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From alarming questions about Elon Musk’s role in Ukraine’s war effort, to new details about his complicated personal life, there has been no shortage of bombshells from Walter Isaacson’s recently released biography of Elon Musk.

The book covers his childhood in South Africa, as well as his business dealings, from his first startup to Tesla, SpaceX and Neuralink. Perhaps unsurprisingly, more than a quarter of the book is devoted to Twitter.

Isaacson spent two years with Musk and thus had a front-row seat to his takeover of Twitter, beginning with his move to become a major stakeholder last spring. While much of the drama that unfolded at Twitter (now, X) over the last year and half has been well-documented, Isaacson’s account adds telling — and at times bizarre — new details about how it all went down.

Musk almost immediately regretted his decision to buy Twitter

Isaacson describes Musk’s initial bid to buy Twitter as impulsive — the result of one of his frequent “manic” moods. And he writes that Musk regretted the plan almost immediately after the deal was put in motion — both because he thought he was overpaying, and because he was so unimpressed with Twitter’s former leadership. Musk later admits, more than once, that he bought the company because he didn’t have a choice.

“I don’t know why I did it,” he says two weeks after the deal finally closed. “The judge basically said that I have to buy Twitter or else, and now I’m like, okay, shit.”

The main motivation for increasing Twitter Blue subscriptions

We already know that Musk wants to bring banking and payments features to X, but the book makes it clear that those ambitions are very much intertwined with his push for Twitter Blue (now called X Premium) subscriptions. Isaacson writes that Musk was so focused on Twitter Blue because he saw it as a way to “get a user’s credit card information into the system, enabling Twitter someday to become the broader financial-services and payments platform.”

However, the plan was somewhat derailed by Apple, as most of Twitter’s subscribers signed up via its iPhone app, and Apple doesn’t share user data, like credit card and other financial details, with app makers. Incredibly, upon learning of this, Musk instructed Yoel Roth, Twitter’s former head of trust and safety, to “just call Apple and tell them to give you the data you need.” Roth, realizing that such a request would not go over well with Apple, declined to make the call.

Musk would later meet with Tim Cook amid a separate dispute related to Twitter’s iOS app, but, according to Isaacson, Musk opted not to bring up the user data issue. But it underscores just how important financial data is to his vision to make X an “everything app.”

Musk tried to ban the ADL and other activists in 2022

Musk often portrays himself as a noble defender of free speech, but even a sympathetic biographer is quick to point out all the ways Musk put his interests ahead of free speech after acquiring Twitter.

Months before Musk would boost the #BanTheADL hashtag, he wanted to ban the group and other activists for urging advertisers to boycott the platform, Isaacson writes. Musk apparently went to Yoel Roth, twitter’s former head of trust and safety, and demanded he “stop users from urging advertisers to boycott Twitter.”

Musk then tried to ad lib a new policy to justify what would have been an unprecedented ban. “I’m changing Twitter policy right now … blackmail is prohibited as of right now. Ban it. Ban them,” Musk said. Roth deflected and Musk apparently dropped the issue.

Musk flip-flopped on whether to restore Donald Trump’s account

Despite joking to his sons that he was buying Twitter to help Trump get reelected, Musk is no fan of Trump, according to Isaacson.

“I want to avoid the bullshit disputes about Trump,” Musk had told me a few weeks earlier, emphasizing that his principle had always been to allow free speech only if it was within the bounds of the law. “If he’s engaged in criminal activity — and it seems increasingly that he has — that’s not okay,” Musk said. “It’s not free speech to subvert democracy.”

Musk, of course, would change his mind and decide that a Twitter poll was a better way to decide the issue. Isaacson doesn’t speculate on a reason for the reversal other than saying he was in a “feisty mood” that day.

How the “hardcore Twitter” pledge came about

In the several weeks following his chaotic takeover of Twitter, Musk laid off thousands of Twitter workers. Isaacson sheds new light on how these decisions were made, writing that Musk tapped his two first cousins and their close friend — all of whom worked at Musk’s other companies — to help him identify who should be cut.

Around this time, one of the more infamous stories to come out of Twitter was an online form sent to the remaining staffers, giving them two days to commit to the new “hardcore” version of the company. According to Isaacson, the form was inspired by one of Musk’s cousins, who after digging through Twitter employees’ public Slack messages, “suggested to Musk that he give employees the chance to opt out.” Musk later decided to make the form opt-in, rather than opt-out. “We want people who declare they are hardcore.”

