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Image Credit: The Hollywood Jr/TPG / BACKGRID

Kendall Jenner and Bad Bunny appeared uninterested in putting an end to the romance speculation surrounding them during an outing on Saturday night. The model, 27, and the Puerto Rican rapper, 28, were spotted together leaving the new celeb-studded club Bird Streets Club in West Hollywood. Kendall rocked a black mini dress and knee-high boots, as she and Bad Bunny jumped into the back of a limo around 2am.

Kendall Jenner was snapped in the back of a car with Bad Bunny. (The Hollywood Jr/TPG / BACKGRID)

It was only last week that Bad Bunny threw a tankful of fuel on the rumors when he released his song called “Coco Chanel”. Fans were instantly obsessing over two references in the ditty, insisting that Bad Bunny was talking about both Kendall and her NBA star ex-boyfriend, Phoenix Sun’s Devin Booker.

“The sun in Puerto Rico heats up more than the one in Phoenix,” Bad Bunny sings in Spanish on the slow-tempo ditty. With the comparison of his homeland to the city where Devin plays professional basketball for the Phoenix Suns, it was pretty obvious that stans would take it as a diss.

The second line of lyrics that had eyebrows raised included a reference to “dangerous women” whose astrological signs are Scorpio. Kendall, of course, is a Scorpio.

Bad Bunny in the car with Kendall. (The Hollywood Jr/TPG / BACKGRID)

The cryptic bop’s debut comes after the pair were spotted leaving Jay-Z and Beyoncé’s Oscars after-party and jumped into the same car. And that Tinseltown excursion followed a romantic sushi date in West Hollywood, where Bad Bunny and Kendall were joined by Kendall’s sister Kylie Jenner. The rumored couple really gave fans a charge when they engaged in some PDA at the end of the evening!

Although neither Bad Bunny nor Kendall have confirmed a romance, it would be Kendall’s first since splitting with Devin in Oct. 2022. Around that time, a source EXCLUSIVELY told HollywoodLife that Kendall may be keeping the friendship window open with her ex beau.

“Kendall and Devin have experienced their ups and downs throughout their relationship so nobody was surprised when they heard that they had broken up again,” the insider EXCLUSIVELY told HollywoodLife. “Kendall has no issue maintaining a friendship with Devin, but she doesn’t see any possibility of reconciliation. She feels like that ship has sailed and is looking forward to enjoying the single life for a while now.”

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Chuck Todd’s “Meet the Press” interview Sunday with Donald Trump’s attorney Joe Tacopina quickly turned tense, as the lawyer dodged questions about the insults the former president has thrown at Manhattan District Attorney Alvin Bragg, who may soon file criminal charges against him.

“Mr. Trump has described Alvin Bragg this week as a ‘Soros-backed animal,’ said he was ‘doing the work of anarchists and the devil,’ called him a ‘degenerate psychopath’ and he called him a ‘Soros racist in reverse,’ saying ‘this is the Gestapo.’ As his lawyer. Do you stand by those comments?” Todd asked.

Tacopina sidestepped the question, instead criticizing Bragg for reportedly planning to press charges on Trump for alleged hush money payments to former adult film star Stormy Daniels in the final days of the 2016 presidential election, saying that Americans “should all be concerned about the weaponization of a prosecutor’s office.”

“I want to dissect this case because it’s a case that shouldn’t be brought, and wouldn’t be brought up for anyone other than Donald Trump,” Tacopina said. “Let’s be clear about that. Does anyone actually think left, right or in the middle that anyone else will be prosecuted for making a civil settlement in a hush money case with personal funds? Of course not.”

Over the past week, Trump has repeatedly attacked Bragg and his office, promising “death and destruction” at a Saturday rally in Waco if he is prosecuted. Last weekend, Trump wrote on his Truth Social media platform that he expected to be indicted this past Tuesday, though such charges were not brought on that day by Bragg’s office.

When Todd pressed further, Tacopina said that he believed a since-deleted Truth Social post on Trump’s page of a picture of Trump holding a baseball bat next to Bragg’s head was “ill-advised,” but added that he was “not his social media consultant.”

“We went through January 6th, so it’s not like [just] a possibility that Trump’s rhetoric creates violence. It’s already happened once. Are you not concerned this could happen [again]?” Todd asked.

“I’m not accepting that proposition that his rhetoric created violence; I think violence was on the way that day,” Tacopina said. “But I’m not here to discuss that, Chuck. I’m not going to defend or or condemn anything regarding social media. That’s not what I do… I’m not a Trump PR person.”

Watch the full “Meet the Press” interview in the video above.

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Chuck Todd’s “Meet the Press” interview Sunday

“Only Murders in the Building” actor and Broadway star Nathan Lane is opening up about his coming-out journey, recalling an instance when his “The Birdcage” co-star Robin Williams helped him avoid coming out on an appearance of “The Oprah Winfrey Show” before he was ready.

“I was not prepared at all for that,” Lane told Today’s Willie Geist of the potential pressure to discuss his sexuality while promoting the 1996 film on Oprah’s talkshow. “And I certainly wasn’t ready to go from table-to-table and tell them all I was gay.”

While Lane, who dressed in drag in the film, admitted that discussing his sexuality was “sort of unavoidable because of the nature of the film and the character,” he remembers wanting to expand on his big break rather than his identity, saying, “I just wanted to talk about I finally got a big part in a movie and I didn’t want to make it about my sexuality.”

While Lane clarified that he, to this day, doesn’t think Winfrey was trying to out him, he shared his concerns with Williams prior to their appearance on the show. “I said to Robin beforehand, ‘I’m not prepared. I’m so scared of going out there and talking to Oprah. I’m not prepared to discuss that I’m gay on national television. I’m not ready,’” he admitted.

“He said, ‘Oh, it’s alright, don’t worry about — we don’t have to talk about it. We won’t talk about it,’” Lane recalled of Williams’ response.

As expected, Winfrey did angle several questions that could have provided an opening to Lane to discuss his sexuality, had he been ready. “She was like, ‘How come you’re so good at that girlie stuff? Are you worried about being typecast?’”

Instead of leaving Lane to deal with the questions on his own, Lane said that Williams, who he remembers as a “beautiful, sensitive soul,” “sort of swoops in and diverts Oprah, goes off on a tangent and protects me because he was a saint.”

“I just wasn’t ready to do that,” Lane said of the responsibility that comes with sharing his sexuality as a celebrity. “Now you have to make a public statement about it — I was terrified … It’s great that everyone now feels comfortable but homophobia is alive and well and there are plenty of gay people who are still hiding.”

You can listen to Geist 77-minute interview with Lane on his podcast, “Sunday Sitdown with Willie Geist,” by clicking here. Lane begins talking about his experience with Williams and Winfrey at the 51:51 mark.

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“Only Murders in the Building” actor and

Baba Yaga, aka John Wick, has delivered once again.

Action pic John Wick: Chapter 4 slashed up the weekend box office with a huge $73.5 million domestic opening from 3,855 theaters after earning glowing reviews and an A CinemaScore from audiences. Globally, it debuted to a resounding $64 million from 71 markets for a global start of $137.5 million, a series record on all fronts.

In North America, the fourth installment in the marquee Lionsgate action franchise easily bested the $56.8 million opening of 2019’s John Wick: Chapter 3 — Parabellum. It also marks Lionsgate’s biggest domestic opening of the pandemic era, as well as one of the best so far of 2023.

To boot, according to Lionsgate, it joins a select few films that have set a franchise record in their fourth outing or only nine in the past 40 years.

Internationally, the movie opened No. 1 in every market. The U.K. led with $6.7 million, 56 percent ahead of John Wick 3.

Keanu Reeves once again stars as the expert assassin nicknamed Baba Yaga.

John Wick 4‘s performance was fueled by males, who made up nearly 70 percent of ticket buyers, while more than 55 percent of the audience was between ages 18-34, according to PostTrak. And the movie accounted for more than 60 percent of all foot traffic, per EntTelligence.

Imax and premium large format screens delivered a whopping 38 percent of the gross.

One challenge: John Wick 4′s running time is two hours and 49 minutes, meaning fewer show times.

Directed by Chad Stahelski, the film is jam-packed with the usual mayhem, violence, balletic physicality and morbid humor that have come to define the action franchise. The cast also features Donnie Yen, Bill Skarsgard, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Rina Sawayama, Ian McShane and the late Lance Reddick, who died earlier this month. The film is produced by Basil Iwanyk, Erica Lee and Stahelski.

Internationally, the movie debuts this weekend in 71 territories worldwide, including the U.K., Germany, Australia, France, Italy, Spain and Mexico.

John Wick 4 — a Thunder Road Films/87eleven entertainment production — easily annihilated Shazam! Fury of the Gods, now in its second weekend.

From New Line and DC, Shazam 2 fell a steep 68 percent to $9.7 million in its second weekend in more bad news for the kid-friendly superhero pic. The film’s 10-day domestic gross through Sunday is $46.3 million. Overseas, it pulled in $12.1 million from 77 markets for a tepid tally of $56.1 million and $102.4 million globally.

Paramount and Spyglass’ Scream VI placed No. 3 with a hearty $8.4 million for a domestic tally of $90.4 and $139.3 million worldwide.

MGM’s Creed III followed at No. 4 with a strong $8.36 million for a domestic total of $140.9 million through Sunday. Overseas, it has earned north of $100 million for MGM and partner Warner Bros. International. The film, directed by and returning Michael B. Jordan, co-stars Jonathan Majors, who was arrested Saturday after being accused of assaulting a woman during a domestic dispute, the New York Police Department said in a statement.

65, from Sony, rounded out the top five with an estimated $3.4 million for a subdued domestic cume of $27.9 million and $49 million globally, followed by Ant-Man and the Wasp Quantumania with $2.4 million (Majors also stars in that film).

The Marvel and Disney pic’s domestic tally is a disappointing $209.9 million at the end of its sixth weekend.

 

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Baba Yaga, aka John Wick, has delivered

Malayalam actor Innocent dies at 75.

Malayalam actor Innocent died on Sunday night in Kochi. The actor, who worked in over 750 movies, was 75.

Renowned Malayalam actor ‘Innocent’ Vareed Thekkethala passed away on Sunday. The actor, who became a household name with his versatile performances in the Malayalam film industry, died at the age of 75. The news of Innocent’s death came weeks after it was reported that he was hospitalised following complaints of breathing issues and uneasiness. He was admitted to a private hospital in Kochi. Innocent, who beat cancer when diagnosed in 2012, is survived by his wife Alice, and two children.

Innocent, who was also a one-time MP, starred in numerous Malayalam films including Ramji Rao Speaking, the Malayalam film that was remade as Hera Pheri in Hindi. His other renowned works included Akkare Ninnoru Maran, Gandhinagar 2nd Street, Unnikale Oru Kadha Parayam, Nadodikkattu, Mukunthetta Sumitra Vilikkunnu, Vadakkunokkiyantram, Ramji Rao Speaking, Peruvannapurathe Visheshangal and Mazhavil Kavadi, Thoovalsparsham, Gajakesariyogam, Dr Pasupathy, No.20 Madras Mail, Kottayam Kunjachan, Kilukkam, Sandesham, Keli, Adhwaytham, Kabooliwala, Vietnam Colony and Devaasuram.

Following the news of his death, Shashi Tharoor took to Twitter and paid his tribute. “Mourning the loss of character actor, comedian & one-time Kerala MP Innocent, who has just passed away at age 75. Aside from being a brilliantly inventive & gifted actor, he was a fine human being whom it was a pleasure to interact with in the Lok Sabha. RIP. Om Shanti,” he tweeted.

Several fans of the actor also took to Twitter and remembered the actor.

According to The New Indian Express, Innocent Vareed Thekkethala was born in Irinjalakuda, on February 28, 1948, and was the fifth child of eight children of his family. He reportedly studied only till the eighth standard after which he found studying difficult.

After establishing himself as a popular actor, Innocent tried his hand at politics. In 1979, Innocent emerged as a winner at the Irinjalakuda municipal council elections. He contested as a candidate of the Revolutionary Socialist Party. The actor also wrote five books, one of which was on his experiences of battling throat cancer. He titled it ‘Cancer Wardile Chiri’ (Laughter in the Cancer Ward).

News18.com offers our condolences to his family.

Read all the Latest Movies News here

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Malayalam actor Innocent dies at 75. Malayalam

Jesse Armstrong saddened millions of fans in February when he announced that the upcoming season of “Succession” would be its last. According to the creator and showrunner of the HBO corporate drama, the ending of Season 4 felt “natural,” but he nonetheless secretly hoped someone would talk him out of wrapping up the series, which is seemingly at its peak.

“The word that comes to mind for me is ‘natural.’ I hope people, when they see this season, will feel that it has a natural shape to it,” Armstrong told Variety on the red carpet at the Season 4 premiere, which took place March 20 at New York’s Jazz at Lincoln Center. “That’s how I pitched it to my writers’ room, kind of hoping I’d get argued out of it so we’d see a way to do more seasons, because I love working with these people. I think there’s a feeling of completeness and rightness to the shape of the show.”

When asked whether he wrote multiple endings to the 10-episode final season, Armstrong said, “I had the last scene pretty early. We talked about how the show would end a lot, and I never wavered from that. I wavered on what were the best lines, the best way to express it — but that ending from the first draft is the one you’ll see when the episode comes out.”

In terms of his favorite series finales, Armstrong said he “loves” the ending of “Six Feet Under” and the “controversial” farewell of “The Sopranos,” though he said he wasn’t directly inspired by the final episodes of his HBO predecessors.

“Each show is different. ‘Six Feet Under,’ ‘Sopranos,’ some of the shows I most admire have radically different ways of concluding,” he added. “It’s got to feel right for that story. I’m inspired by those shows, but the ending of ‘Succession’ had to be bespoke, obviously.”

At the end of Season 3, Logan (Brian Cox) threw an expletive-laden wrench in his kids’ plan to stop Waystar Royco’s merger with GoJo with the help of his ex-wife Caroline (Harriet Walter) and Tom (Matthew Macfadyen), who sold out his own wife, Shiv (Sarah Snook), in order to fortify his post in a new administration.

Hinting at where we find Tom and Shiv in Season 4, Macfadyen told Variety, “They’re in a dark place. They haven’t spoken about what happened in Season 3, the betrayal in Italy. They’re sort of having a trial separation.”

While, in the Season 3 finale, Tom cashes in on years of emotional and professional torment with a shocking ploy for power, Macfadyen believes Tom’s motives are (mostly) wholesome: “I think he just likes to be liked. He wants to be happy in his marriage. He wants his father-in-law to approve of him. He wants Greg [Nicholas Braun] close so he can bully him.”

At their fourth and final “Succession” premiere party, the cast and crew recalled their last days of shooting, with J. Smith Cameron reflecting, “It was terrible. It was a lot of people bawling our eyes out. I might start crying tonight.

“It’s very, very hard to say goodbye to ‘Succession.’”

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Jesse Armstrong saddened millions of fans in




Marvel Studios has done the unthinkable in firing one of its top executives.

We’ll discuss that and some recent casting rumors in the latest MarvelBlog News.

Marvel Studios Terminates Victoria Alonso

Victoria Alonso Thor Love and Thunder Interview

Image: Marvel Studios

Throughout the storied history of Marvel Studios, it has somehow maintained a strong leadership core while experiencing remarkable tumult.

