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AMC’s The Vampire Lestat pulls many scenarios and moments straight from Anne Rice’s Vampire Chronicles. Naturally, the series mainly pulls from book two, The Vampire Lestat, but also borrows from other titles in Rice’s 13-book series. Here, we detail where the AMC series draws direct inspiration from Rice’s prose, episode by episode, but especially where it deviates from the books in a big way. Let’s check out the biggest references and most major changes that The Vampire Lestat makes to Anne Rice’s books.

The Vampire Lestat Episode 1: “Detroit”

AMC

The Vampire Lestat (1985), “Downtown Saturday Night in the 20th Century: 1984”: Location Changes, Louis Insertions, and Time Shifts

Lestat living adjacent to a garage band named Satan’s Night Out, who convince him to join their band, is all from how Anne Rice’s novel opens. This takes place in the chapter “Downtown Saturday Night in the 20th Century: 1984.” However, in The Vampire Lestat book, this all occurs in New Orleans, not Montreal.

Also, Lestat learns from the band that Louis has detailed their lives together in book form. In the AMC series, Lestat finds out the book via an email alert. He has already reunited with Louis in the AMC series, and the book serves to break them up again. This also marks a major change from The Vampire Lestat, which barely features Louis at all. In fact, in the book, Lesat forms a rock band partially to lure Louis back to him. Also, all of this takes place in the present day in the The Vampire Lestat series, and not in 1984.

The Vampire Lestat (1985), “Dionysus in San Francisco: 1985”: Dracula’s Daughter Changes Locations

Armand in The Vampire Lestat teaser trailer
AMC

In episode one, the Detroit vampires attack Lestat in the boutique hotel called Dracula’s Daughter. This references the vampire covens attacking him at his Halloween night concert in the climax of Rice’s The Vampire Lestat. However, in the book, Dracula’s Daughter is a bar in San Francisco, not a hotel.

The Vampire Lestat, Episode 2: “Toledo”

the vampire lestat in concert
AMC

The Vampire Lestat (1985),”Lelio Rising”: Lestat’s Stuttering is a TV Series Invention

Lestat’s flashbacks to his mortal life in 18th-century France are how he begins his story in Rice’s The Vampire Lestat. All the details about his cruel older brothers and father tormenting him as a child are from the opening portions of the novel, “Lelio Rising.” Lestat de Lioncourt, taking on the task of killing the wolves attacking the local village, is also from this section of the novel. So is his close relationship with his mother, Gabriella.

However, Lestat’s struggles with stuttering as a young child, which The Vampire Lestat spends a great deal of time on, are an invention of the AMC series.

The Queen of the Damned (1988), “The Short, Happy Life of Baby Jenks and the Fang Gang”: The Fang Gang and Baby Jenks Change From Book to The Vampire Lestat Series

The name of the Detroit vampires, the Fang Gang, comes from the third Vampire Chronicles novel, The Queen of the Damned. But in the Anne Rice novel, the Fang Gang were not against Lestat for exposing the secrets of the undead to the world. Instead, they wanted to join him. The Fang Gang in the AMC series, meanwhile, is attempting to kill Lestat for breaking “The Great Laws.”

This is what most vampires were threatening to do at the start of the novel, The Queen of the Damned. Additionally, in the novels, Baby Jenks is a newly created vampire who is a part of the Fang Gang. She is killed by Queen Akasha when she rises. In the show, that has yet to occur, marking another change between The Vampire Lestat series and Anne Rice’s books.

The Vampire Lestat (1985), “Downtown Saturday Night in the 20th Century: 1984”: Who Is Telling the Truth?

the vampire lestat trailer lestat and interview with the vampire
AMC+

When Daniel Molloy and Louis talk about Daniel’s publishing of Interview with the Vampire, Louis says he didn’t like how he came across in it. He says he was a liar, and not just a “Lying to myself kind of liar, a f#%*ing liar.” Daniel says Lestat claims an entire scenario described in Interview with the Vampire, with Lestat attacking them on a train, flat out never happened. This tracks with Lestat’s revelations in the opening chapter of The Vampire Lestat. This is where he says some of Louis’ confessions about him were complete fabrications. In the TV series, it remains unclear if either one of them is telling the full truth.

The Vampire Lestat (1985) “Viaticum for the Marquise.”

Jennifer Ehle as the Vampire Gabriella in The Vampire Lestat
AMC

Lestat’s recollections of making his dying mother into a vampire come from the section of The Vampire Lestat titled “Viaticum for the Marquise.” Gabriella’s decision to become a vampire right away is from this section of the book. One big deviation is that in the AMC series, Lestat and Gabriella return to Lestat’s ancestral home and kill Lestat’s brothers. Gabriella then kills her now-blind husband, and they leave their bodies for their children to find. In the novels, Lestat’s blind father survives, escapes the French Revolution, and flees to New Orleans. In Rice’s Interview with the Vampire, Lestat asks Louis to kill his father, because he can’t bring himself to do it. This is a major change to the text and in Lestat’s story in The Vampire Lestat.

We are quite certain the series will make even more changes to Rice’s text as the The Vampire Lestat continues. So keep checking back here for new updates. In the meantime, you can watch The Vampire Lestat and Interview with the Vampire on AMC and AMC+.

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⚡ Quick Take AMC’s The Vampire Lestat pulls many

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Ultimate Marvel vs. Capcom 3 is widely regarded as one of the best fighting games ever made, but it has largely been left behind in the modern era, lacking features like crossplay and rollback netcode, with no signs of ongoing support from CAPCOM.

Today, CAPCOM pushed out a surprise update for the PC version of Ultimate Marvel vs. Capcom 3 on Steam to improve Windows 11 compatibility and fix unspecified bugs. However, it appears to have introduced a few notable issues in the process.

Problems After the June 15, 2026 Update

The small 12 MB update for Ultimate Marvel vs. Capcom 3 is fairly light on patch notes and only lists two changes:

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However, more noticeable and concerning issues appear to affect gameplay. Several active players in the Ultimate Marvel vs. Capcom 3 community have reported that Phoenix (Jean Grey) can no longer activate Dark Phoenix mode during matches.

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Some of these gameplay bugs are clearly unintentional, and a hotfix should be able to address them. The fact that Ultimate Marvel vs. Capcom 3 received an update at all is pretty surprising, but it likely ties into broader Windows 11 compatibility adjustments seen in other older CAPCOM titles. The last time UMvC3 was updated was back in 2017.

Ultimate Marvel vs. Capcom 3 is still one of the most beloved fighting games of all time, and a modern remaster with features like rollback netcode and crossplay could bring it back into the spotlight for a new generation of fighting game players.

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Pour quelle raison est-il important d’avoir un traducteur spécifiquement belge ?

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In this episode of the No Film School Podcast, GG Hawkins speaks with BAFTA-winning director Marc Munden about directing the new Netflix adaptation of Lord of the Flies, written by Jack Thorne.

Munden discusses revisiting William Golding’s novel, shaping the series’ visual language, filming on a remote island in Malaysia, working with 36 young actors, and how limitations around child actors’ schedules helped inspire the show’s hallucinatory nighttime look.


In this episode, we discuss:

  • Why Munden was initially conflicted about adapting Lord of the Flies again
  • How Jack Thorne structured the four-part series around Piggy, Jack, Simon, and Ralph
  • Using the rainforest as an alien, living ecosystem that mirrors the boys’ collapsing society
  • How production restrictions led Munden to develop an infrared-inspired visual approach for nighttime scenes
  • Rehearsing for five weeks with 36 child actors before shooting
  • Directing young performers toward natural behavior instead of “performing”
  • How Munden uses analog production books filled with references, sketches, script pages, and notes
  • Why post-production became a continuation of discovery, including iPhone footage and evolving portrait sequences
  • Munden’s advice for emerging filmmakers: make films, learn to write, be kind, and keep learning from others

Guests:

Subscribe to the No Film School Podcast on:

Get your question answered on the podcast by emailing podcast@nofilmschool.com

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In this episode of the No Film

Put two icons of modern-day fashion together, and of course the result is a success: Birkenstock Arizona sandals and wide-leg jeans.

It’s a simple formula, almost banal in its availability, and yet the combo so perfectly embodies what stylish women want today: comfort and practicality with just enough coolness to show you know how to dress well. And the beauty of wearing Birkenstock Arizonas with baggy jeans is that it’s an outfit everyone can embrace—it appeals to trend-conscious fashionistas just as much as it does to those who aren’t particularly interested in fashion and have already adopted it without even realizing it.