What really happened to Twitter’s servers

Last December, Musk decided to move thousands of Twitter servers from a data center in Sacremento to a facility in Oregon in order to save money. But when Twitter engineers said the move would take at least six months, Musk grew angry, saying he felt like the “head-explosion emoji.”

Then, two days before Christmas, Musk made an impromptu visit to the Sacramento facility and declared moving the servers didn’t “seem super hard.” By the next day, Christmas Eve, Musk had tapped his cousins and others to start the move. The group began rolling the 2,500-pound server racks, which contained “totally critical data” onto a Oregon-bound moving truck. Twitter’s rules required servers with user data to be wiped before such a move, but Musk opted to use Apple AirTags and store-bought padlocks to secure them instead.

Ultimately, all of the servers were relocated within weeks, rather than the several months the company’s engineers originally estimated. But the move also caused months of instability within Twitter’s systems. This resulted in a number of issues, including a disastrous live stream with Florida Governor Ron DeSantis, who was almost unable to announce his presidential bid.

The hasty move has also attracted the scrutiny of the FTC, which is investigating X over a number of privacy and data related issues. Recently revealed court documents refer directly to the incident as an example of the company failing to follow its own security policies.

Musk’s obsession with a mobile strategy game called Polytopia

The book is filled with details about Musk’s personal relationships. But one of the more bizarre details is his long-running obsession with a mobile strategy game called The Battle of Polytopia that many of his confidantes say is key to understanding him. Musk is apparently so addicted to the game that at one point in the narrative he skips a meeting with Tesla managers so he can keep playing.

Musk is so obsessed that he’s roped much of his inner circle, including Grimes, his brother Kimbal and Shivon Zilis, the Neuralink executive with whom he has twins, into playing as well. All of them eventually deleted the game, with his brother Kimbal saying it was “destroying” his marriage. Musk, on the other hand, deleted the app from his phone but, a couple months later, opted to keep playing.

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From alarming questions about Elon Musk’s role

The Los Angeles Armenian American community is ramping up its public concerns over a international regional conflict between ethnic Armenians and Azerbaijan. 

Last week, a Los Angeles protest blocked the southbound 101 in downtown Los Angeles after Azerbaijan resumed military attacks on an enclave where roughly 120,000 ethnic Armenians live. Thousands have fled their homes, according to Human Rights Watch, which added that most cannot flee because Azerbaijan had sealed the border.

The enclave in dispute is known as Nagorno Karabakh. Azerbaijan has laid claim to the land, which is at the heart of the dispute.

The recent escalation has raised concerns from several prominent Armenian voices from the entertainment community.

For Grammy Award winning Serj Tankian and Cher, and TV star Kim Kardashian, a crisis in a little-known region is not just a humanitarian disaster in a faraway land.

Using their star power, the three are elevating the plight of the vulnerable population

Tankian has been the most active and vocal. In addition to his own activism, he persuaded Peter Gabriel, Roger Waters, Tom Morello and Stewart Copeland to sign on to an appeal to end the blockade food and medicine from reaching the ethnic Armenians.

Tankian’s activism has roiled Azerbaijan. The country’s Press Council threatened the BBC with revocation of its accreditation over an interview it did with Tankian.

Cher has joined the call, penning an article with film producer Eric Esrailian for Newsweek,“You cannot Erase Us,” where they called Azerbaijan’s “campaign of ethnic cleansing and the brazen attempts at cultural erasure. . .barbaric.” In a YouTube plea, she called for sanctions, and to stop sending weapons and American tax dollars.

Meanwhile, Kardashian, who had traveled to the region in 2019 with her sister, Kourtney, recently posted about the “full-scale attacks by Azerbaijan on the civilian population after months of blockade and starvation.” It is a “potential for Genocide of Armenians in Artsakh/Nagorno-Karabakh,” Kim Kardashian wrote. Reposting her coauthored Rolling Stone article on the conflict from last month, she pleaded for assistance from the U.S. to “stop another Armenian Genocide.”

So far, their pleas have fallen on deaf political ears, leaving a population of locals vulnerable to the Azerbaijani military.

“Artsakh needs international peacekeepers and a humanitarian corridor,” tweeted Tankian, who added the people in Nagorno Karabakh have “a right of self-determination.”

Maria Armoudian is a senior lecturer at the University of Auckland and author three books, including Lawyers Beyond Borders: Advancing International Human Rights through Local Laws and Courts.