I’ve recently discussed Isaac Perlmutter’s infamous battles with Kevin Feige. The latter individual counts as the patron saint of the Marvel Cinematic Universe.

Alas, you can’t please everyone. Feige’s boss, Perlmutter, overrode his decisions on several Marvel ideas.

Kevin Feige and Friends

(Photo by Alberto E. Rodriguez/Getty Images for Disney)

Eventually, Feige had enough and threatened to quit unless his corporate bosses at Disney did something.

Ultimately, Disney CEO Bob Iger intervened and reorganized Marvel so that Feige reported to him rather than Perlmutter.

Since then, Marvel has mostly avoided negative headlines, at least behind the scenes…until recently.

Kevin Feige and Friend

Source: Marvel Studios

The pandemic blew up many of Marvel’s meticulously planned projects, causing several of them to stack.

While filming a Marvel project became challenging due to social distancing practices in place, the company really felt the crunch in a different fashion.

The visual effects (VFX) team fell far behind schedule just as the studio ramped up the release of new Marvel series on Disney+.

Kamala Khan and Red Dagger in Ms. Marvel

Source: Marvel Studios

Marvel released more projects than ever at a time when the pandemic had disrupted everyone’s work routine.

Predictably, projects fell behind, leading to additional stress and a breakdown in quality assurance standards on the VFX.

That’s a problem for someone with the job title of President of Physical, Post Production, VFX and Animation. Yes, that was Victoria Alonso.

Victoria Alonso

The powerful executive had worked with Marvel Studios since before there was an official Marvel Studios movie.

As the VFX guru on Iron Man, Alonso quickly garnered respect as a powerful force in digital effects. But then Ant-Man and the Wasp: Quantumania came out.

After that, everyone should have known that someone at Marvel would take the fall. That person turned out to be Victoria Alonso. You can read more here.

The Fallout from the Firing

Victoria Alonso Eternals Interview

Image: Marvel Studios

When word first leaked regarding Alonso, we lacked clarity on whether she had quit, or Disney had fired her.

As reporters rushed to get the scoop, other details leaked regarding the MCU’s upcoming plans.

Along the way, we learned that Kevin Feige chose not to intercede in Alonso’s firing.

Kevin Feige didn't save Victoria Alonso

Source: Jessie Grant/ Disney/ Getty Images

Alonso had once famously bristled at the notion that Feige was her boss, which was factually accurate. Her direct report at Disney was Co-President Louis D’Esposito.

Still, we all know that Feige can get what he wants at Disney. Apparently, he no longer held confidence in Alonso’s ability to perform her job.

While Alonso will take any job she wants in Hollywood after this, Marvel possessed cause for concern.

Victoria Alonso and Louis D'Esposito

Image: Marvel Studios

Ignoring media reports that lambasted Alonso’s personality, many of which others refuted in the strongest terms, the executive still faced fair criticisms.

Marvel did fall so far behind in its VFX that Disney has chosen to delay several projects.

Most notably, previous plans called for at least five Marvel shows to debut in 2023. Well, we’ve reached the end of March, and the current count is…zero.

Secret Invasion John Wick Edition

Source: Marvel Studios

The next expected release, Secret Invasion, will apparently debut in either May or June. I’m hearing more rumors about the latter than the former.

Obviously, if Secret Invasion runs in June and July, that crunches the timeline for other 2023 releases.

In fact, the reasonable expectation at this point is four Marvel series debuting on Disney+ in 2023. At this point, three wouldn’t even shock me.

X-Men The Animated Series

Image: Marvel

Marvel executives have liaised with Disney, and all parties have decided that the schedule needs a cleansing.

VFX teams will never catch up with their workloads unless Disney lightens the load. So…

Disney’s New Marvel Plan

Scott Lang laments Quantumania

Source: Marvel Studios

Folks, I’m sorry to say that we’re already one-third of the way through the MCU movies we’re getting in 2023…and it was Quantumania. Yikes!

In May, Guardians of the Galaxy Vol. 3 will arrive, and the early buzz on it is solid. Then, The Marvels will open in November, barring something unforeseen.

Fans have just emphatically proven that they expect, nay, demand Marvel films to exemplify the ultimate in VFX. Anything less is unacceptable.

GotG2 Nebula

Photo: Marvel

While fans aren’t as picky about MCU television series, let’s remember that fans vented about some elements of Ms. Marvel and a LOT of She-Hulk scenes.

Disney needs the break. Also, CEO Bob Iger has indicated that Ant-Man 3 was a bad idea in general because it was the third story for a semi-popular character.

Iger wondered why Marvel hadn’t chosen a new character instead. Some reports from this week blend together nicely in hinting at what happens now.

Nova

Source: Marvel

Insiders are suggesting that Marvel will split Avengers: Secret Wars into two films. Why does that make sense?

The Marvel team-up movies always outperform standalone films in terms of box office.

Another Avengers movie is safer than, say, Nova. You may recall that I’d hinted at a Nova project in the offing.

Annihilation - Scourge- Nova

Photo: Marvel Comics

As far as I know, that statement remains true, but which would do better: Nova or Avengers: Secret Wars Part Two? Exactly.

Still, Disney+ needs subscribers. MCU content remains essential to the service. Now that we know Marvel has cut back on television series, what’s left?

Elsa from Werewolf by Night

Source: Marvel Studios

If you think back to last October, you can guess. One of the best things Marvel did last year was Werewolf by Night, a standalone episode.

That sort of limited engagement mini-movie fits Marvel’s current output capabilities quite well. So, you should expect more of that.

Marvel Miscellany

Loki

Photo by Chuck Zlotnick. ©Marvel Studios

First, let’s start with some good news. Michael Waldron has extended his deal with Disney/Marvel.

The creator of Loki and screenwriter for Dr. Strange in the Multiverse of Madness has started his own production company, too.

Waldron’s next project is writing the script for the aforementioned Secret Wars, whether it’s one film or two.

Captain America New World Order

Source: Marvel Studios/ Marvel

Meanwhile, Captain America: New World Order has started filming and appears on schedule for its current release date of May 3rd, 2024.

Finally, we’ve learned some screenwriting news about Vision Quest as well. Head writer/creator Jac Schaeffer is getting the band back together.

WandaVision Poster

Image: Marvel

Schaeffer will bring back two of her writers from WandaVision, Megan McDonnell and Peter Cameron for the de facto sequel.

Between these two news items, we can tell that Marvel/Disney executives have decided whom they can trust with the most vital future projects.

Alas, that’s clearly not Victoria Alfonso, which is a shame for all involved.

WandaVision Coronet Theater

Photo: Marvel Studios

Finally, a story that was breaking right as we went to press involved Jonathan Majors.

A woman claiming to be the actor’s girlfriend has accused Majors of domestic violence assault.  Variety says the following:

“According to a statement from the NYPD, the woman told officers that she was assaulted, and was taken to the hospital with “minor injuries to her head and neck.””

However, representatives for Majors strongly denied the accusations. We’ll learn more by next week’s update.

Thanks for visiting MarvelBlog.com! Want to go to Disney? For a FREE quote on your next Disney vacation, please fill out the form below, and one of the agents from MickeyTravels, a Diamond-Level Authorized Disney Vacation Planner, will be in touch soon!




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Warning: spoilers for Shazam! Fury of the Gods are aheadDwayne “the Rock” Johnson used to have big plans for the future of the DC Universe, but it seems these have all been dashed. Johnson found himself affiliated with the world of DC films since Shazam! went into development, with Johnson attached to either play the child-turned-adult superhero Shazam or the antihero Black Adam. Eventually, Shazam! was split into two projects, with Zachary Levi taking over the role of Billy Batson, a.k.a. Shazam, and Dwayne Johnson appearing as Black Adam in an eponymous 2022 spinoff film, with the intention that the pair would meet on-screen in DC’s future.


Following the October 2022 release of Black Adam, Johnson began to report that Black Adam would be the first film in “Phase One” of a new storytelling initiative at DC Studios, with new projects being built around Black Adam and his relationship to other DCEU characters. This most prominently included Henry Cavill’s Superman, whose cameo in Black Adam’s post-credits scene implied that the actor would stick around. However, James Gunn and Peter Safran’s takeover of DC Studios, the reveal of the upcoming slate of Chapter 1 projects, and the 2023 release of box-office flop Shazam! Fury of the Gods, have put an abrupt end to Johnson’s DC master plan.

5 Black Adam Underperformed At The Box Office

Over its several years of development, Black Adam became a passion project for Dwayne Johnson, and the stepping stone for his bright and lengthy future in the DC Universe. However, Black Adam didn’t fare as well as anybody at DC had hoped, with the film only grossing a total of $393 million at the box office on a budget of over $200 million after marketing and distribution costs. This earned Black Adam the loathed box-office flop status, becoming the latest in a long line of DC projects to be met with mixed-to-negative reviews and suffer financially, with no DC Studios project passing the $400 million mark since 2018’s Aquaman.

The root of Black Adam’s box office problems lie with its use of budget, with several high-profile names such as Pierce Brosnan, Viola Davis, Henry Cavill, and Dwayne Johnson himself stretching the budget very thin. This was perhaps a contributing factor to criticisms surrounding the often lackluster visual effects of Black Adam, particularly in one now-iconic moment of flight for Johnson’s Teth-Adam. While a smaller budget worked for Shazam!, a film considered a hit despite only grossing $366 million (on a $100 million budget), Black Adam simply didn’t strike the same chord with audiences.

4 Dwayne Johnson Has No DC Movie Future Now

black adam in dceu in front of explosion

On October 20, 2022, one day before Black Adam’s release, producers Hiram Garcia and Beau Flynn revealed to Comicbook.com that a sequel to Black Adam was already planned, and had been fast-tracked into development. This sequel would have marked the build up to an eventual battle between Johnson’s Black Adam and Cavill’s Superman, connecting directly to Black Adam’s post-credits scene. These plans were reiterated in December of that year, despite the fallout from Black Adam’s box-office failure and the massive changes occurring at DC Studios as Gunn and Safran took over as co-CEOs from former head Walter Hamada.

It was later on in December when James Gunn confirmed that there were currently no plans to develop a sequel to Black Adam. All hope might not be lost for Dwayne Johnson, however, as Gunn did mention that there may be valuable ways to include Black Adam in the future of his new DC Universe, but with most other projects being rebooted, recast, and reshuffled, it’s likely that Johnson’s career at DC Studios has come to an end. This has been all but confirmed since Shazam! Fury of the Gods also failed at the box office, and Johnson’s plans for a Black Adam and Superman battle have finally been dashed.

3 Henry Cavill’s Superman Return Was Quickly Ended

henry cavill as superman in black adam cameo

James Gunn and Peter Safran assumed control of DC Studios on November 1, 2022, and immediately set to work on designing a new slate of projects for the future of the franchise, hoping to revitalize the world of DC films and move away from the mistakes of the past. Prior to this, however, Henry Cavill’s cameo in Black Adam’s post-credits scene, his first time appearing as Superman since 2017’s Justice League, sparked speculation that he would finally be returning to the coveted role. Cavill himself claimed his cameo would be “a very small taste of what’s to come” on an October 24, 2022 Instagram post.

Despite a highly-anticipated sequel to 2013’s Man of Steel being reported to be in development before Gunn and Safran’s appointment, which would have connected directly to Black Adam, December 2022 saw Gunn reveal that Cavill would not be returning as Clark Kent, a.k.a. Superman, in the new DC Universe. Instead, 2025’s Superman: Legacy, the film expected to kick off Gunn’s new DCU, would reboot the character and star a new actor in the role. While this caused an uproar among Cavill’s fans, Gunn also mentioned that he had been in talks with Cavill about returning as a new character, though it’s unclear if this will actually occur.

Related: Superman: Legacy: Release Date, Plot Details & Everything We Know

2 Justice Society Can Return… But Without Black Adam

aldis hodge as hawkman of the justice society in black adam

One of the best aspects of Black Adam was the introduction of the Justice Society of America, featuring Dr. Fate, Hawkman, Cyclone, and Atom Smasher. The Justice Society were the first team of superheroes ever introduced, debuting in 1940’s All Star Comics #3, and even though they were seen in various forms in DC TV shows such as Smallville, Legends of Tomorrow, and Stargirl, Black Adam marked their debut in the DC shared universe. Black Adam’s failure could mean that the Justice Society will once again be going back into hiding, but they could still have one clear connection to Gunn’s new DC Universe.

The Justice Society of America were once again referenced during Shazam! Fury of the Gods’ mid-credits scene, which saw Jennifer Holland and Steve Agee reprise their roles of Emilia Harcourt and John Economos from HBO Max’s Peacemaker series. The pair of ARGUS agents approached Shazam with the proposition of joining the Justice Society, though he mistakenly assumed they were discussing the much more high-profile Justice League. This establishes a clear connection between the Justice Society and Peacemaker, and since the latter has been confirmed to have a future in Gunn’s DC Universe, the former could too. This could also tease a potential future for Shazam, even after Fury of the Gods.

1 The Rock Is Being (Partly) Blamed For Shazam 2’s Failure

zachary levi as billy batson aka shazam in shazam 2

Despite initially being involved in the development of Shazam! and Black Adam, it was reported by The Wrap in March 2023 that Dwayne Johnson might have actually contributed to Shazam! Fury of the Gods’ critical and commercial failures. It was revealed that Dwayne Johnson failed Shazam! Fury of the Gods by vetoing several ideas that could have better connected the project to the wider world of the DC Universe. This included featuring a cameo from Zachary Levi’s Shazam in Black Adam’s post-credits scene, and seeing the return of Justice Society members in Shazam! Fury of the Gods’ post-credits scenes.

The fact that Dwayne Johnson himself stepped in to block certain ideas from being produced for Shazam! Fury of the Gods perhaps implies that, until very recently, he had still been under the impression that he could assume some sort of control at DC Studios. After his previous proclamation that Black Adam would be the start of a new storytelling era for DC, it seems that very short-lived era has now come to an end. It’s unclear what the future holds for Shazam and Black Adam in James Gunn and Peter Safran’s DC Universe, but it seems likely that this could be the end of the road for both.

Source: Henry Cavill/Instagram, The Wrap

Key Release Dates

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Warning: spoilers for Shazam! Fury of

What’s good, Trailblazers? After a smashing success knocking out the Preregistration numbers for maximum rewards, Honkai: Star Rail has cleared their second hurdle by way of their stream, updating new space travelers on content to come. One of which is what consoles we can expect to see the game brought on in months to follow. 

Related: When is Honkai: Star Rail’s Release Date? – Answered

What Consoles Will Honkai: Star Rail be Available on?

Screenshot Nabbed from Honkai: Star Rail Youtube Boarding Preparation Special Program 

Right now, Honkai: Star Rail will be available to download at the Google Play Store for Android Users and the Apple Store for IOS Users. For PC, Honkai: Star Rail can be downloaded from their website once the game has officially been released on April 26. However, other such popular games that Hoyoverse has released have normally been available only on Mobile and PC like Honkai Impact 3rd and Tears of Themis. 

Since Tears of Themis is an otome dating game and Honkai Impact 3rd mostly has configurations meant to be played on mobile, it makes sense that these are limited to such. Even on Steam and available on their site, Honkai Impact 3rd is still displayed with phone graphics but tailored to key bindings that will work on a computer.