Gigi Hadid

MEGA/Getty Images

Ultimately, the success of this pairing boils down to this: It works because it’s easy. It doesn’t require any special styling tricks, it doesn’t demand sacrifices, and it saves those days when you’re short on time, don’t feel like thinking, and have a lot to do. It’s one of those unofficial uniforms we see everywhere, from the streets of big cities to weekend getaways. And yes, we can confirm: The editors at Glamour love wearing walking sandals with their jeans too.

In recent years the Birkenstock Arizona sandal has transformed from a purely functional shoe to a true fashion icon. The most beloved version remains the classic brown leather one, which is capable of weathering seasons and trends without losing its charm. The shoes have that laid-back vibe that evokes summer, spontaneous getaways, and long, aimless strolls. But for those seeking something more playful, the colorful EVA Arizona sandals offer a fun twist that’ll add a touch of whimsy to your look. And then there’s the Arizona Big Buckle, a version that turns a functional detail into an unexpected gem thanks to the oversized metal buckles that catch the light.

But if the sandal sets the tone, jeans define the silhouette. Here the rule is simple: The more relaxed the fit, the better. It sounds counterintuitive, but produces a surprisingly chic result. Wide-leg denim has the kind of nonchalance that conveys relaxed elegance. It’s a cut that embodies freedom and lightness, two concepts that have become fundamental in today’s fashion.

Among the trendiest styles available this summer, barrel jeans stand out. They’re characterized by the slight curve of the leg that creates an interesting and contemporary silhouette, and they have the advantage of redefining proportions in a way that adds character even to the most basic outfits. Long denim shorts remain a strong choice as well—perfect for those who love a pronounced silhouette. And then there are baggy jeans: They may no longer be at the top of the trend charts, but that doesn’t mean fashionable women have stopped wearing them. When a garment is truly this comfortable, it rarely disappears from the wardrobe.

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Put two icons of modern-day fashion together,

En Suisse, le paysage des divertissements en ligne évolue rapidement, et une direction majeure se profile : la union entre les univers du casino et des bonuskong paris sportifs Casino s’inscrit pleinement dans cette dynamique en offrant une plateforme unifiée où les passionnés peuvent naviguer aisément entre les machines à sous, les jeux de table et les paris sur les événements sportifs. Cette démarche intégrée s’adapte à une demande croissante des utilisateurs suisses, qui cherchent la commodité et la variété sans avoir à commuter entre plusieurs sites et comptes. En regroupant ces deux mondes sous un même toit numérique, Bonuskong crée un écosystème de jeu cohérent où l’excitation des matchs en direct se mêle à le frisson des jeux de casino. Cette complémentarité incarne une avancée significative pour le marché helvétique, traditionnellement segmenté entre paris et jeux d’argent.

L’Avancée du Divertissement en Ligne en Suisse

Le contexte légal suisse, avec l’entrée en vigueur de la Loi fédérale sur les jeux d’argent (LJAr) en 2019, a marqué un virage décisif. En instaurant un marché régulé pour les jeux d’argent en ligne, la Confédération a créé la voie à une offre plus sûre, plus transparente et plus diversifiée. Cette supervision stricte, supervisée par la Commission des jeux d’argent (ESBK), a entraîné l’émergence de plateformes agréées qui doivent correspondre à des critères rigoureux en matière de protection des joueurs et de jeu responsable. Les opérateurs comme Bonuskong Casino ont dû ajuster leur modèle pour obtenir et conserver leur licence, garantissant ainsi aux utilisateurs un environnement sécurisé. Cette transformation législative a également stimulé l’innovation, poussant les acteurs à développer des expériences plus riches et mieux intégrées pour se démarquer dans un marché désormais concurrentiel mais encadré.

Parallèlement, les habitudes des consommateurs suisses ont profondément changé. La demande ne se limite plus à un type de jeu isolé ; les joueurs recherchent désormais des expériences complètes et fluides. Un même individu peut vouloir parier sur un match de hockey le samedi après-midi et se détendre avec une partie de blackjack le soir venu. La frontière entre “parieur sportif” et “joueur de casino” s’estompe, donnant naissance à un profil d’utilisateur hybride qui aime la diversité. C’est cette rencontre des attentes que Bonuskong Casino a identifiée. En outre, la numérisation accrue de la société suisse, couplée à une connexion internet excellente, a créé un contexte fertile pour le développement de ces plateformes multifonctions, accessibles aussi bien sur ordinateur que sur mobile.

La Proposition Sportive de Bonuskong Casino : Une Couverture Helvétique et Internationale

Bonuskong Casino présente un livre de paris sportifs soigneusement élaboré pour répondre aux passions locales et internationales. L’attention est naturellement mis sur les sports qui ont le plus d’écho en Suisse, avec une couverture détaillée du hockey sur glace et du football. Le ski, activité phare des Alpes, a également une place de choix, avec des paris sur les événements majeurs de la Coupe du Monde. Cette considération donnée aux sports nationaux est fondamentale pour créer un lien authentique avec le public suisse.

Au-delà des frontières helvétiques, l’offre s’élargit considérablement pour couvrir l’ensemble du paysage sportif mondial. Les amateurs de tennis sont invités à miser sur les tournois du Grand Chelem, tandis que les fans de basket suivront la NBA et l’Euroligue. Le rugby, le cyclisme, et même des sports émergents enrichissent ce panorama. Pour chaque événement, Bonuskong Casino s’efforce de proposer une grande variété de marchés de paris. Cela va bien au-delà du simple résultat final pour inclure des statistiques détaillées et des paris en direct, permettant aux parieurs expérimentés d’peaufiner leurs stratégies.

  • Football : Couverture des championnats suisses (Super League), des grandes ligues européennes (Premier League, Liga, Serie A), et des compétitions internationales (Ligue des Champions).
  • Hockey sur Glace : Parier sur la Ligue Nationale A, la Ligue des Champions de hockey, et les championnats internationaux.
  • Tennis : Compétitions du Grand Chelem (Australian Open, Roland-Garros, Wimbledon, US Open), ATP Tour et WTA Tour.
  • Sports d’Hiver : Ski alpin, ski de fond et biathlon lors des événements majeurs de la Coupe du Monde.
  • Basketball : NBA et Euroligue.
  • Rugby : Championnat des Six Nations et Coupe du Monde de rugby.
  • Sports Motorisés : Formule 1 et MotoGP.

L’Univers des Jeux d’argent de Casino : Du Classique au Moderne

La partie casino de Bonuskong Casino est tout aussi vaste et conçu pour combler les envies les plus différents. Les amateurs de jeux de table conventionnels y obtiendront leur satisfaction avec des versions variées du blackjack, de la roulette classique et française, ainsi que du poker. Ces jeux sont proposés en format classique, mais aussi en version “live”, point d’orgue de l’expérience actuelle. Les sessions de croupier en direct, transmis en streaming haute définition depuis des studios professionnels, recréent l’ambiance authentique d’un casino physique. Les participants suisses peuvent ainsi échanger avec un croupier réel et d’autres participants en temps direct, apportant une dimension collective et immersive sans pareille.

L’environnement des machines à sous, quant à lui, est un monde en constante transformation. Bonuskong Casino offre une ludothèque immense de slots, s’étendant des titres classiques aux vidéo-slots les plus complexes. Ces derniers se définissent par des graphismes de qualité, des narrations intriquées et une pluralité de fonctionnalités bonus : tours offerts, symboles particuliers et modes en cascade. Les thèmes sont particulièrement diversifiés, puisant de la mythologie, de l’histoire ou du divertissement populaire. De plus, la présence de jackpots croissants, dont le montant peut frôler des sommes possiblement qui changent la vie, ajoute un niveau d’excitation supplémentaire. Cette combinaison entre tradition et innovation technologique assure que chaque joueur déniche son compte.

La Combinaison des Expériences : Avantages pour le Utilisateur Suisse

La fusion des expériences sur une même plateforme comme Bonuskong Casino offre des avantages concrets pour le joueur suisse. Le premier bénéfice est la simplicité administrative et financière. Un compte simple permet d’accéder à l’intégralité des services, supprimant ainsi la gestion de multiples identifiants. De même, les transactions financières sont unifiées : un seul dépôt alimente à la fois l’activité de paris sportifs et de jeux de casino, et les gains sont crédités sur le même portefeuille. Cette intégration simplifie grandement le suivi budgétaire et le contrôle des dépenses, un aspect primordial dans une démarche de jeu responsable.

