Categories
Widget Image
Trending
Recent Posts
Saturday, May 4th, 2024
HomeEntertaintmentDocsConfession | Film Threat

Confession | Film Threat

Confession | Film Threat

When you step off the path of righteousness for so long, is there any chance of coming back? That question is asked in Anastasia Norenko’s short film, Confession.

Our tale opens in a Russian Church in the late 19th century. A priest (Eduard Chekmazov) is attending to the great hall of his parish. Slipping through the darkness is a sinner (Ivan Shibanov), and the priest invites him closer to the warmth of the church’s candles.

The sinner steps forward in confession of his sins. The man was once righteous following the way of God, but he stepped off the path into sinful life and a faith that faded over time. Finding himself at the darkest point in his life, the once righteous man wonders if his lie were to end would he spend an eternity in torment, or would he rest in peace?

“…once righteous following the way of God, but he stepped off the path into sinful life…”

Confession is based on a poem written by writer/director Anastasia Norenko. The film is the poem’s performance by Ivan Shibanov spoken in almost Shakespearean fashion as the sinner expresses the thoughts that have been swirling in his mind over years of sinful living and culminating in its first and final recitation at this moment.

The sinner’s story is told in a single shot without edits. Director Norenko adeptly choreographs her play between not just the priest and the sinner but with Norenko’s camera movements as the sinner makes full use of the church. Not to burst the bubble, but the ADR sometimes doesn’t quite mate us. These moments are small, and yes, I’m nit-picking a bit.

That said, the film rests upon Ivan Shibanov’s haunting performance as a tortured man looking for rest on this earth in hopes that his rest will be eternal as well. But does he believe he deserves it, and was God right…or even there…when it walked off that path. Shibanov’s confession is aided greatly by not only Norenko’s production choices in the church but her use of candles to light her scenes.  The setting of Confession brilliantly matches the grave tone of the sinner’s words.

For screening information about Confession, visit Anastasia Norenko’s official website.

Source link

Print Friendly, PDF & Email

No comments

Sorry, the comment form is closed at this time.