Editor’s note: Deadline presents the 40th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for when we asked them to do this was a concise, mature and thoughtful conversation comparable to what we saw from Roger Ebert and Gene Siskel.
This week we look at the new releases Bones and All, She Said and Polish Oscar entry EO.
Timothée Chalamet, Taylor Russell and Mark Rylance star in director Luca Guadagnino’s award-winning Bones and All, an unlikely love story set against the world of cannibalism. But what is it really about? Guadagnino won the Best Director award at the Venice Film Festival for this, his first film shot in America — specifically the American Midwest — with a story that goes in unpredictable directions, but does it really work? It will be playing wide for the Thanksgiving holiday and beyond. What is the appetite for it?
Also, find out what we say about She Said, the kind of critically acclaimed and serious drama Harvey Weinstein used to champion at Miramax and The Weinstein Company. That won’t be the case here for this Universal release because Weinstein’s criminal role is at the center of it, an authentically told story of New York Times journalists Jodi Kantor and Megan Twohey, who broke open the case against Weinstein in getting the multitude of women victimized by his various sexual assaults to finally have their say. Many of them are even in the film that stars Carey Mulligan and Zoe Kazan as those courageous journalists, and even includes Ashley Judd playing herself. Directed by Maria Schrader and written by Rebecca Lenkiewicz, this is a film about women, in front of and behind the screen, who went against the odds to be able tell an extraordinary story. How well do they succeed, and will audiences even want to see it even as Weinstein is on trial again — this time in Los Angeles after being sentenced to 23 years in prison in New York. Find out what we say about him and why this is a must-see.
Finally, we do a deep dive into one of the year’s finest international films, the official Oscar entry from Poland, veteran director Jerzy Skolimowski’s moving, wry and compelling EO. The film focuses on a donkey and his wild journey, but is it really about humanity and the people he meets along the way. It won a prize at Cannes where it debuted in May, and now it hits theaters.
To watch our conversation, click on the video above.
Hammond has been Deadline’s Awards Columnist for the past decade, covering what now seemingly is the year-round Oscar and Emmy seasons. He is also Deadline’s Chief Film Critic, having previously reviewed films for MovieLine, Boxoffice magazine, Backstage, Hollywood.com and Maxim, as well as Leonard Maltin’s Movie Guide, for which he was a contributing editor. In addition to writing, Hammond also hosts KCET Cinema Series and the station’s weekly series Must See Movies.
McCarthy is a veteran trade publication film critic, columnist and reporter who has also written several acclaimed books and documentary films. He served two stints on the staffs of Variety and The Hollywood Reporter and extensively covered film festivals internationally for both publications. His film Visions of Light: The Art of Cinematography won the best documentary prizes from the New York Film Critics and National Society of Film Critics associations, and he won an Emmy for writing the documentary Preston Sturges: The Rise and Fall of an American Dreamer. He also directed the documentaries Man of Cinema: Pierre Rissient and Forever Hollywood.