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The Los Angeles Armenian American community is

Big Apple Film Festival 2023 Official Selection, Of Things Past, a truly unique production, over 37 years in the making, at last will be enjoyed by North American viewing audiences beginning October 3rd on Amazon, Vudu and major cable systems’ VOD.

 

Tony Award, Golden Globe and three-time Emmy winner Michael Moriarty returns to the big screen, with co-stars Louise Caire Clark and Tara Reid in the drama, that first began filming in 1985. The movie was never released and has been reimagined by TGA Productions and Cedar Films Studios, with an additional storyline shot in 2022, Directed by D. Paul Thomas and Eric Rafael Ibarra.

 

Louise Caire Clark and Michael Moriarty

 

“If you live long enough, you see nearly everything. Who would have thought that a movie filmed in 1985 that never saw the light of day, with lovely performances by Michael Moriarty and Louise Caire Clark, would be ‘reimagined’ by filmmaker Peter J. Bollinger and brought to the screen now,” comments Thomas.  “A special shout out to Dr. Sam Mayhugh, who shepherded the entire project through to a successful conclusion, and to the splendid ensemble in the original film.”

 

MOVIE TRAILER: https://vimeo.com/796491825

 

 

 

Filmed in the mountains of Mammoth Lakes, California, and inspired by true events, Of Things Past tells the moving story of Michael and Laura Dietrich (played by Moriarty and Clark), a young couple struggling to save their marriage after the tragic loss of their two-year-old son. Michael, a physician’s assistant, saves the life of a young girl, Kiki, seriously injured in an automobile accident. In saving her life, he begins to forgive himself for the death of his son. Nearly forty years later, as Michael is dying, an adult Kiki (played by Tara Reid), visits Laura (reprised by Clark) in Boston, revealing details of long-held secrets—the pain of betrayal and the power of forgiveness.

 

“What fun it’s been working on this unique project—taking a movie filmed previously and adding to it an additional storyline,” adds Ibarra. “Putting the two storylines together has been a fascinating and challenging process. A big shout out to Fotokem, CFI, Audionamix, and composer Amanuel Zarzowski for their work in helping us bring this one-of-a-kind movie to the screen.”

 

Legendary actor Michael Moriarty is a Tony Award winner (Find Your Way Home, 1974), three-time Emmy Award winner (1974, 1978, 2002), and Golden Globe Award winner in 1978 for his portrayal of the Nazi SS officer in the critically acclaimed miniseries Holocaust. He has starred in such films as, Bang the Drum Slowly, Who’ll Stop the Rain, Courage Under Fire, and Pale Rider. For four seasons, he played Executive Assistant District Attorney, Benjamin Stone, in the hit TV series Law & Order. In addition to his acting career, Moriarty is an accomplished jazz pianist, singer and songwriter, and displays those talents in the new movie.

 

Louise Caire Clark starred for three seasons as Maggie Scott in Disney Cable’s hit TV series Five Mile Creek. She has been in over 200 commercials, including the provocative “Harry and Louise” advertisements, and appeared in such shows as Matlock, Hardcastle and McCormick, Helter Skelter, and She’s Dressed to Kill. In 2000, she executive produced The Testimony of Taliesin Jones, a British drama starring Jonathan Pryce. Coming out of retirement in 2022, Clark reprises her role as Laura Dietrich.

 

Tara Reid is best known for her role as Vicky in the films American Pie (1999), American Pie 2 (2001), and American Reunion (2012). She played Bunny Lebowski in The Big Lebowski (1998) and April Wexler in the TV film Sharknado (2013), reprising that role in five sequels from 2013 to 2018. Reid began acting when she was six, becoming a regular on Child’s Play and Saved by the Bell: The New Class. She made her feature film debut in A Return to Salem’s Lot (1987), which incidentally, also starred Michael Moriarty.

 

Actors Gary Bayer, Macon McCalman, Peter Von Berg (Cast Away, Rollerball, Bad Company), and the late Jack Nance (star of David Lynch’s Eraserhead and Blue Velvet) round out the stellar cast.

 

Director, writer, actor, and producer, D. Paul Thomas is the co-director of the film, and while President of Victory Films, he directed and produced over 30 commercials, documentaries, and feature films, including Years of the Beast, They Cry in the Night, and The Calling. In film and on the stage, he has worked with such artists as Olympia Dukakis, Jason Robards, and Christopher Plummer. He directed the award-winning And, starring Tony-Award winner Ron Silver. His play Bonhoeffer 1945 was a “Best Pick” of the London Times. Recently, with colleague and the film’s executive producer Dr. Sam Mayhugh, he co-wrote The Odyssey of King David, and is currently Creative Director of TGA Productions.