That is why, Honkai: Star Rail will be resembling the configurations most commonly seen with Genshin Impact. Genshin is available on mobile, PC, and the PlayStation so it only stands to reason that Honkai: Star Rail will also be debuting in the PlayStation store at a later date. Already during their first live stream, Hoyoverse revealed gameplay footage of what their beta tests will most resemble the final product. We can see button configurations that are most in line with what Trailblazers may already be familiar with in Genshin Impact. This will allow console users to be able to gain access to the game just the same as they would have with Genshin Impact.

As of right now, we have no set date for when the game is going to be released on PlayStation and whether it will be released on the same day as the other devices Honkai: Star Rail will be available on. But with tests already underway, we can expect it to be soon so that PlayStation users can catch up on all the fun. And we will be on the case to get you the date it will be released as soon as it is available!

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What’s good, Trailblazers? After a smashing success

The Caminhos Film Festival was stated in the latest editions as the reference event in the Portuguese panorama, the only festival dedicated in its competition, to the Portuguese cinema in various aspects, from the final draft film school, through animation , documentary, short film to feature film. Since 1988 we were privileged as an organization to see and live within the best of Portuguese national productions over the past twenty editions, but also to follow the progress of all the Portuguese film industry. We opened the event from Juniors, to seniors, to Film Schools, publishers and booksellers, all Portuguese production turning it in true showcase of national cinema in Portugal. A showcase, which has focused on bringing the creators to the publics, focusing on interaction at all levels.

O festival Caminhos do Cinema Português afirmou-se nas últimas edições como o evento de referência do panorama português, sendo o único festival dedicado, na sua competição, ao cinema português em várias vertentes, desde os projectos finais de escola de cinema, passando pela animação, documentário, curta-metragem até à longa-metragem. Desde 1988 tivemos o privilégio, enquanto organização de ver e (con)viver com o melhor da produção nacional portuguesa ao longo das últimas XIX edições, mas igualmente de acompanhar a evolução de toda a indústria cinematográfica portuguesa. Abrimos o evento aos Juniores, aos Séniores, às Escolas de Cinema, às editoras e livreiros, a toda a produção portuguesa transformando-o na verdadeira montra do cinema nacional em Portugal. Uma montra, que tem apostado em aproximar os criadores dos seus públicos, apostando na interacção em todos os níveis.

+ www.caminhos.info


 


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The Caminhos Film

On Sunday morning, Majors’ attorney said the woman who alleged the assault has since made “two written statements” recanting the claims.

ATLANTA, GEORGIA - FEBRUARY 23: Jonathan Majors attends the CREED III HBCU fan screening presented by MGM Studios at Regal Atlantic Station on February 23, 2023 in Atlanta, Georgia. (Photo by Paras Griffin/Getty Images for MGM Studios)

Getty Images for MGM Studios

Following Jonathan Majors’ arrest on Saturday morning, Army Times has reported that the United States Army has opted to stop airing commercials featuring the actor until the investigation into his alleged assault case is completed. The video has also been pulled from the Army’s official social media channels.

Majors has been the face of the Army’s new “Be All You Can Be” campaign, which launched in March and has been a massive presence on CBS’ coverage of the 2023 NCAA Basketball Tournament. Majors appears as an onscreen narrator walking through battlefields as he pitches viewers on the prospect of Army enlistment.

The report said that additional commercials featuring other spokespersons in a similar role were expected to be delivered in August.

“The U.S. Army is aware of the arrest of Jonathan Majors and we are deeply concerned by the allegations surrounding his arrest,” a spokesperson for the Army Enterprise Marketing Office told Army Times. “While Mr. Majors is innocent until proven guilty, prudence dictates that we pull our ads until the investigation into these allegations is complete.” IndieWire has reached out to the Army Enterprise Marketing Office for comment.

Majors was arrested on charges of assault, strangulation, and harassment in New York City on Saturday following an altercation with an unnamed 30-year-old woman. The woman was taken to a hospital but remains in stable condition. While the NYPD’s preliminary investigation offered enough evidence to arrest Majors, the actor’s team has vehemently denied the charges.

“Jonathan Majors is completely innocent and is provably the victim of an altercation with a woman he knows,” Majors’ criminal defense attorney said in a statement to IndieWire. “We are quickly gathering and presenting evidence to the District Attorney with the expectation that all charges will be dropped imminently. This evidence includes video footage from the vehicle where this episode took place, witness testimony from the driver and others who both saw and heard the episode, and most importantly, two written statements from the woman recanting these allegations. All the evidence proves that Mr. Majors is entirely innocent and did not assault her whatsoever. Unfortunately, this incident came about because this woman was having an emotional crisis, for which she was taken to a hospital yesterday.  The NYPD is required to make an arrest in these situations, and this is the only reason Mr. Majors was arrested. We expect these charges to be dropped soon.”

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On Sunday morning, Majors’ attorney said the

The new head of the AFCI has big goals for the organization, and looks to promote stability within the leadership, which has seen a few presidents come and go in the past handful of years.

“I really want to reassure people that I’m in this for the long haul and I feel like I have the right skill set to take the organization through and develop a really good strategy for it for the next 10 years,” says Jaclyn Philpott, the recently installed AFCI exec director. “I’ll be ready and willing to answer any questions that they may have. You know, I’ve had a very good look under the hood at the organization, from the financials through the previous strategies to what’s happening in the market right now, and I feel like I have a good idea of what they want based on what they’ve told me and in my own research.”

While the thirst for content from streamers has boosted production all over the world — even as that thirst has been slaked somewhat recently — and regions are seeing that TV and film production can help diversify local economies — as Saudi Arabia has done — Philpott says she sees significant opportunities for growth and collaboration between the AFCI, its members, government and the production industry.

“There are so many emerging regions. … But what I love about these new smaller regions is they really understand the power of film tourism and tourism in general, and I think that’s also something that ACFI needs to consider:  what is our role in growing regions? How can we help film commissions get with the tools that help them from an economic development perspective? There are tools that we can provide, whether it’s around the type of conversation to have with your local governments, to the basics of marketing.”

AFCI Week, running March 27-30 at the Sofitel Los Angeles in Beverly Hills, gathers members for conversations, panels and networking. The panel topics are wide-ranging, aligning with Philpott’s goal of collaboration and education. Topics include virtual production, a talk on navigating government relationships, using data and AI, workforce development and even a session — only open to AFCI members — called How Would
You Handle It with the AFCI board. 

“It’s always exciting because I’ve been told it means that you can get up and say anything. What would you do if this happened? And what would you do? It gives members an opportunity to really speak freely about things that are going on in their regions. And this is the value again of bringing people together in person,” says Philpott.

She’s also excited about the “The Last of Us” case study, featuring HBO senior VPs Jay Roewe and Katie Hayes, and Luke Azevedo, Calgary Film Commission VP, who will discuss how HBO and the film commission worked together on the hit series.  

“I think this is not necessarily just ‘The Last of Us,’ but it’s any film commission who’s working really closely with a production company and a location manager. I can’t wait to hear that story because this is absolutely what we’re all about — connection and collaboration,” says Philpott. “I think some interesting, key insights will come from there.”

AFCI’s other immediate goals include expanding its education and diversity awareness programs to “empower members to create such programs in their own regions.”

In the end, it’s about sustaining members’ passion for  the business.

“I think it’s also helpful just to always go back to the why we do this, and what are the positive impacts of what we’re doing,” notes Philpott. “It’s about creating jobs, and creating skills, pathways, and giving people transformative experiences. And I think when you can connect back into that, it makes the long hours all that much better.” 

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The new head of the AFCI has

Picture: Nickelodeon

Netflix in the US was treated to seasons 1 and 2 of iCarly all the way back in February 2021, and after years of waiting, we’ve finally learned that additional seasons will be joining (in the US). Here’s what you need to know.

As you probably know, iCarly is the Nickelodeon show that ran between 2007 and 2012 across six seasons. The show comes from Nick’s super-producer Dan Schneider and features the talents of Miranda Cosgrove, Jerry Trainor, and Jennette McCurdy.

After years of begging, Netflix was able to license the series from Paramount, and it arrived on Netflix (but only in the United States) on February 8th, 2021.

The series has recently seen a significant spike in interest, given Nickelodeon’s revival for Paramount+ which has run for 2 seasons with the third scheduled for release in 2023.

The series came to Netflix along with a slew of Nickelodeon titles over the past few years. Netflix got a batch of Nick titles in early 2020 with Avatar: The Last Airbender. In 2021, 2 seasons of its shows hit Netflix, including Henry Danger and The Haunted Hathaways joined.

That’s all in addition to the output deal Netflix signed with Nickelodeon for them to produce exclusive content for Netflix.


What seasons of iCarly are on Netflix US?

The series is on Netflix and labeled as seasons 1-2, but that doesn’t actually tell the whole story.

In fact, Netflix really got seasons 1-3, as some clever sleuths on Twitter pointed out (h/t NickAlive). Netflix got season 1, which consists of 25 episodes, and then it combined seasons 2 and 3 (for a total of 39 episodes) into what’s labeled as season 2 on the service.

So that means that when looking towards the future, we need to ask when seasons 4 to 6 of iCarly are coming to Netflix.


So, when will seasons 4-6 of iCarly be on Netflix?

For the past few years, we’ve not been expecting any of the later seasons of iCarly to come to Netflix.

This is because up until recently, Paramount has been selectively licensing out titles to build up audiences for them or what we think they’re doing with iCarly, teasing you into a Paramount+ subscription to watch the remaining seasons.

However, in late Feburary 2023, Netflix alerted us that they’d be adding iCarly seasons 3 to 5 on Netflix in the US on March 31st, 2023.

It’ll arrive alongside Henry Danger seasons 4 & 5, Teenage Mutant Ninja Turtles season 2, and House of Anubis.

All five seasons will remain on Paramount+ alongside Netflix.


Will the iCarly Reboot be on Netflix?

What we can continue to rule out is the rebooted iCarly coming to Netflix (at least anytime soon).

The series remains exclusive to Paramount+.

Are you looking forward to seeing more seasons of iCarly join Netflix?

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Picture: Nickelodeon Netflix in the US was treated

“Succession” Season 4 is here, kicking off the final episodes of the Emmy-winning HBO series. The Roy family is at an inflection point as the final season begins: Logan (Brian Cox) has cut his children out once and for good, preparing to sell Waystar to a tech giant (headed up by Alexander Skarsgard’s Matsson) and severing ties with Kendall (Jeremy Strong), Shiv (Sarah Snook) and Roman (Kieran Culkin).

After watching three seasons of jaw-dropping backstabbing and plot twists, all eyes are on how this thing ends, and if we’ll finally get an answer to the question posed in the show’s first episode: Who will succeed Logan Roy?

With that in mind, you may be wondering when new episodes of “Succession” air, and what time you can watch them (especially if you’re on the west coast). Here’s a complete “Succession” Season 4 episode release schedule.

When Does “Succession” Season 4 Premiere?

HBO premieres the first episode of “Succession” Season 4 on Sunday, March 26, 2023 on HBO and HBO Max

What Time Does “Succession” Come on HBO?

New episodes of “Succession” are available every Sunday at 9 p.m. ET/PT on HBO, but if you’re watching on the HBO Max streaming service (in 4K to boot), you can watch new episodes at 6 p.m. PT so you’re not spoiled by those watching on the east coast.

Are New Episodes Released Weekly or All at Once?

In keeping with the release strategy of past seasons, “Succession” Season 4 will be rolling out weekly. Here’s the full schedule:

  • Episode 1: Sunday, March 26 (“The Munsters”)
  • Episode 2: Sunday, April 2 (“The Rehearsal”)
  • Episode 3: Sunday, April 9 (“Connor’s Wedding”)
  • Episode 4: Sunday, April 16
  • Episode 5: Sunday, April 23
  • Episode 6: Sunday, April 30
  • Episode 7: Sunday, May 7
  • Episode 8: Sunday, May 14 (Series Finale)

Who Is in the “Succession” Season 4 Cast?

The “Succession” Season 4 cast includes:

  • Brian Cox as Logan Roy
  • Jeremy Strong as Kendall Roy
  • Sarah Snook as Shiv Roy
  • Kieran Culkin as Roman Roy
  • Matthew Macfadyen as Tom Wambsgans
  • Nicholas Braun as Greg Hirsch
  • Alan Ruck as Connor Roy
  • J. Smith-Cameron as Gerri Kellman
  • David Rasche as Karl Muller
  • Peter Friedman as Frank Vernon
  • Justine Lupe as Willa Ferreya
  • Dagmara Domińczyk as Karolina Novotney
  • Fisher Stevens as Hugo Baker

Is This Really the Final Season of “Succession?”

Yes. Showrunner and creator Jesse Armstrong made the decision with his writers late last year that Season 4 would be the last season of the HBO series, despite HBO wanting more.

“We played out various scenarios: We could do a couple of short seasons, or two more seasons. Or we could go on for ages and turn the show into something rather different, and be a more rangy, freewheeling kind of fun show, where there would be good weeks and bad weeks,” Armstrong told the New Yorker. “Or we could do something a bit more muscular and complete, and go out sort of strong. And that was definitely always my preference.”

“It’s been a difficult decision, because the collaborations — with the cast, with my fellow-writers, with Nick Britell and Mark Mylod and the other directors — they’ve just been so good,” he continued. “And I feel like I’ve done the best work I can do, working with them. And HBO has been generous and would probably have done more seasons, and they have been nice about saying, it’s your decision. That’s nice, but it’s also a responsibility in the end. It feels quite perverse to stop doing it.”

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“Succession” Season 4 is here, kicking off

Even casual followers are probably aware that Spanish superstar Rosalía and San Juan reggaetón don Rauw Alejandro are A) in love and B) eager to document that fact with constant evidence of their famous mouthal proximity. For two huge, touring artists, they seem to be together all the time, and now they’ve been able to pry themselves from each other long enough to record a joint collaboration. RR is a three-song EP that establishes their slinky vocal rapport and makes it official: The video for opening track “Beso,” an emo reggaetón love song, ceremoniously announces their betrothal—though close readers will observe this may have already happened circa summer 2022.

Romance is beautiful and all of that, and the couple’s harmonies are milk and honey on tracks about their undying devotion and also making out. But “Vampiros” sprinkles some welcome tropigoth sex-grime on their rose-petal-strewn bed, marking the triumphant return of la pistola made famous in Rosalía’s notorious desire lullaby “Hentai.” It’s a love song, but the pair trades horny, shouty bars about god and weed and the healing power of the moon, grinding through the night over a determined reggaetón thump and minimal synth skulk. “Vampiros sonando ahora pa’ siempre, somo’ inmortale’,” Rosalía sings assuredly. In contrast to “Beso” and the fairy-tale bolero “Promesa,” it reminds us that R and R aren’t just characters in an old-fashioned love story but also young, in love, and tryna go to the club. 

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Even casual followers are probably aware that

One of the most difficult challenges of reviewing films is understanding a filmmaker’s vision. Sometimes one can find themselves in a difficult position of trying to write an objective review of something you don’t quite grasp. This is the dilemma I faced while reviewing Malcolm Carter’s independent drama, Company of Prophets.

The story focuses on Mala (Nakell Rashad), a former rapper who has been away from home for five years. After her father’s passing, her brother recommends Mala for a position at Careful Thoughts, which specializes in working with young homeless adults. She, however, doesn’t feel she’s qualified for the job, never having worked with kids, nor does she have kids of her own. Yet, despite her reluctance, Mala manages to get the position.

