolverine won’t be, either.

Your $70 will unlock the standard version of the game.

You can pay $10 more for the digital version, which includes unique skins and an early weapons unlock.

You don’t need any of it, but you’ll progress slightly faster for $10 more.

I guess you could argue that’s pay-to-win, but it’s a solo offline game.

Source: Marvel

If anything, you’re simply speeding up your initial playthrough.

Speaking of which, Insomniac showed this particular clip to make a point about the gameplay.

This game is decidedly adult in nature, especially compared to Spider-Man.

Wolverine’s weapon of choice ejects from his skin and skewers people.

Source: Marvel

There’s no way to show realistic impaling without buckets of blood squelching.

For its part, the studio claims that it’s doing the following:

Source: Marvel

“We also are creating a storyline that is equally mature, that has more depth and ambiguity and deepness to go along with that.”

I read that as, “Yes, you mega-murder people heroically as Wolverine.”

Source: Marvel

I’d quibble with the “heroically” part, but you get the drift. He’s the good guy.

If he happens to shiv thousands of bad guys along the way, it’s in the name of justice.

Insomniac adds that some people are squeamish. So, you can dial down the blood if so inclined.

If I were a member of Friends of Humanity, that’s definitely the setting I’d choose.

About Wolverine

Image: Disney

Insomniac promises “the ultimate Wolverine fantasy, with fast, fluid, and ferocious combat.”

That sounds nice and stabby, just the way Wolverine fans would want it.

Image: Marvel

Also, the game will tell a “gripping story that taps into the core tenets of one of the most compelling comic book characters of all-time.”

I guess that means he’ll pine after Jean Grey in between brutal murders.

Image: Marvel

If he can make fun of Cyclops for being a goody-goody along the way, so much the better.

I kid…mostly. Wolverine, for all his splendor, is a pretty one-note character.

Image: Disney

That note is piercing body parts for (blood) sport. It’s a good note.

Still, Wolverine’s story arcs are typically, “This guy I hate is a jerk and also my dad.”

Image: Disney

So, I don’t know how Insomniac can raise the bar here, not that it matters.

Really, all we want to do is whip out our Adamantium claws and teach jerks a lesson.

Image: Disney

Wolverine is gloriously simple like that. He’s short, Canadian, and uber-violent.

The character is also a master tracker, which comes into play during the game.

Photo: Ryan Reynolds on X

Insomniac promises that you can sniff your way around time, finding the enemies of Mutants.

Before you worry too much about the game’s complexity, know that:

Ryan Reynolds Wolverine Skeleton Deadpool & Wolverine

Photo: Ryan Reynolds on X.

“(Wolverine) culminates in the claw combat, which is really the main gameplay aspect that we put the top priority on.”

Hooray for stabbing! Apparently, you can do it via “a very wide variety of moves.”

Photo: Fox

The production team confides that Sabretooth, Omega Red, and Mystique are all in the game.

Fans are speculating that they’ve seen Deadpool, but Insomniac is being cagey about that.

Photo: Marvel

You can read more about the game here. All I ask is that it’s closer to Spider-Man than Marvel’s Avengers.

Thanks for visiting MickeyBlog.com! Want to go to Disney? For a FREE quote on your next Disney vacation, please fill out the form below. One of the agents from MickeyTravels, an EarMarked By Disney – Authorized Travel Agency – Diamond Level, will be in touch soon!

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June 12, 2026

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DCU

‘Supergirl’ Writer Confirms Status of DCU’s ‘Wonder Woman’ Reboot

Wonder Woman has a rich history on screen spanning over five decades, evolving from a handful of early television experiments to the iconic Lynda Carter era before breaking onto the big screen and becoming a multi-billion-dollar cinematic powerhouse. Gal Gadot made her debut as Diana Prince (and her Amazonian alter-ego) in 2016’s Batman v Superman: Dawn of Justice, before starring in two standalone feature films: Wonder Woman in 2017 and Wonder Woman 1984 in 2020. However, plans for a third Gadot solo movie were canceled when James Gunn and Peter Safran joined forces to restructure the DCU and its future film slate.

Despite the shake-up, Wonder Woman has an incredibly bright future in DC’s newly revamped cinematic universe. Positioned as a major pillar alongside Superman and Batman, Wonder Woman is expected to be recast in the upcoming reboot, marking yet another chapter in her enduring on-screen legacy – though no official casting announcements have been made yet. The movie is currently in active development and appears to be a priority as screenwriter Ana Nogueira recently confirmed the status of the DCU feature.