Sur le plan de l’expérience utilisateur, la navigation fluide entre les différentes sections enrichit la session de divertissement. Un joueur peut regarder un match de football en direct et placer des paris en “live betting” tout en participant à une table de roulette, le tout sans sortir de l’interface. Cette adaptabilité correspond au comportement naturel des utilisateurs modernes. Par ailleurs, les programmes promotionnels tirent parti de cette intégration. Les bonus peuvent être créés pour rétribuer l’engagement global sur la plateforme. Un pari sportif peut ainsi contribuer à faire progresser un niveau dans un programme VIP qui proposera des avantages dans les jeux de casino. Cette mutualité met en valeur chaque action du joueur.

L’intégration technique sous-tendant cette fusion est essentielle. Bonuskong Casino a développé une interface utilisateur harmonieuse et intuitive, où le passage des cotes sportives aux machines à sous ne nécessite que quelques clics. Cette cohérence réduit la courbe d’apprentissage. De plus, les outils de gestion du compte, comme les limites de dépôt ou de temps de jeu, s’exercent de manière holistique à toutes les activités. Cette approche globale accroît la protection des joueurs, un pilier du marché régulé suisse. L’utilisateur peut définir ses paramètres une fois pour toutes et les voir respectés, qu’il parie sur un set au tennis ou sur un tour de roulette.

La stratégie promotionnelle de Bonuskong Casino bénéficie également parti de cette dualité. Plutôt que d’offrir des incitations cloisonnées, la plateforme peut présenter des offres hybrides qui encouragent l’exploration des deux univers. Par exemple, un bonus de bienvenue pourrait combiner un free bet pour les paris sportifs avec des tours gratuits sur une sélection de machines à sous. Les tournois hebdomadaires pourraient fusionner des objectifs à atteindre dans les deux domaines, récompensant ainsi la polyvalence. Cette approche accroît la valeur perçue des promotions mais pousse aussi les utilisateurs à découvrir des sections de la plateforme qu’ils n’auraient peut-être pas explorées autrement.

Protection, Réglementation et Jeu contrôlé en Suisse

Travailler sur le marché suisse exige une conformité stricte au régime légal établi par la Loi fédérale sur les jeux d’argent. Bonuskong Casino, en tant que plateforme agréée, est astreint au supervision continu de la Commission des jeux d’argent (ESBK). Cette licence est la assurance la plus solide pour le joueur suisse : elle certifie que l’opérateur observe des normes exigeantes en matière d’équité des jeux, de protection des données personnelles et de sécurisation des transactions financières. Les générateurs de nombres aléatoires (RNG) sont périodiquement audités par des organismes indépendants afin de garantir l’impartialité des résultats. Cette transparence est primordiale pour instaurer un climat de confiance.

Le jeu responsable constitue un autre axe central de la régulation suisse, et Bonuskong Casino intègre des outils efficaces pour le promouvoir. Ces fonctionnalités sont une obligation légale et une composante capitale de l’éthique de la plateforme. Les joueurs ont ainsi à leur disposition un ensemble de moyens pour conserver le contrôle de leur activité. Ils peuvent établir des limites de dépôt quotidiennes, hebdomadaires ou mensuelles, qui sont définitives pendant la période choisie. Des limites de mise et de perte peuvent également être établies. L’outil le plus radical est l’auto-exclusion, qui permet de suspendre son compte pour une période déterminée. Ces mesures proactives placent le joueur au cœur du système et démontrent l’engagement de l’opérateur dans un environnement de jeu sain.

Dans un contexte numérique où la cybersécurité est primordiale, Bonuskong Casino applique des technologies de pointe pour préserver les informations de ses utilisateurs. Le chiffrement SSL de niveau bancaire est mis en œuvre pour garantir toutes les données échangées. Concernant les transactions financières, une diversité de méthodes de paiement reconnues en Suisse sont disponibles, telles que PostFinance, Mastercard, Visa, les portefeuilles électroniques et les virements bancaires. Chaque transaction est traitée avec des protocoles de sécurité renforcés, garantissant les fonds des joueurs sont gérés avec la plus grande intégrité. Cette rigueur technique est indispensable pour mériter et garder la confiance d’une clientèle suisse exigeante.

L’Expérience Mobile : Divertissement en N’importe Quel Endroit

Pour correspondre aux modes de vie contemporains, l’expérience offerte par Bonuskong Casino est entièrement optimisée pour les appareils mobiles. Qu’il s’agisse d’un smartphone ou d’une tablette, l’utilisateur peut accéder à la plateforme via un navigateur mobile adaptatif. L’interface se reconfigure de manière intelligente pour proposer une navigation tactile fluide et agréable, sans perte de fonctionnalité. Tous les jeux, y compris les tables de croupier en direct, sont développés en HTML5, une technologie qui procure une compatibilité universelle et des performances optimales. Cela implique que la qualité graphique et la rapidité d’exécution sont préservées, que l’on joue sur un iPhone ou sur un appareil Android.

Cette mobilité libère le divertissement des contraintes spatiales. Un passionné peut ainsi surveiller les cotes et parier sur un match de hockey depuis les transports publics, puis passer avec quelques spins sur une machine à sous pendant une pause. La géolocalisation, utilisée dans le respect de la vie privée, permet de s’assurer que l’utilisateur se trouve bien en Suisse, conformément aux exigences de la licence. Les notifications push peuvent avertir l’utilisateur de buts marqués lors des matchs sur lesquels il a parié, ou de nouvelles offres promotionnelles. Cette connexion constante et de qualité convertit le téléphone en un centre de divertissement complet, parfaitement aligné avec l’idée d’une expérience de jeu unifiée et accessible à tout moment.

En Suisse, le paysage des divertissements en

Critic’s Rating: 4.4 / 5.0

4.4

A trip into the past reveals more about Lestat than we’ve arguably learned throughout all of Interview with the Vampire, which feels fitting for a series now centered on his perspective.

Through glimpses of his pre-vampiric life and his deeply complicated relationship with Gabriella, the hour offers valuable insight into the experiences that shaped him.

More importantly, it demonstrates that The Vampire Lestat isn’t content to simply reframe a familiar character; as it peels back the layers of Lestat’s history, the series continues to expand its broader vampire mythology, resulting in an episode that is both revealing and entirely engrossing.

(Sophie Giraud/AMC)

As someone who hasn’t read the Anne Rice books, I’ve mostly entered each season without a ton of preconceptions about much of anything, basing my thoughts on what the show has given me on-screen.

Anything I knew about Lestat’s childhood came from the anecdotes we heard from Louis’s telling, so hearing firsthand from Lestat during The Vampire Lestat Season 1 Episode 2 was a welcome sight that helped better flesh out the cunning vampire.

My main criticism of the flashback was how quickly they seemed to come and go, but it also seems fairly obvious that this won’t be the only foray the season takes into the past.

It’s also apparent to us that, in the retellings of his past, his childhood may not be one he wishes to spend much time remembering.

Lestat’s childhood was marked by abuse, surrounded by a callous and cold family of men who looked down upon his stutter and his very existence, leaving Lestat to feel only a modicum of comfort in the form of Gabriella, who was only marginally warmer in a house that was slowly sucking her soul dry.

(Sophie Giraud/AMC)

Their inside jokes seemed to quell something in Lestat, and he held onto that.

The scene in which Gabriella pushes back against her brutish sons and husband, with Lestat chiming in at her side, gives us a moment to see the pair as a twosome standing up to the bullies, as if they’re on the same team.

But when Lestat’s brothers start to physically harm him, Gabriella does nothing.

She sits stoically behind her book, not even sparing Lestat a glance, when he’s looking to her like a son looks to his mother, overwhelmed, scared, and in need of the balm of affection that only a mother can provide.

It’s a perfect encapsulation of their dynamic, as we see in the present day, where Gabriella holds him at a distance, evoking the power over him that she knows she possesses, as someone he desperately needs but she’s rarely willing to be.

Lestat’s killing of the wolves is mostly shown off-screen, but it came about as Lestat seemingly tried to show Gabriella, especially, that he could be the man to actually do something and be something, in a way his father and brothers refused to be.

(Sophie Giraud/AMC)

In a way, it seemed like she wished that she could.

When Lestat said that the killing of the wolves defined him for a time, it’s easy to understand why the experience, which left him on the brink of death, would have such a profound effect.

It was courageous and almost spellbinding to kill eight wolves single-handedly and live to tell the tale, but when he was sitting on the floor, unwilling to even accept help, a darkness enveloped him, and Gabriella didn’t use that opportunity to comfort him but instead to prey upon his vulnerability.

Nothing about the experience left Lestat feeling positive. If anything, he was trembling with the notion of what he was capable of, as well as mourning the loss of his horse and dog in the aftermath.

