Nancy Buirski, an Emmy and Peabody Award-winning documentary filmmaker whose eye was honed as a still photographer and picture editor, died on Wednesday at her home in Manhattan. She was 78.
The cause had not yet been determined, her sister and only immediate survivor, Judith Cohen, said.
After founding the Full Frame Documentary Film Festival in 1998 at Duke University in Durham, N.C., and directing it for a decade, Ms. Buirski (pronounced BURR-skee) made her own first documentary, “The Loving Story,” in 2011.
The film explored the case of Mildred and Richard Loving, who faced imprisonment because their interracial marriage in 1958 was illegal in Virginia. (She was part-Black and part-Native American, and he was white.)
Their challenge to the law resulted in a landmark civil rights ruling by the United States Supreme Court in 1967 that voided state anti-miscegenation laws.
The documentary, directed by Ms. Buirski, won an Emmy for outstanding historical programming, long form, and a Peabody Award. It premiered at the Tribeca Film Festival in New York and made its television debut on HBO during Black History Month in 2012.
“Drawing from a wealth of stunning archival footage,” Dave Itzkoff wrote in The New York Times. “‘The Loving Story’ recreates a seminal moment in history in uncommon style, anchoring a timely message of marriage equality in a personal, human love story.”
Ms. Buirski went on to seek more stories to tell, drawing on a wide range of voices and experiences.
“Nancy was a completely original thinker and a visionary,” her frequent collaborator and producer, Susan Margolin, said in an email. “With every film she pushed the limits of the art form with her kaleidoscopic, unique approach to storytelling.”
Ms. Buirski directed, co-produced and wrote “Afternoon of a Faun” (2013), about the ballerina Tanaquil Le Clercq, who contracted polio while on tour in 1956; and “By Sidney Lumet” (2015), about the acclaimed filmmaker, both of which were broadcast by PBS on “American Masters.”
She also directed, co-produced and wrote “The Rape of Recy Taylor” (2017), about the 1944 kidnapping of a Black woman by seven white men. Despite their confessions, they were never charged, although in 2011 the Alabama Legislature apologized for the state’s failure to prosecute her attackers.
The critic Scout Tafoya, writing on the website RogerEbert.com, called the film “a stirring, infuriating marvel,” and it was awarded a human rights prize at the 74th Venice International Film Festival.
Ms. Buirski went on to direct, co-produce and write “A Crime on the Bayou” (2021) about a 1966 altercation sparked by school integration, and “Desperate Souls, Dark City and the Legend of Midnight Cowboy” (2023), which explores John Schlesinger’s 1969 film starring Jon Voight and Dustin Hoffman.
She was also a special adviser to “Summer of Soul” (2021), Questlove’s Academy Award-winning concert-film documentary, based on rediscovered footage, about the 1969 Harlem Cultural Festival.
Years earlier, as a picture editor on the international desk at The New York Times, Ms. Buirski was credited with choosing the image that won the newspaper its first Pulitzer Prize for photography, in 1994.
After seeking a photograph to accompany an article on war and famine in southern Sudan, she choose one by Kevin Carter, a South African photojournalist, of an emaciated toddler collapsing on the way to a United Nations feeding center as a covetous vulture lurked in the background.
Ms. Buirski commended the photo to Nancy Lee, The Times’ picture editor at the time. She then proposed it, strongly, for the front page, because, she recalled telling another editor, “This is going to win the paper’s first-ever Pulitzer Prize for photography.”
The photograph ended up appearing on an inside page in the issue of March 26, 1993, but the reaction from readers, concerned about the child’s fate, was so strong that The Times published an unusual editors’ note afterward explaining that the child had continued to the feeding center after Mr. Carter chased away the vulture.
The picture won the Pulitzer in the feature photography category. (Mr. Carter died by suicide a few months later at 33.)
Ms. Buirski was born Nancy Florence Cohen on June 24, 1945, in Manhattan to Daniel and Helen (Hochstein) Cohen. Her father was a paper manufacturer.
After graduating from New Rochelle High School in Westchester County, she earned a bachelor’s degree from Adelphi University in Garden City, N.Y., in 1967.
She worked as an editor for the Magnum photo agency before joining The Times.
As a photographer she produced a book of 150 images titled “Earth Angels: Migrant Children in America” (1994), which vividly captured the children of migrant farmworkers at work during the day and attending school at night and dramatized the hazards they faced from poor housing, harsh working conditions and exposure to pesticides.
Her marriages to Peter Buirski and Kenneth Friedlein ended in divorce.
Monica has a BA in Journalism and English from the University of Massachusetts and an MS in Journalism and Communications from Quinnipiac University. Monica has worked as a journalist for over 20 years covering all things entertainment. She has covered everything from San Diego Comic-Con, The SAG Awards, Academy Awards, and more. Monica has been published in Variety, Swagger Magazine, Emmy Magazine, CNN, AP, Hidden Remote, and more. For the past 10 years, she has added PR and marketing to her list of talents as the president of Prime Entertainment Publicity, LLC. Monica is ready for anything and is proudly obsessed with pop culture.