 

Born and raised around the globe, co-director Eric Rafael Ibarra’s creative adventures began on the stage in Hong Kong, Singapore, and Manila. As many before him, after graduating from Emerson College, he made his way to Los Angeles to explore the artistic allure of Hollywood, working his way through independent features, network television shows, national commercials, and everything in between. With ten years in the industry and now an indie filmmaker, his portfolio includes five features directed and eight produced, with multiple festival awards along the way. An experienced cinematographer and producer, his music video and commercial work have garnered over 20 million views online and via broadcast, having been featured on Jimmy Kimmel Live!, and in national spots on NBC, HGTV, and RokuTV.

 

CREDITS:

Directed by D. Paul Thomas and Eric Rafael Ibarra

Scripted by D. Paul Thomas, Frank Dent, and Peter J. Bollinger

Cinematography by Fred Paddock and Stephen Vanderpool

Prosthetics by Oscar winner Mathew Mungle

Stunt coordinator: “Doc” Duhame

Original soundtrack by Amanuel Zarzowski

Executive Producers: Dr. Sam Mayhugh, Peter J. Bollinger, Nora Betancourt, Eric Ibarra, D. Paul Thomas, Robert Vaughan, and Tara Reid

Distributor: Jerome Courshon, Lion Heart Distribution

 

 

 

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Big Apple Film Festival 2023 Official

Smile
Photo: Paramount

Great news for horror fans—or just working actors hoping to pick up gigs standing up at televised sports games, smiling creepily into the camera: 2022 horror hit Smile officially has a sequel not just in development, but on the schedule for 2024. This is not wholly surprising, in so far as the original Smile, which debuted exactly a year ago this very day (spooky!) at Fantastic Fest, did that thing that horror films do so well, from a financial point of view: Teensy-tiny budget, $200 million return. Repeat for as many highly literalized metaphors for trauma as you can manage.

Per Variety, the new Smile movie will land in the midst of next year’s spooky season, on October 18, 2024. The film is expected to be both written and directed by a returning Parker Finn, whose original short Laura Hasn’t Slept served as the inspiration for the film. That movie starred Sosie Bacon as a therapist who begins hallucinating after seeing one of her patients commit suicide in front of her. And, yeah, without spoiling anything, it’s very easy to see how Finn could find room for a sequel in this particular franchise.

Interestingly, the first Smile got at least some of its success from Paramount deciding to bail on plans to release the film as a streaming exclusive for its Paramount+ service, a practice that most of the studios have stepped back from as COVID-19 lockdowns fade into the past (Most notably the former HBO Max, which killed off multiple movies intended for a streaming release rather than bother finishing them.) In that light, it’s worth noting that the studio made another, similar schedule tweak today, taking the previously Paramount+-bound film version of the Mean Girls musical, and announcing that it’ll now release in theaters in the dead of winter next year, on January 12. The film, which will star Reneé Rapp, Angourie Rice, Jaquel Spivey and Auli’i Cravalho, is based on the Tina Fey-penned musica; Fey and Tim Meadows will reprise their roles from the original film.

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SmilePhoto: ParamountGreat news for horror fans—or just

Now, I know Grant Gustin was The Flash, but, could you picture him playing Superman too? His time as Barry Allen just came to a close on The CW’s The Flash, which aired its final season on the 2023 TV schedule. So, as we wait to see what he does next, this new video of him rocking a Superman curl in his hair, has me thinking he could easily play Superman, but let’s not give James Gunn any ideas, he already has his caped hero cast. 

There are lots of actors who almost played Superman, and more who could easily fit the role. However, since Grant Gustin is known for being The Flash, it seems highly unlikely he’ll ever step into the role of another iconic DC hero. But, a girl can dream, and with this new video of the actor, a girl can really picture the actor as Superman, especially with that curl! Take a look at this clip of him rocking a Superman-esque hairstyle in a video posted to X:

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Now, I know Grant Gustin was The

Parisian rapper MHD has been sentenced to 12 years in prison over the 2018 murder of a 23-year-old man, French news service Agence France-Press reports. MHD had pled not guilty to the charges.