Gabriella took that opportunity to speak about her own desires, after Lestat confided in her, culminating in a frankly uncomfortable exchange.

(Sophie Giraud/AMC)

What struck me most was how unabashedly honest Lestat was about these raw desires to murder his family and strip himself of that cruelty, only for Gabriella to not only make it about herself but also leave him with the parting gift of her impending death.

Gabriella was wrapped up in this entirely unfulfilling, stagnant existence, and it was apparent that the one thing she craved more than anything was freedom and a form of independence she could never attain in either her life or her body.

It makes her eventual turn at Lestat’s hand later, and the way in which she subsequently comes in and out of Lestat’s life, even more devastating because of the callousness and selfishness with which she treats Lestat.

It’s often masked with a seductive smile and a shallow warmth that Lestat seems almost powerless to fully excise due to his own complex feelings and idolization of her.

For her part, Gabriella recognizes her power over Lestat and exploits it at every turn. It’s such an odd mixture of wanting to control and possess her son, and at times, wanting to be him. Or at least have the freedom to be someone like Lestat.

(Courtesy of AMC)

The interactions between Lestat and Gabriella in the present day are marked by an odd mixture of reverence and fear: more than once, Lestat asks whether she will be staying, and it’s clear from what he’s not saying that he’s afraid she’ll abandon him again if he can’t give her what she needs.

Because their dynamic revolves around Gabriella.

Gabriella remains a deeply manipulative presence in Lestat’s life, constantly giving him just enough affection but not the emotional reciprocity he craves.

And wasn’t it interesting to see Lestat put up a firm boundary with her after they had sex in the motel, only for Gabriella to trample over it the same evening?

It highlights how little respect Gabriella has for Lestat’s limits, while also showing that she’s staying for him, but only if she can get what she wants in return.

It was wildly uncomfortable to see his conflicted face on whether to give in and please her, or stay firm in what he wanted, knowing she might then leave again.

Lestat presents as a man in control, but with Gabriella, she holds all the cards. It is Gabriella who dictates the terms of their relationship, leaving them trapped in this back-and-forth volley of emotional devastation.

(Sophie Giraud/AMC)

On the opposite end of Lestat’s reconnection with Gabriella, or Sophia to everyone else, he had to deal with the fallout from the boutique hotel massacre in The Vampire Lestat Season 1 Episode 1, involving both his band and the mysterious owner of the hotel.

The comedic beats in this hour were mostly centered on the band’s bus meeting, with a bevy of truly laugh-out-loud moments as Lestat’s fellow bandmates and team tried to come to terms with a new reality in which the ruse they were participating in was actually real.

Lestat, on the defensive, trying to quell fears but also unwilling to let his guard completely down, was at his very best.

He kept trying to bring the conversation back to the music and the small success they were receiving, while everyone else was unwilling to forget what they had just seen.

Each mention of Louis or Armand made Lestat a little more impatient and desperate. It took every bit of placating to get them to stay, and even that wasn’t enough, so he had to bring in the big guns: mind-reading.

I thought the band dynamics would be a bigger story this season, but perhaps with the first two hours being almost introductory, that will come later as the season progresses.

(Sophie Giraud/AMC)

It almost feels like the series decided the first two hours had to be balls-to-the-walls Lestat-focused, but I don’t mean that in a bad way.

If you’re telling Lestat’s story, you have to start at the beginning because his human life informed the vampire he would become.

And we haven’t even touched on his turning at Magnus’s hands or his relationship with Nicky. Those two events are seminal moments in Lestat’s life that the series would do well to explore more deeply.

But anyway, this hour marked the start of Louis’s journey, and it’s very obvious where things are heading.

First off, Thomas Pitts being Louis and owning the boutique hotel in Detroit was peak television, even if the reveal was basically spoiled by the way we’ve seen that mediation confrontation between Louis and Lestat for months now.

Here’s the thing about Louis and Lestat: theirs is a history marred by half-truths, trauma, anger, uneasiness, resentments, and all the things. But buried beneath all that pain is love.

(Sophie Giraud/AMC)

It’s confusing, but it’s also unbridled.  

Louis loves Lestat. Lestat loves Louis.

That’s not controversial or up for debate. It’s not as white-picket-fence as people like to see romance in, but nothing in a vampire world will ever be that way.

Did I believe Louis when he said he came because he was concerned about Lestat? I do believe that.

But I also think Louis was somewhat spiteful during their exchange, needling Lestat in ways he knew would prick him. And maybe even in ways that were unfair.

In Interview with the Vampire Season 2 Episode 8, during their emotional New Orleans hurricane reunion, Louis said what happened to Claudia wasn’t all on him, but here he was once again placing blame on Lestat, which felt odd.

(Sophie Giraud/AMC)

The two throwing their sexual activities in each other’s faces was peak toxicity, but also not unlike the kinds of bombs they lobbed at each other in the past.

None of that changes the underlying truth of their relationship.

The fact that Louis still ingratiates himself in Lestat’s life says more than words ever could, but I don’t think Lestat’s at a place to genuinely hear what those actions say, and Louis is content enough where he is.

The concert scene in which Lestat sang to Louis, with the crowd morphing into a muted sea of beings and Lestat flinging the book at Louis, was one of my favorite moments in the entire series.

“I tried to write you the prettiest song in the world. But I got distracted.”

(Sophie Giraud/AMC)

How crushing is that line?

That book, which they both hated, by the way, is currently the unmovable object between them, but it will never negate their bond or erase the connection that keeps pulling them back into each other’s orbit.

Louis and Daniel’s dinner was lowkey awkward, if only because there was a slight thrumming of tension, but knowing that this was Lestat’s version of an event he wasn’t actually privy to gave it a slightly different context.

Like Daniel admitting that he feels Armand in this almost spiritual way, and Louis immediately said “No” when Daniel asked if he felt Lestat that way.

Lestat would think Louis would respond that way because he doesn’t know or believe Louis loves him.

(Sophie Giraud/AMC)

Their conversation took a disastrously solemn turn when Louis told Daniel about seeing someone who looked like Claudia, and the absolute, resigned, wretched look on Louis’s face made me feel many things.

Claudia’s death remains the defining event of Louis’s life, a wound that never truly healed and perhaps never can. And at this point, it feels larger than grief alone.

It’s become a permanent fixture within him, a solid mass of guilt, regret, and self-loathing he can’t escape.

There’s a before and an after with vampires. There’s a before life, the human one. And then there’s life after the turn.

For Louis, he has that, sure, but there’s also a pre-Claudia and a post-Claudia existence, and he’s currently living in the memory of her absence.

(Sophie Giraud/AMC)

Ragland swooping into the dinner felt cruel for various reasons, but his handing Louis a nuclear bomb, complete with the codes, was every idiom you could think of.

Like taking candy from a baby.  

Ragland knew Louis would take the bait, and now Louis’s mission is set, but will it provide him any form of relief? Any form of satisfaction?

Louis only comes for those who come for him, but Bruce would always be the exception to that rule.

Lestat’s Liner Notes

(Courtesy of AMC)
  • Daniel immediately making eyes at Sophia and flirting was funnier than it had any right to be. Vampire Daniel is something else.
  • Louis is dating a man who is emotionally unavailable after everything he’s been through, and it tracks. He doesn’t have the bandwidth to give anyone else that part of himself right now.
  • You could see how increasingly frustrated Lestat was when Gabriella brought up Louis and Claudia, because she’s so misinformed. And when Lestat starts talking in French, he’s over whatever is going on around him.
  • Alex’s departure from the band will have consequences in the future. It has to, or Lestat wouldn’t have threatened him like that.
  • The slaughtering of his family was a lot. Was that also in the books?
(Sophie Giraud/AMC)

There was a lot to unpack with this one, and this is only the beginning of Lestat’s story.

How are you liking the season?

What do you think is next for Louis?

Let me know all your thoughts in the comments below!

You can watch The Vampire Lestat on Sundays at 9/8c on AMC and AMC+.

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Lucy Schulman really does not have much going on. Her life is not particularly special, and it could even be argued that she was not worth making a film about. But it takes longer than it should to come to that realization, because “Lucy Schulman” is so pleasant to watch.

Comedian Ellie Sachs writes and directs this Tribeca premiere, which is deeply rooted in the stereotypical indie film tropes about creative types who can’t quite get their lives together. There’s nothing catastrophically wrong with her eponymous protagonist: Lucy seems nice enough, has a distinct sense of style, and is witty enough to keep up with her very New York friend group that contains a healthy mix of genuine achievers and very cool posers.

