Robert and Kenny begin the show answering questions from Score: The Mailbox about why album versions of scores sometimes differ from the film version, the use of diegetic music in film and if there is a common starting point for writing a score.
Then, Emmy-nominated composer Max Richter joins to discuss his brilliant artist career, including his new album ‘Voices,’ why director Ari Folman called out of the blue demanding he score Waltz with Bashir, his use of laments in Taboo, why he write “Sleep” even though he can’t sleep with music playing, and the reason he took real space travel data and converted it into music for Ad Astra.
This episode is presented by Spitfire Audio
Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at [email protected]
Hosts: Robert Kraft & Kenny Holmes
Executive Producer: Matt Schrader
Coordinator: Carol Kuswanto
© 2020 Epicleff Media
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