Gal Gadot as Diana Prince in Wonder Woman 1984

The project marks a fresh start for the star-spangled warrior, as it is set to establish a story that is fully disconnected from the previous DCEU. Nogueira was enlisted to write the script last year, with confirmation of her involvement arriving in July 2025. Updates have been scarce ever since, but it seems that the project is making steady progress, as Nogueira offered some insight into her creative methodology and unique approach to the character in a recent interview with Collider, explaining where she is up to with the script:

“There will be a little sniper dot on my head if I say too much. But I will say that, like from all of it, I try to approach every character that I write from a place of what feels is the most true to me about them. For Kara [Zor-El], it was this backstory that she had. I always try to come at it that way and put on some blinders, and see what the character means to me before I take them off onto the page.”

Nogueira has emerged as a cornerstone creative voice in the newly rebooted DCU, as she is scripting three major feature films in Chapter One: Gods and Monsters. She has already turned in a highly praised script for Supergirl, which opens in theaters on Jun. 26, 2026, and she is also developing a Teen Titans film, which will offer a new take on the beloved superhero team. Her Wonder Woman reboot is completely separate from Paradise Lost, a previously announced HBO prequel series. Kira Snyder and Janet Lin are attached as head writers on that, keeping the show in active development alongside the forthcoming DCU movie.

Described as a political drama reminiscent of Game of Thrones, the prequel series explores the dark power struggles and history of the Amazons on the island of Themyscira well before the birth of Diana Prince, serving as a total reset after Wonder Woman 3 was canceled because it didn’t align with DC Studios’ creative overhaul. The seeds for both Paradise Lost and the Wonder Woman reboot might have been planted in the new DCU’s first official entry, the animated series Creature Commandos, which appeared to set the stage for the character’s future on the big and small screen, hinting at larger things to come.

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June 12, 2026

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Wonder Woman has a rich history on

Comics

Xbox says some Forza Horizon 6 players are losing their save files, offers advice to prevent it

Xbox says it’s aware of an issue in Forza Horizon 6 which has seen some players losing their save files.

In a post on the official Forza support page, the game’s development team says it’s “investigating an issue impacting some Forza Horizon 6 players where game save progress may be lost or reset”.

As it continues to investigate the situation, it has advised that anyone who loses their save should immediately open a ticket on the Forza Support website, which will let the team investigate the issue and improve the chances of the save being restored.

Players who lose their save should also not start a new play session or create a new save until Forza Support has reviewed their case, to avoid further issues.

Xbox says updates are currently in the works “to help improve these issues”, and the PC version has already started rolling out these fixes through the Gaming Services client.

The Xbox Series X/S version will instead be getting a console system update to address the issue, which is set to start rolling out today. Xbox has linked to information on how to force a system update once it’s ready.

Until the issue is fully resolved, the Forza Horizon 6 development team has provided the following advice as a “general rule of thumb” to make sure their save file isn’t affected:

Ensure your Gaming Services app on PC or XBOX Series X|S console is fully up to date.
On XBOX Series X|S consoles, disable Quick Resume for Forza Horizon 6.
- To disable Forza Horizon 6 from using Quick Resume, highlight the game box art anywhere in the console experience (Home, My Games & Apps, Pins, etc) and then press the Menu button, then go to Manage game and add-ons > Quick Resume settings > Disable Quick Resume.
Ensure you are online when ‘quitting’ the game.
Give your save time to sync to the cloud before powering off or switching devices.
Do not force quit the game during save screens.
Do not power off the device during gameplay.
If you receive an “Out of space” pop up with a game crash, it is recommended that you check your storage and restart your console via the menu option or XBOX controller button.

It also notes that players who regularly switch between devices – be that from one Xbox to another, or between different PCs – should take extra care, because of the extra uploading and downloading of save data from the cloud that’s involved with this.

VGC’s Forza Horizon 6 review called it “an essential racing game”, and said developer Playground Games had outdone itself.

“Forza Horizon 5 was already an exceptional racing game, but Forza Horizon 6 takes everything up a notch to deliver an even more engaging, entertaining and all-encompassing experience,” we said.

“There’s an absolute wealth of racing, exploring and collecting to do here, and that’s before the inevitable live-service updates start adding even more content. Few games are as essential as this.”

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June 12, 2026

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Xbox says it’s aware of an issue

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