She doesn’t have many outwardly toxic traits of delusions of grandeur, but her world is quite small. She knows that she likes literature, but she spends a lot more time dating writers than actually writing. She works in an independent bookstore, but she’s hardly a model employee. And her friends are always inviting her to things, but she tends to blow them off for whoever she’s dating at the moment.

Keyboard muscle memory makes it tempting to write that her life “comes crashing down” after she suffers a bad breakup with a cheating author (Hasan Minaj) in the opening scene. But given how little she already had and how much of a support system existed below her, her fall from grace was less of a crash than a stumble down two or three steps.

That support system largely consists of her father Peter (David Cross), who raised Lucy by himself and now shares the kind of loving (if codependent) relationship that most parents dream of having with their adult children. Every time Lucy goes through a breakup, she moves back into her childhood bedroom, and Peter is always there to pick up the pieces. Cross plays Peter as a man without a single rough edge; he’s endlessly loving, accommodating of every fuck up and understanding of outburst that Lucy throws at him. No matter what the day throws at them, he’s so happy to be spending time with his daughter that it’s impossible to shake his good mood.

The plot of “Lucy Schulman” is incredibly simple. Lucy falls for a new guy, temporarily alienates her friends and father in the process, and realizes that she can’t start figuring out what she wants to do with her life until she learns that it’s okay to be alone. The film is most notable for its tone, which treats these manageable first world problems with all the seriousness they deserve — which is to say, almost none.

Anyone whose media diet will lead them to a film like “Lucy Schulman” will have already seen these plot points dozens, if not hundreds, of times before. Sachs refreshingly seems to understand that, and while the film is too sincere to ever be considered a subversion of these artist-comes-of-age-in-New-York tropes, it has the decency to not lie to us about their severity. “Lucy Schulman” unfolds in a world where misunderstandings are easily clarified, tummy aches are seen as real problems, everyone understands when you have to cancel plans, and fathers unconditionally love their daughters who appreciate them right back. What the film lacks in ambition, it makes up for with pleasant vibes and wholesome entertainment.

Films like this primarily exist as showcases for their leads, and Sachs demonstrates plenty of comedic charisma that makes it easy to visualize a future that’s filled with roles on premium cable sitcoms and guest essays in The New Yorker. And her admirable restraint as a director suggests that she’s as in on the joke as the rest of us: nobody needed another movie like “Lucy Schulman,” and it’s even getting harder for their protagonists to convince themselves that their situations are unique, but some of us still love watching them.

That bubbly self-awareness ensures that cinephiles who grew up watching “Frances Ha” will be as comforted by “Lucy Schulman” as rom-com lovers are by Hallmark Christmas movies. The stakes of each scene feel so low that you could comfortably walk out of the room for any half-hour period and not miss much, but you’ll undeniably enjoy whatever scene you walk back into.

Grade: B-

“Lucy Schulman” premiered at the 2026 Tribeca Film Festival. It is currently seeking U.S. distribution.

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Lucy Schulman really does not have much

If you’re just now following Ester Expósito because of her alleged relationship with French soccer star Kylian Mbappé, then you just don’t know ball. And by ball, we’re talking fashion It-girls.

The 26-year-old actor and influencer made a name for herself as an original cast member of the hit Spanish teen drama Elíte on Netflix back in 2018. Her star only continued to rise from there, with Expósito leading multiple fashion and beauty campaigns for luxury brands like Bvlgari, YSL Beauty, and the Barcelona-based fashion house Desigual.

Amid gathering 24 million followers on Instagram, acting remained a top priority for the international star, who most recently took home the International Golden Nymph for most promising talent at the prestigious Monte-Carlo Television Festival on June 12.

On June 16, Expósito’s rumored boyfriend Kylian Mbappé will kick off his bid for the 2026 FIFA World Cup title when France takes on Senegal in New Jersey. Soccer fans, cinephiles, and fashion lovers alike will surely be casing the stadium for a glimpse of Expósito, either hoping to confirm the relationship rumors that sparked earlier this year or take notes on what the stylish actor wears to the game.

When she’s not hitting the red carpet in glamorous gowns, she keeps her aura romantic and breezy by relying on her secret style weapon: A matching set. For years, the actor has stepped out in various coordinated looks, proving the chicest summer outfits are also the easiest to pull together with the right accessories on hand. If Expósito does attend the match (and does not show up in a Mbappé soccer jersey) you can probably bet she’ll pull up in a sporty polo set with an elevated twist.

If you’re stuck in a style rut, here are four ways Ester Expósito styles a matching set for some quick and easy summer outfit inspiration.

A semi-sheer midi skirt set with ladylike accessories

Ester Expósito seen during the 79th annual Cannes Film Festival on May 19, 2026.

Jacopo Raule

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If you're just now following Ester Expósito

As Cinema and Digital Gaming unite, Slot Games become another link in the chain, and the art of modern Slot Game design sees the influence of Film structure, Film characters, and Film genres. Data from 2025 suggests a burgeoning appetite for themed, interactive entertainment. This article looks at the impact of Cinema on the modern Slot Game.

There are many crossovers between the many types of entertainment, and Cinema has influenced a lot of them, but the crossover between Cinema and Digital Games has been more notable in the last few years. Slot games of the current era have incorporated elements of Cinema, such as Pacing, Sound Design, and Framework, to build a more satisfying experience.

Film Game Design is based on the principle that players’ visual and thematic requirements are as important as the Game Mechanics. This article looks at how Film Game Design is used in modern Slot Game Design and the reasons that it has become more prevalent on Digital Platforms.

Why Movie Storytelling Is So Effective in Online Gambling Design

Movie-style storytelling helps connect otherwise separate gameplay segments. Even in chance-based systems, storytelling gives developers the ability to create a sense of progression and build anticipation over time.

In 2025, Statista forecasted that, compared to non-themed gaming, themed gaming would draw users 20% more. The growth of themed gaming suggests that logical storytelling constructs and user engagement are directly correlated in themed online experiences.

Techniques borrowed from screenwriting, like pacing and act structure, are now used in game design. Gameplay is often divided into acts, with bonus rounds serving as game tension peaks followed by a resolution. Similar to cinematic gaming, timed edits are used to direct the focus of players.

The transformation from Film Reels to Gaming Reels

Old school mechanical Slot Games relied on symbols and repetition to define Game Mechanics. There was no scope for Film Game Design. Digital Gaming has evolved to provide Cinematic Game Experiences that integrate a series of connected spins.

Some platforms that offer the chance of playing online slots feature catalogues of video slot games that deliver cinematic gaming and film-inspired design through high-definition graphics, layered sound, and animation. These Slot Games Design Experiences are inspired by Streaming Services, and their Game Play Mechanics are replaced by Genre, Mood, and Visual Game Design Classifications.

With the improvements in broadband and mobile tech, along with the rise in gambling apps and the development of complex audiovisual systems, there has been an interesting development in online gambling design. Sessions in online gambling are starting to feel more and more like short-form digital cinema.

Incorporating Cinematic Characters Into the Game

Heroic archetypes are drawn from film and are increasingly becoming a standard feature of online gaming character design. Developing characters who become animated and who are no longer static symbols has now become a standard feature of design.

Characters are also now increasingly dynamic and are upgraded by developers through the design of motion-capture gaming elements that give film actors a quality of modern character design. Characters may progressively reveal new story elements and undergo various changes in their visual appearance. This method implements progression seen in franchise films, where development and evolution draw in the audience and provide cohesion and familiarity through the discrete offerings of the franchise.

Emergence of Narrative Focused Slots

Development and design in the fast-paced, competitive environment of digital casinos now largely revolves around narrative slots. Game developers create construction frameworks for gameplay and design elements based on several cinematic genres, including crime, thrillers, science fiction, and fantasy.

The evolving narrative slots are extending the thematic universe and construction orders of multiple genres of gameplay from mythology and fantasy to full horror. Merging films and slots allows game developers to derive multiple narrative construction frameworks from cinema to create and engage audiences.

Synchronized film scoring and layered game soundtracks merge to create atmospheres, moods, and narratives that are continuously developed and interwoven throughout gameplay.

Fusion of Cinema and Game Design

Several construction frameworks and design elements derived from cinema and game interactivity have become popular in modern slots, and are now the standard for game developers and design teams to engage players.

Themed content for digital casinos, from H2 Gambling Capital’s 2026 forecast, shows that over 70% of new registered games are narrative-dominated. This shows that the game development and design are focused on the narrative as much as the gameplay.