Kevin (Kris Marshall) becomes the first client with whom Mala works. His rapper moniker is “Tale of Two Cities.” He brings his girlfriend, Talia (Ashley Nief), to his first session with Mala, which takes place at her home. Kevin, however, has other plans when he tells Mala that he needs to get some partying out of his system before she can help him. Unfortunately, Mala isn’t keen on his friends, and Talia isn’t fond of her. Things turn around, however, when Talia discovers Mala is a rapper and goes to her for her advice. As Mala gets to know the group, she learns more about them and herself, complicating everything.

“…Talia discovers Mala is a rapper and goes to her for her advice.”

Company of Prophets left me scratching my head at some of its odd choices. Most puzzling was the color grading. The entire picture is blue. However, depending on the scene, there’s a gray, green, or red tone. Interestingly, or confusingly, the trailer does not contain these color filters and has the correct tone and palette. I mentioned before how a critic’s job is to understand and interpret a filmmaker’s vision. I’m sure Carter has an artistic reasoning behind this, but it cannot be figured out within the context of the film itself. This discrepancy made the decision even more strange. It is distracting and doesn’t add to the narrative. If the film had established itself with straightforward coloring and then cut to scenes of a different tone, it would’ve helped.

Aside from the coloring, the story goes in multiple directions, not settling on one piece. The narrative starts with Mala finding a new path in life, but it quickly veers away from that. The house party, for example, has multiple interludes with characters either having banal conversations or arguing. It takes up to twenty minutes of the 101-minute runtime, bringing the momentum to a halt. After a while, it meanders to the point where you’re unsure whose story it is and how it’ll all come together. There is a subplot towards the last quarter involving Mala and Talia, which is when things get interesting. But it takes so many detours to reach that point it’s too late.

It’s always disappointing when a film’s intention goes over one’s head. Writer/director Malcolm Carter had an evident purpose behind his choices. Company of Prophets could have benefited from letting the audience in on the meaning to understand the vision.

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One of the most difficult challenges of

Staying cordial for the kids? Amid Olivia Wilde and Jason Sudeikis’ ongoing custody battle, the pair put on a united front at their son Otis’ soccer game.

The Booksmart director, 39, and the Ted Lasso star, 47, were all smiles as they greeted one another outside their son’s soccer game on Saturday, March 25, according to pics obtained by TMZ. Wilde sported a pair of jeans and a brown cardigan, while the Saturday Night Live alum opted for a beige fleece, navy trousers and a maroon baseball cap. The twosome, who called off their engagement in 2020, were photographed hugging upon their arrival before sitting together in the stands.


Olivia Wilde, Daisy Josephine Sudeikis, Otis Sudeikis and Jason Sudeikis.
John Photography/Shutterstock

Wilde and the Kansas native — who share Otis, 8, and daughter Daisy, 6 — were first linked in 2011, getting engaged nearly two years later. The pair ultimately split amid the coronavirus pandemic, shortly before the O.C. alum sparked a romance with her Don’t Worry Darling leading man, Harry Styles.

“The complete horses–t idea that I left Jason for Harry is completely inaccurate,” Wilde told Vanity Fair in September 2022, denying claims that she ended her engagement to be with the former One Direction member, 29. “Our relationship was over long before I met Harry. Like any relationship that ends, it doesn’t end overnight. Unfortunately, Jason and I had a very bumpy road, and we officially dissolved the relationship towards the beginning of the pandemic.”

The pair’s coparenting relationship also took a turn for the worse in April 2022 when Sudeikis publicly served Wilde with custody paperwork during her appearance at CinemaCon. The Tron: Legacy actress — who split from Styles the following November — later alleged that her former fiancé had attempted to humiliate her by serving her during a public work event. Sudeikis, however, denied intentionally serving her during the panel.

Wilde later claimed that the Mother’s Day actor had acted with “underhandedness” and “bad faith” when it comes to deciding Otis and Daisy’s future, per a new court filing obtained by the Daily Mail earlier this month.

“Jason should not be permitted to litigate Olivia into debt, and then claim she should be deprived of her right to seek a needs-based fee contribution from him,” Wilde’s legal team wrote in the March court documents. “While the details of Jason’s finances are presently unknown as he refused to substantively respond to basic discovery, she is aware that he is far wealthier than she is.”

The pair had a court hearing for the ongoing custody dispute on Friday, March 24, in which the judge rejected Sudeikis’ request to move the case from Los Angeles to New York despite Wilde’s objections.

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Staying cordial for the kids? Amid Olivia

Digital World Acquisition Corp., the blank-check company that has proposed merging with Donald Trump’s media company, said it fired chairman and CEO Patrick Orlando.

On March 19, the company’s board of directors terminated Orlando from his positions as chairman and CEO, DWAC disclosed in an SEC filing Wednesday. Orlando remains a director of the company.

“Due to the unprecedented headwinds faced by the company, the board agreed it was in the best interest of its shareholders to select a new management team to execute an orderly succession plan and set strategic operating procedures for the company in this new phase,” DWAC said in a statement. “Mr. Orlando’s departure enables the board to appoint new leadership, which it believes will restore confidence to the shareholders.”

Trump Media & Technology Group previously announced plans to combine with DWAC, a special purpose acquisition company (SPAC), to become a publicly traded entity. The deal would provide TMTG with up to $1.3 billion in capital, according DWAC filings.

DWAC didn’t elaborate on the “unprecedented headwinds” it cited for terminating Orlando. The proposed merger with Trump Media was delayed after DWAC disclosed that the agreement was being probed by the SEC. Subsequently, DWAC also disclosed that it had received subpoenas in a federal grand jury investigation in the U.S. Justice Department’s Southern District of New York seeking information on its financial dealings in connection with the proposed TMTG deal. Last week, the Guardian reported that federal prosecutors had investigated $8 million in payments to Trump Media, loans that allegedly had been arranged by Orlando, for potential money-laundering violations.

Meanwhile, Trump is the subject of a separate federal grand jury proceeding in Manhattan that is investigating the ex-president’s role in a hush-money payment to porn star Stormy Daniels just prior to the 2016 presidential election. That could result in Trump’s indictment and arrest.

Trump Media & Technology Group, led by CEO Devin Nunes, operates Truth Social, which is now the former president’s preferred social media platform.

In announcing Orlando’s termination, Miami-based DWAC said board member Eric Swider has been appointed interim CEO effective immediately. Swider has served on DWAC’s board since September 2021. He has been serving as CEO of Rubidex since January 2020, a software development start-up focused on data security. Swider is the founder of Renatus Advisors, which “works with private clients to resolve complex strategic and operational matters as well as public clients, providing services related to disaster and economic recovery.”

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Digital World Acquisition Corp., the blank-check company

“Succession” is back at long last. The fourth and final season of the lauded HBO series is kicking off Sunday night, but given the copious amounts of backstabbing, undercutting and verbal sparring that’s gone on throughout the show’s first three seasons, you’d be forgiven for forgetting exactly where things left off when we last caught up with the Roy family. That’s where we come in.

Ahead of “Succession” Season 4, we’ve got a recap of key plot points you’ll need to remember from Season 3 – specifically from that jaw-dropping finale – to make sure you’re primed for the latest (and last) round of power struggles. As Tom and Greg so pointedly put it, “We hear for you.”

Logan Is Selling Waystar to GoJo, and He’s Cutting the Kids Out

While Season 3 found Logan (Brian Cox) and Roman (Kieran Culkin) courting tech company GoJo for an acquisition, the finale turned the tables as GoJo CEO Lukas Matsson (Alexander Skarsgard) proposed GoJo acquiring Waystar and positioning himself as the one to take over the company. He promised he would “rate” each of Logan’s kids fairly, and keep those who were up to snuff.

Logan then began negotiations to accept Matsson’s offer, keeping the kids out of it, which of course rankled Shiv (Sarah Snook), Kendall (Jeremy Strong) and Roman who would no longer be in line to take over. The finale ended with the kids coming after Logan, attempting to put a stop to his sale of Waystar and cut him out once and for all (they even planned a media blitz that would publicly declare Logan’s health was failing), but Logan once again had the upper hand – he quietly assumed even greater control over the company’s decisions. After being confronted in the finale’s final moments, he cut Shiv, Kendall and Roman out of Waystar for good.

Succession finale
Brian Cox in the “Succession” Season 3 finale (HBO)

Tom and Greg Are Aligned… With Logan

While the Season 3 finale saw Shiv call Tom (Matthew Macfadyen) to ready him for the kids’ takeover, Tom saw an opportunity and tipped Logan off, thus allowing him to cut the kids out of the deal. Instead of aligning with Shiv, Tom brought Greg (Nicholas Braun) into his plan, positioning the two of them to be high-level lieutenants for Logan in a Kendall/Roman/Shiv-less Waystar.

Shiv and Tom’s Marriage Is Falling Apart

Why would Tom align with Greg over his wife? Besides the fact that Tom and Greg are #couplegoals, Tom’s decision to go behind Shiv’s back paid off something that’s been a long time coming – the dissolution of their marriage. After being constantly sidelined by Shiv, and after Shiv essentially confessed to not loving Tom in a “game” of dirty talk, Tom stopped leading with his heart and made a move to get out from under her thumb and put himself on top. The Season 3 finale closed out with the image of a shocked Shiv seated, while Tom put a “comforting” hand on her shoulder, standing tall.

Kendall Is Back in the Saddle

Kendall has been struggling ever since he was involved in the young waiter’s death at the end of Season 1, and Season 3 especially saw him in a really rough mental state. But after confessing his deepest, darkest secret to his siblings and getting empathy in return, we saw the old, go-getter Kendall return in the final moments of the Season 3 finale. That seems to be continuing in Season 4, so sad dog Kendall is no more. For now…

Connor and Willa Are Engaged, and Connor’s Running for President

Connor (Alan Ruck), meanwhile, managed to convince girlfriend Willa (Justine Lupe) to marry him in the Season 3 finale – although she seemed to immediately regret her decision. As ever, their relationship is more transactional for her, but more important than ever as Connor is in the thick of a presidential race he has no actual chance of winning.

And that’s all, folks! Tune into the “Succession” Season 4 premiere on Sunday, March 26 at 9 p.m. ET/PT on HBO and 6 p.m. PT on HBO Max.

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“Succession” is back at long last. The

Adele will add 34 dates to her Las Vegas residency, starting June 16-17 and completed by Nov. 4. Additionally, a live concert film of the residency is planned.

The new dates were announced this morning, just after the first “Weekends with Adele” residency series ended Saturday night.

Adele tipped this morning’s announcement to the Saturday night audience.

“Playing to 4,000 people for 34 dates is not enough, and I know that,” she told her audience. “So I am coming back for a few weeks in June, and I’m going to release it to make sure anyone who wants to see this show can see it.”

Presale tickets for the second residency shows will begin at 10 a.m. Pacific time April 5. Fans will receive a code to purchase tickets. If demand for tickets from Verified Fans exceeds supply, there will not be a public on-sale.

Adele’s first “Weekends with Adele” run started in November 2022 and covered 34 shows through Saturday night. The residency was delayed at the last minute from its anticipated spring debut, spawning controversy over its staging and Adele’s role in the cancellation. But Adele didn’t miss a date once the run started, and every show sold out.

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Adele will add 34 dates to her

A series of new photos revealed a first look at the controversial new MCU superhero, Sabra. 

The Jewish hero is set to make her Marvel Studios debut in Captain America: New World Order, which is due out in theaters next year. 

At last year’s D23 Fan Expo, Sabra was revealed to be coming to the super-powered franchise, with Israeli actress Shira Haas taking on the role. The announcement of Sabra’s inclusion in Captain America 4 was quick to draw controversy, as Marvel Studios ventured into the touchy political arena of the Israel/Palestine conflict, with the traditionally Israeli comic book hero.

This viral outcry caused the Hollywood giant to issue a statement in the New York Times, revealing that it was “taking a new approach” with the MCU’s Sabra, reimagining the character for “today’s audience.” 

A Sneak Peak Captain America 4’s Sabra

Shira Haas

A new set photo from the production of Captain America: New World Order captured a first glimpse at Shira Haas’s take on the Jewish Marvel hero Sabra. 

As posted online , the image see the actress leaving what looks to be a diner, followed by Anthony Mackie‘s Sam Wilson and Danny Ramirez‘s Joaquín Torres. 

Haas is wearing an overcoat to hide her Sabra costume, although glimpses of her character’s brown pants, tactical boots, and black gloves

Not much else can be gleaned from these set photos, other than the location looks awfully similar to the Smyth Diner that was seen earlier in production.

It is currently known if Haas will don Sabra’s iconic winged costume in Captain America 4 sequel, but if she does it will very likely be with an updated look. 

Sabra Marvel
Marvel Comics

Who is Sabra in the MCU?

For those who may not know, Sabra has been a part of the Marvel Comics canon for more than 40 years at this point. 

She will not only be the first Jewish Marvel hero to hit the MCU, but she also joins the ranks of Kamala Kahn and Black Panther: Wakanda Forever‘s Namor as one of the first mutants to pop up in the franchise. 

While the character’s Israeli heritage brings along with it a delicate political tightrope for Marvel Studios to walk, there is a way that that could play perfectly into the plot of Captain America: New World Order. 

The Captain America franchise has always come with a political-thriller bend. So if the MCU wanted to take a deep look at the turmoil Sabra’s home nation has found itself in for the better part of a century. 

Yes, Sabra’s inclusion will require a steady hand on the part of Marvel Studios, but the studio seems to be making the right decisions when it comes to anything involved with the hero. Shira Haas is an Isreali-born actress, so she can bring a perspective to the role that will be needed in a modern take on the longtime Marvel Hero. 

Sabra, along with the rest of the Captain America: New World Order cast, can be seen when the film hits theaters on May 3, 2024. 

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The Arrowverse marked a before and after in DC Comics television franchises. The CW, Marc Guggenheim, and Greg Berlanti established a strong universe featuring characters from the company, connecting stories and creating incredible crossovers.


However, as the years went by and the superhero genre exploded in theaters, enthusiasm for the Arrowverse faded, especially as the quality of the shows did as well. Beyond that, they managed to do what few had done on the big screen, adapting some of the most popular story arcs on pages like Flashpoint and Crisis on Infinite Earths.

With the end of Arrow in 2020, the universe began to fall apart little by little, primarily due to the network crisis and Warner Discovery. After that, Supergirl, DC’s Legends of Tomorrow, Batwoman, and Black Lightning also fell into oblivion until only The Flash and Superman & Lois were left standing. However, the latter is no longer considered part of the Arrowverse.

The arrival of Peter Safran and James Gunn at DC Studios, a division that will organize all projects related to the brand, whether in film, television, video games, or animation, poses a new future for the franchise. And not everyone seems to be happy with that.

Related: The Flash Announces Final Episode Release Date


Marc Guggenheim Feels Like He Wasted His Time

Through its newsletter(via Deadline), Arrowverse co-creator Marc Guggenheim wrote upset about Gunn and Safran’s lack of interest in the work being done in the Arrowverse:

“Not a job, mind you. A meeting. A conversation. A small recognition of what I’d tried to contribute to the grand tapestry that is the DC Universe. I’d only spent nine years toiling in that vineyard, after all. Although working for DC had been creatively fulfilling, it involved a lot of adversity, challenges, and personal sacrifices — none of which seem to have accrued to any professional benefit. Simply put, the Arrowverse hasn’t led to any other gigs, so it feels — at least on a career level — that I really wasted my time.”