Per the AFP, MHD reiterated his not-guilty plea during a final statement to the jury, remarking: “From the beginning, I have maintained my innocence in this case and I will continue to maintain my innocence.” MHD was tried alongside eight co-defendants: three were acquitted, while five others received sentences ranging from 10 to 18 years, per The Guardian. All of the convicted parties pled not guilty. 

MHD was originally charged with voluntary manslaughter in 2019, after he was arrested in relation to the July 2018 killing of the man, identified as Loïc K, in Paris’ 10th arrondissement. MHD’s car was reportedly spotted at the scene of the crime. At the time, MHD’s lawyer denied that the artist had “any involvement in the brawl” during which Loïc K died in a statement to the AFP. 

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Parisian rapper MHD has been sentenced to

NOW STREAMING! Robert Rodriguez and his son Racer Max have partnered as co-writers in the latest Spy Kids installment. Rodriguez is most known for his action-fueled ideas, wacky family films, and a recent brush with a galaxy far, far away via Book of Boba Fett. Spy Kids Armageddon is a relaunch and 5th installment of the classic early-2000s spy comedy franchise. Picking up where past ventures left off, Spy Kids Armageddon packs plenty of slick gadgets and a wacky premise geared toward younger viewers. Once again, when the grownups have exhausted all efforts, sometimes you need a kid or rather a spy kid to save the world. 

Spy Kids: Armageddon. Billy Magnussen as The King in Spy Kids: Armageddon. Cr. Netflix ©2023

“…the launch of a new video game that threatens to unleash the ‘Armageddon Code’…”

Terrence (Zachary Levi) and Nora (Gina Rodriguez) are typical parents to two pre-teens. They try to balance work with life, raise their kids, and make sure their kids don’t spend too much time on technology. But, unbeknownst to their kids, Terrence and Nora happen to be international spies. Tony (Connor Esterson) and Patty (Everly Carganilla) are two bright kids who love video games and have no suspicions of their parents’ life of espionage. That is, until the launch of a new video game that threatens to unleash the “Armageddon Code” on the world. Before Tony and Patty realize what is happening, it’s time to suit up and become the newest Spy Kids. 

The “Armageddon Code” launch brings back a familiar Spy Kids troupe. Evil henchmen attack the family’s home and capture the parents, leading Tony and Patty to a safe house/spy lair. At the spy lair, the two kids learn about the OSS and how to be a spy from the book, “How to be a Spy” (as seen in previous Spy Kids films), and a fun crash course in covert operations. After some practice spying, the kids realize the villain may be the creator of their favorite video game, Rey “The King” Kingston (Billy Magnussen). When Kingston attacks the OSS headquarters, it’s up to Tony and Patty to rescue their parents and stop Kingston. 

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NOW STREAMING! Robert Rodriguez and his son

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In March, Google released an artificial intelligence chatbot called Bard. It was Google’s answer to OpenAI’s hugely popular ChatGPT.

But Bard used less sophisticated A.I. than ChatGPT. It came across as less capable and less conversational. Within weeks, Google revamped the tool with upgraded technology, but ChatGPT continued to be the chatbot that captured the public’s attention.

On Tuesday, Google unveiled a plan to leapfrog ChatGPT by connecting Bard to its most popular consumer services, such as Gmail, Docs and YouTube. With the new features, Google took a step toward tying Bard into the company’s vast constellation of online products.

Bard has not received as much attention as ChatGPT. In August, ChatGPT had nearly 1.5 billion desktop and mobile web visits, more than three times as much as Google’s A.I. tool and other competitors, according to data from Similarweb, a data analysis firm.

Still, Jack Krawczyk, Google’s product lead for Bard, said in an interview that Google was aware of the issues that had limited the appeal of its chatbot. “It’s neat and novel, but it doesn’t really integrate in with my personal life,” Mr. Krawczyk said users had told the company.

Google’s release of what it calls Bard Extensions follows OpenAI’s announcement in March of ChatGPT plug-ins that allow the chatbot to gain access to updated information and third-party services from other companies, including Expedia, Instacart and OpenTable.

With the latest updates, Google will try to replicate some of the capabilities of its search engine, by incorporating Flights, Hotels and Maps, so users can research travel and transportation. And Bard may come closer to being more of a personalized assistant for users, allowing them to ask which emails it missed and what the most important points of a document are.

A.I. chatbots are widely known to offer not only correct information but also falsehoods, in a phenomenon known as “hallucinations.” Users are left with no way to tell what is true and what is not.