With the progression of technology, the relationship between the consumer and the media is becoming more united, thanks to real-time rendering and adaptive audio systems. The separation of a consumer watching a movie and a consumer playing a video game is becoming more and more difficult, because the processes of making a movie and making a video game are converging.

This integration of systems means that the importance of film will not diminish in the continued evolution of gaming. Film will continue to greatly influence the aesthetics of video games, as well as the rhythm and organization of a video game, and how a consumer will interact and engage with a video game.

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As Cinema and Digital Gaming unite, Slot

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Shopping for an outdoorsy dad is a special kind of impossible. Ask him what he wants and he’ll say “Nothing, I’m good!” which is a lie, because the man has been using the same fraying camp chair since 2009. The trick isn’t buying him more stuff. It’s upgrading the things he already loves doing outside, courtesy of brands like Birdfy, LG and even Dyson. Here’s my Father’s Day list for the dad who’d rather be in the yard, on the water, or at the BBQ than just about anywhere else.

 

For the dad whose knees file a complaint every spring

Gardening is wonderful right up until the moment you have to stand back up. This garden kneeler and seat is a two-in-one: kneel on the padded side to save your knees, then flip it over and it’s a sturdy stool for when you’d rather sit. It comes with a clip-on umbrella for shade, little tool pouches on the sides, and handles that help you push yourself back up off the ground. It holds up to 330 lbs and folds flat for the shed. If the dad in your life gardens but groans every time he gets down to the soil, this is the gift for him.

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For the dad (or grandad) who’s quietly obsessed with birds

Somewhere along the way, many dads develop strong opinions about birds. This bird feeder with a built-in camera leans all the way in: it snaps close-up photos and video of every winged visitor, uses an app to identify the species, and pings his phone when someone lands. It’s birdwatching with a side of tech, and it’s definitely the thing the grandkids will fight over. A lovely gift for the dad who already keeps the feeder stocked and narrates the action through the kitchen window.

 

For the dad who refuses to let the game end at sunset

A regular flying disc is just a promo item you’d get from your dentist, but a flying disc that lights up is the gift that keeps on giving. This 175-gram disc is regulation weight, so it actually flies straight and it’s built with 108 bright LEDs that flick on the second you throw it and shut off to save battery. A 30-minute charge gets you about a thousand throws(!!!). It’s waterproof, it floats, and the glow-in-the-dark rim makes it easy to spot after dark. Dads will love playing this with their friends and kids in the backyard, on the beach, and at the campsite.

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For the dad who still thinks he’s 25

Spikeball is the round-net game you’ve probably seen at the beach or a friend’s yard. It’s become a craze because it’s genuinely fun, mildly competitive, and gets everyone off their phones. It packs up into a small bag for the lakehouse, beach or the campsite, but it does come with a small warning: he might take it too seriously.

 

For the dad who really loves his home theater and wants one outside

Screens plus cool technology plus the outdoors? Big win for the dads out there. The LG CineBeam Q is a palm-sized 4K laser projector that throws a picture up to 120 inches onto the side of the garage, a hung sheet, or the fence. It focuses and squares itself up automatically the second you set it down and the rotating handle doubles as a stand, so he can aim it anywhere, even straight up at the ceiling. The best part for outdoors: it runs off a USB-C power bank, so there’s no cord wrangling across the lawn.

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For the dad who wants movies and entertainment to come to him

This one’s a splurge, but hear me out. The LG StanbyME 2 is a 27-inch wireless touchscreen TV that rolls around on a stand, rotates horizontally or vertically and the screen lifts right off to carry like a tablet. With up to four hours of battery, that means the game follows him out to the patio, a movie plays on the deck, and the recipe sits close to the kitchen counter or outdoor prep area, all without a single cord. It can even turn into a digital gameboard. Like a lot of tech these days, t’s portable, not weatherproof, so think deck-and-patio, not leave-it-in-the-rain. But for the dad who likes his entertainment wherever he happens to be, this is a favourite..

 

You may also like:

Garden Tool Set – $26.90

Titleist 2025 Pro V1x Golf Balls – $74.99

3-in-1 Charging Station – $39.99

Fellow Carter Move Travel Mug – $43

SAXX Underwear Co. Men’s Underwear – $46.95

 

For the dad who’s always the most prepared guy in the group

Everyone knows that one dad who shows up to the campsite with a headlamp and the latest and greatest in gear that makes everyone else reconsider their choices. Well, this inflatable solar lantern is right up his alley: it charges in the sun (or by USB), collapses flat to pack, and inflates into a soft, waterproof lantern that emits a surprising amount of light. It’s perfect for camping, the cottage, power outages, or just giving a softer glow on the patio for a nice night in.


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For the dad who keeps his phone too close to the water

If he fishes, paddles, boats, or just hovers near the lake or ocean, this gift will quell that low-lying anxiety of losing the his phone in the water. A waterproof phone pouch will solve that issue. The touchscreen works right through, so he can still take the photo without risking the phone. I have the floating case and have taken it paddleboarding in Mexico, it worked like a charm; zero phone-loss angst and great photos to remember. It now comes on all trips with me. It’s insurance for an expensive device, and the kind of gift he’d never buy himself.

 

Keep Dad’s essentials safe and dry with this IP68-rated waterproof dry bag. Designed for everything from kayaking and boating to camping and beach days, it features a secure roll-top closure that protects against water, sand, dust and dirt. A built-in waterproof phone compartment with touchscreen access lets you stay connected without exposing your device to the elements.

 

For the dad who bikes everywhere

For the cycling dad, a waterproof bike frame bag is the small upgrade that makes every ride just a little easier. It straps onto the frame and holds his phone, keys, and a snack. It’s got a clear top window so he can follow his navigation without holding the phone or constantly reaching for a pocket. It’s waterproof, compact and super useful whether he’s commuting downtown or out on a weekend trail ride.

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For the dad who runs hot at every game

This is the brand-new gadget on the list and I had to make it an option for Father’s Day. Dyson’s first handheld fan has just landed in Canada. A definitely upgrade from the dollar store handheld fan he might use in desperate times, the Dyson HushJet Mini Cool is bladeless, about the size of a bottle of sunscreen, and runs up to six hours on a charge. Hold it, stand it on a table, or wear it around your neck hands-free. This is perfect for the dad who spends 5 hours on a golf course, cheers the kids on at a ball game, or gets overheated at the thought of being outside for 5 minutes.

 

You may also like:

Super Dad Socks – $14

“My Favourite Child Gave Me This Mug” Mug – $14.99

Father’s Day Wrapping Paper – $18.96

Magnetic Wristband Tool Holder – $19.95

The Grillfather BBQ Apron – $19.99


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By Melissa Maker The Curator Team Posted June 14,

Jane Fonda gave a passionate speech defending the First Amendment on Sunday night at the star-studded Rise Up, Sing Out: A Concert for the First Amendment.

The event, held at The Town Hall in New York, was organized by the Committee for the First Amendment, a group that originally formed in 1947 during the McCarthy era but was recently revived by Fonda.

“Right now, the government and its cronies [are] routinely violating its First Amendment to silence artists,” she said onstage. “Shuttering institutions like the Kennedy Center,  efunding museums and the National Endowment of the Arts, and banning books, canceling TV, hosts who speak out. It’s really bad. And it’s being allowed by cowardly corporations. I’m not gonna name names right now. But I am honored now to pass the mic to artists and activists who continue to speak up and sing out so that we might be inspired to rise up.”

Fonda also thanked the audience for showing up and supporting the committee’s mission to “defend free expression against government repression, industry complicity and intimidation,” according to its website.

“Showing up is an act of hope, and you all give me hope,” she said. “Those rights are for everyone, everyone. And we must defend them for everyone. Even if we don’t agree with them. You know, it’s not about Democrat or Republican, or left or right. It’s about right or wrong. And it is wrong. It is wrong for people to be attacked and called terrorists for exercising their rights and freedoms. It’s time for Americans all across the country, all across the political spectrum, who care about these freedoms, to stand up, creatively, nonviolently, to defend these rights, while we can. And we must do this now. Because if we don’t, we’re not gonna have any rights to descend.”

Fonda went on to explain why she revived the Committee for the First Amendment, a group that originally boasted several Hollywood luminaries, including her father, Henry Fonda, along with Humphrey Bogart, Lauren Bacall and Danny Kaye, among its ranks.

“The committee was relaunched last October to bring together the entertainment industry,” she said. “At this moment, when our democracy is in peril. In the face of what’s happening, we need our industry to be unified, activated and unwilling to engage in anticipatory obedience. We stand together in defense of our right to free expression. They come for one of us, by God, they come for all of us.”