Since his arrival as Co-CEO of DC Studios, Gunn has contacted some of the workers of the old administration and talked with different actors who have gone through DC, like Henry Cavill or Dwayne Johnson. He has even reportedly offered projects to people like Ben Affleck, although as a director and not as an actor. So it’s a real surprise that he hasn’t reached out to the minds behind the Arrowverse to at least have a chat.

The new DCU is only just getting started, though, and there’s still plenty of time for old acquaintances and new talent to arrive to help shape it, both in front of and behind the cameras.

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The Arrowverse marked a before and after

World class climber Jimmy Chin met his future wife, filmmaker Chai Vasarhelyi, over a mountain – of footage.

He had been working for a number of years on the documentary that would become Meru, the story of an attempt by Chin and his fellow alpinists and friends Conrad Anker and Renan Ozturk to become the first to summit the perilous Shark’s Fin peak in the Himalayas. Perhaps because he was so close to the subject matter, the film wasn’t quite cohering.

“I had submitted it to a few film festivals and got turned down,” Chin explained during an Artists & Auteurs conversation at CPH:DOX in Copenhagen. He told moderator Thom Powers, TIFF’s documentary programmer and host of the Pure Nonfiction podcast, that while struggling over the film he crossed paths with Vasarhelyi at a conference. 

Directors Chai Vasarhelyi and Jimmy Chin appear at CPH:DOX in Copenhagen on Tuesday, March 21, 2023

Courtesy of Matthew Carey

“I knew that she had quite an accomplished career as a filmmaker,” Chin said. “So, I asked her to screen what I had cut so far. She didn’t call me back for three months, but it was because she was in Senegal making another film. But then she came back, she screened it, she called me, said, what are you doing with this film?”

They bonded on a project that teemed with stunning footage shot by Chin and Ozturk.

“Just seeing the world through Jimmy’s lens was astonishing, and it was inspiring,” Vasarhelyi said. “And just understanding this very deep connection to the outside world, and also [it was] kind of the first time I had access as a viewer to these incredibly remote places in such a visceral way.”

Feelings of a deeper sort soon kindled between the cinematic collaborators.

“Jimmy and I began kind of falling in love in this process,” Vasarhelyi said. “But the main thing for me was I love Jimmy and was falling in love, and I wanted to help tell the absolute best version of his story.”

A mountain-climbing scene from 'Meru'

‘Meru’

©Jimmy Chin/Music Box Films

If Chin elevated the story – literally to 20,000 feet – what Vasarhelyi added was depth, turning what could remain a niche mountaineering tale into one about characters, three men and their emotional journey, not just their ascent.

“The question was whether these three mountain climbers would show up emotionally. And I think there was a magic in the idea that Jimmy and I were becoming permanently attached, like probably getting married, having a child,” she said. “Conrad and Renan really showed up. I remember Conrad sat for a seven-hour interview and cried. It all came [out] and so we knew we had a movie because they were able to reflect and speak in a way that civilians could understand.”

Kris Tompkins looks up at the sky with the Patagonian mountain range as her backdrop.

Kris Tompkins looks up at the sky with the Patagonian mountain range as her backdrop.

Courtesy of Jimmy Chin/National Geographic

Vasarhelyi and Chin’s latest documentary, Wild Life, which they brought to CPH:DOX, also unfolds in gorgeous mountainous terrain, in remote sections of Chile and Argentina. But at heart it too is a love story, between Doug Tompkins and Kris Tompkins, both enormously accomplished people who became a couple later in life. 

“Doug Tompkins had led this very successful business life and created two of the largest brands on Earth, The North Face and then Esprit,” Vasarahelyi told Deadline at SXSW, where Wild Life played before heading to Copenhagen. “But then he had this awakening and said, ‘This is not enough. It’s not what I want to do.’ And then he leaves everything behind to go to Patagonia [Chile]. And then likewise with Kris, she was the founding CEO of the Patagonia company, and she ran it for 20 years. And then she too was like, ‘This is not my life. This is not where it can end. I don’t want it to end here.’” And she found the love of her life [Doug Tompkins] in her 40s. So, I think there’s something about this regeneration that really moved me.”

A llama stands on a hill with a lodge and mountains in the background.

A llama stands on a hill with a lodge and mountains in the background.

Clair Popkin/National Geographic Documentary Films

The Tompkins created a life together in Chile. They could have followed the example of other wealthy people and gobbled up lots of land for themselves to enjoy privately, but instead, as the film shows, they acquired millions of acres of wilderness in Chile and Argentina with the express purpose of giving it back to those countries to create national parks.

“This love story is about falling in love with this landscape of Patagonia and the lengths that they were willing to go to try and save this place that they loved,” Chin told us at SXSW. “That story to me was deeply personal and also hugely inspiring. So, that’s a big part of why we wanted to make this film, why we think it’s important, why we think it’s timely, because we’re at this moment where climate change is one of our biggest existential crises, and here’s a few people that have been able to enact such massive change around preserving the environment.”

Chin added, “What they achieved in conservation is something that we’ve never seen before, the biggest private land donation in the history of mankind.”

'Free Solo' filmmakers Jimmy Chin and Elizabeth Chai Vasarhelyi backstage at the Oscars on February 24, 2019 in Hollywood, Calif.

‘Free Solo’ filmmakers Jimmy Chin and Elizabeth Chai Vasarhelyi backstage at the Oscars on February 24, 2019 in Hollywood, Calif.

Photo by Matt Petit – Handout/A.M.P.A.S. via Getty Images

Chin and Vasarhelyi won the Academy Award for their 2018 film Free Solo, about climber Alex Honnold, who shimmied and scraped and clawed his way up the sheer 3,000-foot granite face of Yosemite’s El Capitan without use of ropes. The Rescue, from 2021, documented the miraculous rescue of Thai children who were trapped in a flooded cave (The Rescue, Free Solo and Wild Life are all National Geographic films; Meru was distributed by Music Box Films).

“It’s been very fulfilling to have this wonderful material with which to access this kind of elusive human potential, like warts and all,” Vasarhelyi said at the Artists & Auteurs talk. “In Free Solo, Alex had this audacious dream to climb El Capitan without a rope, but what was scarier for him was to talk to other people. And then, suddenly, in the film, he ends up falling in love and actually evolving emotionally, which has very little to do with his climb itself. So, they’re adventure films, but I think they’re also lenses to look at this fascinating edge that is pretty hopeful too, in that most of these stories we tell are about people who dare to dream and with determination and grit and a little help from their friends… achieve their dreams.”

Wild Life will be released by Picturehouse in theaters beginning April 14, with a broadcast debut on National Geographic Channel set for May 25, followed the day after by a launch on Disney+. 

The wreck of Endurance on the bottom of the Weddell Sea.

The wreck of Endurance on the bottom of the Weddell Sea

Falklands Maritime Heritage Trust/National Geographic

As Deadline reported exclusively earlier this week, Vasarhelyi and Chin are already at work on their next project, also for National Geographic, directing a documentary under the working title Endurance. The film, co-directed by Natalie Hewit, will tell the remarkable story of how a team of marine explorers found the wreck of Sir Ernest Shackelton’s ship Endurance at the bottom of the Weddell Sea near Antarctica. The vessel sank after becoming stuck in sea ice in 1915 and was only discovered, intact on the ocean floor, last March.

Several years ago, Vasarhelyi and Chin embarked on a different kind of adventure – parenting. The couple brought their two kids to Copenhagen, where they decided to partake in a brisk Danish tradition – leaping into the icy river for an invigorating dip. That frigid plunge may seem tame compared to the expeditions Chin still undertakes in mountainous territories around the world as a professional climber and skier for The North Face Athlete team.

For Vasarhelyi, who describes herself as very much not a climber, worry is never far from her mind about the danger her husband faces on such extreme adventures.

“There is an argument that could be made that between Free Solo, The Rescue and even Wild Life, I’ve been trying to negotiate my feelings about risk and trying to understand as best I can, because we’ve committed to this life together. We have two wonderful kids,” she said. “I’m having an active, I don’t know, wrestling match inside me. And we’ve been talking about these questions a lot because you are more likely to die above 8,000 meters than you are under 8,000 meters. Like, this is a risky endeavor, even if you’re the best. But I’m not one to say, ‘You can’t,’ because certain individuals, this is what they live for. And we’ve spent some time looking at that question.”

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World class climber Jimmy Chin met his

While everyone was wondering if Selena Gomez and Zayn Malik were really seen making out at a restaurant in New York City, Harry Styles and Emily Ratajkowski left little for DeuxMoi to speculate about.

In full view of witnesses, Styles and Ratajkowski were spotted getting really comfortable with one another in Tokyo, Japan on March 25. Leaning up against a silver van with her hand clasped in his, the 29-year-old pop star and 31-year-old model can be seen kissing and smiling in the photos and video obtained by The Daily Mail. 

Styles, who was in Japan for his latest Love on Tour performances, wore a white button-up shirt, black pants, and a matching jacket, while Ratajkowski wore a pink and black cropped puffer jacket with a black skirt. According to the publication, the pair also got up to a little dancing while waiting out the rain. (You can view the photos and video here.)

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The only question left unanswered is whether or not we’re looking at a one-off date night or Hollywood’s next pro-PDA power couple. According to People, a rep for Harry Styles had “no comment” when reached by the publication, while they’re still waiting to hear back from team Ratajkowski. 

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Both Emily Ratajkowski and Harry Styles are moving on from high-profile relationships. Just one year after welcoming her son, Sylvester Apollo Bear, Ratajkowski ended her four-year marriage to Sebastian Bear-McClard in the summer of 2022 following a wave of cheating rumors. “I had just had a child, so I really wanted to have that family, so it was especially hard for me to totally walk away,” she said during a recent appearance on the Going Mental podcast with Eileen Kelly, per InStyle. “I didn’t have the courage to leave for a long time. I was really, really unhappy.” 

Meanwhile, Harry Styles was linked to his Don’t Worry Darling director Olivia Wilde for two years before the pair reportedly decided to take a break in November 2022. “He’s still touring and is now going abroad. She is focusing on her kids and her work in LA,” one source told People at the time, while another said Wilde was “disappointed” by the split. 

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While everyone was wondering if Selena Gomez

SERPICO (1973) | 4K Restoration | Official Trailer | Dir. by Sidney Lumet & starring Al Pacino

Available April 18

Al Pacino plays real-life NYPD officer Frank Serpico in Sidney Lumet’s neo-noir crime drama Serpico, a movie that was universally acclaimed for Pacino’s Oscar-nominated performance. Kino Lorber’s 4K UHD debut features a 4K restoration of the film from the original 35mm camera negative with a Dolby Vision HDR presentation. The 4K UHD disc features a new audio commentary by critics Howard S. Berger, Steve Mitchell, and Nathaniel Thompson. An included Blu-ray contains other bonus features, such as “Serpico: Favorite Moments,” “Looking for Al Pacino,” a photo gallery with commentary by Lumet, and several making-of featurettes.

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SERPICO (1973) | 4K Restoration | Official

(Photo by: Masters of Illusion, LLC/The CW)

Will the 12th season of The CW’s Masters of Illusion TV show make its audience disappear? As we all know, Nielsen ratings typically play a big role in determining whether a TV show like Masters of Illusion is cancelled or renewed for season 13. Unfortunately, most of us do not live in Nielsen households. Because many viewers feel frustrated when their viewing habits and opinions aren’t considered, we invite you to rate all of the 12th season episodes of Masters of Illusion here.

A CW stage magic series, the Masters of Illusion TV show debuted in 2000 and ran for three seasons between Pax TV and MyNetworkTV. In 2014, The CW revived it with Dean Cain as host. The mystifying series features escape artists, cutting-edge illusionists, and other talented performers. In front of a studio audience, these modern magicians demonstrate their perplexing and astonishing skills with performances that include interactive magic tricks, astounding escapes, sleight-of-hand, large-scale illusions and boisterous comedy routines.

What do you think? Which season 12 episodes of the Masters of Illusion TV series do you rate as wonderful, terrible, or somewhere between? Do you think that Masters of Illusion should be cancelled or renewed for a 13th season on The CW?

Check out our CW status sheet to track the smallest network’s new series pickups, renewals, and cancellations. You can find lists of cancelled shows here.

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Published: March 25, 2023(Photo by: Masters of

Coming off of a banner year of Outstanding Lead Actress in a Limited Series or a Movie performances, this round of Emmy contenders more so face the challenge of making sure voters give their shows a chance.

We will update this article throughout the season, along with all our predictions, so make sure to keep checking IndieWire for the latest news from the 2023 Emmys race. The nomination round of voting takes place from June 15 to June 26, with the official Emmy nominations announced Wednesday, July 12. The Creative Arts Emmy Awards will be presented over two consecutive nights on Saturday, September 9 and Sunday, September 10, with an edited presentation of the ceremonies to be broadcast on FXX at a later date. Finally, the 75th Annual Primetime Emmy Awards take place on Monday, September 18, and air live on FOX at 8:00 p.m. ET/ 5:00 p.m. PT.

The State of the Race

It really is not as easy as it was last year to peg who the frontrunners are for Outstanding Lead Actress in a Limited Series or a Movie. Yes, Jessica Chastain just won a Screen Actors Guild award for her turn as country star Tammy Wynette in Showtime’s “George and Tammy,” but that took a lot of effort on her part to appear at as many FYC screenings as possible to support the show even as she was readying her grand return to Broadway in a revival of “A Doll’s House.”

That really is what it comes down to; if one’s show was not whatever version we have of a watercooler series now, how do the creators, stars, and awards strategists make sure voters go watch it. Currently, Dominique Fishback’s performance in the Donald Glover-produced “Swarm” is making waves on social media, but may have trouble reaching the old crowd that is the TV Academy members. Amber Midthunder really did get a breakout moment last summer with “Prey,” but the Emmys just don’t embrace TV movies like they used to, and being nominated for a straight-up action role is not easy either.

One contender to watch is Emily Blunt in the Amazon Prime Video revenge western “The English,” which feeds into some of those similar hang-ups, but has really positioned itself as a fun discovery, giving voters a chance to tell their peers about how it’s one good show they probably missed. Though the series did not exactly take the world by storm last November, Blunt still was nominated at several winter awards shows, including the SAG Awards.

There is plenty more to come though, from “Great Expectations” on FX to “The Last Thing He Told Me” on Apple TV+, but another fun possibility is “WandaVision” co-stars Elizabeth Olsen and Kathryn Hahn both following up the success of their Marvel Cinematic Universe series with more Emmy nominations, now for their respective, engaging turns in the limited series “Love and Death” (HBO Max) and “Tiny Beautiful Things” (Hulu).

Current Contenders (In Alphabetical Order):
Emily Blunt, “The English” (Amazon Prime Video)
Shalom Brune-Franklin, “Great Expectations” (FX)
Lizzy Caplan, “Fleishman Is in Trouble” (FX)
Jessica Chastain, “George and Tammy” (Showtime)
Vera Farmiga, “Five Days at Memorial” (Apple TV+)
Dominique Fishback, “Swarm” (Amazon Prime Video)
Jennifer Garner, “The Last Thing He Told Me” (Apple TV+)
Kathryn Hahn, “Tiny Beautiful Things” (Hulu)
Riley Keough, “Daisy Jones and the Six” (Amazon Prime Video)
Amber Midthunder, “Prey” (Hulu)
Elizabeth Olsen, “Love and Death” (HBO Max)
Bel Powley, “A Small Light” (National Geographic)
Zoe Saldana, “From Scratch” (Netflix)
Alicia Vikander, “Irma Vep” (HBO)
Rachel Weisz, “Dead Ringers” (Amazon Prime Video)

More Limited Series and TV Movie Category Predictions:
Outstanding Limited or Anthology Series
Outstanding TV Movie
Outstanding Lead Actor in a Limited Series or a Movie
Outstanding Supporting Actor in a Limited Series or a Movie
Outstanding Supporting Actress in a Limited Series or a Movie

To see IndieWire’s full set of predictions for the 75th Emmy Awards click here.