Google believes it has taken a step toward addressing those issues by revamping the “Google It” button featured on Bard’s website, which had allowed users to run Google searches on the queries they had asked the chatbot.

Now, the button will double-check Bard’s answers. When Google has high confidence in a claim and can support it with evidence, it will highlight the text in green and link to another webpage that backs up the information. When Google cannot find facts to bolster a claim, the text is instead highlighted in orange.

“We’re really committed to making Bard more trustworthy by not only showing the confidence of our response, but admitting when we make a mistake,” Mr. Krawczyk said.

Various tech companies have poured billions of dollars into developing the so-called large language models that underpin Bard and other chatbots, systems that need vast amounts of data in order to learn. That has prompted worries about how companies like Google are using consumers’ information.

The company has sought to assuage concerns about how Bard would use this information.

“We’re committed to protecting your personal information,” Yury Pinsky, Bard’s director of product management, wrote in a blog post. “If you choose to use the Workspace extensions, your content from Gmail, Docs and Drive is not seen by human reviewers, used by Bard to show you ads, or used to train the Bard model.”

Mr. Krawczyk said Bard would uphold users’ privacy, though he declined to comment on how other Google services were using this type of data.

Google also updated Bard’s underlying A.I., Pathways Language Model 2. It expanded the feature that allows users to upload images to more than 40 languages. And Google is letting users share Bard conversations with one another, so that they can see the responses and ask the chatbot additional questions on the topic.

Even though people in more than 200 countries and territories are able to use Bard, Google is still calling the tool an “experiment,” rather than a full-fledged product.

“These are still the early days of this technology,” Mr. Krawczyk said, “and they have profound capabilities but they need to be well understood by the people that are using them.”

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In March, Google released an artificial intelligence

Michael Caine is sharing his thoughts on the need for intimacy coordinators during amorous scenes in film and television projects.

The 90-year-old actor, who is currently promoting the film The Great Escaper, told The Daily Mail in an interview published online Saturday that he was unfamiliar with the concept of a project hiring someone to help ensure performers’ safety and well-being during the filming of intimate scenes.

“Really?” Caine responded when asked for his thoughts on the role. “Seriously? What are they? We never had that in my day. Thank God I’m 90 and don’t play lovers anymore, is all I can say.”

The two-time Oscar winner continued, “In my day, you just did the love scene and got on with it without anyone interfering. It’s all changed.”

Caine also said he tries to comport himself in ways deemed politically correct before adding, “But it’s dull. Not being able to speak your mind and not being able to call anyone ‘darling.’” He went on to say, “I like to learn from friends who are younger than me.”

The Hollywood Reporter has reached out to the actor’s team for further comment.

The Intimacy Directors International nonprofit organization was established in 2016, and the role became more prevalent on sets in the entertainment industry in the wake of the #MeToo movement.

Caine has recently suggested that Oliver Parker’s The Great Escaper, which co-stars the late Glenda Jackson in a story about a World War II veteran going to great lengths to celebrate the 70th anniversary of D-Day, may be his final film. His previous roles include playing a lothario in the acclaimed 1966 feature Alfie.

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Michael Caine is sharing his thoughts on

Summary

  • The DCEU missed the opportunity to establish The Flash as a successful movie due to behind-the-scenes issues that affected its narrative coherence.
  • The absence of a Nightwing movie in the DCEU was a significant missed opportunity to introduce a new generation of heroes and expand the franchise’s concept.
  • Teasing Henry Cavill’s Superman in the Black Adam movie without paying it off due to the franchise reboot was a cruel missed opportunity and disappointment for fans.

Before it began its rebranding to become the DCU, DC’s shared universe was known as the DCEU, and it was a franchise plagued by a number of missed opportunities. From as early as 2013’s Man of Steel and the beginning of the DCEU, the franchise was considered divisive. Zack Snyder’s vision for a shared DC cinematic universe included a somewhat unorthodox approach to many of its characters, with a much grittier and darker world than was typically expected. The likes of Wonder Woman, Batman v Superman: Dawn of Justice, Aquaman, Justice League, and more fleshed out the DCEU’s slate of movies, establishing the parameters of the franchise.

However, negative and mixed receptions to many DCEU films saw the franchise shelved and the reins of DC Studios handed over to James Gunn and Peter Safran. This ultimately led to the DCEU being rebooted into the DCU, a new shared universe featuring new iterations of DC’s biggest heroes. The failure of the DCEU was the result of a number of failings, many of them amounting to little more than misfortune. However, from the very start of the DCEU’s timeline of movies, a number of missed opportunities saw the franchise lessen in popularity. Though some were entirely unavoidable, here are the 10 biggest missed opportunities in the DCEU.