Also on the bill at Sunday night’s event were Julia Roberts, Robert De Niro, Tessa Thompson, Ayo Edebiri, Bette Midler, Ms. Rachel, Joy Reid, Lily Gladstone, Patti Smith and others.

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Jane Fonda gave a passionate speech defending

At Paramount+’s All Trails Lead Here event, Deadline chatted with the cast of two Emmy-contending Taylor Sheridan shows — Landman and The Madison.

The Madison holds the record for Sheridan’s biggest series debut ever. It follows the story of Stacy Clyburn (Michelle Pfeiffer), a New York matriarch, who, when faced by the sudden and shocking death of her husband Preston (Kurt Russell), finds herself considering a family move to the place he loved most: Montana.

Beau Garrett, who plays Stacy’s daughter Abby on the show, gathered at the All Trails Lead Here event with some of her on-screen family: Elle Chapman, who plays Abby’s sister Paige, and Amiah Miller, who plays Abby’s daughter Bridgette.

“The first season was a lot of grief and upheaval,” Garrett told Deadline. Of the upcoming next season she teased: “Now we’re settling into Montana in Season 2, and I think that there’s a lot that comes with that… There’s going to be stuff that comes up as time goes on.”

On the show, we’ve seen Miller’s teenage character of Bridgette leaning into Montana life — something that will continue next season. “She meets a lot of new people,” she said. “She finds her footing, and I think Montana really forces her to reconnect and rebuild and bond with her family, and also be open to new connections, so I’m excited for people to see it.”

In order to bond as an on-screen family in the beginning, Chapman said, “We did a lot of family dinners. Beau’s a great host, she’s good at organizing things. We went shopping. We did some damage!”

Kevin Zegers, who plays Montana ranchman Cade Harris, said of working with Sheridan on the show, “I just felt fortunate that Taylor was open to me doing it. His writing’s so descriptive that it was enough that I felt like I understood what was required to play him. It’s such a great role.”

Joining Zegers was Daniella Vasinova, who plays Cade’s wife Kestrel. She said of finding her character, “It’s really a story of when two worlds collide. Michelle is the matriarch of her family, a socialite family coming from New York City, and I’m the matriarch of my family, and I represent more of a natural way of of life and of doing things.”

For composer Breton Vivian, creating the score was about “trying to do justice to those gorgeous shots,” he said. “And having these textural moments with the music that reflect the beautiful landscape.”

Another key component of The Madison is of course its production design by Charisse Cardenas. “We very much stick with bringing Taylor’s vision to life,” Cardenas said. He’s very specific about where he wanted the barn and placement, so he went out there with us. I’m kind of intuitive, I just saw things that I liked and then brought together, like in the [New York] townhouse we did a lot of raw materials — real marble, real stones, to incorporate Montana.”

Both The Madison and Landman have been renewed for new seasons, with Landman heading into its third and The Madison getting a third season ahead of its Season 2 premiere.

To watch the interviews, watch the video above.

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At Paramount+’s All Trails Lead Here event,

Microdrama platform ReelShort and Korean studio Showbox have entered into a content co-production agreement to develop and produce original short-form dramas for global audiences.

Under the terms of the deal, Showbox will co-produce short-form dramas based on ReelShort’s popular IPs, with plans to expand the partnership to include original short-form content developed by Showbox. 

Content produced through the partnership will be distributed exclusively on ReelShort, bringing Korean storytelling to ReelShort’s global audience. The initial lineup of Korean microdramas includes Tell Me Not To Love You, My Secret Lover Is His Brother and Queen Never Cry.

Showbox plans to use the partnership as a springboard to accelerate its expansion into the global short-form drama market. The company took its first steps into the space in December 2025, when it began production on the short-form dramas Bridal Shower: The Missing Bride and The Fallen Idol Is Possessed! 

“By combining ReelShort’s global platform competitiveness with Showbox’s content development and production capabilities, which have been at the forefront of K-content, we will deliver high-quality short-form dramas and use them as a foundation to expand into a wider range of genres and formats,” said Showbox in a statement. 

“We will use this collaboration as an opportunity to create new success stories in the global market and further strengthen our content competitiveness.”

Showbox is on a roll this year with its theatrical long-form content, with titles including The King’s Warden, which grossed $108M to become the biggest Korean film of all time, and the number two and three films at the Korean box office this year – Yeon Sang-ho’s Colony and horror film Salmokji: Whispering Water. 

Founded in 2022 by Crazy Maple Studio, ReelShort microdramas reach more than 70 million monthly active users in over 100 countries. The company recently pacted with Thai telco AIS in its first Southeast Asia telco distribution deal.  

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Microdrama platform ReelShort and Korean studio Showbox

Seth Rogen and James Franco were once an inseparable comedic duo.

But following several women’s allegations of sexual misconduct by Franco in 2018, the pair has been publicly estranged. Rogen recently told the New York Times that he hadn’t spoken to Franco “in a long time” and didn’t plan to work with him.

“Nothing has changed since the last time I talked about all this,” Rogen said, “and I haven’t worked with him in a really long time and I have no plans to.”

The actors got their start in Hollywood on the cult classic TV show “Freaks and Geeks.” At the time, Rogen was 16 and Franco was 21. As they continued to make their way through the industry, they became known for a string of well-loved early-2000s and 2010s comedies including “This Is the End,” “The Disaster Artist” and “Pineapple Express.”

Franco’s illustrious movie career came to a halt when five women, including several of his acting students, accused him of sexual exploitation. Some of the allegations included removing protective plastic guards covering actresses’ vaginas during the filming of intimate scenes, and Franco getting angry when actresses didn’t want to go topless.

Two of the accusers filed a class action in 2019, claiming sex discrimination, sexual harassment, fraudulent business practices and intimidation. Franco settled the case in 2021 for $2.2 million.

Rogen and Franco’s friendship has been a point of contention for the actor, as Rogen continues to climb the ranks in Hollywood. Just last year, “The Studio,” a show that Rogen created, writes, stars in, directs and produces won 13 Emmys and is currently filming its second season.

Rogen previously said he regretted saying that he could work with Franco again after the allegations surfaced.

“What I can say is that I despise abuse and harassment and I would never cover or conceal the actions of someone doing it, or knowingly put someone in a situation where they were around someone like that,” Rogen said in 2021, in an interview with the U.K.’s Sunday Times. “I also look back to that interview in 2018 where I comment that I would keep working with James, and the truth is that I have not and I do not plan to right now.”

The actor is still hesitant to detail the nuances of his friendship with Franco. He told the New York Times that it’s “a very personal thing.”

“There’s the public-facing side of it, which I’ve spoken about, and I have the same stance publicly that I’ve had, and I think the proof is in the pudding — I have not worked with him in years,” Rogen said. “But the personal side of it is just so nuanced, and it involves people that I don’t know if I should be dragging into this.”

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Seth Rogen and James Franco were

Two different versions of a major hero from Avengers: Endgame will be heavily featured in the MCU’s next movie, Spider-Man: Brand New Day, on July 31. Marking one of two MCU movies being released this year, Brand New Day will team Tom Holland’s Peter Parker up with a few of the biggest names from the greater Marvel universe. This includes one of the main characters from Endgame.

X user @Spider_Blox_809 shared a look at new collectible bag clips showing off characters from Marvel Studios and Sony Pictures’ Spider-Man: Brand New Day.

Sony Pictures

These bag clips are available in stores in small packages showcasing about a dozen versions of characters from Brand New Day, with the final toys being random once fans open the bags.

packages for 'Spider-Man: Brand New Day' collectible bag clips.
Sony Pictures

One of the clips is of Mark Ruffalo’s Savage Hulk, who will return to the MCU for the first time since 2018’s Avengers: Infinity War in Brand New Day. This version is shirtless and uses the Hulk’s classic ripped brown pants.

Savage Hulk collectible bag clip from 'Spider-Man: Brand New Day.'
Sony Pictures

Additionally, Ruffalo’s Bruce Banner gets a second clip showing off the Smart Hulk version of his enormous green rage monster. This version shows the Hulk wearing glasses and a white collared shirt under a blue sweater. The sweater also has a couple of rips, as do the brown pants on the bottom.

Smart Hulk collectible bag clip from 'Spider-Man: Brand New Day.'
Sony Pictures

This makes Brand New Day the first in MCU history to feature multiple versions of the Hulk, as Ruffalo’s Bruce Banner has only used his human form and Smart Hulk form since 2019’s Avengers: Endgame.