Last Year’s Winner: Amanda Seyfried, “The Dropout”
Still Eligible: No.
Hot Streak: Last year was Hulu’s first win in the category. Should an actress like Hahn or Midthunder win, it would continue the streak, and solidify the streaming service as a prime destination for Limited Series projects.
Notable Ineligible Series: Jennifer Coolidge, “The White Lotus: Sicily” (submitted as a Drama Series); Kate Mara, “Class of ’09” (the season will not air in time to be eligible); Juno Temple, “Fargo” (Season 5 was not eligible)

Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.

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Coming off of a banner year of

Oklahoma City’s Chat Pile have announced a new split EP with Kansas City’s Nerver. The four-song release is called Brothers in Christ, and it comes out April 14 (via Reptilian/The Ghost Is Clear). The first offering from the EP is Chat Pile’s “Cut,” which vocalist Raygun Busch said was inspired by Stephen King. Hear it below.

“‘Cut’ is an homage to the short fiction of King,” Busch explained, “particularly ‘The Man Who Loved Flowers,’ ‘Strawberry Spring,’ and ‘The Jaunt.’”

Chat Pile bassist Stin added, “These tracks were written and recorded after we tracked God’s Country.” He continued, “We wanted to use this release as a deliberate excuse to switch gears and fully lean into our more indie and alt-rock tendencies. Slint, Sonic Youth, Guided by Voices, and Starfish’s Stellar Sonic Solutions were certainly on our minds at the time.”

Read about God’s Country at No. 39 in “The 50 Best Albums of 2022.”

Brothers in Christ EP:

01 Nerver: “Kicks in the Sky”
02 Nerver: “The Nerve”
03 Chat Pile: “King”
04 Chat Pile: “Cut”

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Oklahoma City’s Chat Pile have announced a

The top Dox:Award at CPH:DOX, the Copenhagen documentary festival, has gone to “Motherland” by Ukrainian-Belarusian director Alexander Mihalkovich (“My Granny From Mars”) and Ukrainian director Hanna Badziaka.

Described by Variety as “an ominous portrait of the oppressive culture of cruelty in post-Soviet Belarus,” the film follows Svetlana, whose son died during his military service as the result of violent abuse, in her quest to expose and prosecute those responsible for his death.

Dedicating the award to “all the Ukrainians fighting Russian aggression and to Belarusian political prisoners,” the directing duo thanked all those who helped them make the film, in particular the protagonists, “who were brave to stand in front of the camera and patient with us as it was a long journey of four years.”

Handing out the prize, the jury said: “This was such a cinematic and meaningful film that took its time unfolding the complexity of living within an oppressive and unjust system. It poses questions about the idea of an individual choice within a cornered society. The title of the film is a way to give back the power to the women who are at the forefront of this fight.”

“Motherland” was one of 13 films, all world premieres, competing for the main prize at this 20th edition.

Celebrating the anniversary, the festival’s artistic director Niklas Engstrøm emerged from a large cardboard cake on stage, drawing cheers and laughter from the crowd gathered in Copenhagen’s Kunsthal Charlottenborg, one of the largest exhibition spaces for contemporary art in Northern Europe, which traditionally turns into the CPH:DOX headquarters.

The Dox:Award runner-up was “On the Edge” (“État Limite”) by France’s Nicolas Peduzzi (“Southern Belle,” “Ghost Song”), “a film that gripped us, and took us on a journey through the labyrinth of a human mind,” said the jury. It tells the story of a young doctor with a humanist spirit who fights a daily battle to hold together the run-down Paris hospital where he works.

The F:act Award, dedicated to political and journalistic films and sponsored by the NGO International Media Support (IMS) and the Danish Union of Journalists, went to Berlin winner “Seven Winters in Tehran,” German director Steffi Niederzoll’s debut feature.

It retraces the life of Reyhaneh Jabbari, a young Iranian woman who was sentenced to death after fatally stabbing the man who was trying to rape her, and is voiced by “Holy Spider” actress Zar Amir Ebrahimi.

“The Hostage Takers” by Puk Damsgaard and Søren Klovborg, a hostage drama based on a shocking interview with two life-sentenced British ISIS members, was awarded a special mention.

“Mrs. Hansen & the Bad Companions” by Denmark’s Jella Bethmann picked up the Nordic:Dox Award for Nordic documentaries. Special Mention went to “Lynx Man” by Finland’s Juha Suonpää (“Wolfman,” “Vuores”).

The New:Vision Award, which celebrates experimental and artists’ films, went to “An Asian Ghost Story” by Bo Wang. A double special mention went to “The Secret Garden” by Nour Ouayda and “Pacific Club” by Valentin Noujaïm.

The Next:Wave Award for emerging filmmakers was handed out to “Queendom” by Agniia Galdanova (“One Step Forward, One Step Back”), a 2022 CPH:Forum pitch project. It tells the story of Gena, a queer artist from a small town in Russia, who dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow.

“The Last Year of Darkness” by Benjamin Mullinkosson, which takes viewers inside China’s underground partying scene, received a special mention.

IDFA winner “Apolonia, Apolonia,” in which Danish docmaker Lea Glob follows up-and-coming French painter Apolonia Sokol over the course of 13 years, won the Politiken:DOX Award, sponsored by the Politiken Foundation of leading Danish newspaper Politiken.

Special Mention went to “The Mountains” by Denmark’s Christian Einshøj, described as “a young director’s brave film about his family and two adult brothers as they try to break the ice and delve into the family’s past to finally reach each other.”

The awards wrap up the 20th edition of a festival, which will have seen a whopping 180 live events organized around films in and around Copenhagen, drawing the likes Joan Baez and Wim Wenders, and no fewer than 600 screenings in venues across the Danish capital.

The 20th edition of CPH:DOX runs in Copenhagen until March 26.

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The top Dox:Award at CPH:DOX, the Copenhagen

Insolvency trustee Doug Hoyes encounters a lot of Canadians with money troubles, but he’s become particularly sympathetic to the plight of young people who find themselves financially underwater.

For more than a decade, his Ontario-based firm Hoyes Michalos has been crunching bankruptcy and insolvency numbers for its annual “Joe Debtor” analysis, with its latest results released last month ahead of tax season.

Read more:

Canadian consumer debt climbs 7.3% to $2.36 trillion in third quarter: Equifax

He’s concluded that millennial Canadians have been dealt a generational losing hand as they face student loans layered with bad debts from credit cards, high-interest loans, and post-pandemic tax debt from collecting CERB.

“I think there’s a whole bunch of whammies that have hit millennials.” Hoyes said. “The CERB was the final straw that broke the camel’s back.”

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Click to play video: 'Money Matters: Millennials taking on the most debt'


Money Matters: Millennials taking on the most debt


The 2022 Joe Debtor study examined 2,700 personal insolvencies filed in Ontario. Hoyes Michalos says 49 per cent were filed by millennials aged 26 to 41, even though they make up 27 per cent of adult Canadians.

The study found that on a per-population basis, millennials were 1.4 times more likely to file for insolvency than people in generation X aged 42 to 56, and 1.7 times more likely than baby boomers aged 57 to 76.

Insolvent millennials were on average 33 years old and owed an average of $47,283 in unsecured debt.

Hoyes said many people collected CERB and other pandemic-relief funds without fully appreciating the tax liabilities those programs generated, finding themselves insolvent and unable to pay down their credit cards, student loans, high-interest loans, and lastly their tax debts.

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More than 100,000 Canadians of all ages filed for bankruptcy or insolvency in 2022.

But older generations, Hoyes said, have enjoyed many advantages.


Click to play video: 'Out of Pocket: Using social media to fight inflation'


Out of Pocket: Using social media to fight inflation


Housing prices were more in step with wages. Tuition fees didn’t necessitate student loans, allowing graduates to enter the workforce and start saving and investing out of the gate, rather than having to service large debts for years after completing their education.

Hoyes said those circumstances represented a “safety valve” that young people now can’t rely on.

“Anything goes wrong like a pandemic, or you lose your job or you get sick or you get divorced and boom, there is no safety valve there,” he said.

Read more:

Canada’s banks brace for possible wave of loan defaults. Why that matters

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Filing for bankruptcy, he said, is an option to eliminate debts, but most people end up filing consumer proposals with the help of insolvency trustees like him to pay them down over time in manageable portions.

“It becomes an affordable way to eliminate the debt, and that’s why we’re seeing more and more millennials resorting to consumer proposals,” he said. “They really have no other choice.”

Sandra Fry, a Winnipeg-based credit counsellor with the non-profit Credit Counselling Society, said many young people who seek alternatives to insolvency and bankruptcy are dealing with the shock of rising interest rates.

“Unfortunately, a lot of people out there are living on the edge of their affordability,” Fry said.

Fry said the Credit Counselling Society sees all types of people struggling financially with rising costs that are “really squeezing Canadians in general from all sides.”


Click to play video: 'One in three Canadians report feeling anxious about their financial situation'


One in three Canadians report feeling anxious about their financial situation


The society helps people struggling with debt, negotiating with creditors to eliminate interest on loans, but also refers people in some situations to bankruptcy and insolvency trustees.

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Millennial clients she’s dealt with lately have often had variable interest rate mortgages, and rate hikes “caused huge strain on their budget because their payments just went up like crazy.”

Read more:

Most young Canadians weren’t prepared for the impacts of high inflation: RBC poll

Dave Locke, 31, lives with his wife in Coquitlam, B.C., east of Vancouver, and the couple sought Fry’s help when their mortgage payments jumped dramatically in the middle of a costly renovation.

Locke, who works for a real estate brokerage, got into the housing market at a young age having worked in the oil and gas industry after high school.

He ended up buying a home in Coquitlam with his wife Tara, who works in labour relations, and the Bank of Canada’s rate hikes eventually saw their monthly mortgage payments jump 40 per cent.

The couple had a construction loan with their bank to fund the renovations, and as interest rates climbed and the price of construction materials ballooned, Locke realized something had to give, even with their relatively high combined incomes.


Click to play video: 'Money Matters: Answers to the most common debt questions'


Money Matters: Answers to the most common debt questions


Insolvency or bankruptcy weren’t options for the couple because they wanted to keep their assets, but the Credit Counselling Society was able to work out a deal with their bank to eliminate interest on the renovation loan.

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“I’m still paying the full balance,” Locke said. “I’m just not paying any additional interest.”

Locke said the stress and stigma of debt is embarrassing, “but it’s just the way it goes.”

“You have to kind of swallow your pride,” he said.

Read more:

Tax season 2023: Changes for homeowners, medical expenses and more

Grant Bazian, a licensed insolvency trustee and president of MNP Ltd. in Vancouver, said he’s seen many clients “keeping up with the Joneses,” but living beyond their means and getting stuck in a cycle of high interest debt from payday loans and credit cards, layered on top of “ridiculous” housing costs.

Bazian said there’s likely no “one magic bullet” to alleviate the debt woes of young people, many of whom are coming to see him racked with anxiety and other mental health issues.

For accountant Hoyes back in Ontario, putting out the firm’s Joe Debtor study every year is a way of letting people know they’re not alone and to remind them of legal options to start anew financially.

Hoyes said it would be a mistake to automatically blame millennials for their money trouble because “you cannot be blaming an entire generation for how the deck is stacked against them.”

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“You don’t have to keep working two jobs for the next 20 years,” he said. “There are legal ways to eliminate a chunk of your debt, and yeah, it hurts your credit temporarily and it’s not something you want to do, but sometimes surgery is the answer.”

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Insolvency trustee Doug Hoyes encounters a lot

Global payments solution provider Checkout.com has unveiled a new debit card issuing service for businesses to tap into the lucrative embedded finance market.

Online travel, marketplaces, and digital banking are all said to have been pivotal to the explosion in embedded finance in recent years, according to Checkout.com CPO Meron Colbeci, who states that fintech and Big Tech are no longer alone in the revolution, and that the market is estimated to increase in value by 187% to $121 billion in Europe and the UK by 2029, and to $7.2 trillion globally by 2030.

Card issuing is designed to enable businesses to offer physical and virtual cards as they look to diversify revenue, unlocking financial service provision to strengthen their ecommerce portfolio.

Create your own debit card for businesses

Businesses can choose to create their own branded cards that stand out from others, including a variety of sustainable and recycled materials, or digital options that are compatible with wallets like Apple Pay and Google Pay.

The precise card type is entirely under the control of a business and can include debit and pre-paid cards for consumer and commercial uses. There are also single-use and multi-use options for further control.

Another benefit for businesses looking to issue their own card is the streamlining and enclosure of the customer journey within an ecosystem, which grocery shopping and meal planning app Jow’s co-founder, Antoine Maillard, claims has been transformative for the business.

This shift in control of course comes at a time when global banking is facing increasing pressure amid a lack of trust, as consumers seek to diversify where they store their money.

At launch, Checkout.com card issuing is available in the UK and European Economic Area, with other regions to follow in due course.

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Global payments solution provider Checkout.com has unveiled

What’s funnier than one clown? How about two? Joaquin Phoenix’s Joker is going to have some criminal company for “Folie à Deux,” with Lady Gaga joining the sequel for a role reported to be a spin on the Batman villain Harley Quinn. New photographs have emerged from the production, unveiling Gaga’s costume and make-up for the film.

The photographs appear to showcase a large crowd scene, with Gotham police officers escorting Gaga’s character into a government building. Extras dressed as protesters gather around the star, holding signs with messages such as “Free Joker,” “Justice 4 Joker,” “Joker Marry Me” and “No Justice Not Guilty Not Joking.” Among the crowd are a smattering of colorful wigs and clown masks, of course.

Gaga’s costume by Oscar-nominated Arianne Phillips cuts between the heightened sensibility of the comic book source material and the gnarly aesthetic of the first “Joker” film. While it has yet to be officially confirmed that Gaga is playing Harley Quinn, the scarlet jacket and diamond-print blouse certainly would suggest that, not to mention the romantic messaging among the protesters and the clown makeup on Gaga’s face.

Gotham/GC Images

This isn’t the first look at Gaga from the set of “Joker: Folie à Deux.” On Valentine’s Day, director Todd Phillips shared an image of Gaga and Phoenix locked in a romantic embrace. That official image was a tight close-up, while these new photographs feature a different look at Gaga’s character.

Phillips’ original “Joker” was a commercial smash, becoming the highest-grossing R-rated film ever. At the 2020 Academy Awards, the film earned two wins — Phoenix for best actor and Hildur Guðnadóttir for best original score — among a whopping 11 nominations. Speculation around a sequel quickly took hold.

Although the landscape of DC Comics has dramatically shifted in recent months, “Joker 2” has remained largely untouched by the newly formed DC Studios and its co-chiefs James Gunn and Peter Safran. The “Joker” sequel will not play a role in the narrative continuity of other upcoming DC films.