10 The Flash Could Have Been A Much Better Movie

One of the DCEU’s most turbulent productions, The Flash was unable to make the impact it was hoped to for the franchise. After repeated delays, the film was finally released after Gunn and Safran’s appointment as co-heads of DC Studios, with the planned reboot already announced. The behind-the-scenes issues of the DCEU clearly affected the finished film, with the film’s narrative suffering as a result of the franchise’s wider issues. The Flash‘s ending was criticized heavily as being largely incoherent in comparison to the rest of the film, and if the franchise had been more stable, the film would likely have achieved much greater success.

9 A Nightwing Movie Would Have Set The DCEU Apart

nightwing mystery

Across the entirety of the DCEU’s existence, rumors of a Nightwing movie ran rampant. Ben Affleck’s older Batman hinted that Nightwing could feasibly exist within the DCEU, and many of the hero’s stories would have fit perfectly within the grittier world in which the franchise was set. Though it ultimately never came to fruition in the DCEU, a Nightwing movie would have been perfect, as it would have introduced a new generation of heroes to the franchise outside the more traditional members of the Justice League. As it would have worked on both a narrative and conceptual level, Nightwing’s absence from the DCEU felt like a huge missed opportunity.

8 Never Paying Off Black Adam’s Final Superman Tease

Henry Cavill as Superman in Black Adam post-credit scene

At the time of Black Adam‘s release, the status of Henry Cavill’s Superman within the DCEU was the cause of much speculation. Black Adam‘s cast of characters included a cameo from Cavill’s Superman, teasing that he would return to face off against Dwayne Johnson’s Black Adam. Ultimately, the tease was doomed never to be paid off, as Cavill was promptly released from the role ahead of the franchise’s reboot. After years of speculation as to whether Cavill would return, having his final appearance in the role be a cameo teasing a future that would never come to pass was one of the DCEU’s cruelest missed opportunities.

7 BvS’s Lex Luthor Was A Wasted Opportunity

Jesse Eisenberg as Lex Luthor in Batman v Superman Dawn of Justice

One of the more daring elements of the DCEU was its willingness to depart from complete comic accuracy to deliver new takes on classic characters. Though putting a new spin on Lex Luthor isn’t a bad idea, the execution in Batman v Superman left a great deal to be desired. Jesse Eisenberg’s Luthor was hyperactive and erratic and came nowhere close to being the calculating and menacing villain he deserved to be. By failing to deliver on the promise of an interesting core villain, the DCEU wasted not just an iconic character, but a golden opportunity to reinvent countless Superman stories.

Related: Every Upcoming DC Movie In 2023 And Beyond

6 Shazam Never Got To Join The Justice League

Zachary Levi in 2023's Shazam Fury of the Gods

Though he may not be DC’s most iconic hero, Shazam proved to be one of the DCEU’s most well-received, thanks in part to his light-hearted nature and sense of humor. Sadly, Billy Batson’s superhero alter-ego never made it into the Justice League within the DCEU, and it was clearly a missed opportunity. Shazam would have brought greater levity to the team, offsetting the more serious natures of Batman, Superman, Cyborg, and Wonder Woman. His magical powers also could have added a slightly different dynamic to the team, even though it ultimately never came to be in the DCEU.

5 Man Of Steel 2 Could Have Fixed Multiple Superman Complaints

Henry Cavill's Superman in DC's Man of Steel

The DCEU’s first movie remains one of its most divisive, with a number of harsh realities plaguing Man of Steel and its depiction of Superman. Many of the issues with Snyder’s version of the iconic hero would undoubtedly have been resolved by a sequel, as exploring his growth as a hero and leader would have helped to move away from the more brooding and doubt-ridden character of the first movie. Though Man of Steel 2 was teased repeatedly, the DCEU sequel never came to pass, and Henry Cavill was never truly given the chance to shine in the DCEU’s most important role.

4 Cyborg Should Have Been Given More Attention

Cyborg standing in the rain smiling in Zack Snyder's Justice League (2021)

As one of the founding members of the DCEU’s Justice League, it’s fair to say that Cyborg is an important hero in the franchise. However, his only real DCEU appearance was in Justice League, which explained the nature of his technological powers being linked to the Apokaliptian Mother Boxes. Justice League sets Cyborg up as one of its most interesting and powerful characters, but the character was ultimately never expanded upon. Having the hero’s only significant appearance being in a team-up movie in which he was only featured in more of a supporting role was an obvious missed opportunity for the DCEU.