Savage Hulk collectible bag clip from 'Spider-Man: Brand New Day,' Hulk vs. Spider-Man concept art.
Sony Pictures

The last movie to prominently feature Bruce Banner’s Savage Hulk form was 2017’s Thor: Ragnarok, which picked up with him after he had been in his Hulk form for two years after the end of Avengers: Age of Ultron. 

Savage Hulk collectible bag clip from 'Spider-Man: Brand New Day,' Savage Hulk from 'Thor: Ragnarok.'
Sony Pictures, Marvel Studios

Ruffalo’s Smark Hulk was then introduced in 2019’s Avengers: Endgame, which took the character “18 months in the gamma lab” to create after he merged his brain with the Hulk’s body. Interestingly, for Brand New Day, Smart Hulk seems set to dive into battle at some point, as indicated by the rips in his clothing.

Smart Hulk collectible bag clip from 'Spider-Man: Brand New Day,' Mark Ruffalo as Smart Hulk from 'Avengers: Endgame.'
Sony Pictures, Marvel Studios

Ruffalo will make his 10th live-action appearance as Bruce Banner in Brand New Day, and it will be the first one with all three of his personalities (Bruce Banner, Smart Hulk, and Savage Hulk) featured heavily.

Smart Hulk collectible bag clip from 'Spider-Man: Brand New Day,' Mark Ruffalo as Bruce Banner from 'Spider-Man: Brand New Day.'
Sony Pictures

Spider-Man: Brand New Day will be the fourth Spider-Man movie in Marvel Studios’ franchise. Starring Tom Holland, Zendaya, Jacob Batalon, and more, the story will focus on Peter Parker as he acclimates to a world unaware of his existence, while multiple terrifying villains threaten the safety of New York.

Hulk's face in live-action MCU.
Marvel Studios

Brand New Day will be Ruffalo’s first live-action appearance in the MCU since 2022’s She-Hulk: Attorney at Law. While that story ended with Banner revealing he had a son and returning to Earth in his Hulk form, Brand New Day will bring him back to his human form and show him using the same wrist inhibitor to keep him that way.

In the first trailer for the movie, fans see Peter Parker go to Bruce Banner for help with his own genetic problem after an unknown force begins altering his biological makeup. After this change, he can shoot webs organically from his wrists (similar to Tobey Maguire’s Spider-Man).

For Banner, it is still unclear what will force him to change back into his Savage Hulk form, but he seems set to give Peter another round of problems after he is unleashed on New York City again. This will force two of the smartest minds in the MCU to unite and work through their individual issues, especially with Bruce likely struggling to keep his Smart Hulk form in check and his Savage Hulk form contained.

Also teased for a potential appearance in this movie is the Grey Hulk version of Bruce Banner, typically portrayed as a much sadder version of the iconic Marvel hero. While the details on the different Hulks’ roles in this movie are still unknown, it might be the deepest dive into this character in years.

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One of the DC Universe‘s current main actors has discussed the potential of another R-rated movie for the franchise – and looking at how very possible it appears underlines how far DC has come up to this point. While DC has some of the best superhero movies of all time, it’s also fair to say not every film that’s adapted DC’s lore has been a hit over the course of the franchise’s extensive on-screen history.

Similarly, though DC has developed a reputation for crafting a range of the most iconic darker superhero movies in the genre, some of its most successful films have been decidedly the opposite of that – with Aquaman, for example, grossing over a billion dollars in its worldwide box office – and even many of DC’s conceptually darker movies avoided ever going into fully adult, R-rated territory.

This makes the current trajectory of the DCU – wherein R-rated release seem as possible as more all-ages appropriate fair – all the more striking, and all the more exciting in the way it opens up the door for some big screen stories that otherwise wouldn’t have been conceivable, as one of the franchise’s major actors has helped make clearer than ever in recent history.

Jason Momoa’s R-Rated Lobo Movie Hopes Show Just How Far DC’s Films Have Come

jason momoa as lobo in supergirl trailer smiling
jason momoa as lobo in supergirl trailer smiling

Jason Momoa’s impending appearance in Supergirl as Lobo has naturally drawn in much conversation around the character and his place in the DCU timeline. When discussing Lobo’s upcoming future in the DC Universe – and whether a solo Lobo movie could be on the horizon – with Collider’s Steve Weintraub, the actor commented that:

“It’s all I want, and I promise — I’m just going to put this out there right now — I do not have any interest in making a Lobo PG-13 movie. So, will he be a part of some other movies? If they want me, I’ll be there. But if I make a solo movie, I’m not doing it unless it’s rated R.”

Interestingly, this seems decidedly possible for the DCU to pull off, given we have an assortment of R-rated releases having already debuted or being about to debut in the franchise – including Peacemaker season 2, Creature Commandos, and the upcoming Clayface – and given we already have more DCU movies focusing on less well-known or often less central DC characters than ever before.

All of this speaks volumes about just how far DC has come in the past few years. Even before the move to the DCU, James Gunn made R-rated DC movies go from borderline unthinkable to far more commonplace, with Birds of Prey and The Suicide Squad paving the way for the new approach the DCU itself is taking when it comes to allowing films to have a broader range of tones and ratings.

Combine this with an increased willingness to feature figures like Lobo in the world – not to mention an increased willingness to put underappreciated characters center stage, as is the case with Lanterns, Supergirl, and many other teased DCU releases aready – and what currently seems possible for DC’s cinematic universe is worlds away from what previously seemed to be the setup.

DC’s Upcoming Releases Paint A Truly Promising Picture For The Franchise’s On-Screen Future

Hal Jordan looking to the side in Lanterns
Hal Jordan looking to the side in Lanterns

2026’s DC release slate provides a particularly promising look at what’s possible for the franchise in the years to come, since there’s a real blend of offerings on display here. Of course, the DCU’s two 2026 movies alone show this admirably, since Supergirl and Clayface are very different in most regards – with the first being a more family-friendly sci-fi romp, and the latter being an R-rated body horror.

That said, the wider release roster for DC makes its potential for variation right now all the more evident, since My Adventures With Superman season 3 is just starting to kick off during this June, Batman: The Animated Series spiritual successor Batman: Caped Crusader‘s second season is going live not long after that, the gritty live-action DCU show Lanterns is due to release sometime soon after Supergirl, and Batman: Knightfall Part 1 is due to debut at the Annecy film festival this June too.

Looking at the wide assortment of different directions all these releases take DC’s mythos in, it seems the door is open for even more unique movies and shows going forward for the franchise – and for plenty of these to be within DC’s main cinematic universe itself, since almost any major character seems primed to get their own DC Universe release right now so long as their story hits hard enough, be they Lobo or someone entirely different.

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One of the DC Universe's current main

Final Fantasy 7 Revelation director, Naoki Hamaguchi, has said the ending to the trilogy has been planned since the beginning, and he’s confident about how it will conclude.

Revelation was announced at Summer Game Fest last weekend and will bring to a close Square Enix’s ambitious FF7 remake trilogy, which first debuted on PlayStation 4 in 2020.

Speaking to VGC in a Final Fantasy 7 Revelation interview, Hamaguchi said that original FF7 director and writer Yoshinori Kitase had also contributed to how the remake trilogy ends.

“Obviously, I can’t share actual details on how this story is going to end, but in terms of how we envisioned the conclusion, we did have some sort of an idea of what we wanted to do at the end. So we did have a kind of direction from the early days of development,” Hamaguchi said.

“The same goes for the producer, Yoshinori Kitase. He had his visions as well, and some of that is applied in the conclusion that we’re telling in FF7 Revelation.

“To be completely honest, I think we’re pretty confident and happy with how it’s turned out. We’re very much excited to see how fans will react to the ending of the story.”

Later in our interview, the FF7 remake series director shared his philosophy on how much player feedback should influence development, telling VGC that he believes reacting too much to user sentiment would lead to a bland experience.

Hamaguchi said he was willing to take responsibility for the big design calls in Revelation, such as including the same, if not more, amount of mini-games in the third instalment, despite some negative feedback around them in Rebirth.

“I do have some sort of logic with that idea, and I think it also applies to mediums outside of video games, like films, or TV shows,” he explained. “When you look at all the critiques, the criticism, negative feedback, and try to understand what the most common criticism is, what the median average user is saying, and try to address that and adapt your product to it, it is questionable if that approach actually leads to a better product.

“If you were to address all the negative feedback, and even take the positive feedback into account, sometimes it’s a case that you’re seeing two sides of the extreme opinions, and by applying all of that, it’s possible that you come up with a product that doesn’t really have any character. It’s just a blank state that doesn’t really have any strong appeal.”