Warner Bros. will release “Joker: Folie à Deux” in theaters Oct. 9, 2024.

GC Images

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What’s funnier than one clown? How about

Manoj Bajpaaye and Preity Zinta in Veer Zaara.

Manoj Bajpaaye shared that Yash Chopra had approached him and offered him the role in his cult film Veer Zaara.

Manoj Bajpaaye recently enthralled everyone with his role in the OTT family drama Gulmohar. While the actor has a slew of stellar films under his credit, both independent as well as mainstream, Manoj Bajpaaye’s first ever brush with a huge commercial production happened in Veer Zaara. The actor recently shared how that opportunity helped him to catch up with Shah Rukh Khan as well as be part of Yash Chopra’s film even if it was a cameo.

During a freewheeling conversation with Humans Of Bombay, the Gangs Of Wasseypur actor recalled, “No offence to him (Shah Rukh), but I did this film because Mr Yash Chopra called me up and requested me to be a part of it. He was a big fan of my performance in Pinjar and once he saw the film in Delhi with Lal Krishna Advani ji, Atal Bihari Vajpayee ji, he was thoroughly impressed with my performance. That’s when he thought of offering me this role. It was a guest appearance; I was there only for four-five days. He treated me as good as anyone on the sets. I was welcomed so royally in that film family, the Veer Zaara family. I enjoyed every moment of shooting with Yash Chopra ji.”

He further added, “Shah Rukh, I have known for many years from my days in Delhi, so it was also a chance to catch up. Because we don’t meet up, we belong to two different kinds of films and filmmaking. So, it was a chance to catch up with him and also enjoy being on the sets of Mr Yash Chopra, who had been such a magnificent, successful mainstream director for so many years. We grew up watching his films! We used to chat for long, both Yash ji and me. He was very clear in telling me, ‘I don’t make films for an actor like you, so I don’t think I would have anything else in the future, but this is very good and it will be great if you agree to do it.’ He was such a humble man.”

Veer Zaara is considered to be one of the most iconic films of Yash Chopra. The cross-border love story earned widespread critical and commercial acclaim at the time of its release. The film starred Shah Rukh Khan and Preity Zinta in the lead roles.

Read all the Latest Movies News here

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Manoj Bajpaaye and Preity Zinta in Veer

Actor Jonathan Majors, who has won acclaim for a string of Hollywood hits, was arrested Saturday on charges of assault, strangulation and harassment involving a woman in a New York apartment.

New York City police responded to a 911 call from an apartment near West 22nd Street and 8th Avenue at about 11:14 a.m. and determined that Majors was involved in a “domestic dispute” with a 30-year-old woman, according to a police statement.

The woman, who told police she was assaulted, was taken to a local hospital with minor injuries to her head and neck, and is in stable condition.

Police placed Majors, 33, in custody without incident, the statement said.

A representative for Majors denied any wrongdoing.

“He has done nothing wrong. We look forward to clearing his name and clearing this up,” said Carrie Gordon, the representative.

In recent years, Majors’ career has taken off with a succession of highly acclaimed performances. His credits include “The Last Black Man in San Francisco” in 2019, Spike Lee’s “Da 5 Bloods” in 2020, his Emmy-nominated work in HBO’s horror series “Lovecraft Country” and Marvel’s “Loki” as He Who Remains. He also led the ensemble for Netflix’s all-Black western “The Harder They Fall” in 2021.

In two recent releases, Major stars as uber-villain Kang the Conqueror in “Ant-Man and the Wasp: Quantumania” and as Michael B. Jordan’s adversary Damian “Dame” Anderson in “Creed III.”

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Actor Jonathan Majors, who has won

The last new character reading order to be added to the Marvel Comics Guide is probably a bit of an unexpected one! Eric Masterson drops the Thor identity now that the real God of Thunder has returned. But when he finds he still has the power to transform into an Asgardian champion, he assumes the new Thunderstrike identity – taking the name from the enchanted mallet gifted to him by Odin.


Thunderstrike’s adventures would literally be short lived with Marvel culling many of their lower-tier titles in the ’90s as the comics boom began to decline. But his legacy lives on when a new Thunderstrike picks up the mallet.

The Marvel Comics Guide will continue on the new OMNIVERSE COMICS GUIDE site which is coming soon! Follow us on  INSTAGRAM, FACEBOOK, TUMBLR & VERO or right here for more updates! Got any questions about the Omniverse or the Marvel Comics Guide in the meantime? Add them below! I’ll still be adding a few event guides on here before joining Eric Anthony on the new site…

MCG Notes:
  • Issue listings in blue & black: The must-read Thunderstrike stories from this time period, along with any key related stories and often-forgotten tales that are worth a read.
  • Issue listings in grey: Cameo appearances or stories of note that are non-essential, not as strong or no longer considered ‘required reading’.
  • Chronology: Every appearance of Thunderstrike from this period is included in chronological order, mapping out their timeline rather than just the order the issues were released.
  • Spoilers: The issue/story overviews may include spoilers, so be warned!
  • WANT TO KEEP IT SIMPLE? Scroll down to THE CORE LIST to see a version of this reading order without story descriptions, page-by-page breakdowns or the less-important appearances – just a list of core stories.

See previous appearance of Eric Masterson – as a friend, counterpart and replacement to Thor – with these reading orders:

Thunderstrike #1 (1993)

First appearance of Eric Masterson as Thunderstrike; since Odin gave Eric Masterson the mace dubbed Thunderstrike, he’s been able to tap into the same power that turned him into his own ‘Thunder God’ form; and is still mistaken for the real God of Thunder while fighting carjackers; both Bloodaxe, Code: Blue and ‘Thor’ pursue the criminal Carjack; after a resounding defeat at Bloodaxe’s hands, Eric gets a new costume, takes down Bloodaxe and takes the name Thunderstrike; Eric continues his relationship with Jackie Lukus during THE FINAL GAUNTLET.


Quasar #47-48 (1993)
First appearance of the Explorer/Zamanathan Rambunazeth and the Judicator; Thunderstrike accompanies Quasar from Avengers Mansion into space on his search for the missing Quantum Bands; after the Bands are retrieved, the Possessor turns Thunderstrike against Quasar, but Thunderstrike breaks free so they can fight the rogue Elders of the Universe together.

Spider-Man Unlimited #2[1/2] (1993)
Thunderstrike cameo; the Avengers take Carnage into custody during MAXIMUM CARNAGE.
Secret Defenders #9-10 (1993)

Nebula plans an attack against the Eternals of Titan by using a warhead with the Silver Surfer chained to it; Doctor Strange recruits Thunderstrike and War Machine to free the Surfer and defeat Nebula.


Fantastic Four #378 (1993)
Thunderstrike and his fellow Avengers come to the aid of the Fantastic Four, outnumbering the Fearsome Foursome and forcing them into a retreat during FOUR NO MORE!

Thunderstrike #2-3 (1993)
Thunderstrike and the Black Knight examine the Bloodaxe; Thunderstrike tries to find a peaceful resolution to a confrontation with the Juggernaut; Sif and Thunderstrike investigate the assassin Sangre, but his refusal to help Thor through a bout of Warrior’s Madness strains their relationship.
Thor Corps #1-4 (1993)
Dargo Ktor – the Thor of the 26th Century – joins forces with Thunderstrike, Beta Ray Bill and the true Thor to reform the Thor Corps when Demonstaff tries to destroy the multiverse.

Quasar #54 (1994)
Thunderstrike cameo; Thunderstrike senses strange activity on the Moon during STARBLAST.

Avengers: The Terminatrix Objective #1-4 (1993)
First appearance of Revelation/Ravonna Renslayer of Earth-93091; Terminatrix (Ravonna Renslayer of Earth-6311) now rules Chronopolis as the new Kang the Conqueror and attempts to expand its borders through time; Revelation – another Ravonna from an alternate universe – selects USAgent, War Machine & Thunderstrike as her champions and tasks them with saving time; the trio are pitted against Thor, Captain America & Iron Man and find themselves joining forces with the real Kang to stop Terminatrix.

Quasar #60 (1994)

Thunderstrike cameo; Quasar says goodbye to his friends, including Thunderstrike, before he leaves Earth.


Warlock and the Infinity Watch #26-28 (1994)

Senator Kyle Munson psychically manipulates the Avengers into an assassination attempt on Adam Warlock; the Avengers are freed from Munson’s control and unmask him as the Man-Beast.

Thunderstrike #4-7(pp.1-21) (1994)

First appearance of Blackwulf/Pelops, Bristle, Alex DePaul, Lucien & Schizo; first full appearance of Lord Tantalus and Khult; Pandara – an agent of Lord Tantalus – launches an attack on Manhattan, drawing the attention of Thunderstrike, Code: Blue & Spider-Man and Thunderstrike and uncover a conspiracy regarding the Deviants of Armachedon and their longterm foe, Blackwulf, during WHERE MONSTERS DWELL.
Iron Man #303-304 (1993)
First appearance of the Hulkbuster Armour; Thunderstrike attacks Iron Man over the destruction of a dam in Africa; he turns his attention to the New Warriors when he learns they’re responsible during CRASH & BURN.

Thunderstrike #7(pp.22)-9 (1994)
Thunderstrike’s son Kevin Masterson is been kidnapped by Bobby Steele; the robot Officer ZERO that’s designed to protect cops goes rogue when its creator seeks revenge; Bloodaxe learns Eric Masterson is secretly Thunderstrike.
Thor: The Worthy #1[2/3] (2020)
Thunderstrike struggles with his failure to save Bobby Steele and gets a chance to redeem himself by confronting the Grey Gargoyle.

Incredible Hulk Annual #20[4/4] (1994)
Thunderstrike cameo; Thunderstrike attends Rick Jones and Marlo Chandler‘s wedding during WE ARE GATHERED HERE.
Spider-Man Unlimited #6[1/3] (1994)
Thunderstrike and Spider-Man join forces against Hydro-Man and tries to clear Spidey’s name when he’s accused of harming innocents.

Avengers #374-375[1/2] (1994)
Thunderstrike returns to the Avengers as Proctor and his Gatherers return to have their revenge on Sersi and destroy the Avengers; Proctor’s identity is revealed; the Avengers lose two teammates in the final battle.

Avengers Annual #23[1/2] (1994)
The Avengers are faced with an alliance between Loki and Typhon during STRANGERS ON AN ASTRAL PLANE.

Thunderstrike #10 (1994)
Thunderstrike takes on a villain disguised as Thor and fights to clear the Thunder God’s name; Thunderstrike is finally reunited with the real Thor.
Thor #477 (1994)
Thunderstrike comes to Thor’s aid when the God of Thunder loses Mjolnir to the Destroyer; Thor and Thunderstrike are shocked to discover who’s controlling the armour this time during MYTH CONCEPTIONS.

Thunderstrike #11 (1994)
Thunderstrike, Sangre & Wildstreak all clash when they go after the same man who’s selling guns to kids.

Thunderstrike #15: Double Feature[2/2] (1994)
First appearance of Kenneth & Kevin Krask; Thunderstrike assists Code: Blue against the Thermal Man.

Thunderstrike #12-15 (1994-1995)
First appearance of Bison/Billy Kitson; first appearance of Stellaris as Leah Princess; Stellaris steps out of the shadow and returns to Eric Masterson’s life; Thunderstrike and Bloodaxe both pursue Whyteout; Thunderstrike and Luke Cage battle the Bison, Mongoose & Quicksand; Mephisto kidnaps Kevin Masterson to coerce Thunderstrike into helping him obtain Thor’s soul.

Avengers #379 (1994)
Thunderstrike joins his fellow Avengers on a mission to rescue the Vision from the Lunatic Legion.

Namor the Sub-Mariner #58 (1995)
First appearance of the Deep Six; a misunderstanding leads to the Avengers battle Namor‘s Deep Six during ATLANTIS RISING.

Thunderstrike #16-19 (1995)
Thunderstrike and the Absorbing Man try to help She-Hulk and Titania sort out their differences; Bloodaxe turns to Thunderstrike for help against Seth‘s Serpent’s Teeth. 

Thunderstrike #20[2/2]-21[2/2] (1994)
Eric Masterson tells his son a story from Thor‘s past.
Thunderstrike #20[1/2]-21[1/2] (1994)
Thunderstrike continues to investigate the Serpent’s Teeth, allying with the Black Panther, Black Widow, She-Hulk and War Machine to battle Stegron and end Seth’s deadly alliance with Loki.

Avengers #383 (1995)
The Avengers assist Psi-Lord & Devlor of Fantastic Forces against the Kree super-soldier Shatterstar.

Tales of the Marvels: The Wonder Years #2 (1995)
Thunderstrike cameo; Thunderstrike attends Wonder Man‘s funeral.

Force Works #10[2/2] (1995)
Thunderstrike cameo; Century watches Wonder Man‘s funeral from afar.

Spider-Man The Power of Terror #3 (1995)
Thunderstrike cameo; the Avengers rescue those caught up in Spider-Man‘s clash with the Maggia.

Fantastic Four #400[2/2] (1995)
Thunderstrike cameo; Thunderstrike attends Mister Fantastic‘s funeral during EVEN THE WATCHERS CAN DIE.

Thunderstrike #22-24 (1995)
Thunderstrike learns Bloodaxe’s true identity; Thunderstrike picks up the Bloodaxe and becomes an amalgam of Thunderstrike & Bloodaxe in order to defeat Seth’s army; the Avengers watch as Thor battles Thunderstrike/Bloodaxe when Eric Masterson loses control; Eric Masterson overcomes the Bloodaxe’s influence at the cost of his own life during THE STORM AND THE SACRIFICE.
Thor #490 (1995)
Thunderstrike appears in flashback; Thor battles the Absorbing Man at Thunderstrike’s grave during THE STORM AND THE SACRIFICE.

Avengers #10-11 (1998)
Thunderstrike is among the deceased Avengers briefly resurrected by the Grim Reaper to join his Legion of the Unliving and battle the current Avengers line-up.

Strange #1-2 (2022)
First appearance of Stephen Strange as the Harvestman; Thunderstrike is resurrected as a zombie once again, but is returned to true death by the Harvestman.

A version of this reading order without story descriptions, page-by-page breakdowns or less non-essential guest appearances – just the primary Thunderstrike stories:

  • Thunderstrike #1-3
  • Thor Corps #1-4
  • Thunderstrike #4-9
  • Thor: The Worthy #1
  • Thunderstrike #10
  • Thor #477
  • Thunderstrike #11-24

Kevin Masterson picks up his father’s mantle in this reading order:

  • THUNDERSTRIKE: Kevin Masterson (2010-2022)
Thor‘s reading order from Eric Masterson‘s time as Thunderstrike and beyond:
  • THOR: Worldengine (1993-1997)

Notable multiversal versions of Thunderstrike:

EARTH-138

Superior Octopus #1 (2018)

Edge of Spider-Geddon #1 (2018)
Thunderstrike (Eric Masters) didn’t exhibit powers but claimed he’d been granted power by Odin; his fight with Spider-Punk is interrupted when Kang the Conglomerator electrocutes him during SPIDER-GEDDON.
EARTH-9907
A-Next #10-11 (1999)
Spider-Girl #58-59 (2003)
Heralding from a world ruled by Doctor Doom and policed by his Thunder Guard, Stormtrooper (Eric Masterson) was sent on a mission to infiltrate Earth-982; meeting that world’s version of his son, Kevin Masterson (who had inherited his father’s Thunderstrike identity), encouraged him to turn his back on Doom and seek a better life.