3 Snyder’s Planned Justice League Sequels Could Have Saved The DCEU

Zack Snyder's Justice League team image

Though Zack Snyder’s plans for the DCEU have always been divisive, it’s clear that he had a distinct vision for the franchise’s future. After he departed the franchise during the production of Justice League, the film was revised significantly to move away from some of Snyder’s ideas, making the film feel somewhat jumbled and inconsistent. Had Snyder remained, his vision for the DCEU would have continued in his planned Justice League sequels, and despite his potentially controversial approach, the DCEU’s story would have remained coherent. Moving away from Snyder’s planned story was ultimately what sealed the DCEU’s fate as a failed franchise.

2 A DCEU Green Lantern Would Have Been A Perfect Fit

Green Lantern in Pain DC

The earliest theme of the DCEU was humanity attempting to deal with extraterrestrial threats. Man of Steel, Batman v Superman, and Justice League all focused on that idea, and by failing to introduce Green Lantern into the franchise, the DCEU missed an excellent opportunity. Monitoring and combating alien and cosmic threats is at the core of any Green Lantern story, and the hero clearly would have been a perfect fit for the themes explored in the early stages of the DCEU. Introducing some iteration of Green Lantern ahead of Justice League would have been perfect, but it was yet another missed opportunity in the DCEU.

1 Ben Affleck’s Batman Movie Would Have Been Great

Ben Affleck as Batman in Zack Snyder's Justice League

The trio of DC’s most iconic heroes were all featured in the DCEU, but one of them never got his own movie. Though a Ben Affleck-led Batman movie was rumored for the DCEU, it never came to pass. A greater exploration of the character could have been a fascinating insight into his past, looking at an older and darker iteration of the Dark Knight than previous Batman movies. That Ben Affleck’s Batman movie was never made remains one of the DCEU’s biggest missed opportunities, but the franchise being rebooted into the DCU means it will never come to fruition.

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Summary The DCEU missed the opportunity

UK regulator the Competition and Markets Authority (CMA) has provisionally agreed to allow Microsoft’s proposed acquisition of Activision Blizzard.

The CMA has remained the last major roadblock to the deal closing, and initially blocked the acquisition in April due to concerns about its impact on the nascent cloud gaming market.

Microsoft attempted to restructure its proposed acquisition by agreeing to sell cloud streaming rights to Ubisoft, leading the CMA to launch a new merger inquiry.

This move has now seemingly been enough to satisfy the CMA, which has posted its provisional decision today.

“While the CMA has identified limited residual concerns with the new deal, Microsoft has put forward remedies which the CMA has provisionally concluded should address these issues,” the statement reads.

It adds: “While the restructured deal is materially different to the previous transaction and substantially addresses most concerns, the CMA has limited residual concerns that certain provisions in the sale of Activision’s cloud streaming rights to Ubisoft could be circumvented, terminated, or not enforced.

“To address these concerns, Microsoft has offered remedies to ensure that the terms of the sale of Activision’s rights to Ubisoft are enforceable by the CMA. The CMA has provisionally concluded that this additional protection should resolve those residual concerns.”

The CMA has now opened a consultation until October 6, after which time it will make a final decision. Unless any major objections shed new light on the situation, it should now be expected that the CMA will approve the deal.

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Following the publication of the CMA’s provisional decision, Microsoft president and vice chair Brad Smith tweeted: “We are encouraged by this positive development in the CMA’s review process.

“We presented solutions that we believe fully address the CMA’s remaining concerns related to cloud game streaming, and we will continue to work toward earning approval to close prior to the October 18 deadline.”

Commenting on the provisional decision, the CMA’s senior director of mergers and Phase 1 decision maker Colin Raftery said he was satisfied that Microsoft’s new proposal satisifies the CMA’s concerns.

“This is a new and substantially different deal, which keeps the cloud distribution of these important games in the hands of a strong independent supplier, Ubisoft, rather than under the control of Microsoft,” Raftery said.

“With additional protections to make sure that the deal is properly implemented, this will maintain the structure of the market, enabling open competition to continue to shape the development of cloud gaming in the years to come, and giving UK gamers the opportunity to access Activision’s games in many different ways, including through cloud-based multigame subscription services.”