Kenny and Robert begin the show discussing the 2020 Emmy nominations, the updated theatrical rollout plan for Christopher Nolan’s Tenet, composer Alan Menken achieving EGOT status with a Daytime Emmy win and checking Score: The Mailbox with a question about why all film scores aren’t released.
Then, Oscar and Golden Globe-winning composer Alexandre Desplat joins the show to discuss his new film with Wes Anderson, The French Dispatch, his transition from French cinema to Hollywood films and how the scoring process is different, writing songs for Guillermo Del Toro’s upcoming live-action Pinocchio, how he lost his favorite pair of glasses when first meeting John Williams and the advice Ennio Morricone gave him that he constantly thinks about.
This episode is presented by Spitfire Audio.
Follow us on Twitter @ScoreThePodcast, or send Kenny and Robert your questions for the mailbox at [email protected].
Hosts: Robert Kraft & Kenny Holmes
Executive Producer: Matt Schrader
Coordinator: Carol Kuswanto
© 2020 Epicleff Media
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Review on iTunes (Windows or MacOS X)
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3. Select Score: The Podcast, and then tap the Reviews tab. Tap Write a Review at the bottom.
4. Before pressing Send, take a screenshot of your review (on Windows, press Windows+PrtScrn or use the Snipping Tool; on Mac, Shift+⌘+4). This is your proof of entry to win an autographed copy of SCORE: A FILM MUSIC DOCUMENTARY. (Be sure you remember to hit Send after!)
(Optional) 5. Tweet us your screenshot @ScorethePodcast. This way we’ll be able to contact you through Twitter, as iTunes does not allow us to contact you. Pat yourself on the back for helping launch this podcast! Bravo, maestro!
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