EARTH-15513
A-Force #1 (2015)
Red Skrull #1 (2015)
Armor Wars #5 (2015)
Squadron Sinister #4 (2016)
Star-Lord and Kitty Pryde #3 (2015)
Thors #2, 4 (2014-2015)
Heralding from another reality, Thunderstrike is among the versions of Thor from around the multiverse who made up the Thor Corps – Emperor God Doom‘s police force on Battleworld – during SECRET WARS.
EARTH-983107
What If #107 (1998)
A reality in which Thor doesn’t fall prey to the Warrior’s Madness; Thunderstrike takes Thor‘s role among the Avengers while Thor himself becomes ruler of Asgard.

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The last new character reading order to

After the release of Titans Season 4 Part 2 trailer, new details about the show’s crossover episode with Stargirl has been revealed by its director. 

Although Stargirl was cancelled by The CW, Brec Bassinger’s titular DC heroine is still poised to return for one more adventure alongside the Titans. 

Plot details of the crossover are still being kept under wraps, but it is expected to heavily feature Ryan Potter’s Beast Boy. 

When Will Titans Crossover With Stargirl Premiere?

Titans director Eric Dean Stanton confirmed on Twitter that the show’s crossover episode with Stargirl will premiere on Thursday, April 20, on HBO Max. 

Stanton also revealed that the episode is titled, “Dude Where’s My Gar?,” with the director saying that “there is so much bucket-listness” in the installment that could have been the title:

“Coming 4/20/23 the comic that made me want to be a storyteller! #Directorslife [‘Titans’] Final Season. “Dude, Where’s My Gar.” 

There is so much bucket-listness in this episode that could have been the title.”

Bassinger previously confirmed the crossover by sharing a behind-the-scenes photo of herself alongside Ryan Potter, Stanton, and Stargirl producer Geoff Johns: 

Twitter

As pointed out by @StargirlWiki, the crossover episode was supposed to be Episode 7, but this new move confirmed that it is now Episode 9. 

Moreover, this is the first episode of Titans to be co-written by a cast member since Potter is one of the scribes.

How Stargirl Fits in Titans Season 4 (Theory)

Titans Season 4 Part 1’s ending was quite unfortunate for the team, with Mother Mayhem seemingly defeating the Titans. After the team vanished, Ryan Potter’s Gar aka Beast Boy was the only one left, with him being transported to the Red (a force that connects all living organisms within the universe). 

Given that the crossover features Gar in a more prominent role, it’s possible that Brec Bassinger’s Stargirl will only meet the lone Titan member in the episode. While this is unfortunate, there is a potential explanation as to why this will happen. 

Considering that Beast Boy was transported to the Red at the end of Season 4 Part 1, it’s possible that the installment would feature his escape from that dimension, leading to a trip to the Multiverse, specifically Stargirl’s Earth-2. 

However, the downside to this theory is Stargirl or the Justice Society of America is not aware of Multiverse travel so it would be hard for Gar to return to his Earth.

Another possible way for Gar to return to reality would mean escaping from the Red accidentally transports him into Blue Valley (Stargirl’s town). 

If this happens, this would mean that the Stargirl who will appear in Titans is a different version from The CW series. (The Crisis On Infinite Earths crossover established that Titans and Stargirl are set on different realities.)

It remains to be seen if Bassinger’s Stargirl will have a brief role in the upcoming crossover, but seeing her return is already a win for fans. 

Titans Season 4 Part 2 is set to premiere with a two-episode slate on HBO Max on Thursday, April 13. 

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In 2020, Epic Games publicly for the first time. Nearly three years later, gamers are still waiting for the tech to go mainstream. Outside of and , there aren’t any UE5 games you can play right now, and the first salvo probably won’t arrive until the end of the year at the earliest. None of that stopped Epic from showcasing the engine’s latest capabilities with a handful of new demos during its recent at GDC 2023.

Arguably the most impressive one saw Senua’s Saga: Hellblade 2 developer Ninja Theory show off Epic’s new . The tool promises to make realistic facial capture accessible to indie developers by allowing them to use an iPhone, instead of dedicated equipment, to capture facial performances. As you can see from the two demos Epic shared, the tool makes it possible to quickly and accurately transform a closeup video of an actor into something a studio can use in-game. Epic said the animator would launch this summer.

Separately, Epic showed off some of the enhancements coming to Unreal Engine 5.2 with a demo that featured, of all things, a digital recreation of electric truck. The EV turned out to be the perfect showcase for UE 5’s new Substrate shading system. The technology allows artists to create different shading models and layer them as they see fit. In the demo, Epic gave the R1T an opal body to show how Substrate can allow different material layers to interact with one another without creating lighting artifacts. The demo was also a showcase for Epic’s new set of Procedural Content Generation tools. They allow artists to create expansive, highly detailed levels from a small set of hand-crafted assets.

If all goes according to plan, it won’t be much longer before the first slate of Unreal Engine 5 games arrive. Provided it’s not delayed again,  is slated to release this year. Lords of the Fallen and , two other UE5 projects, don’t have a release date yet but have been in development for a few years now.

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In 2020, Epic Games publicly for

For writers of hardboiled fiction, the private eye could act as a conduit, an unmoored guide moving freely across social ranks and situations. For director Nima Javidi – whose new series “The Actor” is the first Iranian production to premiere in competition at Series Mania – the thespian might play a similar role.

“Shakespeare said that all the world’s a stage,” Javidi tells Variety. “And that all the men and women are merely players, assuming different roles depending on their situations and what they want to achieve. I thought it was fascinating [to put performers in those private detective roles and have them], overcome obstacles, solve problems, and save themselves and others from difficulties by using their acting abilities.”

Led by Venice best actor winner Navid Mohammadzadeh (who recently anchored Saeed Roustayi’s Cannes-acclaimed “Leila’s Brothers”), “The Actor” follows Ali (Mohammadzadeh) and Morteza (Ahmad Mehranfar), two down-and-out performers with little to their names but a derelict theater for which they can barely make rent. Still looking to practice their chosen trade, the performing pair stage elaborate, costumed pranks, mostly paid for by Teheran’s rich-kid set. That is, until the duo catch the attention of a shadowy private firm that uses improv artists as investigators.

“This kind of role-playing in real life could expand forever, assuming so many different forms,” Javidi explains. “Unlike Sherlock Holmes, who uses his intelligence, or superheroes, who save people with their incredible strength, [Ali and Morteza] resolve their obstacles and accomplish their adventures by exercising their art. They act to save themselves and others from difficulties.”

Forging an intriguing mix of serial and procedural, and with a season order of 26 episodes, “The Actor” moves at a beguiling and deliberate pace, keeping viewers on-edge with an ever shifting tonal register. Like a scene partner — another “Yes And” party accompanying the two leads in bouts of make-believe — the series’ very style accentuates the roleplaying, extending notes of dread or humor or harrowing tension into one of the duo’s staged scenario, pushing forward more on mood than narrative all the way through.

“We’ve fallen into an abyss of repetition,” says Javidi, who came up from Iran’s auteurist filmmaking sector. “At least in terms of Iranian series production. So I think this series will offer audiences a new taste – to offer them something fresh and unique.”

Working with cinematographer Morteza Najafi, among others, Javidi bathes his series in a dim and moody glow that calls to mind Gordon Willis’ work on “The Godfather,” lending “The Actor” a broody visual grandeur that often cuts against the characters’ ridiculous antics as they try to evade creditors or pull cheap scams for paltry sums or enact elaborate real-world sketches. Careening headfirst into the staged reality of any new scenario, “The Actor” often plays as a valentine to make-believe.

“I take inspiration from the stage, from the actors themselves, and from the situations in which I find myself,” says Javidi. “The [further we go] the more we realize that all the characters are playing roles, and in my opinion, this is completely derived from reality. Now this story might be a bit more exaggerated than others, but in truth, everyone on this planet is playing a role.”  

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For writers of hardboiled fiction, the private

Florence Pugh proved she isn’t afraid to take some scissors to her own hair for a role.

The Don’t Worry Darling star told Jimmy Fallon on The Tonight Show that “it was my idea” to cut off her actual hair for Zach Braff’s A Good Person. At the beginning of the film, which follows Pugh’s Allison as she forms an unlikely friendship with her would-be father-in-law, Daniel (Morgan Freeman) after surviving an unimaginable tragedy, her character impulsively chops off her hair.

“I was like, ‘Zach, I think I should chop my hair off at the beginning of the movie.’ And he was like, ‘The beginning of the movie – cool. That’s not gonna work,’” she explained.

Pugh said the crew was worried about how to shoot the film in order if she cuts her hair at the beginning of filming. Her response to that was, “You’ll figure it out.”

She added that the team had a big conversation and told Braff, “This is insane. She can’t do this. This is not helpful at all.” The director tried to convince her to use a wig, but she doubled down, saying again, “You’ll figure it out.” And so they did.

In a recent interview with USA Today, the Midsommar actress said everyone on set was “really anxious” since they were only going to have one take to get it, but that she “found it really liberating.”

She continued, “If anything, it was like the final key to unlocking this character. It took vanity out the window.”

Pugh also shared a personal connection to the scene, recalling as a teenager experiencing similar impulsive moments because she was “just looking in any direction but the thing that was making me sad.” 

“For me, whenever I was particularly low as a teenager, I would do lots of quick fixes,” she said. “I would buy things like nail kits or scissors and go onto YouTube and find out how to do it.”

A Good Person is currently playing in theaters.

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Florence Pugh proved she isn’t afraid to

‘Young and the Restless’ 50th Anniversary: Cast Reveals Favorite Fan Moments, Guest Stars and More (Exclusive) | Entertainment Tonight

































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If you’re a fan of Daisy Jones & the Six, then you likely have the Prime Video drama’s soundtrack stuck in your head.

The show’s impressive roster of music includes 25 original songs, written or co-written by Grammy Award winner Blake Mills with the help of musicians/songwriters such as Marcus Mumford, Phoebe Bridgers, Jackson Browne and Taylor Goldsmith, among others. The catchy tunes, performed by the show’s cast, range from Daisy Jones & the Six hits like “Look at Us Now (Honeycomb)” to disco gems from Daisy’s BFF Simone to early Dunne Brothers rock numbers.

The Aurora album by Daisy Jones & the Six, in particular, “sounds like a band from the ‘70s that sounds kind of like other things, but actually is completely unique,” Suki Waterhouse, who plays keyboardist Karen, enthuses.

TVLine asked the show’s stars and executive producers to do the impossible: pick their favorite original song from the series’ deep bench of legit earworms. Their choices include band staples like “Let Me Down Easy” and “Regret Me,” but also lesser featured tracks from Aurora, as well as a couple of non-Daisy Jones & the Six selections.

Plus, the group’s leader singers, Riley Keough and Sam Claflin, reveal which songs they found the most challenging to sing, so much so that Claflin vows to never perform one of them again.

Review the cast and EPs’ favorite tunes below and listen to them by pressing PLAY on the videos. Then hit comments to share your No. 1 pick! (For scoop on the finale’s big moments, check out our post mortem here.)

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If you’re a fan of Daisy Jones

Since 2016, Netflix has made it a point to jump in the anime streaming market, with a mission to grow its consumer base by offering fans Japanese anime titles. The platform carries a slate of more than 150 Japanese animation shows and films, and has made lucrative partnerships with anime production houses and companies, like Nippon TV and Production IG. Which means it can be tough to find the best anime to watch on Netflix.

“We value local partnerships that expand our lineup, giving Netflix access to great production houses and talent,” Taiki Sakurai, Chief Producer, Anime at Netflix told TheWrap. “Our vision is to ultimately please a broad fanbase through the variety of our line-up, delivered in your language in a timely manner after broadcast or theatrical release.”

With old, new and Netflix-premiering titles like ““Jojo’s Bizarre Adventures” and “Record of Ragnorak,” the streaming giant has become one of the major forces — and most easily-accessible locations — for anime streaming. And we’re here to help you cut straight to the great stuff with some curated selections.

Here are the 13 best anime series on Netflix right now.

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Since 2016, Netflix has made it a

Jimin stopped by The Tonight Show Starring Jimmy Fallon on Friday (March 24) to promote his debut solo album, FACE.

To celebrate the new release, which dropped the same day through HYBE LABELS, the BTS member gave the U.S. solo debut performance of his ’80s-inspired song “Like Crazy.” Sporting a sparkly black jacket and white undershirt, the K-pop superstar showed off his impressive dance moves amid bright neon lights while surrounded by a group of dancers.

On Thursday night (March 23), Jimin sat down with Fallon to discuss a range of topics, including meeting President Joe Biden and keeping in touch with his BTS bandmates.

Though the band is on hiatus, a break to allow its seven members to fulfill South Korea’s mandatory military commitments, “we keep in touch,” Jimin explained, “with J-Hope, Suga, everyone.”

The artists also test out their solo material on one another. When a new song is “completed to some extent,” presumably including numbers from FACE, “that’s when we let one another listen to it,” he added.

Darting between Korean and English, Jimin discussed the “positive impact” of BTS meeting with president Joe Biden at the White House, and their talks with POTUS “about how more people should have keen interests in current issues.”

FACE was preceded by pre-release single “Set Me Free, Pt.2” and its dance-heavy music video. The six-song project also contains “Like Crazy,” album opener “Face-Off,” and more. In addition to production from the likes of Pdogg, Ghstloop and Evan, Jimin’s BTS bandmate RM also has songwriting credits on three songs on the tracklist.

Watch Jimin perform “Like Crazy” on the Tonight Show below.

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Jimin stopped by The Tonight Show Starring

NOW ON APPLE TV! Prepare to be entered involuntarily into a treacle chugging contest with the Oscar-winning animated short The Boy, The Mole, The Fox and The Horse, directed by Peter Baynton and Charlie Macksey. It is the adaptation of the British children’s book by Macksey with a script by Macksey and Jon Croker. When conceiving his story, Macksey thought it would be cute to set Samuel Beckett’s Waiting for Godot in Winnie the Pooh’s Hundred Acre Wood. Was he right?

A boy (Jude Coward Nicoll) is standing in the middle of the snow near some woods. A mole (Tom Hollander) comes across him and asks him where he is going. The boy says he is going home but doesn’t know where that is. The mole starts ranting about cake, and they start wandering aimlessly. They are attacked by a fox (Idris Elba) who attempts to eat the mole. But, the mole is able to free the fox from a snare, so the predator ignores his hunger.

“…rescues the mole from the river, and all three start wandering in the snow…”

Later, the fox rescues the mole from the river, and all three start wandering in the snow together. They find a horse (Gabriel Bryne) who has never really felt like he has been understood. We find out that the fox has self-esteem issues. The boy still has no idea who his family is or where he lives while the mole jabbers on about cake. It then starts raining.

F**k me to tears, The Boy, The Mole, The Fox and The Horse is awful. It makes the mistake of developing the characters less in order to increase the chance of symbolism more. Occasionally the mole says some clever little line, like wasting time with friends is never time wasted. A parent may be impressed with this material, but a child would pick apart with a few deft “but whys?” A boy is lost in the woods. “But why?” Because he doesn’t remember where his home is. “But why?” Because that boy is not a kid but a cipher for platitudes.

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NOW ON APPLE TV! Prepare to be