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Wednesday, Dec 18th, 2024
HomeEntertaintmentWhat to WatchShooting Stars Director Reveals The Important ‘Gift’ LeBron James Gave Him During The Film’s Production

Shooting Stars Director Reveals The Important ‘Gift’ LeBron James Gave Him During The Film’s Production

Shooting Stars Director Reveals The Important ‘Gift’ LeBron James Gave Him During The Film’s Production

There’s a new basketball movie on the scene (or court?), and it’s called Shooting Stars. Streamable with a Peacock subscription, the high school biopic centers on LeBron James, Willie McGee, Dru Joyce and the rest of players who made up St. Vincent–St. Mary High School’s “Fab Five” from the late ‘90s to early ‘00s. James serves as an executive producer on the flick via his SpringHill Company production banner, which has been growing over the past several years. Veteran film, TV and music video director Chris Robinson was tapped to helm the feature as well and, as it so happens, he received an important “gift” from James while the project was in the works. 

It goes without saying that Chris Robinson had a major task ahead of him with the creation of this movie, which was adapted from the memoir of the same name written by LeBron James and Buzz Bissinger. James can be hands-on so, when I spoke to Robison during the Shooting Stars press junket, I inquired about how the athlete and businessman impacted production. Interestingly enough, the filmmaker revealed that he still hasn’t actually met the four-time NBA champion. Robinson still said, however, that James’ influence was still felt: 

Well, an interesting point is that I have not met LeBron yet, in this process. But here’s what I’ll say. This movie’s been 13 years in the making, and LeBron is a co-author of the book Shooting Stars. And I’ve been on this project for about three and a half years. And I think, in filmmaking, what is undervalued is when your producers support you full heartedly and let you work. Now, LeBron’s obviously got a day job, and he’s a mogul. So he’s busy, but I think he watched from afar. But every script, you know, he would greenlight the changes. For when we went and scouted, he would greenlight the locations. So he was the kind of producer who let the director do his work, which I appreciated a lot.

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